Category Archives: Titan
Other names: Amphictyonis, Sito (“She of the Grain,”) Thesmophoros (“Law Bringer”)
Other Names and Epithets: Achaea, Achaiva (“Sorrowing,”) Aganippe (“the Mare who Destroys Mercifully”, “Night-Mare,”) Anesidora (“Sender of Gifts,”) Antaea, Chloe (“the Green Shoot,” Chthonia (“In the Ground,”) “Corn-Mother,” Daduchos (“Torch Bearer,”) Demeter Lousia, “the Bathed Demeter”, Demeter Erinys, Demeter Melaine “Black Demeter,” Despoina (“Mistress of the House,”) Epipole, Erinys (“Implacable,”) Europa (“Broad Face or Eyes,”) Kidaria, Lusia (“Bathing,”) Malophoros (“Apple-Bearer” or “Sheep-Bearer,”) “Mistress of the Labyrinth,” “Mother-Earth,” Potnia “Mistress,” Thermasia (“Warmth,”) “Green,” “The Giver of Gifts,” “The Bearer of Food,” and “Great Mother.”
When paired with Persephone, she and Demeter are called: “the Older” and “the Younger” in Eleusis, Demeters in Rhodes and Sparta, the Thesmophoroi or “the Legislators” in Thesmophoria, The Great Goddesses and The Mistresses in Arcadia. “The Queens” in Mycenaean Pylos.
Antaea – This name and epitaph is one that is applied equally to Cybele, Demeter and Rhea by the Greeks. The meaning of the name is unclear, though it does denote a name for a goddess whom people could approach in prayer.
Etymology: Earth Mother
It’s generally agreed that the second part to Demeter’s name, “meter” comes from a Proto-Indo-European word meaning mother.
Now, the first part to Demeter’s name, De originates as Da, becoming Ge in Attic and then De in Doric. Making it that Demeter means “Mother Earth.” The root word of De has also been linked to the name Deo, from the Cretan word for emmer, spelt, rye and other grains. In this respect, Demeter is the giver of food. Another alternative from Proto-Indo-European etymology is that De is derived from Despoina and Potnia where Des- means house or dome, making in this case, Demeter mean “mother of the house.”
In Greek mythology, Demeter is the Olympian goddess of agriculture and the harvest. She specializes in the cultivation of grains and is a fertility goddess. In addition, Demeter ruled over the cycles of life and death as well. Demeter is an ancient goddess whose worship predates the Greeks. Both Demeter and her daughter Persephone were the central figures in the Eleusinian Mysteries.
Animal: Horse, Pig, Snake
Colors: Black, Green
Patron of: Agriculture, Harvest
Plant: Grains, Wheat, Barley, Poppy
Sphere of Influence: Growth, Seasonal Cycles, Harvest, Sacred Law
Symbols: Cornucopia, Scepter, Wheat, Torch, Bread
Early Greek Depictions
Found in Pylos, there is a set of Linear B Mycenean Greek tablets that dates from between 1400 to 1200 C.E. that depicts “two mistresses and the king” that are thought to possibly be Demeter, Persephone and Poseidon.
In Homer’s Odyssey, Demeter is described as a blond-haired goddess who separates the chaff from the grain.
Demeter doesn’t often appear in art before the 6th century B.C.E. Demeter is often associated with imagery of the harvest, flowers, fruit, grain and sometimes seen in the company of her daughter Persephone where they are both wearing crowns and hold a torch and scepter or stalks of grain. Another scene that Demeter is shown in is that of Athena’ birth. Sometimes Demeter is shown sitting alone wearing a wreath of braided ears of grain.
The Eleusinian mysteries were an annual religious celebration that predates the Olympian pantheon. It is an important life and death ritual with Persephone in her role as a vegetation goddess and Demeter having important roles where they are worshiped together. During the reign of King Erechtheus of Athens is when Demeter’s worship came to Eleusis.
Originally, the festival was celebrated in the autumn during the seasonal sowing in the city of Eleusis. The myth was told in three phases of a decent, the search and the ascent, describing Demeter’s sorrow and her joy as she became reunited with Persephone. This celebration also involved dancing in the Rharian field where the first grains were grown. There are inscriptions of “the Goddesses” being accompanied by Triptolemos, an agricultural god and another of the God and Goddess that refer to Persephone and Plouton.
There were two sets of observances or celebrations for the Eleusinian Mysteries that would be held every five years.
The Lesser Mysteries would be held the 20th Anthesterion (roughly coinciding with February 28th) and take place over a span of week
The Greater or Eleusinian Mysteries would occur during the 15th-21st of Boedromion (September 28th to October 4th).
Ancient Sumerian Origin – The idea has been put forward by the renowned scholar, Samuel Noah Kramer that the story of Persephone’s abduction to the Underworld likely sees its origins in the ancient Sumerian story of Ereshkigal, the goddess of the Underworld who was abducted by the dragon Kur and forced to become the ruler of the Underworld against her will.
Agrarian Cults – The cults of Demeter and Persephone of the Eleusinian Mysteries and Thesmophoria are based on some very old agrarian cults. These cults were led by priest as evidenced from an image on a Minoan vase dating to the end of the New Palace Period. This ancient cult held a connection to seasonal practices and tasks.
Daemons & Animal Nature – In Arcadia, the worship of Persephone and Demeter were the first daemons local deities who governed the powers of nature. Such ancient beliefs show a connection to animal nature that saw a belief in nature personified with nymphs and deities with human forms but also possessing animal heads and tails or other features.
Celebrate Good Times, Come On!
The seasonal disappearance and the later return of Persephone were times of festivals during the time of ancient Greece. The Eleusinian Mysteries are the most well-known and even then, the secrets for this festival were closely guarded, that not much is known about them.
Secret Rites & Immortality – Life after death seems to be a very common motif in many religions and beliefs around the world, even anciently. That somehow, life, some sort of existence continues even after death. It was no different for initiates into the Eleusinian Mysteries who closely guarded their initiation rites. After all, the Eleusinian Mysteries wouldn’t be a mystery if everyone knew about them. For the Eleusinian Mystery initiates, these secrets were that of resurrection and there would be some place better than that of dismal depths of Tartarus.
They wouldn’t be the first to have the idea of life after death. It is thought by the experts, that the rites and mysteries held during the Eleusinian mysteries, along with other traditions such as the Orphic tradition and Mithraism all contributed towards the formation of Christianity and its ideas of resurrection, everlasting life and even immortality.
In the Eleusinian Mysteries, Kore’s return from the Underworld conveyed the idea of immortality and a resurrection from death.
Orphic Tradition – This is where the myth of Persephone is identified with other deities such as Isis, Rhea, Ge, Hestia, Pandora, Artemis, and Hecate. It is within this tradition that Persephone, with Zeus becomes the mother of Dionysus Iacchus, Zagreus or Sabazius.
Local Cults & Worship
Each local cult held their own traditions and ideas for where Persephone had been abducted from. In the Homeric Hymn to Demeter, it is the “plain of Nysa” where Persephone’s is kidnapped. The Corinthian and Megarian colonists, and Sicilians believed her abduction to happen in the fields of Enna. The Cretes believed that Persephone’s abduction occurred on their island. Other versions will place the abduction in places like Attica, near Athens, or even near Eleusis.
Distant localities that lay in the mythical played a part in creating a sense of some mystically, distant chthonic world that normally couldn’t be visited and created more of an air of mystery and prestige to the Eleusinian Mysteries. In the month known as Anthesterion, Persephone was the only one to whom the mysteries were dedicated to in Athens.
Temples dedicated to the Eleusinian Mysteries and the worship of Demeter and Persephone were found throughout all ancient Greece, Asia Minor, Sicily, Magna Graecia and Libya. Not much is known about the specifics of local rites and worship.
Amphictyony – An ancient ruin site, this is likely the oldest cult center for Demeter in Anthele along the coast of Malis, Thessaly. For those interest in history, this is near Thermopylae where the famous 300 Spartans fought the invading Persians. After the “First Sacred War,” this Amphictyony became known as the Delphic Amphictyony. Basically a meeting place for many local Greek tribes and cities to come gather to maintain temples to the gods, festivals and work out any disputes and problems.
Megara – Temples to Demeter were called Megara and would be built in groves with neighboring towns nearby.
Mysia – The goddess Demeter worshiped here had a seven-day festival held at Pellene, Arcadia.
Sacrifices To Demeter – These would consist of pigs, bulls, cows, honey cakes, and fruit.
New Year’s Celebration & Divine Child
A near eastern culture with strong ties and connection to the ancient Greeks. The Minoans of Crete held a belief in a fertility goddess whom every year, would give birth to the God of the New Year. That sounds familiar. The New Year’s baby to symbolize the New Year.
This god of the New Year would become the fertility goddess’ lover and of course, the cycle would repeat with the god’s death and his rebirth at the New Year. Similar beliefs and cults are found with those of Adonis, Attis and Osiris.
In Minoan Crete, this fertility goddess is Ariadne and the “divine child” who died every year were part of an aniconic religion whose main deities were female. Every year, an ecstatic sacral dance that involved tree-shaking and the worshiping of stone or stone idols were conducted. The idea and suggestion have been put forward that the worshiping of Persephone may likely be a continuation of the worshiping of a Minoan Great Goddess.
Eileithyia – She is a local Minoan goddess found in Amnisos, Crete where she is a goddess of childbirth who gives birth to a divine child. Her consort is given as Enesidaon, the “earth-shaker” an epitaph of Poseidon. Eileithyia’s myth and cult would come to be absorbed into the Eleusinian Mysteries.
Divine Child – This boy consort to the Great Goddess symbolized the annual dying and renewal of vegetation every year.
Mycenean Greece – Arcadia
While we know the mystery cults existed, not much is known about other than a few inscriptions. In Mycenae, Persephone is thought to have been identified with a local goddess by the name of Despoina, “the Mistress” and chthonic goddess of West-Arcadia. Despoina’s worship is just an example of another deity who would be absorbed into the worship of Greek deities. To the uninitiated of the Arcadian mysteries, the name Despoina was not allowed to be revealed.
