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Category Archives: Water

Nana

Nana

Alternate Spelling: Νάνα (Greek)

Nana is the name of a Naiad, a water nymph in Phrygian mythology, she is the daughter of the river god, Saggariaos found in Anatolia, modern day Turkey.

Parentage & Family

Father – Sangarius (or Saggariaos), he is a god of the river Sakarya in Phrygia, modern day Turkey.

Mother – Metope, she may likely be a nymph herself. It’s not clear. Bear in mind there are a few different individuals in Greek myth named Metope.

Children

Attis – Nana’s son by way of seemingly immaculate conception.

Attis & Agdistis

Nana ultimately has just a small bit part in a larger myth concerning the stories of Attis and Agdistis.

Agdistis was a hermaphrodite, whom the other deities of Mount Olympus couldn’t handle, what with the huge sexual appetite that a being like Agdistis supposedly has. They also flat out couldn’t comprehend and handle a being who is both male and female.

Their solution was by one means or another, to cut or rip off the gentiles from Agdistis, forcing them to be female. Which is just really brutal.

The deed done, the blood from Agdistis that fell and hit the earth became an almond tree.

Enter now Nana to the story who goes and sits beneath the almond tree. Nana finds herself becoming pregnant when an almond fell into her lap. Slight variations to this story have Nana gathering up the almond fruit and when they’re held to her bosom, the fruit vanishes and that’s how she finds herself pregnant.

Understandably, Nana freaks out and when she gives birth, she exposes the baby boy who is found and raised by a he-goat.

Nana exits the story at this point and the baby-boy, who is named Attis, is found by some Shepherds who raise and take him in. And of course, the whole Attis falls in love with Cybele who is also his mother and whom was originally Agdistis. So, falling in love with themselves and their missing part.

Naiad

The Naiads are water nymphs in Greek mythology, minor deities or spirits. Specifically, Naiads were associated with fresh water.

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Furrina

Furrina

Also Spelled: Furina

Etymology: “bhurvan,” Indoeuropean root for moving or bubbling water, “brunna” for spring, and the Latin “fervere” to bubble or boil.

Furrina is an ancient minor Roman goddess of springs who dates from Rome’s Republican era. By the time of the 1st century B.C.E., Furrina’s role and function had fallen into obscurity. Being a minor goddess doesn’t help with Furrina often being forgotten and overlooked.

Roman Worship

Furrina’s cult is one of the oldest to predate the Roman empire. This goddess had a sacred spring and shrine located on the South Western slopes of Mount Janiculum near the right bank of the Tiber river. The locality for this cult is found in the present-day grove found in the gardens of Villa Sciarra. More modern excavations conducted in 1910 have revealed a well and a series of underground channels. There are also some inscriptions dedicated to the following: Jupiter Heliopolitanus, Agatis, and the Nymphae Furrinae. These inscriptions date from the 2nd century C.E., meaning that the spring is likely not the original spring.

Grove of Furrina – This is the grove where Gaius Sempronius Gracchus ordered a slave to kill him.

Flamen Furrinalis – The title of Furrina’s priest. Furrina is one of fifteen deities to have their own Flamen.

Furrinalia – Furrina’s main worship and festival came on July 25th. This festival was important to the Romans during the summer months to stave off the summer droughts.

Satricum – According to Cicero, this is where another sanctuary for Furrina’s cult was located at.

Etruscan Deity!?!

Well no… Furrina is very much firmly a Roman Goddess. Her connection as an Etruscan goddess only comes up when looking at the goddess Laverna, the goddess of thieves and robbers. I have only found this connection on many New Age, Pagan and Wiccan websites that seem to be trying to expand on Laverna’s scant mythology and information.

This flimsy connection seems to only be the result of bad etymology and linguistics. Such, because of similar sounding names, Furrina is somehow connected to the Furies themselves.

It’s just bad and after looking into Furrina’s mythos and the supposed related deities, none of it holds up to a close scrutiny and relies on people not knowing the history or myths.

Furies

Also known as the Erinyes in Greek is a trio of Underworld goddess called upon for Vengeance. Some sources try to connect Laverna and Furrina to this group. Which doesn’t hold up when you know who they are, Alecto, Megaera, and Tisiphone and that all three punish people for committing crimes. I would think these three would be at odds with Laverna for helping people to commit them in the first place. Then you add in Furrina, a goddess of a spring. It just doesn’t work.

Naiad

The Naiads are water nymphs in Greek mythology, minor deities or spirits. Specifically, Naiads were associated with fresh water.

Being a minor goddess and her function as a goddess of a spring, this is very likely the proper classification for Furrina. The term too is borrowed by the Romans for their mythology. So, it shouldn’t be hard to hard to just come out and say.

You’re welcome.

Etain

Etain

Etymology: “Jealously” or “Passion”

Also known as: Adaon, Aedín, Aideen, Echraidhe (“Horse Rider”), Éadaoin (modern Irish), Edain, Etaoin, Éadaoin

Epithets: Bé Find (“Fair Woman”), Shining-One

Pronunciation: “Ay-deen”

Etain is a figure from Irish mythology, her story involves a lot of unwanted transformations from a jealous Fuamnach and different suitors trying to win her. Etain is noted for her extreme beauty among the fae or sidhe. She is best known as the heroine found in the “Tochmarc Étaíne” or “The Wooing of Etain.”

Attributes

Animal: Butterfly, Dragonfly, Fly, Horse, Swan, Worm

Element: Water

Planet: Sun

Sphere of Influence: Beauty, Healing, Irish Sovereignty, Music, Rebirth, Transformation, Transmigration of Souls

 Parentage and Family

The lineage for Etain can get confusing. When seeing that Etain and the name’s many variant spellings could be the names of other characters, then it could be a matter of which Etain are we talking about?

Parents

Ailill – In the Tochmarc Étaine, Ailil, king of Ulaid is Etain’s father.

Etar – In the Togail Bruidne Dá Derga (“The Destruction of Da Derga’s Hostel), Etar is Etain’s father.

Consort

Eochaid Feidlech – In the Tochmarc Étaine, Eochaid is the High King, he is Etain’s mortal husband whom she marries after being reincarnated. In the Dindsenchas poem, Rath Eas, Eochaid’s last name is given as Airem.

Midir – In the Wooing of Etain, this is Etain’s husband when she was in Tir na Nog.

In-Law

Ailill Angubae – By some accounts of Etain’s story, she was really in love with Ailill, Eochaid’s brother. Not to be confused with the Ailill, King of Ulaid, who is her father.

 Children

 Dian Ceacht – Etain’s daughter when she is married to Oghma.

Étaín Óg – Etain the Younger, she is Etain’s daughter when married to Eochaid Feidlech. Etain Og will go on to marry Cormac, the King of Ulster and have a daughter by the name of Mess Buachalla. Mess Buachalla will go on to marry High King Eterscel and be the mother of Conaire Mor.

Oghma – The Irish god of Writing, in some version, he is Etain’s husband.

Tochmarc Étaíne – The Wooing Of Etain

This is one of the oldest stories found in Irish mythology. There is another story that mentions Etain, the “Togail Bruidne Dá Derga” or “The Destruction of Da Derga’s Hostel.”

For now, we’re going to cover: “The Wooing of Etain.” It begins not with Etain, but with Midir and his first wife, Fuamnach. They were happily married and raised among their own children, Oengus or Aengus Óg (a Love god, some sources try to say he’s a sun god too) as a foster son.

For a little further context and background, Oengus is the son of Dagda, Midir’s brother. So really, Midir and Fuamnach are raising their nephew.

Like all children, Oengus grew up and moved out on his own. Midir decided one day that he would go visit his nephew. While visiting, an incident happened, involving some holly and Midir was blinded in one eye.

Even though Oengus heal’s Midir’s eye, Midir still seeks compensation for the injury that occured while visiting as a guest. As Oengus is the God of Love, he gets his Uncle the most beautiful woman in all of Ireland and Fairy, Etain. On seeing her, Midir is instantly in love and he takes her home with him.

It should come as no surprise, that once the two are home, that Midir’s wife, Fuamnach is angry, jealous even. How dare her husband bring home another woman, even if said woman is either a mistress or second bride and this is allowable, it’s the jealously and anger of a far more beautiful woman getting her husband’s attention.

Rather than take out her ire on Midir for this insult, Fuamnach takes it out on Etain. Fuamnach is a powerful sorceress in her own right. An enraged, Fuamnach conspired to cast a series of dark spells on Etain. The first one turns Etain into a pool of water. Another spell turns Etain into a worm or snake. Then finally into either a butterfly or dragonfly.

Changed to this new form, Etain’s wings hold the power that water that dropped from her wings would cure disease and the humming of her wings was soothing to those who heard it. Even in this strange new form,

Depending on the story told, Midir either does or doesn’t recognizes Etain. Regardless of which way the story goes, Midir spends all of his time with his butterfly companion and eschews the company of other women.

This only further enrages Fuamnach who sees that the two lovers are still together. This time, she conjured up a great gale of wind that drove Etain out of Midir’s house and to be lost at sea.

Etain is lost for seven years being buffeted about by the sea winds before at long last finding her way back to shore where she lands on Óengus’ clothing. Óengus does recognize that the butterfly is Etain. As he and Midir are currently feuding with each other, Instead of returning Etain, Óengus makes a small portable butterfly house that he carries around with him.

Eventually Fuamnach learns that Etain is with Óengus and she sends another wind that once more blows Etain out to sea to be lost for another seven years.

That is a long time to be lost at sea, not just once, but twice. Exhausted by her ordeal, Etain finds herself coming to rest on the roof of a house where people were gathered, enjoying a feast.

