Category Archives: Princess
Other names: Snegurka, Snow Maiden, Snowflake, Snow Princess, Niègette, Miss Snow
Etymology: Sneg (Russian) Snow; Snow Maiden, Snowy, Snow Girl, Snowflake, Snow Princess, Niègette, Miss Snow
The character of Snegurochka is a figure found in Russian fairy tales. She is prominently known as being Ded Moroz’s granddaughter and accompanies him at New Year’s to deliver gifts.
Father – Ded Moroz (Father Frost), later he becomes her grandfather.
Mother – Mother Spring or Spring of Beauty. Sometimes, in later stories, the Snow Queen is Snegurochka’s mother.
Soviet Era & New Year’s
Christmas Traditions? – Before the Soviet prohibition on celebrating Christmas, figurines depicting Snegurochka would be used to decorate the Christmas tree. Russian nesting dolls would also feature Snegurochka and her appearance can appear on various items as decoration.
In 1935, when the Soviet government decided to introduce Ded Moroz as the wintertime gift giver for New Year’s, Snegurochka also found herself reintroduced at this time as his granddaughter and accompanies him to deliver gifts.
As Ded Moroz’s granddaughter, Snegurochka dresses in a long silver-blue gown with a furry cap to keep warm. Alternately, she may be seen wearing a snow-flake crown. In this respect, Snegurochka is uniquely Russian as not very many other winter celebratory characters will have a female companion.
Once Upon A Time….
Snegurochka is relatively new to the scene as far as any myths are concerned. She makes her first appearance in Russian folklore and fairytales during the 19th century.
A few people will claim that Snegurochka’s roots and origins lay within Slavic pagan beliefs and mythology.
Despite being relatively new, there are several fairytales, stories and even plays showcasing Snegurochka’s origins.
Spring Ritual – There is mention that in some areas of Russia, there is a spring-time ritual that involves drowning a straw figure in a river or to burn it in a fire to symbolize the turning of the seasons from Winter to Spring.
This folktale was collected and published by Alexander Afanayev in his second volume of “The Poetic Outlook on Nature by the Slavs.” In this tome, Afanayev makes mention of a similar German figure by the name of Schneekind, “The Snow Child.” Andrew Lang called this story “Snowflake” and included it in his “The Pink Fairy Book,” published in 1897.
In the story of Snegurka, there is are childless Russian peasants who make a snow doll that comes to life. The magical child grows quickly and one day, some girls invite her to go for a walk with them into the woods. This particular day is St. John’s Day and as per tradition, the girls make a small fire that they take turns jumping over. When Snegurka’s turn comes, she evaporates into a cloud of mist when she gets halfway over the flames.
The Snow Maiden (Spring Fairytale)
This is another version of story, in this one, Snegurochka is the daughter of Ded Moroz and Spring the Beauty. This version was made into a play by Aleksandr Ostrovsky and music by Tchaikovsky in 1973.
In this story, Snegurochka longs for the companionship of humans. There is a shepherd boy by the name of Lel whom she is fond of. Due to her frozen heart, Snegurochka is unable to truly love him. Eventually, Mother Spring took pity on Snegurochka and softened her heart by giving her a spring wreath or garland to wear that she would be able to love. Once Snegurochka really fell in love with Lel, she melted.
I’ve come across a couple of variations that seek to combine the two above stories into one, longer version. One change is that Father Frost is secretly watching the couple as they create their snow daughter and brings her to life to their delight. Later, when the Spring celebrations are coming, Snegurka wants to go and she is warned by Father Frost to be careful of the warm sunlight and fires. In the village at the celebrations, she meets a young man whom she falls in love with and when she runs out to greet him, she melts on stepping into a bright, sunny patch.
Morozko (Grandfather Frost)
Also known as Old Man Winter, this story tells of a young girl who is sent out into the cold one night by her stepmother. Instead of freezing to death, the young girl is given gifts and warm furs and clothing by Morozko after she is courteous and shows him respect.
The young girl in this story isn’t Snegurochka, but worth noting due to similarities and any slim chance of inspiration for other stories involving her.
Other Retellings, Ballets and Movies
There is a story “The Little People of the Snow” written by the American poet William Cullen Bryant in 1864. In this story, the Snow-Maiden befriends a mortal girl by the name of Eva. When Eva comes to Snow-Maiden’s homeland, she is horrified when Eva freezes to death in her sleep.
“The Snow-Maiden: A Legend of the Alps,” was written in 1876 by an unknown author. In this story, a man traveling through the mountains falls in love with the Snow Maiden named Niègette. When he brings her down to the valley, intending to marry her, she melts reaching the warmer areas.
The composer Ludwig Minkus and Balletmaster Marius Petipa created a ballet of Snegurochka titled: “The Daughter of the Snows” for an Imperial Ballet in 1878. Nikolai Rimsky-Korsakov adapted the story of Snegurochka into the opera “The Snow Maiden: A Spring Fairy Tale” in 1880 thereabouts.
In 1886, Emilia, Lady Dilke wrote the story “The Secret” wherein Snow Maiden kills her lover by freezing him with her gaze. Other plays have included “The Christmas Chain” by Lilian Pearson in 1921 and “Queen Christmas: A Pageant Play” by Carolyn Wells in 1922.
An animated movie of Snegurochka was made in 1952 and a later live-action movie in 1969. The author, Ruth Sanderson has a retelling called “The Snow Princess” where instead of dying, she becomes mortal to marry Lel. Even as late as 2012, a ballad fairy tale called “Snegurocka” was written by Svetlana Makarovic.
