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Category Archives: Priest

Budai

BudaiAlso known as: 布袋, 笑佛 (Laughing Buddha), Hasne Buddha (Nepal), 胖佛 (Fat Buddha), Hotei (“cloth bag”) Japanese, Hotei-Osho (Japanese), Bo Dai or Bố Đại (Vietnamese), Hangul (Korean), Pu-Tai, Wagon Priest, Budai Luohan

Etymology: Laughing Buddha, Fat Buddha, Cloth Sack

In Chinese folklore, Budai is a Buddhist deity who has been integrated into Buddhism, Taoism and Shinto religions. The historical Budai lived during the 10th century C.E.

In art, Budai is often shown as being a very fat, bald man wearing a robe, either wearing or carrying prayer beads and has a huge belly; seen as the symbol of abundance, contentment, happiness, luck and generosity. He carries a large linen bag holding a number of precious things, even children on his back. This same bag is the source of Budai’s name. Sometimes Budai is shown sitting in a cart being pulled by boys where he is known as the Wagon Priest.

With his nickname of the Laughing Buddha, Budai is frequently shown smiling or laughing. Budai’s image is often confused with that of Gautama Buddha with Westerners, where he gets the name of the Fat Buddha. In Japan, Budai becomes known as Hotei and is one of the Seven Lucky Gods or Shichi Fukujin.

Budai Statues & Depictions

As already said, Budai is nearly always shown carrying a sack that is filled with a number of precious things such as rice plants, candy for children, food and the sadness of the world.

In Buddhist temples throughout China, statues of Budai are placed in the front part of the entrance halls. Budai is frequently shown as a stough, smiling or laughing man wearing a robe that is unable to cover his large belly. This large belly represents happiness, good luck and abundance. Some Budai statues will have small children gathered around at his feet. Another common feature of Budai statues is a begging bowl, that clearly shows him to be a Buddhist.

Because of Budai’s great association with happiness and wealth, statues of Budai can be found in many businesses and homes in China and Japan.

I Kuan Tao – Budai statues are a central part of I Kuan Tao shrines. Here, Budai is known by his Sanskrit name of Maitreya.

Budai’s Teachings

Budai represents the teachings of contentment, generosity, wisdom and kind-heartedness. He is also associated with luck and abundance.

Budai is the guardian and protector of children, the weak and poor. As a wandering monk, Budai is known to take sadness from people and bring them happiness.

Chinese History

Chinese history holds that Budai had been an eccentric Chan monk who lived during the late Liang dynasty. He had been a native of Zhejiang or Fenghua and his Buddhist name was Qieci, meaning: “Promise This.” Budai or Qieci was regarded as a man of good and loving character.

Buddhism

In Buddhism, the term Buddha means: “one who is awake,” as in awakened to enlightenment. There have been many figures in Buddhism who have all been revered as Buddhas. The Chan school of Buddhism teaches that all beings possess a Buddha nature within them and thus, already enlightened, they just have yet to realize it.

A few Buddhist traditions view Budai as an incarnation of Buddha or a bodhisattva.

Angida Arhat – One of the original Eighteen Arhats, meaning one who is worth or a perfected person, much like the Saints of Western Culture. In the Sakyamuni Buddhism, there is a legend wherein Angida is a talented Indian snake catcher would catch venomous snakes, thereby preventing them from biting travelers. Angida would remove the snake’s venomous fangs before releasing them. Due to these acts of kindness, Angida was able to attain bodhi or nirvana. In Chinese art, Angiha is sometimes depicted as Budhai; being rotund, mirthful and carrying a bag.

Gautama Buddha – The historical Buddha, Siddhartha Gautama lived during the 6th century B.C.E. in India, Nepal and much of southeast Asia. Here, Gautama is shown as being tall and slender in appearance. Whereas in China and other areas, Budai is consistently shown as being short and rotund. Both of these descriptions have been noted as being the idealized imagery of the different religions, cultural and folkloric traditions of the countries and regions after the two monks’ deaths. Many Westerners too, often confuse Budai with Gautama and Budai often does get equated or replace Gautama.

Maitreya – The Future Buddha

Budai is identified or seen as an incarnation of Maitreya, the future Buddha. In China, Budai’s image is often the main used to depict Maitreya. Among the Japanese, Maitreya is known as Miroku. There is a Buddhist hymn that Budai is to have spoken at his death that identifies him with Maitreya:

Maitreya, the true Maitreya

has billions of incarnations.

Often he is shown to people at the time;

Other times they do not recognize him.

Mi-Lo-Fo – As Hotei, Budai is often confused with the Buddhist deity known as Mi-lo-Fo.

Pu-Tai – A Chinese monk that Budai came to be associated with, who due to their good nature, was seen as the incarnation for the bodhisattva or future Buddha, Maitreya. Due to how Pu-Tai is also portrayed with having a large, rotund belly, its easy to see how he came to be known as the Laughing Buddha and connected to Budai.

Chan, Seon And Zen

Chan is Chinese, Seon is Korean and Zen is Japanese, all three are the same philosophy.

The following koan, or short story is often told about Budai. One day, Budai was out traveling, giving candy to poor children. He would only a penny from any monks or lay practitioners he met with. One day, a monk approaches Budai and asks: “What is the meaning of Zen?” (Or Chan or Seon). Budai responded by dropping his bag. The monk continued with his questions. “How does one realize Zen?” At that, Budai picked up his bag and continued on his way.

Chinese Folklore

Budai is greatly admired for his congenial and jovial attitude, along with his generosity and philosophy of contentment.

One of the most persistent and popular beliefs is that of rubbing the statues of Budai to bring wealth, good luck and even prosperity.

Japanese Religion & Folklore

In Japan, Budai becomes known as Hotei who was a Buddhist monk that lived during the 16th century. Like Budai, Hotei is still greatly associated with laughter and being called the Laughing Buddha. Chinese legend holds that Hotei had been a real person, whose name was Kaishi. While the date of his birth is unknown, Hotei death is given as being March 916. The Japanese began to believe in Hotei during the Edo era. Hotei was once a Zen priest who appearance and actions didn’t go along with his fellow Zen priests. He always looked like he was up to mischief and never had a permanent place to sleep. Hotei had no desire to be a Zen Master or to gather a following of disciples. He was known for walking the streets with a sack full of candy, fruits and doughnuts that he would give out to children. His bag would also hold the fortunes for those who believe in him. Among the Chinese, he is nicknamed: Cho-Tei-Shi or Ho-Tei-Shi, which means “bag of old clothes.”

According to Japanese legend, before Zen Buddhism came to the islands, another Buddhist philosophy of questionable aesthetics was prevalent. This philosophy originated with the priest Miroku. Miroku was the patron of those who couldn’t be saved by the beliefs of Buddha. Later, Hotei’s arrival was seen and accepted by the Japanese as a second Miroku.

Laughter – This is Hotei’s essence and teachings, he used laughter to impart wisdom. This was not the laughter of laughing at jokes or making fun of others. Hotei would laugh at himself and laugh for the mere celebration of life and existence, for the joy of life.  Hotei has no other philosophy, scriptures, dogmas, ideologies or any other precepts to teach. Hotei’s laughter is considered a form of meditation, to experience the joy of living and to just be living and being present in the moment.

People would gather around Hotei as at first, they thought he was mad with how often he laugh and his laugh was known for being infectious in that others would soon laugh along with him. Such was Hotei’s laughter that people would cease to be judgmental or ask questions about enlightened. People would wait for Hotei and his laughter as they found it to have a purifying quality to it that would impart a deep sense of well-being.

One story about Hotei has a villager finding him sitting beneath a tree with his eyes closed. When the villager asked why Hotei wasn’t smiling or laughing, Hotei answered that he was preparing, preparing himself for laughter as he needed go within, forget the world without and recharge himself with rest. Once he was well rested, Hotei would be ready to laugh again.

Thailand Religion & Folklore

Phra Sangkajai – Also spelled Phra Sangkachai. Budai is sometimes equated with the monk Phra Sangkajai. Both Budai and Phra Sangkajai can be found Thai and Chinese temples. Though Phra Sangkajai can be found more often in Thai temples and Budai in Chinese temples. While very similar in appearance, Phra Sangkajai is distinguished from Budai in that he has a thin trace of hair while Budai is bald. Their styles of dress are also different, Phra Sangkajai is dressed in robes folded across one shoulder, with the other bare. Budai’s robes are clearly a Chinese style that covers both of his arms and front part of his upper body uncovered.

Phra Sangkajai is credited with composing the Madhupinadika Sutra. Buddha is said to have praised Phra Sangkajai for his excellence and understanding with explaining the more sophisticated dharma in easy and correct, understandable manners.

A folk story about Phra Sangkajai tells how he was so handsome, that a man once wanted to marry Phra Sangkajai and take him for a wife. To avoid this situation, Phra Sangkajai changed his appearance to that of a fat monk. Another story tells how Phra Sangkajai was found to be so attractive, that both men and angels would compare him to the Buddha. Phra Sangkajai considered this inappropriate, changed his body so he would be rather fat.

Yiguandao

First off, Yiguandao is a folk religion out of China that got started around the late 19th century.

In many Yiguandao shrines, statues of Budai or Maitreya as he is known can be found. In Yiguandao, Maitreya represents a number of teachings such as: contentment, generosity, wisdom and open kind-heartedness. It is believed that Maitreya will succeed Gautama Buddha as the next Buddha and help people to realize their own spiritual essence within that connects everyone.

Shichi Fukujin – Seven Lucky Gods

In Japan, the Seven Lucky Gods or Seven Gods of Fortune, known as Shichi Fukujin are believed to granters of good luck and fortune. The Shichi Fukujin are often depicted in Japanese art and engravings known as netsuke. While many of the Shichi Fukujin are believed to be mythical in nature, one Shichi Fukujin is a known historical figure. Over the course of Japan’s history, the Shichi Fukujin became more associated with specific professions and aspects. Many of these same gods also originate from different countries and religions such as Hinduism and India to Chinese Buddhism and Taoism before coming to Japan. There are also seven Shichi Fukujin as seven in Japan is a lucky number.

While the gods had been worshipped for over a thousand years, mainly by merchants, they were first collectively called the Shichi Fukujin in 1420 C.E. It’s believed the Buddhist priest Tenkai arranged and selected these deities after talking with the shogun, Iemitsu Tokugawa. The selection was based on the following virtues of: longevity, fortune, popularity, sincerity, kindness, dignity and magnanimity.

Benzaiten – Often claimed as the only female deity among the Shichi Fukujin, Benzaiten originates in Hinduism where she had been the goddess Saraswati. Other names for Benzaiten are: Benten, Bentensama and Benzaitennyo. When she was adopted into Buddhism, Benzaiten became the associated with talent, beauty and music. Benzaiten is the patron of artists, writers, dancers and geishas. She is often seen as an intelligent, beautiful woman standing before a Torri, carrying a biwa, a traditional Japanese lute-style instrument and is accompanied by a white snake.

Bishamonten – A god originating in Hinduism where he had been the god Kubera and Vaisravana before becoming Bishamonten in Japanese culture. Bishamonten is the god of fortune in war and battles. He is also associated with authority and dignity, the protector of those who follow the rules and hold themselves accordingly. He is the protector of holy sites and other important places. Bishamonten is the patron of fighters and is often shown dressed in armor and helmet, carrying a pagoda in his left hand and a spear in his right hand to battle evil spirits. Bishamonten is also shown with a hoop of fire.

Daikokuten – The god of commerce and prosperity. He was also known as the patron of cooks, farmers, bankers and protected crops. Daikokuten was known too for hunting demons. There is a legend of how Daikokuten hung a sacred talisman from a tree branch in his garden to use as a trap for catching a demon. Daikokuten is often depicted with short legs, perpetual smile and wearing a hat on his head and often carrying a bag full of valuables.

Ebisu – The only purely Japanese god in the group, he is the god of prosperity, wealth in business, abundance in crops, cereals and food. Ebisu is the patron of fishermen and he is often dressed as a fisherman carrying a fishing rod in his right hand and the left holding a fish. Ebisu’s figure can often be found in restaurants where fish is served or in kitchens.

Fukurokuju – Originating in China, Fukurokuju is believed to have once been a hermit who lived during the Song dynasty. Fukurokuju is seen as the reincarnation of the Taoist god Hsuan-wu. As a god, Fukurokuju is the god of wisom, luck, longevity, wealth and happiness. In addition, he is thought to be one of the Chinese philosophers who could live without eating and was able to resurrect the dead. Fukurokuju is noted for having a head that is almost the same size as his body. He is often shown dressed in traditional Chinese attire, carrying a cane in one hand and a scroll containing historical writings. Fukurokuju is often shown being accompanied by a turtle, crow or deer, all animals that represent a long life. With a strong love for chess, Fukurokuju is also the patron of chess players. Fukurokuju, along with Jurojin both overlap with their origins with the Chinese Taoist god Nanjilaoren. Due to this overlapping, Fukurokuju’s position as one of the Shichi Fukujin is sometimes given to the goddess Kichijoten in the Butsuzozu compendium.

Hotei – This is the Japanese name for Budai. As Hotei, he is the god of fortune, the guardian of children, happiness, laughter, popularity and the patron of diviners and barmen. Hotei is often shown as a fat, smiling bald man with a curly mustache. Because he is so fat, Hotei is often shown as being half naked as his clothes aren’t quite big enough to cover his large belly.

Jurojin – Like Fukurokujin, he has his origins in the Chinese Taoist god Nanjilaoren. He is the god of the elderly and longevity in the Japanese Buddhist mythology. Jurojin is believed to be based on a real person, he was very tall, 1.82 meters with a very long head, much like Fukurokuju. Aside from his elongated skull, Jurojin is also shown to have a long white beard and rides a deer and is sometimes accompanied by a crane and tortoise, all animals that represent a long life. Jurojin is sometimes shown sitting under a peach tree, another symbol of long life. In one hand, he holds a cane, in the other he holds either a book or scroll containing the wisdom of the world. Jurojin is known to enjoy rice and wine and has a rather cheerful disposition. Finally, Jurojin is an incarnation of the southern polestar.

Kichijoten – Also known as Kisshoten or Kisshoutennyo. Kichijoten was adopted into Buddhism from the Hindu goddess Lakshmi. Kichijoten is shown holding a Nyoihoju gem in her hand. The Butsuzozu compendium from 1783 lists and has Kichijoten replace Fukurokuju as one of the seven Shichi Fukujin. By this accounting, Daikoku is portrayed as being feminine and all three of the Hindu Tridevi goddesses are seen represented among the Shichi Fukujin.

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Maui

Also known as: Maaui-Tikitiki (Maori/New Zealand)

Alternate Spellings: Māui

Epithets: Maui-Tikitiki “Maui the Top-Knot,” Maui-Tikitiki-a-Taranga “Maui the Top-Knot of Taranga,” Maui-Potiki “Maui the Last Born”

In Polynesian mythology, Maui is either a trickster demigod or god and in some stories, a mere mortal man. Most of his stories and exploits are best known from the Hawaiian and Maori legends though many other Polynesian cultures such as Mangarevan, Tahitian and Tongan have their own stories regarding this trickster hero. Among the Samoans, Maui is known as Ti’iTi’i. Many of the stories involving Maui make note of him being the youngest son, thus while small, he was extremely strong for his size.

Description

Maui is sometimes described as being ugly, quick to respond as well as quick-witted covered in tattoos. Lucky for humans, for all that Maui is known for having some vicious practical jokes, he works to help people and not the Gods.

Parentage and Family

Parents

In the Hawaiian Kumulipo, Maui is the son of Akalana and Hina-a-ke-ahi (or just Hina, a goddess).

In another Hawaiian legend, Maui’s father is given as Ru.

In the Mangarevan myths, Maui is the son of Ataraga (Father) and Uaega (Mother).

In the Maori myths, Maui is the son of Makeatutara (Father) and Taranga (Mother).

Tangaroa – This Maori god of the sea is sometimes mentioned as being Maui’s father with his mother being a mortal woman.

Siblings

Akalana and Hina had four sons: Maui-Mua, Maui-Waena (or Maui-Hope), Maui-Ki’iki’i and Maui-a-Kalana.

In the Mangarevan myths, Ataraga has eight sons all named Maui: Maui-mua, Maui-muri, Maui-toere-mataroa, Tumei-hauhia, Maui-tikitiki-toga, Maui-matavaru, Maui-taha, Maui-roto. It is Maui matavaru or eight-eyed who is the culture hero.

In the Maori myths, Maui has four brothers: Maui-Taha, Maui-Roto, Maui-Pae and Maui-Waho.

Consort

Hinakealohaila – She is the wife to Maui-a-Kalana in Hawaiian legends.

Children

Nanamaoa – The son of Maui-a-Kalana and Hinakealohaila in Hawaiian legends.

Manaiakalani

This is the name of Maui’s great, big fish-hook. In the Hawaiian legends, it is baited with the wing of an Alae, the sacred or pet bird of Hina. This fish-hook was created from the jawbone of an ancestor of Maui’s, usually given as being his grandmother.

Maui’s Fish-Hook can be seen in the night-sky in the same constellation recognized by Western Culture as Scorpio.

Hawaiian Mythology

Hawaiian Islands

While yes, there is an island called Maui in Hawaii, it is not named for the trickster Maui. Legend holds that the island is named for the son of Hawai’iloa, a great navigator who discovered the Hawaiian Islands. Each of the islands of Kaua’i, O’ahu, and Maui are named after one of Hawai’iloa’s sons.

Kupua

These were a group of heroic trickster demigods in Hawaiian legends. All kupua are shape-shifters who took the forms of either humans or various elements in nature, often an animal. Many kupua are rather malevolent and vindictive. Maui appears to be one of the more beneficial and gentler kupua in comparison.

Pulling Up The Islands

There are many variations to the story of Maui using his fish-hook to pull up all eight of the Hawaiian Islands.

Version 1 – Maui had gone out fishing one day with his brother. In typical sibling rivalry, the brother wouldn’t share any of his bait with Maui. Ever the resourceful one, Maui punched his own nose and used his own blood as bait to fish. He succeeded in bringing in hauls so large, that they would become the Hawaiian Islands. Not just Hawaii, but all the Polynesian Islands were pulled up in this way.

Version 2 – Maui had gone out fishing with his brothers. While out there, Maui caught his hook on the ocean floor. Maui then told his brothers he had caught a large fish and to start paddling as hard and as fast as they can. The brothers never noticed the island rising up behind them out of the ocean. Maui of course, proceeds to do this several more times, pulling up all the Hawaiian Islands.

Version 3 – This is perhaps the more interesting version of the stories. Maui planted his fish-hook at Hamakua with the intent to pull up Pimoe, the god of fish. Maui warned his brothers not to look back as they paddled their boats or this venture would fail. Hina, shape-shifted into a bailing-gourd and Maui, not realizing it was his mother, took hold of the gourd and put it in front of his seat. Now suddenly, there appeared before them, an extremely beautiful woman and all of Maui’s brothers looked back out of curiosity. Having looked back, Hina in her disguise disappeared and the line breaks, causing all of the islands that Maui was trying to unite into one giant island falls apart and he is unable to catch Pimoe.

The Theft Of Fire

Version 1 – In order to steal fire for the people of the islands, Maui transformed himself into the guise of a hawk so he could get closer the Earth-Mother. To this day, the hawk’s feathers are brown in memory of Maui being burned by the flames when he brought the gift of fire.

Version 2 – In this story, Maui and his brother would go out fishing every day. Every morning they would always see a bunch of Kiawe trees smoking and flames coming up out of them. Hovering above all this were some vultures, also known as mud hens or ‘alae.

Maui and his brothers constantly tried to sneak up on the vultures, thinking they were responsible for the fire. However, just before getting close enough, there would be a noise that scared them all off.

Maui came up with the idea of creating a dummy that looked like him and placed in the canoe. Now Maui had his brothers take the dummy with them as they would go one direction and Maui would come from the other as they tried to sneak up on the vultures.

Maui snuck up on the bird and grabbed it by the neck, forcing it to tell him the secrets of fire. The vulture, an ‘alae told Maui to take and rub two maia peels together. When nothing happened, Maui nearly choked the bird to death, telling it to tell the truth. Finally the bird said to rub to Ti leaf stalks together. Nothing happened this time and Maui once more choked the bird who said to rub two dry kiawe sticks together.

This time, Maui had success with creating fire. He took the flaming stick and pressed it against the ‘alae’s forehead, making their head red and bald to remind it and other ‘alae’s thereafter of their selfish act.

Slowing Down The Sun

Version 1 – In this story, Maui’s mother, Hina complained about how the sun moved too quickly through the sky, that she barely had time to get her kapa, bark cloth dry. Hina wasn’t the only one, many people hurried to get their work such as planting, cooking or making clothing done in the few hours of daylight. There just wasn’t time with how fast the Sun moved.

Deciding to help his mother and the other people, Maui hid behind a big rock at the highest peak on the island known as Haleakala, the “House Of The Sun.” When the Sun passed by overhead, Maui quickly threw a rope, made from his sister’s hair with his magic hook tied to the end and lassoed the Sun’s rays with it. Some legends have Maui using a net to trap the Sun. The Sun demanded to be let go and Maui would only do so if the Sun would promise to move slower through the day so people could get their work done. Some versions of the story have Maui beating the Sun with his jawbone until it agreed to move slower. Added to this, Maui took one look at the sky and decided it hung too low. With a shove and heave, Maui pushed the sky up higher.

Version 2 – In this telling of the story, Hina sends Maui to a big wiliwili tree where he finds his old, blind grandmother laying out bananas. Ever mischievous, Maui starts stealing bananas from his grandmother, one by one until she catches him in the act. Maui tells his Grandmother about his mother’s complaints and sending him out to the tree. After hearing the story, Grandmother decides to help him with making a rope. Maui then sits by the tree, waiting until the Sun passes by overhead and he lassos it, forcing it to agree to slow it’s progress across the sky.

Version 3 – Very similar to the story in Version 2, Maui decides to slow down the sun after a man by the name of Moemoe taunts him and says it can’t be done. Just to prove him wrong, Maui sets off to slow down the sun much like he did earlier with finding his grandmother and getting her help. After Maui slows down the sun, he chases after Moemoe and beats him soundly.

Lifting The Sky

While a similar story of Maui lifting the sky is told in his quest to slow down the sun, there is another expanded version of this story.

After a while, as Maui was looking around, he could see that the sky was far too low to the ground and that people were unable to stand up straight. Being Maui, if he didn’t like a thing, he went about changing it. As it just so happened to be, the sky was sinking or lowering and would have made living on the earth impossible for humans.

Maui proceeded to travel to the town of Lahaina, to enlist his father into helping him lift the sky. There, Maui laid himself on the ground and then bracing himself, pushed the sky upwards with all of his considerable strength.

At the signal, Maui’s father, Ru also began pushing with all his might, aiding his son in getting the sky up high enough so people could stand upright. So there you have it, another of Maui’s deeds done.

Variations – In other retellings of this story, Maui lifts up the sky when he comes across a girl complaining how the sky was too low and that she couldn’t do her chores. Like any guy seeking to impress a girl, Maui decided to push up the sky for her.

