Category Archives: West Africa

Shango

Etymology: Strike from shan

Also Known As: Badé, Changó, Esango (Edo people), Hevioso, Jakuta, Nzazi, Sango, Ṣàngó, Siete Rayos, Xangô (Latin America), Sogbo or Ebioso (Fon people)

In Nigeria, among the Yoruban people and the Dahomey religion, Shango is a god or Orisha of fire, thunder, and lightning. Like many storm and thunder gods, Shango lives up in the sky where he hurls thunderstones down to the earth, killing those who offended him or setting houses on fire.

Attributes

Animal: Black Cat, Dog, Duck, Fresh Water Turtles, Quail, Ram, Sheep, Tortoise

Colors: Red, White

Day of the Week: Friday and Ojo Jakuta, the fifth day of the week in Yorubaland.

Elements: Fire

Feast Day: December 4th, same as Saint Barbara

Gemstones: Thunderstones; either meteorites or stone celts

Metal: Iron

Number: 3 and 6

Patron of: Resistance, Strength, Power

Sphere of Influence: Thunder, Lightning, Fertility, War, Truth, Intelligence, Courage, Power, Dominance, Resistance

Symbols: Stone Celt, Double-Headed Axe, Bangles, Brass Crown, any object struck by lightning

Taboo (Yoruba): Cowpea, don’t eat this.

Depictions

Statues, imagery, and other art featuring Shango show him with a double axe on his head that represent thunder. He will often be dressed in clothing that’s red and white. Sometimes Shango has six eyes and other times he has three heads. In some traditions, Shango wears a headdress with cowrie shells on it.

In the Candomblé traditions, Xangô as he is called wears red and has a brass crown.

Worship

There is a religious ritual of Shango designed to help devotees and followers of Shango to gain and have self-control. Shango beads tell the story of his essence with white beads representing Obatala’s logic alternating in balance with the red beads of Aganju’s fire and passion when pursuing a goal.

The initiation ceremony of Shango came about after his deification which preserves his memory and the prosperity he brings to his followers on a personal level just as he brought prosperity to the Oyo kingdom in life.

Altars to Shango will often have a carved image of a woman holding her bosom as a gift to Shango with a double-bladed axe sticking out of her head. The axe symbolizes the devotee as being possessed by Shango. The woman has an expression that is calm and collected, representing the attributes or qualities she has gained from her faith.

Ritual foods for Shango include guguru, bitter cola, àmàlà, and gbegiri soup. The Bata drum is also used during Shango’s worship and rituals.

Candomblé

In this religion, Shango or Xangô was the son of the Oyo king Oranyan. During the African diaspora, Xangô gained strong importance among the slaves in Brazil for his strength, resistance, and aggression. Xangô became a patron orixa of plantations and many Candomblé terreiros. In contrast, Oko, the orixa of agriculture didn’t receive as much favor among slaves in Brazil and given the circumstances, I don’t blame them.

A dish known as amalá (a stew of okra with shrimp and palm oil) is sacred to Xangô.

Santería

In the Santería religion, Shango, or Changó as he is known is the focal or center point of the religion and represents the Oyo people of West Africa. Changó is a representative of the ancestors and all who adhere to the Santeria faith.

In Latin America, there is a major initiation ceremony that has been held for the last few hundred years that is based on the Shango ceremony of the Ancient Oyo. It is a ceremony that has survived and is considered the most complete to have arrived on the Western shores.

Yoruba

There is an initiation ceremony that is also based on the Shango ceremony and is the basis for all the Orisha initiation ceremonies within the Americas.

Other Traditions

Other traditions that venerate Shango are Folk Catholicism, Louisiana Voodoo, Palo, the Portuguese Candomblé and Umbanda, the Trinidad Orisha, Haitian Vodou, and Vodun.

Royal Ancestor

Before becoming deified or an orisha, Shango was once a mortal king, the third king of the Oyo Kingdom. After his death, Shango became deified. I have other sources that say Shango is the fourth king.

The lineage of kings is as follows: Oduduwa, Oranyan, and Ajaka. In life, Shango was known as Jakuta and was the third king or Alafin of Oyo kingdom. Jakuta was the brother to Ajaka known to be more peaceful compared to Jakuta’s more violent rule who could wield supernatural forces to create thunder and lightning. Jakuta ruled for a period of seven years that was noted for constant war campaigns and numerous battles. Towards the end of Jakuta’s reign, it is said he caused the unintentional destruction of his palace with lightning. While alive, Jakuta was married to three women named Oshun, Oba, and Oya.

Oral traditions tell how during Shango’s mortal reign, a subordinate chief challenged Shango’s rule. Many people were impressed by the subordinate chief’s feats and demonstration of magic, such that they went to follow this new leader. Dismayed by this public defeat and humiliation, Shango left Oyo and committed suicide by hanging.

A variation to this story I came across is that Shango was so fascinated by the use of magic that while calling down the powers of thunder and lightning, Shango accidentally set fire to his palace and killed his wives and many of his children. It is in shame from that, that Shango left the kingdom of Oyo.

When enemies and detractors of Shango were contemptuous and spreading his shame, a series of storms swept over Oyo, destroying many homes. This caused people to believe that Shango’s powers had made him a god or orisha and these storms were proof of his wrath. There are suggestions that Shango’s followers set fire to these homes.

However, those loyal to Shango said that he really ascended to the heavens by climbing a chain and that he became an orisha. Shango would gain the attributes of an earlier orisha, Jakuta who represented the wrath of the supreme deity Olorun-Olodumare. Shango’s cult and worship would continue to grow and spread throughout Oyo and Yorubaland. Even neighboring people of the Edo and Fon would adopt Shango into their religions.

Orisha

Shango is a member of the Orisha, who are either a spirit or deity. In the Yoruba religion, a nature-based tradition, it is believed that the source of everything is called Olorun or Olodumare. The Orisha themselves are regarded as being different aspects of the main deity, Olorun-Olodumare. Shango is regarded as the most powerful of all the Orisha.

With the Trans-Atlantic slave trade, the worship of Shango was brought with the slaves and is now found throughout much of the southern U.S., Latin America, and South America.

Irunmole

Much like the Hindi avatars, Shango has had many Irunmole or manifestations. The names of some of them are Airá, Agodo, Afonja, Lubé, and Obomin. All of these people are believed to have been an incarnation of Shango and like many such Irunmole, had great wisdom and power while they lived.

Parentage and Family

Father

Oranyan – The mortal king of Oyo before Shango become deified.

Mother

Yemaja – Orisha mother goddess and protector of birth.

Consort

In some traditions, Shango’s wives are said to be the rivers.

Oba – She tried to win Shango’s love by offering her ear to him to eat. In anger, Shango sent her away and she became a river goddess.

Oshun – A river goddess and Shango’s favorite as he loves her cooking.

Oya – A Storm and Mother goddess, she is also the Niger river. It is said she stole the secrets of Shango’s magic.

Siblings

Oya – Depending on the stories or tradition, Oya and Shango are brother and sister, not husband and wife.

Shango’s Wives

As noted, the main wives of Shango are venerated as Orisha. All three are associated with rivers in Nigeria. The first is Oya, connected to the Oya River. Oya would become the orisha of battle, storms, and hurricanes. Oya had once been married to Ogun but would fall in love with Shango. Together, Oya and Shango partner up when going out to battle.

Then there is Oshun who is connected to the Osun River. Oshun is the orisha associated with love, sensuality, and femininity.

Lastly, we have Oba who was forever hopelessly in love with Shango. Oba would find herself rejected by Shango after another of his wives tricked Oba into cutting off her ear to feed to him. Oba went into exile in a cemetery and become the orisha of violent storms and death. She would also become the Oba River, specifically where it meets with the Osun River.

Orisha Of Thunder & Lighting

Shango is known as an orisha of thunder and lightning.

Fire – It should come as no surprise that one of Shango’s domains is that of fire as well. After all, lighting strikes are known to cause a fire.

Oṣè – This is the name that the double axe in Yorubaland that Shango has is called. The double axe symbolizes and represents lightning.

Resistance – During the African diaspora and slavery, Shango became a very important symbol of resistance.

Thunderbolts – Stone Celt

A celt in this case is a primitive stone tool like an adze, hoe or axe. Farmers would sometimes find these primitive, prehistoric tools while out-tilling their fields. Believing these stone celts were Shango’s thunderbolts, the farmers would take them to Shango’s priests who kept these in Shango’s shrine in an inverted mortar.

Shango was renowned and feared for his powers and whenever he spoke, fire came out of his mouth.

Jakuta – When not identified as an ancestor, it is believed that Shango likely usurped the duties and aspects of an older deity by the name of Jakuta. This older deity, Jakuta was known to hurl fire stones as punishment towards people if they acted against the wishes of Olodumre, the Supreme God, or Orisha. The name Jakuta means “Hurler of stones” or “Fighter with stones.” The prefix Ja means to hurl from aloft and the suffix okuta means stone. That’s interesting to note in connection to the stone celts that farmers would find out in fields and believed to be thunderbolts. Jakuta is also associated with a fellowship of meteorites.

Possession – Those who worship Shango and become possessed by him can eat fire, using oil-soaked cloth known as itufu to do so. Some may carry pots of live coal on their head or shove their hands into coals without any harm.

Fertility Orisha

As a fertility deity, particularly masculine fertility, Shango grants wealth and prosperity to his followers just as he did for the kingdom of Oyo during his mortal life and reign.

Dance – Shango’s power, seen in his ritual dances represents the dangerous side of sexual relationships. Another interpretation is a warning of the arrogancy in using military force for political gains and leadership. The bata drums are beaten to represent the sound of thunder.

War Orisha

As seen in the dances that Shango does, he is also he orisha of war as in life, he held many continuous campaigns and battles to expand his influence.

Oṣè – The double axe that represents lightning is also a symbol of military prowess and the use of violence.

Justice – There is also a close association of the use of force or might to make right and enforce justice. Shango was known for being rather harsh and strict with his subjects.

Catholic Saints

There are a few different Saints that Shango has been equated to and it varies by the religion revering him.

Saint Barbara – The Saint whom Shango is equated to in the Candomble tradition. She is the patron saint of armorers, artillerymen, military engineers, miners, and others who work with explosives. She has an old legend that connects her to lightning and mathematicians.

Saint Jerome – They are the patron saint of translators, librarians, and encyclopedists. In some traditions, he is regarded as the husband to Saint Barbara and for that reason, Saint Jerome gets syncretized or equated with Shango.

Syno-Deities

Jupiter – The Roman god of the heavens, his attributes are the lightning bolt.

Marduk – The Mesopotamian god of fertility and storms can be comparable to Shango.

Raijin – The Japanese god of thunder.

