Category Archives: Underworld

Abzu

Etymology: Deep Ocean, ab meaning “ocean,” zu meaning “to know” or “deep”

Other names: Absu, Apsu (Akkadian), Apzu  (Assyro-Babylonian), Engur (Sumerian), Apsu-Rushtu (Babylonian), Nun (Sumerian), Aphson  (Babylonian), Apason (Akkadian), Ἀπασών (Apasṓn in Greek)

Epitaphs: God of Sweet Waters, The Heavenly Oceans of Wisdom

Abzu or Apsu is a primordial god in Mesopotamian mythology. Before this, the name Abzu is the name given for freshwater found in underground aquifers. All freshwater from lakes to springs, rivers, wells and other sources were all held as coming from the abzu. This water, due to being freshwater, was held with religious reverence by the ancient Akkadians and Sumerians.

More modern theology and thought tend to see that if Tiamat is a dragon, then Abzu must be a dragon as well. The mixing of the salt and sweet or freshwater is a metaphor for the two getting it on and sparking off all of creation.

Family

Spouse

Tiamat – In the Babylonian Epic, she is the consort to Abzu.

Children

Anu – The god of the sky in Sumerian mythology.

Kingu – One of Kingu’s sons, he leads Tiamat’s armies as well as becomes her consort after Abzu’s death.

Lachmu and Lachamu – The first pair of gods born. From them, all of the other gods within the Mesopotamian pantheon come.

Monstrous Children & Demon – After the death of Apsu, Tiamat creates a host of monstrous children, among whom dragons and serpents are but a few.

Grandchildren

Anšar and Kišar – Through Lachmu and Lachamu.

Igigi – Ultimately the second and third generation of gods.

Water

An important note is that water, freshwater, or sweet water as the ancient Mesopotamian cultures called it was held in high religious regards for its powers of fertility and granting life. All sources of freshwater, from lakes to springs, to wells and rivers were all believed to originate from abzu, the vast ocean of water beneath the land.

In both Akkadian and Sumerian mythologies and beliefs, abzu is the primeval sea below the underworld or Kur and the earth or Ma above. Much as the Greeks and Romans had the river Styx to cross to get to the underworld, in Mesopotamian lore, there is the river Hubur that abzu was connected to in order to reach Kur.

Holy Water Tanks – Some tanks holding holy water outside the temple courtyards in Babylon and Assyria were called abzu. These tanks are similar to the washing pools and baptismal fonts of Islamic and Christian churches where ritual or religious washing is performed.

Babylonian Myth

It is only in the Babylonian creation epic, the Enuma Elish that Abzu is described as a god and not the name for the primordial waters found beneath the earth.

Enuma Elish

The Enuma Elish was found in the library of Assurbanipal, dating from about 630 B.C.E. Though the text is thought to be some 500 years older.

This is an ancient epic creation poem written in the 18th century B.C.E. (1700 to 2000 B.C.E. are other estimated guesses) when the city of Babylon becomes the political capital of Mesopotamia. It’s largely written to show Marduk’s birth, many of his heroic deeds, and how Ea (Enki) steps down to allow Marduk, in a relatively peaceful transfer of power to become the king and head of the pantheon.

The Enuma Elish begins at the start of a time when the universe is nothing more than chaos with freshwater represented by Apsu and saltwater (or the abyss) represented by Tiamat, a dragoness. The male and female principles, not unlike the concept seen in the Japanese Yin & Yang. The joining of these two primordial deities would see the creation of all the other gods and other beings. Their most notable children are Lachmu and Lachamu along with others who become the other gods and goddesses, known as the Anunnaki. The other children of Apsu and Tiamat are giant sea serpents, dragons, snakes, storm demons, fish-men, scorpion-men

While Tiamat loved all her children, Apsu on the other hand didn’t care for them, saying they were too noisy, keeping him up all night, and unable to get any work done during the day. After consulting with his advisor Mummu, Apsu planned to kill his children, specifically the younger, Igigi deities.

A horrified Tiamat told her eldest son, Enki (later version its Ea) of what Apsu and Mummu has planned. Apsu’s plan for killing off all of his children was with a flood. Learning this, Enki decided that the best plan for dealing with this was to capture and put Apsu into a deep sleep and then kill him. From Apsu’s corpse, Enki then creates his home, the earth, and the marshy region of Eridu.

Kingu, one of Tiamat and Apsu’s sons, soon to be the new consort to Tiamat is upset and goes to report what happened. This further horrifies Tiamat who wasn’t expecting for Enki to just up and kill Apsu. As a result, she decided to wage war on her own children. The mighty Tiamat raised up an army of chaos consisting of twelve monsters: Bašmu, “Venomous Snake,” Ušumgallu, “Great Dragon,” Mušmahhu, “Exalted Serpent,” Mušhuššu, “Furious Snake,” Lahmu, the “Hairy One,” Ugallu, the “Big Weather-Beast,” Uridimmu, “Mad Lion,” Girtablullû, “Scorpion-Man,” Umu dabrutu, “Violent Storms,” Kulullû, “Fish-Man,” and Kusarikku, “Bull-Man” who are all led by Kingu (Quingu) as the general of this army.

This has Enki and the other gods worried about what to do. That is, until Marduk steps forward, saying he will lead everyone in this war. Marduk has one condition, that is that he be named as the new king of the pantheon. Enki agrees and Marduk leads the Anunnaki to battle.

Marduk prepares his weapons consisting of bow and arrows, a mace, lightning as he is a storm god, flames, and a net. Gathering up the four winds, Marduk encircles and nets the mighty Tiamat to prevent her from escaping him. New winds are created by Marduk such as whirlwinds and tornadoes. As he is a storm god, Marduk brings down a fierce flood of rain. It’s a battle between a storm god and a primordial goddess of chaos and the sea, it’s epic as Marduk rides in his storm-chariot pulled by four horses who have poison in their mouths. Spellcasting and an herbal antidote as Marduk faces off against one of the mightiest dragons known in mythology.

After Marduk finally slays Tiamat with an arrow to her stomach, he then goes after Tiamat’s son, Kingu who oversaw the army and wears the Tablets of Destiny over his chest. Marduk makes short work of Kingu in single combat, claiming the tablets and establishing himself as the new head of the pantheon.

This is a lot of power that Marduk has now accumulated, and he sets about to create the universe. But didn’t that already exist? He’s at least making a new one as Marduk takes the two halves of Tiamat’s corpse to create the heavens and the earth, completing the work started by Enki. From Tiamat’s eyes, the Tigris and Euphrates rivers flow.

With Kingu’s blood, Marduk mixes it with the earth to create the first humans who would be the servants of the Igigi (the younger Mesopotamian gods). The creation of humans would allow the gods the leisure time and the time to focus on higher purposes, taking care of human needs as humanity basically did the grunt work. All humans would need to do is respect and give heed to the will of the gods living in Eridu with Marduk ruling overall as a benevolent god.

That doesn’t sound like it will end well and I’m sure there’s another story concerning that.

Side Note: Early versions of this story have Anu, later replaced by Enlil and then in the last version, it is Marduk who gets the promise from the other gods about becoming head of the pantheon.

Marduk’s version dates from the first dynasty of the Babylonians, whereas the other versions are much older. Even then, depending on the version of the creation myth, it is solely Marduk involved in all of it and there’s no mention of Enki at all. Scholars who look at when the Enuma Elish was written generally believe that it represents political and religious propaganda meant to justify and install Marduk as the head of the Babylonian pantheon as the city-state rose to political power in the region.

Sumerian Mythology

In Sumer, Enki’s temple in the city of Eridu was known as E2-Abzu, the House of the Cosmic Waters. It was located at the edge of a swamp, a place called an abzu. Enki was believed to have lived in the abzu long before humans were created. Enki’s wife, Damgalnuna and his mother, Nammu, along with Isimud his advisor, and several others all lived in the abzu.

Nun – Egyptian Deity

Considered to be the oldest of the Egyptian gods, Nun was the father of Ra, the Sun god. Nun is the waters of chaos and creation from which Ra-Atum created all life. Nun was also responsible for the annual flooding of the Nile River.

Mictecacihuatl

Pronunciation: Mikt-eyk-as-see-wahl or Misk-tesk-ei-siev-alth

Alternate Spelling: Mictlantecihuatl

Also Known As: Lady of the Dead, Queen of Mictlan

Etymology: Lady of the Dead (Nahuatl)

Mictecacihuatl is the Aztec goddess of the dead and Mictlantecuhtli‘s wife. Together the two rule over the nine layers of the Aztec Underworld and it’s nine rivers. Compared to her husband, Mictecacihuatl doesn’t have much for stories and myths surrounding her. But that could be if we’re just seeing male and female half of the same divine concept with similar, overlapping functions and roles.

Attributes

Animal: Bat, Dog, Owl, Spider

Direction: North

Element: Earth

Month: Tititl (Aztec), November

Patron of: Death, the Dead

Plant: Cempasúchil (Marigold)

Planet: Pluto

Sphere of Influence: Death, Resurrection

Symbols: Bones, Skeletons

Aztec Depictions

Mictecacihuatl is described as wearing a skirt made of snakes, sagging breasts, skull face and clawed feet for digging her way through the earth. She is also shown as being flayed, having no flesh on her body and her mouth open to swallow the stars during the day so that they become invisible. Mictecacihuatl can also be shown as a beautiful woman wearing traditional Aztec clothing and the skull face being more ritualistically painted on.

What’s In A Name

As previously mentioned, Mictecacihuatl’s name translates to “Lady of the Dead” in the Nahuatl language.

Family

Parents – Unknown, it is believed that when Mictlantecuhtli was born, that her parents sacrificed the infant.

SpouseMictlantecuhtli, the Lord of Mictlan.

Aztec Cosmology

Suns – This is a big one in Aztec Cosmology, the Aztecs believed in a cycle of suns or periods of creation. The fourth sun ended with a great deluge or flood that drowned everyone and that the current age is the fifth sun.

There were a number of different paradises or afterlives in Aztec belief. The manner of a person’s death would determine which of these paradises they got to enter. Any person who failed to get into these paradises would find themselves destined for Mictlan.

Fairly common in many world beliefs, the Aztecs divided the cosmos into three parts. The Heavens or Ilhuicac at the top with the Earth or Tlalticpac, being the land of the living found in the middle. Mictlan, the Underworld would be found below.

Depending on the manner of one’s death, would depend on which after life a person to. Mictlan was pretty much seen as the place for all souls who couldn’t get into one of the paradises.

Cosmic Origins

In the Aztec Creation story, there were Ometecuhtli and his wife Omecihuatl who bore four children Xipe Totec, Tezcatlipoca, Quetzalcoatl, and Huitzilopochtli.

And…. Nothing really happens for about 600 years, so the four children decide that they will set about creating the universe. That of course includes creating the Sun, the first man and woman, maize, and calendar. Mictlantecuhtli and Mictecacihuatl, the Lord and Lady of Death would be created last.

Deific Origins

Mictecacihuatl’s origins are a bit gruesome. When Mictecacihuat was a baby, she was sacrificed and it is there in the Underworld of Mictlan, that she quickly grew to adulthood and married Mictlantecuhtli and from there, would rule over the Underworld with him.

Keeper Of Bones – Resurrection

One of Mictecacihuatl’s functions within Aztec religion is that she kept watch over the bones of the dead. For the Aztecs, skeletons and bones were symbols of abundance, fertility, and health. You couldn’t have one without the other.

Both Mictecacihuatl and Mictlantecuhtli collect bones so that the other Aztec gods might bring them back to life. The mixing up of all of these various bones is also what allows for the creation of new races.

Lord Of The Underworld – Mictlan

With the Christian mindset, the Underworld, any Underworld does not sound like a happy fun place to be or go.

Not quite in Aztec beliefs, most everyone who died, went to Mictlan. When a person died, they would be buried with grave goods that they would carry with them on their travels to Mictlan. These goods would be offered up to Mictlantecutli and Mictecacihuatl.

As the newly dead started their journey to Mictlan, they would be accompanied by a small dog who guided them. Mictlan was known to be located somewhere far to the North. Much like in other world myths and beliefs, the Realm of the Dead is pretty much just neutral, not necessarily evil. Mictlan is divided into nine different levels or layers that the dead must travel through and a series of tests they must do on a four-year journey down to Mictlan. We are talking having to run from various monsters, icy blasts known as the “winds of obsidian,” traverse a mountain range where the mountains crash into each other, and to cross the nine rivers of blood guarded by jaguars. Once the soul arrived, they would dissolve, vanishing forever.

Home Sweet Home – While Mictlan is divided into nine different levels, Mictlantecutli and Mictecacihuatl live in the last few levels. One legend holds that there is a place of white flowers that was forever dark and served as home to the gods of death.

The actual house or dwelling place that Mictlantecutli and Mictecacihuatl live at in the Mictlan is reputed to have no windows.

Vaticanus Codex – In this Colonial codex, Mictlantecutli is identified and labelled by the Spanish as “the Lord of the Underworld, Tzitzimitl” and equated with the Christian Lucifer.

Mictlampa

This is the name the Aztecs used for the northern direction associated with Mictlanteculhtli. The northern direction is where the Aztecs believed the land of the dead to be. This would be a region of the earth that was a dark, barren and cold place that was eternally still and quiet. Which makes sense for the Artic. Sometimes, Mictlanteculhtli could be associated with the south, just as equally likely if one were to make it to Antarctica, that’s pretty cold and lifeless the further inland you get.

Souls Of The Dead

The Aztecs recognized three types of souls and Mictlantecutli governed over all of them.

  1. People who died of normal deaths as in old age and disease
  • People who died heroic deaths such as in battle, sacrifices and childbirth
  • People who died non-heroic deaths, accidents and suicides

While this sounds like every soul ends up in Mictlan, a soul could end up in another place. For example, if someone died violently drowning or lighting, they would end up in Tlalocan (a realm in the Heavens), for the Tlaloc, the water god.

Deific Offerings

Like many cultures, the Aztecs buried their dead with offerings for the afterlife, namely for Mictlantecuhtl and Mictlantecutli. These items would be offerings of food and various ceremonial or precious items.

Cempasúchil – Also called Flor de Muertos and Marigold, specifically Mexican Marigold in English, these flowers are held sacred to Mictlantecuhtl. These orange & yellow blossom’s scent is thought to be able to wake the souls of the dead and bring them back for a Dia De los Muertos in autumn. Many alters, graveyards and decorations would be festooned with these flowers. The Mexican Marigold is a familiar wild flower that grows in many places of central Mexico.

Aztec Calendar

In the Aztec Calendar, Mictecacihuatl was honored and celebrated throughout the ninth month, a 20-day period that roughly corresponds to the Gregorian calendar of late July and early August. When Spanish Conquistadors arrived in 1519, Mictecacihuatl’s corresponding holiday of Hueymiccaylhuitl was moved forward to October 31st to November 2nd to correspond with the Catholic observance of All Saint’s Day.

Hueymiccaylhuitl

An Aztec holiday, the “Great Feast of the Dead” was celebrated for the recently deceased and to help them on their journey to Mictlan. Hueymiccaylhuitl would be celebrated in the Aztec month of Tititl where an impersonator or stand-in for the god Mictlantecuhtli would be sacrificed.

When someone died, the Aztecs would cremate the remains. It was believed that the soul would than undertake a four-year journey to Mictlan through the various levels of the Underworld and needing to pass a series of trials. Those who succeeded would make it to the lowest levels of Mictlan.

Hueymiccaylhuitl was also celebrated as an annual celebration as it was believed the dead could return to the lands of the living and visit. Plus, it was a way for the living to help those on their journey as the living could communicate with the deceased souls.

When the Spanish Conquistadors arrived, bringing Catholicism with them, the traditions of Hueymiccaylhuitl transformed, becoming known as Día de los Muertos, the Day of the Dead. Families still leave offerings of food and goods for the dead to take with them on their journey.

Under more modern and current celebrations and influence from the Catholic church, Día de los Muertos coincides with All Saints’ Day or Feast of All Saints on November 1st. It is a celebration that combines imagery from Aztec beliefs with an air of carnival and festivities with families gathering at cemeteries to share a picnic meal with deceased loved ones and sugar skulls in the image of Mictlantecuhtli.

Month-Long Celebration

Mictecacihuatl had a month-long celebration for her. However, not much is known about it and all Archaeologists and historians know for certain is that there was song and dancing, incense burnt and very likely blood sacrifices.

Dia Los Muertes

Mictecacihuatl not only has presided over the older Aztec celebrations for the dead but continues to watch over the contemporary festivals of Día de Los Muertos or the Day of the Dead. Celebrations and observances for this holiday start on the evening of October 31st, coinciding with the holidays of Halloween and Samhain. In Mexican tradition, families will hold graveside vigils with deceased loved ones. Then on November 1st and 2nd, the dead are said to awaken and celebrate with their living family and friends.

Santa Muerte – Mexico

A female deity, early images of her started off as male. Santa Muerte is a folk saint whose worship and popularity have been increasing since the start of the 21st century in Mexico and has been spreading. Devotees of Santa Muerte may or may not be disenfranchised with the Catholic Religion and many turn to her for healing, protection, and a safe passage to the afterlife.

