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Etymology – The Eagle
Pronunciation: There are a few different variations – ˈækwɨlə, əˈkwɪlə and ˈækwɨli
Also known as: Αετός Δίας (Aetos Dios), Aquila Jovis, the Bird of Zeus and the King of Birds
The constellation Aquila, the Eagle has been recognized as early as 1,200 B.C.E. The Euphratean uraanographic stone, dating from the Mesopotamian cultures, depicts this constellation. The constellation lies just a few degrees north of the celestial equator. Many ancient cultures such as the Persians, Hebrews, Arabs, Greeks and Romans all saw an eagle represented in this constellation.
The constellation is seen first with a straight line of three stars that symbolize the wings. The tips of the wings are seen to extend out further to the southeast and northwest. The head of the eagle is seen as stretching out towards the southwest. In older depictions of this constellation, the Eagle is sometimes shown carrying the youth Ganymede.
The constellation known as Aquila is one of 48 constellations listed by the 2nd century astronomer Ptolemy in his book, Almagest. Aquila is also mentioned by Eudoxus in 4th century B.C.E. and by Aratus in 3rd century B.C.E. Today it remains as one of the 88 current or modern constellations. It is a large constellation, ranking 22nd in size.
Constellations bordering with Aquila are: Aquarius, Capricornus, Delphinus, Hercules, Ophiuchus, Sagitta, Sagittarius, Scutum, and Serpens Cauda. The best time to spot Aquila is during the month of August in the Northern Hemisphere.
Antinous – Obsolete Constellation
The astronomer Ptolemy catalogued nineteen stars altogether in Aquila and Antinous. The now obsolete Antinous constellation had been named during Emperor Hadrian’s rule in 132 C.E. Sometimes the cataloging of stars is erroneously attributed to Tycho Brahe who cataloged twelve stars in Aquila and seven stars in Antionus. A Hevelius cataloged some twenty-three stars in Aquila and nineteen in Antionus.
Among the Arabs, Aquila has been known as the Flying Eagle, Crow or Raven. The Persians knew Aquila by the names: the Falcon and the Flying Vulture. The Turks referred to this constellation as the Hunting Eagle.
Chinese Astronomy And Mythology
There is a rather famous and well known love story found in Chinese mythology that is related to the constellation of Aquila, or rather several of its stars. It’s a story that is also similar to the love story connected with the Cygnus constellation.
In Chinese astronomy, the modern day constellation of Aquila lies in the area of the heavens known as Běi Fāng Xuán Wǔ, the Black Tortoise of the North and the Three Enclosures or Sān Yuán that divides the night sky of the Chinese Heavens.
The star Zeta Aquilae is located in a part of the night sky seen as Tiān Shì Yuán or the Heavenly Market Enclosure. The rest of Aquila’s stars are found in the area of the night sky ruled by Běi Fāng Xuán Wǔ, the Black Tortoise of the North.
In modern day, Aquila is known by the name of Tiān Yīng Zuò, which means: “the heaven eagle constellation.”
Hegu – The Battle Drum
The star Altair and the two stars to either side of it, Beta and Gamma Aquilae form the asterism known as Hegu, a battle drum.
Tianfu – Celestial Drumsticks
The Chinese have an asterism comprising of the stars 62 Aquilae, 58 Aquilae and Eta Aquilae that they call the Celestial Drumsticks.
Youqi – Banner Flags
The stars Delta, Iota, Mu and Sigma form a banner flying to the right of Hegu.
The stars from Sagitta in the north represent a banner to the left side of Hegu.
The Three Generals
Altair, Beta and Gamma Aquilae are also known as the Three Generals with Altair representing the commanding officers with this two subordinates.
Tiabian – Trade Officials
The stars Lambda and 12 Aquilae along with the stars in the constellation Scutum represented a team of Trade Official overseeing the organization of the markets. An area of the heavens that includes the Hercules, Ophiuchus and Serpens constellations. The officials were located just outside of the market walls.
The star Zeta Aquilae formed part of this wall.
Lizhu – The Empress’s Pearls
An L-shaped pattern formed by the stars 1, 69, 70 and 71 Aquilae represent four pearls worn by the Empress. These same stars are also astrologically connected to the Emperor’s harem.
Qi Xi – The Princess And The Cowherd (Herd-Boy And Weaver-Girl)
This is a rather old story that dates as far back as at least the 6th century B.C.E. where it first appears in a collection of stories called the Book of Songs or Shih Ching. The book was possibly compiled and put together by Confucius. However, this book was later destroy a few centuries later by the emperor, Shih Huang Ti who is remembered more for his burning books instead of the construction of the Great Wall of China.