Teshub – The Hurrian god of the sky and thunder.

Thor – The mighty thunderer of Norse mythology, he is the god of thunder and war.

Zeus – The Greek god of the heavens, his attributes are the lightning bolt.

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Curupira

Pronunciation: kuɾuˈpiɾɐ (Portuguese pronunciation)

Also Called: Korupira, Korupira or Urupira.

Etymology: Tupi “kuru’pir” meaning “covered in blisters”, tupi-guarani “curu” Child and “pira” body

The Curupira is a legendary creature found in Brazilian folklore. Most of the stories will describe Curupira as being demonic in nature. A rationale that only makes sense if you’re the one going out exploiting nature and over hunting in the jungle.

Curupira is very clearly a nature spirit and protector of the jungle’s wildlife who takes his role very seriously. Given the number of stories where a hunter dies or vanishes that are attributed to Curupira’s doing, it’s easy to see why he is seen as demonic or in a gray area of attitude towards humans.

Description

The folklore surrounding Curupira is first documented in 1560 by the priest José de Anchieta and the first one he collected. The current versions of the stories tend to blend aspects of West African and European fairy lore into him. Even so, the stories of Curupira have been told by the native Tupi and Guarnani of Brazil for a long time.

There are regional variations to Curupria’s description, most though describe him having a bright red or orange hair and will either be a boy, man or a dwarf whose feet are turned backwards. Living in the jungle and forests of Brazil, Curupira uses his feet to confuse hunters and travelers as his footprints cause people to think he is coming instead of going.

Nothing earns Curupira’s ire more than a poacher or hunter who takes more than they need or those hunting animals with young and offspring.

To try and keep on his good side, some people going into the jungle will leave cigarettes and cachaca as a peace offering that they’re only harvesting or hunting a little bit and not to excess.

Powers

Curupira is also able to create illusions and a high pitch whistle sound to scare his victims into madness. The last bit is that Curupira is sometimes shown riding a peccary, not unlike another Brazilian creature known as Caipora.

Some variations give him super speed or the power of enchantment, transmutation and even increased strength.

Forest Protector

As a protective spirit of the jungle, that is Curpira’s main shtick in that he protects the jungle and its inhabitants from being over hunted and exploited.

T.V. Shows

Beast Master – A female version of Curupira appeared in several episodes. This version appeared as a young, blonde girl dressed in green with the same backwards feet and she could drain humans of their life energy, reducing them to a husk with a husk.

Invisible City – A Netflix Series, this series features a number of characters from Brazilian folklore, including Curupira who appears as a homeless person for much of the first season before revealing himself towards the end of first season. This version of Curupira featured flaming hair, not just red or orange hair.

Elegua

Pronunciation: uh·leh·goo·uh

Etymology: “Master of Force” or “Messenger of the Gods”

Other Spellings: Eleggua (Cuba), Elegu, Elegua, Elewa, Elegba

Other Names and Epithets: Legba, Club Bearer, Eshu-Eleggua

Elegua is a noted trickster and Orisha in Yoruba traditions from West Africa of Benin, Nigeria and Togo. It is an area known as Yorubaland that is a collection of some twenty plus groups with overlapping traditions and beliefs. Which means that trying to pin Elegua down is going to be rather tricky and I’d say precisely what Tricksters enjoy. These numerous groups mean that there will numerous variations to the stories and even spellings for Elegua’s name.

He is the first Orisha created by Olodumare and was present to witness the rest of creation. Elegua is a divine trickster who is seen as both young and old at once. The Orisha of the crossroads, he provides numerous opportunities and choices wherein he will enjoy sitting back to watch the chaos unfold.

Attributes

Colors: Black, Red

Day of the Week: Monday, Sunday

Element: Spirit

Feast Day: January 1st, June 13th, November 2nd

Number: 3, 21

Patron of: Doorways, Justice, Messengers, Tricksters

Sphere of Influence: Crossroads, Doors, Time, Trickster, Mischief, Mayhem

Symbols: Cement or Sandstone head with eyes and mouth formed of seashells, Hooked Staff (painted red & black), Keys, Whistle

Taboo: Pigeon (no food offerings of this please)

Depictions Of Elegua

Because he represents both the beginning and end of life, Elegua can often be shown as either a young child, an old man or both simultaneously. He is frequently shown wearing black and red clothing, either traditional or jester’s attire. Elegua often takes on the role of warrior and protector as noted when shown carrying a club. He represents the endless wanderer who often appears in the guises of a beggar or crazy person.

What’s In A Name?

Studying Elegua as a separate entity from Eshu can get a bit confusing. Some traditions hold the two as brothers, other traditions say they are one and the same. That the name Elegua is one title for Eshu representing the light half with Eshu being the dark or shadow half.

In Cuba, where the spelling is Eleggua, it is generally thought that this name is a mispronunciation of Elegbara, one of Eshu’s many caminos and manifestations in Africa. That the name Eleggua is probably the Hispanic form of Elewa for Eshu meaning: “Handsome One.”

With enough sources discussing the two, Elegua and Eshu as separate, Eshu will get a separate entry later on.

Modern Day Worship

Elegua is venerated throughout Latin America and Nigeria, especially in the Candomblé, Quimbanda, Santeria, Umbanda and Youran religions.

Statues of Elegua are kept behind the front entrance to a home. Elegua’s alter will be kept either behind the front door of the house or outside, directly to the left of the door. Additionally, Elegua’s alter is always kept on the ground and never at a human height.

Elegua has a beaded necklace or eleke that has a repeated red and black pattern. These colors of red and black represent the duality of life and death, war and peace, health and sickness and so. In Santeria, is well understood that you want to be on Elegua’s good side as he is the one to help things go smoothly or cause the mishaps that life can throw at a person. He is very much so at the crossroads and a part of every decision that a person can make in life for good or ill.

Offerings To Elegua

Elegua will extend his protection and help to those who give offerings of candy, cigars, coconuts and rum.

Like many Orishas, in the Santeria religion, it is important to properly propitiate Elegua; for as often as he will provide opportunities, he is just as likely to toss challenges and obstacles in one’s way.

For food offerings, Elegua will eat almost anything but pigeon. The young, child-like manifestations of Elegua often receive offerings of candy and toys. Older manifestations lean more towards the hard candy, popcorn, smoked fish, bush rat, goat, and rooster. Elegua is especially found of black & white hens and she-goats as offerings.

Orisha

Elegua is a member of the Orisha, the first one created by Olodumare. The Orisha are either a spirit or deity. In the Yoruban religion, a nature-based tradition, it is believed that the source of everything is called Olorun or Olodumare. The Orisha themselves are regarded as being different aspects of the main deity, Olorun-Olodumare. The Orisha act as messengers and go between for humans, answering the different prayers and requests as Olodumare is seen as being too busy to answer or do everything.

The Orisha are not perfect and like humans, will have many different good and bad traits. They also function as a family and the different relations and stories about how different Orisha relate to each other are known as Pataki, much like a fable or parable. The story doesn’t have to be true in that it actually happened in a historical sense but is made true in the telling.

With the Trans-Atlantic slave trade, the worship of Elegua was brought with the slaves and is now found throughout much of the southern U.S., Latin America and South America.

In places such as Cuba, the Dominican Republic, Haiti, and Puerto Rico, the various aspects of an Orisha are called caminos, meaning road or path.

In Nigeria, every city has a patron Orisha. Eleggua’s city is Ketu.

The First Orisha – Elegua is the first Orisha that Olodumare or Olofe created. As such, Elegua existed before the rest of creation and was present to witness everything else come into being.

However, there are other Yoruban traditions that state that Elegua is the youngest of the Orisha and the most powerful after Obatala. Elegua did come to be venerated and fed first in ceremonies after he successfully healed Olodumare. Like anyone could, getting to be first has gotten to Elegua’s head and he can cause a lot of mischief, mainly with ceremonies not going right if he isn’t appeased first. Just as Elegua must be called on first in ceremonies, he is also called upon last when closing them out.

Parentage & Family

There are a few different stories for the origins and parentage of Elegua.

Mother Oya is given as the mother of Elegua.

Father – This part isn’t clear as Oya herself has a couple of different consorts. Either Chango or Ogun.

Other sources and myths will list Elegua as the son of Obatala and Yemmu.

Siblings

Following where Obatala and Yemmu are his parents, Elegua’s siblings will be Ogun and Orunla.

As an Orisha, one could argue that ultimately, they are all brothers and sisters.

Messenger

Elegua is the messenger orisha for Olofi, one of the three manifestations of the Supreme god in Yoruban religion. As a messenger, Elegua has the power or Ashe (Ase) to make things happen or get things done.

Divine Judgment

As messenger, that also puts Elegua in the position to mete out justice to wrong doers. Anything from financial losses. To accidents and even jail. Naturally, Elegua can also bless those whom he favors too.

Trickster

Due to his nature, Elegua is seen as a trickster in Santeria as he is present everywhere. He was the first to witness creation, he is witness to all of humankind’s events and history. Elegua provides both opportunities and obstacles in a person’s life. If you’re particularly lucky, you might even get a second chance with him.

God Of The Crossroads

A trickster, Elegua is known for opening the crossroads in the Santeria religion. Elegua is also associated with doorways and will protect a home from any danger or ills entering. Especially for those who have made the right offerings.

Within the Santaria religion, before starting any ritual or ceremony, Elegua must be called upon first, getting his approval at the beginning of every ceremony and to ensure it will proceed in an orderly manner. By the same token, Elegua will be called on last to close out a ceremony too.

As an Orisha of Crossroads, Elegua rules over different “roads” or caminos. Elegua is believed to have 101 (some traditions say 21) different such caminos or aspects. Some traditions, these caminos are also called “Eshu.” There is Eshu Alawana, the one who wanders alone in the wilds, Eshu Larove, the talkative one and Eshu Olona, the owner of the road. These are just a few of the different aspects or caminos that Elegua can take on.

As a god of the crossroads, he is the guardian of not just the crossroads, but marketplaces, curved streets and thresholds to houses. With this aspect, also comes providing choices and options, for a person to decide which direction they will go or to make mistakes in the process as Elegua stands back and watches.

Divination

Elegua is not an Orisha of Divination. However, due to his nature of facilitating the flow of energy and crossroads, Elegua does hold close ties to Orunmila, who is the Orisha of Divination. It makes sense given that Elegua has the keys to time to see the past, present and potential futures.

For general readings, Elegua’s diloggun or cowrie shells are used as he is considered to speak for all the Orishas.

Keys Of Time

There is a Pakati or story within Santeria where Olodumare gives Elegua the keys to the past, present and future. It is from this story, that Elegua is sometimes shown holding keys.

