Category Archives: Protector
Etymology: orbh- (Indo-European) “to change allegiance or status”, orbus meaning: “bereft” or “childless”
When in Rome, there seems to be a deity for just about everything, including orphans. Enter Orbona, the goddess of children, especially orphans. Childless parents would call upon Orbona to bless them with children.
I’m not sure you could really call it worship. There is however enough significance for Orbona that she had an alter near the Lares Temple in Via Sacra. Here, parents who had lost a child or might be about to lose one to illness would call upon and invoke Orbona.
In Roman mythology, Orbona was the goddess who granted new children to parents who had become childless. She was also the goddess of children, especially orphans.
Well sure, but only after parents had lost their child and hoped to ensure the survival of future children or to be granted more children.
Protector Of Children
That makes sense. That was the whole point of why parents or would-be parents would call upon Orbona, to ensure the safety of their children or potential future children. She was seen as a guardian of children, especially orphans.
What’s In A Name?
It gets a little interesting looking into the origins and root meaning of Orbona and Orphan.
Credit is given to the Indo-European root word of “orbh-“ meaning: “to change allegiance or status.”
Okay… from here the definition continued with how the Greek “orphanos” is similar to the Czech word “robota” which means compulsory labor, drudgery, servitude and slave” Even an old Old High German word of “arabeit” meaning labor is connected to “orbh-.” How exciting and lovely.
That gives a whole new light of understanding to Victorian Era Britain and orphans getting sent to the Workhouses.
Welcome To The Dark Side
As a goddess of Orphans, Orbona is seen as having a bit of a sinister side… after all, childhood diseases that can claim and rob you of your children.
Orbona is associated with a couple of other dark goddesses, Febris and Fortuna Mala who weren’t exactly that well-received or whose attention you didn’t want to attract.
Not exactly all sunshine and roses here…
Other names: Rhea, Opiconsivia, Opis
Other Names and Epithets: Ops Consiva, Ops the Sower, Ops Opifera
Originally from Sabine, Ops is the Roman Fertility and Earth-Goddess of the harvest, bounty and wealth. Her place in Roman mythology would directly lift from Greek mythology with the Earth Goddess Rhea.
Sphere of Influence: Abundance, Agriculture, Fertility
Symbols: Bread, Cornucopia, Crown, Seeds, Tambourine
King Titus of Sabine is who created a cult dedicated to Ops where in a short time she would come to be seen as a goddess of plenty, wealth, riches and abundance, both for an individual level and for the nation of Sabine. It wouldn’t take long for the Romans to adopt and import this fertility and earth-goddess, equating her with Cybele and Rhea.
Ops had a couple of different temples in ancient Rome. The first was a sanctuary in the Regia found at the Forum Romanum. The second was a Temple of Ops found on Capitoline Hill.
When paired with Consus, the God of Storage as her consort, Ops would be honored at the harvest festivals on August 21st, Opiconsivia on August 25th and a later celebration of Opalia held on December 19th (sometimes this date is the 9th). There is another festival, held in Ops’ honor that was to have taken place on August 10th.
In statuaries and coins, Ops is shown sitting down, a feature characteristic of Chthonic deities. Ops is also showing holding a scepter and a sheath of grain.
What’s In A Name?
Ops’ name comes from the Latin word meaning “plenty” or a catchall for the words: abundance, gifts, goods, riches and even wealth. In many of the Latin writings from this era, the name or word Ops wouldn’t be used as it’s singular and instead, the word opis used as it’s plural.
Ops’ name is also where the word opus, meaning “work” is derived from. Not just any work or labor, but the very tilling and working the land for farming with plowing and sowing. Without this abundance of the earth and the forthcoming harvest, no one could eat. There are many rituals and festivals in the ancient world that attest to the sacred nature of the earth and the fertility of the land.
A last final thought I came across is the suggestion that Ops’ name is also related to the Sanskrit word of ápnas that also means: “goods” and “property.”
Parentage and Family
Caelus (The primal god of the Sky) & Terra (The Earth)
The gods Janus and Saturn are given as Ops’ brothers.
Consus – The god of Storage, he is also worshiped with Ops as her consort.
Saturn – The god of agriculture, he is often paired up with Ops.
Ceres, Pluto, Neptune, Jupiter, Vesta, and Juno
A Crisis Of Identity
While Ops has her origins in Sabine culture and mythology; her being imported and adopted by the ancient Romans, sees her getting identified with Cybele, the Magna Mater or Great Mother of Rome. The other notable goddess identified with Ops is Rhea, to the point that their stories are identical, just change out the names.
Epitaphs & Other Names
This time, I’ll be mainly looking at a few different epitaphs that Ops is known by.
Juno Opigena – Sometimes Ops would be used as an epitaph of Juno, the Queen of the Gods. This makes sense as Juno herself is a mother goddess, goddess of marriage and childbirth. Though, given Juno is Ops daughter, that comes off as a little confusing.
Ops the Sower – In this role, Ops protected the sowing of crops.
Ops Opifera – When called by this epithet, Ops is believed to bring help.
Ops & Saturn
Ops is often paired up with the god Saturn. The primary myth of these two directly lifts from the Grecian source as seen with Ops being equated with Rhea and Saturn with Cronus.
That said, Ops is the wife of Saturn, who one day learned of a prophecy in which one of his children would kill him, thus taking his throne as king of the Gods. Just like his Grecian counterpart, Saturn decided he would prevent this fate by devouring his children as they are born.
This leaves a very grief-stricken Ops, who decides with the birth of her sixth child, Jupiter (Zeus) that she would hide him away from Saturn. Ops takes and wraps a stone in swaddling clothes to present to Saturn as their latest child.
Even in the original Greek version of this story, they don’t explain how Rhea or Ops, in this case, manages to trick Saturn (Cronus).
Yet, there we are, Saturn has swallowed the stone. Opis hid away her youngest son, Jupiter and raised him in secret. Later, when Jupiter was older, he got a position as a cupbearer his father, the King. With this position, Jupiter is able to add a potion to Saturn’s drink that causes him to vomit and disgorge all of Jupiter’s siblings along with the stone.
The Titanomachy, a ten-year war would soon follow between Saturn and his children. Eventually, Jupiter would finally win the war, ending the Golden Age with Saturn’s death. Taking the throne, Jupiter would become king of the Roman pantheon.
Queen & Mother Of The Gods
That makes sense, Ops is the mother of the Roman Pantheon. As a queen, she would pass this title on later to her daughter Juno.
Rhea – Greek Goddess
Rhea has been identified with a couple of different Roman goddess, one is Cybele and of course Ops. Which can lead to some confusion when matching and pairing up just who’s a Grecian counterpart to who in Roman mythology.
The Romans were famous for subsuming many deities in their conquest across Europe, particularly the Mediterranean area, and identifying their gods with those of a conquered culture. The most famous being the Greeks, where many deities were renamed to those of Roman gods. Prominent examples like Zeus and Jupiter, Hera and Juno, Ares and Mars and so on down the line.
With the Hellenization of Latin literature, many Greek writers and even Roman writers rewrote and intertwined the myths of these two deities so that would virtually become one and the same. As the centuries have passed, the tradition of accepting both of these goddesses as one and the same has become generally accepted. Just that there are still some differences that separate the two.
Rhea’s best-known story is with the birth of the Olympian gods. Cronus fearing that a son of his would kill him and take over, devoured all of his children as they were born. Rhea managed to rescue her youngest son, Zeus by tricking Cronus into swallowing a rock. She hid Zeus in the Dictean Cave in Crete. Zeus, after growing up, succeeded at overthrowing Cronus and rescuing his siblings.
Other Names and Epithets: 風神, Futen, Kami-no-Kaze, Ryobu
Fujin is one of the oldest Shinto goes in Japan. He is a god of wind and is often paired with the storm god Raijin.
Fujin is often shown as a fearsome wizard-like demon with green skin and a red head wearing only a leopard skin and carrying around a large bag or bags of wind with him. He is also noted to have only four fingers or digits that represent each of the four cardinal directions.
Parentage and Family
The gods Izanami and Izanagi, the main deities in Shinto are who birthed or created Fujin and all the other gods in Japan.
In addition to Raijin and his brother Fujin, all of the Kami of Japan can be said to be Fujin’s brothers and sisters as they were all created after the creation of Nippon (Japan).
Like Raijin, Fujin was born or created by the gods Izanami and Izanagi after creating Nippon. When Fujin opened his wind bag for the first time, the winds he released cleared away the morning mists and filled the space between the earth and the heavens so the sun could shine.
In Japanese lore, both Raijin and Fujin were a pair of oni who actively opposed the other deities. Under the orders of Buddha, it took an army of thirty-three gods to subdue Raijin and Fujin and convert them to work alongside the other deities.
Kojiki – This ancient Japanese text is the primary source for everything known about Fujin.
The Silk Road – Surprisingly, the imagery for Fujin seems to have originated from the West, during the Greek’s Hellenistic era when they were once spread throughout areas of Central Asia and India. Meaning, that the wind god Boreas is whom Fujin could have originated from. As the imagery for Boreas traveled, he would become the god Wardo in Greco-Buddhist era, changing then to the wind god Fei Lian (or Feng Bo) in China before making his way to Japan as Fujin. What appears to be the connecting motif is that all these deities carry a bag of wind (or shawl in the case of Boreas) and has a disheveled, wild appearance.
Kamikaze – The Divine Wind
In 1274, the Mongols for the first time would attempt to set sail and invade Japan. However, a massive typhoon would destroy a good number of the Mongol fleet, disrupting plans for a conquest of Japanese archipelago. Going by the legend, only three men are said to have escaped. A second attempt in 1281 saw a similar typhoon blow through and wreck most of the Mongol fleet again. Both massive storms or Kamikaze as they would come to be known were attributed as being sent by Raijin and Fujin to protect Japan.
One of Fujin’s alternative names is Kami-no-Kaze, directly connecting him to these fierce, massive storms.
Kami or Oni?
Some of the descriptions of Fujin say he’s an oni and that certainly seems true given his description and when looking at more Buddhist influenced stories where the gods had to battle Raijin and Fujin to tame them and convert them to Buddhism.
Kami – When we go back to the Shinto religion that predates Buddhism in Japan, Fujin is one of many, numerous gods or kami found throughout the region. They range in power from low level spirits all the up to gods.
Shintoism holds the belief and idea that everything seen in nature has a spirit, or kami. As spirits, they just are. The greater the spirit or kami, more of a force of nature and raw power it will be. So many of these spirits would be revered and respected just to avoid needlessly getting them angry and ticked off.
Oni – By Japanese mythology, Oni are very synonymous with the Western concept of demons. Ugly, ogre-like creatures of varying descriptions. An Oni’s only purpose is to create chaos, destruction and disaster. Given depictions of Fujin, he looks very much the part of an Oni and when it comes to wind storms, a more severe storm can be very destructive.
With some of the more primal nature spirits and gods, it’s a very thin line for the concepts of good and evil if you’re trying to pin them to those categories.
When Raijin is mentioned, he is frequently paired with Fujin, another Weather God is also a sometimes rival. The two are constantly at it, fighting amongst themselves over who will rule the skies. The more intense a storm, the more intense their fighting.
Temple Guardians – Statues of Raijin and Fujin can be found at the gates to many temples and holy places in Japan where they are seen as protectors and guardians.
Etymology: Rai (“Thunder”) and Den or Jin (“Lightning”). Another derivation is Kaminari 雷 (“Thunder”) and Kami 神 (“God”)
Other Names and Epithets: 雷神, Kaminari, Kaminari-sama (“Thunder Master”), Karai-shin, Karaijin, Narukami (Thundering Spirit”), Raiden, Raiden-sama (Thunder and Lightning Master”), Yakusa no ikazuchi no kami (“Eight, Thunder, Spirit”)
Raijin is the name of a Shinto Weather God in Japanese mythology, specifically the God of storms, thunder & lightning. Sometimes, the name Raijin refers to one deity, other instances, Raijin will refer to several weather gods.
Sphere of Influence: Storms, Thunder, Lightning, Agriculture
Raijin is often depicted as a muscular, red-skinned Oni with sharp claws, horns, wild hair and carrying around a large drum or several drums with the symbol of tomoe written on them. These drums of course are used for the sound of thunder. To beat the drums, Raijin uses hammers. Sometimes Raijin is shown to have three fingers that each represent the past, present and future.
Statues depicting Raijin can be found throughout many places in Japan. Many of these sculptures will show Raijin possessing a pot-belly and a fearsome face.
Mortal Kombat – Finish Him!
Raijin, better known as Raiden, appears in the popular fighting game series Mortal Kombat. As Raiden, he is often shown as a robed man wearing a straw hat.
Parentage and Family
The gods Izanami and Izanagi, the main deities in Shinto are who birthed or created Raijin and all the other gods in Japan.
In addition to Raijin and his brother Fujin, all of the Kami of Japan can be said to be Raijn’s brothers and sisters as they were all created after the creation of Nippon (Japan).
There’re a few variations to Raijin’s origin.
In line with Japan’s creation myth, the gods Izanami and Izanagi created Raijin after they created Nippon, making him among some of the oldest gods in the Shinto religion. Specifically, Raijin was born right after the death of his mother, Izanami when she bore the fire god, Kagu-tsuchi. Izanagi took his sword, Ame no Ohabri got Kagu-tsuchi up into eight pieces, which became eight volcanoes. The blood dripping off the sword would create a number of other Japanese gods or kami.
After Izanami descended to the underworld, her husband Izanagi would follow after. There is a misunderstanding between the two and Izanagi took off. Izanami would send Raijin, along with other spirits to bring Izanagi back.
Other legends will say that there are eight lightning gods, hence the suffix part of Raijin’s name “jin” for people, plural. Getting back on point, these eight lightning gods were tasked with protecting Dharma by the Buddha. This syncretism, known as Shinbutsu-shūgō, joining different religions together is common in Japan. Even an order 1868 meant to separate the two religions of Buddhism and Shinto didn’t stop this from happening.
In Japanese lore, Raijin and his companion, Fujin were a pair of oni who actively opposed the other deities. Under the orders of Buddha, it took an army of thirty-three gods to subdue Raijin and Fujin and convert them to work alongside the other deities.
Kojiki – This ancient Japanese text is the primary source for everything known about Raijin.
Kamikaze – The Divine Wind
In 1274, the Mongols for the first time would attempt to set sail and invade Japan. However, a massive typhoon would destroy a good number of the Mongol fleet, disrupting plans for a conquest of Japanese archipelago. Going by the legend, only three men are said to have escaped. A second attempt in 1281 saw a similar typhoon blow through and wreck most of the Mongol fleet again. Both massive storms or Kamikaze as they would come to be known were attributed as being sent by Raijin to protect Japan.
Kami or Oni?
Some of the descriptions of Raijin say he’s an oni and that certainly seems true given his description and when looking at more Buddhist influenced stories where the gods had to battle Raijin and Fujin to tame them and convert them to Buddhism.
Kami – When we go back to the Shinto religion that predates Buddhism in Japan, Raijin is one of many, numerous gods or kami found throughout the region. They range in power from low level spirits all the up to gods.
Shintoism holds the belief and idea that everything seen in nature has a spirit, or kami. As spirits, they just are. The greater the spirit or kami, the more of a force of nature and raw power it will be. So many of these spirits would be revered and respected just to avoid needlessly getting them angry and ticked off.