The local temples throughout Arcadia were often built near springs and there is evidence of continual fires being kept at some of these. The worship of Demeter and Kore were closely linked to springs and animals.
Another mystery cult similar to the Eleusinian Mysteries. Many of the secret rites and traditions are very similar to each other, including an early concept idea of immortality. Thesemophoria were held and celebrated in the city of Athen before coming more wide spread throughout Greece. It was a women-only festival that held strong association to marriage customs. It would be held on the third day of the year in the month of Pyanepsion, marking when Kore was abducted, and Demeter neglected her duties as a harvest goddess. The date can vary, if the festival were held in Athens, it would during the 11th-13 Pyanepsion, roughly coinciding with October 23rd-25th.
One ceremony involved burying sacrifices of pigs into the earth and then unearthing the decayed remains of pigs buried from the previous year. The remains would be placed on an alter and mixed with seeds before being planted.
Thesmophoria would be celebrated over the course of three days. On the first day is the “way up” to the sacred space. The second day is a day of feasting where pomegranate seeds are eaten. The third and final day, is a meat feast that honors Kalligeneia, goddess of beautiful birth. Hades, under the euphemistic name of Zeus-Eubuleus would attend the feast.
Thesmophoros – “Giver of Customs” or “Legislator” is a name and epitaph that links Demeter to the goddess Themis, which derives from the word thesmos, the unwritten law.
Parentage and Family
Cronus and Rhea
Zeus, Oceanus, Karmanor, and Triptolemus
Iasion – Demeter manages to lure Iasion away during the wedding of Cadmus and Harmonia.
Poseidon – The Arcadian cult and myths link Demeter and Poseidon together. In this respect, Demeter is then equated with the Minoan Great Goddess, Cybele.
She is the second child born of Cronus and Rhea.
The birth order is Hestia, Demeter, Hera, Hades, Poseidon and Zeus.
Chiron – a half-brother by way of Cronus and the nymph Philyra.
Amphitheus I – Her son by Triptolemus.
Arion – A magical speaking horse, her son by Poseidon.
Chrysothemis & Eubuleus – Her children by Karmanor.
Despoina – Her daughter by Poseidon.
Dmia – Her daughter by Oceanus.
Iacchus – Her son by Zeus. Due to the similarity of his name with Bacchus, he is sometimes identified as being Dionysus.
Persephone – Goddess of Fertility and Queen of the Underworld, her daughter by Zeus.
Philomelus – her son by Iasion.
Ploutos – Also spelled Plutus, her son by Iasion.
While Demeter may just very well indeed predate Grecian culture, she is counted among the twelve major deities who resided on Mount Olympus, the highest mountain peak in Greece and all of Europe. For the Greeks, this was the perfect location for where the gods would preside at while keeping watch on humankind down below them.
As there are several deities within Greek mythology, just who numbers among the Olympians varies. It’s generally agreed that the twelve major Olympians are: Zeus, Hera, Poseidon, Demeter, Athena, Apollo, Artemis, Ares, Aphrodite, Hephaestus, Hermes, and then either Hestia or Dionysus.
Birth Of A Goddess
We start with Cronus and Rhea, the parents of Demeter and all her siblings.
As the story goes, Cronus defeated his father, Uranus, overthrowing him to become the leader and King of the Titans. Shortly after, Cronus receives a prophesy that just as he killed his father, so too, would a child of his kill him.
This prompts Cronus to decide to devour his children whole as soon as they are born. This happens five times. Poor Rhea just gets to where she can’t take it anymore. With the birth of her sixth child, Zeus, Rhea hides him away and manages to convince Cronous that this large stone is their latest child. Bon Appetit, Cronous eats the “stone baby” none the wiser that he’s been tricked.
Rhea takes and hides Zeus, that later, when he is older, he can come fulfill the prophecy killing his father Cronus. During the battle, Zeus splits open Cronus’ stomach, freeing all of his brothers and sisters: Poseidon, Hades, Demeter, Hera and Hestia.
There is a ten-year long war known as the Titanomachy, that by the end, Zeus takes his place as ruler and king of the gods on Mount Olympus. Demeter and the other gods take up their roles as part of the newly formed Pantheon.
Demeter & Zeus
Zeus as we know, King of the Gods, fathered many children with many goddesses and mortal woman alike and usually by rape.
In the Homeric Hymn to Demeter, Zeus rapes his sister Demeter, resulting Kore, Persephone.
By one account, Demeter becomes a fourth wife to Zeus and in their union, they have a daughter by the name of Kore (Persephone).
With the information from the Homeric Hymn and Zeus’ reputation, that would be an awful lot of wives if he married everyone he’s to have raped.
The Rape Of Persephone
You read that right. Yes, I could have titled this one differently. However, this is the title of the story for Persephone’s abduction by Hades to the Underworld that many are familiar with and the most well-known story regarding Persephone. Plus, this is also a story involving her mother Demeter and her role in it and the primary story told in the Eleusinian Mysteries.
When Persephone is first known as Kore, the Maiden, she lived with her mother Demeter, a harvest Goddess. Kore herself is a fertility goddess who makes or causes everything to grow. Kore’s father is the mighty Zeus himself.
Kore grew up and spent her time playing in the fields with the nymphs, gathering flowers, playing and with her mother. As she grew older, Kore came to attract the attention of the other male Olympian gods. Hephaestus, Ares, Apollo and Hermes all sought her hand in marriage. The young Kore rejected them all for she was still interested in playing with her nymph friends and collecting flowers. Demeter made sure that her daughter’s desires are known.
This doesn’t stop Hades, the god and ruler of the Underworld. For Hades, this is love at first sight. As was customary, Hades went to his brother, Zeus (Kore’s father), to petition for Kore’s hand in marriage, getting permission.
Zeus took the proposal to Demeter who refused. Kore isn’t going to leave her or go anywhere, least of all the Underworld with Hades. Not going to happen!
At first, this sounds as if Demeter is simply being unreasonable. The type of response of a mother fearing the empty nest or mother smothering and won’t let her child go. What we would call now days, Helicopter Parenting.
Zeus likely thinks he’s being reasonable, mentioning that every child grows up and leaves their parents eventually and that Kore is certainly old enough to marry. But Zeus isn’t listening, he thinks he knows better. That Demeter is just making an idle threat that if he marries off Kore to Hades and takes her down to the Underworld, nothing will grow!
Since they can’t get Demeter’s approval for the match, Zeus and Hades take a step back, allowing Demeter to think she’s won this round. Hades comes up with a plan to outright kidnap/abduct Kore while she is out gathering flowers. Zeus is in on this too and plants a narcissus flower to attract Kore’s attention.
While Kore is distracted by this new, unusual flower, behind her, a chasm opens up in the earth and out comes Hades, riding in his chariot to snatch up Kore to carry away with him back to the Underworld.
Of all of Kore’s Nymph friends, only the Naiad, Cyane tried to rescue and stop her abduction. Overpowered by Hades, Cyane in a fit of grief cried herself into a puddle of tears, forming the river Cyane.
Demeter, hearing the nymph’s cry out that something was amiss, came running, only to find that her daughter is missing and none of the nymphs in their crying could tell her what happened. Angry, Demeter cursed the nymphs that they turned into Sirens. Only the river Cyane offered any help with washing ashore, Kore’s belt.
In vain, Demeter wandered the earth, searching for her daughter. During her search, Demeter found herself in the palace of Celeus, King of Eleusis in Attica. Demeter took the guise of an old woman, calling herself Doso and asked the King for shelter. Celeus took the old woman in and had her nurse Demophon and Triptolemus, his sons.
Now, from a goddess’ perspective, she planned to reward Celeus’ kindness by gifting his son Demophon immortality. To grant the gift of immortality, Demeter anointed the child with ambrosia and laid him down in the hearth fire with the intention to burn away his mortality. Mom, Queen Metanira walks in and see her baby laying in the fire and understandably freaks out, screaming. Demeter decided against this idea and instead taught the older boy, Triptolemus the knowledge of agriculture. From this, this is how humankind learned how to plant, grow and harvest grain.
Unable to find her, Demeter went and hid herself in sorrow at the loss of her daughter. Once plant life begins to die, the other gods go in search of her. Especially once all their followers begin to cry out there’s no food, help them.
Pan is the one who eventually finds her in a cave. Demeter in her despair, reiterates that without Kore, nothing will grow.
The way this gets told in most retellings, Demeter is threatening to refuse any new life or plant growth. To appease her and prevent people from starving, the gods agree to find Kore so that life can return. It seems that way if you don’t know or forget Kore’s already existing role as a fertility goddess.
Hecate realizes and knows there’s a problem. Hence, she intervenes. All isn’t lost if Kore hasn’t eaten the food of the Underworld, the dead, she can return to the world above.
Down in the Underworld, a frightened and despairing Kore is refusing the advances of Hades and refusing to eat any food. Kore knows that if she eats the food, she won’t be able to return to the living world.
Now at some point, Hecate comes and talks with Kore. At some point, Kore falls in love with Hades or she sees the state of what the Underworld is like. A plot twist comes and Kore does, either willingly or tricked into it, eats some pomegranate seeds. The number of which varies from one to four, Persephone is bound to the Underworld and must spend part of the year there. The rest, she can spend above in the mortal world with her mother Demeter.
This way, Hades doesn’t lose his wife and queen and Persephone can fulfill her role as a fertility goddess, bringing life to the land.
As a note, I came across commentary that says there are some 22 variations in Antiquity about the story of Persephone’s abduction. I doubt I could find all of them. The Homeric Hymn to Demeter written between 650-550 B.C.E. is thought to be the oldest story.
