Category Archives: Rice
Kitsune
Etymology: Fox
Alternative Spellings: 狐狸精, 狐, きつね
Alternative Names: Kitsune-Tsuki
Hailing from the island nation of Japan or Nihon comes the mystical and mischievous kitsune! Stories of fox spirits or kitsune are rather common and popular and feature in a good number of manga, anime, and video games. So much so they have even become a popular staple even in Western literature and stories. The mystical, shape-shifting kitsune are seen as akin and like the stories of European faeries. One can usually tell if they’re dealing with a kitsune spirit or yokai rather than an ordinary fox by the number of tails that they have. The number of tails can denote a kitsune’s age and thus the wisdom and magical powers they’re reputed to possess.
What’s In A Name
The Japanese or Nihonjin word for fox is kitsune. Now, depending on how the word is used and the context in which it is used, with emphasis on the syllables and vowels, kitsune can refer to an ordinary animal or the supernatural fox entity.
A fun thing to discover and note is that the usage of the word spirit, when it comes from an Eastern meaning, refers to a state of knowledge or enlightenment. When we look at Japan, they have a lot of stories about animals and even objects that when they gain a certain age, become sentient and powerful. Some will become yokai or monsters and others are more benevolent. Focusing on the fox spirits, there are two types of kitsune, the myobu or the celestial fox who are associated with Inari or there are the nogitsune, the wild foxes are far more unpredictable and malicious in their tricks and antics.
For the ordinary animal, there is the Red Fox and the Hondo Kitsune found in Japan and both lend a paw and inspiration to the spirit, mystical foxes.
While it is easy enough to give a fairly direct translation of kitsune into English, there is more to the word. Some of the etymological suggestions for the word seem contradictory among various scholars. Nozaki says that kitsune is an onomatopoeia for the sound that a fox makes when it cries seen in the word “kitsu” and that the last part “ne” is an affix for an honorific. In this respect, kitsu is an archaic word for a fox’s cry and modern Japanese words used are kon kon or gon gon. Interestingly enough, I have found that kitsu also means “come here.”
Other etymologies are from Myogoki in 1268 who says that kitsune comes from the words “tsune” or “always” and “ki” or “yellow.” Arai Hakuseki in Toga, 1717 says that “ki” means “stench” and “tsu” is a possessive part and “ne” as in “inu” for “dog.” Then there is Kotosuga in Wakun no Shiori (1777-1887) who agrees about “ki” meaning “yellow,” “tsu” is still a possessive part and “ne” is from neko, for cat.
Depictions
In the numerous folktales told of kitsune, these are foxes that are intelligent and hold great magical or mystical powers. This power only increases as the fox gets older. When a kitsune becomes old enough, sometimes 50 years of age, other stories say 100 years, a kitsune gains or learns the ability to transform into a human. Frequently, it is a female kitsune who will transform into a young human woman. In this guise, the kitsune is sometimes portrayed as a lover or wife until she is discovered and the kitsune runs away back to the wilds in its fox form. Other times the kitsune acts as a protector or guardian. Because of the kitsune’s power and abilities, some people would make offerings to them much like they would deities.
Fox Tails – One way to gauge how old and thus powerful a kitsune is, is to count the number of tails. The more tails, the more powerful a kitsune will be. Fortunately, this power tops out at nine tails, but that is still a formidable being to encounter. Other folktales say that a kitsune gains one tail for every hundred years of life until they’ve reached 1,000 years of age. Other stories say that a kitsune gains their extra tails from Inari for their deeds and actions. When a kitsune gains its ninth tail, they are believed to have its fur turn silver, white, or gold. These kyubi no kitsune or nine-tailed foxes are particularly powerful in that they can hear and see anything happening around the world. These foxes are also known for their infinite wisdom.
Illusions – Kitsune can create illusions that are incredibly realistic. As an offshoot of this power, other sources have tried to say the kitsune ability to bend reality, drive people mad, take on various shapes, or create a second moon. These may just be an extent to how realistic kitsune illusions can be.
Kitsune-Bi – Or foxfire, this is the ability of kitsune to create fire from their tails or to breathe fire. This foxfire has also been compared to will-o-wisps.
Hoshi no tama – This is similar to the kitsune-bi or foxfire. Some depictions of kitsune show them carrying around a white ball or hoshi no tama (star ball). These star balls are often glowing with foxfire. When in its fox form, a kitsune will keep or carry this star ball around in their mouth. When they’re in the guise of a human, this star ball may take the form of a jewel or piece of jewelry. There is a belief that this star ball holds part of the kitsune’s power or when the star ball is described as a pearl, a part of the kitsune’s soul and that the kitsune will die if they are separated too long from their jewel. Those who can get hold of a kitsune’s hoshi no tama can potentially get a favor from the kitsune.
Kitsune-ken – Translated as fox-fist, this refers to a kitsune’s power over humans. There is a game similar to rock, paper, and scissors, however, these three hand positions signify a fox, hunter, and village headman. The headman beats the hunter, the hunter beats the fox, and the fox beats the headman.
Shapeshifters – Aside from an increased number of tails, depending on the story, after a kitsune has reached the age 50 or 100, they are able to shapeshift into a human. Often, they will change into the form of a beautiful young woman or an old man.
Mirrors & Shadows – There is a limit to this shapeshifting, a fox will need to place reeds, a broad leaf or skull over their head to shapeshift. Another limit in folk tales is to look for the fox tail that a disguised kitsune will try to hide and other stories hold that looking at a person’s shadow will reveal if they’re a shapeshifted kitsune or not. Sometimes a shapeshifted kitsune’s true form will be revealed if they look into a mirror or other reflective surface.
Kitsune-gao – Or fox-faced, this is in reference to human women who have a narrow face with close-set eyes, thin eyebrows and high cheekbones. These facial features are considered attractive, and some stories hold that this is a sign of a fox in human form.