Oni – By Japanese mythology, Oni are very synonymous with the Western concept of demons. Ugly, ogre-like creatures of varying descriptions. An Oni’s only purpose is to create chaos, destruction and disaster. Given depictions of Raijin, he looks the part of an Oni very much and when it comes to storms, a more severe storm can be very destructive.
With some of the more primal nature spirits and gods, it’s a very thin line for the concepts of good and evil if you’re trying to pin them to those categories. As a weather deity, it goes either way if his rains bring fertility and life or if it’s the destructive force of a hurricane.
When Raijin is mentioned, he is frequently paired with Fujin, another Weather God is also a sometimes rival. The two are constantly at it, fighting among themselves over who will rule the skies. The more intense a storm, the more intense their fighting.
Temple Guardians – Statues of Raijin and Fujin can be found at the gates to many temples and holy places in Japan where they are seen as protectors and guardians.
Raiju! I Choose You!
That sounds like the name of a pokemon. There are a couple, Raichu and Raikou, a legendary pokemon who is based on Raiju and other thunder gods.
In Japanese mythology, raiju is the name of Raijin’s animal companion. Raiju is described as a blue and white wolf or a wolf wrapped in lightning.
Raijin is also the god or kami of one of the Japanese islands and believed to live up on the mountains.
As a storm deity, Raijin is revered as a considerable force of nature. The storms he brings can be destructive in the form of hurricanes and great wind storms when he battles Fujin. Or they can be life giving water and fertility to the land.
Kura-Okami – The god of rain and snow, Raijin is sometimes equated as being the same deity. Kura-Okami is active and at his strongest during the winter months from December to February.
Thunder isn’t all that bad. A thunderstorm would mean rain. A lot of Japanese farmers would seek to appease Raijin for rain during droughts and not to flood their rice fields. There was a belief that lighting would cause fertility for a rice field. The sound of thunder and lighting, it would mean a bountiful harvest. This seems a tentative way to connect Raijin to agriculture and fertility.
I would think having a lightning rod to redirect lighting to the ground would be protection from Raijin. Hiding under a mosquito net is the only protection from Raijin.
That isn’t the only way, as the sound of thunder often freaks out many people and is an omen of disaster. After all, who wants a tree crashing in on their house during a thunderstorm or coming out after it’s over to see what swath of destruction has been left behind? Not many.
Mosquito nets asides, certain areas in Japan hold to a superstition that ritual needs to be performed during a thunderstorm. This ritual involves striking bamboo to exorcise bad spirits away from rice fields. This was thought to avert any disasters in the fields that would result to any lightning and thunder.
As a stated previously, as Raijin is seen as a primal spirit, its better to appease him and get on his good side rather than get him needlessly angry.
Hide Your Navel!
It’s believed that Raijin is found of eating human navels. It was common practice for Japanese parents to tell their children to hide their belly buttons during a thunderstorm lest Raijin come eat it.
If it’s any minor consolation, according to some beliefs, it’s not really Raijin who eats children’s belly buttons, but his animal companion Raiju who actually does. Or if Raiju isn’t eating your navel, he’ll curl up inside to sleep.
Etymology: Bright Battle
Also known as: Sigrdrífa (“driver to victory”)
Alternate Spellings: Brunhild, Brünhild, Brunhilde, Brünnhilde, Brunhilda, Brynhild, Brunhilt, Prunhilt
Brynhildr is a famous shieldmaiden and Valkyrie from Germanic and Scandinavian mythology. She is a main character in the Völsunga saga and Poetic Eddic poems. She also appears in the Nibelungenlied and in Richard Wagner’s Der Ring des Nibelungen operas.
There are a few different versions of Brynhildr’s story that can be found along with alternative spellings. It’s likely that these could be about a different Brynhildr and these different versions just reflect different regional differences based on which clan is telling the story.
Parentage and Family
Budli – Her father as made mention in the Völsunga.
Erda – Her mother in Wagner’s Der Ring des Nibelungen operas.
Wotan – Her father in Wagner’s Der Ring des Nibelungen operas.
Valkyrie – An unnamed Valkyrie is her mother in the Völsunga.
Alti – Her brother in the Eddic poem “Sigurðarkviða Hin Skamma.” Interestingly, Alti could be Attila the Hun.
Heimer – Her brother-inlaw in the Völsunga for the versions of the story that have her up in a tower. He’s married to her sister Bekkhild.
Sisters – According to the Eddic poem “Helreid Brynhildar” with Brynhildr being a Valkyrie, she has eight sisters.
Other siblings are Bekkhild and maybe Oddrun.
Gunnar – Whom she is tricked into marrying in one fashion or another in different versions of the story.
Aslaug – Brynhildr’s daughter by way of Sigurðr in the Völsunga. Aslaug goes on to marry Ragnar Lodbrok.
This is the main source for Brynhildr’s story. It is a 13th century Icelandic saga from the Völsung clan that tells the story of Sigurðr and Brynhildr and the subsequent destruction of the Burgundians.
Brynhildr is the daughter to Budli, who grows up to become a shield-maiden and Valkyrie. As a Valkyrie, she was tasked by Odin to determine the outcome of a fight between two kings, Hjalmgunnar and Agnar. Odin favored the older king Hjalmgunnar and in an act of defiance, Brynhildr throws the fight and to favor Agnar as the winner.
Angry, Odin condemns Brynhildr to live out the rest of her life as a mortal woman and has her imprisoned in a remote castle with a wall of shields on top of Mount Hindarfjall. There, Brynhildr slept within a ring of fire until a man without fear could ride through the fires to rescue and marry her.
The hero, Sigurðr Sigmundson, the heir to the clan Volsung and the slayer of the dragon Fafnir, is the one who enters the castle and awakens Brynhildr when he removes her helmet and chain mail armor.
Sigurðr still had some other tasks he needed to go perform and he promised Brynhildr that he would return. As both Brynhildr and Sigurðr have fallen in love with each other, Sigurðr proposes to her with the magic ring known as Andyaranaut. Brynhildr makes an oath that she will marry the man who rides through the flames for her. It’s also here, during their stay in the castle that Aslaug is conceived.
Unknown to Sigurðr, the ring Andyaranaut is cursed and would cause him and Brynhildr a lot of problems later. The ring was part of the cursed treasure that Sigurðr claimed after slaying Fafnir.
Meeting In Hlymdale
This seems to be a slight variation to the story where Sigurðr has taken Brynhildr with him or she was up in a tower this time.
Later, when Brynhildr and Sigurðr are at Hlymdale, the home of Heimer, Brynhildr’s brother-in-law, Sigurðr spots her up in a tower and declares his love. Sigurðr promises that he will return for Brynhildr to wed her.
Sigurðr then heads for Burgundy, to King Gjuki’s court. While Sigurðr is gone, Brynhildr receives a visit from Gudrun, Gjuki’s daughter. Gudrun has come seeking help with interpreting a dream, a dream that seems to foretell Sigurðr’s betrayal to Brynhildr when he marries Gudrun.
Over in Burgundy, Grimhild, a sorceress and wife to Gjuki conspires to have Sigurðr marry her daughter Gudrun. Grimhild creates a magic potion that she manages to get Sigurðr to drink so that he will forget all about Brynhildr.
Naturally enough, Sigurðr does marry Gudrun.
As a consolation prize for Brynhildr, if you can call it that, Grimhild, upon learning about Brynhildr being a Valkyrie, decides to have her marry her son, Gunnar.
A slight variation to this story has, that when King Gjuki dies, his son Gunnar becomes King and is a sworn oath brother to Sigurðr. Grimhild desired to see Gunnar wed, but Gunnar had told his mother that he had seen no maiden whom he would want to take as a wife.
Fair enough it seems.
News is brought to Gunnar by his sister Gudrun about a warrior maiden behind a wall of flames. Gunnar decides this maid is the perfect one for him and goes to find out if she is the one.
So off Gunnar, his brother Hogni and Sigurðr ride, towards Hindfell in search of a maid worthy to be Gunnar’s bride. The three come across the high tower with black walls with shields and encircled with flames. Thanks to the potion, Sigurðr has no memory of this place or Brynhildr within, faithfully awaiting his return.
A slight variation to this has Gunnar getting Heimir’s consent to go court Brynhildr, provided he can be the one to show no fear and ride through the flames.
Gunnar decides he’s going to ride through the flames, but his horse, Goti refuses to go near the flames. Then Gunnar gets the idea that he can ride Sigurðr’s horse, Grani through the flames. But Grani being a smart horse, knows that Gunnar is afraid of fire and refuses to ride through.
At a loss, the three sworn brothers brainstormed and considered the matter. Hogni eventually spoke up and proposed the idea that Sigurðr could use magic to shape-shift (by use of his magic helmet) and take Gunnar’s shape.
Sigurðr now disguised, rides through the flames, claiming to be Gunnar and take Brynhildr’s hand in marriage. Of course, Grani, knowing this to be his true rider, gives Sigurðr no problems with riding through the flames.
When Brynhildr saw another man besides her Sigurðr enter the flames, she despaired and demanded to know who this stranger was.
The disguised Sigurðr responded that he was Gunnar, the son of Gjuki of the Nibelungs. Angry at the response, Brynhildr, as this isn’t Sigurðr, fights him. During the fight, Sigurðr manages to pull the ring Andvaranaut off her finger, rendering the Valkyrie powerless. Sigurðr would later give the ring Andvaranaut to Gudrun.
Before leaving, both Brynhildr and Sigurðr stay in the castle for three nights. Despite this, Sigurðr in a symbolic gesture, lays his sword between them to signify that he won’t take Brynhildr’s virginity.
Maybe they meant chastity if you remember Sigurðr’s earlier visit. He may not remember, but I know I do.
Eventually, Sigurðr and Gunnar switch back places so that Gunnar can marry Brynhildr. Poor Brynhildr believes that Sigurðr has forgotten her and keeps the promise she made of marrying the man whom she believes rode through the flames for her.
We’re not to any sort of a happy ending yet. Later, Brynhildr and Gudrun are out bathing in a nearby river when they get into a heated argument over whose husband is better and braver.
Brynhildr boasts that her husband, Gunnar was brave enough to ride through flames for her. Knowing the truth, Gudrun smugly reveals that it was actually Sigurðr who rode through the ring of fire. At this revelation, Brynhildr becomes enraged, making her marriage to Gunnar a sham as she is still in love with Sigurðr.
Due to the trickery and deceits involved, Brynhildr just assumes that Sigurðr went back on his word to marry her. It is still unknown to Brynhildr that Sigurðr had been given a potion to forget all about her.
Just remember, Hel hath no fury like a woman scorned.
Mysteriously at this time (or the potion wearing off), Sigurðr starts to remember what happened. Despite his efforts, Sigurðr is unable to console an enraged Brynhildr. Instead, Brynhildr plotted revenge by persuading Gunnar to kill Sigurðr in a false claim that he had taken her virginity in Hidarfiall. Something that Sigurðr had sworn not to do when he placed his sword between the two.
This of course gets Gunnar angry and wanting to kill Sigurðr for sleeping with his wife.
It is that ring I tell you. That and Grimhild’s mettling in people’s love lives.
Gunnar and his brother, Hogni were reluctant to kill Sigurðr as they had sworn oaths of brotherhood with him. Instead, the two got their younger brother Gutthorm to kill Sigurðr after giving him a potion of enragement.
Under the influence of the potion, Gutthorm killed Sigurðr in his sleep. As his final act before dying, Sigurðr manages to pull his sword and kill Gutthorm in return.
A still enraged Brynhildr mocks Gudrun’s grief for the death of Sigurðr and confesses to Gunnar that she had lied about Sigurðr sleeping with her. She then tells Gunnar and Hogni, that her brother Atli will come avenge her death. Poor Brynhildr had always loved Sigurðr, even when he betrayed her.
As Gunnar’s wife, Brynhildr then orders that Sigurðr ‘s three-year old son, Sigmund be killed. In a final act of desperation, Brynhildr kills herself by throwing herself onto Sigurðr’s funeral pyre.
If that’s not a Shakespearean Tragedy, the two were then reunited together in Hel’s realm, the realm of the dead.
The Nibelungenlied is a Germanic epic poem dating to the 1200’s. The events within the poem can be traced to oral traditions from the 5th and 6th century. In this poem, Brynhildr is known as Brunhild or Prunhilt. With this version of the story, she a queen or princess of Iceland. Gudrun is known as Kriemhild, Gunnar is known as Gunther and Hogni and known as Hagen.
As a queen (or princess) and a powerful woman in her own right, Brunhild declared that the man she would marry must be someone able to best her in three contests meant to show strength and courage.
Gunther wanted to marry Brunhild and with the help of his liege man, Siegfried (who has a cloak of invisibility), he is able to overpower Brunhild in her three contests. In the first game, Brunhild manages to lift and throw a spear at Gunther that three men together could barely lift. Siegfried with his cloak of invisibility on, blocks and keeps the spear from hitting Gunther. In the second game, Brunhild throws a boulder that requires the strength of twelve men to heave some twelves fathoms. In the last game, Brunhild leaps over the same boulder.
In an act of cheating and with Siegfried’s aid using the invisibility cloak, Gunther is able to defeat Brunhild and claim her for his wife.
That sounds like dirty pool to me.
Rightfully so, on their wedding night, Brunhild refuses to give up her virginity to Gunther. Instead, she ties up Gunther and leaves him dangling from the ceiling of their chamber. Coming to Gunther’s aid, Siegfried wearing his invisibility cloak, attacks Brunhild, breaking her bones and then taking both her girdle and ring.
It seems both girdle and ring are the source of Brunhild’s supernatural strength and without them, she was forced to be docile and submit to be Gunther’s wife.
At the Worms Cathedral, Brunhild and Kriemhild, Siegfried’s wife gets in a rather heated argument about their husbands. Brunhild takes the stance that Siegfried is nothing more than a lowly vassal beholden to Gunther. Kriemhild reveals the dirty pool and trickery used by Gunther and Siegfried, by showing off the girdle and ring that were stolen from Brunhild.
Unlike the Völsunga, Brunhild’s fate is never mentioned and it’s assumed she out lives Kriemhild and her brothers.
In this poem, Brynhildr is known as Sigrdrifa. The Sigrdrífumál does have the story of Sigurd and Brynhildr meeting. The poem is mostly about runic magic and has Brynhildr teaching Sigurd about their use.
For the most part, the Poetic Eddas collaborate the story told in the Volsunga, though with some changes.
In some of the Eddic poems, Gutthorm kills Sigurðr in a forest in Southern Rhine while resting.
In the Edda poems from Iceland, Brunhildr or Brunhilde is a strong, capable princess who is deceived by her lover.
I feel it’s worth noting that in the Eddic poems, Brunhildr is a prominent protagonist, whereas in other sources like the Nibelungenlied, her role and importance are diminished.
Helreið Brynhildar – “Bryndhildr’s Ride To Hel,” on her way down to Hel, the underworld of the dead, Brynhildr meets a giantess who blames her for leading an immoral life. Brynhildr refuted the giantess, saying that all men and women live lives of grief and that she and Sigurðr would live together.
Sigurðarkviða Hin Skamma – In this Eddic poem, Gunnar and Sigurðr laid siege to the castle of Atli, Brynhildr’s brother. Atli had offered Brynhildr’s hand in marriage to Gunnar for a truce. The problem in this poem being, that Brynhildr had sworn she would only marry Sigurðr. She is then tricked into believing that Gunnar is Sigurðr.
Der Ring des Nibelungen
Richard Wagner’s famous four opera cycle. Wagner took of the mythology for Brynhilde or Brünnhilde’s role from the Nordic sagas rather than the Nibelungenlied. Brünnhilde only appears in the last three operas of this cycle, Die Walküre, Siegfried and Gotterdammerung where she plays a major role in the downfall of Wotan.
