Category Archives: Oracle
Etymology: The Wagoneer or Charioteer (Latin)
The Auriga constellation is one of the oldest constellations and dates to the ancient Babylonian empire and has long been associated with a charioteer even during Greek and up to modern times. This image often associated with Auriga is that of a female goat with her kids and holding the reins of a chariot.
Going by the ancient Greek images for Auriga, it can get rather inconsistent. In some imagery, the charioteer is shown holding a goat over his left shoulder and two kids under his left arm and holding the reins to the chariot with his right hand. Other imagery shows the charioteer holding a whip instead.
The 1488 atlas of Hyginus shows the charioteer as a four-wheeled cart being pulled by two oxen, a horse, and zebra. In a Turkish depiction of Auriga, the stars are represented as a mule called Mulus Clitallatus. The most unusual depiction of Auriga is from 17th century France where Auriga is depicted as Adam kneeling on the Milky Way with a goat over his shoulders.
The stars that make up this constellation are noted to shape a pentagon. This constellation is also found in the night sky close to Gemini and Taurus.
Astronomy & Astrology
Much of the foundations of Western knowledge regarding the fields of Astronomy and Astrology owe its roots to Ancient Mesopotamian cultures. Many ancient cultures studied the stars, seeing in them patterns that are called constellations. These ancient astronomers could make predictable, annual turnings of the heavens that they would divide and mark for the passing of the Seasons and time. For the ancients, Astrology served as a precursor to Astronomy, and they believed that by studying the heavens, they could foretell future events and even a person’s life path.
These ancient cultures would also meet and exchange ideas frequently and in this fashion, when the Greeks encountered the Persians, there was an exchange of knowledge regarding Astronomy that becomes the constellations and zodiacs so many know today. Eventually, there is no clear distinction between what ancient Mesopotamian Astronomers and Greeks Philosophers knew. Even in current, modern times, the influence of these ancients is still unknown.
The constellation known as Auriga is one of 48 constellations listed by the 2nd-century astronomer Ptolemy in his book, Almagest. Today it remains one of the 88 current or modern constellations. It is a large constellation, ranking 21st in size, and located near the first quadrant of the northern hemisphere.
Constellations bordering Auriga are Camelopardalis, Gemini, Lynx, Perseus, and Taurus. The best time to spot Auriga is from late February to early March in the Northern Hemisphere.
Bedouin astronomers see in Auriga a herd of goats. Many of the constellations they created were seen as groups of animals with each star representing a single animal.
In Babylonian astronomy, this constellation is known as GAM and represents either a Crook or Scimitar. The main star, Alpha Aurigae or Capella is known as Gamlum or MUL.GAM. This constellation is recognized as a shepherd who is tending a goat-kid. The symbolism behind this constellation is that of Spring when many livestock are going to be giving birth to their respective calves, lambs, and kids. The shepherd symbolizes the king, who guides his people and kingdom, protecting and keeping them safe.
The Crook is the first month of the Babylonian calendar and the year when this constellation makes its appearance in the night sky when the rulership of the king is confirmed, and they rule for another year.
The star known as Capella and four other stars, Beta Aurigae, Beta Tauri, Theta Aurigae, and Iota Aurigae are known as Wuche and Wuju, meaning the Five Chariots, one for each of the five celestial emperors. These five stars govern and preside over the harvest of the five main cereal crops in Ancient China.
Related to this, the constellation called Sanzhu or Zhu represents the poles that the horses would be tethered to. A triplet series of stars mark each pole. These are the stars; Epsilon, Zeta, and Eta Aurigae; Nu, Tau, and Upsilon Aurigae; Chi, 26 Aurigae, and one other unknown star.
Another constellation is Xianchi, the pond where the sun sets and Tianhuang, representing a pond, bridge or pier are the other asterisms found within Auriga. Though it is unknown which stars made up this asterism.
There is Zuoqi which represents the chairs that the emperor and other officials would sit on. This is a series of nine stars from the east side of the constellation. Finally, you have Bagu a constellation comprising stars mainly found in Camelopardalis for the various types of crops. This constellation also included the stars Delta and Xi Aurigae.
In Greek, Auriga is called Ἡνίοχος or Heniochos. There are a few different myths and stories associated with Auriga.