Mictlantecutli

Pronunciation: Mict-lan-te-cuht-li

Alternate Spelling: Mictlantecihuatl

Other names: Chicunauhmictlan (“King of Mictlan”)

Etymology: “Lord of Mictlan”

Mictlantecutli is the Aztec deity who is the Lord of the Dead and ruler of the Aztec Underworld known as Mictlan. Which is exactly what Mictlantecutli’s name translates to, “Lord of Mictlan.”

Just to get it out of the way, Mictlantecuhtli’s wife is Mictecacihuatl, who is also the ruler of the dead.

Attributes

Animal: Bat, Dog, Owl, Spider

Direction: North

Element: Earth

Month: Tititl (Aztec)

Patron of: Death, the Dead

Planet: Pluto

Sphere of Influence: Death

Symbols: Bones, Skeletons, Paper

Time: 11th Hour

Aztec Depictions

Mictlantecutli is often represented as either a skeleton or a human figure wearing a skull. His headdress will often have owl feathers on it. When shown as a skeleton, Michlantechutli’s headdress will have knives in it to represent the wind of knives that the souls of the dead must pass through on their way to Mictlan. Michlantechutli when shown as a skeleton may be shown covered or splattered in blood and wearing a necklace of eyeballs or wearing paper clothing. Paper being a common offering for the dead. As human, Michlantechutli would have human bones serving as ear plugs that he wears.

Additional depictions of Michlantechutli show him wearing sandals to symbolize his high rank as the Lord of Mictlan. Michlantechutli could also be shown with his arm held out in an aggressive pose, showing he was ready to tear apart the dead as they came into his presence and realm. There is also an Aztec Codice that shows Michlantechutli as having his skeletal jaw wide open to take in the stars into him during the day.

What’s In A Name

Mictlantecutli’s name translates to “Lord of Mictlan” in the Nahuatl language.

Family

Parents – Not really, Mictlantecuhtli was created by Xipe Totec, Tezcatlipoca, Quetzalcoatl, and Huitzilopochtli when they were busy creating the universe and world.

Spouse – Mictecacihuatl, the Queen and Ruler of the Dead. Another spelling I have for her is Mictlantecihuatl.

Aztec Cosmology

Suns – This is a big one in Aztec Cosmology, the Aztecs believed in a cycle of suns or periods of creation. The fourth sun ended with a great deluge or flood that drowned everyone and that the current age is the fifth sun.

There were a number of different paradises or afterlives in Aztec belief. The manner of a person’s death would determine which of these paradises they got to enter. Any person who failed to get into these paradises would find themselves destined for Mictlan.

Fairly common in many world beliefs, the Aztecs divided the cosmos into three parts. The Heavens or Ilhuicac at the top with the Earth or Tlalticpac, being the land of the living found in the middle. Mictlan, the Underworld would be found below.

Depending on the manner of one’s death, would depend on which after life a person to. Mictlan was pretty much seen as the place for all souls who couldn’t get into one of the paradises.

Cosmic Origins

In the Aztec Creation story, there were Ometecuhtli and his wife Omecihuatl who bore four children Xipe Totec, Tezcatlipoca, Quetzalcoatl, and Huitzilopochtli.

And…. Nothing really happens for about 600 years, so the four children decide that they will set about creating the universe. That of course includes creating the Sun, the first man and woman, maize, and calendar. Mictlantecuhtli and Mictecacihuatl, the Lord and Lady of Death would be created last.

Lord Of The Underworld – Mictlan

With the Christian mindset, the Underworld, any Underworld does not sound like a happy fun place to be or go.

Not quite in Aztec beliefs, most everyone who died, went to Mictlan. When a person died, they would be buried with grave goods that they would carry with them on their travels to Mictlan. These goods would be offered up to Mictlantecutli and Mictecacihuatl.

As the newly dead started their journey to Mictlan, they would be accompanied by a small dog who guided them. Mictlan was known to be located somewhere far to the North. Much like in other world myths and beliefs, the Realm of the Dead is pretty much just neutral, not necessarily evil. Mictlan is divided into nine different levels or layers that the dead must travel through and a series of tests they must do on a four-year journey down to Mictlan. We are talking having to run from various monsters, icy blasts known as the “winds of obsidian,” traverse a mountain range where the mountains crash into each other, and to cross the nine rivers of blood guarded by jaguars. Once the soul arrived, they would dissolve, vanishing forever.

Home Sweet Home – While Mictlan is divided into nine different levels, Mictlantecutli and Mictecacihuatl live in the last few levels. One legend holds that there is a place of white flowers that was forever dark and served as home to the gods of death.

The actual house or dwelling place that Mictlantecutli and Mictecacihuatl live at in the Mictlan is reputed to have no windows.

Vaticanus Codex – In this Colonial codex, Mictlantecutli is identified and labelled by the Spanish as “the Lord of the Underworld, Tzitzimitl” and equated with the Christian Lucifer.

Mictlampa

This is the name the Aztecs used for the northern direction associated with Mictlanteculhtli. The northern direction is where the Aztecs believed the land of the dead to be. This would be a region of the earth that was a dark, barren and cold place that was eternally still and quiet. Which makes sense for the Artic. Sometimes, Mictlanteculhtli could be associated with the south, just as equally likely if one were to make it to Antarctica, that’s pretty cold and lifeless the further inland you get.

Souls Of The Dead

The Aztecs recognized three types of souls and Mictlantecutli governed over all of them.

  1. People who died of normal deaths as in old age and disease
  • People who died heroic deaths such as in battle, sacrifices and childbirth
  • People who died non-heroic deaths, accidents and suicides

While this sounds like every soul ends up in Mictlan, a soul could end up in another place. For example, if someone died violently drowning or lighting, they would end up in Tlalocan (a realm in the Heavens), for the Tlaloc, the water god.

Aztec Calendar

In the Aztec Calendar, Mictlanteculhtli is associated with the tenth day sign Itzcuintli, a dog. There were twenty such signs in the Aztec calendar. On the day that a particular deity is associated with, that deity was were responsible for providing the souls born on that day.

In addition, Mictlanteculhtli was the source of all souls born on the sixth day of a 13-day week. That is an exceedingly long weekend to work towards.

Mictlanteculhtli presided as the second Week Deity for the tenth week of a twenty-week calendar cycle.

Aztec Gods

Of the Aztec Gods as a whole, Mictlanteculhtli is the fifth out of nine Night Deities.

As a Night God, Mictlanteculhtli would be paired up with the Sun god Tonatiuh to symbolize the duality and dichotomy of light and darkness.

He was also the secondary Week God for the tenth week of the twenty-week cycle of the calendar, joining the sun god Tonatiuh to symbolize the dichotomy of light and darkness.

Dualities – Light & Dark

While we are on this subject, where Mictlantecutli and Mictecacihuatl represented Death; they are the complements and opposites to Ometecuhtli and Omecihuatl who represented Life.

Fertility – Life & Death

By modern, Western aesthetics, Mictlanteculhtli is not the only Aztec deity to be shown with skeletal imagery or bones. For the Aztecs, skeletons and bones were symbols of abundance, fertility, and health. You couldn’t have one without the other.

Bats

As they only come out at night and often from caves, bats have been associated with Mictlanteculhtli and the Underworld.

Dogs

Due to the tenth day sign Itzcuintli, a dog, they are also associated with Mictlanteculhtli. It also seems fairly coincidental enough too as even in Europe, dogs as in Black Dogs are often associated with death and being psychopomps to lead the souls of the dead to the afterlife.

Owls

In Aztec beliefs, the owl is associated with death and thus one of Michlantechutli’s animals. Michlantechutli is often shown wearing owl feathers on his headdress.

Spiders

Another animal associated with death and darkness; they too have been associated with Mictlanteculhtli.

Ritual Sacrifices

A good portion of the Aztec belief system involved a lot of ritual blood sacrifices. Mictlantecuhtli was no different. Sacrifices made to Mictlantecuhtli were performed at night with a person being a stand-in or avatar, a representative of the god of death. They would be sacrificed at the Tlalxicco temple, whose name means “navel of the world.”

The flayed skins of humans would be offered up to Mictlantecuhtli and it is said that ritual cannibalism was done at the temple too.

Fun Fact – When Hernan Cortes landed on the shore of Central America, the Aztec ruler Moctezuma II thought that this was the deity Quetzalcoatl who had arrived. Thinking that this was the end of the world, Moctezuma II increased the number of human sacrifices believing that this would allow him to appease Mictlantecuhtli and avoid the torments of Mictlan.

Aztec Creation Story

In Aztec myths and beliefs, the world has been created and destroyed a few times.

In this case, the gods Tezcatlipoca and Quetzalcoatl had just finished restoring the sky and earth when they decide that they need to create people to populate this new fifth world. Since Michlantechutli has all the bones, Quetzalcoatl travels to him to inquire about getting some bones. Michlantechutli agrees to the condition that Quetzalcoatl travels around the Underworld four times while sounding a conch shell horn. The catch is that Michlantechutli gives Quetzalcoatl a shell that doesn’t have any holes drilled into it.

Quetzalcoatl fixes this problem by summoning some worms who drill holes into the conch shell and then having bees fly into the shell. When Michlantechutli hears Quetzalcoatl blowing the conch horn, he is obligated to fulfill his end of the agreement. However, Michlantechutli decides to go back on his word to keep the bones. Quetzalcoatl is forced to flee, taking the bones with him and Michlantechutli sends his minions, the Micteca after the other god. The Micteca dig a deep pit and as Quetzalcoatl is running, a quail jumps out, startling Quetzalcoatl so that he falls into the pit and dies with the bones all shattering. This is why people will be of different sizes.

One retelling has the quail tormenting Quetzalcoatl before he seemingly dies and then gnaws on all the bones, making that the reason why humans will be in different sizes.

Quetzalcoatl does eventually revive, being a god, and takes the bones to the goddess Cihuacoatl who grinds up the bones and puts them into a special container. The other gods now gather around this container and cut themselves to shed blood into it. From this mixture, the humans of today came forth to populate the earth.

Variation – One version of the myths I came across is that it is both Quetzalcoatl and Xolotl who come to claim bones from Mictlantecuhtli and that these were the bones of previous deities who had lived and died.

Hueymiccaylhuitl

An Aztec holiday, the “Great Feast of the Dead” was celebrated for the recently deceased and to help them on their journey to Mictlan. Hueymiccaylhuitl would be celebrated in the Aztec month of Tititl where an impersonator or stand-in for the god Mictlantecuhtli would be sacrificed.

When someone died, the Aztecs would cremate the remains. It was believed that the soul would then undertake a four-year journey to Mictlan through the various levels of the Underworld and need to pass a series of trials. Those who succeeded would make it to the lowest levels of Mictlan.

Hueymiccaylhuitl was also celebrated as an annual celebration as it was believed the dead could return to the lands of the living and visit. Plus, it was a way for the living to help those on their journey as the living could communicate with the deceased souls.

When the Spanish Conquistadors arrived, bringing Catholicism with them, the traditions of Hueymiccaylhuitl transformed, becoming known as Día de los Muertos, the Day of the Dead. Families still leave offerings of food and goods for the dead to take with them on their journey.

Under more modern and current celebrations and influence from the Catholic church, Día de los Muertos coincides with All Saints’ Day or Feast of All Saints on November 1st. It is a celebration that combines imagery from Aztec beliefs with an air of carnival and festivities with families gathering at cemeteries to share a picnic meal with deceased loved ones and sugar skulls in the image of Mictlantecuhtli.

Syno-Deities

Santa Muerte – Mexico

A female deity, early images of her started off as male. Santa Muerte is a folk saint whose worship and popularity has been increasing since the start of the 21st century in Mexico and has been spreading. Devotees of Santa Muerte may or may not be disenfranchised with the Catholic Religion and many turn to her for healing, protection and a safe passage to the afterlife.

Ah Puch – Mayan

Also known as Yum Cimil, the Mayan god of Death, seen as similar to Mictlantecuhtli.

Coqui Bezelao – Zapotec

Another god of Death similar to Mictlantecuhtli in Central to South America.

Kedo – Zapotec

Another god of Death that Mictlantecuhtli has been equated with.

Tihuime – Tarascan

Another god of Death similar to Mictlantecuhtli in Central America.

Ankou

Pronunciation: ahn-koo

Etymology: From the Breton word anken for anguish or grief. Another word given is ankouatt, meaning “to forget.”

Also Known As: Ankow (Cornish), yr Angau (Welsh), L’Ankou, Death, the Grim Reaper, King of Dead, Angel of Death, Death’s Servant

In Breton mythology of Brittany, France, the Ankou is the local personification of death. They come at night either on foot or more often riding in a cart or carriage drawn by four black horses to collect the souls of the newly dead and take them to the Lands of the Dead.

Pre-History

With scant evidence, but the persistent belief in the Ankou prevailing, there are thoughts among scholars that the Ankou might be a surviving tradition of a local Celtic Death God or Goddess. It has been suggested by the 19th-century writer, Anatole le Braz that the belief of the Ankou goes back to the dolmen-builders of prehistoric Brittany.

Description

Imagery of the Ankou can be found throughout many of the old Celtic countries such as Ireland, Wales, Cornwall and Brittany. One example is found on a baptismal font in La Martyre where the Ankou is shown holding a human head. The Ankou, like the depictions of the Green Man on many churches are a Pagan holdover and a defiance towards Church Authority.

The Ankou appears as a ghostly skeleton or sometimes as an old man who wears black robes and large, wide-brimmed hat that conceals its face. As a skeleton, the Ankou’s head is able to spin around so he can see in all directions. The Ankou is shown too carrying a scythe that has the sharpened blade upwards instead of downwards. Sometimes he only appears as a shadow carrying a scythe. He is said to drive a black cart or carriage drawn by two horses, one old and one young or there are four black horses. If there are several souls for the Ankou to collect, he will be assisted by two skeletons who help hurl them into the cart. A cold gust of wind is said to follow in the Ankou’s wake as he travels.

Aside from collecting souls, the Ankou when there is more than one, are guardians of cemeteries. And sometimes the Ankou of a cemetery is the first person to die in the year who is then tasked with collecting the souls of the dead and lead them to the afterlife.

Karrigell an Ankou – The Wheelbarrow of Ankou, he is heralded by the sound of squealing railways wheels outside a person’s home.

Labous an Ankou – The Death Bird, the cry of an owl heralds the arrival of the Ankou.

King Of The Dead – In some legends, the Ankou is the King of the Dead. Each of his subjects have their path that they follow their path through the Underworld or Afterlife.

Psycho-Pomp

Regardless of the description of the Ankou that you go by, their job is that of a psychopomp, an entity that guides and takes the souls of the deceased to the afterlife. The persistence of the Ankou has continued into the 21st century where it is recognized more as the Grim Reaper.

Though he is often shown carrying a scythe, the Ankou doesn’t have to kill anyone, just his presence and arrival signals that someone’s time has come. The Ankou’s role as psycho-pomp also sees him as something of a protector of the dead.

Death’s Henchman – In “The Legend of Death” by Anatole Le Braz, the Ankou is a henchman to Death, protecting the graveyard and souls around it, collecting them for the afterlife when it is their time. The last person to die in the year for their parish, becomes the Ankou for the following year. In any year where there have been more deaths than usual, the phrase: “War ma fé, heman zo eun Anko drouk” is said. Translated, it means: “On my faith, this one is a nasty Ankou.”

New House – It is believed that the Ankou awaits in every new house to claim the life of the first living being to enter it. For that reason, a tradition began in the Breton Commune of Quimperlé to sacrifice a rooster and spread out its blood on the foundations of every house being built, that way the Ankou could collect the soul of the rooster.

Omen Of Death

To see, hear or approach the Ankou is an omen of death. However, it is with the understanding that to see the Ankou, is something of a blessing in disguise, as the individual is often given the time to be able to say their goodbyes and get affairs in order.

Your Soul Has Been Collected, Now What?

Well now, that really all depends on what you believe. For some, that’s it, no more, finis. For others, there’s going to be some sort of afterlife that the Ankou is going to take you for final judgment, whether that be a Heaven or Hell of some sort, or even just a Purgatory where the soul is in limbo forever.

There’s plenty of speculation and evidence in surviving Celtic stories that they likely believed in reincarnation as other religions and cultures have. Ultimately, even with the arrival of Christianity, the soul continues on in some form and the Ankou is going to take it there.

The Bretons were no different than their other Celtic kin, death is a part of life. The soul continues somewhere, even if we aren’t in agreement of where that is.

Fairy

In Ireland, the Ankou is seen as a type of fairy versus a ghost or spirit of some sort. Which makes sense where distinctions between the three are easily hashed out. Yet also a bit confusing, as most people will think of the small Victorian Flower Fairies that are small and have wings like Tinkerbell of Peter Pan fame. In the more deeper studies of Celtic or Irish folklore, faeries are a type of spirit, not just another race of beings with numerous various types. Older linguistics and translations show that faeries are the spirits of the dead and the Realm of Fairy is the Land of the Dead. Which goes right back to making sense to refer to the Ankou as a type of fairy.

