Category Archives: Polynesian
Also known as: Dodore (northern Malaita), Kakangora, Kalibohibohi (Guadalcanal), Mumu (southern Malaita), Nopitu (Bank Islands of northern Vanuatu), and Tutulangi
Perhaps if I had done this post sooner, I could have found more posts directly about the Kakamora instead of so many about the movie Moana.
Legends of creatures known as Kakamora come from Polynesian mythology, especially in the Solomon Islands of the Melanesian people. The main legends of the kakamora are from the island of Makira. They are sometimes called tricksters and are known for stealing fire from humans. The other more malicious trick that kakamora are reputed to do is to beat one of their own so they would cry, sounding like a baby. This of course would cause a human to come close, thinking they’re going to help, only to be captured, killed, and eaten by the kakamora.
Let’s dispel the notion of the Kakamora from the movie Moana as sadistically cute coconut-clad armored pirates that attack Moana and Maui on their quest. The movie does get it correct in terms of size for them being small.
In Polynesian mythology, the Kakamora are small, hairy spirits with sharp claws known to be secretive and dangerous. In the Solomon Islands, these beings are held to be harmless until they aren’t. In the forests where they live, the kakamora live on nuts, fruit, and opossums. What makes them dangerous is that from time to time, the Kakamora are reported to feed on anyone found wandering alone, be it a child or a hapless traveler. They also live in holes, caves, and banyan trees. The language that kakamora have is not shared with the Melanesian people.
Warding Off Kakamora
Apparently, waving anything white will frighten off the kakamora. It’s not clear why this color but go figure.
Aside from people saying that Kakamore loves to be in the moonlight, there is a traditional dance held in the Soloman Islands. This play or dance imitates the legendary dance that the kakamora did to the sound of a conch shell being blown. When people traveling by canoe suddenly arrive, the smaller kakamora take off for the trees in a panic, running.
Possible Reality Behind The Myth
Much like the celebrities of Cryptozoology with Big Foot, Lochness Monster, and the Yeti, people claim and believe that there may still be Kakamora living deep within the forests and mountains of the Solomon Islands.
One author, Reverend Charles Fox in his book “The Threshold of the Pacific”, written in 1924, wrote of the kakamora, how they build no houses, don’t use tools, or make fires. Fox’s book describes how he was traveling with a group of Arosi people when they came across the remains of half-eaten fish and small, wet footprints on dry stone in the river. Even in 1930, District Officer Dick Horton claims to have seen very short people near the village of Veramakuru on Guadalcanal.
More excitement for an extinct race of hominids arose in 2003 with the discovery of 18,000-year-old bones on Flores Island in Indonesia. The short, one-meter stature of this archaeological find has led scholars to refer to this race as hobbits.
Most claims and sightings of kakamora ended in the early 20th century when local people began to obtain firearms. There had been reports of sightings near villages and thefts in gardens. However, just like the Cryptozoology superstars of Big Foot and Nessie, some people are hopeful that they’ll capture a kakamora and prove to the world their existence while other people have relegated such stories to the realm of superstitions, folklore, and fairy tales.
Movie Time – Moana!
So of course, the movie came out in 2016, featuring the famous Maui of Polynesian mythology. Since I was curious, of course, I wanted to know how much of the mythology and stories the movie gets right.
It is, of course, a new story, and the Maui seen in the movie pulls and combines many of the aspects of him found primarily in Hawaiian and Maori legends. Much of this is confirmed during the song: “You’re Welcome” and a quick montage of all of Maui’s deeds that he’s done that have earned him a new tattoo to commemorate the event.
The character of Te Fiti in her darker aspect as Te Ka was originally referred to as Te Po, based on the Maori goddess Hine-Nui-Te-Po, the goddess of night, death, and the underworld. Others have noted a strong similarity between Te Ka and the Hawaiian volcano goddess Pele.
As to the Kakamora, not really. They get depicted as coconut armor-wearing pirates that roam the sea and show up rather randomly at one point and end up as comic relief.
Interestingly, while the movie was being developed and written, it incorporates the history of Polynesian people as voyagers who just abruptly ceased and then a thousand years later, start sailing again. Why? No one knows. However, the story of Moana certainly provides an interesting what-if story to it.
It’s interesting to note the importance of coconuts in Polynesian culture. Just from the movie Moana we see the people of the village sing about the importance of coconuts and Maui talking about how he created the coconuts so people would love him.
So, it’s weird seeing vicious coconut armor-wearing pirates, especially to menace Moana and Maui for the heart of Te Fiti. It also doesn’t help to come across “coconut” as a racial slur against Pacific Islanders.
The whole Waterworld & Mad Max vibe of random sea fairing pirates that show up and then are gone doesn’t seem to help the movie plot other than being filler and adding comedy. Sticking more to the folkloric beliefs and legends would have been far better in presenting the Kakamora.
If nothing else, the movie has catapulted the stories of Kakamora and moved them more towards the foreground of mythology, stories, folklore, and fairytales that everyone has some familiarity with.
Epitaphs: Honua-mea (“of the sacred earth”), Hanaumea (“sacred birth”)
In Hawaiian beliefs, Haumea is the mother goddess of fertility and childbirth, having given birth to many of Hawaii’s major deities or akua.
Plant: Leis, Fresh Flowers, Polynesian Food
Sphere of Influence: Childbirth, Rejuvenation, Energy
This is the Hawaiian word for any god, deity, spirit, devil, any entity that is of divine or supernatural origins. When capitalized, Akua refers to the Christian god.
Brothers – Kāne and Kanaloa
With Kanaloa, Haumea is the mother of the war god Kekaua-kahi, Kauakahi, the volcano goddess Pele, as well as Pele’s brothers and sisters, including Hi’iaka.
With Mulinaha, Haumea is the mother of Laumiha, Kahaʻula, and Kahakauakoko.
These are the other children of an unknown father, Kāne Milohai, Kāmohoaliʻi, Nāmaka, Kapo,
Kauahulihonua,Haloa, Waia, Hinanalo, Nanakahili, Wailoa and Kiʻo who is the last born.
Arrival Of The Gods
According to the Hawaiian scholar, Samuel Kamakau, Haumea along with Kane and Kanaloa are among a group of gods to arrive at the Hawaiian islands during a period between the rule of Paumakua and La’a.
When the group landed at Keei on South Kona, they were met by a pair of fishermen Ku-hele-i-po and Ku-hele-i-moana who quickly began worshiping them. With Ku-hele-i-po, Haumea gave birth to daughter, Mapunaia-aala.
As the akua of fertility and childbirth, Haumea is the mother of several important Hawaiian akua. In addition, Haumea is the progenitor of the Hawaiian people, notably their chieftains
As a mother goddess, Haumea is also the guardian and patron goddess of the Big Island of Hawaii.
Never Ending Food – There are stories of Haumea increasing the food supply for a man whom she marries and has children with. Haumea has a stick or tree called Makalei that is used to attract fish and thus create a never-ending supply of food.
In Hawaiian genealogy known as Kumulipo, La’ila’i is the first woman born of the gods Kane and Kanoloa. Her husband is Ke-alii-wahi-lani, “The king who opens the heavens.”
Ki’i is the first man.
Childbirth & Midwifery
In Hawaiian stories, Haumea is to have given humans the ability to give childbirth naturally. Haumea was able to do it herself naturally but she was surprised to learn that humans didn’t. Something she discovered when she visited the chieftain’s daughter Muleiula who was in the midst of some very painful labor pains. By modern standards, Haumea saw that humans did c-sections to cut a mother open to deliver the baby.
Seeing this dilemma and the difficult birth, Haumea went to create a potion from Kani-ka-wi tree, allowing Muleiula to push the baby out and have a more natural birth. According to the book Hawaiian Mythology by Martha Beckwith, Haumea received a reward from the chieftain of a “tree of changing leaves” from which gods are made.
If you ask me, Haumea has an unusual way of giving birth overall. Of all of Haumea’s children, only Pele is born the normal way. Though there are a couple of varying accounts, one that says Pele came from Haumea’s armpit and another that says she came from a flame from Haumea’s mouth. Everyone else came from various parts of her body. One prominent example, Laumiha, Kahaʻula, Kahakauakoko, and Kauakahi were all born from Haumea’s head.
All of Haumea’s children are said to have been born in the mythical lands of Kauihelani (Kuaihelani), or Hapakuela, or Holani-ku.
Even today, children who drool at the mouth are said to be “born from the brain of Haumea.” So it is likely these being born from different body parts of Haumea holds a lot of symbology.
From a place called Nu‘umealani, Haumea has a magic stick called Maklei that she could use to rejuvenate herself from an old woman back to a young girl. After doing this, Haumea would return to her village and marry one of her offspring and by doing that, have a continuous lineage of children.
Eventually, people found out that she was doing this and an angry Haumea stormed off, leaving her descendants and humanity behind.
I can see it, people are concerned about potential inbreeding. What would happen? Especially with any local island groups, you want to be careful of who you’re marrying.
When Haumea Became Kamehaikana
In this story, Haumea has taken another human form as Walinu’u and becomes the wife of Makea. Together, the two live on the hill Kilohana in the Kalihi valley of Oahu. They have all the food they could want with wild bananas, taro, yams, shrimps, and fish. One day Haumea decides she wants some crab and seaweed and heads over to Heeia. As she is filling her container, she has a feeling that something is wrong and rushes home. There, Haumea finds that Chief Kumuhonua has sent his men to capture Makea for poaching.
Haumea catches up with and overtakes the group at a breadfruit tree near the bridge crossing the Nu’uanu stream. She begs Kumuhonua’s men to be allowed to embrace her husband for a final time. When she touches Makea, the ropes binding him to fall away and the breadfruit tree opens up like the doorway to a house, and the two slip away inside. The men try to cut down the tree but only end up dying in the process. From Haumea’s skirt as she fled up the valley is said to come the akala or Hawaiian raspberry vines.
Another version of this story with Haumea as Papa, sees the men rub themselves with coconut oil and carve the tree into a statue they call Kamehaikana that they worshiped in Oahu until it is taken to Maui where it becomes the god of Kamehameha, a god of winning land, power and the ability to preserve the government.
Death Of A Goddess
Haumea was eventually killed by Kaulu.
Papahānaumoku – Or Papa for short, some Polynesian traditions identify Haumea with Papahānaumoku, the goddess of the Earth and the wife of Wākea, the sky god.
On September 17 of 2008, the International Astronomical Union named the fifth known dwarf planet found in the Solar System after Haumea. It was first discovered in 2004 by the Keck Telescope, one of the world’s best optical telescopes on the Big Island of Mauna Kea. There is a bit of controversy over who discovered it first, an American team or a Spanish team. If the Spanish team had their choice, this planet would have been named Ataecina, the Iberian goddess of the underworld. This dwarf planet has two small icy moons named after Haumea’s daughters, Hi’iaka, the goddess born from Haumea’s mouth, and Namaka, the water spirit born from Haumea’s body.
Argo Navis – Carina
Etymology – The Keel
Also known as: Ἀργώ (Greek for the Argo Navis)
Argo Navis – Obsolete Constellation
The name Argo Navis is the name of a now-obsolete constellation, it had long been known and observed by the ancient Greeks and other stargazers. For the Greeks and much of the Western World, the Argo Navis is associated with the story of Jason and the Argonauts
Early modern astronomers simply referred to this constellation as Navis. This constellation was rather large, taking up much of the southern sky. By the time we get to 1763, French astronomer Nicolas Louis de Lacaille decided to divide the Argo Navis into three smaller constellations of Carina, Puppis, and Vela. This final, breaking up Argo Navis into smaller constellations came in 1841 and 1844 by Sir John Herschel. In 1930, the IAU officially acknowledged this break up with the formalization of the 88 modern constellations used. While Carina is the smallest of the three newish appointed constellations, it does represent the bulk of the ship, The Argo.
The constellation Pyxis, the compass locates an area of the night sky near the mast of the Argo Navis. Some scholars will include and say it was part of the Argo Navis, others will point out that magnetic compasses were not known or used by the ancient Greeks. Lacaille thought of Pyxis as separate from the Argo Navis. Herschel proposed Pyxis be formalized as part of a new constellation, Malus in 1844 to replace Lacaille’s Pyxis.
Had Argo Navis not been divided up, it would be the largest constellation in the night sky. Nowadays, Hydra claims that spot as the largest constellation.
The First Ship?
Going by Greek mythology and history, Eratosthenes said that Argo Navis represented the first-ever ocean ship built. Even the later Roman writer Manilius agreed with that idea. Those paying attention to the mythology are quick to point out that this distinction belongs to the myth or story of Danaus as building the first ship. Danaus is the father of the 50 Danaids and with the help of the goddess Athena, set sail to Argos from Libya.
The constellation known as Carina is one of three constellations that make up the Argo Navis and once one of 48 constellations listed by the 2nd-century astronomer Ptolemy in his book, Almagest. Ptolemy describes the Argo Navis as sitting in the night sky between Canis Major and Centaurus. He goes on to describe asterisms for the “little shield,” the “steering-oar,” the “mast-holder,” and the “stern-ornament.” With the appearance of moving backward through the heavens, the Greek poet and historian Aratus calls the Argo Navis “Argo by the Great Dog’s tail drawn,” referring to Canis Major. Today Carina is one of the 88 current or modern constellations. The Carina constellation is found in a region of the sky called “The Sea” with other water-based constellations of Aquarius, Capricornus, Eridanus, Piscis Austrinus, and Pisces.
As Argo Navis, Carina would appear along the southern horizon in the Mediterranean during winter and spring, where the ship appears to be sailing along the Milky Way. Due to the equinox precessions over the millennia, Carina, Puppis, and Vela are no longer easily seen from the northern hemisphere. Carina is the 34th largest constellation found in the night sky and best seen during the month of March. Bordering constellations to Carina are Centaurus, Chamaeleon, Musca, Pictor, Puppis, Vela, and Volans.
Nowadays, only the stern of the Argo can be seen in the night sky. Cartographers have tried explaining this by saying that’s because the prow has vanished into a bank of mist or the other half has passed through the Clashing Rocks. Mythographers like Robert Graves said the missing prow is due to when Jason returned to Corinth and while sitting beneath the rotting ship, the prow fell off, killing the hero. That’s when Poseidon is to have placed the ship up in the heavens.
In northern China, the constellation of Carina can barely be seen.
The star Canopus is identified as the south polar star and the Star of the Old Man. This Old Man of the South Pole is the deified version of the star in Taoism, the symbol of longevity and happiness. This star is also associated with the Vermilion Bird of the South or Nán Fāng Zhū Què. With access to Western star charts, the rest of the stars were classified by Xu Guanggi during the Ming Dynasty and placed with The Southern Asterisms or Jìnnánjíxīngōu.
The star Eta Carinae is sometimes called Tseen She or “Heaven’s Altar”
It is thought perhaps that the ancient Greeks got their constellation of Argo Navis from the Egyptians circa 1000 B.C.E. Plutarch makes mention of the “Boat of Osiris” that the god Osiris would travel in as he traveled the lands of the dead.
Other scholars had suggested that the Greeks got the myth of the Argo Navis from Sumerian myths, specifically the Epic of Gilgamesh. Due to the lack of evidence, this idea is discarded.
The Maori of New Zealand called this group of stars by several names. Te Waka-o-Tamarereti or “canoe of Tamarereti,” Te Kohi-a-Autahi, an expression meaning “cold of Autumn settling down on the land and water,” and Te Kohi.
The star Canopus is called Ariki or “High-Born” by the Maori and Ke Alii-o-kona-i-ka-lewa” or “The Chief of the Southern Expanse” by the Hawaiians. Due to Canopus’ seeming solitary nature and being the last star seen before sunrise, it is also known as Atutahi, “First Light” or “Single Light, the Tuamotu Te Tau-rari. Marere-te-tavahi or “He who stands alone” by the Maori. There are also the names Kapae-poto for “Short horizon” and Kauanga for “Solitary.”
In India, people saw this constellation as “the Boat.”
Stars of Carina
Alpha Carinae – Also known as Canopus, it is the second brightest star in the night sky behind Sirius. It is a white supergiant star located some 313 lightyears from the Earth. The name Canopus is the Latinized spelling for the Greek Kanobos who the pilot of King Menlaus’ fleet of ships. This star is seen as the rudder, steering the ship across the night sky. Canopus is also the namesake city for where he died along the northern coast of Egypt on their way home from Troy. Menelaus founded the city there in his pilot’s honor. It was known as the star of Osiris was worshipped by many ancient cultures. It is the star used by Posidonus in Alexandria, in 260 B.C.E. to plot out the degrees of the Earth’s surface. Additionally, Canopus is the star that modern spacecraft use for celestial navigation.
Beta Carinae – Also known as Miaplacidus is a blue-white star. It is the second brightest star in the Carina constellation. The name Miaplacidus means “placid waters” and comes from the Arabic word miyah for waters and the Latin word placidus for placid.
Epsilon Carinae – Also known as Avior, it gained this name in 1930. It is published in a navigational almanac that the British Royal Air Force uses for navigating.