Drawn by the warmth from within, Etain flew closer to the sounds of merriment. However, in her state of exhaustion, she flew into goblet of wine and was promptly drunk up by Etar, the wife of a wealthy Ulster chieftain.

This is how Etar becomes pregnant with a reborn or reincarnated Etain. The catch being, that as with all reincarnations, a person doesn’t remember who they had been in a previous life. So, a newly reborn Etain grows up as the daughter of a wealthy chieftain.

The Tochmarc Étaine notes that some one thousand and twelve years have passed since Etain’s first birth back in Tir Na Nog, Fairy Land. Just as she had been before, Etain was once again the most lovely and beautiful woman in all of Ireland. The gifts of love, generosity and kindness were all held to be hers.

One day, Etain is out with her handmaidens at a well when they spot a man on horseback coming their way. This man is Eochaid, the king of Ireland. As soon as Eochaid lays eyes on Etain, he is immediately taken with her and asks Etain to be his Queen.

Naturally Etain is flattered and this is an opportunity. Love or not. Power or not. Etain agrees to marry Eochaid and a wedding follows soon after.

Complicating matters, Eochaid’s brother, Ailill Angubae has also in love with Etain and he pins away for her. As he is dying, Ailill confesses his love to Etain. To save him, Etain agrees to sleep with Ailill.

Right then….

Enter Midir back into the story, who casts a spell on Ailill so that he falls asleep and misses his tryst with Etain. When Etain does go to meet up with Ailill, she does find a man who looks like Ailill, but it’s not, it’s Midir in disguise. Thrice Etain tries to meet up with Ailill and keeps meeting up with the imposter, Midir who finally reveals himself to her on the last time.

Midir tells Etain of her previous life in Fairy as his wife, trying to get Etain to return with him. For Etain, this is a problem, she’s been reborn as a mortal and is married to Eochaid. She won’t leave her current husband unless Eochaid allows her to.

The good thing that comes out of this encounter is that Ailill is no longer pinning away and dying for lack of love over Etain.

A goal and mission in mind, Midir sets out to meet Eochaid. Coming as himself, Midir offers to play a boardgame called fidchell. As other versions of this story say that it’s chess that the two play.

For the first game, Midir makes an offer of fifty horses as the stakes. Eochaid accepts and wins with Midir graciously offered prize. Midir now challenges Eochaid to another game, with higher stakes and wins again.

At some point in the game playing, Eochaid’s foster-father warns him that Midir is a being of great power and to be careful. As Midir is letting Eochaid win, the two keep on playing and with each win, Eochaid has Midir perform another task, ranging from clearing forests, reclaiming land from bogs, building causeways over said bogs.

These series of tasks are said to fit with the idea of the Tuatha De Danann that Midir belongs to as earth deities. Eventually, Midir grows tired of letting Eochaid win and challenges him to a last game of fidchell with the stakes to be named by the winner. This time, Midir wins and he claims an embrace and kiss from Etain.

This is more than what Eochaid is willing to allow. Eochaid agrees to Midir’s claim, that in a month’s time he can come claim Etain. As these stories go, Eochaid didn’t have any intention of letting Etain return to her former husband. Etain was his. On the day that Eochaid was to honor the agreement, he had all of his warriors waiting at his castle. These warriors formed circles around the castle with the intent to keep Midir from reclaiming his wife.

As if he were air or invisible, Midir passed through all the encircling warriors without slaying a one or shedding blood. Soon, Midir comes to the room where Eochaid and Etain await within. Midir proclaims that he is there for that which is his.

Seeing that he can’t renege on the deal after all and must agree, Eochaid says that Midir may have a kiss from Etain’s lips. Eochaid reluctantly allows Etain to go to Midir and the two kiss, transforming into a pair of swans and they fly out, away from the castle and back towards their fairy home of Tir na Nog.

Not wanting to lose Etain, Eochaid and his men set off for the fairy mound of Bri Leith where Midir is said to dwell. The men begin digging and Midir appears before Eochaid, telling him that his wife will be returned to him the next day.

On the morrow, Eochaid returns and there are fifty women, all appearing as Etain. An old hag tells Eochaid to pick out his wife. Eochaid does so and Midir later reveals that Etain had been pregnant when he took her. That the woman he took was in fact their daughter. Eochaid is horrified by the fact that he’s slept with his daughter who is no pregnant. This baby, who is also a girl is laid out in the woods to be exposed. Before death can claim the infant, a herdsman finds the baby and raises her to become the mother of the High King Conaire Mor.

Variations – There are a few different versions to Etain’s story. Some that focus solely on just Etain and what happened to her exclusively. Other versions will explain the whole set up of what led up Midir marrying Etain and thus, better explain why Fuamnach is jealous and maybe not so much jealous, but angry.

Version 1 – This story focuses on Etain being the second wife to Midir with Fuamnach being jealous. Here, Fuamnach enlists the aid of her friends to turn Etain into a pool of water. This causes Midir to becomes worried and he goes searching for his missing wife. To stay one step ahead of him, Fuamnach then turns Etain into a worm and then a fly.

As a fly, Etain flies down Fuamnach’s throat, causing her to become pregnant. Etain is reborn, this time, she’s mortal and doesn’t remember her previous life. Once she grows up, Etain marries the king Eochaid. Only it’s not Eochaid that Etain loves, it’s his brother Ailill, as if that wouldn’t cause more than a few problems.

To make it more complicated, Etain eventually meets Midir again and suddenly remembers who she had been. Just like before Midir wins Etain in a game of chess with Eodaid.

I rather find this version extremely problematic as it’s suggesting Etain wouldn’t know her own father? Assuming Midir still remained married to Fuamnach. Further, if Midir and Fuamnach are fairies and Etain is reborn as their daughter, shouldn’t she be a fairy too? Not mortal? Not to mention the extreme ewww with Midir now wanting someone who’s his daughter.

Just no. No.

It’s this version of the story with Fuamnach becoming Etain’s mother and seeing that Etain’s name means jealously; it makes me think that there may be an allegory or symbolism for the stages of jealousy or passion that Fuamnach is working through with her husband Midir.

Other Versions: There’s numerous versions to Etain’s story, some have her remembering her life in fairy when she meets Midir. Others have her not remembering her life at all and agreeing to leave with Midir if her mortal husband agrees as she thinks this is something that won’t happen.

A lot of these other versions for Etain’s story often simplify their retellings in that they often leave out how Midir and Etain meet, just that they do, the who episode of Alill pinning away for Etain is left off and the final episode where Eochaid tries to get Etain back and unknowingly, is given his daughter.

Dindsenchas

A couple episodes from the Tochmarc Etaine are repeated in this poem. Eochaid Airenn’s winning Etain back from Midir is in the Rath Esa poem. Midir’s abduction of Etain is referenced in the Rath Cruachan.

Togail Bruidne Dá Derga – The Destruction of Da Derga’s Hostel

In the main story for the Wooing of Etain, the Tochmarc Etaine, she is described as being very beautiful. However, no description is given anywhere of her. That changes in the Togail Bruidne Dá Derga where Etain encounters King Echu in Bri Leith.

In this text, she is described in a lot of lengthy detail from the comb she’s using to her clothing in lot of green, silver and golds. Her hair is described as being a red gold, skin white as snow, rosy cheeks, unnaturally blue eyes and curved body like the waves of sea foam. The narrator goes to great lengths to try describing what Etain looks like as the fairest of them all, there is a final quote that goes: “Lovely anyone until Étain. Beautiful anyone until Étain.” That such beauty could only mean that Etain was clearly of the sidhe.

Grecian Comparison – Hellen of Troy

The first story of Etain, the Wooing of Etain says that she’s very beautiful, comparable even to Helen of Troy. Where whole cities of Greece go to war with each other her. Etain has a jealous first wife takes out their wrath on her, a former spouse waiting for over a thousand years to reclaim her, and when she’s reborn, her mortal husband trying to keep her from the fairy husband to take her back.

Historical Allegory

The entire story for Etain reflects an older time when these older stories were likely passed on orally before getting written. So Etain’s story has had plenty of time to be altered and change and the role of the Goddess or Queen who gets to choose is altered and she is no longer in control of her destiny and is just a prize to be won.

An important note brought up about this story, while it doesn’t feature Etain in the first part of it, is to bear in mind that this story is an allegory for Ireland’s history. Etain’s role in the narrative becomes clearer when seeing her as the Goddess of the Land who gets to choose her consort to ensure the prosperity of the land.

A similar motif for this Celtic belief that the Goddess gets to choose her consort is seen in Arthurian Legend for the story of Guinevere, Lancelot and King Arthur with the whole love triangle happening there. Granted that story is a much later addition to Arthurian Legend, it’s an inserted story to narrative to explain the Goddess or Woman’s right to choose whom she loves and marries.

All the figures featured in the story likely represent different clans and geographical localities. Seeing Etain as a Sovereign Goddess of the Land, who she chooses to couple with are whom she deemed as the best ruling clans for the welfare of Ireland.

Lack Of Agency – At a knee-jerk first glance response, I don’t like the story of the Wooing of Etain. Why is Etain punished by Fuamnach for marrying Midir? For that matter, why does Midir get to be the one rewarded for cheating on his wife and marrying a younger woman, loose her and then get her back after waiting patiently for Etain to be reborn?

That here, we have Etain a woman who is just passed around as a prize to be won with barely any say in the matter of what happens to her. If the focus is given soley to Midir as the hero, of course, the entire story makes sense for his journey of loss and recovering his love and wife. Then poor Eochaid who gets to pick his wife and loses her to Midir, who takes back the woman who is rightfully his.

