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Category Archives: Underworld

Orpheus

orpheusPronunciation: OHR-fee-us or OHR-fyoos

Alternate Spelling: Ὀρφεύς, Greek

Other names:

Etymology: There are more than a few different etymologies that have been given for the name of Orpheus. One suggestion has been orbhao, meaning “to be deprived” and another is orbh, “to put asunder or separate.” This later is in reference about Orpheus having been torn apart by the Maenads. A last word is “goao,” meaning “to lament, sing wildly or cast a spell,” this word appears to combine all the traits that Orpheus is known for as a forlorn lover, musician and priest.

Golden Age Hero

Among the Greeks, Orpheus is the name of the greatest and legendary musician and poet of mythology and religion. His music was so great that he could charm all living things and even the stones of the earth. The story that Orpheus is the most well-known for, is that of going to the Underworld to bring his wife, Eurydice back to the lands of the living. Orpheus’ other claim to fame in stories is being a member of the Argonauts.

Parentage and Family

Parents

There’s typically a couple slight variations as to who Orpheus’ parents are.

Apollo & Calliope – In this version of parentage, Orpheus is very much so a god, even if a minor god.

Oeagrus & Calliope – With this version of parentage, with his father a mortal king and his mother the muse Calliope, Orpheus is certainly considered a demigod.

Siblings

The Muses (though I’d think them more like Aunts), the Graces, Linus (who goes on to Thebes, thus becoming a Theban).

Aristaeus – the son of Apollo and a potential half-brother to Orpheus if we use the parentage of Apollo and Calliope for Orpheus.

Consort

Eurydice – Sometimes known as Argiope. Some versions of the story mention her to be a Nymph. Orpheus travels to the underworld to bring her back to life after her untimely death.

Children

Musaeus of Athens is thought to be Orpheus’ son.

Orpheus’ Lineage – Divine Heritage

There are a couple of different lines of parentage for Orpheus that are given.

In one, he is the son of the god Apollo and the muse Calliope.

In the second, he is the son of a mortal king, Oeagrus and again, the muse Calliope.

Depending on the lineage one goes with, Orpheus is either a minor god or demigod.

The ancient writer, Strabo wrote of Orpheus as a mere mortal who lived in a village near Mount Olympus. According to Strabo, Orpheus would have made his living as a wizard, likely the charlatan, street performer kind and musician.

Pimpleia, Pieria

For those interested, this city in ancient Greek and likely located where the modern village of Agia Paraskevi close to Litochoron, is reputed to be the birthplace of Orpheus. Dion and Mount Olympus also nearby to Pimpleia. There are several springs and memorials dedicated to Orpheus and the Orphic Cults. Even the Cults of the Muses were honored and known by the epithet of Pimpleids.

Early Literature & History

The ancient Greeks, except for Aristotle, seem to have accepted Orpheus as a historical personage. Neither Homer or Hesiod mention him in any of their writings. Pindar makes note of Orpheus, calling him “the father of songs” and that he is the son of the Thracian king Oeagrus and the Muse Calliope. The earliest reference to Orpheus is found in the fragments of a poem by the 6th century B.C.E. poet Ibycus. In this fragment, Orpheus is called onomaklyton Orphēn or “Orpheus famous-of-name.”

Orphism – The Orphic Mysteries

Orpheus is considered by the Greeks to be the founder of the Orphic Mysteries. He is often credited as being the composer for the Orphic Hymns, of which, only two have survived to the present day of this body of literature and hymns. Some 87 hymns have been attributed to Orpheus for the god Dionysus and sung for the Orphic and Bacchus Mystery cults. The composer, Onomacritus is likely to have written many of the early Orphic hymns.

Orphism was at its height during the 6th century B.C.E. in ancient Greece. Shrines dedicated to Orpheus reportedly containing relics of his have been regarded as Oracles. In the sanctuary of the Eleusinian Demeter in Taygetus, there was a wooden statue of Orpheus.

Orphic – The word orphic derives from Orpheus’ name and has come to have the definition of mystic, fascinating and entrancing. With the connection to the Oracle of Orpheus, the word orphic can also refer to or mean oracular. As a seer and auger, Orpheus also practiced astrology and founded cults for Apollo and Dionysus.

Orphikos – Or the “Orphic Way of Life.” Plato makes mention of a class of vagrant beggar-priests who would offer purification rites for the wealthy and have a collection of books attributed to Orpheus and Musaeus. The most devoted to the Orphic rites would frequently practice vegetarianism, refusing to eat eggs and beans as well as practicing celibacy.

Orphic Ritual & Eschatology – It’s thought that this ritual involved a symbolic or actual dismemberment of an individual who represented the god Dionysus reborn. There was a lot of Orphic eschatology doctrine centered around the rewards and punishment for the soul once the body died and being free to pursue their true purpose or life.

Wine – Wine was an important element of the Orphic religion, used in their sacrament for a sacred intoxication they believed would bring them closer to god and as a means of gaining mystic knowledge. This concept was introduced to the Greeks by Pythagoras, who was viewed as a reformer to the Orphic Mysteries that succeeded the Dionysus Mysteries. It’s easy to see or assume this concept of wine in religious sacraments makes its way into other religious practices.

Gifts Of Orpheus

Other gifts that Orpheus is thought to have given to his fellow humans is that of medicine, though that is credited as more having been Aesculapius or Apollo. Writing, often more the purview and invention of Cadmus. Lastly, agriculture, though with this role, Orpheus takes on the Eleusinian role of Triptolemus who gives Demeter’s knowledge of agriculture to humans. The ancient writers Aristophanes and Horace go so far as to state that Orpheus even taught cannibals to live on eating fruit. According to Horace, Orpheus is the one who brings order and civilization to otherwise lawless and savage people.

Other Cults And Religious Worship

Orpheus is credited with establishing the worship of different deities in other places throughout ancient Greece.

Hecate – in Aegina.

Demeter Chthonia – in Laconia

Kores Sōteiras – also in Laconia as a savior maid

Orpheus & His Lyre

While Orpheus was living with his mother Calliope and her other sisters, the muses in Parnassus, the youth met the god Apollo who was courting the muse Thalia at the time. In his role as the god of music, Apollo gave Orpheus a golden lyre and taught him how to play. Calliope, as Orpheus’ mother, taught him how to compose songs and lyrics.

A minor note though is that while Hermes is the one who invented the lyre, Orpheus is who perfected the art of music with it.

Jason and the Argonauts

In the stories of Jason and the Argonauts, Orpheus is but one of many companions who journeyed with Jason.

In his quest for the Golden Fleece, Jason had been advised by Chiron in a prophesy that he would need the famed musician Orpheus.

Feeding The Crew – Armed only with his golden lyre, Orpheus aided and helped feed the crew of the Argos by charming fish from the sea with his music.

Calming The Storm – In one episode, a storm rolled in and Orpheus played his lyre, thereby, immediately calming the seas and ending the storm.

Siren Call – This the most famous episode in the tale of Jason and the Argonauts that Orpheus is known for. When the Argonauts encountered the Sirens, Orpheus pulled out his lyre and played his music much louder than the Sirens, drowning out their voices so that the crew could bypass the danger. One account has the Sirens changing into rocks.

However, one Argonaut, Boutes is mentioned as still being affected by the Sirens’ call and leaps overboard when the Argo started sailing further away. Lucky for Boutes, the goddess Aphrodite saved him and took him to Cape Lilybaeum.

These are the same Sirens that Odysseus encounters in Homer’s epic of the Odyssey. The Sirens lived on a series of three small, rocky islands known as the Sirenum scopuli. The voices of the Sirens, when they sang or called out would cause sailors to leap to their deaths into the sea and crashing their boats on the rocks to sink beneath the waves.

Unrequited Love – The 3rd century B.C.E. poet Phanocles, wrote of Orpheus being in love with Calais, the son of Boreas, the god of the North Wind. The affection doesn’t seem to have been returned as Phanocles writes of how Orpheus would go to shady groves and sing of his unfulfilled desire and longing for Calais.

Pederasty – Since we’re on this subject of love, Ovid writes of how Orpheus eventually came to spurn the love of women due to his loss of Eurydice. Due to Orpheus fame and skill with music, many people still wanted his companionship and not just as friends either. Continuing with Ovid’s line of thought, Orpheus is to be counted as the first Thracian to engage in pederasty. Pederasty being the relationship between an older man and a younger man, often in his teens. Ancient Greek social customs say this relationship was consensual.

Orpheus & Eurydice

This is perhaps the most well-known of the stories surrounding Orpheus, the death of his wife Eurydice and Orpheus’ journey to the Underworld to try and bring her back.

There are a few different variations to how Eurydice died. Most versions agree that in one way or another, she had been bitten by a venomous snake.

When Orpheus met and fell in love Eurydice, like many couples, they decided to tie the knot and get married. Hymen, the god of marriage presided over the marriage to bless it. However, Hymen prophesied that this marriage would not last.

Sooner than anyone thought, the trouble would come. Shortly after their marriage, Eurydice went out walking in some tall grass. In one version of the story has Eurydice bitten while dancing to Orpheus’ music. In another version, a satyr jumped out and did as all satyrs do when confronted by a female, they chased after Eurydice. In her flight from the satyr, Eurydice fell into a viper’s nest where she was bitten on the heel.

Yet another version of the story, told by Virgil in his Georgics, has a man by the name of Aristaeus, a shepard chasing after Eurydice before she is bit by a viper. In Ovid’s retelling of the story, Eurydice’s death comes about by dancing with the Naiads on her wedding day. Aristaeus is also, incidentally Apollo’s son. So, potential half-brother that might have been invited to the wedding and lusting after his brother’s wife.

When her body was later discovered by Orpheus; in his overwhelming grief, he played a rather sorrowful tune. This music caused all of the nymphs and gods to grieve for Orpheus’ loss. Virgil describes Dryads as weeping from Epirus and Hebrus and as far as the land of Getae. Orpheus is further described as having wandered to Hypberborea and Tanais in his grief for Eurydice’s loss.

Moved by Orpheus’ laments, the gods and nymphs advised the great musician to go into the Underworld to bring back Eurydice. Sometimes it is just the god Apollo who advises Orpheus to make the descent. Eventually Orpheus descends into the Underworld to bringing his wife back to life. Using his famous lyre, Orpheus succeeded in charming Charon, the ferryman for the river Styx, the three-headed dog Cerberus, and both Hades and Persephone. They agreed to a bargain, that Orpheus could lead Eurydice back up to the lands of the living. However, there was one condition for this and that was that Orpheus could not look back at Eurydice until they had reached the surface.

Tragically, just before they reached the surface, Orpheus’ anxiety and love for Eurydice overwhelmed him, that he looked back at his wife. This caused Eurydice to be pulled back down to the lands of the dead, this time for good.

Ancient Views –

Interestingly, Orpheus’ visit to the Underworld is sometimes viewed in a negative light. Some, like Plato, speaking through the voice of Phaedrus in his Symposium, say that Hades never intended for Eurydice to return to the lands of the living and had presented Orpheus with an illusion or apparition of his deceased wife. Plato saw Orpheus as a coward, who instead of choosing to die and be with the one he loved, decided to defy the gods and the natural order by going to Hades and bringing his dead wife back. By Plato’s argument, Orpheus’ love wasn’t true as he did not want to die for love, so the gods’ punishment is that Orpheus would have only the illusion of getting his wife back and would than later be killed by women, the Maenads.

Late Addition?

It has been suggested that the story of Orpheus and Eurydice might be a later addition to the Orpheus myths. One example put forward is that of the name Eurudike, meaning “she whose justice extends widely” is very probably one of Persephone’s titles.

Don’t Look Back!

This mythical theme of not looking back is a stable of many stories. It is famously known in the biblical story of Lot’s wife looking when his family fled the destruction of Sodom. Other stories are those of the hero Jason’s raising up the chthonic Brimo Hekate with Medea, Adonis’ time in the Underworld and that of Persephone’s capture by the god Hades. Even in general folklore, there is the one simple task the hero is to do to win the prize and yet, they still manage to fail, thus upsetting the gods, fay or other supernatural being.

Orpheus’ Death

Distraught with the loss of his wife a second time, Orpheus fell into solitude, spurning the companionship of others and even disdaining the worship of the Greek Gods. In Ovid’s telling of Orpheus and Eurydice, Orpheus went mad in his failure to bring back his wife.

An Affront To Bacchus/Dionysus

In the version of this account by Aeschylus, in his play the Bassarids, Orpheus worshiped only the sun, Apollo. One morning, when Orpheus went to the Oracle of Dionysus located near Mount Pangaion to do his morning respects to the sun, he ended up getting torn to pieces by the Maenads for failing to give proper respect to Dionysus whom he had previously been devoted to. Eventually Orpheus was buried in Pieria. The Greek writer Pausanias says that Orpheus was killed and buried in Dion. Per Pausanias, the river Helicon is to have sunk underground when the Maenads who killed Orpheus went to wash the blood off their hands.

