Category Archives: Storms

Teshub

Etymology: As Tarhun, the name means “The Conqueror”

Also Spelled: 𒀭𒅎 (cuneiform), Teshup, Teššup, and Tešup

Also Called: Tarhun, Tarhunt, Tarhunzas, Tesheba (Urartian)

Teshub is the Hurrian god of the sky, thunder, and storms. He is best known for his slaying of the dragon Illuyanka.

There are several different storm and weather gods throughout the Anatolian region (modern Turkey) that are all very similar. During the religious reforms of Muwatalli II’s reign in the New Kingdom of the 13th century B.C.E. the various Hurrian and Hittite pantheons and deities were combined and identified with major Hittite deities. Teshub’s worship would carry forward into the Urartu kingdom as Tesheba.

Hurrian Depictions

In the art and reliefs found, Teshub is shown holding a triple thunderbolt and a weapon, often a double-headed ax or mace.

Teshub’s sacred bull is seen in the horns on his crown. His horses, Seri and Hurri would either pull Teshub’s chariot or he rode them. Similarly, this chariot would be pulled by bulls.

With the mixing of Hurrian and Hittite theology, Teshub is indistinguishable from his Hittite counterpart Tarhun. Exceptions to this are when Teshub is shown with his wife Hebat. In the Kingdom of Urartu when he is known as Tesheba, he is shown standing on a bull.

Near Yazilikava, the ancient capital of the Hittites, there is a rock sanctuary that depicts Teshub as the lead god as he steps on the bowed necks of two mountain gods. Other depictions show Teshub holding a lituss or long crook.

Parentage and Family

Grandparent

Alalu – Great Grandfather

Grandparent

Anu – His father and representing the sky.

Parents
This one is s a bit gross, but the genitals that Kumarbi swallowed when he bit them off of either Enlill or Anu.
Spouse

Arinniti – A sun goddess, she is married to Teshub in Hittite texts and myth.

Hebat – The goddess of beauty, fertility, and royalty. She is paired with Teshub in the Hurrian texts and myths.

Siblings

Aranzah, the personification of the Tigris River, Tashmishu – brothers through Kumarbi.

Ullikumm – A stone giant, they can be considered a half-brother.

Šuwaliyat – A Hittite storm or wind god mentioned in the “Ullikummi Song” who accompanies Tarḫunna (Teshub). He is mentioned as the older brother and vizier to Tarḫunna.

Children

With Hebat, Teshub has the following children –

Sarruma, a mountain god, and Inara, goddess of wild animals.

With Arinniti, Teshub has the following children –

Telipinu, a fertility god

Birth Of A God

The Song of Kumarbi or Kingship in Heaven is the title given to a Hittite version of the Hurrian Kumarbi myth, dating to the 14th or 13th century B.C.E. It is preserved on three tablets, but only a small fraction of the text is legible and able to be translated.

In this story, Teshub is born when Kumarbi bites off the genitals to his father, Anu. It is a story that has strong similarities to the succession of Uranus, Cronus, and Zeus in Hesiod’s Theogony.

Overthrowing Kumarbi

Knowing that history repeats itself and how Kumarbi overthrew his father Anu, just as he had overthrown his father Alalu; Kumarbi seeks out the goddess of the Sea (no name given) to see what to do to prevent his own demise.

The Sea tells Kumarbi to copulate with a rather large boulder, which then becomes pregnant and gives birth to a stone giant by the name of Ullikummi.

Once Ullikummi is born, he is taken to the Underworld and placed upon the shoulders of Ubelluris, the giant that holds up the earth. There, Ullikummi rises up like a pillar out of the sea. He is huge, some 9,000 leagues tall and 9,000 leagues in circumference.

Just huge. Worse, Ullikummi keeps on growing.

This worries the other gods who look to the trickster god Ea for advice on what to do. Ea says that Teshub should take the copper knife that had been used to split the heaven and earth at the beginning of time. Using the copper knife, Teshub sunders Ullukummi from Ubelluris, thus defeating him.

With Kumarbi defeated, Teshub then takes his place as the new King of Heaven.

So, what happens next!?!

That we don’t know as the last tablet that the story is written on is broken off. We can maybe guess by looking at similar myths like the Babylonians and the Greeks for how things might have progressed.

Illuyanka Versus Teshub

This is the story that Illuynak is best known from. It’s pretty much his only appearance in Hittite mythology. This myth was rediscovered by archeologists and historians in 1930 in the Catalogue des Textes Hittites 321. Less than a hundred years ago with this post. An English translation of the text wouldn’t see publication until 1982 done by Gary Beckman. This translation is not yet in the public domain that I am aware of. These cuneiform tablets were found at Çorum-Bogazköy, the old Hittite capital of Hattusa.

In both myths, it is noted that Illuyanka threatens the whole of creation with destruction and why it is that Teshub needs to battle him.

1st Myth – Illuyanka’s Defeat At A Feast

This story begins with one of Teshub or Tarhun’s (Hittite or Hurrian) priests telling the story at the New Year’s festival of Purulli. In the story, Teshub and the serpent Illuyanka fight within the city of Kiškilušša. As they fight, Illuyanka defeats Teshub.

Defeated, Teshub approaches the other gods and asks his daughter Inara for help. Inara sets about to prepare a feast with lots of alcohol, namely wines and beer. That done, Inara traveled to the city of Ziggaratta where she asks the hero Ḫupašiya to help her with a task. Ḫupašiya agrees only if Inara will have sex with him. Since there’s a job to do, Inara agrees and invites Ḫupašiya and his sons to the feast.

At the feast, Inara has Ḫupašiya hide before inviting Illuyanka and his sons to the feast. As Illuyanka and his sons consume all the food and become drunk, Ḫupašiya comes out of hiding and ties up the mighty dragon with some rope.

Teshub enters back into the story by slaying Illuyanka.

Meanwhile, Inara instructs Ḫupašiya to stay within a house on a rock in Tarukka. She tells Ḫupašiya that he is to never look out of the house windows as he is to stay hidden from his wife and children. Eventually, after twenty days, Ḫupašiya looks out a window and on seeing his family, demands to be let go.

Inara asks Ḫupašiya why he looked out the window.

Now, this is where the text for the story is damaged and it’s unclear what we missed and why, where it can be read again, Inara has decided to travel to Kiškilušša to give her house and underground spring to the king.

This event though is where the New Year’s festival of Purulli originates.

Second Myth – This section begins with the invocations for strong, heavy rain. Illuyanka defeats Teshub, taking his eyes and heart.

In the aftermath of this defeat, Teshub marries the daughter of a poor man, where they have a son. This son grows up and marries Illuyanka’s daughter.

Teshub continually asks his son to request his eyes and heart back from Illuyanka. Eventually, Illuyanka relents and gives them to Teshub’s son to bring back to him.

Restored, Teshub heads down to the sea where he battles against Illuyanka, only to find his own son having sided with the dragon. The son begs Teshub to kill him too to which, he obliges.

The text then is unclear what happens next. We know that Teshub was about to do something, but this is where the text is damaged.

The rest of the text that can be read, details the different cults, their priests of the various gods, and their merits and revenues.

Hedammu – In Hurrian-Hittite mythology, this is the sea-dragon, son of Kumarbi and Šertapšuruḫi. Hedammu is basically the Hurrian version of Illuyanka.

The Myth Of Telipinu

In this myth, following the pairing of Teshub and Arinniti, they have a son by the name of Telipinu who is a fertility god and storm god like his father before him.

Telipinu was known for having a temper and one day, waking up in a foul mood, one not helped by putting his boots on the wrong feet, he stormed off into the steppes. Eventually, Telipinu wore himself out and he fell asleep in a meadow.

As Telipinu slept, all the plants and trees died from lack of water, and animals and humans alike stopped giving birth. The land had become lifeless and barren. Greatly concerned, the sun goddess, Arinniti sends out an eagle to look for her son. Then Teshub sets out in search of his missing son to no avail, even after trying to smash in the door to Telepinu’s house.

It is the great mother goddess, Hannahanna who sends out a bee to find Telepinu. The bee finds the sleeping Telepinu and sets about stinging him on the hands and feet to wake him. Then the bee smears wax on the hands and feet, causing Telepinu to finally wake. However, Telepinu is still angry.

Arinniti suggests that someone go help Telepinu with moving. The text for this part of the myth is fragmented. We do know that Telepinu is brought back by an eagle and that the goddess of healing, Kamrusepas heals him.

Twelve rams are sacrificed, and torches are lit, then put out. Presumably by the person that Arinniti called for. This man casts a spell, banishing all the evils caused by Telepinu down to the underworld.

Telepinu returns to his house where he takes care of the king and queen. A pole is set up whereon a sheep fleece is hung. This fleece symbolized all the grain, meat, wine, cattle, livestock, numerous children, and long life.

Jason & The Argonauts – Greek Connections

For some background, the Hittite Empire was active in the 18th century B.C.E. Anatolia, modern-day Turkey. After the 12th century B.C.E., Hittite culture began to decline, continuing with smaller city-states to around the 8th century B.C.E.

Scholars know that the Mycenaean Greeks were in contact with the Hittites and interacted with them. The belief is that elements of Hittite mythology found their way into Greek myths. Two scholars, Jan N. Bremmer and Volkert Haas both argue that the story of Teshub slaying the dragon Illuyanka has a strong influence on the story of Jason and the Argonauts. Notably between Jason, Medea, and the Gold Fleece.

Bremmer and Volkert both identify the Golden Fleece with a sacred kursa sack, made of fleece. At every Purulli, the New Year’s festival, the story of Teshub’s slaying the dragon is retold. This annual pageant would include representatives for Teshub and his wife, conducting a sacred marriage.

In this respect, the kursa, among the Hittites held strong symbolisms as representing a deity’s power, protection over a place, and influence such as abundance and fertility.

It is strongly noted that there is no mention of a kursa in Teshub’s myth with slaying the dragon. There is one mentioned in the Myth of Telepinu. It could be that what we see in the story of Jason and the Argonauts could be the merging of two different myths and stories together.

This is merely one idea among many of just exactly what the Golden Fleece is meant to be or represent.

Hesiod’s Theogony – The Greek Connections

Scholars have noted a similarity between the Hurro-Hittite Song of Kumarbi and Hesiod’s Theogony, a Babylonian Creation Epic. Especially between the characters of Uranus, Cronus, and Zeus from the Greek mythos with those of the Hurrian creation myth with Alalu, Anu, and Kumarbi.

Particularly with the progression of successors. Both the deities of Anu and Uranus are noted as having names that mean “Sky.” Likewise, Kumbari was a Grain-Deity and Cronus likely was one as well. It brings the line of succession to Teshub (or Teššub) and Zeus who are both Storm-Deities.

Another similarity is seen in how both Anu and Ouranos both have their genitals cut or bitten off. Either way hurts immensely… This is seen as removing themselves from heaven and the source from where other divinities originate.

Anu also warns Kumarbi that there will be consequences for what he has done. Again, a similar motif is seen in the Greek story where Ouranos tells the Titans that they too will pay a toll for castrating him.

Syno-Deities

Adad – Canannite/Mesopotamian

Also known as Hadad, he is a similar storm and weather god.

Indra – Indian

The leader of the Devas and God of storms, thunder, and war. He was seen as a defender of the people against evil.

Jupiter – Roman

The Roman god of the sky and thunder, he is equated with Teshub.

Tarḫunna – Hittite

The Hittite god of thunder, lightning, and the weather, he is equated with Teshub.

Tarḫunz – Luwian

The Luwian God of the sky, thunder and lightning, he is equated with both Teshub and Tarḫunna.

Taru – Hattian

A similar storm and weather god.

Zeus – Greek

The Greek god of the sky and thunder, he is equated with Teshub. It’s easy to see in Hesiod’s Theogony the strong connection and similarities between the Hittite and Greek myths.

Viracocha

Also Called: Wiracocha, Wiro Qocha, Wiraqoca, Apu Qun Tiqsi Wiraqutra, Huiracocha, Ticciviracocha, and Con-Tici

Etymology: “Sea Foam”

Epitaphs: Ilya (Light), Ticci (Beginning), Tunuupa, Wiraqoca Pacayacaciq (Instructor)

In Incan and Pre-Incan mythology, Viracocha is the Creator Deity of the cosmos. As a Creator deity, Viracocha is one of the most important gods within the Incan pantheon. Everything stems ultimately from his creation. The universe, Sun, Moon and Stars, right down to civilization itself. Similar to other primordial deities, Viracocha is also associated with the oceans and seas as the source of all life and creation. If it exists, Viracocha created it. Something of a remote god who left the daily grind and workings of the world to other deities, Viracocha was mainly worshiped by the Incan nobility, especially during times of crisis and trouble.

Attributes

Direction: North

Element: Water

Metal: Gold

Month: January

Patron of: Creation

Planet: Sun, Saturn

Sphere of Influence: Creation, Ocean, Storms, Lightning, Rain, Oracles, Language, Ethics, Fertility

Incan Depictions

In Incan art, Viracocha has been shown wearing the Sun as a crown and holding thunder bolts in both hands while tears come from his eyes representing rain. There is a sculpture of Viracocha identified at the ruins of Tiwanaku near Lake Titicaca that shows him weeping.

Under Spanish influence, for example, a Pedro Sarmiento de Gamboa describes Viracocha as a man of average height, white with a white robe and carrying a staff and book in each hand. The Spanish described Viracocha as being the most important of the Incan gods who, being invisible was nowhere, yet everywhere.

In the village of Ollantaytambo in southern Peru, there is a rock facing in the Incan ruins depicts a version of Viracocha known as Wiracochan or Tunupa. This rock carving has been described as having mouth, eyes and nose in an angry expression wearing a crown and by some artists saying the image also has a beard and carrying a sack on its shoulders.

Another figure called Tunupa found in Ollantaytambo was described by Fernando and Edgar Elorrieta Salazar.

What’s In A Name?

Viracocha’s name has been given as meaning “Sea Foam” and alludes to how often many of the stories involving him, have him walking away across the sea to disappear.  When we look into the Quechuan language, alternative names for Viracocha are Tiqsi Huiracocha which can have several meanings. The first part of the name, “tiqsi” can have the meanings of foundation or base. The second part of the name, “wira” mean fat and the third part of the name, “qucha” means lake, sea or reservoir. An interpretation for the name Wiraqucha could mean “Fat or Foam of the Sea.”

Continued historical and archaeological linguistics show that Viracocha’s name could be borrowed from the Aymara language for the name Wila Quta meaning: “wila” for blood and “quta” for lake due to the sacrifices of llamas at Lake Titiqaqa by the pre-Incan Andean cultures in the area.

Viracocha also has several epitaphs that he’s known by that mean Great, All Knowing and Powerful to name a few. Another epitaph is “Tunuupa” that in both the Aymara and Quechua languages breaks down into “Tunu” for a mill or central support pillar and “upa” meaning the bearer or the one who carries. This is a reference to time and the keeping track of time in Incan culture. The other interpretation for the name is “the works that make civilization.”

Further, with the epitaph “Tunuupa,” it likely is a name borrowed from the Bolivian god Thunupa, who is also a creator deity and god of the thunder and weather. Another god is Illapa, also a god of the weather and thunder that Viracocha has been connected too.

Incan Culture & Religion

The Incan culture found in western South America was a very culturally rich and complex society when they were encountered by the Spanish Conquistadors and explorers during their Age of Conquest, roughly 1500 to 1550 C.E.

The Inca held a vast empire that reached from the present-day Colombia to Chile. Their emperor ruled from the city of Cuzco. They worshiped a small pantheon of deities that included Viracocha, the Creator, Inti, the Sun and Chuqui Illa, the Thunder. The constellations that the Incans identified were all associated with celestial animals. The Incans also worshiped places and things that were given extraordinary qualities. These places and things were known as huacas and could include a cave, waterfalls, rivers and even rocks with a notable shape. Essentially these are sacred places.

In the city of Cuzco, there was a temple dedicated to Viracocha. There was a gold statue representing Viracocha inside the Temple of the Sun. Nearby was a local huaca in the form of a stone sacred to Viracocha where sacrifices of brown llamas were notably made. During the festival of Camay that occurred in time of year corresponding to the month of January, offerings were also made to Viracocha that would be tossed into a river and carried away to him. Hymns and prayers dedicated to Viracocha also exist that often began with “O’ Creator.”

Like many cosmic deities, Viracocha was probably identified with the Milky Way as it resembles a great river. His throne was said to be in the sky. All the Sun, Moon and Star deities deferred and obeyed Viracocha’s decrees.

Deific Late Comer

Old and ancient as Viracocha and his worship appears to be, Viracocha likely entered the Incan pantheon as a late comer. Mostly likely in 1438 C.E. during the reign of Emperor Viracocha who took on the god’s name for his own.

For a quasi-historical list of Incan rulers, the eighth ruler took his name from the god Viracocha. According to story, Viracocha appeared in a dream to the king’s son and prince, whom, with the god’s help, raised an army to defend the city of Cuzco when it was attacked by the Chanca. This prince would become the ninth Incan ruler, Pachacuti Inca Yupanqui. He is thought to have lived about 1438 to 1470 C.E. Pachacuti Inca Yupanqui is the ruler is renowned for the Temple of Viracocha and the Temple of the Sun along with the expansion of the Incan empire.

Record Keepers

The Incas didn’t keep any written records. Like many other ancient cultures, there were those responsible for remembering the oral histories and to pass it on. Aiding them in this endeavor, the Incans used sets of knotted strings known as quipus number notations. By this means, the Incan creation myths and other stories would be kept and passed on.

In a comparison to the Roman empire, the Incan were also very tolerant of other religions, so those people whom they either conquered or absorbed into their empire would find their beliefs and deities easily accepted and adapted into Incan religion. One such deity is Pacha Kamaq, a chthonic creator deity revered by the Ichma in southern Peru whose myth was adopted to the Incan creation myths. At the same time, the Incan religion would be thrust on those they conquered and absorbed.

On one hand, yes, we can appreciate the Spanish Conquistadors and the chroniclers they brought with them for getting these myths and history written down. They did suffer from the fallacy of being biased with believing they were hearing dangerous heresies and would treat all the creation myths and other stories accordingly. Which is why many of the myths can and do end up with a Christian influence and the idea of a “white god” is introduced.

Parentage and Family

Parents

Unknown, Incan culture and myths make mention of Viracocha as a survivor of an older generation of gods that no one knows much about.

Consort

Mama Qucha – She is mentioned as Viracocha’s wife in some myth retellings.

Children

Daughters – Mama Killa, Pachamama

SonsInti, Imahmana, Tocapo

Sun & Storm God

Viracocha was worshipped by the Incans as both a Sun and Storm god, which makes sense in his role as a Creation deity. The sun is the source of light by which things can grow and without rain, nothing has what it takes to even grow in the first place.

Cosmic Myths In The Rain

Many of the stories that we have of Incan mythology were recorded by Juan de Betanzos. Naturally, being Spanish, these stories would gain a Christian influence to them.

Rise Of A Deity – In this story, Viracocha first rose up from the waters of Lake Titicaca or the Cave of Paqariq Tampu. This was during a time of darkness that would bring forth light. It is at this time that Viracocha makes the sun, the moon, and stars. He then goes to make humans by breathing life into stones. The first of these creations were mindless giants that displeased Viracocha so he destroyed them in a flood. After the destruction of the giants, Viracocha breathed life into smaller stones to get humans dispersed over the earth.