Kostroma – In the fairytale that first mentions Snegurochka, this is where she originated. It helps that this is the hometown to Alexander Ostrovsky. As a child, his nanny inspired him with various stories and fairy tales. Ostrovsky’s former home has since become a museum. Further, the love that Kostroma has for Snegurochka is seen every year at New Year’s when the whole city decorates and again in March for a two-day celebration attributed to Snegurochka’s birthday.
Veliky Ustug – Later, when she becomes associated with Ded Moroz, Snegurochka moved here as part of the winter, New Year’s traditions. Veliky Ustyug has become a popular tourist destination for many Russians to travel to Veliky and visit. Ded Moroz’s lives in a log cabin out in the taiga forest near where three rivers meet. Snegurochka can also be found helping out her Grandfather and engaging with visitors.
Other Similar Winter Entities
The Snow Child, mentioned briefly earlier, this is a Germanic story about a boy made of snow who eventually melts. There are a number of various versions to this story, one where an unfaithful wife tells her returning husband that the child she has is the result of having swallowed a snowflake. The husband is angry and when the boy is old enough, he takes the boy with him and sells him into slavery. When the husband returns home, he tells the wife that the child melted in the heat. Other variations of this story will have the children be magical in nature to their snowy origins.
The Snow Queen
Written by Hans Christian Anderson, this story has some similarities to Snegurochka and became very popular with Soviet animators in the 1950’s. In Russian, the Snow Queen is called Snezhnaya Koroleva.
This is this Japanese snow maiden who, much like Morozko, can be very deadly to anyone unfortunate to be caught out in a blizzard. She appears as a calm, pale woman who will sing to people lost in the cold, lulling to them to sleep before she takes their life with her cold, deadly breath. That sounds a lot like hypothermia. At least with being asleep, their death is painless?
Etymology: “mother,” “woman,” “daring one”
Nanna Nepsdóttir is a Norse Goddess best known as the wife of Balder. There is also a Mesopotamian God of the Moon known by the same name, however the two are different deities.
What’s In A Name?
There’s a few different scholarly ideas and debates on what Nanna’s name may actually mean. The idea by some is that Nanna comes from a word that means “mother.” The scholar, Jan de Vries makes the connection of Nanna to the root word nanb- meaning: “the daring one.” Another scholar, John Lindow puts forward the theory that Nanna may come from a common word for “woman.” Then there is John McKinnell who notes that “mother” and variations of nanb- that are not always clear what’s meant. He does suggest that it might have meant: “she who empowers.”
Parentage and Family
Odin – If we follow Nep being a son of Odin.
Frigg – This goddess is mentioned as a mother-in-law to Nanna in the Prose Edda, Skáldskaparmál.
Nep – He is listed as Nanna’s father, as deduced by the surname of Nepsdóttir.
Balder – The Prose and Poetic Eddas both list him as Nanna’s husband.
Hodr – According to the Gesta Danorum, he is Nanna’s husband.
Foresti – The god of Justice, he is Nanna’s son with Balder.
This is Balder’s Mansion or abode in Asgard. Naturally being his wife, Nanna’s lives here with him. Considered the most beautiful of all the halls in Asgard, only the purest could enter it.
This is a comb dating from the either the 6th or 7th century. The comb has runic inscriptions on it that are thought to reference Nanna.
Poetic Edda & Other Sagas
Much of what we know about Nanna and the other Norse deities comes from the surviving Poetic Edda that was compiled in the 13th century C.E. It is a collection of various poems as follows: Völuspá, Grímnismál, Skírnismál, Hárbarðsljóð, Hymiskviða, Lokasenna, Þrymskviða, Alvíssmál, and Hyndluljóð.
Hyndluljóð – In this poem, Nanna is mentioned as the daughter of Nökkvi and a relative of Ottar. This may or may not be the same Nanna who’s Balder’s wife.
The Prose Edda & Other Sagas
Not to be confused with the Poetic Edda, the Prose Edda consists of four books: Prologue, Gylfaginning, Skáldskaparmál, and Háttatal written by Snorri Sturluson.
Gylfaginning – In chapter 38, Nanna Nepsdóttir and Balder are mentioned having a son, the god Foresti. Later, when Balder dies at the hands of Höðr, the blind god, Balder’s body is taken down to the seaside and placed into his ship, Hringhorni. Nanna collapses and dies from grief, her body is also placed within Badler’s ship and the ship light on fire with Thor using his hammer, Mjölnir to hallow the funeral pyre.
A grieving Freya sends the god Hermóðr down to Hel, the Underworld to try and resurrect Balder. Hermóðr arrives in Hel to find both Balder and Nanna sitting in a hall in places of honor. Hermóðr then begins bargaining with Hel to resurrect Balder. After a length of time, the two come to an agreement and Hermóðr leaves Hel’s hall with both Balder and Nanna. Balder presents the ring Draupnir to Hermóðr to be returned to Odin. Nanna presents Hermóðr with a few different gifts: a linen robe for Frigg, a gold ring for Fulla and a numer of other unnamed items. Laden up, Hermóðr makes the return journey to Asgard.
Much as Freya wanted, it would only be after the events of Ragnarök that Balder and Nanna are resurrected and return to the land of the living.