Yet another variation is that Maui was busy making an earth oven when his poker got stuck up in the sky. To get his poker unstuck and to keep it from getting stuck again, Maui simply pushed the sky up higher. Again, this was all part of impressing a girl.

Defeating The Long Eel

Still one more legend of Maui’s to cover in Hawaiian mythology!

After Maui finished pulling up all of the islands with his Fish-Hook, he decided to start exploring them to find out what all was there. Traveling to each of the islands, Maui discovered that they were all inhabitable. There were houses, but no one living in them, no one in the whole of all the islands.

Taking ideas from the layout and build of the houses, Maui returned home and built a new house for himself in the style of what he had seen on the islands. Finished, Maui then sought out Hinakealohaila (or just Hina, not to be confused with his mother) to marry.

Time passed and Hina went down to a nearby river bank to get some water. While down there, Hina ran into the Long Eel Tuna, who just so happened to decide that striking Hina and covering her in slime was somehow a good idea.

Hina ran back home, but didn’t tell Maui of what transpired. Or at least, not yet.

The next day, Hina went back down to the riverbank and the same thing happened. The Long Eel Tuna hitting and covering her with slime again. This time, when she returned home, Hina told Maui about what happened.

Angry, Maui headed down to the river. Once down there, Maui laid out a number of traps designed to lure the Long Eel Tuna out of hiding. When the Eel Tuna emerged, Mauil used his stone axe to kill them. It seems that the Long Eel Tuna had been causing many people in the village problems. Thanks now to Maui, everyone would be safe.

Mangarevan Mythology

In this mythology cycle, the Maui known as Maui the Eight-Eyed is the hero, born from his mother’s navel and raised by his grandfather, Te Rupe. This Maui has a magic staff called Atua-Tane and a hatchet called Iraiapatapata. Like the Hawaiian and Maori legends, Maui still pulls up the islands from the sea and ties up the sun with locks of hair to slow it down or hold in place.

Maori Mythology

The legend of Maui among the Maori is a long epic.

The Birth Of Maui

Maui was born the son of Taranga and Makeatutara. Considered a miraculous birth, Makeatutara had taken her premature baby and threw it into the ocean wrapped in locks of hair from her topknot. Hence, Maui is known as Maui-Tikitiki-A-Taranga. Fortunately for the infant Maui, ocean spirits found him and wrapping him in seaweed, took him to Tama-Nui-Te-Ra (or Rangi), a divine ancestor who raised the child.

It is Maori tradition, that any baby prematurely born is buried with special incantations and ceremonies least the spirit of the unborn child become a malicious spirit as they had never known any joy or happiness in life. Given what happens later in the stories with Maui, this may be why they bury the baby with rites and ceremonies instead of tossing them into the ocean. It would certainly explain all the mean spirited tricks and deeds that Maui performs.

Reuniting With His Family

Once Maui was a child and no longer a premature infant, he left the sea, going search of his mother and family. When Maui found his mother’s house, he discovered four other older brothers: Maui-Taha, Maui-Roto, Maui-Pae and Maui-Waho.

Understandably, the brothers were all leery of this new comer. Maui won them all over by performing many tricks such as transforming into a number of different birds. The brothers were greatly impressed and accepted Maui.

As for his mother, Maui introduced himself to Taranga when everyone was gathered for some dancing and celebrating. Maui sat down behind his brothers, when Taranga called for her children, she discovered a fifth unknown child among her sons. Maui soon proved he was Taranga’s son and he was accepted into the family.

At first, some of Maui’s brothers were jealous. They were put at easy by the eldest brother telling them how they should let Maui be counted among them, that in days of peace, they should be generous to others by helping to improve the welfare of others and that in times of war, that’s only when disputes should be settled with violence. The speech worked and Maui was finally welcomed home.

Maui Finding His Father

Though Maui stayed with his mother and his brothers, each morning, his mother Taranga would disappear. None of Maui’s older brothers seemed concerned about their mother’s disappearance each morning. This bothered Maui who wondered where Taranga would go each morning before they woke.

When nightfall came again, Taranga returned to her children, they all went to sleep as before on other nights in their house. This time, Maui stayed awake so that when everyone else had fallen asleep, he stole Taranga’s clothing and hid them. Then Maui went and hid himself in the crevice of a window above the doorway so that when morning came, he could see where it was that his mother went.

After what seemed like forever, morning finally came and Taranga awoke. Upon finding she was naked, Taranga began frantically looking for her clothes, finally she gave up and began pulling off pieces of siding from the house to cover herself. Covered, she now ran outside.

Watching from his hiding spot, Maui watched as his mother reach down to some tufts of grass, revealing a hole that she disappeared into and pulling close behind her. Curious, Maui came out of his hiding spot and ran to the spot where the grass had been pulled up. Sure enough, he found the opening to a cave descending deep into the earth, to the Underworld in fact.

Covering the hole again, Maui returned to the house and woke up his brothers. He asked them about where it is that their father and mother went during the day. The older brothers answered that they didn’t know. They taunted Maui saying he shouldn’t worry or bother and that Rangi, the god of the sky was their father.

Little Maui responded how he had been brought up differently from his brothers, having been tossed to the sea. That he had never been nursed by their mother and how he longed to find where it was that she and father went to during the day.

Surprised by the response, Maui’s brothers encouraged to try and find their parents. Maui said that he would go and demonstrated to them his ability to turn into a bird. It was only with the kereru or wood pigeon shape that his brothers were impressed. The ability to shapeshift was something that only a skilled magician with a lot magic could perform and Maui delighted in his being the youngest brother, able to do something the others couldn’t.

Bidding farewell to his brothers, Maui took off in pigeon form to seek after his parents. Long Maui flew off into the forest and down to the cave his mother had disappeared into. Eventually, Maui came to a place where he saw many people gathered in a grove of trees. Among these people, Maui spotted his mother seated by whom he could only assume to be his father.

Still in bird form, Maui descended to a lower branch where he could pick off some berries growing. These berries, Maui dropped down to his father on the head with. Some of the other people at the gathering asked if the bird had dropped the berry and Maui’s father, Makeatutara insisted the berry had only fallen by chance.

Once more, Maui plucked more berries and threw them down hard at both of his parents. As Maui’s parents cried out, the other people gathered there, looked up to the tree and seeing only a pigeon sitting there cooing, began to throw stones at the bird. All the stones missed and it was when Maui’s father threw a stone at the bird that he hit the pigeon, but only because Maui allowed it.

The pigeon fell to the ground and when the others ran up to it, it turned into a man. The others were taken aback for the eyes of the young man who now stood before them were red and fierce looking. Talking amongst themselves, the others discussed if the man standing before them was a god like Rangi and Papa-Tu-A-Nuku. Finally Taranga spoke up and said the man looked like someone knew and repeated the story of Maui’s premature birth everyone to hear.

Taranga then asked the man, Maui who he was and where he came from. When she asked Maui, if he was her child Maui-Tikitiki-O-Taranga, he answered yes and Taranga welcomed him where she seemed to prophesy that he would visit his ancestor, Hine-Nui-Te-Po and conquer death.

Now a man, Maui’s father Makeatutara took him down to the river to be baptized in order to cleanse and purify his son. As luck would have it, Makeatutara made a mistake during the ceremony with incantations, having skipped over parts and forgotten them. This mistake was an ill omen that would eventually lead to the death of Maui. The gods would be sure to punish this forgetfulness with Maui’s eventual death.

In the meantime, however, Maui returned to his brothers to tell them he had found their parents and how to find them too.

Maui Getting Bloodthirsty

After returning to his brothers, Maui ended up slaying and carrying away his first victim, the daughter of Maru-Te-Whare-Aitu. Not long after, Maui proceeded to destroy the crops of Maru-Te-Whare-Aitu, causing them to all wither.

Maui Gaining His Jaw-Bone Weapon

His first war raid done, Maui once more visited his parents. While with them, he noticed how the other people would be carrying away some food as if it were being taken to someone.

When he asked for who, they informed Maui it was for an ancestress, Muri-Ranga-Whenua, an old chief. Maui responded with saying that he would take the food to her.

In typical trickster fashion, Maui didn’t take any of the food to Muri-Ranga-Whenua. Instead he set them to the side, hiding them away. Eventually Muri-Ranga-Whenua wondered why her food wasn’t coming and suspecting that something was up, she wandered down the path, sniffing.

Finally smelling something coming, Muri-Ranga-Whenua’s stomach began to enlarge as she got ready to devour Maui as soon as he came close enough. Maui went up wind of the old chief so she couldn’t find him. Turning westward, Muri-Ranga-Whenua finally smelled someone close to her, realizing it was a human.

Muri-Ranga-Whenua’s stomach shrunk back to normal size and she greeted Maui as one of her descendants. Her next question was why Maui wasn’t bring her food. Maui answered that he was seeking for Muri-Ranga-Whenua’s jaw-bone to use as a weapon. The old chief consented and gave Maui the bone.

Holding Back The Sun

Similar to the story found in the Hawaiian cycle, Maui for his next quest, takes the jaw-bone of an ancestor, Muri-Ranga-Whenua to use as a weapon. He uses this jaw-bone to ensnare the Sun so it will be forced to move slower throughout the day, thus making the days longer. With the aid of his brothers, Maui lassoes the Sun and beats them soundly until the Sun agrees to move slower.

Variation – Sometimes a net is mentioned as what Maui used to catch the Sun before Maui and his brother beat the Sun senseless with his magic jawbone to the point it could limp slowly now across the sky.

Gone Fishing – Part 1

Somewhere along the line, Maui got married and had a number of wives and children to boot. When Maui and his brothers returned from the feat of Holding back and slowing down the sun, he heard the complaints of his family and how they had no fish to eat.

Maui assured his wives and children not to fret, he would soon take care of this trivial matter and they would soon enough have food to eat. He then took his jaw-bone and fashioned it into a fish-hook.

When Maui’s brother headed out to go fishing, Maui jumped in the canoe. His brothers yelled for Maui to get out of the boat, claiming that his constant use of magic would cause problems. Eventually Maui got out of the canoe seeing as his brothers refused to take him.

Determined, Maui just waited until it was night when he went back to the beach and his brothers’ canoe. This time he hid in the bottom, under some boards. When his brothers came at dawn, they headed out to sea, none the wiser that Maui was hidden on board.

Once they were well at sea, Maui came out of his hiding spot. Seeing him, his brothers commented that they had better return to shore. Using his magic, Maui stretched out the distance from the shore to the boat that when his brothers looked for land, it was out of view.

Maui told his brothers that they should let him come with, at the very least he could be able to bail water out of the canoe for them. The brothers consented and they paddled on towards their fishing spot. Maui wasn’t content and told his brothers to paddle out further before dropping anchor, which spot would be far out of view of land.

Far out on the open ocean, the brothers now began to fish and soon, easily they had their canoe filled with fish in no time.

Pulling Up The Islands – Part 2

Continuing from Gone Fishing, this story is similar to the previously mentioned Hawaiian story of Pulling Up The Islands. Now that the brothers had filled the canoe, they wanted to return, but not Maui who now wanted a turn at fishing.

The North Island – Maui’s brothers wanted to know where he got a fishing-hook from, to which he told them never mind. When he asked to borrow of their bait, his brothers refused. With no other recourse, Maui made a fist and struck his own nose, using his own blood for bait.

With that and using incantations, Maui managed to snag the porch of a carved house on the sea bed floor and pulled up not just the house with his superhuman strength, but an entire island. Witht his much land pulled up, the canoe became grounded.

With the newly pulled up land and the haul of fish that had been caught, Maui went to go make an offering of thanks to the gods. He instructed his brothers to wait until her returned before eating or cutting up any of the fish, that everyone would get a fair share.

While Maui went to get a priest to bless, consecrate and purify the land, his brothers went ahead and started to cut up the fish that were also pulled up. These fish began to writhe in agony and in their throes, the mountains, cliffs and valleys of the island were formed. It’s been said if the brothers had waited for Maui to make his offerings, the island would have all been level plains and forest, making it easy for people to traverse it. The Maori call this land Te Ika-a-Maaui, the Fish of Maui or Hahau-Whenua, it is the North Island of New Zealand.

The South Island – By Maori tradition, Maui’s canoe becomes the South Island. The Banks Peninsula is said to be where Maui place his foot to support himself as he pulled in his fish haul. The island is known as Te Waipounamu or Te Waka-A-Maui, the canoe of Maui.

The Secret Of Fire

The secret for the creation of fire had been lost and Maui decided to remedy that situation. Of course, if Maui didn’t have it in his head to pull the stunt of putting out all of the fires for the cooking houses in the village, there would still be fire. But no, Maui puts them all out and then calls out, saying he’s hungry and getting someone to come cook up some food for him and there’s no fire to be had, anywhere.

When Maui’s mother heard there was no fire, she implored the servants to seek out Mahu-Ika to see if she would send more fire. The servants refused, no matter how Maui’s mother and others insisted they go.

Finally, Maui spoke up and said that he would go and get more fire. In order to do so, he needed to know which way to go. His parents informed Maui which path he should go, that he should let Mahu-Ika know who he was and that he shouldn’t perform any of his tricks as too often, his tricks brought harm and injury to others.

Yes, they’re on to you Maui!

Of course, Maui assured his folks he was only interested in bringing fire, he wasn’t going to do anything else, he’d go and come back right away. Honest!

So off he goes, in search of Mahu-Ika, the goddess of fire and his ancestor. When Maui found Mahu-Ika, he was filled with wonder and awe, all he could do was stare before he finally spoke up asking her where the fire was, he had come to get some.

Mahu-Ika got up and asked who Maui was. At first, Maui wouldn’t tell Mahu-Ika was, making her do a quessing game of which country he was from and which direction he had come. Finally, when Mahu-Ika asked Maui if he had come on the wind, he said yes and she recognized him as one of her descendants.

Mahu-Ika proceeded to pull out a fingernail from which fire flowed out. This she gave to Maui who was amazed by the feat. Maui took the fingernail away with him and when he was out of sight, he promptly put the fire out.

Maui returned to Mahu-Ika saying that the fire she had given him had gone out and to give him another. Once more, Mahu-Ika pulled one of her fingernails out, producing fire to give to Maui once more.

Maui managed to keep this antic up of coming back to Mahu-Ika saying the fire had gone out until he had gotten her to pull out all of the nails from her hands and feet save for the nail of her big toe. Nine times and Mahu-Ika finally catches on that Maui might be playing tricks on her.

Angry, Mahu-Ika pulled the last nail out and slamming it on the ground, she told Maui that he now had all the fire as everything around them began to catch fire. Maui made a mad dash to escape with the fire quickly gaining. Maui changed himself into an eagle (or hawk) to be fast enough to escape.

Even as an eagle, his flight wasn’t enough and the fire was about to consume Maui; he called on his ancestors Tawhiri-Ma-Tea and Whatitiri-Matakatak to send rain. The ancestors answered and soon there was a heavy rain. Mahu-Ika was nearly killed in the resulting downpour before she could hide. Maui however, in his eagle form was scorched, resulting in black-tipped wings. Mahu-Ika saved some of her fire by placing it in the wood of trees.

When Maui returned from this latest stunt, his parents tried to warn him about trying to trick his ancestors and that he deserved what he got. They concluded the speech that things would end badly and likely in his death if he didn’t stop his behavior. Maui taunted his parents, saying what did he care, he planned to continue. With that, Maui went off to seek out his next round of mischief.

Variation – A little simpler, Maui gained the secrets of fire by stealing a hen from heaven as fire was believed to be guarded by a celestial chicken.

Turning Irawaru Into A Dog

Shortly after his theft of fire, Maui went out fishing with his brother in law, Irawaru who had married Maui’s younger sister Hinauri, Maui as per his luck, had only caught one fish while Irawaru was catching plenty of fish. Fuming his poor luck, Maui lost his cool when Irawaru’s line got tangled with his. The classic two fishermen tugging on their respective lines, each in the opposite direction.

The two began arguing about how it was their fish on the line and to let go. Finally Irawaru relented and let go of his line enough that Maui was able to pull up on his end. Once the line was pulled up, Maui saw that the fish caught was indeed on Irawaru’s line and that it was his line entangled with the other.

Mad, Maui said they should return to shore and the two began paddling. Once back to shore, Maui had Irawaru lift up the canoe to his back as part of pulling it in. No sooner had Irawaru gotten the canoe up onto this back than Maui jumped on it, forcing the whole weight down on his brother-in-law, nearly killing him.

Nearly dead, Maui continued to trample Irawaru’s body, twisting and forming him through the use of magic into a dog. Maui completed the job by force feeding Irawaru some dung.

Eww…

That done, Maui went back to the village, acting like nothing had happened. It’s then, that Maui’s little sister Hinauri on seeing him, ran up to asked where her husband Irawaru was.  Maui responded with that he had left Irawaru back with the canoe. Well how come the two of them didn’t return together? Oh, well that’s because Irawaru wanted Hinauri’s help with bringing back the fish. So you had better hurry and if you don’t see him, just call out “Mo-i, mo-i, mo-i.”

Hinauri hurried down to the beach looking for her husband. Not seeing him, she called Irawaru’s name and when there was no response, then she called as Maui had told her to with the “Mo-i, mo-i, mo-i.”

Irawaru, now in his dog form, recognized his wife and barked back. He followed her all the way back to the village wagging his tail. Seeing what had happened to her husband, Hinauri became very distraught with grief to the point that she threw herself into the sea.

As to Maui, that antic seems rather petty to have done, but no different from say the Greek gods taking it out on mortals. Maui was now at a point that he found it best to leave the village and once more return to the Underworld where his parents lived.

Variation – Sometimes the story of Maui turning Irawaru into a dog is told that they were on their way to another village not far away. As they were headed on the return trip home, Maui had asked Irawaru to carry some food for them. Irawaru said there was no need to, they had just eaten a meal and it was only a short ways home.

This angered Maui and he used his magic to make the journey home take longer than it should have. As they continued to walk on the seemingly endless road, both Maui and Irawaru grew tired and hungry.

As they sat down, Maui pulled the food he had brought for himself after all and proceeded to eat right in front of Irawaru.

If it had been me, I would have left it at that.

Not Maui, after finishing his meal and not offering anything to Irawaru, Maui asked his brother-in-law to clean and dress his hair. Irawaru supposed that was harmless enough and did the job for Maui. When he had finished, Maui offered to clean and dress Irawaru’s hair for him. Thinking nothing of it, Irawaru allowed Maui to do so. Maui put Irawaru into an enchanted sleep and with further magic, changed Irawaru into a dog.

Either way, in Maori legends, Irawaru is the progenitor of all dogs.

The Death Of Maui

Version 1 – In this version of Maui’s death, people got tired of all his antics and decided to kill him. As a result, Maui’s blood is what creates rainbows and is responsible for the color of shrimp.

But that’s not a very exiting end for a hero and trouble maker.

Version 2: The Quest for Immortality! – This one is more exciting and noteworthy.

Following the events of a botched baptismal ceremony, Maui takes it on himself to go win immortality for humankind. Maui’s father, Makeatutara tries to dissuade him of the notion, that he will fail and that someone will kill him.

Of course, since Maui’s last antics involved turning Irawaru into a dog, he’s looking to leave the village anyways. He’s certainly gotten more than enough people upset with him, Maui heads off for the Underworld where his parents are at.

After staying with his folks for some time, Maui’s father, Makeatutara makes mention of how they have heard of Maui’s deeds up in the living world, but being down here in the Underworld, he’s sure to be defeated at some point. Makeatutara is also remembering the botched baptismal ceremony, knowing that Maui will come to a bad end.

Maui scoffs at this notion of someone defeating him, who after all would do that? Makeatutara says it would be Maui’s ancestor, Hine-Nui-Te-Po, the goddess of the Night. Undaunted, Maui boasts of his many previous deeds with pulling up the islands and slowing down the sun, saying that it won’t be possible to beat him.

Makeatutara relents and tells Maui to go find his ancestress who lives far on the horizon. After asking what she looks like, Makeatutara told Maui his ancestor, Hine-Nui-Te-Po looks human but with greenstones for eyes and sea kelp hair, barracuda mouth and that the red flashing of light came from her.

Unfazed, Maui set off towards the west with companions towards the home of Hine-Nui-Te-Po. In some versions of the stories, these companions of Maui are birds such as the tomtit, robin, warbler and fantail. In other versions, these companions are Maui’s brothers.

Eventually, Maui finds Hine-Nui-Te-Po asleep with her legs spread apart. Maui and his companions were quick to note rows of sharp obsidian and greenstones between Hine’s legs.

Maui now informed the others of his master plan, telling his companions not to laugh and to save it for after. Maui planned to enter Hine-Nui-Te-Po’s vagina, in a reverse birth process and to exit out her mouth. This, according to Maui was to gain him immortality.

Maui’s companions tried to dissuade him, saying he would be killed. Maui was again undaunted, insisting if his friends did laugh, waking Hini-Nui-Te-Po, then yes, he would die, but if he successfully passed through her, he would live and that she would be the one to die.

This of course is where the companions just shut up and let Maui do his thing as he readied himself, tying a rope that held his battle club around his waist and thrusting off his clothes. Ready, Maui began to climb in, very much the image of reverse birth as his companions did their best not to laugh.

As it happens with these type of stories, the one task you’re not supposed to do, happens and one of the companions couldn’t hold it in anymore and began laughing. One version of the story says it’s the fantail who begins laughing and wakes Hine-Nui-Te-Po who opens her eyes and quickly closes her legs tight, cutting Maui in half.

Instead of immortality, Maui becomes the first person to die, bringing death to the world. Hine-Nui-Te-Po maintained her post as the Goddess of the Underworld the portal to which all humans must pass through on death.

Variation – When Maui set off to gain immortality for humankind, he did so by changing into a worm in order to enter the vagina of Hine-Nui-Te-Po and leaving through her mouth. This stunt didn’t work out so well as Hine-Nui-Te-Po crushed Maui in her sleep with the obsidian teeth in her vagina.

Maui And Rohe

We’re not quite done with Maui! In a few stories, Maui is married to the goddess Rohe whom he ends up mistreating in some rather cruel and unusual means.

Wow, really?

What happens, is that Maui wished to trade faces with Rohe as she is very beautiful and he on the other hand is rather ugly.

Rohe refused to trade faces and when she was asleep, Maui used an incantation to make the trade and switch for faces. When Rohe woke up and realized what happened, she left the living world and departed for the Underworld, becoming the Goddess of Death.

Good one Maui.

Samoan Mythology

In Samoan mythology, the character of Ti’iti’i is very similar to that of Maui. Many of the stories are similar to those of Maui from other Polynesian cultures. One striking similiarity is the story of Ti’iti’i’s theft of fire from the earthquake god, Mafui’e. In this story, Ti’iti’i breaks off one of Mafui’e’s arms, forcing them to reveal the secret of fire and how to rub sticks together for friction to create it.

For the Samoans, the loss of Mafui’e’s arm means that he is unable to create even bigger earthquakes.