For those who don’t know or may have guessed already, this is the opera cycle that inspires a popular saying of “It isn’t over until fat lady sings.” Especially with Brünnhilde’s famous immolation in the finale of Gotterdammerung. Adding to this, thanks to the costume designer, the idea of Viking helmets having two horns was firmly ingrained in people’s minds after a visit to the museum for ideas and saw the ceremonial two horned helmet on display.
In this opera cycle, Brünnhilde is one of many Valkyries born from the union between Wotan and Erda, the personification of the earth. In the Die Walkurie, Wotan tasks Brünnhilde with protecting the hero Siegmund, his son by a mortal woman. When the goddess Fricka contests this, she forces Wotan to have Siegmund die for his infidelity and incest. Brünnhilde disobeys Wotan’s order and carries away Siegmund’s wife and sister Sieglinde along with the broken pieces of Siegmund’s sword Nothung.
After hiding them away, Brünnhilde then faces the wrath of her father, Wotan who makes her a mortal woman and then places her in an enchanted sleep who can be claimed by any man who comes across her. Brünnhilde argues against this punishment, saying she had obeyed Wotan’s true will and doesn’t deserve this harsh of a punishment. Wotan is persuaded to lessen the punishment to protect her enchanted sleep with a magical circle of fire and that she can only be awakened by a hero who knows no fear.
Brünnhilde doesn’t appear again in the operas until the third act of Siegfried. Here, the title character is the son of Siegmund and Sieglinde. He was born after Siegmund’s death and raised by the dwarf Mime, the brother of Alberich.
It should be noted that Alberich is the one who stole the gold and made the ring from which the entire Der Ring des Nibelungen cycle is based on. If you’re thinking “my precious” and the “one ring” as in Tolkien’s Middle Earth series, you’d be more or less correct as this is where J.R.R. Tolkien got inspired and took his ideas from with Norse mythology.
Back to the main story, Siegfried kills the dragon Fafnir that was once a giant. Siegfried takes the ring and finds himself guided to the rock hiding Brünnhilde by a bird. It seems Fafnir’s blood allowed Siegfried to understand the language of birds. Wotan tries to stop Siegfried who instead breaks the god’s spear. Wotan defeated, Siegfried than awakens the sleeping Brünnhilde.
The two appear again in the last opera, Gotterdammerung. Siegfried gives Brünnhilde the ring, the very ring that Alberich made. The two separate and Wagner goes back to following the Norse story though with notable changes.
Siegfried does go to Gunther’s hall where he is given the magical potion that causes him to forget all about Brünnhilde. That way, Gunther can now marry her. This is all possible thanks to Hagen, Alberich’s son and Gunther’s half-brother. Hagen’s plans are successful as Siegfried leads Gunther to where Brünnhilde is at.
During that time, Brünnhilde had been visited by a sister Valkyrie, Waltraute who warns her of Wotan’s plan for self-immolation and urges her to give up the ring. Brünnhilde refuses to give up the ring.
However, Brünnhilde is overpowered by Siegfried, who, disguised as Gunther using the Tarnhelm (a helm of invisibility instead of a cloak of invisibility) and takes the ring by force.
The enchanted Siegfried goes on to marry Gutrune, Gunther’s sister. When Brünnhilde sees that Siegfried has the ring taken from her, she denounces and calls him out on his treachery. Brünnhilde then joins with Gunther and Hagen in a plot to murder Siegfried. She informs Hagen that Siegfried can only be attacked from behind.
So, when Gunther and Hagen take Siegfried out on a hunting trip, Hagen takes the opportunity to go ahead and stab Siegfried in the back with his spear.
After the two brothers return, Hagen ends up killing Gunther in a fight over the ring. Brünnhilde ceases the moment to take charge and has a pyre built on which she will sacrifice herself, thereby cleansing the ring of its curse and sending it back to the Rhinemaidens.
Brünnhilde’s pyre becomes the signal by which Valhalla and all the Norse gods perish as Ragnarok is brought about with everyone dying in a fire.
This is the name of the magical ring that Brynhildr already possesses or is given to her by Siegfried. In Wagnar’s Der Ring des Nibelungen, it was forged by the dwarf Alberich and has a curse placed on it.
In the Völsunga, the ring is part of the cursed treasure that Siegfried takes after slaying the dragon Fafnir. Either way, it explains all of Brynhildr and Siegfried’s bad luck and subsequent deaths.
The ring had been cursed by its creator, Andvari when Loki tried to force him to give it up. Andvari cursed it that all his treasure and the ring would be the death of those who owns it. Aside from being cursed, Andyaranaut could also make gold.
By the account of the Völsunga, Brynhildr was a prophetess or seeress and able to foretell the future and interpret dreams.
In the Völsunga, Brynhildr tells Gudrun that Sigurðr would love her, Brynhildr but would marry Gudrun. She also told Gudrun that Sigurðr would die at the hands of her brothers. That she would marry Atli and kill him and her children. Brynhildr is also saw someone else, Svanhild get trampled to death. At the funeral for Sigurðr, Brynhildr tells Gunnar and Hogni, that her brother Atli would kill them.
The Valkyries are found in both Scandinavian and Germanic religions.
Some of the stories and sources for Brynhildr’s story have her as a Valkyrie, a chooser of the slain, the warrior maids who determined who died in battle and would to Valhalla, Odin’s abode where the fallen warriors would await Ragnarok. More properly, half the warriors go to Valhalla and the other half go hang out with Freya in her hall of Folkvangr.
Many scholars have questioned Brynhildr’s authenticity as a Valkyrie as there is a real person of the same name. In addition, the name Brynhildr or Brunhilda has been found as a place name for many places and regions throughout Belgium, France and the Rhine.
It’s possible that Brynhildr’s story is the same inspiration for the Visigothic princess Brunhilda of Austria. She married the Merovingian king Sigebert I in 567 C.E.
This Brunhilda did have a rival with a Fredegunde who was married to King Chilperic I of Neustria. This is a feud that would last several generations resulting in a lot of deaths on both sides among husband and numerous family members.
Plus, many of the Valkyries that appear in the Poetic Edda are often mortal woman who often come of royal blood.
Given that there are multiple sources for Brynhildr’s story along with Wagner’s opera series that combines a couple of them together. It can get a little confusing as to which clan or tribe Brynhildr would belong to.
Budling – In the Volsunga, being a daughter of Budli, would make Brynhildr a Budling.
Skioldung – In the poem fragment of Sigurd from the Poetic Edda, Brynhildr is called a “lady of the Skioldungs.” The Skioldungs were of course, the descendants of Skiod. Brynhildr’s connection to these people comes about as her father would have been one of 18 sons of Halfdan the Old, or Ali in Snorri Sturluson’s Prose Edda.
Nine of these sons would have gone on to found their own kingdoms and dynasties in the northern, Scandinavian countries. This would have made Brynhildr related to Sigurðr or Sigurd on his mother’s side as well as related to the children of Guiki. Those being Gunnar, Hogni and Gudrun.
Tolkien And The Lord of the Rings!
As I previously mentioned above, J.R.R. Tolkien took his inspiration for his Middle Earth series from Norse mythology and the inspiration for the One Ring from that of Andyaranaut.
A fun note to add is that Tolkien did not like Wagner’s take on the German myths. I can see it too, Taking and combining the Völsunga and Nibelungenlied together can make it a bit harder to figure out which myth and legend is which.
Etymology: From the Greek word “pantes” meaning: All, everything, rustic
Other Spellings: Πάν
Other Names and Epithets: Aegocerus (“Goat-Horned”), Agreus (the Hunter), Faunus, Haliplanktos (Sea-Roaming), Innus, Kronios, Nomios (the Shepherd), Sinoeis
Pan is a familiar, half-goat, half-man or satyr deity in Greek mythology. As a god of forests and wilderness, he’s known too for inhabiting grottoes too. In his ancient Arcadian home, Pan is said to have wandered the mountain sides playing his reed pipes, aiding or hindering hunters, guarding shepherds and their flocks and his never-ending pursuit and dancing with nymphs.
Animal: Goat, Tortoise
Patron of: Shepherds
Plant: Pine, Mountain Beech, Water-Reed
Sphere of Influence: Fertility, Flocks, Rustic Music, Wilderness
Symbols: Reed Pipe, Phallus, Lagobolon (Hare Trap)
Pan is the Greek half-man, half-goat god of shepherds and flocks. A god of fertility and the wilds.
What’s In A Name?
The Latin words of the verb paô and pasco connect Pan’s name to mean “all” or the universe. The Arcadians used the word pan meaning rustic, for anything out in the country, wild and untamed.
The idea of the Greek word pan for “all” comes from Homeric Hymn where Pan is described as delighting all the gods. This word ends up being used in word play in Plato’s Cratylus where he describes Pan as a dual-natured god, a personification of the cosmos.
The Greek word: “pa” is a more likely source for Pan’s name as it translates into “Guardian of the flocks,” certainly one of the things he is known for. Interestingly “pa-on” meaning: “herdsman” is a closely related word and where the Latin pastor and the modern English word “pasture” come from.
Another source says that Pan’s name comes from the Greek word: “paein” meaning “to pasture.” Furthering the ideas, Edwin L. Brown puts forward the idea that Pan is likely a cognate to the Greek word: ὀπάων, meaning “companion.”
Early Greek Depictions
It is around 500 B.C.E. that Pan appears in Greek art. These early depictions of Pan show him as a black goat standing upright on hind legs.
Later red-figure pottery shows Pan’s image change to that of a satyr. Some might even say the father of all satyrs. He is often shown having a wrinkled face with a prominent, bearded chin, snub nose, pointed ears, goat-like horns with hairy legs and cloven hooves like a goat. playing a reed pipe. Sometimes he is shown with a shepherd’s crook and a pine branch or a crown made of pine. Often times he’s in the company of fellow satyrs and Maenads.
Coinage – In 4th century B.C.E., Pan’s image is found on coinage in Pantikapaion, for the Arcadian League.
Dual Nature – Plato’s Cratylus
This one’s interesting. Socrates discusses how Pan is a duel-nature son of Hermes. That makes sense as Pan is half man, half goat after all. Socrates goes on to explain how Hermes’ name comes from the word for “speech.” That Pan, the all things known, both true and false. The true part of Pan is the part that is smooth and divine and that he lives with the gods. The false part is the lower part that is goat, representing the baser, common man who are rough and like the tragic goat. I presume this comes from the origin for the word tragedy or tragikos, goat-song and is in reference to early, primitive performances where people wore goat-skins. A roundabout way of saying that life is nasty, short and brutish. It is among mankind that tales and falsehoods can be found.
While we’re at it, Pan was also the god of theatrical criticism.
Considered a pastoral paradise in Ancient Greece, the land “that existed before the moon,” this is the place where Pan is said to have been born, specifically on Mount Lycaeum.
Arcadia is mountainous and fertile area located in central Peloponnessus. This place is found to the south of modern-day Greece. This is the location where the seat of the ancient Greek empire once lay.
For the ancient Greeks of their day, they viewed Arcadia and those who lived there as being backwards and primitive. They weren’t held in the same light as more civilized Greeks. Outside of Greece, Pan’s worship spread as far as Egypt and other local, neighboring countries.
Athens – Around the fifth century B.C.E., after the Battle of Marathon, Pan’s worshipped arrived in this City-State.
The story goes that Pheidippides, an Athenian was to Sparta to enlist their aid against the Persians, Pan appeared before him and promised that he would terrify or panic the invaders. In return, the Athenians would begin honoring and worshipping Pan.
Shrines & Temples
Even after the Greeks began worshiping other gods and adding them to their pantheon, Pan still had shrines built, honoring and venerating him. Many of these shrines and sacred places to Pan were often in caves and grottos. There were many sanctuaries and temples dedicated to Pan throughout Arcadia, including some in places like Athens, Heraea, Homala in Turkey, Megalopolis, Mount Parthenius, Oropus, the island of Psyttaleia, and Troezene to name a few. The Korkykeion cave found on Mount Parnassos and the Vari cave in Attica are a couple of the places dedicated to Pan.
According to the ancient Greek historian, Diodorus Siculus, the Egyptians had a good number of statues of Pan in many of their temples. In Thebes, the city of Chemmis was also known as the city of Pan or Panopolis.
Caves & Grottos
Many of Pan’s sacred places were found in caves and grottos. Pan’s sacred shrines and grottos weren’t solely dedicated to him, sometimes he shared it with a local deity or nymph in the region. Sacrifices offered up to Pan included cows, rams, lambs, milk and lamb. These sacrifices would also be offered up to Pan in conjunction with Dionysus and the nymphs. Other sacrifices to Pan included statues of herdsmen, vases, lamps and gold grasshoppers. Goat sacrifices and torch races were also part of Pan’s worship at Delphi and Athens.
A few other locations for Pan’s shrines or temples are:
Acacesium – A perpetual fire was kept burning here in this time. Also at this time, there was an oracle where the nymph Erato was Pan’s priestess.
Acropolis – This shrine to Pan is hidden away in a shallow cave beneath the Acropolis in a place still wild and untamed.
Apollonopolis Magna, Egypt – A Temple of Pan is found here.
Corycian Grotto – Located near Mount Parnassus.
Nomian Hill – A shrine was located here near Lycosura.
Peloponnese – A Temple of Pan was located here on the Neda River gorge.
Well of Eresinus – Located between Argos and Tegea
Mystery Cults – During the Hellenistic era, Pan becomes a cognate to the Phanes/Protogonos, Eros, Dionysus and Zeus.
Youngest To Oldest
In the Greek pantheon, Pan is considered the youngest of the gods. That makes sense if Hermes is Pan’s father. Making Zeus his great grandfather and Apollo his grandfather. At the same time, Pan is also considered the oldest god as records of his worship date to the 6th century B.C.E. in Arcadia. Mythical evidence seems to back this with Pan being the one who gives Artemis her hunting dogs and teaches Apollo the secrets to prophecy.
This likely makes sense too that for all that Pan being a rustic, rural god, was seen by the Greeks as representing the connection between the wildernesses and civilization. In Arcadia he would enjoy being a major god, but else where he was reduced to a minor god and not counted among the twelve major Olympian gods. So how ever minor his role seemed to have taken on, his influence and importance were not denied or forgotten.
Parentage and Family
Grandfather or Great Grandfather
As the grandson or great grandson of Cronos, Pan is known as Kronios.
The parentage for Pan is greatly varied and murky. Depending on the source that one uses, a different set of parents will be mentioned. That kind of makes sense when seeing Pan as a nature god, that he could be older than the other Olympian deities. Depending on which one you read, will be which one you decide to go with.
Father – Hermes, nearly every myth concerning Pan’s birth agrees on this. Sometimes another deity, Aegipan is given as Pan’s father. Even the gods Apollo, Cronus, Dionysus, Uranus, or Zeus could be mentioned as Pan’s father. Others like Amphinomos, Antinoos and Odysseseus are mentioned as Pan’s father.
According to Euhemerus, a 4th century B.C.E. mythographer, Aegipan (or Pan) was married to Aex and when she had an affair with Zeus, she bore the god Pan to him. In this instance, Pan was called Aegipan.
Mother – There are many different myths regarding who Pan’s mother is.