Amalthea – The star Capella is associated with this mythical she-goat who nursed an infant Zeus. The stars Epsilon Aurigae, Zeta Aurigae, and Eta Aurigae form an asterism known as the Haedi or the kids. Sometimes the star Capella is associated with the nymph who cared for the goat. This same goat had a hideous appearance much like a Gorgon. Zeus skinned the goat following the advice of an oracle and wore the skin as his aegis during his battle with the Titans. After the battle, Zeus covered the bones of Amalthea in a normal-looking goat skin and placed her up in the heavens to become the star Capella.
Erichthonius – A legendary King of Athens and the son of Hephaestus. When Erichthonius had been rejected by his father Hephaestus, Athena, the patron goddess of Athens raised Erichthonius and taught him how to tame horses. From this, Erichthonius becomes the first person to harness four horses to a chariot, known as a quadriga. Erichthonius would use this chariot in battle against Amphictyon and secure his claim to the throne of Athens. As this chariot had been designed in the image of Helios’ sun chariot, Zeus placed both Erichthonius and his chariot up into the heavens as a constellation to commemorate his deeds. Erichthonius also created the festival Panathenaea in Athena’s honor
Hephaestus – This story takes place right after Zeus is to have given birth to Athena without the need for sex. Except that, Zeus swallowed Metis who was pregnant with Athena who springs forth out of Zeus’ brow, all to avoid a prophecy that Gaia gave him.
In an act of parthenogenesis, Hera gives birth to Hephaestus. On seeing him, Hera was so repulsed by the sight of her infant son that she threw him from Mount Olympus where he would become crippled.
Hephaestus would survive that fall and go on to become the armorer and craftsman of the gods. Due to his being crippled, Hephaestus invented the chariot to help him get around better.
Hippolytus – The son of Theseus, Hippolytus was expelled from Athens after he refused the advances of his stepmother Phaedra. When Hippolytus refused her, Phaedra hung herself shortly after. Hippolytus is killed when his chariot drags him to his death into the sea after Poseidon sends a sea monster to spook Hippolytus’ horses at Theseus’ request as he believed Phaedra’s claims that Hippolytus had tried to force himself on her.
The healer Asclepius would bring Hippolytus back to life and Zeus, at Hades’ request for the loss of this soul, would strike Asclepius down with a thunderbolt.
Jason & The Argonauts – There is an episode in this epic where Medea kills her brother, dismembering him and flings his body parts into the sea. Each star within Auriga represents a different limb.
Myrtilus – The son of Herme’s and Oenomaus of Pisa’s charioteer. Oenomaus had a lovely daughter by the name of Hippodamia who refused the hand of any suitor. As Oenomaus’ charioteer, Myrtilus’ task was to challenge each would-be suitor to a chariot race. If Myrtilus could beat them in a race, they would face death, if the suitor won, they of course got Hippodamia’s hand in marriage.
Enter Pelops, the son of Tantalus who fell in love with Hippodamia at first sight and asked for her hand. Given that feelings were mutual, Hippodamia asked Myrtilus to let Pelops win the race.
Two problems for Myrtilus, one he’s in love with Hippodamia himself, and two, as she’s the princess, he can’t refuse her order. What’s a guy to do? Myrtilus obeyed Hippodamia’s command and set about sabotaging the wheels of the chariot.
A third problem, depending on how you look at this, is that King Oenomaus would ride in the chariot as Myrtilus drove it. So of course during the race, the wheels break and Oenomaus is thrown to his death. Pelops wins the race and Hippodamia’s hand in marriage.
Feeling that his love is betrayed or that he’s not able to get the girl, Myrtilus goes and drowns himself in the sea. Another variation to this is that Pelops throws Myrtilus into the sea to keep him silent about the betrayal and keep Hippodamia to himself. That’s when Myrtilus curses Pelops’ house. At this point, Hermes places his son up into the night sky as a constellation. In the stories associated with Auriga, Myrtilus isn’t often depicted with a chariot.
Other Variations – King Oenomaus’ horses came from his father Ares and that’s why no one could beat him in a race. There are three different Pelops in Greek mythos and some sources will conflate them together. Pelops is the son of Poseidon and when he goes to ask for Hippodamia’s hand in marriage, he receives a gift of a golden chariot and golden horses with wings from his father. Another source will place Pelops as being the son of Hermes. Myrtilus only agrees to tamper with King Oenomaus’ chariot on the condition of having the bridal night with Hippodamia and when it was time to follow through, that’s when Pelops and Hippodamia refuse with Myrtilus getting thrown into the sea.
Phaethon – The son of Helios, the Sun god, Phaethon tricked his father into letting him drive the sun chariot for a day. Unable to control the horses, Phaethon ended up crashing the chariot after burning the earth. Phaethon would be placed up into the heavens as the constellation Auriga.