Tahitian Mythology

Among the Tahitians, Maui was a prophet or priest who later becomes deified.

He had once been at a sacred place known as a marae busy with some task or other. When the sun began to set before he was finished, Maui grabbed hold of the sun’s rays and halted the movement of the sun so he could complete his task.

Maui became known as Ao-ao-ma-ra’i-a after he discovered fire and passed on his knowledge to others to create it by the use of friction with wood. Before this, people would eat their food raw.

As a final bit of lore, Maui is the one responsible for earthquakes.

Tongan Mythology

Among the Tongans, the Maui stories tell how he pulled up the Tongan islands from the depths of the ocean, starting first with Lofanga, then the other Ha’apai islands and finishing up with Vava’u. That task finished, Maui lived on the island of Tonga. The village of Houma located on the main island of Tongatapu is noted for being the place where Maui’s fish-hook got caught.

In these stories, Maui has two sons: Maui-Atalanga, the eldest and Maui-Kisikisi, the younger. In other sources, there are listed three Maui brothers: Maui-Motu’a (old Maui), Maui-Atalanga and Maui-Kisikisi (dragonfly Maui). It is Maui-Atlanga who discovered the secret of fire and taught others how to cook with it. Maui-Motu, like Atlas from Greek mythos, holds the earth up on his shoulders. Whenever Maui-Motu starts to nod off, he causes earthquakes and people will stomp the ground in order to wake him up. The god, Hikule’o who rules the underworld of Pulotu is Maui-Motu’s youngest son.

Maui-Kisikis is known for being a trickster. He gained the name of Maui-Fusi-Fonua or Maui Land Puller after Maui-Kisikisi begged for a magic fish-hook from an old fisherman by the name of Tongafusifonua. The old man would only allow the fish-hook to be taken on the condition that Maui be able to find it in his collection of hooks. Tongafusifonua’s wife, Tavatava told Maui the secret of how to find the hook and Maui was able to succeed at picking it out from all the other hooks. With this hook, Maui-Kisikisi was able to pull up the coral islands from the bottom of the sea as these volcanic islands were believed to have fallen from the heavens.

Movie Time – Moana!

So of course, the movie came out in 2016, featuring the famous Maui of Polynesian mythology. Since I was curious, I of course wanted to know how much of the mythology and stories that the movie gets right.

It is of course, a new story and the Maui seen in the movie pulls and combines many of the aspects of him found primarily in Hawaiian and Maori legends. Much of which is confirmed during the song: “You’re Welcome” and a quick montage of all of Maui’s deeds that he’s done that have earned him a new tattoo to commemorate the event.

The character of Te Fiti in her darker aspect as Te Ka was originally referred to as Te Po, based on the Maori goddess Hine-Nui-Te-Po, the goddess of night, death and the underworld. Others have noted a strong similarity between Te Ka and the Hawaiian volcano goddess Pele.

Interestingly, while the movie was being developed and written, it incorporates the history of Polynesian people as voyagers who just abruptly ceased and then a thousand years later, start sailing again. Why? No one knows. However, the story of Moana certainly provides an interesting what if story to it.

Thor

Thor & Chariot

Etymology: Originating in the Old Norse, Þórr or þunraz, meaning: “Thunder.”

Pronunciation: thor

 Alternate Spelling: Þórr (Old Norse), ðunor (Old English), Thorr, Thunor, Thonar, Donar (Old High German/ Teutonic), Donner, Thur, Thunar (Old Saxon), Thuner (Old Frisian) or Thunaer

Other Names and Epithets: Thor is known by a number of names and epithets in Norse mythology, poetry and literature.

Tor, Ásabragr (Asabrag, Æsir-Lord), Ása-Þórr (Asa-Thor Æsir-Thor), Atli (The Terrible), Björn (Bjorn, Biorn Bear), Einriði (Eindriði, The One who Rides Alone, The One who Rules Alone), Ennilangr (Ennilang, The One with the Wide Forehead), Harðhugaðr (Hardhugadr, Strong Spirit, Powerful Soul, Fierce Ego, Brave Heart), Harðvéurr (Hardveur The Strong Archer), Hlóriði (Hlórriði, The Loud Rider, The Loud Weather-God), Öku-Þor (Oku-Thor, Ukko-Thor, Cart Thor, Driving Thor), Rymr (Rym, Noise), Sönnungr (Sonnung, The True One), Véþormr (Vethorm, Protector of the Shrine), Véuðr (Véuðr, Véoðr, Veud, Veod), Véurr (Veur, Guard of the Shrine, Hallower), Vingþórr (Vingthor, Battle-Thor, Hallower), The Thunderer and many others

 Thor, the Germanic god of Thunder is found in many Germanic mythologies such as the Teutonic and Norse mythos! Much as I love the Marvel version, what follows will be the proper mythological versions of the legend.

Among the Norse, Thor was a very popular deity who even surpassed the worship of his father Odin. As a god of thunder, strength and war, Thor protected both gods and mortals against evil.

Attributes

Animal: Beetle, Goat

Day of the Week: Thursday

Element: Air

Metal: Iron

Patron of: Farmers, Sailors, Common Man, Warriors

Planet: Jupiter

Plant: Oak

Sphere of Influence: War, Protection of Mankind, Sky, Rain, Strength, Fertility, Hallowing, Healing, Thunder, Lightning, Storms

Symbols: Hammer, Swastika

 Norse Depictions

Not the Marvel comic character of Thor who is blonde and muscular.

In Norse mythology, Thor is described as a large man with red hair and beard that gives off sparks when he’s angry. Further, he is described as having a wide forehead and fierce looking eyes. Thor is also known for not being very smart and having an insatiable appetite, he however, is always dressed for battle.

Another important aspect to Thor is that he is known for being able to change his size. Due to how hot and heavy he is, Thor is unable to cross the Bifrost bridge. He has to wade through the Northern Sea and enter Asgard the long route.

While Thor is known to be overly hasty in his judgments, is a reliable friend and battle companion who will have people’s backs.

What’s In A Name? – Syno-Dieities!

For one, the Romans, as they did with many other cultures that they encountered would equate their gods with those, whom they had in many cases, just conquered. In the case of Thor, while the Norse may not have ever been fully conquered, the Romans saw their god, Jupiter, a god of lightning and thunder in Thor. If the Romans weren’t equating Thor with Jupiter, they were equating Thor with Hercules. Other Indo-European gods equated with Thor have been the Celtic god Taranis, the Baltic Perkunas, the Estonian Taara, the Finno-Ugric Tiermes and Tordöm or Torum, the Slavic Perun and even the Hindu god Indra.

There were several Germanic cultures with incredibly similar mythologies throughout Europe at the time. So many of the deities were often extremely similar in function and myths. The Anglo-Saxons knew Thor by the name of Thunor. In Old English, Thor is known as Þunor where it becomes Donar in the Old High German or Teutonic mythos. Donar is thought to originate from the Common Germanic word Þunraz, meaning “thunder.”

During the Viking Age, many personal names using some form of Thor began to appear and be recorded with increasing frequency. It’s thought that the increased usage for the name Thor was in direct response to the growing Christian religion and resistance to it.

Donar – This is the South German or Teutonic name for Thor. The first record of this name was found on a piece of jewelry dating from the 7th century C.E. during the Migration Period of the Germanic people.

Donar Oak – In the 8th century C.E., there is an account how the Christian missionary, Saint Boniface knocked down an oak tree dedicated to “Jove” in Hesse, Germany.

Indra – A Hindu god, many have pointed towards both Thor and Indra having red hair and Scholars have compared the slaying of Vrita, a demon serpent by Indra with Thor’s battle with Jörmungandr, the Midgard Serpent.

Thunor – this is the Anglo-Saxon storm god and name for Thor.

Germanic Origins & Worship

Thor finds his roots in the Proto-Indo-European religion. He is a very prominent god who is mentioned many times throughout the history of the Germanic peoples from the Bronze Age, to the times of Roman occupation, to their expansions during their Migration Period, to seeing the height of his popularity during the Viking Age and persisting even during the Christianizing of Scandinavia.

Even into modern times, Thor is still found in the rural folklore in many Germanic regions. Many Nordic personal and place names often contained Thor’s name.

A hypothesis put forward by Georges Dumézil for the old Indo-European religion says that Thor represented strength when comparing him to the Hindu god Indra. However, it’s noted that many of Indra’s functions have been taken over by Odin.

Scholars have taken note of Thor’s association with fertility, especially as seen in later folklore where Thor is referred to as Sami Hora galles, the “Good-man Thor.” The equation is made as peasants seeing the side-effects of Thor’s aerial battles in the heaven that bring rain. Which makes sense when seeing Thor as a storm god, fertility would be a side-effect. Further proof is pointed in Thor’s marriage to Sif of whom not much is known about, but may very well be a memory for the divine marriage between the primary Sky God and Earth Goddess.

I’m not sure how much I agree with, but when you’ve got people wanting to connect everything, okay….

What is more practical and pointed out is Thor’s primary and principle function as the god of the second class, common man. Archaeological evidence points towards a three-tiered social hierarchy among the Norse. The first being the nobility and rulers, second being the warriors and the third being the farmers, commoners and everyone else. Thor was primarily the god of warriors and due to his being a storm god, easily stood for the farmers and commoners. As a result, Thor became the most important of the Norse gods, especially during the Viking Age as the lines between the second and third classes began to blur as social changes among the Germanic peoples.

Odin, who was the principle god for the first class appealing to the nobles, rulers, outcasts and anyone who was considered elite. Odin was often seen at odds with Thor as seen in many of the Eddas. One episode has Odin taunting Thor how Odin’s warriors are the nobles who fall in battle and that the thralls who fall in battle belong to Thor. Another episode has Odin blessing a favored hero of his, Starkaðr. For every blessing that Odin would impart, Thor gave a matching curse for Starkaðr.

Thunor’s Mound

This is an example of place names containing the name for Thor, but later forgotten as Christianity replaced the older Pagan religions.

In Kentish royal legends from about the 11th century C.E., there is a story of a reeve of Ecgberht of Kent known as Thunor. He was seen as being so wicked that he was swallowed up by the earth at a place known as þunores hlæwe or “Thunor’s Mound.

Bilskirnir

Thor’s hall of Bilskirnir is found in the region of Thrudheim (or spelt Thruthheim and Þrúðheimr), meaning: “Land of Strength.” Another place known as Þrúðvangr is mentioned as one of Thor’s abodes.

Uppsala

One of Thor’s temples located in Gamla Uppsala, Sweden, here, there is a statue showing Thor wielding a mace with Odin and “Fricco” standing to his right. Uppsala was replaced by a Christian church in 1080 C.E. Priests were appointed to each of the gods who offered up sacrifices. Sacrifices to Thor were only made during times of famine and plague.

Parentage and Family

Grandfather

Borr

Parents

Odin – Not just Thor’s father, Odin is also The All Father in Norse Mythology

 Jord – Mother and Earth Goddess

Sometimes, Thor is said to the son of either Fjorgynn, also an Earth Goddess or Hlodyn.

 Frigg – Thor is sometimes portrayed as Frigg’s stepson.

Consort

Sif – Wife, a fertility goddess

Jarnsaxa – “Iron Cutlass,” A Jötunn and Thor’s Mistress. I guess that means Thor was in a polyamory relationship.

Siblings

Thor is the oldest of several brothers.

Baldr, Höðr, Víðarr, Váli, Hermóðr, Heimdallr, Bragi, Týr

Children

Thrud – Also spelled as Þrúðr. She is likely a Valkyrie. Thor’s daughter with Sif

Magni – Thor’s son with Járnsaxa

Modi – Thor’s son with an unknown mother.

Ullr – Thor is the stepfather to this god of hunting.

Attendants of Thor

Thialfi – Not only Thor’s servant, but the messenger for the gods.

Þjálfi and Röskva – A pair of mortals, brother and sister who accompanied Thor as they ride around in his chariot.

Aesir Versus Vanir

The Aesir gods and Vanir gods of Norse mythology were two different tribes of gods who at first fought each other then started working together.

Thor belongs to the Aesir tribe of gods.

Thursday – Eight Days A Week!

In Western culture, the fourth day of the week is called Thursday or Thor’s Day, named after and for Thor himself. In Old English, this name is Thunresdaeg or Thunor’s Day. In German, the name of this day was known as Þonares dagaz or Donnerstag, meaning: Donar’s Day. Others believe the name of Thursday derives from Jupiter Tanarus, the Thundering Jupiter. In this case it’s taking the name of a Celtic deity and attaching them to a Roman god.

Interpretatio Germanica – This was a practice used during the time of the Romans when the Germanic people adopted the Roman weekly calendar and simply replaced the names of the Roman gods with their own. It easily explains how the Roman calendar and Dies Iovis, “Day of Jupiter” becomes Thursday, “Thor’s Day.”

God Of Thunder & Lightning

Thor is best known as a god of the sky and thunder among the Norse. Since thunder & lightning often mean rain, Thor is also the god of agriculture and fertility.

The 19th century scholar Jacob Grimm wrote how a number of phrases in the Germanic languages refer to Thor. Phrases such as: Thorsvarme meaning “Thor’s Warm” in Norwegian used to describe lightning; godgubben åfar meaning “The good old fellow is taking a ride” in Sweden along with tordön, meaning: “Thor’s rumble” or “Thor’s thunder” to describe when it thunders. According to Montelius, thunderbolts were known as Thorsviggar.

In Scandinavia, there is a folk belief that lightning will frighten away trolls and jötnar. This is likely a reflection of Thor’s pen chance for fighting giants. The evidence for a lack of trolls and ettins in Scandinavia is given that it is due to Thor’s accuracy and proficiency with his lightning strikes.

Swastika

Once upon a time, this symbol was a protective religious symbol. While many who are already familiar with the history of this symbol are familiar with the sun or solar wheel. The swastika was also associated with Thor as this symbol was thought to represent Mjollnir or lightning.

As a protective sigil, it had been worn by women and archaeological searches have found the swastika depicted on many women’s graves. It’s thought to have been used by warriors too as it represented Thor’s lightning and used alternatively with a hammer symbol when going into battle. The symbol has been found on many memorial stones throughout Scandinavia next to inscriptions for Thor and a sword was found with an image of the swastika on the pommel. This symbol appears in many places on many Germanic artifacts dating from the Migration Period and Viking Ages.

God Of Craftsmanship

 As a god of craftsmanship, it also made him the common man’s god from farmers to sailors.

God Of Healing

A Canterbury Charm dating from the 11th century C.E. has a runic inscription calling upon Thor to heal a wound by banishing a þurs or thurs.

In the Elder Futhark, the rune ᚦ or Thurs may have likely referred to dark magic or an evil spirit often called trolls or nisse.

God Of Protection & Strength

For the Germanic peoples, Thor represented the very archetype of the loyal and honorable warrior that warriors would aspire to. He was the defender of Asgard and the Aesir gods, protecting them from the jotuns, their enemies.

Going hand in hand with his role as protector is Thor’s great strength. Without his strength, power or even courage, Thor would not have been able to do his job as a protector of the gods, Asgard and Midgard. Sure Odin and Loki have the brains, it was often Thor with his brawn leading the way to muscle past faceless hordes of jotuns, ogres and trolls to defend everyone while the brains of the operations got their plans working.

A Kvinneby amulet dating from the 11th century C.E. has a runic inscription invoking protection from both Thor and his hammer.

As a weather god, Thor would also protect sailors traveling over the seas.

Hallowing

I find it interesting that Thor specifically is a deity noted for hallowing, that is to make something or someplace sanctified, sacred or holy. I suppose any deity can and do so, just not so explicitly like this.

As many called on Thor for protection and defense, for comfort, it does make a certain sense that he does bless items and places. A number of runic inscriptions found at many archeological sites all testify this. Even weddings were blessed by Thor as seen in the use of a hammer placed on a bride’s lap during marriage ceremonies. Early Icelandic farmers were known to call upon Thor to bless their plot of land before they built or planted crops.

Often Thor’s hammer, Mjollnir was used for blessing and hallowing just as often as he would use it to destroy. So, if he is seen as having the power to banish or destroy, having the power for just the opposite of hallowing is a given.

Thor’s Birthday

Interesting, some sources cite December fifth or even December 25th as the day for Thor’s birth. Imagine that, the same day for Saint Nicholas’ Day (December fifth) and Christmas (December 25th).

Mjollnir – Thor’s Hammer

Meaning “Destroyer” or “Crusher,” Mjollnir is represented as a stylized hammer. Whenever Thor threw Mjollnir, lightning would flash. The hammer would return to Thor’s hand after being thrown, a move symbolic of lightning. The myths describing Mjollnir say it could crush mountains. Mjollnir was crafted for Thor by the dwarven brothers Sindri and Brokkr.

In addition, Mjollnir held another power, that of returning the dead to life. In connection to Thor’s association to fertility and life, there was an old Nordic tradition of placing a hammer in a bride’s lap at her wedding and that of raising a hammer over a newborn.

Mjollnir’s Origins – Loki, the Norse god of trickery was in a rather mischievous mood, deciding it would be a good idea to cut off all of Sif’s hair. With Sif being Thor’s wife, the might god of thunder was not amused one bit. He swore to break every bone in Loki’s body to defend Sif’s honor and Loki pleaded with Thor to let him go to the caves of the dwarves to see if they could help fix the problem of Sif having no hair.

Loki went to the dwarven home where he implored the dwarf, Ivaldi to fashion some new hair for Sif. Ivaldi’s sons crafted a wig composed of the finest strands of gold. In addition, the dwarves made two other gifts, a ship that could easily fold down into a person’s pocket and would always have wind to move it and a magnificent, yet deadly spear.

Seeing these, Loki made a wager with two dwarven brothers, Sindri and Brokkr, betting his own head that the brothers couldn’t craft three gifts of their own for the gods that would be greater than what Ivaldi’s sons had crafted.

As the brothers began working at their forge, Loki shape-shifted into a fly as he attempted to interrupt their work to try and win the bet. While crafting the last gift, a hammer, Loki succeeded at interrupting the brothers enough that the handle of the hammer was too short. Despite this, the hammer was still considered the best of all of the gifts created and it was presented to Thor as he was the only one capable of welding it.

Holy Symbol – This major symbol of Thor’s has appeared in a many archaeological sites in iron, silver and other metal. Hammer shaped amulets were worn as necklaces by worshipers and followers of Thor, even during the Christianizing of Scandinavia as a means of defiance to the incoming religion. Both crosses and hammer shapes have been found side by side at archeological and burial sites.

Megingjard – Belt Of Strength

Meaning “Strength Increaser,” this is another of Thor’s mystical items and regalia. This belt doubled his already considerable strength while wearing it.

Járngreipr – Iron Gloves

These gloves were given to Thor by the female Jotunn Gríðr to defend himself against the giant Geirröd. These gloves were needed when Thor wielded Mjollnir.

Gríðarvölr

An unbreakable staff provided by the female Jotunn Gríðr to defend himself against the giant Geirröd.

Thor’s Chariot

Thor rode around the heavens in a chariot pulled by two goats. These goats’ names are: Tanngnjostr (Teeth-Grinder) & Tanngrisnir (Teeth-Barer or Gap-Tooth.) Thor would kill and eat these goats, after which, they would be resurrected by placing their bones back within their hides. The Old English expression of: þunnorad (“thunder ride”) is likely an allusion to Thor riding around in his chariot.

Thor Versus Giants

The giants or Jotun lived in Jotunheim, one of the nine worlds of Norse mythology. The Jotun of were the main enemies of Thor whom he would strike down by hitting them on the head. While many of the dealings between the gods and Jotun were often civil, the fights and battles were frequent. Thor would lead the charge against the Jotun as he rode his chariot and swinging around his mighty hammer. The lightning and thunder seen during storms were believed to be Thor fighting the Jotun on behalf of the mortal realm of Midgard.

In Norse mythology, the jotun represented the forces of chaos, destruction and entropy that would destroy all of Midgard and the Cosmos if Thor and the other gods didn’t keep them in check.

Half-Giant – Well… more like three-quarters giant really. It seems a little odd that for all that Thor is the protector of the Aesir and Asgard, that Thor is three-quarters giant himself. Odin, his father is a half-giant and his mother, Jord is a giant herself. Despite that lineage, it doesn’t stop Thor or any of the other gods from getting along and standing against the jotuns.

Thor Versus Geirrod – In this story, Loki had been flying around in the form of a falcon when got captured by the jotun, Geirrod. The jotun refused to release Loki unless he could find a way to get Thor to come to his court. Thor did agree, thinking that this would be a peaceful invitation and came without his hammer, Mjollnir.

Along the way, Thor stopped at the home of a friendly female jotun by the name of Grid. She warned Thor how Geirrod really intended to kill Thor. Grid loaned Thor her unbreakable staff, Gríðarvölr.

Finally arriving at Geirrod’s court, Thor was taken to a room where he sat in the only chair present. When Thor sat, the chair began to raise towards the ceiling. Just as Thor was about to be crushed to death, he braced Grid’s staff against the ceiling and pushed his way back to the floor. There were two loud cracks and screams that followed. When Thor looked to see the source, he saw Geirrod’s two daughter laying there in pain as Thor had broken their backs when forcing himself back to the floor as they had been lifting the chair.

Geirrod rushed into the room in a rage, throwing a molten iron rod at Thor. Undaunted, Thor caught the rod easily and Geirrod in a panic, hid behind a pillar. When Thor threw the rod at the pillar, it not only pierced the pillar, but continued through to impale Geirrod, killing him.

The Sun, The Moon & Freyja – One such story has Asgard, the home of the Norse gods getting damaged during a war between the gods. One of the Jotun offered to help rebuild the walls for Asgard, vowing to get it done in a short span of time. The gods accepted this offer, believing it would be an impossible task. The gods promised the Jotun a reward of the sun, the moon and the hand of Freyja in marriage. This Jotun nearly finished the task in the stated time period. However, to prevent having to fulfill the gods end of the bargain, Thor killed the Jotun.

Defeated By Utgard-Loki

This is a story that has two parts to it, beginning easily enough one winter when the jotun were causing huge blocks of ice to fall from the sky down into Midgard into people’s homes and causing vast amounts of snow to cover the fields to prevent planting any crops. As the defender and champion of humanity, Thor journeyed to the realm of Jotuneim with Loki and a couple of other companions.

Part One – Thor Versus Skrymir – In this first part, Thor and Loki met the Jotun known as Skrymir. This giant was so immense, that Thor and his companions mistook him for a hill. There was an oddly shaped mansion that the group found and decided to sleep in for the night. In the morning the group discovered that this mansion was actually one of Skrymir’s gloves. When the group awoke n the morning, they realized what they had taken for a hill was actually the giant, Skyrimir still asleep. Thor tried to crush in the Jotun’s skull with his hammer, Mjollnir. In response, Skrymir merely brushed the blow away as if it were nothing but a fly or leaf.

Despite the efforts of Thor to murder Skyrimir in his sleep, when the giant awoke, he offered to lead the group on their way to Utgard, a city of the jotun.