In no particular order, they are: Dryope the daughter of Dryopos, Thymbris, Penelope (There are two Penelopes of note here. The first one, Hermes visited in the form of a ram. The second Penelope is of Odysseus fame as she proved to be unfaithful while she waited for Odysseus to return home). Nonnus’ Dionysiacs is where Penelope of Mantineia in Arcadia, a nymph. This Penelope is later confused or combined with the Penelope, the wife of Odysseus. Oeneios, some random Nereid, Sose, and Callisto. Even the goddesses Aprodite and Hecate are sometimes mentioned as being Pan’s mother.
Sometimes Pan’s parentage is given as being Uranus and Ge or that of Aether and Oeneios.
That seems a little odd to think of Pan as having any spouse. Given Pan’s later reputation for chasing around after all the Nymphs and seducing anyone who’s female…. There’s actually a few that Pan actually truly loved.
Aix – Also spelled Aex, she is a goat or a nymph who took the shape of a goat. Her connection to Pan seems more sure if you count Aegipan and Pan as being one and the same person.
Echo – This one is rather tragic, the story is given in full later.
Pitys – A nymph who turned herself into a pine in order to elude Pan’s advances.
Syrinx – A more well known Syrinx who changed herself into a bed of reeds to escape from Pan’s unwanted advances.
The satyrs in general were all considered kin to Pan, if not his sons, Laertes, Circe and the Maenads.
Agreus – A half-brother by way of Hermes, part of a “Pan Triad.”
Arcas – the twin brother to Pan, when Zeus is seen as the father. That is, if you accept the source of Kerenyi’s work of Aeschylus in Rheus noting there being two Pans.
Daphnis – A half-brother by way of Hermes.
Nomios – A half-brother by way of Hermes, part of a “Pan Triad.”
Akis – Also spelled Acis, he is the son of Pan (or rather Faunus) and the nymph Symaethis.
Eurymedon – Of the Seven Against Thebes fame, he said to be the son of Pan given how he fought fiercely in battle, causing others to panic.
Iambe – With Echo, Pan is the father of Iambe, a minor goddess of verse.
Iynx – With Echo, Pan is the father of Iynx, a girl who took the form of a bird.
Krenaios – Also spelled Crenaeus, he is the son of Pan (or rather Faunus) and the nymph (more accurately a Nereid) Ismenis. Crenaeus fought fiercely in the Seven Against Thebes, even more so in the river Ismenis of his mother’s name sake.
Krotos – With Eupheme, Pan fathered Krotos, a minor god who invented the hunting bow and rhythmic beats or clapping in music.
Silenus – This one is a bit dubious, as he is sometimes considered older than all of the satyrs and sometimes his parentage is given as being the son of Hermes and Gaia.
The Panes – All the satyr and local woodland deities including the fauns. According to Nonnus’ Dionysiaca, there are twelve Panes who lived in caves and claimed Pan as their father. They are known for having accompanied Dionysus in his War with India. These Panes were:
Aigikoros, Argennon, Argos, Daphoineus, Eugeneios, Glaukos, Kelaineus, Omester, Philamnos, Phobos, Phorbas, and Xanthos
What A Pane
Nearly every region of Ancient Greece had a regional woodland deity, many of them local satyr deities that all came to be identified as just different aspects of Pan. These multiple Pans or Panes were also known as Paniskoi or “little Pans.”
Satyrs weren’t necessarily gods in themselves, but nature spirits known for all sorts of carousing and chasing after nymphs, eating and drinking. The Romans would know these nature spirits by the name of fauns or incubi, the Celts believed in Dusios or dusii for plural. Much like the plural of Pan being Panes, the plural of satyr is Satyri.
This association with these local deities, gave rise to Pan being known by many names and seen as a universal god. Some of these local deities are as follows:
Aegipan – A goat-fish god connected to the constellation Capricorn.
Aristaeus – God of flocks, agriculture, bee-keeping, viticulture in Northern Greece. Like Pan, Aristaeus also held the title of Agreus (the Hunter) and Nomios (the Shepherd).
Marsyas – A Phrygian satyr also known for playing the pan pipes.
Priapus – A local god whose images have been found at Pompeii
Silenus – Knowledge and viticulture
Sybarios – An Italian version of Pan who was worshiped in the Greek colony found at Sybaris, Italy. This Sybarite Pan is the son of a Krathis, a sheperd and a she-goat.
As a triad, Pan was known as Agreus, Nomios, and Phorbas. Each seen as a separate entity and not just as a title of Pan’s.
In Nonnus’ Dionysiaca, two of the Panes, Agreus (Hunter) and Nomios (Shepherd) are merely different aspects of Pan. By the same account, they are the sons of Hermes with two Nymphs. The first is Sose, a prophetess who bore Agreus who inherited Sose’s gift for prophecy and would become a god of the hunt. The second is a nymph by the name of Penelope (not to be confused with the one of Odysseus fame) who bore Nomios known for playing the reed shepherd’s pipes or syrinx, shepherd, and seducing Nymphs. It has been said that many of the stories about Pan are actually about Nomios.
Agreus and Nomios are often taken to be two different aspects of Pan, indicating a dual nature to the half-goat god as both wise prophet and a lusty, amorous beast.
Phorbas would later join these two. Phorbas’ name means “giver of grazing” and has been noted as a play on the word phobos for “fear.”
The Birth Of Pan
Regardless of who is considered Pan’s mother, it’s generally agreed that she ran away at the sight of this already fully developed infant sporting horns, covered in hair, complete with beard, goat tail and legs with cloven hooves. Hermes however, took his son up to Olympus where the other gods were immediately delighted with him, especially Dionysus. The nymphs would raise Pan.
One of the nymphs to raise the infant Pan was Sinoe. From her, Pan received the epitaph of Sinoeis.
As a side note, the Homeric Hymn has the nurse being the one frightened by the sight of Pan and running away.
Where Penelope, the wife of Odysseus is listed as Pan’s mother, she was seduced by Antinous. When Odysseus returned Penelope to her father Ikarios, she gave birth to Pan when she arrived at Mantineia in Arcadia. With Penelope as Pan’s mother, he is clearly a demigod who became fully immortal.
A fertility deity, Pan is known for being very lusty as a symbol of male sexuality and carnal desire. Spring is the time for fertility, so it makes sense that Pan what he’s known for doing best, sex. There’s just no way around it.
Pan is very famous for his stories of endlessly chasing after nymphs who, to elude the lusty, rutting god, would turn into trees and rocks. These same stories were also used by the ancient Greeks to explain the many varieties of plants and natural features with how they came to be.
Nudity was a common thing among the Greeks, seen as being very natural and not holding any of the stigmas against it that are found with later cultural, especially religious taboos. It just is, nothing sexual about it.
Pan on the other hand… Part and parcel to Pan’s sexual prowess, one of his symbols is a phallus. Meant in joking tones, Diogenes of Sinope tells how Pan learned masturbation form his father, Hermes and then went on to teach it to shepherds. As such, it’s not uncommon to find ancient Greek art depicting Pan having an erection, he was just that sexually active.
Sex for the sake of it. That is part of who Pan is, bringing out the wild, untamed natural man to give into primal desires to satisfy momentary, carnal lust. If you want a love god for someone to fall in love with for a life partner, Pan is not your deity. Try Aphrodite or Eros for better results. For the ancient Greeks and Pan especially, he held many sexual partners and would move from one to the next with ease.
Rest assured, the ancient Greeks did see a need for having a main partner and a need to have someone you were with to create a better sense of family and unity. But engaging with a new partner from time to time could lead to something new and a change of pace.
When in Rome, only this was Greece.
Pan & The Nymphs
Pan is often mentioned as a companion to the nymphs of the woods, mountains and rivers. As a god of fertility, Pan also has a reputation that may or may not be deserved as being very lusty and constantly chasing after the nymphs as they flee from his unwanted advances. It all starts off well and good, he would join their dances and play his reed pipes, then soon enough comes the rutting and the chasing after. The nymphs would very likely be the original #MeToo crowd. They do manage to get their revenge on him at one point where they set upon Pan while he’s asleep to tie him up and shaved off his beard.
This part comes from Philostratus the Elder in his Imagines 2 where he describes a painting of the Bucolic Nymphs having tied up Pan and shaved off his beard as they say they will persuade Echo to no longer respond to him.
Even Artemis, the goddess of the Hunt and Moon got fed up with Pan’s behavior as her retinue of virgin followers and nymphs would grow smaller every time Pan or any of the satyrs came around.
Maenads – Aside from the Nymphs, Pan also got on well with the Maenads, the female followers of Dionysus rather well too. Now, either did this one by one or would multiply into a host of Panes to satisfy them all.
Pity – This poor nymph eluded Pan’s advances by turning into a Mountain Fir.
Pan Girls – With Pan’s rather lusty nature, Greek girls back then were known as Pan Girls when they displayed the same behavior.
Where The Wild Things Roam
A nature god, Pan’s domains were all of wildernesses. Grottoes, meadows, forests, beasts and even human nature itself. All of it is Pan’s domain. During the heat of the day, Pan would sleep and didn’t take kindly to anyone who disturbed him. Pan is described too as a god heard, but not seen.
Bees – As a god of nature and wild things, it stands to reason that among many of the things that Pan cared and watched over would include bees too. Like was previously stated, all of wilderness.
Fishing – Coastal areas and the success of local fishermen were also under Pan’s province.
God Of The Hunt – As a god of the wild places, Pan is also a god of the hunt, hunting dogs and he could decide a hunter’s success or not. In Arcadia, hunters would whip or scourge statues of Pan if their hunting failed.
God Of Shepherds And Flocks – In Pan’s homeland of Arcadia, there were many shepherding groups, most of whom herded goats and sheep. Pan protected the herds and flocks both wild and domestic. Pan would even help shepherds find their way back to the towns and cities. This role clearly placed Pan as the guardian of the wilds and civilization.
Panic At The Parthenon!
Pan’s name is the basis by which the word “panic” originates. It is one of the things that Pan is known for, causing a sudden or great fear in people. There are a couple myths given as an explanation for this.
Afternoon Naps – Sleep is good. The afternoons are when Pan is known to take his naps and woe to anyone who disturbed him from his sleep. But hey, who wouldn’t be cranky when woken up from their sleep. That’s right, run for the hills.
Music – Pan’s music that he played on his reed pipes could inspire panic in anyone who heard it. With it, Pan’s music could lower people’s inhibitions, an ecstasy brought on by listening to the music and dancing. A lowered inhibition that could either inspire or bring on a madness.
Panolepsia – During the Hellenistic era, Pan’s popularity increased and it is at this time he became associated with the word panic, an emotion known to overcome soldiers on the battle field. This violent emotion, known as panolepsia could overcome any individual person, inside and outside of battle.
Titanomachy – The first myth given is that Pan was present when Zeus defeated the Titans during the great Titanomachy. The claim then is that Pan’s yelling caused the Titans to flee.
Battle Of Marathon – The Athenians began worshiping Pan after he helped them out with causing panic among the invading Persians.
Nighttime Pranks – The second myth given is that Pan would make noises to scare away travelers in his protected forests.
God Of Rustic Music
When he wasn’t busy chasing nymphs, Pan could be found playing his famous reed pipes and dancing with the wood nymphs. Pan’s skill with music was such that he could cause inspiration, promiscuity or panic depending on what he wanted. The reed pipes were synonymous with rustic music as they were relatively cheap and easy to make with cutting reeds to different lengths and stopping them up with something like wax.
One of Pan’s more famous and well-known myths. Syrinx was just one of many nymphs that Pan would endlessly pursue. She was a water-nymph and the daughter of the river-god Landon. One day, as Syrinx returned from hunting, she encountered Pan who became infatuated with her. To escape his unwanted advances, Syrinx fled from Mount Lycaeum down to the Ladon river, there she pleaded with her sisters (or sometimes Zeus) to change her into a bed of water reeds. When Pan narrowly missed grabbing Syrinx, he discovered that when he blew air through the reeds, they made a noise. A forlorn Pan, mourning the loss of Syrinx, took the reeds and crafted his famous reed pipes or Syrinx from them.
Daphnis – The son of Hermes and a nymph, a shepherd, he invented pastoral poetry. He is one of many whom Pan taught how to play the pan pipes or syrinx.
Pindar – A poet said to be loved by Pan for singing and dancing to his music. Pindar built a sanctuary dedicated to Pan outside his house.
Olympus’ Got Talent!
In the original version of this story, Pan is equated with the Phrygian satyr, Marsyas. In the original telling of events, Marsyas is punished for having challenged the god Apollo.
However, other versions of this story have Pan and Apollo having a music contest with a local deity, Timolus set to be the judge. King Midas (as in the one with the golden touch) was there by happen stance as at this time, he was now a follower of Pan and followed him around.
When Apollo and Pan completed their different musical scores, Timolus was all set to call Apollo the winner. Midas spoke up and said that it should be Pan who was the winner. This angered Apollo and in retribution, he changed Midas’ ears into those of an ass.
You just can’t win.
One version of this story has it that both Apollo and Pan were tied, so they held a second round. This time around, Apollo said that they should play their instruments upside-down. Apollo was unaffected with playing upside-down, Pan however, was unable to play his reed pipes. Thus Apollo won the contest.
The Mother Goddess
In Pindar’ Pythian Ode, Pan is mentioned as a being either a follower or consort to the mother goddess. This is very likely either Cybele or Rhea whom is seen as a synonymous with Cybele.
Pindar makes mention of virgins worshiping Cybele and Pan near his home in Boetia.
Pan and Rhea alike are deities of the mountains and wild places. In a fragment of Pindar’s Maiden Songs, Pan is mentioned as the companion to Rhea and the warder or guardian of holy shrines.
There’s an episode in Valerius Flaccus’ Argonautica where Rhea becomes angry with the king of Kyzican for killing one of her sacred lions and Pan descending on the city of Kyzikos at night yelling loudly to disturb the flocks to panic and stampede and bring terror to the city in revenge at Rhea’s command.
Another source I found for this, replaced Rhea’s name with that of Cybele’s. This isn’t too surprising, when you see Rhea and Cybele as the same deity, just different names from different Greek and Roman cultures. It almost seems like a matter of preference when someone retelling the Greco-Roman stories flip-flops back and forth with the names used.
Pan is known to be part of Dionysus’ retinue accompanying many other prominent paniskoi, satyrs and rustic deities, causing a lot of rowdy behavior and riots characteristics of such bacchanalias.
Dionysus’ Indian War – When Dionysus went to war with the country of India, Pan was among the many satyroi and panes who accompanied him.
God Of Prophesy
Being the grandson to Apollo, that makes sense that Pan would have inherited some of the family tendency to foretell the future. According to some accounts, Pan is to have taught Apollo the prophetic arts. In the sanctuary of Despoine in Arcadia, the nymph Erato served as one of Pan’s prophetess’. Similarly, the Korykian cave, another Oracular site was held sacred to the nymph Korkykiai and Pan.
Pan & Typhon – Capricorn
In Greek mythology, the constellation, Capricorn is known as Pan and he is usually portrayed as the son of Hermes. He had the upper half of a man and the legs of a goat. How Pan becomes associated with the constellation of Capricorn is that one day when Pan and the other Gods were down by the Nile River, they were attacked by the monster Typhon. The Gods all changed themselves into various animals and forms in order to escape. In the confusion and panic, Pan jumped into the Nile River, intending to change into a fish, but only his lower half changed while his upper half turned into a goat. When the other Gods saw this half-goat, half-fish form of Pans, they laughed so much and decided to place an image of it up among the stars where it becomes the Capricornus or Capricorn constellation.