Overly Simplified – One version of the above story is drastically simplified and glosses over a lot of details to the story of Persephone and Hades. In it, Hades just happens to be out and about in the mortal realm when he spots Persephone. It’s easy enough to say Hades has love and first sight and he simply grabs Persephone and carries her off with him down to the Underworld. Persephone is unhappy at first with her lot, but eventually she grows to love Hades and comes to accept her fate as his wife.
As to Demeter, she is so overcome with grief at the loss of her daughter that she neglects her duties with creating plant growth. It is Zeus who makes a decree that Persephone may be reunited with her mother, but only for part of the year. Zeus sends the god Hermes down to the Underworld to retrieve and bring Persephone back.
Hades held no desire to give up the goddess whom he intended to marry. Coming up with a plan, Hades tricked Persephone into eating some pomegranate seeds. Now because she had eaten the food of the Underworld, Persephone was bound to stay.
Persephone needed to only stay part of the year and the rest, she could be with Demeter. This way too, Hades didn’t lose his bride for she would have to return to him.
Not the best version of the story to give as it removes many details and robs Persephone of any agency or choice in the matter. Stockholm Syndrome at its finest.
Version 2 – When Demeter becomes distraught over the loss of Persephone, she goes mad and wanders the land disguised as an old woman carrying a pair of torches in her hands. She searches for some nine days and nights.
Eventually Demeter meets Hecate on the tenth day who takes pity on Demeter’s miserable appearance. Hecate tells Demeter to seek out Helios, the sun god who can tell her of what happened. Demeter finds Helios who informs her about Hades abducting Persephone.
Demeter begs Hades to release Persephone and allow her to come back to the living world. Hades consults with Zeus about the matter. Hecate returns and lets Demeter know that Persephone hasn’t eaten four pomegranate seeds and because of that, Persephone will still be able to return to the living world. There is a catch and that is, because Persephone has eaten some of the pomegranate, she will have to return to the Underworld for part of the year.
Both version 2 and 3 retellings go for making it look as if Demeter is responsible for refusing to allow anything to grow and does so out of anger or spite. Or that in her grief, Demeter simply neglects her duties for making things grow. This idea originates in Homer’s “Hymn to Demeter,” that gives the idea that Demeter is in charge of fertility.
Those versions work if you want to ignore that Kore/Persephone is a Fertility goddess, she’s the one who is responsible for new plant growth.
Version 3 – Some versions of the story place the episode where Demeter goes to Celeus’ kingdom to hide in sorrow after she learns just who abducted Persephone. Regardless of if its Helios or Hecate who tells her the news.
This placement in the narrative often fits when the impression of Demeter as Fertility goddess is wanted to be given and that in her despair or out of spite, sets the world on a path to barrenness and winter.
Side Note – Sometimes the characters of Demephon and Triptolemus seen as being the same person, especially Triptolemus.
Ascalaphus – In what seems to be padding the story, Ascalaphus, the keeper of Hades’ Orchard is who tells the other gods that Persephone has eaten the pomegranate seeds. Demeter becomes so enraged with this news that she buries him beneath a huge rock in the Underworld. Later, when Ascalaphus is released, Demter turns him into an owl.
Hades’ Role In The Myth
In the story for the Rape of Persephone, Hades fits into the story as he is an Underworld deity himself. Among the Greeks, it was believed that Hades rode around in his chariot catching the souls of the dead to carry back down to the Underworld.
With Persephone being a chthonic goddess, the Greeks likely came up with the story to better fit the goddess to her role as a Queen of the World. It unfortunately greatly diminishes her role and what her functions were from a much earlier era.
In the myths where Hades is called Pluto or Ploutos, he is not only a god of the Underworld, but wealth where the riches of the earth can be found. Partnering him up with Persephone is meant only to add to his power and domain for now it is the riches of the earth in terms of fertility. In this case, the wealth of corn or grain springing forth from the ground every year and the promise of renewal it brings with it.
This is perhaps the biggest aspect about Demeter. As an Earth Goddess and Goddess of the Harvest, this is Demeter’s biggest role in her gifting mankind with the knowledge of agriculture, especially for grains and cereals. Without the advent of agriculture, humans would still largely be hunter-gatherers moving about and never having settled in any place to build cities and all the rest that follows.
Grain – This crop was of great importance to the ancient Greeks as it was rare and hard to come by in the Grecian country sides. Persephone’s close association with this crop held the promise of renewal, regeneration and possibly immortality, knowing that she would return every spring.
This strong connection of grain and rebirth or renewal is what ties Demeter so closely to the Eleusinian Mysteries. In Hesiod, there are prayers to Zeus-Chthonios and Demeter to help ensure that the crops will be full and strong.
Secrets Of Agriculture – In the larger story of “The Rape of Persephone,” there is a shorter episode that occurs. During Demeter’s search for her missing daughter, the goddesses’ wanderings took her to the kingdom of Eleusis in Attica where King Celeus ruled. While there, seeking shelter in the guise of an old woman, Demeter, after deciding to not gift immortality to the young son, Demophan, the goddess instead taught the knowledge of agriculture to the older son, Triptolemus. In this way, this is how humankind learned the knowledge of how to plant, grow and harvest grain.
Now, there a few different versions to this myth and other figures such as Eleusis, Rarus and Trochilus will be who learned the secrets of agriculture. Fair enough.
Without the knowledge of agriculture, humankind would have continued to be nomadic, hunter-gathers. With Demeter’s influence, humankind is able to settle and stay in one place to begin building up their cities and civilizations. This fits with one of Demeter’s names: Thesmophoros as “Law Bringer” and laying out the planning and laws of society.
Seasonal Cycles & Changes
Like her daughter, Demeter is also closely connected to the Ancient Greeks beliefs about the changing of the seasons, especially as seen in the story: “The Rape of Persephone.” That Spring and Summer are when Persephone has returned to the Living World to be with her mother Demeter and that Fall and Winter come when Persephone descends back down to the Underworld to be with her husband Hades for the rest of the year.
Sure okay, makes sense I guess.
The more simplified Greek versions would have it that Demeter is responsible for the fertility of the earth and that she causes it to be winter out of grief and spite because her daughter Persephone isn’t with her. Add to that so many people wanting to give stories about how fickle and petty the Greek Gods could be, this just seems to fit the Pantheon’s MO, nobody is questioning the story?
Yay! I love mankind so much! I’m going to teach them agriculture and how to harvest! Boo! Hiss! You took my daughter! I’m going to punish the very mortals I claim to love so much by making the earth barren and winter!
That really doesn’t make sense!
Fertility Goddess – That’s because you have to remember that Persephone is a chthonic fertility goddess. The earth can grow again, and Spring comes when Persephone has ascended to the Living World.
The fertility function is something that the Greeks really seem to have forgotten and which role and function they attached to Demeter. That way, a version of the story where Demeter is the fertility goddess, it’s out of spite and grief that Demeter causes winter and refuses to allow anything to grow.
Harvest Goddess – Yeah! Everyone remembers this aspect about Demeter. Afterall, she taught mankind the secrets of agriculture! This is Demeter’s domain and better fits the dual roles that she and Persephone share.
Alright kiddos, Persephone’s going back to the Underworld to be with Hades again, better bring in those crops and harvest like I told you! It’s gonna’ be awhile and we don’t need any empty bellies or people dying while we wait for Persephone to come back.
Fall comes, and this is where Demeter’s role comes in. As plants become dormant or die, now is the time for harvesting, to make sure there enough food has been stored and gathered for the long winter months until Persephone and Spring returns. The first loaf of bread is thought to have been sacrificed to Demeter.
As a goddess of the Harvest, this domain ties closely to Demeter’s role as a goddess of Agriculture, having taught humankind it’s knowledge so they can grow enough food.
To keep with the version of the story where Demeter makes it Winter out of spite or grief because her daughter has been abducted seems contradictory. Especially if Demeter is one of the few Greek Gods who is considered closest to humankind and understands the most about grief and loss.
Just by the very meaning of Demeter’s name, “Earth Mother,” we know she is a mother goddess. Not necessarily a “Great Mother Goddess” as the Romans would identify Cybele and Rhea with.
As a mother goddess, Demeter is seen as the most compassionate and closest to humankind of all of the Greek Gods for she is the one who understands the most about grief and loss. It’s her gifts of abundance and the harvest yields that nurture and sustain humans through the long winter months.
This is another plant besides grains that is strongly associated with Demeter. Her emblem is that of a bright red poppy flower growing among the barley. Theocritus wrote of Demeter being a poppy goddess, that she held poppies and sheaves of grain in both of her hands. In Gazi, Minoa, there is a clay statuette that was found of a goddess wearing seed capsules on her diadem. The idea has put forward that a Great Mother Goddess, under the names of Rhea and Demeter introduced the poppy with her cult in Cretan.
Healing A Poor Man’s Son – An episode often set during Demeter’s search for her daughter, the goddess comes across a poor, old man who is out gathering firewood. He invites the goddess to his home, likely not knowing who she is, and offers to share a meal with her. This would be the law of hospitality among the Greeks known as Xenia.
When Demeter told the old man about her search for her missing daughter, he wished Demeter success and said that he understood her grief and suffering for his own son lay dying. Taking compassion, Demeter decided to go with the old man to his home. She stopped once to gather some poppies and when they arrived, Demeter went straight to the boy’s bedside, kissing him on the cheek. At once, the boy’s sickly pallor left him, and he was restored to health.
As to the poppies, I assume the story intended some healing use and connection. Poppies are a source of opium from which morphine is derived. There is a history of poppies being used medicinally, mainly for diarrhea and pain, chest colds, coughs and pneumonia. So, a Greek audience likely knew very well what Demeter intended to use the poppies for.
Poppy seeds are also used in preparations for bread and confections. Not likely an immediate use of drug abuse.
Goddess Of Marriage
As a goddess of marriage, Demeter is venerated at the celebration of Thesmophoria. It’s an interesting connection and one that makes sense if one remembers that it wasn’t unusual for mothers to be kept out of the loop as to whom their daughter would marry when the father is making the arrangements.