Part Two – Visiting Utgard – Skrymir led the group to the jotun city of Utgard where the group lost sight of Skrymir and was greeted by a group of jotun, including the king himself, Utgard-Loki. Given the general animosity between the gods and jotun, it’s no surprise that Thor, Loki and their other companions were not welcomed, unless of course they could complete a series of seemingly impossible challenges.

Loki was challenged and lost an eating contest when his opponent not only ate all the meat, but the bones and plate itself. Thialfi, one of the companions with the group, lost a series of three footraces.

It now fell to Thor to fulfill three challenges. As Thor boasted he could drink anyone under the table, a large drinking horn was brought to him with the challenge to finish it all in one gulp. After taking three huge swallows, Thor had only managed to drain the horn a few inches.

With the next challenge, Thor boasted his immense strength and Utgard-Loki challenged Thor to pick up a cat off the ground. After three attempts at moving the cat, Thor was only able to succeed at moving one paw.

Enraged by this, Thor accepted the last challenge of a wrestling match with anyone willing to match strength with him. The only one who would, was an old, frail looking woman. Thinking this would be easy, once again Thor was met with defeat at the hands of a feeble opponent who easily bested the mighty god, bringing him to his knees.

After this, Utgard-Loki declared the contests over and allowed the gods to stay the night and rest before returning home in the morning.

Come daylight, Utgard-Loki led the group out of Jotunheim. Once they were well past the borders, Utgard-Loki revealed himself to have been the giant, Skrymir who lead them to the city. Utgard-Loki proceeded to reveal the secrets of all of the challenges that Thor and his companions undergone.

Loki had been competing with fire, that burns and consumes everything it touches. That Thialfi’s opponent was thought, whom no one can outrun. As to Thor, the drinking horn he had drunk from was connected to the ocean and that he had succeeded in lowering the sea levels. The cat that Thor had tried lifting was none other than Jormungand, the Midgard serpent that encircles the world. As for the old woman, she was Age itself whom no one can defeat. That no matter how fiercely and bravely Thor fought her, even he would fall to her.

Angry at being tricked, Thor raised his hammer Mjollnir only to have the king of giants and his city vanish into thin air.

Thor Versus Hrungnir – One day Odin was out wandering near Jotunheim when he meets the jotun, Hrungnir. Odin challenged the jotun to a horse race back to Asgard. While Odin still won the match, he invited the jotun, Hrungnir to stay for dinner. During the dinner, Hrungnir gets drunk and boasts about how he could destroy Asgard and keep the goddesses as his concubines, including Thor’s own wife, Sif.

Needless to say, Thor didn’t take too well to this boasting and challenged Hrungnir to a fight. The jotun agreed and as Hrungnir had brought no weapons, they went back down to meet up near Jotunheim.

Before getting there, the other jotuns crafted a huge clay figure, some 30 miles high and 10 miles wide whom they brought to life. This clay figure would be Hrungnir’s right-hand man during the upcoming fight.

When Thor arrived, he was unfazed by seeing Hrungnir’s massive clay figure fighting beside him. Using his own trickery, Thor sent his own servant to keep the clay figure busy while Thor battled Hrungnir. When Hrungnir threw a giant whetstone, Thor responded with hurling his hammer, Mjollnir that broke the stone in half before continuing through to smash in Hrungnir’s head.

The Poetic Edda & Other Sagas

Much of what we know about Thor and the other Norse deities comes from the surviving Poetic Edda that was compiled in the 13th century C.E. It is a collection of various poems as follows: Völuspá, Grímnismál, Skírnismál, Hárbarðsljóð, Hymiskviða, Lokasenna, Þrymskviða, Alvíssmál, and Hyndluljóð.

Alvíssmál – In this poem, Thor manages to trick the dwarf, Alviss. When the story starts, Thor meets the dwarf, Alviss who is talking about marriage. Finding the dwarf to be ugly and repulsive, Thor comes to realize that it is own daughter, Thrud who is to be married. Further angered, Thor learns that this marriage was arranged by the other gods while he was away. Alviss however, must still seek Thor’s consent.

In order to get Thor’s permission, Alviss must tell Thor all about the worlds that he has visited. It becomes a rather long question and answer session as Alviss goes into detail about the terrains, different languages of various races and a goodly amount of cosmology.

This long question and answer session is nothing more than a delay tactic by Thor. While Thor comments that he has never met anyone with more wisdom, he has succeeded in delaying Alviss long enough that when the Sun rises, it turns him to stone. Now Thor’s daughter won’t be marrying someone he doesn’t approve. Of course, Thor could have made it easier by simply denying Alviss’ request, but it might have been more problems.

Grímnismál – In this poem, Odin is disguised as Grimnir wherein he is tortured, starved and thirsty. In this state, Grimnir tells a young Agnar about the cosmology of Norse believes, that Thor lives in Þrúðheimr and every day, Thor wades through the rivers Körmt and Örmt and the two Kerlaugar. At the base of the world tree, Yggdrasil, Thor sits as a judge.

Hárbarðsljóð – In this poem, Thor is the central figure. After having traveled “from the east,” Thor comes to an inlet where he tries to get a ride from a ferryman by the name of Hárbarðr (Odin in disguise). The ferryman shouts at Thor from the inlet, being rude and obnoxious. Thor takes this all-in stride at first, keeping his cool. As Hárbarðr becomes more and more aggressive, the two eventually fall into a flyting match.

Flyting? Epic Rap Battles way back in the day. As the match continues, it is revealed that Thor has killed several jötnar (giants) in the east and berserk women in Hlesy (the Danish island of Læsø). Thor loses the match to Hárbarðr and finds himself forced to walk.

It should be noted that the name of Hárbarðr or Harbard means Greybeard.

Hymiskviða – In this poem, Thor is the central character. After the gods have been out hunting and finished eating their prey, they begin to drink. As they drink, the gods decide to “shake the twigs” and interpret what is said. The gods then decide that they will find some cauldron’s at Ægir’s home. Thor gets to Ægir’s home and tells the other god how he needs to prepare a feast for the gods. Annoyed by this, Ægir informs Thor that he and the other gods will need to bring him a suitable cauldron in which to brew some ale in. Searching to no avail, Thor and the other gods are unable to locate such a cauldron. Tyr tells Thor that there may be a proper cauldron to use at Hymir’s place over east in Élivágar.

Stabling his goats, Thor and Tyr head to Hymir’s hall for a large enough cauldron to meet Ægir’s demands. When they arrive, Tyr see his nine-hundred-headed grandmother and his gold-clad mother who welcomes the two with a drinking horn. Hymir comes in and he’s not happy to see Thor. Tyr’s mother helps with finding a large enough cauldron for Ægir’s need for brewing. Thor in the meantime, eats a huge meal consisting of two oxen (while the others only have one) and then falls asleep.

In the morning, Thor awakens and tells Hymir that he wants to go fishing, intending to catch a lot of fish, but he will need bait. Hymir has Thor get bait from his pasture. Thor does so, going out and rips the head off of Hymir’s best ox. I can see why Hymir isn’t happy with seeing Thor.

There’s a break in the poem and it picks up with Thor and Hymir out at sea in a boat, fishing. Hymir manages to catch a few whales. Thor goes and baits his line with the head of the ox and when he throws it out, it is Jörmungandr, the monstrous sea serpent that takes the bait. Undaunted, Thor pulls the serpent up and slams Jörmungandr’s head with his hammer. Jörmungandr lets out a mighty shriek.

There is another break in the poem. However, other sources have commented that what is likely to have happened, is that Hymir cut the line holding Jörmungandr and he slipped back down into the ocean. This incident is also probably the source of the enmity between Thor and Jörmungandr at Ragnarok when the two kill each other.

The poem picks back up with Hymir completely unhappy and quiet as the two row back to shore. Back at shore, Hymir tells Thor to help him carry one of the whales back to his farm. Thor’s response is to pick up the boat, whales and all to carry them back to the farm.

Back at the farm, Thor smashes a crystal goblet that he throws at Hymir’s head at the suggestion of Tyr’s mother. Thor and Tyr are given the cauldron that they came looking for and while Tyr is unable to lift it, Thor is able to at least roll it along.

After leaving Hymir’s place and getting some distance from the farm, Thor and Tyr are attacked by an army of multi-headed creatures all led by Hymir. Thor kills all of the attacking creatures and presumably Hymir. One of Thor’s goats ends up lame, however Thor and Tyr are successful at bringing back a large enough cauldron for Ægir who is able to brew enough ale for everyone. Clearly the feast is enough of a success that the gods return every winter to Ægir’s place for more ale.

Hyndluljóð – In this poem, Freyja offers the jötunn woman, Hyndla a blót or sacrifice to Thor so that she can be protected. The comment is made that Thor doesn’t care much for jötunn women. Which begs the question of why make the offer? Unless because it was Freyja making the offering, knowing that Thor would honor it?

Lokasenna – In this poem, Loki enters a flyting match the gods in Ægir’s hall. Thor isn’t present for this incident. Towards the end of the poem, as things get more heated, the attention is turned towards Sif, Thor’s wife and Loki makes a bold claim to have slept with her. Beyla, a servant of Freyr’s, interrupt and announces that since the mountains are shaking, it must mean that Thor is on his way home. Beyla continues with how Thor will bring an end to the argument. Loki responds with more insults.

Thor does arrive and tell Loki to keep quiet or else he’ll rip off Loki’s head using his hammer. Loki taunts Thor, asking why he is so angry, he won’t be in any mood to fight the wolf, Fenrir after it eats Odin. All this is about the events of Ragnarok that have been foretold. Thor again tells Loki to keep quiet with a threat to throw the trickster god so far into the sky he would never come back down.

Not daunted in the least, Loki tells Thor how he shouldn’t be bragging about his time in the east as the mighty Thor had once cowered in fear inside the thumb of a glove. Once more Thor tells Loki to keep silent with threats to break every bone in his body. Loki continues the taunts, saying he still intends to live, throwing in references to when Thor had met Útgarða-Loki.

Thor gives a fourth and final demand to Loki for silence or else he would send Loki to Hel. At this, Loki ceases his taunts saying that he will leave the hall, knowing that Thor does indeed strike. The segment of the poem containing Thor ends here, but continues on.

 Skírnismál – In this poem, Freyr’s messenger, Skirnir threatens the lovely Gerðr with whom Freyr is in love with. Skirnir’s many threats and curses include those of having Thor, Freyr and Odin himself be angry with her if she doesn’t return Freyr’s advances. I would hope that Gerðr held her ground and said no.

Þrymskviða – Also known as the Lay of Trym, this comedic poem features Thor as a central figure. Thor awakens one morning to discover that his hammer, Mjöllnir is missing. Thor confides in Loki about the missing hammer and that no one knows it’s missing. The two then head to Freyja’s hall to find the missing Mjöllnir. Thor asks Freyja if he can borrow her feathered cloak to which she agrees. At this, Loki takes off with the feathered cloak.

Loki heads to Jötunheimr where the jotunn, Þrymr is making collars for his dogs and trimming the manes of his horses. When Þrymr sees Loki, he asks what is happening among the Æsir and elves and why it is that Loki is alone in Jötunheimr. Loki replies by telling Þrymr how Thor’s hammer, Mjöllnir is missing. Þrymr admits to having taken Mjöllnir and hiding it some eight leagues beneath the earth where Thor will never get it back unless the goddess Freyja is brought to him to be his wife. Loki takes off again, flying back to the Æsir court with Freyja’s cloak.

Thor enquires with Loki if he was successful. Loki tells of what he has found out, that Þrymr took Thor’s hammer and will only give it back if Freyja is brought to Þrymr to be his wife. At this news, Thor and Loki return to Freyja to tell her of the news that she is to be a bride to Þrymr. Angry, Freyja flat out refuses, causing the halls of the Æsir to shake and for her famous necklace, Brísingamen to fall off.

The gods and goddess hold a meeting to debate the matter of Þrymr’s demands. The god Heimdallr puts forth the suggestion that instead of Freyja, that Thor should dress as the bride as a way to get Thor’s hammer back. Thor balks at the idea and Loki seconds Heimdallr’s idea, saying it will be the only that Thor can get his hammer back. For without Mjöllnir, the jötnar will be able to invade Asgard. Relenting, Thor agrees to dress as a bride, taking Freyja’s place. Dressing as a maid to the disguised Thor, Loki goes with Thor down to Jötunheimr.

After arriving in Jötunheimr, Þrymr commands the jötnar of his hall to make the place presentable for Freyja has arrived to be his bride. Þrymr then tells how of all of his treasured animals and objects, that Freyja was the one missing piece to all of his wealth.

Disguised, Loki and Thor meet with Þrymr and all of his jötnar. At the feast, Thor consumes a large amount of food and mead, something that is at odds with Þrymr’s impressions of Freyja. Loki, feigning the part of a shrewd maid, tells Þrymr how that is because Freyja had not eaten anything for eight days in her eagerness to arrive. Þrymr decides that he wants to kiss his bride and when he lifts “Freyja’s” veil, fierce looking eyes stare back at him. Again, Loki says that this is because Freyja hasn’t slept either during the past eight nights.

A poor sister of the jötnar arrives, calling for the bridal gift from Freyja if she cares anything at all for the jötnar. The jötnar then bring out Thor’s hammer, Mjöllnir in order to sanctify the bride as they lay it on “Freyja’s” lap. Þrymr and Freyja will be handfasted by the goddess Var. When Thor sees his hammer, he grabs hold of Mjöllnir and proceeds to beat all of the jötnar with it. Thor even kills the poor sister of the jötnar. Thus, Thor gets his hammer back.

Völuspá – In this poem, a dead völva tells the history of the universe and the future Odin in disguise about the death of Thor. The völva foretells how Thor will battle with the Midgard serpent during the great mythical battle known as Ragnarok. How after slaying the serpent, Thor will only be able to take nine steps before dying from the serpent’s venom.

After the battle, the sky turns black before fire envelops the world, the stars vanishing, flames dancing across the sky, steam rising and the world becoming covered in water before it raises again, once more green and fertile.

The Prose Edda & Other Sagas

Not to be confused with the Poetic Edda, the Prose Edda consists of four books: Prologue, Gylfaginning, Skáldskaparmál, and Háttatal written by Snorri Sturluson.

In the Prose Edda, Thor is a prince of Troy, the son of King Memnon by Troana, the daughter of Priam. In this account, Thor is also known as Tror who is to have married the prophetess Sibyl, identified with Sif. It continues that Thor was raised in Thrace by the chieftain Lorikus whom Thor later kills and takes on the title: King of Thrace. Like later Marvel versions of Thor, this version of Thor also has blonde hair.

Snorri Sturluson explains how the name of the Aesir gods means: “men from Asia” and that Asgard was an “Asian City” that is, Troy. Given that Troy is located anciently in Tyrkland (Turkey) and is part of Asia Minor, that explanation works. So Asialand or Scythia is where Thor is to have founded a new city by the name of Asgard. Odin in this version is a descendant of Thor by twelve generations, who leads an expedition across Germany, Denmark, Sweden and Norway.

So, if Snorri can play around with Thor’s mythology, so can Marvel comics.

Heimskringla

This is another of Snorri Sturluson’s books, written in the 13th century C.E. Statues attributed to Thor are found mentioned in a number of different sagas. Namely the Ynglinga saga, Hákonar saga góða, Ólafs saga Tryggvasonar, and Óláfs saga Helga sagas. In the Ynglinga saga, Thor is described as having been a pagan priest who was given by Odin, another powerful, magic using chieftain to the East, a place in the mythical place of Þrúðvangr, that is now Sweden. A number of popular names for Thor likely originate from the Ynglinga.

Ragnarok – Twilight of the Gods

The final end game of the Norse Gods, this not exactly a happy time as a good many of the gods end up dying.

Jormungand – On the day of Ragnarok, Thor would kill the Midgard Serpent known as Jormungand and then die in turn from the serpent’s poison. Thor’s sons, Magni and Modi would inherit the hammer. Though just how they would split it between them is unknown.

Norse Versus Christianity

Dating from the 800’s C.E., there’s a story how a bunch of priests of Thor had shown up at a Christian monastery of monks. Apparently, word had gotten around and the priests of Thor weren’t happy with how the monks their God were transgressing on Thor’s territory.

The priests of Thor were considering wiping out all of the monks, but knew if they did that, more monks and followers of Christianity would soon arrive.

Thor’s priests then decided on a pretty clever plan, let the gods fight it out for who would be the supreme deity. Thor’s priests were very confident that Thor would show up, leaving the Christian monks to have their God show up. The monks declined the challenge.

It’s an interesting story of people so certain in the reality of their faith and deities.

Old Saxon Baptismal Vow

This codex dating from the 9th century C.E. has the names of three Old Saxon gods, UUôden (Old Saxon “Wodan”), Saxnôte, and Thunaer, listed as demons to be renounced by the Germanic pagans converting to Christianity.

Holtaþórr

This is a specific breed of fox found in Iceland. The name translates to “Thor of the Holt” and receives the name due to their red coats.

Thorwiggar – Thor’s Wedges

In Swedish folklore, these are smooth, wedge-shaped stones that were thrown by Thor at a troll.

In a similar vein, meteorites are considered memorials to Thor due to how heavy they are.

Thorbagge

On the Swedish island of Gotland, this is the name of a beetle named after the god Thor. It is believed that when this beetle is found upside down, that a person can gain Thor’s favor by flipping the beetle back over.

Unfortunately, in other parts of Sweden, this beetle has become demonized with the Christinization of Europe as seen in the name of Thordedjefvul and Thordyfvel, both of which mean “Thor-Devil.”

Attis

Attis

Pronunciation: ætɪs

Alternate Spelling: Atys, Ἄττις or Ἄττης (Greek), Atus, Attus, Attês, Attis or Attin

Etymology: Handsome Boy

Attis is the Phrygian god of shepherds and vegetation. The myth for Attis’ death and resurrection is very symbolic for the death and rebirth cycle that crops and plants go through every spring and winter. Attis’ worship is generally thought to have started around 5000 B.C.E. in Phyrgia and lasted up through the Roman era around 400 C.E.

Images portraying Attis has been found at several Greek sites. A wooden throne displaying a relief of Attis gathering pine cones beneath a pine tree was found in 2007 in the ruins of the Herculaneum. Attis’ likeness has been found on Roman era coins and tombstones. A silvery brass Attis kept at the Rheinisches Landesmuseum of Trier shows Attis dressed in Anatolian costume with trousers fastened together down the front of the legs and with toggles along with the Phrygian cap and a shepherd’s staff.

In myth, whenever Attis is shown with Cybele, he is shown as a younger, lesser deity to her. He is possibly even one of her priestly attendants. During the mid-2nd century B.C.E., various letters from the king of Pergamum to Cybele’s shrine in Pessinos, all address the chief priest as “Attis.” The name Attis was very common in Phyrgia and often used for priests. It is likely that portraying Attis as a deity or priest is a matter of personal interpretation in mythology. The worship of Attis and Cybele are very closely linked and wherever Cybele’s worship spread, the worship of Attis wasn’t far behind.

Attributes

Colors: Blue

Month: March

Planet: Jupiter or Venus

Plant: Pine

Sphere of Influence: Romantic, Nurturing

Stone: Emerald

Parentage and Family

Parents

This can get rather confusing as it varies and depends on the versions of the story given. In some versions, he is the son of Agdistis or Calaus.

Other accounts will place the goddess Cybele as his mother.

And yet further accounts will place the river nymph Nana as his mother by way of her becoming impregnated by an almond seed via Agdistis’ castrated genitalia.

According to Pausanias and Hermesianax, Attis is the son of Calaus, a Phrygian King and that Attis was a eunuch since birth.

Consort

Agdistis – This one can get messed up as Agdistis is either falling in love with their own son or falling in love with their now, separated male half.

Cybele – This one also gets messed up as it involves incest.

Offspring

Baby – An unknown baby, Attis fathered them with Cybele, his mother. Later both Attis and the baby would be killed by Cybele’s father.

What’s In A Name?

It should be noted that the name Attis in Phrygia was both a common name as well was a name or title for a priest. The name has been found on a lot of graffiti, dedications of personal monuments and several shrines dedicated to Cybele.

Cult Of Attis

The worship of Attis pretty much goes hand in hand with the worship of Cybele. There were however still some differences between the two no matter how similar they appeared.

As his own separate cult, Attis’ worship started around 1250 B.C.E. in Dindymon, located where modern Murat Dagi of Gediz, Kütahya is at. As a local god, Attis was associated with the Phrygian trade city of Pessinos that was near Mount Agdistis. Foreigners to the area would associate the local god and daemon, Agdistis with that of the Cybele, the Great Mother.

According to Julian the Apostate’s Oratio 5, Cybele’s cult spread from Anatolia to Greece and then to Rome during its Republican era. The cult of Attis found itself reborn as a eunuch consort that accompanied Cybele wherever she went.

Herculaneum – Excavations at the ruins of this place have yielded a wooden throne relief depicting Attis. The excavations at the Herculaneum have suggested that Attis’ cult was popular during the time of the Mount Vesuvius’ eruption in 79 C.E.

Lydian Influences – According to Pausanias’ writings and the poet Hermesianax, Attis’ father is the Phrygian known as Galaus and was born a eunuch. When he was older, Attis moved to Lydia. There, Attis joined in celebrating Cybele with the Lydians in her orgies. After gaining a lot of esteem with Cybele, Zeus grew angry and jealous. As a result, he sent a boar to wreak havoc among the Lydians’ crops. During the boar’s rampage, many Lydians, including Attis were killed. It is thought that this confirmed why the Gauls living in Pessinus at the time refused to eat pork.

Galli – This is the name for Cybele’s priesthood during Imperial Rome. They were eunuch priests who practiced castration as a sign of their devotion to the goddess Cybele. The Galli castrated themselves in service to Cybele as they thought that doing so would give them the powers of prophecy. After castration, they would dress as women, keeping their hair long and adopting female mannerisms and appearances. The Galli also wore a tall cylindrical hat called a polos. It is known the Galli held orgiastic rituals accompanied by loud cries and the loud noise of flutes, drums and cymbals. While there are certainly the male priests who wore women’s clothing, in some regions there were also known to be female priestesses devoted to Cybele.

In Servius’ account, Attis is the founder of this priesthood with the highest ranking Gallus taking the name of Attis. The more junior Galli was known as Battakes. The Galli located at Pessinus were very politically influential among the Roman Senate.

In Rome, the Galli were forbidden citizenship and the rights of inheritance, as they were eunuchs and unable to have children. This was a very stark contrast to many other priests of other Roman gods who did have families and raise children, particularly of the more senior priests.

The Galli are thought to have castrated themselves in keeping with the myth of Attis where he castrates a king for their unwanted sexual advances and gets castrated in turn by the dying king. Cybele’s priest would have found Attis at the base of a pine tree where he dies and they proceed to bury him. In memory of Atti’s passing, the priests are believed to have emasculated themselves and added him to the celebrations and rites for the goddess Cybele. In Hellenistic Greek, a poet refers to Cybele’s priests as Gallai, a feminine form of the name. The Roman poet Catullus refers to Attis in the masculine form of his name until he is castrated. Catullus then refers to Attis in the feminine form of his name thereafter. Different Roman sources refer to the Galli by a third gender of medium genus or tertium sexus when mentioning them.