Where it’s the god Bacchus who is mentioned, Orpheus had once been a devotee to the Bacchus’ Mysteries. So this version of the story has Bacchus punishing the Maenads for Orpheus’ death by turning them all into trees. This version of the story is disputed as whey would Bacchus punish his own followers even if Orpheus had once been a follower himself. Though an argument comes that Bacchus allows the death for Orpheus when the musician abandoned Bacchus’ Mystery Cult.

A slight variation to all of this as recounted by Dürer in his Death of Orpheus, the Ciconian women, when they set about to kill Orpheus, first did so by throwing sticks and stones at him. Due to Orpheus’ skill with music, the very stones of the earth and sticks wouldn’t hit him. It is then, that these enraged women tore Orpheus apart with their bare hands in a fit of Bacchae madness.

Orpheus’ head and lyre would eventually find their way to the shores of Lesbos where the local people buried his head and built a shrine near Antissa to honor him. Orpheus’ head would offer up prophesies. When this oracle began to become more famous than Apollo’s Delphi Oracle, the god silenced the Antissa oracle.

Sometimes the Muses are credited with having taken Orpheus’ body for burial, first in Leibethra before the river Sys flooded and eventually to Dion. It’s expected that Orpheus’ shade does return to the Underworld to be reunited with his love. In Edith Hamilton’s Mythology, Orpheus’ limbs are entombed at the base of Mount Olympus where nightingales to this day, “sing more sweetly than anywhere else.”

As to the lyre, the Muses would come claim it and place it up into the heavens to become the constellation Lyra.

Instead of being killed by a group of women, Orpheus is said to have committed suicide in his inability to bring back Eurydice, after a failed trip to the oracle found in Thesprotia. This suicide is seen as Orpheus playing his lyre, calling for the wild animals to come tear him apart. Another story says that Zeus struck Orpheus with lightning as punishment for revealing the secrets of the gods to mortal men.

 Analogies To Other Greek Figures Of Myth

The story of Orpheus’ death at the hands of the Maenads has similarities with other figures of Greek myths and legends.

Dionysus – In terms of the Orphic Mystery Cult, the death of Orpheus seems to parallel the story of Dionysus’ death and their decent into the Underworld of Hades.

Pentheus – A former king of Thebes who was also torn apart by the Maenads. His story is mainly found and best retold by Euripides in his The Bacchae.

Cygnus Constellation

After Orpheus was murdered by either the Ciconian group or Thracian Maenads, he was turned into a swan and placed up into the heavens to become the constellation Cygnus next to his lyre, the constellation Lyra.

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Zmeu

ZmeuOther names: smeu, zmei (plural) and zmeoaică or zmeoaice (feminine)

Etymology – Dragon, Snake or Serpent

The Zmeu is a draconic being found in Romanian folklore and is often compared to other supernatural creatures such as the balaur, a type of dragon and the vârcolac, a werewolf. Due to the similarity of names, the Zmeu resembles the Slavic dragons, Zmej in their ability to fly and breathe fire.

Unlike other dragons, the Zmeu is often described as having anthropomorphic features as it is very human-like having arms and legs and is able to use or create human-like tools. It is also anthropomorphized due to the Zmeu’s desire to marry human maidens.

Dacian Etymology, Origins & Disputes

The biggest problem with trying to prove a connection to the Dacian-Thracian languages is due to a lack of written language from them and only a handful of words are known for certain. And it gets argued that Zmeu is not of Dacian origins. Instead, the word “Zmei” or “Zmeu” is of Russian, Bulgarian and Serbian origins. In all of these languages, “Zmei” means “snake.” The argument further continues that “Zmei” is of Slavic origin and comes from the Slavic word for earth, “Zemia.” The Proto-Slavic root is “zm” or “zum” So Zmei means a snake or an animal that lives close to the ground or earth, “Zemia.”

Paliga – The linguist, Sorin Paliga, believes that the word Zmeu and the very similar Slavic word Zmey may have come from the Dacian language. He even tries extensively to connect the word to the Romanian word for Earth and Subterranean features. Since then, Paliga’s idea have become contested and disputed.

English – Not really a linguist connection other than how the word translates. The name Zmeu is sometimes translated to refer to a type of ogre or giant due to the Zmeu’s tendency to kidnap a young maiden to be his wife in an otherworldly realm.

Romanian – Another source for the etymology of Zmeu is suggesting a relation to the Romanian word zmeura, meaning “raspberry.” It has been suggested that this may indicate a double meaning for the name Zmeu and is indicator of its true nature and color as a red colored dragon. Additionally, the name Zmeu also refers to a children’s kite. The folklore for Zmeu is also very similar to folklore found in Bulgaria.

Folklore And Legend

In many of the Romanian and Bulgarian stories, the Zmeu is a fierce being known for its cunning, intelligence and dangerous, destructive levels of greed and selfishness. Some of the stories told about the Zmeu, they appear in the sky like a dragon, flying and breathing out a gout of fire. Other stories make mention of the Zmeu having a magical gemstone in its head that shines as brightly as the sun. Aside from its tremendous supernatural strength, the Zmeu is also capable of great feats of magic that can allow it to steal the sun and moon from the sky.

The stories also go on to tell how the Zmeu can shapeshift into human form or as various, different animals. The Zmeu’s natural form is that of a dragon, specifically an anthropomorphized dragon man.

Like many dragons in European folklore, the Zmeu is particularly fond of beautiful young maidens, whom it kidnaps and carries way to its otherworldly realm. And also like in much of European folklore, the maiden is often rescued by a brave prince or knight-errant who manages to defeat the Zmeu.

Many Romanian stories depict the Zmeu as the destructive forces of greed and selfishness incarnated. The Zmeu will steal something of immense value that only the Romanian “Fat-Frumos” or “Prince Charming,” a literal translation is “handsome youth” who will be the only one who that can retrieve this valuable object back through his acts of great, selfless bravery. Often times, the Zmeu lives in an otherworldly realm, Celalalt Tarâm where Fat-Frumos must travel to in order to battle with the Zmeu. With descriptions of the Zmeu’s lair being dark, its often thought to imply that the Zmeu lives underground.

Ballad Of The Knight Greuceanu – In this story, the Zmeu steals the sun and moon from the sky and thus envelopes all of the earth and humankind under a cloak of darkness.

Prâslea The Brave And The Golden Apples – In this story, the Zmeu robs a king of his golden apples. This story that has been remarked to bear similarities to the German Fairy Tale of “The Golden Bird,” the Russian story of “Tsarevitch Ivan, The Fire Bird And The Gray Wolf” and the Bulgarian folktale of “The Nine Peahens And The Golden Apples.” In the later stories, the thief is a bird, though in some retellings of the Romanian tale, the Zmeu transforms into a bird in order to steal the apples.

Moldavian Vampire!?!

In Moldavia, the Zmeu is a vampiric or Incubus type figure. It will take the form of a flame and enter the room of a young woman or widow. Once in the room, the flame then becomes a man who seduces the woman.

Tartalo

TartaloOther names: Alarabi, Tartaro

There’s a lot of ancient Basque mythology that didn’t survive the arrival of Christianity between the 4th and 12th centuries C.E. Most of what is known and has survived is from the study of place names and the scant historical references of pagan rituals practiced by the Basques.

In Basque mythology, Tartalo is a giant, cyclops being much like the one-eyed giants of Greco-Roman mythology. In Biscay, he is known as Alarabi. Depending on the story of Tartalo being told, he may be described as being a hunter or a shepherd who lives up in the mountains. Sometimes he is described as a monstrous animal or spirit.

Like many giants, Tartalo is known for being incredibly strong and fearsome. He makes his home in the mountain caves where he will catch young people in order to eat them. Aside from humans, Tartalo will also eat sheep.

The Greek Connection

There is speculation that the name Tartalo may be related to the Greek name for the underworld of Tartaros. Which could make sense as caves in many folklore and legends around the world are entry ways to the underworld and Tartalo is known for living in them. There’s also a chance that it is coincidence for the similarity of the Basque and Greek words without any actual linguistic connection.

Tartalo’s Story

One of the stories related to Tartalo seems to be inspired by and come from the Odyssey. Further, Wentworth Webster seems to feel there is an element of Celtic themes in the stories of Tartalo, as seen in a talking ring he will offer his victims. In many of the stories, Tartalo is often beaten by being outwitted and trickery.

In one legend, two brothers were out hunting up in the moutains when a storm rolled in. They decided to take shelter in a cave in order to wait out the rain. Unknown to the brothers, this particular cave belong Tartalo.

Shortly after, Tartalo returned with his flock of sheep, also seeking to get out of the rain and storm. On seeing the two brothers Tartalo called out: “Bat gaurko eta bestea biharko!” Which translates into English as: “One for today and the other for tomorrow!”

Tartalo proceeded to roll a huge stone in front of the cave in order to trap the brothers. The night, Tartalo took the eldest brother and skewered him on a spit to roast over his fire before eating him. His grisly meal done, Tartalo went to sleep.

If you ask me, in both versions of the story, this is where Tartalo made a mistake. He should have caged the younger brother or tied him up. But, even if he had done so, there would still be a portion of the story where the younger brother manages to escape his bonds.

While Tartalo is sleeping, the youngest brother steals Tartalos’ ring and then proceeds to take the roasting spit and jams it into Tartalo’s eye, blinding him. Screaming and in a rage, Tartalo starts flailing about, searching for the boy.

The youngest brother hid himself among Tartalo’s sheep and used a sheep skin to make it more effective. Either way, hiding from Tartalo now wasn’t hard to do with the now blinded giant.

Morning finally arrives and Tartalo decides to remove the huge stone from his cave entrance. He has the idea that as he would call his sheep out for the day, that’s when he would catch the younger brother. Tartalo stood at the entrance of the cave, his legs spread apart, making it so that the only way out from the cave was underneath him.

Variation Including Tartalo’s Ring

The younger brother was still wearing the sheep skin and knelt down to all fours, hoping to still elude the giant. The plan worked, that is until, in the versions of the story where the ring is involved, it started calling out: “Hemen nago, hemen nago!” The English translation of this phrase being: “Here I am, here I am!”

Hearing the ring, Tartalo took off in hot pursuit of the younger brother. The younger brother found he was unable to take off the ring once he had it on to escape the giant. When he got to the edge of a cliff, there in desperation, he cut off his own finger and threw it over the edge of the cliff. Still chasing after the sound of his ring, Tartalo fell off the cliff to his death.

Variation Without Tartalo’s Ring

As mentioned before, the younger brother was still wearing the sheep skin and knelt down to all fours, hoping to still elude the giant. The plan worked until Tartalo realized the younger brother was getting away. The giant chased after him, following the sound of the younger brother’s footsteps.

The younger brother came to a Well where he proceeded to leap in and swim to his safety. Tartalo on the other hand, could not swim and he ended up drowning when he tried to follow the younger brother in.

Hathor

Hathor
Pronunciation: hăth`ôr

Etymology: “House of Horus (the Elder)”

Hathor is a Pre-Dynastic goddess who was very well known and like many of the Egyptian deities, she is still known by many in modern times. Hathor’s name may be a reference to her domain as a sky goddess and being the Celestial Cow and where too, the god Horus held his domain as well. Where Horus represented the living king, Hathor represented the living queen.

Other Names and Epithets: Athor, Athyr, Hat-Her, Hethert, Het-Hert (House or Womb Above), Het-Heru, Hwt-Hert, Hethara, Hetheru

Hathor is a goddess who is known by many titles. The first of her titles is: “the Great One of Many Names”

An example of a good many of her names and more properly, titles are:

“Lady to the Limit”, “Lady of Heaven”, “The One Who Shines as Gold”, “The Gold that is Hathor”, “Lady of the West”, “Divine (or Celestial) Cow”, “Mistress of Heaven”, “Lady of Gold”, “Lady of Greenstone and Malachite”, “Lady of Lapis-Lazuli”, “Mistress of Life”, “the Great Wild Cow”, “the Golden One”, “the Mistress of Turquoise”, “Lady of Iunet” (Dendera), “Lady Of Denderah”, “Mistress of Qis”, “Lady of Punt”, “the Powerful One”, “Lady of the Southern Sycamore”, “Lady of the Turquoise”, “the Mistress of Turquoise”, “Mother of Mothers”, “The Celestial Nurse”, “Lady of Drunkenness”, “the Eye of Ra”, “Lady of Amenity”, “the Dweller in the Great Land”, “Lady of Ta-Tchesert”, “the Dweller in his breast”, “Lady of the Vulva”, “the Beautiful Face in the Boat of Millions of Years”, “the Seat of Peace of the doer of truth”, “Dweller in the Boat of the favored ones”, “Lady of Stars”, “Sovereign of Stars”, “Hand of God”, “Great Menat”, “Mistress of the Desert”, “Sovereign of Imaau”, “Queen of Heaven”, “Mistress of Heaven”, “the Gentle Cow of Heaven”, “Lady of the House of Jubilation”, “The One Who Fills the Sanctuary with Joy”
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Hathor’s roles have been many for the many millennia that she has been known and worshipped. Beyond being one of two of Egypt’s Cow Goddesses, Hathor has been known as a Sky Goddess, a Sun Goddess, a Moon Goddess, the Goddess of the East, and the Goddess of the West, Goddess of Moisture and Fertility, Agriculture, Motherhood, Goddess of the Cycle, Goddess of the Underworld, Mistress of the Necropolis, Goddess of the Dead, Goddess of Love and Beauty, Goddess of Music, Song, Dance, Drinking and Joy. She has been known as the patron Goddess of Women and Marriage.