Without the Historical Allegory angle, the entire story feels maddening. No wonder there are later rewritings of the story that want give an image of two lovers who loose and find each other again. To give more agency to Etain’s actions and the series of unfortunate circumstances that befall her.

Transformations

Etain is forced to a series of unwanted transformations by a jealous lover, ranging from worm to butterfly, to swan and even a pool of water. Including the worm and then changing to a fly, sounds like the larval state of an insect, either as a nymph, meaning the larval form of a dragonfly or caterpillar to a butterfly.

Looking at these stories symbolically, Etain’s transformations from a worm to a fly, only to be swallowed later by a woman and reborn as a child can all be seen as the different stages of life.

Soul or Spirit – In a lot of Celtic folklore, flies or butterflies are often seen as being the souls of the deceased, even if it’s just a metaphor. It makes sense if Etain’s changing to a worm, than a fly or butterfly is merely a symbolic way of describing the spirit’s transformation and more easily explaining the transition from one life to another. Or maybe Fuamnach actually killed Etain, tossing her body into a pool of water?

Celtic Numerology – More of a minor note, the number seven is used for the number of years that Etain is lost at sea a mystical number. In this case, it is a number meaning a spiritual awakening.

Reincarnation

That’s undeniable with all the transformations that Etain undergoes once she falls afoul of Fuamnach’s magic, going from a pool of water, to a worm, to a fly or butterfly, swallowed and reborn as a mortal woman.

What’s In A Name

Given the nature of Etain’s story and the meaning of her name: “Jealousy” or “Passion.” I think it sheds an important light to the significance of Etain’s story and the proper framework to look at it in.

Bé Find – Meaning “Fair Woman,” this is a name that Midir gives to Etain in Tochmarc Etaine. It comes from a poem found within the larger saga called: “A Bé Find In Ragha Lium” is likely from a much older, unrelated source and was just stuck in the saga at a later time.

 Eadaoin – As Eadaoin, she is noted as being a sidhe and one of the Tuatha De Dannan who is associated with poetry and inspiration. With this spelling, Etain is noted as having a different husband, either Midir or Oghma depending on the source used. This could just merely mean Etain or Eadaoin was a common enough name that there is more than one person in the Irish Mythological Cycles who has this name. As they’re all sidhe, that makes it even more difficult to keep them all straight.

Echraide – Meaning “Horse Rider,” this is a name that has been attached to Etain and is meant to link her with horse deities such as the Welsh Rhiannon and the Gaulish Epona.

Shining-One – An epitaph of “Shining-One” or claiming that’s what Etain’s name means, tend to come from more modern sources that want to connect her to be a Sun Goddess or a fairy. As far as a strong, scholarly bent goes, it doesn’t really work.

Irish Goddess

Some sources, often the more modern Pagan paths will place Etain as a goddess. Depending on the lineage you follow, if Oghma for example, she is a goddess of poetry and inspiration. Yet another source will list her as a Love or War goddess?

Some of the sources that link Etain to different deific roles seem tentative.

Horse Goddess – One of Etain’s epitaphs is Echraide, meaning “Horse Rider,” which would mean she’s a Horse Goddess, much like the Welsh Rhiannon and the Gaulish Epona.

Sun Goddess – T. F. O’Rahilly is who identified Etain as a Sun Goddess. Several New Age and modern Pagan groups have adopted her as such. When Oengus is identified as a Sun God, this connection makes sense if Etain is seen as his daughter.

Goddess of the Land – This I would readily accept given the nature of Etain’s story as an allegory for Ireland’s history and a Goddess marrying whom she wants that will bring prosperity to the land.

Love Goddess – This really works best for more modern interpretations of Etain’s story; especially when keeping in mind her story as an allegory and for those seeking to reclaim her role as a deity with her own agency who chooses her lovers. Plus, the connection seems to come more strongly with Midir’s fostering of Aengus Óg who is a Love God.

Sovereign Goddess – This is an important aspect of Etain, especially if you want her story to make sense as a deity who choose her consort for the prosperity and welfare of the land.

Triple Goddess – In New Age and Wiccan practices, Etain is often seen as a Triple Goddess

Other Aspects – Furthering this, due to the forced transformations, some will claim Etain as a Goddess of Transformation and Rebirth, a Moon Goddess.

Fairy Queen

Well yes, most versions of Etain’s story acknowledge her as a fairy, specially one of the Sidhe and certainly of the Tuatha de Danann. An imagery not at all unlike the Tolkien Elves in his Middle Earth series.

The account that has some men coming across an extremely beautiful woman beside a spring see them agreeing that such beauty was only possible of the sidhe.

That seems to be the sentiment of some authors, scholars and modern Pagans.

Wiccan, New Age & Modern Paganism

I think it’s important to note, that myths and stories do change with time. Much of the story that so many know with Etain has been colored through the lens of Christianity and with some regards, a patriarchy, resulting in a story about a woman who appears to have little agency and control over her own fate and destiny.

In the pursuit of adjusting Etain back to her perceived mythological roots and giving her significance and relevance, to better be the actor in her own story, some modern Pagan traditions will claim that Etain’s name means “Shining One” and place her as a Triple Goddess who represents the Sun, Water and Horses.

Understanding Etain’s story will certainly make it easier to interpret her as needed. I think sticking to what’s known and concrete from her legends is the most useful.

Kappa

Kappa Mikey

Also Called: Gataro (“River Boy”), Kawako (“River Child”), Kawataro (“River Boy” or “River Tiger”), Komahiki (“Horse Puller”), Suiko (“Water Tiger”)

There are some eighty names for kappa depending on the region they’re found in. Next to the oni and tengu, kappa are some of the best known yokai found in Japan.

Some of these other names are: Dangame (“Soft-Shelled Turtle”), Enko (“monkey”), Gawappa, Kawappa, Kawaso (“otter”), Kogo, Mizuchi, Mizushi, and Suitengu.

 Etymology – “River-Child” from the words kawa for “river” and wappo, an inflection of waraba meaning “child.”

In the Shinto Religion of Japan, Kappa are mischievous water spirits or yokai who will pull young children and the unwary into the river and ponds where they live and drown them. Kappa are also known for attacking travelers and animals. Even today, many towns and villages keep signs out warning of the dangers of kappa near a river.

Some of the less deadly pranks that kappa will pull are passing gas loudly and looking up women’s kimonos. They will also steal crops, flat out kidnap children and rape women.

The kappa are curious about human culture, they are not mindlessly aggressive and many can be appealed or reasoned with as they do speak Japanese. Wisemen were known to befriend kappa and learn the art of setting bones from them. It’s thought that somehow, kappa were once wise monkeys.

Kappa will also sometimes challenge people to different tests of skill such as shogi or sumo wrestling. People have been known to befriend kappa by giving gifts and offerings, often of food and especially cucumbers.

The kappa are a major folkloric figure that people have reported seeing for centuries. They have remained a staple of literature and even the tourist industry in some towns will tell visitors to be wary of kappa and to be careful.

Suijin

In Shinto, the Kappa are viewed as one of many types of Suijin or water people or even water deities. Many of these water deities or spirits are often depicted as snakes, dragons, eels, fish, turtles and kappa. It is believed that belief in kappa can be traced back to China, though much of the kappa lore is native to Japan.

With the arrival of Chinese and Koreans during the 2nd century C.E. along with the arrival of Buddhism in Japan, the imagery of kappa would be begin to take on these attributes.

While the name for the most powerful Suijin in Japan is Mizu no Kamisama or Goddess or God of Water, the kappa are more accurately referred to as Kawa no Kami or River Deity reflecting a less powerful status.

The offering of cucumbers to kappa may have come from a tradition of giving the year’s first crop of cucumbers and eggplants to the local river to either appease local water deities or hungry ghosts.

Festivals – There are still some festivals held in places, twice a year during the equinoxes to placate the kappa and ensure a good harvest. These festivals also mark the time of the year when the kappa travel down from the mountains to the rivers and back up.

Kappa Odori Dance – This is a sacred Shinto dance used to pray for abundant crops. Young boys dress up as kappa and jump and bounce around in time to the humorous music as it’s played.

Jozankei Hot Springs – A local spa near the Toyohiragawa River to the southwest of Sapporo. Named after the monk who found the place, the kappa are local guardian spirits. Some 23 kappa statues stand around the area. The Kappa Pool becomes very lively in early August during the Kappa Festival. A local legend holds that the story of the Kappa Buchi occurred here.

Ancient Origins?

Ainu Folklore – The Ainu are Japan’s earliest inhabitants who live mostly on the northern island of Hokkaido. The connection here is very tentative as some believe that the kappa come from Ainu folklore. There’s just not enough known of their mythology to really make a concrete connection. What does get cited is that near the main city Sapporo on Hokkaido is an area known as Jozankei where the legends for the “Great Kappa King” and the “Kappa Buchi Legend” can be found, though these stories are not likely to be of Ainu origin and mythology.

Nihon Shoki – Chronicles of Japan – One of Japan’s earliest and official records, it was compiled sometime around 720 C.E. It is the first text to refer to kappa where it is called Kawa no Kami or River Deity in this text.

Wakan Sansaizue – Kappa don’t really take on popularity until around Japan’s medieval era, during the Edo period. The Wakan Sansaizue is a 105-volume encyclopedia dating to about 1713 C.E. and is the first to depict a kappa.

Gazu Hyakkiyagyō – Or the “Night Procession of One Hundred Demons” is a four volume text that next shows and depicts kappa within it.

From here, the popularity of kappa in continues in the Edo Period, appearing in a serial called Kasshiyawa where the kappa called Kawataro. Another document is the Mimibukuro, a 10-volume text written by Negishi Yasumori.