Chih Nu, identified with the star Vega was the daughter of the Sun-God. Chih Nu was known for being very good and skilled with weaving, especially her creation of tapestries. On one particular day, Chih Nu was looking out the palace window and spotted one of her father’s herdmen, Ch’ien Niu. For these two, it was love at first sight and Chih Nu’s father, the King was very happy when he discovered the news.
All started off well, for it was considered a good match, given how Ch’ien Niu was known for being a hard worker and took care of the royal flock with due diligence.
A wedding was planned in which Chih Nu wove her own wedding dress out of starlight. All started off well and the newly married couple were very happy and deeply devoted to each.
It would seem that this deep devotion was also the source of a problem, for it didn’t take long for everyone to realize that Chih Nu’s and Ch’ien Niu’s duties and responsibilities were becoming neglected. Chih Nu’s loom stood forgotten and gathering dust in a corner while the royal cattle that Ch’ien Niu was to tend, began wandering out, straying far across the heavenly plains.
Chih Nu’s father, the Sun-God and King gave the two lovers repeated warnings and still they failed to follow through with their respective obligations and responsibilities. Things got bad enough that the Sun-God finally took measures, the first of which was to banish Ch’ien Niu to the other side of the Heavens to tend the royal cattle there.
Once Ch’ien Niu had crossed the only ford, T’ien-tsin, the Sun-King then ordered that both borders of the ford be closed off so that neither lover could cross. Chih Nu begged her father, but he would not relent on his royal decree.
Eventually, Ch’ien Niu had pleaded her case to the magpies who took pity on her. They decided that once a year, on the seventh day of the seventh monty, that they would help the parted lovers. On this day, all the magpies across China would fly up to the Heavens and create a bridge with their wings. This way the two lovers can cross and be together. On this day, Chih Nu cries, at first it is tears of joy that come down as soft, gentle rain. As the day progresses and starts to end, Chih Nu’s tears become a down pour of rain as she knows the two lovers must part ways for another year.
Their task done, the magpies fly away again back to their fields. The next day, when people see the magpies, they take heart knowing that the magpies have done their duty by the way their feathers look trampled. If the magpies’ feathers aren’t trampled, then the people say that bad weather has prevented from flying up to the heavens to form their bridge. Children are also believed to throw stones at any magpies found on the seventh day of the seventh month as these birds are seen as neglecting their duty to go with the others to form the bridge for the two lovers.
Qi Xi Variations
This story is told in China, Korea and Japan, so there are a few different names and variations to the story of Qi Xi. In one version, the star Altair is identified as Niu Lang and his two children are identified as Beta and Gama Aquilae who become separated forever from their wife and mother Zhi Nu, who is identified with the star Vega, in the Cygnus constellation. This separation is represented by the river, the Milky Way.
Another version places the Herd-Boy as an orphan who observes Weaver-Girl among some seven Weavers who descend from the heavens to bathe in a nearby stream. By snatching Weaver-Girl’s robe, Herd-Boy compels her to marry him and ends up sharing her immortality.
Much like the previous version, the two slack off in their duties and it is Weaver-Girl’s grandmother, a Queen of the Heavens who separates the two. The rest of the heaven’s take pity on the young lovers and they are allowed to meet once a year on the seventh day of the seventh month with magpies forming a bridge for them to cross.
In Greek Mythology, there are a few different myths regarding the Aquila constellation. Generally, Aquila is seen as a large golden eagle who serves as Zeus’ messenger and companion animal.
Periphas was a priest of the god Apollo, he lived in Attic at the time and was an autocthon, one of the Earth-Sprung Rock. He was considered so virtuous and beloved by the people that they made him a king and began to honor him like a god.
This angered the god Zeus who was ready to strike down this insolent mortal with one of his thunderbolts. The god Apollo intervened and requested that Zeus instead transform Periphas into an eagle. Zeus went into Periphas’ house and transformed him while Periphas was with his wife. As she didn’t want to be separated from her husband, Zeus also transformed her into a bird, a vulture, represented by the constellation of Lyra, the heavenly vulture.
As Periphas had shown piety and honors to the god Apollo while he had been mortal, Zeus made him the king of birds and tasked him with guarding the sacred scepter and thunderbolts. For Periphas’ wife, Zeus made her a sign and image of good luck regarding all the matters of humankind.
During the ten-year war that Zeus and the other gods held against the Titans, Zeus had an eagle who carried the thunderbolts that he used to hurl at the Titans. In gratitude for the eagle’s service and loyalty, it was given a place up in the heavens as the constellation Aquila.
In other accounts, Zeus adopted the eagle as his bird when it first appeared to him before the Titan War as a sign of good omen while making sacrifices.