In the traditions where Elegua is the youngest of the Orishas; Olodumare had fallen extremely ill and lay sick in bed. All the Orisha gathered around and in turn, each one tried their best to heal Olodumare to no avail. Finally, Elegua arrived and offered to try healing Olodumare. The other Orisha scoffed at this, for how could Elegua, a mere child accomplish what the others, adults couldn’t do? Undaunted by the others, Elegua tried his hand and successfully healed Olodumare. In gratitude, Elegua was made the first Orisha to be called upon in every ceremony.

Variation – Other versions will say that it is Obatala who fell sick that Elegua healed. In thanks, Olodumare or Olofi then gives him the keys to all doors.

An Argument Among Friends

This is one story involving Elegua that I came across in full.

Elegua heads out one day on a Monday wearing a hat that is red on one side and white on the other. As he’s heading to the crossroad, he passes between two friends. One only sees the side of the hat that’s red and the other, the side that’s white.

Later on, the two friends comment about the stranger that walked past them earlier in the day. One friend comments on the red hat while the other says he is wrong, it was white. They get into such an argument about who is right and who is wrong, that it comes to blows.

Elegua had been watching the two from a hidden spot. He laughed at the two as he strode over to separate the friends and chastise them for fighting over the color of a stranger’s hat. He points out how his hat is red on one side and white on the other. That the two should be ashamed as their clothing is now torn and that there are more important matters to argue about.

In some versions of this story, the two friends apologize, while in other versions that two are so furious with each other that they continue their fight to the point of destroying their village.

Eshu – Synodeity

Elegua is also associated with Eshu (Echu). In many traditions, the two are seen as brothers while in others, they are one and the same. In Santeria, Elegua’s energy is tamer and more constrained compared to Eshu whose energy is wilder and more unpredictable. Basically, light and shadow.

In Brazilian traditions, Elegua is known as Elegbara and is just one of the titles that Exu or Eschu is known by.

Among the Yoruban practitioners of Nigeria, Eshu is just another name for Elegba or Elegua. Here, Eshu is a protective spirit who serves the chief god Ifa as a messenger.

Legba – West Africa/Haitian

A trickster deity and Loa found among the Fon people and Voudon religion, he is often equated as being the same figure as Elegua, especially variations of Eshu-Eleggua.

Janus – Roman

Given that Janus is the Roman god of portals and crossroads, shown to protect doorways, symbolism with keys and was invoked first in Roman rites, I see a lot of similarities between Janus and Elegua.

Catholic Saints

There are a few different Saints that Elegua has been equated to and it varies by the religion. Often the connections are fairly superficial.

Anima Sola – Not exactly a saint, but this is the Lonely Soul in Purgatory that is popular in Latin America in Catholosism with the Saint Cults. The Santeria religion in Cuba makes this connection of Elegua, more specifically Eshu with this figure.

Holy Child of Atocha – As in the infant Jesus, he is a popular folk image among Hispanics and as a protector of travelers, has easily been syncretized with Elegua.

Saint Anthony of Padua – One of the beloved Saints in Catholism, Pictures of Saint Anthony often show him carrying the Child-Jesus and a lily. The connection to Elegua is made as he is sometimes shown as a child.

Anansi

Also called: Ananse (Trinidad and Tobago), Annancy or Anancy (Jamaica, Grenada, Costa Rica, Colombia, Nicaragua), Anansi Drew (The Bahamas), Anansi Kokroko (Wise Spider), Anancyi, Ananansa, Annecy (West Indian), Ayiyi, Kacou Ananzè, Ba Anansi (Suriname), Ba Yentay (South Carolina), Bra Anansi, Hapanzi, Nansi or bra spaida (Jamaica, Sierra Leone), Kompa Nanzi (Curaçao, Bonaire), Bru Nansi (Virgin Islands), Kwaku Anansi (Akan-Ashante), Nanzi, Nancy, Aunt Nancy (Gullah; South Carolina), Miss Nancy, Sis’ Nancy, Kuenta di Nanzi, Spider (Temne), Cha Nanzi (Aruba), Hanansi, Pablo Barnansi (S. Quanderer), Compé Anansi, Kompa Nanzi (Curaçao, Bonaire), Gede Zariyen, Zarenyen, or Ti Malice (Haiti)

Etymology: Spider (Akan)

Anansi is the spider trickster god of the Akan, Ashanti people in Ghana and several West African folklore and folktales. As a trickster, he is able to shape-shift into a human form. His presence as an important cultural figure has made his way into Caribbean mythology, spreading to Aruba, Bonaire, Curacao, over to the Netherlands Antilles, the West Indies, Suriname, Sierra Leone and likely several other places. Like a good many trickster figures, Anansi is known for causing and getting into mischief or trouble before using his wits, cunning and guile to wheedle his way out of the troubles and problems. His stories and exploits are numerous, with many regional variations to his tales. As a trickster, Anansi is just as likely to help as to hinder someone.

As with all good stories, Anansi tales began with being told in oral traditions, survived, thrived, and made their way across the Atlantic Ocean to North America during the Trans-Atlantic slave trade era. These stories would play an important part to maintaining cultural identities for many enslaved West Africans. Many of these Anansi stories would be stories and lessons of how to rise up and outsmart those who would harm and oppress the less powerful.

Attributes

Animal: Fox, Rabbit, Spider

Day: Wednesday

Element: Water

Mineral: Spider Silk

Patron of: Storytellers,

Plant: Gourd

Sphere of Influence: Cunning, Freedom, Messages, Morals, Proverbs, Stories, Trickery, Wisdom, Wits

Symbols: Spider

Description

A trickster, Anansi is often shown in many different forms and representations depending on the artistic source. In many stories, Anansi is a spider while in other stories, he is more anthropomorphized as either a spider with a human face or a human with spider-like features. The original spider-man.

In the Southern United States, when the Anansi came and his named changed to Nancy and Aunt Nancy with anglicized spellings, he became a spider woman and female figure.

One story has Nyame becoming so angry with Anansi’ tricks and antics that he turns Anansi into his spider form.

What’s In A Name?

Letters, letters are in a name…

The name Anansi is the Akan word for spider. Where he is called Kwaku or Kweku Anansi, the word Kweku means Wednesday as that is the day that Anansi’s soul first appeared. Given that Wednesday is named for Woden or Odin, the Norse god of Wisdom, there’s a very good coincidence here for names and meanings.

Parentage and Family

Parents

Nyame – Father & Sky-God; some regional variations place Anansi as his son, others don’t.

Pronunciation: ə-NAHN-see

Ya Nsia – Mother. Asaase Yaa, the Earth Mother is also given as Anansi’s mother.

Siblings

Where Nyame is given as Anansi’s father. There’s one story where Esum the Night, Osrane the Moon, and Owia the Sun are given as Nyame’s son.

It makes sense to me that these three should be counted as Anansi’s brothers.

Consort

Okonore Yaa – Wife, she is also known by the names of Aso, Crooky, Konori or Konoro, and Shi Maria.

The name Konori likely comes from the Hausa word koki for a “female spider.”

Children

Afudohwedohwe – Pot-bellied son.

Anansewa – Anansi’s beautiful daughter, introduced in Efua Sutherland’s stories where Anansi sets out to find his daughter a proper suitor.

Nankonhwea – Son with a spindly neck and legs.

Ntikuma – Firstborn son.

Tikelenkelen – Big-Headed son.

Abosom

Singular – Obosom

In Akan Spirituality, Anansi is considered an Obosom, a minor deity and spirit. The Abosom are all considered to be children and messengers of the great creator god Nyame. They could be male, female or a mixture of both.

The term Abosom reminds me of the Greek term Daimon (not Demon!) when referring to smaller, lesser & localized gods or spirits. Especially they were likely to be tied to one place such as a river, tree, or mountain.

Abosom is also the Ashanti term for pantheon, so all the gods. Or every divine being who isn’t the great creator Nyame.

With Anansi, he isn’t necessarily revered the same way as the other Abosom in Akan Spirituality or if he’s even seen in the same light. That too can vary and can be up for debate. Which is also understandable, Anansi is a trickster figure. With many trickster figures, you are playing with fire and in Anansi’s case, that’s water that could potentially drown you if you’re not careful. When Anansi does get acknowledged, he is an Obosom of Wisdom.

Just how much of a divine being Anansi will be, varies by region and which stories about him are being told. In some, he’s a human named Spider that has done a few favors for Nyame and is granted extra powers, namely one of t hem being an extended life. He’s a son of Nyame or just one of many beings with some measure of power to separate them from being fully human. Or Anansi is the straight up animal trickster as seen in Native American lore with beings like Coyote and Raven and their stories.

Messenger

In many of the Anansi stories, the spider is often Nyame’s messenger, acting as his go-between. For many of the Abosom, this is often a role they play for either Nyame, the Sky God or Asaase Yaa, the Earth.

There is a story where Anansi’ antics grew too much for Nyame and he replaced Anansi with Chameleon to be the Sky-God’s new messenger.

Creation

Maybe, most of the stories of Anansi aren’t so much as him creating the Universe, but often setting the precedence for why things happen the way they do. Anansi is credited with having created the first man and then Nyame breathing life into them. Or Anansi is convincing Nyame that people need the rain to stop a destructive fire, setting order to the course of the day, ect. Even death if Anansi hadn’t stolen from them.

Like many tricksters, Anansi also has stories revolving around him having brought agriculture, hunting and writing to the Earth for people to use. In the story where Anansi tried to hoard all the world’s wisdom and knowledge, he found it much easier to share and disperse this knowledge for everyone’s use.

Shapeshifting

As a trickster, Anansi doesn’t just rely on his wits and cunnings to get through scrapes. One of his many tricks is the ability to shape-shift. Not just physically from spider to man but the ability to take seeming weaknesses and turn them into virtues and strengths.

Weakness To Strength

That’s a vital and important lesson to learn. In many stories, Anansi is able to overcome an opponent or situation, not just by his wits but using a seeming weakness to a strength. Similarly, he will exploit an opponent’s weakness against them.

Insatiable Greed – Finding The Angles

That seems to be a reoccurring theme with several Anansi stories, where what he has, isn’t enough and he has to find some way to get more. Oftentimes, that more is food. Anansi is often looking for the angles and finding ways to get others to bring him food or he kills the other animals for food if he’s not outright stealing it.

Sometimes, in the course of Anansi’s covetous and insatiable greed, another character is able trick Anansi instead, outwitting him. That is a classic of trickster tales, where the trickster gets outwitted instead of outwitting everyone else.

Of course, it could be I’m misremembering and thinking far too much of a particular Gargoyles episode “Mark of the Panther” in season 2.

God Of Storytelling & Knowledge

Not only is Anansi the god of storytelling, but he is also the god of knowledge. This makes a lot of sense with how early in human history, much of the history involved, lessons, wisdom and knowledge imparted is through the use of stories.