Of course, this future husband was likely someone easily two if not three times the girl’s age and she would find herself torn from her birth home and leaving to live with her husband, most likely in another town and province.
Demeter’s grief over the loss of her daughter would resonate with many women in ancient Greece. Taking from the stance of Demeter as responsible for fertility, she, unlike many women was able to do something that others couldn’t. That was to defy Zeus’ will by holding the world hostage until he agrees to release Persephone back to Demeter, even if only for part of the year.
It may have been a partial victory, but a victory all the same for Demeter. Many mothers probably hoped to be able to do something similar. Or say, a daughter could return to visit her maternal family, things would never return to the way they were before. But just for a little while, they could.
Demeter & Iasion
Iasion is noteworthy as he is considered the only consort Demeter took by choice rather getting raped or forced by another person. Iasion is the son of Zeus and the mortal woman, Elektra.
During the marriage of Cadmus and Harmonia, Demeter spotted Iasion and fell in love. She managed to lure Iasion away from all the other party goers. The two would head out to a field near Crete where they would have a tryst. Demeter would later give birth to twins: Ploutos (or Plutus) who is known for bestowing wealth and plenty on people and Philomelos who would become the patron of plowing.
Zeus would become jealous of Iasion and kill him with a thunderbolt. By one account, Zeus didn’t think it appropriate that a Goddess would consort with a mortal. But it’s okay if he does it? Got it.
Ploutos & Philomelos
In a case of sibling rivalry, Philomelos was envious of Ploutos great wealth. Rather than re-enact a biblical scene worthy of Cain and Abel, Philomelos bought a pair of oxen and invented the plow so he could earn a living tilling the earth. This so impressed Demeter, that she placed Philomelos up into the heavens to become the constellation Bootes.
Demeter & Poseidon
Well sure and why not? Demeter is the Goddess of the Earth and Poseidon is the God of Water. That’s a good match and they’re consenting adults and gods.
Mycenaen Greek – This is Bronze Age Greece, there is a script known as Linear B found in Mycenae and Mycenaean Pylos where both Demeter and Poseidon’s names appear. Poseidon is given the epitaph of E-ne-si-da-o-ne “earth-shaker” and Demeter’s name is given si-to-po-ti-ni-ja. In these inscriptions, Poseidon’s title and epitaph E-ne-si-da-o-ne (Enesidaon) links him as a King of the Underworld and gives him a chthonic nature.
Touching back to the Eleusinian Mysteries, there are tablets found in Pylos that mention sacrificial goods for “the Two Queens and Poseidon” or “to the Two Queens and King.” It’s agreed that the Two Queens very likely refer to Demeter and Persephone or its later precursor goddesses who are not associated with Poseidon later.
Eileithyia – She is a local Minoan goddess found in Amnisos, Crete where she is a goddess of childbirth who gives birth to a divine child. Her consort is given as Enesidaon, the “earth-shaker” whom we just mentioned is Poseidon. Her cult and worship would survive within the Eleusinian Mysteries. Plus, we see where local deities’ worship get absorbed and conflated with a more popular, well-known deity.
Arcadia – We’re still in Bronze Age Greece! Here, Demeter and Poseidon Hippios or Horse Poseidon give birth to a daughter, Despoina, who is a goddess in her own right before some of the myths confuse her with Persephone or make her an epitaph of Demeter.
In this myth, Poseidon is a river spirit of the Underworld, appearing as a horse. In this form, Poseidon pursues Demeter, who is also in horse form. Demeter hid among the horses of King Onkios. Due to her divinity, Demeter couldn’t remain hidden for long and Poseidon caught up with her and forced himself on her. When the two gods copulate, Demeter gives birth to a goddess who is also in horse or mare form. This is a myth that sounds very similar to another one between Poseidon and Athena and more accurately, Philyra and Cronos when Chiron is born. The horse motif is very common in norther-European myths and folklore.
As a mare-goddess, Demeter is known first as Demeter Erinys due to her fury with Poseidon for forcing himself on her. She becomes Demeter Lousia, “the bathed Demeter” after washing away her anger in the River Ladon. There’s something to be said for this as you can’t hold onto your anger forever, you must let it go or otherwise it consumes you.
The whole myth of pairing up Demeter and Poseidon is to connect Demeter as a Goddess of the Earth and Poseidon as a God of Water with their connection over nature. Despoina is the daughter who results from their union and whose name could not be spoken outside of the Arcadian Mysteries. Demeter and Poseidon also have another child, a horse by the name of Arion who is noted being able to speak, being immortal, really swift and for having a black mane and tail.
The effigy or imagery of Demeter worshiped in Arcadia depicts her as a gorgon or medusa-like with a horse’s head and snake hair while holding a dove and dolphin that likely represented her power over air and water. Close to the Arcadian city of Phigaleia, there is Mt. Elaios where a cave held sacred to Demeter is found. Here, an image of Demeter Melaine is seated showing the goddess dressed in black with a horse’s head and snake hair. According to Pausanias’ Description of Greece, when the statue caught fire and was destroyed, the Phigalians failed to make a new statue for Demeter, eventually leading to neglecting her sacrifices and festivals, the land became barren.
Demeter & Ascaelabus
I assume this is an episode set during when Demeter is searching for her daughter. When Demeter stopped at one point to kneel by a spring to quench her thirst, a man by the name of Ascaelabus began laughing when he heard the sound of Demeter’s gulping. Angry and embarrassed, Demeter turned the man into a lizard for his rudeness.
Demeter & Triopas
Considered the father of the Thessalians, Triopas was cursed by Demeter after he destroyed one of her temples. In retaliation, Demeter sent a huge serpent to kill Triopas. Even in death, Demeter wasn’t finished and she set Triopas up among the heavens as a constellation where the serpent could forever torment him.
Demeter & Erysichthon
Erysichthon was a Thessalian hero who decided to build himself a palace. Unfortunately for Erysichthon, the grove of trees he chose were sacred to Demeter. As Erysichthon set about to cut down the trees, Demeter came in disguise as a priestess by the name of Nikippe to try and warn Erysichthon not to cut the trees.
Nikippe is also the name of a nymph who lived in the grove. So when Erysichthon ignores the warning and chops down the tree, killing Nikippe, Demeter became very wroth and cursed Erysichthon with an insatiable hunger.
The more that Erysichthon ate, the thinner he became. In addition, when he had spent all of his money to try and sate his insatiable hunger, Erysichthon turned to selling his daughter Mestra into slavery.
Luckily for Mestra, she was a mistress of Poseidon and he granted the powers of shape-shifting into animals. Using this ability, Mestra would be able to escape slavery every time her father sold her.
In New Age, Pagan and Wiccan practices, Demeter is often seen as the Mother aspect of the “Triple Goddess” with Persephone representing the Maiden and Hecate the Crone.
Virgo Zodiac Constellation
The constellation of Virgo is the sixth sign of twelve that form the classical Greek Zodiac. For those who study and are into the classical Greek Zodiacs, this time is typically said to be from August 23 to September 22. Virgo is often depicted as a Winged Maiden holding a stalk or sheaf of wheat or some other grain in her hand. This figure is sometimes identified with that of Demeter, most notably by Marcus Manilus in his Astronomicon in 1st century Rome.
Ceres – Roman Goddess
Ceres is the Roman goddess of agriculture, grain crops, fertility, and motherhood and equated with Demeter. Similarly, Ceres has a daughter by the name of Proserpina is also abducted by Pluto down to the Underworld to become Queen of the Dead. The biggest difference in the myth is that Pluto is struck by an arrow from Cupid after his mother Venus told him to do. This is what causes the God of the Dead to fall madly in love with Proserpina. The other difference is that Cere’s celebrations and festivals come during the Spring while Demeter is venerated in Fall with the Harvest.
Cybele – Phrygian & Roman Goddess
The Greeks are who make the connection and equate Cybele with Demeter and Rhea, seeing in her a Mother Goddess. While Cybele does have her origins in Phrygian worship, when the Greeks encountered her, they just saw another deity like their own, just under a different name. Yes, all three are a Mother Goddess and Goddess of the Earth, you can see why the Greeks would equate all three together.
The Romans are clearer in acknowledging more clearly the genealogy of the Greek pantheon and equating Cybele whom they readily adopted as their own with Rhea and then equating Demeter with Ceres, a Roman Harvest goddess.
Antaea – This name and epitaph is one that is applied equally to Cybele, Demeter and Rhea by the Greeks. The meaning of the name is unclear, though it does denote a name for a goddess whom people could approach in prayer.
Rhea – Greek Goddess
The Greeks are who equate Demeter with her mother, Rhea, a Titaness, mother of the gods who is also a goddess of the earth and fertility. As I previously mentioned with the name of Antaea, that epitaph could be applied to Demeter, Cybele and Rhea equally. It works if you’re just seeing all the gods as different aspects of the divine and not making any distinction. It’s possible that’s just remnants of an older belief and religion that the Greeks replaced with their own.
Gaia – Greek Goddess
I’m my own Grandma!
Not really, leave it to the Greeks to continue with blending all their deities as being one and the same, to blur or ignore their own genealogies for their Pantheon. Gaia is the primordial goddess of the Earth and from whom all life sprang forth. Again, it works if you’re just seeing all of these deities as just different aspects of the divine.
Etymology – The Altar (Latin), Incense Burner or Censer (Greek – Thymiaterion)
Also known as: θυτήριον, θυμιατήριον, Thymiaterion (Greek), Ara Centauri (Roman), Focus, Lar, and Ignitabulum, Thuribulum (Latin),
Ara is the name of a constellation in both Greek and Roman mythology that represents the altar that sacrifices to the gods were made on. The Milky Way galaxy was said to represent smoke rising up from the offerings on the altar. It is a southern constellation that lays between the Scorpius and Triangulum Australe constellations along the southern horizon on the Northern Hemisphere.