The constellation of Aquila is also tied to the story of Ganymede, Zeus’ cup-bearer.
Ganymede was the son of King Tros of Dardania and the basis for the kingdom of Troy in Greek mythology. An exceptionally beautiful youth, Ganymede had caught the attention of Zeus when he was out watching over his father’s flock of sheep. Now, depending on the versions of the story being told, Zeus, either in the guise of an eagle or sending the eagle Aquila, came and carried him off to Mount Olympus. As compensation to King Tros, Zeus gave him some horses.
Once there, Ganymede faced the wrath of Hera, the wife of Zeus, who was angry and very likely jealous that her husband had taken such a fancy for a young boy. In addition to this, she was also angry that Zeus intended for Ganymede to replace Hebe, Hera’s daughter as the cup-bearer after an incident where Hebe had accidentally spilled some nectar of the gods. And it couldn’t have set well with Hera that Zeus immortalized Ganymede in the constellation of Aquarius in addition to immortality and eternal youth.
Another version of this myth says that it was Eos, the goddess of the Dawn who carries off Ganymede to Mount Olympus and then Zeus took him from her to be the cup-bearer.
Regardless of the versions of the story told, Ganymede does become the cup-bearer to the gods and basically serves them their wine. Further variations of this story tell how Ganymede would ride Zeus’ eagle Aquila, accompanying this god on his travels. Both the Aquila constellation near Aquarius and the constellation of Crater, said to be Ganymede’s cup are near Aquarius to complete this story.
Ganymede also becomes deified as he was given immorality and eternal youth by Zeus and ends up being the one responsible for the annual Nile River flooding and the life-giving waters of rain. Some scholars have pointed out that like the story of Capricorn, the Greeks are borrowing from other older stories and cultures as well as coming up with their own stories to explain the images and what the constellations mean.
In Roman times, the name Ganymede was sometimes used for handsome slaves who served as cupbearers. Furthering this, many have pointed out that the story of Ganymede is a clear indication and precedence for homosexuality in Greek culture. Others, like in Plato’s writings of dialogues between him and Socrates say that it wasn’t homosexuality; instead, they point out the meaning of the name Ganymede for “taking pleasure of the mind.” That Zeus loved Ganymede non-sexually for his mind. Still, other sources point out that this is where the Latin word for catamite originates. Additionally, the Roman poet Ovid says that Zeus who turned into an eagle to go retrieve the youth Ganymede.
Aquila Guarding The Arrow of Eros
Another minor story of Aquila that is more attached to the constellation of Sagitta. In this one, Aquila is seen guarding the arrow of Eros that has hit the god Zeus and caused him to become love-struck.
Zeus And Nemesis
During one of Zeus’ many exploits with chasing after and raping other women, he is to have somehow enlisted the aid of the goddess of love, Aphrodite.
In this story, Aquila represents Aphrodite as she’s disguised herself as an eagle, pretending to chase after Zeus who is in the guise of a Swan. All this so he can get the goddess Nemesis to offer him shelter. It is only afterword, when Nemesis has gone to sleep that she learns the swan she thought she had rescued is really the god Zeus in disguise and he rapes her.
To commemorate this conquest, Zeus places the image of the Eagle (Aquila) and the Swan (Cygnus) up into the heavens. Really?
In Hindu mythology, the constellation of Aquila is seen as being Garuda, a half-eagle, half-human deity. Garuda is sometimes depicted as being the mount for the Hindu god Vishnu and to have been large enough to block out the sun. He is the sworn enemy of the Naga serpent race. He is a symbol of violent force, speed, and martial prowess in battle.
Alternatively, the line of three stars that also includes Altair is seen as being the footprints of the god Vishnu.
The Greek constellation of Aquila is very likely based on the Babylonian constellation of MUL.A.MUSHEN, the Eagle. The Babylonian’s constellation is also located in the same area of the night sky as the Greek’s constellation. The author, Gavin White in his book Babylonian Star-Lore, says that the Eagle carried the constellation called the Dead Man or LU.USH in its talons. It’s a story that carries a lot of connections for later Greek and Roman stories of Antinous and Ganymede.
There is a Sumerian story of the hero Etana, who descended to the heavens with the help god Shamash’s eagle while looking for a plant of birth to help ease his wife’s labor pains for the birth of their son, Balih. This plant could only be found in the higher reaches of heaven where Anu lived.
While riding on the back of the eagle, Etana noticed how the earth began to look smaller and smaller the higher they flew. This caused him to become nervous or scared and loose his grip on the eagle’s back.