Anansesem

Meaning Spider Stories in the Ashanti language. The Anansesem stories, like many stories began as an oral tradition. Such is the prominence of the spider stories, that the term Anansesem came to include all the different fables and stories. The Jamaican version of the Anansi stories are the most preserved of the spider stories and have close ties to their Ashanti origins. Especially with how the Anansi stories end with a proverb or moral given at the end.

Anthropologists have studied and found that humans are hard-wired for stories. Stories are important, they are an integral part and parcel of the human experience. They convey who we are as a people, where we came from, morals, lessons and how things came to be.

It seems very poignant, that stories seem very central to the Anansi tales, especially for a keeping one’s cultural identity. Especially in the face of so much adversity and the dark side of history with the Trans-Atlantic Slave Trade. The most well known of the Anansi stories are those from Jamaica.

Like all trickster tales, the Anansesem not only entertain, they are also moral stories that often highlight his greed and other flaws along with his wit. The Anansesem stories cover a wide range of stories from the mundane and the subversive. Anansi as a folk hero is both an ideal as well as a cautionary figure of downfalls to be avoided.

It seems very poignant, that one of the roles that Tricksters carry is that of Culture-Bringer. That the very first story of Anansi, or at least the one to place as chronologically first is how Anansi comes to acquire all the stories. Frequently Trickster stories tell the importance of things, how they came to be, conflicts, shenanigans and more. Without stories to tell us who we are as a people, a great many aspects of history and culture are lost. With Anansesem, all stories, regardless of genre are considered spider stories.

Anansi-Tori – This is the name for the Spider stories among the Surinam people. In the capital city of Paramaribo, the Anansi-tori are a prominent part of the death rites. It’s important that these stories are only told during the night and never during the day, lest the dead come to listen, thereby causing the death of the storyteller or their parents. The Saramaca Bush people have a tradition that during the seven days that a body lays in the village death house, they tell the Anansi-Tori to the dead as entertainment. The Anansi-tori have also come to include the dances and songs sung during these rites.

The Spider stories are called Nansi in Guyana and Kuent’i Nanzi in Curacao.

Vive La Résistance! The importance of the Anansesem stories is seen as a symbol of resiliency with slave resistance and survival. As a trickster, Anansi is frequently able to get the better of more powerful opponents using his trickery and cunning. As such, slaves used the stories of Anansi as inspiration for finding ways to resist and gain the upper hand on plantations, to give a sense of community, connection to their past in Africa and a way to maintain their cultural identity.

Offerings

As the King of Stories, Anansi is not only the patron of storytellers, but those who live by their wits. Like many Caribbean deities, Anansi can be summoned with offerings of treats, smokes, and liquor.

Just be aware, if Anansi is bored by the story, he may not hang around for long.

A traditional opening for an Anansi story goes:

“This is my story which I have related. If it be sweet, or if it be not sweet, take some elsewhere, and let some come back to me.”

Another way to traditionally start a story is:

“We do not really mean; we do not really mean that what we are about to say is true. A story, a story; let it come, let it go.”

All The Stories!

Also known as “How the Sky God’s stories became Anansi’s stories.” It is the most retold story of all the Anansi tales.

For you see, once upon a time, there were no stories. None. There were stories, but they were all kept by Nyame, the Sky God who had them all hidden away. Some versions of the story note about here how Anansi is Nyame’s son.

For Anansi, it doesn’t sit well with him that his father should be hoarding all the stories and as the world is a boring place, Anansi decides to find a way to get stories of his own. Using his silk webbing, Anansi climbs up to the heavens where his father is at and tries to buy the stories from Nyame, but Nyame refuses, he didn’t want to share the stories with anyone. Anansi kept insisting he can afford the price for Nyame’s stories. Nyame refutes Anansi still, saying that even the great kingdoms of Kokofu, Bekwai and Asumengya couldn’t afford his stories.

A sudden thought comes to Nyame and he asks Anansi, how he, someone so small and insignificant is going to be able to afford the price where others have failed. Undaunted, Anansi persists, saying he can afford the stories, just name the price.

Amused, Nyame relents and sets as high a price as he can, hoping that these impossible tasks would finally deter the spider. As to what these tasks were to be?

Anansi was to capture four of the most dangerous creatures known in the world. Onini the Python, the Mmoboro Hornets, Osebo the Leopard and lastly, the Fairy Mmoatia.

Smiling, Anansi promises Nyame that he will bring these four back and just for good measure, he will even throw in his own mother, Ya Nsia. Nyame accepted the offer, thinking that would be the end of it and told Anansi to start his quest.

Quest in hand, Anansi returns home to his family so he can consult them about his plan. Anansi talks with his mother, Ya Nsia about his plan to capture Onini the Python first. His wife, Okonore Yaa tells Anansi that he should cut a long branch from a tree and get some vines.

Anansi returns with the branch and vines and Okonore Yaa tells him to head down to the river where Onini lives. As the two pretend to argue, Onini overhears them and comes over, listening over whether Onini’s body was longer than the branch of a tree.

Onini, on hearing what Anansi and Okonore Yaa are arguing about, he quickly agrees to stretch out next to the branch to his full length to prove that he’s longer than the branch. No sooner has Onini stretched out than Anansi takes the vines to tie the python up.

As Anansi carries Onini back to Nyame, the spider cheerfully tells Onini about the bargain that he has made. Nyame nods acknowledgement to Anansi for one task accomplished and reminds the spider that there are still three other tasks to fulfill.

Anansi returns to consult with his family for the next task, which would be capturing the Mmoboro Hornets. Okonore Yaa comes up with an idea for Anansi to get a gourd and fill it with water. Carrying that gourd with him, Anansi went off to pay a visit to the Hornets. Once he arrived, Anansi looked around the bushes where the Hornets. Soon as Anansi spotted them, he carefully sprinkled water on the Hornets and then on himself. Grabbing a palm leaf from a nearby tree, Anansi covered his head just time as the swarm of angry Hornets came his direction. Holding out the wet palm leaf, Anansi explained that it had been raining and that he too was wet.

Anansi explained that this rain would be dangerous and that the Hornets might want to hide inside the gourd he brought. The Hornets agreed and soon had all flown inside to take shelter.

Once all the Hornets were in, Anansi stopped up the mouth of the gourd and proceeded to gloat for falling for his trick. Anansi continued with telling the Hornets about his bargain with Nyame as he carried the gourd with him.

Seeing that another task was completed, Nyame accepted the Hornets. He reminded Anansi that there were still two more tasks to go. Surely one of those tasks would prove to be too much for the Spider, Nyame thought.

Once more Anansi returned home triumphant. Now the task was for Osebo the Leopard. Once more Anansi and Okonore Yaa schemed together on a plan. What’s now considered the oldest trick in the book, Okonore Yaa told Anansi to dig a deep hole in the ground and cover it. Anansi caught on quickly to Okonore Yaa’s plan and told her he could take it from there.

Anansi headed off for the parts of the jungle where he knew Osebo hung around at. There, he proceeded to dig the hole and cover with brushwood as planned. Done, Anansi headed home, knowing that eventually Osebo would wander along and be likely to fall in.

Sure enough, the next morning, when Anansi returned, he found Osebo trapped down in the hole. Feigning sympathy, Anansi asked Osebo why he was trapped down there. Was it because Osebo had been drinking again? It seems this has been a problem of Osebo’s for a while. Continuing his act, Anansi asked Osebo if he wanted help. Despite Anansi’s suspicions, Osebo assured the spider that he wouldn’t eat them.

With Osebo knocked out, Anansi made a ladder and climbed down to tie up the leopard and cart him off to Nyame. All the while, Anansi gloated to Osebo when he woke about his bargain with the Sky God. Just like before, Nyame accepted Osebo from the spider and reminded Anansi that there were still more tasks to do.

Eventually Anansi agreed to “help” Osebo and got two long sticks that he cut with a knife. Anansi told Osebo to stretch out his arms, wide. This would leave Osebo vulnerable, who was unaware of Anansi’ plan. The wily spider threw his knife at Osebo when he attempted to climb out, the hilt of the knife hitting the leopard square on the head, hard enough to knock him out.

Once more Nyame accepted the latest of Anansi’s accomplishments. Just like before, Nyame reminded the spider that there were still a couple more tasks to complete. Anansi had not forgotten the deal and set off again back home.

The penultimate task, capturing the Mmoatia, the Fairy. This one won’t be so easy and Anansi sits down to think a while on the matter. After a time, Anansi goes and carves an Akua doll and then cover it the sap of a gum tree. That done, Anansi took some yams and mashed them up to place in the doll’s hand while the rest went into a bowl. Finally, Anansi took some string to tie around the doll’s waist so he could manipulate it.

Ready, Anansi took the doll down to the Odum tree where fairies were known to gather. The wily spider set up the doll and the bowl of mashed yams and then went to hide out of sight. Soon, Mmoatia appeared, lured away from her sisters by the smell of the yams.

Believing the doll to be a real person, Mmoatia asked if she could have some of the yams. Hidden, Anansi pulled on the string, making the doll nod it’s head. Delighted, Mmoatia went back to her sisters, asking if she’d be allowed to have some of the yams.

The sisters said yes and Mmoatia soon returned to the Akua doll and began to eat all the mashed yams. When she had finished, Mmoatia thanked the doll, however this time, Anansi didn’t pull on the string, so the doll didn’t respond. Infuriated at the doll’s lack of response, Mmoatia went to her sisters to complain about the lack of response.

Mmoatia’s sisters tell her to go back and slap the person for their insolence. Back she goes and on promptly slapping the doll, Mmoatia’s hand gets stuck from the sticky sap covering the doll. Stuck, Mmoatia complains again to her sisters, with one of her sisters commenting to slap the doll with her other hand. Mmoatia does so and that hand too, becomes stuck.

There is something remarkably hysterical about this, I can see the sisters realizing what’s going on, maybe they don’t like Mmoatia for some reason and she’s too insolent and arrogant to really understand that she’s getting tricked and that at this point, the sisters are getting in on it too.

I can just see where Mmoatia complains yet again that both hands are now stuck and the sisters, incredulous to the fact that she’s listened to them and gotten stuck, tell her to hit the doll again with her whole body. This has got to be a scene of where the sisters are looking to see if Mmoatia is really going to be that arrogant, insolent, even dumb enough to listen and they want to see if she’ll do it.

And yes, Mmoatia hits the Akua doll with her whole body, getting well and thoroughly stuck. Hilarity ensues, I can see all of Mmoatia’s sisters flying off in fits of laughter as Anansi emerges from where he’s been hiding to gloat over his success.