Tricksters – With their use of shapeshifting and illusions, it’s easy to see how kitsune are known for their mischievous natures and playing tricks on people. The more benevolent kitsune are prone to pranks and tricks on those that need to be taken down a notch while more malevolent kitsune are going to have more harmful tricks that they pull.
Like the Fae of Ireland, kitsune will keep a promise or oath given, seeking to repay any favor or debt that is owed. A kitsune may even go so far as to guard a particular individual or household and so long as they’re treated with respect, they will benefit their chosen companions.
Vampire Foxes – Some stories will depict kitsune-like vampires or succubus & incubuses who feed on the life energy or spirit of humans, most often through sex. These could be stories that are actually Kumiho or Huli jing.
Dogs – Kitsune are believed to have a fear and hatred of dogs even in their human guises. Some transformed kitsune will become so frightened that they will change back to their fox form to escape.
Food – I’m not sure if I would call this a weakness. Kitsune are known for having a fondness for deep-fried tofu which can be seen in the number of Japanese dishes that have deep-fried tofu and names such as Kitsune Udon and Inari zushi. Any dish that has red beans and deep-fried tofu is sure to be a favorite of a mischievous kitsune.
Old Fashion Speech – Some folklore suggests that kitsune only have interactions with humans every hundred years and for this reason, they have antiquated, outdated speech. Close to this is that kitsune have certain words that they have trouble pronouncing certain words. One of these words is “moshi,” so many Japanese have taken to answering their doors and phones with the greeting “moshi moshi!” to make sure a potential guess isn’t a kitsune.
Mystical Origins
As popular and old as the numerous legends and folklore of kitsune in Japan are, many scholars believe that all these stories likely trace their origins back to China, Korea, and possibly even India. The earliest collection of stories that we have were written down in the 11th-century manuscript, the Konjaku Monogatari, with stories hailing from China, India, and Japan.
Chinese folklore has stories of fox spirits known as Huli Jing and in Korea, there is the Kumiho both have strong similarities to the Japanese kitsune. There are similarities in the stories of these fox spirits with those from Japan, however, those attributes are negative ones.
There are some scholars who disagree on the origins of kitsune, whether that’s China and Korea or if they’re solely Japanese in origin. The Japanese folklorist Kiyoshi Nozaki sees the kitsune as being held in a positive light in the 4th century C.E. and the negative traits from China and Korea are later additions.
Some scholars say that the kitsune can trace their origins to India where the fox has a role as a trickster in Indian spirituality. In this respect, the kitsune is compared to the Ruksasha. The Chinese story of the “White Ghost Tiger” of China as an enemy of the Chinese fox is likely a translation from India that the fox and Ruksasha have. The kitsune powers of illusion also have in common with the illusion powers of Ruksasha. Lastly, we see a connection between the Ruksasha’s tendency to devour humans has been compared to the vampiric traits seen with the huli jing and kumiho that are associated with kitsune.
Nozaki says that in the 16th-century book of records, Nihon Ryakki, foxes and humans have lived in close proximity to each other in ancient Japan. The Inari scholar Karen Smyers takes note that foxes being portrayed as seductresses have a connection to fox myths in Buddhism and were then introduced into Japanese folklore through similar Chinese folklore.
Kami Or Yokai?
Depending on the source, kitsune can be classified as either a kami or a yokai. The name yokai is a broad general term and category for a good number of various supernatural monsters and spirits within Japanese mythology. The word Kami refers to the deities, any divine being, and spirits that are considered holy. Given the nature of kitsune and that not all of them will be divine and can be more negative in their antics, such as the nogitsune, it is easy to why the term yokai applies more to the mischievous shape-shifting kitsune. With the term kami, depending on the inflection or with a lowercase spelling, the word kami refers to a lesser spirit.
Are You A Good Fox Or A Bad Fox?
Within Japanese mythology and folklore, there are said to be thirteen types of kitsune, all of which correspond to different element such as celestial, wind, spirit, darkness, fire, earth, river, ocean, forest, mountain, thunder, sound, and time. In broad terms, these various kitsune can be divided into two groups of zenko (good) and nogitsune (bad) kitsune.
Kyubi no Kitsune – The nine-tailed foxes that many people will think of as kitsune. These are kitsune who have lived over a thousand years, gaining infinite wisdom. The kyubi no kitsune’s fur is often either silver, white or gold from their extreme age and they have the ability to see and hear anything happening around the world.
Myobu – The celestial fox, they are associated and aligned with the goddess Inari.
Ninko – They are an invisible fox spirit that people can perceive and only once it possesses them.
Yako – Translating to “field fox.” They are also known as Nogitsune. These kitsune are considered dangerous in that their tricks and mischievousness are more malevolent.
Zenko – These kitsune are considered good or benevolent and helpful. Most of the zenko kitsune will be aligned with the goddess Inari.
Kitsunetsuki
Also spelled as kitsune-tsuki, translates to fox possession. With kitsunetsuki, what happens, is a fox spirit will possess someone, who is always a young woman. The fox spirit is believed to enter through either beneath the fingernails or her breasts. A woman’s facial expressions are believed to have changed, becoming more fox-like. Other beliefs are that a person who was illiterate could gain the ability to read. A victim of kitsunetsuki will have a craving for rice or sweet red beans, become listless, restless and have an aversion to eye contact.
All kitsune can possess a person according to folklore, though they will only do so if someone agrees and lets them.
Japanese Witchcraft – Those who force a fox possession are those of a hereditary fox employee or tsukimono-suji. This does take us a step in the direction of looking at superstition. In Japan, a familiar would be the source of a person’s magical power. While nearly any animal could be a witch’s familiar, foxes and snakes are the most noted. There for a familiar acting as a tsukemono or “possessing being” would be used to explain a sudden illness, floods, and any number of misfortunes that could be attributed to evil spirits.