Portuguese Monks – When Portuguese monks arrived in Japan during the 16th century, their appearance of cloaks that hung down in back like a kappa’s shell and their shaven heads resulting in a bald head crowned with hair known as a Capa for the Portuguese word for this hair style would easily become absorbed into Japan’s Kappa lore…. After all a homophone of words Kappa and Capa sound very alike.

Drowned Monkeys – Some legends will hold that the first kappa come from monkeys. Yanagida Kunio records a story where he notes that some regions of Japan referred to kappa as enko or monkeys.

There is a famous Buddhist story from China in which a group of monkeys tried to capture the moon’s reflection. For their trouble and efforts, the monkeys were drowned.

The Monkey King Versus The Water Demon – There are a number of tales for the Indian collection of Buddha stories called Jataka. Dating from the 3rd century B.C.E. India and Sri Lanka, the story in question features the monkey kingdom under attack from a monkey-eating water demon. The wise monkey king outwitted the demon with bamboo.

So, what’s the connection? In Sanskrit, the word Kapi translates to monkey. It’s possible that Kappa is a distorted form of Kapi. It would explain some of the descriptions of kappa being monkey-like is a carry over of this distortion. Further, there is a kapi jembawan, a monkey sage in Indonesian folklore based on the Dwarka kingdom where Lord Krishna ruled. The famous Hindi poet, Tulsidas who wrote the Ramayana some 500 years ago, uses the word kapi in place of the Vanara or monkey folk in the South who help Rama defeat Ravana.

If we’re looking at linguist connections, that could all hold up.

Description

Kappa look like child-sized humanoid turtles or more often monkeys with scaly limbs and thick tortoise shells. Some kappa are depicted with ape-like faces while others are more beaked. Skin coloration ranges from green to yellow and even blue.

The most distinguishing feature of kappa are the bowl or saucer-shaped depressions on the top of their heads called a sara (meaning “dish,” “bowl,” or “plate.”) When leaving the water, kappa makes sure that the sara is kept filled with water. The sara is surrounded with scraggly hair in a bobbed hair style known as okappa-atama. Should the kappa loose this water, it loses its strength and powers, possibly even dying in this weakened state if water isn’t refilled. Some kappa are reputed to have taken to wearing a metal plate or cap to cover their sara so the water doesn’t pour or dry out, thus weakening them.

Depending on the story, the arms of a kappa are said to be connected to each such, that the kappa can slide their arm from one side to the other. I can see that trick, the kappa is wearing a shell, pull one arm in and stuff it out the other arm hole, much like a person does when wearing a t-shirt. I’m sure it’s a simple enough illusion and magic trick to pull off.

Aquatic creatures who live in ponds and rivers, Kappa also possess webbed hands and feet. People have commented that Kappa smell like fish. Some of the legends involving kappa have them spending spring and summer down in the water during autumn and winter, heading up to the Yama-no-Kami (“Mountain Deities”) mountains. While kappa can be found throughout much of Japan, they’re often found in the Saga Prefecture.

Hyosube – This is the name for the kappa’s hairy cousin. The two are identical otherwise in terms of physical attributes and what they do. The biggest distinction of the two aside from hair, is that kappa are more prone to staying outside. The Hyosube are more likely to sneak into people’s homes to cause mischief, namely to take a bath. Being so hairsute, the hyosube are known to shed hair which is deadly to those who encounter it in Japanese folklore.

Shibaten – Also called Shibatengu, is a more turtle-like kappa where the kappa can be more ape or monkey like in appearance.

Diet

The kappa feed on a diet of blood and cucumbers.

Blood – Young children are told to be wary when playing near the water’s edge of ponds and rivers. Children are a kappa’s favored meal though they’re not above eating an adult.

Eww… so what makes humans so appealing to a kappa is a shirikodama that they will suck out of a person’s anus. Alrighty then.

And the shirikodama? Depending on the source and legend, that’s a mystical ball containing a person’s life force or soul that’s found near the anus, entrails, in the blood or liver.

Cucumbers – The only thing that kappa love more than small children. Its customary for some Japanese parents to write the names of their children or themselves on a cucumber and toss it into a pond or river where the kappa are believed to dwell.

Other Food Offerings – Cucumbers aren’t the only food item a kappa will accept. Offerings of eggplant, soba noodles, natto (fermented soybeans) and kabocha (winter squash) are accepted by kappa.

Powers

Being an aquatic yokai, it goes without saying that kappa are master swimmers with a vast knowledge of water and it’s importance.

Strength – Much of a kappa’s strength is tied to the waters of the pond or river it calls home. The water that a kappa keeps in the depression on its head is a source of its strength and even life.

Flatulence – I’m not sure that I would call this a power. Suffice to say that a kappa can use a particularly noxious gas attack in self-defense much like skunks do. A kappa is known to release this gas not just as a prank but to get someone like fishermen to let it go.

Flight – So those cucumbers offered to the kappa, not only do they eat the cucumbers, the kappa uses them to fly around on like dragonflies. Okay….

Weaknesses

So how does one manage to thwart and defeat a Kappa you might ask?

Arms – If we go off the idea that the arms of a kappa are connected to each other, they can be easily pulled off. If a person manages to get a kappa’s arm, they will perform a task in order to get it back. Assuming the arm can be reattached.

Challenges – Kappa aren’t mindlessly aggressive, and a person can reason with them. If they don’t have an offering of cucumbers to give, a person can try challenging the kappa. Most challenges usually take the form of feats of strength with wrestling matches.

One challenge found in a folktale sees a Farmer’s daughter get promised to a kappa in marriage in exchange for the yokai to irrigate his land. The daughter challenged the kappa to submerge several gourds in water. When the kappa failed at this task, the daughter was freed from the marital arrangement.

Fire – Being water creatures, it stands to reason that Kappa are held to be afraid of fire and loud noises. Some villages in Japan will have fireworks festivals each year to try and scare away spirits.

Land – Kappa can’t survive for long on the land and must always keep their heads wet, especially the sara filled with water.

Etiquette – That in mind, the kappa are overly found of etiquette, so if you bow deeply to them in greeting, they will bow as well, spilling the water from their sara. With this water spilled, the kappa loses its strength and any powers, becoming weakened and possibly die if this water isn’t refilled. It must be water from their home river or pond that is poured back in. If a human is the one who refills this water, it is believed that the kappa would the human in question for the rest of eternity.

Cucumbers – Offering the Kappa a nice tasty cucumber is sure to do the trick and placate them instead of trying to haul you into the river to drown.

Instead of offering the cucumber, a person would the vegetable themselves as a means of protection before swimming. Though some will say this is sure to guarantee an attack.

Miscellaneous – There’s a variety of other items that supposedly drive away kappa. These items include ginger, iron and sesame.

A Friend For Life

Those who have successfully befriended a kappa find that they truly have a friend for life. Kappa are known to help farmers in any number of ways such as irrigating fields. The kappa are very knowledgeable in the way of medicine and have been known to teach the art of bone setting to humans.

There are shrines to kappa that have been established, especially of a particularly helpful kappa. You could trick a kappa into service via the bowing and refilling the bowl on their head with water. He’s not likely to be so nice about the help he gives then.

The kappa, like the European Fae won’t break an oath as their sense of etiquette and decorum is such, they just won’t. So yeah, a human can trick a kappa into service and get one to swear an oath to them, the kappa’s sense of honor says they will follow it through to the end.

Japanese Expressions

There are a few expressions associated with kappa.

Kappa Maki – A cucumber sushi roll named for kappa.

“Kappa-no-kawa-nagare” – This phrase translates to “A kappa drowning in a river” is used to mean that even an expert can make mistakes.

“Kappa no He” – Much ado about nothing, the literal translation is water-imp fart. This is my new favorite.

Okappa – the bobbed hairstyles that look like those kappa sport.

Koppojutsu

This is a martial arts style invented by Kappa who will sometimes teach it to humans. The name of koppojutsu translates as “attacks against bones.” It is a hard-martial art compared to another, koshijutsu that is a soft-martial art that targets an opponent’s muscles.

Kappa-Buchi

The Kappa Pool is a legend found in the Jozankei region of Japan.

A young man was out fishing in a deep pool and he ended up falling in. He never surfaced. Some months later, as his father slept, the son came to him in a dream and told his father that he was living happily with the Kappa, that he even had a kappa wife and child. Shortly after, the pool came to be known as the Kappa Buchi.

Kappa Bashi

The Kappa bridge found in Tokyo used to be farmland that was surrounded by canals prone to flooding. During the late Edo period, a raincoat dealer, Kappaya Kihachi spent his entire fortune on building a better drainage system. The work proved more difficult than expect and taking longer to complete.

Falling into despair and about to give up, the man was visited by a kappa whose life he had saved many years before. The kappa had arrived to help and in no time at all, the new drainage system was completed. Further, the story goes that those who saw the kappa were blessed with good fortune. Shortly after, the Kappa Temple was built to honor and enshrine the kappa as a local deity.

Saiyuki – Journey West

When the Chinese epic of Journey to the West arrived in Japan, the character of Sha Wujing’s name is changed to Sangojo or Sagojo. Where Sha Wujing or Sandy is often depicted as a Water Buffalo or some kind of water demon, in Japan, he is frequently identified as a kappa.

Horses & Livestock & Monkeys!

Continuing a connection of Kappa to the Journey West story, in which kappa come from drown monkeys. In Chinese lore, monkeys are shown riding horses and in Journey West, the Jade Emperor appoints Monkey or Son Goku to a position of a Stable Hand or Protector of Horses.

This connection could explain a few different folktales and stories of kappa harassing people’s horse and cattle. There is a story recorded by Lafcadio Hearn in Kawachimura where a horse-stealing kappa was captured and forced to sign an agreement never to harm any people or steal from them again. The kappa even went so far as to swear he would get his fellow kappa to swear to the oath of leaving humans alone.