Skáldskaparmál – In the first chapter of this book, Nanna is listed among eight goddesses who are attending a feast for Aegir. Chapter five of this book, Balder is referenced as the “husband of Nanna.” Chapter nineteen continues with another reference of Frigg as the “mother-in-law of Nanna.” Chapter seventy-five has Nanna included in a general list of goddesses. Lastly, chapter eighteen references the skald, Eilífr Goðrúnarson’s Þórsdrápa where a kenning references Nanna as “wake-hilt-Nanna” another name for “troll-wife.”
Written by Saxo Grammati in the 12th century, the third book of this series portrays Nanna a mortal and daughter of King Gevar. Nanna becomes the object of affection by the demigod Balder and the mortal Hodr.
As it goes, Nanna has feelings for her foster-brother, Hodr Hothbrodd. Things won’t go the way the two lovers plan though. Balder, a demigod son of Odin is out and about one day when he espies Nanna bathing. Infatuated with her, Balder learns that another already has Nanna’s heart and he conspires to kill the competition.
The next time Hodr is out hunting, he finds himself wandering through a patch a mist and forest maidens calling out to him by name. They explain that they are able to manipulate fate and appear out on battlefields (that sounds like Valkyries to me). The Valkyries tell Hodr that Balder is interested in Nanna and being a demigod, Hodr won’t stand a chance against him. The Valkyries depart, leaving Hodr standing in an open field.
Undaunted, Hodr returns home where he recounts his story to King Gevar about getting lost in the forest and the Valkyries appearing before him. Not wanting to delay any longer, Hodr then asks King Gevar for Nanna’s hand in marriage.
Much as King Gevar would like to, Balder has already beaten Hodr to it and asked for Nanna’s hand in marriage first. Plus, King Gevar feared Balder’s wrath if he refused, given the demigod nature of Balder. Not all is lost, for Gevar knows of a magical sword that hurt someone like Balder and tells him where and how to get the sword.
While Hodr is off getting an enchanted blade, Balder returns to Gevar’s kingdom, ready to claim Nanna for his wife. Stalling for time for Hodr, King Gevar tells Balder to go easy with Nanna and try reasoning with her. Nanna is having none of Balder’s advances. One of her arguments is to say that a mortal woman and a demigod couldn’t possibly marry her as they’re too different.
Hodr, now accompanied by Helgi return to do battle with Balder and various other gods. We know for sure that two of their number are Thor and Odin. Despite the overwhelming odds, Hodr is victorious.
Once again, Hodr asks King Gevar for Nanna’s hand in marriage. This time, Hodr’s request is granted and both Hodr and Nanna ride off into the sunset for Sweden where Hodr becomes king!
Not quite, Balder returns and attacks Hodr, forcing Hodr and Nanna to retreat to Denmark. Alas poor Balder is plagued with visions of Nanna in his sleep, so much so, that Balder took to riding in a chariot as he couldn’t walk on his own and finally, he just wastes away.
We’ll assume at this point that Hodr and Nanna finally do get their happily ever after.
The term Pangenic or Pangenesis comes from Charles Darwin’s Theory of Evolution with trying to explain the origins of life and species.
As it relates to the study of folklore and mythology, the term and idea of Pangenic or Pangenesis connections is problematic and still very pervasive as a lot of scholars and literature try to make connections with various stories and deities; often as there are very similar motifs, concepts, and ideas that are very universal.
The Romans of course, are famously known for equating many of their gods with the gods of other cultures, especially those they conquered. Nearly everyone knows of the Greek-Roman counterparts and connections such as Zeus and Jupiter or Ares and Mars. To a lesser-known extent, the Romans connected their deities with those of the Egyptian, Norse, and even Celtic deities.
The idea of Pangenic deities and myths still continues even today and is something of a disservice and in terms of mythology. When one ethnic group or religion moves into another area, the existing myths will get overlapped and mixed together. Sometimes it’s easy to see where and when this blending of ideas occurs. Other times, the differences should be acknowledged without trying to force a connection.
Some scholars have taken one look at Nanna in Norse mythology and then see a similar sound and spelling in Mesopotamian mythology and want to start connecting the dots. There is the Sumerian goddess Inanna, the Babylonian Ishtar and then the Phrygian goddess Nana, the mother of the god Attis. Then you add in the Mesopotamian moon god Nanna and people really go all out trying to make connections.
Just accept that there are a lot of coincidental spellings and pronunciations.
Unfortunately, it’s not clear what Nanna is a goddess of, only that she’s Balder’s wife. As has been observed by other scholars, a lot of the old Norse stories have been lost, especially considering a newer, Christian religion moving into the regions and displacing the older local, pagan worship. Nanna is just one of the many goddesses whose story has been lost to the sands of time and we just don’t know.
Modern Paganism & Wicca
This is where modern paganism trying to reconstruct an older religion will try to extrapolate on the meaning found in Nanna’s name of “woman” or “mother” and “daring one” what she might have been a goddess of. They also look at the scant evidence found in the surviving myths.
Being married to Balder, it would be easy to assume that the two held similar and likely complementary roles.
Love – Given the scant evidence, where Nanna dies of grief for the loss of Balder, she will be identified as a goddess of Devotion and Undying Love, even beyond the grave or in the darkest depths of depression, pain, and sorrow.
Mother Goddess – This seems a likely role if we go from the meaning of Nanna as “mother” and that when she dies, both she and Balder will be resurrected after the events of Ragnarök to restart the cosmos all over.
Syno-Deity – Some pagans will adopt Balder’s symbols for Nanna. As Balder is a god of the seasons Spring and Summer along with flowers, so is Nanna.