During the Megalesia festival, the Galli were permitted to leave their temple under Cybele’s law and go out into the streets begging for money. The standard of dress that the Galli wore, marked them as outsiders to the Roman people. Despite their effeminate dress and mannerisms, the Galli were considered sacred and inviolate as they were part of a state Cult. The Roman prohibitions of castration made the Galli a clear image of curiosity and scorn. The Galli were a constant presence within Roman cities even into Rome’s Christian era.

Attis & Agdistis

We should start a bit from the beginning to give some background to Attis’ relationship to Agdistis.

Agdistis was a hermaphrodite, whom the other deities of Mount Olympus couldn’t handle the huge sexual appetite that a being like Agdistis supposedly has.

Their solution? Make Agdistis single gender like the other gods.

Dionysus or Liber made a potion that they mixed in with Agdistis’ drink so that they would pass out, falling asleep. Dionysus then tied Agdistis’ genitals to a tree or sometimes their own foot. This way, when Agdistis jumped up from their sleep, they rip off their own genitals.

Ouch!

From Agdistis’ spilled blood that hit the earth, an almond tree is to have sprung up. The nymph Nana, the daughter of the river god Sangarius is said to have picked some of the almonds and she either eats them or when laying them on her lap, becomes pregnant and gives birth to the god Attis.

The story continues, that when Attis grew up, he was considered extremely handsome and Agdistis fell in love with him. Their own child and in many ways, just creepy. Attis’ adoptive relatives had plans for the youth to marry the daughter of the King of Pessinus. Other, slight variations to this story have the King punishing Attis with marriage to his daughter for the incestuous affair with his mother.

In either event, when the two are making their marriage vows and ceremony, Agdistis appears and causes all of the wedding guests to become made. Both Attis and the King wind up castrating themselves. The Princess cuts off her own breasts. As a result of the self-inflicted wounds, Attis dies and a suddenly grieving Agdistis pleads with Zeus to restore Attis to life. Zeus intercedes with the promise that Attis won’t die and will be reborn.

Incidentally, a hill or mountain by the same name of Agdistis in Phrygia is where Attis is believed to have been buried.

Other variations to this story have both Agdistis and the goddess Cybele falling in love with Attis.

The Roman Version – In one version of the myths, Cybele, known as Agdistis is thought to have been a hermaphrodite, having been born of the earth where Jupiter’s sperm fell. The gods castrated Agdistis who then becomes the goddess Cybele. Where the severed pieces of Agdistis’ manhood fell, an almond tree grew. The fruit of this tree impregnated the nymph Nana when she placed an almond on her womb. She later gave birth to the god Attis. The baby Attis was abandoned by Nana as she was afraid of her father. The baby Attis was discovered and saved by shepherds. Attis would grow up to become Cybele’s lover.

Pausanias’ Version – Pausanias identifies the Phrygian Sky-God and Earth-Goddess as being Zeus and Gaia.

In Pausanias’ version of the story, while sleeping, Zeus had some of his sperm fall on the ground. This of course created a Daimon that was hermaphroditic having the sexual organs for both male and female. This Daimon would be called Agdistis, another name for Cybele. The other gods feared Agdistis and cut off the male organs. This proceeded to create an almond tree. The daughter of the river Saggarios then took the almond fruit and held it to her bosom where it vanished. The daughter would find later that she was pregnant and give birth to Attis.

Attis & Cybele

This story is one of the major myths involving Cybele and they often include her relationship with Attis, a youthful consort to the goddess. Further, Attis doesn’t become a part of the myth with Cybele until the Roman poet Catullus references him with Cybele as Magna Mater and as the name of the head priest for the Galli. Additionally, pinecones are used as symbols of Attis’ death and rebirth.

The Myth

Attis was Cybele’s young lover who had devoted himself to the goddess. He had a made a promise that he would always be faithful. As fate would have it, Attis in time fell in love with a nymph by the name of Sagaritis (or Sagaris) and they decided to marry. When Cybele learned of this marriage, she burst in on the marriage ceremony, inflicting Attis with madness and sending the other guests into a panic.

In his maddened state, Attis fled for the mountains. There, he stopped under a pine tree and proceeded to mutilate himself to the point of castrating himself and bleeding to death there beneath the pine tree.

When Cybele found her lover, the young Attis dead, she mourned her actions and deeply regretted them. She pleaded with the god Jupiter to restore Attis to life. Jupiter vowed that that pine tree would remain sacred and like the tree, Attis would live again. The blood that Attis shed is said to have become the first violets.

In the versions of the myths where Maeon is Cybele’s father – Maeon kills Attis, the baby whom he sires after committing incest with his daughter. Cybele manages, in this myth to restore Attis back to life.

Pausanias’ Version – Another story of Attis, this time with Agdistis as another name for Cybele follows much of the same story as previously mentioned. Only now, when the baby, Attis is born, he is left exposed and a ram comes, standing guard over the child. As the baby grew, his beauty became ever more apparent as more than human. Agdistis saw Attis and fell in love with him.

When Attis finally came of age, he was sent to Pessinos, a city in Phrygia to wed the King’s daughter. After the marriage ceremony was completed, Agdistis appeared, causing Attis, driving him mad in her jealously to the point of cutting off his own genitals. The madness was such, it effected other nearby, that even the king cut off his own genitals.

Shocked, Agdistis sought amends for what she had done and begged Zeus to restore Attis to life so that he would be reborn.

Ovid’s Version – In this one, Attis had fallen in love with Cybele who wanted to keep the boy at her shrine as a guardian. She commanded Attis to always be a boy. Attis declared in kind that if he lied, let the lover he cheated be his last.

As happens with these kinds of stories, Attis does cheat with the Nymph Sagaritis (or Sagaris). Her tree is cut down by Cybele, killing her the Nymph. Attis in response goes mad and hallucinates that the roof to his bedroom is collapsing on him. Attis runs towards Mount Dindymus where he calls out for Cybele to save him.

Hacking away at his own body with a sharp stone, Attis continues to cry out to Cybele that she take his blood as punishment and cuts off his genitals as that is what has caused him to cheat on Cybele.

Ultimately, this story of Attis’ self-mutilation and castration is the basis for the Galli, Cybele’s priest to castrate themselves as a show of devotion to the goddess.

Attis & Sagaritis

Following much of the virgin birth where the nymph Nana swallows an almond seed, shortly after Attis’ birth, she abandons him and he is reared by a goat. And like the other versions, when Attis grows up, either Agdistis or Cybele fall in love with their own son and missing half. This time, being the unfaithful youth that he is, Attis falls in love with the nymph Sagritis. The goddess (either Agdistis or Cybele) drives him mad so that he castrates himself and dies. Attis is subsequently restored to life and goes back to either Agdistis or Cybele.

Sometimes this version of the story, the goddess turns Attis into a pine tree. Other versions will hold that Attis fathered a child with his own mother Cybele and that her father kills both Attis and the baby. Then Cybele will go and restore Attis to life.

Yet again, another version has Agdistis breaking in on the wedding celebrations of Attis and Sagaritis with the result that Attis castrated himself and his bride died from self-inflicted wounds. Some say that the castration was not self-inflicted but resulted from an attack by a wild boar.

Suffice to say, there a number of variatons to Attis’ story with either Agdistis and Cybele and whom he ends up cheating on them with or planning to marry instead.

Poor guy can’t get a break not wanting to have incest with his own mother and marry someone else of his own choosing.

Attis & Adonis

Because of the similarities in their myths, both are youth deities of youth and fertility who die and are reborn every year, Attis is often equated as being the same deity as Adonis.

The myths for both are slightly different, though it could explain the Lydian connection of the boar. Adonis was a favorite of both Aphrodite and Persephone. The god Zeus decreed that Adonis would spend the winter months in the underworld with Persephone and the summer months with Aphrodite. One version of Adonis’ myth has him killed by a boar after he had ventured into Artemis’ domain.

Attis & Greek Influences

Because there’s so many variations to Attis’ story, I’ll note here that for the Greeks, they identified Attis with their Iasion as a consort of the Great Mother in their Samothracian Mysteries. Too, the story of Aphrodite’s love for Ankhises on Mount Ida appears to have influenced the story of Attis’ relationship with Cybele.

Hilaria – Holy Week

In addition to the Megalesia festival, there is also a week-long festival known as Holy Week that starts from March 15th, also known as the Ides of March. That really gives a new meaning to Shakespeare’s Julius Caesar when he’s told to beware the Ides of March. The entire festival is meant to have an air of celebration for the arrival of Spring and the Vernal Equinox.

The festival itself seems to have been established by Claudius as a means of claiming and honoring Trojan ancestry. As a result, the festival very likely grew and expanded over time as a celebration for the death and resurrection of Attis.

The Reed Entered – Also known as Canna Intrat, from the 15th to the end of the month, there is festival for Cybele and Attis that starts on the 15th or Ides, with Attis’ birth and his being left along the reed bank of the Sangarius river in Phrygia before either shepherds or Cybele find him. People known as Cannophores will carry away the reeds. During this time, there is a nine-day period of abstinence from eating bread, fish, pomegranates, pork, quinces and likely wine. Only milk was allowed to be drunk during this period.

The Tree Enters –  Also known as Arbor Intrat, March 22nd marks the date of Attis’ death under a pine tree. It is observed. People known as Dendrophores or “Tree Bearers,” after sacrificing a ram, will cut down a tree and carry it to Magna Mater’s temple for a mourning period of three days.

Tubilustrium – March 23rd, this is an old, archaic holiday for the Roman god Mars. The tree has now been laid to rest in Magna Mater’s temple. Mars’ priest, the Salii will do a traditional beating of their shields accompanied by trumpets and other loud music from the Corybantes. Overall, this is a day of mourning.

The Day of Blood – Also known as Sanguis, Sanguem or Dies Sanguinis March 24th. The rites can only be described as frenzied as mourners and devotees whip or scourge themselves in order to sprinkle the alters and Attis’ effigy with their blood. Some of the rites involve castration and the tree is buried, symbolizing Attis’ placing within his tomb. This day was also to honor Bellona, a war goddess. Her priests were known as the Bellonarii and practiced mutilation along with using hallucinogenic plants.

The Day of Joy – Also known as Hilaria, on the Roman Calendar this marks the Vernal Equinox. It takes place on March 25th and celebrates Attis’ resurrection. It must be noted that is a day of celebration and not the previous mournful tones and rites. I’m also not the only one to have noted a similarity to the Christian association of Jesus’ resurrection.

Day of Rest – Also known as Requietio, March 26th. What can we say? Partying is hard work.

The Washing – Also known as Lavatio, March 27th. This is when Cybele’s sacred stone, the Pessinos’ black meteor is taken from the Palatine temple to the Porta Capena along a stream called Almo. This stream is a tributary to the Tiber river. Here, the stone would be bathed by a priest. The return trip back to the temple would be conducted by torchlight. It’s noted by Ovid as being an innovation by Augustus.

Initium Caiani – March 28th. This particular part of the festival is found on the Calendar of Philocalus. It is likely an initiation ceremony that was held at the Vatican sanctuary for the mysteries of Magna Mater and Attis.

Attis & Easter

While Hilaria is week-long celebration of Spring that honors the death and resurrection of Attis, many have noted the similarities between Attis and that of Easter that celebrates the resurrection of Jesus.

While Easter now days is a movable feast or holiday that tends to occur between March 22nd and April 25th depending on when the astronomical full moon is. By itself, Easter is a celebration that borrows from the Jewish Passover. Certainly the Christian Holy Week observed the week before Easter seems to line up with that of the ancient celebration of Hilaria.

There are a number of different resurrection deities such as Osiris, Tammuz, Dionysus and Orpheus who can all claim influence on the celebration of Easter, especially with the timing of the Spring Equinox and many ancient religions influencing each other and adding on as the times change.

Miraculous Virgin Birth And Born On December 25th!

As previously mentioned before for the birth of Attis in a virgin birth to the nymph Nana or Sagaritis depending on the version of the myth being retold. Attis isn’t the first demigod or deity to born of a virgin birth.

Other gods who have also been the result of miraculous virgin births are: Horus, Osiris, and Attis (all before 1,000 B.C.E.) and Mithra, Heracles, Dionysus, Tammuz, Adonis along with a number of others (all before 200 B.C.E.)

It’s rather interesting to note the common motif this has in mythology and how eventually even in Christianity, there is the celebration of Jesus’ birth on December 25th, also born to a virgin. The dates of December 25th (the Winter Solstice, or close to it) and March 25th (the Spring Equinox, again close to it) make a lot of sense for the celebration of Life & Death, Vegetation, Sun and Resurrected Deities.

Regarding virgin births, I found an interesting article by D.M. Murdock in their “Attis: Born of a Virgin on December 25th, Crucified and Resurrected after Three Days” in which they note that the scholarly term to describe a virgin birth is the word: “parthenogenesis” and that many goddesses were referred to as “Parthenos,” the Greek word meaning “virgin.”

Quite the interesting point.

I can only point to my observations of many ancient religions that build and add upon each other as one religion becomes more prominent or one civilization and culture falls by the wayside to the sands of time and history.

Pine Cones

Pine cones are symbols of Cybele and the related myth of Attis. They are believed to have been worn by Cybele’s priests and followers as one of her symbols. As a protective symbol, a pine cone would be affixed to the top of a pole and placed out in vineyards to protect the crop. Pine cones would also be placed at the entrances to homes, gates and other entrances.

A wooden throne was found in the Herculaneum ruins in 2007 with a relief of Attis under a pine tree as he gathers pine cones.

Orpheus

orpheusPronunciation: OHR-fee-us or OHR-fyoos

Alternate Spelling: Ὀρφεύς, Greek

Other names:

Etymology: There are more than a few different etymologies that have been given for the name of Orpheus. One suggestion has been orbhao, meaning “to be deprived” and another is orbh, “to put asunder or separate.” This later is in reference about Orpheus having been torn apart by the Maenads. A last word is “goao,” meaning “to lament, sing wildly or cast a spell,” this word appears to combine all the traits that Orpheus is known for as a forlorn lover, musician and priest.

Golden Age Hero

Among the Greeks, Orpheus is the name of the greatest and legendary musician and poet of mythology and religion. His music was so great that he could charm all living things and even the stones of the earth. The story that Orpheus is the most well-known for, is that of going to the Underworld to bring his wife, Eurydice back to the lands of the living. Orpheus’ other claim to fame in stories is being a member of the Argonauts.

Parentage and Family

Parents

There’s typically a couple slight variations as to who Orpheus’ parents are.

Apollo & Calliope – In this version of parentage, Orpheus is very much so a god, even if a minor god.

Oeagrus & Calliope – With this version of parentage, with his father a mortal king and his mother the muse Calliope, Orpheus is certainly considered a demigod.

Siblings

The Muses (though I’d think them more like Aunts), the Graces, Linus (who goes on to Thebes, thus becoming a Theban).

Aristaeus – the son of Apollo and a potential half-brother to Orpheus if we use the parentage of Apollo and Calliope for Orpheus.

Consort

Eurydice – Sometimes known as Argiope. Some versions of the story mention her to be a Nymph. Orpheus travels to the underworld to bring her back to life after her untimely death.

Children

Musaeus of Athens is thought to be Orpheus’ son.

Orpheus’ Lineage – Divine Heritage

There are a couple of different lines of parentage for Orpheus that are given.

In one, he is the son of the god Apollo and the muse Calliope.

In the second, he is the son of a mortal king, Oeagrus and again, the muse Calliope.

Depending on the lineage one goes with, Orpheus is either a minor god or demigod.

The ancient writer, Strabo wrote of Orpheus as a mere mortal who lived in a village near Mount Olympus. According to Strabo, Orpheus would have made his living as a wizard, likely the charlatan, street performer kind and musician.

Pimpleia, Pieria

For those interested, this city in ancient Greek and likely located where the modern village of Agia Paraskevi close to Litochoron, is reputed to be the birthplace of Orpheus. Dion and Mount Olympus also nearby to Pimpleia. There are several springs and memorials dedicated to Orpheus and the Orphic Cults. Even the Cults of the Muses were honored and known by the epithet of Pimpleids.

Early Literature & History

The ancient Greeks, except for Aristotle, seem to have accepted Orpheus as a historical personage. Neither Homer or Hesiod mention him in any of their writings. Pindar makes note of Orpheus, calling him “the father of songs” and that he is the son of the Thracian king Oeagrus and the Muse Calliope. The earliest reference to Orpheus is found in the fragments of a poem by the 6th century B.C.E. poet Ibycus. In this fragment, Orpheus is called onomaklyton Orphēn or “Orpheus famous-of-name.”

Orphism – The Orphic Mysteries

Orpheus is considered by the Greeks to be the founder of the Orphic Mysteries. He is often credited as being the composer for the Orphic Hymns, of which, only two have survived to the present day of this body of literature and hymns. Some 87 hymns have been attributed to Orpheus for the god Dionysus and sung for the Orphic and Bacchus Mystery cults. The composer, Onomacritus is likely to have written many of the early Orphic hymns.

Orphism was at its height during the 6th century B.C.E. in ancient Greece. Shrines dedicated to Orpheus reportedly containing relics of his have been regarded as Oracles. In the sanctuary of the Eleusinian Demeter in Taygetus, there was a wooden statue of Orpheus.

Orphic – The word orphic derives from Orpheus’ name and has come to have the definition of mystic, fascinating and entrancing. With the connection to the Oracle of Orpheus, the word orphic can also refer to or mean oracular. As a seer and auger, Orpheus also practiced astrology and founded cults for Apollo and Dionysus.

Orphikos – Or the “Orphic Way of Life.” Plato makes mention of a class of vagrant beggar-priests who would offer purification rites for the wealthy and have a collection of books attributed to Orpheus and Musaeus. The most devoted to the Orphic rites would frequently practice vegetarianism, refusing to eat eggs and beans as well as practicing celibacy.

Orphic Ritual & Eschatology – It’s thought that this ritual involved a symbolic or actual dismemberment of an individual who represented the god Dionysus reborn. There was a lot of Orphic eschatology doctrine centered around the rewards and punishment for the soul once the body died and being free to pursue their true purpose or life.

Wine – Wine was an important element of the Orphic religion, used in their sacrament for a sacred intoxication they believed would bring them closer to god and as a means of gaining mystic knowledge. This concept was introduced to the Greeks by Pythagoras, who was viewed as a reformer to the Orphic Mysteries that succeeded the Dionysus Mysteries. It’s easy to see or assume this concept of wine in religious sacraments makes its way into other religious practices.

Gifts Of Orpheus

Other gifts that Orpheus is thought to have given to his fellow humans is that of medicine, though that is credited as more having been Aesculapius or Apollo. Writing, often more the purview and invention of Cadmus. Lastly, agriculture, though with this role, Orpheus takes on the Eleusinian role of Triptolemus who gives Demeter’s knowledge of agriculture to humans. The ancient writers Aristophanes and Horace go so far as to state that Orpheus even taught cannibals to live on eating fruit. According to Horace, Orpheus is the one who brings order and civilization to otherwise lawless and savage people.

Other Cults And Religious Worship

Orpheus is credited with establishing the worship of different deities in other places throughout ancient Greece.

Hecate – in Aegina.

Demeter Chthonia – in Laconia

Kores Sōteiras – also in Laconia as a savior maid

Orpheus & His Lyre

While Orpheus was living with his mother Calliope and her other sisters, the muses in Parnassus, the youth met the god Apollo who was courting the muse Thalia at the time. In his role as the god of music, Apollo gave Orpheus a golden lyre and taught him how to play. Calliope, as Orpheus’ mother, taught him how to compose songs and lyrics.

A minor note though is that while Hermes is the one who invented the lyre, Orpheus is who perfected the art of music with it.

Jason and the Argonauts

In the stories of Jason and the Argonauts, Orpheus is but one of many companions who journeyed with Jason.

In his quest for the Golden Fleece, Jason had been advised by Chiron in a prophesy that he would need the famed musician Orpheus.

Feeding The Crew – Armed only with his golden lyre, Orpheus aided and helped feed the crew of the Argos by charming fish from the sea with his music.

Calming The Storm – In one episode, a storm rolled in and Orpheus played his lyre, thereby, immediately calming the seas and ending the storm.

Siren Call – This the most famous episode in the tale of Jason and the Argonauts that Orpheus is known for. When the Argonauts encountered the Sirens, Orpheus pulled out his lyre and played his music much louder than the Sirens, drowning out their voices so that the crew could bypass the danger. One account has the Sirens changing into rocks.

However, one Argonaut, Boutes is mentioned as still being affected by the Sirens’ call and leaps overboard when the Argo started sailing further away. Lucky for Boutes, the goddess Aphrodite saved him and took him to Cape Lilybaeum.

These are the same Sirens that Odysseus encounters in Homer’s epic of the Odyssey. The Sirens lived on a series of three small, rocky islands known as the Sirenum scopuli. The voices of the Sirens, when they sang or called out would cause sailors to leap to their deaths into the sea and crashing their boats on the rocks to sink beneath the waves.

Unrequited Love – The 3rd century B.C.E. poet Phanocles, wrote of Orpheus being in love with Calais, the son of Boreas, the god of the North Wind. The affection doesn’t seem to have been returned as Phanocles writes of how Orpheus would go to shady groves and sing of his unfulfilled desire and longing for Calais.

Pederasty – Since we’re on this subject of love, Ovid writes of how Orpheus eventually came to spurn the love of women due to his loss of Eurydice. Due to Orpheus fame and skill with music, many people still wanted his companionship and not just as friends either. Continuing with Ovid’s line of thought, Orpheus is to be counted as the first Thracian to engage in pederasty. Pederasty being the relationship between an older man and a younger man, often in his teens. Ancient Greek social customs say this relationship was consensual.

Orpheus & Eurydice

This is perhaps the most well-known of the stories surrounding Orpheus, the death of his wife Eurydice and Orpheus’ journey to the Underworld to try and bring her back.

There are a few different variations to how Eurydice died. Most versions agree that in one way or another, she had been bitten by a venomous snake.

When Orpheus met and fell in love Eurydice, like many couples, they decided to tie the knot and get married. Hymen, the god of marriage presided over the marriage to bless it. However, Hymen prophesied that this marriage would not last.

Sooner than anyone thought, the trouble would come. Shortly after their marriage, Eurydice went out walking in some tall grass. In one version of the story has Eurydice bitten while dancing to Orpheus’ music. In another version, a satyr jumped out and did as all satyrs do when confronted by a female, they chased after Eurydice. In her flight from the satyr, Eurydice fell into a viper’s nest where she was bitten on the heel.

Yet another version of the story, told by Virgil in his Georgics, has a man by the name of Aristaeus, a shepard chasing after Eurydice before she is bit by a viper. In Ovid’s retelling of the story, Eurydice’s death comes about by dancing with the Naiads on her wedding day. Aristaeus is also, incidentally Apollo’s son. So, potential half-brother that might have been invited to the wedding and lusting after his brother’s wife.