Taking A Leave Of Absence – Eventually, Viracocha would take his leave of people by heading out over the Pacific Ocean where he walked on the water. He wouldn’t stay away forever as Viracocha is said to have returned as a beggar, teaching humans the basics of civilization and performing a number of miracles. People weren’t inclined to listen to Viracocha’s teaching and eventually fell into infighting and wars. Despite this, Viracocha would still appear to his people in times of trouble.

Incan Flood – As the All-Creator, Viracocha had already created the Earth, Sky and the first people. Giants. There wasn’t any Sun yet at this point. These first people defied Viracocha, angering him such that he decided to kill them all in a flood. This flood lasted for 60 days and nights. This great flood came and drowned everyone, all save two who had hidden themselves in a box. The flood water carried the box holding the two down to the shores of Tihuanaco.

Seeing that there were survivors, Viracocha decided to forgive the two, Manco Cápac, the son of Inti (or Viracocha) and Mama Uqllu who would establish the Incan civilization. Viracocha created more people this time, much smaller to be human beings from clay. These people, Viracocha taught language, songs and civilization too before sending them out into the world through underground passages. It is now, that Viracocha would create the Sun, Moon and stars to illuminate the night sky.

Another legend says that Viracocha fathered the first eight humans from which civilization would arise. Some of these stories will mention Mama Qucha as Viracocha’s wife.

The Cañari People – Hot on the heels of the flood myth is a variation told by the Cañari people about how two brothers managed to escape Viracocha’s flood by climbing up a mountain. After the water receded, the two made a hut. Some time later, the brothers would come home to find that food and drink had been left there for them. This would happen a few more times to peak the curiosity of the brothers who would hide.

Two women would arrive, bringing food. When the brothers came out, the women ran away. The two then prayed to Viracocha, asking that the women return. Viracocha heard and granted their prayer so the women returned. It is from these people, that the Cañari people would come to be.

The Creation of People – Dove tailing on the previous story, Viracocha has created a number of people, humans to send out and populate the Earth. These people, known as Vari Viracocharuna, were left inside the earth, Viracocha created another set of people known as viracohas and it is there people that the god spoke to learn the different aspects and characteristics of the previous group of people he created. The viracochas then headed off to the various caves, streams and rivers, telling the other people that it was time to come forth and populate the land.

Teaching Humankind – This story takes place after the stories of Creation and the Great Flood. Viracocha sends his two sons, Imahmana and Tocapo to visit the tribes to the Northeast or Andesuyo and Northwest or Condesuvo. Viracocha headed straight north towards the city of Cuzco. The intent was to see who would listen to Viracocha’s commands. As the two brothers traveled, they named all the various trees, flowers and plants, teaching the tribes which were edible, which had medicinal properties and which ones were poisonous. Eventually, the three would arrive at the city of Cusco, found in modern-day Peru and the Pacific coast. Here, they would head out, walking over the water to disappear into the horizon.

The Canas People – A side story to the previous one, after Viracocha sent his sons off to go teach the people their stories and teach civilization. As Viracocha traveled north, he would wake people who hadn’t been woken up yet, he passed through the area where the Canas people were. When they emerged from the Earth, they refused to recognize Viracocha. This angered the god as the Canas attacked him and Viracocha caused a nearby mountain to erupt, spewing down fire on the people. Realizing their error, the Canas threw themselves at Viracocha’s feet, begging for his forgiveness which he gave.

Founding The City Of Cuzco – Viracocha continues on to the mountain Urcos where he gave the people there a special statue and founded the city of Cuzco. He would then call forth the Orejones or “big-ears” as they placed large golden discs in their earlobes. These Orejones would become the nobility and ruling class of Cuzco.

His tasks done, Viracocha would head off into the ocean, walking out over it with the other Viracocha joining him. One final bit of advice would be given, to beware of those false men who would claim that they were Viracocha returned.

Right Of Conquest – In this story, Viracocha appeared before Manco Capac, the first Incan ruler, the god gave him a headdress and battle-axe, informing the Manco that the Inca would conquer everyone around them.

Christian Connection

Yes, it’s easy to see how incoming Spaniards would equate Viracocha with Christ and likely influenced many of the myths with a Christian flair.

White God – This is a reference to Viracocha that clearly shows how the incoming Spanish Conquistadors and scholars coming in, learning about local myths instantly equated Viracocha with the Christian god. At first, in the 16th century, early Spanish chroniclers and historians make no mention of Viracocha. In 1553, Pedro Cieza de Leon is the first chronicler to describe Viracocha as a “white god” who has a beard.

It must be noted that in the native legends of the Incas, that there is no mention of Viracocha’s whiteness or beard, causing most modern scholars to agree that it is likely a Spanish addition to the myths. Other deities in Central and South America have also been affected by the Western or European influence of their deities such as Quetzalcoatl from Aztec beliefs and Bochica from Muisca beliefs all becoming described as having beards.

Though that isn’t true of all the Central and South American cultures. Some like the Peruvian Moche culture have pottery that depicted bearded men. The Aché people in Paraguay are also known to have beards. Though the debates and controversy are on with scholars arguing when the arrival of European colonialism began to influence the various native cultures.

Ultimately, equating deities such as Viracocha with a “White God” were readily used by the Spanish Catholics to convert the locals to Christianity. Much of which involved replaced the word God with Viracocha.

Syno-Deities

Pacha Kamaq – The “Earth Maker”, a chthonic creator god worshiped by the Ichma people whose myth would later be adopted by the Inca.

Saturn – It is through Viracocha’s epitaph of Tunuupa that he has been equated with the Roman god Saturn who is a generational god of creation in Roman mythology and beliefs.

Thunupa – The creator god and god of thunder and weather of the Aymara-speaking people in Bolivia.

Zeus Part 1

Pronunciation: zyoos

Etymology: Greek – dios “bright”

Alternate Spellings & Other Names: Ζευς, Kronion

Epithets: Zeus has some 150 epitaphs that he is known by. I expect to miss a few, if not several. Here are some of his many names and epitaphs.

Zeus-Amphitryon (Zeus in the form of Amphitryon when he seduced Alcmene), Zeus Areius (“War-Like” or “The Atoning One”), Abrettenus or Abretanus (Zeus’ surname in Mysia), Achad (Syrian name), Adad (Syrian name), Zeus Adados, Adultus (Invoked as a name of Zeus in marriage), Zeus Agamemnon, Zeus Amphiaraus, Apemius (Averter of Ills), Apomyius (Dispeller of Flies), Acraeus (name in Smyrna ), Acrettenus (name in Mysia), Zeus Areius, Brontios (“Thunderer”), “Ceneus” – An epithet of Zeus after the temple on Cape Canaeum of Euboea. “Kosmetas” (Orderer), “Soter” (Savior), “Polieus” (Overseer of the City) and “Eleutherios” (guarantor of political freedoms), “The Lord of Justice,” “Father of Gods and Men,” “Nephelegereta” (Cloud-Gatherer), Zeus Helioupolites (“Heliopolite” or “Heliopolitan Zeus”), Zeus Olympios, Zeus Panhellenios (“Zeus of all the Hellenes”), Zeus Xenios (“Zeus of Hospitality, Strangers & Foriegners”), Zeus Herkios (“God of Courtyards”), Zeus Herkeios (Guardian of the House), Zeus Hikesios (“God of those seeking sanctuary”), Zeus Larisaeus, Philoxenon or Hospites, Zeus Horkios and Zeus Pistios (“Keeper of Oaths’), Zeus Hypsistos (“Supreme God”), Zeus Agoraeus (“Presider over Businesses”), Zeus Aegiduchos or Aegiochos (“Bearer of the Aegis”), Zeus Nikephoros (“Zeus holding Nike”), Zeus Tallaios (“Solar Zeus”), Zeus Ktesios (“Protector of Property”), Zeus Labrandos, Zeus Trephonius (“the nurturing”), Zeus Naos and Bouleus, Zeus Georgos (“Earth Worker” or “Farmer”), Kasios (“Zeus of Mount Kasios”), Ithomatas, Astrapios (“Lightninger”), Diktaios, Bottiaeus, Zeus Velchanos (“Boy-Zeus”), Kouros (Boy Zeus and early Cretan fertility god), Zeus Lykaios (Wolf Zeus), Zeus Katachthonios (Zeus of the Underworld), Eubouleus, Zeus Meilichios (“Zeus the Easily-Entreated”or Zeus as a snake), Zeus Maimaktes (the bloody aspect of Zeus Meilichios), Zeus Chthonios (“earth”), Zeus Plousios (“wealth-brining”) and Zan (Zeus’ name in Crete).

Zeus, mighty Zeus. King and “All-Father” of the Gods in Greek mythology. He is the mighty thunderer who rules from his abode on Mount Olympus. As King of the Gods, Zeus’ decrees dispense law, order, and justice throughout the mortal and divine realms. If you believe the myths, Zeus is also highly respected(?) in having fathered many of the gods and demigods alike. Exactly how he fathers them all is another matter, of which, his wife Hera is often not too pleased.

Universal Problems Require Universal Solutions

While researching the mythology for Zeus, it can get very problematic. There are at least three different major mythos for Zeus. Two Arcadian versions of his legend and the Hellenistic Zeus that so many are familiar with. Other versions are Zeus found at the Dodona oracle.

As more Greek writers and even modern retellers try to create an all-encompassing myth for all of Greece, it can often get contradictory as to which versions of the myths are correct. Hesiod’s Theogony is a big contributor to the version of the myths that most are familiar with.

Further, for all that the Greeks saw Zeus as the head of their Pantheon, he can often lose a lot of emphasis and power as too often, as the myths try to show his importance, Zeus just ends up having a cameo appearance or mention in the stories. The king who sits up on high passing out judgements.

Add in too, the numerous affairs that Zeus is to have had. Depending on the era of myths, this is Greek influence spreading and trying more to have Zeus as the progenitor for many deities and demigod heroes. If people are creating the gods in their image to reflect them, what does it say for a culture where a god gets to have his way with every female he desires and lusts after? The euphemism of ravish is used a lot for many of Zeus’ “romantic” pursuits. How much is Zeus a victim of his own reputation or not, can be hard to say.

Attributes

Animal: Bull, Dove, Cuckoo, Golden Eagle, Lion, Quail, Rooster, Swan, Wolf, Woodpecker

Element: Air

Patron of: Kings, People, Fate

Planet: Jupiter

Plant: Oak, Olive Tree

Sphere of Influence: Law, Order, Justice, Weather, Rain, Sky

Symbols: Aegis, Cornucopia, Courage, Lightning, Scepter, Sky, Strength, Thunderbolt

Early Greek Depictions

In art, Zeus is often shown as a middle-aged looking male with a long beard and hair and youthful, athletic figure, sporting a toga as he wields his lightning bolts. Sometimes Zeus is shown wielding a hammer. In Greek statuary, Zeus can be shown either standing or sitting with a lightning bolt or scepter in his hand. Zeus is sometimes shown wearing a crown of oak leaves. As King of the gods, Zeus is often seen as being very regal and imposing in this role.

Cult & Worship

Being the head god of the Greek pantheon, Zeus had several temples and festivals held in his honor. Zeus has what’s known as Panhellenic cults, centers of worship that are found spread throughout all of Greece.

Olympia – This is the biggest and major center of worship for Zeus. Located at Thessaly, Thessalia, the Olympic Games would be held here. An alter made of ash dedicated to Zeus is found here. Centuries of animal sacrifice remains can be found here. Such sacrifices were a white animal.

Olympic Games – These games were held every four years in honor of Zeus.

Nemean Games – Similar to the Olympic Games, only held every two years.

Theogamia – Or Gamelia, a festival celebrating Zeus and Hera’s marriage in Athens.

The Divine Youth – The island of Crete was unanimously recognized by the Greeks as being the birthplace of Zeus. Crete of course, was the center of the Minoan culture and civilization at one point. In Crete, the “Boy-Zeus” or Zeus Velchanos is a strong part of a Great Mother and Divine Child or Son and Consort mythos and religion. Zeus Velchanos would also be known as Kouros or Megas Kouros, “the Great Youth.”

On the island of Crete, Zeus is shown in art as a young, long-haired boy rather than the mature adult many statues depict. Ivory statues of the “Divine Boy” have been found near the Labyrinth of Knossos.

There’s even coinage that will show Zeus as a young boy sitting in a tree with a rooster or cockerel. Other coinage will show an eagle and a goddess in a sacred marriage. Inscriptions found at Gortyn and Lyttos show that a Velchania festival was still widely celebrated even during Hellenistic times.

There are several caves at Knossos, Ida and Palaikstro where Zeus was worshiped at. During the Hellenistic era, there was a small sanctuary dedicated to Zeus Velchanos at the Hagia Triada in the ruins of the Minoan palace. Looking at the stories of Minos and Epimenides, there is suggestion that these caves used as incubatory divination by kings and priests. Plato’s dialogue for Laws uses the pilgrimage route of these caves for its setting.

There was a secret rite held at the Cretan paideia. Zeus was said to preside over this military training and athletics. The participants were known as Kouretes, a group of armed dancers.

There is also a death or end-of-year fertility spirit where Zeus as Velchanos’ death is revered. The stories related to this myth are found in several mountain site where a fire would be lit annually at Zeus’ birth cave. Bees are also somehow connected to this observance.

There’s speculation, some holding that Zeus may have been a Cretan King that became deified after his death.

LykaiaUnder the name Zeus Lykaios or Wolf Zeus, Zeus is connected to the festival of Lykaia near Mount Lykaion in Arcadia.

The festival of Lykaia had a secret festival held on Mount Lykaion (Wolf Mountain) in Arcadia and it’s tallest peak. The myths that surround this ritual are believed to relate the story of Lycaon’s feast he held for the gods and involved having served up one of his sons Nyctimus as one of the main courses. Another version of this story given by an Eratosthenes, holds that Lycaon had served up his grandson Arcas at this feast. In either eventuality, an enraged Zeus turns Lycaon into a wolf and proceeds to kill by means of lightning; Lycaon’s other sons before restoring the dead child back to life.

Mmm…. Cannibalism. Not.

The festival of Lykaia were held annually at the beginning of May. It was a primitive ritual festival and rite of passage for young males known as epheboi among the Greeks into adulthood. With the ritual held at night, evidence taken by some with the name of Lycaon’s son Nyctimus, a lot of rumors about cannibalism and werewolf transformations circulated widely among the Greeks as to just what was going on up there. Even Plato wrote about one clan who would gather every nine years and sacrifice to Zeus Lykaios where a piece of human flesh would be mixed in among the pieces of animal.

The belief held that whoever ate the human flesh would turn into a wolf and they could only return to human form after nine-years if they hadn’t eaten human flesh. The famous Olympic boxing champion, Damarchus is said to have turned into a wolf during the ritual sacrifice held for Zeus Lykaios. Games were also a big part of the Lykaios festival held every year after the secret ritual held at night.

It has been put forth, that the epitaphs of Lykaios and Lykeios likely originate in a Proto-Greek word *λύκη, meaning “light.” It’s a word still seen in other Greek words for “twilight” and “year.” This connection is seen in the tragedy writer Achaeus referring to Zeus Lykaios as being “starry eyed.”

This Arcadian Zeus connects strongly to Zeus being the son of Aether. It more easily makes a connection of Lykosoura being the “first city that the sun beheld” as described by Pausanias. The other connection is the alter to Zeus on the summit of Mount Lykaion standing between two columns with eagles that faced the sun-rise.” This all connects Zeus as a god of light.

Eleusinian Mysteries & Orphic Mysteries – Zeus gets around, a lot. Not much is known about the Eleusinian Mysteries and there is plenty known about the Orphic Mysteries given the amount of literature and hymns that have been found and translated.

Both the Eleusinian Mysteries and Orphic Mysteries concern themselves with the death & rebirth of a deity. A role often given to Hades and Dionysus in order to connect them to the mysteries of Demeter and Persephone. As Zeus Katachthonios or Eubouleus (a youthful version of the Lord of the Underworld), Zeus finds himself venerated in many local customs that honor the Underworld Lord and the symbolic rebirth at Spring.

It varies greatly as the local customs varied from one Greek city to another. The Athenians and Siclians honored a chthonic Zeus as Zeus Meilichios (“kindly” or “honeyed”). More epitaphs of Zeus claiming a chthonic role are Zeus Chthonios (“earth”), Zeus Katachthonios (“under-the-earth”) and Zeus Plousios (“wealth-brining”). These versions of Zeus would be depicted as snakes or in a more humanoid form. Sacrifices to the chthonic form of Zeus would be offerings of black animals in sunken pits. Some places, such the Lebadaea shrine in Boeotia, a local hero, Trophonius was revered and then attached as an epitaph to Zeus as Zeus Trephonius (“the nurturing”). Another hero, Amphiaraus was honored as Zeus Amphiaraus near Thebes and the Spartans honored a shrine to Zeus Agamemnon.

Tripartite God

It all makes for an interesting connection. Hades as the God of Death, Dionysus as the God of Life and Zeus tying them both together to represent the birth, death and resurrection of a deity.

Aetnaea – A local festival near Mount Aetna. A statue of Zeus is found here where he is worshiped as Zeus Aetnaeus.

Really getting around as the All-Father and God of Everything.

Temples And Sacred Sites

Cave of Zeus – Found on the slopes of Mount Ida on the island of Crete, the Cave of Zeus is a sacred place dating to antiquity. Sometimes the location of this Cave is given as the Psychro Cave on Crete or the Cave of Zeus is found on the Aegean island of Naxos.

It is the cave that the infant Zeus was hidden in from his father, the titan Cronos. Some variations of Zeus’ origins will place this as his birthing place. A band of mythical warriors known as the Kouretes would dance wildly and loudly as a means to drown out the infant’s cries to keep Cronus from discovering his son.

Archeology discoveries of the cave have found a number of votive offerings in this place.

Dodona Oracle – The site of Zeus’ most famous and oldest oracle, found at Dodona in Epirus, Northwestern Greece. It was known as a land of Oak trees and likely why the tree is associated with Zeus. At this site, Zeus was known as Zeus Naos and Zeus Bouleus. Zeus’ priests were known as Selloi and barefoot. They would lay on the ground and observe the rustling of leaves and branches for their divinations. It is thought that their name contributed to the Hellenes. Later, female priests replaced the male priests and were called Peleiades or Doves. Here, Zeus’ consort is reputed to be Dione, not Hera. Dione is a titaness who may have predated the Hellenic era and likely the original goddess worshipped. Her name is a female form of Zeus’ own name.

Siwa Oracle – The oracle of Ammon near the Siwa Oasis in the western Egyptian desert. Herodotus writes of a Zeus Ammon whould be be consulted at this oracle. This version of Zeus favored the Spartans and a temple dedicated to him was already built during the Peloponnesian War. After Alexander’s trek to this oracle, this figure became the Libyan Sibyl.

Temple of Zeus – This is the most famous of Zeus’ temples in Olympia. It features a gold and ivory statue of Zeus seated on a throne. This statue was sculpted by Phidias and was regarded as one of the “Seven Wonders of the Ancient World.”

Mount Aenos – Located on the island of Cephalonia, Zeus was worshiped as either Zeus Aeneius or Zeus Aenesius.

Mount Olympus – This is the tallest mountain peak in Greece, Thessaly, Thessalia to be more precise. It is place from which Zeus and all of the gods are to have resided at, looking down on their domains below.