One version of this story has Etana living for 1,560 years and having only two children. Another version of the story has Etana falling to the earth for daring to try and enter the realm of the god Anu. There is some thought too, that the plant in question, may refer to Mountain Arnica, which is poisonous, but when taken in the right doses, can ease labor pains during birth.
This story seems to have been the inspiration behind the Greek story of Ganymede.
There are several different myths and stories regarding Aquila among the Polynesians.
Futuna – Aquila is known as Kau-amonga, which means the “Suspended Burden.” The name is in reference to the Futunan’s name for Orion’s belt and sword, Amonga.
Hawaii – Among the Hawaiins, the star Altair is called Humu, as in the humu humu fish. The whole of the Aquila constellation is called Humu-ma, the “Humu cluster.” The Humu-ma constellation is believed to influence astrologers.
Marquesas Islands – Here, Aquila is known by the name of Pao-toa, meaning the “Fatigued Warrior.”
Māori – The Māori of New Zealand called Altair by the name of Poutu-te-rangi, meaning “Pillar of the Sky.” Due to this star’s position in the heavens, it has been used in different Māori calendars. In one, Poutu-te-rangi is the ruling star for the months of February and March. In another calendar, it is the ruling star for March and April. Poutu-te-rangi is also the star that rules over the annual sweet potato harvests.
Pukapuka – Aquila is known by the name of Tolu, meaning “three” and comprises of the stars Alpha, Beta and Gamma Aquilae. The star Altair is known by the name of Turu and was used for navigation.
Tuamotus – Aquila is known by the name of Tukituki, meaning to “Pound with a hammer.” The star Beta Aquilae is called Nga Tangata, meaning “The Men.”
Many of the Roman myths regarding the Aquila constellation are very similar to the Greek stories from which they took, borrowed or stole. There are a few additional myths and stories that can be found.
To start with, the eagle represented in the constellation is thought to be Aetos Dios, the golden eagle who serves Jupiter.
Interestingly, the constellation Aquila is known as Vultur volans, the flying vulture by the Romans. This name shouldn’t be confused with the name Vultur cadens, the Roman’s name for the constellation Lyra.
Aetos Dios & Prometheus
Keeping in mind that the Romans called Aquila a vulture, it then ties in with the story of Prometheus and his being chained and bound to the top of a mountain where a large vulture would come and eat his liver every day as punishment.
In the Greek and Roman mythology, Prometheus is the titan who took pity on humankind and gave them the gift of fire after all the other gifts had been given out. Enraged by this act, the god Zeus had Prometheus chained and bound to a mountain. Every day Prometheus would be attacked by a giant vulture or eagle who ate his liver every day as it would grow back by the next. Being immortal, Prometheus suffered a lot as his wounds would heal every day. Eventually after many years, the hero Hercules comes along and frees the mighty titan after slaying the vulture. After it’s death, the god Zeus placed the vulture up into the heavens to become the constellation Aquilla.
Aetos Dios & Psyche
A Roman novel dating to the second century C.E., The Golden Ass and written by Apuleius, there is an incidence in which the goddess Venus sends Psyche to go get a pitcher of water from the river Styx.
Given the deadly nature of the river Styx, the bird Aetos Dios, of his own freewill and his past services to Cupid, comes to aid Psyche in getting water so she wouldn’t come to harm. What seems a little odd in the story given here is that Aetos Dios lies to Psyche, claiming that Venus had sent him to come help her and mentions nothing at all about acting on his own violation, either way, Psyche has the water and returns to Venus with it.
The constellation of Aquila, along with 18 other constellations of: Ara, Centaurus, Corona Australis, Corvus, Crater, Crux, Cygnus, Hercules, Hydra, Lupus, Lyra, Ophiuchus, Sagitta, Scutum, Serpens, Sextans, Triangulum Australe, and Vulpecula.
All of these constellations have some connection to the overall legend and myth of the Grecian hero Hercules. They are the largest grouping of constellations found in the Western Hemisphere.
Aquila, along with the other avian constellations of Cygnus and Vultur cadens form a part of a significant myth of the Stymphalian Birds and one of the Twelve Labors of Hercules.
Aquila’s alpha star, Altair forms part of an asterism known as the Summer Triangle. It is the southern point of the Summer Triangle. The other stars, Deneb, found in the constellation of Cygnus, is the triangle’s northeastern point and Vega, found in the constellation of Lyra to the northwest.
Stars of Aquila
Alpha Aquilae – Also known as Altair, is the brightest star within the Aquila constellation and the 12th brightest star overall in the night sky. Altair’s name comes from the Arabic phrase: “al-nasr al-tair,” meaning “the flying eagle” or “vulture.” Ptolemy named this star Aetus, the Latin word for “eagle.” Both the ancient Babylonians and Sumerians referred to Altair as “the eagle star.”