In a more elaborate retelling of the story of the Greek Gods versus Typhon, while the Gods did change into various animal forms, Zeus changed into the form of the ram, Aries and remained in this form for a while. Other gods like Aphrodite and Eros became a pair of fish that form the constellation of Pisces. Now Aegipan had also transformed himself into an animal to escape Typhon, but he was already halfway submerged in the Nile River when he finally decided what animal form he would be. He had decided to be a goat, but only from the waist up and a fish from the waist down. And its this result of indecision during panic and trying to escape that results in the familiar half-goat, half-fish from of Capricorn.
Zeus finally reappears back in his own form and battles against Typhon, but he was however defeated. Typhon proceeds then to cut out the tendons of Zeus’ hands and feet and therefore unable and helpless to move. Typhon hid the tendons in a cave in the land of Cilicia. The draconic being known as Delphyne, a half-serpent, half-woman creature was tasked by Typhon to guard Zeus’ tendons.
Between the gods Hermes and Aegipan, they were able to steal back Zeus’ tendons and return them, so Zeus could become whole again. With his strength restored, Zeus was now able to battle Typhon again and this time, defeated him hurling thunderbolts at him. For Aegipan’s role in this battle the Titan, Zeus set the Capricorn constellation up in the stars to honor him.
Aegipan or Pan?
Well now that all depends… some scholars will say that Aegipan is a separate deity from Pan like Nomios and Phorbas who are collectively called the Panes. Other scholars will say that the Panes are merely different aspects of the same god, in this case, Pan.
Additionally, Aegipan is sometimes said to be the father of Pan and not Hermes. It can create for a lot of confusion. Which is what Pan is good at and hence the origin of the word panic. There is also a 5th century B.C.E. Greek vase depicting both Pan and Aegipan as separate beings.
Pan And Demeter
In this story, Demeter and Poseidon are married. After a falling out with Poseidon and the abduction of her daughter Persephone by Hades, Demeter became very distraught, clothing herself in black and hiding away in a cave. Because of this, with Demeter being an agricultural and fertility goddess, nothing grew and there came a famine upon the land. None of the gods knew where Demeter had gone. Pan returned to his home of Arcadia and began wandering the country side and mountains. Eventually, Pan made his way to Mount Elaios where he found Demeter hiding in her cave. Pan reported back to Zeus that he had found Demeter and the Moirai was sent to Demeter and negotiated a peace between her and Hades that resulted in the familiar cycle of seasons.
Pan And Echo
Another nymph (a minor mountain deity) by the name of Echo. Most stories have her spurning Pan’s advances and eventually she fades away, leaving behind only her voice to answer or echo Pan’s calls to her.
Beauty Contest – This story tells how Echo, being a rather beautiful nymph and musically inclined; being able to sing and play several different instruments. Like all her nymph sisters, Echo lived deep within the forests, spurning the love of mortals and immortals alike.
Before this, there had been an Achilles, the son of Zeus and the Lamia. Now Achilles was incredibly handsome and along with several others, entered a beauty contest with Aphrodite. Acting as judge was Pan who was the most fairest of them all. Aphrodite grew angry with Pan and she cursed Pan with an unrequited love for Echo, whom he pursued relentlessly.
To try and reconcile this version of the story with the below one in Daphnis & Chloe, it makes sense that in his madness, that Pan would incite his shepherd followers to descend upon Echo to tear her apart.
That afterword, Gaia taking pity and having favored Echo, gathers up the pieces of her broken, scattered body to the earth and that all that remained was Echo’s voice. It really makes sense that in mourning, that Echo is chasing after the sound of Echo’s voice every time he hears her repetitive call. It makes sense for Pan to be mentioned as forever chasing after his student that he can never find.
Daphne & Chloe – This story has Echo getting torn to pieces by shepherds after Pan incites them to riot and Gaia then gathering up the broken pieces of Echo’s body to hide within the earth. That only thing to remain was Echo’s repeating voice.
Thebes, Egypt – Here, there was a cave that was shaped like a shepherd’s pipe and a marble statue of a satyr. Pan visited this cave and was delighted by the music of the flute, yet held firmly to Echo in fear so she wouldn’t echo a response to the marble statue.
Apuleius, The Golden Ass – A 2nd century C.E. Roman novel, the author Apuleius describes Pan as sitting by the banks of a stream with Echo in his arms as he teaches her his music and songs.
Suda – In this fragments of poetry and story, Echo is described as bearing the children Iambe and Iynx to Pan.
There must have been a real relation between Echo and Pan and not just the lusty, rutting of a goat-god. It’s unfortunate as it does seem the ire of Aphrodite cause Pan to go into madness and kill his one real love. Given the lusty reputation of Pan for chasing nymphs, Echo’s demise being caused by Aphrodite seems to have been over looked and lumped in as just another failed conquest.
In this story, Pan is in a rut, chasing after the Queen of Lydia, Omphale. On the night that Pan was to arrive, Omphale persuaded Hercules to switch clothes with her. So when an amorous Pan showed up and slipped into Omphale’s bed, he’s promptly kicked across the room by Hercules.
After that, Pan banned the wearing of any clothes at his religious rites and rumors began spreading about Hercules being a transvestite.
Pan And Selene
Selene is considered perhaps the greatest of Pan’s sexual conquests. He managed to woo and seduce the moon goddess Selene by wearing a sheep skin in order to hide his black goat features. Seeing her reflection in the white sheep skin, Selene came down from the night sky and Pan was able to woo and seduce her. By one account, this is how “The Man in the Moon” came to be.
Pan And Psyche
Thankfully, we can see that Pan isn’t all lusty goat-god out to ravage everyone he sees. After Psyche lost her lover, Eros, she went wandering in great despair. When Psyche’s wandering brought her the banks of a river, she intended to throw herself in it to drown.
Luckily for Psyche, both Pan and Echo were nearby as Pan was teaching Echo his songs. Seeing Psyche in her despair, Pan called her to him. Seeing how love-sick she was, Pan told Psyche not to kill herself but instead to make prayers and seek out the attention of Eros so she could eventually draw him back to her. After receiving the advice, Psyche went on her way.
The idea of Pan’s name becoming associated with the meaning of “all” and Pan being a god of all, a universal deity comes about during Roman times. Over a period as the meanings of a word or words change or become confused.
It makes sense, Pan being a god of the wild places and all of nature, even human nature.
Pan Is Dead!?!
In Plutarch’s “The Obsolescence of Oracle,” he mentions that Pan is the only Greek god who is dead. According to this account, during the reign of Tiberius (between 14-37 C.E.) there had come news of Pan’s death to a sailor by the name of Thamus. The ship that Thamus was one was headed for Italy and when they passed by the Echinades islands, specifically, the island of Paxi, a divine called out to Thamus asking: “Thamus, are you there? When you reach Palodes, take care to proclaim that the great god Pan is dead.” The voice is to have called out three time to Thamus and when they reached their destination, Thamus spread the word of Pan’s passing much to others dismay.
The Rumors Of Pan’s Demise….
Now, it has been put forward by others such as Robert Graves, Salomon Reinach and James S. Van Teslaar, that Thamus and those onboard the ship may have misheard what was said. That it was: “the all-great Tammuz is dead” and not “Thamus, Great Pan is dead.” As the phrase spoken, “Thamus Panmegas tethneke” that is to have been said could easily have been misunderstood by those who didn’t speak the language.
When Pausanias traveled through Greece a century later after Plutarch, he discovered that a good many of Pan’s shrines and sacred places were still very much so in use. Jump forward to the 18th century C.E. and Christians have taken Plutarch’s words for gospel truth and have repeated it for history and allegorical truths with the passing of older, ancient orders and for a new age. Poets like John Milton have used the cry of: “Great Pan is dead!” taken to using this line in their poetry.
Are Greatly Exaggerated
To complicate this, even if Pan were dead, he wouldn’t have been the first deity or immortal to die. There’s Chiron, who died of a poisoned arrow and then you have Dionysus who was killed by the Titans. You could count the gorgon Medusa among this number for Greek immortals, only the stories will say she was really just mortal as the Greeks cling to the idea that an immortal can’t really, truly die. That’s only the Greek mythology without touching any other mythologies.
Seeing as this looks like it all stems from a misunderstanding or mistranslation that once the 18th century arrived, took off in people’s imaginations. When looking among the Neopagan, New Age and Wiccan crowd, the veneration and honoring of Pan as an aspect of the Horned God is still very active.
Margaret Murray, in 1933 wrote in her book “The God of the Witches” a theory how Pan was worshiped in Europe by a witch cult. This book is what has contributed to many modern Pagan and Wiccan religions using the Horned God as a symbol of male sexuality and prowess.
The important thing to remember with the 18th century is that this when Pan also makes a come back in literature. He makes an appearance in “The Wind and the Willows.” James Barrie’s famous character of Peter Pan is in part based off of Pan. Not just the last name of Pan, but a strong connection is made in “Peter Pan in Kensington’s Garden” where a young Peter is seen riding a goat.
That’s just a few of the works of literature or poetry to be inspired by and use Pan.
The Devil You Know…
One thing that seems so obvious, when looking at most Christian versions of the devil is the similarity of imagery with Pan, the horns and the cloven hooves. Much of medieval and even post-medieval Christian imagery in literature and art depicts a dark caricature of Pan as the devil or Satan. It really seems unmistakable. Ronald Hutton has noted that this imagery tends to be more modern and is influenced by Pan’s popularity during the Victorian and Edwardian eras.
Pushan – Hindu God
A Vedic solar god and guardian of flocks and herds. This is more of a modern idea as scholars see Pushan’s name as originating from a Proto-Indo-European god: Péhusōn, an important pastoral deity. It is thought that Péhusōn shares a root word with the English word “pasture.” As a result, the idea then comes that Pushan is a cognate of Pan. The German scholar, Hermann Colitz proposed the idea in 1924 of connecting Pan with Pushan.
Faunus – Roman God
The ancient Romans identified Pan with their own woodland deity of Faunus or Inuus.
Faunus is a vegetation deity as well as a god of prophecy and shepherds, so it’s easy to see how the Romans would come to equate the two gods as being one and the same. It is noteworthy to mention that only after the Faunus’ association with Pan did his depiction in art begin to change and become more like Pan’s with the goat hooves and horns. Some Roman accounts have Faunus as the son of the god Mars (Greek Ares) instead of Mercury (Greek Hermes). Faunus is known as the father of Bona Dea or Fauna.
Inuus being a fertility god and a god of shepherds was often used more as an epitaph of Faunus rather than a separate deity.
Also known as: 布袋, 笑佛 (Laughing Buddha), Hasne Buddha (Nepal), 胖佛 (Fat Buddha), Hotei (“cloth bag”) Japanese, Hotei-Osho (Japanese), Bo Dai or Bố Đại (Vietnamese), Hangul (Korean), Pu-Tai, Wagon Priest, Budai Luohan
Etymology: Laughing Buddha, Fat Buddha, Cloth Sack
In Chinese folklore, Budai is a Buddhist deity who has been integrated into Buddhism, Taoism and Shinto religions. The historical Budai lived during the 10th century C.E.
In art, Budai is often shown as being a very fat, bald man wearing a robe, either wearing or carrying prayer beads and has a huge belly; seen as the symbol of abundance, contentment, happiness, luck and generosity. He carries a large linen bag holding a number of precious things, even children on his back. This same bag is the source of Budai’s name. Sometimes Budai is shown sitting in a cart being pulled by boys where he is known as the Wagon Priest.
With his nickname of the Laughing Buddha, Budai is frequently shown smiling or laughing. Budai’s image is often confused with that of Gautama Buddha with Westerners, where he gets the name of the Fat Buddha. In Japan, Budai becomes known as Hotei and is one of the Seven Lucky Gods or Shichi Fukujin.
Budai Statues & Depictions
As already said, Budai is nearly always shown carrying a sack that is filled with a number of precious things such as rice plants, candy for children, food and the sadness of the world.
In Buddhist temples throughout China, statues of Budai are placed in the front part of the entrance halls. Budai is frequently shown as a stough, smiling or laughing man wearing a robe that is unable to cover his large belly. This large belly represents happiness, good luck and abundance. Some Budai statues will have small children gathered around at his feet. Another common feature of Budai statues is a begging bowl, that clearly shows him to be a Buddhist.
Because of Budai’s great association with happiness and wealth, statues of Budai can be found in many businesses and homes in China and Japan.
I Kuan Tao – Budai statues are a central part of I Kuan Tao shrines. Here, Budai is known by his Sanskrit name of Maitreya.
Budai represents the teachings of contentment, generosity, wisdom and kind-heartedness. He is also associated with luck and abundance.
Budai is the guardian and protector of children, the weak and poor. As a wandering monk, Budai is known to take sadness from people and bring them happiness.
Chinese history holds that Budai had been an eccentric Chan monk who lived during the late Liang dynasty. He had been a native of Zhejiang or Fenghua and his Buddhist name was Qieci, meaning: “Promise This.” Budai or Qieci was regarded as a man of good and loving character.
In Buddhism, the term Buddha means: “one who is awake,” as in awakened to enlightenment. There have been many figures in Buddhism who have all been revered as Buddhas. The Chan school of Buddhism teaches that all beings possess a Buddha nature within them and thus, already enlightened, they just have yet to realize it.
A few Buddhist traditions view Budai as an incarnation of Buddha or a bodhisattva.
Angida Arhat – One of the original Eighteen Arhats, meaning one who is worth or a perfected person, much like the Saints of Western Culture. In the Sakyamuni Buddhism, there is a legend wherein Angida is a talented Indian snake catcher would catch venomous snakes, thereby preventing them from biting travelers. Angida would remove the snake’s venomous fangs before releasing them. Due to these acts of kindness, Angida was able to attain bodhi or nirvana. In Chinese art, Angiha is sometimes depicted as Budhai; being rotund, mirthful and carrying a bag.
Gautama Buddha – The historical Buddha, Siddhartha Gautama lived during the 6th century B.C.E. in India, Nepal and much of southeast Asia. Here, Gautama is shown as being tall and slender in appearance. Whereas in China and other areas, Budai is consistently shown as being short and rotund. Both of these descriptions have been noted as being the idealized imagery of the different religions, cultural and folkloric traditions of the countries and regions after the two monks’ deaths. Many Westerners too, often confuse Budai with Gautama and Budai often does get equated or replace Gautama.
Maitreya – The Future Buddha
Budai is identified or seen as an incarnation of Maitreya, the future Buddha. In China, Budai’s image is often the main used to depict Maitreya. Among the Japanese, Maitreya is known as Miroku. There is a Buddhist hymn that Budai is to have spoken at his death that identifies him with Maitreya:
Maitreya, the true Maitreya
has billions of incarnations.
Often he is shown to people at the time;
Other times they do not recognize him.
Mi-Lo-Fo – As Hotei, Budai is often confused with the Buddhist deity known as Mi-lo-Fo.
Pu-Tai – A Chinese monk that Budai came to be associated with, who due to their good nature, was seen as the incarnation for the bodhisattva or future Buddha, Maitreya. Due to how Pu-Tai is also portrayed with having a large, rotund belly, its easy to see how he came to be known as the Laughing Buddha and connected to Budai.
Chan, Seon And Zen
Chan is Chinese, Seon is Korean and Zen is Japanese, all three are the same philosophy.
The following koan, or short story is often told about Budai. One day, Budai was out traveling, giving candy to poor children. He would only a penny from any monks or lay practitioners he met with. One day, a monk approaches Budai and asks: “What is the meaning of Zen?” (Or Chan or Seon). Budai responded by dropping his bag. The monk continued with his questions. “How does one realize Zen?” At that, Budai picked up his bag and continued on his way.