Just like the others, Anansi tied up Mmoatia and carried her off back to Nyame. Anansi also stopped on the way home to tell his mother Ya Nsia about the last task he had told the Sky-God he would do and that was to bring his own mother. I can see Mom rolling her eyes and “Yes child, of course child” as she accompanies Anansi back to Nyame.

Impressed by Anansi’ persistence, Nyame upheld his end of the bargain, bringing all the elders, the Kontire and Akwam chiefs, the Adontem, general of his army, the Gyase, the Oyoko, Ankobea and Kyidom. Nyame told all those present of Anansi’s deeds that no one else in the kingdom had been able to do. Nyame showed off each of the four, along with Anansi’ own mother. Everyone cheered as Nyame gifts all his stories, to now be known as Spider Stories to Anansi, naming him the Keeper of Stories and God of Storytelling

Variants – There are numerous variations to this story. Some retellings will omit involving Anansi’s wife and mother in the story. In some of the Caribbean stories, it is a Tiger from whom the stories originate. Other stories, the fairy Mmoatia will be solitary or a dwarf who can turn invisible. Sometimes the task of capturing the Python isn’t mentioned. In yet other stories, Osebo, the Panther is caught, getting tangled up in Anansi’ webs when trying to climb out of the pit. Or, Anansi captures Osebo when he offers to help the panther when  he lowers a long branch down and tells Osebo to tie his tail to the branch. In this one, Osebo is killed and skinned by Anansi.

Anansi And The Dispersal Of Wisdom

Now that Anansi has all the stories, you’d think he’d go spread them around to tell and pass on the wisdom that they hold. Well no…

It seems Anansi was trying to hoard all that wisdom in a pot. The knowledge he has isn’t enough and he wants even more of it, just collecting it all. After a time, Anansi decides the pot isn’t safe enough to store all this wisdom and knowledge in and takes it to hide in a tall, thorny tree in the forest. Some accounts say this tree is a Silk Cotton Tree.

Anansi’s son, Ntikuma saw his father up to something and decided to follow at a distance to find out what was up. Staying hidden, Ntikuma saw that this pot was the largest one he had ever seen. As he watched, Ntikuma watched as his father struggled with carrying the pot up. Anansi tried tying the pot in front of him to no avail.

As Anansi grew ever more frustrated by his inability to carry the pot up, Ntikuma couldn’t help himself but laugh!

“Try tying the pot behind you and then climb!” Ntikuma called out.

So frustrated with his failed attempts to climb the tree, it perturbed Anansi more to realize that his own son was right behind him. In his frustration, the pot slipped from Anansi’s grip and fell, hitting the ground with all the wisdom spilling out of it.

Making matters worse, a storm was arriving, and the rain washed all the wisdom down to a nearby river stream. From there, the currents carried the wisdom out to the sea and spreading throughout the world.

Seeing what happened, an angry Anansi chased his son, Ntikuma all the way home through the downpour of rain. When Anansi caught up with his son, the spider realized what was the use of all that wisdom if all it takes is a child to put you in your place?

As for the wisdom, because it mixed with the water, that’s why everyone has a little bit within them, but not all of it.

Variation – A minor variation is that instead of getting angry with his son, Anansi listens, carrying the pot up the tree by the means suggested. While he is sitting there, Anansi comes to the realization that try as he might to know everything, there were still things that others could teach or tell him and the wily spider comes to an epiphany to dump the pot out for everyone who has need, to be able to have access to it when the wisdom mixed with the wind and water.

How Anansi Comes To Have A Long Hind End & How His Head Became Small

In this story, a famine comes to the land and Anansi tells his family that he’s going in search of food for them. On his way, Anansi comes to a stream where there are some people who end up being spirits. It seems these spirits were draining the water in hopes of being able to catch some fish. Intrigued, Anansi asks if he could join the spirits.

The spirits invited Anansi to join them and he soon saw that they were using their skulls to drain the river. That’s interesting. The spirits asked Anansi if they could remove his own skull so that he could help drain the river.

As they drained the water, the spirits sang a song: “We, the Spirits, when we splash the river-bed dry to catch fish, we use our heads to splash the water. Oh, the Spirits, we are splashing the water.”

Anansi liked the song and asked if he could sing it with them and the spirits agreed.

And so, Anansi and the spirits sang as they drained the stream enough that they could catch some fish. The spirits gave Anansi his share of the fish in a basket to take home. As they restored Anansi’s skull, the spirits warned him not to sing the song again that day or his skull would open and fall off.

Anansi assured the spirits that he wouldn’t sing that song again as he had more than enough fish. Soon, Anansi and the spirits parted ways.

The spirits began to sing their song again. Overhearing the song, Anansi began to sing along as well and presently, his skull fell off. Just as he had been warned. Anansi picked up his skull and cried out in embarrassment to the spirits that his head had fallen off!

The spirits heard him and came back. As they listened to Anansi apologize and beg for help, the spirits agreed to help him. As they restored Anansi’s skull, they warned him not to sing the song again as they would not return to help him.

No sooner had they parted ways, than the spirits began singing and Anansi over hearing them, just couldn’t help himself and started singing along. It must have had a catchy tune.

This time, as Anansi’s skull fell, he caught it with his rear end and ran from the stream. And that, is how Anansi comes to have such a small head and huge behind, due to his hard-headedness.

Nyame’s Messenger, Anansi; Why Men Commit Evil At Night, Children Play In Moonlight, And Why Disputes Are Settled During The Day

That, is a lengthy title for a story…

The Sky-God Nyame sired three children one day; Esum the Night, Osrane the Moon, and Owia the Sun. When each of the children came of age, Nyame sent them out on their own where they founded their own village. Of these children, Owia was Nyame’s favorite and decided that they should become chief.

Nyame devised a plan, wherein he secretly harvested a yam or “Kintinkyi.” The task was, that the son who could guess what Nyame had harvested, would become the next chief. In addition, the winner would receive Nyame’s royal stool.

As Nyame set about blackening his stool, his subjects were nearby and Nyame asked if any of them could guess his thoughts. Anansi happened to be there and said that he knew. Nyame then sent Anansi to go gather his sons from their villages. The plot twist here, is that Anansi didn’t really know what Nyame’s thoughts were and decided he would try to find out.

Anansi then took feathers from every known bird and covered himself with them. Then he flew high above Nyame’s village, startling the villagers. This brought Nyame out, who didn’t recognize Anansi’s disguise.

But, Nyame thought to himself, if Anansi were present, he’d know the name of this bird as the crafty spider had known that Nyame wanted his son Owia to win his royal stool. That all they had to do was guess the name of the yam. As Nyame pondered and mused to himself, it allowed for Anansi to overhear the Sky-God’s plan.

Away Anansi flew until he was far enough away to ditch his disguise. From there, Anansi went to Esum’s village and told them that their father wished to see them. Anansi made no mention of Nyami’s plans. Esum gave Anansi roasted corn by way of thanks. Soon after, Anansi made his way to Osrane’s village, delivering the same news he had told Esum. Osrane gave Anansi yam in thanks and again, shortly after, Anansi headed for Owia’s village.

Things were different at Owia’s village when Anansi arrived, bringing the news of Nyame’s desire to see his sons. Owia mentioned to Anansi that he wished his father would know of Owia’s accomplishments. Owia decided to treat Anansi as if he were his own father come and prepared the best feast that he could with sheep. With that treatment, Anansi decided to fill Owia in on what he hadn’t told the other brothers. That being the name of Nyame’s yam that he had harvested.

Anansi then fashioned a pair of drums that would beat out the yam’s name, Kintinkyi to help Owia remember. Anansi with Owia in tow, then went to collect up the other brothers as they returned to bring them to Nyame.

Nyame called an assembly as Anansi presented his three sons before everyone. The contest of guessing the yam’s name was then revealed to each of the sons. The eldest, Esum was allowed to guess first and he said “Pona.” Osrane, the second eldest then took his turn to guess and gave the name of “Asante.” Finally, it was Owia’s turn and remembering what Anansi had told him, said the name “Kintinkyi.” Everyone present cheered Owia’s success.

Nyame then took his eldest son, Esum and told him that as he had not paid attention when growing up, that Nighttime would be when evil deeds would be done. To Osrane, Nyame said that as he had not listened when growing up, only children would play during his time. To his youngest son, Owia, Nyame praised him and made him the chief, decreeing that any issue that needed to be settled, would be done so during the day. To protect himself from his brothers, Nyame gave Owia the rainbow.

Lastly, to Anansi, Nyame blessed the spider for knowing his inner-most thoughts and said that from then on, that Anansi would be Nyame’s messenger.

The Arrival Of Disease

Oh yes, Anansi appeared before Nyame one day asking if he could one of Nyame’s sheep, Kra Kwame and eat it. Anansi said that he would bring a maiden from one of the villages as a gift in exchange for the sheep. This seemed reasonable enough and Nyame agreed to the exchange, giving Anansi the sheep while he waited for the maiden’s arrival.

As it were, Anansi took the sheep home and prepared it for eating. Once he was done, Anansi then went in search of a maiden. In his search, Anansi found a village where only women lived. Seeing an opportunity, Anansi moved there and offered each woman some of the sheep and marrying everyone.

It’s not hard to see that Anansi broke his word with Nyame. It wasn’t long after, that a hunter stopped in the village and saw what happened. The hunter back to Nyame and reported what he had seen in the village. Nyame became furious on learning what Anansi had done and sent his messengers to the village to take every woman living there.

Off the messengers went, seizing every woman in the village except for one who was ill at the time to bring back to Nyame. Anansi pondered what to do, as his remaining wife was very ill. The wife told Anansi to bathe her and then fill a gourd with water from the bathwater. This water would hold all the diseases that afflicted the wife.

See his wife after she was bathed, Anansi saw how beautiful she was, more so than all the other wives in the village. Anansi remarried her right there on the spot. It wouldn’t take long for another hunter to pass by the village and to see Anansi and his wife together.

This hunter returned to Nyame, giving the Sky-God a report of this extremely beautiful woman. Obviously Anansi had tricked Nyame as this woman was more beautiful than all the other women that were taken.

Angry again, Nyame ordered his messengers to go take Anansi’s wife. When the messengers got there, Anansi confronted them and they told Anansi of what Nyame’s desires were. Anansi nodded and complied with the messengers, taking them to where his wife was at.

Anansi had his own plans once the messengers left. He found the gourd holding the diseased water and took a skin by which to fashion a drum. Anansi then set about to make a second drum. Done, Anansi called for his son, Ntikuma and together they began to beat the drums and dance around while singing vulgarities.

Another messenger of Nyame’s, Anene the crow saw what Anansi was doing and went back to report about what he saw. Intrigued, Nyame sent more messengers to ask Anansi to come and perform his songs for him.