When her body was later discovered by Orpheus; in his overwhelming grief, he played a rather sorrowful tune. This music caused all of the nymphs and gods to grieve for Orpheus’ loss. Virgil describes Dryads as weeping from Epirus and Hebrus and as far as the land of Getae. Orpheus is further described as having wandered to Hypberborea and Tanais in his grief for Eurydice’s loss.

Moved by Orpheus’ laments, the gods and nymphs advised the great musician to go into the Underworld to bring back Eurydice. Sometimes it is just the god Apollo who advises Orpheus to make the descent. Eventually Orpheus descends into the Underworld to bringing his wife back to life. Using his famous lyre, Orpheus succeeded in charming Charon, the ferryman for the river Styx, the three-headed dog Cerberus, and both Hades and Persephone. They agreed to a bargain, that Orpheus could lead Eurydice back up to the lands of the living. However, there was one condition for this and that was that Orpheus could not look back at Eurydice until they had reached the surface.

Tragically, just before they reached the surface, Orpheus’ anxiety and love for Eurydice overwhelmed him, that he looked back at his wife. This caused Eurydice to be pulled back down to the lands of the dead, this time for good.

Ancient Views –

Interestingly, Orpheus’ visit to the Underworld is sometimes viewed in a negative light. Some, like Plato, speaking through the voice of Phaedrus in his Symposium, say that Hades never intended for Eurydice to return to the lands of the living and had presented Orpheus with an illusion or apparition of his deceased wife. Plato saw Orpheus as a coward, who instead of choosing to die and be with the one he loved, decided to defy the gods and the natural order by going to Hades and bringing his dead wife back. By Plato’s argument, Orpheus’ love wasn’t true as he did not want to die for love, so the gods’ punishment is that Orpheus would have only the illusion of getting his wife back and would than later be killed by women, the Maenads.

Late Addition?

It has been suggested that the story of Orpheus and Eurydice might be a later addition to the Orpheus myths. One example put forward is that of the name Eurudike, meaning “she whose justice extends widely” is very probably one of Persephone’s titles.

Don’t Look Back!

This mythical theme of not looking back is a stable of many stories. It is famously known in the biblical story of Lot’s wife looking when his family fled the destruction of Sodom. Other stories are those of the hero Jason’s raising up the chthonic Brimo Hekate with Medea, Adonis’ time in the Underworld and that of Persephone’s capture by the god Hades. Even in general folklore, there is the one simple task the hero is to do to win the prize and yet, they still manage to fail, thus upsetting the gods, fay or other supernatural being.

Orpheus’ Death

Distraught with the loss of his wife a second time, Orpheus fell into solitude, spurning the companionship of others and even disdaining the worship of the Greek Gods. In Ovid’s telling of Orpheus and Eurydice, Orpheus went mad in his failure to bring back his wife.

An Affront To Bacchus/Dionysus

In the version of this account by Aeschylus, in his play the Bassarids, Orpheus worshiped only the sun, Apollo. One morning, when Orpheus went to the Oracle of Dionysus located near Mount Pangaion to do his morning respects to the sun, he ended up getting torn to pieces by the Maenads for failing to give proper respect to Dionysus whom he had previously been devoted to. Eventually Orpheus was buried in Pieria. The Greek writer Pausanias says that Orpheus was killed and buried in Dion. Per Pausanias, the river Helicon is to have sunk underground when the Maenads who killed Orpheus went to wash the blood off their hands.

Where it’s the god Bacchus who is mentioned, Orpheus had once been a devotee to the Bacchus’ Mysteries. So this version of the story has Bacchus punishing the Maenads for Orpheus’ death by turning them all into trees. This version of the story is disputed as whey would Bacchus punish his own followers even if Orpheus had once been a follower himself. Though an argument comes that Bacchus allows the death for Orpheus when the musician abandoned Bacchus’ Mystery Cult.

A slight variation to all of this as recounted by Dürer in his Death of Orpheus, the Ciconian women, when they set about to kill Orpheus, first did so by throwing sticks and stones at him. Due to Orpheus’ skill with music, the very stones of the earth and sticks wouldn’t hit him. It is then, that these enraged women tore Orpheus apart with their bare hands in a fit of Bacchae madness.

Orpheus’ head and lyre would eventually find their way to the shores of Lesbos where the local people buried his head and built a shrine near Antissa to honor him. Orpheus’ head would offer up prophesies. When this oracle began to become more famous than Apollo’s Delphi Oracle, the god silenced the Antissa oracle.

Sometimes the Muses are credited with having taken Orpheus’ body for burial, first in Leibethra before the river Sys flooded and eventually to Dion. It’s expected that Orpheus’ shade does return to the Underworld to be reunited with his love. In Edith Hamilton’s Mythology, Orpheus’ limbs are entombed at the base of Mount Olympus where nightingales to this day, “sing more sweetly than anywhere else.”

As to the lyre, the Muses would come claim it and place it up into the heavens to become the constellation Lyra.

Instead of being killed by a group of women, Orpheus is said to have committed suicide in his inability to bring back Eurydice, after a failed trip to the oracle found in Thesprotia. This suicide is seen as Orpheus playing his lyre, calling for the wild animals to come tear him apart. Another story says that Zeus struck Orpheus with lightning as punishment for revealing the secrets of the gods to mortal men.

 Analogies To Other Greek Figures Of Myth

The story of Orpheus’ death at the hands of the Maenads has similarities with other figures of Greek myths and legends.

Dionysus – In terms of the Orphic Mystery Cult, the death of Orpheus seems to parallel the story of Dionysus’ death and their decent into the Underworld of Hades.

Pentheus – A former king of Thebes who was also torn apart by the Maenads. His story is mainly found and best retold by Euripides in his The Bacchae.

Cygnus Constellation

After Orpheus was murdered by either the Ciconian group or Thracian Maenads, he was turned into a swan and placed up into the heavens to become the constellation Cygnus next to his lyre, the constellation Lyra.

Cybele Part 2

cybele-2Cybele Lore Continued…

Attis & Cybele

This story is one of the major myths involving Cybele and they often include her relationship with Attis, a youthful consort to the goddess. Attis is noted too as being the name of a Phrygian deity. Further, Attis doesn’t become a part of the myth with Cybele until the Roman poet Catullus references him with Cybele as Magna Mater and as the name of the head priest for the Galli. Additionally, pine cones are used as symbols of Attis’ death and rebirth.

Attis – As a Phrygian deity, Attis is the god of vegetation, his death and resurrection is symbolic of the death and rebirth of vegetation and the harvest with each winter and spring. The name Attis in Phyrgia was a common name and one used for priests. In the myths linking Attis with Cybele as her consort; wherever Cybele’s worship spread, Attis’ worship went as well.

Imagery portraying Attis has been found at a number of Greek sites. Whenever Attis is shown with Cybele, he is shown as a younger, lesser deity to her. He is possibly even one of her priestly attendants. During the mid-2nd century B.C.E., various letters from the king of Pergamum to Cybele’s shrine in Pessinos all address the chief priest as “Attis.” So deity or priest tends to be a matter of personal interpretation with the myths of Attis.

The Myth

Attis was Cybele’s young lover who had devoted himself to the goddess. He had a made a promise that he would always be faithful. As fate would have it, Attis in time fell in love with a nymph by the name of Sagaritis (or Sagaris) and they decided to marry. When Cybele learned of this marriage, she burst in on the marriage ceremony, inflicting Attis with madness and sending the other guests into a panic.

In his maddened state, Attis fled for the mountains. There, he stopped under a pine tree and proceeded to mutilate himself to the point of castrating himself and bleeding to death there beneath the pine tree.

When Cybele found her lover, the young Attis dead, she mourned her actions and deeply regretted them. She pleaded with the god Jupiter to restore Attis to life. Jupiter vowed that that pine tree would remain sacred and like the tree, Attis would live again. The blood that Attis shed is said to have become the first violets.

In the versions of the myths where Maeon is Cybele’s father – Maeon kills Attis, the baby whom he sires after committing incest with his daughter. Cybele manages, in this myth to restore Attis back to life.

Pausanias’ Version – Another story of Attis, this time with Agdistis as another name for Cybele follows much of the same story as previously mentioned. Only now, when the baby, Attis is born, he is left exposed and a ram comes, standing guard over the child. As the baby grew, his beauty became ever more apparent as more than human. Agdistis saw Attis and fell in love with him.

When Attis finally came of age, he was sent to Pessinos, a city in Phrygia to wed the King’s daughter. After the marriage ceremony was completed, Agdistis appeared, causing Attis, driving him mad in her jealously to the point of cutting off his own genitals. The madness was such, it effected other nearby, that even the king cut off his own genitals.

Shocked, Agdistis sought amends for what she had done and begged Zeus to restore Attis to life so that he would be reborn.

Ovid’s Version – In this one, Attis had fallen in love with Cybele who wanted to keep the boy at her shrine as a guardian. She commanded Attis to always be a boy. Attis declared in kind that if he lied, let the lover he cheated be his last.

As happens with these kinds of stories, Attis does cheat with the Nymph Sagaritis (or Sagaris). Her tree is cut down by Cybele, killing her the Nymph. Attis in response goes mad and hallucinates that the roof to his bedroom is collapsing on him. Attis runs towards Mount Dindymus where he calls out for Cybele to save him.

Hacking away at his own body with a sharp stone, Attis continues to cry out to Cybele that she take his blood as punishment and cuts off his genitals as that is what has caused him to cheat on Cybele.

Ultimately, this story of Attis’ self-mutilation and castration is the basis for the Galli, Cybele’s priest to castrate themselves as a show of devotion to the goddess.

Cybele & Dionysus

Similar to the story of Attis & Cybele, is the story of Dionysus & Cybele. The earliest reference to this myth in Greek mythos is around the 1st century B.C.E. in Apollodorus’ Bibliotheca.

Like Attis, Cybele also cures Dionysus of his madness. Considering she’s the one who caused Attis’ madness, I would hope she would cure it too.

Both Dionysus’ and Cybele’s cult shared many similarities. As foreign deities worshiped among the Greeks, both gods would arrive in chariots drawn by large exotic cats. Dionysus would come in his chariot pulled by tigers whereas Cybele’s chariot was drawn by lions. Both deities would be accompanied to the fanfare of wild, raucous music and a parade of exotic foreigners and lower class citizens of Greek society.

For the Hellenic Greeks, these two gods held wild temperaments that didn’t sit well with many affluent Greeks and were thus, warily worshiped.

Due to the similarities of both Dionysus’ and Cybele’s cults, in Athens, by the end of the 1st century B.C.E., the two cults were often combined.

Cybele & Sabazios

Sabazios is the Phrygian version to the Greek Dionysus. Under Greek influence, the name Sabazios is often used as an epithet for Dionysus and the two’s myths have become very intertwined.

Further Greek influences have Cybele equated with Rhea. By Phrygian traditions, Cybele is the mother of Sabazios. When Cybele is equated with Rhea, she is the nurse-maid and tutor to a young Dionysus after his mother Hera rejects him.

Orgia – It is thought that the Orgia, the Orgiastic cult of Dionysos-Sabazios may have originated with Cybele. When Sabazios had been wandering in his madness, he made his way to Cybele in Phrygia where she purified him and taught him the initiation rite for the Orgia. Sabazios is to have received his thyrsus and panther-drawn chariot while he went throughout all of Thrace to spread the Orgia. The Orgia certainly seems to have become associated with the celebrations of Cybele as the Great Mother or Mountain Mother in the writings of Strabo or as Euripides makes mention of in his play Bacchae.

As Nurse-Maid – In a story very similar to Dionysus’ being rejected by his mother Hera, it is Cybele, identified as Rhea and Grandmother to Dionysus who takes up the infant to care for him much like she did her own son Zeus. The god Hermes, tells Cybele how Dionysus will become a god later when he’s grown to manhood. Cybele’s priests the Korybantes use their loud drumming and chanting to drown out the cries of the infant in order to prevent Hera’s wrath from finding him to finish what she had started with trying to kill Dionysus when she cast him out. The story of Dionysus’ youth with Cybele continues with him grabbing lions for the Mother Goddess to hitch up to her chariots and later acquiring a lion-drawn chariot of his own.

Atalanta & Hippomenes

These two were turned into lions in myth by either Cybele or Zeus as punishment for having sex with one of their temples. The Greeks believed that lions were not able to mate with other lions. Another version of the story will have Aphrodite turn them into lions when they forgot to give her proper tribute or offerings.

Bee Goddess

Cybele was also especially noted for being a bee goddess.

Mother Of The Mountain – Goddess Of Mountains And Fortresses

As a goddess of mountains, cities and forts, Cybele’s crown was seen to take the form of a city wall, showing her role as a guardian and protector of Anatolian cities.

There is an inscription of “Matar Kubileya” found at a Phrygian rock shrine dating from the 6th century B.C.E. It is often translated to: “Mother of the Mountain.” It is a name that is consistent with Cybele and a number of other tutelary goddess who are all seen as “mother” and connected to a specific Anatolian mountain or other locations. In this sense, Cybele is seen as a goddess born from stone.

Cybele’s connection and association with hawks, lions and the mountainous regions of Anatolia show her role as a mother of the land in its wild, uninhabited state. She holds the power to rule, moderate or soften the unbridled power and ferocity of nature and to reign it in for the use of civilization.

Idaea – Mountain Goddess & Nymph

Cybele is often connected with Mount Ida in Anatolia where there is an ancient site of worship. Idaea is the name of the local mountain goddess or nymph who resided here. Where many goddess get absorbed into each, the name of one deity, Idaea in this case will become an epithet to the more well-known deity.

Goddess Of Nature And Fertility

As an ancient fertility goddess, Cybele’s worship is believed to have covered from Anatolia to Greece during the Archaic period, roughly 800 to 500 B.C.E and then into the Hellenistic era of 300 to 50 B.C.E.

Lions and sometimes leopards were shown to either side of Cybele to depict her strength.

Cybele is typically seen as a guardian and protector over all of a nature and a goddess of unbridled sex.

Along with Artemis, Cybele is seen as the “Great Huntress” and patron goddess and protector of the Amazons.

Magna Mātēr – The Great Mother

The Romans revered and knew Cyble as Magna Mātēr or the Great Mother, Rome’s protector. They also knew her as Magna Mātēr deorum Idaea, the great Idaean mother of the gods. It is a similar title to the Greek title for Cybele of Mētēr Theon Idaia, Mother of the Gods from Mount Ida. In the early 5th century B.C.E., she was known as Kubelē. In Pindar, she was known as “Mistress Cybele the Mother.” Cybele’s worship among the Greeks saw her easily identified and equated with the Minoan-Greek Goddess Rhea and the grain-goddess Demeter.

As Magna Mātēr, Cybele was symbolized by a throne and lions. She held a frame drum. A bowl used for scrying. A burning torch was also used to symbolize her bull-god husband Attis in his resurrection. For some like Lucretius, Magna Mater represented the world order. Her imagery hold overhead represented the Earth, thought to “hang in the air.” As the mother of all, the lions pulling her chariot represent the offspring’s duty of parental obedience. Magna Mater is seen as un-created and separate from and independent of all of her creations.

Under Imperial Rome, Magna Mater represented Imperial order and Rome’s religious authority throughout its empire. Emperor Augustus, like many of Rome’s leading families, claimed Trojan ancestry and a connection to Magna Mater. His spouse, empress Livia was seen as the earthly equivalent and representation of Magna Mater. Statuary of Magna Mater has Livia’s likeness.

While there are not a lot of documents or myths that survive regarding Cybele, it has been suggested that her Phrygian name of Mātēr indicated a role as a mediator between the boundaries of the known and the unknown, the civilized world and the untamed wilds, the living and the dead. The Imperial Magna Mater protected Rome’s cities and its agriculture. Ovid mentions how barren the earth was before Magna Mater’s arrival. The stories and legend of Magna Mater’s arrival to Rome are used to promote and exemplify its principles and Trojan ancestry.

Megalesia – Festival To Magna Mātēr

Also known as the Megalensia or Megalenses Ludi; under the Roman calendar, Cybele’s Spring festival of Megalesia was celebrated from April 4th to April 10th, a period of six days. This festival celebrated Cybele’s arrival in Rome along with the death and resurrection of her consort, Attis. This festival and the whole month of April were celebrated with an air of rejoicing and lavish feasts.

Exactly how the festival was celebrated is uncertain. What is known is that there were many religiously themed plays, games and activities. There are descriptions of mummery, war dancers wielding shields and knives and a lot of drumming and flute playing. As to the games, slaves were not allowed to participate. On the first day of Megalesia, there would be a feast held. These feasts were known for being very lavish and the Roman Senate passed a law limiting the amount that could be spent on these feasts. On April 10th, Cybele’s image would be publicly paraded to the Circus Maximus, chariot races would be held in her honor. A statue dedicated to Magna Mater with her seat on a lion’s back stood at the side of the race track barrier line.

Hilaria – Holy Week

In addition to the Megalesia festival, there is also a week-long festival known as Holy Week that starts from March 15th, also known as the Ides of March. That really gives a new meaning to Shakespeare’s Julius Caesar when he’s told to beware the Ides of March. The entire festival is meant to have an air of celebration for the arrival of Spring and the Vernal Equinox.

The festival itself seems to have been established by Claudius as a means of claiming and honoring Trojan ancestry. As a result, the festival very likely grew and expanded over time as a celebration for the death and resurrection of Attis.

The Reed Entered – Also known as Canna Intrat, from the 15th to the end of the month, there is festival for Cybele and Attis that starts on the 15th or Ides, with Attis’ birth and his being left along the reed bank of the Sangarius river in Phrygia before either shepherds or Cybele find him. People known as Cannophores will carry away the reeds. During this time, there is a nine-day period of abstinence from eating bread, fish, pomegranates, pork, quinces and likely wine. Only milk was allowed to be drunk during this period.

The Tree Enters –  Also known as Arbor Intrat, March 22nd marks the date of Attis’ death under a pine tree. It is observed. People known as Dendrophores or “Tree Bearers,” after sacrificing a ram, will cut down a tree and carry it to Magna Mater’s temple for a mourning period of three days.

Tubilustrium – March 23rd, this is an old, archaic holiday for the Roman god Mars. The tree has now been laid to rest in Magna Mater’s temple. Mars’ priest, the Salii will do a traditional beating of their shields accompanied by trumpets and other loud music from the Corybantes. Overall, this is a day of mourning.

The Day of Blood – Also known as Sanguis, Sanguem or Dies Sanguinis March 24th. The rites can only be described as frenzied as mourners and devotees whip or scourge themselves in order to sprinkle the alters and Attis’ effigy with their blood. Some of the rites involve castration and the tree is buried, symbolizing Attis’ placing within his tomb. This day was also to honor Bellona, a war goddess. Her priests were known as the Bellonarii and practiced mutilation along with using hallucinogenic plants.

The Day of Joy – Also known as Hilaria, on the Roman Calendar this marks the Vernal Equinox. It takes place on March 25th and celebrates Attis’ resurrection. It must be noted that is a day of celebration and not the previous mournful tones and rites. I’m also not the only one to have noted a similarity to the Christian association of Jesus’ resurrection.

Day of Rest – Also known as Requietio, March 26th. What can we say? Partying is hard work.

The Washing – Also known as Lavatio, March 27th. This is when Cybele’s sacred stone, the Pessinos’ black meteor is taken from the Palatine temple to the Porta Capena along a stream called Almo. This stream is a tributary to the Tiber river. Here, the stone would be bathed by a priest. The return trip back to the temple would be conducted by torchlight. It’s noted by Ovid as being an innovation by Augustus.

Initium Caiani – March 28th. This particular part of the festival is found on the Calendar of Philocalus. It is likely an initiation ceremony that was held at the Vatican sanctuary for the mysteries of Magna Mater and Attis.

Pine Cones

Pine cones are symbols of Cybele and the related myth of Attis. They are believed to have been worn by Cybele’s priests and followers as one of her symbols. As a protective symbol, a pine cone would be affixed to the top of a pole and placed out in vineyards to protect the crops. Pine cones would also be placed at the entrances to homes, gates and other entrances.

Tympanon

A type of hand drum or tambourine, the tympanon was used by the Greeks to denote worship in a foreign cult or religion. Of the foreign deities the Greek adopted, only Cybele is ever shown holding the tympanon. On the cuirass of Ceasar Augustus’ Prima Porta statue, Cybele’s tympanon is shown lying at the goddess Tellus’ feet.

The Trojan War

Among the Romans, Cybele was rewritten to be a Trojan goddess and thus making her an ancestral goddess through the Trojan prince Aeneas.

The Trojan War was a major and significant war among the Greeks. Many deities got themselves involved. Cybele was one of many such gods to do so. When Prince Aeneas was attacked by Turnus, leading the Rutulians, Cybele prevented Turnus from setting fire to the Trojan fleet by turning all of the ships into nymphs.

Virgil’s Aeneid – As Berecyntian Cybele, she is the mother of Jupiter and the protector of prince Aeneas. Cybele gave the Trojans her sacred tree to use for building their ships. Cybele then pleaded with Jupiter to make the resulting ships indestructible. Aeneas and his men are able to flee Troy, heading for Italy, where Rome would be founded. Once the they arrived in Italy, the ships all turned into sea nymphs or Oceanids.

Zodiac

Yes, you read that correctly. During the early Roman Imperial era, the poet Manilius introduces Cybele into classic Greco-Roman zodiac. It upsets the balance as there’s already twelve zodiac houses represented by a corresponding constellation. Each of which is ruled by a different deity, the Twelve Olympians in Greek and the Di Consentes in Rome. Manilius places Cybele as a co-ruler with Jupiter over Leo the Lion, which is noted for being in direct opposition to Juno who rules Aquarius.

Some modern scholars have taken note of how, as Leo rises over the horizon, that Taurus the Bull sets. Symbolically, this is seen as the lion dominating or defeating the bull. The idea then gets put forth that the celebrations of Megalensia includes this symbolism with lions attacking bulls. As a Spring festival, the date for the celebration of Megalensia is around April 12th when farmers would dig in their vineyards to break up the soil and sow their crops. This would also be when farmers would castrate their cattle and other livestock.

Mesopotamian Connection?

It has been suggested by some scholars that Cybele’s name can be traced to that of Kubaba, a deified queen who ruled during the Kish Dynasty of Sumer. Kubaba was worshipped at Carchemish and would later be Hellenized to the name of Kybebe. Kubaba was also known to the Hittites and Hurrians in the region. There isn’t enough etymological evidence to support this. However the names Kubaba and Matar do seem to have become closely associated. Such as the genital mutilations that are found both within Cybele’s and Kybebe’s cults. Much like many other localized mountain goddesses in Anatolia, who are called “mother” and among many who would become identified with Cybele.

Christianity And The Book Of Revelation

Of interest, is that the author of the Book of Revelations, identified by modern scholars as John of Patmos is likely to have been referring to Cybele when he mentions “the mother of harlots who rides the Beast.”