Shrines – There are several smaller shrines where it’s not always clear if it was dedicated to Zeus or to a local hero that had become defied. Some shrines were Lebadaea in Boeotia that might have belonged to Trophonius or Zeus Trephonius. Just outside of Thebes was Oropus was the shrine dedicated to Amphiaraus or Zeus Amphiaraus. There was a shrine to Zeus Agamemnon revered by the Spartans. At Tralles, there was a shrine dedicated to Zeus Larisaeus.

What’s In A Name?

Proto-Types – It has been put forward that Zeus’ name likely derives from a Proto-Indo-European god of the sky known as Dyeus phter or “Sky Father.” With this name, he is linked to the Rigveda Dyaus or Dyaus Pita. While there is a lot of speculation and hypothesizes about the Proto-Indian-European people, what their language was, culture and myths, Zeus is one whose name clearly comes from the Indo-European language that etymologists have tried to reconstruct. Another root word is “dyeu-“meaning to “to shine” or “bright.” The word is noted to have a similar meaning to the Latin word dies for “day.”

The Proto-Indo-Europeans aren’t really well known as they’re largely a hypothetical group as scholars try to track and guess which directions early humans migrated as they spread over Europe, the Middle East and Asia, which ideas and words stayed the same, ect.

With Mycenaean Greek as seen in the Linear B script, we have the words di-we and di-wo that very similar to the word dyeus.

In Plato’s Cratylus he gives the folk meaning for Zeus’ name as “cause of life always to all things.” It’s based on a pun with Zeus and Dia with Greek words for life and the phrase “because of.” As a result, persisting with this connection as correct isn’t supported with modern scholars.

Parentage and Family

Grandparents

Ouranos (the Sky) and Gaia (the Earth)

Parents

Depending on the source, Zeus can have a few different origins.

Cronus and Rhea – The often recognized version of Zeus’ parentage, especially when referencing Hesiod’s Theogony as the source.

Father – Aether (Arcadian origin)

Father – Coelus (Arcadian origin)

Father – Saturnus (Cretan origin)

Consort

Hera – Also his sister, who becomes Queen of the Gods.

Dione – In the Iliad, at the Oracle of Dodona, Dione is his consort.

Metis – In some myths, Zeus is married to this Titaness before swallowing her.

This list is more the willing consorts and lovers, not those who were raped, no matter what euphemisms are used.

Siblings

He is the sixth child born of Cronus and Rhea.

The birth order is Hestia, Demeter, Hera, Hades, Poseidon, and Zeus.

Chiron – a half-brother by way of Cronus and the nymph Philyra.

Children

A lot. Suffice to say, there are a lot of children that Zeus has fathered. As time went on and the Greek myths get rewritten and added to, there are even more children added to the roster of Zeus’ progeny. Either the god is really busy, or everyone wants to claim divinity and Zeus as their daddy!

With Aega, Zeus is the father of Aegipan or Goat-Pan. Not Pan, a different Pan.

With Alcmene, Zeus is the father of the famous Greek demi-god and hero Heracles.

With Callisto, Zeus fathers Arcas.

With Danae, Zeus is the father of Perseus.

With Demeter, Zeus is the father of Persephone and Iacchus.

With Dione, at the Oracle of Dodona, in the Iliad, Zeus fathers Aphrodite.

With Electra, Zeus fathers Iasion.

With Europa, Zeus fathers Minos, Rhadamanthys and Sarpedon.

With Eurynome, Zeus fathers the Charites or Graces.

With Io, Zeus is the father of Epaphos.

With Leda, Zeus fathered two sets of twins: Castor and Polydeuces and Clytemnestra and Helen of Troy.

With Leto, Zeus fathers the twin gods Apollo and Artemis.

With Maia, Zeus is said to be the father of Hermes.

With Metis, Zeus is the father of Athena.

With Hera, Zeus is the father of Ares, Eileithyia, Eris, Hebe, Hephaestus

With Mnemosyne (Memory), Zeus fathers nine daughters, the Muses over a period of nine nights.

With Semele, Zeus fathers Dionysus in some versions of the myths.

With Themis, goddess of Justice, Zeus fathers the three Horae, goddesses of the seasons, and the three Moirai or Fates.

Aeacus, Agdistis, Angelos, Dardanus, Enyo, Ersa, the Litae, Pandia,

In addition, Zeus is also said to be the father of the Magnesian and Macedonian people.

Olympian God

Zeus is counted among the twelve major deities who resided on Mount Olympus, the highest mountain peak in Greece and all of Europe. For the Greeks, this was the perfect location for where the gods would preside at while keeping watch on humankind down below them. Add in that as King and Ruler of the other Olympians, this is really the ideal place as Zeus can look down upon the earth and see what’s going on.

As there are several deities within Greek mythology, just who numbers among the Olympians varies. It’s generally agreed that the twelve major Olympians are: Zeus, Hera, Poseidon, Demeter, Athena, Apollo, Artemis, Ares, Aphrodite, Hephaestus, Hermes, and then either Hestia or Dionysus.

King Of The Gods

Zeus is the ruler of the Olympian gods, ruling over all of the gods and mortals alike from Mount Olympus. As King, Zeus was the patron of Kings before later Grecian history, Kings were no longer followed. Zeus dispensed with wisdom, authority, divine decres over the lot of mortals.

Mortal Fates – Before the Moirai were born, Zeus governed the fates of men. He had two urns, one filled with ill fortune and the other filled with luck. Zeus would arbitrarily dole out man’s lot by way of fortunes and misfortunes according to his whim.

Prophecies – As an all-knowing deity who saw and knew everything he ruled over, the powers of prophecies were once Zeus’ domain before passing them on to his son Apollo.

Sky & Weather God

Zeus’ main domain is the Sky and with it, the weather and rain. Especially the thunderbolts and lightning that are his primary weapons. One of his epitaphs is Nephelegereta or “Cloud-Gatherer.” Closely connected to this epitaph as one of his symbols is the scepter, thought to be influenced with imagery from the Ancient Near East.

It was believed and still believed, even if in fun, that Zeus would strike those he sought to punish with lightning. Zeus would especially punish those who lied or broke their oaths.

Zeus would also send thunderstorms at enemies as seen in Homer’s epic, The Iliad.

Sun God

On occasion, Zeus is equated with the Hellenic sun deity, Helios who is said to be Zeus’ eye. In Hesiod’ss Theogony, the sun is outright stated to be Zeus’ eye.

The Cretan version of Zeus Tallaios, the local cult equated their local deity Talos with Helios.

Nature God

The Zeus that originates from Arcadia and Dodona was a nature god as seen in his connection to the oak tree and doves as a symbol of fertility. Even the Cretan Zeus connects him as a nature deity with the cornucopia, milk and honey symbols.

By the time that the Homeric poems, the nature aspect of Zeus seem to have been discarded and he is viewed more as a political and national deity that guards over Kings and the protector of law, tradition and religion.

Zeus Part 2

Zeus Part 3

Zeus Part 4

Marduk

Marduk

Etymology: “Bull Calf of the Sun,” “Calf of the Sun” or “Solar Calf”

Also known as: Bel (“Lord,” Akkadian), Bel-Marduk, Murdoch

Other Spellings: 𒀭𒀫𒌓 (Cuniform), dAMAR.UTU, Amar utu k (Sumerian), Μαρδοχαῖος, Mardochaios (Greek), מְרֹדַךְ, Mərōdaḵ (Masoretic Hebrew), Merōḏaḵ (Tiberian), Marōdak (Septuagint), Merodach (Biblical Hebrew), Martuk

Pronunciation: mah’-duk

In Mesopotamian mythology, Marduk is a fertility and storm deity of Babylon. He is known for defeating the dragon goddess Tiamat and becoming the Leader of the Babylonian pantheon.

Marduk came to prominence as the patron deity of the city of Babylon during the rule of Hammruabi, the sixth king of the First Babylonian dynasty of the Amorites in the 18th century B.C.E. when Babylon became the political center of the Euphrates valley. Marduk’s full acceptance as the head of the Babylonian pantheon would be completed by the last half of the second millennium B.C.E.

Attributes

Animal: Dogs, Horse, Mušḫuššu (Snake-Dragon)

Element: Air, Water

Planet: Jupiter

Sphere of Influence: Fertility, Judgement, Storms, Vegetation

Symbols: Hoe, Spade

Weapon: Imhullu

Mesopotamian Depictions

In what surviving art and texts we have, Marduk is shown as being human dressed in royal robes decorated with stars. Marduk is often accompanied by his snake-dragon that he got from the god Tishpak.

When shown riding in his war chariot, Marduk carries his other emblems of a scepter, arrows, bow, spear, net and lightning bolt.

What’s In A Name?

To start, there is some controversy over the translation of Marduk’s name. There is the Sumerian dAMAR.UD that translates as: “calf of the sun/sun-god.” Then comes the suggestion that this spelling should call for the translation of: “calf of the storm,” “the son of the storm, and “maker of storms.” The latter translation is often rejected due to a lack of evidence with Marduk’s role as a storm god. Accepting this interpretation of the name nixes any connection to Marduk as a solar deity.

The Akkadian spelling for Marduk’s name is AMAR.UTU that translates to mean MERI.DUG. The name is translated to mean “Solar Calf.” In the Hebrew Torah, his name is spelled as Merodach and the Greek spelling of his name is given as Mardochaios.

Marduk’s name is thought to derive from the phrase: amar-Utu meaning: “Bull Calf of the Sun God Utu.” This naming convention could easily be an indicator of early genealogy. Or, it’s an indicator of cultural ties to the city of Sippar, whose main deity was Utu, a Sun God. The city of Sippar dates to the third millennium B.C.E.

The Encyclopedia of Religion comments that the name Marduk was likely pronounced as Marutuk.

Temple Sites

Esagila – “Temple whose top is raised” or “Proud/Honored Temple.” While Marduk would come to claim prominence throughout most of Mesopotamia, his primary temple is Esagila, located in Babylon. This is the famous ziggurat that’s described by Herodotus.

Etemenanki – “Temple that is the foundation of Heavens and Earth” A ziggurat with Marduk’s shrine located at the top. This may be the temple that inspired the “Tower of Babel.”

Cult of Marduk – As the patron god of Babylon, this city was the main location for Marduk’s worship. The rise and popularity of this religion venerating Marduk is tied closely with the rise of Babylon as a strong political power and capital of the Mesopotamian empire. To the degree that many other deities were subsumed and seen as aspects and epitaphs of Marduk. Outside of Babylon, Marduk was worshipped in Borsippa, Nippur, and Sippar.

In the Assyrian period of Babylonian history, Aššur becomes the head of the pantheon and Marduk takes on a symbolic role of Babylon’s resistance to Assyrian rule. The cult of Aššur would compete with the cult of Marduk. In the Assyrian version of the Enūma Eliš, it is Aššur who becomes the head of the pantheon, not Marduk.

The Marduk Prophecy also shows the conflicts of this change of power as Marduk’s statue is continually “taken captive” until finally the resulting destruction of Babylon and Esagila with the different shifts of power in the region.

Marduk Statue

This is a very important aspect of the ancient world beliefs and Mesopotamia is no different. Within the temple of Esagila there was a golden statue of Marduk. This statue wasn’t just dedicated to Marduk, the ancient Mesopotamians believed that statue to actually be the god himself. Seen in the Marduk Prophecy, if the statue of the god wasn’t present, then he wasn’t in his temple or there to protect his city-state and all sorts of calamities and problems would happen.

Originating during the rule of the Kassites, a new king wishing to see his rule as legitimate, needed to “take the hands of Marduk,” symbolizing the king’s submission and accepting the will and guidance of the god.

In 485 B.C.E., the Persian king Xerxes attacked the city of Babylon and there is no mention of Marduk’s statue. The same goes when Alexander the Great conquers Babylon in 331 B.C.E., there’s no mention of the statue. This lack of evidence and records leads many scholars to believe and agree that Marduk’s statue disappearance from history means that it has, in all likelihood been destroyed.

Without a statue, the Babylonian religion and worship of Marduk declined.

Akitu Festival

This was the ancient New Year’s festival that the Sumerians and Mesopotamian cultures celebrated. This festival occurred sometime during March and April, marking the planting of barley. This festival was presided over by Nabu and Marduk to such a degree, that a text known as the Akitu Chronicle documents a time when the festival couldn’t be observed as Marduk (his physical statue, thus him) wasn’t present in the city of Babylon. Without the statue to carry through the city out to a small house outside the city walls, the people thought that disaster would soon befall them if the patron god wasn’t there to stop the forces of chaos.

Every year at the Akitu House located outside the city, the Enuma Elish would be recited for the New Year’s festival. There was also involved a ritual slapping of the king. Gotta’ stay humble, I guess.

Parentage and Family

Anu – Grandfather and the original head of the Mesopotamian pantheon before other deities arrive on the scene.

Parents

Ea – The previous head and leader of the gods before stepping down. Known as Enki in Sumerian. Ea was the creator god, associated with the fresh, life-giving waters.

Damkina – A Fertility and Mother goddess originally known as Ninhursag.

Consort

Sarpanitu – Also spelled Zarpanitu. She is a Mother and Fertility Goddess

Nanaya – She is sometimes given as Marduk’s wife in the myths.

Children

Nabu – Son and god of literature, scribes and wisdom. Nabu was originally Marduk’s first minister before being identified as his son.

Birth Of A Legend

For as old and ancient as the Mesopotamian mythologies are, it makes sense that we might not know that much about them. To a point.

Marduk goes from obscurity with almost nobody knowing anything about him in the third millennium B.C.E. to the head of the Mesopotamian pantheon in Babylon in the first millennium B.C.E.

By the time the Enuma Elish is written, Marduk’s original nature has already been altered and obscured. As now, he’s a deity linked to the attributes of judgment, magic, vegetation, and water. He is now identified as the son of Ea and Damkina.

As the politics of Babylon and the whole of the Euphrates Valley ramped up, Marduk’s attributes and aspects begin to alter as he would be placed as the head of the Mesopotamian pantheon, especially for his patron city-state of Babylon.

Once Babylon becomes the capital of Mesopotamia, Marduk who was currently just a patron deity of the city now ascends to become the head of the Mesopotamian pantheon and a supreme deity, ruling or presiding over everything else. Explaining this power shift of head honcho, head god and the transfer of power from Ea to Marduk, the Enûma Elish gets written, showing a peaceful abdication of power as Ea steps down and concedes rulership to his son.

There are a couple little snags later on, such as the revival of the god Enlil’s worship to Marduk, reflecting a real-world, historical rise of the cult of Enlil during Kassite control in Babylon between 1570 B.C.E. to 1157 B.C.E. The worship of Marduk and thus, his triumph over Enlil returns at the end of this era of Kassite control.

The other snag to Marduk’s popularity and his being the supreme deity comes during 1000 B.C.E. when the deity Aššur up north in Assyria gains popularity and worship. Down in the southern parts of the region, Marduk is still the head deity. The history of these events is reflected in the Marduk Prophecy.

Enuma Elish

This ancient epic creation poem was written in the 18th century B.C.E. when the city of Babylon becomes the political capital of Mesopotamia. It’s largely written to show Marduk’s birth, many of his heroic deeds and how Ea (Enki) steps down to allow Marduk, in a relatively peaceful transfer of power to become the king and head of the pantheon.

The Enuma Elish begins at the start of time when the universe is nothing more than chaos with freshwater represented by Apsu and saltwater represented by Tiamat, a dragoness. The male and female principles, not unlike the concept seen in the Japanese Yin & Yang. The joining of these two primordial deities would see the creation of all the other gods, known as the Anunnaki.

While Tiamat loved all her children, Apsu, on the other hand, didn’t care for them, saying they were too noisy, keeping him up all night and unable to get any work done during the day. Apsu’s response to this problem was to kill his children.

A horrified Tiamat told her eldest son, Enki of what Apsu planned. Enki decided that the best plan for dealing with this was to put Apsu into a deep sleep and then kill him. From Apsu’s corpse, Enki then creates his home, the earth and the marshy region of Eridu.

This further horrifies Tiamat who wasn’t expecting for Enki to just up and kill Apsu. As a result, she decided to wage war on her own children. The mighty Tiamat raises up an army of chaos and sets Kingu (Quingu) as the general of this army and her new consort.

This has Enki and the other gods worried about what to do. That is, until Marduk steps forward, saying he will lead everyone in this war. Marduk has one condition, that is that he be named as the new king of the pantheon. Enki agrees and Marduk leads the Anunnaki to battle.

Marduk prepares his weapons consisting of bow and arrows, a mace, lightning as he is a storm god, flames and a net. Gathering up the four winds, Marduk encircles and nets the mighty Tiamat to prevent her from escaping him. New winds are created by Marduk such as whirlwinds and tornadoes. As he is a storm god, Marduk brings down a fierce flood of rain. It’s a battle between a storm god and a primordial goddess of chaos and the sea, it’s epic as Marduk rides in his storm-chariot pulled by four horses who have poison in their mouths. Spellcasting and an herbal antidote as Marduk faces off against one of the mightiest dragons known in mythology.

After Marduk finally slays Tiamat with an arrow to her stomach, he then goes after Tiamat’s son, Kingu who oversaw the army and wears the Tablets of Destiny over his chest. Marduk makes short work of Kingu in single combat, claiming the tablets and establishing himself as the new head of the pantheon.

This is a lot of power that Marduk has now accumulated and he sets about to create the universe. But didn’t that already exist? He’s at least making a new one as Marduk takes the two halves of Tiamat’s corpse to create the heavens and the earth, completing the work started by Enki. From Tiamat’s eyes, the Tigris and Euphrates rivers flow.

With Kingu’s blood, Marduk mixes it with the earth to create the first humans. The creation of humans would allow the gods the leisure time and the time to focus on higher purposes, taking care of human needs as humanity basically did the grunt work. All humans would need to do is respect and give heed to the will of the gods living in Eridu with Marduk ruling overall as a benevolent god.

That doesn’t sound like it will end well and I’m sure there’s another story concerning that.

Side Note: Depending on the version of the creation myth, it is solely Marduk involved in all of it and there’s no mention of Enki.

Further, knowing that this is a revision of the original myths, I’m curious about what the originals may have been.

Eridu – The First City

Yes, there really is a historical site for an ancient city of this name. Eridu is the oldest city built by the Mesopotamians around 5400 B.C.E. Depending on who you ask, it may be the oldest city in the world. In the Babylonian texts, namely Enuma Elish, it is a holy city where all the other gods lived a life of leisure.

This city was originally the city-state for the god Enki who is later known as Ea by the Akkadians. For modern times, it was first excavated by John George Taylor in 1855. Later, archeological discoveries found that the city was ultimately abandoned around 600 B.C.E. due to a change in climate as the water became more salinized from all the constant irrigation.

As seen later, in the Marduk Prophecy, with the Enuma Elish, the story here likely reflects on the transition from Eridu to Babylon as it became the political and religious center of the Euphrates valley and a cultural shift as the newer city becomes more prominent over the older city of Eridu.

Revisionist History – Scholars have noted that the city of Eridu is founded in the 5th millennium B.C.E. and that Marduk ascends to head of the Mesopotamian pantheon in the 2nd millennium B.C.E. That is a lot of time to have passed. It clearly marks that someone decided to rewrite the myths to favor Marduk when his popularity and the importance of Babylon as a political center become prominent.