Beta Aquilae – Also known as Alshain, it is a yellow star. Alshain’s name comes from the Perso-Arabic word: aš-šāhīn, which means “the falcon.”
Gamma Aquilae – Also known as Tarazed, it is an orange giant. Tarazed’s name comes from the Arabic phrase: “shahin-i tarazu,” meaning “the balance” or “the beam of the scale.”
Epsilon Aquilae – This star, along with Zeta Aquilae have an Arabic name of Deneb al Okab, meaning: “the eagle’s tail.” To differentiate Epsilon Aquilae from Zeta Aquilae, Epsilon Aquilae is frequently referred to as Deneb el Okab Borealis as it is north of Zeta Aquilae.
Zeta Aquilae – This star, along with Epsilon Aquilae have an Arabic name of Deneb al Okab, meaning: “the eagle’s tail.” To differentiate Zeta Aquilae from Epsilon Aquilae, Zeta Aquilae is frequently referred to as Deneb el Okab Australis as it is south of Epsilon Aquilae.
Eta Aquilae – Also known as Bezek, is a yellow-white supergiant star. Bezek’s name comes from the Hebrew word bazak which means: “lightning.”
Theta Aquilae – Also known as Tseen Foo, is a binary star. Tseen Foo’s name comes from the Mandarin word tianfu, which means: “the heavenly rafter” and “drumsticks.”
Iota Aquilae – Also known as Al Thalimain, it is a blue-white star. Al Thalimain’s name, along with Lambda Aquila, in Arabic means: “the two ostriches.”
Lambda Aquilae – Also known as Al Thalimain, it is a blue-white star. Al Thalimain’s name, along with Iota Aquila, in Arabic means: “the two ostriches.”
Rho Aquilae – Also known as Tso Ke, is a white dwarf. Tso Re’s name comes from Mandarin and means: “the left flag.” As of 1992, this star is no longer part of the Aquila constellation and has since moved into the Delphinus constellation.
Glowing Eye Nebula
Also known as NGC 6751, this nebula is one of many found within the borders and star field that makes up Aquila.
Hercules–Corona Borealis Great Wall
Aquila is home to one of the largest single mass concentration of galaxies in the Universe found so far. It is referred to as the Hercules–Corona Borealis Great Wall. It was first discovered in November of 2013 and has a size of about 10 billion light years.
Two major novae have been observed within Aquila. The first one was recorded in 389 B.C.E. and said to have been as bright as Venus. The other novae observed as the Nova Aquilae in 1918 which briefly shone brighter than Altair.
There are a couple of meteor showers associated with this constellation. They are the June Aquilids and the Epsilon Aquilids.
The June Aquilids meteor shower has only been studied by radar and are most active on June 2nd and 3rd.
The Epsilon Aquilids meteor shows is active in mid-March and is best seen using optical aids such as telescopes.
Also known as: Arles, Arlez, Aralezs (plural), Aralezner (plural), Jaralez
The Aralezner are an ancient race of dog-like beings, either spirits or minor gods with the powers of healing and resurrection in Armenian mythology. The Aralez is known for reviving fallen warriors and resurrecting the dead by licking their wounds clean. One minor article mentioned that the revived warriors spend the rest of their days “bereft of their spiritual aspects.” What that would seem to me, could mean that a resurrected warrior is living on borrowed time and possibly won’t get a second time for resurrection. When their time is up, they move to whatever fate the afterlife holds for them.
The Aralezner are believed to live in the sky or on Mount Massis, modern day Mount Ararat. The breed of dog known as the Armenian Gampr is said to be what the Aralezner look like. They are one of the oldest dog breeds found in Armenia, retaining many of their ancestral traits.
Armenian Historical Connections
Mushegh Mamikonyan – When the Sparapet Mushegh Mamikonyan died, his family placed his body in a tower. They had hoped that the Aralezner would come and lick him, bringing Mushegh back to life.
Ara the Beautiful – Ara is one of Armenia’s legendary patriarchs. In the legend surrounding Ara, he is a warrior whose handsomeness attracted many marriage proposals from Queen Semiramis. When Ara turned down Semiramis advances in favor of marrying Nvard, an angry, rejected Semiramis sent soldiers to go kill Ara and bring his body back to her. According to legend and story, Semiramis is to have prayed for Ara’s resurrection.
In Armenian legend, there are many versions of the story of Ara the Beautiful and Semiramis. One variation to this story has the Aralezner licking Ara’s wounds and resurrecting him. Another version has Ara accidentally killed during war and that his body was then placed up on the mountains for the gods to resurrect.