Christianity – Kept to a nutshell, the early Christians, once Christianity became the state religion of Rome, began to view and regard Cybele’s cult as evil, even demonic. Under Emperor Valentinian II in the 4th century C.E., he officially banned the worship of Cybele and the goddess followers and devotees fell under a lot of hate and persecution. Under the rule of Justinian, objects of worship for Cybele and her temples were destroyed and eventually by the 6th century C.E., Cybele’s cult seems to have vanished.

It has been noted by others how the Basilica of the Vatican is apparently the same exact spot for where Cybele’s Temple once stood and that Christians celebrate the death and resurrection of Jesus Christ in the same place where Attis was once worshiped. Some will even go so far as to suggest that revering the Virgin Mary is merely another aspect of worshiping Cybele and many other ancient Mother Goddesses.

Montanism Christianity – Also known as New ProphecyNow I do find it fascinating that around 100 C.E. a former Galli priest of Cybele by the name of Montanus formed a Christian sect that worked to oppose Pauline Christianity.

In Pauline Christianity, those who followed the teachings of the Apostle Paul, it held a major influence into the formation of Christianity in terms of scriptural interpretations, cannon and dogma.

Montanus’ sect was considered very heretical to the Catholic Church and would eventually see all of its followers excommunicated.

In brief, Montanus believed himself to be a prophet of god and that women could also be bishops and presbyters. Where much of early Christian theology diminished the power and presence of women within religion, Montanus’ sought to keep it.

It’s also interesting to note a rather prominent example of a Pagan religion that Christianity and former followers of other religions attempting to adopt and add in their beliefs. Like Montanus equating Jesus with Attis and the celebrating of Easter with the resurrection of Jesus during Holy Week, the days between Good Friday and Easter is also the same period that Hilaria, observing and celebrating Attis’ resurrection was held.

Very interesting…

Rhea – Greek Goddess

Just as Cybele is the Great Mother of the Roman Pantheon, Rhea, her Grecian counterpart is the Great Mother of the Greek Pantheon of Gods. Thanks greatly to the influence of the Romans, many people will identify and equate Cybele with Rhea.

The Romans were famous for subsuming many deities in their conquest across Europe, particularly the Mediterranean area, and identifying their gods with those of a conquered culture. The most famous being the Greeks, where many deities were renamed to those of Roman gods. Prominent examples like Zeus and Jupiter, Hera and Juno, Ares and Mars and so on down the line.

With the Hellenization of Latin literature, many Greek writers and even Roman writers rewrote and intertwined the myths of these two deities so that would virtually become one and the same. As the centuries have passed, the tradition of accepting both of these goddesses as one and the same has become generally accepted. Just that there are still some differences that separate the two.

Rhea’s best known story is with the birth of the Olympian gods. Cronus fearing that a son of his would kill him and take over, devoured all of his children as they were born. Rhea managed to rescue her youngest son, Zeus by tricking Cronus into swallowing a rock. She hid Zeus in the Dictean Cave in Crete. Zeus, after growing up, succeeded at overthrowing Cronus and rescuing his siblings.

Like Cybele, Rhea can help in easing the pain of childbirth and soothe the pain and difficulties that come with menstruation.

Cybele Part 1

Cybele Part 1

CybelePronunciation: Cyb·e·le

Alternate Spelling: Kybele

Other names: Agdistis Cybele Magna Mater, Berecyntia, Brimo, Dindymene, Magna Mater, Mother of the Gods, Kubaba, Matar Kubelē, Kubileya or Kubeleya “Kubeleyan Mother” (Phrygian, translation: “Mountain Mother”), Lydian Kuvava (Turkish Kibele), Κυβέλη, Kybêlê, Kybele, Κυβήβη Kybebe, Κύβελις Kybelis (Greek), Meter Theon, Great Mother

Other Names and Epithets: Mātēr, Mētēr, Mistress Cybele the Mother, Mistress of Animals, Idaea, Isis, Rhea, Demeter, Ops, Potnia Theron (Mistress of the Animals), Mater Deum Magna Idaea, Meter Theon Idaia (“Mother of the Gods, from Mount Ida”), Meter Oreie (Mountain Mother), “The Mother of the Gods, the Savior who Hears our Prayers”, “The Mother of the Gods, the Accessible One.” Megalenses ludi

Etymology: ” Mother of the Mountain,” “Cavern-Dweller”

An inscription found on one of Cybele’s Phrygian rock monuments has been translated as mater kubileya, “Mother of the Mountain.” The inscription for matar or “Mother” is found at many other Phrygian sites.

Attributes

Animal: Bee, Hawks, Lions, essentially all wildlife.

Colors: Brown, Green, Blue

Day of the Week: Saturday

Element: Earth

Month: March

Patron of: Nature, Natural places, Mountains, Caverns, Walls, Fortresses

Planet: Saturn

Plant: Almond, Pine

Sphere of Influence: Fertility, Menstruation, Nature, Sex, War, Mother of Life

Symbols: lions, naiskos, tympanon (hand-drum or tambourine), pine cones

Greek Depictions

Early Greek depictions of Cybele are small votive representations of her rock-cut statues and images found in Phrygia. Cybele is shown standing alone inside a naiskos, which is basically a rock-hewn relief with walls and roof overhead to represent a temple or doorway. She is crowned with a type of tall cylindrical hat called a polos, a long flowing chiton that covers her shoulders and back. Cybele is sometimes shown with lion attendants to either side of her.

Approximately 5th century B.C.E., the Greek sculptor Agoracritos made the official Hellenized version of Cybele in the Athenian agora. This statue shows Cybele sitting on a throne with a lion at her side and holding a tympanon, a type of hand drum that the Greeks used in her cults and worship. In Greece, Cybele would be very closely identified with the Greek’s mother goddess figure of Rhea.

Anatolian & Phrygian Origins

While Cybele is known as the Great Mother in the Roman pantheon, she was originally a mother goddess from Anatolia. She is likely the precursor of a Neolithic goddess in Çatalhöyük (Konya), where a statue of a pregnant goddess that appears to be giving birth is seated on a lion throne was found within a granary.

For the Phrygians, Cybele is the only known goddess and is also likely the state deity. In addition, Cybele was a goddess of caverns, goddess of the Earth in its primitive form and was worshiped on mountain tops. Cybele’s domain was over all the wild creatures of the earth. Phrygian art dating to the 8th century B.C.E. shows Cybele attended by lions, a bird of prey and a small vase for libations or other offerings.

Greek colonists would later adopt Cybele in Asia Minor before bringing her back to the mainland where her worship would spread during the 6th century B.C.E.

Neolithic Connection

In Çatal Hüyük, Turkey, there is a figurine that was found dating back to 8,000 B.C.E. that depicts a Mother Goddess squatting in the process of giving birth and is flanked to either side by two leopards. This figurine is thought to be Cybele in a very early form.

Temple Sites

Cumae – The Sybils of this temple were Cybele’s priestess and oracles.

Ionia – In places such as Magnesia and Maeander, where Cybele is worshiped as Dindymene, she held temples.

Pessinus – Located near Mount Dindymus in Phrygia, a temple was built here dedicated to Cybele Dindymene. Legend holds that the Argonauts built this temple. Here, Cybele was represented by a black meteoric iron stone. This same meteorite may have also associated with another mountain deity of Pessinus as Agdistis.

Rome – A temple for Cybele as Magna Mater stood on the slopes of Palatine Hill it overlooked the Circus Maximus and facing another of Cybele’s temples on Aventine. The first temple here was destroyed by fire in 111 B.C.E. and later rebuilt. In Imperial Rome, the temple burned down again and was rebuilt by Augustus, only to get burned again.

During the ground breaking and preparation for Saint Peter’s Basilica on Vatican Hill, a shrine known as the Phrgianum and dedicated to Magna Mater was found. A motif of Saint Peter is found standing at the site of Cybele’s temple in Rome.

The Roman port of Ostia also boosted a sanctuary to Magna Mater and Attis, commemorating their arrival to Rome. The worship of Cybele brought on the anger of many Christians within the Roman Empire. Especially when Saint Theodre of Amasea, in recanting his beliefs, did so by burning down a temple of Cybele.

Mount Sipylus – A stone carving found here is believed to be the oldest image of Cybele. The carving itself is attributed to the legendary Greek hunter Broteas as having created it. The 2nd century C.E. geographer Rausanias mentions a Magnesian cult to “The Mother of the Gods” having been present.

Cults Of Cybele

The rites for Cybele were secretive and mysterious like many Earth Mother Goddesses such as Demeter and Isis. Cybele’ cult was directed by eunuch priests known as Corybantes or Galli. They were very faithful in conducting their orgiastic rites that were often wild and emotional with lots of ecstatic cries and frenzied, passionate music of flutes, drums and cymbals. In addition, sacrifices were made to Cybele, symbolizing the death and rebirth of her son and consort Attis. Self-castration is said to have taken place in Cybele’s rites. Other later rites were the taurobolium in which a bull was sacrificed and a priest bathing in its blood.

As a mystery cult, not much is known about Cybele’s initiates and worshipers. Stone reliefs show Cybele alongside both young male and female attendants carrying torches and vessels used for purification. Surviving literature describes a joyous sound of abandonment with loud percussions of tympanons, castanets, cymbals and flutes and a lot of frenzied dancing. It has been suggested that the dancing is likely to have been circle-dancing by women.

Worship Among The Greeks

Cybele’s cult was introduced to Greece by returning soldiers from the Trojan War and is noted for having caused a lot of conflicts. It would later be adopted by the Romans who held festivals in Cybele’s honor. The worship of Cybele among the Greeks held various mixed views. Here, her various different aspects were mixed with other goddesses. Notably the goddesses of Gaia, an Earth-goddess, Rhea, a Minoan goddess and the Harvest-Mother goddess of Demeter. The city-state of Athens invoked Cybele as a protector.

In 6th century B.C.E., Herodotus mentions that when Anacharsis returned to Scythia, that his brother the Scythian king had Anacharsis put to death for joining Cybele’s cult.

Athenian tradition holds that sometime around 500 B.C.E, a city metroon was created in order to placate Cybele after she visited a plague upon the city after one of her priests was killed for trying to introduce her cult. It’s thought that this story would explain why a public building would be dedicated to an imported goddess. The earliest source to this story is referenced in the “Hymn To The Mother Of The Gods,” circa 362 C.E. by the Roman emperor Julian. Given Cybele’s wild and forceful nature, her cults were often privately funded rather than publicly funded among the Greeks.

In Greek rites, Cybele was often seen as a foreign and exotic mystery-goddess who rode in a lion-drawn chariot accompanied with wild music, wine and a rather disorderly following; not unlike Dionysus or Bacchus’ Bacchanalias. As a foreign goddess, Cybele was seen as the great goddess of the Eastern World.

The transgender or eunuch priesthood was uniquely Greek. Many of Cybele’s Greek cults held a rite to a divine Phrygian Shepard-consort of Attis. This joint cult of Cybele and Attis was found throughout Magna Graecia, with evidence of this cult in Gaul, modern day Marseilles and Lokroi in southern Italy during the 6th and 7th centuries B.C.E. Following Alexander the Great’s conquests of the known world, wandering devotees to Cybele became common place in Greek literature and social life.

The Greeks associating Cybele with the Minoan goddess, Rhea has led to a number of different male demigods becoming tied into Cybele’s mythology as attendants or guardians for her infant son Zeus, in the cave of his birth.

Within the Grecian cults, these different male demigods acted as the intermediaries, go-between, even messengers for the goddess and her mortal followers through the use of dreams, trances and ecstatic dances and song.

Some of these demigod messengers are:

Korybantes – Or Kouretes, a group of nine armed dancers who are the offspring of the Muse Thalia and the god Apollo. They used drumming and dancing to drown out the cries of an infant Zeus to prevent him from being discovered.

Corybantes – Simply the same group, only this is the Phrygian name for this group of dancers.

Dactyls – A group of magician-smiths who are sometimes the offspring of Rhea or they worked for the god Hephaestus. They were ancient smiths and healers who sprang into being as Rhea went into labor with her son Zeus.

Telchines – An ancient primordial race with dog heads and flippers for hands. They were best known for their metal working. A group of nine Telchines were employed by Rhea to raise her infant son Zeus.

Worship Among The Romans

To the Romans, Cybele was known as Magna Mātēr or “Great Mother.” In the Roman State, Cybele’s cult and worship was adopted after the Sibylline oracle said it would be an important religious factor during Rome’s Second Punic War with Carthage.

The Romans had some dire omens in the way of a meteor shower, failed crops and an impending famine. It should be noted that a second consultation with the Greek oracle at Delphi confirmed to the Romans that adopting Cybele’s cult and worship would be the right way to go in assuring victory.

Cybele’s arrival into Rome is marked by the arrival of the Pessinos’ black meteor stone from the neighboring Roman ally and Kingdom of Pergamum. Further, Roman legend connects the voyage of the meteor stone with a Claudia Quinta who was accused of being unchaste. When the ship carrying Cybele’s sacred stone became stuck on a sand bar in the Tiber River, Claudia prayed to the goddess for help. Proving her innocence, Claudia was able to single-handedly pull and tow the ship free of the sandbar. Shortly after, Rome’s fortunes changed with a successful harvest and their being able to defeat Hannibal, the then leader of Carthage.

Among the Romans, Cybele was rewritten to be a Trojan goddess and thus making her an ancestral goddess through the Trojan prince Aeneas. Many of Rome’s leading families claimed Trojan ancestry and this made for Cybele’s integration into the Roman culture and pantheon a sort of reunion with a Mother Goddess’ exiled people. Further Romanization of Cybele sees her identified with the goddess Ops, wife of Saturn and the parents of Jupiter.

Rome’s dominance over the Mediterranean and Europe, saw many of Cybele’s cults get Romanized and spread throughout the Empire. Just what the exact nature of Cybele’s cults and worship among the Romans has meant were greatly discussed and disputed in both Greek and Roman literature and even among modern scholars.

It is generally agreed that the addition of Cybele’s consort Attis and her eunuch priests known as Galli or Gallai and all the wild, ecstatic features of her worship from her Greek and Phrygian cults have been largely Romanized.  Something the Romans were very good at when adopting the gods of other cultures into their own. Under the rule of Caesar Augustus, he built a large temple to Cybele on the Palatine Hill. The statue of Cybele found within this temple has the likeness of Augustus’ wife, Livia.

Big Three – Cybele’s worship in Rome became so popular that it would become one of the three, major and important cults within Rome. The other cults are the Cult of Isis and Serapis (Osirus) and Mithraism. All three of these cults would persist and last until Rome’s conversion to Christianity as a state religion. Under Emperor Constantine in the 4th Century C.E., he outlawed all other cults and the church of Magna Mater, Cybele ceased to be and saw heavy persecution and the destruction of her temples.

Castissima Femina – “Purest or Most Virtuous Woman” Claudia Quinta’s connection and involvement with bringing the worship of Cybele to Rome would become more glorified and embellished over the centuries. To the point of forming a small cult. Claudia Quinta would be shown in the dress of a Vestal Virgin in art. Imperial Augustan ideology viewed Claudia as the very ideal of virtuous Roman womanhood.

Criobolium And Taurobolium – While the Greeks may have had no problems with castration for initiation into Cybele’s Cults, the Romans did hold prohibitions to this practice that greatly limited who could be initiated into the cult. Around 160 C.E., it is known that Roman citizen who sought initiation could offer up two forms of animal sacrifice as an alternative to self-castration.

The first, Taurobolium, sacrificed a bull, considered to a potent and expensive offering. The high cost for this sacrifice ensured that only Rome’s highest social class could be initiated. The second, Cribolium, sacrificed a ram, seen as a more inexpensive and thus less potent offering. This sacrifice is more typical of Rome’s poorer social classes.

The Christian apologist, Prudentius gives a description of these sacrifices where a priest stands in a pit under a slatted wooden floor. When the acolytes killed the bull with a sacred spear. The priest will come out from the pit, covered in the bull’s blood, much to the applause of spectators. This is atypical of Roman sacrifices as what is more likely to have happened with a sacrifice is that the blood is carefully collected and offered up to the deity along with the animal’s reproductive organs.

Both the Criobolium and Taurobolium are not linked to any specific religious celebration with Magna Mater, though they clearly have the same symbolism seen with the observance of Hilaria, March’s “Holy Week” that celebrates and honors the death and rebirth of Attis. Later, during Rome’s Imperial era, many of Attis’ initiates come from the deeply religious and wealthy citizens and not necessarily for the worship of Cybele.

Galli – This is the name for Cybele’s priesthood during Imperial Rome. They were eunuch priests who practiced castration as a sign of their devotion to the goddess Cybele. The Galli castrated themselves in service to Cybele as they thought that doing so would give them the powers of prophecy. After castration, they would dress as women, keeping their hair long and adopting female mannerisms and appearances. The Galli also wore a tall cylindrical hat called a polos. It is known the Galli held orgiastic rituals accompanied by loud cries and the loud noise of flutes, drums and cymbals. While there are certainly the male priests who wore women’s clothing, in some regions there were also known to be female priestesses devoted to Cybele.

In Servius’ account, Attis is the founder of this priesthood with the highest ranking Gallus taking the name of Attis. The more junior Galli was known as Battakes. The Galli located at Pessinus were very politically influential among the Roman Senate.

In Rome, the Galli were forbidden citizenship and the rights of inheritance, as they were eunuchs and unable to have children. This was a very stark contrast to many other priests of other Roman gods who did have families and raise children, particularly of the more senior priests.

The Galli are thought to have castrated themselves in keeping with the myth of Attis where he castrates a king for their unwanted sexual advances and gets castrated in turn by the dying king. Cybele’s priest would have found Attis at the base of a pine tree where he dies and they proceed to bury him. In memory of Atti’s passing, the priests are believed to have emasculated themselves and added him to the celebrations and rites for the goddess Cybele. In Hellenistic Greek, a poet refers to Cybele’s priests as Gallai, a feminine form of the name. The Roman poet Catullus refers to Attis in the masculine form of his name until he is castrated. Catullus then refers to Attis in the feminine form of his name thereafter. Different Roman sources refer to the Galli by a third gender of medium genus or tertium sexus when mentioning them.

During the Megalesia festival, the Galli were allowed to leave their temple under Cybele’s law and go out into the streets begging for money. The standard of dress that the Galli wore, marked them as outsiders to the Roman people. Despite their effeminate dress and mannerisms, the Galli were considered sacred and inviolate as they were part of a state Cult. The Roman prohibitions of castration made the Galli a clear image of curiosity and scorn. The Galli were a constant presence within Roman cities even into Rome’s Christian era.

Parentage and Family

Parents

Dindymene – In Phrygian mythology, she with King Maeon, is the mother of Cybele. Otherwise, the name of Dindymene is sometimes seen as just an alternative name for Cybele.

Maeon – (Also spelt Meion). A King of Phrygia and Lydia, with his wife Dindymene, fathered Cybele.

In this version of the myths, Cybele was left out, exposed on Mount Cybelus to die. However, leopards came and suckled Cybele, allowing her to survive.

Zeus & Gaia – Pausanias identifies Cybele’s parents as being the Phrygian Sky-Gods and Earth-Goddess whom he names as having been Zeus and Gaia.

Consort

Attis – A vegetation bull-god. In the very conflicting and varying stories, Attis is both Cybele’s son and consort.

Midas – As in King Midas of the golden touch. He is sometimes shown to be a consort of Cybele. Though he is definitely regarded as a leader to Cybele’s cult.

Children

Cybele is ultimately the mother and grandmother to a good many deities of the Roman Pantheon.

Cronos – When Cybele is identified with Rhea, she is the mother of Alce, Midas and Nicaea.

Gordius – With him, Cybele is the mother of Midas, when he’s not shown as her consort.

Iasion – With him, Cybele is the mother of Corybas (also spelt Korybas). Iasion is the Samothrakian for Cybele’s consort Attis. Corybas is the first of the Korybantes who will later stand guard over the infant Zeus.

Olympos – With him, Cybele is the mother of Alke-Kybele

Sabazios-Dionysos – Some versions of his birth place him as Cybele’s son instead of Hera/Juno’s child.

 A Crisis Of Identity

 While Cybele has her origins in Anatolian and Phrygian culture and mythology; her being imported and adopted by other cultures in the Mediterranean has led to a good many other goddess being identified with Cybele or seen as alternative names and epithet.

The most notable is that of the Greek Goddess Rhea, who is also a Mother Goddess. Many of her myths have become intertwined with those of Cybele’s over the years.

Other goddess who have been equated and identified with Cybele are the Roman Goddess Ops, the wife of Saturn, the Egyptian goddess Isis, a minor local goddess or nymph Idaea and the Greek goddess Demeter.

Cybele And The Sibyls

Due to the similarity in the how the names sound, there tends to be a lot of associating the Sibyls as potential female priests and oracles for Cybele. While female oracles, the Sibyls could claim patronage to any deity and not necessarily Cybele. Most seem to follow the Greek god Apollo as he is a god of Prophecy.

Many Sibyles would prophesy at holy sites and they were originally at Delphi and Pessinos, following chthonic deities. And yes, Pessinos is where Cybele originated from when the Romans brought her black stone and statue back home. So there just might be a real connection.

Agdistis – Hermaphrodite – The Birth Of Cybele

Anatolian Goddess – Before the drastic changes to her myth, Agdistis had been a benevolent goddess of healing. Accepted for as they are until later changes are made and forced to this goddess as she and many others are absorbed into the larger myth of Cybele and adopted by other cultures, namely Greece and Rome.

When taken as a separate deity from Cybele, Agdistis is of mixed Anatolian, Greek and Roman mythology. They are a hermaphrodite or androgynous being; having both the male and female sexual organs. This dual nature of Agdistis made them symbolic of the wild and uncontrollable nature. This is an aspect that was seen as so threatening to the other gods that they sought to destroy Agdistis. The one explanation found or given is that Agdistis, being a hermaphrodite, held a huge sexual appetite and the gods were unable to handle it. They felt that this being could and should only be one gender or the other and for the gods, it was easier to remove the male sexual organs.

There a lot of ancient inscriptions that plainly and clearly show Agdistis as being separate from Cybele. However, later, Agdistis’ name would become one of Cybele’s many epithets. A common occurrence for many localized gods and goddess of Phrygia as the gods were imported into Greece and then Rome and many deities of a foreign place were often seen as being the same god, just known by another name.

There are multiple versions of the story for how Agdistis is attacked by the other gods and is castrated, how Attis is born and that Agdistis, now Cybele falls in love with the youth, promising to make him immortal.

How in some versions, Attis is punished for falling in love with is mother, how instead of keeping his vow to Cybele to only follow her, that he falls in love with another and that a jealous, angry Cybele drives Attis and the other guests at a wedding mad. How after, regretting her actions that she pleads to Jupiter/Zeus to restore Attis. One version of the story has both Agdistis and Cybele as separate beings who both fall in love with Attis.

The Greek Version – In this version of the myths, Cybele was raped by Zeus and gave birth to Agdistis. It should be noted, that Attis is very strongly and likely an invention and addition to Cybele’s myth.