Etymology: Bright Battle
Also known as: Sigrdrífa (“driver to victory”)
Alternate Spellings: Brunhild, Brünhild, Brunhilde, Brünnhilde, Brunhilda, Brynhild, Brunhilt, Prunhilt
Brynhildr is a famous shieldmaiden and Valkyrie from Germanic and Scandinavian mythology. She is a main character in the Völsunga saga and Poetic Eddic poems. She also appears in the Nibelungenlied and in Richard Wagner’s Der Ring des Nibelungen operas.
There are a few different versions of Brynhildr’s story that can be found along with alternative spellings. It’s likely that these could be about a different Brynhildr and these different versions just reflect different regional differences based on which clan is telling the story.
Parentage and Family
Budli – Her father as made mention in the Völsunga.
Erda – Her mother in Wagner’s Der Ring des Nibelungen operas.
Wotan – Her father in Wagner’s Der Ring des Nibelungen operas.
Valkyrie – An unnamed Valkyrie is her mother in the Völsunga.
Alti – Her brother in the Eddic poem “Sigurðarkviða Hin Skamma.” Interestingly, Alti could be Attila the Hun.
Heimer – Her brother-inlaw in the Völsunga for the versions of the story that have her up in a tower. He’s married to her sister Bekkhild.
Sisters – According to the Eddic poem “Helreid Brynhildar” with Brynhildr being a Valkyrie, she has eight sisters.
Other siblings are Bekkhild and maybe Oddrun.
Gunnar – Whom she is tricked into marrying in one fashion or another in different versions of the story.
Aslaug – Brynhildr’s daughter by way of Sigurðr in the Völsunga. Aslaug goes on to marry Ragnar Lodbrok.
This is the main source for Brynhildr’s story. It is a 13th century Icelandic saga from the Völsung clan that tells the story of Sigurðr and Brynhildr and the subsequent destruction of the Burgundians.
Brynhildr is the daughter to Budli, who grows up to become a shield-maiden and Valkyrie. As a Valkyrie, she was tasked by Odin to determine the outcome of a fight between two kings, Hjalmgunnar and Agnar. Odin favored the older king Hjalmgunnar and in an act of defiance, Brynhildr throws the fight and to favor Agnar as the winner.
Angry, Odin condemns Brynhildr to live out the rest of her life as a mortal woman and has her imprisoned in a remote castle with a wall of shields on top of Mount Hindarfjall. There, Brynhildr slept within a ring of fire until a man without fear could ride through the fires to rescue and marry her.
The hero, Sigurðr Sigmundson, the heir to the clan Volsung and the slayer of the dragon Fafnir, is the one who enters the castle and awakens Brynhildr when he removes her helmet and chain mail armor.
Sigurðr still had some other tasks he needed to go perform and he promised Brynhildr that he would return. As both Brynhildr and Sigurðr have fallen in love with each other, Sigurðr proposes to her with the magic ring known as Andyaranaut. Brynhildr makes an oath that she will marry the man who rides through the flames for her. It’s also here, during their stay in the castle that Aslaug is conceived.
Unknown to Sigurðr, the ring Andyaranaut is cursed and would cause him and Brynhildr a lot of problems later. The ring was part of the cursed treasure that Sigurðr claimed after slaying Fafnir.
Meeting In Hlymdale
This seems to be a slight variation to the story where Sigurðr has taken Brynhildr with him or she was up in a tower this time.
Later, when Brynhildr and Sigurðr are at Hlymdale, the home of Heimer, Brynhildr’s brother-in-law, Sigurðr spots her up in a tower and declares his love. Sigurðr promises that he will return for Brynhildr to wed her.
Sigurðr then heads for Burgundy, to King Gjuki’s court. While Sigurðr is gone, Brynhildr receives a visit from Gudrun, Gjuki’s daughter. Gudrun has come seeking help with interpreting a dream, a dream that seems to foretell Sigurðr’s betrayal to Brynhildr when he marries Gudrun.
Over in Burgundy, Grimhild, a sorceress and wife to Gjuki conspires to have Sigurðr marry her daughter Gudrun. Grimhild creates a magic potion that she manages to get Sigurðr to drink so that he will forget all about Brynhildr.
Naturally enough, Sigurðr does marry Gudrun.
As a consolation prize for Brynhildr, if you can call it that, Grimhild, upon learning about Brynhildr being a Valkyrie, decides to have her marry her son, Gunnar.
A slight variation to this story has, that when King Gjuki dies, his son Gunnar becomes King and is a sworn oath brother to Sigurðr. Grimhild desired to see Gunnar wed, but Gunnar had told his mother that he had seen no maiden whom he would want to take as a wife.
Fair enough it seems.
News is brought to Gunnar by his sister Gudrun about a warrior maiden behind a wall of flames. Gunnar decides this maid is the perfect one for him and goes to find out if she is the one.
So off Gunnar, his brother Hogni and Sigurðr ride, towards Hindfell in search of a maid worthy to be Gunnar’s bride. The three come across the high tower with black walls with shields and encircled with flames. Thanks to the potion, Sigurðr has no memory of this place or Brynhildr within, faithfully awaiting his return.
A slight variation to this has Gunnar getting Heimir’s consent to go court Brynhildr, provided he can be the one to show no fear and ride through the flames.
Gunnar decides he’s going to ride through the flames, but his horse, Goti refuses to go near the flames. Then Gunnar gets the idea that he can ride Sigurðr’s horse, Grani through the flames. But Grani being a smart horse, knows that Gunnar is afraid of fire and refuses to ride through.