Eta Carinae – Also known as Foramen and Tseen She (“Heaven’s Altar” in Chinese). A prominent variable star has approximately 100 solar masses and is 4 million times as bright as the Sun. It was discovered by Edmond Halley in 1677. Eta Carinae is located inside the Carina Nebula. Eta Carinae is also a binary star. Because of the activity or outbursts that this star has shown, it is expected to go supernova or hypernova in the next million years or so.
Iota Carinae – Also known as Aspidiske, Turais, and Scutulum, all meaning “shield” in Greek, Arabic and Latin. Iota Carinae is part of the False Cross asterism.
Theta Carinae – This star forms part of the Diamond Cross asterism. It is also part of a cluster of stars sometimes called the Southern Pleiades as they look very similar to the Pleiades asterism found in Taurus.
Upsilon Carinae – Also known as Vathorz Prior from the Old Norse-Latin words meaning “Preceding One of the Waterline.” It is part of the Diamond Cross asterism.
This is an asterism found within Carina, that while larger than the Southern Cross constellation, is fainter. The stars Beta, Theta, Upsilon, and Omega Carinae form this asterism.
This is an asterism often confused for the Southern Cross constellation. The stars Iota Carinae and Epsilon Carinae along with two stars each from Kappa, Vela, Velorum, and Delta Velorum make up this asterism.
The Southern Pleiades
Also known as the Theta Carinae Cluster. The brightest star within this cluster is Theta Carinae. This cluster is called the Southern Pleiades because it resembles the Pleides of the Taurus constellation. It was by Lacaille in 1751.
Also called NGC 3372, this is the nebula that Carina got its name from when French astronomer Nicolas-Louis de Lacaille discovered it in 1751. The Carina Nebula contains several nebulae within it. It covers a region of space that is some 8,000 light-years away and 300 light-years wide. The central region of the Carina Nebula is covered by another, smaller Nebula called the Keyhole Nebula.
Covering the central part of the Carina Nebula, the Keyhole Nebula or Keyhole appears as a dark cloud with bright filaments of fluorescent gas. The Keyhole Nebula is roughly seven light-years wide. It was described in 1847 by John Herschel and it got its name from Emma Converse who named it the Keyhole in 1873.
This is a planetary nebula that can be seen by the naked eye and has the erratic Eta Carinae star within it. The word Homunculus means “little man” in Latin.
Wishing Well Cluster
Also known as NGC 3532, this open cluster of stars gets it name as when seen through a telescope, the stars appear like coins tossed into a Wishing Well. Speaking of telescopes, the Wishing Well Cluster was the first object observed by Hubble Space Telescope. This cluster can be found between the Crux constellation and the False Cross asterism.
Heavenly Waters Family
The constellation of Carina belongs to the Heavenly Water Family. Other constellations included in this group are Columba, Delphinus, Equuleus, Eridanus, Piscis Austrinus, Puppis, Pyxis, and Vela.
There are two meteor showers associated with the Carina constellation, they are the Alpha Carinids and the Eta Carinids which occur between January 14th and 27th each year. The Eta Carinids was first discovered in 1961 in Australia.
Jason & The Argonauts – Part 1
This is the myth that is identified with the Argo Navis by the ancient Greeks. The constellation represents the 50-oared galley that Jason and his crew sailed when heading off to Colchis to retrieve the Golden Fleece. The kingdom of Colchis was located somewhere near the eastern shores of the Black Sea in modern-day Georgia. This Golden Fleece is the fleece from the Golden Ram forming the constellation of Aries. The same Golden Ram that flew Nephele’s children, Helle (who fell off on the way) and Phryxus to safety in Colchis.
Apollonius Rhodius is the ancient Greek poet and scholar who wrote the Argonautica chronicling the voyage of Jason and the Argonauts that we know this epic from. Apollonius describes the Argo as the finest ship that ever sailed, she would ride before the wind when her crew pulled at the oars.
Now, to start the story proper, it begins with Jason’s grandfather, King Athamas of Boeotia. When Athamas died, his eldest son Aeson was to inherit the throne. The younger son, Pelias held other plans. Aeson was a pacifist and abdicated the throne to Pelias’ ambitions on the condition that when his son, Jason reached his majority, the throne was to be returned to him.
Shortly after ascending to the throne, an oracle approached Pelias and warned him that Aeson’s son would retake the throne by force. This same oracle also told Pelias to beware of the man with one sandal.
Pelias couldn’t do anything about the later prophecy, but he could do something about the former. He sent his soldiers to go kill his nephew. Before the soldiers ever arrived, Athamas had already sent his son, Jason on to learn from the centaur Chiron. So, when the soldiers did come, Athamas informed them that Jason was dead and the soldiers returned to Pelias to relay the news.
Years later, Chiron told Jason of what happened between his father and uncle. Angry, Jason headed home to right some wrongs. Aeson was more than happy to see his son again and after that bit of family reunion, Jason set off to confront his uncle.
While on his way to Boeotia, Jason needed to cross a river. An old woman greeted Jason, asking him to help her across. Jason agreed and as he carried the old woman, he lost one of his sandals. In some accounts, this old woman is the goddess Hera in disguise, aiding Jason on his quest and forcing a prophecy to be self-fulling.
Thus, Jason entered Boeotia with only one sandal. Seeing the youth with only one sandal, reminded Pelias of the prophecy given to him years ago and he became worried. Jason requests an audience with Pelias, demanding that the throne be given back to him.
Seeking to postpone the inevitable, a worried Pelias says that he will give up the throne only if Jason can prove himself by bringing back the Golden Fleece in Colchis. Pelias tells Jason that this golden fleece is rightly theirs. Secretly, Pelias hoped this quest would prove futile. Either Jason would die along the way on the 2,000-mile journey or get lost.
Building The Ship
Such a voyage would require a ship to undertake it. Jason enlisted the services of Argus to construct this vessel. The gods had a vested interest in this journey as well and the goddess Athena supervised Argus as he built the ship with timber from nearby Mount Pelion brought down to the port of Pagasae.
For the prow of the ship, Athena used an oak beam from the oracle of Zeus at Dodona. By the time Argus finished the ship, this oak beam allowed the Argo to speak, calling out for action. Jason would take with him, 50 of the greatest Greek heroes.
These are some of the more notable crew. Sometimes the names can vary slightly, notably if Atlanta will be listed as part of the crew.
Argus – The shipwright and name’s sake of the Argos
Atlanta – An archer and the only woman on the crew
Castor & Polydeuces – Twins
Calais & Zetes – The sons of the North Wind
Glaucus – The Argo’s helmsman
Orpheus – One of the greatest musicians of the Greek era.
Heracles – The strongest man alive in ancient Greece, taking a break from his Twelve Labors.
Periclymenus – A grandson of Poseidon with the ability to shape-shift.
Theseus – Slayer of the Minotaur
Launching The Argo
If there was one flaw to Argus’ ability as a shipwright, it is that the Argo was too heavy that they could move the ship into the water. Enter stage right, Orpheus who played his lyre as he sang, that the oak beam of the Argo’s bow began to move, taking the whole ship into the water.
Visiting The Mentor
As the Argonauts sailed, the ship passed near Mount Pelion, where Chiron lived. Jason decided to visit his old mentor and the crew spent a night resting there. To help Jason and the Argonauts on their quest, Chiron placed a likeness of himself up in the heavens. One version of the story says that this constellation is Sagittarius, though scholars will disagree and say that it is the constellation Centaurus that represents Chiron. Either way, throughout his journey, Jason would speak with Chiron through the stars of this constellation.
As the Argo sailed, they reached a point where they needed to resupply their stores of freshwater. Hercules and Hylas were the two who volunteered to go ashore and get more water. After a bit of searching, the two found a well and as they were pulling water up, Hylas was suddenly pulled down by the naiads living there. It is here that Hercules parted ways with the Argonauts as he decided to try and find a way to rescue Hylas.
Side Note: An old 1963 Ray Harryhaussen movie for Jason and the Argonauts sees Hercules and Hylas encountering a giant statue named Talos that attacks everyone when they take some treasure.
To Be Continued…
Argo Navis – Puppis for Part 2
Argo Navis – Vela for Part 3
Etymology – Unknown
Also Known As: The Queen
Alternate Spellings: Κασσιόπεια, Κασσιέπεια, Κασσιόπη, Casseipeia, Kassiope, Kassiopeia, Kassiepeia.
In Greek mythology, Cassiopeia is the name of a few different women, all of whom were Queens for their respective country and area. For the constellation, Cassiopeia refers to Queen of Andromeda and Perseus fame.
As punishment from Poseidon for her vanity and haughtiness, Cassiopeia is described as being a chained woman in a throne or a Queen in her throne holding a mirror to represent her vanity.
In more modern times, the Cassiopeia constellation is known as the Celestial “W” and Celestial “M” all depending on which way you’re looking at the W Asterism that characterizes this constellation.
The image represented in this constellation shows Cassiopeia tied or chained to a chair as she circles the Pole Star where she can sometimes appear to be going headfirst into the water as part of her punishment and hubris with the god Poseidon. Other depictions of Cassiopeia will show her holding a mirror to symbolize her vanity and in other depictions, she is holding a palm leaf whose symbolism has been lost.
Father – Coronus, a mortal, since there is more than one Coronus, it’s not clear which one is to be her father.
Mother – Zeuxo, an Oceanid.
In his Dionysiaca, Nonnus refers to Cassiopeia as a nymph, which given her parentage could accurate or it just refers to Cassiopeia’s beauty.
Story Of Perseus
In Greek story of Perseus, Cassiopea was the Queen of Acrisios or Aethiopia, the wife of King Cepheus and the mother to Andromeda.
The story begins when Cassiopea starts bragging about how Andromeda is more beautiful than the Nereids. This kind of attitude of extreme arrogance and pride, especially when a person claims being better than the gods, creates what’s known as hubris.
Offended by Cassiopeia’s remarks, the Nereids approached Poseidon and complained, asking him to punish this mortal woman. Poseidon agreed and he sent a flood as well as the sea monster Cetus (or Kraken) to destroy the coastline of Aethiopia.
After consulting with the oracle of Ammon (identified by the Greeks with Zeus,) located at an oasis near Siwa in the Libyan desert, Cepheus is told that he would be able to end the destruction of his country by giving up his daughter Andromeda in sacrifice to Cetus. At the urging of his people, Cepheus had Andromeda chained to a rock by the sea to await her fate.
Luck was with Andromeda, for the hero Perseus is flying by on the Pegasus, and on seeing her, he flew down to ask her why she was bound to the rocks. Andromeda told her story to the hero Perseus.
After hearing the story, Perseus went to Cepheus, saying he could save Andromeda from the sea monster and that in return, he wanted her hand in marriage. Cepheus tells Perseus that he could have what he wanted.
With that, Perseus then, depending on the accounts given, pulled his sword and found a weak spot in the scales of the sea monster Cetus or he used the severed head of Medusa to turn the monster to stone.
In either event, the monster is slain, Perseus saves Andromeda and a grateful Cepheus and Cassiopeia welcomed them to a feast where the two are married.
The story doesn’t completely end there as it seems Andromeda had also been promised to her uncle Phineus to marry. This wouldn’t have been disputed or contested if Phineus had been the one to save Andromeda and slay Cetus himself. So Phineus picks a fight with Perseus about his right to marry Andromeda at the wedding.
After slaying a Gorgon and a Sea Monster, a mere mortal man is no challenge for Perseus who once again pulls out Medusa’s head and turns Phineus to stone. Given variations of the story, sometimes this is when Cepheus and Cassiopeia are also turned to stone when they accidentally look at the gorgon’s severed head. Another variation to the story is that Cassiopeia is turned to stone when she objects to Perseus and Andromeda’s marriage. With Phineus now dead, Andromeda accompanies Perseus back to his home Tiryns in Argos where they eventually founded the Perseid dynasty.
Some accounts give that Perseus and Andromeda had seven sons and two daughters. Others place this count a little differently saying it’s seven children altogether, six sons and one daughter. Most accounts agree that the eldest son, Perses founds his own kingdom and becomes the ancestor of the kings of Persia. A variation to this account is that Perses was adopted by his grandfather Cepheus and named heir to the throne.
Eventually, years later, as the major figures of the story died and passed away, the goddess Athena placed Cepheus and the others up into the heavens as constellations to immortalize and commemorate this story.
Further, it is the god Poseidon who places both Cepheus and Cassiopeia up into the heavens to become constellations, explicitly as punishment.
The price for hubris, still another version for the ending of the story still has Cassiopeia punished for her bragging by being chained to her throne to forever circle the North Star. This is why she can sometimes be seen upside down in the heavens as a warning to others.
Hyginus’ Account – By his account, Cepheus’ brother is Agenor who confronts Perseus as he was the one to whom Andromeda had been promised in marriage. So, this is who Perseus ends up killing instead of Phineus.
Clash Of The Titans – In the original 1981 movie, the actress Siân Phillips plays Cassiopeia. This version of Cassiopeia is never punished by Poseidon and it is the goddess Thetis who states that Andromeda will be given to the Kraken. The 2010 remake sees Polly Walker play Cassiopeia and this character is aged rapidly to death by the god Hades.
Aethiopia or Ethiopia?
The accounts can vary and much of this owes to some lack of clarity among ancient Greek Scholars and Historians. Homer is the first to have used the term Aethiopia in his Iliad and Odyssey. Greek historian Herodotus uses the name Aethiopia to describe all of the inhabited lands south of Egypt. The name also features in Greek mythology, where it is sometimes associated with a kingdom said to be seated at Joppa, (what would-be modern-day Tel-Aviv) or it is placed elsewhere in Asia Minor such as Lybia, Lydia, the Zagros Mountains and even India.
Modern day Ethopia is located on the horn of Africa and has some tentative ties to the legend of Andromeda. The Egyptian priest Manetho, who lived around 300 BCE called Egypt’s Kushite dynasty the “Aethiopian dynasty.” And with the translation of the Hebrew Bible or Torah into Greek around 200 BCE, the Hebrew usage of “Kush” and Kushite” became the Greek “Aethiopia” and “Aethiopians.” This again changes later to the modern English use of “Ethiopia” and “Ethiopians” with the arrival of the King James Bible.
Given the way that Countries, Empires, Kingdoms and Nations rise and fall, expand and shrink, it’s very well possible that both Aethiopia and Ethiopia are one and the same and that modern-day Tel-Aviv once known as Joppa (Jaffa) may have once been part of Ethiopia. Some sources cite Joppa as having been a city of Phoenicia. There is a lot of history that has been lost to the sands of time that can only be guessed at and speculated upon.
The constellation known as Cassiopeia is one of 48 constellations listed by the 2nd century astronomer Ptolemy in his book, Almagest. Today it remains as one of the 88 current or modern constellations. Cassiopeia is the 25th largest constellation in the night sky. Bordering constellations to Cassiopeia are Andromeda, Camelopardalis, Cepheus, Lacerta, and Perseus.
Cassiopeia has the nickname of the W constellation as this is asterism comprised of the five brightest stars is easily recognizable. In English, Cassiopeia is known as the “The Queen.”
The Cassiopeia constellation is found year-round on the northern hemisphere near the pole star. The best time to see this constellation is in November. This constellation is able to be seen by those countries north of the Tropic of Capricorn come late spring.
French Depiction – Cassiopeia is shown sitting on a marble throne holding a palm leaf in her left hand while holding her robe with her right hand. This image is found in Augustin Royer’s 1679 Atlas.
This constellation was known as the Lady in the Chair. In some Arabic Atlases, the stars of Cassiopeia are associated with a figure known as the “Tinted Hand” that represented a woman’s hand that’s been dyed red with henna. Later, in Islamic religion, this red hand is the bloody hand of Muhammad’s daughter Fatima.
Another Arabic constellation found within Cassiopeia is a Camel. The head is comprised of the stars Lambda, Kappa, Iota and Phi Andromedae with the hump being formed by Beta Cassiopeia and the rest of the Cassiopeia constellation forming the body and the legs extending into stars within Perseus and Andromeda constellations.
In Chinese Astronomy, the Cassiopeia constellation is located in the areas of the night sky known as Zi Wei Yuan (the Purple Forbidden Enclosure), Bei Fang Xuan Wu (the Black Tortoise of the North), and Xi Fang Bai Hu Zu (the White Tiger of the West).
Wangliang – In Chinese star lore, the W-shape of Cassiopeia; three stars of this asterism are associated with a group known as Wangliang that commemorate a legendary Chinese charioteer of the same name. Old Chinese star charts show this asterism as a fan-shape comprising of four stars, Gamma, Eta, Alpha and Zeta Cassiopeiae that represent a team of horses. A fifth star, Beta Cassiopeiae represents Wangliang himself. The star Kappa Cassiopeiae or Ce, is Wangliang’s whip.
Wangliang features in a Chinese moral story where he was asked to drive a carriage for a hunter named Hsi. On the first day, they failed to catch any birds. When Hsi returned from his hunt, he complained how Wangliang was the worst charioteer. Hurt by these comments, Wangliang convinced Hsi to let him drive again. Hsi agreed and the next day they went out, they were able to snare ten birds in the morning. This impressed Hsi so much so that he asked Wangliang to stay on as his full-time charioteer. Wangliang turned down the offer, stating that the first time, he had driven the carriage by the rules and that the second time he drove, Wangliang had cheated by driving into the birds in order to make it easier for Hsi to bring down the birds. Wangliang finished his statement by saying that he couldn’t drive for a hunter who wasn’t honorable. The moral being that: “A man cannot straighten others by bending himself.”