Kalan Goañv

A Breton festival that corresponds to October 31st with the celebrations of Halloween and Samhain. Similar to the tradition in the Mexican Dio Los Muertos, the Bretons would feed the Ankou with milk, cider and crepes. The tombstones in cemeteries across Brittany have small cup-like holders that offerings for the dead can be left at.

Night Of Wonders

The Bretons call Christmas Eve the “Night of Wonders.” During this time, the Ankou will pass through anonymously through the crowd attending Midnight Mass. Anyone that the Ankou brushes past will be those who die before the New Year.

French Nursery Rhyme

“O, Lakait ho Troadig” is the name of a nursery rhyme that dates back to the 16th century. The Ankou is mentioned where each time the rhyme progresses, a new word in introduced that then becomes the first word in the series.

Irish Proverb

“When Ankou comes, he will not go away empty.”

Storytime

There are a few stories involving the Ankou that I came across while researching this figure.

Story One – First Child

In some stories, the Ankou is said to the first child of Adam and Eve…. Which would make him Cain, if we go by most versions and translations of the Bible.

Right then…

Story Two – Drunken Friends

This story sees three friends who were drunk and of course, walking home late one night. The three came across an old man on a rickety cart. Two of the friends began to shout at the old man, not realizing that this it he Ankou. Then they began throwing stones that when the axle on the cart broke, the two ran off.

As for the third friend, he felt bad and went to help the old man. He found a branch and came back with that to replace the broken axle. Then he took the shoelaces off his shoes to give the Ankou to tie it in place.

The next morning, the two friends who had thrown stones were found dead. As for the third friend, who had stayed to help, his hair turned white. He never spoke in any detail about what happened that night.

If we have the story, the guy must have told someone or written it down.

Story Three – The Cruel Prince

In this story, there was once a cruel landowner that challenged Death. The landowner? A petty, spoiled and entitled Prince. This Prince was out hunting, chasing down a white stag, an animal given special status in Celtic lore. As the Prince and his companions chased the white stag, they encountered a dark figure sitting atop a white horse. Infuriated that this person dared to trespass on his lands, the Prince challenged the stranger. Whoever killed the stag could not only keep the hide and meat but could also determine the fate of the loser. The stranger agreed, speaking in a soft, eerie voice that unnerved those who heard him.

To the Prince’s horror, the hunt was over faster than he anticipated. No matter how hard he rode, how fast he drew his bow, the stranger was faster still and succeeded at bringing down the deer. Angry at his loss, the Prince had his men surround the stranger, declaring that he would bring back two trophies that night. The white stag and the stranger.

The stranger laughed, revealing himself then to be Death, telling the Prince that since he loved to hunt so much, he could have the stag and all the dead of the world. The Prince was then cursed to become an Ankou or a Ghoul, forever collecting the souls of the dead.

Story Four – The Blacksmith’s Story

In this story, there is a blacksmith by the name of Fanch ar Floc’h who was very engrossed with his work on Christmas Eve, that he missed the Midnight Mass. He worked late into the midnight hour, (held sacred in some European cultures, the witching hour when magic happens) when the Ankou arrived seeking to have his scythe repaired. Fanch knew full well who his midnight visitor was and he worked on the scythe tirelessly, dying at the dawn of Christmas Morning.

Story Five – The Coach of the Dead

This story was first recorded by the Breton poet and folklorist Anatole Le Braz in 1890. The legend is much older, having been passed on through oral tradition.

A young man was curious one evening when he heard the sound of the Ankou’s axles as they creaked. The man ran out to a clump of hazel where he hid watched for the Ankou’s arrival. As the cart passed by, it suddenly stopped and one of the Ankou’s skeletal companions went to where the young man hid to cut a branch of hazel to repair the axle. The young believed had been spotted by the Ankou and was relieved when the cart soon left. However, when morning came, the young man was found dead.

Story Six – The Blocked Road

Three brothers are returning home after a night of partying and quiet drunk. The three decide they will pull a prank on the first carriage to pass through on a nearby road. They do so by blocking the path with a large, dead tree.

Later in the evening, the brothers were awoken by loud banging on their door and a voice yelling that they go and remove the tree blocking the path. The voice knows that it was the boys who pulled this stunt.

When the three opened the door to look, no one was there, but they could not close the door again no matter how hard they tried. The boys called out, asking who was there. Once more the voice boomed, ordering them to go to the road that they blocked.

Freaked, the brothers went out, finding that the stranger they thought to find was the Ankou. The Ankou explained that he had lost an hour of his time due to this stunt and as a result, they would all die one hour sooner. The Ankou then added, that the three were lucky, had they not come out when they did, they would have owed him a year of their lives for each minute that he lost.

Syno-Deities & Entities

Arawn – The Celtic god of the Dead, the Ankou is sometimes equated with him.

Bag an Noz – The Boat of Night, those who live along the sea-shore in Brittany tell of how the last person to drown in the year, will roam the seas at night to collect the souls of the drowned and guide them to the Afterlife, just as the Ankou does on land. It is a ghost ship that appears when ever something bad is about to happen and disappears when people come to close. The crew of this boat are said to call out soul-wrenching sounds.

Charon – The Greek ferryman of the dead has also been equated with the Ankou due to similar garb and taking souls to the Afterlife.

Church Grim – Or the Grim, in English and Scandinavian lore it is a black dog that has been killed and buried in the graveyard at either the beginning or end of the year in order to protect the church and graveyard. Other animals such as lambs, boars or horses.

Crom Dubh – This one is a bit of a stretch. Crom Dubh was an ancient Celtic fertility god who demanded human sacrifices every year, of which, the preferred method was decapitation. Eventually the god fell out of favor and somehow this god becomes a spirit seekings corpses and eventually becoming the Dullahan.

Death Coach – A general Northern European, especially in Ireland where it is called the Cóiste Bodhar. The Death Coach is known for arriving to collect the soul of a deceased person. Once it arrives on earth to collect a soul, it will not leave empty. It is a black coach or carriage that is driven or led by a headless horseman who is often identified with the Dullahan.

The Dullahan – also known as Dulachán meaning “dark man” or “without a head.” This being is a headless fairy often seen dressed in black and riding a black headless horse while carrying his head under an arm or inner thigh. The Dullahan is armed with a whip made from a human spine. Death occurs wherever the Dullahan ceases riding and when it calls out a name, the person called dies. Death can also come if the Dullahan tosses a bucket of blood at a person who has been watching it.

In other versions, the Dullahan rides a black carriage. Sometimes they are accompanied by a banshee. Nothing can stop the Dullahan from claiming a victim save the payment of gold.

Grim Reaper – Essentially, the Grim Reaper and Ankou are largely the same entity, both wear the black robes and carry a scythe. The Grim Reaper is very much so the modern Ankou, appearing in several various media and literature.

Santa Muerte The female version of the Grim Reaper. Her imagery is very similar in appearance to the Ankou and Grim Reaper with wearing robes and wielding a scythe. Santa Muerte is worshiped primarily among many Hispanics & Latinos, especially in places like Mexico.

Aphrodite

Pronunciation: af-ruh-dahy-tee

Etymology: “Rising from the Sea,” Aphros “Sea Foam”

Other Names and Epithets: Αφροδιτη, Acraea, Amathusia, Ambologera (”She who Postpones Old Age”), Anadyomene, Antheia, Aphrodite Areia (“War-Like”), Aphrodite en kopois (“Aphrodite of the Gardens”), Chryse (mythology), Cytherea, Lady of Cythera, Despoina, Aphrodite Pandemos, Aphrodite Ourania or Urania (Heavenly Aphrodite), Aphrodite Benetrix (Married Love), Aphrodite Porne (Erotic Love), Pandemos, Urania, Lady of Cyprus, Philommeidḗs (“Smile-Loving” or “Laughter-Loving”), Eleemon (“The Merciful”), Genetyllis (“Mother”), Potnia (“Mistress”), Enoplios (“Armed”), Morpho (“Shapely”), Melainis (“Black One”), Skotia (“Dark One”), Androphonos (“Killer of Men”), Anosia (“Unholy”), Tymborychos (“Gravedigger”), Aphrodite Pontia (“Of the Deep Sea”), and Aphrodite Euploia (“Of the Fair Voyage”)

Aphrodite is the Greek goddess of love, specifically sexual love, beauty, desire and fertility. With an irresistible charm and beauty, Aphrodite is used to getting her way as many a mortal and god sought her favor. For those who spurned her, Aphrodite could be vindictive like many a Greek deity’s reputation for pettiness. Aphrodite is without a doubt, one of the best-known Olympian goddesses. In more modern times, Aphrodite is still seen one of many feminine icons from mythology who continues to feature in Western literature and arts.

Aphrodite’s Roman counterpart is Venus and their myths become very intertwined over the millennia to the point that their names are often interchangeable in Aphrodite’s myths.

Attributes

Animal: Dolphin, Dove, Ducks, Geese, Heron, Ram, Sparrow, Swan, Tortoise

Colors: Blue, Green, Scarlet, White, Gold

Day of the Week: Friday

Element: Water

Gemstones: Lapis Lazuli, Pearl

Metal: Copper

Month: April, February, July

Patron of: Love, Lovers, Prostitutes

Plant: Apple, Lime Tree, Mandrake, Myrtle, Myrrh, Palm, Pomegranate, Poppy, Rose

Planet: Venus

Sphere of Influence: Love in all of its forms, physical, sensual, passion, relationships

Symbols: Girdle, Golden Apples, Scallop Shells, Mirror, the Ocean, Chocolate

Aphrodite Areia – Helmet, Lance, Shield, Sword, Victory

Aphrodite Pandemos – Ram

Aphrodite Urania – Tortoise for Domestic Modesty and Chastity

Greek Depictions

In Classic Greek art, Aphrodite is often depicted as a blue-eyed, golden-haired woman with pale skin. For the Greeks, she was the very ideal of beauty. Statues of Aphrodite depict her as the height of Grecian physical beauty. At first, there was nothing to distinguish Aphrodite from other statues of goddesses, not until around the 5th century B.C.E. Statues of Aphrodite from Cyrene and Esquiline in the 1st century B.C.E. were called Aphrodite Kallipygos or “Aphrodite with a Beautiful Derriere.”

Classical art and sculpture from the 5th century B.C.E. will show Aphrodite as fully clothed, once the 1st century B.C.E. comes, do nude statues of Aphrodite appear. The most famous of the Aphrodite sculptures was carved by Praxieteles. It is during the Hellenistic era of Greece that the first nude statue of Aphrodite, the Venus de Milo appears in the 2nd century B.C.E.

Aphrodite is often shown accompanied with her son Eros, also a god of love.

What’s In A Name

We know the first part of Aphrodite’s name, aphros means sea foam or foam and alludes to her birth from the ocean when Uranus’ gentiles were thrown in the sea by his son Cronus. There were early attempts by scholars to link Aphrodite’s name to a Greek or Indo-European origin. Given the strong connections of Aphrodite to the Middle East and likely of Semitic origin.

Nineteenth and early twentieth scholars who accepted the etymology of “sea form” for the first part of Aphrodite’s name have tried to connect the second part of the name “-odite” to mean either “wanderer” or “brite.” As there’s disagreements, some scholars have even gone so far as to link Aphrodite’s name to the Assyrian barīrītu, the name of a female demon found in Babylonian texts. Others have tried for the Etruscan word of “eproni” for “lord” making the last part of Aphrodite’s name an honorific. The name continues to be debated as to what the correct translation and etymology for Aphrodite’s name is.

The epithets of Urania for Heavenly Dweller and Pandemos for “Of all the people” likely try to connect her as a goddess of universal love and everyone. In his Symposium, Plato argues that the epitaphs of Aphrodite Ourania and Aphrodite Pandemos are two separate deities.

Mesopotamian Connection

There is a lot of evidence and discussions that Aphrodite very strongly began as the Mesopotamian goddess Ishtar or the Phoenician Astarte and the Syro-Palestinian goddess Ashtart.

Pausanias records that the first people to worship Aphrodite were the Assyrians and then the people of Cyprus, followed by the Phoenicians at Ascalon. From there, Aphrodite’s cult and worship spread throughout most of Greece.

Looking at the epitaph of Aphrodite Ourania shows a connection to Inanna as the Queen of Heaven. Early art and literature that describes Aphrodite is very similar to Inanna. Like Inanna, Aprodite was worshiped as a war goddess, at least in the second century B.C.E. Pausanias makes mention where in Sparta, she is worshipped as Aphrodite Areia, meaning “warlike.” Pausanias also records that early statues in Sparta and Cythera show Aprodite bearing arms. Modern scholars use this connection of Aphrodite with her Middle Eastern origins. It makes sense when ancient Grecian culture once stretched as far as where modern Turkey and Syria are today.

Doves – One of Aphrodite’s symbols, the dove is also connected to Ishtar as one of her symbols. Scholars have noted that the Greek word for dove is “peristera” is likely comes from the Semitic phrase of “perah Istar” meaning “bird of Ishtar.” How interesting. Doves appear in a lot of ancient Greek art for pottery, reliefs, and sculptures depicting Aphrodite.

Dawn Goddess?

At one point, early comparative scholars have tried to link Aprodite with Eos, the Greek goddess of the Dawn. It works and relies on linking to the Proto-Indo European Dawn goddess of Haéusōs who is then linked to the Greek Eos, the Latin Aurora and the Sanskrit Ushas.

Both Aphrodite and Eos are known for their erotic beauty and sexuality. They have both had relationships with mortal lovers (as have a good number of Greek deities). Add in, that both goddesses are associated with the colors of red, white, and gold. The myth of Aphrodite rising from the sea has a similarity to the Rigvedic myth of Indra defeating Vrtra and freeing Ushas. Which then brings the last comparison of Aphrodite and the Indo-European goddess Haéusōs both having a parentage that links them to of a sky deity.

Maybe, but it is the alternative mythological and etymological link when the Middle Eastern connection isn’t accepted. Plus, the whole Proto-Indo-European language is largely theoretical with many modern scholars leaning towards the Mesopotamian connections.

Worship

As a goddess of love, beauty and sexual desires, Aphrodite was and still is worshiped by a wide variety of people from nearly every walk of life. For ancient Greece, this is the everyday people up to the higher, ruling class

As a very sensual goddess of love, particularly sexual love and beauty, Aphrodite’s priestesses were known to engage in sexual activities themselves as part of worshiping her. It should be noted that this didn’t make them prostitutes, it was part of the job description for priestess of Aphrodite. If you’re seeing every woman as a goddess to held sacred, cherished, respected and worshiped, you’re not far from worshiping Aphrodite or any goddess or god of love. It is going to get carnal.

As such, Aphrodite had several shrines and temples dedicated to her. Her main temples and cults were to be found in Cythera and Cyprus.

Gynaikonomoi – If it hasn’t been noticed before, women in many Greek and even Roman myths aren’t treated well, whether goddess or mortal. The Gynaikonomoi or Magistrates in Charge of Women are mentioned in the 1st century C.E. Sparta.

Marriage – Pausanias records the practice of the mothers of brides sacrificing to a wooden image known as Aphrodite Hera, an epitaph of either goddess connecting the ideals of love and marriage. Pausanias goes on to mention a seated statue of Aphrodite Morpho or the “The Fair Shaped Aphrodite” that had a veil on her head and chains on her feet. Lovely. This statuary clearly meant to connect the role of brides and a woman’s place in a marriage with her duties with wives being faithful to husbands.

Prostitutes – Yes, Aphrodite is the patron goddess of prostitutes. The city of Corinth was known for the high number of prostitutes and courtesans. With Corinth also being one of Aphrodite’s main cult centers with a major temple, it led to early scholars believing in the concept of “sacred prostitution” in Greco-Roman cultures with nearby islands of Cyprus and Cythera and even Sicily being associated with prostitution. There are records of many dedications to Aphrodite found in poetry and pottery by courtesans that have been found. Plus, you add in that Aphrodite’s Mesopotamian counterpart Inanna is also associated with prostitution. While the idea of “sacred prostitution” persists in some schools of thought, the idea is getting discarded more and more.

Amathus – This is one of Aphrodite’s centers of worship on the island of Cyprus.

Corinth – On mainland Greece, this city was one of Aphrodite’ centers of worship.

Cyprus – Aphrodite’s center of worship was clearly on this island as evidenced by the numerous sanctuaries dedicated to this goddess. Aphrodite would be called Cyprian for her connection to this island as her birthplace.

Cythera – Another island where Aphrodite’s worship was prominent. It had been a Minoan colony at one point. Some myths will place Aphrodite’s birth as being here, giving her the epitaph of Cytherea. The island was certainly a stopping point for the trade route between Crete and Peloponesus which in turn could mean that the myths might have evidence of how Aphrodite’s cult came from the Middle East to Greece.