Fertility God

Marduk is a god of fertility and vegetation and thus, agriculture. The triangular spade or hoe that Marduk is shown with in some art represents his role and power over fertility and vegetation.

The roles and aspects of Marduk being a Spring, Storm and Solar god also blend in with this function. However, making these connections relies on accepting certain etymological interpretations for Marduk’s name.

Patron God

As a patron god, Marduk, not just King of the gods, also presided over the city of Babylon. The importance of a patron deity is shown in the Marduk Prophecy where Babylon has fallen to chaos and disarray when Marduk’s statue and thus the god himself leaves and order is later restored when King Nebuchadnezzar returns Marduk’s statue to the city.

Not the Original Patron – This was a fun little fact to come across. Before Marduk became the patron god of Babylon, that honor belonged to Inanna, goddess of sexuality and warfare. She would still be a prominent and important goddess throughout the Mesopotamian culture.

Protector

Marduk’s role as Patron, also places him prominently as a protector deity. Aside from the Akitu Chronicles and the Marduk Prophecy, there are two other texts: “The Ludlul-Bel-Nimeqi” and “The Wrath of Erra” that highlight just how vital having one’s patron deity present was, not just for the city, but for the individual as well.

The Ludlul-Bel-Nimeqi – Also called the “Let me praise the Lord of Wisdom” or “The Poem of the Righteous Sufferer,” it is often classified as “Wisdom Literature.” This text is a long treatise some four tablets long with 120 lines each. that details the amount of suffering that Tabu-utu-bel, a city official of Nippur goes through because Marduk isn’t close enough to help as he is too far away for any meaningful help. Biblical scholars have compared this text with the Book of Job for the themes of suffering when one’s God seems absent.

The Wrath of Erra – This is another text, in which the war god, Erra (Irra or Nergal) grows bored and decides the only way to cure his boredom is to attack Babylon. The other gods try to persuade Erra that this is a bad idea and don’t do it. Undaunted, Erra heads off to Babylon anyways. Once there, Erra convinces Marduk that his clothes are shabby and perhaps he should go about getting some new threads. Marduk says he’s much too busy to take of this matter and Erra convinces Marduk that he’ll watch over the city. Off Marduk goes and Erra takes advantage of the opportunity to proceed with destroying the city and killing civilians. Depending on the source translated from, either the other gods stop Erra’s path of destruction or he’s halted when Marduk finally returns with his fancy new duds. Regardless, the story ends with giving praise to Erra, the god of war for sparing a part of the city so people could rebuild.

Yay?

The idea of having a protector and patron god of one’s city was very strong among the Babylonians. This was their whole city and personal identity that in 485 B.C.E. the Persian king Xerxes had Marduk’s statue destroyed when he sacked the city. Eventually, with the sands of time, Babylon is deserted and left to ruin and people have forgotten about worshiping Marduk.

King Of The Gods

As head of the Mesopotamian pantheon, Marduk takes on a lot of aspects. In some cases, this is taking over the role of other gods who had previously been the head of the pantheon. Such aspects that Marduk comes to preside over are justice, compassion, mercy, healing, regeneration, magic.

Mušḫuššu

A “snake-dragon, mušḫuššu is Marduk’s sacred animal that he got from the god Tishpak. The mušḫuššu is depicted on the city walls of Babylon.

50 Titles

If you ask me this is a lot of titles and epitaphs to be known by. We get this list from two different sources, “The Seven Tablets of Creation” that Leonard W. King studied in 1902 to reconstruct from fragments a list of names. Then there is the “King’s List” that Franz Bohl studied in 1936. Finally, we get to 1958, when Richard Litke compared and noticed similarities with Marduk’s name between the two lists of An (Anum, a deity list) and Enuma Elish.

These names demonstrate the level of prominence that Marduk held within the Babylonian pantheon. These fifty names of Marduk are found and documented in the Enûma Elish and the Anum.

Why 50? – The number 50 was originally associated with the god Enlil, the former head of the pantheon. So this is just part of showing the transfer of power from Enlil to Marduk.

Asalluhi – As Marduk came to prominence, he took over the role and identity of Asalluhi, the son of Ea and god of incantations and magic. With both Asalluhi and Marduk becoming equated as the same entity, Asalluhi’s name survives as one of Marduk’s many names and epitaphs. Some commentary has noted that equating or syncretizing Marduk and Asalluhi together is a means to create a stronger tie to the god Ea and the city of Eridu as Ea was not part of the original pantheon.

Bel – Meaning “Lord,” this is the name that Marduk would eventually be known by, making him a god of order and destiny.

He is normally referred to as Bel “Lord”, also bel rabim “great lord”, bêl bêlim “lord of lords”, ab-kal ilâni bêl terêti “leader of the gods”, aklu bêl terieti “the wise, lord of oracles”, muballit mîte “reviver of the dead”, etc.

The Marduk Prophecy

This is an interesting text, not so much as it’s telling prophecies, but more about being a history around the movement of Marduk’s cult as they follow Marduk’s statue from Babylon. This text was found at the House of the Exorcist in Assur and dates from 713 to 612 B.C.E. It appears to be similar to another set of texts, the Shulgi prophecy.

It begins with Marduk’s statue getting stolen by Mursilis I of Hatti in 1531 B.C.E. The god Marduk is described as visiting the land of Assyria. Then, when a Tukulti-Ninurta I overthrows Kashtiliash IV in 1225 B.C.E., Marduk’s statue is taken Assur and then Elam as Kudur-nahhunte sacks the city in 1160 B.C.E.

Each time, Marduk is described as willingly heading off to visit these places. Which makes sense when you remember that this far back, a statue of a deity… hence an idol was the actual deity in question, not just a representation.

The way Marduk’s travels are told, they are allegories of the history involved. The first couple of journeys that Marduk takes are fairly favorable. When it comes to the city-state of Elam, that’s a whole other matter as the other gods following after Marduk, likely shows the changing climate of the region as they abandon Babylon due to famine and pestilence.

There’s also a familiar theme as Marduk prophecies that he will return again to Babylon with a new king will rise to power bringing about redemption and salvation to the city, taking it back from the Elamites and restoring the Ekursagila temple. Where the Marduk Prophecy is concerned, King Nabu-kudurri-uṣur (Nebuchadnezzar), who reigned from 1125 to 1103 B.C.E. is accepted as being the king who returns Marduk’s statue to Babylon and is victorious over the Elamites.

The main importance of the Marduk Prophecy text is to highlight the necessity of the patron deity staying in Babylon. Each time that the Marduk statue (Marduk himself) is abducted, chaos falls on the city of Babylon while the places where the statue resides, prosper.

Like some epic game of football where the opposing team comes and steals the home team’s mascot to weaken their morale.

Propaganda?

No! Say it isn’t so!

Remember the previously mentioned King Nebuchadnezzar? It’s been noted that the dates of when the Marduk Prophecy (1 millennium B.C.E.) and even the Enuma Elish both date to around the time of Nebuchadnezzar’s rule and reign between 1125-1103 B.C.E. It makes him look good for restoring order (his defeat of the Elamites and bringing Marduk’s statue back) that he’s the prophesied king come to do Marduk’s will.

Jupiter – Roman

With Marduk’s position and role as the head of the Mesopotamian pantheon, the Romans equated him with Jupiter, the head of their pantheon.

Zeus – Greek

With Marduk’s position and role as the head of the Mesopotamian pantheon, the Greeks equated him with Zeus, the head of their pantheon.

Bel – Babylonian

Yes, Bel is previously mentioned earlier as one of Marduk’s fifty names.

He is mentioned as being a separate deity here as in the 1 millennium B.C.E., by the time we get to this era of history, as a title, Bel is the name that other deities Enlil and Dumuzid, not just Marduk have been known by.

Taken separately, Bel holds all the titles and aspects that Enlil did. To the point that Bel eventually becomes a god of order and destiny. Even Greek historians mentioned Bel in their writings. As a separate deity, Bel was the god of order and destiny. Both Marduk and Bel’s cults were similar, so it’s not hard to see how Bel becomes absorbed and an epitaph for Marduk.

Bel and the Dragon – This is a Jewish story and apocryphal addition to the Book of Daniel in which the Babylonians offer a substantial amount of food and wine every day to an idol of Bel. This vast quantity of food seemingly, miraculously disappears each night. This is enough to convince the Persian king Cyrus the Great that the idol is alive, and he tells Daniel this.

Daniel being a wise man and rather smart knows this isn’t the case. Afterall Daniel says it’s clay on the inside and bronze outside. It likely has never eaten anything. To prove this, Daniel discreetly covers the floor of the temple with ash.

Both Daniel and Cyrus leave for the night. When they return in the morning, Daniel is able to point out the footprints left behind, thus proving that it is the seventy priests of Bel who are eating the food, not the idol.

Biblical Connections

Some scholars point out that the name Bel is derived from the Semitic word “Baal” that has the same meaning of “Lord.” There are several places within the Bible where Bel is mentioned, this more than likely referencing Marduk. The Hebrew version of Marduk’s name, Merodach is found in many places in the Bible as a surname for non-Israeli kings.

Continuing this trend for Biblical Connections, Marduk and a couple other Mesopotamian and Canaanite deities are made mention of in the Torah or Old Testament.

Thanks to Cyrus the Great of Persia, when he captured Babylon, he reversed the policies of the previous ruler by calling for the rebuilding of temples and reinstating religions that had been destroyed or banned before.

Where the Bible (Torah) is concerned, Cyrus allowed the Jews to return to Jerusalem and rebuild their temple to Yahweh. Cyrus records inspiration for this as coming from Marduk. The bible will say that it is Yahweh who inspired Cyrus.

The “Cyrus Cylinder” found in 1879 at Babylon records the following: “Marduk, the great Lord, established as his fate for me a magnanimous heart of one who loves Babylon, and I daily attended to his worship… I returned the images of the gods, who had resided there [in Babylon], to their places; and I let them dwell in eternal abodes. I gathered all their inhabitants and returned to them their dwellings… at the command of Marduk.”

In the Book of Ezra 5:13 this event is recorded: “In the first year of Cyrus king of Babylon, King Cyrus issued a decree to rebuild this house of God.”

The Book of Isaiah is where Yahweh is given credit for inspiring Cyrus.

“I will raise up Cyrus in my righteousness:

I will make all his ways straight.

He will rebuild my city

and set my exiles free” (Isaiah 45:13)

The connections don’t end there, Biblical scholars see a similar theme with Marduk’s slaying Tiamat with the Canaanite story of Baal slaying Tannin and notably Yahweh’s defeating the giant sea monster Leviathan in Psalm 74: 13-14 or a future time in Isaiah 27:1.

The previously mentioned Etemenanki temple is thought to be the inspiration for the Tower of Babel. Babylon’s destruction is prophesied in the book of Jeremiah (50:2).

Who do you accept? It’s a matter of two different religions, cultures and perspectives. Of course, it’s easy, after the fact, to say there was divine intervention and that it is all prophesied.

Sitchin Time

According to Zecharia Sitchin, the claim is made that the great battle between Tiamat and Marduk is symbolic for the creation of our solar system’s asteroid belt. Sitchin writes that this asteroid belt was once a planet that the Sumerians called Tiamat. Due to an impact, the planet was destroyed, creating the “Great Band” or asteroid belt. The planetary impact responsible is that of the planet Nibiru, associated with the god Marduk.

Babylonian Astronomy, Astrology & Zodiac

I will call bunk on Sitchin’s ideas.

When you look at the word Nibiru in the Akkadian language, it refers to a crossing or transition points like with rivers. In Babylonian astronomy, Nibiru came to refer to the Equinox, notably, the Autumn Equinox. In their star lore, the term nibiru can refer to any crossing. Tracking the movement of the stars and planets in the heavens as they appear from Earth. The star or planet associated with Marduk is the one we know modernly as Jupiter.

For the Babylonians, the Autumn Equinox occurred in the month of Tisritum, roughly coinciding with between September and October. If we’re following the Greek Zodiac, then the constellation of Libra is prominent. A further fun fact, depending on the time of the year and the location of the planet Mercury, it could sometimes be called Nibiru.

Some of it is confusing. Mainly it’s understanding how to read and interpret what the Babylonians meant when tracking the night sky.

It should come as no surprise, that as old as the Mesopotamian cultures and religions are, that they would have mapped out the night sky to mark the turning of the seasons, creating a calendar. Many of these early constellations and zodiacs were adopted by the later Greeks who incorporated the constellations into their own mythology.

In Babylonian beliefs, it is Marduk who creates the astrological calendar and mapped out the different signs of the Zodiac. Marduk would be identified with the planet Jupiter, who of course is later equated with the Greek Zeus and renamed for the Roman deity Jupiter as all three are heads of their respective pantheons.

Cetus – Greek Mythology & Constellation

While many are familiar with the constellation’s connection to the Grecian story of Andromeda and Perseus in its role as the giant sea monster sent by Poseidon to destroy the coast of Aethiopia.

The constellation of Cetus has been identified with Tiamat, the dragon goddess of Chaos. Marking Tiamat’s story one of many that the Greeks likely inherited from the Mesopotamians and retold for their legends.

Cetus

Cetus Constellation

Etymology – “Big Fish” or Whale

Alternate Spellings: Κηφεύς Kepheús (Greek), Ketos, Cetea (plural)

Pronunciation: SEE-tus

Cetus is the name of the monstrous sea creature whom King Cepheus was to sacrifice his daughter Andromeda. The giant monster has a bit part in the overall story of Perseus and Andromeda, though it is enough to earn it a place up in the heavens to be immortalized as a constellation.

Description

The name cetus can mean any large fish, especially a shark, whale or a sea monster. In Greek art, as well as seen in the Hercules The Legendary Journeys series, the cetea were shown as large sea serpents. And yes, both Hercules and Perseus slay giant sea monsters in their adventures.

Visualizing Cetus as a huge, monstrous sea serpent makes it easier to see how it could destroy the coast of Aethieopia or rise up out of the sea to try and devour Andromeda.

Side Note – The art historian John Boardman has the idea that the images of the cetus along the silk road influenced the image of the Chinese dragons and the Indian makara.

Story Of Perseus

In the Greek story of Perseus, Cepheus was the king of Acrisios or Aethiopia, the husband of Queen Cassiopeia and the father to Andromeda. For the Greeks, Cepheus is known as the father of the Royal Family.

The story begins when Cassiopea started bragging about how Andromeda was more beautiful than the Nereids. This kind of attitude of extreme arrogance and pride, especially when a person claims to be better than the gods, creates what’s known as hubris.

Offended by Cassiopeia’s remarks, the Nereids approached Poseidon and complained, asking him to punish this mortal woman. Poseidon agreed and he sent a flood as well as the sea monster Cetus (or Kraken) to destroy the coastline of Aethiopia.

After consulting with the oracle of Ammon (identified by the Greeks with Zeus,) located at an oasis near Siwa in the Libyan desert, Cepheus was told that he would be able to end the destruction of his country by giving up his daughter Andromeda in sacrifice to Cetus. At the urging of his people, Cepheus had Andromeda chained to a rock by the sea to await her fate.

Luck was with Andromeda, for the hero Perseus was flying by on the Pegasus and on seeing her, he flew down to ask her why she was bound to the rocks. Andromeda told her story to the hero Perseus.

After hearing the story, Perseus went to Cepheus, saying he could save Andromeda from the sea monster and that in return, he wanted her hand in marriage. Cepheus told Perseus that he could have what he wanted.

At that, Perseus then, depending on the accounts given, pulled his sword and found a weak spot in the scales of the sea monster Cetus or he used the severed head of Medusa to turn the monster to stone.

In either event, the monster is slain, Perseus saved Andromeda and a grateful Cepheus and Cassiopeia welcomed them to a feast where the two were married.

The story doesn’t completely end there as it seems Andromeda had also been promised to her uncle Phineus to marry. This wouldn’t have been disputed or contested if Phineus had been the one to save Andromeda and slay Cetus himself. So Phineus picked a fight with Perseus about his right to marry Andromeda at the wedding.

After slaying a Gorgon and a Sea Monster, a mere mortal man is no challenge for Perseus who once again pulls out Medusa’s head and turns Phineus to stone. Given variations of the story, sometimes this is when Cepheus and Cassiopeia are also turned to stone when they accidentally look at the gorgon’s severed head. With Phineus now dead, Andromeda accompanies Perseus back to his home Tiryns in Argos where they eventually founded the Perseid dynasty.

Some accounts give that Perseus and Andromeda had seven sons and two daughters. Others place this count a little differently saying its seven children all together, six sons and one daughter. Most accounts agree that the eldest son, Perses founds his own kingdom and becomes the ancestor to the kings of Persia. A variation to this account is that Perses was adopted by his grandfather Cepheus and named an heir to the throne.

Eventually, years later, as the major figures of the storied died and passed away, the goddess Athena placed Cepheus and the others up into the heavens as constellations to immortalize and commemorate this story.

In another account, because Cepheus was descended from one of Zeus’ lovers, the nymph Io, that earned him a place in the night sky.

Further, it is the god Poseidon who places both Cepheus and Cassiopeia up into heavens to become a constellation.

Hyginus’ Account – By his account, Cepheus’ brother is Agenor who confronts Perseus as he was the one to whom Andromeda had been promised in marriage. This is who Perseus ends up killing instead of Phineus.

Aethiopia or Ethiopia?

The accounts can vary and much of this owes to some lack of clarity among the ancient Greek Scholars and Historians. Homer is the first to have used the term Aethiopia in his Iliad and Odyssey. The Greek historian Herodotus uses the name Aethiopia to describe all of the inhabited lands south of Egypt. The name also features in Greek mythology, where it is sometimes associated with a kingdom said to be seated at Joppa, (what would be modern-day Tel-Aviv) or it is placed elsewhere in Asia Minor such as Lybia, Lydia, the Zagros Mountains, and even India.

Modern-day Ethiopia is located on the horn of Africa and has some tentative ties to the legend of Andromeda. The Egyptian priest Manetho, who lived around 300 BCE called Egypt’s Kushite dynasty the “Aethiopian dynasty.” And with the translation of the Hebrew Bible or Torah into Greek around 200 BCE, the Hebrew usage of “Kush” and Kushite” became the Greek “Aethiopia” and “Aethiopians.” This again changes later to the modern English use of “Ethiopia” and “Ethiopians” with the arrival of the King James Bible.

Given the way that Countries, Empires, Kingdoms, and Nations rise and fall, expand and shrink, it’s very well possible that both Aethiopia and Ethiopia are one and the same and that modern-day Tel-Aviv once known as Joppa (Jaffa) may have once been part of Ethiopia. Some sources cite Joppa as having been a city of Phoenicia. There is a lot of history that has been lost to the sands of time that can only be guessed at and speculated upon.

Hercules Vs Cetus

This is a very similar story that follows much the same theme that the story of Perseus and Andromeda follows.

Now, Hesione is a Trojan princess and the daughter of King Laomedon. Being Trojan, Hesione in some versions and not Helena gets the blame as the trigger for the famous Trojan War.

Enough of that, the gods Apollo and Poseidon became angry with King Laomedon when he refused to pay his tribute to the gods for the construction of Troy’s walls. Fair enough, if you don’t pay, we’ll send a plague and a giant sea monster after you to collect.