Insanity – With the hereditary fox possession, this would have explained mental illness, especially where it is hereditary. The victim of kitsunetsuki would frequently be treated cruelly in an effort of trying to drive out the possessing spirit. A victim would be taken to an Inari shrine in hopes that a priest would be able to perform an exorcism. If such a priest could not be found, then people would either beat or burn the victim in the hopes to drive out the fox spirit. There are some cases where an entire family could be ostracized if someone was believed to be kitsunetsuki.
Records of fox possession date from the Heian era and continue until the 20th century as a common diagnosis for insanity. Diagnosis’ of kitsunetsuki is specific to Japanese culture like clinical lycanthropy among Westerners. Stories of fox possession can still appear in tabloid media and other forums.
Kitsune Gold
I say that as it puts me to the mind of fairy gold, where a person is paid in gold by a fae, and in the morning, the gold coins have turned to leaves and twigs.
The same thing happens with kitsune. Any payment or reward that involves money from a kitsune is going turn out to be the same thing. Pieces of paper, leaves, twigs, stones, and other similar junk items under an illusion. A kitsune sincere in their rewards and not tricking a human is more likely to offer intangible rewards such as protection, knowledge, and a long life.
Inari Foxes
As previously mentioned, the kitsune known as zenko are associated with the Shinto kami known as Inari, a deity of rice and such association has only reinforced the kitsune’s connection to the supernatural. These kitsune serve as Inari’s messengers and there are times that Inari themself is depicted as a fox. These kitsune also worship Inari and can be found in shrines and cemeteries. Devotees to Inari will also leave offerings of fried tofu and udon in offering for the fox spirits who they might petition to aid and protect against the nogitsune. The zenko or Inari kitsune can be identified by the red bibs that they were and that they cannot bring harm to humans. These kitsune will be white in color and seen as a good omen. In the same vein, black foxes and nine-tailed kitsune are also regarded as good omens. There is some speculation among folklorists on if there was another Shinto fox deity that existed prior to Inari and his association with kitsune.
Feng Shui
Better known as fusui in Japan, it is believed that a statue of a fox is able to repel evil kimon or energy that comes from the northeast. There are many Inari shrines, notable is the Fushimi Inari shrine in Kyoto where there large numbers of kitsune statues.
Buddhism
In the Buddhist religion, the goddess Dakiniten is seen as Inari’s female aspect. Dakiniten is often shown as a female boddhisattva riding a flying white fox as she wields a sword.
Obake Karuta
This is an old card game whose name translates to either “Ghost” or “Monster Cards” that people would play during the Edo period in the 19th century. Players would try to collect the most cards in order to win. The game is clearly a predecessor to the more modern Pokemon and Yu-Gi-Oh! Card games that collect and showcase different, various monsters. At any rate, one such obake karuta has a picture of a kitsune on it.
The Kitsune’s Hoshi no Tama
This is a 12th-century story where a man was able to gain a kitsune’s favor after taking their hoshi no tama or star ball. The kitsune pleaded with the man who ignored them. After a bit, the fox told the man that star ball wouldn’t do them any good and that if the man didn’t give him the star ball back, he would have a terrible enemy. However, if the man gave the star ball back, the kitsune promised to be a protector deity. The man gave the star ball back and the fox did indeed save his life by guiding the man past a band of robbers.
Kuzunoha
This is the name of a popular figure in folklore and kabuki plays, they always cast a fox’s shadow, even in their human form.
Lovers & Wives
It should come as no surprise that with kitsune being known to primarily shapeshift into beautiful women, they also frequently take on the roles of lovers or seductresses and wives. In many of these stories, sometimes a young man will unknowingly marry a kitsune, eventually, he learns of her real nature and she is forced to flee, reverting back to her fox form.
Sometimes the man will wake up finding himself in a fox den or some other place far from home, filthy and dirty. Other stories have the fox wife bearing the man children who inherit the kitsune abilities. There are several historical Japanese reputed to have been born of a kitsune mother. One such figure is the astrologer and magician Abe no Seimei.
Kitsune Wedding – When rain falls from a clear sky, this is called a kitsune no yomeiri or the kitsune’s wedding. There is a folktale where a kitsune wedding is described as happening in just such conditions. The events are considered good omens and the kitsune seek retribution on any who are uninvited.
For the versions of the kitsune reported to be a type of energy vampire or succubae/incubi, this makes sense for them to go this route in order to get close to their prey and feed.
Koan
This story concerns a historical person by the name of Koan who had been staying in the home of one of his devotees. As Koan entered the bathhouse, he scaled his foot after the water had been drawn too hot. Yelping in pain, Koan fled the bathhouse naked and the people present who saw him were astonished to see fur covering much of his body and a fox’s tail. Koan transformed into a fox in front of everyone into an elderly fox before running away.
An Old Fox Tale
This story is one of the oldest surviving kitsune tales that date to C.E. 545. It is found in the Nihon Ryouiki or “Japanese Ghost Stories” collection. There are many numerous stories of kitsune appearing to a human man as a woman and then her fox nature is revealed that she must flee and run away. This story is slightly different from how it ends.
A man by the name of Ono who lived on the island of Mino, spent years longing for his ideal image of feminine beauty. One evening, Ono met a beautiful woman out on a moor and married her after proposing to her on the spot and detailing all the ways in which he would take care of her. At the time of the birth of their son, Ono’s dog also gave birth to a pup. As the pup grew, it became more and more hostile to the woman. She begged Ono to kill the pup, but he refused. One day, the dog attacked the woman so aggressively that she became frightened, transforming into a kitsune with nine tails who to lept over a fence as she fled.
Ono called after the fox that “You may be a fox! But you are the mother of my son and I love you! Come back when you please, you will always be welcome!”
So, the fox did, every evening she would return to sleep in Ono’s arms and then leave in the morning.
In this story, it is noted there is an old etymology for kitsune with kitsu-ne meaning “come and sleep,” and ki-tsune meaning “always comes.” Which I find interesting depending on the emphasis for the syllables.