Ah, Anansi said, he could only perform his song and dance if all of his wives were present. Anansi promised to perform for Nyame if he could have his wives and his drum. The messengers relayed Anansi’s message back to Nyame and he agreed.

Anansi was brough to the harem where all of his wives were being kept and he began to sing and beat his drum. Nyame soon joined in the merriment with Anansi while the wives joined in too.

However, Anansi’ last wife recognized the gourd that Anansi’s drum was made from. She suspected what mischief Anansi had planned and decided not to join in dancing. Nyame tried to coax the last wife into dancing, but before she could, Anansi cut open his drum and tossed all the water out. All the diseases that had once been washed away now returned and a sickness fell upon the tribe.

So out of revenge, Anansi brought illness and disease to the world. Though to be fair, if Anansi had kept his word with Nyame from the start and brought him a maiden as promised, none of this would have happened.

Kwaku Anansi Takes Aso To Wife & How Jealousy Arrives In The Tribe

In this story, Anansi isn’t yet married to Aso as she is married to another man, known as Akwasi-The-Jealous-One.

Fun.

True to his name, Akwasi was very possessive of Aso and forbad anyone from seeing or talking to her. Such, that Akwasi built a small village where only the two of them lived. The reason for Akwasi’s jealousy is that he is sterile and worried that Aso would be taken from him if they lived among other people.

Well hey, somebody knew or was paying attention. Nyame got tired of Akwasi’s lack of or failure to father any children with Aso. And if Akwasi isn’t siring any children, than Aso is fair game and Nyame tells the other young men in the village about Akwasi’ marriage to Aso and tells them, that the first man to successfully take Aso away and get her with child, can marry and take her to wife.

That is very much so a cultural thing. Doesn’t Aso get a say in who she’s married to and want to be with?

The challenge proves to be more difficult than expected and all the young men who’ve tried to seize Aso, all fail. Anansi was watching all this and after the latest failure from a young man, Anansi went before Nyame. The crafty spider tells Nyame that he’ll be able to accomplish this task to capture Aso.

The catch?

Just give Anansi the items he requests to help him. Specifically, medicine, rifles and and bullets.

Done!

Off Anansi goes, passing through several villages, passing out the black powder, bullets and guns, telling people how Nyame has sent those to go hunting on the god’s behalf. Sweet! Anansi says he’ll come back later to collect up the meat for Nyame.

While everyone’s off hunting, Anansi makes a basket to hold all the meat in when he returns. It’s either a basket of holding, a very large basket or there’s several small baskets to hold meat in. Either way, Anansi collects up the meat and heads off for Akwasi-The-Jealous-One’s village.

Anansi reaches the river where Akwasi and Aso get their water and he takes out some of the meat, placing it in the water. He then continues up to where Akwasi lives, carrying the basket still. Aso spots Anansi’s arrival and calls out to her husband, who is surprised that they have a visitor. Akwasi comes out to find out who this person is.

Anansi tells Akwasi that he’s been sent by Nyame to this place to rest during his journey. This pleases Akwasi as he welcomes the spider into his village. While this is happening, Aso notices the meat that Anansi left in the river and says something. Anansi tells Aso she’s welcome to it as he doesn’t need it. That she can feed it to any pets they have.

Aso comes back with the meat and shows it to Akwasi. Anansi asks Aso if she would cook some food for him and she sets about preparing a dish known as Fufu. As she is preparing the meal, Anansi tells Aso that it won’t be enough and tells her to use a bigger pot as he offers up more of the meat. The catch is, she is to cook only the thighs, of which there are 40.

With the meal prepared, everyone sits down to eat. As they’re eating, Anansi complains, saying that the fufu Aso made lacks salt. At this, Akwasi commands Aso to bring some salt. Anansi spoke up, saying that wasn’t proper, Aso is eating and that Akwasi should be the one who goes and gets the salt. When Akwasi leaves, Anansi pulls some medicine out of his pouch and puts it in Akwasi’s fufu.

Akwasi returns with the salt and Anansi announces that he’s now full and doesn’t need the salt anymore. I’m sure Akwasi may have grumbled at this, but he set down again and finished his fufu, unaware of what Anansi has done.

As he’s eating, it occurs to Akwasi that he hasn’t asked for Anansi’s name yet. Anansi responds by saying that his name is “Rise-up-and-make-love-to-Aso.” This confuses Akwasi who asks Aso if she had heard the name too. Aso assures her husband that she did and Akwasi gets up to go prepare a room for Anansi. The spider says he can’t sleep in the room, he as to sleep in a room with an open veranda as he is Nyame’s Soul-Washer. Apparently, Anansi’s parents are to have conceived him in an open room, so he can’t sleep in a closed room.

Right, so where does Anansi want to sleep then? It must be an open room in a house that belongs to Nyame and asks for a sleeping mat so he can sleep in front of their room. When Anansi was certain that the two were asleep, he pulled out his sepirewa out to play, singing: “Akuamoa Ananse, today we shall achieve something today. Ananse, the child of Nsia, the mother of Nyame, the Sky-god; today, we shall achieve something, to-day. Ananse, the Soul-washer to the Nyame, the Sky-god, today, I shall see something.” Once the song finished, Anansi went to sleep.

Anansi was awoken by Akwasi calling out for him. But as he didn’t like the name that Anansi had told him, the spider remained silent. The medicine that Anansi had put into Akwasi’s food was working. After a few more attempts to rouse a sleeping Anansi, Akwasi finally used the name “Rise-up-and-make-love-to-Aso.”

Perfect.

Now Anansi responded to Akwasi’s calls, asking what troubled him. Akwasi said he needed. Akwasi replied that he needed to leave for a moment and left.

Entering the room, Anansi saw that Aso was awake and he asked if she had heard what Akwasi said. Aso asked in turn of Anansi what Akwasi had said. So Anansi obliged with the name he’d given, implying that it was a command, not his name. Wink, wink.

The two then made passionate love with each other before going back to sleep and before Akwasi returned. The medicine or poison that Anansi used was rather potent and Akwasi would be getting up eight more times, where once again, Anansi and Aso would make love before he returned. Come the morning, Anansi was on his way.

Two moon later, Aso begins to start showing that she’s pregnant. This gets Akwasi suspicious of how his wife got pregnant given that he’s sterile and can’t father any children. Aso takes the opportunity to tell Akwasi that it was by his own commands that she had made love to Anansi and that the child is his.

Angry, Akwasi takes Aso with him to go to Nyame’s village to complain. On the way, Aso gave birth and the two took the baby with them. On hearing the story, Nyame didn’t believe the two, saying no one had left his village and asked them to point out the person to him.

Aso did so, looking around the village until she spotted Anansi sitting on a ridgepole. She told Nyame that’s the one who impregnated her. Anansi slid down the ridgepole, attempting to hide, but Aso found him again, causing Anansi to fall over and dirty himself.

Now Anansi complained, how Aso and Akwasi’s actions defiled him. That he was Nyame’s Soul-Washer and that his desires had been ignored. Hearing this, Akwasi was seized by Nyame’s other subjects for disobeying a god’s commands. That as punishment, Akwasi was to sacrifice a sheep as penance. Embarrased, Akwasi performed the sacrifice and then told Nyame that Anansi could take Aso as his wife.

Sadly, the baby that Anansi fathered with Aso was taken and killed, their remains scattered about Nyame’s village as a reminder. And that, is how Aso becomes Anansi’s wife and how jealousy entered the tribe.

Anansi’s Bald Head

Sometime after Anansi and Aso were married, when they returned from visiting a plantation outside of the village, a messenger arrived. Anansi greeted the messenger and asked why they had come. The messenger replied that Anansi’ mother-in-law had died the previous day. Anansi informed his Aso of what happened, and plans were made to go to the village to mourn.

The next morning, Anansi went down to the village, looking for some favors. He soon found: Odwan the Sheep, Okra the Cat, Okraman the Dog, Akoko the Fowl, and Aberekyie the Goat. Anansi told all of them how his mother-in-law had died and asked if they would accompany him to her funeral. They all agreed, and Anansi returned home to prepare for the journey.

Anansi prepared funeral clothing, consisting of a leopard skin hat and russet colored clothing. The day of the mother-in-law’s funeral came, and Anansi called upon those he’d asked to come. They brought several supplies with them as well, consisting of guns, drums, palm-wine, and other things that they would share with those attending as they celebrated his mother-in-law’s memory.

Soon they arrived at the village and they fired off their guns to signal that they had arrived. Then Anansi and his company went to the home of his mother-in-law for her wake. Anansi shared out everything that he had brought. Anansi also then presented his offerings to help pay for the funeral.

The next morning, as everyone ate, they invited Anansi to join them. Anansi declined, saying he was forbidden from doing so as it is his mother-in-law’s funeral, that he would not eat until the eighth day. Food was then gathered for his companions who accompanied him for the funeral before they departed back for their own village.

Days passed as Anansi fasted, finally on the fourth day he was too hungry, and he went into the house where he was staying to find food. In the kitchen, he found a fire going with beans in a pot boiling. Anansi ate those, scooping some into his leopard hat after making sure no one was watching. No sooner had Anansi placed his hat back on his head to hide the beans, then Aso entered. Thinking fast, Anansi told Aso that there was a Hat-Shaking Festival taking place at his father’s village and that he was going to go.

Now Aso was suspicious. Who wouldn’t be? Especially when married to a trickster. She asked Anansi why he hadn’t told before of this festival. She also reminded Anansi that he hadn’t eatten anything yet and that he really should wait for the next day. Anansi refused to wait and headed off.

Aso went and gathered up everyone in the village, telling them that Anansi was up to something and that they had to keep him from leaving. As Aso went back after her husband, Anansi grabbed his hat and sang: “Just now at my father’s village they are shaking hats! Saworowa, they are shaking hats! E, they are shaking hats, o, they are shaking hats! Saworowa!”

Anansi began to panic too, for the beans were hot and burning his scalp. He bid his wife and everyone goodbye, that he was leaving. However, everyone began to follow after him, knowing what Aso had told them. Paniced, Anansi told everyone to leave and he sang more: “Turn back, because: Just now at my father’s village they are shaking hats! Saworowa, they are shaking hats! E, they are shaking hats, o, they are shaking hats! Saworowa!”

Eventually, Anansi couldn’t stand the heat from the beans and he pulled them off his head with the hat. Now that everyone could see what Anansi had done, Aso and the villagers began to boo him, such that he took off running.

Anansi promised the road he would thank it if it helped him flee. The road agreed and Anansi mad his way back home and access to some sorely needed medicine for his head. Alas, Anansi’ hair never did grow back.