Gedao – The stars Delta, Epsilon, Iota, Theta, Nu and Omicron Cassiopeiae form a chain of six stars that represent a pathway to the Central Palace. The Central Palace is located within the Ursa Minor constellation. This asterism, Gedao is sometimes depicted as the flag or banner for Wangliang. Next to this, the star Zeta Cassiopeiae or Fulu represents a side road.
Chuanshe – This is a chain of nine stars that passes over from Cepheus to northern Cassiopeia and into the Camelopardalis constellation. This chain of stars represents guest rooms just outside the wall of the Central Palace. It isn’t clear which stars actually represent this asterism.
Huagai & Gang – Located further north to the entrance of the Central Palace, these two groups of stars represent the Emperor’s gilded canopy used in processions. The asterism Huagai has seven stars and Gang has nine stars.
Eastern Boundary Wall – Comprised of the stars Cassiopeiae 21 & 23, these two stars mark the boundary wall for the Central Palace. Some Chinese astronomical texts will place this boundary wall within the Cepheus constellation.
Sometime in the 1600’s, a few Biblical characters began to be associated with the Cassiopeia constellation. Some of these figures are: Bathsheba, the mother of Solomon, Deborah, an Old Testament Judge and prophetess and Mary Magdalene, one of Jesus’ followers.
The Chukchi people of Siberia saw five reindeer in the five brightest or main stars of Cassiopeia.
In the Marshall Islands, the constellations of Andromeda, Cassiopeia, Triangulum, and Aries are all part of a same greater constellation representing a porpoise. Andromeda’s bright stars form the body of the porpoise; Cassiopeia represents its tail and Aries its head.
In Persia, Cassiopeia is depicted as a queen holding a staff with a crescent moon with her right hand and wearing a crown. A two-humped camel will also be drawn with her.
In Hawaii, the stars Alpha, Beta, and Gamma Cassiopeiae all have individual names. Alpha Cassiopeiae is called Poloahilani, Beta Cassiopeiae is called Polula, and Gamma Cassiopeiae is called Mulehu.
The people of Pukapuka call this constellation by the name Na Taki-Tolu-A-Mataliki.
While the Romans adapted many of the Greek beliefs and myths for their own, for them, this constellation is known as the Woman of the Chair.
The Sami see elk antlers in the W Asterism in Cassiopeia.
In Welsh Mythology, the Cassiopeia constellation is known as Llys Don or “The Court of Don.” The goddess Don is the Mother of the Gods. In addition, the Milky Way is known as Caer Gwydion or “The Fortress of Gwydion” and the Corona Borealis constellation is known as Caer Arianrhod or “The Fortress of Arianrhod.”
The constellation of Cassiopeia, along with eight other constellations of Andromeda, Auriga, Cepheus, Cetus, Lacerta, Pegasus, Perseus, and Triangulum.
All of these constellations have some connection to the overall legend and myth of the Grecian hero Perseus.
Stars Of Cassiopeia
Alpha Cassiopeiae – Also called Schedar or Schedir, from the Arabic word sadr meaning: “breast.” The name is in reference to the star’s location for Cassiopeia’s heart. This is the brightest star in the constellation.
Beta Cassiopeiae – Also called Caph, from the Arabic word kaf meaning: “palm. This star’s other names are al-Sanam, al-Nakah, al-Kaff, and al-Khadib. It is a subgiant or giant star, it is the 12th brightest star in the night sky. Caph, along with the stars Alpheratz in Andromeda and Algenib in Pegasus is known as one of the Three Guides. These three bright stars mark an imaginary line from Caph to Alpheratz for the celestial equator where the Sun crosses during the Spring and Autumn Equinoxes.
Gamma Cassiopeiae – Also called Tsih in Chinese, meaning “The Whip. This star is called Navi, a name given to it by American astronaut Virgil Ivan Grissom. Navi happens to be Ivan’s name spelled backwards. This central star in a W shape that characterizes and is the brightest star within this constellation. This star has been used as a navigational reference by astronauts.
Delta Cassiopeiae – Also known as Ruchbah, from the Arabic word rukbah meaning “the knee.” This star is known by the name Ksora. It is the fourth brightest star in the constellation.
Epsilon Cassiopeiae – Also known as Segin.
Eta Cassiopeiae – Also known as Achird. It is the closest star in Cassiopeia to the Milky Way Galaxy. It is a yellow-white G-class dwarf star that is slightly cooler than the Sun. There is also a companion orange K-class dwarf star.
Zeta Cassiopeiae – This star is a blue-white subgiant star located some 600 light years away.
Rho Cassiopeiae – Is a rare yellow hypergiant star, of which only seven have been identified within the Milky Way Galaxy. It is thought that this star may have already gone supernova, we just have yet to the light from it.
This asterism is the most distinct and recognizable feature of the Cassiopeia constellation. It is comprised of the five brightest stars of Epsilon, Delta, Gamma, Alpha, and Beta Cassiopeiae. Some scholars like Aratus have described this asterism being like a key or folding door.
In November of 1572, Danish astronomer Tycho Brahe spotted and recorded a new star appearing within the Cassiopeia constellation. Naturally, this would be called Tycho’s Star and he wrote a treatise about this new star the next year. It’s known now that this star was really a Supernova and it was visible to the naked eye for over a year. In his 1603 Uranometria atlas, Johan Bayer included this star as a starburst beside Cassiopeia’s throne. Then in 1690, on the Hevelius atlas, this star appears on Cepheus’ left hand.
Also known as NGC 457, this is an open star cluster that resembles an owl. It is also known as the E.T. Cluster and Caldwell 13. This cluster was discovered in 1787 by William Herschel and is located some 10,000 light years away from Earth.
The Pacman Nebula
Also known as NGC 281, a large gas cloud where a star formation took place. There are several young, blue stars within. The name Pacman comes from the character of the same name in a videogame. The nebula is about 9,500 light years away from Earth and was first discovered in 1883 by the American astronomer E.E. Barnard.
The White Rose Cluster
Also known as NGC 7789 or Caroline’s Rose, it is an open star cluster roughly 7,600 light years away from the earth. This star cluster gets its name of The White Rose due to the loops of stars within this cluster resembling a pattern similar to a rose’s petals. It was discovered in 1783 by British astronomer Caroline Herschel.
A meteor shower known as the Phi Cassiopeiids occurs in early December.
This meteor shower though named for the hero Perseus is associated with the Cassiopeia constellation and passes through in August.
Others Named Cassiopeia
There are a couple of others named Cassiopeia in Greek mythology.
- The wife to the demigod Epaphus, a King of Egypt. Epaphus was also a rival to Phaethon who had a disastrous journey with his father Helios’ chariot of the Sun. Another name for this Cassiopeia is Memphis, also the name of an Egyptian city that Epaphus is to have founded.
- Also spelled as Cassiepeia. According to Hesiod, she is the daughter of Arabus and the wife of King Phoenix. This Cassiopeia would become the mother of the hero Atymnius by either Phoenix or Zeus. Some accounts will have her be the mother of Phoenix and Carme. Though Carme is reputed more often to be the daughter of Eubuleus.
At its simplest, Nanaue is the son of the Shark King, Kamohoalii and a mortal woman, Kalei. He is something of a bogeyman in Hawaiian mythology.
Father – Kamohoalii, King of the Sharks
Mother – Kalei, a mortal woman
Aunt – Pele, a volcano goddess, which makes sense as some retellings list Kamohoalii and her being siblings.
Siblings – Unauna, a brother, a mountain demigod.
Picture if you will, many years ago, the Big Island of Hawaii. A tale old as time. It is here, our story begins in the Waipio Valley where a beautiful young maiden by the name of Kalei lived. Every night, Kalei loved to go walking along the beach, down to where the mouth of the valley would open up to the sea to collect a particular type of shellfish that she loved to eat.
Going out late and alone one night, Kalei’s beauty caught the eye of Kamohoalii, the King of the Sharks. Being a shape-shifter, Kamohoalii was able to change to a human, one whose role was chief as he came to land to seek out Kalei.
In this guise, Kamohoalii was able to move among the humans as he searched. Eventually he found Kalei whom he was able to court and marry. In time, Kalei would become pregnant.
Now, Kamohoalii was careful not to ever reveal his true identity to Kalei. However, given that he would leave in the morning and come home late in the evening, eventually Kamohoalii does reveal his true nature to Kalei.
Not keeping secrets is healthy in a relationship and that would make it easier for the fact that Kamohaolii has to return to the sea. That means Kalei is going be alone and with a half human, half shark son on the way, it will help that she knows what to do.
Kamohoalii was careful to give instructions to Kalei to give birth alone and that she always keeps an eye on their child. The final instructions were that she never allow their son to eat meat from any. Kalei vowed that she would follow Kamohoalii’s words. It is a reluctant Kamohoalii who returns to the sea, leaving his lover behind, never to see her again.
The time came, during the night that Kalei gave birth to her’s and Kamohoalii’s son. She was gladdened and then became afraid when she saw on the baby’s back a deformity like a large open hole or slit as if it were some fish mouth.
Kalei covered her son, whom she named Nanaue, with a blanket and later a shirt to hide his deformity from other people. At first, all goes well and Kalei is able to raise her son and follow Kamohoalii’s instructions.
This works until Nanaue is three or four years old and is taken to go eat in the Mua house with the other men. There, Nanaue’s grandfather fed him some meat. Instantly, the child developed an insatiable appetite for meat. The mouth on Nanaue’s back grew sharp rows of teeth.
As Nanaue’s shark nature developed, Kalei discovered that her son would turn into a young shark whenever he bathed in a stream. Kalei counciled her son to be careful not to reveal his nature to anyone else.
This worked for the most part, Nanaue busied himself working in his mother’s taro patch when he wasn’t fishing or bathing. This earned him something of a reputation as a loner and a recluse. This had more to do with that as Nanaue grew, so did his voracious appetite as a shark. People did pass by his mother’s place and they’d see Nanaue whereon he’d engage in some small talk. Mainly the question of what they were doing. If people said bathing or fishing, Nanaue would bid the people to take care.
Now, if it were just one person going off alone, this is whom Nanaue would pick to eat and soon enough, the individual would go missing. Pretty there’s a habit of missing people and what all do they have in common?
The people of Waipio Valley began to get suspicious of Nanaue. Why was he the only one never harmed by this monstrous shark that would appear. There wasn’t any proof yet.
Eventually, King Umi sent out a proclamation for all the Hawaiian men of Waipio to come and put in some work on tilling his plantation. On the first day of work, Nanaue was the only man who hadn’t shown up.
Word reached King Umi about a man who hadn’t shown up for work and men were sent to bring Nanaue before the king. When questioned why he didn’t show up, Nanaue replied that he didn’t know he was to show up.
Seems legit as King Umi accepts this answer and tells Nanaue to show up tomorrow. Bright and early the next day, Nanaue shows up for work with all the other men. Unlike them, Nanaue is still wearing a shirt to cover the shark mouth on his back. This puzzles the other men who wonder why Nanaue doesn’t go shirtless like they do in the heat as they all work.
After a few days of this, some of the other younger workers decided to accost Nanaue as they surrounded him and ripped his shirt off. This revealed the gruesome shark mouth on Nanaue’s back. In anger, Nanaue turned his back to bite several of the young workers.
Some of the workers ran and reported to King Umi what had happened. It didn’t take King Umi much to put two and two together as to who and what was the source of so many of his people vanishing when going swimming. King Umi ordered Nanaue’s capture and that a large fire be built in which Nanaue would be burned alive.
See what fate held in store for him, Nananue called upon his shark father, Kamohoalii to aid him. As an answer to his pleas, Nananue found himself with superhuman strength that allowed him to break the ropes holding him. Using his new immense strength, Nananue broke free of Umi’s warriors that tried to seize him. Nanaue ran with all his might to rock edge and leapt into the ocean with numerous people to witness his change into a shark.
The people were greatly upset with Nanaue’s escape, such that they wanted to kill his mother and relatives for having raised such a monster. Kalei and her brothers were caught and brought before King Umi. Not giving into the people’s immediate demands for execution, Umi questioned Kalei about her son and she confessed to everything about Kamohoalii’s courtship and the warning he had given her concerning raising their son.
Hearing Kalei’s tale, Umi wisely surmised that any actions taken against Kalei and her kin would likely arouse the Shark King’s wrath. If not that, surely the wrath of Nanaue.
Instead, Umi decreed that Kalei and her brothers be released. A request was given to the priests and shark kahunas to make offerings and invocations to Kamohoalii to ask what to do about his son Nanaue. The spirit of Kamohoalii appeared and told how it was the boy’s grandfather who had fed him meat. If it had not been for this action, he would order his son killed. As it was, Kamohoalii informed the priests and kahunas that his son was to be exiled from Hawaii and if he appeared again, his shark soldiers would kill Nananue. Before leaving, Kamohoalii obtained a promise that Kalei and her family would be held blameless for Nanaue’s actions.
As to Nanaue, he swam to the Hana side of the island of Maui. Here, resumed his human form again and married a chiefess. Nanaue tried for a while to suppress his voracious appetite for human flesh. This only worked for so long and Nanaue’s hunger grew so great and desperate that he grabbed a young girl and ran with her out to the ocean where he changed back into a shark and ate her. One or two legends state that Nanaue does have descendants of his on Maui.
The worst part to all of this, is that everyone saw it. Saw Nanaue grab the girl, take off with said girl to the ocean where he changes into a giant, monstrous shark and devours her. Enter the mob with pitchforks… well, spears and the people of Maui chase after Nanaue in their canoes, doing their best to try and kill him.
The story continues and Nanaue manages to escape, making his way towards Molokai. Once more Nanaue tried to keep his real nature a secret and resumed a normal life. However, stories of a dangerous man-shark are now making the rounds. The people of Molokai are on alert as their people are now being eaten by a monstrous shark and with a stranger in their mist, it doesn’t take long for them to suspect Nanaue. A local kahuna told people that the next time that Nanaue appeared after such an attack, to have some strong men grab hold of him to pull off his shirt to reveal the shark mouth underneath.
Given Nanaue’s voracious appetite, it’s not long before he succumbs to his carving for humans. The men are ready, and they seize hold of Nanaue after the latest monstrous shark attack. Ripping off his shirt sure enough reveals the shark mouth on his back.
Having been found out, Nanaue uses his superhuman strength to overpower the men and break free. Or so he tries. The men’s determination not allow the monster get away is what enables them to finally subdue Nanaue enough as they beat him mercilessly with clubs.
Unconscious, the men now bound and tied up Nanaue while they prepared to build a big fire. As the men gathered brush and firewood, Nananue came to. Realizing he was bound, Nanaue struggled to make his way towards the ocean. Once he touched the water, Nanaue turned back into a shark. The men had returned and seeing that Nanaue had turned into a shark threw nets over him to drag him further up on the shore, coupled with some more beatings with their clubs to knock him out again.
If Nanaue is so strong and he’s escaped before, why not now? That’s because the people of Molokai had called on upon a young demigod, Unauna to help them. Demigod versus demigod and Unauna, despite being young, had the advantage over Nanaue who’s a fish out of water.
Up the slopes of Kainalu Nanaue is hauled. It is said that the shallow ravine seen on Kainalu Hill marks the passage that Nanaue was dragged along. This place is known nowadays as Puumano or Shark Hill.
To make sure that Nanaue would finally be defeated once and for all, Unauna instructed the people to cut the shark’s body to pieces as they burned it. Bamboo from the sacred grove of Kainalu was used in the process of cutting and burning the large shark.
In a slightly strange twist, the god Mohoalii who preceded over the sacred grove of Kainalu was angry over the desecration of his grove. Interestingly, Mohoalii is another name for the shark king Kamohoalii. Further, he’s also the father of Unauna, not just Nanaue. Angry, Mohoalii caused that the bamboo of this grove would no longer be able to keep edge or stay sharp.
At any rate, Nanaue is finally dead and the people of the Hawaiian islands no longer had to fear his insatiable appetite for human flesh.
At its simplest meaning, this is the Hawaiian word, that when used as a noun, means either a god, demigod, any supernatural entity or an idol. As a verb, it describes anything supernatural or divine. It tends to be a catch all word and has a few variations for rankings.
Meaning “ravenous shark,” this is a nickname that derives from Nanaue’s story when describing anyone who’s a glutton, especially for meat.
Tourism! Kaneana Cave
When visiting Hawaii, many of the sacred places are off limits and only native Hawaiians are allowed to visit them.
There is one exception, Kaneana Cave, here it is believed that the spirit of Nanaue is still present and will devour the unwary and unsuspecting. Even better, tourists are allowed to visit!
I can only surmise that local Hawaiians had hoped that Nanaue was still around and would take care of unwanted tourists in their loud, bright Hawaiian shirts and snapping pictures of everything.
It’s good for business! Who doesn’t love a bit of a ghost story and potential danger?
King Shark – DC Villain
As King Shark, Nanaue does appear as a villain for Superboy in 1994. In his original version, it does follow his Hawaiian origins with other characters dismissing it as just superstition and believing instead that Nanaue is just a mutation. However, further storylines in Aquaman confirm the mythical Hawaiian origin as valid and true for DC.