After consulting the Oracles for what he could do to set things right, Laomedon was told he would need to sacrifice his daughter Hesione to the monster Cetus. Some versions say a series of pulling lots saw Hesione get this fate. Like Andromeda, Hesione too is chained to the rocks near the ocean for Cetus to come and get.

The hero Hercules along with Oicles and Telamon were returning from their campaign against the Amazons when they come across Hesione chained up and exposed. Hercules finds out what’s going on and goes to her father, Laomedon saying that he can save her for a price.

What price? The horses Laomedon received from Zeus as compensation when Ganymede was abducted. Though it’s Tros who is often given as the father of Ganymede and Laomedon is a nephew of said Ganymede. This story follows the lineage with Laomedon as Ganymede’s father rather than a nephew.

Back on track, Laomede agrees to Hercules’ price of giving the horse and the hero sets off to kill the sea monster Cetus.

When it came time for Hercules to collect his reward, Laomedon refused to pay. Why am I not surprised by that? Some people just don’t learn.

Hercules and his companions are angry enough that they come back to attack Troy, killing Laomedon and all his sons except for Podarces. Telamon takes Hesione for his wife and Podarces, becoming king of Troy, changes his name to Priam.

The whole famous Trojan War fits in as Priam wanted Hesione returned to Troy. When Antenor and Anchises, both sent by Priam, couldn’t get Hesione, they return. Paris is then sent to Greece to bring Hesione back and while on the way, brings back Helen, Queen of Sparta and wife to Menelaus.

Other Grecian Legends

Gates of the Underworld – With Cetus’ location under the ecliptic, it’s stars, along with those of Pisces are connected to the capture of Cerberus in The Twelve Labors of Hercules. Having written a post for Pisces, this is the first I’ve come across this story being connected to either constellation. It seems to me, part of a series of connection several constellations to the story of Hercules and his labors.

Western Astronomy

The constellation known as Cetus is one of 48 constellations listed by the 2nd-century astronomer Ptolemy in his book, Almagest. Today it remains as one of the 88 current or modern constellations. The Cetus constellation is found in region of the sky called “The Sea” with other water-based constellations of: Aquarius, Capricornus, Eridanus, Piscis Austrinus, and Pisces.

17th-century astronomer, Johannes Bayers thought Cetus resembled a dragonfish. In his star map or Uranographia, Johann Elert Bode gives an alternative name of Monstrum Marinum for Cetus. Other astronomers, Willem Jansson Blaeu and Cellarius saw a Whale in the Cetus constellation. It’s not unusual either for Cetus to be shown as a giant, monstrous fish with varying animal heads on it.

The Cetus constellation is found in the southern hemisphere where it can most likely be seen during autumn evenings, especially in November, along with several other constellations named after characters in the myth of Perseus. Because of its southern location, Cetus is visible between the 70° and -90° latitude lines and for observers farther south it lies below the horizon. It is 4th largest constellation found in the night sky. Bordering constellations to Cetus are: Aquarius, Aries, Eridanus, Fornax, Pisces, Sculptor and Taurus.

Arabic Astronomy

Arab astronomers were aware of Ptolemy’s constellations, in their star lore, one of the hands from the Pleiades (Al-Thurayya) is said to extend into part of the Cetus constellation. Additionally, two pearl necklaces were seen as making up the stars of Cetus. One necklace is intact and whole while the other is depicted as broken and the pearls scattered.

Brazilian Astronomy

The Tukano and Kobeua people see a jaguar in the Cetus constellation. This jaguar is the god of hurricanes and violent storms. The stars Lambda, Mu, Xi, Nu, Gamma and Alpha Ceti make up the head. The stars Omicron, Zeta and Chi Ceti make up the body with the stars Eta Eri, Tau Ceti and Upsilon Ceti making up the legs and feet. Lastly, the stars Theta, Eta, and Beta Ceti mark the tail of the jaguar.

Chinese Astronomy

The stars of Cetus are located in two areas of the Chinses Night Sky, the Black Tortoise of the North or Bei Fang Xuán Wu and the White Tiger of the West or Xi Fang Bái Hu.

The area of the night sky that Cetus occupies is associated with Autumn, agriculture and the harvest season, especially with the need for storing grains and cereals.

Bakui – This is an old asterism comprised of the stars 2, 6 and 7 Ceti that represents a bird catching net. In older maps, this asterism will be placed further south in the constellations of Sculptor and Phoenix. It’s thought that perhaps Chinese astronomers have moved this asterism further north with the slow precession of stars in the night sky.

Chuhao – Or called Chugao, it is located south of Tianjun. This asterism is made up of six stars, two of which are Epsilon and Rho Ceti that border with Eridanus. This asterism represents either a measure of animal feed or medicinal herbs.

Tiancang – Is a square granary, made up of six stars from main body of Cetus, including Iota, Eta, Theta, Zeta, Tau and Upsilon Ceti form this asterism.

Tianhun – This asterism is a loop of seven stars near Eta Ceti and represents either a manure pit or pig sty.

Tianjun – Is a circular granary, made up of thirteen stars from the head and neck of Cetus, including Alpha, Gamma, Delta and Xi Ceti form this asterism.

Tianlin – Is a third granary that borders between the Cetus and Taurus constellations. It is comprised of four stars Omicron, Xi, 4 and 5 Tauri. This storehouse or granary is used to store millet or rice.

Tusikong – One star, Beta Ceti marks this asterism that represents the Minister of Works and Land Usage Overseer.

Hawaiian Astronomy

It’s thought that this constellation was called Na Kuhi and the star, Omicron Ceti might have been called Kane.

Mesopotamian Astronomy

As I study the old Grecian myths and the history behind them, the stronger a connection and correlation between the Greek and Mesopotamian myths appears. The story of Andromeda and Perseus is just one set of myths the Greeks inherited from the Mesopotamian cultures.

The constellation of Cetus has been identified with Tiamat, the dragon goddess of Chaos. She bore many demons for her husband, Apsu, but eventually she decided to destroy them in a war that ended when Marduk killed her. He used her body to create the constellations as markers of time for humans.

Biblical Connection – Lost In Translation!

The Greeks weren’t the only ancient people that the Mesopotamians influenced. We see another interesting connection come in the Torah or Hebrew Bible and with the Canaanites.

Jonah and the Whale – This is the story that many people are most likely familiar with for any connection of Cetus with the Bible. If you don’t really dig any further, that can be good enough for people when linking this constellation to the Bible.

If we go a little further, yes, the Hebrew text in Jonah calls the whale a dag gadol, meaning “great fish.” And yes, when the Old Testament was translated to the Greek Bible or Septuagint, the translation is “mega ketos.” Then translated again, in the Latin Vulgate, it translates to Cetus and then later to “piscis grandis.”

Torah – What gets interesting, is another creature, Tanninim (or Tannin for singular) that gets mentioned in the Hebraic Books of Genesis, Exodus, Deuteronomy, Psalms, Job, Ezekiel, Isaiah, and Jeremiah. Now, the translation into the King James Bible will translate many of these instances to mean a serpent or whale.

Why mention one particular creature, Tannin in all of these other passages and books and call it a dag gadol in Jonah? It’s assumed that whales are what’s being mentioned. Yet when we get into Isaiah, tannin is again mentioned as a sea monster that will be slain by God or Yahweh. When we go into the King James Bible, that translation of tannin becomes dragon.

If dag gadol is a whale or rather, a great fish; then what’s tannin? Sticking to just Jewish mythology, tannin is often linked to the sea monsters Leviathan, Lotan and Rehab. In modern Hebrew, tannin means crocodile.

Canaanite MythologyTannin also appears in Canaanite myths, specifically the Baal Cycle. It is a story very similar to the Mesopotamian myth of Marduk (or Enlil) slaying Tiamat and the Grecian Perseus slaying Cetus.

Tannin is a monstrous servant of the sea god Yam who is defeated by Baal or is bound by his sister Anat. This serpentine sea monster is used in Canaanite, Hebrew and Phoenician mythologies as being symbolic of chaos and evil. Much like how Tiamat is equated as a symbol of chaos. It is this part of being a sea monster or dragon and chaos that has modern scholars identifying Tiamat with Tannin.

Nautical Lore & Superstitions

A ship or a ship’s maidenhead will be called Cetus to indicate a ship undaunted by the sea or a fearsome and ruthless pirate ship.

By sailors, the name Cetus is an omen and harbinger of a bad storm or misfortune. The name could also mean lost cargo, the presence of pirates or getting steered/pulled off course. The superstition was so great, that sailors would avoid mentioning the name Cetus.

Here Be Dragons! – Continuing the bit of nautical connection, some retellings of Perseus and Andromeda will refer to Cetus as being a sea serpent or outright calling it a dragon.

Release The Kraken!

Thanks to the 1981 stop-motion movie Clash of the Titans and it’s later 2010 remake, the part that Cetus played is replaced with an even scarier and more compelling monster, the now famous Kraken that rises up to destroy a coastline and kill Andromeda.

Think about it, “Release the Cetus!” just doesn’t have as dramatic of flair as “Release the Kraken!” does. Even the old stop-motion Kraken is more ominous to see on the screen then a giant whale or monstrous sea serpent rising up out of the ocean. It’s more exciting for a modern audience whether seen in theaters or on the small screen to watch.

This also simply shows how Hollywood will often change the source material for what they think is more exciting and action-oriented. Then, when enough people are familiar with this version as the story of Perseus and Andromeda, it shows how these stories and mythologies are still active and evolve with the different cultures that retell them.

It’s been pointed out that the Kraken isn’t even Greek in origin, it’s from Norse & Icelandic lore and mythologies.

Even in Renaissance paintings depicting Perseus, this is where we see the hero going from wearing Hermes’ flying sandals to riding the winged horse Pegasus.

Perseus Family

The constellation of Cetus, along with eight other constellations of: Andromeda, Auriga, Cassiopeia, Cepheus, Lacerta, Pegasus, Perseus and Triangulum.

All these constellations have some connection to the overall legend and myth of the Grecian hero Perseus.

Stars Of Cetus

Alpha Ceti – Also known as Menkar that means “nose.” It is a giant red star. It forms a double star with 93 Ceti. Alpha Ceti gets to have a bit of a claim to fame with it’s use in Science Fiction, particularly the original Star Trek series. It is Alpha Ceti V where Khan and his crew are exiled. Then in Star Trek: Enterprise, Alpha Ceti V is the planet that humans find refuge at after the Xindi destroy Earth.

Beta Ceti – Also known as Deneb Kaitos and Diphda is the brightest star found within Cetus. It is an orange star. The name Deneb Kaitos comes from the Arabic phrase Al Dhanab al Ḳaiṭos al Janūbīyy meaning: “the whale’s tail.” The name Diphda comes from the Arabic: “aḍ-ḍafdaʿ aṯ-ṯānī” meaning: “the second frog.” It should be noted that the star Fomalhaut found within Piscis Austrinus is the first frog.

Gamma Ceti – This a double star, the main star is yellow while the secondary star is blue.

Omicron Ceti – Also known as Mira, meaning “The Wonderful,” is the first variable star to have been discovered. Because this star seems to appear and disappear to the unaided eye, it was given the common name of “The Amazing One.” It was discovered by David Fabricius in 1596.

Tau Ceti – Is only notable for being a star similar to the Earth’s own sun. There aren’t any known planets for this star.

AA Ceti – Is a triple star system. The third star is only known by the shadow it casts when passing in front of the primary star.

Pac-Man Nebula

NGC 246 also known as the Cetus Ring, is a planetary nebula found within the Cetus constellation. It’s roughly 1600 light-years away from Earth. It earns the nickname of Pac-Man Nebula due to how its central stars and surrounding star field appear.

Cetids

There are a series of three meteor shows associated as originating out of Cetus, they are the October Cetids, the Eta Cetids and finally, the Omicron Cetids.

Raiju

Raiju

Etymology: Rai (“Thunder”) and Ju (“Animal” or “Beast”)

Pronunciation: Rye-Gin

Other Names and Epithets: 雷獣, らいじゅ, Raijuu

Raiju is a curious mythical creature from Japanese mythology sometimes viewed as a type of demon or yokai. It’s best known for being a companion animal to Raijin, the god of storms and lightning.

Description

The descriptions of Raiju vary greatly in description as it is sometimes described as having a body made of electricity and resembles either a badger, cat, monkey, tanuki, weasel or even a wolf. Sometimes Raiju flies about as a ball of lightning. The cries of a Raiju are said to sound like thunder.

Thunderstorms

Normally peaceful, Raiju becomes agitated and active during thunderstorms, leaping from one tree to another. After a storm is over, any lightning marks on the tree were believed to have been caused by Raiju ripping it open.

Raiju! I Choose You!

That sounds like the name of a pokemon. There are a couple, Raichu and Raikou, a legendary pokemon who is based on Raiju and other thunder gods.

In Japanese mythology, raiju is the name of Raijin’s animal companion that is described as a blue and white wolf or a wolf wrapped in lightning.

It doesn’t stop there as Raiju is referenced in a number of different Japanese animes, manga and video games.

More Than One?

That might seem to be the case with some of the articles that I looked up and likely an evolution to the mythology of Raiju. Instead of one animal companion, that there are multiple of this creature. It could serve too to explain why the descriptions of Raiju and what animal it really looks like varies so much.

 Raikiri – Lightning Cutter

As legend holds, a samurai by the name of Tachibana Dōsetsu was taking shelter beneath a tree during a storm. When lightning struck the tree, Dōsetsu drew his sword swiftly enough to block being hit by the bolt. Once the smoke cleared, Dōsetsu saw that there was a dead raiju laying on the ground. Dōsetsu named his sword Raikiri or “Lightning Cutter.”

Possible Reality Behind The Myths

That’s very typical of human nature to try and explain the universe around us and to try to make sense of events and occurrences. Especially with natural phenomenon, like lightning strikes, that they’re caused by the gods or oh, this tree looks like it has scratch marks where the lightning hit it. Must have been a beast of some sort.

Ball Lightning – A ball lightning, when they’re reported, are balls of lightning or electricity that occur during thunderstorms. Given how rare these are, the science behind what causes them and what’s being seen is and can be disputed. Some reports say the ball lighting glows like a 100-watt lightbulb with tendrils of electricity. The balls vary in color from yellow, orange, blue and red and size from a grapefruit to a beachball. Other reports say the ball lightning explodes, leaving behind a sulfurous smell.

Traveling Shows – During the Edo period of Japan, reportedly “real raiju” would be caught and put on display as sideshow attractions. Much like “real kappa” and the mummified remains of mermaids, the mummified and stuffed taxidermy of animals ranging from cats to badges, tanuki and monkeys would-be put-on display for people to view. The descriptions of caged raiju would match those of other captive animals during a thunderstorm as they get agitated and try to flee the confines of their cage.

As scientific knowledge and advances progressed in the Meiji period, as people better understood what was going on with lightning and electricity, the belief in raiju began to taper off, becoming a rather minor figure that still shows up in pop culture references.

Hide Your Navel!

It’s believed that Raijin is found of eating human navels. It was common practice for Japanese parents to tell their children to hide their belly buttons during a thunderstorm lest Raijin come eat it.

If it’s any minor consolation, according to some beliefs, it’s not really Raijin who eats children’s belly buttons, but his animal companion Raiju who actually does. Or if Raiju isn’t eating your navel, he’ll curl up inside to sleep during a thunderstorm. Of course, you only manage to get Raiju sleeping in your navel if you were sleeping outside. If you must sleep outside during a storm, try sleeping on your stomach to keep Raiju from curling up in your belly button. Raijin is said to hurl to shoot arrows at Raiju to wake up, which getting hit by arrows or lightning will hurt.

Okay then…

Fūjin

Fujin

Other Names and Epithets: 風神, Futen, Kami-no-Kaze, Ryobu

Fujin is one of the oldest Shinto goes in Japan. He is a god of wind and is often paired with the storm god Raijin.

Description

Fujin is often shown as a fearsome wizard-like demon with green skin and a red head wearing only a leopard skin and carrying around a large bag or bags of wind with him. He is also noted to have only four fingers or digits that represent each of the four cardinal directions.

Parentage and Family

Parents

The gods Izanami and Izanagi, the main deities in Shinto are who birthed or created Fujin and all the other gods in Japan.

Siblings

In addition to Raijin and his brother Fujin, all of the Kami of Japan can be said to be Fujin’s brothers and sisters as they were all created after the creation of Nippon (Japan).

Divine Origins

Like Raijin, Fujin was born or created by the gods Izanami and Izanagi after creating Nippon. When Fujin opened his wind bag for the first time, the winds he released cleared away the morning mists and filled the space between the earth and the heavens so the sun could shine.

In Japanese lore, both Raijin and Fujin were a pair of oni who actively opposed the other deities. Under the orders of Buddha, it took an army of thirty-three gods to subdue Raijin and Fujin and convert them to work alongside the other deities.

Kojiki – This ancient Japanese text is the primary source for everything known about Fujin.

The Silk Road – Surprisingly, the imagery for Fujin seems to have originated from the West, during the Greek’s Hellenistic era when they were once spread throughout areas of Central Asia and India. Meaning, that the wind god Boreas is whom Fujin could have originated from. As the imagery for Boreas traveled, he would become the god Wardo in Greco-Buddhist era, changing then to the wind god Fei Lian (or Feng Bo) in China before making his way to Japan as Fujin. What appears to be the connecting motif is that all these deities carry a bag of wind (or shawl in the case of Boreas) and has a disheveled, wild appearance.

Kamikaze – The Divine Wind

In 1274, the Mongols for the first time would attempt to set sail and invade Japan. However, a massive typhoon would destroy a good number of the Mongol fleet, disrupting plans for a conquest of Japanese archipelago. Going by the legend, only three men are said to have escaped. A second attempt in 1281 saw a similar typhoon blow through and wreck most of the Mongol fleet again. Both massive storms or Kamikaze as they would come to be known were attributed as being sent by Raijin and Fujin to protect Japan.

One of Fujin’s alternative names is Kami-no-Kaze, directly connecting him to these fierce, massive storms.

Kami or Oni?

Some of the descriptions of Fujin say he’s an oni and that certainly seems true given his description and when looking at more Buddhist influenced stories where the gods had to battle Raijin and Fujin to tame them and convert them to Buddhism.

Kami – When we go back to the Shinto religion that predates Buddhism in Japan, Fujin is one of many, numerous gods or kami found throughout the region. They range in power from low level spirits all the up to gods.

Shintoism holds the belief and idea that everything seen in nature has a spirit, or kami. As spirits, they just are. The greater the spirit or kami, more of a force of nature and raw power it will be. So many of these spirits would be revered and respected just to avoid needlessly getting them angry and ticked off.

Oni – By Japanese mythology, Oni are very synonymous with the Western concept of demons. Ugly, ogre-like creatures of varying descriptions. An Oni’s only purpose is to create chaos, destruction and disaster. Given depictions of Fujin, he looks very much the part of an Oni and when it comes to wind storms, a more severe storm can be very destructive.

With some of the more primal nature spirits and gods, it’s a very thin line for the concepts of good and evil if you’re trying to pin them to those categories.

Thunder Buddies!

When Raijin is mentioned, he is frequently paired with Fujin, another Weather God is also a sometimes rival. The two are constantly at it, fighting amongst themselves over who will rule the skies. The more intense a storm, the more intense their fighting.

Temple Guardians – Statues of Raijin and Fujin can be found at the gates to many temples and holy places in Japan where they are seen as protectors and guardians.