With so many different myths, it is generally agreed that the ancient Greeks associate Auriga with the chariot to commemorate its importance within their culture.
Orsilochus – Or Trochilus of an Argive royal house, and from Argos is who is to have invented the chariot. He dedicated his invention to Hera and for that is placed up into the heavens as the constellation Auriga.
The star Capella has a strong religious connection as it is thought to represent the heart of Brahma.
Caroline Islands – The star Capella is called Jefegen uun with a few different variations such as: efang alul, evang-el-ul, and iefangel uul that all mean “north of Aldebaran.”
Marshall Islands – The constellation Auriga figures in the myth of Dümur. This myth tells the story of the creation of the sky. The star Antares in Scorpius represents Dümur, the oldest son of stars’ mother and the Pleiades represent her youngest son.
The mother of these stars is Ligedaner who is represented by the star Capella. Ligedaner lived on the island of Alinablab, she told her sons that the first one to reach the eastern island would become the King of the Stars. Ligedaner asked her son Dümur to let her come along in his canoe. Dümur refused the request as did each of her sons in turn. The exception is the Pleiades who ended up winning the race with the help of their mother and became the King of the Stars.
Pukapuka – Auriga is known by the name Te Wale-o-Tutakaiolo meaning: “The house of Tutakaiolo.”
Society Islands – The constellation is called Faa-nui meaning: “Great Valley.” The star Capella is called Tahi-anii, the “Unique Sovereign.” Capella is also known as Hoku-lei (“Star-Wreath”) but that may have been the name for the entire constellation or it could have been the name of Tahi-anii’s wives in the Pleides which is called Makalii.
North American Astronomy
The native people of California and Nevada saw a pattern within Auriga in its curve that represented their crescent-shaped petroglyphs.
The Pawnee recognized a constellation formed from the major stars Alpha, Beta, Gamma (Beta Tauri), Theta, and Iota Aurigae.
Inuit – Here, Auriga is known as Quturjuuk meaning “collar-bones.” This constellation includes the stars: Capella (Alpha Aurigae), Beta Aurigae, Beta Geminorum, and Alpha Geminorum. The rising of this constellation marked that another constellation Aagjuuk; comprising the stars Alpha Aquilae, Gamma Aquilae, and Beta Aquilae would appear soon. The constellation Aagjuuk represents the dawn after the Winter Solstice. The Inuit use Quturjuuk for navigation and tracking the length of the nights.
Bellerophon – the constellation is shown as the mortal, Bellerophon riding Pegasus up to Mount Olympus. In this version of the story, Jupiter takes pity on Bellerophon and places him up in the heavens to form the constellation Auriga.
South American Astronomy
The ancient Peruvians identified the star Capella by the name of Colca which represented shepherds.
The Bororo people from Brazil saw in the stars of Auriga a constellation representing a caiman (think alligator or crocodile). The southern stars of Auriga and the eastern portion of Taurus represented the tail. The constellation Orion is the main body and Lepus represented the head. Knowing how prominent the presence of caimans is in Amazonian life makes sense.
The Aztecs at the Late Classic site Monte Albán have an astronomical marker for the star Capella.
The constellation of Auriga, along with eight other constellations of Andromeda, Cassiopeia, Cepheus, Cetus, Lacerta, Pegasus, Perseus, and Triangulum.
All of these constellations have some connection to the overall legend and myth of the Grecian hero Perseus. With Auriga, the only thing that makes sense is the Romans and the pegasus.
Stars of Auriga
Alpha Aurigae – Better known as Capella (Latin) and Aix (Greek) both names that mean the Goat Star. In Arabic, this star is called al-‘Ayyuq, also meaning “the goat.” And in ancient Sumeria, this star was called mul.ÁŠ.KAR, another name meaning “the goat star.” In Ontong Java, Capella is called ngahalapolu. Capella is the 6th brightest star in the night sky and the brightest star in the constellation and is actually a group of four stars located about 43 light years away. Where Capella is seen as a she-goat, a triangle of stars near it are considered her kids. Almaaz and the Haedi.
Beta Aurigae – Also known as Menkalinan and Menkarlina. These names come from the Arabic phrase mankib dhu al-‘inan, meaning “shoulder of the charioteer.”
Delta Aurigae – Also called Prijipati, in Indian astronomy, the name means “the Lord of Creation” in Sanskrit.