Of course, it could be too much of a stretch and horses were just one of many animals and objects that kappa would try to steal from humans.

Possible Reality Behind The Myths

Drowning – It’s likely stories of kappa developed as a means to scare and warn children from wandering too close to the water’s edge at any pond or river.

Kappa are even blamed for drowning deaths and signs are still posted near bodies of water that warn of kappa dangers.

Giant Salamanders – It makes sense, that inspiration for the kappa could come from the Japanese giant salamander or hanzaki. It is a large, aggressive salamander that grow up to five feet in length that will grab its prey with powerful jaws.

Miscarriages & Leech Babies – Touching back on that idea of kappa rapping women. There is an 18th century Ukiyo-e picture by Utamaro showing a kappa rapping an ama diver while underwater. That’s a bit unpleasant. More relevant might be a belief found in Kunio Yanagita’s Tono Monogatari, in which women who were raped by kappa and became pregnant often had repulsive babies born. These babies, called Leech Babies, would be buried shortly after.

Sometimes these stillborn babies would be tossed into a river and children would be warned to stay away from the water’s edge to avoid seeing these dead babies. Sadly, sometimes a poor family might have tossed an unwanted baby into the river if they couldn’t afford to care for it.

It’s possible a woman might say she had been raped by a kappa in order to try and explain why a baby was born deformed and likely stillborn. It would provide a way of saving face to explain a stillborn and deformities. That’s my take after reading in Celtic folklore and comparing it the myths regarding Changelings and parents who have a child that dies of SIDs, you just say the fairies came and took your baby and that the one isn’t real. Because somewhere, your real baby is still alive.

Similar Folkloric Figures

There are a few other, similar figures found in other cultures from around the world that have been used to scare young children from straying too close to the water’s edge.

Kelpie – A fearsome water horse in Scottish folklore known to drown those who try to ride it.

Näkki – A water monster from Finnish folklore.

Neck – Also called Nix or Nixie, a similar shapeshifting creature to the Näkki, only from Germanic and Scandinavian folklore.

Shui Gui – Water Ghost or Water Monkey is a similar creature found in Chinese folklore.

Siyokoy – Found in the Philippin islands and known for kidnapping children. Their description is very similar to those of kappa.

Vodyanoy – A frog-like water spirit found in Slavic folklore.

Vodnik – A green humanoid spirit or creature found in western Slavic folklore, particularly in the Czech Republic and Slovakia.

 

Oya

Oya

Pronunciation: Oh-Yah

Etymology: “She Tore”

Other Names and Epithets: Aido-Wedo, Ayaba Nikua (“Queen of Death”), Ayi Lo Da (“She Who Turns and Changes”), Ollá, Oya-Ajere (“Carrier of the Container of Fire”), Iya Yansan, Ọya-Iyansan (“Mother of Nine”), Oyá, Oiá, Yansá, Yansã, Yansan, lyá Mésàn, Iansá or Iansã, Lady of the Wind, Goddess of the Nine Skirts, Lady of War, Bearded Amazon, Thunder Maiden, Ayi Lo Da “She Who Turns & Changes”

Attributes

Animal: Antelope, Bats, Birds, especially Sparrows and Purple Martins, Deer, Insects, especially Dragonflies and Fireflies, Water Buffalo

Colors: Burgundy, Brown (Candomble), Orange, Pink (Candomble), Purple, Rainbow, Red (Candomble), White (Candomble), No Black

Day of the Week: Wednesday (Candomble), Friday

Elements: Air, Fire , Water

Feast Day: February 2nd and November 25th

Gemstones: Amethyst, Black opals, Bloodstone, Garnets, Labradorite, Red Stones, Tourmaline, Smokey Quartz

Herbs: Caimito, Chickweed, Comfrey, Cypress, Elecampane, Flamboyan, Grains of Paradise, Horehound, Peony, Pleurisy Roots, Royal Poinciana, Star Apple, Yucca

Incense: Geranium, Patchouli, Sandalwood

Metal: Copper

Month: February

Number: 9

Patron of: Change, Feminism

Sphere of Influence: Athletics, Businesses, Cemeteries, Change, Death, Lightning, Market Places, Rebirth, Storms, Tornadoes, Wind, Witchcraft

Symbols: axe, brightly colored cloth, balloons, broom, buffalo horns, copper, hoe, lightning, kites, graves, mattock, rake, shovel, spear, tornadoes, the sword or machete, masks, scythe, the flywhisk, weather vanes, whip, wind instruments, anything associated with the wind,

Taboo (Candomble): Palm Kernal Oil, Pork, Pumpkin, Ram, Smoke, Stingray, Mutton

Oya is a mother goddess and Orisha from Yoruban mythology found in Africa regions of Benin and Nigeria and in Latin America. In brief, she is the goddess or Orisha of many things such as: winds, lightnings, violent storms, death, cemeteries, rebirth and the market place.

Depictions Of Oya

Oya is often described as being a tall, regal and very beautiful, yet fierce warrior woman. She wears a skirt of nine different colors representing her nine children as she dances. When going into battle, Oya will wield two machetes. Sometimes Oya is shown with a beard or being bare from the waist up.

 Modern Day Worship

What’s interesting, is that Oya is a goddess or Orisha whose worship is still very much so active. There are several traditions that honor, venerate and worship Oya that include: Candomble, Folk Catholicism, Haitian Vodou, Oyotunji, Santeria, Trinidad Orisha and Umbanda to name a few.

Oya’s feast day is on February 2nd and another I found listed November 25th.

Offerings To Oya

Specifically, food offerings, Oya is said to enjoy sweet and dark colored foods and anything spicy. Such foods include the following: fish, fruit, plums, eggplant, figs, kola nuts, legumes, porridge, gin, grape wine, red wine, rum, chocolate pudding, purple grapes, rice, black beans, rain water, starfruit, shea or coconut butter, yams, black she goat, black hens, pigeons, rooster and guinea hens.

Such offerings can be left at the corner of an outdoor market or at the gates to a cemetery, particularly one marked by use of divination. Yes, do place the offerings in a trashcan with a prayer to Oya in thanks. She’ll know your intentions and you’ll keep from littering.

Non-food offerings can include coins, cloth and tobacco.

Orisha

Oya is a member of the Orisha, who are either a spirit or deity. In the Yoruban religion, a nature-based tradition, it is believed that the source of everything is called Olorun or Olodumare. The Orisha themselves are regarded as being different aspects of the main deity, Olorun-Olodumare.

With the Trans-Atlantic slave trade, the worship of Oya was brought with the slaves and is now found throughout much of the southern U.S., Latin America and South America.

Parentage and Family

Father

Obatala is said to be Oya’s father.

Mother

Yemaya – The Great Sea Mother

Yemu – Or Yembo, with Obatala, she is the mother of Oya.

Consort

Shango – (Also spelled Chango), Orisha of Thunder, her second husband. Oya is sometime considered one of three of Shango’s wives along with Oshun and Oba.

Ogun – A powerful warrior and Orisha of metal working, rum and rum making. Oya was married to him first before leaving Ogun for Shango.

Siblings

Shango – Depending on the stories or tradition, Oya and Shango are brother and sister, not husband and wife.

Yemaya and Ochun are held to be Oya’s sisters.

Children

The nine tributaries of the Nile River that represent her stillborn children. These children are Egungun and four sets of twins.

The Ibeji – Twins whom Oya took in after their mother rejected them.

Ọya-Iyansan – “Mother Of Nine”

This is in reference to the Niger River known in Yoruba as Odo-Oya and its nine tributaries. Oya in her role as a Storm Goddess is seen as the queen and source of the Niger River. This connection of Oya with the Niger River comes from a story where Oya gave birth to nine stillborn children. As a result of this, Oya holds a lot of sadness from this, medical term would be Post-Partum Depression. Oya wears nine different colored scarves or skirts around her waist in honor and memory of these children.

Later, when Oshun (or Yemaya) rejects the twins, the Ibeji from her home, it is Oya who takes them in and raise the twins as her own children.

In Brazil, where Oya’s worship has traveled, she is the goddess of the Amazon River.

 Storm & Wind Goddess

One of the main things that Oya is known for is that of a Storm Goddess, including winds and lightning. Oya can manifest winds from a gentle breeze up to hurricane force level winds and tornadoes.

Harmattan – This is the name of the Dry Season in the West African subcontinent that happens towards the end of November and up to the middle of March. The Harmattan is characterized by a dry and dusty northeasterly trade wind that blows in from the Sahara Desert towards the Gulf of Guinea. Depending upon where one is at, is if the Harmattan wind is cold or hot. The amount of dust that can happen can create a haze and has been known to be the cause of flight cancellations in West Africa.

Oya & Shango – It should be noted that Shango is a god of thunder and that Oya stole or learned the secret of throwing lightning from him. Additionally, Oya would use Shango’s fear of the dead to keep in his place. During thunderstorms, both Oya and Shango ride out, destroying buildings and tearing up the landscape. Often the two are described as Oya being the lightning with Shango being the thunder that follows soon after.

Goddess Of Change & Fire

Closely related to her aspect as a Storm goddess, Oya is also the goddess of change as seen in both nature and life; which may or may not always be comfortable or pleasant to go through. Such changes that Oya is known to bring are not slow and gradual, they are fierce, quick and often seemingly destructive. This change and the ensuing chaos as seen in the tornadoes associated with Oya are needed for new growth and preventing stagnation.

Fire comes into play as it is often a trans-formative force of change and can be a result of lightning strikes.

As a goddess of change, Oya is not seen as being held by tradition, conventions or boundaries. As a boundary breaker, Oya is known for going hunting, something that had been forbidden to women in West Africa where she was first worshiped.