Pandemos – This the oldest of Aphrodite’s cult-sites that dates back to 230 B.C.E. Here, Aphrodite was known as Aphrodite Pandemos or “Aphrodite who is Common to all the People.” This Aphrodite was associated with the hero Theseus and worshipers of Aphrodite Pandemos sought out her blessings for uniting the people of Athens. Not just for personal relationships, but political connections too. The cult of Aphrodite Pandemos is very likely led to the formation of democracy.

Paphos

This city located on Cyprus is the location for one of Aphrodite’s most well-known temples, especially in the ancient world. It is thought that the rites dedicated to Aphrodite were a blend of oriental and Aegean influences that could ultimately trace their origins to the Mesopotamian Ishtar and Phoenician Astarte. Archeological studies have shown that the cult of Aphrodite dates back to the Late Bronze Age, roughly 1200 B.C.E. and continue uninterrupted up to the Late Roman Era towards the 4th century C.E. There are suggestions that Aphrodite’s worship could possibly go back to the Chalcolithic Era. Female figurines and charms have been found dating to the third millennium and religious sanctuaries called temenos were well established before the construction of any Late Bronze Age structures.

Prior to this, Pausanias thought Aphrodite’s cult was introduced from Syria and of Phoenician origin. Prior to more modern Archeology, people that that Aphrodite’s worship and cult dated back before Homer’s time of around 700 B.C.E. with mention of Aphrodite’s altar in the Odyssey.

Paphos is also the location that the Greeks say where Aphrodite landed when she arrived at Cyprus when she rose out of the sea. An oracle was also to found here in Paphos. The Sanctuary of Aphrodite Paphia was a pilgrimage destination for her followers. The city gains its name from Paphos, the son of Pygmalion and Galatea.

Hellenistic Greece

During this era of classical Greek history that many are familiar with, the Greeks began to identify Aphrodite with the Egyptian goddesses of Hathor and Isis. Aphrodite would become the patron goddess of the Lagid queens. As was Egyptian custom, Queen Arsinoe II was claimed to be the mortal incarnation of Aphrodite.

Aphrodite’s worship spread to the city of Alexandria with many temples dedicated to her that could be found around the city. The cult of Adonis was introduced to the city by Queen Arisone II. The Tessarakonteres galley had a temple dedicated to Aphrodite with a marble statue. Another temple dedicated to Aphrodite Hathor would be established in the second century B.C.E. at Philae. Statuettes of Aphrodite would become very common for people to do personal devotions during the Ptolemaic era in Egypt and last through when it came under Roman rule.

Roman Influence

The Romans readily adopted and identified Aphrodite with their own goddess Venus who was originally a goddess of agriculture, fertility, vegetation, and Spring. This would become official in the third century B.C.E. when the cult of Venus Erycina is introduced to Rome by way of the Grecian sanctuary for Aphrodite on Mount Eryx in Sicily. From here, the iconography and imagery of Aphrodite along with her myths would be attached to Venus.

Further cementing this adaptation is that Aphrodite was revered as the mother of the Trojan hero Aeneas in Greek myths and the Romans hailed him as the ancestor to Romulus and Remus, the legendary founders of Rome. With this connection, Venus as Venus Genetrix, the mother of the Roman nation became prominent. The Greek worship of Aphrodite began to emphasis more and more her connection to the city of Troy and Aeneas. More and more Roman influences and elements began to connect Aphrodite as more maternal and militaristic and more connected to the bureaucracy that Aphrodite became a divine guardian of numerous magistrates.

Parentage and Family

Parents

According to Hesiod’s Theogony, Aphrodite was born from the dismembered genitals of Uranus after Cronus cut them off. She rose up from the sea where they landed after being thrown.

Sometimes the primordial sea goddess Thalassa is given as Aphrodite’s mother in the myth with Uranus.

According to Homer’s Iliad, Zeus and Dione are her parents.

Siblings

As a result of mixed parentage, depending on if you go by Hesiod’s Theogony or Homer’s Iliad, Aphrodite is going have several siblings.

Aeacus, Angelos, Apollo, Ares, Artemis, Athena, Dionysus, Eileithyia, Enyo, Eris, Ersa, Hebe, Helen of Troy, Hephaestus, Heracles, Hermes, Minos, Pandia, Persephone, Perseus, Rhadamanthus, the Charities, the Horae, the Litae, the Muses, the Moirai, or the Titans, the Cyclopes, the Meliae, the Erinyes (Furies), the Giants, the Hekatonkheires

Consort

Hephaestus – Husband and god of Smithing and Volcanoes.

Children

With Adonis, Aphrodite is the mother of Beroe and Golgos.

With the god Ares, Aphrodite is the mother of: the Erotes: Anteros, Eros, Himeros and Pothos (though sometimes Pothos is listed as Eros’ son). Other children of theirs are: Phobos, Deimos, Phlegyas, Harmonia and Adrestia.

In early myth, Anteros was originally born from the sea alongside Aphrodite, later on, he comes her son by Ares.

With Butes, Aphrodite is the mother of Eryx, Meligounis, and a number of unnamed daughters.

With Dionysus, Aphrodite is the mother of  Hymenaios, Iacchus, and the Charities (Aglaea, Euphrosyne, and Thalia)

With the god Hermes, Aphrodite is the mother of the androgynous deity Hermaphroditus.

With Phaethon, Aphrodite is the mother of Astynous.

With the god Poseidon, Aphrodite is the mother of Eryx, Rhodus and Herophilus.

With the mortal Prince Anchises, Aphrodite is the mother of Aeneas

Peitho has no father is given for him.

Priapus – either the gods Adonis, Ares or Dionysus is their father.

Olympian Goddess

Aphrodite is counted among the twelve major deities who resided on Mount Olympus, the highest mountain peak in Greece and all of Europe. For the Greeks, this was the perfect location for where the gods would preside at while keeping watch on humankind down below them.

As there are several deities within Greek mythology, just who numbers among the Olympians varies. It’s generally agreed that the twelve major Olympians are: Zeus, Hera, Poseidon, Demeter, Athena, Apollo, Artemis, Ares, Aphrodite, Hephaestus, Hermes, and then either Hestia or Dionysus.

Aphrodisiac Festival

Also called Aphrodisia, as the name implies, this was a festival held in Aphrodite’s honor and was celebrated in many places around Greece during midsummer. It was a festival involved substances believed or known to cause sexual arousal and desire. This festival was most notably in Athens and Cornith.

In Athens, Aphrodisia would be celebrated in the month of Hekatombaion to celebrate Aphrodite’s rule in the unification of Attica. In the old Grecian calendar, the month of Hekatombaion corresponded with the month of July and was the first month of the year.

The priests of Aphrodite would purify the Temple of Aphrodite Pandemos with the blood of a dove that had been sacrificed. The altars would than be anointed and the statues of Aphrodite Pandemos and Aphrodite Peitho would be carried down to be ritually bathed.

Arrhephoria

This is another festival that honored Aphrodite in Athens. Not much is known about this festival.

Monthly Observances

The fourth day of every month was also held sacred to Aphrodite.

Attendants Of Aphrodite

Charities – The Graces in Roman mythology, this group of goddesses were known to accompany Aphrodite. They were Aglaea (“Splendor”), Euphrosyne (“Good Cheer”), and Thalia (“Abundance.”) They were worshiped as goddesses in Greek long before the arrival of Aphrodite.

Erotes – Aphrodite’s many sons who all presided over a different aspect of love.

            Eros – Is the primary son who most people think of as accompanying Aphrodite. Most people are familiar with his Roman name of Cupid. By either name, Eros is the god of lust and sexual desire. Eros is described as one of four original primeval forces born at the beginning of time in Hesiod’s Theogony. After the birth of Aphrodite, Eros joins Himeros to become one of her companions.

Harmonia – A minor goddess of harmony. She is Aphrodite’s daughter with Ares, she is sometimes seen accompanying her.

Hebe – The goddess of youth, she is the daughter of Zeus and Hera. Hebe sometimes accompanied Aphrodite.

Horae – The Hours, they are the daughters of Zeus and Themis. Their names are Eunomia (“Good Order”), Dike (“Justice”), and Eirene (“Peace”).

Sparrow Chariot

In Sappho’s “Ode to Aphrodite,” the goddess is described as riding in a chariot that is pulled by sparrows.

Fertility Goddess?

Aphrodite isn’t just a Love Goddess, the sexual acts associated with her, Aphrodite’s attributes extend to the fertility of animals and vegetation, not just humans. In the story of Aphrodite’s affair with Ares, the version of the story found in the Iliad has Aphrodite returning to Cyprus so she can renew her virginity in Spring. Something she apparently does after each liaison. Some even suggest so far as to identify Aphrodite as a Mother Goddess as she gives birth to the crops each year. However, I think that domain is well and thoroughly covered with Demeter and Persephone. Though given the story of Aphrodite and Adonis, Mother Goddess and fertility still easily fits.

Pomegranates are thought to be associated with Aphrodite as the red seeds symbolized sexuality. An interesting side note, Greek women sometimes used pomegranates as a form of birth control.

Venus – When equating Aphrodite with the Roman goddess Venus, the poet Lucretius calls Aphrodite as a Genetrix for her creation and creative role in the world.

Plus, the aspects of Aphrodite as a fertility goddess really fit when under Roman influence and they have identified many of Aphrodite’s myths to their goddess and are busy tacking on Venus’ aspects to her Grecian counterpart.

Love Goddess

This is the domain that Aphrodite is really known for, Love, all kinds of love. The many epitaphs that Aphrodite has denote which form of love she presides over.

Aphrodite Benetrix – Married Love

Aphrodite Porne – Erotic Love

Aphrodite Urania – Heavenly Aphrodite, Spiritual Love, the kind that is unconditional and all of creation.

That’s just a few of the names that cover the many types of love that Aphrodite presided over. In addition, Aphrodite had numerous sons, most notably Eros who would accompany her and who represented the different types of love.

Birth Of A Goddess

There are a couple different origin stories for Aphrodite.

According to Hesiod’s Theogony, Aphrodite was born when Uranus was castrated by his son Cronus and the severed member was thrown into the ocean. As the ocean began to churn and foam, Aphrodite rose up out of the waves. With Zephyr’s help, this Wind God blew the young goddess towards the island of Cyprus where flowers sprang up from her footsteps as she stepped on land. There, Aphrodite was welcomed by the Charities. From there, Aphrodite was dressed and taken to Mount Olympus to be presented to the other gods.

Other variations have Aphrodite arriving at Cythera. Seafood is known as aphrodisiacs as they are seen related to Aphrodite’s birth from the sea.

It is for the places of Cyprus and Cythera, that Aphrodite is also known by the names of Kypris and Cytherea.

It has been pointed out that Hesiod’s Theogony is likely pulled from the Hittite epic “The Song of Kumarbi” where Kumarbi overthrows his father, Anu the sky god by biting off his genitals and thus becoming pregnant to give birth to Ishtar and Teshub.

Homer, in his Iliad, however, says that Aphrodite is the daughter of Zeus and Dione. A note here is that Dione’s name is possibly a feminine form to Dios and Dion, both alternative names for Zeus and that both Zeus and Dione had a cult center in Dodona. Hesiod names Dione an Oceanid in his Theogony.

Marriage To Hephaestus

Following the genealogy with Zeus, he feared that the other gods would fight each other over who would get to marry Aphrodite.

Figuring himself wise and clever, Zeus married Aphrodite off to Hephaestus, the Smithing god. Imagine Hephaestus’ surprise, him the least comely of the gods and disabled. Elated, Hephaestus put all his efforts and skills in smithing to create the most exquisite jewels that he could for his bride. He even made a girdle of finely wrought gold with magic woven into it for Aphrodite.

While Hephaestus was happy with his marriage, Aphrodite wasn’t too pleased with the arrangement. She would have greatly preferred someone far more attractive and like many of the gods, she does have her affairs and dalliances.

Strophion – This is what Hephaestus will have crafted for Aphrodite, translations into English will call it a girdle. As lovely as this magic girdle is, whenever Aphrodite wore it, no one was able to resist her charms and was already irresistible to many. It’s been commented that Hera sometimes borrowed Aphrodite’s magic strophion from time to time.

The other name I have come across for this girdle or belt is cestus, which in Rome, a cestus is a set of armored leather gloves worn by boxers. That could be a translation error though as Aphrodite’s strophion was called “keston himanta” or (kestos himas) and that might be the source of confusion.

A final bit to note, is that this style of strophia were also used in depictions for the Middle Eastern goddesses Astarte and Ishtar.

Notes:

Folklore – Instead of Zeus handing Aphrodite off in marriage, it is Hera who does so. In this one, Hephaestus made a golden throne for his mother Hera. When Hera sat down on the throne, it trapped her, and Hephaestus refused to release her until Hera agreed to give Aphrodite to him in marriage. Pleased that his mother agreed to the marriage, Hephaestus then gods to make his bride to be some jewelry, including the strophion that is often translated to mean girdle.

There are a few versions of Aphrodite’s marriage and who Hephaestus is actually married to.

Iliad – Aphrodite is the unmarried consort to Ares. Hephaestus’ wife is Charis, one of the Charities.

Odyssey – Book Eight is where the blind singer Demodocus describes Aphrodite as the wife to Hephaestus when the story of Aphrodite and Ares’ Affair is related.

Theogony – Aphrodite is unmarried, Hephaestus’ wife is Aglaea, the youngest of the Charities.

Aphrodite & Pandora

From Hesiod’s Works and Days, Zeus tasks Aphrodite to create Pandora, as the first woman to punish mankind after Prometheus’ stealing fire and gifting it to humans. Aphrodite makes Pandora to be both physically beautiful and sexually attractive so men will fall for her and lead to opening the box by which to release evils upon the world. Aphrodite’s attendants of Peitho, the Charities and the Horae contribute by gifting Pandora with gold and jewelry to be even more attractive.

Love Affair With Adonis

This is perhaps the most famous of Aphrodite’s affairs with a mortal by the name of Adonis.

Accordiing to Ovid’s Metamorphosis, Adonis is the son of Myrrha who was cursed by Aphrodite and turned into a Myrrh tree. Depending on the version of the story, either Myrrh’s father takes an axe to split open the tree or nine months later the tree burst, splitting open with Adonis being born.

Aphrodite found the infant and takes him down to the Underworld hidden in a chest to be entrusted into Persephone’s keeping. When Persephone discover a baby in the chest, she falls in love with the infant and takes care of him.

Later, Aphrodite returns to check in and discovers that Adonis has grown up to become remarkably handsome. By this time, Persephone is also rather attached to Adonis as well and what ensues is a custody battle of who gets Adonis.

Zeus took the matter into his own hands, in which he put the muse Calliope to arbitrate. She divided the year into three parts, saying that Adonis would spend one third with Aphrodite, another third with Persephone and the third part of the year as time to himself.

Having his own agency, Adonis comes to love Aphrodite more. It doesn’t help that Aphrodite cheated by wearing her magic girdle to cause Adonis to spend more time with her.

When it was time for him to go to the Underworld, Adonis refused. This angered Persephone so that she sent a wild boar to kill Adonis. This wild boar is actually Ares in a jealous rage. As Adonis died in Aphrodite’s arms, he was either transformed into the anemone flower or wherever Adonis’ blood fell, a red anemone flower sprung up.

Another account says that in her search for Adonis, that Aphrodite’s feet became cut and pierced by thorns and that the blood from her feet is what turned into the Anemone flowers.

A slight variation holds that Aphrodite acted as a surrogate mother to Adonis.

Sometimes the boar is sent by Artemis in retaliation for Aphrodite killing Hippolytus. Other times, it’s Apollo who is the boar that kills Adonis. Or that Dionysus carried Adonis away.

Phoenician Connection – It has been commented that the story of Persephone and Adonis is nothing more than the Greeks adopting the Phoenician story of Ashtarte and Adon. In the Canaanite language, Adon means lord and the names of Adonis and Adon appear to have a very solid linguistic connection.

Sumerian Connection – Another connection is that of the story of Inanna and Dumuzid.

Vegetation God – Some accounts will say that Adonis wasn’t mortal, that he was a deity in his own right and that this myth explains his death and rebirth each year for Summer and Winter as Zeus stepped in at this point saying that Adonis must spend the summers with Aphrodite and the winters with Persephone in the Underworld.

With this connection in mind, it’s been noted that Adonis’ cult had underworld tones of life and rebirth. From this, Aphrodite became connected with the dead in Delphi.

Aphrodite & Dionysus

Aphrodite is known to have numerous affairs. Depending on the account read, depends on if, with this story if it is either Dionysus, Hermes, Adonis or even Zeus himself who Aphrodite comes to bear the son Priapus with.

Generally, Dionysus is given as the father of Priapus with Aphrodite. As the story goes, following the events of the Trojan War, Hera was angry with Aphrodite’s interference when all the other gods were forbidden to be there by Zeus.

While pregnant with Priapus, Hera applied a potion to Aphrodite’s stomach as the goddess was sleeping. This was to ensure the child would be born deformed and monstrous looking. When Aphrodite gave birth to Priapus, she was horrified by the sight of an infant with a large, permanently erect gentile, potbelly, and large tongue. Aphrodite left the infant out on a hillside to die of exposure. However, a huntsman found the infant and raised them.