Epsilon Aurigae – Also known as Al Maz or Almaaz, this is a supergiant star. Due to its brightness, it is an honorary “kid” to the star Capella. This star also has a cloud of galactic dust that revolves around it over the course of twenty-seven years. The next eclipse of this galactic dust will occur in 2036 when the star appears to dim. The name Almaaz means “goat” in Arabic.
Gamma Aurigae – Also known as Alnath or El Nath, it is the second brightest. This star is sometimes called Beta Tauri as it is often associated with the constellation Taurus, forming the tip of one of the Bull’s horns. This star is thought to mark the heel of the Charioteer. It is within the last century that the International Astronomical Union decided that this star would be fully designated to Taurus.
Iota Aurigae – Also known as Hasseleh and Kabdhilinan. The name Kabdhilinan is sometimes shortened to “Alkab” and comes from the Arabic phrase al-kab dh’il inan, meaning “shoulder of the rein holder.”
Theta Aurigae – Also known as Bogardus and Mahasim, this name comes from the Arabic word for “wrist.”
She-Goat & Kids Asterism
The stars Capella and Epsilon Aurigae, Zeta Aurigae, and Eta Aurigae once formed their own constellation until Ptolemy merged them with the Charioteer in his 2nd century Almagest. Pliny the Elder and Manilius called the star Capella by the names Capra, Caper, or Hircus all referring to it as the “goat star.”
Haedi – The stars Zeta Aurigae and Eta Aurigae were first referred to as the Kids by the ancient Greek astronomer Cleostratus. These form a smaller asterism within Auriga. In Greek, this asterism is called Ἔριφοι or Eriphoi.
Winter Hexagon Asterism
Also known as the Winter Circle or Oval, this asterism is comprised of the star Capella and five other stars, Aldebaran (Taurus), Rigel (Orion), Sirius (Canis Major), Procyon (Canis Minor), and Pollux (Gemini) from their respective constellations. In the Northern Hemisphere, the best time to see this Asterism fully is from December to March.
Agitator – There is an Oxford study and research that says the stars of Auriga were known as the Agitator during the 15th century. The latest source is from 1623 with Gerard de Malynes’ work referencing this constellation as such.
Telescopium Herschelii – Some of the stars from Auriga were incorporated into this now-defunct constellation that had been created by Maximilian Hell to honor William Herschel’s discovery of the planet Uranus. This constellation had initially included the constellations Tubus Hershelii Major and Tubus Hershelii Minor with both representing Herschel’s telescopes. In 1801, Johann Bode combined these two constellations into Telescopium Herschelii which is found mainly within Auriga.
Flaming Star Nebula
Also known as AE Aurigae, it is a potential “runaway star” from a young star cluster in the Orion Nebula. It gains its name from the appearance of long-exposure astrophotographs that make it look like it’s on fire in photos.
Also called IC 410, this nebula is noted for resembling the Rosette Nebula found within the Monoceros constellation. The name comes from a pair of interstellar clouds that look like tadpoles.
Or Nova Aurigae 1891 was discovered by Thomas David Anderson pm January 23, 1892. This nova was visible to the naked eye by December 10, 1891. Since 1903, the brightness of this nova has been decreasing.
Where the galactic center of the Milky Way Galaxy is noted to be centered in Sagittarius and is considered the densest there with all the star clusters and nebulae. That then puts Auriga as being the galactic anti-center where it has the fewest star clusters and nebulae and just happens to be opposite to the center.
This is the name for the meteor showers that originate from this constellation. There is the Alpha Aurigids and the smaller Delta, Iota, and Zeta Aurigids. The aurigids are associated with the comet Kiess which was first discovered by Carl Clarence Kiess in 1911.
Argo Navis – Vela
Etymology – The Sails (Latin)
Pronunciation: VEE-luh or VAY-luh
Also known as: Sails
Argo Navis – Obsolete Constellation
The name Argo Navis is the name of a now-obsolete constellation, it had long been known and observed by the ancient Greeks and other stargazers. For the Greeks and much of the Western World, the Argo Navis is associated with the story of Jason and the Argonauts
Early modern astronomers simply referred to this constellation as Navis. This constellation was rather large, taking up much of the southern sky. By the time we get to 1752, French astronomer Nicolas Louis de Lacaille decided to divide the Argo Navis into three smaller constellations of Carina, Puppis, and Vela. The final, breaking up Argo Navis into smaller constellations came in 1841 and 1844 by Sir John Herschel. In 1930, the IAU officially acknowledged this break up with the formalization of the 88 modern constellations used. Vela is the second largest of the three newish appointed constellations, it does represent the sails of the ship, The Argos.