Kitsune Versus Tanuki Rivalries
The tanuki or raccoon dogs of Japan are another notable trickster, and they share a lot of traits in common with kitsune such as shapeshifting. There is a Japanese phrase that says a fox has seven disguises, but the tanuki has eight. Popular motifs show the kitsune as classy and elegant where the tanuki comes across as more the party lover. A kitsune is often more snobbish and someone said to have a triangular, foxlike or kitsune-face is given as a compliment. In comparison, the tanuki is regarded as clumsier or a bit of a slop and to say that someone is tanuki-faced, having a more squarish or round face is to say they’re silly.
I find it interesting to learn that when you take the kanji for kitsune (狐) and the kanji for tanuki (狸) and put them together to form 狐狸, this reads as kori and is a metaphor for a “sly person.” Then, when you place the kanji for dog or inu (狗) between those kanji, you get the word kokkuri (狐狗狸), which is the name for a Japanese divination game much like the party atmosphere use of Ouija boards.
There is a Japanese phrase that says a fox has seven disguises, but the tanuki has eight. Popular motifs show the kitsune as classy and elegant where the tanuki comes across as more the party lover.
Other Fox Spirits
Hồ ly tinh – This is the name for the Vietnamese fox spirit.
Hulijing – These more dangerous fox spirits and shapeshifters hail from China.
Komihu – These fox spirits and shapeshifters hail from Korea.
Reynard the Fox – The familiar fox trickster from Western literature. Reynard is the name of the fox in the French The Beast Epic. The name Reynard is often the stock name for a fox character.
Nana Miriam
This one took me a while to be satisfied with sources that were beyond just one or two sources.
Basically, Nana Miriam is who helps the hero Fara Maka to defeat a monstrous hippopotamus.
Parentage and Family
This one can get a little odd and confusing as it depends upon the narrative and who’s telling the story.
Parents
Fara Maka – When the story is told by the Soroko, he is the father of Nana Miriam.
Consort
Faran Maka – Or Fara Maka, among the Mali people, he is Nana Miriam’s spouse.
What’s In A Name?
This is a tidbit I found interesting. The name Nana Miriam is an Islamicized version of the original name. In addition, the name Nana is used as a title for older women. During the African Diaspora, Nana became a name for grandmothers.
Fara Maka And Mali
Among the people of Mali, Fara Maka is a hero who slew a monstrous hippopotamus known as Mali. But he doesn’t do it without help!
The short version –
Mali had eaten all of Fara Maka’s crops. Fara Maka tried to kill the monster hippo using his spear and sending out as many 120 black hounds to attack the beast. Fara Maka failed and was eaten in the process by some accounts. His wife, Nana Miriam used a spell to paralyze the monster Mali and finally defeated it.
The long version –
As told by the Soroko of Niger, a long time ago there was a monstrous hippopotamus by the name of Mali that would eat all of the crops before they could be harvested.
The Soroko banded together to attack and take out this monster. To their dismay, none of their spears could hurt the giant hippo. The spears would fall away harmlessly or fall into fiery pots hanging around the Mali’s neck.
To make matters worse, Mali was also a shapeshifter and would change into the forms of a crocodile, manatee or other creatures to get away.
Even the greatest hunter among them, Fara Maka was unable to defeat Mali. Fara Maka went after Mali with seven spears and all of those melted in the hippo’s fire pots.
Not giving up, Fara Maka went to get the help of a fellow hunter, Kara-Digi-Mao-Fosi-Fasi (sometimes he’s just called: Karadigi). Kara-Digi brought 120 hunting dogs with him to help take down the monster hippo. Each dog was chained to the other and as big as a horse.
In the Soroko story, Mali is able to talk, which makes sense given its supernatural nature with shape-shifting and being so huge; seeing Fara Maka with Kara-Digi and his dogs, the monster hippo laughed and taunted them, stating that a rat couldn’t make a cat accountable. At which, Mali then proceeded to eat all 120 dogs.
Crushed and thoroughly defeated, the two men returned to Fara Maka’s home where they were met by Fara Maka’s daughter, Nana Miriam. Now it is said, that for as ugly as Fara Maka was, Nana Miriam was just that beautiful. Like her father, who taught her of course, Nana Miriam knew magic and her abilities far out striped Fara Maka’s magic. Seeing the despair on her father and his friend’s face, Nana Miriam decided to take matter into her own hands to do something about stopping Mali.
Like any parent who loves their child and there’s a vicious monster out there, Fara Maka is understandably upset that his daughter wants to go out and face off with Mali. No, just no. Kara-Digi takes the approach of telling Nana Miriam that she’s just a girl and should listen to her father. Of course, from Nana Miriam’s perspective, what Kara-Digi likely sounds condescending, that she’s weak and can’t do it and with her father, that need for independence and showing that, yes, she can do this.
So, grab the spear and a juju (magic) bag and off, out the door Nana Miriam goes in search of this monstrous hippo, Mali. It doesn’t take our heroine long to find Mali and the two get into a verbal spat wherein Mali taunts Nana Miriam that she can’t hurt him.
A magical battle follows, first Mali creates a giant wall of fire around himself that Nana Miriam counters with some powder from her juju bag that turns the flames to water. Next, Mali lets out a loud shout, creating a great iron wall to separate them. This, Nana Miriam counters by pulling a hammer from her bag and breaks through the wall.
Worried that he may have met his match, Mali transforms into a river and starts to flow towards the larger Niger river. Nana Miriam pulls a bottle of lotion from her juju bag that she flings at the river to dry it up, forcing Mali to retake his animal form.
Around this time, Fara Maka and Kara-Digi return to see Nana Miriam kill the monstrous hippopotamus. When the two arrived, Mali charged towards Fara Maka. Seeing the hippo barreling towards her father, Nana Miriam leapt in front of Mali. She proceeded to grab the monster’s leg and with enough force and momentum; Nana Miriam swung Mali up over her head, hurling him off into the distance.