Goddess Of Cemeteries

As previously mentioned, Oya guarded the gates to cemeteries, most notably, she protected those graves marked with a cross.

Iku – Oya, along with Orunmila, are the only two Orisha who have defeated Iku, the force of death.

Psychopomp – Oya will escort the spirits of the dead to the cemetery’s threshold, though she does not reside within them herself. Other Orishas, Obba and Yewá are the ones who reside within a cemetery or graveyard’s boundaries.

Oya is regarded as holding the secrets and mysteries of death and rebirth, helping the newly deceased with their transitions from the living world to the world of the spirit. In worship, Oya represents the first and last breaths of life taken.

Ancestors – as a goddess of cemeteries, Oya also holds a connection with the ancestors.

Ira – The underworld, Oya entered into the lower realm of Ira in search of her husband Shango when she heard he had died.

Guardian of Stillborn/Unborn Children – As a mother who was unable to keep her own children as they were stillborn, Oya guards and protects the spirit of the unborn or stillborn children, taking them to herself as she guides them to the afterlife.

Illnesses – Oya is called up and invoked during times of a serious illness. Curiously, one source mentioned that Oya protects the lungs and nasal passages. Which makes sense as she is representative of the first and last breath that a person takes.

Goddess Of Markets

This is where Oya can be found, in the market places where businesses are conducted. Whether that place is in a Boardroom Meeting or on the street level, open market, Oya deals in the changing flow of fortunes made and lost. She is noted for being a very shrewd business woman who is also good with horses.

Warrior Queen

Oya did live many centuries ago where she was a princess of the Oyo clan and consort to Shango, the then ruling king. She was known then as an unbeatable warrior whose skills were unequaled. After her death, she became deified as an Orisha.

Oya’s favored weapons are a pair of machetes forged by her first husband, Ogun.

After becoming deified, Oya employs the wind, storms and tornadoes as her weapons along with raising the egun or spirits of the dead to fight as soldiers.

Feminism – As a goddess of female empowerment and a champion of women, Oya will mete justice on their behalf

Women often ask Oya to give them the ability to choose their words so that they speak persuasively and powerfully.

Huntress – Hunters and Chiefs will seek out Oya’s blessing when hunting or when selecting new, strong leaders.

Justice – Oya’s machetes represent the sword of truth, cutting quickly to the truth of the matter and dealing out matters of equality and custom. As an agent of change, Oya will cut through all injustices, deceits and dishonesty that’s in her path. She will speak only truths, even when they are hard to hear.

Protector Of Women – In her role as a warrior, Oya is known to be a strong and fierce protector of women. Oya also protects children and spouses. The newly deceased are often said to be her children whom she cares for as her own were stillborn.

Water Buffalo

The main animal that I found mentioned repeated as being sacred to Oya is the Water Buffalo. Such an animal is often her avatar or representative or it is Oya herself, having transformed or shape-shifted into this form.

Buffalo Horns – A set of buffalo horns rubbed with cam wood to make them red are placed on alters and shrines dedicated to Oya.

Antelope

Antelope Skin – This story reads a lot like the Celtic or Irish stories of selkies and seal maidens.

One story about Oya mentions that she had originally been an antelope who could take off her skin to transform into a beautiful woman. She would do this every five days when she came to the market in town; hiding her skin in the forest or under some bushes.

One day, Shango meets Oya in the market place and is immediately taken in by her beauty. So enamored of her was he, that Shango followed back to the forest where he saw Oya take her skin and transform back into an antelope.

The next time that Oya returned to market, Shango was hiding, watching for her to change into a woman and hide her skin. As soon as Oya went into the market, Shango came out of hiding to take the skin home where he hid it up in the roof rafters.

With out her skin, Oya became Shango’s wive and went home with him. It should be noted, that Shango has two other wives who became jealous of Oya and the attentions that Shango gave her. She had become his favorite after all.

When Oya bore twins, the other wives, Oshun and Oba told Oya where to find her antelope skin up in the rafters.

Just like the Irish stories, as soon as Oya regained her skin and donned it, turning into an antelope, she took off for the forest.

Spousal Conflict – Not every couple are always going to get along, so its not surprising to find a story of Oya and Shango getting into it and having a fight. Oya changed into an antelope and charged at Shango with her horns. Thinking quickly, Shango made a peace offering of Oya’s favorite food of akara, bean cakes, placing those before her. Pleased with the offering, Oya accepted Shango’s apology and peace offering by giving him her two horns. From then on, whenever he needed her help, Shango needed only to beat the two horns together and Oya would come.

A Stormy Affair – Oya, Shango & Ogun

Oya was first married to Ogun, an Orisha of War and Smithing. The two lived out in the forests together. Ogun was often away working in his smithy or at war, frequently leaving Oya alone.

This provided an opportunity for Shango who wanted to avenge his adopted father Obatala. It seems that Ogun had created some offense towards Obatala and was thus banished to the forest. The banishment wasn’t enough for Shango and he decided to go seduce Oya.

If you want to keep a fight going, this is one way to do it. With the affair and Oya leaving Ogun for Shango, a war broke out between the two.

These wars and fights are often seen in the thunderstorms and the two Orishas, Shango and Ogun continue to be at odds with each other. Obatala often has to come play moderator and impose a peace on them, that is, until the next storm breaks out.

To The Rescue – Saving Shango

Shango got himself into a lot of trouble and made more than a few enemies with his numerous affairs and seducing the wives of the other Orisha.

One night, when Shango was out dancing at a party, some Shango’s enemies managed to capture him and toss him into a jail. Going so far as to throw away the key too.

Later, when Oya is wondering why Shango didn’t return home, she had a vision in which she saw that Shango was being held captive. Oya called down a fierce storm and summoned a bolt of lightning to break the bars of the jail cell holding Shango.

Since then, Shango has always respected Oya’s abilities and skill as a warrior. However, it still doesn’t stop him always remaining faithful as a husband. He is however, careful not to ever make Oya mad.

Betrayal By A Ram

The story goes that Oya and the ram were once best friends. When the ram found out that there was a bounty on Oya’s head, it betrayed her.

When Olofi discovered this, he demanded that the ram be sacrificed. Hurt by her friend’s betrayal, Oya has since been unable to bear the sight of the ram. At the same time, Oya is unable to be in the same room with him being sacrificed as she still cares for him.

In ceremonies, when Oya is being consecrated, the ritual items for Shango, Inle and Yemaya are removed from the room. Likewise, when Shango, Inle or Yemaya are being consecrated, Oya’ ritual items are removed from the room. All of this is to pay respect to the fact that Shango, Inle and Yemaya’s favorite food is ram and they thus bear his scent on them. So the four not ever being in the same room during consecrations is out of respect and remembrance of the ram’s betrayal to Oya.

Oshun’s Fading

There is a story told, how Oshun’s essence or life was fading as people were beginning to concern themselves with other things instead of worshiping her.

As it was, Oya insisted to her husband Shango, to consult with the diloggun (a form of divination) for the first time in order to mark an ebo or sacrifice to Oshun, thereby, saving her. This sacrifice bonded the two in friendship.

Maman Brigitte – Haitian Goddess

Oya has been connected to Maman Brigitte as a syno-deity. Maman Brigitte is a Voodoo goddess or Loa who protects those graves within a cemetery marked with a cross. She is the wife to Ghede or Baron Samedi. Like Oya, she has been connected to the Catholic Saint Brigit.

Catholic Saints

There are a few different Saints that Oya has been equated to and it varies by the religion revering Oya.

Saint Barbara – The Saint whom Oya is equated to in the Candomble tradition. She is the patron saint of armourers, artillerymen, military engineers, miners and others who work with explosives. She has an old legend that connects her to lightning and mathematicians.

Saint Brigit – Not just the saint, the Celtic goddess Bridget of the same name. She is the patron saint of Ireland and babies, blacksmiths, boatmen, brewers, cattle, chicken farmers, children whose parents are not married, children with abusive fathers, children born into abusive unions, Clan Douglas, dairy workers, Florida, fugitives, Leinster, mariners, midwives, milk maids, nuns, poets, poor, poultry farmers, poultry raisers, printing presses, sailors, scholars, travelers, and  watermen. That is quiet a lot if you ask me.

Saint Teresa – There’s like five or six different Saint Teresas, so I’m not sure which was meant with mentioning her. With the mention of a feast day of October 15th, Saint Teresa of Avila seems to have been who they were mentioning. She is the patron saint of Bodily illnesses, headaches, chess, lacemakers, laceworkers, loss of parents, people in need of grace, people in religious orders, people ridiculed for their piety, Požega, Croatia, sick people, sickness, Spain, and Talisay City, Cebu.

Virgin Mary – “Our Lady of La Candelaria” and “Virgin of Candelaria” as in the Virgin Mary of the Canary Islands, Spain and sometime connected with the Black Madonna.

Syrinx

Alternate Spellings: Σύριγξ

A nymph known in Greek myths for turning into some water reeds to escape the unwanted advances of Pan. Like Pan, Syrinx hailed from Arcadia in ancient Greece.

Parentage & Family

Parents

Father – Ladon, a river god

Siblings

As a nymph, all of the other nymphs would be counted as Syrinx’s sisters.

Daphne – A fellow naiad who shares the same father Ladon.

Consorts

Silenus – Only if you count Thomas Woolner’s poem.

Follower Of Artemis

Being a Nymph, Syrinx was a virgin like many of her sisters whom were all favorites and followers of Artemis, the goddess of the hunt. Like her patron goddess, Syrinx was also a hunter and desired to remain a virgin.