From there, King Shark makes other appearances in the DC Universe of comics, video games and animated movies. His most notable appearance at present is as a reoccurring villain on CW’s The Flash where they alter and mix up his origins a bit, but still largely the same character. Marine biologist turn giant, mindless monstrous Shark Guy during a particle accelerator explosion who then goes on a rampage and is extremely difficult to beat. I suppose that works.
Also known as: Maaui-Tikitiki (Maori/New Zealand)
Alternate Spellings: Māui
Epithets: Maui-Tikitiki “Maui the Top-Knot,” Maui-Tikitiki-a-Taranga “Maui the Top-Knot of Taranga,” Maui-Potiki “Maui the Last Born”
In Polynesian mythology, Maui is either a trickster demigod or god and in some stories, a mere mortal man. Most of his stories and exploits are best known from the Hawaiian and Maori legends though many other Polynesian cultures such as Mangarevan, Tahitian and Tongan have their own stories regarding this trickster hero. Among the Samoans, Maui is known as Ti’iTi’i. Many of the stories involving Maui make note of him being the youngest son, thus while small, he was extremely strong for his size.
Maui is sometimes described as being ugly, quick to respond as well as quick-witted covered in tattoos. Lucky for humans, for all that Maui is known for having some vicious practical jokes, he works to help people and not the Gods.
Parentage and Family
In the Hawaiian Kumulipo, Maui is the son of Akalana and Hina-a-ke-ahi (or just Hina, a goddess).
In another Hawaiian legend, Maui’s father is given as Ru.
In the Mangarevan myths, Maui is the son of Ataraga (Father) and Uaega (Mother).
In the Maori myths, Maui is the son of Makeatutara (Father) and Taranga (Mother).
Tangaroa – This Maori god of the sea is sometimes mentioned as being Maui’s father with his mother being a mortal woman.
Akalana and Hina had four sons: Maui-Mua, Maui-Waena (or Maui-Hope), Maui-Ki’iki’i and Maui-a-Kalana.
In the Mangarevan myths, Ataraga has eight sons all named Maui: Maui-mua, Maui-muri, Maui-toere-mataroa, Tumei-hauhia, Maui-tikitiki-toga, Maui-matavaru, Maui-taha, Maui-roto. It is Maui matavaru or eight-eyed who is the culture hero.
In the Maori myths, Maui has four brothers: Maui-Taha, Maui-Roto, Maui-Pae and Maui-Waho.
Hinakealohaila – She is the wife to Maui-a-Kalana in Hawaiian legends.
Nanamaoa – The son of Maui-a-Kalana and Hinakealohaila in Hawaiian legends.
This is the name of Maui’s great, big fish-hook. In the Hawaiian legends, it is baited with the wing of an Alae, the sacred or pet bird of Hina. This fish-hook was created from the jawbone of an ancestor of Maui’s, usually given as being his grandmother.
Maui’s Fish-Hook can be seen in the night-sky in the same constellation recognized by Western Culture as Scorpio.
While yes, there is an island called Maui in Hawaii, it is not named for the trickster Maui. Legend holds that the island is named for the son of Hawai’iloa, a great navigator who discovered the Hawaiian Islands. Each of the islands of Kaua’i, O’ahu, and Maui are named after one of Hawai’iloa’s sons.
These were a group of heroic trickster demigods in Hawaiian legends. All kupua are shape-shifters who took the forms of either humans or various elements in nature, often an animal. Many kupua are rather malevolent and vindictive. Maui appears to be one of the more beneficial and gentler kupua in comparison.
Pulling Up The Islands
There are many variations to the story of Maui using his fish-hook to pull up all eight of the Hawaiian Islands.
Version 1 – Maui had gone out fishing one day with his brother. In typical sibling rivalry, the brother wouldn’t share any of his bait with Maui. Ever the resourceful one, Maui punched his own nose and used his own blood as bait to fish. He succeeded in bringing in hauls so large, that they would become the Hawaiian Islands. Not just Hawaii, but all the Polynesian Islands were pulled up in this way.
Version 2 – Maui had gone out fishing with his brothers. While out there, Maui caught his hook on the ocean floor. Maui then told his brothers he had caught a large fish and to start paddling as hard and as fast as they can. The brothers never noticed the island rising up behind them out of the ocean. Maui of course, proceeds to do this several more times, pulling up all the Hawaiian Islands.
Version 3 – This is perhaps the more interesting version of the stories. Maui planted his fish-hook at Hamakua with the intent to pull up Pimoe, the god of fish. Maui warned his brothers not to look back as they paddled their boats or this venture would fail. Hina, shape-shifted into a bailing-gourd and Maui, not realizing it was his mother, took hold of the gourd and put it in front of his seat. Now suddenly, there appeared before them, an extremely beautiful woman and all of Maui’s brothers looked back out of curiosity. Having looked back, Hina in her disguise disappeared and the line breaks, causing all of the islands that Maui was trying to unite into one giant island falls apart and he is unable to catch Pimoe.
The Theft Of Fire
Version 1 – In order to steal fire for the people of the islands, Maui transformed himself into the guise of a hawk so he could get closer the Earth-Mother. To this day, the hawk’s feathers are brown in memory of Maui being burned by the flames when he brought the gift of fire.
Version 2 – In this story, Maui and his brother would go out fishing every day. Every morning they would always see a bunch of Kiawe trees smoking and flames coming up out of them. Hovering above all this were some vultures, also known as mud hens or ‘alae.
Maui and his brothers constantly tried to sneak up on the vultures, thinking they were responsible for the fire. However, just before getting close enough, there would be a noise that scared them all off.
Maui came up with the idea of creating a dummy that looked like him and placed in the canoe. Now Maui had his brothers take the dummy with them as they would go one direction and Maui would come from the other as they tried to sneak up on the vultures.
Maui snuck up on the bird and grabbed it by the neck, forcing it to tell him the secrets of fire. The vulture, an ‘alae told Maui to take and rub two maia peels together. When nothing happened, Maui nearly choked the bird to death, telling it to tell the truth. Finally the bird said to rub to Ti leaf stalks together. Nothing happened this time and Maui once more choked the bird who said to rub two dry kiawe sticks together.
This time, Maui had success with creating fire. He took the flaming stick and pressed it against the ‘alae’s forehead, making their head red and bald to remind it and other ‘alae’s thereafter of their selfish act.
Slowing Down The Sun
Version 1 – In this story, Maui’s mother, Hina complained about how the sun moved too quickly through the sky, that she barely had time to get her kapa, bark cloth dry. Hina wasn’t the only one, many people hurried to get their work such as planting, cooking or making clothing done in the few hours of daylight. There just wasn’t time with how fast the Sun moved.
Deciding to help his mother and the other people, Maui hid behind a big rock at the highest peak on the island known as Haleakala, the “House Of The Sun.” When the Sun passed by overhead, Maui quickly threw a rope, made from his sister’s hair with his magic hook tied to the end and lassoed the Sun’s rays with it. Some legends have Maui using a net to trap the Sun. The Sun demanded to be let go and Maui would only do so if the Sun would promise to move slower through the day so people could get their work done. Some versions of the story have Maui beating the Sun with his jawbone until it agreed to move slower. Added to this, Maui took one look at the sky and decided it hung too low. With a shove and heave, Maui pushed the sky up higher.
Version 2 – In this telling of the story, Hina sends Maui to a big wiliwili tree where he finds his old, blind grandmother laying out bananas. Ever mischievous, Maui starts stealing bananas from his grandmother, one by one until she catches him in the act. Maui tells his Grandmother about his mother’s complaints and sending him out to the tree. After hearing the story, Grandmother decides to help him with making a rope. Maui then sits by the tree, waiting until the Sun passes by overhead and he lassos it, forcing it to agree to slow it’s progress across the sky.
Version 3 – Very similar to the story in Version 2, Maui decides to slow down the sun after a man by the name of Moemoe taunts him and says it can’t be done. Just to prove him wrong, Maui sets off to slow down the sun much like he did earlier with finding his grandmother and getting her help. After Maui slows down the sun, he chases after Moemoe and beats him soundly.
Lifting The Sky
While a similar story of Maui lifting the sky is told in his quest to slow down the sun, there is another expanded version of this story.
After a while, as Maui was looking around, he could see that the sky was far too low to the ground and that people were unable to stand up straight. Being Maui, if he didn’t like a thing, he went about changing it. As it just so happened to be, the sky was sinking or lowering and would have made living on the earth impossible for humans.
Maui proceeded to travel to the town of Lahaina, to enlist his father into helping him lift the sky. There, Maui laid himself on the ground and then bracing himself, pushed the sky upwards with all of his considerable strength.
At the signal, Maui’s father, Ru also began pushing with all his might, aiding his son in getting the sky up high enough so people could stand upright. So there you have it, another of Maui’s deeds done.
Variations – In other retellings of this story, Maui lifts up the sky when he comes across a girl complaining how the sky was too low and that she couldn’t do her chores. Like any guy seeking to impress a girl, Maui decided to push up the sky for her.
Yet another variation is that Maui was busy making an earth oven when his poker got stuck up in the sky. To get his poker unstuck and to keep it from getting stuck again, Maui simply pushed the sky up higher. Again, this was all part of impressing a girl.
Defeating The Long Eel
Still one more legend of Maui’s to cover in Hawaiian mythology!
After Maui finished pulling up all of the islands with his Fish-Hook, he decided to start exploring them to find out what all was there. Traveling to each of the islands, Maui discovered that they were all inhabitable. There were houses, but no one living in them, no one in the whole of all the islands.
Taking ideas from the layout and build of the houses, Maui returned home and built a new house for himself in the style of what he had seen on the islands. Finished, Maui then sought out Hinakealohaila (or just Hina, not to be confused with his mother) to marry.
Time passed and Hina went down to a nearby river bank to get some water. While down there, Hina ran into the Long Eel Tuna, who just so happened to decide that striking Hina and covering her in slime was somehow a good idea.
Hina ran back home, but didn’t tell Maui of what transpired. Or at least, not yet.
The next day, Hina went back down to the riverbank and the same thing happened. The Long Eel Tuna hitting and covering her with slime again. This time, when she returned home, Hina told Maui about what happened.
Angry, Maui headed down to the river. Once down there, Maui laid out a number of traps designed to lure the Long Eel Tuna out of hiding. When the Eel Tuna emerged, Mauil used his stone axe to kill them. It seems that the Long Eel Tuna had been causing many people in the village problems. Thanks now to Maui, everyone would be safe.
In this mythology cycle, the Maui known as Maui the Eight-Eyed is the hero, born from his mother’s navel and raised by his grandfather, Te Rupe. This Maui has a magic staff called Atua-Tane and a hatchet called Iraiapatapata. Like the Hawaiian and Maori legends, Maui still pulls up the islands from the sea and ties up the sun with locks of hair to slow it down or hold in place.
The legend of Maui among the Maori is a long epic.
The Birth Of Maui
Maui was born the son of Taranga and Makeatutara. Considered a miraculous birth, Makeatutara had taken her premature baby and threw it into the ocean wrapped in locks of hair from her topknot. Hence, Maui is known as Maui-Tikitiki-A-Taranga. Fortunately for the infant Maui, ocean spirits found him and wrapping him in seaweed, took him to Tama-Nui-Te-Ra (or Rangi), a divine ancestor who raised the child.
It is Maori tradition, that any baby prematurely born is buried with special incantations and ceremonies least the spirit of the unborn child become a malicious spirit as they had never known any joy or happiness in life. Given what happens later in the stories with Maui, this may be why they bury the baby with rites and ceremonies instead of tossing them into the ocean. It would certainly explain all the mean spirited tricks and deeds that Maui performs.
Reuniting With His Family
Once Maui was a child and no longer a premature infant, he left the sea, going search of his mother and family. When Maui found his mother’s house, he discovered four other older brothers: Maui-Taha, Maui-Roto, Maui-Pae and Maui-Waho.
Understandably, the brothers were all leery of this new comer. Maui won them all over by performing many tricks such as transforming into a number of different birds. The brothers were greatly impressed and accepted Maui.
As for his mother, Maui introduced himself to Taranga when everyone was gathered for some dancing and celebrating. Maui sat down behind his brothers, when Taranga called for her children, she discovered a fifth unknown child among her sons. Maui soon proved he was Taranga’s son and he was accepted into the family.
At first, some of Maui’s brothers were jealous. They were put at easy by the eldest brother telling them how they should let Maui be counted among them, that in days of peace, they should be generous to others by helping to improve the welfare of others and that in times of war, that’s only when disputes should be settled with violence. The speech worked and Maui was finally welcomed home.
Maui Finding His Father
Though Maui stayed with his mother and his brothers, each morning, his mother Taranga would disappear. None of Maui’s older brothers seemed concerned about their mother’s disappearance each morning. This bothered Maui who wondered where Taranga would go each morning before they woke.
When nightfall came again, Taranga returned to her children, they all went to sleep as before on other nights in their house. This time, Maui stayed awake so that when everyone else had fallen asleep, he stole Taranga’s clothing and hid them. Then Maui went and hid himself in the crevice of a window above the doorway so that when morning came, he could see where it was that his mother went.
After what seemed like forever, morning finally came and Taranga awoke. Upon finding she was naked, Taranga began frantically looking for her clothes, finally she gave up and began pulling off pieces of siding from the house to cover herself. Covered, she now ran outside.
Watching from his hiding spot, Maui watched as his mother reach down to some tufts of grass, revealing a hole that she disappeared into and pulling close behind her. Curious, Maui came out of his hiding spot and ran to the spot where the grass had been pulled up. Sure enough, he found the opening to a cave descending deep into the earth, to the Underworld in fact.
Covering the hole again, Maui returned to the house and woke up his brothers. He asked them about where it is that their father and mother went during the day. The older brothers answered that they didn’t know. They taunted Maui saying he shouldn’t worry or bother and that Rangi, the god of the sky was their father.
Little Maui responded how he had been brought up differently from his brothers, having been tossed to the sea. That he had never been nursed by their mother and how he longed to find where it was that she and father went to during the day.
Surprised by the response, Maui’s brothers encouraged to try and find their parents. Maui said that he would go and demonstrated to them his ability to turn into a bird. It was only with the kereru or wood pigeon shape that his brothers were impressed. The ability to shapeshift was something that only a skilled magician with a lot magic could perform and Maui delighted in his being the youngest brother, able to do something the others couldn’t.
Bidding farewell to his brothers, Maui took off in pigeon form to seek after his parents. Long Maui flew off into the forest and down to the cave his mother had disappeared into. Eventually, Maui came to a place where he saw many people gathered in a grove of trees. Among these people, Maui spotted his mother seated by whom he could only assume to be his father.
Still in bird form, Maui descended to a lower branch where he could pick off some berries growing. These berries, Maui dropped down to his father on the head with. Some of the other people at the gathering asked if the bird had dropped the berry and Maui’s father, Makeatutara insisted the berry had only fallen by chance.
Once more, Maui plucked more berries and threw them down hard at both of his parents. As Maui’s parents cried out, the other people gathered there, looked up to the tree and seeing only a pigeon sitting there cooing, began to throw stones at the bird. All the stones missed and it was when Maui’s father threw a stone at the bird that he hit the pigeon, but only because Maui allowed it.
The pigeon fell to the ground and when the others ran up to it, it turned into a man. The others were taken aback for the eyes of the young man who now stood before them were red and fierce looking. Talking amongst themselves, the others discussed if the man standing before them was a god like Rangi and Papa-Tu-A-Nuku. Finally Taranga spoke up and said the man looked like someone knew and repeated the story of Maui’s premature birth everyone to hear.
Taranga then asked the man, Maui who he was and where he came from. When she asked Maui, if he was her child Maui-Tikitiki-O-Taranga, he answered yes and Taranga welcomed him where she seemed to prophesy that he would visit his ancestor, Hine-Nui-Te-Po and conquer death.
Now a man, Maui’s father Makeatutara took him down to the river to be baptized in order to cleanse and purify his son. As luck would have it, Makeatutara made a mistake during the ceremony with incantations, having skipped over parts and forgotten them. This mistake was an ill omen that would eventually lead to the death of Maui. The gods would be sure to punish this forgetfulness with Maui’s eventual death.
In the meantime, however, Maui returned to his brothers to tell them he had found their parents and how to find them too.
Maui Getting Bloodthirsty
After returning to his brothers, Maui ended up slaying and carrying away his first victim, the daughter of Maru-Te-Whare-Aitu. Not long after, Maui proceeded to destroy the crops of Maru-Te-Whare-Aitu, causing them to all wither.
Maui Gaining His Jaw-Bone Weapon
His first war raid done, Maui once more visited his parents. While with them, he noticed how the other people would be carrying away some food as if it were being taken to someone.
When he asked for who, they informed Maui it was for an ancestress, Muri-Ranga-Whenua, an old chief. Maui responded with saying that he would take the food to her.
In typical trickster fashion, Maui didn’t take any of the food to Muri-Ranga-Whenua. Instead he set them to the side, hiding them away. Eventually Muri-Ranga-Whenua wondered why her food wasn’t coming and suspecting that something was up, she wandered down the path, sniffing.