The constellation known as Ara is one of 48 constellations listed by the 2nd century astronomer Ptolemy in his book, Almagest. Ara was noted as being close to the horizon by Aratus in 270 B.C.E. Bradley Schaefer, a professor of astronomy, has commented that the ancient star gazers must have been able to see as far south on the southern hemisphere for where Zeta Arae lays, in order to pick out an alter constellation. The stars comprising of Ara used to be part of the Centaurus and Lupus constellations until the astronomer, Nicolas Louis de Lacaille created the Ara constellation during the mid-eighteenth century. Today it remains as one of the 88 current or modern constellations. It is one of the smaller constellations, ranking 63rd in size.
Constellations bordering with Ara are: Apus, Corona Australis, Norma, Pavo, Scorpius, Telescopium, and Triangulum Australe. The best time to spot Ara is during July in the Northern Hemisphere.
The stars for Ara are found in Dōng Fāng Qīng Lóng or the Azure Dragon of the East. In modern Chinese, Ara is known as Tiān Tán Zuò (天壇座), meaning: “the heaven altar constellation.”
Guī – Five of the stars (most likely Epsilon, Gamma, Delta, Eta, and Zeta Arae) in Ara form a tortoise that lived in the river formed by the Milky Way. Since tortoises are land animals, this likely a turtle as they were a prized delicacy. Another turtle found in Chinese astronomy is Bie who is located on the banks of the Milky Way in the Corona Australis.
Chǔ – Three stars (most likely Sigma, Alpha, and Beta Arae) in Ara form a pestle that is seen as pounding rice and separating the husks into a basket, Ji that is found in Sagittarius. Sometimes Chǔ is placed within the constellation Telescopium and depicted by the stars Alpha and Zeta Telescopii.
In Christian astronomy, Ara represents the altar that Noah built to make sacrifices to God on after the great flood.
In Greek myth, Ara represents the altar that Zeus and the other Greek gods swore their oaths of allegiance on before they went to war against the Titans to overthrow Cronus. This particular altar that the gods swore on is held to have been built by the Cyclopes.
It should be noted that Cronus was one of twelve Titans who had also usurped his own father, Uranus, the previous ruler.
What comes around, goes around. A prophecy was given that Cronus would suffer the same fate of being displaced by one of his own children. To prevent this from happening, Cronus swallowed all of his children whole as they were born. These children being: Hestia, Demeter, Hera, Hades, and Poseidon who would all go on to be the Olympic gods.
When Rhea, Cronus’ wife gave birth to her youngest son, Zeus, she hid him in a cave on Crete and gave Cronus a stone, telling him that this was Zeus. Duped, Cronus swallowed the stone. Later, when Zeus had grown up, he managed to get Cronus to vomit up his siblings. Cronus’ children swore vengeance and to help Zeus overthrow Cronus and the other Titans.
The war lasted many years and had come to a standstill at one point and Gaia, goddess of the Earth and spouse to Uranus instructed Zeus to free the ugly, deformed kin of the Titans. These kin were the Hecatoncheires (hundred-handed giants) and the one-eyed Cyclopes who sorely wanted revenge against Cronus for having been imprisoned down in Tartarus.
Making his way down to the depths of the underworld of Tartarus, Zeus freed the Hecatoncheires and Cyclopes, asking them to join his side against Cronus and the other Titans. In gratitude for their freedom, the Cyclopes created a helmet of darkness for Hades, Poseidon’s trident and thunderbolts for Zeus.
Victory didn’t take long after, bringing a ten-year war to an end. Zeus would become the god of the sky, ruling over the other gods from Mount Olympus, Poseidon would become the gods of the sea and Hades would become the god of the underworld.
To commemorate their victory over the Titans, Zeus placed the alter up into the heavens to become the constellation Ara.
Alternatively, Ara has been seen to represent the altar of King Lycaon of Arcadia. Yes, that Lycaon, who held a feast for the gods and dished up one of his sons, Nyctimus as the main course.
Why? Because Lycaon wanted to test Zeus to see if he was omnipotent. Okay dude, not a good idea, this sort of thing with testing and challenging the gods is called Hubris. It is never a good idea to anger the gods.
Needless to say, Zeus was not amused by this affront and turns Lycaon into a wolf (represented by the constellation of Lupus) before killing Lycaon’s other sons with lightning. As for Nyctimus, Zeus restored the child back to life.
Another version of this story given by an Eratosthenes, holds that Lycaon had served up his grandson Arcas at this feast. This would really anger Zeus as Arcas is his son by way of an affair with Callisto, who happens to be Lycaon’s only daughter.
In terms of predicting the weather forecast, it was said by the Greek poet Aratus, that if sailors saw the constellation of Ara, it meant that there would be wind blowing in from the south.
Other weather forecasting held that if the Ara constellation was the only visible constellation in a cloudy night sky, that there would be a storm coming.
The Romans called Ara by the name of Ara Centauri as it represented the altar that Centaurus used when sacrificing the wolf, Lupus.
In this version of the myth, Centaurus is shown in the night sky as carrying the wolf, Lupus to sacrifice on the altar, Ara.
Altar To The Gods, Hearths & Oaths
A more minor bit of lore, is that the Ara constellation represents the actual altar that people would burn incense on to show respect for Zeus.
Out of all the constellations for Ptolemy and other ancient Greek Astronomers to point out, why an Altar? It’s clearly important to the ancient Greeks. Many heroes in the Greek & Roman mythologies made sacrifices to different deities, so it does make sense that something so important would find a place of note in the heavens.
It is very likely that this is just a smaller constellation taken from a larger whole that tells a story narrated out in the night sky, much like the constellations for the story of Perseus and Andromeda or the three constellations that make up the Argo Navis for the story of Jason and the Argonauts.
Usually I want to roll my eyes when I come across an article while researching for a bit of mythology that gets too long winded about the etymology of a word and seems to try and make far too many linguistic connections.
This time it seems to bear some strong merit.
The interesting tidbit I came across is how the Latin word altar was adopted into the Old English word altar as a derivative from the plural noun “altaria”, meaning: “burnt offerings” and likely from the verb “adolere” meaning: “burn up.”
This word connection and etymology has been linked to Hestia, the goddess of the Hearth. The center of the home. That the description of Ara with the smoke from the Altar is that of smoke rising from the hearth of Greek and Roman homes.
More significant is that the Altar was the place where people would swear their oaths. Further etymology games and connections have brought up that the Greek word for oath is horkos and where the modern word exorcise, meaning: “’to bind by an oath” or “to drive out evil spirits” as seen in the Greek word of exorkizein (ex – out and horkos – oath). That seems to make sense in the story of the Titanomachy when Zeus swears an oath on the altar to kill his father and over throw the other Titans. Thus, making way for a new era ruled by the Olympian gods
Making a jump to Roman mythology, you have Orcus, a god of the underworld and punisher of broken oaths. There wouldn’t be this aspect to a deity unless it wasn’t considered important. Again, comes the linking of the Roman Orcus to the Greek orkos or horkos, meaning to swear and the variations of exorkezein, “to bind by an oath,” orkizein ‘to make to swear’, from the word orkos, ‘an oath.”
Continued word etymology has me looking at how the root orkos is very similar to the Greek erkhos or serkos, meaning: “an enclosure, hedge or fence” and is a cognate to the Latin “sarcire” meaning: “to patch or mend” with similar words of sark “make restitution,” sartoruis and sarcire, “to mend or repair.”
It used to be that your word was your bond and that giving one’s word or oath really meant something. Nowadays it feels like you need to have it in writing with the possibility of needing to take people to court if they don’t fulfill any contractual agreements of significant importance.
The constellation of Ara, along with 18 other constellations of: Aquila, Centaurus, Corona Australis, Corvus, Crater, Crux, Cygnus, Hercules, Hydra, Lupus, Lyra, Ophiuchus, Sagitta, Scutum, Serpens, Sextans, Triangulum Australe, and Vulpecula.
All of these constellations have some connection to the overall legend and myth of the Grecian hero Hercules. They are the largest grouping of constellations found in the Western Hemisphere.
Stars of Ara
Alpha Arae – Also known in Chinese as Tchou or Choo, meaning “pestle.” Is the second brightest in the Ara constellation.
Beta Arae – This is the brightest star in the Ara constellation.
Gamma Arae – Is a blue-hued supergiant star thought to be 12.5 to 25 times bigger than the Earth’s own Sun.
Mu Arae – Is a sun-like star that has four known exo-planets orbiting it.
Delta Arae – Also known in Chinese as Tseen Yin, meaning “the Dark Sky.”
Zeta Arae – This is the third brightest star in the Ara constellation.
Named for the distinct “stingray” shape, this Nebula is located roughly 18,000 light years away from the Earth. As of 2010, this is the youngest known planetary nebula found within Ara. While smaller than many other planetary nebulae that have been discovered so far, the Stingray Nebula is still 130 times larger than our solar system. The light for this nebula was first observed in 1987. It is a planetary nebula some 18,000 light years away from the Earth.
Water Lily Nebula
Also, catalogued as IRAS 16594-4656, this is a pre-planetary nebula found within the Ara constellation that is in the process of forming planets. It was first discovered by the Hubble Space Telescope.
Westerlund 1 (Ara Cluster)
This is a compact cluster of relatively young (a few million years old) stars located some 12,100 to 16,000 light years from Earth. Westerlund 1 is named after the Swedish astronomer, Bengt Westerlund who first discovered it in 1961.
Also known as: The Seven Sisters, Vergilia, Vergiliae, Ladies of Plenty
In Greek mythology, the Pleiades are a group of seven sisters who are the daughters of Atlas and the sea-nymph Pleione, a protector of sailors. A slight variation to this is that instead of Pleione as the mother of the Pleiades, it is the sea-nymph Aethra or Erechtheus who is their mother.
They were born on Mount Cyllene. As the daughters of Atlas, they are also the half-sisters to the Hyades. Like the Hyades, their brother is Hyas. Other accounts will place Calypso and the Hesperides as their sisters too.