At a loss, the three sworn brothers brainstormed and considered the matter. Hogni eventually spoke up and proposed the idea that Sigurðr could use magic to shape-shift (by use of his magic helmet) and take Gunnar’s shape.
Sigurðr now disguised, rides through the flames, claiming to be Gunnar and take Brynhildr’s hand in marriage. Of course, Grani, knowing this to be his true rider, gives Sigurðr no problems with riding through the flames.
When Brynhildr saw another man besides her Sigurðr enter the flames, she despaired and demanded to know who this stranger was.
The disguised Sigurðr responded that he was Gunnar, the son of Gjuki of the Nibelungs. Angry at the response, Brynhildr, as this isn’t Sigurðr, fights him. During the fight, Sigurðr manages to pull the ring Andvaranaut off her finger, rendering the Valkyrie powerless. Sigurðr would later give the ring Andvaranaut to Gudrun.
Before leaving, both Brynhildr and Sigurðr stay in the castle for three nights. Despite this, Sigurðr in a symbolic gesture, lays his sword between them to signify that he won’t take Brynhildr’s virginity.
Maybe they meant chastity if you remember Sigurðr’s earlier visit. He may not remember, but I know I do.
Eventually, Sigurðr and Gunnar switch back places so that Gunnar can marry Brynhildr. Poor Brynhildr believes that Sigurðr has forgotten her and keeps the promise she made of marrying the man whom she believes rode through the flames for her.
We’re not to any sort of a happy ending yet. Later, Brynhildr and Gudrun are out bathing in a nearby river when they get into a heated argument over whose husband is better and braver.
Brynhildr boasts that her husband, Gunnar was brave enough to ride through flames for her. Knowing the truth, Gudrun smugly reveals that it was actually Sigurðr who rode through the ring of fire. At this revelation, Brynhildr becomes enraged, making her marriage to Gunnar a sham as she is still in love with Sigurðr.
Due to the trickery and deceits involved, Brynhildr just assumes that Sigurðr went back on his word to marry her. It is still unknown to Brynhildr that Sigurðr had been given a potion to forget all about her.
Just remember, Hel hath no fury like a woman scorned.
Mysteriously at this time (or the potion wearing off), Sigurðr starts to remember what happened. Despite his efforts, Sigurðr is unable to console an enraged Brynhildr. Instead, Brynhildr plotted revenge by persuading Gunnar to kill Sigurðr in a false claim that he had taken her virginity in Hidarfiall. Something that Sigurðr had sworn not to do when he placed his sword between the two.
This of course gets Gunnar angry and wanting to kill Sigurðr for sleeping with his wife.
It is that ring I tell you. That and Grimhild’s mettling in people’s love lives.
Gunnar and his brother, Hogni were reluctant to kill Sigurðr as they had sworn oaths of brotherhood with him. Instead, the two got their younger brother Gutthorm to kill Sigurðr after giving him a potion of enragement.
Under the influence of the potion, Gutthorm killed Sigurðr in his sleep. As his final act before dying, Sigurðr manages to pull his sword and kill Gutthorm in return.
A still enraged Brynhildr mocks Gudrun’s grief for the death of Sigurðr and confesses to Gunnar that she had lied about Sigurðr sleeping with her. She then tells Gunnar and Hogni, that her brother Atli will come avenge her death. Poor Brynhildr had always loved Sigurðr, even when he betrayed her.
As Gunnar’s wife, Brynhildr then orders that Sigurðr ‘s three-year old son, Sigmund be killed. In a final act of desperation, Brynhildr kills herself by throwing herself onto Sigurðr’s funeral pyre.
If that’s not a Shakespearean Tragedy, the two were then reunited together in Hel’s realm, the realm of the dead.
The Nibelungenlied is a Germanic epic poem dating to the 1200’s. The events within the poem can be traced to oral traditions from the 5th and 6th century. In this poem, Brynhildr is known as Brunhild or Prunhilt. With this version of the story, she a queen or princess of Iceland. Gudrun is known as Kriemhild, Gunnar is known as Gunther and Hogni and known as Hagen.
As a queen (or princess) and a powerful woman in her own right, Brunhild declared that the man she would marry must be someone able to best her in three contests meant to show strength and courage.
Gunther wanted to marry Brunhild and with the help of his liege man, Siegfried (who has a cloak of invisibility), he is able to overpower Brunhild in her three contests. In the first game, Brunhild manages to lift and throw a spear at Gunther that three men together could barely lift. Siegfried with his cloak of invisibility on, blocks and keeps the spear from hitting Gunther. In the second game, Brunhild throws a boulder that requires the strength of twelve men to heave some twelves fathoms. In the last game, Brunhild leaps over the same boulder.
In an act of cheating and with Siegfried’s aid using the invisibility cloak, Gunther is able to defeat Brunhild and claim her for his wife.
That sounds like dirty pool to me.
Rightfully so, on their wedding night, Brunhild refuses to give up her virginity to Gunther. Instead, she ties up Gunther and leaves him dangling from the ceiling of their chamber. Coming to Gunther’s aid, Siegfried wearing his invisibility cloak, attacks Brunhild, breaking her bones and then taking both her girdle and ring.
It seems both girdle and ring are the source of Brunhild’s supernatural strength and without them, she was forced to be docile and submit to be Gunther’s wife.