Later, Priapus would discover his powers a deity and the ability to cause vegetation to grow.

Aphrodite & Hermes

Aproditus

First, a little bit of history. There was at one point, a male version of Aphrodite known as Aproditus. This is a male version of Aphrodite who was worshiped within the city of Amathus on the island of Cyprus. Aphroditus would be shown in art as having the dress and body of a woman while sporting a beard. He would be shown lifting up his dress to show his genitals, thought to be an apotropaic symbol or warding off evil. Eventually, Aphroditus’ popularity would fade away and the feminine form of Aphrodite would prevail.

Hermaphroditus – Also called Hermaphroditos. With so many gods having affairs with the fair and lovely Aphrodite, it isn’t too much of a surprise that she would also haven one with Hermes. The child that they had was a very handsome and beautiful boy of the name Hermaphroditus. A naiad by the name of Salmacis fell in love with Hermaphoditus and in a rare twist, she tried to rape him. When Hermaphroditus tries to fight off Salmacis, the naiad prays to the gods that they should become one. The gods answer, it’s not clear which one or ones answer and Salmacis and Hermaphroditus fuse into one intersex being. Horrified by what happened to him, Hermaphroditus called on his parents, Hermes and Aphrodite to curse the fountain so that others who entered it’s waters would have the same thing happen to them.

Traces of Aphroditus’ cult are found within Hermaphroditus’ story.

Love Affair With Ares

This story is told in the Odyssey, Book Eight by the blind singer Demodocus. This is also a story that probably began as a folk tale among the Greeks.

The Sun-god Helios had spotted the two gods, Ares and Aphrodite in a tryst in the halls of Hephaestus. Helios went to inform Hephaestus of his wife’s affair who then decided to try and catch the two in the act. Being the master smith and craftsman of the gods, Hephaestus created a finely woven and nearly invisible net to ensnare the two in. Waiting for the right moment, he succeeded in trapping both Ares and Aphrodite within the net.

Wanting to make sure the two were properly shamed and punished, Hephaestus called the other Olympian gods to come. All the goddesses declined to come, not wanting to be scandalized while all the gods did come and gawked. Some commenting to the beauty of Aphrodite and other stating they’d gladly trade places with Ares. In versions of the story, the gods agreed on Hephaestus’ right to be angry and in others, they didn’t care. In the end, when released, an embarrassed Ares returned to his home in Thrace and Aphrodite went to the city of Paphos on Cyprus where she would bathe in the sea to renew her virginity with the help of the Charities. It wouldn’t take Hephaestus long to forgive Aphrodite her affair as he missed her.

Elaborating on this story, a later addition, Ares had the youth Alectryon guarding the door to warn when Helios came by as he would no doubt inform Hephaestus of the affair. However, Alectryon fell asleep and Helios discovered the two’s affair. Ares, embarrassed and infuriated at being caught, turned Alectryon into a rooster and it’s that add-on to the story of Ares and Aphrodite’s affair that roosters always crow, announcing the rising of the sun in the morning.

Variation – A version of the story found in Homer’s Odyssey has Hephaestus refusing to release the lovers unless Zeus returned the bridal gifts. Zeus staunchly refused as he felt that Hephaestus shouldn’t have made the affair so public. Though in the Odyssey, Poseidon does agree to play Hephaestus’ price to release both Ares and Aphrodite.

From their affair, Ares and Aphrodite became the parents of several minor deities: Eros, Arethousa, Harmonia, Phobos, Deimos and Adrestia. Both Eros and Arethousa’s tended to have attributes more in align with Aphrodite. Adrestia tended to be more like her father Ares.

Aphrodite & Poseidon

It makes sense, that this story takes place right after Aphrodite’s affair with Ares. Poseidon fell in love with Aphrodite and there must have been a fling for there is one daughter, Rhode and a son, Herophilus who is attributed to Poseidon as being the father.

Aphrodite & Pygmalion

The myth of Pygmalion has its first mention in the third century B.C.E. by the Greek writer Philostephanus of Cyrene. The myth has a full accounting later in Ovid’s Metamorphoses.

Pygmalion was a sculptor from the island of Cyprus who refused to marry any woman as he found them to all be immoral. Very well, Pygmalion sets about carving an ivory statue of Aphrodite that was so life-like that he fell in love with it.

So, in love with the statue, Pygmalion prayed to Aphrodite to bring the statue to live so he could marry it. Aphrodite heard the sculptor’s prayers and brought the statue to life, naming her Galatea. From their union, Galatea and Pygmalion had two children, Paphos, a son and from whom the capital of Cyprus would be named for, and a daughter Metharme as mentioned by Pseudo-Apollodorus.

Atalanta & Hippomenes

In this story, Aphrodite helped Hippomenes, a youth who desired to marry the maiden Atalanta. The catch was, Atalanta refused to marry any man unless they could beat her in a footrace, and she had the habit of beheading those who lost.

In comes Aphrodite give Hippomenes three golden apples from the Garden of the Hesperides with the instructions to toss them before Atalanta as they raced. Doing as instructed, Hippomenes tossed the apples down in Atalanta’s path. Each time Atalanta bent down to pick up another golden apple, it would give Hippomenes more of a lead, allowing him to win the race and thus marry Atalanta.

In Ovid’s Metamorphoses, the story continues. Because Hippomenes forgot to give thanks to Aphrodite after words, she causes the two to become so infatuated with each other while in the Temple of Cybele. The two desecrated Cybele’s temple by having sex in it and an angry Cybele turned Hippomenes and Atalanta into lions.

Sometimes it is Zeus who punishes the two mortals. The Greeks believed that lions were not able to mate with other lions. Another version of the story will have Aphrodite turn them into lions when they forgot to give her proper tribute or offerings.

As it is Ovid’s Metamorphosis and the mention of Cybele, there’s a clear Roman influence on the second part of the story.

Aphrodite & Typhon – Pisces

Typhon, a monstrous god, attacked the Gods when they were down by the Nile River. In some retellings of the story, the Gods where there in exile or that just happens to be where they were at for one of their many battles with Typhon. In either eventuality, Aphrodite and her son Eros were among the gods along the Nile River’s banks when Typhon appeared to do battle. While Zeus and a couple of other gods fought it out with Typhon, Aphrodite and Eros had leapt into the river, changing into a pair of fish so they could make their escape. In other accounts of the story, Aphrodite and Eros tied themselves together with a rope so they wouldn’t get separated.

Another account of this story places the riverbank that the gods were walking along as being the Euphrates River and not the Nile River. There is also a very similar story found in a Manilius’ five-volume poetic work Astronomica in which the fish that become the constellation of Pisces carried Aphrodite and Eros away to safety.

Keeping with the Euphrates River connection, when an egg fell into this river, a pair of fish pushed it to the shore where doves then sat on the egg to hatch it. When it hatched, Aphrodite came out of the egg. In a show of gratitude, the goddess placed the fish up into the sky to become the constellation Pisces. Through these connections of the myth, Pisces is also known as “Venus et Cupido,” “Venus Syria cum Cupidine,” Venus cum Adone,” “Dione,” and “Veneris Mater.”

Eros & Psyche

Psyche happened to be an extraordinarily beautiful princess. This brought about the anger and jealousy of Aphrodite when people turned their attention to Psyche and worshiped her. Aphrodite enlisted the aid of her son Eros to help punish Psyche.

The idea is that Eros would cause Psyche to fall in love with the worst and most vilest creature on the earth possible. Instead of doing as his mother bid, Eros fell in love with Psyche and took her home. He instructed Psyche that she was to never look upon his face.

All is well for awhile until Psyche goes home to visit family and her sisters convince her to break Eros’ command and look upon his face. Psyche does this and hurt, angry, Eros flies away leaving poor Psyche behind.

Psyche beseeches Aphrodite for help with finding her lost love. Knowing who it is that Psyche is looking for, Aphrodite sets out a series of nearly impossible tasks for Psyche to do. Eventually Eros discovers what’s happening and as he can’t bear to see Psyche’s suffering, returns. The two are married with all the gods attending.

This story is an early model for the fairytale of Beauty and the Beast.

A Goddess Scorned

Many of the Greek gods have a reputation for being very fickle. Just as often as they favor mortals, they can also punish them too.

By the stories, Aphrodite is no different and she could be very gracious with those mortals whom she favored. For those mortals who didn’t fawn upon Aphrodite the attention and worship she felt she was owed, Aphrodite could be very vindictive.

Aegialeia – The wife of Diomedes, she was cursed by Aphrodite after Diomedes had wounded the goddess during the Trojan War. Aegialia was cursed with promiscuity and she had several lovers, among them Hippolytus. Now it could be, that Aegialeia was angry with Diomedes as she heard rumors, he was returning home with a Trojan woman and this was to get back at an unfaithful husband. When Aegialeia threatened Diomedes’ life, he took off for Italy.

Clio – When the Muse derided Aphrodite’s love for Adonis, Aphrodite caused Clio to fall in love with Pierus of Magnesia and they had a son, Hyacinth.

Eos – Aphrodite cursed Eos, the goddess of the Dawn to be forever, perpetually in love with an insatiable sexual desire after Eos had slept with Ares, god of war. Guess no one else was allowed to have Aphrodite’s sweetheart.

Glaucus of Corinth – He angered Aphrodite when he refused to let his chariot horses mate, as to do so would slow their speed down. Aphrodite bided her time and when the Funeral Games for King Pelias happened, the goddess caused Glaucus’ horses to go mad and tear him apart during the chariot race.

Halia – She is a sea nymph who bore six sons with Poseidon. When Halia’s sons refused to let Aphrodite land on their shore, Aphrodite drove them all insane, causing them to rape their mother, Halia. Poseidon buried his six sons within the island’s sea caves.

Hippolytus – The son of Theseus, he worshipped only Artemis, the goddess of virginity and hunting. Because Hippolytus refused any sexual intercourse, this upset Aphrodite who saw him as being very prideful. As a result, Aphrodite caused Phaedra, Hippolytus’ stepmother to fall in love with him. Understandably so, Hippolytus refuses Phaedra’s advances. Phaedra however, is so distraught that she kills herself but not before leaving a note for Theseus, telling him that she committed suicide because Hippolytus tried to rape her.

This upsets Theseus who prays to Poseidon to kill Hippolytus for his actions. Poseidon answers by sending a wild bull to scare Hippolytus’ horses and smash the chariot so that he falls to his death along a seaside cliff. In the end, Artemis finally gets wind of what happened and goes to seek her own revenge against Aphrodite, which in some stories, is sending a wild boar to kill Adonis.

Leucippus – The grandson of Bellerophon, it is never clear what caused Aphrodit’e anger in this story. Only that the goddess caused Leucippus to fall in love with his sister. The sister was already betrothed to another and the betrothed found out about the incestuous relationship that Leucippus and his sister were having, went to inform their father Xanthius. Father Xanthius shows up at his daughter’s bed chamber and discovers his son, Leucippus there. As it’s dark, a fight ensues where the daughter is killed trying to escape and Leucippus kills his father as he doesn’t recognize who it is at first. Once he realizes what happened, Leucippus leaves to go be part of the colonizing of Crete and Asia Minor.

Myrrha – I covered this myth earlier in the story of Adonis. Myrrha’s mother, Queen Cenchreis of Cyprus had bragged that her daughter was more beautiful than Aphrodite. In response, Aphrodite cursed Myrrha to fall in love with her father, King Cinyras who slept with her unknowingly. Eventually Myrrha turned into the myrrh tree and gave birth to Adonis.

It doesn’t end there, Aphrodite continued her wrath against Queen Cenchreis and King Cinyras’ other three daughters, Braesia, Laogora, Orsedice to sleep with some foreigners and they ended up dying in Egypt.

Narcissus – One account has Aphrodite cursing Narcissus to fall in love with his own reflection after he refused to worship her.

Pasiphae – In one version, for the birth of the birth of the minotaur, Pasiphae had failed to make the appropriate offerings to Venus (Aphrodite), as a result, the goddess caused her to fall in love with the white bull meant as an offering to Zeus.

Alternatively, the curse comes because Pasiphae is the daughter of Helio and this is Aphrodite getting back at him for exposing her affair with Ares.

Polyphonte – Was a young woman and another devote to Artemis who chose a life of virginity instead of marriage and children. Aphrodite cursed Polyphonte to fall in love with a bear. Her resulting monstrous humanoid bear children, Agrius and Oreius who were cannibals. Zeus got involved this time and turned Polyphonte and her children into birds of ill omen; owls and a vulture.

Propoetides – He and his daughters were from the city of Amathus on the island of Cyprus. They had failed to worship Aphrodite appropriately and she caused them to become the first prostitutes. It should be noted that this is a story found in Ovid’ Metamorphoses.

Tanais – The son of Lysippe and Berossos, he was a devote to Ares, fully committed to war. This upset Aphrodite as Tanais neglected love and marriage. The goddess cursed Tanais to fall in love with his mother Lysippe. As he refused to give up his chastity, Tanais threw himself into the Amazonius river, which after words was renamed to the Tanais river.

The Women of Lemnos – Because these ladies refused to offer sacrifices to Aphrodite, she cursed all of them to have a horrible stench. We’re talking bad, to the point that their husbands refused to have sex with them. The husbands went and had sex with their Thracian slave-girls instead. This angered the Lemnos Women, and they murdered all the men and their slaves on their island. Later, when Jason and the Argonauts show up, these women are just starved for a man’s affections, that with Aphrodite’s approval, she allows for the Lemnos Women to have sex with Jason and his crew whereby they can repopulate the island. From there on out, the Lemnos Women never failed to appease Aphrodite.

The Judgement Of Paris

The gods were feasting at the wedding of Peleus and Thetis, who would become the parents of Achilles. All the gods were invited accept Eris who hadn’t received an invite. Chiron was in charge of the wedding invites and didn’t invite Eris due to her reputation for stirring up trouble. This understandably miffed Eris to no end. After all, everyone else got invited, why not her?

Coming off as seeking to be peaceful and no hard feelings, Eris proposed a beauty contest between the goddesses Aphrodite, Athena and Hera. As the prize, Eris tossed a golden apple of beauty, or better known, the golden apple of discord. In some retellings, it is noted that the golden apple has engraved or written the word: “Kallisti,” meaning: “for the fairest.”

This dispute, one driven by vanity over who was the loveliest of the goddess would escalate and the hapless mortal Paris is called in to judge. Each of the goddesses attempted to bribe Paris to choose her. Hera offered political power, Athena offered battle prowess and Aphrodite tempted Paris with the most beautiful woman in the world, Helen.

Being a young mortal man, Paris chooses Helen and rewards Aphrodite with the golden apple. Only there is one problem, Helen is the wife of Menelaus of Sparta. In claiming and taking her, Paris sparks off the Trojan War. This causes Athena and Hera to side with the Greeks in the ensuing war.

Trojan War

Divine Set Up – If we go by the “lost” epic, The Cypria attributed to Stasinus, this whole Trojan War was planned on by Zeus and Themis. There’s only about 50 lines of text from the Cypria and its seen as a prequel to Homer’s the Iliad and explains how the events came about.

Some scholars look at Aphrodite’s connection to Mesopotamia with the War Goddess Ishtar as an explanation for the start of the Trojan War, saying that Aphrodite instigated it by manipulating Paris with a promise to marry Helen.

Aphrodite has a prominent and active role in Homer’s Iliad. In Book III, Aphrodite rescues Paris from Menelaus after a one-on-one duel to settle the matter. Aphrodite also appears to Helen in the form of an old woman, trying to persuade her to have sex with Paris. However, Helen recognizes Aphrodite by her eyes, neck, and breasts. Helen entreats with Aphrodite as an equal and the goddess rebukes Helen, threatening her. Not wanting a god’s wrath, Helen obeys Aphrodite’s command to lay with Paris.

In Book XIV of the Iliad, Aphrodite loans her kestos himas or magic girdle to Hera so she can seduce Zeus as he had forbidden the other gods to stay involved in the Trojan War at this point.  While Zeus is distracted by Hera’s advances, Poseidon is aiding the Greek forces to be able to take the beach to invade Troy. Then in Book XXI, Aphrodite returns to the war to carry Ares away off the field of battle after he’s been wounded.

Anchises – He was a shepherd prince who lived on Mount Ida, whom Aphrodite fell in love with after Zeus convinced Eros to hit her with one of his arrows. After all, with Aphrodite being the goddess of love, it’s her fault that Zeus has so many affairs and is constantly on the outs with Hera.

Aphrodite pretended to be a mortal woman in order to marry Anchises. When Anchises saw Aphrodite, he asked if she was said goddess, saying he would build her an alter if she would only bless him and his family. Aphrodite lied, saying she was a princess from Phrygia. She explains how she came to understand the Trojan language due to a Trojan nursemaid as a child. How she had been snatched away by Hermes while dancing for a celebration to honor Artemis. The disguised goddess tells Anchises to take her to his parents.