Budai is greatly admired for his congenial and jovial attitude, along with his generosity and philosophy of contentment.
One of the most persistent and popular beliefs is that of rubbing the statues of Budai to bring wealth, good luck and even prosperity.
Japanese Religion & Folklore
In Japan, Budai becomes known as Hotei who was a Buddhist monk that lived during the 16th century. Like Budai, Hotei is still greatly associated with laughter and being called the Laughing Buddha. Chinese legend holds that Hotei had been a real person, whose name was Kaishi. While the date of his birth is unknown, Hotei death is given as being March 916. The Japanese began to believe in Hotei during the Edo era. Hotei was once a Zen priest who appearance and actions didn’t go along with his fellow Zen priests. He always looked like he was up to mischief and never had a permanent place to sleep. Hotei had no desire to be a Zen Master or to gather a following of disciples. He was known for walking the streets with a sack full of candy, fruits and doughnuts that he would give out to children. His bag would also hold the fortunes for those who believe in him. Among the Chinese, he is nicknamed: Cho-Tei-Shi or Ho-Tei-Shi, which means “bag of old clothes.”
According to Japanese legend, before Zen Buddhism came to the islands, another Buddhist philosophy of questionable aesthetics was prevalent. This philosophy originated with the priest Miroku. Miroku was the patron of those who couldn’t be saved by the beliefs of Buddha. Later, Hotei’s arrival was seen and accepted by the Japanese as a second Miroku.
Laughter – This is Hotei’s essence and teachings, he used laughter to impart wisdom. This was not the laughter of laughing at jokes or making fun of others. Hotei would laugh at himself and laugh for the mere celebration of life and existence, for the joy of life. Hotei has no other philosophy, scriptures, dogmas, ideologies or any other precepts to teach. Hotei’s laughter is considered a form of meditation, to experience the joy of living and to just be living and being present in the moment.
People would gather around Hotei as at first, they thought he was mad with how often he laugh and his laugh was known for being infectious in that others would soon laugh along with him. Such was Hotei’s laughter that people would cease to be judgmental or ask questions about enlightened. People would wait for Hotei and his laughter as they found it to have a purifying quality to it that would impart a deep sense of well-being.
One story about Hotei has a villager finding him sitting beneath a tree with his eyes closed. When the villager asked why Hotei wasn’t smiling or laughing, Hotei answered that he was preparing, preparing himself for laughter as he needed go within, forget the world without and recharge himself with rest. Once he was well rested, Hotei would be ready to laugh again.
Thailand Religion & Folklore
Phra Sangkajai – Also spelled Phra Sangkachai. Budai is sometimes equated with the monk Phra Sangkajai. Both Budai and Phra Sangkajai can be found Thai and Chinese temples. Though Phra Sangkajai can be found more often in Thai temples and Budai in Chinese temples. While very similar in appearance, Phra Sangkajai is distinguished from Budai in that he has a thin trace of hair while Budai is bald. Their styles of dress are also different, Phra Sangkajai is dressed in robes folded across one shoulder, with the other bare. Budai’s robes are clearly a Chinese style that covers both of his arms and front part of his upper body uncovered.
Phra Sangkajai is credited with composing the Madhupinadika Sutra. Buddha is said to have praised Phra Sangkajai for his excellence and understanding with explaining the more sophisticated dharma in easy and correct, understandable manners.
A folk story about Phra Sangkajai tells how he was so handsome, that a man once wanted to marry Phra Sangkajai and take him for a wife. To avoid this situation, Phra Sangkajai changed his appearance to that of a fat monk. Another story tells how Phra Sangkajai was found to be so attractive, that both men and angels would compare him to the Buddha. Phra Sangkajai considered this inappropriate, changed his body so he would be rather fat.
First off, Yiguandao is a folk religion out of China that got started around the late 19th century.
In many Yiguandao shrines, statues of Budai or Maitreya as he is known can be found. In Yiguandao, Maitreya represents a number of teachings such as: contentment, generosity, wisdom and open kind-heartedness. It is believed that Maitreya will succeed Gautama Buddha as the next Buddha and help people to realize their own spiritual essence within that connects everyone.
Shichi Fukujin – Seven Lucky Gods
In Japan, the Seven Lucky Gods or Seven Gods of Fortune, known as Shichi Fukujin are believed to granters of good luck and fortune. The Shichi Fukujin are often depicted in Japanese art and engravings known as netsuke. While many of the Shichi Fukujin are believed to be mythical in nature, one Shichi Fukujin is a known historical figure. Over the course of Japan’s history, the Shichi Fukujin became more associated with specific professions and aspects. Many of these same gods also originate from different countries and religions such as Hinduism and India to Chinese Buddhism and Taoism before coming to Japan. There are also seven Shichi Fukujin as seven in Japan is a lucky number.
While the gods had been worshipped for over a thousand years, mainly by merchants, they were first collectively called the Shichi Fukujin in 1420 C.E. It’s believed the Buddhist priest Tenkai arranged and selected these deities after talking with the shogun, Iemitsu Tokugawa. The selection was based on the following virtues of: longevity, fortune, popularity, sincerity, kindness, dignity and magnanimity.
Benzaiten – Often claimed as the only female deity among the Shichi Fukujin, Benzaiten originates in Hinduism where she had been the goddess Saraswati. Other names for Benzaiten are: Benten, Bentensama and Benzaitennyo. When she was adopted into Buddhism, Benzaiten became the associated with talent, beauty and music. Benzaiten is the patron of artists, writers, dancers and geishas. She is often seen as an intelligent, beautiful woman standing before a Torri, carrying a biwa, a traditional Japanese lute-style instrument and is accompanied by a white snake.
Bishamonten – A god originating in Hinduism where he had been the god Kubera and Vaisravana before becoming Bishamonten in Japanese culture. Bishamonten is the god of fortune in war and battles. He is also associated with authority and dignity, the protector of those who follow the rules and hold themselves accordingly. He is the protector of holy sites and other important places. Bishamonten is the patron of fighters and is often shown dressed in armor and helmet, carrying a pagoda in his left hand and a spear in his right hand to battle evil spirits. Bishamonten is also shown with a hoop of fire.
Daikokuten – The god of commerce and prosperity. He was also known as the patron of cooks, farmers, bankers and protected crops. Daikokuten was known too for hunting demons. There is a legend of how Daikokuten hung a sacred talisman from a tree branch in his garden to use as a trap for catching a demon. Daikokuten is often depicted with short legs, perpetual smile and wearing a hat on his head and often carrying a bag full of valuables.
Ebisu – The only purely Japanese god in the group, he is the god of prosperity, wealth in business, abundance in crops, cereals and food. Ebisu is the patron of fishermen and he is often dressed as a fisherman carrying a fishing rod in his right hand and the left holding a fish. Ebisu’s figure can often be found in restaurants where fish is served or in kitchens.
Fukurokuju – Originating in China, Fukurokuju is believed to have once been a hermit who lived during the Song dynasty. Fukurokuju is seen as the reincarnation of the Taoist god Hsuan-wu. As a god, Fukurokuju is the god of wisom, luck, longevity, wealth and happiness. In addition, he is thought to be one of the Chinese philosophers who could live without eating and was able to resurrect the dead. Fukurokuju is noted for having a head that is almost the same size as his body. He is often shown dressed in traditional Chinese attire, carrying a cane in one hand and a scroll containing historical writings. Fukurokuju is often shown being accompanied by a turtle, crow or deer, all animals that represent a long life. With a strong love for chess, Fukurokuju is also the patron of chess players. Fukurokuju, along with Jurojin both overlap with their origins with the Chinese Taoist god Nanjilaoren. Due to this overlapping, Fukurokuju’s position as one of the Shichi Fukujin is sometimes given to the goddess Kichijoten in the Butsuzozu compendium.
Hotei – This is the Japanese name for Budai. As Hotei, he is the god of fortune, the guardian of children, happiness, laughter, popularity and the patron of diviners and barmen. Hotei is often shown as a fat, smiling bald man with a curly mustache. Because he is so fat, Hotei is often shown as being half naked as his clothes aren’t quite big enough to cover his large belly.
Jurojin – Like Fukurokujin, he has his origins in the Chinese Taoist god Nanjilaoren. He is the god of the elderly and longevity in the Japanese Buddhist mythology. Jurojin is believed to be based on a real person, he was very tall, 1.82 meters with a very long head, much like Fukurokuju. Aside from his elongated skull, Jurojin is also shown to have a long white beard and rides a deer and is sometimes accompanied by a crane and tortoise, all animals that represent a long life. Jurojin is sometimes shown sitting under a peach tree, another symbol of long life. In one hand, he holds a cane, in the other he holds either a book or scroll containing the wisdom of the world. Jurojin is known to enjoy rice and wine and has a rather cheerful disposition. Finally, Jurojin is an incarnation of the southern polestar.
Kichijoten – Also known as Kisshoten or Kisshoutennyo. Kichijoten was adopted into Buddhism from the Hindu goddess Lakshmi. Kichijoten is shown holding a Nyoihoju gem in her hand. The Butsuzozu compendium from 1783 lists and has Kichijoten replace Fukurokuju as one of the seven Shichi Fukujin. By this accounting, Daikoku is portrayed as being feminine and all three of the Hindu Tridevi goddesses are seen represented among the Shichi Fukujin.
Etymology: Originating in the Old Norse, Þórr or þunraz, meaning: “Thunder.”
Alternate Spelling: Þórr (Old Norse), ðunor (Old English), Thorr, Thunor, Thonar, Donar (Old High German/ Teutonic), Donner, Thur, Thunar (Old Saxon), Thuner (Old Frisian) or Thunaer
Other Names and Epithets: Thor is known by a number of names and epithets in Norse mythology, poetry and literature.
Tor, Ásabragr (Asabrag, Æsir-Lord), Ása-Þórr (Asa-Thor Æsir-Thor), Atli (The Terrible), Björn (Bjorn, Biorn Bear), Einriði (Eindriði, The One who Rides Alone, The One who Rules Alone), Ennilangr (Ennilang, The One with the Wide Forehead), Harðhugaðr (Hardhugadr, Strong Spirit, Powerful Soul, Fierce Ego, Brave Heart), Harðvéurr (Hardveur The Strong Archer), Hlóriði (Hlórriði, The Loud Rider, The Loud Weather-God), Öku-Þor (Oku-Thor, Ukko-Thor, Cart Thor, Driving Thor), Rymr (Rym, Noise), Sönnungr (Sonnung, The True One), Véþormr (Vethorm, Protector of the Shrine), Véuðr (Véuðr, Véoðr, Veud, Veod), Véurr (Veur, Guard of the Shrine, Hallower), Vingþórr (Vingthor, Battle-Thor, Hallower), The Thunderer and many others
Thor, the Germanic god of Thunder is found in many Germanic mythologies such as the Teutonic and Norse mythos! Much as I love the Marvel version, what follows will be the proper mythological versions of the legend.
Among the Norse, Thor was a very popular deity who even surpassed the worship of his father Odin. As a god of thunder, strength and war, Thor protected both gods and mortals against evil.
Day of the Week: Thursday
Element: Air, Earth
Patron of: Farmers, Sailors, Common Man, Warriors
Sphere of Influence: War, Protection of Mankind, Sky, Rain, Strength, Fertility, Hallowing, Healing, Thunder, Lightning, Storms
Symbols: Hammer, Swastika
Not the Marvel comic character of Thor who is blonde and muscular.
In Norse mythology, Thor is described as a large man with red hair and beard that gives off sparks when he’s angry. Further, he is described as having a wide forehead and fierce looking eyes. Thor is also known for not being very smart and having an insatiable appetite, he however, is always dressed for battle.
Another important aspect to Thor is that he is known for being able to change his size. Due to how hot and heavy he is, Thor is unable to cross the Bifrost bridge. He has to wade through the Northern Sea and enter Asgard the long route.
While Thor is known to be overly hasty in his judgments, is a reliable friend and battle companion who will have people’s backs.
What’s In A Name? – Syno-Dieities!
For one, the Romans, as they did with many other cultures that they encountered would equate their gods with those, whom they had in many cases, just conquered. In the case of Thor, while the Norse may not have ever been fully conquered, the Romans saw their god, Jupiter, a god of lightning and thunder in Thor. If the Romans weren’t equating Thor with Jupiter, they were equating Thor with Hercules. Other Indo-European gods equated with Thor have been the Celtic god Taranis, the Baltic Perkunas, the Estonian Taara, the Finno-Ugric Tiermes and Tordöm or Torum, the Slavic Perun and even the Hindu god Indra.
There were several Germanic cultures with incredibly similar mythologies throughout Europe at the time. So many of the deities were often extremely similar in function and myths. The Anglo-Saxons knew Thor by the name of Thunor. In Old English, Thor is known as Þunor where it becomes Donar in the Old High German or Teutonic mythos. Donar is thought to originate from the Common Germanic word Þunraz, meaning “thunder.”
During the Viking Age, many personal names using some form of Thor began to appear and be recorded with increasing frequency. It’s thought that the increased usage for the name Thor was in direct response to the growing Christian religion and resistance to it.
Donar – This is the South German or Teutonic name for Thor. The first record of this name was found on a piece of jewelry dating from the 7th century C.E. during the Migration Period of the Germanic people.
Donar Oak – In the 8th century C.E., there is an account how the Christian missionary, Saint Boniface knocked down an oak tree dedicated to “Jove” in Hesse, Germany.
Indra – A Hindu god, many have pointed towards both Thor and Indra having red hair and Scholars have compared the slaying of Vrita, a demon serpent by Indra with Thor’s battle with Jörmungandr, the Midgard Serpent.
Thunor – this is the Anglo-Saxon storm god and name for Thor.
Germanic Origins & Worship
Thor finds his roots in the Proto-Indo-European religion. He is a very prominent god who is mentioned many times throughout the history of the Germanic peoples from the Bronze Age, to the times of Roman occupation, to their expansions during their Migration Period, to seeing the height of his popularity during the Viking Age and persisting even during the Christianizing of Scandinavia.
Even into modern times, Thor is still found in the rural folklore in many Germanic regions. Many Nordic personal and place names often contained Thor’s name.
A hypothesis put forward by Georges Dumézil for the old Indo-European religion says that Thor represented strength when comparing him to the Hindu god Indra. However, it’s noted that many of Indra’s functions have been taken over by Odin.
Scholars have taken note of Thor’s association with fertility, especially as seen in later folklore where Thor is referred to as Sami Hora galles, the “Good-man Thor.” The equation is made as peasants seeing the side-effects of Thor’s aerial battles in the heaven that bring rain. Which makes sense when seeing Thor as a storm god, fertility would be a side-effect. Further proof is pointed in Thor’s marriage to Sif of whom not much is known about, but may very well be a memory for the divine marriage between the primary Sky God and Earth Goddess.
I’m not sure how much I agree with, but when you’ve got people wanting to connect everything, okay….
What is more practical and pointed out is Thor’s primary and principle function as the god of the second class, common man. Archaeological evidence points towards a three-tiered social hierarchy among the Norse. The first being the nobility and rulers, second being the warriors and the third being the farmers, commoners and everyone else. Thor was primarily the god of warriors and due to his being a storm god, easily stood for the farmers and commoners. As a result, Thor became the most important of the Norse gods, especially during the Viking Age as the lines between the second and third classes began to blur as social changes among the Germanic peoples.