At the Worms Cathedral, Brunhild and Kriemhild, Siegfried’s wife gets in a rather heated argument about their husbands. Brunhild takes the stance that Siegfried is nothing more than a lowly vassal beholden to Gunther. Kriemhild reveals the dirty pool and trickery used by Gunther and Siegfried, by showing off the girdle and ring that were stolen from Brunhild.
Unlike the Völsunga, Brunhild’s fate is never mentioned and it’s assumed she out lives Kriemhild and her brothers.
In this poem, Brynhildr is known as Sigrdrifa. The Sigrdrífumál does have the story of Sigurd and Brynhildr meeting. The poem is mostly about runic magic and has Brynhildr teaching Sigurd about their use.
For the most part, the Poetic Eddas collaborate the story told in the Volsunga, though with some changes.
In some of the Eddic poems, Gutthorm kills Sigurðr in a forest in Southern Rhine while resting.
In the Edda poems from Iceland, Brunhildr or Brunhilde is a strong, capable princess who is deceived by her lover.
I feel it’s worth noting that in the Eddic poems, Brunhildr is a prominent protagonist, whereas in other sources like the Nibelungenlied, her role and importance are diminished.
Helreið Brynhildar – “Bryndhildr’s Ride To Hel,” on her way down to Hel, the underworld of the dead, Brynhildr meets a giantess who blames her for leading an immoral life. Brynhildr refuted the giantess, saying that all men and women live lives of grief and that she and Sigurðr would live together.
Sigurðarkviða Hin Skamma – In this Eddic poem, Gunnar and Sigurðr laid siege to the castle of Atli, Brynhildr’s brother. Atli had offered Brynhildr’s hand in marriage to Gunnar for a truce. The problem in this poem being, that Brynhildr had sworn she would only marry Sigurðr. She is then tricked into believing that Gunnar is Sigurðr.
Der Ring des Nibelungen
Richard Wagner’s famous four opera cycle. Wagner took of the mythology for Brynhilde or Brünnhilde’s role from the Nordic sagas rather than the Nibelungenlied. Brünnhilde only appears in the last three operas of this cycle, Die Walküre, Siegfried and Gotterdammerung where she plays a major role in the downfall of Wotan.
For those who don’t know or may have guessed already, this is the opera cycle that inspires a popular saying of “It isn’t over until fat lady sings.” Especially with Brünnhilde’s famous immolation in the finale of Gotterdammerung. Adding to this, thanks to the costume designer, the idea of Viking helmets having two horns was firmly ingrained in people’s minds after a visit to the museum for ideas and saw the ceremonial two horned helmet on display.
In this opera cycle, Brünnhilde is one of many Valkyries born from the union between Wotan and Erda, the personification of the earth. In the Die Walkurie, Wotan tasks Brünnhilde with protecting the hero Siegmund, his son by a mortal woman. When the goddess Fricka contests this, she forces Wotan to have Siegmund die for his infidelity and incest. Brünnhilde disobeys Wotan’s order and carries away Siegmund’s wife and sister Sieglinde along with the broken pieces of Siegmund’s sword Nothung.
After hiding them away, Brünnhilde then faces the wrath of her father, Wotan who makes her a mortal woman and then places her in an enchanted sleep who can be claimed by any man who comes across her. Brünnhilde argues against this punishment, saying she had obeyed Wotan’s true will and doesn’t deserve this harsh of a punishment. Wotan is persuaded to lessen the punishment to protect her enchanted sleep with a magical circle of fire and that she can only be awakened by a hero who knows no fear.
Brünnhilde doesn’t appear again in the operas until the third act of Siegfried. Here, the title character is the son of Siegmund and Sieglinde. He was born after Siegmund’s death and raised by the dwarf Mime, the brother of Alberich.
It should be noted that Alberich is the one who stole the gold and made the ring from which the entire Der Ring des Nibelungen cycle is based on. If you’re thinking “my precious” and the “one ring” as in Tolkien’s Middle Earth series, you’d be more or less correct as this is where J.R.R. Tolkien got inspired and took his ideas from with Norse mythology.
Back to the main story, Siegfried kills the dragon Fafnir that was once a giant. Siegfried takes the ring and finds himself guided to the rock hiding Brünnhilde by a bird. It seems Fafnir’s blood allowed Siegfried to understand the language of birds. Wotan tries to stop Siegfried who instead breaks the god’s spear. Wotan defeated, Siegfried than awakens the sleeping Brünnhilde.
The two appear again in the last opera, Gotterdammerung. Siegfried gives Brünnhilde the ring, the very ring that Alberich made. The two separate and Wagner goes back to following the Norse story though with notable changes.
Siegfried does go to Gunther’s hall where he is given the magical potion that causes him to forget all about Brünnhilde. That way, Gunther can now marry her. This is all possible thanks to Hagen, Alberich’s son and Gunther’s half-brother. Hagen’s plans are successful as Siegfried leads Gunther to where Brünnhilde is at.
During that time, Brünnhilde had been visited by a sister Valkyrie, Waltraute who warns her of Wotan’s plan for self-immolation and urges her to give up the ring. Brünnhilde refuses to give up the ring.
However, Brünnhilde is overpowered by Siegfried, who, disguised as Gunther using the Tarnhelm (a helm of invisibility instead of a cloak of invisibility) and takes the ring by force.
The enchanted Siegfried goes on to marry Gutrune, Gunther’s sister. When Brünnhilde sees that Siegfried has the ring taken from her, she denounces and calls him out on his treachery. Brünnhilde then joins with Gunther and Hagen in a plot to murder Siegfried. She informs Hagen that Siegfried can only be attacked from behind.