The constellation Pyxis, the compass, locates an area of the night sky near the mast of the Argo Navis. Some scholars will include and say it was part of the Argo Navis, others will point out that magnetic compasses were not known or used by the ancient Greeks. Lacaille thought of Pyxis as separate from the Argo Navis. Herschel proposed Pyxis be formalized as part of a new constellation, Malus in 1844 to replace Lacaille’s Pyxis.
Had Argo Navis not been divided up, it would be the largest constellation in the night sky. Nowadays, Hydra claims that spot as the largest constellation.
The First Ship?
Going by Greek mythology and history, Eratosthenes said that Argo Navis represented the first-ever ocean ship built. Even the later Roman writer Manilius agreed with that idea. Those paying attention to the mythology are quick to point out that this distinction belongs to the myth or story of Danaus as building the first ship. Danaus is the father of the 50 Danaids and with the help of the goddess Athena, set sail to Argos from Libya.
The constellation known as Vela is one of three constellations that make up the Argo Navis and once one of 48 constellations listed by the 2nd-century astronomer Ptolemy in his book, Almagest. Ptolemy describes the Argo Navis as sitting in the night sky between Canis Major and Centaurus. He goes on to describe asterisms for the “little shield,” the “steering-oar,” the “mast-holder,” and the “stern-ornament.” With the appearance of moving backward through the heavens, the Greek poet and historian Aratus calls the Argo Navis as “Argo by the Great Dog’s tail drawn,” referring to Canis Major. Today Vela is one of the 88 current or modern constellations. The Vela constellation is found in a region of the sky called “The Sea” with other water-based constellations of: Aquarius, Capricornus, Eridanus, Piscis Austrinus, and Pisces.
As Argo Navis, Vela would appear along the southern horizon in the Mediterranean during winter and spring when the ship appears to be sailing along the Milky Way. Due to the equinox precessions over the millennia, Carina, Puppis, and Vela are no longer easily seen from the northern hemisphere. It is the 32nd largest constellation found in the night sky and is best seen during the month of March. Bordering constellations to Vela are Antlia, Carina, Centaurus, Puppis, and Pyxis.
Nowadays, only the stern of the Argo can be seen in the night sky. Cartographers have tried explaining this by saying that’s because the prow has vanished into a bank of mist or the other half has passed through the Clashing Rocks. Mythographers like Robert Graves say the missing prow is due to when Jason returned to Corinth and while sitting beneath the rotting ship, the prow fell off, killing the hero. That’s when Poseidon is to have placed the ship up in the heavens.
Dong’ou – Two to three stars from this constellation in the northern part of Vela bordering Antlia. This constellation represents a place along the Chinese coast where barbarians are said to live.
Ji – Five stars form this constellation that represents a temple to Hou Ji, the god of cereals. The name Ji refers to millet, the main crop of ancient China. Which five stars formed this constellation are uncertain though.
Qifu – This constellation represents a storehouse for musical instruments and consists of 32 stars, most of which are found in Centaurus before overlapping into Vela.
Tianji – This star represents an assessor who would decide if an animal were old enough for sacrifice. This star has been identified as being either Lambda Velorum or 12 Hydrae. The star 12 Hydrae seems more likely with Waichu, the kitchen located in Hydra where animals would be slaughtered.
Tianshe – The celestial altar. There is a Chinese fable where Tianshe represents the altar used to make offerings to the Earth god Julong. One version of this fable identifies the six stars of Gamma, b, Omicrons, Delta, Kappa and N. Velorum forming this constellation. Another version states that Tianshe is found fully in the Puppis constellation. According to Sun and Kistemaker, Tianshe forms a zigzagging pattern from Chi Carinae to Gamma Velmorum and then spreads into Puppis.
Stars Of Vela
It’s of note that neither Puppis or Vela have stars designated as Alpha or Beta as those stars are found within the Carina constellation.
Delta Velorum – Also known as Alsephina, from the Arabic word for “the ship.” It is also known as Koo Shee from the Chinese phrase for “bow and arrows.” It is the second brightest star in the Vela constellation.
Gamma Velorum – Also known as Regor, it is the brightest star in the Vela constellation. The other name is Suhail or Suhail al Muhlif from the Arabic phrase suhayl al-muhlif meaning “the glorious star of the oath.”