Finally smelling something coming, Muri-Ranga-Whenua’s stomach began to enlarge as she got ready to devour Maui as soon as he came close enough. Maui went up wind of the old chief so she couldn’t find him. Turning westward, Muri-Ranga-Whenua finally smelled someone close to her, realizing it was a human.
Muri-Ranga-Whenua’s stomach shrunk back to normal size and she greeted Maui as one of her descendants. Her next question was why Maui wasn’t bring her food. Maui answered that he was seeking for Muri-Ranga-Whenua’s jaw-bone to use as a weapon. The old chief consented and gave Maui the bone.
Holding Back The Sun
Similar to the story found in the Hawaiian cycle, Maui for his next quest, takes the jaw-bone of an ancestor, Muri-Ranga-Whenua to use as a weapon. He uses this jaw-bone to ensnare the Sun so it will be forced to move slower throughout the day, thus making the days longer. With the aid of his brothers, Maui lassoes the Sun and beats them soundly until the Sun agrees to move slower.
Variation – Sometimes a net is mentioned as what Maui used to catch the Sun before Maui and his brother beat the Sun senseless with his magic jawbone to the point it could limp slowly now across the sky.
Gone Fishing – Part 1
Somewhere along the line, Maui got married and had a number of wives and children to boot. When Maui and his brothers returned from the feat of Holding back and slowing down the sun, he heard the complaints of his family and how they had no fish to eat.
Maui assured his wives and children not to fret, he would soon take care of this trivial matter and they would soon enough have food to eat. He then took his jaw-bone and fashioned it into a fish-hook.
When Maui’s brother headed out to go fishing, Maui jumped in the canoe. His brothers yelled for Maui to get out of the boat, claiming that his constant use of magic would cause problems. Eventually Maui got out of the canoe seeing as his brothers refused to take him.
Determined, Maui just waited until it was night when he went back to the beach and his brothers’ canoe. This time he hid in the bottom, under some boards. When his brothers came at dawn, they headed out to sea, none the wiser that Maui was hidden on board.
Once they were well at sea, Maui came out of his hiding spot. Seeing him, his brothers commented that they had better return to shore. Using his magic, Maui stretched out the distance from the shore to the boat that when his brothers looked for land, it was out of view.
Maui told his brothers that they should let him come with, at the very least he could be able to bail water out of the canoe for them. The brothers consented and they paddled on towards their fishing spot. Maui wasn’t content and told his brothers to paddle out further before dropping anchor, which spot would be far out of view of land.
Far out on the open ocean, the brothers now began to fish and soon, easily they had their canoe filled with fish in no time.
Pulling Up The Islands – Part 2
Continuing from Gone Fishing, this story is similar to the previously mentioned Hawaiian story of Pulling Up The Islands. Now that the brothers had filled the canoe, they wanted to return, but not Maui who now wanted a turn at fishing.
The North Island – Maui’s brothers wanted to know where he got a fishing-hook from, to which he told them never mind. When he asked to borrow of their bait, his brothers refused. With no other recourse, Maui made a fist and struck his own nose, using his own blood for bait.
With that and using incantations, Maui managed to snag the porch of a carved house on the sea bed floor and pulled up not just the house with his superhuman strength, but an entire island. Witht his much land pulled up, the canoe became grounded.
With the newly pulled up land and the haul of fish that had been caught, Maui went to go make an offering of thanks to the gods. He instructed his brothers to wait until her returned before eating or cutting up any of the fish, that everyone would get a fair share.
While Maui went to get a priest to bless, consecrate and purify the land, his brothers went ahead and started to cut up the fish that were also pulled up. These fish began to writhe in agony and in their throes, the mountains, cliffs and valleys of the island were formed. It’s been said if the brothers had waited for Maui to make his offerings, the island would have all been level plains and forest, making it easy for people to traverse it. The Maori call this land Te Ika-a-Maaui, the Fish of Maui or Hahau-Whenua, it is the North Island of New Zealand.
The South Island – By Maori tradition, Maui’s canoe becomes the South Island. The Banks Peninsula is said to be where Maui place his foot to support himself as he pulled in his fish haul. The island is known as Te Waipounamu or Te Waka-A-Maui, the canoe of Maui.
The Secret Of Fire
The secret for the creation of fire had been lost and Maui decided to remedy that situation. Of course, if Maui didn’t have it in his head to pull the stunt of putting out all of the fires for the cooking houses in the village, there would still be fire. But no, Maui puts them all out and then calls out, saying he’s hungry and getting someone to come cook up some food for him and there’s no fire to be had, anywhere.
When Maui’s mother heard there was no fire, she implored the servants to seek out Mahu-Ika to see if she would send more fire. The servants refused, no matter how Maui’s mother and others insisted they go.
Finally, Maui spoke up and said that he would go and get more fire. In order to do so, he needed to know which way to go. His parents informed Maui which path he should go, that he should let Mahu-Ika know who he was and that he shouldn’t perform any of his tricks as too often, his tricks brought harm and injury to others.
Yes, they’re on to you Maui!
Of course, Maui assured his folks he was only interested in bringing fire, he wasn’t going to do anything else, he’d go and come back right away. Honest!
So off he goes, in search of Mahu-Ika, the goddess of fire and his ancestor. When Maui found Mahu-Ika, he was filled with wonder and awe, all he could do was stare before he finally spoke up asking her where the fire was, he had come to get some.
Mahu-Ika got up and asked who Maui was. At first, Maui wouldn’t tell Mahu-Ika was, making her do a quessing game of which country he was from and which direction he had come. Finally, when Mahu-Ika asked Maui if he had come on the wind, he said yes and she recognized him as one of her descendants.
Mahu-Ika proceeded to pull out a fingernail from which fire flowed out. This she gave to Maui who was amazed by the feat. Maui took the fingernail away with him and when he was out of sight, he promptly put the fire out.
Maui returned to Mahu-Ika saying that the fire she had given him had gone out and to give him another. Once more, Mahu-Ika pulled one of her fingernails out, producing fire to give to Maui once more.
Maui managed to keep this antic up of coming back to Mahu-Ika saying the fire had gone out until he had gotten her to pull out all of the nails from her hands and feet save for the nail of her big toe. Nine times and Mahu-Ika finally catches on that Maui might be playing tricks on her.
Angry, Mahu-Ika pulled the last nail out and slamming it on the ground, she told Maui that he now had all the fire as everything around them began to catch fire. Maui made a mad dash to escape with the fire quickly gaining. Maui changed himself into an eagle (or hawk) to be fast enough to escape.
Even as an eagle, his flight wasn’t enough and the fire was about to consume Maui; he called on his ancestors Tawhiri-Ma-Tea and Whatitiri-Matakatak to send rain. The ancestors answered and soon there was a heavy rain. Mahu-Ika was nearly killed in the resulting downpour before she could hide. Maui however, in his eagle form was scorched, resulting in black-tipped wings. Mahu-Ika saved some of her fire by placing it in the wood of trees.
When Maui returned from this latest stunt, his parents tried to warn him about trying to trick his ancestors and that he deserved what he got. They concluded the speech that things would end badly and likely in his death if he didn’t stop his behavior. Maui taunted his parents, saying what did he care, he planned to continue. With that, Maui went off to seek out his next round of mischief.
Variation – A little simpler, Maui gained the secrets of fire by stealing a hen from heaven as fire was believed to be guarded by a celestial chicken.
Turning Irawaru Into A Dog
Shortly after his theft of fire, Maui went out fishing with his brother in law, Irawaru who had married Maui’s younger sister Hinauri, Maui as per his luck, had only caught one fish while Irawaru was catching plenty of fish. Fuming his poor luck, Maui lost his cool when Irawaru’s line got tangled with his. The classic two fishermen tugging on their respective lines, each in the opposite direction.
The two began arguing about how it was their fish on the line and to let go. Finally Irawaru relented and let go of his line enough that Maui was able to pull up on his end. Once the line was pulled up, Maui saw that the fish caught was indeed on Irawaru’s line and that it was his line entangled with the other.
Mad, Maui said they should return to shore and the two began paddling. Once back to shore, Maui had Irawaru lift up the canoe to his back as part of pulling it in. No sooner had Irawaru gotten the canoe up onto this back than Maui jumped on it, forcing the whole weight down on his brother-in-law, nearly killing him.
Nearly dead, Maui continued to trample Irawaru’s body, twisting and forming him through the use of magic into a dog. Maui completed the job by force feeding Irawaru some dung.
That done, Maui went back to the village, acting like nothing had happened. It’s then, that Maui’s little sister Hinauri on seeing him, ran up to asked where her husband Irawaru was. Maui responded with that he had left Irawaru back with the canoe. Well how come the two of them didn’t return together? Oh, well that’s because Irawaru wanted Hinauri’s help with bringing back the fish. So you had better hurry and if you don’t see him, just call out “Mo-i, mo-i, mo-i.”
Hinauri hurried down to the beach looking for her husband. Not seeing him, she called Irawaru’s name and when there was no response, then she called as Maui had told her to with the “Mo-i, mo-i, mo-i.”
Irawaru, now in his dog form, recognized his wife and barked back. He followed her all the way back to the village wagging his tail. Seeing what had happened to her husband, Hinauri became very distraught with grief to the point that she threw herself into the sea.
As to Maui, that antic seems rather petty to have done, but no different from say the Greek gods taking it out on mortals. Maui was now at a point that he found it best to leave the village and once more return to the Underworld where his parents lived.
Variation – Sometimes the story of Maui turning Irawaru into a dog is told that they were on their way to another village not far away. As they were headed on the return trip home, Maui had asked Irawaru to carry some food for them. Irawaru said there was no need to, they had just eaten a meal and it was only a short ways home.
This angered Maui and he used his magic to make the journey home take longer than it should have. As they continued to walk on the seemingly endless road, both Maui and Irawaru grew tired and hungry.
As they sat down, Maui pulled the food he had brought for himself after all and proceeded to eat right in front of Irawaru.
If it had been me, I would have left it at that.
Not Maui, after finishing his meal and not offering anything to Irawaru, Maui asked his brother-in-law to clean and dress his hair. Irawaru supposed that was harmless enough and did the job for Maui. When he had finished, Maui offered to clean and dress Irawaru’s hair for him. Thinking nothing of it, Irawaru allowed Maui to do so. Maui put Irawaru into an enchanted sleep and with further magic, changed Irawaru into a dog.
Either way, in Maori legends, Irawaru is the progenitor of all dogs.
The Death Of Maui
Version 1 – In this version of Maui’s death, people got tired of all his antics and decided to kill him. As a result, Maui’s blood is what creates rainbows and is responsible for the color of shrimp.
But that’s not a very exiting end for a hero and trouble maker.
Version 2: The Quest for Immortality! – This one is more exciting and noteworthy.
Following the events of a botched baptismal ceremony, Maui takes it on himself to go win immortality for humankind. Maui’s father, Makeatutara tries to dissuade him of the notion, that he will fail and that someone will kill him.
Of course, since Maui’s last antics involved turning Irawaru into a dog, he’s looking to leave the village anyways. He’s certainly gotten more than enough people upset with him, Maui heads off for the Underworld where his parents are at.
After staying with his folks for some time, Maui’s father, Makeatutara makes mention of how they have heard of Maui’s deeds up in the living world, but being down here in the Underworld, he’s sure to be defeated at some point. Makeatutara is also remembering the botched baptismal ceremony, knowing that Maui will come to a bad end.
Maui scoffs at this notion of someone defeating him, who after all would do that? Makeatutara says it would be Maui’s ancestor, Hine-Nui-Te-Po, the goddess of the Night. Undaunted, Maui boasts of his many previous deeds with pulling up the islands and slowing down the sun, saying that it won’t be possible to beat him.
Makeatutara relents and tells Maui to go find his ancestress who lives far on the horizon. After asking what she looks like, Makeatutara told Maui his ancestor, Hine-Nui-Te-Po looks human but with greenstones for eyes and sea kelp hair, barracuda mouth and that the red flashing of light came from her.
Unfazed, Maui set off towards the west with companions towards the home of Hine-Nui-Te-Po. In some versions of the stories, these companions of Maui are birds such as the tomtit, robin, warbler and fantail. In other versions, these companions are Maui’s brothers.
Eventually, Maui finds Hine-Nui-Te-Po asleep with her legs spread apart. Maui and his companions were quick to note rows of sharp obsidian and greenstones between Hine’s legs.
Maui now informed the others of his master plan, telling his companions not to laugh and to save it for after. Maui planned to enter Hine-Nui-Te-Po’s vagina, in a reverse birth process and to exit out her mouth. This, according to Maui was to gain him immortality.
Maui’s companions tried to dissuade him, saying he would be killed. Maui was again undaunted, insisting if his friends did laugh, waking Hini-Nui-Te-Po, then yes, he would die, but if he successfully passed through her, he would live and that she would be the one to die.
This of course is where the companions just shut up and let Maui do his thing as he readied himself, tying a rope that held his battle club around his waist and thrusting off his clothes. Ready, Maui began to climb in, very much the image of reverse birth as his companions did their best not to laugh.
As it happens with these type of stories, the one task you’re not supposed to do, happens and one of the companions couldn’t hold it in anymore and began laughing. One version of the story says it’s the fantail who begins laughing and wakes Hine-Nui-Te-Po who opens her eyes and quickly closes her legs tight, cutting Maui in half.
Instead of immortality, Maui becomes the first person to die, bringing death to the world. Hine-Nui-Te-Po maintained her post as the Goddess of the Underworld the portal to which all humans must pass through on death.
Variation – When Maui set off to gain immortality for humankind, he did so by changing into a worm in order to enter the vagina of Hine-Nui-Te-Po and leaving through her mouth. This stunt didn’t work out so well as Hine-Nui-Te-Po crushed Maui in her sleep with the obsidian teeth in her vagina.
Maui And Rohe
We’re not quite done with Maui! In a few stories, Maui is married to the goddess Rohe whom he ends up mistreating in some rather cruel and unusual means.
What happens, is that Maui wished to trade faces with Rohe as she is very beautiful and he on the other hand is rather ugly.
Rohe refused to trade faces and when she was asleep, Maui used an incantation to make the trade and switch for faces. When Rohe woke up and realized what happened, she left the living world and departed for the Underworld, becoming the Goddess of Death.
Good one Maui.
In Samoan mythology, the character of Ti’iti’i is very similar to that of Maui. Many of the stories are similar to those of Maui from other Polynesian cultures. One striking similiarity is the story of Ti’iti’i’s theft of fire from the earthquake god, Mafui’e. In this story, Ti’iti’i breaks off one of Mafui’e’s arms, forcing them to reveal the secret of fire and how to rub sticks together for friction to create it.
For the Samoans, the loss of Mafui’e’s arm means that he is unable to create even bigger earthquakes.
Among the Tahitians, Maui was a prophet or priest who later becomes deified.
He had once been at a sacred place known as a marae busy with some task or other. When the sun began to set before he was finished, Maui grabbed hold of the sun’s rays and halted the movement of the sun so he could complete his task.
Maui became known as Ao-ao-ma-ra’i-a after he discovered fire and passed on his knowledge to others to create it by the use of friction with wood. Before this, people would eat their food raw.
As a final bit of lore, Maui is the one responsible for earthquakes.
Among the Tongans, the Maui stories tell how he pulled up the Tongan islands from the depths of the ocean, starting first with Lofanga, then the other Ha’apai islands and finishing up with Vava’u. That task finished, Maui lived on the island of Tonga. The village of Houma located on the main island of Tongatapu is noted for being the place where Maui’s fish-hook got caught.
In these stories, Maui has two sons: Maui-Atalanga, the eldest and Maui-Kisikisi, the younger. In other sources, there are listed three Maui brothers: Maui-Motu’a (old Maui), Maui-Atalanga and Maui-Kisikisi (dragonfly Maui). It is Maui-Atlanga who discovered the secret of fire and taught others how to cook with it. Maui-Motu, like Atlas from Greek mythos, holds the earth up on his shoulders. Whenever Maui-Motu starts to nod off, he causes earthquakes and people will stomp the ground in order to wake him up. The god, Hikule’o who rules the underworld of Pulotu is Maui-Motu’s youngest son.
Maui-Kisikis is known for being a trickster. He gained the name of Maui-Fusi-Fonua or Maui Land Puller after Maui-Kisikisi begged for a magic fish-hook from an old fisherman by the name of Tongafusifonua. The old man would only allow the fish-hook to be taken on the condition that Maui be able to find it in his collection of hooks. Tongafusifonua’s wife, Tavatava told Maui the secret of how to find the hook and Maui was able to succeed at picking it out from all the other hooks. With this hook, Maui-Kisikisi was able to pull up the coral islands from the bottom of the sea as these volcanic islands were believed to have fallen from the heavens.
Movie Time – Moana!
So of course, the movie came out in 2016, featuring the famous Maui of Polynesian mythology. Since I was curious, I of course wanted to know how much of the mythology and stories that the movie gets right.
It is of course, a new story and the Maui seen in the movie pulls and combines many of the aspects of him found primarily in Hawaiian and Maori legends. Much of which is confirmed during the song: “You’re Welcome” and a quick montage of all of Maui’s deeds that he’s done that have earned him a new tattoo to commemorate the event.