So, when Gunther and Hagen take Siegfried out on a hunting trip, Hagen takes the opportunity to go ahead and stab Siegfried in the back with his spear.
After the two brothers return, Hagen ends up killing Gunther in a fight over the ring. Brünnhilde ceases the moment to take charge and has a pyre built on which she will sacrifice herself, thereby cleansing the ring of its curse and sending it back to the Rhinemaidens.
Brünnhilde’s pyre becomes the signal by which Valhalla and all the Norse gods perish as Ragnarok is brought about with everyone dying in a fire.
This is the name of the magical ring that Brynhildr already possesses or is given to her by Siegfried. In Wagnar’s Der Ring des Nibelungen, it was forged by the dwarf Alberich and has a curse placed on it.
In the Völsunga, the ring is part of the cursed treasure that Siegfried takes after slaying the dragon Fafnir. Either way, it explains all of Brynhildr and Siegfried’s bad luck and subsequent deaths.
The ring had been cursed by its creator, Andvari when Loki tried to force him to give it up. Andvari cursed it that all his treasure and the ring would be the death of those who owns it. Aside from being cursed, Andyaranaut could also make gold.
By the account of the Völsunga, Brynhildr was a prophetess or seeress and able to foretell the future and interpret dreams.
In the Völsunga, Brynhildr tells Gudrun that Sigurðr would love her, Brynhildr but would marry Gudrun. She also told Gudrun that Sigurðr would die at the hands of her brothers. That she would marry Atli and kill him and her children. Brynhildr is also saw someone else, Svanhild get trampled to death. At the funeral for Sigurðr, Brynhildr tells Gunnar and Hogni, that her brother Atli would kill them.
The Valkyries are found in both Scandinavian and Germanic religions.
Some of the stories and sources for Brynhildr’s story have her as a Valkyrie, a chooser of the slain, the warrior maids who determined who died in battle and would to Valhalla, Odin’s abode where the fallen warriors would await Ragnarok. More properly, half the warriors go to Valhalla and the other half go hang out with Freya in her hall of Folkvangr.
Many scholars have questioned Brynhildr’s authenticity as a Valkyrie as there is a real person of the same name. In addition, the name Brynhildr or Brunhilda has been found as a place name for many places and regions throughout Belgium, France and the Rhine.
It’s possible that Brynhildr’s story is the same inspiration for the Visigothic princess Brunhilda of Austria. She married the Merovingian king Sigebert I in 567 C.E.
This Brunhilda did have a rival with a Fredegunde who was married to King Chilperic I of Neustria. This is a feud that would last several generations resulting in a lot of deaths on both sides among husband and numerous family members.
Plus, many of the Valkyries that appear in the Poetic Edda are often mortal woman who often come of royal blood.
Given that there are multiple sources for Brynhildr’s story along with Wagner’s opera series that combines a couple of them together. It can get a little confusing as to which clan or tribe Brynhildr would belong to.
Budling – In the Volsunga, being a daughter of Budli, would make Brynhildr a Budling.
Skioldung – In the poem fragment of Sigurd from the Poetic Edda, Brynhildr is called a “lady of the Skioldungs.” The Skioldungs were of course, the descendants of Skiod. Brynhildr’s connection to these people comes about as her father would have been one of 18 sons of Halfdan the Old, or Ali in Snorri Sturluson’s Prose Edda.
Nine of these sons would have gone on to found their own kingdoms and dynasties in the northern, Scandinavian countries. This would have made Brynhildr related to Sigurðr or Sigurd on his mother’s side as well as related to the children of Guiki. Those being Gunnar, Hogni and Gudrun.
Tolkien And The Lord of the Rings!
As I previously mentioned above, J.R.R. Tolkien took his inspiration for his Middle Earth series from Norse mythology and the inspiration for the One Ring from that of Andyaranaut.
A fun note to add is that Tolkien did not like Wagner’s take on the German myths. I can see it too, Taking and combining the Völsunga and Nibelungenlied together can make it a bit harder to figure out which myth and legend is which.
Etymology – “Youth,” “Flower of Youth” or “Prime of Life”
Other Names and Epithets: Ἡβη, Basileia (Princess), Dia, Ganymeda, Juventas (Roman)
Hebe is the goddess of Youth in Greek mythology. She had also been the cup bearer to the gods before being replaced by the youth, Ganymede. In Pindar’s Nemean Odes, he notes how Hebe is one of the most beautiful goddesses in Olympus.
Animal: Chicken, Eagle
Patron of: Sinners, Former Prisoners and Slaves, Young Brides
Plant: Ivy, Lettuce
Sphere of Influence: Youth, Vitality, Forgiveness
Symbols: Chalice, Fountain of Youth, Wings
In Grecian art, Hebe is frequently shown as a young woman wearing a crown of flowers and a sleeveless dress or partially nude. Many ancient vases show Hebe in either her role as cup-bearer or as Heracles’ bride. Occasionally, Hebe is shown to have wings like Iris or Nike.
There is a lost, though famous statue of Hebe made of gold and ivory that was sculpted by Naucydes during the 5th century B.C.E.
Hebe was worshiped in Phlious and Sicyon. There she was known by the name of Dia. They would pardon or forgive supplicants who came to her temple to pay respects and reverence.
Kissotomoi – Also known as Ivy-Cutters, this was a yearly festival held in secret dedicated to Hebe as Dia.
Hebe was also worshiped in Athens where she had an alter near an alter dedicated to Heracles in the Cynosarges.