Lambda Velorum – Also known as Suhail in Arabic or Pinyin in Chinese. In Chinese, the name Pinyin means “judge for estimating the age of animals. It is the third brightest star in the Vela constellation.
Kappa Velorum – Also known as Markeb from the Arabic word Markab meaning “something to ride.” There is a similarly named star Markab or Alpha Pegasi. The two stars have slightly different spellings to distinguish them. Kappa Velorum is a binary star.
Phi Velorum – Also known as Tseen Ke in Chinese meaning “record of heaven” or “star chart.”
This asterism is named as it is often mistaken for the Southern Cross constellation used in navigation. It comprises the stars Alsephina (Delta Velorum), Markeb (Kappa Velorum), Aspidiske (Iota Carinae), and Avior (Epsilon Carinae) from the Carina constellation.
Also NGC 3132, Caldwell 74 or Southern Ring Nebula, it is a bright planetary nebula that is only half a light year in diameter. It received the name Eight-Burst Nebula due to the figure 8 appearance seen in amateur telescopes.
The Gum Nebula
The Gum Nebula spans between the Puppis and Vela constellations. The nebula is named after the Australian astronomer, Colin Stanley Gum who discovered it in the 1950’s. The Gum Nebula is thought to be the remnants of a million-year-old supernova. Also within this nebula is the Vela Supernova Remnant, just as the name states, is the remains of a younger supernova that is thought to have gone nova about 11,000 to 12,300 years ago. This remnant overlaps with the Puppis Supernova Remnant found within the Puppis constellation. The Pencil Nebula is also part of the Vela Supernova Remnant. In 1998, another supernova was observed in the same area of the Vela remnant and called RX J0852.0-4622. Another object and point of interest are the Vela Pulsar where a series of radio waves have been detected.
Or NGC 2736 is a nebula located close to the Vela Pulsar within the Vela Supernova Remnant. This nebula was discovered by the English astronomer John Herschel in 1835.
Heavenly Waters Family
The constellation of Vela belongs to the Heavenly Water Family. Other constellations included in this group are Carina, Columba, Delphinus, Equuleus, Eridanus, Piscis Austrinus, Puppis, and Pyxis.
There are three meteor showers associated with the Vela constellation. These are the Delta Velids, the Gamma Velids, and the Puppid-Velids that occur between December 1st and December 15th.
Jason & The Argonauts – Part 3
The Dragon’s Teeth!
As the field was plowed, Jason sowed the dragon’s teeth from which an army of Spartoi rose up from the earth, fully armed and ready for battle. Jason took and threw a stone into the middle of the newly sprung up Spartoi. Just as expected, the Spartoi fought each other over who threw the stone. In some instances of this story’s retelling, Jason has the help of Medea, who uses salves, herbs, and charms to protect him from the spears and weapons of the Spartoi. As this new-sprung group of Spartoi rose and fought each other, the hero Jason slew and attacked many of them in order to fulfill his task
The Golden Promise Jason Was Fleeced
King Aeetes was furious that Jason had successfully completed the tasks. The next morning Jason asked for the Golden Fleece from Aeetes who responded that Jason and his men should stay awhile. After all, it wasn’t every day that such people of high esteem came to visit. Jason agreed to a longer stay and that night, Medea awoke him, warning Jason of her father’s wrath and to get his men ready to flee.
While the Argonauts ran to ready the ship for departure, Jason and Medea headed down to the grotto where the Golden Fleece was kept. There, a dragon, sacred to Ares guarded the fleece as it hung on a tree.
Knowing the dragon’s weakness and fondness for sweets, Medea had made some honeycakes that when dipped in a specific juice, put this dragon to sleep. Taking the honeycakes, Jason and Medea threw them towards the dragon who promptly ate them all and fell asleep shortly after. It was easy enough then for Jason to grab the golden fleece off the tree and for him and Medea to escape to the Argonaut.
Now the crew was home free to sail home to Pelias and present the Golden Fleece.
Not quite, while some accounts and retellings want to end the story here, there were still more obstacles for the Argonauts to overcome.
One such obstacle is that of the Sirens. These half-women, half-fish beings lived on the rocks and would sing beautiful, enchanting songs that any man who heard them would wreck their ships on the rocks trying to get to them if they didn’t jump overboard, drowning in the process.
It would be Orpheus’ time to shine as he pulls out his lyre and played his music much louder than the Sirens, drowning out their voices so that the crew could bypass the danger. One account has the Sirens changing into rocks.