Raijin

Ragin Raijin

Etymology: Rai (“Thunder”) and Den or Jin (“Lightning”). Another derivation is Kaminari 雷 (“Thunder”) and Kami 神 (“God”)

Pronunciation: Rye-Gin

Other Names and Epithets: 雷神, Kaminari, Kaminari-sama (“Thunder Master”), Karai-shin, Karaijin, Narukami (Thundering Spirit”), Raiden, Raiden-sama (Thunder and Lightning Master”), Yakusa no ikazuchi no kami (“Eight, Thunder, Spirit”)

Raijin is the name of a Shinto Weather God in Japanese mythology, specifically the God of storms, thunder & lightning. Sometimes, the name Raijin refers to one deity, other instances, Raijin will refer to several weather gods.

Attributes

Animal: Raichu

Element: Air

Plant: Rice

Sphere of Influence: Storms, Thunder, Lightning, Agriculture

Symbols: Drum

Description

Raijin is often depicted as a muscular, red-skinned Oni with sharp claws, horns, wild hair and carrying around a large drum or several drums with the symbol of tomoe written on them. These drums of course are used for the sound of thunder. To beat the drums, Raijin uses hammers. Sometimes Raijin is shown to have three fingers that each represent the past, present and future.

Statues depicting Raijin can be found throughout many places in Japan. Many of these sculptures will show Raijin possessing a pot-belly and a fearsome face.

Mortal Kombat – Finish Him!

Raijin, better known as Raiden, appears in the popular fighting game series Mortal Kombat. As Raiden, he is often shown as a robed man wearing a straw hat.

Parentage and Family

Parents

The gods Izanami and Izanagi, the main deities in Shinto are who birthed or created Raijin and all the other gods in Japan.

Siblings

In addition to Raijin and his brother Fujin, all of the Kami of Japan can be said to be Raijn’s brothers and sisters as they were all created after the creation of Nippon (Japan).

Divine Origins

There’re a few variations to Raijin’s origin.

In line with Japan’s creation myth, the gods Izanami and Izanagi created Raijin after they created Nippon, making him among some of the oldest gods in the Shinto religion. Specifically, Raijin was born right after the death of his mother, Izanami when she bore the fire god, Kagu-tsuchi. Izanagi took his sword, Ame no Ohabri got Kagu-tsuchi up into eight pieces, which became eight volcanoes. The blood dripping off the sword would create a number of other Japanese gods or kami.

After Izanami descended to the underworld, her husband Izanagi would follow after. There is a misunderstanding between the two and Izanagi took off. Izanami would send Raijin, along with other spirits to bring Izanagi back.

Other legends will say that there are eight lightning gods, hence the suffix part of Raijin’s name “jin” for people, plural. Getting back on point, these eight lightning gods were tasked with protecting Dharma by the Buddha. This syncretism, known as Shinbutsu-shūgō, joining different religions together is common in Japan. Even an order 1868 meant to separate the two religions of Buddhism and Shinto didn’t stop this from happening.

In Japanese lore, Raijin and his companion, Fujin were a pair of oni who actively opposed the other deities. Under the orders of Buddha, it took an army of thirty-three gods to subdue Raijin and Fujin and convert them to work alongside the other deities.

Kojiki – This ancient Japanese text is the primary source for everything known about Raijin.

Kamikaze – The Divine Wind

In 1274, the Mongols for the first time would attempt to set sail and invade Japan. However, a massive typhoon would destroy a good number of the Mongol fleet, disrupting plans for a conquest of Japanese archipelago. Going by the legend, only three men are said to have escaped. A second attempt in 1281 saw a similar typhoon blow through and wreck most of the Mongol fleet again. Both massive storms or Kamikaze as they would come to be known were attributed as being sent by Raijin to protect Japan.

Kami or Oni?

Some of the descriptions of Raijin say he’s an oni and that certainly seems true given his description and when looking at more Buddhist influenced stories where the gods had to battle Raijin and Fujin to tame them and convert them to Buddhism.

Kami – When we go back to the Shinto religion that predates Buddhism in Japan, Raijin is one of many, numerous gods or kami found throughout the region. They range in power from low level spirits all the up to gods.

Shintoism holds the belief and idea that everything seen in nature has a spirit, or kami. As spirits, they just are. The greater the spirit or kami, the more of a force of nature and raw power it will be. So many of these spirits would be revered and respected just to avoid needlessly getting them angry and ticked off.

Oni – By Japanese mythology, Oni are very synonymous with the Western concept of demons. Ugly, ogre-like creatures of varying descriptions. An Oni’s only purpose is to create chaos, destruction and disaster. Given depictions of Raijin, he looks the part of an Oni very much and when it comes to storms, a more severe storm can be very destructive.

With some of the more primal nature spirits and gods, it’s a very thin line for the concepts of good and evil if you’re trying to pin them to those categories. As a weather deity, it goes either way if his rains bring fertility and life or if it’s the destructive force of a hurricane.

Thunder Buddies!

When Raijin is mentioned, he is frequently paired with Fujin, another Weather God is also a sometimes rival. The two are constantly at it, fighting among themselves over who will rule the skies. The more intense a storm, the more intense their fighting.

Temple Guardians – Statues of Raijin and Fujin can be found at the gates to many temples and holy places in Japan where they are seen as protectors and guardians.

Raiju! I Choose You!

That sounds like the name of a pokemon. There are a couple, Raichu and Raikou, a legendary pokemon who is based on Raiju and other thunder gods.

In Japanese mythology, raiju is the name of Raijin’s animal companion. Raiju is described as a blue and white wolf or a wolf wrapped in lightning.

Island Deity

Raijin is also the god or kami of one of the Japanese islands and believed to live up on the mountains.

Storm Deity

As a storm deity, Raijin is revered as a considerable force of nature. The storms he brings can be destructive in the form of hurricanes and great wind storms when he battles Fujin. Or they can be life giving water and fertility to the land.

Kura-Okami – The god of rain and snow, Raijin is sometimes equated as being the same deity. Kura-Okami is active and at his strongest during the winter months from December to February.

Fertility

Thunder isn’t all that bad. A thunderstorm would mean rain. A lot of Japanese farmers would seek to appease Raijin for rain during droughts and not to flood their rice fields. There was a belief that lighting would cause fertility for a rice field. The sound of thunder and lighting, it would mean a bountiful harvest. This seems a tentative way to connect Raijin to agriculture and fertility.

Protection

I would think having a lightning rod to redirect lighting to the ground would be protection from Raijin. Hiding under a mosquito net is the only protection from Raijin.

That isn’t the only way, as the sound of thunder often freaks out many people and is an omen of disaster. After all, who wants a tree crashing in on their house during a thunderstorm or coming out after it’s over to see what swath of destruction has been left behind? Not many.

Mosquito nets asides, certain areas in Japan hold to a superstition that ritual needs to be performed during a thunderstorm. This ritual involves striking bamboo to exorcise bad spirits away from rice fields. This was thought to avert any disasters in the fields that would result to any lightning and thunder.

As a stated previously, as Raijin is seen as a primal spirit, its better to appease him and get on his good side rather than get him needlessly angry.

Hide Your Navel!

It’s believed that Raijin is found of eating human navels. It was common practice for Japanese parents to tell their children to hide their belly buttons during a thunderstorm lest Raijin come eat it.

If it’s any minor consolation, according to some beliefs, it’s not really Raijin who eats children’s belly buttons, but his animal companion Raiju who actually does. Or if Raiju isn’t eating your navel, he’ll curl up inside to sleep.

Okay then…

Oya

Oya

Pronunciation: Oh-Yah

Etymology: “She Tore”

Other Names and Epithets: Aido-Wedo, Ayaba Nikua (“Queen of Death”), Ayi Lo Da (“She Who Turns and Changes”), Ollá, Oya-Ajere (“Carrier of the Container of Fire”), Iya Yansan, Ọya-Iyansan (“Mother of Nine”), Oyá, Oiá, Yansá, Yansã, Yansan, lyá Mésàn, Iansá or Iansã, Lady of the Wind, Goddess of the Nine Skirts, Lady of War, Bearded Amazon, Thunder Maiden, Ayi Lo Da “She Who Turns & Changes”

Attributes

Animal: Antelope, Bats, Birds, especially Sparrows and Purple Martins, Deer, Insects, especially Dragonflies and Fireflies, Water Buffalo

Colors: Burgundy, Brown (Candomble), Orange, Pink (Candomble), Purple, Rainbow, Red (Candomble), White (Candomble), No Black

Day of the Week: Wednesday (Candomble), Friday

Elements: Air, Fire , Water

Feast Day: February 2nd and November 25th

Gemstones: Amethyst, Black opals, Bloodstone, Garnets, Labradorite, Red Stones, Tourmaline, Smokey Quartz

Herbs: Caimito, Chickweed, Comfrey, Cypress, Elecampane, Flamboyan, Grains of Paradise, Horehound, Peony, Pleurisy Roots, Royal Poinciana, Star Apple, Yucca

Incense: Geranium, Patchouli, Sandalwood

Metal: Copper

Month: February

Number: 9

Patron of: Change, Feminism

Sphere of Influence: Athletics, Businesses, Cemeteries, Change, Death, Lightning, Market Places, Rebirth, Storms, Tornadoes, Wind, Witchcraft

Symbols: axe, brightly colored cloth, balloons, broom, buffalo horns, copper, hoe, lightning, kites, graves, mattock, rake, shovel, spear, tornadoes, the sword or machete, masks, scythe, the flywhisk, weather vanes, whip, wind instruments, anything associated with the wind,

Taboo (Candomble): Palm Kernal Oil, Pork, Pumpkin, Ram, Smoke, Stingray, Mutton

Oya is a mother goddess and Orisha from Yoruban mythology found in Africa regions of Benin and Nigeria and in Latin America. In brief, she is the goddess or Orisha of many things such as: winds, lightnings, violent storms, death, cemeteries, rebirth and the market place.

Depictions Of Oya

Oya is often described as being a tall, regal and very beautiful, yet fierce warrior woman. She wears a skirt of nine different colors representing her nine children as she dances. When going into battle, Oya will wield two machetes. Sometimes Oya is shown with a dress or being bare from the waist up.

Modern Day Worship

What’s interesting, is that Oya is a goddess or Orisha whose worship is still very much so active. There are several traditions that honor, venerate and worship Oya that include: Candomble, Folk Catholicism, Haitian Vodou, Oyotunji, Santeria, Trinidad Orisha and Umbanda to name a few.

Oya’s feast day is on February 2nd and another I found listed November 25th.

Offerings To Oya

Specifically, food offerings, Oya is said to enjoy sweet and dark colored foods and anything spicy. Such foods include the following: fish, fruit, plums, eggplant, figs, kola nuts, legumes, porridge, gin, grape wine, red wine, rum, chocolate pudding, purple grapes, rice, black beans, rain water, starfruit, shea or coconut butter, yams, black she goat, black hens, pigeons, rooster and guinea hens.

Such offerings can be left at the corner of an outdoor market or at the gates to a cemetery, particularly one marked by use of divination. Yes, do place the offerings in a trashcan with a prayer to Oya in thanks. She’ll know your intentions and you’ll keep from littering.

Non-food offerings can include coins, cloth and tobacco.

Orisha

Oya is a member of the Orisha, who are either a spirit or deity. In the Yoruban religion, a nature-based tradition, it is believed that the source of everything is called Olorun or Olodumare. The Orisha themselves are regarded as being different aspects of the main deity, Olorun-Olodumare.

With the Trans-Atlantic slave trade, the worship of Oya was brought with the slaves and is now found throughout much of the southern U.S., Latin America and South America.

Parentage and Family

Father

Obatala is said to be Oya’s father.

Mother

Yemaya – The Great Sea Mother

Yemu – Or Yembo, with Obatala, she is the mother of Oya.

Consort

Shango – (Also spelled Chango), Orisha of Thunder, her second husband. Oya is sometime considered one of three of Shango’s wives along with Oshun and Oba.

Ogun – A powerful warrior and Orisha of metal working, rum and rum making. Oya was married to him first before leaving Ogun for Shango.

Siblings

Shango – Depending on the stories or tradition, Oya and Shango are brother and sister, not husband and wife.

Yemaya and Ochun are held to be Oya’s sisters.

Children

The nine tributaries of the Nile River that represent her stillborn children. These children are Egungun and four sets of twins.

The Ibeji – Twins whom Oya took in after their mother rejected them.

Ọya-Iyansan – “Mother Of Nine”

This is in reference to the Niger River known in Yoruba as Odo-Oya and its nine tributaries. Oya in her role as a Storm Goddess is seen as the queen and source of the Niger River. This connection of Oya with the Niger River comes from a story where Oya gave birth to nine stillborn children. As a result of this, Oya holds a lot of sadness from this, medical term would be Post-Partum Depression. Oya wears nine different colored scarves or skirts around her waist in honor and memory of these children.

Later, when Oshun (or Yemaya) rejects the twins, the Ibeji from her home, it is Oya who takes them in and raise the twins as her own children.

In Brazil, where Oya’s worship has traveled, she is the goddess of the Amazon River.

Storm & Wind Goddess

One of the main things that Oya is known for is that of a Storm Goddess, including winds and lightning. Oya can manifest winds from a gentle breeze up to hurricane force level winds and tornadoes.

Harmattan – This is the name of the Dry Season in the West African subcontinent that happens towards the end of November and up to the middle of March. The Harmattan is characterized by a dry and dusty northeasterly trade wind that blows in from the Sahara Desert towards the Gulf of Guinea. Depending upon where one is at, is if the Harmattan wind is cold or hot. The amount of dust that can happen can create a haze and has been known to be the cause of flight cancellations in West Africa.

Oya & Shango – It should be noted that Shango is a god of thunder and that Oya stole or learned the secret of throwing lightning from him. Additionally, Oya would use Shango’s fear of the dead to keep in his place. During thunderstorms, both Oya and Shango ride out, destroying buildings and tearing up the landscape. Often the two are described as Oya being the lightning with Shango being the thunder that follows soon after.

Goddess Of Change & Fire

Closely related to her aspect as a Storm goddess, Oya is also the goddess of change as seen in both nature and life; which may or may not always be comfortable or pleasant to go through. Such changes that Oya is known to bring are not slow and gradual, they are fierce, quick and often seemingly destructive. This change and the ensuing chaos as seen in the tornadoes associated with Oya are needed for new growth and preventing stagnation.

Fire comes into play as it is often a trans-formative force of change and can be a result of lightning strikes.

As a goddess of change, Oya is not seen as being held by tradition, conventions or boundaries. As a boundary breaker, Oya is known for going hunting, something that had been forbidden to women in West Africa where she was first worshiped.

Goddess Of Cemeteries

As previously mentioned, Oya guarded the gates to cemeteries, most notably, she protected those graves marked with a cross.

Iku – Oya, along with Orunmila, are the only two Orisha who have defeated Iku, the force of death.

Psychopomp – Oya will escort the spirits of the dead to the cemetery’s threshold, though she does not reside within them herself. Other Orishas, Obba and Yewá are the ones who reside within a cemetery or graveyard’s boundaries.

Oya is regarded as holding the secrets and mysteries of death and rebirth, helping the newly deceased with their transitions from the living world to the world of the spirit. In worship, Oya represents the first and last breaths of life taken.

Ancestors – as a goddess of cemeteries, Oya also holds a connection with the ancestors.

Ira – The underworld, Oya entered into the lower realm of Ira in search of her husband Shango when she heard he had died.

Guardian of Stillborn/Unborn Children – As a mother who was unable to keep her own children as they were stillborn, Oya guards and protects the spirit of the unborn or stillborn children, taking them to herself as she guides them to the afterlife.

Illnesses – Oya is called up and invoked during times of a serious illness. Curiously, one source mentioned that Oya protects the lungs and nasal passages. Which makes sense as she is representative of the first and last breath that a person takes.

Goddess Of Markets

This is where Oya can be found, in the market places where businesses are conducted. Whether that place is in a Boardroom Meeting or on the street level, open market, Oya deals in the changing flow of fortunes made and lost. She is noted for being a very shrewd business woman who is also good with horses.

Warrior Queen

Oya did live many centuries ago where she was a princess of the Oyo clan and consort to Shango, the then ruling king. She was known then as an unbeatable warrior whose skills were unequaled. After her death, she became deified as an Orisha.

Oya’s favored weapons are a pair of machetes forged by her first husband, Ogun.

After becoming deified, Oya employs the wind, storms and tornadoes as her weapons along with raising the egun or spirits of the dead to fight as soldiers.

Feminism – As a goddess of female empowerment and a champion of women, Oya will mete justice on their behalf

Women often ask Oya to give them the ability to choose their words so that they may speak persuasively and powerfully.

Huntress – Hunters and Chiefs will seek out Oya’s blessing when hunting or when selecting new, strong leaders.

Justice – Oya’s machetes represent the sword of truth, cutting quickly to the truth of the matter and dealing out matters of equality and custom. As an agent of change, Oya will cut through all injustices, deceits and dishonesty that’s in her path. She will speak only truths, even when they are hard to hear.

Protector Of Women – In her role as a warrior, Oya is known to be a strong and fierce protector of women. Oya also protects children and spouses. The newly deceased are often said to be her children whom she cares for as her own were stillborn.

Water Buffalo

The main animal that I found mentioned repeated as being sacred to Oya is the Water Buffalo. Such an animal is often her avatar or representative or it is Oya herself, having transformed or shape-shifted into this form.

Buffalo Horns – A set of buffalo horns rubbed with cam wood to make them red are placed on alters and shrines dedicated to Oya.

Antelope

Antelope Skin – This story reads a lot like the Celtic or Irish stories of selkies and seal maidens.

One story about Oya mentions that she had originally been an antelope who could take off her skin to transform into a beautiful woman. She would do this every five days when she came to the market in town; hiding her skin in the forest or under some bushes.

One day, Shango meets Oya in the market place and is immediately taken in by her beauty. So enamored of her was he, that Shango followed back to the forest where he saw Oya take her skin and transform back into an antelope.

The next time that Oya returned to market, Shango was hiding, watching for her to change into a woman and hide her skin. As soon as Oya went into the market, Shango came out of hiding to take the skin home where he hid it up in the roof rafters.

With out her skin, Oya became Shango’s wive and went home with him. It should be noted, that Shango has two other wives who became jealous of Oya and the attentions that Shango gave her. She had become his favorite after all.

When Oya bore twins, the other wives, Oshun and Oba told Oya where to find her antelope skin up in the rafters.

Just like the Irish stories, as soon as Oya regained her skin and donned it, turning into an antelope, she took off for the forest.

Spousal Conflict – Not every couple are always going to get along, so its not surprising to find a story of Oya and Shango getting into it and having a fight. Oya changed into an antelope and charged at Shango with her horns. Thinking quickly, Shango made a peace offering of Oya’s favorite food of akara, bean cakes, placing those before her. Pleased with the offering, Oya accepted Shango’s apology and peace offering by giving him her two horns. From then on, whenever he needed her help, Shango needed only to beat the two horns together and Oya would come.

A Stormy Affair – Oya, Shango & Ogun

Oya was first married to Ogun, an Orisha of War and Smithing. The two lived out in the forests together. Ogun was often away working in his smithy or at war, frequently leaving Oya alone.