Odin, who was the principle god for the first class appealing to the nobles, rulers, outcasts and anyone who was considered elite. Odin was often seen at odds with Thor as seen in many of the Eddas. One episode has Odin taunting Thor how Odin’s warriors are the nobles who fall in battle and that the thralls who fall in battle belong to Thor. Another episode has Odin blessing a favored hero of his, Starkaðr. For every blessing that Odin would impart, Thor gave a matching curse for Starkaðr.
This is an example of place names containing the name for Thor, but later forgotten as Christianity replaced the older Pagan religions.
In Kentish royal legends from about the 11th century C.E., there is a story of a reeve of Ecgberht of Kent known as Thunor. He was seen as being so wicked that he was swallowed up by the earth at a place known as þunores hlæwe or “Thunor’s Mound.
Thor’s hall of Bilskirnir is found in the region of Thrudheim (or spelt Thruthheim and Þrúðheimr), meaning: “Land of Strength.” Another place known as Þrúðvangr is mentioned as one of Thor’s abodes.
One of Thor’s temples located in Gamla Uppsala, Sweden, here, there is a statue showing Thor wielding a mace with Odin and “Fricco” standing to his right. Uppsala was replaced by a Christian church in 1080 C.E. Priests were appointed to each of the gods who offered up sacrifices. Sacrifices to Thor were only made during times of famine and plague.
Parentage and Family
Odin – Not just Thor’s father, Odin is also The All Father in Norse Mythology
Jord – Mother and Earth Goddess
Sometimes, Thor is said to the son of either Fjorgynn, also an Earth Goddess or Hlodyn.
Frigg – Thor is sometimes portrayed as Frigg’s stepson.
Sif – Wife, a fertility goddess
Jarnsaxa – “Iron Cutlass,” A Jötunn and Thor’s Mistress. I guess that means Thor was in a polyamory relationship.
Thor is the oldest of several brothers.
Baldr, Höðr, Víðarr, Váli, Hermóðr, Heimdallr, Bragi, Týr
Thrud – Also spelled as Þrúðr. She is likely a Valkyrie. Thor’s daughter with Sif
Magni – Thor’s son with Járnsaxa
Modi – Thor’s son with an unknown mother.
Ullr – Thor is the stepfather to this god of hunting.
Attendants of Thor
Thialfi – Not only Thor’s servant, but the messenger for the gods.
Þjálfi and Röskva – A pair of mortals, brother and sister who accompanied Thor as they ride around in his chariot.
Aesir Versus Vanir
The Aesir gods and Vanir gods of Norse mythology were two different tribes of gods who at first fought each other then started working together.
Thor belongs to the Aesir tribe of gods.
Thursday – Eight Days A Week!
In Western culture, the fourth day of the week is called Thursday or Thor’s Day, named after and for Thor himself. In Old English, this name is Thunresdaeg or Thunor’s Day. In German, the name of this day was known as Þonares dagaz or Donnerstag, meaning: Donar’s Day. Others believe the name of Thursday derives from Jupiter Tanarus, the Thundering Jupiter. In this case it’s taking the name of a Celtic deity and attaching them to a Roman god.
Interpretatio Germanica – This was a practice used during the time of the Romans when the Germanic people adopted the Roman weekly calendar and simply replaced the names of the Roman gods with their own. It easily explains how the Roman calendar and Dies Iovis, “Day of Jupiter” becomes Thursday, “Thor’s Day.”
God Of Thunder & Lightning
Thor is best known as a god of the sky and thunder among the Norse. Since thunder & lightning often mean rain, Thor is also the god of agriculture and fertility.
The 19th century scholar Jacob Grimm wrote how a number of phrases in the Germanic languages refer to Thor. Phrases such as: Thorsvarme meaning “Thor’s Warm” in Norwegian used to describe lightning; godgubben åfar meaning “The good old fellow is taking a ride” in Sweden along with tordön, meaning: “Thor’s rumble” or “Thor’s thunder” to describe when it thunders. According to Montelius, thunderbolts were known as Thorsviggar.
In Scandinavia, there is a folk belief that lightning will frighten away trolls and jötnar. This is likely a reflection of Thor’s pen chance for fighting giants. The evidence for a lack of trolls and ettins in Scandinavia is given that it is due to Thor’s accuracy and proficiency with his lightning strikes.
Once upon a time, this symbol was a protective religious symbol. While many who are already familiar with the history of this symbol are familiar with the sun or solar wheel. The swastika was also associated with Thor as this symbol was thought to represent Mjollnir or lightning.
As a protective sigil, it had been worn by women and archaeological searches have found the swastika depicted on many women’s graves. It’s thought to have been used by warriors too as it represented Thor’s lightning and used alternatively with a hammer symbol when going into battle. The symbol has been found on many memorial stones throughout Scandinavia next to inscriptions for Thor and a sword was found with an image of the swastika on the pommel. This symbol appears in many places on many Germanic artifacts dating from the Migration Period and Viking Ages.
God Of Craftsmanship
As a god of craftsmanship, it also made him the common man’s god from farmers to sailors.
God Of Healing
A Canterbury Charm dating from the 11th century C.E. has a runic inscription calling upon Thor to heal a wound by banishing a þurs or thurs.
In the Elder Futhark, the rune ᚦ or Thurs may have likely referred to dark magic or an evil spirit often called trolls or nisse.
God Of Protection & Strength
For the Germanic peoples, Thor represented the very archetype of the loyal and honorable warrior that warriors would aspire to. He was the defender of Asgard and the Aesir gods, protecting them from the jotuns, their enemies.
Going hand in hand with his role as protector is Thor’s great strength. Without his strength, power or even courage, Thor would not have been able to do his job as a protector of the gods, Asgard and Midgard. Sure Odin and Loki have the brains, it was often Thor with his brawn leading the way to muscle past faceless hordes of jotuns, ogres and trolls to defend everyone while the brains of the operations got their plans working.
A Kvinneby amulet dating from the 11th century C.E. has a runic inscription invoking protection from both Thor and his hammer.
As a weather god, Thor would also protect sailors traveling over the seas.
I find it interesting that Thor specifically is a deity noted for hallowing, that is to make something or someplace sanctified, sacred or holy. I suppose any deity can and do so, just not so explicitly like this.
As many called on Thor for protection and defense, for comfort, it does make a certain sense that he does bless items and places. A number of runic inscriptions found at many archeological sites all testify this. Even weddings were blessed by Thor as seen in the use of a hammer placed on a bride’s lap during marriage ceremonies. Early Icelandic farmers were known to call upon Thor to bless their plot of land before they built or planted crops.
Often Thor’s hammer, Mjollnir was used for blessing and hallowing just as often as he would use it to destroy. So, if he is seen as having the power to banish or destroy, having the power for just the opposite of hallowing is a given.
Interesting, some sources cite December fifth or even December 25th as the day for Thor’s birth. Imagine that, the same day for Saint Nicholas’ Day (December fifth) and Christmas (December 25th).
Mjollnir – Thor’s Hammer
Meaning “Destroyer” or “Crusher,” Mjollnir is represented as a stylized hammer. Whenever Thor threw Mjollnir, lightning would flash. The hammer would return to Thor’s hand after being thrown, a move symbolic of lightning. The myths describing Mjollnir say it could crush mountains. Mjollnir was crafted for Thor by the dwarven brothers Sindri and Brokkr.
In addition, Mjollnir held another power, that of returning the dead to life. In connection to Thor’s association to fertility and life, there was an old Nordic tradition of placing a hammer in a bride’s lap at her wedding and that of raising a hammer over a newborn.
Mjollnir’s Origins – Loki, the Norse god of trickery was in a rather mischievous mood, deciding it would be a good idea to cut off all of Sif’s hair. With Sif being Thor’s wife, the might god of thunder was not amused one bit. He swore to break every bone in Loki’s body to defend Sif’s honor and Loki pleaded with Thor to let him go to the caves of the dwarves to see if they could help fix the problem of Sif having no hair.
Loki went to the dwarven home where he implored the dwarf, Ivaldi to fashion some new hair for Sif. Ivaldi’s sons crafted a wig composed of the finest strands of gold. In addition, the dwarves made two other gifts, a ship that could easily fold down into a person’s pocket and would always have wind to move it and a magnificent, yet deadly spear.
Seeing these, Loki made a wager with two dwarven brothers, Sindri and Brokkr, betting his own head that the brothers couldn’t craft three gifts of their own for the gods that would be greater than what Ivaldi’s sons had crafted.
As the brothers began working at their forge, Loki shape-shifted into a fly as he attempted to interrupt their work to try and win the bet. While crafting the last gift, a hammer, Loki succeeded at interrupting the brothers enough that the handle of the hammer was too short. Despite this, the hammer was still considered the best of all of the gifts created and it was presented to Thor as he was the only one capable of welding it.
Holy Symbol – This major symbol of Thor’s has appeared in a many archaeological sites in iron, silver and other metal. Hammer shaped amulets were worn as necklaces by worshipers and followers of Thor, even during the Christianizing of Scandinavia as a means of defiance to the incoming religion. Both crosses and hammer shapes have been found side by side at archeological and burial sites.
Megingjard – Belt Of Strength
Meaning “Strength Increaser,” this is another of Thor’s mystical items and regalia. This belt doubled his already considerable strength while wearing it.
Járngreipr – Iron Gloves
These gloves were given to Thor by the female Jotunn Gríðr to defend himself against the giant Geirröd. These gloves were needed when Thor wielded Mjollnir.
An unbreakable staff provided by the female Jotunn Gríðr to defend himself against the giant Geirröd.
Thor rode around the heavens in a chariot pulled by two goats. These goats’ names are: Tanngnjostr (Teeth-Grinder) & Tanngrisnir (Teeth-Barer or Gap-Tooth.) Thor would kill and eat these goats, after which, they would be resurrected by placing their bones back within their hides. The Old English expression of: þunnorad (“thunder ride”) is likely an allusion to Thor riding around in his chariot.
Thor Versus Giants
The giants or Jotun lived in Jotunheim, one of the nine worlds of Norse mythology. The Jotun of were the main enemies of Thor whom he would strike down by hitting them on the head. While many of the dealings between the gods and Jotun were often civil, the fights and battles were frequent. Thor would lead the charge against the Jotun as he rode his chariot and swinging around his mighty hammer. The lightning and thunder seen during storms were believed to be Thor fighting the Jotun on behalf of the mortal realm of Midgard.
In Norse mythology, the jotun represented the forces of chaos, destruction and entropy that would destroy all of Midgard and the Cosmos if Thor and the other gods didn’t keep them in check.
Half-Giant – Well… more like three-quarters giant really. It seems a little odd that for all that Thor is the protector of the Aesir and Asgard, that Thor is three-quarters giant himself. Odin, his father is a half-giant and his mother, Jord is a giant herself. Despite that lineage, it doesn’t stop Thor or any of the other gods from getting along and standing against the jotuns.
Thor Versus Geirrod – In this story, Loki had been flying around in the form of a falcon when got captured by the jotun, Geirrod. The jotun refused to release Loki unless he could find a way to get Thor to come to his court. Thor did agree, thinking that this would be a peaceful invitation and came without his hammer, Mjollnir.
Along the way, Thor stopped at the home of a friendly female jotun by the name of Grid. She warned Thor how Geirrod really intended to kill Thor. Grid loaned Thor her unbreakable staff, Gríðarvölr.
Finally arriving at Geirrod’s court, Thor was taken to a room where he sat in the only chair present. When Thor sat, the chair began to raise towards the ceiling. Just as Thor was about to be crushed to death, he braced Grid’s staff against the ceiling and pushed his way back to the floor. There were two loud cracks and screams that followed. When Thor looked to see the source, he saw Geirrod’s two daughter laying there in pain as Thor had broken their backs when forcing himself back to the floor as they had been lifting the chair.
Geirrod rushed into the room in a rage, throwing a molten iron rod at Thor. Undaunted, Thor caught the rod easily and Geirrod in a panic, hid behind a pillar. When Thor threw the rod at the pillar, it not only pierced the pillar, but continued through to impale Geirrod, killing him.
The Sun, The Moon & Freyja – One such story has Asgard, the home of the Norse gods getting damaged during a war between the gods. One of the Jotun offered to help rebuild the walls for Asgard, vowing to get it done in a short span of time. The gods accepted this offer, believing it would be an impossible task. The gods promised the Jotun a reward of the sun, the moon and the hand of Freyja in marriage. This Jotun nearly finished the task in the stated time period. However, to prevent having to fulfill the gods end of the bargain, Thor killed the Jotun.
Defeated By Utgard-Loki
This is a story that has two parts to it, beginning easily enough one winter when the jotun were causing huge blocks of ice to fall from the sky down into Midgard into people’s homes and causing vast amounts of snow to cover the fields to prevent planting any crops. As the defender and champion of humanity, Thor journeyed to the realm of Jotuneim with Loki and a couple of other companions.
Part One – Thor Versus Skrymir – In this first part, Thor and Loki met the Jotun known as Skrymir. This giant was so immense, that Thor and his companions mistook him for a hill. There was an oddly shaped mansion that the group found and decided to sleep in for the night. In the morning the group discovered that this mansion was actually one of Skrymir’s gloves. When the group awoke n the morning, they realized what they had taken for a hill was actually the giant, Skyrimir still asleep. Thor tried to crush in the Jotun’s skull with his hammer, Mjollnir. In response, Skrymir merely brushed the blow away as if it were nothing but a fly or leaf.
Despite the efforts of Thor to murder Skyrimir in his sleep, when the giant awoke, he offered to lead the group on their way to Utgard, a city of the jotun.
Part Two – Visiting Utgard – Skrymir led the group to the jotun city of Utgard where the group lost sight of Skrymir and was greeted by a group of jotun, including the king himself, Utgard-Loki. Given the general animosity between the gods and jotun, it’s no surprise that Thor, Loki and their other companions were not welcomed, unless of course they could complete a series of seemingly impossible challenges.
Loki was challenged and lost an eating contest when his opponent not only ate all the meat, but the bones and plate itself. Thialfi, one of the companions with the group, lost a series of three footraces.
It now fell to Thor to fulfill three challenges. As Thor boasted he could drink anyone under the table, a large drinking horn was brought to him with the challenge to finish it all in one gulp. After taking three huge swallows, Thor had only managed to drain the horn a few inches.
With the next challenge, Thor boasted his immense strength and Utgard-Loki challenged Thor to pick up a cat off the ground. After three attempts at moving the cat, Thor was only able to succeed at moving one paw.
Enraged by this, Thor accepted the last challenge of a wrestling match with anyone willing to match strength with him. The only one who would, was an old, frail looking woman. Thinking this would be easy, once again Thor was met with defeat at the hands of a feeble opponent who easily bested the mighty god, bringing him to his knees.
After this, Utgard-Loki declared the contests over and allowed the gods to stay the night and rest before returning home in the morning.
Come daylight, Utgard-Loki led the group out of Jotunheim. Once they were well past the borders, Utgard-Loki revealed himself to have been the giant, Skrymir who lead them to the city. Utgard-Loki proceeded to reveal the secrets of all of the challenges that Thor and his companions undergone.
Loki had been competing with fire, that burns and consumes everything it touches. That Thialfi’s opponent was thought, whom no one can outrun. As to Thor, the drinking horn he had drunk from was connected to the ocean and that he had succeeded in lowering the sea levels. The cat that Thor had tried lifting was none other than Jormungand, the Midgard serpent that encircles the world. As for the old woman, she was Age itself whom no one can defeat. That no matter how fiercely and bravely Thor fought her, even he would fall to her.