What all the different versions of the legend do agree on is that Ara was never resurrected and that Semiramis very likely took a man or another lover who looked like Ara the Beautiful and claimed that this was Ara returned to life by the gods or Aralezner.
There could be some truth to this concept of wound licking and healing. First is that wound licking is an instinctive response in humans and many animals such as cats, dogs, primate and rodents to lick an injury.
What’s notable and for certain is that the salvia can aid in cleaning a wound, removing anything that is possibly contaminating it. Where dogs are concerned, their saliva does have antibiotic properties, particularly lysozyme, an enzyme that is known for breaking down the cell walls of certain harmful bacteria. Namely gram-positive bacteria. The enzyme is able to attach to the bacteria’s cell wall and weakening it so that it ruptures or breaks.
The next reasoning is that the act of licking stimulates the tissues and small blood vessels around the wound, increasing blood flow that brings white blood cells and platelets to speed up the healing process.
Historical, Modern And Mythical Connections
Many cultures have believed that a dog’s saliva has a healing power on people. There is a French saying that “Langue de chien, langue de médecin” or “A dog’s tongue is a doctor’s tongue.” There is too a Latin quote that appears in a thirteenth-century manuscript that goes: “Lingua canis dum lingit vulnus curat” or “A dog’s tongue, licking a wound, heals it.” In the Christian Bible, Luke 16:19-31, there is the story of Lazarus the Beggar whose sores are licked by dogs. However there is no miraculous healing mentioned.
In Ancient Greece, dogs at Aesculapius’ shrine were trained to lick patients. During the Medieval Ages, Saint Roch is said to have been cured of sores by his dog licking him. Even in the nineteenth century, it was believed in the Scottish Highlands that a dog licking wounds or sores would be an effective treatment.
More modernly is a report of dog saliva being used to speed up wound healing in the Lancet medical journal. And Fijian fisherman allow for dogs to lick their wounds to speed up the healing process.
There are risks involved with wound licking, such as doing too much of it. Plus there is the likeliness of causing the very same infections that are thought to be avoided.
While there are historical and mythical instances of wound licking having healed people, there are many modern day documented cases of infections from wound licking by an animal. Especially if a person’s immune system is already compromised or weakened.
Ancient Greek Spelling: Νεφελη
Alternate Spellings: Nefeli
Etymology – From the Greek word: nephos, meaning “cloud” or “cloudy.” The latinized spelling is nubes.
Nephele is an interesting character found in Greek Mythology. We first hear of her in the story of Ixion. Yes, that Ixion who is the first murderer in Greek Myths; who also puts some unwanted moves on Zeus’ wife Hera. When Hera complained, Zeus fashioned a cloud in Hera’s likeness in order to catch Ixion in the act.
As previously mentioned in the story of Ixion, Nephele is the name of the cloud that Zeus fashions in Hera’s likeness in order to catch Ixion in the act of some unwanted moves.
Mother Of The Centaurs
Nephele is the mother of the Centaurs when she is raped by Ixion who thought she was the goddess Hera. She either gives birth to Centaurus, who is an ugly deformed child that goes on to be the progenitor of the centaurs or Nephele gives birth directly to the centaurs as a race. Either way, Ixion and Nephele do ultimately sire the centaur race.
In the version of the story where Ixion is bound to a flaming wheel in Tartarus, the resulting centaurs that are born were left on Mount Pelion where the Centaur-God Chiron and his daughters took them in to raise. In this lineage, the Centaurs are sometimes referred to as the Ixionidae or as Nubigenae, meaning cloud-born and connecting them to Nephele as their mother.
Hercules Versus The Centaurs
In one of many of Hercules adventures, he does battle against the Centaurs. Nephele is commented by a Diodorus Siculus in his Library of History, to have sent a heavy rain to make the ground more treacherous for those who relied on two legs to walk instead of four like her centaur children.
Goddess In Her Own Right
Nephele, when she is acknowledged as having a name in the Greek Myths, is mentioned as being a Cloud Nymph and like all Nymphs, they are minor goddesses. While being forces and personifications of nature, Nymphs were not as powerful as the other major Greek Deities. Given the story with how Nephele helped her centaur children and later two more children of hers, Phrixus and Helle, she has to have had some power and significance.
Because of her origins in the story of Ixion, Nephele is often seen as being a clone and copy of the goddess Hera.
It’s just possible, that like Chiron, as Greek culture and influence spread of the twelve major Olympian gods, that Nephele’s status and power as a goddess in her own right diminished to her being a Nymph and Clone of Hera.