The Pleiades are also some of the many nymphs associated with the goddess Artemis. With their sisters the Hyades, they were also called the Atlantides, Dodonides and Nysiades. Depending on the stories referenced, they served with the Hyades as nursemaids and teachers to a young Dionysus.
The Pleiades star cluster is known throughout the world and many cultures revere and refer to these stars in a number of different cultural mythologies and astronomies. Only those cultures and people located far to the south on the Earth seem to have no significant mythologies or astronomy related to this star cluster.
In astronomy, the Pleiades are known as the Seven Sisters or Messier 45 and are one of two star clusters or asterisms found within the Taurus constellation. The Pleiades is sometimes, erroneously referred to as the Maia Nebula. It is believed that only six of the seven stars can be seen without the aid of a telescope. The star that isn’t visible is Merope, who hides her shame at having married a mortal, Sisyphus, the king of Corinth. Latin author Hyginus has suggested that this star is likely Electra mourning the loss of her son Dardanus.
For many ancient people and cultures around the world, the appearance of the Pleiades often marks important or significant annual events for changes of the seasons or agriculture.
Famed astronomer, Galileo Galilei is considered the first astronomer to use a telescope when observing the Pleiades. He’s thus the first to discover that this asterism contains numerous stars that are too dim to be seen with the naked eye. Galileo’s book Sidereus Nuncius has a sketch of the Pleiades showing 36 stars. The use and aid of telescopes has shown that there are as many as 500 stars within the Pleiades star cluster.
People with exceptional eyesight have been known to see more stars within Pleiades than the seven of Greek legend. Some claim to have seen as many as 20 stars. Maestlin, who tutored Kepler is to have mapped out 11 stars within the Pleiades before the advent of the telescopes.
From the Earth’s perspective, the Pleiades appear to be within the Taurus constellation. In the Northern Hemisphere, the best times to view this star cluster is in September, November and January. For many cultures located in the Northern Hemisphere, the month corresponding to November is often seen as the month for the Pleiades it is at this time the asterism can be seen rising from dusk and setting at dawn.
Over the last few years, astronomers have been learning more and more about the Pleiades star cluster. Not just in the high number of stars that make up this asterism, but the discovery of stars known as brown dwarfs. Brown dwarfs are small stars that may have started off like other stars, they lack having enough mass to create enough of a temperature and pressure to burn. After a brown dwarf’s initial creation, it may flicker or give off a small amount of light due to small quantities of deuterium burning. Most brown dwarfs are about the size of Jupiter and have about 10 to 80 times its mass. Eventually, a brown dwarf will fade and whatever core temperature and light it did have is gone, making brown dwarfs hard to find.
The meaning for the word Pleiades has numerous different meanings. It is typically thought the Pleiades are named for their mother Pleione in Greek mythology. There’s a good deal of uncertainty as other words suggested are: plein, “to sail” and then there is pleos, “full, many” and lastly, peleiades, “flock of doves.”
Now days, the word Pleiades has generally taken on the meaning of “multitude.” It has inspired the name for a French literary movement called La Pléiade. There is also an earlier group of Alexandrian poets, known as the Alexandrian Pleiad.
Sisters In Myth, But Not In Astronomy
Nine of the brightest stars in the Pleiades are named for the seven sisters of Greek mythology and their parents Atlas and Pleione. While in Greek legends the Hyades and Pleiades are half-sisters, when it comes to astronomy, the two star clusters aren’t related at all.
While there are seven sisters and stars mentioned in the classical Greek mythology, the Pleiades are composed of hundreds of stars. In 1767 C.E., the Reverend John Michell calculated that the probability of such a seeming random chance alignment of so many stars to be 1 in 500,000. Since then, astronomers have found that the Pleiades star cluster is composed of hot blue-white suns, placing the age of this cluster to be some 100 million years old. The Hyades star cluster is composed of cooler red giant and white dwarf stars that place this cluster being far older at over 700 million years old.
Despite the myth of the Pleiades fleeing from Orion’s unwanted advances, this star cluster is slowly moving towards the stars that make up the feet of the Orion constellation. This will actually take about 250 million years.
The Seven Sisters
In regards to Greek mythology, the stars of the Pleiades represent a group of seven sisters, all of whom are daughters of the titan Atlas and the Oceanid Pleïone.
All seven sisters had love affairs with different prominent Olympian gods with the exception of Merope who was punished for loving a mortal. For this reason, Merope doesn’t shine as brightly as the other stars as she is thought to be concealing her shame.
Their names are given as follows:
Alcyone – Also called Halcyone, “queen who wards of evil [storms]” or “strong helper”. By Poseidon, she is the mother of Anthas, Aethusa, Hyperenor and Hyrieus.
Asterope – Also spelled Sterope, “lightning,” “twinkling,” “sun-face,” “stubborn-face,” “star-faced” or “flashing-face.” By Ares, she is the mother of Oenomaus, the king of Pisa. Other stories place Oenomaus as her husband.
Celaeno – Also spelled Celæno, “swarthy,” “black” or “dark.” By Poseidon, she is the mother of Eurypylus and Lycus. A different account says that by Prometheus, she is the mother Lycus and Chimærus.
Electra – Also called Eleckra, “amber,” “shining,” “bright.” By Zeus, she is the mother of Dardanus, the founder of Troy. Some accounts place Electra as the mother of Iasion with Zeus as the father. She is called Atlantis by Ovid. According to Thaumas, this Electra may be the mother of the Harpies.
Maia – “grandmother,” “mother,” “nurse,” “the great one” or “good nursing mother.” The oldest of the Pleiades, by Zeus, she is the mother of Hermes.
Merope – “eloquent,” “bee-eater,” “mortal” or “sparkling-face.” The youngest of the Pleiades, she was wooed by Orion. In other retellings of her story, she marries the mortal Sisyphus and thus becomes mortal herself and eventually she fades away or dies. With Sisyphus, Merope had several sons: Glaucus, Ornytion and Sinon. She is sometimes said to be the mother of Daedalus, Alcippe and Iphinoe.
Taygete – Also spelled Taigete, “long-necked” or “of Mount Taygetus.” By Zeus she is the mother of Lacedaemon, the founder of Sparta. By this, she is an important goddess.
The Lost Pleiades
The Greek myths tell of the loss of one of the Pleiades, Merope who is said to be hiding her face in shame as she married a mortal, leaving only six stars that can be seen. Sometimes the missing Pleiades is Electra who is hiding her face at the destruction of Troy. She reappears afterwards as a comet and as a result, the passing of comets in the heavens came to be associated with impending doom or disaster. Other times it is Celaeno, who was struck by lightning.
The story of a missing Pleiad also appears in other cultures such as African, Asian, Australian, European, Hindu, Indonesian, Jewish, Mongolian and Native American mythology. The star Celaeno is currently the dimmest star. However the star, Asterope is actually two stars, both of which are dimmer than Celaeno. There does seem to be a basis for this part of the legends as astronomical evidence clearly points to a once visible star within the Pleiades cluster that has since become extinct by the end of second millennium B.C.E.
Etymology – The Eagle
Pronunciation: There are a few different variations – ˈækwɨlə, əˈkwɪlə and ˈækwɨli
Also known as: Αετός Δίας (Aetos Dios), Aquila Jovis, the Bird of Zeus and the King of Birds
The constellation Aquila, the Eagle has been recognized as early as 1,200 B.C.E. The Euphratean uraanographic stone, dating from the Mesopotamian cultures, depicts this constellation. The constellation lies just a few degrees north of the celestial equator. Many ancient cultures such as the Persians, Hebrews, Arabs, Greeks and Romans all saw an eagle represented in this constellation.
The constellation is seen first with a straight line of three stars that symbolize the wings. The tips of the wings are seen to extend out further to the southeast and northwest. The head of the eagle is seen as stretching out towards the southwest. In older depictions of this constellation, the Eagle is sometimes shown carrying the youth Ganymede.
The constellation known as Aquila is one of 48 constellations listed by the 2nd century astronomer Ptolemy in his book, Almagest. Aquila is also mentioned by Eudoxus in 4th century B.C.E. and by Aratus in 3rd century B.C.E. Today it remains as one of the 88 current or modern constellations. It is a large constellation, ranking 22nd in size.
Constellations bordering with Aquila are: Aquarius, Capricornus, Delphinus, Hercules, Ophiuchus, Sagitta, Sagittarius, Scutum, and Serpens Cauda. The best time to spot Aquila is during the month of August in the Northern Hemisphere.
Antinous – Obsolete Constellation
The astronomer Ptolemy catalogued nineteen stars altogether in Aquila and Antinous. The now obsolete Antinous constellation had been named during Emperor Hadrian’s rule in 132 C.E. Sometimes the cataloging of stars is erroneously attributed to Tycho Brahe who cataloged twelve stars in Aquila and seven stars in Antionus. A Hevelius cataloged some twenty-three stars in Aquila and nineteen in Antionus.
Among the Arabs, Aquila has been known as the Flying Eagle, Crow or Raven. The Persians knew Aquila by the names: the Falcon and the Flying Vulture. The Turks referred to this constellation as the Hunting Eagle.
Chinese Astronomy And Mythology
There is a rather famous and well known love story found in Chinese mythology that is related to the constellation of Aquila, or rather several of its stars. It’s a story that is also similar to the love story connected with the Cygnus constellation.
In Chinese astronomy, the modern day constellation of Aquila lies in the area of the heavens known as Běi Fāng Xuán Wǔ, the Black Tortoise of the North and the Three Enclosures or Sān Yuán that divides the night sky of the Chinese Heavens.
The star Zeta Aquilae is located in a part of the night sky seen as Tiān Shì Yuán or the Heavenly Market Enclosure. The rest of Aquila’s stars are found in the area of the night sky ruled by Běi Fāng Xuán Wǔ, the Black Tortoise of the North.
In modern day, Aquila is known by the name of Tiān Yīng Zuò, which means: “the heaven eagle constellation.”