The character of Te Fiti in her darker aspect as Te Ka was originally referred to as Te Po, based on the Maori goddess Hine-Nui-Te-Po, the goddess of night, death and the underworld. Others have noted a strong similarity between Te Ka and the Hawaiian volcano goddess Pele.
Interestingly, while the movie was being developed and written, it incorporates the history of Polynesian people as voyagers who just abruptly ceased and then a thousand years later, start sailing again. Why? No one knows. However, the story of Moana certainly provides an interesting what if story to it.
Pleiades Part 3
Pleiades Star Lore Around The World Continued
In Babylonian mythology and astronomy, the Pleiades are called MUL.MUL or “star of stars” in their star catalogues. The Pleiades are at the top of a list of stars along the ecliptic and close to the time of the Vernal Equinox around the time of the 23rd century B.C.E. A group of deities known as Zappu also represent the Pleiades star cluster.
Middle Eastern Mythology
Arabic – The Pleiades are known as al-Thurayya, they are mentioned in Islamic literature. The star, Aldebaran, meaning “the Follower” which is part of the Taurus constellation is seen as forever chasing al-Thurayya across the night sky.
Iran – In the Persian language, the Pleiades are known as Parvin. The name Parvin is also a very popular given name in Iran and neighboring countries.
Islam – Some Islamic scholars have thought that al-Thurayya might be the star mentioned in the sura Najm in the Quran. Muhammad is said to have counted 12 stars within the star cluster as found in Ibn Ishaq. This was in a time before telescopes and most people could only see six stars. The name al-Thurayya has been used as a female given name in Persian and Turkish culture. As seen in names such as Princess Soraya or in Iran and Thoraya as Obaid.
Judeo-Christian – In the Bible, the Pleiades are identified as being Kimah, meaning “cluster,” which is mentioned three times in relation to the constellation of Orion. Specifically in Amos 5:8; Job 9:9; and Job 38:31. In the New Testament, there is an indirect reference to this asterism found in Revelations 1:16.
The Talmud says that the Pleiades has about 100 stars. This is with the understanding that the word כימה as כמא (Kimah and pronounced as: ke’ me-ah) means just that, “about one hundred” in the Hebrew language.
The Talmud Rosh Hashanah tells that when God became with mankind’s wickedness, he went and remade Kimah, removing two of its stars and caused that this star cluster would rise with the dawn and out of season. This event is what precipitated and causes the Biblical Flood of Noah.
Pakistan – Much like Iran, the name Parvin is also a popular given name, especially for women. In recent decades the name hasn’t had as much use. In the Urdu language, the name Parvin and the stars it represents is a symbol of beauty.
Persian – The Pleiades are known as Nahid. Another name for the Pleiades that is shared by the Persiand and Urdu languages is Parvin, Parveen or Parween. It is a genderless or unisex given or family name used not just the Middle East, but Central Asia, South Asia and Azerbaijan. The name Parvin means star and is the name for the Pleiades asterism.
Native American Mythology
Several tribes have stories regarding the Pleiades star cluster.
Blackfoot – The Lost Boys – This is a story in which the Pleiades are a group of orphaned boys not taken care of by anyone, so they ended up becoming stars. Sun Man was angered by the boys’ neglect, so he punished the people with a drought, causing the buffalo to leave. The wolves, the only friends the boys had ever had, intervened for the people to have the buffalo return. Sadden by their lives on earth, the boys asked the Sun Man to allow them to play up in the heavens where they became the Pleiades. In addition, to remind the tribe of their neglect of the children, they hear the howling of the wolves calling for the friends up in the heavens.
The story represents more the time of the year and season in which the Blackfoot gather to hunt the buffalo. The buffalo herds don’t appear while the Lost Boys or Pleiades asterism is in the sky and this marks when the hunters would set out to their hunting grounds.
Another name for the Pleiades star cluster in Blackfoot legends is the Bunched stars. Instead of being orphans, the boys’ family were so poor that they couldn’t afford buffalo robes worn by other boys in the tribe. Out of grief and shame, the six boys went up into the sky to become stars.
Cheyenne – A Cheyenne legend, “The Girl Who Married a Dog,” tells how the Pleiades stars represent puppies that a Cheyenne chief’s daughter gave birth to after being visited by a dog in human form. The daughter had fallen in love with the dog-being and vowed that: “Where you go, I go.”
Cherokee – Both the Cherokee and Onondaga tribes tell a similar story about a group of seven boys who refused to any of their sacred responsibilities and only wanted to play. They ran around and ‘round the village’s ceremonial circle until all seven of the boys rose up into the sky. Only six of the boys reached the heavens where they became the Pleiades star cluster. The seventh boy was caught by his mother and pulled back to the earth so hard that he sunk into the ground, becoming a pine tree.
Crow – The Crow military societies have many songs that use a play on words referencing the Pleiades constellation. Many of the words are often difficult to translate and the stories range from stories of bravery and high ideals to many amusing or comical stories.
Hopi – The Hopi built many underground places called kivas that would get used for a variety of purposes. The most important of these kivas that was used for ceremonial meetings could only be accessed through a ladder in a small hole at the roof. During some ceremonies, the appearance of the Pleiades or Tsöösöqam, over the opening hole marked when to begin the ceremony. The Pleiades have been found shown on one wall in a kiva.
Inuit – Nanook, the Inuit Bear God was identified with the Pleiades. In the early days, a great bear threatened all of the people. This bear was chased up into the heavens by a pack of dogs where they continue to chase after the bear in the form of the Pleiades.
Kiowa – There is a legend told about how seven maidens were being chased by giant bears. The Great Spirit created Mateo Tepe, the Devil’s Tower and placed the maidens up on it. Still the bears pursued the maidens, clawing at the sides of the sheer cliffs. Such claw marks are said to be the vertical striations of the rock formation. Seeing that the bears were relentless in pursuit of the maidens, the Great Spirit placed the seven maidens up into the sky to become the Pleiades.
Lakota – There is a legend that links the origin of the Pleiades with Devils Tower. This constellation is known as Cmaamc, an archaic plural form of the noun cmaam, meaning “woman.” The stars are seven women who are giving birth.
Additionally, the Lakota hold a similar legend to the Kiowa about Mato Tipila, “Bear Tower” or Devil’s Tower to European settlers. A tribe was camped beside a river and seven of their young girls were playing nearby. The area at this time had a number of bears living there and a bear began chasing the girls. The girls started running back to the village. Just as the bear was about to catch them, the girl leaped up onto a rock. They cried out: “Rock, take pity on us; Rock, save us.” The rock heard their cries and began to rise up high out of the bear’s reach. The bear clawed at the sides of the rock, its claws breaking off. The bear kept jumping at the rock until it rose higher and higher to the point that the girls reached the sky where they became the Pleiades. The claw marks of the bear can still be seen on Mato Tipila or Devil’s Tower.
Mono – The Monache tell a story how the Pleiades are six women who loved onions more than their husbands. They were thrown out of their homes by their angry husbands and found their way up to the heavens. When the husband grew lonely and tried to find their wives, it was too late.
Navajo – The Navjo story of The Flint Boys, after the Earth had been separated from the Sky by the Black Sky God, he had a cluster of stars on his ankle. These stars were the Flint Boys. During the Black God’s first dance, with each stamp of his foot, the Flint Boys would jump up further on his body. First to the knee, then the hip, to his shoulder and finally up to his forehead. There they remained as a sign that the Black God was Lord of the Sky. The seven stars of the Pleiades or Flint Boys are shown on ceremonial masks for the Black God, sand paintings and ceremonial gourd rattles.
Nez Perce – They have a myth about Pleiades that parallels the ancient Greek myth and the Lost Pleiades. In this myth, the Pleiades are a group of sisters and one of the sisters falls in love with a man. When he died, she was so grief stricken, that she finally told her sisters about him. The other sisters mocked her, telling her how foolish she is to mourn the death of a human. This sister continued to grow in her sorrow, to the point she became ashamed of her own feelings that she pulled a veil over herself, blocking herself from view in the night sky. The Nez Perce use this myth to explain why only six of the seven stars is visible to the naked eye.
Onondaga – Their version of the story surrounding Pleiades has it the stars represented lazy children who wanted to dance instead of doing their chores. All the while as they ignored the warnings of the Bright Shining Old Man. Eventually, light headed and dizzy from hunger, the children rose up into the heavens to become the Pleiades.
Pawnee – Among the Skidi Pawnee, the Pleiades are seen as seven brothers. They observed this star cluster along with the Corona Borealis, the Chiefs through a smoke hole in Pawnee lodges in order to keep track of the time of night.
Shasta – In their stories, the Pleiades are the children of Raccoon who are killed by Coyote while avenging their father’s death. After death, they rose up to become the Pleiades star cluster. The smallest star in the asterism is seen as Coyote’s youngest child who helped Raccoon’s children.
Zuni – They used the Pleiades as an agricultural calendar. Among the Zuni, the Pleiades were known as the “Seed Stars.” When the Pleiades disappeared on the western horizon during spring, it was time for planting seeds as the danger of frost had pass. The Zuni also knew to finish all of their planting and harvesting before the Pleiades returned on the eastern horizon with the return of colder autumn weather and frost.
New Age, Western Astrology & Occult Connections
Astrology – In Western astrology, the Pleiades have come to represent coping with sorrow. In Medieval times, they were viewed as a single set of fixed stars and associated with fennel and quartz. In esoteric astrology, there are seven solar systems that revolve around Pleiades.
New Age – There’s a belief that the Sun and the Earth will pass through a Photon belft from the Pleiades star cluster. This will cause a cataclysm or a time of spiritual transition that is referred to as a “shift in consciousness,” the “Great Shift” and “Shift of the Ages.”
Occult – The Pleiades are mentioned as an astrological sign in “Three Books of Occult Philosophy” by Heinrich Cornelius Agrippa. It has a publication date of 1533, but may have appeared earlier in 1510.
Theosophy – It is believed that the seven stars of the Pleiades act as a focus for the spiritual energy of the Seven Rays from the Galactic Logos to the seven stars of the Great Bear, from there the star Sirius, on to the Sun and then to the god of the Earth, Sanat Kumara and finally that energy goes through the seven Masters of the Seven Rays to everyone else.
Ufology – Some people have described a race of Nordic aliens known as Pleiadeans who come from the Pleiades star cluster. A man by the name of Billy Meier claims to have had contact with and met these aliens.
The Pleiades were seen as the goddess Freyja’s hens. Their name in many older European languages refer to this star cluster as a hen with chicks.
The name of Hen and Chicks for Pleiades is found in Old English, Old German, Czech, Hungarian and Russian.
The Pleiades are known by various names such as Moropóro, Molopólo or Mapúlon. Christian Filipinos know this star cluster as Supot ni Hudas (Judas’ pouch) or Rosaryo (Rosary).
Hawaiian – The Pleiades are known as Makali’i. It’s rise shortly after sunset marks the beginning of the Hawaiian New Year known as Makahiki. This is four month period of peace honoring the god Lono. The Hawaiian New Year’s celebration is similar to the Maori New Year’s observances.
Maori – Among the Maori of New Zealand, the Pleiades are known as Matariki, “eyes of god” or Mata rikie, “Little Eyes”, she is a goddess who is accompanied by her six daughters: Tupu-a-Nuku, Tupu-a-Rangi, Wai-Tii, Wai-Ta, Wai-puna-Rangi, and Uru-Rangi.
From June 20 to June 22, known as Maruaroa o Takurua, marks the middle of winter. This time period comes right after the rise of the Pleiades or Matariki and is the beginning of the New Year. Tradition holds that the Sun starts his northward journey with his winter-bride Takurua, represented by the star Sirius and will make his southward journey later with his summer-bride, Hineraumati.
Another story involving Matariki, tells that one day Ranginui, the sky father and Papatūānuku, the earth mother were separated by their children. The wind god Tāwhirimātea ripped out his eyes in rage and flung them up into the heavens where they became a star cluster.
Polynesian – According to Polynesian legends, the Pleiades were once one star and had been the brightest in the night sky. The god Tane hated this star so much as it had boasted of its own beauty. The legend goes on to say that Tane proceeded to smash this star into pieces, creating the Pleiades star cluster.
The Pleiades in Rome are called The Bunch of Grapes and The Spring Virgins. Another name for these stars is Vergiliae as this asterism begins to rise after Spring and considered a sign of Summer before setting later in the Winter months. In modern day Italy, the Pleiades began rising around the beginning of May and would set around the beginning of November.
South American Mythology
Andes – Among the people of the Andes Mountains, the Pleiades were associated with abundance as this star cluster was seen as returning every year during the harvest season. Among the Quechua, the Pleiades are known as collca’ meaning storehouse.
Inca – The Pleiades were called the “Seed Scatter” or “Sower.” Another name for the Pleiades are the “Little Mothers.” The Incas held festivals when this asterism appeared in the night sky.
Paraguay – The Abipones tribe worshipped the Pleiades, believing them to be their ancestors.
Peru – The season of Verano, roughly meaning summer or Dry Season. There is a ritual coinciding with the Pleiades during the Summer Solstice. A Peruvian cosmological chart from 1613 C.E. appears to show the Pleiades asterism. An Incan nobleman, Pachacuti Yamqui drew the chart in order to show objects depicted in the Cusco temple. He added Spanish and Quechua notations to his chart.
The Pleiades are known as Dao Luk Kai in Thailand. The name translates to the “Chicken Family Stars” in English, it is name that comes from Thai folklore.
An elderly couple living in a forest of Thailand were raising a family of chickens; a mother hen and her six chicks. One day, a monk arrived at the couple’s home during his Dhutanga journey. Fearful of not having anything good enough to offer for a meal, the couple considered cooking the mother hen. The mother hen overheard the couple’s conversation, hurried back to the coup to say goodbye to her chicks. The mother hen told her chicks that they would need to take care of themselves from now on. After that, the mother hen returned to the elderly couple so they could prepare their meal for the monk.
When the mother hen was killed, her chicks threw themselves into the fire to die alongside her. The god, Indra was impressed by their great love and in remembrance, raised the chickens up into the heavens as stars.
Depending on the version of the story being told, if only six chicks are mentioned, then the mother is included as being among the stars of Pleiades. Otherwise, it is usually seven chicks who make up the stars in Pleiades.
In Turkey, the Pleiades are known as Ãlker or Ülker. According to legends, mankind was suffering a lot of suffering and evil. The creator god, Tangri Ulgen met with the Sky Spirits of the West, the Ãlker. A decision was reached and they sent an eagle, the first Shaman down to the earth to ease these afflictions and problems. The nomadic tribes of Turkey see the Pleiades as a source of both solace and the area of the heavens where the gods reside.
Kaşgarlı Mahmud. An 11th century lexicographer, the term ülker çerig refers to a military ambush. Where the word cerig means: “troops in battle formation.” The term ülker çerig has been used as a simile for the Pleiades asterism.
There are a few different names that the Pleiades are known as in traditional Ukrainian folklore. Some of these names are Stozhary, which can be traced etymologically to the word stozharnya, meaning “granary,” “storehouse for hay and crops” or it can be reduced to it’s meaning of sto-zhar, meaning “hundredfold glowing.” Other names for the Pleiades are Volosozhary and Baby-Zvizdy.
With the names Volosozhary, which means “the ones whose hair is glowing” and ‘Baby-Zvizdy which means “female-stars,” the Pleiades star clusters refers to a group of female tribal deities. In Ukrainian legend, long ago, there lived seven maids who danced their traditional dances and sing songs to honor the gods. After their death, the gods turned the seven maids into water nymphs and took them up into the Heavens where they became the now familiar star cluster. The symbol of this star cluster was used as a women’s talisman.
Etymology – The Eagle
Pronunciation: There are a few different variations – ˈækwɨlə, əˈkwɪlə and ˈækwɨli
Also known as: Αετός Δίας (Aetos Dios), Aquila Jovis, the Bird of Zeus and the King of Birds
The constellation Aquila, the Eagle has been recognized as early as 1,200 B.C.E. The Euphratean uraanographic stone, dating from the Mesopotamian cultures, depicts this constellation. The constellation lies just a few degrees north of the celestial equator. Many ancient cultures such as the Persians, Hebrews, Arabs, Greeks and Romans all saw an eagle represented in this constellation.
The constellation is seen first with a straight line of three stars that symbolize the wings. The tips of the wings are seen to extend out further to the southeast and northwest. The head of the eagle is seen as stretching out towards the southwest. In older depictions of this constellation, the Eagle is sometimes shown carrying the youth Ganymede.
The constellation known as Aquila is one of 48 constellations listed by the 2nd century astronomer Ptolemy in his book, Almagest. Aquila is also mentioned by Eudoxus in 4th century B.C.E. and by Aratus in 3rd century B.C.E. Today it remains as one of the 88 current or modern constellations. It is a large constellation, ranking 22nd in size.
Constellations bordering with Aquila are: Aquarius, Capricornus, Delphinus, Hercules, Ophiuchus, Sagitta, Sagittarius, Scutum, and Serpens Cauda. The best time to spot Aquila is during the month of August in the Northern Hemisphere.
Antinous – Obsolete Constellation
The astronomer Ptolemy catalogued nineteen stars altogether in Aquila and Antinous. The now obsolete Antinous constellation had been named during Emperor Hadrian’s rule in 132 C.E. Sometimes the cataloging of stars is erroneously attributed to Tycho Brahe who cataloged twelve stars in Aquila and seven stars in Antionus. A Hevelius cataloged some twenty-three stars in Aquila and nineteen in Antionus.