Angry at being tricked, Thor raised his hammer Mjollnir only to have the king of giants and his city vanish into thin air.
Thor Versus Hrungnir – One day Odin was out wandering near Jotunheim when he meets the jotun, Hrungnir. Odin challenged the jotun to a horse race back to Asgard. While Odin still won the match, he invited the jotun, Hrungnir to stay for dinner. During the dinner, Hrungnir gets drunk and boasts about how he could destroy Asgard and keep the goddesses as his concubines, including Thor’s own wife, Sif.
Needless to say, Thor didn’t take too well to this boasting and challenged Hrungnir to a fight. The jotun agreed and as Hrungnir had brought no weapons, they went back down to meet up near Jotunheim.
Before getting there, the other jotuns crafted a huge clay figure, some 30 miles high and 10 miles wide whom they brought to life. This clay figure would be Hrungnir’s right-hand man during the upcoming fight.
When Thor arrived, he was unfazed by seeing Hrungnir’s massive clay figure fighting beside him. Using his own trickery, Thor sent his own servant to keep the clay figure busy while Thor battled Hrungnir. When Hrungnir threw a giant whetstone, Thor responded with hurling his hammer, Mjollnir that broke the stone in half before continuing through to smash in Hrungnir’s head.
The Poetic Edda & Other Sagas
Much of what we know about Thor and the other Norse deities comes from the surviving Poetic Edda that was compiled in the 13th century C.E. It is a collection of various poems as follows: Völuspá, Grímnismál, Skírnismál, Hárbarðsljóð, Hymiskviða, Lokasenna, Þrymskviða, Alvíssmál, and Hyndluljóð.
Alvíssmál – In this poem, Thor manages to trick the dwarf, Alviss. When the story starts, Thor meets the dwarf, Alviss who is talking about marriage. Finding the dwarf to be ugly and repulsive, Thor comes to realize that it is own daughter, Thrud who is to be married. Further angered, Thor learns that this marriage was arranged by the other gods while he was away. Alviss however, must still seek Thor’s consent.
In order to get Thor’s permission, Alviss must tell Thor all about the worlds that he has visited. It becomes a rather long question and answer session as Alviss goes into detail about the terrains, different languages of various races and a goodly amount of cosmology.
This long question and answer session is nothing more than a delay tactic by Thor. While Thor comments that he has never met anyone with more wisdom, he has succeeded in delaying Alviss long enough that when the Sun rises, it turns him to stone. Now Thor’s daughter won’t be marrying someone he doesn’t approve. Of course, Thor could have made it easier by simply denying Alviss’ request, but it might have been more problems.
Grímnismál – In this poem, Odin is disguised as Grimnir wherein he is tortured, starved and thirsty. In this state, Grimnir tells a young Agnar about the cosmology of Norse believes, that Thor lives in Þrúðheimr and every day, Thor wades through the rivers Körmt and Örmt and the two Kerlaugar. At the base of the world tree, Yggdrasil, Thor sits as a judge.
Hárbarðsljóð – In this poem, Thor is the central figure. After having traveled “from the east,” Thor comes to an inlet where he tries to get a ride from a ferryman by the name of Hárbarðr (Odin in disguise). The ferryman shouts at Thor from the inlet, being rude and obnoxious. Thor takes this all-in stride at first, keeping his cool. As Hárbarðr becomes more and more aggressive, the two eventually fall into a flyting match.
Flyting? Epic Rap Battles way back in the day. As the match continues, it is revealed that Thor has killed several jötnar (giants) in the east and berserk women in Hlesy (the Danish island of Læsø). Thor loses the match to Hárbarðr and finds himself forced to walk.
It should be noted that the name of Hárbarðr or Harbard means Greybeard.
Hymiskviða – In this poem, Thor is the central character. After the gods have been out hunting and finished eating their prey, they begin to drink. As they drink, the gods decide to “shake the twigs” and interpret what is said. The gods then decide that they will find some cauldron’s at Ægir’s home. Thor gets to Ægir’s home and tells the other god how he needs to prepare a feast for the gods. Annoyed by this, Ægir informs Thor that he and the other gods will need to bring him a suitable cauldron in which to brew some ale in. Searching to no avail, Thor and the other gods are unable to locate such a cauldron. Tyr tells Thor that there may be a proper cauldron to use at Hymir’s place over east in Élivágar.
Stabling his goats, Thor and Tyr head to Hymir’s hall for a large enough cauldron to meet Ægir’s demands. When they arrive, Tyr see his nine-hundred-headed grandmother and his gold-clad mother who welcomes the two with a drinking horn. Hymir comes in and he’s not happy to see Thor. Tyr’s mother helps with finding a large enough cauldron for Ægir’s need for brewing. Thor in the meantime, eats a huge meal consisting of two oxen (while the others only have one) and then falls asleep.
In the morning, Thor awakens and tells Hymir that he wants to go fishing, intending to catch a lot of fish, but he will need bait. Hymir has Thor get bait from his pasture. Thor does so, going out and rips the head off of Hymir’s best ox. I can see why Hymir isn’t happy with seeing Thor.
There’s a break in the poem and it picks up with Thor and Hymir out at sea in a boat, fishing. Hymir manages to catch a few whales. Thor goes and baits his line with the head of the ox and when he throws it out, it is Jörmungandr, the monstrous sea serpent that takes the bait. Undaunted, Thor pulls the serpent up and slams Jörmungandr’s head with his hammer. Jörmungandr lets out a mighty shriek.
There is another break in the poem. However, other sources have commented that what is likely to have happened, is that Hymir cut the line holding Jörmungandr and he slipped back down into the ocean. This incident is also probably the source of the enmity between Thor and Jörmungandr at Ragnarok when the two kill each other.
The poem picks back up with Hymir completely unhappy and quiet as the two row back to shore. Back at shore, Hymir tells Thor to help him carry one of the whales back to his farm. Thor’s response is to pick up the boat, whales and all to carry them back to the farm.
Back at the farm, Thor smashes a crystal goblet that he throws at Hymir’s head at the suggestion of Tyr’s mother. Thor and Tyr are given the cauldron that they came looking for and while Tyr is unable to lift it, Thor is able to at least roll it along.
After leaving Hymir’s place and getting some distance from the farm, Thor and Tyr are attacked by an army of multi-headed creatures all led by Hymir. Thor kills all of the attacking creatures and presumably Hymir. One of Thor’s goats ends up lame, however Thor and Tyr are successful at bringing back a large enough cauldron for Ægir who is able to brew enough ale for everyone. Clearly the feast is enough of a success that the gods return every winter to Ægir’s place for more ale.
Hyndluljóð – In this poem, Freyja offers the jötunn woman, Hyndla a blót or sacrifice to Thor so that she can be protected. The comment is made that Thor doesn’t care much for jötunn women. Which begs the question of why make the offer? Unless because it was Freyja making the offering, knowing that Thor would honor it?
Lokasenna – In this poem, Loki enters a flyting match the gods in Ægir’s hall. Thor isn’t present for this incident. Towards the end of the poem, as things get more heated, the attention is turned towards Sif, Thor’s wife and Loki makes a bold claim to have slept with her. Beyla, a servant of Freyr’s, interrupt and announces that since the mountains are shaking, it must mean that Thor is on his way home. Beyla continues with how Thor will bring an end to the argument. Loki responds with more insults.
Thor does arrive and tell Loki to keep quiet or else he’ll rip off Loki’s head using his hammer. Loki taunts Thor, asking why he is so angry, he won’t be in any mood to fight the wolf, Fenrir after it eats Odin. All this is about the events of Ragnarok that have been foretold. Thor again tells Loki to keep quiet with a threat to throw the trickster god so far into the sky he would never come back down.
Not daunted in the least, Loki tells Thor how he shouldn’t be bragging about his time in the east as the mighty Thor had once cowered in fear inside the thumb of a glove. Once more Thor tells Loki to keep silent with threats to break every bone in his body. Loki continues the taunts, saying he still intends to live, throwing in references to when Thor had met Útgarða-Loki.
Thor gives a fourth and final demand to Loki for silence or else he would send Loki to Hel. At this, Loki ceases his taunts saying that he will leave the hall, knowing that Thor does indeed strike. The segment of the poem containing Thor ends here, but continues on.
Skírnismál – In this poem, Freyr’s messenger, Skirnir threatens the lovely Gerðr with whom Freyr is in love with. Skirnir’s many threats and curses include those of having Thor, Freyr and Odin himself be angry with her if she doesn’t return Freyr’s advances. I would hope that Gerðr held her ground and said no.
Þrymskviða – Also known as the Lay of Trym, this comedic poem features Thor as a central figure. Thor awakens one morning to discover that his hammer, Mjöllnir is missing. Thor confides in Loki about the missing hammer and that no one knows it’s missing. The two then head to Freyja’s hall to find the missing Mjöllnir. Thor asks Freyja if he can borrow her feathered cloak to which she agrees. At this, Loki takes off with the feathered cloak.
Loki heads to Jötunheimr where the jotunn, Þrymr is making collars for his dogs and trimming the manes of his horses. When Þrymr sees Loki, he asks what is happening among the Æsir and elves and why it is that Loki is alone in Jötunheimr. Loki replies by telling Þrymr how Thor’s hammer, Mjöllnir is missing. Þrymr admits to having taken Mjöllnir and hiding it some eight leagues beneath the earth where Thor will never get it back unless the goddess Freyja is brought to him to be his wife. Loki takes off again, flying back to the Æsir court with Freyja’s cloak.
Thor enquires with Loki if he was successful. Loki tells of what he has found out, that Þrymr took Thor’s hammer and will only give it back if Freyja is brought to Þrymr to be his wife. At this news, Thor and Loki return to Freyja to tell her of the news that she is to be a bride to Þrymr. Angry, Freyja flat out refuses, causing the halls of the Æsir to shake and for her famous necklace, Brísingamen to fall off.
The gods and goddess hold a meeting to debate the matter of Þrymr’s demands. The god Heimdallr puts forth the suggestion that instead of Freyja, that Thor should dress as the bride as a way to get Thor’s hammer back. Thor balks at the idea and Loki seconds Heimdallr’s idea, saying it will be the only that Thor can get his hammer back. For without Mjöllnir, the jötnar will be able to invade Asgard. Relenting, Thor agrees to dress as a bride, taking Freyja’s place. Dressing as a maid to the disguised Thor, Loki goes with Thor down to Jötunheimr.
After arriving in Jötunheimr, Þrymr commands the jötnar of his hall to make the place presentable for Freyja has arrived to be his bride. Þrymr then tells how of all of his treasured animals and objects, that Freyja was the one missing piece to all of his wealth.
Disguised, Loki and Thor meet with Þrymr and all of his jötnar. At the feast, Thor consumes a large amount of food and mead, something that is at odds with Þrymr’s impressions of Freyja. Loki, feigning the part of a shrewd maid, tells Þrymr how that is because Freyja had not eaten anything for eight days in her eagerness to arrive. Þrymr decides that he wants to kiss his bride and when he lifts “Freyja’s” veil, fierce looking eyes stare back at him. Again, Loki says that this is because Freyja hasn’t slept either during the past eight nights.
A poor sister of the jötnar arrives, calling for the bridal gift from Freyja if she cares anything at all for the jötnar. The jötnar then bring out Thor’s hammer, Mjöllnir in order to sanctify the bride as they lay it on “Freyja’s” lap. Þrymr and Freyja will be handfasted by the goddess Var. When Thor sees his hammer, he grabs hold of Mjöllnir and proceeds to beat all of the jötnar with it. Thor even kills the poor sister of the jötnar. Thus, Thor gets his hammer back.
Völuspá – In this poem, a dead völva tells the history of the universe and the future to Odin in disguise about the death of Thor. The völva foretells how Thor will battle with the Midgard serpent during the great mythical battle known as Ragnarok. How after slaying the serpent, Thor will only be able to take nine steps before dying from the serpent’s venom.
After the battle, the sky turns black before fire envelops the world, the stars vanishing, flames dancing across the sky, steam rising and the world becoming covered in water before it raises again, once more green and fertile.
The Prose Edda & Other Sagas
Not to be confused with the Poetic Edda, the Prose Edda consists of four books: Prologue, Gylfaginning, Skáldskaparmál, and Háttatal written by Snorri Sturluson.
In the Prose Edda, Thor is a prince of Troy, the son of King Memnon by Troana, the daughter of Priam. In this account, Thor is also known as Tror who is to have married the prophetess Sibyl, identified with Sif. It continues that Thor was raised in Thrace by the chieftain Lorikus whom Thor later kills and takes on the title: King of Thrace. Like later Marvel versions of Thor, this version of Thor also has blonde hair.
Snorri Sturluson explains how the name of the Aesir gods means: “men from Asia” and that Asgard was an “Asian City” that is, Troy. Given that Troy is located anciently in Tyrkland (Turkey) and is part of Asia Minor, that explanation works. So Asialand or Scythia is where Thor is to have founded a new city by the name of Asgard. Odin in this version is a descendant of Thor by twelve generations, who leads an expedition across Germany, Denmark, Sweden and Norway.
If Snorri can play around with Thor’s mythology, so can Marvel comics.
This is another of Snorri Sturluson’s books, written in the 13th century C.E. Statues attributed to Thor are found mentioned in a number of different sagas. Namely the Ynglinga saga, Hákonar saga góða, Ólafs saga Tryggvasonar, and Óláfs saga Helga sagas. In the Ynglinga saga, Thor is described as having been a pagan priest who was given by Odin, another powerful, magic using chieftain to the East, a place in the mythical place of Þrúðvangr, that is now Sweden. A number of popular names for Thor likely originate from the Ynglinga.
Ragnarok – Twilight of the Gods
The final end game of the Norse Gods, this not exactly a happy time as a good many of the gods end up dying.
Jormungand – On the day of Ragnarok, Thor would kill the Midgard Serpent known as Jormungand and then die in turn from the serpent’s poison. Thor’s sons, Magni and Modi would inherit the hammer. Though just how they would split it between them is unknown.
Norse Versus Christianity
Dating from the 800’s C.E., there’s a story how a bunch of priests of Thor had shown up at a Christian monastery of monks. Apparently, word had gotten around and the priests of Thor weren’t happy with how the monks their God were transgressing on Thor’s territory.
The priests of Thor were considering wiping out all of the monks, but knew if they did that, more monks and followers of Christianity would soon arrive.
Thor’s priests then decided on a pretty clever plan, let the gods fight it out for who would be the supreme deity. Thor’s priests were very confident that Thor would show up, leaving the Christian monks to have their God show up. The monks declined the challenge.
It’s an interesting story of people so certain in the reality of their faith and deities.
Old Saxon Baptismal Vow
This codex dating from the 9th century C.E. has the names of three Old Saxon gods, UUôden (Old Saxon “Wodan”), Saxnôte, and Thunaer, listed as demons to be renounced by the Germanic pagans converting to Christianity.
This is a specific breed of fox found in Iceland. The name translates to “Thor of the Holt” and receives the name due to their red coats.
Thorwiggar – Thor’s Wedges
In Swedish folklore, these are smooth, wedge-shaped stones that were thrown by Thor at a troll.
In a similar vein, meteorites are considered memorials to Thor due to how heavy they are.
On the Swedish island of Gotland, this is the name of a beetle named after the god Thor. It is believed that when this beetle is found upside down, that a person can gain Thor’s favor by flipping the beetle back over.
Unfortunately, in other parts of Sweden, this beetle has become demonized with the Christinization of Europe as seen in the name of Thordedjefvul and Thordyfvel, both of which mean “Thor-Devil.”