Hegu – The Battle Drum
The star Altair and the two stars to either side of it, Beta and Gamma Aquilae form the asterism known as Hegu, a battle drum.
Tianfu – Celestial Drumsticks
The Chinese have an asterism comprising of the stars 62 Aquilae, 58 Aquilae and Eta Aquilae that they call the Celestial Drumsticks.
Youqi – Banner Flags
The stars Delta, Iota, Mu and Sigma form a banner flying to the right of Hegu.
The stars from Sagitta in the north represent a banner to the left side of Hegu.
The Three Generals
Altair, Beta and Gamma Aquilae are also known as the Three Generals with Altair representing the commanding officers with this two subordinates.
Tiabian – Trade Officials
The stars Lambda and 12 Aquilae along with the stars in the constellation Scutum represented a team of Trade Official overseeing the organization of the markets. An area of the heavens that includes the Hercules, Ophiuchus and Serpens constellations. The officials were located just outside of the market walls.
The star Zeta Aquilae formed part of this wall.
Lizhu – The Empress’s Pearls
An L-shaped pattern formed by the stars 1, 69, 70 and 71 Aquilae represent four pearls worn by the Empress. These same stars are also astrologically connected to the Emperor’s harem.
Qi Xi – The Princess And The Cowherd (Herd-Boy And Weaver-Girl)
This is a rather old story that dates as far back as at least the 6th century B.C.E. where it first appears in a collection of stories called the Book of Songs or Shih Ching. The book was possibly compiled and put together by Confucius. However, this book was later destroy a few centuries later by the emperor, Shih Huang Ti who is remembered more for his burning books instead of the construction of the Great Wall of China.
Chih Nu, identified with the star Vega was the daughter of the Sun-God. Chih Nu was known for being very good and skilled with weaving, especially her creation of tapestries. On one particular day, Chih Nu was looking out the palace window and spotted one of her father’s herdmen, Ch’ien Niu. For these two, it was love at first sight and Chih Nu’s father, the King was very happy when he discovered the news.
All started off well, for it was considered a good match, given how Ch’ien Niu was known for being a hard worker and took care of the royal flock with due diligence.
A wedding was planned in which Chih Nu wove her own wedding dress out of starlight. All started off well and the newly married couple were very happy and deeply devoted to each.
It would seem that this deep devotion was also the source of a problem, for it didn’t take long for everyone to realize that Chih Nu’s and Ch’ien Niu’s duties and responsibilities were becoming neglected. Chih Nu’s loom stood forgotten and gathering dust in a corner while the royal cattle that Ch’ien Niu was to tend, began wandering out, straying far across the heavenly plains.
Chih Nu’s father, the Sun-God and King gave the two lovers repeated warnings and still they failed to follow through with their respective obligations and responsibilities. Things got bad enough that the Sun-God finally took measures, the first of which was to banish Ch’ien Niu to the other side of the Heavens to tend the royal cattle there.
Once Ch’ien Niu had crossed the only ford, T’ien-tsin, the Sun-King then ordered that both borders of the ford be closed off so that neither lover could cross. Chih Nu begged her father, but he would not relent on his royal decree.
Eventually, Ch’ien Niu had pleaded her case to the magpies who took pity on her. They decided that once a year, on the seventh day of the seventh monty, that they would help the parted lovers. On this day, all the magpies across China would fly up to the Heavens and create a bridge with their wings. This way the two lovers can cross and be together. On this day, Chih Nu cries, at first it is tears of joy that come down as soft, gentle rain. As the day progresses and starts to end, Chih Nu’s tears become a down pour of rain as she knows the two lovers must part ways for another year.
Their task done, the magpies fly away again back to their fields. The next day, when people see the magpies, they take heart knowing that the magpies have done their duty by the way their feathers look trampled. If the magpies’ feathers aren’t trampled, then the people say that bad weather has prevented from flying up to the heavens to form their bridge. Children are also believed to throw stones at any magpies found on the seventh day of the seventh month as these birds are seen as neglecting their duty to go with the others to form the bridge for the two lovers.
Qi Xi Variations
This story is told in China, Korea and Japan, so there are a few different names and variations to the story of Qi Xi. In one version, the star Altair is identified as Niu Lang and his two children are identified as Beta and Gama Aquilae who become separated forever from their wife and mother Zhi Nu, who is identified with the star Vega, in the Cygnus constellation. This separation is represented by the river, the Milky Way.
Another version places the Herd-Boy as an orphan who observes Weaver-Girl among some seven Weavers who descend from the heavens to bathe in a nearby stream. By snatching Weaver-Girl’s robe, Herd-Boy compels her to marry him and ends up sharing her immortality.
Much like the previous version, the two slack off in their duties and it is Weaver-Girl’s grandmother, a Queen of the Heavens who separates the two. The rest of the heaven’s take pity on the young lovers and they are allowed to meet once a year on the seventh day of the seventh month with magpies forming a bridge for them to cross.
In Greek Mythology, there are a few different myths regarding the Aquila constellation. Generally, Aquila is seen as a large golden eagle who serves as Zeus’ messenger and companion animal.
Periphas was a priest of the god Apollo, he lived in Attic at the time and was an autocthon, one of the Earth-Sprung Rock. He was considered so virtuous and beloved by the people that they made him a king and began to honor him like a god.
This angered the god Zeus who was ready to strike down this insolent mortal with one of his thunderbolts. The god Apollo intervened and requested that Zeus instead transform Periphas into an eagle. Zeus went into Periphas’ house and transformed him while Periphas was with his wife. As she didn’t want to be separated from her husband, Zeus also transformed her into a bird, a vulture, represented by the constellation of Lyra, the heavenly vulture.
As Periphas had shown piety and honors to the god Apollo while he had been mortal, Zeus made him the king of birds and tasked him with guarding the sacred scepter and thunderbolts. For Periphas’ wife, Zeus made her a sign and image of good luck regarding all the matters of humankind.
During the ten-year war that Zeus and the other gods held against the Titans, Zeus had an eagle who carried the thunderbolts that he used to hurl at the Titans. In gratitude for the eagle’s service and loyalty, it was given a place up in the heavens as the constellation Aquila.
In other accounts, Zeus adopted the eagle as his bird when it first appeared to him before the Titan War as a sign of good omen while making sacrifices.
The constellation of Aquila is also tied to the story of Ganymede, Zeus’ cup-bearer.
Ganymede was the son of King Tros of Dardania and the basis for the kingdom of Troy in Greek mythology. An exceptionally beautiful youth, Ganymede had caught the attention of Zeus when he was out watching over his father’s flock of sheep. Now, depending on the versions of the story being told, Zeus, either in the guise of an eagle or sending the eagle Aquila, came and carried him off to Mount Olympus. As compensation to King Tros, Zeus gave him some horses.
Once there, Ganymede faced the wrath of Hera, the wife of Zeus, who was angry and very likely jealous that her husband had taken such a fancy for a young boy. In addition to this, she was also angry that Zeus intended for Ganymede to replace Hebe, Hera’s daughter as the cup-bearer after an incident where Hebe had accidentally spilled some nectar of the gods. And it couldn’t have set well with Hera that Zeus immortalized Ganymede in the constellation of Aquarius in addition to immortality and eternal youth.
Another version of this myth says that it was Eos, the goddess of the Dawn who carries off Ganymede to Mount Olympus and then Zeus took him from her to be the cup-bearer.
Regardless of the versions of the story told, Ganymede does become the cup-bearer to the gods and basically serves them their wine. Further variations of this story tell how Ganymede would ride Zeus’ eagle Aquila, accompanying this god on his travels. Both the Aquila constellation near Aquarius and the constellation of Crater, said to be Ganymede’s cup are near Aquarius to complete this story.
Ganymede also becomes deified as he was given immorality and eternal youth by Zeus and ends up being the one responsible for the annual Nile River flooding and the life-giving waters of rain. Some scholars have pointed out that like the story of Capricorn, the Greeks are borrowing from other older stories and cultures as well as coming up with their own stories to explain the images and what the constellations mean.
In Roman times, the name Ganymede was sometimes used for handsome slaves who served as cupbearers. Furthering this, many have pointed out that the story of Ganymede is a clear indication and precedence for homosexuality in Greek culture. Others, like in Plato’s writings of dialogues between him and Socrates say that it wasn’t homosexuality; instead, they point out the meaning of the name Ganymede for “taking pleasure of the mind.” That Zeus loved Ganymede non-sexually for his mind. Still, other sources point out that this is where the Latin word for catamite originates. Additionally, the Roman poet Ovid says that Zeus who turned into an eagle to go retrieve the youth Ganymede.
Aquila Guarding The Arrow of Eros
Another minor story of Aquila that is more attached to the constellation of Sagitta. In this one, Aquila is seen guarding the arrow of Eros that has hit the god Zeus and caused him to become love-struck.
Zeus And Nemesis
During one of Zeus’ many exploits with chasing after and raping other women, he is to have somehow enlisted the aid of the goddess of love, Aphrodite.
In this story, Aquila represents Aphrodite as she’s disguised herself as an eagle, pretending to chase after Zeus who is in the guise of a Swan. All this so he can get the goddess Nemesis to offer him shelter. It is only afterword, when Nemesis has gone to sleep that she learns the swan she thought she had rescued is really the god Zeus in disguise and he rapes her.
To commemorate this conquest, Zeus places the image of the Eagle (Aquila) and the Swan (Cygnus) up into the heavens. Really?
In Hindu mythology, the constellation of Aquila is seen as being Garuda, a half-eagle, half-human deity. Garuda is sometimes depicted as being the mount for the Hindu god Vishnu and to have been large enough to block out the sun. He is the sworn enemy of the Naga serpent race. He is a symbol of violent force, speed, and martial prowess in battle.
Alternatively, the line of three stars that also includes Altair is seen as being the footprints of the god Vishnu.