However, one Argonaut, Boutes is mentioned as still being affected by the Sirens’ call and leaps overboard when the Argo started sailing further away. Lucky for Boutes, the goddess Aphrodite saves him and takes him to Cape Lilybaeum. Though other accounts will have the Argonauts hauling their companion back up to safety.
Scylla & Charybdis
There was still more trouble and danger to come when the Argo reached the Strait of Messina. Here, Scylla, a giant sea serpent with six long necks and heads would attack passing ships, seizing six sailors from them. Helping Scylla, was another sea monster, Charybdis who would suck in vast amounts of water, creating massive whirlpools.
Ships passing through this strait would frequently encounter one monster while trying to avoid the other one. Thanks to orders from Hera, the sea goddess Thetis and several sea nymphs or Nereids aided the Argonauts to lead them through these treacherous waters.
Homeward Bound, Marriage & A Storm
When the Argo arrived in Phaeacia, Jason and Medea were married. Continuing on, the Argo sailed past Peloponnesus. It is off the coast of Lybia that they were caught in a storm.
From out of the sea, a golden steer rose up, upon which rode three goddesses. Just who these goddesses were, isn’t mentioned, they told the Argonauts that if they wanted to escape the storm, they would need to listen to them. For a period of twelve days, the goddesses said, the Argonauts would need to carry their ship across Lybia.
Following those instructions, the heroes carried the ship. During this trek across the land, one of the crew was stung by a scorpion and died. Finally, they reached the sea and lowered the Argo back into the water. I would assume if Orpheus is still part of the crew, that his music made things easier.
Now the Argonauts could finally complete their return home. When they arrived, Jason discovered that his uncle, King Pelias had put Jason’s entire family to death. Okay, so not all, just his male cousins as Pelias had thought to prevent the oracle’s prediction from coming true. Pelias was surprised to see Jason again, thinking that they would die on the journey.
Reunion With Aeson & Sweet Revenge
In the account I found in Bulfinch’s Mythology, Jason’s father Aeson is still alive and the two do enjoy a joyous reunion. Medea goes and brews a rather gruesome potion in a large cauldron that requires all of these animals and the lifeblood of a man. That done, Medea bids Aeson drink from what she has brewed to restore his youth and vitality.
Seeing Jason’s anguish over the death of his cousins, Medea took matters into her own hands. Medea approached Pelias’ daughters, telling them that she could rejuvenate their father just as she had done for Aeson. To prove she could do such, she again brewed her potion in the cauldron and show how she could restore a goat back to life as a young kid after killing it.
Pelias’s daughters were excited, the idea of their father youthful again. Medea instructed the daughters they would need to kill their father in order for this potion to work. Unbeknownst to the girls, Medea tricked them all into killing Pelias or in some versions, cutting him up into pieces only to find when placed into the cauldron, nothing happened.
The End Of A Long Epic
As we finally near the end of this epic, Medea flees in a snake-drawn chariot to escape the wrath of Pelias’ daughters. It also didn’t help that Jason had decided he loved another and married the Princess Creusa of Corinth.
Hell, hath no fury like a woman scorned and Medea calls upon the gods for vengeance. Medea sends a poisoned robe as a wedding gift to Creusa, then kills her own children and sets fire to the palace.
After all that, Medea rides her chariot back home to Colchis.
As for the ship, the Argo, it was dedicated to the sea god Poseidon where it would be placed up in the heavens. Sometimes Athena is who places the Argo up in the heavens.
Argo Navis – Carina for Part 1
Argo Navis – Puppis for Part 2
Also Called: Wiracocha, Wiro Qocha, Wiraqoca, Apu Qun Tiqsi Wiraqutra, Huiracocha, Ticciviracocha, and Con-Tici
Etymology: “Sea Foam”
Epitaphs: Ilya (Light), Ticci (Beginning), Tunuupa, Wiraqoca Pacayacaciq (Instructor)
In Incan and Pre-Incan mythology, Viracocha is the Creator Deity of the cosmos. As a Creator deity, Viracocha is one of the most important gods within the Incan pantheon. Everything stems ultimately from his creation. The universe, Sun, Moon and Stars, right down to civilization itself. Similar to other primordial deities, Viracocha is also associated with the oceans and seas as the source of all life and creation. If it exists, Viracocha created it. Something of a remote god who left the daily grind and workings of the world to other deities, Viracocha was mainly worshiped by the Incan nobility, especially during times of crisis and trouble.