Attributes

Animal: Cow, Cobra, Falcon, Hippopotamus, Lioness, Snake
Colors: Red, Turquoise
Element: Air
Festivals: Aug 7th (New Years), Sept 17th, Festival of Het Heret – November 2nd
Gemstones: Emerald, Malachite, Lapis-Lazuli, Turquoise
Metal: Copper
Month: Third Month by the Egyptian Calendar, Hethara (as the Greeks called it) or Athyr. From September 17th to October 16th. This was the month of Inundation when the Nile River would flood.
Patron of: Sun, Universe, Children, Mothers, Miners, Musicians, Pharaohs
Planet: Sun and Moon
Plant: Myrtle, Rose, Sycamore
Sphere of Influence: Arts, Astrology, Beauty; Children, Childbirth, Dance, Family, Femininity, Fertility, Flowers, Foreign Lands, Joy, Love, Mining, Moisture, Moon, Motherhood, Music, Prosperity, Pregnancy, Sexuality, Sky, Song
Symbols: Cow, Cosmetics, Horns-and-Sundisk Headdress, Menat (a type of ritual necklace possibly used for percussive music), Mirrors; Sandalwood and Rose Incense; Sistrum (a type of rattle), Papyrus Reed

Egyptian Depictions

Early depictions of this goddess show her as being a cow with a sun disk between her horns or as a woman wearing the horns-and-sun disk headdress that may or may not have a symbol known as the uraeus on it. Sometimes when Hathor is shown as a cow, she is covered in stars. When depicting Hathor’s role as a fertility goddess and her powers of procreation, she is shown suckling a child.

An early depiction of Hathor and identifying her as a cow is likely from what is known as the Narmer Palette. And it seems Hathor absorbed and took over many of the roles as a fertility goddess from another cow goddess, Bat.

Sometimes Hathor would be shown as a hippopotamus, a falcon, cobra, goose, cat, malachite, sycamore fig or even as a lioness. These forms aren’t as common to Hathor as her more familiar shape of a woman or a cow.

When Hathor is shown as a cow, she is seen having beautifully painted eyes and is frequently a red color, the color of passion. Hathor, along with the dwarf god Bes are the only known Egyptian gods shown in portrait rather than in profile.

The depictions showing Hathor as a woman with a cow’s head are more common of later periods. Also more common to later periods is Hathor being shown with a twin set of feathers and a menat necklace. A number of ancient mirrors and sistras have been found showing a smiling, nude Hathor on them over the years. Hathor’s image of a woman with cow ears is often found on the top of stone columns in Egyptian temples.

Primordial Goddess

An ancient Goddess and one of the main gods of Egypt, Hathor was worshipped for well over 3,000 years and during that time, she has taken on many personas and aspects. She is the Celestial Cow, the protector of women, the Queen of Egypt, a Goddess of Love, Children, Pregnancy, Dancing, Singing and Poetry.

Fluid Theology

The Egyptians were very fluid in their theology and how the gods were depicted. Different deities were known to merge for a specific reason or to emerge and split away, becoming their own entity. Given the thousands of years the Egyptian Dynasties lasted, its not surprising in many ways for the myths to be fluid and change with the times. It was no problem for the Egyptians who saw such myths as complimentary and not contradictory.

At different points in the continuing development of Egyptian mythology, Hathor has been equated and associated with a good many other Goddesses who are sometimes, if not often seen as just being different aspects of the same Goddess. Hathor has also been shown to be the mother, daughter and wife of Ra and to have later seen many of her roles taken over by Isis who becomes the mother of Horus.

Some of the Goddesses are: Sekhmet, Bastet, Beb and Isis.

Bastet – As the goddess Bastet, Hathor is seen to be more gentle and loving. Particularly when compared to the more harsher image of Sekhmet. Where Bast represented Lower Egypt, Hathor represented Upper Egypt.

Bat – Another primordial, pre-Dynastic cow goddess of fertility. Hathor seems to have absorbed the aspects and roles that this Goddess once held. Bat has also been linked to the Ba, an aspect of the soul and Hathor seems to have gained her associations as a Death Goddess from this connection. The sistrum, a rattle that was once a symbol of Bat also became one of Hathor’s symbols.

Hesat – She was seen as a manifestation of Hathor in earthly form. Like Hathor, Hesat is also regarded as the wife of Ra. As an earthly cow-goddess, milk was said to be the beer of Hesat and part of her link to Hathor. Hesat was also known as the wet-nurse to the gods.

Isis – In the later periods of Egyptian religion, most of Hathor’s roles and aspect have been picked up and taken over by the goddess Isis. As Isis, some two thousand years after Hathor’s first appearances, now has Hathor’s headdress and sistrum symbol. There can often be confusion as to which goddess is meant to be shown. The difference though is that when Isis is shown with horns, she is also wearing the vulture headdress that is typical of another goddess Mut or she is wearing a multi-colored feathered dress.

Mehet-Weret – Her name means “Great Flood.” She seems to be another primordial cow goddess like Hathor and Bat. Hathor absorbed many of her myths, particularly from the creation story of being the mother of Ra, carrying him between her horns.

Nebethetepet – Her name means “Mistress of the Offering.” She was a manifestation of Hathor at Heliopolis where she was associated with the Sun-God Atum.

Saosis – A goddess who is often identified with Hathor. Her symbol was the acacia tree in which death and life were enclosed.

Sekhmet – A rather dark and fierce goddess of justice. This is a harsher side of Hathor that is usually tempered by the gentler image of Bastet.

Tefnut – A primal lioness goddess, she and Hathor share a similar story where they become estranged from Ra and wander off towards Nubia.

Theological Takeover!

As previously mentioned with the goddess Isis, some two thousand years after Hathor’s first appearances, the goddess Isis began to appear and to assume many of the roles and functions that Hathor once held. Where Hathor was once considered the mother of Horus, Isis took over this role along with being the mother of the Pharaohs.

Greek & Roman Connection!

It wasn’t uncommon for the Greeks and Romans to equate many of their deities with those of other cultures. The Romans especially did it to any that they conquered. In the case of Egypt and their gods, Hathor in her role as a goddess of love is synonymous with the Greek Aphrodite, the Roman Venus.

Cults Of Hathor

Being an ancient, primordial deity, Hathor was worshipped in a good many Egyptian cities. Hathor was a patron of the cities of Iunet and Itjtawy. Temples could be found for her every where. The earliest temples and images for Hathor have been found drawn on rocks near Naqada and the Girez settlement. Both of these sites are located in the southern part of Upper Egypt and date back to the Predynastic era of about 4,000 B.C.E. Give or take a few years, this places Hathor around 6,000 years old.

Hathor’s cult thrived in Ta-Netjer (“Land of God”), modern day Dendera in Upper Egypt. Here she was worshipped as “Mistress of Dendra.” Dendra was also Hathor’s main temple, also known as the “Place of Intoxication.” So popular was Hathor’s worship that at one point her Dendera temple had as many as sixty-one priestesses. Hathor’s priests were both men and women, many of whom were capable dancers, musicians and singers. Priests of Hathor were also known for being oracles and midwives. It wasn’t unusual for people to go to her temples to have their dreams interpreted. The temple at Dendera along with the Temple of Deir el-Bahri clearly shows an indication of Hathor as a Sun Goddess. The temple of Dendera was also where Hathor’s cult was primarily found.

In the temple of Nefertari, found in Abu Simbel, Queen Nefertari is frequently shown as the goddess Hathor in many places. And Ramses II is shown in one sanctuary receiving milk from Hathor in her cow form. Not surprising as many of the Pharaohs of Ancient Egypt saw themselves as living gods.

Other temple sites dedicated to Hathor have been found in Deir el-Medina, West Bank, Luxor, another at Philae Island, Aswan, Timna valley, Israel, Inerty (Gebelein), Iunet (Dendera), Qis (Qusiya), Tpyhwt (Atfih), Mennefer (Hikuptah, Memphis) and Iunu (On/Heliopolis). As Hathor-Sekhmet, she was the main goddess of Yamu (Kom el-Hisn).

Canaan

Hathor had been worshipped in this land during the eleventh century B.C.E. as at this time, it was under Egyptian rule. Her holy city of Hazor or Tel Hazor was destroyed by Joshua as mentioned in the Jewish Torah or Christian’s Old Testament in Joshua 11:13, 21.

Other Lands

There were a good many places where Hathor was worshiped, not just Egypt and Nubia. Her worshippers could be found throughout all of Semitic West Asia, Ethiopia, Somalia and Libya, especially in the city of Byblos.

Narmer Palette

One thought for why Hathor’s worship is so widespread, even during the Predynastic Era is that she appears on the Narmer palette. Many scholars have put forward that idea that the goddess depicted isn’t Hathor, but another cow goddess named Bat or even possibly Narmer themselves.

The Five Gifts of Hathor – Initiation Into Hathor’s Cult

For those wishing entrance into Hathor’s cult, they would under go a ritual of initiation. This initiation ritual was known as “The Five Gifts of Hathor.” An initiate would be asked to name off the five things they were grateful for while looking at the digits of their left hand.

The idea is that the poor of Egypt who didn’t own their own lands, but would work for others in their fields would always be able to see their left hand while working. It was always visible to them as they reached out for the strands of grain to harvest and then cut the sheaths with the blade being held in their right hand.

With the naming of the five things a person was grateful for and identifying them with the fingers of their left hand, a person was always reminded of the good things in life and kept them the sins of ingratitude. Ingratitude was a sin that Egypts viewed as leading towards many others.

For the rich and more prosperous of Egypt, the Five Gifts were a way to keep them from envying others and what they had so that they could stay humble before the gods.

Parentage and Family

Parents

Hathor is said to be the daughter of the goddess Nut and the god Ra (or Re).

Given how fluid Egyptian mythology can be and the varying, ever changing roles that the gods played over the millennia and as one dynasty gave way to another, there are some accounts where Hathor is the Mother of Ra. Another account will place her as the Daughter of Ra.

This seems better understood when taking note of another primordial cow goddess, Mht wr who was the mother of Ra. Hathor took over her role and place in the creation story. Another explanation has been given that when Hathor is seen as the Daughter of Ra, it is when she is seen as part of the greater whole of the stars of heaven. The stars were known as the “Children of Ra.”

Consorts

It’s thought that in Pre-Dynastic times and certainly Early Dynastic Egypt, Hathor was the consort to the “Bull of Amenti,” who had originally been the deity of the Necropolis.

In Hermopolis, Thoth is considered the husband of Hathor, with him; she is the mother to Ra-Horakhty, one of many composite deities in Egypti. This could be due to Hathor at one point absorbing the role and aspects of Seshat, the goddess of Reading, Writing, Arithmetic and Architecture who is also Thoth’s wife.

When the gods Ra and Amun merged in Egyptian mythology, Hathor becomes seen as the wife of the god Sobek, an aspect of Amen-Ra.

Hathor is more famously known to be the wife of Horus the Elder.

Siblings

The siblings of Hathor are considered to be: Sekhmet, Bast, Ptah, Shu, Tefnut, Thoth and Serqet

Children

With Horus (the Elder), Hathor is the mother of Ihy (or Ahy), a falcon-headed god who like his mother, becomes a god of music and dancing. He is also shown as carrying a sistrum as well.

Some slight confusion is another child of Hathor and Horus (the Elder) in his aspect as Horus- Behdety is Harsomptus or Hor-sema-tawy (Horus Uniter of the Two Lands).

Sometimes, Ihy is listed as being one and the same as Hor-sema-tawy.

Other children of Hathor are: Imsety, Hapi, Duamutef and Qebehsenuef.

And with Hathor’s divine role as Mother of the Gods, she can claim all of the Egyptian gods as her children, including Ra who is both her father and son.

The Mother Of The Egyptian Pharaoh And Horus

The name Horus is a bit tricky as there is more than one god named Horus. This makes better sense when it is understood and known that Hathor was often considered the mother of the Egyptian pharaoh, who would stylize themselves as the “son of Hathor.”

Many of the Pharaohs would take on the name of Horus as an honorific at death. Plus the Egyptian Pharaohs also saw themselves as living gods who would become deified on death, reborn again when the next Pharaoh took the throne.

And what about the goddess Isis being the mother of Horus? It should be noted that yes, but this is Horus the Younger, a different Horus. There were a lot of deities named Horus, nearly as many as there were Pharaohs. Given that the Pharoahs of Egypt believed themselves to be a living god, that’s not surprising.