The Greek constellation of Aquila is very likely based on the Babylonian constellation of MUL.A.MUSHEN, the Eagle. The Babylonian’s constellation is also located in the same area of the night sky as the Greek’s constellation. The author, Gavin White in his book Babylonian Star-Lore, says that the Eagle carried the constellation called the Dead Man or LU.USH in its talons. It’s a story that carries a lot of connections for later Greek and Roman stories of Antinous and Ganymede.
There is a Sumerian story of the hero Etana, who descended to the heavens with the help god Shamash’s eagle while looking for a plant of birth to help ease his wife’s labor pains for the birth of their son, Balih. This plant could only be found in the higher reaches of heaven where Anu lived.
While riding on the back of the eagle, Etana noticed how the earth began to look smaller and smaller the higher they flew. This caused him to become nervous or scared and loose his grip on the eagle’s back.
One version of this story has Etana living for 1,560 years and having only two children. Another version of the story has Etana falling to the earth for daring to try and enter the realm of the god Anu. There is some thought too, that the plant in question, may refer to Mountain Arnica, which is poisonous, but when taken in the right doses, can ease labor pains during birth.
This story seems to have been the inspiration behind the Greek story of Ganymede.
There are several different myths and stories regarding Aquila among the Polynesians.
Futuna – Aquila is known as Kau-amonga, which means the “Suspended Burden.” The name is in reference to the Futunan’s name for Orion’s belt and sword, Amonga.
Hawaii – Among the Hawaiins, the star Altair is called Humu, as in the humu humu fish. The whole of the Aquila constellation is called Humu-ma, the “Humu cluster.” The Humu-ma constellation is believed to influence astrologers.
Marquesas Islands – Here, Aquila is known by the name of Pao-toa, meaning the “Fatigued Warrior.”
Māori – The Māori of New Zealand called Altair by the name of Poutu-te-rangi, meaning “Pillar of the Sky.” Due to this star’s position in the heavens, it has been used in different Māori calendars. In one, Poutu-te-rangi is the ruling star for the months of February and March. In another calendar, it is the ruling star for March and April. Poutu-te-rangi is also the star that rules over the annual sweet potato harvests.
Pukapuka – Aquila is known by the name of Tolu, meaning “three” and comprises of the stars Alpha, Beta and Gamma Aquilae. The star Altair is known by the name of Turu and was used for navigation.
Tuamotus – Aquila is known by the name of Tukituki, meaning to “Pound with a hammer.” The star Beta Aquilae is called Nga Tangata, meaning “The Men.”
Many of the Roman myths regarding the Aquila constellation are very similar to the Greek stories from which they took, borrowed or stole. There are a few additional myths and stories that can be found.
To start with, the eagle represented in the constellation is thought to be Aetos Dios, the golden eagle who serves Jupiter.
Interestingly, the constellation Aquila is known as Vultur volans, the flying vulture by the Romans. This name shouldn’t be confused with the name Vultur cadens, the Roman’s name for the constellation Lyra.
Aetos Dios & Prometheus
Keeping in mind that the Romans called Aquila a vulture, it then ties in with the story of Prometheus and his being chained and bound to the top of a mountain where a large vulture would come and eat his liver every day as punishment.
In the Greek and Roman mythology, Prometheus is the titan who took pity on humankind and gave them the gift of fire after all the other gifts had been given out. Enraged by this act, the god Zeus had Prometheus chained and bound to a mountain. Every day Prometheus would be attacked by a giant vulture or eagle who ate his liver every day as it would grow back by the next. Being immortal, Prometheus suffered a lot as his wounds would heal every day. Eventually after many years, the hero Hercules comes along and frees the mighty titan after slaying the vulture. After it’s death, the god Zeus placed the vulture up into the heavens to become the constellation Aquilla.
Aetos Dios & Psyche
A Roman novel dating to the second century C.E., The Golden Ass and written by Apuleius, there is an incidence in which the goddess Venus sends Psyche to go get a pitcher of water from the river Styx.
Given the deadly nature of the river Styx, the bird Aetos Dios, of his own freewill and his past services to Cupid, comes to aid Psyche in getting water so she wouldn’t come to harm. What seems a little odd in the story given here is that Aetos Dios lies to Psyche, claiming that Venus had sent him to come help her and mentions nothing at all about acting on his own violation, either way, Psyche has the water and returns to Venus with it.
The constellation of Aquila, along with 18 other constellations of: Ara, Centaurus, Corona Australis, Corvus, Crater, Crux, Cygnus, Hercules, Hydra, Lupus, Lyra, Ophiuchus, Sagitta, Scutum, Serpens, Sextans, Triangulum Australe, and Vulpecula.
All of these constellations have some connection to the overall legend and myth of the Grecian hero Hercules. They are the largest grouping of constellations found in the Western Hemisphere.
Aquila, along with the other avian constellations of Cygnus and Vultur cadens form a part of a significant myth of the Stymphalian Birds and one of the Twelve Labors of Hercules.
Aquila’s alpha star, Altair forms part of an asterism known as the Summer Triangle. It is the southern point of the Summer Triangle. The other stars, Deneb, found in the constellation of Cygnus, is the triangle’s northeastern point and Vega, found in the constellation of Lyra to the northwest.
Stars of Aquila
Alpha Aquilae – Also known as Altair, is the brightest star within the Aquila constellation and the 12th brightest star overall in the night sky. Altair’s name comes from the Arabic phrase: “al-nasr al-tair,” meaning “the flying eagle” or “vulture.” Ptolemy named this star Aetus, the Latin word for “eagle.” Both the ancient Babylonians and Sumerians referred to Altair as “the eagle star.”
Beta Aquilae – Also known as Alshain, it is a yellow star. Alshain’s name comes from the Perso-Arabic word: aš-šāhīn, which means “the falcon.”
Gamma Aquilae – Also known as Tarazed, it is an orange giant. Tarazed’s name comes from the Arabic phrase: “shahin-i tarazu,” meaning “the balance” or “the beam of the scale.”
Epsilon Aquilae – This star, along with Zeta Aquilae have an Arabic name of Deneb al Okab, meaning: “the eagle’s tail.” To differentiate Epsilon Aquilae from Zeta Aquilae, Epsilon Aquilae is frequently referred to as Deneb el Okab Borealis as it is north of Zeta Aquilae.
Zeta Aquilae – This star, along with Epsilon Aquilae have an Arabic name of Deneb al Okab, meaning: “the eagle’s tail.” To differentiate Zeta Aquilae from Epsilon Aquilae, Zeta Aquilae is frequently referred to as Deneb el Okab Australis as it is south of Epsilon Aquilae.
Eta Aquilae – Also known as Bezek, is a yellow-white supergiant star. Bezek’s name comes from the Hebrew word bazak which means: “lightning.”
Theta Aquilae – Also known as Tseen Foo, is a binary star. Tseen Foo’s name comes from the Mandarin word tianfu, which means: “the heavenly rafter” and “drumsticks.”
Iota Aquilae – Also known as Al Thalimain, it is a blue-white star. Al Thalimain’s name, along with Lambda Aquila, in Arabic means: “the two ostriches.”
Lambda Aquilae – Also known as Al Thalimain, it is a blue-white star. Al Thalimain’s name, along with Iota Aquila, in Arabic means: “the two ostriches.”
Rho Aquilae – Also known as Tso Ke, is a white dwarf. Tso Re’s name comes from Mandarin and means: “the left flag.” As of 1992, this star is no longer part of the Aquila constellation and has since moved into the Delphinus constellation.
Glowing Eye Nebula
Also known as NGC 6751, this nebula is one of many found within the borders and star field that makes up Aquila.
Hercules–Corona Borealis Great Wall
Aquila is home to one of the largest single mass concentration of galaxies in the Universe found so far. It is referred to as the Hercules–Corona Borealis Great Wall. It was first discovered in November of 2013 and has a size of about 10 billion light years.
Two major novae have been observed within Aquila. The first one was recorded in 389 B.C.E. and said to have been as bright as Venus. The other novae observed as the Nova Aquilae in 1918 which briefly shone brighter than Altair.
There are a couple of meteor showers associated with this constellation. They are the June Aquilids and the Epsilon Aquilids.
The June Aquilids meteor shower has only been studied by radar and are most active on June 2nd and 3rd.
The Epsilon Aquilids meteor shows is active in mid-March and is best seen using optical aids such as telescopes.
Also known as: Cratos, Cratus, Potestas (Latin)
Etymology – Power
In Greek mythology, Kratos is the god or daimon of strength, might, power and sovereign rule. Along with his other siblings, Kratos is one of the god Zeus’ winged enforcers.
According to Greek mythology, Kratos is the son of the titans Pallas and Styx.
The Sky Tides – Siblings
Kratos’ siblings are Nike (“Victory”), Bia (“Force”) and Zelus (“Zeal”). All four of them are the winged enforcers or Sky Tides for the Olympian god Zeus. Kratos and his siblings received this honor from Zeus as their mother, Styx was the first to come show her support during the Titanomachy or War against the Titans. As a Sky Tide, Kratos is also a protector of Zeus’ throne there on Mount Olympus.
The Binding Of Prometheus
One of Kratos’ most notable mentions in Greek mythology is his and Bia’s involvement in helping the god Hephaestus bind the Titan Prometheus to Mount Caucasus after he had given the knowledge of fire to humans.
God Of War – Video Game
Kratos does get to enjoy a bit of revival and awareness as his name is that of the protagonist in Sony’s PlayStation game God of War and its sequel, God of War II. The video game series does refer more to the actual god of war, Ares than Kratos.
Beyond a similarity of names, the two Kratos don’t bear any resemblance to each other aside from a connection to Prometheus. The mythical Kratos is responsible for helping bind Prometheus, whereas in God of War II, Kratos releases Prometheus. The video game version of Kratos is also the son of Zeus and represents power and strength.
Despite there being differences, the connections of Kratos to his mythological counterpart are stronger then thought. For one, Kratos shares many of the mythological Kratos’ attributes such as being very strong and his use of chains. Connecting Kratos strongly to the story of Prometheus Bound.