Why Anansi Runs When He’s On The Water’s Surface

With this story, Anansi goes to Okraman, the Dog and tells him how he plans to build a new village. That sounds sensible and Okraman agreed. Okraman would gather some rope-creepr vines and Anansi would also do the same and they would meet up again on the following Monday. They would also bring a gourd filled with water in case where they met up didn’t have any. As an added measure, Anansi put some honey into his gouard.

Anansi and Okraman met each other at the half-way point to their destination. As they continued to travel, they became tired and Okraman said they should rest a bit and drink some of the water they brought with them.

Now it gets a little weird. As the two rested, Anansi said they should play a game to pass the time while they rested. Well type of game Okraman wanted to know. A binding game, where they would take turns tie each other up. The one tied, would then have to escape. After a bit of disagreement on who would get tied up first, Anansi said he would go first.

Once Okraman had Anansi bound, he decided he was so hungry that he didn’t really want to play anymore. Instead, he picked up the trussed-up Spider and carried him away to go sell for food. When Anansi realized what was happening, he began to complain, making a ruckus until they reached a stream.

Odenkyem the Crocodile heard them and asked Okraman what was going on. Okraman was too frightened to answer and dropped the bound Anansi while he fled. Laughing, Odenkyem freed Anansi from his bounds while Anansi thanked him, asking if there were any way to repay the crocodile. Odenkyem declined, saying he didn’t want anything in return. Anansi insisted, saying if Odenkyem had any children, they come, and he would dress and style their hair. Odenkyem accepted this offer, not suspecting that Anansi would be up to any deception.

Anansi returns home, telling Aso that he needs palm-nuts and onions for a stew and that he’s going to bring back crocodile to provide the meat.

That does not sound like a way to repay someone for rescuing you.

Aso gathers up the ingredients asked for as Anansi sharpens a knife. He mashes up some eto and carries it down to the stream where Odenkyem lives. Anansi calls out for the crocodile, saying he’s got a reward for them and sets the eto in the water. Odenkyem comes, having heard Anansi and just as he’s about to take the gift; Anansi flings his knife at the crocodile.

Thinking he’s dealt Odenkyem a lethal blow, Anansi heads home. Aso notices this and asks where’s the crocodile meat? You didn’t get it? Anansi brushes her off, yelling at her and gives her the silent treatment the rest of the night.

The next morning, Aso went down to the river. There, she spoted the crocodile laying still with flies buzzing around him. Seeing this, Aso returned home to tell Anansi what she saw. Anansi explains that he used a special medicine to kill Odenkyem and it will take another day for the full effect and before he can collect up the meat. Anansi thanked Aso for confirming the kill.

Anansi headed down to the river, taking with him a long stick. Seeing the crocodile laying there still in the riverbank, Anansi carefully walked over and poked Odenkyem. As Anansi continued to poke the big crocodile with his stick and roll the body over, the Spider decided to edge closer. When Anansi got close enough and reached out to touch Odenkyem’s body with his hand, that’s when the big crocodile his own trap and snapped his jaws on Anansi’s arm.

That two wrestled for a while and eventually Anansi squirmed free of Odenkyem’s grasp and fled. Now, everytime Anansi crosses a river, he runs for it, never letting Odenkyem get a second chance.

That wouldn’t be the lesson I’d take from here though.

Note: My intention was to include all the Anansi stories that I could find. However, there are just so many variations and stories from Ghana to the Caribbean and even to North America. I could spend whole volumes and books on his stories and likely still not have found them all as he is still very much so active. So I find myself having to make a cutoff point of what do I include? Obviously, if you like Anansi want to read more of his stories or find a storyteller to tell his stories, you will do so.

And of course, the traditional ending to an Anansi story:

“This is my story which I have related. If it be sweet, or if it be not sweet, take some elsewhere, and let some come back to me.”

Proverbs

Just a few little odds & ends that I couldn’t figure out where to fit them in at.

“No one goes to the house of the spider Ananse to teach him wisdom.”

“No one tells stories to Ntikuma” refers to someone who has heard it all.

Syno-Deities

Other West African tricksters that share many similar stories to Anansi are Br’er Rabbit and Leuk Rabbit.

Br’er Rabbit – The similarities between Anansi and Br’er Rabbit, the trickster figure who originates among the Bantu speaking people of South and Central Africa. Just like Anansi, Br’er Rabbit was brought to the Americas with the slave trade where his stories thrived and became a means by which he uses his wits and cunning to outsmart larger creatures. Stories of Br’er Rabbit are found in the French-speaking islands of the Caribbean where he is known as “Compare Lapin.” The most obvious story to compare Anansi and Br’er Rabbit with is that story of Anansi and his capturing the Mmoatia fairy with the Akua doll and the story of Br’er Rabbit and the Tar Baby. The Br-er Rabbit stories were collected up into the Uncle Remus stories by the American Journalist Joel Chandler Harris between 1870 to 1906.

Gede Lwa – In Haitian Voudo, Anansi is worshipped as a loa of this name and he is the intermediary between ancestors and the living. We also see in Haitian folklore, the figures of Ti Bouki, Ti Malice or Uncle Mischief who are other variations of Anansi.

Gizo – A spider trickster-hero of the Housa. His wife is Koki. He’s been equated with Anansi stories and sometimes called the Yoruba Anansi.

Iktomi – A Native American Spider figure whom many have noted similarities with Anansi.

Nambo-Nansi – A Haitian Loa, based on the figure of Anansi.

Oya

Oya

Pronunciation: Oh-Yah

Etymology: “She Tore”

Other Names and Epithets: Aido-Wedo, Ayaba Nikua (“Queen of Death”), Ayi Lo Da (“She Who Turns and Changes”), Ollá, Oya-Ajere (“Carrier of the Container of Fire”), Iya Yansan, Ọya-Iyansan (“Mother of Nine”), Oyá, Oiá, Yansá, Yansã, Yansan, lyá Mésàn, Iansá or Iansã, Lady of the Wind, Goddess of the Nine Skirts, Lady of War, Bearded Amazon, Thunder Maiden, Ayi Lo Da “She Who Turns & Changes”

Attributes

Animal: Antelope, Bats, Birds, especially Sparrows and Purple Martins, Deer, Insects, especially Dragonflies and Fireflies, Water Buffalo

Colors: Burgundy, Brown (Candomble), Orange, Pink (Candomble), Purple, Rainbow, Red (Candomble), White (Candomble), No Black

Day of the Week: Wednesday (Candomble), Friday

Elements: Air, Fire , Water

Feast Day: February 2nd and November 25th

Gemstones: Amethyst, Black opals, Bloodstone, Garnets, Labradorite, Red Stones, Tourmaline, Smokey Quartz

Herbs: Caimito, Chickweed, Comfrey, Cypress, Elecampane, Flamboyan, Grains of Paradise, Horehound, Peony, Pleurisy Roots, Royal Poinciana, Star Apple, Yucca

Incense: Geranium, Patchouli, Sandalwood

Metal: Copper

Month: February

Number: 9

Patron of: Change, Feminism

Sphere of Influence: Athletics, Businesses, Cemeteries, Change, Death, Lightning, Market Places, Rebirth, Storms, Tornadoes, Wind, Witchcraft

Symbols: axe, brightly colored cloth, balloons, broom, buffalo horns, copper, hoe, lightning, kites, graves, mattock, rake, shovel, spear, tornadoes, the sword or machete, masks, scythe, the flywhisk, weather vanes, whip, wind instruments, anything associated with the wind,

Taboo (Candomble): Palm Kernal Oil, Pork, Pumpkin, Ram, Smoke, Stingray, Mutton

Oya is a mother goddess and Orisha from Yoruban mythology found in Africa regions of Benin and Nigeria and in Latin America. In brief, she is the goddess or Orisha of many things such as: winds, lightnings, violent storms, death, cemeteries, rebirth and the market place.

Depictions Of Oya

Oya is often described as being a tall, regal and very beautiful, yet fierce warrior woman. She wears a skirt of nine different colors representing her nine children as she dances. When going into battle, Oya will wield two machetes. Sometimes Oya is shown with a dress or being bare from the waist up.

Modern Day Worship

What’s interesting, is that Oya is a goddess or Orisha whose worship is still very much so active. There are several traditions that honor, venerate and worship Oya that include: Candomble, Folk Catholicism, Haitian Vodou, Oyotunji, Santeria, Trinidad Orisha and Umbanda to name a few.

Oya’s feast day is on February 2nd and another I found listed November 25th.

Offerings To Oya

Specifically, food offerings, Oya is said to enjoy sweet and dark colored foods and anything spicy. Such foods include the following: fish, fruit, plums, eggplant, figs, kola nuts, legumes, porridge, gin, grape wine, red wine, rum, chocolate pudding, purple grapes, rice, black beans, rain water, starfruit, shea or coconut butter, yams, black she goat, black hens, pigeons, rooster and guinea hens.

Such offerings can be left at the corner of an outdoor market or at the gates to a cemetery, particularly one marked by use of divination. Yes, do place the offerings in a trashcan with a prayer to Oya in thanks. She’ll know your intentions and you’ll keep from littering.

Non-food offerings can include coins, cloth and tobacco.

Orisha

Oya is a member of the Orisha, who are either a spirit or deity. In the Yoruban religion, a nature-based tradition, it is believed that the source of everything is called Olorun or Olodumare. The Orisha themselves are regarded as being different aspects of the main deity, Olorun-Olodumare.

With the Trans-Atlantic slave trade, the worship of Oya was brought with the slaves and is now found throughout much of the southern U.S., Latin America and South America.

Parentage and Family

Father

Obatala is said to be Oya’s father.

Mother

Yemaya – The Great Sea Mother

Yemu – Or Yembo, with Obatala, she is the mother of Oya.

Consort

Shango – (Also spelled Chango), Orisha of Thunder, her second husband. Oya is sometime considered one of three of Shango’s wives along with Oshun and Oba.

Ogun – A powerful warrior and Orisha of metal working, rum and rum making. Oya was married to him first before leaving Ogun for Shango.

Siblings

Shango – Depending on the stories or tradition, Oya and Shango are brother and sister, not husband and wife.

Yemaya and Ochun are held to be Oya’s sisters.

Children

The nine tributaries of the Nile River represent her stillborn children. These children are Egungun and four sets of twins.

The Ibeji – Twins whom Oya took in after their mother rejected them.

Ọya-Iyansan – “Mother Of Nine”

This is in reference to the Niger River known in Yoruba as Odo-Oya and its nine tributaries. Oya in her role as a Storm Goddess is seen as the queen and source of the Niger River. This connection of Oya with the Niger River comes from a story where Oya gave birth to nine stillborn children. As a result of this, Oya holds a lot of sadness from this, medical term would be Post-Partum Depression. Oya wears nine different colored scarves or skirts around her waist in honor and memory of these children.