As a deity separate from Cybele, Agdistis was a mountain deity found on Mount Dindymus near the city of Pessinus.

The Roman Version – In one version of the myths, Cybele, known as Agdistis is thought to have been a hermaphrodite, having been born of the earth where Jupiter’s sperm fell. The gods castrated Agdistis who then becomes the goddess Cybele. Where the severed pieces of Agdistis’ manhood fell, an almond tree grew. The fruit of this tree impregnated the nymph Nana when she placed an almond on her womb. Or more likely, that she ate an almond. Nana later gave birth to the god Attis. The baby Attis was abandoned by Nana as she was afraid of her father. The baby was discovered and saved by shepherds. Attis would grow up to become Cybele’s lover.

Pausanias’ Version – Pausanias identifies the Phrygian Sky-God and Earth-Goddess as being Zeus and Gaia.

In Pausanias’ version of the story, while sleeping, Zeus had some of his sperm fall on the ground. This of course created a Daimon that was hermaphroditic having the sexual organs for both male and female. This Daimon would be called Agdistis, another name for Cybele. The other gods feared Agdistis and cut off the male organs. This proceeded to create an almond tree. The daughter of the river Saggarios then took the almond fruit and held it to her bosom where it vanished. The daughter would find later that she was pregnant and give birth to Attis.

A slight variation to this story is that while Gaia, as the Great Mother slept on a rock called “Agdo,” the god Zeus raped Gaia and brought about Agdistis birth.

Other variations yet have either Dionysus or Liber who make a potion to put Agdistis to sleep so they can castrate them by tying his genitals to his foot so they’re ripped off when Agdistis stands.

Depending on the version of the story read, there are different accounts to the sequences of events and who is involved, a river nymph or king’s daughter that Attis marries.

It certainly reads as a very conflicting story that will vary by which author relates it. There’s been a good many changes to the story, especially considering how much Attis is a later addition that is largely added-on by the Romans.

Cybele Part 2

Aquila

Aquila
Etymology – The Eagle

Pronunciation: There are a few different variations – ˈækwɨlə, əˈkwɪlə and ˈækwɨli

Also known as: Αετός Δίας (Aetos Dios), Aquila Jovis, the Bird of Zeus and the King of Birds

The constellation Aquila, the Eagle has been recognized as early as 1,200 B.C.E. The Euphratean uraanographic stone, dating from the Mesopotamian cultures, depicts this constellation. The constellation lies just a few degrees north of the celestial equator. Many ancient cultures such as the Persians, Hebrews, Arabs, Greeks and Romans all saw an eagle represented in this constellation.

The constellation is seen first with a straight line of three stars that symbolize the wings. The tips of the wings are seen to extend out further to the southeast and northwest. The head of the eagle is seen as stretching out towards the southwest. In older depictions of this constellation, the Eagle is sometimes shown carrying the youth Ganymede.

Western Astronomy

The constellation known as Aquila is one of 48 constellations listed by the 2nd century astronomer Ptolemy in his book, Almagest. Aquila is also mentioned by Eudoxus in 4th century B.C.E. and by Aratus in 3rd century B.C.E. Today it remains as one of the 88 current or modern constellations. It is a large constellation, ranking 22nd in size.

Constellations bordering with Aquila are: Aquarius, Capricornus, Delphinus, Hercules, Ophiuchus, Sagitta, Sagittarius, Scutum, and Serpens Cauda. The best time to spot Aquila is during the month of August in the Northern Hemisphere.

Antinous – Obsolete Constellation

The astronomer Ptolemy catalogued nineteen stars altogether in Aquila and Antinous. The now obsolete Antinous constellation had been named during Emperor Hadrian’s rule in 132 C.E. Sometimes the cataloging of stars is erroneously attributed to Tycho Brahe who cataloged twelve stars in Aquila and seven stars in Antionus. A Hevelius cataloged some twenty-three stars in Aquila and nineteen in Antionus.

Arabic Astronomy

Among the Arabs, Aquila has been known as the Flying Eagle, Crow or Raven. The Persians knew Aquila by the names: the Falcon and the Flying Vulture. The Turks referred to this constellation as the Hunting Eagle.

Chinese Astronomy And Mythology

There is a rather famous and well known love story found in Chinese mythology that is related to the constellation of Aquila, or rather several of its stars. It’s a story that is also similar to the love story connected with the Cygnus constellation.

Astronomy

In Chinese astronomy, the modern day constellation of Aquila lies in the area of the heavens known as Běi Fāng Xuán Wǔ, the Black Tortoise of the North and the Three Enclosures or Sān Yuán that divides the night sky of the Chinese Heavens.

The star Zeta Aquilae is located in a part of the night sky seen as Tiān Shì Yuán or the Heavenly Market Enclosure. The rest of Aquila’s stars are found in the area of the night sky ruled by Běi Fāng Xuán Wǔ, the Black Tortoise of the North.

In modern day, Aquila is known by the name of Tiān Yīng Zuò, which means: “the heaven eagle constellation.”

Hegu – The Battle Drum

The star Altair and the two stars to either side of it, Beta and Gamma Aquilae form the asterism known as Hegu, a battle drum.

Tianfu – Celestial Drumsticks

The Chinese have an asterism comprising of the stars 62 Aquilae, 58 Aquilae and Eta Aquilae that they call the Celestial Drumsticks.

Youqi – Banner Flags

The stars Delta, Iota, Mu and Sigma form a banner flying to the right of Hegu.

The stars from Sagitta in the north represent a banner to the left side of Hegu.

The Three Generals

Altair, Beta and Gamma Aquilae are also known as the Three Generals with Altair representing the commanding officers with this two subordinates.

Tiabian – Trade Officials

The stars Lambda and 12 Aquilae along with the stars in the constellation Scutum represented a team of Trade Official overseeing the organization of the markets. An area of the heavens that includes the Hercules, Ophiuchus and Serpens constellations. The officials were located just outside of the market walls.

The star Zeta Aquilae formed part of this wall.

Lizhu – The Empress’s Pearls

An L-shaped pattern formed by the stars 1, 69, 70 and 71 Aquilae represent four pearls worn by the Empress. These same stars are also astrologically connected to the Emperor’s harem.

Qi Xi – The Princess And The Cowherd (Herd-Boy And Weaver-Girl)

This is a rather old story that dates as far back as at least the 6th century B.C.E. where it first appears in a collection of stories called the Book of Songs or Shih Ching. The book was possibly compiled and put together by Confucius. However, this book was later destroy a few centuries later by the emperor, Shih Huang Ti who is remembered more for his burning books instead of the construction of the Great Wall of China.

Chih Nu, identified with the star Vega was the daughter of the Sun-God. Chih Nu was known for being very good and skilled with weaving, especially her creation of tapestries. On one particular day, Chih Nu was looking out the palace window and spotted one of her father’s herdmen, Ch’ien Niu. For these two, it was love at first sight and Chih Nu’s father, the King was very happy when he discovered the news.

All started off well, for it was considered a good match, given how Ch’ien Niu was known for being a hard worker and took care of the royal flock with due diligence.

A wedding was planned in which Chih Nu wove her own wedding dress out of starlight. All started off well and the newly married couple were very happy and deeply devoted to each.

It would seem that this deep devotion was also the source of a problem, for it didn’t take long for everyone to realize that Chih Nu’s and Ch’ien Niu’s duties and responsibilities were becoming neglected. Chih Nu’s loom stood forgotten and gathering dust in a corner while the royal cattle that Ch’ien Niu was to tend, began wandering out, straying far across the heavenly plains.

Chih Nu’s father, the Sun-God and King gave the two lovers repeated warnings and still they failed to follow through with their respective obligations and responsibilities. Things got bad enough that the Sun-God finally took measures, the first of which was to banish Ch’ien Niu to the other side of the Heavens to tend the royal cattle there.

Once Ch’ien Niu had crossed the only ford, T’ien-tsin, the Sun-King then ordered that both borders of the ford be closed off so that neither lover could cross. Chih Nu begged her father, but he would not relent on his royal decree.

Eventually, Ch’ien Niu had pleaded her case to the magpies who took pity on her. They decided that once a year, on the seventh day of the seventh monty, that they would help the parted lovers. On this day, all the magpies across China would fly up to the Heavens and create a bridge with their wings. This way the two lovers can cross and be together. On this day, Chih Nu cries, at first it is tears of joy that come down as soft, gentle rain. As the day progresses and starts to end, Chih Nu’s tears become a down pour of rain as she knows the two lovers must part ways for another year.

Their task done, the magpies fly away again back to their fields. The next day, when people see the magpies, they take heart knowing that the magpies have done their duty by the way their feathers look trampled. If the magpies’ feathers aren’t trampled, then the people say that bad weather has prevented from flying up to the heavens to form their bridge. Children are also believed to throw stones at any magpies found on the seventh day of the seventh month as these birds are seen as neglecting their duty to go with the others to form the bridge for the two lovers.

Qi Xi Variations

This story is told in China, Korea and Japan, so there are a few different names and variations to the story of Qi Xi. In one version, the star Altair is identified as Niu Lang and his two children are identified as Beta and Gama Aquilae who become separated forever from their wife and mother Zhi Nu, who is identified with the star Vega, in the Cygnus constellation. This separation is represented by the river, the Milky Way.

Another version places the Herd-Boy as an orphan who observes Weaver-Girl among some seven Weavers who descend from the heavens to bathe in a nearby stream. By snatching Weaver-Girl’s robe, Herd-Boy compels her to marry him and ends up sharing her immortality.

Much like the previous version, the two slack off in their duties and it is Weaver-Girl’s grandmother, a Queen of the Heavens who separates the two. The rest of the heaven’s take pity on the young lovers and they are allowed to meet once a year on the seventh day of the seventh month with magpies forming a bridge for them to cross.

Greek Mythology

In Greek Mythology, there are a few different myths regarding the Aquila constellation. Generally, Aquila is seen as a large golden eagle who serves as Zeus’ messenger and companion animal.

Periphas’ Metamorphosis

Periphas was a priest of the god Apollo, he lived in Attic at the time and was an autocthon, one of the Earth-Sprung Rock. He was considered so virtuous and beloved by the people that they made him a king and began to honor him like a god.

This angered the god Zeus who was ready to strike down this insolent mortal with one of his thunderbolts. The god Apollo intervened and requested that Zeus instead transform Periphas into an eagle. Zeus went into Periphas’ house and transformed him while Periphas was with his wife. As she didn’t want to be separated from her husband, Zeus also transformed her into a bird, a vulture, represented by the constellation of Lyra, the heavenly vulture.

As Periphas had shown piety and honors to the god Apollo while he had been mortal, Zeus made him the king of birds and tasked him with guarding the sacred scepter and thunderbolts. For Periphas’ wife, Zeus made her a sign and image of good luck regarding all the matters of humankind.

Titanomachy

During the ten-year war that Zeus and the other gods held against the Titans, Zeus had an eagle who carried the thunderbolts that he used to hurl at the Titans. In gratitude for the eagle’s service and loyalty, it was given a place up in the heavens as the constellation Aquila.

In other accounts, Zeus adopted the eagle as his bird when it first appeared to him before the Titan War as a sign of good omen while making sacrifices.

Ganymede

The constellation of Aquila is also tied to the story of Ganymede, Zeus’ cup-bearer.

Ganymede was the son of King Tros of Dardania and the basis for the kingdom of Troy in Greek mythology. An exceptionally beautiful youth, Ganymede had caught the attention of Zeus when he was out watching over his father’s flock of sheep. Now, depending on the versions of the story being told, Zeus, either in the guise of an eagle or sending the eagle Aquila, came and carried him off to Mount Olympus. As compensation to King Tros, Zeus gave him some horses.

Once there, Ganymede faced the wrath of Hera, the wife of Zeus, who was angry and very likely jealous that her husband had taken such a fancy for a young boy. In addition to this, she was also angry that Zeus intended for Ganymede to replace Hebe, Hera’s daughter as the cup-bearer after an incident where Hebe had accidentally spilled some nectar of the gods. And it couldn’t have set well with Hera that Zeus immortalized Ganymede in the constellation of Aquarius in addition to immortality and eternal youth.

Another version of this myth says that it was Eos, the goddess of the Dawn who carries off Ganymede to Mount Olympus and then Zeus took him from her to be the cup-bearer.

Regardless of the versions of the story told, Ganymede does become the cup-bearer to the gods and basically serves them their wine. Further variations of this story tell how Ganymede would ride Zeus’ eagle Aquila, accompanying this god on his travels. Both the Aquila constellation near Aquarius and the constellation of Crater, said to be Ganymede’s cup are near Aquarius to complete this story.

Ganymede also becomes deified as he was given immorality and eternal youth by Zeus and ends up being the one responsible for the annual Nile River flooding and the life-giving waters of rain. Some scholars have pointed out that like the story of Capricorn, the Greeks are borrowing from other older stories and cultures as well as coming up with their own stories to explain the images and what the constellations mean.

In Roman times, the name Ganymede was sometimes used for handsome slaves who served as cupbearers. Furthering this, many have pointed out that the story of Ganymede is a clear indication and precedence for homosexuality in Greek culture. Others, like in Plato’s writings of dialogues between him and Socrates say that it wasn’t homosexuality; instead, they point out the meaning of the name Ganymede for “taking pleasure of the mind.” That Zeus loved Ganymede non-sexually for his mind. Still, other sources point out that this is where the Latin word for catamite originates. Additionally, the Roman poet Ovid says that Zeus who turned into an eagle to go retrieve the youth Ganymede.

Aquila Guarding The Arrow of Eros

Another minor story of Aquila that is more attached to the constellation of Sagitta. In this one, Aquila is seen guarding the arrow of Eros that has hit the god Zeus and caused him to become love-struck.

Zeus And Nemesis

During one of Zeus’ many exploits with chasing after and raping other women, he is to have somehow enlisted the aid of the goddess of love, Aphrodite.

In this story, Aquila represents Aphrodite as she’s disguised herself as an eagle, pretending to chase after Zeus who is in the guise of a Swan. All this so he can get the goddess Nemesis to offer him shelter. It is only afterword, when Nemesis has gone to sleep that she learns the swan she thought she had rescued is really the god Zeus in disguise and he rapes her.

To commemorate this conquest, Zeus places the image of the Eagle (Aquila) and the Swan (Cygnus) up into the heavens. Really?

Hindu Mythology

In Hindu mythology, the constellation of Aquila is seen as being Garuda, a half-eagle, half-human deity. Garuda is sometimes depicted as being the mount for the Hindu god Vishnu and to have been large enough to block out the sun. He is the sworn enemy of the Naga serpent race. He is a symbol of violent force, speed, and martial prowess in battle.

Alternatively, the line of three stars that also includes Altair is seen as being the footprints of the god Vishnu.

Mesopotamian Mythology

The Greek constellation of Aquila is very likely based on the Babylonian constellation of MUL.A.MUSHEN, the Eagle. The Babylonian’s constellation is also located in the same area of the night sky as the Greek’s constellation. The author, Gavin White in his book Babylonian Star-Lore, says that the Eagle carried the constellation called the Dead Man or LU.USH in its talons. It’s a story that carries a lot of connections for later Greek and Roman stories of Antinous and Ganymede.

There is a Sumerian story of the hero Etana, who descended to the heavens with the help god Shamash’s eagle while looking for a plant of birth to help ease his wife’s labor pains for the birth of their son, Balih. This plant could only be found in the higher reaches of heaven where Anu lived.

While riding on the back of the eagle, Etana noticed how the earth began to look smaller and smaller the higher they flew. This caused him to become nervous or scared and loose his grip on the eagle’s back.

One version of this story has Etana living for 1,560 years and having only two children. Another version of the story has Etana falling to the earth for daring to try and enter the realm of the god Anu. There is some thought too, that the plant in question, may refer to Mountain Arnica, which is poisonous, but when taken in the right doses, can ease labor pains during birth.

This story seems to have been the inspiration behind the Greek story of Ganymede.

Polynesian Mythology

There are several different myths and stories regarding Aquila among the Polynesians.

Futuna – Aquila is known as Kau-amonga, which means the “Suspended Burden.” The name is in reference to the Futunan’s name for Orion’s belt and sword, Amonga.

Hawaii – Among the Hawaiins, the star Altair is called Humu, as in the humu humu fish. The whole of the Aquila constellation is called Humu-ma, the “Humu cluster.” The Humu-ma constellation is believed to influence astrologers.

Marquesas Islands – Here, Aquila is known by the name of Pao-toa, meaning the “Fatigued Warrior.”

Māori – The Māori of New Zealand called Altair by the name of Poutu-te-rangi, meaning “Pillar of the Sky.” Due to this star’s position in the heavens, it has been used in different Māori calendars. In one, Poutu-te-rangi is the ruling star for the months of February and March. In another calendar, it is the ruling star for March and April. Poutu-te-rangi is also the star that rules over the annual sweet potato harvests.

Pukapuka – Aquila is known by the name of Tolu, meaning “three” and comprises of the stars Alpha, Beta and Gamma Aquilae. The star Altair is known by the name of Turu and was used for navigation.

Tuamotus – Aquila is known by the name of Tukituki, meaning to “Pound with a hammer.” The star Beta Aquilae is called Nga Tangata, meaning “The Men.”

Roman Mythology

Many of the Roman myths regarding the Aquila constellation are very similar to the Greek stories from which they took, borrowed or stole. There are a few additional myths and stories that can be found.

Aetos Dios

To start with, the eagle represented in the constellation is thought to be Aetos Dios, the golden eagle who serves Jupiter.

Interestingly, the constellation Aquila is known as Vultur volans, the flying vulture by the Romans. This name shouldn’t be confused with the name Vultur cadens, the Roman’s name for the constellation Lyra.

Aetos Dios & Prometheus

Keeping in mind that the Romans called Aquila a vulture, it then ties in with the story of Prometheus and his being chained and bound to the top of a mountain where a large vulture would come and eat his liver every day as punishment.

In the Greek and Roman mythology, Prometheus is the titan who took pity on humankind and gave them the gift of fire after all the other gifts had been given out. Enraged by this act, the god Zeus had Prometheus chained and bound to a mountain. Every day Prometheus would be attacked by a giant vulture or eagle who ate his liver every day as it would grow back by the next. Being immortal, Prometheus suffered a lot as his wounds would heal every day. Eventually after many years, the hero Hercules comes along and frees the mighty titan after slaying the vulture. After it’s death, the god Zeus placed the vulture up into the heavens to become the constellation Aquilla.

Aetos Dios & Psyche

A Roman novel dating to the second century C.E., The Golden Ass and written by Apuleius, there is an incidence in which the goddess Venus sends Psyche to go get a pitcher of water from the river Styx.

Given the deadly nature of the river Styx, the bird Aetos Dios, of his own freewill and his past services to Cupid, comes to aid Psyche in getting water so she wouldn’t come to harm. What seems a little odd in the story given here is that Aetos Dios lies to Psyche, claiming that Venus had sent him to come help her and mentions nothing at all about acting on his own violation, either way, Psyche has the water and returns to Venus with it.

Hercules Family

The constellation of Aquila, along with 18 other constellations of: Ara, Centaurus, Corona Australis, Corvus, Crater, Crux, Cygnus, Hercules, Hydra, Lupus, Lyra, Ophiuchus, Sagitta, Scutum, Serpens, Sextans, Triangulum Australe, and Vulpecula.

All of these constellations have some connection to the overall legend and myth of the Grecian hero Hercules. They are the largest grouping of constellations found in the Western Hemisphere.

Aquila, along with the other avian constellations of Cygnus and Vultur cadens form a part of a significant myth of the Stymphalian Birds and one of the Twelve Labors of Hercules.

Summer Triangle

Aquila’s alpha star, Altair forms part of an asterism known as the Summer Triangle. It is the southern point of the Summer Triangle. The other stars, Deneb, found in the constellation of Cygnus, is the triangle’s northeastern point and Vega, found in the constellation of Lyra to the northwest.

Stars of Aquila

Alpha Aquilae – Also known as Altair, is the brightest star within the Aquila constellation and the 12th brightest star overall in the night sky. Altair’s name comes from the Arabic phrase: “al-nasr al-tair,” meaning “the flying eagle” or “vulture.” Ptolemy named this star Aetus, the Latin word for “eagle.” Both the ancient Babylonians and Sumerians referred to Altair as “the eagle star.”

Beta Aquilae – Also known as Alshain, it is a yellow star. Alshain’s name comes from the Perso-Arabic word: aš-šāhīn, which means “the falcon.”

Gamma Aquilae – Also known as Tarazed, it is an orange giant. Tarazed’s name comes from the Arabic phrase: “shahin-i tarazu,” meaning “the balance” or “the beam of the scale.”

Epsilon Aquilae – This star, along with Zeta Aquilae have an Arabic name of Deneb al Okab, meaning: “the eagle’s tail.” To differentiate Epsilon Aquilae from Zeta Aquilae, Epsilon Aquilae is frequently referred to as Deneb el Okab Borealis as it is north of Zeta Aquilae.

Zeta Aquilae – This star, along with Epsilon Aquilae have an Arabic name of Deneb al Okab, meaning: “the eagle’s tail.” To differentiate Zeta Aquilae from Epsilon Aquilae, Zeta Aquilae is frequently referred to as Deneb el Okab Australis as it is south of Epsilon Aquilae.

Eta Aquilae – Also known as Bezek, is a yellow-white supergiant star. Bezek’s name comes from the Hebrew word bazak which means: “lightning.”

Theta Aquilae – Also known as Tseen Foo, is a binary star. Tseen Foo’s name comes from the Mandarin word tianfu, which means: “the heavenly rafter” and “drumsticks.”

Iota Aquilae – Also known as Al Thalimain, it is a blue-white star. Al Thalimain’s name, along with Lambda Aquila, in Arabic means: “the two ostriches.”

Lambda Aquilae – Also known as Al Thalimain, it is a blue-white star. Al Thalimain’s name, along with Iota Aquila, in Arabic means: “the two ostriches.”

Rho Aquilae – Also known as Tso Ke, is a white dwarf. Tso Re’s name comes from Mandarin and means: “the left flag.” As of 1992, this star is no longer part of the Aquila constellation and has since moved into the Delphinus constellation.

Glowing Eye Nebula

Also known as NGC 6751, this nebula is one of many found within the borders and star field that makes up Aquila.

Hercules–Corona Borealis Great Wall

Aquila is home to one of the largest single mass concentration of galaxies in the Universe found so far. It is referred to as the Hercules–Corona Borealis Great Wall. It was first discovered in November of 2013 and has a size of about 10 billion light years.

Novae

Two major novae have been observed within Aquila. The first one was recorded in 389 B.C.E. and said to have been as bright as Venus. The other novae observed as the Nova Aquilae in 1918 which briefly shone brighter than Altair.

Aquilids

There are a couple of meteor showers associated with this constellation. They are the June Aquilids and the Epsilon Aquilids.

The June Aquilids meteor shower has only been studied by radar and are most active on June 2nd and 3rd.

The Epsilon Aquilids meteor shows is active in mid-March and is best seen using optical aids such as telescopes.

Aquarius

Ganymede