Now, depending on the version of the story told, Nana Miriam either threw hard enough that he circled the earth three times or that it would take ten years of marching to reach where Mali finally landed. Either way, Mali was dead.
Nana Miriam wasn’t stopping there, she next told the villagers to leave their hunting gear home and to get ready for a vast quantity of food to arrive soon. Taking a magical egg from her juju bag, Nana Miriam threw it into the Niger river. Once the egg hit the water, it caused every hippo within it to die and the villagers had food a plenty to eat for a while.
Well, there was still one hippo left after all this, one who was pregnant. As Nana Miriam prepared to make short work of this one like she had all the others, Fara Maka intervened. He stepped in front of his daughter and said that if Nana Miriam killed all of the hippos, that there would be none left later for people to eat. Nana Miriam relented and allowed the last hippo to live. This hippo would go on to become known as the Mother of Hippos.
Variations to the story –
Some variations have Nana Miriam getting the egg she tosses from her father, Fara Maka.
Another variation has her using a spell to paralyze Mali before killing him. In this version, Fara Maka is her husband, not father.
Hunting Charm
Among the Soroko, whenever people go hunting hippopotamuses, they will chant Nana Miriam’s name over the charm as they make it.
Raijin
Etymology: Rai (“Thunder”) and Den or Jin (“Lightning”). Another derivation is Kaminari 雷 (“Thunder”) and Kami 神 (“God”)
Pronunciation: Rye-Gin
Other Names and Epithets: 雷神, Kaminari, Kaminari-sama (“Thunder Master”), Karai-shin, Karaijin, Narukami (Thundering Spirit”), Raiden, Raiden-sama (Thunder and Lightning Master”), Yakusa no ikazuchi no kami (“Eight, Thunder, Spirit”)
Raijin is the name of a Shinto Weather God in Japanese mythology, specifically the God of storms, thunder & lightning. Sometimes, the name Raijin refers to one deity, other instances, Raijin will refer to several weather gods.
Attributes
Animal: Raichu
Element: Air
Plant: Rice
Sphere of Influence: Storms, Thunder, Lightning, Agriculture
Symbols: Drum
Description
Raijin is often depicted as a muscular, red-skinned Oni with sharp claws, horns, wild hair and carrying around a large drum or several drums with the symbol of tomoe written on them. These drums of course are used for the sound of thunder. To beat the drums, Raijin uses hammers. Sometimes Raijin is shown to have three fingers that each represent the past, present and future.
Statues depicting Raijin can be found throughout many places in Japan. Many of these sculptures will show Raijin possessing a pot-belly and a fearsome face.
Mortal Kombat – Finish Him!
Raijin, better known as Raiden, appears in the popular fighting game series Mortal Kombat. As Raiden, he is often shown as a robed man wearing a straw hat.
Parentage and Family
Parents
The gods Izanami and Izanagi, the main deities in Shinto are who birthed or created Raijin and all the other gods in Japan.
Siblings
In addition to Raijin and his brother Fujin, all of the Kami of Japan can be said to be Raijn’s brothers and sisters as they were all created after the creation of Nippon (Japan).
Divine Origins
There’re a few variations to Raijin’s origin.
In line with Japan’s creation myth, the gods Izanami and Izanagi created Raijin after they created Nippon, making him among some of the oldest gods in the Shinto religion. Specifically, Raijin was born right after the death of his mother, Izanami when she bore the fire god, Kagu-tsuchi. Izanagi took his sword, Ame no Ohabri got Kagu-tsuchi up into eight pieces, which became eight volcanoes. The blood dripping off the sword would create a number of other Japanese gods or kami.
After Izanami descended to the underworld, her husband Izanagi would follow after. There is a misunderstanding between the two and Izanagi took off. Izanami would send Raijin, along with other spirits to bring Izanagi back.
Other legends will say that there are eight lightning gods, hence the suffix part of Raijin’s name “jin” for people, plural. Getting back on point, these eight lightning gods were tasked with protecting Dharma by the Buddha. This syncretism, known as Shinbutsu-shūgō, joining different religions together is common in Japan. Even an order 1868 meant to separate the two religions of Buddhism and Shinto didn’t stop this from happening.
In Japanese lore, Raijin and his companion, Fujin were a pair of oni who actively opposed the other deities. Under the orders of Buddha, it took an army of thirty-three gods to subdue Raijin and Fujin and convert them to work alongside the other deities.
Kojiki – This ancient Japanese text is the primary source for everything known about Raijin.
Kamikaze – The Divine Wind
In 1274, the Mongols for the first time would attempt to set sail and invade Japan. However, a massive typhoon would destroy a good number of the Mongol fleet, disrupting plans for a conquest of Japanese archipelago. Going by the legend, only three men are said to have escaped. A second attempt in 1281 saw a similar typhoon blow through and wreck most of the Mongol fleet again. Both massive storms or Kamikaze as they would come to be known were attributed as being sent by Raijin to protect Japan.
Kami or Oni?
Some of the descriptions of Raijin say he’s an oni and that certainly seems true given his description and when looking at more Buddhist influenced stories where the gods had to battle Raijin and Fujin to tame them and convert them to Buddhism.
Kami – When we go back to the Shinto religion that predates Buddhism in Japan, Raijin is one of many, numerous gods or kami found throughout the region. They range in power from low level spirits all the up to gods.
Shintoism holds the belief and idea that everything seen in nature has a spirit, or kami. As spirits, they just are. The greater the spirit or kami, the more of a force of nature and raw power it will be. So many of these spirits would be revered and respected just to avoid needlessly getting them angry and ticked off.
Oni – By Japanese mythology, Oni are very synonymous with the Western concept of demons. Ugly, ogre-like creatures of varying descriptions. An Oni’s only purpose is to create chaos, destruction and disaster. Given depictions of Raijin, he looks the part of an Oni very much and when it comes to storms, a more severe storm can be very destructive.