Among the Arabs, Aquila has been known as the Flying Eagle, Crow or Raven. The Persians knew Aquila by the names: the Falcon and the Flying Vulture. The Turks referred to this constellation as the Hunting Eagle.
Chinese Astronomy And Mythology
There is a rather famous and well known love story found in Chinese mythology that is related to the constellation of Aquila, or rather several of its stars. It’s a story that is also similar to the love story connected with the Cygnus constellation.
In Chinese astronomy, the modern day constellation of Aquila lies in the area of the heavens known as Běi Fāng Xuán Wǔ, the Black Tortoise of the North and the Three Enclosures or Sān Yuán that divides the night sky of the Chinese Heavens.
The star Zeta Aquilae is located in a part of the night sky seen as Tiān Shì Yuán or the Heavenly Market Enclosure. The rest of Aquila’s stars are found in the area of the night sky ruled by Běi Fāng Xuán Wǔ, the Black Tortoise of the North.
In modern day, Aquila is known by the name of Tiān Yīng Zuò, which means: “the heaven eagle constellation.”
Hegu – The Battle Drum
The star Altair and the two stars to either side of it, Beta and Gamma Aquilae form the asterism known as Hegu, a battle drum.
Tianfu – Celestial Drumsticks
The Chinese have an asterism comprising of the stars 62 Aquilae, 58 Aquilae and Eta Aquilae that they call the Celestial Drumsticks.
Youqi – Banner Flags
The stars Delta, Iota, Mu and Sigma form a banner flying to the right of Hegu.
The stars from Sagitta in the north represent a banner to the left side of Hegu.
The Three Generals
Altair, Beta and Gamma Aquilae are also known as the Three Generals with Altair representing the commanding officers with this two subordinates.
Tiabian – Trade Officials
The stars Lambda and 12 Aquilae along with the stars in the constellation Scutum represented a team of Trade Official overseeing the organization of the markets. An area of the heavens that includes the Hercules, Ophiuchus and Serpens constellations. The officials were located just outside of the market walls.
The star Zeta Aquilae formed part of this wall.
Lizhu – The Empress’s Pearls
An L-shaped pattern formed by the stars 1, 69, 70 and 71 Aquilae represent four pearls worn by the Empress. These same stars are also astrologically connected to the Emperor’s harem.
Qi Xi – The Princess And The Cowherd (Herd-Boy And Weaver-Girl)
This is a rather old story that dates as far back as at least the 6th century B.C.E. where it first appears in a collection of stories called the Book of Songs or Shih Ching. The book was possibly compiled and put together by Confucius. However, this book was later destroy a few centuries later by the emperor, Shih Huang Ti who is remembered more for his burning books instead of the construction of the Great Wall of China.
Chih Nu, identified with the star Vega was the daughter of the Sun-God. Chih Nu was known for being very good and skilled with weaving, especially her creation of tapestries. On one particular day, Chih Nu was looking out the palace window and spotted one of her father’s herdmen, Ch’ien Niu. For these two, it was love at first sight and Chih Nu’s father, the King was very happy when he discovered the news.
All started off well, for it was considered a good match, given how Ch’ien Niu was known for being a hard worker and took care of the royal flock with due diligence.
A wedding was planned in which Chih Nu wove her own wedding dress out of starlight. All started off well and the newly married couple were very happy and deeply devoted to each.
It would seem that this deep devotion was also the source of a problem, for it didn’t take long for everyone to realize that Chih Nu’s and Ch’ien Niu’s duties and responsibilities were becoming neglected. Chih Nu’s loom stood forgotten and gathering dust in a corner while the royal cattle that Ch’ien Niu was to tend, began wandering out, straying far across the heavenly plains.
Chih Nu’s father, the Sun-God and King gave the two lovers repeated warnings and still they failed to follow through with their respective obligations and responsibilities. Things got bad enough that the Sun-God finally took measures, the first of which was to banish Ch’ien Niu to the other side of the Heavens to tend the royal cattle there.
Once Ch’ien Niu had crossed the only ford, T’ien-tsin, the Sun-King then ordered that both borders of the ford be closed off so that neither lover could cross. Chih Nu begged her father, but he would not relent on his royal decree.
Eventually, Ch’ien Niu had pleaded her case to the magpies who took pity on her. They decided that once a year, on the seventh day of the seventh monty, that they would help the parted lovers. On this day, all the magpies across China would fly up to the Heavens and create a bridge with their wings. This way the two lovers can cross and be together. On this day, Chih Nu cries, at first it is tears of joy that come down as soft, gentle rain. As the day progresses and starts to end, Chih Nu’s tears become a down pour of rain as she knows the two lovers must part ways for another year.
Their task done, the magpies fly away again back to their fields. The next day, when people see the magpies, they take heart knowing that the magpies have done their duty by the way their feathers look trampled. If the magpies’ feathers aren’t trampled, then the people say that bad weather has prevented from flying up to the heavens to form their bridge. Children are also believed to throw stones at any magpies found on the seventh day of the seventh month as these birds are seen as neglecting their duty to go with the others to form the bridge for the two lovers.
Qi Xi Variations
This story is told in China, Korea and Japan, so there are a few different names and variations to the story of Qi Xi. In one version, the star Altair is identified as Niu Lang and his two children are identified as Beta and Gama Aquilae who become separated forever from their wife and mother Zhi Nu, who is identified with the star Vega, in the Cygnus constellation. This separation is represented by the river, the Milky Way.
Another version places the Herd-Boy as an orphan who observes Weaver-Girl among some seven Weavers who descend from the heavens to bathe in a nearby stream. By snatching Weaver-Girl’s robe, Herd-Boy compels her to marry him and ends up sharing her immortality.
Much like the previous version, the two slack off in their duties and it is Weaver-Girl’s grandmother, a Queen of the Heavens who separates the two. The rest of the heaven’s take pity on the young lovers and they are allowed to meet once a year on the seventh day of the seventh month with magpies forming a bridge for them to cross.
In Greek Mythology, there are a few different myths regarding the Aquila constellation. Generally, Aquila is seen as a large golden eagle who serves as Zeus’ messenger and companion animal.
Periphas was a priest of the god Apollo, he lived in Attic at the time and was an autocthon, one of the Earth-Sprung Rock. He was considered so virtuous and beloved by the people that they made him a king and began to honor him as a god.
This angered the god Zeus who was ready to strike down this insolent mortal with one of his thunderbolts. The god Apollo intervened and requested that Zeus instead transform Periphas into an eagle. Zeus went into Periphas’ house and transformed him while Periphas was with his wife. As she didn’t want to be separated from her husband, Zeus also transformed her into a bird, a vulture, represented by the constellation of Lyra, the heavenly vulture.
As Periphas had shown piety and honors to the god Apollo while he had been mortal, Zeus made him the king of birds and tasked him with guarding the sacred scepter and thunderbolts. For Periphas’ wife, Zeus made her a sign and image of good luck regarding all the matters of humankind.
During the ten-year war that Zeus and the other gods held against the Titans, Zeus had an eagle who carried the thunderbolts that he used to hurl at the Titans. In gratitude for the eagle’s service and loyalty, it was given a place up in the heavens as the constellation Aquila.
In other accounts, Zeus adopted the eagle as his bird when it first appeared to him before the Titan War as a sign of good omen while making sacrifices.
The constellation of Aquila is also tied to the story of Ganymede, Zeus’ cup-bearer.
Ganymede was the son of King Tros of Dardania and the basis for the kingdom of Troy in Greek mythology. An exceptionally beautiful youth, Ganymede had caught the attention of Zeus when he was out watching over his father’s flock of sheep. Now, depending on the versions of the story being told, Zeus, either in the guise of an eagle or sending the eagle Aquila, came and carried him off to Mount Olympus. As compensation to King Tros, Zeus gave him some horses.
Once there, Ganymede faced the wrath of Hera, the wife of Zeus, who was angry and very likely jealous that her husband had taken such a fancy for a young boy. In addition to this, she was also angry that Zeus intended for Ganymede to replace Hebe, Hera’s daughter as the cup-bearer after an incident where Hebe had accidentally spilled some nectar of the gods. And it couldn’t have sat well with Hera that Zeus immortalized Ganymede in the constellation of Aquarius in addition to immortality and eternal youth.
Another version of this myth says that it was Eos, the goddess of the Dawn who carries off Ganymede to Mount Olympus, and then Zeus took him from her to be the cup-bearer.
Regardless of the versions of the story told, Ganymede does become the cup-bearer to the gods and basically serves them their wine. Further variations of this story tell how Ganymede would ride Zeus’ eagle Aquila, accompanying this god on his travels. Both the Aquila constellation near Aquarius and the constellation of Crater, said to be Ganymede’s cup are near Aquarius to complete this story.
Ganymede also becomes deified as he was given immorality and eternal youth by Zeus and ends up being the one responsible for the annual Nile River flooding and the life-giving waters of rain. Some scholars have pointed out that like the story of Capricorn, the Greeks are borrowing from other older stories and cultures as well as coming up with their own stories to explain the images and what the constellations mean.
In Roman times, the name Ganymede was sometimes used for handsome slaves who served as cupbearers. Furthering this, many have pointed out that the story of Ganymede is a clear indication and precedence for homosexuality in Greek culture. Others, like in Plato’s writings of dialogues between him and Socrates say that it wasn’t homosexuality; instead, they point out the meaning of the name Ganymede for “taking pleasure of the mind.” That Zeus loved Ganymede non-sexually for his mind. Still, other sources point out that this is where the Latin word for catamite originates. Additionally, the Roman poet Ovid says that Zeus turns into an eagle to go retrieve the youth Ganymede.
Aquila Guarding The Arrow of Eros
Another minor story of Aquila is more attached to the constellation of Sagitta. In this one, Aquila is seen guarding the arrow of Eros that has hit the god Zeus and caused him to become love-struck.
Zeus And Nemesis
During one of Zeus’ many exploits with chasing after and raping other women, he is to have somehow enlisted the aid of the goddess of love, Aphrodite.
In this story, Aquila represents Aphrodite as she’s disguised herself as an eagle, pretending to chase after Zeus who is in the guise of a Swan. All this so he can get the goddess Nemesis to offer him shelter. It is only afterward when Nemesis has gone to sleep that she learns the swan she thought she had rescued is really the god Zeus in disguise and he rapes her.
To commemorate this conquest, Zeus places the image of the Eagle (Aquila) and the Swan (Cygnus) up into the heavens. Really?
In Hindu mythology, the constellation of Aquila is seen as being Garuda, a half-eagle, half-human deity. Garuda is sometimes depicted as being the mount for the Hindu god Vishnu and to have been large enough to block out the sun. He is the sworn enemy of the Naga serpent race. He is a symbol of violent force, speed, and martial prowess in battle.
Alternatively, the line of three stars that also includes Altair is seen as being the footprints of the god Vishnu.
The Greek constellation of Aquila is very likely based on the Babylonian constellation of MUL.A.MUSHEN, the Eagle. The Babylonian’s constellation is also located in the same area of the night sky as the Greek’s constellation. The author, Gavin White in his book Babylonian Star-Lore, says that the Eagle carried the constellation called the Dead Man or LU.USH in its talons. It’s a story that carries a lot of connections for later Greek and Roman stories of Antinous and Ganymede.
There is a Sumerian story of the hero Etana, who descended to the heavens with the help god Shamash’s eagle while looking for a plant of birth to help ease his wife’s labor pains for the birth of their son, Balih. This plant could only be found in the higher reaches of heaven where Anu lived.
While riding on the back of the eagle, Etana noticed how the earth began to look smaller and smaller the higher they flew. This caused him to become nervous or scared and loose his grip on the eagle’s back.
One version of this story has Etana living for 1,560 years and having only two children. Another version of the story has Etana falling to the earth for daring to try and enter the realm of the god Anu. There is some thought too, that the plant in question, may refer to Mountain Arnica, which is poisonous, but when taken in the right doses, can ease labor pains during birth.
This story seems to have been the inspiration behind the Greek story of Ganymede.
There are several different myths and stories regarding Aquila among the Polynesians.
Futuna – Aquila is known as Kau-amonga, which means the “Suspended Burden.” The name is in reference to the Futunan’s name for Orion’s belt and sword, Amonga.
Hawaii – Among the Hawaiins, the star Altair is called Humu, as in the humu humu fish. The whole of the Aquila constellation is called Humu-ma, the “Humu cluster.” The Humu-ma constellation is believed to influence astrologers.
Marquesas Islands – Here, Aquila is known by the name of Pao-toa, meaning the “Fatigued Warrior.”
Māori – The Māori of New Zealand called Altair by the name of Poutu-te-rangi, meaning “Pillar of the Sky.” Due to this star’s position in the heavens, it has been used in different Māori calendars. In one, Poutu-te-rangi is the ruling star for the months of February and March. In another calendar, it is the ruling star for March and April. Poutu-te-rangi is also the star that rules over the annual sweet potato harvests.
Pukapuka – Aquila is known by the name of Tolu, meaning “three” and comprises of the stars Alpha, Beta and Gamma Aquilae. The star Altair is known by the name of Turu and was used for navigation.
Tuamotus – Aquila is known by the name of Tukituki, meaning to “Pound with a hammer.” The star Beta Aquilae is called Nga Tangata, meaning “The Men.”
Many of the Roman myths regarding the Aquila constellation are very similar to the Greek stories from which they took, borrowed or stole. There are a few additional myths and stories that can be found.
To start with, the eagle represented in the constellation is thought to be Aetos Dios, the golden eagle who serves Jupiter.
Interestingly, the constellation Aquila is known as Vultur volans, the flying vulture by the Romans. This name shouldn’t be confused with the name Vultur cadens, the Roman’s name for the constellation Lyra.
Aetos Dios & Prometheus
Keeping in mind that the Romans called Aquila a vulture, it then ties in with the story of Prometheus and his being chained and bound to the top of a mountain where a large vulture would come and eat his liver every day as punishment.
In the Greek and Roman mythology, Prometheus is the titan who took pity on humankind and gave them the gift of fire after all the other gifts had been given out. Enraged by this act, the god Zeus had Prometheus chained and bound to a mountain. Every day Prometheus would be attacked by a giant vulture or eagle who ate his liver every day as it would grow back by the next. Being immortal, Prometheus suffered a lot as his wounds would heal every day. Eventually after many years, the hero Hercules comes along and frees the mighty titan after slaying the vulture. After it’s death, the god Zeus placed the vulture up into the heavens to become the constellation Aquilla.
Aetos Dios & Psyche
A Roman novel dating to the second century C.E., The Golden Ass and written by Apuleius, there is an incidence in which the goddess Venus sends Psyche to go get a pitcher of water from the river Styx.
Given the deadly nature of the river Styx, the bird Aetos Dios, of his own freewill and his past services to Cupid, comes to aid Psyche in getting water so she wouldn’t come to harm. What seems a little odd in the story given here is that Aetos Dios lies to Psyche, claiming that Venus had sent him to come help her and mentions nothing at all about acting on his own violation, either way, Psyche has the water and returns to Venus with it.
The constellation of Aquila, along with 18 other constellations of: Ara, Centaurus, Corona Australis, Corvus, Crater, Crux, Cygnus, Hercules, Hydra, Lupus, Lyra, Ophiuchus, Sagitta, Scutum, Serpens, Sextans, Triangulum Australe, and Vulpecula.
All of these constellations have some connection to the overall legend and myth of the Grecian hero Hercules. They are the largest grouping of constellations found in the Western Hemisphere.
Aquila, along with the other avian constellations of Cygnus and Vultur cadens form a part of a significant myth of the Stymphalian Birds and one of the Twelve Labors of Hercules.
Aquila’s alpha star, Altair forms part of an asterism known as the Summer Triangle. It is the southern point of the Summer Triangle. The other stars, Deneb, found in the constellation of Cygnus, is the triangle’s northeastern point and Vega, found in the constellation of Lyra to the northwest.
Stars of Aquila
Alpha Aquilae – Also known as Altair, is the brightest star within the Aquila constellation and the 12th brightest star overall in the night sky. Altair’s name comes from the Arabic phrase: “al-nasr al-tair,” meaning “the flying eagle” or “vulture.” Ptolemy named this star Aetus, the Latin word for “eagle.” Both the ancient Babylonians and Sumerians referred to Altair as “the eagle star.”
Beta Aquilae – Also known as Alshain, it is a yellow star. Alshain’s name comes from the Perso-Arabic word: aš-šāhīn, which means “the falcon.”
Gamma Aquilae – Also known as Tarazed, it is an orange giant. Tarazed’s name comes from the Arabic phrase: “shahin-i tarazu,” meaning “the balance” or “the beam of the scale.”
Epsilon Aquilae – This star, along with Zeta Aquilae have an Arabic name of Deneb al Okab, meaning: “the eagle’s tail.” To differentiate Epsilon Aquilae from Zeta Aquilae, Epsilon Aquilae is frequently referred to as Deneb el Okab Borealis as it is north of Zeta Aquilae.