This provided an opportunity for Shango who wanted to avenge his adopted father Obatala. It seems that Ogun had created some offense towards Obatala and was thus banished to the forest. The banishment wasn’t enough for Shango and he decided to go seduce Oya.

If you want to keep a fight going, this is one way to do it. With the affair and Oya leaving Ogun for Shango, a war broke out between the two.

These wars and fights are often seen in the thunderstorms and the two Orishas, Shango and Ogun continue to be at odds with each other. Obatala often has to come play moderator and impose a peace on them, that is, until the next storm breaks out.

To The Rescue – Saving Shango

Shango got himself into a lot of trouble and made more than a few enemies with his numerous affairs and seducing the wives of the other Orisha.

One night, when Shango was out dancing at a party, some Shango’s enemies managed to capture him and toss him into a jail. Going so far as to throw away the key too.

Later, when Oya is wondering why Shango didn’t return home, she had a vision in which she saw that Shango was being held captive. Oya called down a fierce storm and summoned a bolt of lightning to break the bars of the jail cell holding Shango.

Since then, Shango has always respected Oya’s abilities and skill as a warrior. However, it still doesn’t stop him always remaining faithful as a husband. He is however, careful not to ever make Oya mad.

Betrayal By A Ram

The story goes that Oya and the ram were once best friends. When the ram found out that there was a bounty on Oya’s head, it betrayed her.

When Olofi discovered this, he demanded that the ram be sacrificed. Hurt by her friend’s betrayal, Oya has since been unable to bear the sight of the ram. At the same time, Oya is unable to be in the same room with him being sacrificed as she still cares for him.

In ceremonies, when Oya is being consecrated, the ritual items for Shango, Inle and Yemaya are removed from the room. Likewise, when Shango, Inle or Yemaya are being consecrated, Oya’ ritual items are removed from the room. All of this is to pay respect to the fact that Shango, Inle and Yemaya’s favorite food is ram and they thus bear his scent on them. So the four not ever being in the same room during consecrations is out of respect and remembrance of the ram’s betrayal to Oya.

Oshun’s Fading

There is a story told, how Oshun’s essence or life was fading as people were beginning to concern themselves with other things instead of worshiping her.

As it was, Oya insisted to her husband Shango, to consult with the diloggun (a form of divination) for the first time in order to mark an ebo or sacrifice to Oshun, thereby, saving her. This sacrifice bonded the two in friendship.

Maman Brigitte – Haitian Goddess

Oya has been connected to Maman Brigitte as a syno-deity. Maman Brigitte is a Voodoo goddess or Loa who protects those graves within a cemetery marked with a cross. She is the wife to Ghede or Baron Samedi. Like Oya, she has been connected to the Catholic Saint Brigit.

Catholic Saints

There are a few different Saints that Oya has been equated to and it varies by the religion revering Oya.

Saint Barbara – The Saint whom Oya is equated to in the Candomble tradition. She is the patron saint of armourers, artillerymen, military engineers, miners and others who work with explosives. She has an old legend that connects her to lightning and mathematicians.

Saint Brigit – Not just the saint, the Celtic goddess Bridget of the same name. She is the patron saint of Ireland and babies, blacksmiths, boatmen, brewers, cattle, chicken farmers, children whose parents are not married, children with abusive fathers, children born into abusive unions, Clan Douglas, dairy workers, Florida, fugitives, Leinster, mariners, midwives, milk maids, nuns, poets, poor, poultry farmers, poultry raisers, printing presses, sailors, scholars, travelers, and  watermen. That is quiet a lot if you ask me.

Saint Teresa – There’s like five or six different Saint Teresas, so I’m not sure which was meant with mentioning her. With the mention of a feast day of October 15th, Saint Teresa of Avila seems to have been who they were mentioning. She is the patron saint of Bodily illnesses, headaches, chess, lacemakers, laceworkers, loss of parents, people in need of grace, people in religious orders, people ridiculed for their piety, Požega, Croatia, sick people, sickness, Spain, and Talisay City, Cebu.

Virgin Mary – “Our Lady of La Candelaria” and “Virgin of Candelaria” as in the Virgin Mary of the Canary Islands, Spain and sometime connected with the Black Madonna.

Maui

Also known as: Maaui-Tikitiki (Maori/New Zealand)

Alternate Spellings: Māui

Epithets: Maui-Tikitiki “Maui the Top-Knot,” Maui-Tikitiki-a-Taranga “Maui the Top-Knot of Taranga,” Maui-Potiki “Maui the Last Born”

In Polynesian mythology, Maui is either a trickster demigod or god and in some stories, a mere mortal man. Most of his stories and exploits are best known from the Hawaiian and Maori legends though many other Polynesian cultures such as Mangarevan, Tahitian and Tongan have their own stories regarding this trickster hero. Among the Samoans, Maui is known as Ti’iTi’i. Many of the stories involving Maui make note of him being the youngest son, thus while small, he was extremely strong for his size.

Description

Maui is sometimes described as being ugly, quick to respond as well as quick-witted covered in tattoos. Lucky for humans, for all that Maui is known for having some vicious practical jokes, he works to help people and not the Gods.

Parentage and Family

Parents

In the Hawaiian Kumulipo, Maui is the son of Akalana and Hina-a-ke-ahi (or just Hina, a goddess).

In another Hawaiian legend, Maui’s father is given as Ru.

In the Mangarevan myths, Maui is the son of Ataraga (Father) and Uaega (Mother).

In the Maori myths, Maui is the son of Makeatutara (Father) and Taranga (Mother).

Tangaroa – This Maori god of the sea is sometimes mentioned as being Maui’s father with his mother being a mortal woman.

Siblings

Akalana and Hina had four sons: Maui-Mua, Maui-Waena (or Maui-Hope), Maui-Ki’iki’i and Maui-a-Kalana.

In the Mangarevan myths, Ataraga has eight sons all named Maui: Maui-mua, Maui-muri, Maui-toere-mataroa, Tumei-hauhia, Maui-tikitiki-toga, Maui-matavaru, Maui-taha, Maui-roto. It is Maui matavaru or eight-eyed who is the culture hero.

In the Maori myths, Maui has four brothers: Maui-Taha, Maui-Roto, Maui-Pae and Maui-Waho.

Consort

Hinakealohaila – She is the wife to Maui-a-Kalana in Hawaiian legends.

Children

Nanamaoa – The son of Maui-a-Kalana and Hinakealohaila in Hawaiian legends.

Manaiakalani

This is the name of Maui’s great, big fish-hook. In the Hawaiian legends, it is baited with the wing of an Alae, the sacred or pet bird of Hina. This fish-hook was created from the jawbone of an ancestor of Maui’s, usually given as being his grandmother.

Maui’s Fish-Hook can be seen in the night-sky in the same constellation recognized by Western Culture as Scorpio.

Hawaiian Mythology

Hawaiian Islands

While yes, there is an island called Maui in Hawaii, it is not named for the trickster Maui. Legend holds that the island is named for the son of Hawai’iloa, a great navigator who discovered the Hawaiian Islands. Each of the islands of Kaua’i, O’ahu, and Maui are named after one of Hawai’iloa’s sons.

Kupua

These were a group of heroic trickster demigods in Hawaiian legends. All kupua are shape-shifters who took the forms of either humans or various elements in nature, often an animal. Many kupua are rather malevolent and vindictive. Maui appears to be one of the more beneficial and gentler kupua in comparison.

Pulling Up The Islands

There are many variations to the story of Maui using his fish-hook to pull up all eight of the Hawaiian Islands.

Version 1 – Maui had gone out fishing one day with his brother. In typical sibling rivalry, the brother wouldn’t share any of his bait with Maui. Ever the resourceful one, Maui punched his own nose and used his own blood as bait to fish. He succeeded in bringing in hauls so large, that they would become the Hawaiian Islands. Not just Hawaii, but all the Polynesian Islands were pulled up in this way.

Version 2 – Maui had gone out fishing with his brothers. While out there, Maui caught his hook on the ocean floor. Maui then told his brothers he had caught a large fish and to start paddling as hard and as fast as they can. The brothers never noticed the island rising up behind them out of the ocean. Maui of course, proceeds to do this several more times, pulling up all the Hawaiian Islands.

Version 3 – This is perhaps the more interesting version of the stories. Maui planted his fish-hook at Hamakua with the intent to pull up Pimoe, the god of fish. Maui warned his brothers not to look back as they paddled their boats or this venture would fail. Hina, shape-shifted into a bailing-gourd and Maui, not realizing it was his mother, took hold of the gourd and put it in front of his seat. Now suddenly, there appeared before them, an extremely beautiful woman and all of Maui’s brothers looked back out of curiosity. Having looked back, Hina in her disguise disappeared and the line breaks, causing all of the islands that Maui was trying to unite into one giant island falls apart and he is unable to catch Pimoe.

The Theft Of Fire

Version 1 – In order to steal fire for the people of the islands, Maui transformed himself into the guise of a hawk so he could get closer the Earth-Mother. To this day, the hawk’s feathers are brown in memory of Maui being burned by the flames when he brought the gift of fire.

Version 2 – In this story, Maui and his brother would go out fishing every day. Every morning they would always see a bunch of Kiawe trees smoking and flames coming up out of them. Hovering above all this were some vultures, also known as mud hens or ‘alae.

Maui and his brothers constantly tried to sneak up on the vultures, thinking they were responsible for the fire. However, just before getting close enough, there would be a noise that scared them all off.

Maui came up with the idea of creating a dummy that looked like him and placed in the canoe. Now Maui had his brothers take the dummy with them as they would go one direction and Maui would come from the other as they tried to sneak up on the vultures.

Maui snuck up on the bird and grabbed it by the neck, forcing it to tell him the secrets of fire. The vulture, an ‘alae told Maui to take and rub two maia peels together. When nothing happened, Maui nearly choked the bird to death, telling it to tell the truth. Finally the bird said to rub to Ti leaf stalks together. Nothing happened this time and Maui once more choked the bird who said to rub two dry kiawe sticks together.

This time, Maui had success with creating fire. He took the flaming stick and pressed it against the ‘alae’s forehead, making their head red and bald to remind it and other ‘alae’s thereafter of their selfish act.

Slowing Down The Sun

Version 1 – In this story, Maui’s mother, Hina complained about how the sun moved too quickly through the sky, that she barely had time to get her kapa, bark cloth dry. Hina wasn’t the only one, many people hurried to get their work such as planting, cooking or making clothing done in the few hours of daylight. There just wasn’t time with how fast the Sun moved.

Deciding to help his mother and the other people, Maui hid behind a big rock at the highest peak on the island known as Haleakala, the “House Of The Sun.” When the Sun passed by overhead, Maui quickly threw a rope, made from his sister’s hair with his magic hook tied to the end and lassoed the Sun’s rays with it. Some legends have Maui using a net to trap the Sun. The Sun demanded to be let go and Maui would only do so if the Sun would promise to move slower through the day so people could get their work done. Some versions of the story have Maui beating the Sun with his jawbone until it agreed to move slower. Added to this, Maui took one look at the sky and decided it hung too low. With a shove and heave, Maui pushed the sky up higher.

Version 2 – In this telling of the story, Hina sends Maui to a big wiliwili tree where he finds his old, blind grandmother laying out bananas. Ever mischievous, Maui starts stealing bananas from his grandmother, one by one until she catches him in the act. Maui tells his Grandmother about his mother’s complaints and sending him out to the tree. After hearing the story, Grandmother decides to help him with making a rope. Maui then sits by the tree, waiting until the Sun passes by overhead and he lassos it, forcing it to agree to slow it’s progress across the sky.

Version 3 – Very similar to the story in Version 2, Maui decides to slow down the sun after a man by the name of Moemoe taunts him and says it can’t be done. Just to prove him wrong, Maui sets off to slow down the sun much like he did earlier with finding his grandmother and getting her help. After Maui slows down the sun, he chases after Moemoe and beats him soundly.

Lifting The Sky

While a similar story of Maui lifting the sky is told in his quest to slow down the sun, there is another expanded version of this story.

After a while, as Maui was looking around, he could see that the sky was far too low to the ground and that people were unable to stand up straight. Being Maui, if he didn’t like a thing, he went about changing it. As it just so happened to be, the sky was sinking or lowering and would have made living on the earth impossible for humans.

Maui proceeded to travel to the town of Lahaina, to enlist his father into helping him lift the sky. There, Maui laid himself on the ground and then bracing himself, pushed the sky upwards with all of his considerable strength.

At the signal, Maui’s father, Ru also began pushing with all his might, aiding his son in getting the sky up high enough so people could stand upright. So there you have it, another of Maui’s deeds done.

Variations – In other retellings of this story, Maui lifts up the sky when he comes across a girl complaining how the sky was too low and that she couldn’t do her chores. Like any guy seeking to impress a girl, Maui decided to push up the sky for her.

Yet another variation is that Maui was busy making an earth oven when his poker got stuck up in the sky. To get his poker unstuck and to keep it from getting stuck again, Maui simply pushed the sky up higher. Again, this was all part of impressing a girl.

Defeating The Long Eel

Still one more legend of Maui’s to cover in Hawaiian mythology!

After Maui finished pulling up all of the islands with his Fish-Hook, he decided to start exploring them to find out what all was there. Traveling to each of the islands, Maui discovered that they were all inhabitable. There were houses, but no one living in them, no one in the whole of all the islands.

Taking ideas from the layout and build of the houses, Maui returned home and built a new house for himself in the style of what he had seen on the islands. Finished, Maui then sought out Hinakealohaila (or just Hina, not to be confused with his mother) to marry.

Time passed and Hina went down to a nearby river bank to get some water. While down there, Hina ran into the Long Eel Tuna, who just so happened to decide that striking Hina and covering her in slime was somehow a good idea.

Hina ran back home, but didn’t tell Maui of what transpired. Or at least, not yet.

The next day, Hina went back down to the riverbank and the same thing happened. The Long Eel Tuna hitting and covering her with slime again. This time, when she returned home, Hina told Maui about what happened.

Angry, Maui headed down to the river. Once down there, Maui laid out a number of traps designed to lure the Long Eel Tuna out of hiding. When the Eel Tuna emerged, Mauil used his stone axe to kill them. It seems that the Long Eel Tuna had been causing many people in the village problems. Thanks now to Maui, everyone would be safe.

Mangarevan Mythology

In this mythology cycle, the Maui known as Maui the Eight-Eyed is the hero, born from his mother’s navel and raised by his grandfather, Te Rupe. This Maui has a magic staff called Atua-Tane and a hatchet called Iraiapatapata. Like the Hawaiian and Maori legends, Maui still pulls up the islands from the sea and ties up the sun with locks of hair to slow it down or hold in place.

Maori Mythology

The legend of Maui among the Maori is a long epic.

The Birth Of Maui

Maui was born the son of Taranga and Makeatutara. Considered a miraculous birth, Makeatutara had taken her premature baby and threw it into the ocean wrapped in locks of hair from her topknot. Hence, Maui is known as Maui-Tikitiki-A-Taranga. Fortunately for the infant Maui, ocean spirits found him and wrapping him in seaweed, took him to Tama-Nui-Te-Ra (or Rangi), a divine ancestor who raised the child.

It is Maori tradition, that any baby prematurely born is buried with special incantations and ceremonies least the spirit of the unborn child become a malicious spirit as they had never known any joy or happiness in life. Given what happens later in the stories with Maui, this may be why they bury the baby with rites and ceremonies instead of tossing them into the ocean. It would certainly explain all the mean spirited tricks and deeds that Maui performs.

Reuniting With His Family

Once Maui was a child and no longer a premature infant, he left the sea, going search of his mother and family. When Maui found his mother’s house, he discovered four other older brothers: Maui-Taha, Maui-Roto, Maui-Pae and Maui-Waho.

Understandably, the brothers were all leery of this new comer. Maui won them all over by performing many tricks such as transforming into a number of different birds. The brothers were greatly impressed and accepted Maui.

As for his mother, Maui introduced himself to Taranga when everyone was gathered for some dancing and celebrating. Maui sat down behind his brothers, when Taranga called for her children, she discovered a fifth unknown child among her sons. Maui soon proved he was Taranga’s son and he was accepted into the family.

At first, some of Maui’s brothers were jealous. They were put at easy by the eldest brother telling them how they should let Maui be counted among them, that in days of peace, they should be generous to others by helping to improve the welfare of others and that in times of war, that’s only when disputes should be settled with violence. The speech worked and Maui was finally welcomed home.

Maui Finding His Father

Though Maui stayed with his mother and his brothers, each morning, his mother Taranga would disappear. None of Maui’s older brothers seemed concerned about their mother’s disappearance each morning. This bothered Maui who wondered where Taranga would go each morning before they woke.

When nightfall came again, Taranga returned to her children, they all went to sleep as before on other nights in their house. This time, Maui stayed awake so that when everyone else had fallen asleep, he stole Taranga’s clothing and hid them. Then Maui went and hid himself in the crevice of a window above the doorway so that when morning came, he could see where it was that his mother went.

After what seemed like forever, morning finally came and Taranga awoke. Upon finding she was naked, Taranga began frantically looking for her clothes, finally she gave up and began pulling off pieces of siding from the house to cover herself. Covered, she now ran outside.

Watching from his hiding spot, Maui watched as his mother reach down to some tufts of grass, revealing a hole that she disappeared into and pulling close behind her. Curious, Maui came out of his hiding spot and ran to the spot where the grass had been pulled up. Sure enough, he found the opening to a cave descending deep into the earth, to the Underworld in fact.

Covering the hole again, Maui returned to the house and woke up his brothers. He asked them about where it is that their father and mother went during the day. The older brothers answered that they didn’t know. They taunted Maui saying he shouldn’t worry or bother and that Rangi, the god of the sky was their father.

Little Maui responded how he had been brought up differently from his brothers, having been tossed to the sea. That he had never been nursed by their mother and how he longed to find where it was that she and father went to during the day.

Surprised by the response, Maui’s brothers encouraged to try and find their parents. Maui said that he would go and demonstrated to them his ability to turn into a bird. It was only with the kereru or wood pigeon shape that his brothers were impressed. The ability to shapeshift was something that only a skilled magician with a lot magic could perform and Maui delighted in his being the youngest brother, able to do something the others couldn’t.

Bidding farewell to his brothers, Maui took off in pigeon form to seek after his parents. Long Maui flew off into the forest and down to the cave his mother had disappeared into. Eventually, Maui came to a place where he saw many people gathered in a grove of trees. Among these people, Maui spotted his mother seated by whom he could only assume to be his father.

Still in bird form, Maui descended to a lower branch where he could pick off some berries growing. These berries, Maui dropped down to his father on the head with. Some of the other people at the gathering asked if the bird had dropped the berry and Maui’s father, Makeatutara insisted the berry had only fallen by chance.

Once more, Maui plucked more berries and threw them down hard at both of his parents. As Maui’s parents cried out, the other people gathered there, looked up to the tree and seeing only a pigeon sitting there cooing, began to throw stones at the bird. All the stones missed and it was when Maui’s father threw a stone at the bird that he hit the pigeon, but only because Maui allowed it.

The pigeon fell to the ground and when the others ran up to it, it turned into a man. The others were taken aback for the eyes of the young man who now stood before them were red and fierce looking. Talking amongst themselves, the others discussed if the man standing before them was a god like Rangi and Papa-Tu-A-Nuku. Finally Taranga spoke up and said the man looked like someone knew and repeated the story of Maui’s premature birth everyone to hear.