Mother Of Mothers And The Celestial Nurse

Hathor’s protection was invoked over children and pregnant women.

Seven Hathors!

In addition to the above information about Hathor’s role as a midwife and protector of children, anytime a child was born in Egypt, it was believed that seven Hathors would appear as seven young women wearing cow horns and playing tambourines. They spoke with one voice, determining a child’s fate in life even to the hour of his or her death, much like the European Fairy Godmother and the three Fates found in Greek, Roman and even Norse mythology.

The Seven Hathors held an extremely great power of being able to alter destinies. They could replace a prince should he have been born with bad fortune with a child who was born with good fortune. The Seven Hathors’ responsibility was to protect the Dynasty and Nation of Egypt. For it was believed among the Egyptians that a person’s destiny and fortune would follow them throughout their life with not ability to change it.

The Seven Hathors seem to be connected to divination and to be the questioners to those souls headed to the after life in the Land of the West.

As goddesses in their own right, the Hathors were worshipped in seven cities. These are: Waset (Thebes), Iunu (On, Heliopolis), Aphroditopolis, Sinai, Momemphis, Herakleopolis, and Keset.

Additionally, found both within the tomb of Nefertari and in the Book of the Dead, these seven Hathors had their own names as follows:

• Lady of the Universe
• Sky-Storm
• You from the Land of Silence
• You from Khemmis
• Red-Hair
• Bright Red
• Your name flourishes through Skill

Other alternatives names for the Seven Hathors have also been found on papyri. Some of these are:

• Lady of the House of Jubilation
• Mistress of the West
• Mistress of the East
• Ladies of the Sacred Land

During the Ptolemaic Period, when Egypt fell under Greek rule, the Seven Hathors became identified with the Pleiades star cluster.

Hand Of God – The Sistrum

Music was very important in the worship of Hathor who is sometimes shown carrying a sistrum, a type of rattle. This was an ancient musical instrument played by her priests and priestesses. The sistrum often had the face of Hathor on the handle at the joining part. There is thought to be sexual overtones connected with this instrument, particularly for fertility. Hathor’s titles of “Hand of God” and “Lady of the Vulva” seem to be connections to the design of the sistrum and her role in fertility.

Great Menat

The menat is another musical instrument sacred to Hathor. At first glance it looks like a necklace with a special counterweight. This counterweight piece is thought to be similar to fertility dolls found in ancient tombs which in this respect, represented wombs. The menat as an instrument would be held in the hands and rattled to make noise.

Both the Menat and Sistrum connect Hathor as a Goddess of Song and Dance. The ancient Egyptians believed that it is Hathor who first taught mankind how to sing and dance using her sacred instruments. The menat is also important as a symbol of rebirth.

There is a hymn to Hathor that goes:

“Thou art the Mistress of Jubilation, the Queen of the Dance, the Mistress of Music, the Queen of the Harp Playing, the Lady of the Choral Dance, the Queen of Wreath Weaving, the Mistress of Inebriety Without End.”

The Goddess Of Joy

Hathor was very popular among the ancient Egyptians. She was greatly revered by women in her role as wife, mother and lover. This led to a couple of Hathor’s titles as “Lady of the House of Jubilation” and “The One Who Fills the Sanctuary with Joy.”

Such was Hathor’s popularity that there were a lot more festivals dedicated in her honor than any other Egyptian god. Plus a good many children were named after Hathor than any other god. As previously mentioned, both women and men could be priestess of Hathor and not one gender or the other.

The Goddess Of Beauty

In addition to being a goddess of Love and Joy, Hathor was also the goddess of beauty and a patron of the cosmetic arts. As has been previously mentioned, many ancient mirrors showing a smiling, nude Hathor have been found over the years. In addition to Hathor’s image on mirrors, her likeness has been found too on cosmetic palettes. A traditional votive offering was two mirrors.

It must be remembered and noted that this did not mean or make Hathor vain and shallow. This beauty was a mark of Hathor’s own confidence.

Hathor was also closely connected to the fragrance of myrrh incense, which has a long history of being very precious and in ancient Egypt, it embodied all of the finer qualities of a woman. The Egyptians also used ground malachite in their eye makeup which they believed to have a protective property against eye infections.

Hathor’s Mirror

It must be noted that ancient Egyptian mirrors were made of flat oval copper or bronze that has been polished with a wooden or possibly bone handle. This handle was often enough shaped into the form of the goddess Hathor. It is thought the shape of the mirror represents the Sun Disc symbol of Hathor’s.

Goddess of Moisture And Fertility

Aside from Motherhood and Children, Hathor also ensured the fertility of the land and enough water or moisture from the annual flooding of the Nile for Farmers to grow their crops. In addition to this, Hathor represented the erotic aspects of femininity and procreation. As a fertility goddess, Hathor represents the creative abilities found in all of nature.

As a Vegetation or Fertility Goddess, Hathor was seen as both a giver and taker of life. When spring arrived, the land became fertile, only be destroyed later by the harsh summer sun as the seasons changed.

Hathor’s connection to the annual flooding of the Nile River was also connected to women’s pregnancies with the breaking of the amniotic sac and that she would be about ready to go into labor soon.

Lady Of Greenstone And Malachite – Goddess of Mines

Along with the titles “Lady of Lapis-Lazuli” and “the Mistress of Turquoise”, Hathor represented the very edges of the desert where mines for these gemstones were found at.

There is a major temple site found in Edomite Seir, Timna for Hathor where copper was mined. This temple was constructed by Seti II. Other mining places are Serabit el-Khadim found on the south-west Sinai Peninsula where a lot of turquoise was mined. Archaeologists have uncovered the remains of mining camps and a Temple of Hathor in this place.

Lady Of The West

In Thebes, Hathor was seen as the Goddess of the Dead with her title of “Lady of the West.” This title is associated with the sun god Ra and his descent into the Underworld when the sun sets on the western horizon.

Hathor’s image is sometimes found on funerary scenes where she is shown standing behind Osiris, welcoming the dead to their new home. Hathor’s image has also been depicted as a cow suckling the souls of the dead. It is thought that Hathor did this so souls could survive while their bodies were being mummified and make their journey to the Judgment Hall where their hearts would be weighed. Hathor could also be depicted in her cow form surround by tall papyrus reeds. In these images, she would be shown wearing a menat necklace, symbolizing rebirth.

Hathor’s image often appears on sarcophagi with Nut. Hathor appears on the tops of lids and Nut will be found under a lid.

In the cult of Osiris, the morally worthy were promised eternal life. At first, both men and women would become Osiris. By the time of the early Romans, women were identified with Hathor and men with Osiris.

Lady Of The Southern Sycamore

Continuing Hathor’s connection as a Goddess of the Dead, the sycamore tree was sacred to Hathor as she would give water to the dead from the branches of this tree and offer them food. The Sycamore was important as trees were not a common site in ancient Egypt and the shade provided by trees offered much needed protection and relief from the heat of the sun.

Other myths have Amentet, a daughter of Hathor as being the one who handed out water to the dead under a Sycamore tree.

One myth has Hathor using milk from a Sycamore tree to restore Horus’ eyesight as he had been blinded by Set.

Lady Of Stars And Sovereign Of Stars

A celestial goddess, Hathor symbolizes not just the Sun, but the Moon and stars, the entirety of the heavens and creation.

As the divine, celestial cow, Hathor along with another goddess Nut, represented the Milky Way during the third millennium B.C.E. when the both the Autumn and Spring equinoxes appeared to occur at the same spot on the Earth as the sun rose or set. The four legs of Hathor represented the pillars holding up the heavens over the earth.

It must be noted, that the ancient Egyptians viewed the Milky Way as a waterway across the heavens that the sun and moon gods sailed upon each day. They called it The Nile in the Sky. As a result of this and the name mehturt, Hathor was seen as responsible for the annual flooding of the Nile. Other interpretations or later myths will place Wadjet, a snake god as presenting the Milky Way and The Nile in the Sky.

One star in particular, Sothis (Sirius in more modern times) is significant. Originally, the star Sirius rose on the first day of the first month, known as Thuthi and Hethera by Grecian times. This marked a day of celebration for Hathor’s birth by her followers. The Nile River flooded at this time, providing a rejuvenation and growing for Egyptian farmers. During the time of the ancient Greeks, Hathor became the goddess of Hethara, the third month of the Egyptian calendar. The star Sothis would later be associated with the goddess Sopdet.

The Eye Of Ra – The Destruction of Mankind

This story has been found engraved on one of the shrines in Tutankhamen’s tomb and in “The Book of the Heavenly Cow.”

In this story, Hathor, as the Eye of Ra, turns into Sakhmet. How this came about is that Hathor’s father Ra, having grown old, was beginning to fall out of worship. Angry about this, Ra speaks to his daughter who turns into Sakhment and goes out to punish humanity.

As Sakhmet, she was very efficient and nearly wiped out everyone. Realizing that if she continued with killing everyone, there would be none left at all to worship the gods, Ra decided that there has been enough killing and tells her to stop. Only now she can’t quit, Sekhmet’s become so full of bloodlust.

Seeking the guidance of the ever-wise Thoth, he and Ra get large vats or barrels of beer that has been dyed and colored red to look like blood. In some versions of the story, they flood the land with the blood-red beer and in others; Thoth has a hallucinogenic like poppies put into the beer.

Regardless of the final version told, Sekhmet on seeing all this beer drinks it up, getting so drunk, she forgets about her reason for coming to the earth, her great blood lust and forgets all about killing anyone. When Sekhmet returns to Ra, he embraces her and Sekhmet turns back into Hathor. This is the Hathor that everyone knows of as being sweet loving, gentle and nurturing.

Another version of the story has it that this is how Hathor turns into Bast.

Hathor-Sekhmet

As Hathor-Sekhmet, we see Hathor take on a dual role in her aspect as a Sun Goddess. When she is Hathor, she represents the gentle spring Sun. When she is Sekhmet, she becomes a lioness and represents the scorching heat of the summer Sun. It has been noted how in the Zodiac, Taurus the Bull has a fixed sign in Spring and Leo the Lion has a fixed sign in Summer.

The symbolic importance of this story is that of the changing of the seasons from Spring to Summer. As summer comes to its height, so too does the danger of wildfires destroying crops and homes. Sekhmet returns to once more being gentle Hathor with the cooler autumn weather.

The color red is often symbolic of life and rebirth. The red beer again symbolizes the rejuvenation and regeneration of the Earth after the hot Summer weather and turn towards Autumn weather.

The Feast of Hathor

To commemorate this myth, the ancient Egyptians celebrated a yearly festival that marked the beginning of Egypt’s rainy season known as the Season of Inundation (Flooding). This was a time of the year when the glaring heat of the sun was finally stopped by the much needed life-bringing rains. The Feast or Festival was known for wild partying with sistrum music, dancing, love making and lots of beer.

The partying makes sense when realizing that the rise of the star Sothis (Sirius) marked the annual flooding of the Nile River on the Egyptian calendar. This would coincide with the end of August for Western Culture.

The myth of the annual flooding of the Nile would be later associated with Osiris.

New Years Festivities

As we’re on the subject, another popular and religious festival was celebrated on August 7th, the Egyptian New Year. The New Years also marked Hathor’s birthday. Hathor’s image would be taken from the temple and brought out to the rising Sun for the day. The New Years was a day of enjoyment, song and intoxication.

The Destruction of Mankind – Historical Context

This story has a historical context for the founding of Egypt’s Middle Kingdom when the Upper Egyptian pharaoh, Mentuhotep II took control of Lower Egypt. Before this, Lower Egypt had enjoyed a period of independence. Mentuhotep II’s forced unification resulted in a fierce bloody war that lasted for some twenty eight years before ending and peace resumed, when Mentuhotep III came to power. So the story of The Destruction of Mankind does look to be an analogy to this brutal period of Egyptian history.

The Distant Goddess

In this story, Hathor became angry with her father Ra. Maybe she remembered the events in The Destruction of Mankind. Another version of this story doesn’t state why Hathor got angry, she just does and decides she might have the earth covered again in the ocean and maybe return to even older primordial form of a serpent. Anyhow, angry, Hathor took off and wandered about, away from Egypt down towards Nubia.

A great sadness fell upon the land and Ra, missing his Eye and unable to do anything without it, sets out to try and get her back. Hathor by this time has turned into a deadly wild cat, killing anyone who comes near her. A slight variation to this has it that with Hathor turned into a lion, chaos swept the land with everything drying up and that’s why everyone and thing is dying.

As no one else was willing to go near an enraged Hathor, the god Thoth agreed to give a shot. In disguise, he managed to coax an angry goddess back to Egypt through the use of stories.

Once back in Egypt, Hathor bathed in the Nile River, returning to her calmer demeanor. As a result of her bathing, the waters of the river turned red from her cooling rage. With Hathor’s bathing, the Nile river overflowed and flooded the land, giving life giving waters to a parched land so Farmers could have their growing season.