The First Wife Of Athamas
After the incident involving her with Ixion, there becomes a problem over a matter of a lot of confusion not only with Nephele herself, but the other Olympian gods. In the stories where Nephele is a clone of Hera, there is a huge case of mistaken identity as she was constantly mistaken for Zeus’ wife. Adding to this, Nephele would hide in corners where she would constantly break out into tears. This didn’t work as any of the Gods passing by would keep asking her what the matter was, thinking she was Hera.
Fed up with this, Zeus eventually married Nephele off to the Boeotian King, Athamas in order to be rid of her. All went well until the birth of her two children, Phrixus and Helle when she falls into another state of depression and would turn into a raining cloud.
In turn, Athamas was fed up and started having an affair with Ino, the sister of Semele whom Zeus was also having a current affair with. Eventually Athamas divorced Nephele for Ino and the Cloud Nymph returned to Olympus.
Phrixus And Helle
With Athamas, Nephele is the mother of the twins, Phrixus and Helle. There is a third child, Makistos, though it is the twins who have more of a place in myth and legends.
Because Athamas had divorced and remarried, Phrixus and Helle found themselves with a stepmother who hated them and devised a plan in order to get rid of the two.
This plan of Ino’s involved roasting all of the town’s crop seeds so they wouldn’t grow. The resulting famine caused all of the farmers to go running scared, seeking out the help of a nearby oracle. Unknown to the Farmers and others, Ino had already bribed the men at the Oracle to tell the farmers that they needed to sacrifice Phrixus.
Before the farmers could follow through on the sacrifice, Phrixus and Helle were rescued by a flying golden ram sent by their mother Nephele.
The twins were told not to look down towards the Earth on their flight from Boeotia. Unfortunately, Helle did look down and fell off the ram into the Hellespont, a narrow strait near Turkey connecting the Aegean Sea with the Sea of Marmara. Helespont incidentally is named after Helle for this is where she is to have drowned.
Phrixus survived the flight and made it to Colchis where King Aeetes took him in and treated him fondly, even so far as to give his daughter Chalciope in marriage to him. By way of thanks, Phrixus gave Aeetes the Golden Fleece off the ram. Aeetess hung the Golden Fleece from a tree in his kingdom. This is the same Golden Fleece that Jason, leader of the Argonauts would later come and take.
Etymology: Queen of the East
Also known as: Ninshubar, Nincubura, Nincubur or Ninšubur
In Sumerian mythology, Ninshubur is a messenger of the gods. She is also known as Inanna’s sukkal or second-in-command; a position of great importance as a high-ranking government administrator. It has been pointed out, in an essay written by Diane Wolkstein, “Interpretations of Inanna¹s Stories and Hymns,” that a sukkal often has powers and abilities far superior then those of their Liege or Master. Not only does the sukkal have their own power and abilities, but they often have that power and authority combined with power and authority of whomever they serve.
Ninshubur is a goddess herself, whose name means: “’Queen of the East.” While she is often described as a virgin, Ninshubur is also mentioned as one of Inanna’s lovers. Ninshubur is associated with the element of Air and the planet Mercury.
In later Akkadian myths, Ninshubur’s gender is changed to male. The “nin” in Ninshubur’s name has been translated to mean “female ruler.” Though, that doesn’t seem to have prevented Ninshubur’s gender from getting altered from female to male depending on whose doing the retelling or translations.
Inanna & Enki
Ninshubur is best known for accompanying Inanna on many of her exploits and adventures. Together they have fought Enki’s demons after Inanna stole the sacred me. The sacred me are the decrees of the gods essential for establishing society and civilizations, even technology.
Inanna went to her grandfather Enki, a sky-god who held the sacred mes. While visiting with him, Enki gives Inanna the me, which she accepts and proceeds to basically “drink him under the table” before she and Ninshubur take off with the mes.
When Enki wakes up, he wonders why it was he gave Inanna the mes and decides he’s going to get them back. By this time, Inanna and Ninshubur have already loaded up all the mes, we’re never told what they look like, but it is assumed the mes have a physical representation of some sort.
Enki sends a legion of varying and different demons after Inanna and Ninshubur to stop them and each time, Ninshubur defeats them, protecting the boat both physically and magically that she and Inanna are on while they return to Uruk (Sumer).
Once the two made it to Uruk, Enki relented in his efforts and gave his blessings to Inanna on having the sacred mes.
Inanna’s Decent Into The Underworld
Later on, Inanna makes a trip into the Underworld, leaving instructions with Ninshubur on what to do if she doesn’t return in three days time. When this time comes and goes, Ninshubur seeks the help of the other gods and keeps at it until she gets it.