Naiad

The Naiads are water nymphs in Greek mythology, minor deities or spirits. Specifically, Naiads were associated with fresh water.

While there are a few sources that will call Syrinx a wood-nymph or just a nymph in general. With her parentage of Ladon as her father, she is most likely a naiad.

Pan & Syrinx

This is the main and only story involving Syrinx. It’s generally used to explain the origins of Pan’s famous syrinx or pan pipes. Plus, this story is one of Pan’s more famous and well-known myths.

Syrinx was just one of many nymphs that Pan would endlessly pursue. She was a water-nymph and the daughter of the river-god Ladon. One day, as Syrinx returned from hunting, she encountered Pan who became infatuated with her. To escape his unwanted advances, Syrinx fled from Mount Lycaeum down to the Ladon river. There she pleaded with her sisters (or sometimes the gods in general, her father Ladon or Zeus) to change her into a bed of water reeds.

When Pan narrowly missed grabbing Syrinx, he discovered that when he blew air through the reeds, they made a noise. A forlorn Pan, mourning the loss of Syrinx, took the reeds and crafted his famous reed pipes or syrinx from them.

Thomas Woolner’s Silenus

A Victorian artist and poet, Thomas Woolner wrote a long narrative poem about the myth of Syrinx. He embellishes his tale by having Syrinx become the lover of Silenus. She ends up drowning while trying to escape from Pan’s attempted rape. As a result, Pan turns into a demonic figure while Silenus becomes a drunkard.

Given the Victorian age and when Christianity started associating Pan with the Devil, this makes sense.

Pan Pipes – Syrinx

An instrument played by the Greek god Pan. It consists of seven reeds all cut to different lengths all tied together and sealed with wax on one end. These reed pipes were synonymous with rustic music and were relatively cheap and easy to make.

Pan would of course use the syrinx in a music competition against the god Apollo. Some sources will credit Cybele or Hermes with having invented the syrinx.

La Flute De Pan

For those who play the flute, the composer Claude Debussy wrote a flute solo entitled “Syrinx” or “La Flute De Pan” in the 20th century. This musical piece is based on Pan’s sadness at having lost his love, Syrinx. It seems to be a popular piece that flautists will learn and add to their repertoire of music.

If you play the saxophone, ” La Flute De Pan” has also been transcribed so it can be played on this instrument too.

Narcissus

 

NarcissusPronunciation: nahr-sis’-uhs

Etymology: Uncertain, the name Narcissus has come to be associated with a species of daffodil. Pliny the Elder wrote that the flower is named for its fragrance. There’s a connection to “narko” meaning “I grow numb” and not for mythological figure.

Alternate Spellings: Nárkissos

Narcissus hailed from Thespiae in Boeotia and was very well known for his beauty. He was so proud of his beauty that he held disdain and scorn for those who professed their love for him. This of course, attracted the attention of Nemesis, the goddess of retribution who sought to punish Narcissus for his arrogance.

Parentage

Father – Cephissus, a river god or Endymion by Nonnus in his Dionysiaca

Mother – Liriope, a nymph or Selene by by Nonnus in his Dionysiaca

There are several variations to the story of Narcissus.

For one, with Narcissus’ parentage of a minor river god and nymph, Narcissus himself is a minor god. This makes it a little more likely for why other gods, albeit minor take an interest in him.

Conon’s Narrations

Conon was a contemporary of Ovid. Unlike Ovid’s telling of the story, in this one, there is a young man by the name of Ameinias who falls in love with Narcissus. Now, Narcissus had already spurned the love and advances of several other male suitors already. So Ameinias is just merely the latest of who’s been turned down.

What makes Ameinias different from the others is that Narcissus gives him a sword. Ameinias prays to the gods, specifically Nemesis, that Narcissus would get his comeuppance and feel all the pain that he has caused others. The prayer said, Ameinias takes his own life on the steps to Narcissus’ home with the sword given to him.

In answer, when Narcissus walks by a pool of water, he sees his own reflection after stopping to get a drink. Falling in love with his own reflection, Narcissus kills himself as he’s unable to have what he wants, his reflection.

Or, when Narcissus realizes that he is cursed for the humiliation he inflicted on Ameinias, he kills himself. From Narcissus’ blood, a flower springs up, bearing his name.

Sometimes it is the goddess Artemis who answers Ameinias’ call for vengeance.

By Conon’s account, Narcissus is still in the Underworld, gazing at his reflection in the waters of the Styx river.

Edith Hamilton’s Mythology

One story mentioned in this volume is that Zeus had created the narcissus flower in order to help Hades with kidnapping Kore (Persephone), the daughter of Demeter down to the Underworld while she was out with friends gathering flowers and playing. When Kore went to pick the strange, new flower, that is when a chasm leading to the Underworld opened up and Hades carried her away to become his wife.

Ovid’s Metamorphoses

Ovid’s Metamorphoses has the version of Narcissus’ story that most people are familiar with.

The son of Cephissus, the river god of the Boeotian river and the nymph Liriope, Narcissus was born in Thespiae, Boetia. Liriope was worried about the fate of her baby boy and took him to a blind seer by the name of Tiresias. The seer told Narcissus’ mother that the baby would enjoy a long life so long as: “he didn’t get to know himself.” In some accounts, in response to this prophecy, Liriope removed all mirrors to try and prevent Narcissus from ever catching sight of his reflection.

When Narcissus reached sixteen years of age, he spurned the love and advances of all those, men and women alike, who showed any interest in him. Yes, the ancient Grecian heart-throb leaving a trail of broken hearts behind him without any second thoughts.

Narcissus is out wandering the forests one day with some friends hunting deer when Echo, a mountain nymph or Oread sees and instantly falls in love with him.

What’s not told when starting off with just Narcissus’ side of the story is that Echo had been cursed by Juno, Jupiter’s wife after finding out that Echo was only running distraction to keep her from finding out about her husband’s affairs. Angry, Juno curses Echo that she can only repeat what someone else has said.

With that context in mind, when Narcissus gets separated from his friends and calls out: “Is anyone there?” That Echo can only repeat back what he says with: “Is anyone there?”

This startled Narcissus who then asked: “Come here.”

Because of the curse, Echo could only respond with the same “come here” reply.

When no one came out into the glade he was standing in, Narcissus figured that the other person must be moving away from him. So, he called out again: “This way, we must come together.”

Echo, taking this to heart as confirmation for her love, called back: “We must come together!” As she came running out, ready to throw her arms around Narcissus.

On seeing the nymph running towards him, Narcissus became affronted and pushed Echo away exclaiming: “Hands off! May I die before you enjoy my body!”

Hurt, all Echo could respond with was: “Enjoy my body.” Before she turned to flee back into the woods, rejected and humiliated by Narcissus. By this account, Echo wasted away, her body becoming stone until only her voice remained.

Narcissus would have his own comeuppance coming, for he continued to spurn the advances and loves of others. Including the previously mentioned Ameinias, who in his love-sickness, called out: “O may he love himself alone and fail un that great love.”

Nemesis, the goddess of revenge heard Ameinias’ cure and decided to respond. She cursed Narcissus, attracted him to a pool where he fell in love with his own reflection. Not realizing it was merely an image and unable to leave the beauty of his reflection, Narcissus lost his will to live. He stared at his reflection until he died.

Echo, her own love unrequited and unable to do anything, watched on as Narcissus pined away for his reflection.

It is said, that just before he died, Narcissus told his reflection: “Oh darling boy, I loved you in vain, good-bye.”

Echo repeated the words: “Good-bye.” As she was now completely stone and unable to do anything else.

When the nymphs came to gather up Narcissus’ body for funeral, it was gone and in its place was a flower.

Nemesis – It should be noted that she is sometimes seen as an aspect of Aphrodite and not a separate entity.

Another note, Ovid connecting Echo to Narcissus’ myth seems to have been his own invention. However, its now the official one.

Pausanias’s Guide To Greece

In a Greek travelogue, Pausanias retells Narcissus’ story in which he ends up falling in love with a twin sister, not his own reflection. When his sister died, Narcissus would go to a spring and look at his reflection, imagining that it was his own sister that he saw. Narcissus eventually dies, pinning away for the loss of his sister.

Pausanias doesn’t think the story of Narcissus falling in love with is reflection and not being able to recognize it as such is unlikely.

Mirror, Mirror On The Wall….

One idea I came across says that Narcissus’ story may originate in an ancient Greek superstition that it is unlucky, possibly even fatal, to see one’s reflection.

Drowning

Other sources to Narcissus’ story have him drowning in the pool as he tries reaching for his reflection.

Suicide

That’s a bit heavy and deep to take. Ovid, Parthenius of Nicaea and Conon all have versions of Narcissus’ story where he commits suicide as he’s unable to what he desires, that being his reflection give love back.

Narcissus Flower

After Narcissus’ death, a flower sprang up in the very place that he died. This flower of course bears Narcissus’ name and is a genus of daffodil.

Narcissistic Personality Disorder

Or Narcissism. Obviously, Narcissus’ story is the basis for a personality disorder in which a person is very self-absorbed, vain and everything is always about them whether that is their own physical appearance or public perception. Psychologist have studied this disorder for years.

A little bit of self-care and self-love is good. We should care about ourselves and want to do good as well as look good. When taken to the extremes and a narcissus is that self-absorbed with themselves that they don’t care about others or make everything about them, then you get a problem.

Shilluk Pantheon

shilluk-pantheon

I came across a few of the gods or ancestral deities for the Shilluk people. However, the information is sparse enough, I decided to combine all the deities into one article in order to expand this post. Plus, it feels more worthwhile writing it up.

First up is that Shilluk is a corruption of the word Chollo, so a lot of my research did center around looking up Shilluk and not just Chollo.