Zeta Aquilae – This star, along with Epsilon Aquilae have an Arabic name of Deneb al Okab, meaning: “the eagle’s tail.” To differentiate Zeta Aquilae from Epsilon Aquilae, Zeta Aquilae is frequently referred to as Deneb el Okab Australis as it is south of Epsilon Aquilae.
Eta Aquilae – Also known as Bezek, is a yellow-white supergiant star. Bezek’s name comes from the Hebrew word bazak which means: “lightning.”
Theta Aquilae – Also known as Tseen Foo, is a binary star. Tseen Foo’s name comes from the Mandarin word tianfu, which means: “the heavenly rafter” and “drumsticks.”
Iota Aquilae – Also known as Al Thalimain, it is a blue-white star. Al Thalimain’s name, along with Lambda Aquila, in Arabic means: “the two ostriches.”
Lambda Aquilae – Also known as Al Thalimain, it is a blue-white star. Al Thalimain’s name, along with Iota Aquila, in Arabic means: “the two ostriches.”
Rho Aquilae – Also known as Tso Ke, is a white dwarf. Tso Re’s name comes from Mandarin and means: “the left flag.” As of 1992, this star is no longer part of the Aquila constellation and has since moved into the Delphinus constellation.
Glowing Eye Nebula
Also known as NGC 6751, this nebula is one of many found within the borders and star field that makes up Aquila.
Hercules–Corona Borealis Great Wall
Aquila is home to one of the largest single mass concentration of galaxies in the Universe found so far. It is referred to as the Hercules–Corona Borealis Great Wall. It was first discovered in November of 2013 and has a size of about 10 billion light years.
Two major novae have been observed within Aquila. The first one was recorded in 389 B.C.E. and said to have been as bright as Venus. The other novae observed as the Nova Aquilae in 1918 which briefly shone brighter than Altair.
There are a couple of meteor showers associated with this constellation. They are the June Aquilids and the Epsilon Aquilids.
The June Aquilids meteor shower has only been studied by radar and are most active on June 2nd and 3rd.
The Epsilon Aquilids meteor shows is active in mid-March and is best seen using optical aids such as telescopes.
Etymology – Swan
Also known as: The Northern Cross, Ornis (Greek “bird”)
The constellation of Cygnus, the Swan is considered one of the most recognizable constellations in the night sky, particularly during the summer and autumn in the Northern Hemisphere.
To the Greeks, this constellation was known as Ornis, meaning “bird.” It was later named Cygnus by the Romans who proceeded to adapt several Greek myths to try and explain the name or connection.
While there are many people in Greek mythology who bear the name of Cycnus, the constellation of Cygnus is also associated with several stories. One of the more well known stories is that of the god Zeus and his transformation into a swan to try and seduce Leda or in some variations, Nemesis. Another well known story connected to this constellation is that of the story of Phaethon and his friend Cycnus.
The constellation known as Cygnus is one of 48 constellations listed by the 2nd century astronomer Ptolemy in his book, Almagest. Today it remains as one of the 88 current or modern constellations. It is a large constellation, ranking 16th in size. Pseudo-Eratosthenes and Hyginus’ Poetical Astronomy are the earliest sources of Greek astronomy and constellations that make the connection of the story of Zeus and Leda with his transformation into a swan.
Constellations bordering with Cycgnus are: Cepheus, Draco, Lyra, Vulpecula, Pegasus and Lacerta, The best time to spot Cygnus is during the month of September in the Northern Hemisphere.
Many of the older, traditional names for the star in Cygnus such as Albireo, Deneb, Rukh and Sadr clearly point towards a Middle Eastern connection. In Arabia, the constellation was known as: Al Ta’ir al Arduf, “the Flying Eagle.” Other names include Al Ta’ir al Arduf, Al Radif and Al Dajajah “the Hen.”
They clearly saw a bird, sometimes said to be an Eagle or Pigeon, but frequently, as the traditional names point to, a Hen.
The Arabs also have an asterism called Al Fawaris or “the Riders” that’s found within Cygnus.
Chinese Astronomy & Mythology
The constellation of Cygnus lays in the area of the night sky symbolized by The Black Tortoise of the North or Běi Fāng Xuán Wǔ. Modern Chinese has adopted the name of tiān é zuò, meaning “the swan constellation.”
The Chinese also know the constellation of Cygnus as Que Qiao, the “magpie bridge.” In the story associated with it, there was a pair of lovers, Niu Lang (a Shepherd) and Zhi Nu (a Weaver) who were separated by the Goddess of Heaven because Zhi Nu is a fairy and due to celestial decrees and mandates, wasn’t allowed to be with a mortal.
When the Goddess learned that the two were secretly married, she took Zhi Nu with her up into the heavens and created a river, represented by the Milky Way in the sky to keep the two separated.
Niu Lang was still determined and took his and Zhi Nu’s two children to Heaven so they could all be together. The Goddess however still forbade the two lovers to be together but on seeing their bitter tears, she relented and allowed that once a year, on the seventh day of the seventh lunar month the two could be reunited. So once a year, all the magpies in the world come together to form a bridge over the river and help the two lovers unite and see each other. The star Deneb in the story either marks the start of the bridge or represents a fairy who chaperones the two lovers when they meet.
The Qixi Festival, also known as the Qiqiao Festival and Double Seventh Festival and even the Magpie Festival commemorates the joyful reunion of these two lovers. It is a variable holiday held on the 7th day of the 7th lunar month in China. It is celebrated and observed in a couple other countries like Japan as Tanabata in Korea as Chilseok. It is a festival and holiday comparable to the European celebration of Valentine’s Day.
The legend of Niu Lang and Zhi Nu is one of four folk legends regarding love and romance. Young girls pray to Zhi Nu for skillful hands for sewing and young newly weds will worship this celestial couple and bid them farewell before moving on in their own marriage and happiness. Now days though, young people tend to favor the Western celebration of Valentine’s Day more then the Qixi Festival though their story is still told and passed on.
In Tonga, Cygnus is known as Tuula-lupe. The Tuamotus called it Fanui-raro or Fanui-tai. The star Deneb is also given the name of Fanui-tai. The star Gamma Cygni is called Fanui-runga. In New Zealand, it is known as Mara-tea. The star Beta Cygni was likely called Whetu-kaupo. In the Society Islands, it is known as Pirae-tea or Taurua-i-te-haapa-raa-manu.
Zeus And Leda
One of the more well known stories connected to the Cygnus constellation is the story of Zeus disguising himself as a swan in order to seduce Leda. In this guise, Zeus behaved much like a swain, which means a lover or wooer.
Leda was the wife of the Spartan King Tyndareus. She’s known for giving birth to two sets of twins; the Dioscuri (Castor and Pollux), and Helen of Troy and Clytemnestra. When Leda laid with Zeus, their union produced an egg. Later that night, when she laid with her lawful husband Tyndareus, their union resulted in another egg. The immortal twins Pollux and Helen are said to have been fathered by Zeus while the mortal twins Castor and Clytemnestra were fathered by Tyndareus.
Zeus And Nemesis
A variation to the above myth is that instead of Zeus seducing Leda, he seduces Nemesis, the goddess of divine justice and retribution. She was also the goddess of the Pelopennesian cult. Other sources are more clear that Nemesis lived in Rhamnus (located to the North-East of Athens) where this cult may have been. When Zeus went to seduce Nemesis, she changed herself into a variety of different animals before taking the form of a goose to escape him. Zeus continued to pursue Nemesis, each time taking the form of a larger, swifter animal until he turned into a swan before he was able to catch and rape her.
A variation of the story with Nemesis that’s told by Hyginus is that Zeus had turned himself into a swan and pretends to be escaping from an eagle. Nemesis protected the bird, offering sanctuary. It’s after words, when Nemesis has gone to sleep with the swan on her lap that she discovers the truth of who the bird really is.
In either version of the story told, Nemesis ends up laying an egg that she leaves in a swamp. This egg was found either by Hermes or a shepherd who brings it to Leda who keeps the egg in a chest until it hatches. It is from this egg that Helen of Troy is hatched. As a result of his success, Zeus placed an image of the swan up into the heavens.
The great musician Orpheus was said to have been turned into swan after being murdered by a group of Ciconian or Thracian Maenads. In this retelling of the story, Orpheus was placed up into the heavens as a swan next to his lyre, the constellation Lyra.
Cycnus And Phyllius
Another myth connected to this constellation is that of Cycnus and Phyllius. This Cycnus committed suicide and was turned into a swan after he was shamed and refused a tame bull that he demanded from Phyllius.
King Of Kolonai
Among many ancient Greek figures to have the name Cygnus or Cycnus, is a son of Poseidon and as well a king who fought in the Trojan war. He was killed by the hero Achilles on the first day and turned into a swan at his death by his father to save him.
The Death Of Phaethon
This story is perhaps the best known and most associated story to the Cygnus constellation.
Phaethon was the son of Clymene, whose husband was the Egyptian King Merops. Eventually, Clymene told Phaethon that Merops wasn’t his father and that it was the Sun-god Helios (or Apollo). Afterwards, Phaethon would boast and brag to his friends how his real father was a powerful god. Phaethon’s friends teased him and said he was lying. Hurt by this, Phaethon went to his mother Clymene, who then told him to go to the Sun-god and ask him yourself of the truth.
Helios was greatly pleased on seeing his son Phaethon and promised him anything that he asked for in order to prove to his friend who his father is. To Helios’ horror or dismay, Phaethon demanded to drive the Sun-chariot across the sky. Helios tried to dissuade Phaethon, telling him that driving the chariot was too dangerous for mortals, even demigods to drive. Unable to deter Phaethon, Helios relented, granting Phaethon his request.
Phaethon soon found himself loosing control of the chariot as the horses realized that someone new and inexperienced was holding the reigns. Like any such spirited animals who push to see how far they can go and do what they please, the horses took their own lead, racing across the sky towards the eastern horizon and heavens.
The horses’ uncontrolled pathway across the heavens left a scorch mark across the sky that became the Milky Way. The Earth became cold as the Sun-chariot was too high. As the horses continued their uncontrolled trek, they raced down close to the Earth, scorching the land across Africa and creating a great desert.
Making it worse, a frightened Phaethon saw the chariot racing towards a giant scorpion, the Scorpius constellation as the horses continued their uncheck race across the heavens. Pulling wildly on the reigns, Phaethon realized his folly and foolishness to not listen to his father.
To keep the Earth and Heavens from seeing more destruction from the out-of-control chariot, Zeus, the King of the Gods hurled one of his thunderbolts, striking Phaethon in the process. Phaethon’s body fell into the river Eridanus while the horses returned to their stables and back to Helios.
Phaethon’s friend or lover, Cycnus was so distraught over his death, that he went down to the river where he wept bitterly until the god Apollo took pity and turned Cycnus into a swan and eventually the gods decided to place him up into the heavens as the Cygnus constellation.
Another version to this story is that Phaethon and Cycnus were racing their respective chariots across the sky when they got too close to the Sun. Their chariots burned up and they fell to the Earth with Phaethon falling into the river Eridanus. When Cycnus came to and found where his friend was at, he dove in after to try and retrieve his friend’s body for burial and it’s from that action, that the gods or Apollo (sometimes its listed as Zeus) turn Cycnus into a swan and place him up into the heavens due to the level of grief Cycnus held and the gods sympathy and pity for him.
In other slight versions to this story, Cycnus is not only mentioned as a musician, but a King of the Ligurians. When Phaethon fell into the river Eridanus, Cycnus dove into the water, swimming back and forth searching for his friend’s body so he could bury them. Regardless of which variations of the story are retold and mentioned, Cycnus is still turned into a swan by the god Apollo and placed up into the heavens to form the Cygnus or Swan Constellation.
The Sons of Ares
There are two sons of Ares both of whom are named Cycnus. They often get confused together, though they both have in common getting killed by the hero Hercules and being turned into swans at their death.
Sacred Bird Of Apollo
While many deities have animals associated with them, Apollo is best known and associated with the swan. It was believed that large flocks of these birds could be found living on the mythical northern river of Eridanos in Hyperborea. These flocks were said to circle Apollo’s holy shrine, singing hymns. Another belief was that the people of Hyperborea, on reaching old age, that instead of dying, would turn into swans after bathing in the bitumen swamp of the river.
This phrase refers to a person’s final act or deed before death or retirement. Most often this is used for a person’s last piece of creative work, or performance, particularly in literature, music, or art.
One origin for this phrase is from the story of Cycnus, the friend or lover of Phaeton. The same Phaethon who begged his father Helios to be able to drive the sun chariot across the sky that ended in disaster and his death. While there are a few different versions of this story, it is generally agreed that Cycnus, being in such grief over the death and loss of his friend was changed into a swan by the god Apollo who took pity on him.
In addition, the Mute Swan was believed to sing a song at its death, a song considered to be the sweetest of all bird songs.
Queen Cassiopeia’s Pet
A rather minor note is that some think that Cygnus represents the swan that Queen Cassiopeia kept.
The constellation of Cygnus, along with 18 other constellations of: Hercules, Sagitta, Aquila, Lyra, Vulpecula, Hydra, Sextans, Crater, Corvus, Ophiuchus, Serpens, Scutum, Centaurus, Lupus, Corona Australis, Ara, Triangulum Australe, and Crux.
All of these constellations have some connection to the overall legend and myth of the Grecian hero Hercules. They are the largest grouping of constellations found in the Western Hemisphere.
Cygnus, along with the other avian constellations of Aquila and Vultur cadens form a part of a significant myth of the Stymphalian Birds and one of the Twelve Labors of Hercules.
The Northern Cross
Among Christians, the constellation of Cygnus is known as the Northern Cross. Many Christians have seen the Cross or Crux that Jesus hung on.
Five stars form this asterism. They are: Deneb (Alpha Cygni), Delta Cygni, Albireo (Beta Cygni), Gienah (Epsilon Cygni) and Sadr (Gamma Cygni) forming the center.
It has been noted by some archaeologists that there are megalithic sites such as those found in Ireland that appear to be aligned with the Cygnus constellation. The Avebury, Wayland Smithy long barrow and Callanish are two such places aligned with either the rising or setting stars within Cygnus.
The swan, like many other birds are seen as symbolic of carrying the souls of the deceased to the after life. Many Palaeolithic sites and cultures have used birds symbolically for death and rebirth. Even the Greeks saw birds as psychopomps or “soul-carriers” and it been a very common belief among several cultures of Europe.
With such a connection to death and rebirth and Cygnus’ shape in the heavens, it would be very easy for early Christians to adapt and adopt this belief to their faith as the Cross.
Stars Of Cygnus
The stars Delta and Epsilon Cygni are used to depicted Cgynus’ wings while the star Deneb depicts the tail and Albireo represents the tip of the swan’s beak.
Alpha Cygni – Also known as Deneb, it is one of the brightest stars seen in the night sky. It is a blue-white supergiant star and 19th in brightness. The name Deneb comes from the Arabic word dhaneb, meaning “tail.” It is from the phrase Dhanab ad-Dajajah, which means: “the tail of the hen.” Within the constellation of Cygnus, it is one corner of the Summer Triangle with the stars Altair found in the constellation Auila and Vega, found in the constellation Lyra.
Beta Cygni – Also known as Albireo, it is generally considered to be the head of the swan and sometimes called “the beak star.” The name Albireo is likely the result of a mistranslation from Arabic into Latin where ab ireo was thought to be the name of a particular herb. The original translated name in Arabic was from the Greek word for bird which is “ornis.” It is a binary star and the fifth brightest star in Cygnus. It is one of the stars that form the Northern Cross.
Gamma Cygni – Also known as Sadr which comes from the Arabic word for “the chest.” This star is also sometime known as Pectus Gallinae, which is Latin for “the hen’s chest.” It is the star found in the center of the Northern Cross asterism.
Delta Cygni – Also known as Rukh. The name Rukh is Persian in origin and is related to Urkhga in Akkadian. The star is named after the huge, mythical bird of prey known as a Roc that was capable of carrying off elephants. In the year 11,250 C.E. this star will take the position of the North Star for a period of about 400 years.
Epsilon Cygni – Also known as Gienah, this star shares the same traditional name with Gamma Corvi from the Corvus constellation. The name Gienah comes from the Arabic word janah meaning “the wing.”
Kappa Cygni – This star marks the tip of Cygnus’ left wing. Its most notable for a meteor shower, the Kappa Cygnids that take place in August.
North America Nebula
Or NGC 7000 is one of the most well-known nebulae found within the Cgynus constellation as it is visible within the night sky without the aid of any telescopes as a bright patch of the Milky Way. Due to its characteristic shape, which resembles the North American Continent, it is only visible in long-exposure photographs and for those using telescopes; it can be difficult to spot as the surface area for brightness is low. It was first discovered by William Herschel in 1786.
This is the largest star-forming region that has some of the brightest and most massive stars known such as Cygnus OB2-12 and Cygnus OB2.
Also known as NGC 6946; this galaxy is known for the number of supernovae that have been found there. It is a spiral galaxy that borders the edge of Cygnus with the constellation Cepheus. NGC 6946 was discovered on September 9, 1798 by the German-born British astronomer Sir Frederick William Herschel. So far nine supernovae have been observed within this galaxy.
There are two meteor showers associated with the constellation of Cygnus. They are the October Cygnids and the Kappa Cygnids, a minor meteor shower that occurs in August.