Yeah, don’t make Hathor angry, you wouldn’t like her when she’s angry.

In some versions of this story, it is the goddess Tefnut who storms off in a fit of anger leaving Egypt and it’s the god Shu, not Thoth who sets off to bring her back.

Another telling of this story is that it is both Shu and Thoth who set off after Hathor, changing into lions to try and coax their sister back.

The Contendings Of Horus And Seth

Hathor only has a small part in this story. Her father, Ra had fallen into a bout of depression and Hathor, like any child, wanting to cheer up a parent, finds a way to do so. Taking off her clothing, Hathor dances nude around Ra’s throne. She keeps at it until he finally sits up and smiles at her antics.

Ninshubur

Ninshubur
Etymology: Queen of the East

Also known as: Ninshubar, Nincubura, Nincubur or Ninšubur

In Sumerian mythology, Ninshubur is a messenger of the gods. She is also known as Inanna’s sukkal or second-in-command; a position of great importance as a high-ranking government administrator. It has been pointed out, in an essay written by Diane Wolkstein, “Interpretations of Inanna¹s Stories and Hymns,” that a sukkal often has powers and abilities far superior then those of their Liege or Master. Not only does the sukkal have their own power and abilities, but they often have that power and authority combined with power and authority of whomever they serve.

Ninshubur is a goddess herself, whose name means: “’Queen of the East.” While she is often described as a virgin, Ninshubur is also mentioned as one of Inanna’s lovers. Ninshubur is associated with the element of Air and the planet Mercury.

In later Akkadian myths, Ninshubur’s gender is changed to male. The “nin” in Ninshubur’s name has been translated to mean “female ruler.” Though, that doesn’t seem to have prevented Ninshubur’s gender from getting altered from female to male depending on whose doing the retelling or translations.

Inanna & Enki

Ninshubur is best known for accompanying Inanna on many of her exploits and adventures. Together they have fought Enki’s demons after Inanna stole the sacred me. The sacred me are the decrees of the gods essential for establishing society and civilizations, even technology.

Inanna went to her grandfather Enki, a sky-god who held the sacred mes. While visiting with him, Enki gives Inanna the me, which she accepts and proceeds to basically “drink him under the table” before she and Ninshubur take off with the mes.

When Enki wakes up, he wonders why it was he gave Inanna the mes and decides he’s going to get them back. By this time, Inanna and Ninshubur have already loaded up all the mes, we’re never told what they look like, but it is assumed the mes have a physical representation of some sort.

Enki sends a legion of varying and different demons after Inanna and Ninshubur to stop them and each time, Ninshubur defeats them, protecting the boat both physically and magically that she and Inanna are on while they return to Uruk (Sumer).

Once the two made it to Uruk, Enki relented in his efforts and gave his blessings to Inanna on having the sacred mes.

Inanna’s Decent Into The Underworld

Later on, Inanna makes a trip into the Underworld, leaving instructions with Ninshubur on what to do if she doesn’t return in three days time. When this time comes and goes, Ninshubur seeks the help of the other gods and keeps at it until she gets it.

Ninshubar starts first dressed in sack cloth like a beggar with a great weeping and howling, tearing her hair and clothing until everyone knows that Inanna is missing. Then Ninshubur proceeds to each of the houses of the gods, Enlil, Nanna, and Enki

Enlil and Nanna each told Ninshubur how Inanna sought the powers of heaven and earth and got them. If Inanna decided to go to the Underworld, she will have to face the consequences of her actions. For there are rules there and no one who ever goes there, ever returns and that Inanna will just have to stay where she is.

When Ninshubur approached Enki, to tell him of Inanna’s plight, he was troubled and decides to help his daughter. From under his fingernails, Enki pulled some dirt and created genderless creatures known as the kurgarra and the galatur. To the kurgarra, Enki gave them the food of life and to the galatur, he gave them the water of life.

That done, Enki then instructed the kurgarra and galatur to enter the Underworld like flies. Once there, they would find Ereshkigal, the Queen of the Underworld moaning like a woman in labor. He instructed them that when she cried out, that they were to echo her cries in sympathy.

Enki was sure that Ereshkigal would be pleased by the sympathy cries and reward the kurgarra and galatur. That when did offer a reward; they were to ask for the corpse of Inanna hanging on the wall. Once they had Inanna’s corpse, they were to sprinkle it with the food and water of life to bring her back.

Having received their orders, the kurgarra and galatur took off for the Underworld. There, they slipped in as flies at the cracks to the gates and found their way to Ereshkigal’s throne room.

There, they found Ereshkigal moaning as if the throes of labor pains and with nothing covering her. When Ereshkigal would cry out in pain of various aches, the kurgarra and galatur would cry in sympathy with her.

Hearing the echoing cries, Ereshkigal stopped and looked at the kurgarra and galatur, asking who they were and why they were crying with her. She offered a blessing and offered them the water-gift and then the grain-gift that the kurgarra and galatur declined in turn.

Finally Ereshkigal asked what they wanted and the kurgarra and galatur said that they desired the corpse hanging by a hook on the wall. Ereshkigal responded that the corpse was that of Inanna. They still responded that it was their wish, so Ereshkigal gave the kurgarra and galatur the corpse.

Now that they had it, the kurgarra sprinkled the food of life on the corpse and the galatur sprinkled the water of life in turn. When the food and water had been sprinkled, Inanna arose back to life. However, the Annuna, the judges of the Underworld came and told Inanna that: “No one ascends from the Underworld unmarked.” Another person would have to take Inanna’s place.

As Inanna left the Underworld, demons known as the Galla clung to her side. The Galla are demons who know no food or drink and accept no gifts. When they came upon Ninshubur, dressed in a dirty sackcloth, waiting outside the palace gates, the Galla were willing to take her in Inanna’s place.

Inanna knew of Ninshubur’s part in her rescue from the Underworld and would not let the Galla take her. They continued on to Uruk where Inanna found her husband Dumuzi sitting on the throne. Of everyone they had passed on their way, Dumuzi was the only one who had not mourned for Inanna nor was he ready to give up the throne back to his wife. On seeing him, Inanna told the Galla to: “Take him! Take Dumuzi away!”

With Dumuzi gone, Inanna reclaimed her rightful throne.

A Hymn To Nergal

In a translation of this hymn, Ninshubur is mentioned as a minister of the Underworld who greets Nergal when he arrives.

Astronomy & Astrological connection

The goddess Inanna is frequently associated with the planet Venus. Ninshubur herself is associated with the planet Mercury. From this standpoint, it makes sense that the two goddesses are associated with each other as their planetary counterparts often appear together within the night sky.

Pangenic Deities

The term Pangenic or Pangenesis comes from Charles Darwin’s Theory of Evolution with trying to explain the origins of life and species.

As it relates to the study of folklore and mythology, the term and idea of Pangenic or Pangenesis connections is problematic and still very pervasive as a lot of scholars and literature try to make connections with various stories and deities as there are often very similar motifs, concepts and ideas that are very universal.

The Romans of course, are famously known for equating many of their gods with the gods of other cultures, especially those they conquered. Nearly everyone knows of the Greek-Roman counterparts and connections such as Zeus and Jupiter or Ares and Mars. To a lesser known extant, the Romans connected their deities with those of the Egyptian, Norse and even Celtic deities.

The idea of Pangenic deities and myths still continue even today and is something of a disservice and in terms of mythology. When one ethnic group or religion moves into another area, the exiting myths will get overlapped and mixed together. Sometimes it’s easy to see where and when this blending of ideas occurs. Other times, the differences should be acknowledged without trying to force a connection.

In the case of the Mesopotamian mythologies, due to similarities, the Greek god Hermes is often said to be based off of Ninshubur.

Ixion

Ixion

Pronunciation: Ik-sy-on

In Greek mythology, it is Ixion, not Cain who is the first murderer. I suspect, owing to a lot of early stories and histories being passed on orally before getting written down, that there may have been more regarding Ixion’s story that’s been lost. Ixion is still an important figure in Greek mythology. The most complete stories we have of him come from Pindar in his Pythian Odes.

Parentage

Ixion’s parentage can get a bit muddled depending on the historian and who; in more modern times is drawing from which ancient writer.

Most of the stories seem to agree that Ixion is either the son of Phlegyas, a descendent of Ares or Ares’ son directly. Other stories will place him as the son of Leonteus or of Antion and Perimela. The stories all agree on him having been a king of the Lapiths in Thessaly.

Claim to Infamy

As stated before, Ixion’s importance in Greek mythology is that he is known as the first human to shed kindred blood. That is murder.

This came about when Ixion’s father-in-law, Deioneus was invited to come and collect on the price Ixion promised to give for his bride, Dia. Deioneus is also said to have stolen and then kept some of Ixion’s mares as compensation when Ixion didn’t pay what he owed Deioneus. But instead of paying what he owed, Ixion goes and digs a pit, fills it with burning coal, covers it and then waits for Deioneus to fall into it or pushes him in.

A slight spelling variation to Deioneus’ name is Eioneus.

Crime and Punishment

As this is a new crime to the human race and there were no laws that could be used to punish Ixion for this deed, by the same means, there were no rituals that could absolve Ixion of this deed or of any guilt. Ixion ending up in exile in the stories as an outlaw is probably due to no one wanting anything to do with him and his own kingdom ousting him from what ever throne he sat upon.

The Greeks likely wouldn’t be alone seeing murder, particularly of a relative as a rather heinous act. The god Zeus eventually took pity on Ixion and decided that since he’s a god, he could purify Ixion and then after that, invites him up to Olympus to be a guest. That there’s rumor Zeus was probably only interested in Dia, Ixion’s wife, might have been a motivation for even trying to purify Ixion of murder.

If this is true, for a minor note, when Dia gave birth to her son Peirithous, Zeus could have been the father and not Ixion. Incidentally, there is also a daughter, Phisadie who was given in servitude to Helen by the Dioscuri.

More Claims to Infamy

When you are given a chance, you should learn to take it, don’t abuse it.

Once Ixion was in Olympus and probably feeling he’s living the high life, he set his eyes on Hera and became infatuated or enamored with her. We’ll call it lust and Ixion probably began putting the moves on Hera, ones she probably didn’t appreciate. Who can blame her when some of the sources found for this story say that Ixion tried to rape her.

We’ll pretend that this is at an earlier time when Zeus and Hera still enjoyed a good relationship and we don’t have all of these other stories of Zeus having numerous affairs with all these other women and numerous resulting children.

Shocked, Zeus couldn’t believe what he’s hearing from Hera about Ixion. This man whom Zeus has purified is a guest; surely he knows the rules of hospitality when you’re a guest and what’s to be expected. One of them being is that you don’t go putting the moves and unwanted advances on your host’s wife.

Birth of the Centaurs

In an effort to put truth to Hera’s words, Zeus proceeds with making an image of Hera out of a cloud. This cloud is known as Nephele and when Ixion forced himself on the cloud, he impregnated it. Later, Nephele gives birth to either Centaurus, an ugly deformed child who goes on to be the progenitor of the centaurs, or she gives birth directly to the centaurs as a race. Either way, Ixion and Nephele do ultimately sire the centaur race.

Further Punishment

Enraged at Ixion’s bragging about having slept with Hera and violating the Guest-Host laws, Zeus had Ixion bound to a winged, flaming wheel that revolved up in the air in all directions. In addition to this, by order of the gods, what the Irish would call a geas, Ixion was to continuously call out: “You should show gratitude to your benefactor.” Or “Repay your benefactor frequently with gentle favors in return.”

As a result, Ixion becomes one of the more famous sinners found in Tartarus and many writers mention him when they describe this place.

Does the Punishment fit the Crime?

Let’s get this straight….

Ixion murders his father-in-law after refusing to pay the promised price for his bride.

No one wants to purify Ixion of this deed or perhaps they can’t.

Zeus says he’ll try and brings Ixion up to Olympus.

If we believe the rumors, Zeus is eying Ixion’s wife Dia.

Hera complains to Zeus about Ixion’s actions and Zeus creates the cloud Nephele in Hera’s image to find out the truth.

Once Ixion is caught in the act or caught bragging that he’s had sex with Hera, an enraged Zeus chains Ixion to a spinning flaming wheel for all eternity.

That seems harsh. It’s okay if Zeus has an affair with Dia, but it’s no okay if Ixion had an affair or attempts to rape Hera. Two guys falling love or lust with the other’s wife.

Let’s not forget the Greek concept of Hubris. Though with the more modern interpretation of hubris, in that Ixion was extremely arrogant in thinking he could do whatever he wanted, taking what he wanted, murder and be equal to the gods…

One could say that Ixion’s punishment does ultimately fit the crime or crimes.

Murder, Hubris and the violation of the Guest-Host Laws known as Xenia.

Xenia – Hospitality Laws

Xenia is the Greek word for the concept of hospitality and forms the ancient customs of Hospitality. Of all the attributes that Zeus is known for, he was originally the deity who presided over this custom of Xenia. For this, he was known as Zeus Xenios and was at one time, the god of travelers.