With some of the more primal nature spirits and gods, it’s a very thin line for the concepts of good and evil if you’re trying to pin them to those categories. As a weather deity, it goes either way if his rains bring fertility and life or if it’s the destructive force of a hurricane.
Thunder Buddies!
When Raijin is mentioned, he is frequently paired with Fujin, another Weather God is also a sometimes rival. The two are constantly at it, fighting among themselves over who will rule the skies. The more intense a storm, the more intense their fighting.
Temple Guardians – Statues of Raijin and Fujin can be found at the gates to many temples and holy places in Japan where they are seen as protectors and guardians.
Raiju! I Choose You!
That sounds like the name of a pokemon. There are a couple, Raichu and Raikou, a legendary pokemon who is based on Raiju and other thunder gods.
In Japanese mythology, raiju is the name of Raijin’s animal companion. Raiju is described as a blue and white wolf or a wolf wrapped in lightning.
Island Deity
Raijin is also the god or kami of one of the Japanese islands and believed to live up on the mountains.
Storm Deity
As a storm deity, Raijin is revered as a considerable force of nature. The storms he brings can be destructive in the form of hurricanes and great wind storms when he battles Fujin. Or they can be life giving water and fertility to the land.
Kura-Okami – The god of rain and snow, Raijin is sometimes equated as being the same deity. Kura-Okami is active and at his strongest during the winter months from December to February.
Fertility
Thunder isn’t all that bad. A thunderstorm would mean rain. A lot of Japanese farmers would seek to appease Raijin for rain during droughts and not to flood their rice fields. There was a belief that lighting would cause fertility for a rice field. The sound of thunder and lighting, it would mean a bountiful harvest. This seems a tentative way to connect Raijin to agriculture and fertility.
Protection
I would think having a lightning rod to redirect lighting to the ground would be protection from Raijin. Hiding under a mosquito net is the only protection from Raijin.
That isn’t the only way, as the sound of thunder often freaks out many people and is an omen of disaster. After all, who wants a tree crashing in on their house during a thunderstorm or coming out after it’s over to see what swath of destruction has been left behind? Not many.
Mosquito nets asides, certain areas in Japan hold to a superstition that ritual needs to be performed during a thunderstorm. This ritual involves striking bamboo to exorcise bad spirits away from rice fields. This was thought to avert any disasters in the fields that would result to any lightning and thunder.
As a stated previously, as Raijin is seen as a primal spirit, its better to appease him and get on his good side rather than get him needlessly angry.
Hide Your Navel!
It’s believed that Raijin is found of eating human navels. It was common practice for Japanese parents to tell their children to hide their belly buttons during a thunderstorm lest Raijin come eat it.
If it’s any minor consolation, according to some beliefs, it’s not really Raijin who eats children’s belly buttons, but his animal companion Raiju who actually does. Or if Raiju isn’t eating your navel, he’ll curl up inside to sleep.
Okay then…
Budai
Also known as: 布袋, 笑佛 (Laughing Buddha), Hasne Buddha (Nepal), 胖佛 (Fat Buddha), Hotei (“cloth bag”) Japanese, Hotei-Osho (Japanese), Bo Dai or Bố Đại (Vietnamese), Hangul (Korean), Pu-Tai, Wagon Priest, Budai Luohan
Etymology: Laughing Buddha, Fat Buddha, Cloth Sack
In Chinese folklore, Budai is a Buddhist deity who has been integrated into Buddhism, Taoism and Shinto religions. The historical Budai lived during the 10th century C.E.
In art, Budai is often shown as being a very fat, bald man wearing a robe, either wearing or carrying prayer beads and has a huge belly; seen as the symbol of abundance, contentment, happiness, luck and generosity. He carries a large linen bag holding a number of precious things, even children on his back. This same bag is the source of Budai’s name. Sometimes Budai is shown sitting in a cart being pulled by boys where he is known as the Wagon Priest.
With his nickname of the Laughing Buddha, Budai is frequently shown smiling or laughing. Budai’s image is often confused with that of Gautama Buddha with Westerners, where he gets the name of the Fat Buddha. In Japan, Budai becomes known as Hotei and is one of the Seven Lucky Gods or Shichi Fukujin.
Budai Statues & Depictions
As already said, Budai is nearly always shown carrying a sack that is filled with a number of precious things such as rice plants, candy for children, food and the sadness of the world.
In Buddhist temples throughout China, statues of Budai are placed in the front part of the entrance halls. Budai is frequently shown as a stough, smiling or laughing man wearing a robe that is unable to cover his large belly. This large belly represents happiness, good luck and abundance. Some Budai statues will have small children gathered around at his feet. Another common feature of Budai statues is a begging bowl, that clearly shows him to be a Buddhist.
Because of Budai’s great association with happiness and wealth, statues of Budai can be found in many businesses and homes in China and Japan.
I Kuan Tao – Budai statues are a central part of I Kuan Tao shrines. Here, Budai is known by his Sanskrit name of Maitreya.
Budai’s Teachings
Budai represents the teachings of contentment, generosity, wisdom and kind-heartedness. He is also associated with luck and abundance.
Budai is the guardian and protector of children, the weak and poor. As a wandering monk, Budai is known to take sadness from people and bring them happiness.
Chinese History
Chinese history holds that Budai had been an eccentric Chan monk who lived during the late Liang dynasty. He had been a native of Zhejiang or Fenghua and his Buddhist name was Qieci, meaning: “Promise This.” Budai or Qieci was regarded as a man of good and loving character.
Buddhism
In Buddhism, the term Buddha means: “one who is awake,” as in awakened to enlightenment. There have been many figures in Buddhism who have all been revered as Buddhas. The Chan school of Buddhism teaches that all beings possess a Buddha nature within them and thus, already enlightened, they just have yet to realize it.
A few Buddhist traditions view Budai as an incarnation of Buddha or a bodhisattva.