Parentage and Family
Zeus – King of the Olympian Gods is Hebe’s father.
Hera – Queen of the Olympian Gods is Hebe’s mother.
Another version for Hebe’s parentage is that her mother, Hera became pregnant when she ate some lettuce while dining with the god Apollo.
Some sources list only a couple of siblings for Hebe, namely Ares and Eileithyia. Regardless of how many siblings that Hebe is noted to have, she was regarded as being the youngest of all of the Olympian gods residing on Mount Olympus.
Aeacus, Angelos, Aphrodite, Apollo, Ares, Artemis, Athena, Dionysus, Eileithyia, Enyo, Ersa, Helen of Troy, Heracles, Hephaestus, Hermes, Minos, Pandia, Persephone, Perseus, Rhadamanthus, the Graces, the Horae, the Litae, the Muses, the Moirai
In some of the myths, Hebe is the wife of the Greek hero Hercules after he became deified. It’s also kind of wrong given they’re half-siblings.
With Heracles, Hebe bore two children, Alexiares and Anicetus.
Cup-Bearer To The Gods
As cup-bearer to the gods on Mount Olympus, Hebe’s duties were to fill the gods’ chalices with the nectar of the gods, which would keep them all youthful and invigorated. In addition to the nectar, Hebe also served the ambrosia.
Some stories have Hebe being replaced by Ganymede to become the cup-bearer to the gods, other stories have where the youth is just one of two cup-bearers.
Most people seem to be familiar with the story of Hebe having been clumsy and either accidentally having a wardrobe malfunction or spilling the nectar. Either way, Apollo or Zeus fired Hebe on the spot and replaced her with Ganymede.
Another version has Hebe leaving her post as cup-bearer to the gods when she marries Heracles and that’s why Ganymede ultimately takes over the divine position as cup-bearer.
Goddess Of Beauty
Sometimes, albeit briefly and in passing, Hebe is mentioned as a goddess of Beauty. For this, I can see Hebe sometimes being mentioned as one of Aphrodite, the goddess of love’s attendants.
Goddess Of Pardons & Forgiveness
As previously mentioned under worship, Hebe was the goddess of pardoning. In Hebe’s sanctuary in Phlius, she had a grove where freed prisoners would hang their former chains before going to live a free life.
Goddess Of Youth
This function pretty much goes hand in hand with Hebe’s role as cup-bearer for she was responsible for the vitality of youth and bestowing it on the other gods by dispensing and filling their cups with the nectar of the gods.
Fountain of Youth – In Greek myths, the fabled Fountain of Youth is a fountain from which the waters that flowed would keep one youth forever or restore one’s youth. As the goddess of Youth, Hebe guarded over these waters and they could only be found and used by her.
Young Brides – As Hebe’s mother is Hera, the goddess of marriage, as her daughter, Hebe is a handmaiden to Hera and the goddess of young brides. Other goddesses that Hebe would accompany for overseeing weddings are: Aphrodite, the Charities or Graces and Harmonia.
Spring – As a goddess of Youth, Hebe is sometimes seen as a goddess of springtime.
Immortality – According to Euphronios in his writings, Hebe as a goddess of Youth is also the goddess of Immortality. Many have often pointed out over the years, that what good is immortality if you don’t also have the strength, vitality, and youth to go with it?
There’s a metaphor, from the Bacchylides were receiving the Basileia (“the Princess”) of heaven, one could gain or win immortality.
Granting Youth – When Heracles nephew, Iolaus grew old, he prayed to Hebe to be young again before he went off to fight Eurystheus. Hebe granted Iolaus’ request on Heracles’ behalf for the day. This episode is shown in Euripidies’ play Heracleidae.
In Ovid’s The Metamorphoses, there is an episode where after Hebe grants this guerdon or boon, that Themis, the goddess of Justice says to grant it this once is fair. After which there was a great discussion among that other gods and it was agreed not to allow any further gifts of restored youth.
Marriage To Heracles
When Heracles became deified and ascended to Mount Olympus, there was a marriage between the mighty hero and Hebe. This marriage was held to try and reconcile the problems between the mighty hero and Hera, Hebe’s mother.
Ancient Greek Traditions & Responsibilities
Aside from being the cup-bearer, Hebe would also help her mother, Hera when preparing her chariot. She has also been known to draw the bath for Ares after a battle.
It seems a bit odd at first some of these other servant-like tasks that Hebe held. She was the youngest of all of the Olympian gods and her role reflects the ancient Greek custom where the daughter helps and assists around the house and serves guests.
As previously mentioned, Ganymedes served as Hebe’s male counterpart in her role as being cup-bearer to the gods.
As the goddess of youth, Hebe’s counter was Geras, the goddess or personification of Old Age.
Hebe is sometimes seen as being the counterpart or similar to Pandeia, the daughter of the moon goddess Selene.
Juventas – Roman Goddess
The Romans are very famous for taking and equating their gods with those of the Greeks or flat out renaming them. It is no different with Hebe, her Roman name and counterpart is Juventas.
In Rome, Juventas held a temple on the Capitol and Terminus long before there was one built for Jupiter. There was another temple for Juventas at the Circus Maximus.
The Month of June – This story is found more in the Roman myths as there’s a minor spat and disagreement over which goddess gave their name to the month of June, Juno or Juventas. It’s a minor footnote of a story as Juventas has a discussion with her husband, Hercules about wanting only her honor and acknowledgment for the month of June. Most people default to assuming Juno gave her name for the month of June.