Xenia consists of three basic rules:

1) The respect from host to guest. The host must be hospitable to the guest and provide them with food and drink and a bath, if required. It was not polite to ask questions until the guest had stated his or her needs.

2) The respect from guest to host. The guest must be courteous to their host and not be a burden.

3) The parting gift (xenion) from host to guest. The parting gift was to show the host’s honor at receiving the guest.

The custom of Xenia was really important in ancient times as people believed that the gods mingled among them. If a person played a poor host to a stranger, there was the risk of inciting the wrath of a god disguised as the stranger.

This custom of Xenia extended to include the protection of traveling musicians, known as Rhapsode who could expect to receive hospitality in the form of a place to sleep, food and possible other gifts in return for a night of entertainment and news from other parts of the world. The protection and safety of these Rhapsode was believed to be enforced by the god Zeus and any harm to them or violation of Xenia was sure to place the offender at the mercy of Zeus or any god he deemed necessary to enforce this rule.

This is why the story of Ixion in ancient Greece was important and why the laws of Xenia, Hospitality were and had to be kept.

Ixion – A possible Dwarf Planet and Astrology

On May 22, 2001, the plutino or possible Dwarf Planet of Ixion was discovered by the Cerro Tololo Inter-American Observatory.

Properly, Ixion’s name is 28978 Ixion and like Pluto, is one of the planetoids that are part of the Kuiper belt. Astronomers are still learning about these Kuiper objects and how best to measure them. Ixion is thought to have a diameter of about 800km, making it the third largest plutino and to be a reddish color in nature.

It’s mentioned here as modern Astrologers are looking at how to interpret Ixion and many, taking the background of his story see a cautionary warning for issues of consciousness, trust and betrayal, abusing second chances, lust and desire in conflict for wealth and power.

Libra

Libra

Etymology – The Scales

One of twelve signs of the Classical Greek Zodiac, Libra also has the distinction of being the only zodiacal sign that doesn’t represent a living creature. Libra is often shown as a set of balancing scales or a set of scales held by a woman.

Astronomy & Astrology

Much of the foundations of Western knowledge regarding the fields of Astronomy and Astrology owe its roots to Ancient Mesopotamian cultures. Many ancient cultures studied the stars, seeing in them patterns that are called constellations. These ancient astronomers were able to make predictable, annual turnings of the heavens that they could divide and mark for the passing of the Seasons and time. For the ancients, Astrology served as a precursor to Astronomy and they believed that by studying the heavens, they could foretell future events and even a person’s life path.

These ancient cultures would also meet and exchange ideas frequently and in this fashion, when the Greeks encountered the Persians, there was an exchange of knowledge regarding Astronomy that becomes the constellations and zodiacs so many know today. Eventually, there is no clear distinction between what ancient Mesopotamian Astronomers and Greeks Philosophers knew. Or who influenced who regarding the stories and myths behind the constellations. Even in current, modern times, the influence of these ancients is still known.

Western Astronomy

Libra is Latin for the scales and is one of 48 constellations that were identified by Ptolemy, an astronomer who lived during the second century. In modern times, it is one of 88 known or recognized constellations and is located in the Northern Hemisphere. It is the 29th in size for constellations in the night sky. Other constellations close to Libra are Serpens Caput, Virgo, Hydra, Centaurus, Lupus, Scorpius and Ophiuchus.

Chinese Astronomy

In ancient China, the constellation was known as Show Sing, meaning “the Star of Longevity.” Later, it has become known as Tien Ching, “the Celestial Balance.”

The stars Alpha, Iota, Gamma and Beta Librae formed a constellation called Di, representing a palace for the Emperor to stay during the night with his wife and concubines. Di is also the name of the third Chinese lunar mansion and usually means “root” owing to its appearance in the morning skies of early October. Di was sometimes seen as representing the paw or chest of the Blue Dragon.

The stars Theta and 48 Librae form part of a line extending from Scorpius that from another constellation called Xixian, representing a wall used for holding and penalizing dishonest traders. In the southern part of Libra was to be a calvary camp spread out over the elliptic.

Egyptian Mythology

Among the Egyptians, they saw in the constellation of Libra a set of scales as well, representative of the Scales of Justice upon which a human heart would be weighed before gaining entrance into the Afterlife.

Greek Mythology

The Greeks didn’t recognize a separate constellation of Libra. For them, the constellation we know now days was part of the constellation of Scorpius and made up its two claws that they called Chelae.

Indian Astronomy

In India, the constellation of Libra is known as Tula, which means “a balance.” It is often shown as being a man kneeling on one knee and holding a set of scales.

Mesopotamian Mythology

In the ancient Sumer-Babylonian astronomy, the constellation Libra was known as MUL Zibanitu, meaning “the scales” or “the claws of the scorpion.” The scales were sacred to the sun god Shamash, was also the patron god of truth and justice. The association of Libra with the law, fairness and civility has continued throughout the ages. In modern Arabic languages, the word zubānā which means “scorpion’s claws,” seems to be a word continuing its ancient use from Akkadian languages. Though some scholars says this has only been the result of possible errors and mistranslations.

The transition of the Scales becoming Scorpion claws due to changes in cultures over the years and how the stars were perceived and due to similarity of the Akkadian and Arabic words “zibanitu” and “zubānā” that mean scales and claws. Anciently, scales of the Mesopotamian region did look similar to an upside down scorpion. With the Romans, the constellation reverted back to being a set of Scales.

Roman Mythology

The Romans are sometimes given credit with having invented the constellation of Libra and to have given it importance. To them, Libra was the “Scales of Justice” held by Julius Caesar. Later on, the scales are associated with the constellation of Virgo as either Astraea or Dike, a goddess of Justice.

Demeter and Persephone

Following the story of Persephone’s abduction into the underworld by Hades in Greek myth; the constellation of Libra is sometimes seen as representing Pluto’s Golden Chariot that is pulled by four black horses.

On one of his rare trips up to the surface, Hades spotted Persephone, the daughter of Zeus and Demeter and desiring her to be his wife, Hades took her down to the underworld to become Queen.

Before this, it had always been eternal spring, never winter. So when Hades abducts Persephone, Demeter is overcome with grief, rage and anger, so much so that she destroys the crops of the Greeks and bringing about winter. Demeter swore that she would not allow the Earth to be fertile again until her daughter is returned.

With the people starving and beseeching the gods for help, Zeus intervenes, informing his brother Hades that Persephone must be returned. Such would be possible, provided that Persephone hadn’t eaten any of the Underworld food or drink.

However, by one means or another, Persephone did eat three seeds of a pomegranate and as a result; this tied her to the underworld. Eventually a compromise was reached, where Persephone agreed to marry Hades and she would spend part of the year with him, the time known as winter and the other times of the year, she would be with her mother Demeter, allowing for spring and the other seasons.

Stars of Libra

The brightest stars found in Libra from a quadrangle that makes it easy to spot in the night sky unaided by telescopes.

Alpha Librae – Also known as Zubenelgenubi which means “the southern claw.” It is a binary star with the brighter of the two being a blue-white star and the other a white star. This star is also the second brightest star found in Libra.

Beta Librae – Also known as Zubeneschamali which means “the northern claw.” It is a green-tinged star. Another name for this star is Lanx Australis, “the southern scale.” This star is the brightest star found in Libra.

Gamma Librae – Also known as Zubenelakrab which means “the scorpion’s claw” It is an orange giant.

Zubeneschamali, along with Zubenelgenubi and Zubenelakrab are easy reminders of when the Libra constellation was part of Scorpio before getting cut off and becoming associated with Virgo.

Gliese 581 – This star has a planetary system of at least six planets of which Gliese 581 d and Gliese 581 g are thought to be the most likely to hold life. At current, 581 g’s status and existence still isn’t agreed upon or confirmed by the scientific community as a whole. Gliese 581 c, discovered in 2007, is the first exo-planet found in an area known as the goldilocks zone of a star for habitability and earth-like conditions for life. Gliese 581 e is the smallest exo-planet found to date.

Autumn Equinox

During the time of the Romans, they had chosen Libra and placed importance on it as at one point some 4,000 years ago, when the Sun pass through Libra, it marked the Autumn Equinox close to and around September 21st. This time is also known as the “First Point of Libra”, marking a time of the year when both day and night are perfectly balanced in terms of being equal length; before the nights started getting longer due to the earth’s axel tilt and seasonal changes for winter.

Zodiac

The constellation of Libra is the seventh sign of twelve signs that form the Zodiac. For those who study and are into the classical Greek Zodiacs, this time is typically said to be from September 23 to October 22. Due to the changes of the earth’s orbit and tilt, the best time to see this constellation is during June around 9 p.m. The planet Venus is said to rule this Zodiacal sign and constellation. Its element is Air, a Cardinal sign and is one of four Cardinal signs.

One of the defining traits about Libras is that they love balance; they love to do things in pairs, that is with other people. They love to work with others, have a strong sense of fair play and equality, they make excellent team players. Libras love to have everything out in the open, nothing hidden as they like too to be objective in all their decisions and interactions with everyone.

Because they like to try and get along with everyone, a Libra can be seen as indecisive. This same indecisiveness can also come about when faced with two opposing choices as they can see both sides and they can also have a hard time as to which to go with.

Virgo

Virgo

Etymology – Virgin or Young Maiden

The constellation of Virgo is one of twelve that form the classical Greek Zodiac. Virgo is often depicted as a Winged Maiden holding a stalk or sheaf of wheat or some other grain in her hand. After Hydra, the constellation of Virgo is the second largest constellation and the largest constellation of the Zodiac.

Astronomy & Astrology

Much of the foundations of Western knowledge regarding the fields of Astronomy and Astrology owe its roots to Ancient Mesopotamian cultures. Many ancient cultures studied the stars, seeing in them patterns that are called constellations. These ancient astronomers were able to make predictable, annual turnings of the heavens that they could divide and mark for the passing of the Seasons and time. For the ancients, Astrology served as a precursor to Astronomy and they believed that by studying the heavens, they could foretell future events and even a person’s life path.

These ancient cultures would also meet and exchange ideas frequently and in this fashion, when the Greeks encountered the Persians, there was an exchange of knowledge regarding Astronomy that becomes the constellations and zodiacs so many know today. Eventually, there is no clear distinction between what ancient Mesopotamian Astronomers and Greeks Philosophers knew. Or who influenced who regarding the stories and myths behind the constellations. Even in current, modern times, the influence of these ancients is still known.

Western Astronomy

Virgo is Latin for virgin and is one of 48 constellations that were identified by Ptolemy, an astronomer who lived during the second century. In modern times, it is one of 88 known or recognized constellations and is located in the Northern Hemisphere. It is the second largest constellation in the night sky and the largest constellation of the Greek Zodiac. Other constellations close to Virgo are Boötes, Coma Berenices, Leo, Crater, Corvus, Hydra, Libra, and Serpens Caput.

Other Astronomy

The constellation of Virgo has been recognized and known by many different names by different cultures and civilizations. The Egyptians saw Isis, the Goddess of Fertility, in India, they saw Kanya, the mother of Krishna, the Hindu saw Kauni, the Maiden, the Persians knew her as Khosha, the Ear of Wheat and the Hebrews knew of her as Bethulah, “Abundance in Harvest.”

Chinese Astronomy

In Chinese astronomy, the northern part of Virgo is part Taiwei, a palace of the Emperor where a Private Council with administrators and legalities were conducted. This court was also known as the Supreme Palace Enclosure and included parts of the constellations Coma Berenices and Leo. The stars Beta, Eta, Gamma, Delta and Epsilon Virginis, Alpha Comae Berenices and Delta Leonis all formed the walls of this enclosure in the heavens. The stars within these “walls” represented all the different government officials, courtiers and dignitaries.

The stars Spica and Zeta Virginis formed Jiao, the horn of the Blue Dragon cang long. The horn Jiao is also the first of 28 Chinese lunar mansions. Jiao was also seen as the gateway for the Sun, Moon and planets as they passed along the ecliptic. Another pair of stars south of Spica known as 53 and 69 Virginis formed another gateway known as Tianmen.

Two more stars, found at right angles to Spica and Zeta Virginis formed a straight road called Pingdao that the Sun, Moon and planets traveled on. The star Theta Virginis was known as Jinxian and represented the people who have outstanding achievements and were awaiting their honors and awards. To the north of Zeta Virginis, possibly Tau and either 78 or Sigma Virginis formed Tiantain, the heavenly fields that would be ploughed every spring before planting time.

The stars Lambda, Kappa, Iota and Phi Virginis form the neck of the Blue Dragon or Kang. This is the second of the lunar mansions and represented the administrative part of the government that oversees the affairs of individual households. Close to Kang is a lake with sail boats in it called Kangchi. As to which stars represent Kangchi is uncertain as they have changed over time.

Christianity

During Medieval Europe, Virgo easily became identified with the Virgin Mary, the mother of Christ.