Taranga then asked the man, Maui who he was and where he came from. When she asked Maui, if he was her child Maui-Tikitiki-O-Taranga, he answered yes and Taranga welcomed him where she seemed to prophesy that he would visit his ancestor, Hine-Nui-Te-Po and conquer death.

Now a man, Maui’s father Makeatutara took him down to the river to be baptized in order to cleanse and purify his son. As luck would have it, Makeatutara made a mistake during the ceremony with incantations, having skipped over parts and forgotten them. This mistake was an ill omen that would eventually lead to the death of Maui. The gods would be sure to punish this forgetfulness with Maui’s eventual death.

In the meantime, however, Maui returned to his brothers to tell them he had found their parents and how to find them too.

Maui Getting Bloodthirsty

After returning to his brothers, Maui ended up slaying and carrying away his first victim, the daughter of Maru-Te-Whare-Aitu. Not long after, Maui proceeded to destroy the crops of Maru-Te-Whare-Aitu, causing them to all wither.

Maui Gaining His Jaw-Bone Weapon

His first war raid done, Maui once more visited his parents. While with them, he noticed how the other people would be carrying away some food as if it were being taken to someone.

When he asked for who, they informed Maui it was for an ancestress, Muri-Ranga-Whenua, an old chief. Maui responded with saying that he would take the food to her.

In typical trickster fashion, Maui didn’t take any of the food to Muri-Ranga-Whenua. Instead he set them to the side, hiding them away. Eventually Muri-Ranga-Whenua wondered why her food wasn’t coming and suspecting that something was up, she wandered down the path, sniffing.

Finally smelling something coming, Muri-Ranga-Whenua’s stomach began to enlarge as she got ready to devour Maui as soon as he came close enough. Maui went up wind of the old chief so she couldn’t find him. Turning westward, Muri-Ranga-Whenua finally smelled someone close to her, realizing it was a human.

Muri-Ranga-Whenua’s stomach shrunk back to normal size and she greeted Maui as one of her descendants. Her next question was why Maui wasn’t bring her food. Maui answered that he was seeking for Muri-Ranga-Whenua’s jaw-bone to use as a weapon. The old chief consented and gave Maui the bone.

Holding Back The Sun

Similar to the story found in the Hawaiian cycle, Maui for his next quest, takes the jaw-bone of an ancestor, Muri-Ranga-Whenua to use as a weapon. He uses this jaw-bone to ensnare the Sun so it will be forced to move slower throughout the day, thus making the days longer. With the aid of his brothers, Maui lassoes the Sun and beats them soundly until the Sun agrees to move slower.

Variation – Sometimes a net is mentioned as what Maui used to catch the Sun before Maui and his brother beat the Sun senseless with his magic jawbone to the point it could limp slowly now across the sky.

Gone Fishing – Part 1

Somewhere along the line, Maui got married and had a number of wives and children to boot. When Maui and his brothers returned from the feat of Holding back and slowing down the sun, he heard the complaints of his family and how they had no fish to eat.

Maui assured his wives and children not to fret, he would soon take care of this trivial matter and they would soon enough have food to eat. He then took his jaw-bone and fashioned it into a fish-hook.

When Maui’s brother headed out to go fishing, Maui jumped in the canoe. His brothers yelled for Maui to get out of the boat, claiming that his constant use of magic would cause problems. Eventually Maui got out of the canoe seeing as his brothers refused to take him.

Determined, Maui just waited until it was night when he went back to the beach and his brothers’ canoe. This time he hid in the bottom, under some boards. When his brothers came at dawn, they headed out to sea, none the wiser that Maui was hidden on board.

Once they were well at sea, Maui came out of his hiding spot. Seeing him, his brothers commented that they had better return to shore. Using his magic, Maui stretched out the distance from the shore to the boat that when his brothers looked for land, it was out of view.

Maui told his brothers that they should let him come with, at the very least he could be able to bail water out of the canoe for them. The brothers consented and they paddled on towards their fishing spot. Maui wasn’t content and told his brothers to paddle out further before dropping anchor, which spot would be far out of view of land.

Far out on the open ocean, the brothers now began to fish and soon, easily they had their canoe filled with fish in no time.

Pulling Up The Islands – Part 2

Continuing from Gone Fishing, this story is similar to the previously mentioned Hawaiian story of Pulling Up The Islands. Now that the brothers had filled the canoe, they wanted to return, but not Maui who now wanted a turn at fishing.

The North Island – Maui’s brothers wanted to know where he got a fishing-hook from, to which he told them never mind. When he asked to borrow of their bait, his brothers refused. With no other recourse, Maui made a fist and struck his own nose, using his own blood for bait.

With that and using incantations, Maui managed to snag the porch of a carved house on the sea bed floor and pulled up not just the house with his superhuman strength, but an entire island. Witht his much land pulled up, the canoe became grounded.

With the newly pulled up land and the haul of fish that had been caught, Maui went to go make an offering of thanks to the gods. He instructed his brothers to wait until her returned before eating or cutting up any of the fish, that everyone would get a fair share.

While Maui went to get a priest to bless, consecrate and purify the land, his brothers went ahead and started to cut up the fish that were also pulled up. These fish began to writhe in agony and in their throes, the mountains, cliffs and valleys of the island were formed. It’s been said if the brothers had waited for Maui to make his offerings, the island would have all been level plains and forest, making it easy for people to traverse it. The Maori call this land Te Ika-a-Maaui, the Fish of Maui or Hahau-Whenua, it is the North Island of New Zealand.

The South Island – By Maori tradition, Maui’s canoe becomes the South Island. The Banks Peninsula is said to be where Maui place his foot to support himself as he pulled in his fish haul. The island is known as Te Waipounamu or Te Waka-A-Maui, the canoe of Maui.

The Secret Of Fire

The secret for the creation of fire had been lost and Maui decided to remedy that situation. Of course, if Maui didn’t have it in his head to pull the stunt of putting out all of the fires for the cooking houses in the village, there would still be fire. But no, Maui puts them all out and then calls out, saying he’s hungry and getting someone to come cook up some food for him and there’s no fire to be had, anywhere.

When Maui’s mother heard there was no fire, she implored the servants to seek out Mahu-Ika to see if she would send more fire. The servants refused, no matter how Maui’s mother and others insisted they go.

Finally, Maui spoke up and said that he would go and get more fire. In order to do so, he needed to know which way to go. His parents informed Maui which path he should go, that he should let Mahu-Ika know who he was and that he shouldn’t perform any of his tricks as too often, his tricks brought harm and injury to others.

Yes, they’re on to you Maui!

Of course, Maui assured his folks he was only interested in bringing fire, he wasn’t going to do anything else, he’d go and come back right away. Honest!

So off he goes, in search of Mahu-Ika, the goddess of fire and his ancestor. When Maui found Mahu-Ika, he was filled with wonder and awe, all he could do was stare before he finally spoke up asking her where the fire was, he had come to get some.

Mahu-Ika got up and asked who Maui was. At first, Maui wouldn’t tell Mahu-Ika was, making her do a quessing game of which country he was from and which direction he had come. Finally, when Mahu-Ika asked Maui if he had come on the wind, he said yes and she recognized him as one of her descendants.

Mahu-Ika proceeded to pull out a fingernail from which fire flowed out. This she gave to Maui who was amazed by the feat. Maui took the fingernail away with him and when he was out of sight, he promptly put the fire out.

Maui returned to Mahu-Ika saying that the fire she had given him had gone out and to give him another. Once more, Mahu-Ika pulled one of her fingernails out, producing fire to give to Maui once more.

Maui managed to keep this antic up of coming back to Mahu-Ika saying the fire had gone out until he had gotten her to pull out all of the nails from her hands and feet save for the nail of her big toe. Nine times and Mahu-Ika finally catches on that Maui might be playing tricks on her.

Angry, Mahu-Ika pulled the last nail out and slamming it on the ground, she told Maui that he now had all the fire as everything around them began to catch fire. Maui made a mad dash to escape with the fire quickly gaining. Maui changed himself into an eagle (or hawk) to be fast enough to escape.

Even as an eagle, his flight wasn’t enough and the fire was about to consume Maui; he called on his ancestors Tawhiri-Ma-Tea and Whatitiri-Matakatak to send rain. The ancestors answered and soon there was a heavy rain. Mahu-Ika was nearly killed in the resulting downpour before she could hide. Maui however, in his eagle form was scorched, resulting in black-tipped wings. Mahu-Ika saved some of her fire by placing it in the wood of trees.

When Maui returned from this latest stunt, his parents tried to warn him about trying to trick his ancestors and that he deserved what he got. They concluded the speech that things would end badly and likely in his death if he didn’t stop his behavior. Maui taunted his parents, saying what did he care, he planned to continue. With that, Maui went off to seek out his next round of mischief.

Variation – A little simpler, Maui gained the secrets of fire by stealing a hen from heaven as fire was believed to be guarded by a celestial chicken.

Turning Irawaru Into A Dog

Shortly after his theft of fire, Maui went out fishing with his brother in law, Irawaru who had married Maui’s younger sister Hinauri, Maui as per his luck, had only caught one fish while Irawaru was catching plenty of fish. Fuming his poor luck, Maui lost his cool when Irawaru’s line got tangled with his. The classic two fishermen tugging on their respective lines, each in the opposite direction.

The two began arguing about how it was their fish on the line and to let go. Finally Irawaru relented and let go of his line enough that Maui was able to pull up on his end. Once the line was pulled up, Maui saw that the fish caught was indeed on Irawaru’s line and that it was his line entangled with the other.

Mad, Maui said they should return to shore and the two began paddling. Once back to shore, Maui had Irawaru lift up the canoe to his back as part of pulling it in. No sooner had Irawaru gotten the canoe up onto this back than Maui jumped on it, forcing the whole weight down on his brother-in-law, nearly killing him.

Nearly dead, Maui continued to trample Irawaru’s body, twisting and forming him through the use of magic into a dog. Maui completed the job by force feeding Irawaru some dung.

Eww…

That done, Maui went back to the village, acting like nothing had happened. It’s then, that Maui’s little sister Hinauri on seeing him, ran up to asked where her husband Irawaru was.  Maui responded with that he had left Irawaru back with the canoe. Well how come the two of them didn’t return together? Oh, well that’s because Irawaru wanted Hinauri’s help with bringing back the fish. So you had better hurry and if you don’t see him, just call out “Mo-i, mo-i, mo-i.”

Hinauri hurried down to the beach looking for her husband. Not seeing him, she called Irawaru’s name and when there was no response, then she called as Maui had told her to with the “Mo-i, mo-i, mo-i.”

Irawaru, now in his dog form, recognized his wife and barked back. He followed her all the way back to the village wagging his tail. Seeing what had happened to her husband, Hinauri became very distraught with grief to the point that she threw herself into the sea.

As to Maui, that antic seems rather petty to have done, but no different from say the Greek gods taking it out on mortals. Maui was now at a point that he found it best to leave the village and once more return to the Underworld where his parents lived.

Variation – Sometimes the story of Maui turning Irawaru into a dog is told that they were on their way to another village not far away. As they were headed on the return trip home, Maui had asked Irawaru to carry some food for them. Irawaru said there was no need to, they had just eaten a meal and it was only a short ways home.

This angered Maui and he used his magic to make the journey home take longer than it should have. As they continued to walk on the seemingly endless road, both Maui and Irawaru grew tired and hungry.

As they sat down, Maui pulled the food he had brought for himself after all and proceeded to eat right in front of Irawaru.

If it had been me, I would have left it at that.

Not Maui, after finishing his meal and not offering anything to Irawaru, Maui asked his brother-in-law to clean and dress his hair. Irawaru supposed that was harmless enough and did the job for Maui. When he had finished, Maui offered to clean and dress Irawaru’s hair for him. Thinking nothing of it, Irawaru allowed Maui to do so. Maui put Irawaru into an enchanted sleep and with further magic, changed Irawaru into a dog.

Either way, in Maori legends, Irawaru is the progenitor of all dogs.

The Death Of Maui

Version 1 – In this version of Maui’s death, people got tired of all his antics and decided to kill him. As a result, Maui’s blood is what creates rainbows and is responsible for the color of shrimp.

But that’s not a very exiting end for a hero and trouble maker.

Version 2: The Quest for Immortality! – This one is more exciting and noteworthy.

Following the events of a botched baptismal ceremony, Maui takes it on himself to go win immortality for humankind. Maui’s father, Makeatutara tries to dissuade him of the notion, that he will fail and that someone will kill him.

Of course, since Maui’s last antics involved turning Irawaru into a dog, he’s looking to leave the village anyways. He’s certainly gotten more than enough people upset with him, Maui heads off for the Underworld where his parents are at.

After staying with his folks for some time, Maui’s father, Makeatutara makes mention of how they have heard of Maui’s deeds up in the living world, but being down here in the Underworld, he’s sure to be defeated at some point. Makeatutara is also remembering the botched baptismal ceremony, knowing that Maui will come to a bad end.

Maui scoffs at this notion of someone defeating him, who after all would do that? Makeatutara says it would be Maui’s ancestor, Hine-Nui-Te-Po, the goddess of the Night. Undaunted, Maui boasts of his many previous deeds with pulling up the islands and slowing down the sun, saying that it won’t be possible to beat him.

Makeatutara relents and tells Maui to go find his ancestress who lives far on the horizon. After asking what she looks like, Makeatutara told Maui his ancestor, Hine-Nui-Te-Po looks human but with greenstones for eyes and sea kelp hair, barracuda mouth and that the red flashing of light came from her.

Unfazed, Maui set off towards the west with companions towards the home of Hine-Nui-Te-Po. In some versions of the stories, these companions of Maui are birds such as the tomtit, robin, warbler and fantail. In other versions, these companions are Maui’s brothers.

Eventually, Maui finds Hine-Nui-Te-Po asleep with her legs spread apart. Maui and his companions were quick to note rows of sharp obsidian and greenstones between Hine’s legs.

Maui now informed the others of his master plan, telling his companions not to laugh and to save it for after. Maui planned to enter Hine-Nui-Te-Po’s vagina, in a reverse birth process and to exit out her mouth. This, according to Maui was to gain him immortality.

Maui’s companions tried to dissuade him, saying he would be killed. Maui was again undaunted, insisting if his friends did laugh, waking Hini-Nui-Te-Po, then yes, he would die, but if he successfully passed through her, he would live and that she would be the one to die.

This of course is where the companions just shut up and let Maui do his thing as he readied himself, tying a rope that held his battle club around his waist and thrusting off his clothes. Ready, Maui began to climb in, very much the image of reverse birth as his companions did their best not to laugh.

As it happens with these type of stories, the one task you’re not supposed to do, happens and one of the companions couldn’t hold it in anymore and began laughing. One version of the story says it’s the fantail who begins laughing and wakes Hine-Nui-Te-Po who opens her eyes and quickly closes her legs tight, cutting Maui in half.

Instead of immortality, Maui becomes the first person to die, bringing death to the world. Hine-Nui-Te-Po maintained her post as the Goddess of the Underworld the portal to which all humans must pass through on death.

Variation – When Maui set off to gain immortality for humankind, he did so by changing into a worm in order to enter the vagina of Hine-Nui-Te-Po and leaving through her mouth. This stunt didn’t work out so well as Hine-Nui-Te-Po crushed Maui in her sleep with the obsidian teeth in her vagina.

Maui And Rohe

We’re not quite done with Maui! In a few stories, Maui is married to the goddess Rohe whom he ends up mistreating in some rather cruel and unusual means.

Wow, really?

What happens, is that Maui wished to trade faces with Rohe as she is very beautiful and he on the other hand is rather ugly.

Rohe refused to trade faces and when she was asleep, Maui used an incantation to make the trade and switch for faces. When Rohe woke up and realized what happened, she left the living world and departed for the Underworld, becoming the Goddess of Death.

Good one Maui.

Samoan Mythology

In Samoan mythology, the character of Ti’iti’i is very similar to that of Maui. Many of the stories are similar to those of Maui from other Polynesian cultures. One striking similiarity is the story of Ti’iti’i’s theft of fire from the earthquake god, Mafui’e. In this story, Ti’iti’i breaks off one of Mafui’e’s arms, forcing them to reveal the secret of fire and how to rub sticks together for friction to create it.

For the Samoans, the loss of Mafui’e’s arm means that he is unable to create even bigger earthquakes.

Tahitian Mythology

Among the Tahitians, Maui was a prophet or priest who later becomes deified.

He had once been at a sacred place known as a marae busy with some task or other. When the sun began to set before he was finished, Maui grabbed hold of the sun’s rays and halted the movement of the sun so he could complete his task.

Maui became known as Ao-ao-ma-ra’i-a after he discovered fire and passed on his knowledge to others to create it by the use of friction with wood. Before this, people would eat their food raw.

As a final bit of lore, Maui is the one responsible for earthquakes.

Tongan Mythology

Among the Tongans, the Maui stories tell how he pulled up the Tongan islands from the depths of the ocean, starting first with Lofanga, then the other Ha’apai islands and finishing up with Vava’u. That task finished, Maui lived on the island of Tonga. The village of Houma located on the main island of Tongatapu is noted for being the place where Maui’s fish-hook got caught.

In these stories, Maui has two sons: Maui-Atalanga, the eldest and Maui-Kisikisi, the younger. In other sources, there are listed three Maui brothers: Maui-Motu’a (old Maui), Maui-Atalanga and Maui-Kisikisi (dragonfly Maui). It is Maui-Atlanga who discovered the secret of fire and taught others how to cook with it. Maui-Motu, like Atlas from Greek mythos, holds the earth up on his shoulders. Whenever Maui-Motu starts to nod off, he causes earthquakes and people will stomp the ground in order to wake him up. The god, Hikule’o who rules the underworld of Pulotu is Maui-Motu’s youngest son.

Maui-Kisikis is known for being a trickster. He gained the name of Maui-Fusi-Fonua or Maui Land Puller after Maui-Kisikisi begged for a magic fish-hook from an old fisherman by the name of Tongafusifonua. The old man would only allow the fish-hook to be taken on the condition that Maui be able to find it in his collection of hooks. Tongafusifonua’s wife, Tavatava told Maui the secret of how to find the hook and Maui was able to succeed at picking it out from all the other hooks. With this hook, Maui-Kisikisi was able to pull up the coral islands from the bottom of the sea as these volcanic islands were believed to have fallen from the heavens.

Movie Time – Moana!

So of course, the movie came out in 2016, featuring the famous Maui of Polynesian mythology. Since I was curious, I of course wanted to know how much of the mythology and stories that the movie gets right.

It is of course, a new story and the Maui seen in the movie pulls and combines many of the aspects of him found primarily in Hawaiian and Maori legends. Much of which is confirmed during the song: “You’re Welcome” and a quick montage of all of Maui’s deeds that he’s done that have earned him a new tattoo to commemorate the event.

The character of Te Fiti in her darker aspect as Te Ka was originally referred to as Te Po, based on the Maori goddess Hine-Nui-Te-Po, the goddess of night, death and the underworld. Others have noted a strong similarity between Te Ka and the Hawaiian volcano goddess Pele.

Interestingly, while the movie was being developed and written, it incorporates the history of Polynesian people as voyagers who just abruptly ceased and then a thousand years later, start sailing again. Why? No one knows. However, the story of Moana certainly provides an interesting what if story to it.