The Shilluk or Chollo people are a large, native or Luo Nilotic people living along the Nile River of modern, Southern Sudan.

Legend and traditions hold that sometime during the 15th century C.E., Nyikango, the mythical ancestor and founder of the Shilluk or Chollo nation had an argument with Dimo and other Luo groups in a place known as Bahr el Ghazel.

Taking a group of his closest family and friends, Nykango led them northwards up along the Nile in rafts and canoes until they found the place of Otango Dirum to settle. Through the use of war and diplomacy, Nykango managed to conquer over time the entire area of Otango Dirum. For each of the tribes, Nykango granted a name and ritual they were to perform. Legends and tradition hold that Nykango’s son, Dak was the most influential in establishing the Shilluk Kingdom.

Today though, the Shilluk as a nation is recognized by the Sudanese state as only part of native administrations. Since 1837, the Shilluk have never truly free except for a brief period from 1881 and 1898 during the Mahdiya. The Shilluk still have a common territory, language, tribal authority they listen to and their customs and traditions they hold to.

Diang

Diang is a cow goddess, she lived along the west bank of the Nile river. She is seen as the wife of the first human Omara that had been sent by the Creator God, Juok.

Diang and Omara have a son, Okwa who grows up and marries the crocodile goddess Nyakaya.

In Shilluk religion and beliefs, this shows a connection of the three major elements of life. Men or humans for the sky, cattle for the earth and crocodiles for water.

Juok

Juok is known by a number of other names: Jo-Uk, Joagh, Joghi, jok, Joogi, Jouk, Jok Odudu, Ju-Ok, or Jwok

He is the main Creator God of the Shilluk and other tribes along the upper areas of the Nile river. It is generally believed that Juok controls the destinies of all living creatures. The legendary Shilluk king, Nyikang is often seen as being Juok’s earthly representative or avatar much like the Egyptian pharaohs were often seen as the living god Ra in earthly form. Other tribes such as the Acholi and Lango use the name Jok to refer to local or ancestor spirits.

Nyakaya

A crocodile goddess, she is the wife of Okwa and the mother of Nyikang.

Nyikang

Also known as Nyakango.

He is a fertility god and the mythical ancestor from whom all the kings of the Shilluk are descended from. Being an immortal and the avatar of Juok, Nyikang is believed not to have died, but instead, to have vanished in a whirlwind. The later kings of the Shilluk are seen as the reincarnations of Nyikang. The vitality and well-being of the tribe is closely connected to the health of Nyikang.

Okwa

The son of Omara and Diang, he is the husband of Nyakaya and the father of Nyikang.

Omara

The husband of Diang, he is the first man in the mythology of the Shilluk. Omara and Diang fathered Okwa who would eventually found the lineage of Nyikang.

Huma

Huma Bird

Other names: Bulah (Arabic), Homa, Homajo (Avestan), Huma, Kumay (Turkic), Umay (Turkic), Hurruz, The Bird Of The Paradise

Pronunciation: Homa

Etymology – Fabulous Bird in the Persian language.

The Sufi teacher, Inayat Khan put forward the idea that the word huma breaks down to two parts. The first hu, which means spirit and the second, mah, from the Arabic word: “Ma’a” which means water.

Found in Iranian legends and stories, the Huma or Homa bird is a common motif of Sufi and Diwan poetry.

The Legend

While there a good many stories and legends of the Huma, they all share in common that the bird never lands on the ground and lives its entire life flying high above the earth where it is invisible. Some versions of the legends will state that the reason that Huma never lands is that it has no legs.

Other stories of the Huma say that they are hermaphrodites in that they have both male and female features represented by one wing and leg being male and other female. The Huma is seen as a being of compassion and a “bird of fortune” for to see its shadow or to be touched by one is considered auspicious.

The Bird Of Kings

One of the most important aspects of the Huma is its role as bestowing and confirming the right of rule and kingship. Most of the legends have the Huma landing on a person’s hand, head or shoulder to confirm their right to rule.

The Sufi teacher Inayat Khan gives the Huma’s kingship bestowing a spiritual explanation. In his explanation, he states: “Its true meaning is that when a person’s thoughts so evolve that they break all limitation, then he becomes as a king. It is the limitation of language that it can only describe the Most High as something like a king.”

Rising From The Ashes

In some versions of the legends surrounding the Huma, it is perceived as being like a phoenix in that it will consume itself in fire every few hundred years and then rise again whole from the ashes.

Indian Folklore

Mughal Era – The Huma’s aspects for bestowing the rights of kingship appear during this time. Aside from landing on a person’s head or shoulder, the shadow of the Huma passing over the head or shoulder would be enough to confirm kingship. Additionally, the feathers used to adorn the turbans of the kings were believed to be plumage from a Huma bird.

Folk Legend – In India, there is a folk story from Kashmir that tells the story of a poor man who struggled and toiled each day in the forests chopping wood. One day a Huma passed by and wanting to help him in some way, laid and dropped a golden egg next to him. When the man awoke, he found the egg and took it to a merchant who realized the significance of the egg and wanted the man to bring him another golden egg and the bird as well. The man returned to the forest and soon enough, the Huma found him again. Seeing that he was still poor, the Huma laid another egg for him. The man jumped up and grabbed the bird.

The bird pleaded with the man to let her go, promising him a feather that if he burned it, would take him up to Koh-I-Quaf where her mother lived who would reward him better. Disbelieving her, the man tied up the bird and ran to fetch the merchant. When he returned with the merchant, the bird was died from her struggles to break free. Enraged, the merchant told the man to never bother him again and the man lived out the rest of his days poor and continuing to struggle.

Iranian Literature & History

The Huma bird is often associated with pre-Islamic monarchs and stands vis-a-vis ravens, a metaphor for Arabs. In these pre-Islamic traditions, the Huma bestows the right of kingship to people.

Dating to 500 B.C.E., the Griffin-like statuary found in Persepolis, Iran are generally viewed and regarded as being Huma.

Sufi Traditions

Catching a Huma is seen as achieving the impossible. Just getting a glimpse of one, even if just the Huma’ shadow is believed to make a person happy for the rest of their life. Further, tradition holds that a Huma cannot be caught alive and the person who ends up killing a Huma in this way will die within forty days.

Attar of Nishapur’s “The Conference of the Birds,” the Huma is depicted as a pupil who refuses to take on a journey because the task would compromise its right to bestow kingship upon those whom it flew over.

Turkish Folklore

Huma, known as Kumay or Umay in Turkish mythology. It was used as a symbol of the Cepni, one of 24 tribal groups under the Oghuz Turks. The imagery of the Huma is used a lot in Turkey’s Diwan poetry.

Interestingly, Umay is the goddess of fertility and virginity in Turkish mythology and Tengriism.

In the Ottoman era poetry, the Huma is called a “bird of paradise.” Early European descriptions of the Paradisaeidae species of bird show these birds as having no wings or legs. Because of this, the birds were believed to always be inflight their whole lives.

In Turkish folk literature, the Huma symbolizes unreachable highness. References to the Huma also appear in Sindhi literature and like diwan traditions, the bird is a harbinger of great fortune.

A letter addressed to the Mughal Emperor Aurangzeb in the Zafarnama of Guru Gobind Singh, makes a reference to the Huma as being a mighty and auspicious bird. In the same letter, the Huma is also referred to as an Osprey.

In the Memalik ul Mirat by the Ottoman admiral: Sisi Ali Reis, the Huma is also referred to as Hurruz. It has been suggested that Sisi Ali Reis’ account, the Hurruz that he observed on his return trip from India to Istanbul, is a vulture. This reference is seen as noteworthy as vultures, like many other birds were revered in Zoroastrianism.

Zoroastrianism

In my researching the Huma, I found a few references linking the bird to the Zoroastrian religion. The references are rather tentative and I’ll post them here as I don’t have enough information to properly confirm or dispute them.

The first account for a reference seems to be a mis-translation due to similar sounding words where a Huma tree is mentioned and that Zoroaster himself is to have been born from one. The same reference mentions the Biblical, New Testament verse of John 3:5, “Except that a man be born of Water and the Spirit, he cannot enter the Kingdom of God.”

Just how much owes to mis-translation or misunderstanding, I’m not sure. In keeping with the Biblical verse of Water and Spirit, the same reference source takes note of the translation for Huma from the Arabic words of “Hu” for “Spirit” and “Mah” for “Water.”

The other reference for the Huma with Zoroastrianism is previous mention of the bird in Sisi Ali Reis’ Memalik ul Mirat where the suggestion of the bird is actually a vulture. This source goes on to mention how vultures were particularly revered in Zoroastrianism as a bird of compassion who refuses to hunt and instead feeds on carrion. And that vultures are found referenced in The Towers of Silence in Mumbai where they dispose of the dead.

What’s In A Name?

In several Persian dialects, the name Homa is sometimes used to refer to the Bearded Vultures and not just the mythical Homa. This could explain some legends that say the Homa is a bird of compassion that avoids killing for food and instead feeds on carrion.

Zinkibaru

Zinkibaru

Also known and spelled as: Zin, Zin Kibaru or Zin-Kibaru

Etymology – It has been suggested that the name Zin probably comes from the Arabic Djinn.

Zinkibaru is the name of the water spirit from Songhay folklore that the hero Fara Maka does battle with. As a water spirit, Zinkibaru is the blind Master of Fish who resides in the Niger River.

Zinkibaru owned a magic guitar that he used to enchant and command the creatures of the river. He commanded the fish to eat Fara Maka’s rice plants. In retaliation, Fara Maka sought out Zinkibaru to fight him. In the end, Fara Maka won and claimed the spirit’s guitar for his own; thus gaining control of the river creatures.