Ninshubar starts first dressed in sack cloth like a beggar with a great weeping and howling, tearing her hair and clothing until everyone knows that Inanna is missing. Then Ninshubur proceeds to each of the houses of the gods, Enlil, Nanna, and Enki
Enlil and Nanna each told Ninshubur how Inanna sought the powers of heaven and earth and got them. If Inanna decided to go to the Underworld, she will have to face the consequences of her actions. For there are rules there and no one who ever goes there, ever returns and that Inanna will just have to stay where she is.
When Ninshubur approached Enki, to tell him of Inanna’s plight, he was troubled and decides to help his daughter. From under his fingernails, Enki pulled some dirt and created genderless creatures known as the kurgarra and the galatur. To the kurgarra, Enki gave them the food of life and to the galatur, he gave them the water of life.
That done, Enki then instructed the kurgarra and galatur to enter the Underworld like flies. Once there, they would find Ereshkigal, the Queen of the Underworld moaning like a woman in labor. He instructed them that when she cried out, that they were to echo her cries in sympathy.
Enki was sure that Ereshkigal would be pleased by the sympathy cries and reward the kurgarra and galatur. That when did offer a reward; they were to ask for the corpse of Inanna hanging on the wall. Once they had Inanna’s corpse, they were to sprinkle it with the food and water of life to bring her back.
Having received their orders, the kurgarra and galatur took off for the Underworld. There, they slipped in as flies at the cracks to the gates and found their way to Ereshkigal’s throne room.
There, they found Ereshkigal moaning as if the throes of labor pains and with nothing covering her. When Ereshkigal would cry out in pain of various aches, the kurgarra and galatur would cry in sympathy with her.
Hearing the echoing cries, Ereshkigal stopped and looked at the kurgarra and galatur, asking who they were and why they were crying with her. She offered a blessing and offered them the water-gift and then the grain-gift that the kurgarra and galatur declined in turn.
Finally Ereshkigal asked what they wanted and the kurgarra and galatur said that they desired the corpse hanging by a hook on the wall. Ereshkigal responded that the corpse was that of Inanna. They still responded that it was their wish, so Ereshkigal gave the kurgarra and galatur the corpse.
Now that they had it, the kurgarra sprinkled the food of life on the corpse and the galatur sprinkled the water of life in turn. When the food and water had been sprinkled, Inanna arose back to life. However, the Annuna, the judges of the Underworld came and told Inanna that: “No one ascends from the Underworld unmarked.” Another person would have to take Inanna’s place.
As Inanna left the Underworld, demons known as the Galla clung to her side. The Galla are demons who know no food or drink and accept no gifts. When they came upon Ninshubur, dressed in a dirty sackcloth, waiting outside the palace gates, the Galla were willing to take her in Inanna’s place.
Inanna knew of Ninshubur’s part in her rescue from the Underworld and would not let the Galla take her. They continued on to Uruk where Inanna found her husband Dumuzi sitting on the throne. Of everyone they had passed on their way, Dumuzi was the only one who had not mourned for Inanna nor was he ready to give up the throne back to his wife. On seeing him, Inanna told the Galla to: “Take him! Take Dumuzi away!”
With Dumuzi gone, Inanna reclaimed her rightful throne.
A Hymn To Nergal
In a translation of this hymn, Ninshubur is mentioned as a minister of the Underworld who greets Nergal when he arrives.
Astronomy & Astrological connection
The goddess Inanna is frequently associated with the planet Venus. Ninshubur herself is associated with the planet Mercury. From this standpoint, it makes sense that the two goddesses are associated with each other as their planetary counterparts often appear together within the night sky.
The term Pangenic or Pangenesis comes from Charles Darwin’s Theory of Evolution with trying to explain the origins of life and species.
As it relates to the study of folklore and mythology, the term and idea of Pangenic or Pangenesis connections is problematic and still very pervasive as a lot of scholars and literature try to make connections with various stories and deities as there are often very similar motifs, concepts and ideas that are very universal.
The Romans of course, are famously known for equating many of their gods with the gods of other cultures, especially those they conquered. Nearly everyone knows of the Greek-Roman counterparts and connections such as Zeus and Jupiter or Ares and Mars. To a lesser known extant, the Romans connected their deities with those of the Egyptian, Norse and even Celtic deities.
The idea of Pangenic deities and myths still continue even today and is something of a disservice and in terms of mythology. When one ethnic group or religion moves into another area, the exiting myths will get overlapped and mixed together. Sometimes it’s easy to see where and when this blending of ideas occurs. Other times, the differences should be acknowledged without trying to force a connection.
In the case of the Mesopotamian mythologies, due to similarities, the Greek god Hermes is often said to be based off of Ninshubur.