According to Manly P. Hall’s “Secret Teachings of All Ages,” the Catholic Feast of the Assumption is connected to the constellation Virgo and the story of the Greek goddess Astraea to Virgin Mary as being the one who rose up into the Heavens. By this same source, the Roman calendar of Columella marks the disappearance of Virgo in the night sky around mid August. And Astraea’s Assumption that was observed by the ancient Greeks and Romans seems to have been adopted by the Catholics.

Egyptian Astronomy and Mythology

The zodiac ceiling painting in the Dendera Temple Complex has been identified as Isis by Eratosthenes and Avienus. In the painting, Isis is shown holding a sheaf of wheat ears in her hand that she later drops to form and become the Milky Way.

Greek and Roman Mythology

There seem to be multiple, conflicting myths from Greek and Roman mythology that have become associated with the constellation of Virgo. Virgo was also called Parthenos among the Greeks.

Hestia/Vesta

Vesta is the Goddess of Light and Roman counterpart to the Greek Hestia, whose function and job was to watch over the hearth fire of a home. The Vestal Virgins were shown the utmost respect and if their chastity was ever violated, they were punished by being buried alive.

Goddess of Justice

In Greek Mythology, there is another goddess, Astraea, the Goddess of Justice who represented the natural order including those of childbirth, change, abundance and death. Astraea’s story overlaps a little bit with that of Pandora. For when Prometheus was punished with having given the gift of fire to humans and chained to a rock, Zeus (or Jupiter) then went on to curse mankind with the first woman, Pandora who was given a box. When Pandora finally opened the box, unleashing all manners of plagues and calamities up humans, the gods began to leave the earth.

Astraea is also said to be the daughter of Zeus and Themis and that it is from Themis that Astraea took on the duties and responsibility of meting out justice and ordered the seasons. When the Golden Age ended, Astraea was one of the last immortals to leave the earth and causing an era of anarchy and crime. It is this goddess who is said to represent the classical Greek Zodiac of Virgo. Astraea is sometimes depicted as holding the scales of justice, which is represented in the zodiac as Libra. The legend continues too that one day Astaea will return to the earth and bring back the Golden Age.

To make this a little more confusing, Astraea is also closely linked to another Greek Goddess of Justice, Dike. So much so, that Dike often has the epitaph of Dike Astraea. Both goddesses are daughters of Zeus and Themis, though with slightly different aspects of Justice that they are responsible for and preside over. In some tellings of the story of Dike, when she’s identified as Astaea, she will be said to be the daughter of Astraeus, the father of the stars and Eos, the goddess of the dawn.

When the above myth involves Dike in its retelling, she lived during the Golden Age of man, a period of prosperity and peace with ever lasting spring and humans having never experienced old age. At this time, Dike was mortal while fulfilling her role as a keeper of justice and law. Once Zeus had defeated and over threw his father, it marked the beginning of the Silver Age and the turnings of the season were introduced and men began to cease honoring the gods as they had before. Dike tried to warn the people of what would happen, but she eventually gave up and found herself forced to turn her back on humans and left for the heavens. It is at this time that men began to war among themselves and the Bronze and Iron Ages came.

Demeter and Persephone

Another Greek myth related to the constellation of Virgo is the story of Persephone, the daughter of Zeus and Demeter and how she was abducted into the underworld by Hades. Before Persephone’s abduction, it had always been eternal spring, never winter. So when Hades abducted Persephone, Demeter beside herself with grief, rage and anger, destroyed the crops of the Greeks and bringing about winter. Demeter swore that she would not allow the Earth to be fertile again until her daughter was returned.

With the people starving and beseeching the gods for help, Zeus intervened, informing his brother Hades that Persephone must be returned. Such would be possible, provided that Persephone hadn’t eaten any of the Underworld food or drink.

However, by one means or another, Persephone did eat three seeds of a pomegranate and as a result; this tied her to the underworld. Eventually a compromise was reached, where Persephone agreed to marry Hades and she would spend part of the year with him, the time known as winter and the other times of the year, she would be with her mother Demeter, allowing for spring and the other seasons.

Incidentally Demeter has sometimes been identified as the virgin goddess Iustitia or the previously mentioned Astraea. It’s also an interesting note, from the perspective of the Northern Hemisphere, that when the constellation Virgo is visible in the night sky, it is spring and when it no longer is visible, it does mark autumn and winter.

Under Roman influence, Demeter is identified with their goddess of the harvest Ceres. Her festival was held in the second week of April around the time that the constellation of Virgo reappears in the night skies and marking the beginning of Spring.

Erigone

The daughter of Icarius, Erigone is also another character in Greek myth who is identified with Virgo. In this story, Icarius, who was a devote of and favored by Dionysus, was killed by his shepherds when heavily intoxicated. In grief, Erigone hung herself and Dionysus hung both Icarius and Erigone up in the heavens as the constellations Boötes and Virgo.

Tyche

Finally, wrapping up all of the Greek and Roman connections, the historians Eratosthenes and Hyginus said that the constellation of Virgo represented the goddess Tyche, the goddess of fortune and her horn of plenty.

Mesopotamian Mythology

In the Babylonian Astronomical tablet known as the Mul.Apin, the constellation of Virgo was known as “The Furrow” and represented the goddess Shala’s ear of grain. To this day, the star known as Spica seems to be a reminder of this older constellation as the star’s name in Latin means “ear of grain.”

This constellation was also called AB.SIN and absinnu, connecting it to fertility. According to the author Gavin White in his Babylonian Star-Lore book, the constellation of Virgo actually corresponds to two Babylonian constellations: “the Furrow,” the eastern half of Virgo and “the Fround of Erua,” in the western half of Virgo. The Frond of Erua is supposed to represent a goddess holding a palm frond, an image still associated with other depictions of Virgo.

The constellation of Virgo has been identified with the Sumerian and Chalean goddess of Ishtar or Inanna, the Queen of Heaven. Ishtar descended into the underworld in order to bring her husband Tammuz back to life and earth. For without him, the earth went dark and nothing could grow. At the intervention of the other gods, Ishtar and Tammuz were rescued and the earth restored to fertility.

Stars of Virgo

Alpha Virginis – Also known as Spica, it is the brightest star within Virgo. It is considered the 16th brightest star in the night sky and is a blue giant located some 260 light-years away from Earth. In latin, Spica means “ear of grain” or “ear of wheat.” 17th century western astronomers referred to Spica as Arista. The Chinese refer to Spica as Jiao Xiu. Hindu astronomers know Spica as Nakshatra Chitra. Spica also appears as one of the stars on the Brazilian flag.

It’s also with Spica, that early astronomers like Hipparchus discovered the precession of the equinoxes by measuring the movement of the stars in the heavens during the year. And Nicolaus Copernicus’ observations of Spica allowed for the change in astronomy to move to a heliocentric cosmology instead of one that placed the Earth in the center of the universe.

Beta Virginis – Also known as Zavijava and Alaraph, is the fifth brightest star within Virgo. The Autumn Equinox is now marked by this star. The name Zavijava comes from the Arabic language of zawiyat al-cawwa’ which means “the corner of the barking dog.”

Gamma Virginis – Also known as Porrima or Arich, is the second brightest star in the constellation. Porrima is the name of two Roman goddesses of prophecy, the Carmenae. This star is also sometimes known as Postvarta or Laouiyet al Aoua. The later name in Latin of Angulus Latratoris means “the angle of the barker”. This star, along with Beta, Eta, Delta and Epsilon Virginis formed a smaller asterism known as the Barker.

Epsilon Virginis – Also known as Vindemiatrix or the Grape Gatherer, is the third brightest star in the constellation.

Virgo Galaxy Cluster

Not surprising, with Virgo being the second largest constellation after Hydra in the night sky, that it would also be a section of the night sky where thousands of galaxies are found within. The most famous of these galaxies is one known as the Sombrero galaxy due to how its shaped.

Virginids

There are a number of minor and major meteor shows associated with the constellation of Virgo. The major and more significant ones are: Alpha Virginids (from March 10 and May 6), Gamma Virginids (from April 5 to April 21), Eta Virginids (from February 24 and March 27), and Theta Virginids (from March 10 and April 21). The rest are minor, daytime meteor showers that can be hard to see or spot.

Autumn Equinox

With the precession of the heavens and passage over time, the first day of Autumn and the Autumn Equinox now lies within Virgo, close to the start of when Beta Virginis or Zavijava is high over head.

The Autumn Equinox used to be marked by the constellation of Libra.

Zodiac

The constellation of Virgo is the sixth sign of twelve signs that form the Zodiac. For those who study and are into the classical Greek Zodiacs, this time is typically said to be from August 23 to September 22. Due to the changes of the earth’s orbit and tilt, the best time to see this constellation is during May around 9 p.m. The planet Mercury is said to rule this Zodiacal sign and constellation. In some astrology reports, the asteroid or planetoid Ceres is also said to be the ruler for Virgo. Its element is Earth, an extroverted sign and is one of four mutable signs.

Virgos are said to be known for their attention to detail natures and can often come under condemnation from others for being too picky and critical. Virgos see this as only trying to help and they do love to help and serve. Their methodical, industrious and efficient manners are frequently a great boon when getting a job done and getting it done correctly. It’s good for a Virgo to remember to keep themselves well ground and not to over do it when working. They are also known for their modest and humane natures. Virgos enjoy their practicality and will gives themselves fully to a project until it is done.

Cancer

Cancer

Etymology – The Crab.

Cancer, the Crab is one of twelve familiar signs of the Zodiac in Western Culture. Surprisingly for all of its importance in the Zodiac, the part it plays in Greek mythology is only that of a bit part.

The modern-day symbol for Cancer is a pair of pincers like those on a crab. The constellation shape for cancer itself looks more like an upside-down “Y” which is interpreted to be the back of the crab. Over the millennia, the Cancer constellation has been used to represent a number of different animals, most often those of an aquatic, shore-dwelling animal with an exoskeleton.

Astronomy & Astrology

Much of the foundations of Western knowledge regarding the fields of Astronomy and Astrology owe its roots to Ancient Mesopotamian cultures. Many ancient cultures studied the stars, seeing in them patterns that are called constellations. These ancient astronomers were able to make predictable, annual turnings of the heavens that they could divide and mark for the passing of the Seasons and time. For the ancients, Astrology served as a precursor to Astronomy and they believed that by studying the heavens, they could foretell future events and even a person’s life path.

These ancient cultures would also meet and exchange ideas frequently and in this fashion, when the Greeks encountered the Persians, there was an exchange of knowledge regarding Astronomy that becomes the constellations and zodiacs so many know today. Eventually, there is no clear distinction between what ancient Mesopotamian Astronomers and Greeks Philosophers knew. Or who influenced who regarding the stories and myths behind the constellations. Even in current, modern times, the influence of these ancients is still known.

Western Astronomy

Cancer is one of the oldest recognized constellations and was one of 48 constellations that were identified by Ptolemy, an astronomer who lived during the second century. In modern times, it is one of 88 known or recognized constellations. It is the 31st largest constellation in the night sky. The Cancer constellation is a rather small constellation and is found between Gemini to the west and Leo to the east. Other constellations bordering with Cancer are Leo Minor, Lynx, Canis Minor and Hydra.

There is a 12th century illustrated astronomical book that depicts the Cancer constellation as a water beetle. In 1489, an Albumasar wrote about Cancer, describing it as a large crayfish. Then in the 17th century, Jakob Bartsch and Stanislaus Lubienitzki describe the constellation as being a lobster.

Chinese Astronomy

In Chinese astronomy, the stars that make up Cancer lie within the Vermillion Bird of the South or Nán Fāng Zhū Què.

The four stars (Delta, Gamma, Eta and Theta Cancri ) surrounding the star cluster known as Praesepe or the Beehive Cluster were known as Gui, meaning ghosts, which referred to the spirits of the dead. The 23rd Chinese Lunar Mansion was also called Gui for this asterism. In China, Praesepe was called Jishi, a group of corpses. This star cluster and the four stars surrounding it were seen as a ghost being carried in a sedan chair on a wagon. For this reason, this group of stars was known as Yugui or Ghost Wagon.

North of Gui was another grouping of stars that formed a figure called Guan, a beacon fire on a watchtower. Sources will differ as to which four groups of stars this was to have been and it may have changed from time to time too. Some sources place Gui as being around Chi Cancri while other sources place Gui around Iota Cancre. A final chain of four stars that crosses into Cancer from Canis Minor was known as Shuiwei or the “water level.”

Egyptian Mythology

In ancient Egyptian records dating back to around 2,000 B.C.E., the Cancer constellation was seen as Scarabaeus or the Scarab and a sacred emblem for immortality. A scarab was also responsible for pushing the Sun across the heavens.

In Coptic Egypt, Athanasius Kircher reports that Cancer was Κλαρια, the Bestia seu Statio Typhonis or the Power of Darkness. The scholar, Jérôme Lalande identified Cancer with Anubis, one of the Egyptian divinities commonly associated with Sirius.