From there, the two are married or Anchises so overcome with lust, couples with the goddess-princess. After their union does Aphrodite reveal who she really is, saying she will bare Aenease a son who will become the demigod Aeneas. As Anchises didn’t keep quiet about who the mother of his son was, Zeus struck him down with a thunderbolt and either blinds or kills him outright.

There are a couple of slight versions to this story such as Aphrodite allowed for Anchises to be able to flee the city of Troy.

Aeneas – Trojan Hero and son of Aphrodite with Anchises. In book V of Homer’s Iliad, Aphrodite rescues her son from Diomedes in battle. Diomedes, recognizing Aphrodite and viewing her as a weak goddess, spears her, nicking her wrist. When Aphrodite rides back to Mount Olympus in Ares’ borrowed chariot, Zeus tells the goddess that her specialty is love, not war as he mocks her for getting hurt.

Aeneas features in Virgil’s Aeneid to be Rome’s first hero and an ancestor to Romulus and Remus.

Note: It has been commented that the scene of Aphrodite and Zeus has similarities in the Epic of Gilgamesh where Ishtar laments to her mother Antu after Gilgamesh rejects her advances and is in turn, rebuked by her father Anu.

Sea Goddess

With Aphrodite’s birth and arrival from the ocean, some people have worshiped Aphrodite as a sea goddess. Several types of waterfowl such as ducks, geese and swans would become associated with Aphrodite. Naturally, seashells are associated with Aphrodite. Sea food is considered an aphrodisiac due to this lovely goddess’ connection to the briny deeps.

As a sea goddess, Aphrodite protects those who travel the seas. This earned her the epitaphs of Aphrodite Pontia or Aphrodite of the Deep Sea and Aphrodite Euploia or Aphrodite of the Fair Voyage. The planet Venus that Aphrodite is associated with, served as navigational aid for ancient mariners as they plied the seas.

War Goddess

With the previously mentioned Mesopotamian connection to the goddesses of Astarte and Ishtar, Aphrodite may have arrived first as a goddess of War in ancient Greece. She was honored as such in Cyprus, Laconia, Sparta, and Thebes to name a few places. In Sparta, Aphrodite was known as Aphrodite Areia (“War-Like”), showing her connection to the god Ares.

Eventually, the war aspects of Aphrodite would be dropped, and the role left to Athena and Ares.

Christian Iconography

Early Christianity readily adapted many pagan symbols and icons to their religion. With Aphrodite/Venus, her symbolisms were given to Eve, prostitutes, and some female saints such as the Virgin Mary.

The story of Aphrodite’s birth became a metaphor for baptism. There is a Coptic stele dating from the sixth century C.E. where a female orant is wearing Aphrodite’s conch shell to show she has been recently baptized. Throughout the Middle Ages, folktales regarding Aphrodite/Venus remained popular.

In the fifth century C.E. North Africa, Fulgentius of Ruspe found mosaics of Aphrodite that he proceeded to interpret as a symbol for the sin of Lust, how Aphrodite’s nudeness meant that “the sin of lust is never cloaked” and that her swimming represented how all lust suffers a “shipwreck”. Fulgentius even argued how the symbols of doves and conch shells were symbols of copulation and that the symbol of roses represented the fleetingness of lust, that it has momentary pleasures that are soon gone.

Then we have Isidore of Seville who interpreted Aphrodite as a symbol of marital procreative sex, declaring how the story of Aprodite’s birth represents that sex can only be holy with the presence of semen, blood and heat for the purposes of procreation. Isidore also held that Eros/Cupid is a demon of fornication.

Venusberg – Dating from the Late Middle Ages, the Venusberg mythology would become popular in European folklore. The “Mountain of Venus” is a subterranean realm ruled by Venus and a folktale archetype for visiting the Otherworld. The most familiar appearance of Venusberg is in the German Tannhäuser legend in the 16th century.

Variations to this myth are the mortal lover being carried away to the realm of faerie by a fairy queen. Popular legends include Thomas the Rhymer and Tam Lin.

Modern Paganism & Wicca

In modern Paganism such as the Church of Aphrodite, Hellenismos, and Wicca, either Aphrodite or her Roman counterpart, Venus are goddess often invoked for casting love spells and love rituals. Aphrodite is often used in charms for making aphrodisiacs, philters, and love potions.

Astarte – Canaanite & Phoenician Goddess

A goddess of love and war worshiped in the Middle East during the Bronze Age to Classical Antiquity. Astarte was identified by the Hebrews as Ashtoreth.

Hathor – Egyptian Goddess

The Egyptian Cow Goddess Hathor is frequently identified with Aphrodite.

It wasn’t uncommon for the Greeks and Romans to equate many of their deities with those of other cultures. The Romans especially did it with any gods whose people they conquered. In the case of Egypt and their gods, Hathor in her role as a goddess of love and beauty is synonymous with the Greek Aphrodite and the Roman Venus.

Inanna – Mesopotamian Goddess

Also known as Ishtar, she is the goddess of love, war and sexuality. She is known as the Queen of Heaven.

Isis – Egyptian Goddess

The Egyptian goddess of the moon, healing, magic and life who protected women and children. During the Hellenistic Grecian era, she was equated with Aphrodite.

Turan – Etruscan Goddess

The Etruscan goddess of beauty, love, and fertility. She was the patron goddess of the city Velch. She has been identified with the Roman Venus and Grecian Aphrodite.

Venus – Roman Goddess

As the Greek Goddess of Love, Aphrodite is often confused with or identified with the Roman deity of Venus, also a Goddess of Love. Thanks greatly to the influence of the Romans, many people will identify and equate Venus with Aphrodite. While both deities are Goddesses of Love, there are differences in the Roman myths and the Greek myths.

The Romans were famous for subsuming many deities in their conquest across Europe, particularly the Mediterranean area, and identifying their gods with those of a conquered culture. The most famous being the Greeks, where many deities were renamed to those of Roman gods. Prominent examples like Zeus and Jupiter, Hera and Juno, Ares and Mars and so on down the line.

With the Hellenization of Latin literature, many Greek writers and even Roman writers rewrote and intertwined the myths of these two deities so that they would virtually become one and the same. And that’s the tradition passed down through the centuries and has become accepted. Just that there are still some differences that separate the two.

Just as Aphrodite is often accompanied by her son Eros, so too is Venus accompanied by her son Cupid.

Kumarbi

In Hurrian mythology, Kumarbi is the chief god. Kumarbi was also known among the Akkadians and the Hittites from whom any written records on clay tablets have survived and been translated.

Attributes

Planet: Jupiter

Sphere of Influence: Creation

Parentage and Family

Grandparent

Alalu – Grandfather

Parent

Anu – His father and representing the sky.

Children

Teshub – A storm god

Tigris and Tashmishu are also listed as sons of Kumarbi.

Kumarbi Cycle

Everything we know about Kumarbi comes from surviving records of Hittite texts and mythologies. Collectively, these texts are known as the Kumarbi Cycle that include: The Kingship in Heaven (also known as the Song of Kumarbi or Hittite Theogony), the Song of Ullikummi, the Kingship of the God Kal, the Myth of the dragon Hedammu and the Song of Silver.

The Kingship In Heaven

The Song of Kumarbi or Kingship in Heaven is the title given to a Hittite version of the Hurrian Kumarbi myth, dating to the 14th or 13th century B.C.E. It is preserved on three tablets, but only a small fraction of the text is legible and able to be translated.

This tale or song begins with how Alalu, the King of Heaven ruled for seven years and then is overthrown by Anu, who in turn rules for seven years before being overthrown by Kumarbi. This time, Kumarbi when he attacks his father Anu, Kumarbi bites off his genitals and when he spits it out, there were three new gods.

Okay then…

Anu tells Kumarbi that he is now pregnant with Teshub, Tigris and Tašmišu. When he heard this, Kumarbi spit out the semen to the ground and it became impregnated with two children. Kumarbi is then cut open, presumably by C-Section to deliver Teshub. Together, both Anu and Teshub then dispose of Kumarbi.

Knowing that history repeats itself and how Kumarbi overthrew his father Anu, just has he had overthrown his father Alalu; Kumarbi seeks out the goddess of the Sea (no name given) to see what to do to prevent his own demise.

The Sea tells Kumarbi to copulate with a rather large boulder, which then becomes pregnant and gives birth to a stone giant by the name of Ullikummi.

Once Ullikummi is born, he is taken to the Underworld and placed upon the shoulders of Ubelluris, the giant that holds up the earth. There, Ullikummi rises up like a pillar out of the sea. He is huge, some 9,000 leagues tall and 9,000 leagues in circumference.

Just huge. Worse, Ullikummi keeps on growing in size.

This worries the other gods who look to the trickster god Ea for advice on what to do. Ea says that Teshub should take the copper knife that had been used to split the heaven and earth at the beginning of time. Using the copper knife, Teshub sunders Ullukummi from Ubelluris, thus defeating him.

With Kumarbi defeated, Teshub then takes his places as the new King of Heaven.

So, what happens next!?!

That we don’t know as the last tablet that the story is written on is broken off. We can maybe guess by looking at similar myths like the Babylonians and the Greeks for how things might have progressed.

Alternative Version:

In this version of the Kingship in Heaven story, three gods, Alalu, Anu and Kumarbi rule the heavens in a nine-year reign before conceding the throne to the next deity. When it’s Kumarbi’s reign, his son, Teshub, the Weather God conspires to overthrow his father.

Another variation is that when the gods are trying to figure out what to do about Ullikummi, Ea goes to consult Enlil who goes to take a look at what’s going on. On seeing Ullukummi growing every large on top of Ubelluris, Enlil goes to the God’s Workshop where he gets a huge stonemason’s saw and comes back to cut off the giant’s feet.

Hesiod’s Theogony – The Greek Connections

Scholars have noted a similarity between the Hurro-Hittite Song of Kumarbi and Hesiod’s Theogony, a Babylonian Creation Epic. Especially between the characters of Uranus, Cronus and Zeus from the Greek mythos with those of the Hurrian creation myth with Alalu, Anu and Kumarbi.

Particularly with the progression of successors. Both the deities of Anu and Uranus are noted as having names that mean “Sky.” Likewise, Kumbari was a Grain-Deity and Cronus likely was one as well. It brings the line of succession to Teshub (or Teššub) and Zeus who are both Storm-Deities.

Another similarity is seen in how both Anu and Ouranos both have their genitals cut or bitten off. Either way hurts immensely… This is seen as removing themselves from heaven and the source from where other divinities originate.

Anu also warns Kumarbi that there will be consequences for what he has done. Again, a similar motif is seen in the Greek story where Ouranos tells the Titans that they too will pay a toll for castrating him.

Ow…

Both Kumarbi and Cronos have the experience of having multiple deities within their stomachs for a period. Yes, both the Hittite and the Greek versions have alternative reasons for how and why that comes to be. I don’t know which is worse, swallowing your own children or biting off someone else’s genitals. Both are rather gruesome and I’d go with Kronos, even if it’s due to my being more familiar with his story.

Once more, both Kumarbi and Cronos both eat a stone in place of a child. In Kumarbi’s case, the stone is venerated as a cult object. The stone that Cronos regurgitated is known as the Omphalos and where it sat in the Delphi Oracle was to mark the center of the earth.

Their progeny, Teššub and Zeus, both storm deities, go to war with their father.

It begins to vary here, as the Hittite text has where the Earth giving birth to the Underworld Apsu two children who go on to threaten Teššub. What we don’t know, is how this story ends as the tablet its written on has broken. Whereas with the Greek story, we know that the Earth gives birth with Tartarus to Typhon and that Zeus does eventually defeat them.

It isn’t just the Hurrian-Hittite epic for the Kingship of Heaven, but other ancient epics such as the Babylonian Enuma Elish, the Hindi Vedic and even Norse mythology with cosmological beginnings for everything.

Enlil – Sumerian

Kumarbi has been equated with the Mesopotamian Enlil, god of wind, earth, air and storms.

El – Ugaritian

Similarly, Kumarbi is also identified with El, the major or chief deity of the Ugarites. Incidentally, the name El can also be a title meaning “Lord,” “god” or “deity.”

Jupiter – Roman

The major deity of the Roman pantheon who is a Sky god. He is quickly seen as the Roman counterpart to the Grecian Zeus. He is easily compared to Kumbari as the Romans pulled a number of their myths directly from the Greeks.

Zeus – Greek

The All-Father of the Greek Olympian pantheon. As noted with Hesiod’s Theogony, there have been a number of similarities noted between Zeus and Kumarbi, not just in aspects, but their origin stories for rulership.

Sandman

Sandman

Also Known As: John, Jon Blund, Klaas Vaak, Ole Lukøje

Sweet dreams are made of these…

The Sandman is a figure mainly from Western and Northern European folklore who is responsible for sprinkling the sands of sleep so that people can dream. At its heart, it’s a very simple piece of folklore that doesn’t seem to have much more than that. Rather, I should say that the Sandman is a deceptively major figure of folklore who appears to be a minor power. How much relevance he will have depends on the nature of the stories he is found in and those can vary widely.

Description: It seems as if a lot of popular media and books will have a description of the sandman as a human-looking male wearing a Victorian-style sleeping gown and nightcap with tassel. He might have a bag of sand or just magically produce it from pockets or thin air.

Then you have other sources of media and books that really play with his description and the Sandman will look like however they want him to look. Since the Sandman’s realm is the Land of Nod or Realm of Dreams, he could probably look however he wanted and suited the needs of the story being told.

The Land of Nod

Not the biblical Land of Nod where Cain was exiled to, but as in the Land of Sleep and Dreams.

First, we can thank Dean Jonathon Swift for this delightful play and pun on words with his 1738 book “A Complete Collection of Genteel and Ingenious Conversation.”

At any rate, the realm of Dreams, Dream Realm, or Land of Nod is sometimes shown as being the Sandman’s domain where he reigns all-powerful and supreme, so long as people remain asleep or he doesn’t leave it.

Since it’s dreams, the place can look like anything and anywhere, and the Sandman can look however he wants and suit the needs of who’s writing the stories.

Here’s Sand In Your Eyes!

The easiest explanation for a Sandman is the morning crust or rheum that people wake up with around their eyes. It’s common, it happens to everyone, and way back when it was easy to believe and explain to young children where this discharge came from by saying that the Sandman brought it as the dust he sprinkles in people’s eyes so they can dream.

Quite frankly, calling it Sleep or Sand is a lot more poetical than calling it rheum, dried discharge, or mucus.

Getting A Good Night’s Rest

In many places, the Sandman is known by different names and has slightly different appearances.

Canada – Nilus the Sandman was a television series that aired in the 1990’s.

Denmark – The famous author, Hans Christian Andersen’s 1841 story called Ole Lukøje about the Sandman who sprinkles sand in children’s eyes to sleep. The name Ole Lukøje means “Close Eye” in Danish. Ole Lukøje carries two umbrellas, one of which has pictures underneath, that when he opens it over good children, they have good dreams. The other umbrella is blank, this one Ole Lukøje’s hold over naughty children so they will have a heavy, dreamless sleep. Instead of using sand, Ole Lukøje squirts milk into children’s eyes… a little strange. At the end of the story, it is revealed that Ole Lukøje has a brother, who only visits once, bringing Death. The brother’s name is also Ole Lukøie.

Dutch – In the Netherlands and places like South Africa, the Sandman is known as Klaas Vaak.

Germany – Unser Sandmännchen (Our Little Sandman) is very similar to Anderson’s Ole Lukøje and is part of a television series that has been broadcast since 1959. The show has also been adapted into comic book form.

Scandinavia – The Sandman is the traditional folk character who sprinkles sand or dust into people’s eyes, so they sleep and dream. He’s a feature of many children’s stories.

Sweden – In English translations, the Sandman is known as John or Jon Blund.

The Stuff Of Nightmares

Every now and then, someone likes to write a story featuring the Sandman in a more sinister light. Okay… that makes sense when the story of the Sandman likely comes from exasperated parents trying to get their children to go to sleep, that some variations could hold similarities to stories of the Bogeyman.

Bonhome Sept-Heur – Meaning the Seven O’Clock Guy, this is a French-Canadian figure who will throw sand in children’s eyes who refuse to go to sleep so he can blind them before carrying them away in his bag.

Der Sandmann – Written by E.T.A. Hoffman in 1816 is just one such book wherein the Sandman throws sand in the eyes of children who refuse to go to sleep, causing their eyes to fall out. These would then be collected up and fed to the Sandman’s children on the Moon. Lovely…

In case you’re curious, in 1993, Paul Berry would adapt this story into a stop-motion short that won Craft Prize for “Best Animation” and got an Oscar nomination for “Best Animated Short Film.”

Mos Ene – Meaning Ene the Elder is a Romanian folklore figure very similar to the character described in Der Sandmann.

What Dreams May Come…

DC Comics – there have been a few characters who have carried the name of Sandman, at least one appears to be the actual folkloric figure where the other used hypnotic sand to control people. The latter appears in an episode from the 1960’s Batman series.