Later, when Oshun (or Yemaya) rejects the twins, the Ibeji from her home, it is Oya who takes them in and raise the twins as her own children.

In Brazil, where Oya’s worship has traveled, she is the goddess of the Amazon River.

Storm & Wind Goddess

One of the main things that Oya is known for is that of a Storm Goddess, including winds and lightning. Oya can manifest winds from a gentle breeze up to hurricane-force level winds and tornadoes.

Harmattan – This is the name of the Dry Season in the West African subcontinent that happens towards the end of November and up to the middle of March. The Harmattan is characterized by a dry and dusty northeasterly trade wind that blows in from the Sahara Desert towards the Gulf of Guinea. Depending upon where one is at, is if the Harmattan wind is cold or hot. The amount of dust that can happen can create a haze and has been known to be the cause of flight cancellations in West Africa.

Oya & Shango – It should be noted that Shango is a god of thunder and that Oya stole or learned the secret of throwing lightning from him. Additionally, Oya would use Shango’s fear of the dead to keep in his place. During thunderstorms, both Oya and Shango ride out, destroying buildings and tearing up the landscape. Often the two are described as Oya being the lightning with Shango being the thunder that follows soon after.

Goddess Of Change & Fire

Closely related to her aspect as a Storm goddess, Oya is also the goddess of change as seen in both nature and life; which may or may not always be comfortable or pleasant to go through. Such changes that Oya is known to bring are not slow and gradual, they are fierce, quick, and often seemingly destructive. This change and the ensuing chaos as seen in the tornadoes associated with Oya are needed for new growth and preventing stagnation.

Fire comes into play as it is often a trans-formative force of change and can be a result of lightning strikes.

As a goddess of change, Oya is not seen as being held by tradition, conventions or boundaries. As a boundary breaker, Oya is known for going hunting, something that had been forbidden to women in West Africa where she was first worshiped.

Goddess Of Cemeteries

As previously mentioned, Oya guarded the gates to cemeteries, most notably, she protected those graves marked with a cross.

Iku – Oya, along with Orunmila, are the only two Orisha who have defeated Iku, the force of death.

Psychopomp – Oya will escort the spirits of the dead to the cemetery’s threshold, though she does not reside within them herself. Other Orishas, Obba and Yewá are the ones who reside within a cemetery or graveyard’s boundaries.

Oya is regarded as holding the secrets and mysteries of death and rebirth, helping the newly deceased with their transitions from the living world to the world of the spirit. In worship, Oya represents the first and last breaths of life taken.

Ancestors – as a goddess of cemeteries, Oya also holds a connection with the ancestors.

Ira – The underworld, Oya entered into the lower realm of Ira in search of her husband Shango when she heard he had died.

Guardian of Stillborn/Unborn Children – As a mother who was unable to keep her own children as they were stillborn, Oya guards and protects the spirit of the unborn or stillborn children, taking them to herself as she guides them to the afterlife.

Illnesses – Oya is called up and invoked during times of a serious illness. Curiously, one source mentioned that Oya protects the lungs and nasal passages. Which makes sense as she is representative of the first and last breath that a person takes.

Goddess Of Markets

This is where Oya can be found, in the market places where businesses are conducted. Whether that place is in a Boardroom Meeting or on the street level, open market, Oya deals in the changing flow of fortunes made and lost. She is noted for being a very shrewd business woman who is also good with horses.

Warrior Queen

Oya did live many centuries ago where she was a princess of the Oyo clan and consort to Shango, the then ruling king. She was known then as an unbeatable warrior whose skills were unequaled. After her death, she became deified as an Orisha.

Oya’s favored weapons are a pair of machetes forged by her first husband, Ogun.

After becoming deified, Oya employs the wind, storms and tornadoes as her weapons along with raising the egun or spirits of the dead to fight as soldiers.

Feminism – As a goddess of female empowerment and a champion of women, Oya will mete justice on their behalf

Women often ask Oya to give them the ability to choose their words so that they may speak persuasively and powerfully.

Huntress – Hunters and Chiefs will seek out Oya’s blessing when hunting or when selecting new, strong leaders.

Justice – Oya’s machetes represent the sword of truth, cutting quickly to the truth of the matter and dealing out matters of equality and custom. As an agent of change, Oya will cut through all injustices, deceits and dishonesty that’s in her path. She will speak only truths, even when they are hard to hear.

Protector Of Women – In her role as a warrior, Oya is known to be a strong and fierce protector of women. Oya also protects children and spouses. The newly deceased are often said to be her children whom she cares for as her own were stillborn.

Water Buffalo

The main animal that I found mentioned repeated as being sacred to Oya is the Water Buffalo. Such an animal is often her avatar or representative or it is Oya herself, having transformed or shape-shifted into this form.

Buffalo Horns – A set of buffalo horns rubbed with cam wood to make them red are placed on alters and shrines dedicated to Oya.

Antelope

Antelope Skin – This story reads a lot like the Celtic or Irish stories of selkies and seal maidens.

One story about Oya mentions that she had originally been an antelope who could take off her skin to transform into a beautiful woman. She would do this every five days when she came to the market in town; hiding her skin in the forest or under some bushes.

One day, Shango meets Oya in the market place and is immediately taken in by her beauty. So enamored of her was he, that Shango followed back to the forest where he saw Oya take her skin and transform back into an antelope.

The next time that Oya returned to market, Shango was hiding, watching for her to change into a woman and hide her skin. As soon as Oya went into the market, Shango came out of hiding to take the skin home where he hid it up in the roof rafters.

With out her skin, Oya became Shango’s wive and went home with him. It should be noted, that Shango has two other wives who became jealous of Oya and the attentions that Shango gave her. She had become his favorite after all.

When Oya bore twins, the other wives, Oshun and Oba told Oya where to find her antelope skin up in the rafters.

Just like the Irish stories, as soon as Oya regained her skin and donned it, turning into an antelope, she took off for the forest.

Spousal Conflict – Not every couple are always going to get along, so its not surprising to find a story of Oya and Shango getting into it and having a fight. Oya changed into an antelope and charged at Shango with her horns. Thinking quickly, Shango made a peace offering of Oya’s favorite food of akara, bean cakes, placing those before her. Pleased with the offering, Oya accepted Shango’s apology and peace offering by giving him her two horns. From then on, whenever he needed her help, Shango needed only to beat the two horns together and Oya would come.

A Stormy Affair – Oya, Shango & Ogun

Oya was first married to Ogun, an Orisha of War and Smithing. The two lived out in the forests together. Ogun was often away working in his smithy or at war, frequently leaving Oya alone.

This provided an opportunity for Shango who wanted to avenge his adopted father Obatala. It seems that Ogun had created some offense towards Obatala and was thus banished to the forest. The banishment wasn’t enough for Shango and he decided to go seduce Oya.

If you want to keep a fight going, this is one way to do it. With the affair and Oya leaving Ogun for Shango, a war broke out between the two.

These wars and fights are often seen in the thunderstorms and the two Orishas, Shango and Ogun continue to be at odds with each other. Obatala often has to come play moderator and impose a peace on them, that is, until the next storm breaks out.

To The Rescue – Saving Shango

Shango got himself into a lot of trouble and made more than a few enemies with his numerous affairs and seducing the wives of the other Orisha.

One night, when Shango was out dancing at a party, some Shango’s enemies managed to capture him and toss him into a jail. Going so far as to throw away the key too.

Later, when Oya is wondering why Shango didn’t return home, she had a vision in which she saw that Shango was being held captive. Oya called down a fierce storm and summoned a bolt of lightning to break the bars of the jail cell holding Shango.

Since then, Shango has always respected Oya’s abilities and skills as a warrior. However, it still doesn’t stop him from always remaining faithful as a husband. He is, however, careful not to ever make Oya mad.

Betrayal By A Ram

The story goes that Oya and the ram were once best friends. When the ram found out that there was a bounty on Oya’s head, it betrayed her.

When Olofi discovered this, he demanded that the ram be sacrificed. Hurt by her friend’s betrayal, Oya has since been unable to bear the sight of the ram. At the same time, Oya is unable to be in the same room with him being sacrificed as she still cares for him.

In ceremonies, when Oya is being consecrated, the ritual items for Shango, Inle, and Yemaya are removed from the room. Likewise, when Shango, Inle or Yemaya are being consecrated, Oya’ ritual items are removed from the room. All of this is to pay respect to the fact that Shango, Inle and Yemaya’s favorite food is ram and they thus bear his scent on them. So the four not ever being in the same room during consecrations is out of respect and remembrance of the ram’s betrayal to Oya.

Oshun’s Fading

There is a story told, about how Oshun’s essence or life was fading as people were beginning to concern themselves with other things instead of worshiping her.

As it was, Oya insisted to her husband Shango, to consult with the diloggun (a form of divination) for the first time in order to mark an ebo or sacrifice to Oshun, thereby, saving her. This sacrifice bonded the two in friendship.

Maman Brigitte – Haitian Goddess

Oya has been connected to Maman Brigitte as a syno-deity. Maman Brigitte is a Voodoo goddess or Loa who protects those graves within a cemetery marked with a cross. She is the wife to Ghede or Baron Samedi. Like Oya, she has been connected to the Catholic Saint Brigit.

Catholic Saints

There are a few different Saints that Oya has been equated to and it varies by the religion revering Oya.

Saint Barbara – The Saint whom Oya is equated to in the Candomble tradition. She is the patron saint of armourers, artillerymen, military engineers, miners, and others who work with explosives. She has an old legend that connects her to lightning and mathematicians.

Saint Brigit – Not just the saint, the Celtic goddess Bridget of the same name. She is the patron saint of Ireland and babies, blacksmiths, boatmen, brewers, cattle, chicken farmers, children whose parents are not married, children with abusive fathers, children born into abusive unions, Clan Douglas, dairy workers, Florida, fugitives, Leinster, mariners, midwives, milk maids, nuns, poets, poor, poultry farmers, poultry raisers, printing presses, sailors, scholars, travelers, and  watermen. That is quiet a lot if you ask me.

Saint Teresa – There’s like five or six different Saint Teresas, so I’m not sure which was meant with mentioning her. With the mention of a feast day of October 15th, Saint Teresa of Avila seems to have been who they were mentioning. She is the patron saint of Bodily illnesses, headaches, chess, lacemakers, laceworkers, loss of parents, people in need of grace, people in religious orders, people ridiculed for their piety, Požega, Croatia, sick people, sickness, Spain, and Talisay City, Cebu.

Virgin Mary – “Our Lady of La Candelaria” and “Virgin of Candelaria” as in the Virgin Mary of the Canary Islands, Spain and sometime connected with the Black Madonna.