Greek & Roman Mythology

Cancer the crab was known by several names. In Latin, the name Cancer means crab. Manilus and Ovid both referred to this constellation as Litoreus or “shore-inhabiting.” In Greece, it was Karkinos, meaning crab. In the Alfonsine tables, it was called Carcinus, a Latinized form of the Greek word. Aside from being known as a crab, it was also called Asses and Crib.

The famous hero Hercules had to perform a series of twelve tasks or labors as part of his penance for the death of his sons after he had been driven mad by Hera. For the second of these labors, Hercules traveled to the swamps of Lerna where the Hydra dwelt. With Athena’s aid, Hercules was able to locate the Hydra’s lair. The Hydra was a gigantic water snake with nine heads and immortal. The mighty hero found himself at a standoff with the beast as he soon discovered that for every time a head was chopped off, two more would grow back and its breath could kill on contact.

The crab, Cancer enters the story here as either the Hydra called on it for help or the goddess Hera sent it to hinder the hero Hercules. It’s considered a large crab, large enough that it tries to do a number on Hercules’ foot with its pincers. For all its trouble, Hercules simply kills it by crushing it in return with his foot and then turning his attention back to the Hydra and finally succeeds at killing it. A slight variation to this turn of events places Hercules as having kicked the crab hard enough that it flew up into the heavens to become the familiar constellation of Cancer.

With the Hydra’s death, Hercules proceeds to dip his arrows into the beast’s blood. As the Hydra’s blood is poisonous, the slightest scratch from one of these poisoned-tipped arrows would be instant death to his enemies. Instead later, it results in the accidental poisoning and death of either Chiron or Pholus depending on the version of the story of Hercules’ battle with the centaurs being told.

Late addition or down grade of a legend?

Several scholars have come to believe that its very well possible that the crab part of the myth when Hercules battles the Hydra in the Twelve Labors of Hercules, is a latter addition by early astrologers and astronomers trying to connect and relate all the constellations to Hercules’ legends.

Regardless of what the case is, the crab is awarded a place in the heavens as a constellation by Hera. As the crab failed to kill Hercules, it only has faint stars that make it up; no bright stars are found within it.

Cry Havoc And Let Slip The Donkeys of War!

There are two stars, Delta and Gamma Cancri, respectively known as the Northern and Southern Donkey that are part of an old Greek legend. When the gods went to battle the Titans, Hephaestus, Dionysus and several other gods rode in on donkeys. The Titans, having never heard the sounds of Donkeys braying, thought that they were monsters and so fled the field of battle. To commemorate this event, Dionysus placed the donkeys in the night sky as a star next to the star cluster Praesepe, which represented a manger or crib.

Another version from Greek Legend

In another legend, Hera is to have driven the god Dionysus insane. As a result, he ended up wandering through Egypt and Syria in the throes of madness. In an attempt to recover his sanity, Dionysus visited the Oracle of Zeus in Dodona to find a solution. While on his way there, he came upon a swamp where, he encountered two asses or donkeys which he subsequently caught. Dionysus then proceeded to ride the donkeys through the swamp in order to avoid getting wet. Once through and on the other side, Dionysus found that he was cured of his insanity and rewarded the donkeys by placing them up in the heavens as the Northern and Southern Donkey.

And from Roman Legend

In this one, the god Silenus’ donkey that he rode got into a contest with Priapus over the size of their erect manhoods. When the god won, he killed the beast and Silenus taking pity, placed the donkey up into the stars where it can be found in Cancer.

Hindu Mythology & Astronomy

In Sanskrit, Cancer is known by the name of Karka and Karkata. In Telugu it is called Karkatakam. Other dialects from India such as Kannada call Cancer Karkataka or Kataka. In Tamil its Karkatan and in Sinhalese its Kagthaca. Later Hindus would know Cancer as Kuilura. Etymologists believe that all of these word variations have influenced the Greek name for Cancer.

Malaysian Mythology

In Malaysian myths, Cancer was the “First and Only Crab” which existed long ago, the primal or mother crab from which all crabs came. It was a huge crustacean who lived in a deep hole in the sea. This hole was so large that the crab’s coming and goings from it would cause the ocean tides.

Mesopotamian Mythology

In Akkadia, Cancer was known as Alluttu. It marked the location for the Sun of the South during the Summer Solstice. Later on, it became associated with the fourth month of Duzu that roughly corresponds with the modern, western calendar of June-July. Duzu was known too as the Northern Gate of the Sun.

Among the Babylonians, the constellation was known as MUL.AL.LUL, or Bulag a name that can refer to either a crab or a snapping turtle. One source places the meaning of the word Bulag as “the Wicked One.” This is to be an early reference to the stars as having a reputation for being of an unfortunate nature. On boundary stones, the image of a turtle or tortoise is found regularly and thought to be what represents Cancer. A crab symbol has yet so far, not been found on any of the boundary stones.

Gate Of Men

There also seems to be a strong connection linking the ideas of death and passage into the Underworld that may contribute to the Greek myths and legends associated in the story of Hercules and his battle with the Hydra.

In the ancient Chaldean and Platonic philosophies, Cancer was known as the Gate of Men. This was a gateway or portal by which souls descended from the heavens when they were ready to be born. About 2700 years ago, the sun passed through the Cancer constellation during the Summer Solstice. At this point and time, Cancer was the apex of the Zodiac. The symbol of a crab came into use as it was believed that the sun’s seemingly backwards motion through the heavens were much like those of a crab in how they walk; that is sideways and backwards once it reached the Summer Solstice. The symbolism of the crab is also used as it’s a shore creature and represented a bridge between the land and ocean from where all life began. The opposite sign of Cancer is Capricorn, seen as the Gate of the Gods through which the souls of the dead would ascend back up to the heavens.

Stars of Cancer

Alpha Cancri – Also known as Acubens or Al Zubanah, both meaning “the claws.” Another name for this star is Sertan, “the crab.” It is the fourth brightest star of the Cancer constellation.

Beta Cancri – Also known as Al Tarf or Tarf, the name is thought to come from the Arabic “aṭ-ṭarf” which means “the eye,” or “aṭ-ṭarfah” meaning “the glance of Leo.” Beta Cancri is the brightest star found within the Cancer constellation.

Delta Cancri – This star is the second brightest star within the Cancer constellation. An orange giant, it is also known as Asellus Australis or the “southern donkey colt.” Additionally, this star also holds the record for the longest name. Arkushanangarushashutu is from the ancient Babylonian language and means: “the southeast star in the Crab.” This star also marks the location of o Praesepe or the Beehive Cluster.

Gamma Cancri – Also known as Asellus Borealis or “northern donkey colt” is a white A-type star or subgiant.

Both Delta and Gamma Cancri as the Northern and Southern Donkey are associated with a Greek legend in which Dionysus, Hephaestus and several of the gods rode into battle against the Titans riding on donkeys.

Zeta Cancri – Also known as Tegmine, meaning “the shell of the crab” is a star system of at least four stars.

Beehive Cluster

Also known as M44 and better known by its Latin name Praesepe which also means hive or crib, is the brightest star cluster found in Cancer that can be seen by the naked eye at night without the aid of a telescope. The Beehive Cluster is found in the center of the Cancer constellation. It is best seen and observed during the months of February to May on the Northern side of the Equator when Cancer appears at its highest point. There’s well over three hundred stars found in the Beehive Cluster. It thought that over a hundred of these stars are brighter then the Earth’s own Sun.

The ancient astronomer Ptolemy described the Beehive Cluster as “the nebulous mass in the breast of Cancer.” Hipparchus referred to this cluster as a “Little Cloud” and Aratus called it the “Little Mist.” In antiquity, this cluster had often been used to predict the weather. If it wasn’t crystal clear or visible, then inclement weather could be expected. The Beehive Cluster was also one of the first objects that Galileo observed in his telescope in 1609. At that time, he identified 40 stars within the cluster. Nowadays, there are about 1010 likely members with most of them being red dwarfs. Halley’s Comet was discovered in this part of the night sky in 1531.

Both the Greeks and Romans identified the Beehive Cluster as a manager that two donkeys, represented by neighboring stars as Asellus Borealis and Asellus Australis eat from. These two stars represent the donkeys that the god Dionysus and his tutor Silenus rode on during the war with the Titans. The ancient Chinese saw in the cluster a ghost or demon riding in a carriage and called it a “cloud of pollen blown from under willow catkins.”

Cancrids

Cancer has only one meteor shower associated with it and it’s known as the Delta Cancrids.

Tropic of Cancer

The tropic of Cancer is the latitude line on the Earth that marks the northernmost point when the Sun appears to be overhead at noon. Particularly during the Summer Solstice on or roughly around June 21.

Summer Solstice

In ancient times, Cancer marked the location of the Sun’s most northerly position in the heavens and Summer Solstice. With the precession of the equinoxes over the years, the sun is now technically in Taurus come June 21st when its time for the Summer Solstice.

Zodiac

The constellation of Cancer is the fourth sign of twelve signs that form the Zodiac. For those who study and are into the classical Greek Zodiacs, this time is typically said to be from June 21 to July 21. Due to the changes of the earth’s orbit and tilt, the best time to see this constellation is during March around 9 p.m. The Moon is said to rule this Zodiacal sign and constellation. Its element is Water, an extroverted sign and is one of four cardinal signs.

Those born under the sign of Cancer are thought to have sensitive, shy and caring natures. On the extreme side of things, a Cancer person can be seen as being too emotional, touchy and moody. They can be tough when they need to be. Home is important to a Cancer person. They love all the creature comforts of home and family. A Cancer person may have a strong love for family traditions and certainly family values.

Dark Sign Of The Zodiac

Because it has so few stars and isn’t very bright as a constellation to begin with, Cancer is often seen as the “Dark Sign,” described as being black and without eyes.

House Of The Moon

In Richard Hinckley Allen’s book Star Names: Their Lore and Meaning, the constellation of Cancer was considered the House of the Moon as it was believed that the moon was found here at the time of creation.

Wanyudo

Wanyudo
Alternate Spellings: Wani Yuu Dou

Etymology – Wheel Monk

Wanyudo is a well-known monster or yokai in Japanese mythology. He takes the form of a burning oxcart wheel with the face of a bald, tormented man in the center or hub. The image for Wanyudo comes from the Shokoku Hyaku Monogatari, a collection of ghost stories first published in 1677.

This yokai also appears in Konjaku Gazu Zoku Hyakki (“The Illustrated One Hundred Demons from the Present and the Past”) by 18th century Japanese scholar Toriyama Sekien. This book is the second in Sekien’s Gazu Hyakki Yagyō, a supernatural bestiary of ghosts, demons, monsters and other creatures of Japanese folklore.

There are a few folklore references that say Wanyudo is the condemned soul of a tyrannical daimyo, who in life was known for having his victims drawn on the back of an oxcart.

Wanyudo is believed to guard the gates of Hell and wanders back and forth along the road between the living world and the underworld, either scaring people as he passes by or stealing the souls of anyone who gets to close so that he can drag them back down to Hell with him.

Protection from Wanyudo

There is a charm of protection that involves writing on a piece of paper: “Here is the home of a winning mother” and then fixing it on the entry way to your house. This is said or believed to keep Wanyudo away.

According to one source, this charm supposedly refers to a story in the Records of the Grand Historian concerning Confucius’ pupil Zengzi. Apparently, Zengzi was disgusted with his reputation of “winning for his mother” to such a degree, that he couldn’t set foot inside the home of a “winning mother.” Though it’s unclear exactly how this relates to Wanyudo.

Buddhist Wheel

One website I went to commented about the importance of the wheel symbol in Buddhism.

In Buddhism, the wheel represents the teachings of Buddha. The Buddha is the one who turns the wheel or Dharmachakra, “the wheel of law.” In Tibetan, this symbol is called chos kyi’khor lo, meaning “the wheel of transformation.” The turning of the wheel is a metaphor for rapid spiritual change as taught in Buddhism. The spokes of the wheel represent the Noble Eightfold Path laid out by Buddha in his teachings.

The wheel represents the endless cycle of samsara or rebirth that can only be overcome by the teachings of Buddha. There are some Buddhists who see the parts of the wheel as symbolic of the “three trainings” in Buddhist practice. First is the hub, symbolizing moral discipline and thus the mind. Second are the spokes (often shown as eight) symbolizing wisdom used to defeat of ignorance. And finally third, the rim which symbolizes the training of concentration which holds everything together. Dharma as should be noted, in Buddhism, is the teachings or laws of Buddha that expound on Natural Law.

Tibetan Buddhism – Yama

Since we’re on this subject of connecting the Wanyudo to Buddhism, I think it’s interesting to note and point out that one of the Tibetan Buddhist Wrathful Deities, Yama a god of death is sometimes shown as holding the Tibetan wheel of life.

Ixion

The imagery of Wanyudo is also very similar to that of a character from Greek mythology, Ixion, a King of the Lapiths in ancient Thessaly who was punished for his attempted rape of Hera by the god Zeus and tied to a spinning flaming wheel in the underworld of Hades where he calls out: “You should show gratitude to your benefactor.”