Angida Arhat – One of the original Eighteen Arhats, meaning one who is worth or a perfected person, much like the Saints of Western Culture. In the Sakyamuni Buddhism, there is a legend wherein Angida is a talented Indian snake catcher would catch venomous snakes, thereby preventing them from biting travelers. Angida would remove the snake’s venomous fangs before releasing them. Due to these acts of kindness, Angida was able to attain bodhi or nirvana. In Chinese art, Angiha is sometimes depicted as Budhai; being rotund, mirthful and carrying a bag.
Gautama Buddha – The historical Buddha, Siddhartha Gautama lived during the 6th century B.C.E. in India, Nepal and much of southeast Asia. Here, Gautama is shown as being tall and slender in appearance. Whereas in China and other areas, Budai is consistently shown as being short and rotund. Both of these descriptions have been noted as being the idealized imagery of the different religions, cultural and folkloric traditions of the countries and regions after the two monks’ deaths. Many Westerners too, often confuse Budai with Gautama and Budai often does get equated or replace Gautama.
Maitreya – The Future Buddha
Budai is identified or seen as an incarnation of Maitreya, the future Buddha. In China, Budai’s image is often the main used to depict Maitreya. Among the Japanese, Maitreya is known as Miroku. There is a Buddhist hymn that Budai is to have spoken at his death that identifies him with Maitreya:
Maitreya, the true Maitreya
has billions of incarnations.
Often he is shown to people at the time;
Other times they do not recognize him.
Mi-Lo-Fo – As Hotei, Budai is often confused with the Buddhist deity known as Mi-lo-Fo.
Pu-Tai – A Chinese monk that Budai came to be associated with, who due to their good nature, was seen as the incarnation for the bodhisattva or future Buddha, Maitreya. Due to how Pu-Tai is also portrayed with having a large, rotund belly, its easy to see how he came to be known as the Laughing Buddha and connected to Budai.
Chan, Seon And Zen
Chan is Chinese, Seon is Korean and Zen is Japanese, all three are the same philosophy.
The following koan, or short story is often told about Budai. One day, Budai was out traveling, giving candy to poor children. He would only a penny from any monks or lay practitioners he met with. One day, a monk approaches Budai and asks: “What is the meaning of Zen?” (Or Chan or Seon). Budai responded by dropping his bag. The monk continued with his questions. “How does one realize Zen?” At that, Budai picked up his bag and continued on his way.
Chinese Folklore
Budai is greatly admired for his congenial and jovial attitude, along with his generosity and philosophy of contentment.
One of the most persistent and popular beliefs is that of rubbing the statues of Budai to bring wealth, good luck and even prosperity.
Japanese Religion & Folklore
In Japan, Budai becomes known as Hotei who was a Buddhist monk that lived during the 16th century. Like Budai, Hotei is still greatly associated with laughter and being called the Laughing Buddha. Chinese legend holds that Hotei had been a real person, whose name was Kaishi. While the date of his birth is unknown, Hotei death is given as being March 916. The Japanese began to believe in Hotei during the Edo era. Hotei was once a Zen priest who appearance and actions didn’t go along with his fellow Zen priests. He always looked like he was up to mischief and never had a permanent place to sleep. Hotei had no desire to be a Zen Master or to gather a following of disciples. He was known for walking the streets with a sack full of candy, fruits and doughnuts that he would give out to children. His bag would also hold the fortunes for those who believe in him. Among the Chinese, he is nicknamed: Cho-Tei-Shi or Ho-Tei-Shi, which means “bag of old clothes.”
According to Japanese legend, before Zen Buddhism came to the islands, another Buddhist philosophy of questionable aesthetics was prevalent. This philosophy originated with the priest Miroku. Miroku was the patron of those who couldn’t be saved by the beliefs of Buddha. Later, Hotei’s arrival was seen and accepted by the Japanese as a second Miroku.
Laughter – This is Hotei’s essence and teachings, he used laughter to impart wisdom. This was not the laughter of laughing at jokes or making fun of others. Hotei would laugh at himself and laugh for the mere celebration of life and existence, for the joy of life. Hotei has no other philosophy, scriptures, dogmas, ideologies or any other precepts to teach. Hotei’s laughter is considered a form of meditation, to experience the joy of living and to just be living and being present in the moment.
People would gather around Hotei as at first, they thought he was mad with how often he laugh and his laugh was known for being infectious in that others would soon laugh along with him. Such was Hotei’s laughter that people would cease to be judgmental or ask questions about enlightened. People would wait for Hotei and his laughter as they found it to have a purifying quality to it that would impart a deep sense of well-being.
One story about Hotei has a villager finding him sitting beneath a tree with his eyes closed. When the villager asked why Hotei wasn’t smiling or laughing, Hotei answered that he was preparing, preparing himself for laughter as he needed go within, forget the world without and recharge himself with rest. Once he was well rested, Hotei would be ready to laugh again.
Thailand Religion & Folklore
Phra Sangkajai – Also spelled Phra Sangkachai. Budai is sometimes equated with the monk Phra Sangkajai. Both Budai and Phra Sangkajai can be found Thai and Chinese temples. Though Phra Sangkajai can be found more often in Thai temples and Budai in Chinese temples. While very similar in appearance, Phra Sangkajai is distinguished from Budai in that he has a thin trace of hair while Budai is bald. Their styles of dress are also different, Phra Sangkajai is dressed in robes folded across one shoulder, with the other bare. Budai’s robes are clearly a Chinese style that covers both of his arms and front part of his upper body uncovered.
Phra Sangkajai is credited with composing the Madhupinadika Sutra. Buddha is said to have praised Phra Sangkajai for his excellence and understanding with explaining the more sophisticated dharma in easy and correct, understandable manners.
A folk story about Phra Sangkajai tells how he was so handsome, that a man once wanted to marry Phra Sangkajai and take him for a wife. To avoid this situation, Phra Sangkajai changed his appearance to that of a fat monk. Another story tells how Phra Sangkajai was found to be so attractive, that both men and angels would compare him to the Buddha. Phra Sangkajai considered this inappropriate, changed his body so he would be rather fat.