Marvel Comics – The Sandman appears as a villain to the hero Spider-man. It must be stressed and noted that this version of Sandman has nothing to do with dreams, just sand, turning into, manipulating, and controlling it.

Marvel has another villain from its Journey Into Mystery comics in 1961. This Sandman was an alien who crash-landed on earth.

The Sandman – This is a 75-part comic book series written by Neil Gaiman that many people are probably familiar with. The title character rules over a dream world and appears to various characters in the series in different guises and names.

There are several other comics that feature a Sandman character.

Miles To Go Before I Sleep…

There are several different songs and poems that all reference Sandman to one degree or another. The most famous of these is the 1954 song “Mister Sandman” by The Chordettes. Other songs and poems will have the Sandman as a focus or just briefly mentioned as allusions to sleep and dreams. Of course, there is Metallica’s “Enter Sandman” that isn’t very pleasant as it sings of dreams turning into nightmares.

There are also a few movies that the Sandman has appeared, Disney’s The Santa Clause series where he is a member of the Legendary Council, and Dreamwork’s Rise of the Guardians where the Sandman is one such member and Guardian of Dreams.

Der Sandmann Kommt

Many of our stories for the Sandman begin to appear in the 18th century. Though the stories are likely older as a means of trying to explain the sleep or rheum, crust on one’s eyelids in the morning. Stories of the Sandman could have circulated as cautionary tales to try and get children to behave, especially if Hoffman’s Der Sandmann is used as a source.

In Germany, the idioms for “der Sandmann kommt,” meaning “the Sandman comes” have been found in German to French dictionaries dated to 1771. It’s used to describe a person who’s about to fall asleep. A later 1798 German grammar book posits the idiom as a phrase used by adults in a humorous manner towards children who are tired. That’s just German culture and the understanding is that such an idiom is likely to have been around a while in usage before making its way into dictionaries and grammar books.

Greek Origins?

Maybe? That seems to stretch it a bit. Though it brings us back to Hans Christian Anderson’s Ole Lukøje and his brother of the same name. Where one brings sleep and the other brings death.

In Greek mythology, Nyx, the goddess of Night, and Erebus, the god of Darkness have two children by the name of Hypnos, the god of Sleep, and Thanatos, the god of Death. These two brothers live near each other in the Underworld. Which suddenly makes Anderson’s tale have a lot more sense.

Taking Hypnos’ Roman name or equivalent deity, Somnus, three of his children are Morpheus, the God of Dreams, Phobetor or Frightener who takes various animal forms, and Phantasos who is Fantasy or Imagination. It needs to be noted that these three of Morpheus, Phobetor, and Phantasos make their first appearances in Ovid’s Metamorphosis and are likely literary concepts used to try and break down, better explain dreams.

It makes it easy to see the Sandman in European folklore as an amalgam of all these deities or he’s just Hypnos/Somnus in the modern day.

Cetus

Cetus Constellation

Etymology – “Big Fish” or Whale

Alternate Spellings: Κηφεύς Kepheús (Greek), Ketos, Cetea (plural)

Pronunciation: SEE-tus

Cetus is the name of the monstrous sea creature whom King Cepheus was to sacrifice his daughter Andromeda. The giant monster has a bit part in the overall story of Perseus and Andromeda, though it is enough to earn it a place up in the heavens to be immortalized as a constellation.

Description

The name cetus can mean any large fish, especially a shark, whale or a sea monster. In Greek art, as well as seen in the Hercules The Legendary Journeys series, the cetea were shown as large sea serpents. And yes, both Hercules and Perseus slay giant sea monsters in their adventures.

Visualizing Cetus as a huge, monstrous sea serpent makes it easier to see how it could destroy the coast of Aethieopia or rise up out of the sea to try and devour Andromeda.

Side Note – The art historian John Boardman has the idea that the images of the cetus along the silk road influenced the image of the Chinese dragons and the Indian makara.

Story Of Perseus

In the Greek story of Perseus, Cepheus was the king of Acrisios or Aethiopia, the husband of Queen Cassiopeia and the father to Andromeda. For the Greeks, Cepheus is known as the father of the Royal Family.

The story begins when Cassiopea started bragging about how Andromeda was more beautiful than the Nereids. This kind of attitude of extreme arrogance and pride, especially when a person claims to be better than the gods, creates what’s known as hubris.

Offended by Cassiopeia’s remarks, the Nereids approached Poseidon and complained, asking him to punish this mortal woman. Poseidon agreed and he sent a flood as well as the sea monster Cetus (or Kraken) to destroy the coastline of Aethiopia.

After consulting with the oracle of Ammon (identified by the Greeks with Zeus,) located at an oasis near Siwa in the Libyan desert, Cepheus was told that he would be able to end the destruction of his country by giving up his daughter Andromeda in sacrifice to Cetus. At the urging of his people, Cepheus had Andromeda chained to a rock by the sea to await her fate.

Luck was with Andromeda, for the hero Perseus was flying by on the Pegasus and on seeing her, he flew down to ask her why she was bound to the rocks. Andromeda told her story to the hero Perseus.

After hearing the story, Perseus went to Cepheus, saying he could save Andromeda from the sea monster and that in return, he wanted her hand in marriage. Cepheus told Perseus that he could have what he wanted.

At that, Perseus then, depending on the accounts given, pulled his sword and found a weak spot in the scales of the sea monster Cetus or he used the severed head of Medusa to turn the monster to stone.

In either event, the monster is slain, Perseus saved Andromeda and a grateful Cepheus and Cassiopeia welcomed them to a feast where the two were married.

The story doesn’t completely end there as it seems Andromeda had also been promised to her uncle Phineus to marry. This wouldn’t have been disputed or contested if Phineus had been the one to save Andromeda and slay Cetus himself. So Phineus picked a fight with Perseus about his right to marry Andromeda at the wedding.

After slaying a Gorgon and a Sea Monster, a mere mortal man is no challenge for Perseus who once again pulls out Medusa’s head and turns Phineus to stone. Given variations of the story, sometimes this is when Cepheus and Cassiopeia are also turned to stone when they accidentally look at the gorgon’s severed head. With Phineus now dead, Andromeda accompanies Perseus back to his home Tiryns in Argos where they eventually founded the Perseid dynasty.

Some accounts give that Perseus and Andromeda had seven sons and two daughters. Others place this count a little differently saying its seven children all together, six sons and one daughter. Most accounts agree that the eldest son, Perses founds his own kingdom and becomes the ancestor to the kings of Persia. A variation to this account is that Perses was adopted by his grandfather Cepheus and named an heir to the throne.

Eventually, years later, as the major figures of the storied died and passed away, the goddess Athena placed Cepheus and the others up into the heavens as constellations to immortalize and commemorate this story.

In another account, because Cepheus was descended from one of Zeus’ lovers, the nymph Io, that earned him a place in the night sky.

Further, it is the god Poseidon who places both Cepheus and Cassiopeia up into heavens to become a constellation.

Hyginus’ Account – By his account, Cepheus’ brother is Agenor who confronts Perseus as he was the one to whom Andromeda had been promised in marriage. This is who Perseus ends up killing instead of Phineus.

Aethiopia or Ethiopia?

The accounts can vary and much of this owes to some lack of clarity among the ancient Greek Scholars and Historians. Homer is the first to have used the term Aethiopia in his Iliad and Odyssey. The Greek historian Herodotus uses the name Aethiopia to describe all of the inhabited lands south of Egypt. The name also features in Greek mythology, where it is sometimes associated with a kingdom said to be seated at Joppa, (what would be modern-day Tel-Aviv) or it is placed elsewhere in Asia Minor such as Lybia, Lydia, the Zagros Mountains, and even India.

Modern-day Ethiopia is located on the horn of Africa and has some tentative ties to the legend of Andromeda. The Egyptian priest Manetho, who lived around 300 BCE called Egypt’s Kushite dynasty the “Aethiopian dynasty.” And with the translation of the Hebrew Bible or Torah into Greek around 200 BCE, the Hebrew usage of “Kush” and Kushite” became the Greek “Aethiopia” and “Aethiopians.” This again changes later to the modern English use of “Ethiopia” and “Ethiopians” with the arrival of the King James Bible.

Given the way that Countries, Empires, Kingdoms, and Nations rise and fall, expand and shrink, it’s very well possible that both Aethiopia and Ethiopia are one and the same and that modern-day Tel-Aviv once known as Joppa (Jaffa) may have once been part of Ethiopia. Some sources cite Joppa as having been a city of Phoenicia. There is a lot of history that has been lost to the sands of time that can only be guessed at and speculated upon.

Hercules Vs Cetus

This is a very similar story that follows much the same theme that the story of Perseus and Andromeda follows.

Now, Hesione is a Trojan princess and the daughter of King Laomedon. Being Trojan, Hesione in some versions and not Helena gets the blame as the trigger for the famous Trojan War.

Enough of that, the gods Apollo and Poseidon became angry with King Laomedon when he refused to pay his tribute to the gods for the construction of Troy’s walls. Fair enough, if you don’t pay, we’ll send a plague and a giant sea monster after you to collect.

After consulting the Oracles for what he could do to set things right, Laomedon was told he would need to sacrifice his daughter Hesione to the monster Cetus. Some versions say a series of pulling lots saw Hesione get this fate. Like Andromeda, Hesione too is chained to the rocks near the ocean for Cetus to come and get.

The hero Hercules along with Oicles and Telamon were returning from their campaign against the Amazons when they come across Hesione chained up and exposed. Hercules finds out what’s going on and goes to her father, Laomedon saying that he can save her for a price.

What price? The horses Laomedon received from Zeus as compensation when Ganymede was abducted. Though it’s Tros who is often given as the father of Ganymede and Laomedon is a nephew of said Ganymede. This story follows the lineage with Laomedon as Ganymede’s father rather than a nephew.

Back on track, Laomede agrees to Hercules’ price of giving the horse and the hero sets off to kill the sea monster Cetus.

When it came time for Hercules to collect his reward, Laomedon refused to pay. Why am I not surprised by that? Some people just don’t learn.

Hercules and his companions are angry enough that they come back to attack Troy, killing Laomedon and all his sons except for Podarces. Telamon takes Hesione for his wife and Podarces, becoming king of Troy, changes his name to Priam.

The whole famous Trojan War fits in as Priam wanted Hesione returned to Troy. When Antenor and Anchises, both sent by Priam, couldn’t get Hesione, they return. Paris is then sent to Greece to bring Hesione back and while on the way, brings back Helen, Queen of Sparta and wife to Menelaus.

Other Grecian Legends

Gates of the Underworld – With Cetus’ location under the ecliptic, it’s stars, along with those of Pisces are connected to the capture of Cerberus in The Twelve Labors of Hercules. Having written a post for Pisces, this is the first I’ve come across this story being connected to either constellation. It seems to me, part of a series of connection several constellations to the story of Hercules and his labors.

Western Astronomy

The constellation known as Cetus is one of 48 constellations listed by the 2nd-century astronomer Ptolemy in his book, Almagest. Today it remains as one of the 88 current or modern constellations. The Cetus constellation is found in region of the sky called “The Sea” with other water-based constellations of: Aquarius, Capricornus, Eridanus, Piscis Austrinus, and Pisces.

17th-century astronomer, Johannes Bayers thought Cetus resembled a dragonfish. In his star map or Uranographia, Johann Elert Bode gives an alternative name of Monstrum Marinum for Cetus. Other astronomers, Willem Jansson Blaeu and Cellarius saw a Whale in the Cetus constellation. It’s not unusual either for Cetus to be shown as a giant, monstrous fish with varying animal heads on it.

The Cetus constellation is found in the southern hemisphere where it can most likely be seen during autumn evenings, especially in November, along with several other constellations named after characters in the myth of Perseus. Because of its southern location, Cetus is visible between the 70° and -90° latitude lines and for observers farther south it lies below the horizon. It is 4th largest constellation found in the night sky. Bordering constellations to Cetus are: Aquarius, Aries, Eridanus, Fornax, Pisces, Sculptor and Taurus.

Arabic Astronomy

Arab astronomers were aware of Ptolemy’s constellations, in their star lore, one of the hands from the Pleiades (Al-Thurayya) is said to extend into part of the Cetus constellation. Additionally, two pearl necklaces were seen as making up the stars of Cetus. One necklace is intact and whole while the other is depicted as broken and the pearls scattered.

Brazilian Astronomy

The Tukano and Kobeua people see a jaguar in the Cetus constellation. This jaguar is the god of hurricanes and violent storms. The stars Lambda, Mu, Xi, Nu, Gamma and Alpha Ceti make up the head. The stars Omicron, Zeta and Chi Ceti make up the body with the stars Eta Eri, Tau Ceti and Upsilon Ceti making up the legs and feet. Lastly, the stars Theta, Eta, and Beta Ceti mark the tail of the jaguar.

Chinese Astronomy

The stars of Cetus are located in two areas of the Chinses Night Sky, the Black Tortoise of the North or Bei Fang Xuán Wu and the White Tiger of the West or Xi Fang Bái Hu.

The area of the night sky that Cetus occupies is associated with Autumn, agriculture and the harvest season, especially with the need for storing grains and cereals.

Bakui – This is an old asterism comprised of the stars 2, 6 and 7 Ceti that represents a bird catching net. In older maps, this asterism will be placed further south in the constellations of Sculptor and Phoenix. It’s thought that perhaps Chinese astronomers have moved this asterism further north with the slow precession of stars in the night sky.

Chuhao – Or called Chugao, it is located south of Tianjun. This asterism is made up of six stars, two of which are Epsilon and Rho Ceti that border with Eridanus. This asterism represents either a measure of animal feed or medicinal herbs.

Tiancang – Is a square granary, made up of six stars from main body of Cetus, including Iota, Eta, Theta, Zeta, Tau and Upsilon Ceti form this asterism.

Tianhun – This asterism is a loop of seven stars near Eta Ceti and represents either a manure pit or pig sty.

Tianjun – Is a circular granary, made up of thirteen stars from the head and neck of Cetus, including Alpha, Gamma, Delta and Xi Ceti form this asterism.

Tianlin – Is a third granary that borders between the Cetus and Taurus constellations. It is comprised of four stars Omicron, Xi, 4 and 5 Tauri. This storehouse or granary is used to store millet or rice.

Tusikong – One star, Beta Ceti marks this asterism that represents the Minister of Works and Land Usage Overseer.

Hawaiian Astronomy

It’s thought that this constellation was called Na Kuhi and the star, Omicron Ceti might have been called Kane.

Mesopotamian Astronomy

As I study the old Grecian myths and the history behind them, the stronger a connection and correlation between the Greek and Mesopotamian myths appears. The story of Andromeda and Perseus is just one set of myths the Greeks inherited from the Mesopotamian cultures.

The constellation of Cetus has been identified with Tiamat, the dragon goddess of Chaos. She bore many demons for her husband, Apsu, but eventually she decided to destroy them in a war that ended when Marduk killed her. He used her body to create the constellations as markers of time for humans.

Biblical Connection – Lost In Translation!

The Greeks weren’t the only ancient people that the Mesopotamians influenced. We see another interesting connection come in the Torah or Hebrew Bible and with the Canaanites.

Jonah and the Whale – This is the story that many people are most likely familiar with for any connection of Cetus with the Bible. If you don’t really dig any further, that can be good enough for people when linking this constellation to the Bible.

If we go a little further, yes, the Hebrew text in Jonah calls the whale a dag gadol, meaning “great fish.” And yes, when the Old Testament was translated to the Greek Bible or Septuagint, the translation is “mega ketos.” Then translated again, in the Latin Vulgate, it translates to Cetus and then later to “piscis grandis.”

Torah – What gets interesting, is another creature, Tanninim (or Tannin for singular) that gets mentioned in the Hebraic Books of Genesis, Exodus, Deuteronomy, Psalms, Job, Ezekiel, Isaiah, and Jeremiah. Now, the translation into the King James Bible will translate many of these instances to mean a serpent or whale.

Why mention one particular creature, Tannin in all of these other passages and books and call it a dag gadol in Jonah? It’s assumed that whales are what’s being mentioned. Yet when we get into Isaiah, tannin is again mentioned as a sea monster that will be slain by God or Yahweh. When we go into the King James Bible, that translation of tannin becomes dragon.

If dag gadol is a whale or rather, a great fish; then what’s tannin? Sticking to just Jewish mythology, tannin is often linked to the sea monsters Leviathan, Lotan and Rehab. In modern Hebrew, tannin means crocodile.

Canaanite MythologyTannin also appears in Canaanite myths, specifically the Baal Cycle. It is a story very similar to the Mesopotamian myth of Marduk (or Enlil) slaying Tiamat and the Grecian Perseus slaying Cetus.

Tannin is a monstrous servant of the sea god Yam who is defeated by Baal or is bound by his sister Anat. This serpentine sea monster is used in Canaanite, Hebrew and Phoenician mythologies as being symbolic of chaos and evil. Much like how Tiamat is equated as a symbol of chaos. It is this part of being a sea monster or dragon and chaos that has modern scholars identifying Tiamat with Tannin.