Yiguandao
First off, Yiguandao is a folk religion out of China that got started around the late 19th century.
In many Yiguandao shrines, statues of Budai or Maitreya as he is known can be found. In Yiguandao, Maitreya represents a number of teachings such as: contentment, generosity, wisdom and open kind-heartedness. It is believed that Maitreya will succeed Gautama Buddha as the next Buddha and help people to realize their own spiritual essence within that connects everyone.
Shichi Fukujin – Seven Lucky Gods
In Japan, the Seven Lucky Gods or Seven Gods of Fortune, known as Shichi Fukujin are believed to granters of good luck and fortune. The Shichi Fukujin are often depicted in Japanese art and engravings known as netsuke. While many of the Shichi Fukujin are believed to be mythical in nature, one Shichi Fukujin is a known historical figure. Over the course of Japan’s history, the Shichi Fukujin became more associated with specific professions and aspects. Many of these same gods also originate from different countries and religions such as Hinduism and India to Chinese Buddhism and Taoism before coming to Japan. There are also seven Shichi Fukujin as seven in Japan is a lucky number.
While the gods had been worshipped for over a thousand years, mainly by merchants, they were first collectively called the Shichi Fukujin in 1420 C.E. It’s believed the Buddhist priest Tenkai arranged and selected these deities after talking with the shogun, Iemitsu Tokugawa. The selection was based on the following virtues of: longevity, fortune, popularity, sincerity, kindness, dignity and magnanimity.
Benzaiten – Often claimed as the only female deity among the Shichi Fukujin, Benzaiten originates in Hinduism where she had been the goddess Saraswati. Other names for Benzaiten are: Benten, Bentensama and Benzaitennyo. When she was adopted into Buddhism, Benzaiten became the associated with talent, beauty and music. Benzaiten is the patron of artists, writers, dancers and geishas. She is often seen as an intelligent, beautiful woman standing before a Torri, carrying a biwa, a traditional Japanese lute-style instrument and is accompanied by a white snake.
Bishamonten – A god originating in Hinduism where he had been the god Kubera and Vaisravana before becoming Bishamonten in Japanese culture. Bishamonten is the god of fortune in war and battles. He is also associated with authority and dignity, the protector of those who follow the rules and hold themselves accordingly. He is the protector of holy sites and other important places. Bishamonten is the patron of fighters and is often shown dressed in armor and helmet, carrying a pagoda in his left hand and a spear in his right hand to battle evil spirits. Bishamonten is also shown with a hoop of fire.
Daikokuten – The god of commerce and prosperity. He was also known as the patron of cooks, farmers, bankers and protected crops. Daikokuten was known too for hunting demons. There is a legend of how Daikokuten hung a sacred talisman from a tree branch in his garden to use as a trap for catching a demon. Daikokuten is often depicted with short legs, perpetual smile and wearing a hat on his head and often carrying a bag full of valuables.
Ebisu – The only purely Japanese god in the group, he is the god of prosperity, wealth in business, abundance in crops, cereals and food. Ebisu is the patron of fishermen and he is often dressed as a fisherman carrying a fishing rod in his right hand and the left holding a fish. Ebisu’s figure can often be found in restaurants where fish is served or in kitchens.
Fukurokuju – Originating in China, Fukurokuju is believed to have once been a hermit who lived during the Song dynasty. Fukurokuju is seen as the reincarnation of the Taoist god Hsuan-wu. As a god, Fukurokuju is the god of wisom, luck, longevity, wealth and happiness. In addition, he is thought to be one of the Chinese philosophers who could live without eating and was able to resurrect the dead. Fukurokuju is noted for having a head that is almost the same size as his body. He is often shown dressed in traditional Chinese attire, carrying a cane in one hand and a scroll containing historical writings. Fukurokuju is often shown being accompanied by a turtle, crow or deer, all animals that represent a long life. With a strong love for chess, Fukurokuju is also the patron of chess players. Fukurokuju, along with Jurojin both overlap with their origins with the Chinese Taoist god Nanjilaoren. Due to this overlapping, Fukurokuju’s position as one of the Shichi Fukujin is sometimes given to the goddess Kichijoten in the Butsuzozu compendium.
Hotei – This is the Japanese name for Budai. As Hotei, he is the god of fortune, the guardian of children, happiness, laughter, popularity and the patron of diviners and barmen. Hotei is often shown as a fat, smiling bald man with a curly mustache. Because he is so fat, Hotei is often shown as being half naked as his clothes aren’t quite big enough to cover his large belly.
Jurojin – Like Fukurokujin, he has his origins in the Chinese Taoist god Nanjilaoren. He is the god of the elderly and longevity in the Japanese Buddhist mythology. Jurojin is believed to be based on a real person, he was very tall, 1.82 meters with a very long head, much like Fukurokuju. Aside from his elongated skull, Jurojin is also shown to have a long white beard and rides a deer and is sometimes accompanied by a crane and tortoise, all animals that represent a long life. Jurojin is sometimes shown sitting under a peach tree, another symbol of long life. In one hand, he holds a cane, in the other he holds either a book or scroll containing the wisdom of the world. Jurojin is known to enjoy rice and wine and has a rather cheerful disposition. Finally, Jurojin is an incarnation of the southern polestar.
Kichijoten – Also known as Kisshoten or Kisshoutennyo. Kichijoten was adopted into Buddhism from the Hindu goddess Lakshmi. Kichijoten is shown holding a Nyoihoju gem in her hand. The Butsuzozu compendium from 1783 lists and has Kichijoten replace Fukurokuju as one of the seven Shichi Fukujin. By this accounting, Daikoku is portrayed as being feminine and all three of the Hindu Tridevi goddesses are seen represented among the Shichi Fukujin.
Brickthology 