Nautical Lore & Superstitions

A ship or a ship’s maidenhead will be called Cetus to indicate a ship undaunted by the sea or a fearsome and ruthless pirate ship.

By sailors, the name Cetus is an omen and harbinger of a bad storm or misfortune. The name could also mean lost cargo, the presence of pirates or getting steered/pulled off course. The superstition was so great, that sailors would avoid mentioning the name Cetus.

Here Be Dragons! – Continuing the bit of nautical connection, some retellings of Perseus and Andromeda will refer to Cetus as being a sea serpent or outright calling it a dragon.

Release The Kraken!

Thanks to the 1981 stop-motion movie Clash of the Titans and it’s later 2010 remake, the part that Cetus played is replaced with an even scarier and more compelling monster, the now famous Kraken that rises up to destroy a coastline and kill Andromeda.

Think about it, “Release the Cetus!” just doesn’t have as dramatic of flair as “Release the Kraken!” does. Even the old stop-motion Kraken is more ominous to see on the screen then a giant whale or monstrous sea serpent rising up out of the ocean. It’s more exciting for a modern audience whether seen in theaters or on the small screen to watch.

This also simply shows how Hollywood will often change the source material for what they think is more exciting and action-oriented. Then, when enough people are familiar with this version as the story of Perseus and Andromeda, it shows how these stories and mythologies are still active and evolve with the different cultures that retell them.

It’s been pointed out that the Kraken isn’t even Greek in origin, it’s from Norse & Icelandic lore and mythologies.

Even in Renaissance paintings depicting Perseus, this is where we see the hero going from wearing Hermes’ flying sandals to riding the winged horse Pegasus.

Perseus Family

The constellation of Cetus, along with eight other constellations of: Andromeda, Auriga, Cassiopeia, Cepheus, Lacerta, Pegasus, Perseus and Triangulum.

All these constellations have some connection to the overall legend and myth of the Grecian hero Perseus.

Stars Of Cetus

Alpha Ceti – Also known as Menkar that means “nose.” It is a giant red star. It forms a double star with 93 Ceti. Alpha Ceti gets to have a bit of a claim to fame with it’s use in Science Fiction, particularly the original Star Trek series. It is Alpha Ceti V where Khan and his crew are exiled. Then in Star Trek: Enterprise, Alpha Ceti V is the planet that humans find refuge at after the Xindi destroy Earth.

Beta Ceti – Also known as Deneb Kaitos and Diphda is the brightest star found within Cetus. It is an orange star. The name Deneb Kaitos comes from the Arabic phrase Al Dhanab al Ḳaiṭos al Janūbīyy meaning: “the whale’s tail.” The name Diphda comes from the Arabic: “aḍ-ḍafdaʿ aṯ-ṯānī” meaning: “the second frog.” It should be noted that the star Fomalhaut found within Piscis Austrinus is the first frog.

Gamma Ceti – This a double star, the main star is yellow while the secondary star is blue.

Omicron Ceti – Also known as Mira, meaning “The Wonderful,” is the first variable star to have been discovered. Because this star seems to appear and disappear to the unaided eye, it was given the common name of “The Amazing One.” It was discovered by David Fabricius in 1596.

Tau Ceti – Is only notable for being a star similar to the Earth’s own sun. There aren’t any known planets for this star.

AA Ceti – Is a triple star system. The third star is only known by the shadow it casts when passing in front of the primary star.

Pac-Man Nebula

NGC 246 also known as the Cetus Ring, is a planetary nebula found within the Cetus constellation. It’s roughly 1600 light-years away from Earth. It earns the nickname of Pac-Man Nebula due to how its central stars and surrounding star field appear.

Cetids

There are a series of three meteor shows associated as originating out of Cetus, they are the October Cetids, the Eta Cetids and finally, the Omicron Cetids.

Laverna

Laverna

Other Names: Furina, Lativerna

Simply put, Laverna is the Roman goddess of Liars, Thieves, and the Underworld, more specifically, she is of Italian origins. The poet Horace makes mention of her as does the playwright Plautus where they each call Laveran a goddess of thieves.

Attributes

Colors: Black

Element: Air

Patron of: Charlatans, Cheaters, Liars, Thieves

Planet: Mercury

Plant: Wild Poppy

Sphere of Influence: Cheating, Deception, Fraud, Lies, Plagiarism, Secrets, Theft, Trickery

Time: Night

Roman Depiction

Laverna is frequently described as having a head, but nobody, or she’s a body without a head.

Worship

Laverna was a significant enough goddess in Roman to have her own sanctuary, minor place of worship on Aventine to be named after her, near the Porta Lavernalis. There was also a grove on the Via Salaria, an ancient highway that crossed the ‘calf” part of the boot for Italy from Rome up to the Tiber river.

Libations to Laverna would be poured from the left hand. Laverna would be invoked by thieves to ensure a successful heist without getting caught. Though, in one of Plautus’ plays, a cook does call upon Laverna to seek revenge against some thieves who stole his cooking tools. So I guess it all depends on who calls upon her first if she’s going to help or hinder a would-be thief.

What’s In A Name?

While there’s some anecdotal evidence for the goddess Laverna, scholars have surmised a few different meanings for her name. The first is latere, meaning: “to lurk,” or from levare, meaning: “to relieve, lessen or lighten,” as it relates to shoplifters and pickpockets. Lastly levator, meaning “a thief.” The word lucrum, meaning “gain or profit” is very much so connected to Laverna as a goddess of profit.

Etruscan Goddess

Very little is known about the Etruscans to begin with, so it’s likely that Laverna was an Underworld Goddess who then becomes a goddess of thieves as thieves have a reputation for working in the dark, whether actual night or a metaphor of darkness for in secret.

Plus, there are a couple of scraps of archaeological evidence to support her. One is a cup found in an Etruscan tomb with the engraving: “Lavernai Pocolom” and another fragment found in the Septimius Serenus Laverna that connects her to the di inferi.

Di Inferi?

Why yes, they were a collective group of ancient shadowy, underworld Roman gods, most of whom are death gods. Closely related are the Manes, ancestral spirits. Manes came about as a polite, euphemistic way to speak of the Inferi without really getting their attention.

Furrina – Synodeity?

Since we’re on the subject of Etruscan deities, the goddess Furrina is mentioned as an ancient Etruscan goddess of thieves and robbers, related to the element of water.

Well okay….

Except that on closer look, Furrina is a goddess of a Spring with an annual summer festival of Furrinalia once held on July 25th and was likely held for staving off summer droughts.

I just don’t see the connection unless bad etymology and linguistics are going on.

Furies

Also known as the Erinyes in Greek is a trio of Underworld goddess called upon for Vengeance. Some sources try to connect Laverna to this group. Which doesn’t hold up when you know who they are, Alecto, Megaera, and Tisiphone and that all three punish people for committing crimes. I would think these three would be at odds with Laverna for helping people to commit them in the first place.

Aradia, Gospel of the Witches

Written by Charles G. Leland in 1899, holds a story retold by Virgil in which he describes Laverna as being the one female who was the craftiest and knavish of them all. A thief of whom even the other gods knew little about her.

Laverna’s story continues with how she tricks a priest into selling her an estate swearing by her body with the promise of building a temple on the land. She sells off everything but doesn’t build a temple. There was also a Lord whom Laverna approached, promising by her head, to pay in full for his castle and all of its furnishings. Angry at having been deceived and unable to confront Laverna, both the lord and the priest appeal to the Gods to intervene.

And intervene the Gods do, bringing Laverna before them to inquire why she hasn’t upheld her end of the bargain with the priest. In response, Laverna made her body disappear so that only her head remained visible as she said that she swore by her body and a body she has none. That she couldn’t have sworn an oath.

Gaining a round of laughter, the Gods than asked Laverna why she hadn’t paid the lord in full for his castle. This time, in reverse, Laverna makes her body appear but has no head while her voice says that she swore by her head, but she has no head. Again, that this lack thereof, she couldn’t have sworn an oath.

As much laughter as this caused all the Gods, they still demanded that Laverna make right her debts and pay them off. Further, Jupiter than commanded that Laveran become the patron goddess of dishonest people, the liars, and the thieves.

Nanna

Nanna

Etymology: “mother,” “woman,” “daring one”

Nanna Nepsdóttir is a Norse Goddess best known as the wife of Balder. There is also a Mesopotamian God of the Moon known by the same name, however the two are different deities.

What’s In A Name?

There’s a few different scholarly ideas and debates on what Nanna’s name may actually mean. The idea by some is that Nanna comes from a word that means “mother.” The scholar, Jan de Vries makes the connection of Nanna to the root word nanb- meaning: “the daring one.” Another scholar, John Lindow puts forward the theory that Nanna may come from a common word for “woman.” Then there is John McKinnell who notes that “mother” and variations of nanb- that are not always clear what’s meant. He does suggest that it might have meant: “she who empowers.”

Parentage and Family

Grandfather

Odin – If we follow Nep being a son of Odin.

Mother-In-Law

Frigg – This goddess is mentioned as a mother-in-law to Nanna in the Prose Edda, Skáldskaparmál.

Parents

Nep – He is listed as Nanna’s father, as deduced by the surname of Nepsdóttir.

Consort

Balder – The Prose and Poetic Eddas both list him as Nanna’s husband.

Hodr – According to the Gesta Danorum, he is Nanna’s husband.

Children

Foresti – The god of Justice, he is Nanna’s son with Balder.

Breidablik

This is Balder’s Mansion or abode in Asgard. Naturally being his wife, Nanna’s lives here with him. Considered the most beautiful of all the halls in Asgard, only the purest could enter it.

Setre Comb

This is a comb dating from the either the 6th or 7th century. The comb has runic inscriptions on it that are thought to reference Nanna.

Poetic Edda & Other Sagas

Much of what we know about Nanna and the other Norse deities comes from the surviving Poetic Edda that was compiled in the 13th century C.E. It is a collection of various poems as follows: Völuspá, Grímnismál, Skírnismál, Hárbarðsljóð, Hymiskviða, Lokasenna, Þrymskviða, Alvíssmál, and Hyndluljóð.

Hyndluljóð – In this poem, Nanna is mentioned as the daughter of Nökkvi and a relative of Ottar. This may or may not be the same Nanna who’s Balder’s wife.

The Prose Edda & Other Sagas

Not to be confused with the Poetic Edda, the Prose Edda consists of four books: Prologue, Gylfaginning, Skáldskaparmál, and Háttatal written by Snorri Sturluson.

Gylfaginning – In chapter 38, Nanna Nepsdóttir and Balder are mentioned having a son, the god Foresti. Later, when Balder dies at the hands of Höðr, the blind god, Balder’s body is taken down to the seaside and placed into his ship, Hringhorni. Nanna collapses and dies from grief, her body is also placed within Badler’s ship and the ship light on fire with Thor using his hammer, Mjölnir to hallow the funeral pyre.

A grieving Freya sends the god Hermóðr down to Hel, the Underworld to try and resurrect Balder. Hermóðr arrives in Hel to find both Balder and Nanna sitting in a hall in places of honor. Hermóðr then begins bargaining with Hel to resurrect Balder. After a length of time, the two come to an agreement and Hermóðr leaves Hel’s hall with both Balder and Nanna. Balder presents the ring Draupnir to Hermóðr to be returned to Odin. Nanna presents Hermóðr with a few different gifts: a linen robe for Frigg, a gold ring for Fulla and a numer of other unnamed items. Laden up, Hermóðr makes the return journey to Asgard.

Much as Freya wanted, it would only be after the events of Ragnarök that Balder and Nanna are resurrected and return to the land of the living.

Skáldskaparmál – In the first chapter of this book, Nanna is listed among eight goddesses who are attending a feast for Aegir. Chapter five of this book, Balder is referenced as the “husband of Nanna.” Chapter nineteen continues with another reference of Frigg as the “mother-in-law of Nanna.” Chapter seventy-five has Nanna included in a general list of goddesses. Lastly, chapter eighteen  references the skald, Eilífr Goðrúnarson’s Þórsdrápa where a kenning references Nanna as “wake-hilt-Nanna” another name for “troll-wife.”

Gesta Danorum

Written by Saxo Grammati in the 12th century, the third book of this series portrays Nanna a mortal and daughter of King Gevar. Nanna becomes the object of affection by the demigod Balder and the mortal Hodr.

As it goes, Nanna has feelings for her foster-brother, Hodr Hothbrodd. Things won’t go the way the two lovers plan though. Balder, a demigod son of Odin is out and about one day when he espies Nanna bathing. Infatuated with her, Balder learns that another already has Nanna’s heart and he conspires to kill the competition.

The next time Hodr is out hunting, he finds himself wandering through a patch a mist and forest maidens calling out to him by name. They explain that they are able to manipulate fate and appear out on battlefields (that sounds like Valkyries to me). The Valkyries tell Hodr that Balder is interested in Nanna and being a demigod, Hodr won’t stand a chance against him. The Valkyries depart, leaving Hodr standing in an open field.

Undaunted, Hodr returns home where he recounts his story to King Gevar about getting lost in the forest and the Valkyries appearing before him. Not wanting to delay any longer, Hodr then asks King Gevar for Nanna’s hand in marriage.

Much as King Gevar would like too, Balder has already beaten Hodr to it and asked for Nanna’s hand in marriage first. Plus, King Gevar feared Balder’s wrath if he refused, given the demigod nature of Balder. Not all is lost, for Gevar knows of a magical sword that hurt someone like Balder and tells him where and how to get the sword.

While Hodr is off getting an enchanted blade, Balder returns to Gevar’s kingdom, ready to claim Nanna for his wife. Stalling for time for Hodr, King Gevar tells Balder to go easy with Nanna and try reasoning with her. Nanna is having none of Balder’s advances. One of her arguments is to say that a mortal woman and a demigod couldn’t possibly marry her as they’re too different.

Hodr, now accompanied by Helgi return to do battle with Balder and various other gods. We know for sure that two of their number are Thor and Odin. Despite the overwhelming odds, Hodr is victorious.

Once again, Hodr asks King Gevar for Nanna’s hand in marriage. This time, Hodr’s request is granted and both Hodr and Nanna ride off into the sunset for Sweden where Hodr becomes king!

Not quite, Balder returns and attacks Hodr, forcing Hodr and Nanna to retreat to Denmark. Alas poor Balder is plagued with visions of Nanna in his sleep, so much so, that Balder took to riding in a chariot as he couldn’t walk on his own and finally, he just wastes away.

We’ll assume at this point that Hodr and Nanna finally do get their happily ever after.

Pangenic Deities

The term Pangenic or Pangenesis comes from Charles Darwin’s Theory of Evolution with trying to explain the origins of life and species.

As it relates to the study of folklore and mythology, the term and idea of Pangenic or Pangenesis connections is problematic and still very pervasive as a lot of scholars and literature try to make connections with various stories and deities; often as there are very similar motifs, concepts and ideas that are very universal.

The Romans of course, are famously known for equating many of their gods with the gods of other cultures, especially those they conquered. Nearly everyone knows of the Greek-Roman counterparts and connections such as Zeus and Jupiter or Ares and Mars. To a lesser known extant, the Romans connected their deities with those of the Egyptian, Norse and even Celtic deities.

The idea of Pangenic deities and myths still continue even today and is something of a disservice and in terms of mythology. When one ethnic group or religion moves into another area, the exiting myths will get overlapped and mixed together. Sometimes it’s easy to see where and when this blending of ideas occurs. Other times, the differences should be acknowledged without trying to force a connection.

Some scholars have taken one look at Nanna in Norse mythology and then see a similar sounding and spelling in Mesopotamian mythology and want to start connecting dots. There is the Sumerian goddess Inanna, the Babylonian Ishtar and then the Phrygian goddess Nana, the mother of the god Attis. Then you add in the Mesopotamian moon god Nanna and people really go all out trying to make connections.

Just accept that there’s a lot of coincidental spellings and pronunciations.

Goddess of….???

Unfortunately, it’s not clear what Nanna is a goddess of, only that she’s Balder’s wife. As has been observed by other scholars, a lot of the old Norse stories have been lost, especially considering a newer, Christian religion moving into the regions and displacing the older local, pagan worship. Nanna is just one of the many goddesses whose story has been lost to the sands of time and we just don’t know.

Modern Paganism & Wicca

This is where modern paganism trying to reconstruct an older religion will try to extrapolate on the meaning found in Nanna’s name of “woman” or “mother” and “daring one” what she might have been a goddess of. They also look at the scant evident found in the surviving myths.

Being married to Balder, it would be easy to assume that the two held similar and likely complimentary roles.

Love – Given the scant evidence, where Nanna dies of grief for the loss of Balder, she will be identified as a goddess of Devotion and Undying Love, even beyond the grave or in the darkest depths of depression, pain and sorrow.

Mother Goddess – This seems a likely role if we go from the meaning of Nanna as “mother” and that when she dies, both her and Balder will be resurrected after the events of Ragnarök to restart the cosmos all over.

Syno-Deity – Some pagans will adopt Balder’s symbols for Nanna. As Balder is a god of the seasons Spring and Summer along with flowers, so is Nanna.