Patron of: Creation
Planet: Sun, Saturn
Sphere of Influence: Creation, Ocean, Storms, Lightning, Rain, Oracles, Language, Ethics, Fertility
In Incan art, Viracocha has been shown wearing the Sun as a crown and holding thunder bolts in both hands while tears come from his eyes representing rain. There is a sculpture of Viracocha identified at the ruins of Tiwanaku near Lake Titicaca that shows him weeping.
Under Spanish influence, for example, a Pedro Sarmiento de Gamboa describes Viracocha as a man of average height, white with a white robe and carrying a staff and book in each hand. The Spanish described Viracocha as being the most important of the Incan gods who, being invisible was nowhere, yet everywhere.
In the village of Ollantaytambo in southern Peru, there is a rock facing in the Incan ruins depicts a version of Viracocha known as Wiracochan or Tunupa. This rock carving has been described as having mouth, eyes and nose in an angry expression wearing a crown and by some artists saying the image also has a beard and carrying a sack on its shoulders.
Another figure called Tunupa found in Ollantaytambo was described by Fernando and Edgar Elorrieta Salazar.
What’s In A Name?
Viracocha’s name has been given as meaning “Sea Foam” and alludes to how often many of the stories involving him, have him walking away across the sea to disappear. When we look into the Quechuan language, alternative names for Viracocha are Tiqsi Huiracocha which can have several meanings. The first part of the name, “tiqsi” can have the meanings of foundation or base. The second part of the name, “wira” mean fat and the third part of the name, “qucha” means lake, sea or reservoir. An interpretation for the name Wiraqucha could mean “Fat or Foam of the Sea.”
Continued historical and archaeological linguistics show that Viracocha’s name could be borrowed from the Aymara language for the name Wila Quta meaning: “wila” for blood and “quta” for lake due to the sacrifices of llamas at Lake Titiqaqa by the pre-Incan Andean cultures in the area.
Viracocha also has several epitaphs that he’s known by that mean Great, All Knowing and Powerful to name a few. Another epitaph is “Tunuupa” that in both the Aymara and Quechua languages breaks down into “Tunu” for a mill or central support pillar and “upa” meaning the bearer or the one who carries. This is a reference to time and the keeping track of time in Incan culture. The other interpretation for the name is “the works that make civilization.”
Further, with the epitaph “Tunuupa,” it likely is a name borrowed from the Bolivian god Thunupa, who is also a creator deity and god of the thunder and weather. Another god is Illapa, also a god of the weather and thunder that Viracocha has been connected too.
Incan Culture & Religion
The Incan culture found in western South America was a very culturally rich and complex society when they were encountered by the Spanish Conquistadors and explorers during their Age of Conquest, roughly 1500 to 1550 C.E.
The Inca held a vast empire that reached from the present-day Colombia to Chile. Their emperor ruled from the city of Cuzco. They worshiped a small pantheon of deities that included Viracocha, the Creator, Inti, the Sun and Chuqui Illa, the Thunder. The constellations that the Incans identified were all associated with celestial animals. The Incans also worshiped places and things that were given extraordinary qualities. These places and things were known as huacas and could include a cave, waterfalls, rivers and even rocks with a notable shape. Essentially these are sacred places.
In the city of Cuzco, there was a temple dedicated to Viracocha. There was a gold statue representing Viracocha inside the Temple of the Sun. Nearby was a local huaca in the form of a stone sacred to Viracocha where sacrifices of brown llamas were notably made. During the festival of Camay that occurred in time of year corresponding to the month of January, offerings were also made to Viracocha that would be tossed into a river and carried away to him. Hymns and prayers dedicated to Viracocha also exist that often began with “O’ Creator.”
Like many cosmic deities, Viracocha was probably identified with the Milky Way as it resembles a great river. His throne was said to be in the sky. All the Sun, Moon and Star deities deferred and obeyed Viracocha’s decrees.
Deific Late Comer
Old and ancient as Viracocha and his worship appears to be, Viracocha likely entered the Incan pantheon as a late comer. Mostly likely in 1438 C.E. during the reign of Emperor Viracocha who took on the god’s name for his own.
For a quasi-historical list of Incan rulers, the eighth ruler took his name from the god Viracocha. According to story, Viracocha appeared in a dream to the king’s son and prince, whom, with the god’s help, raised an army to defend the city of Cuzco when it was attacked by the Chanca. This prince would become the ninth Incan ruler, Pachacuti Inca Yupanqui. He is thought to have lived about 1438 to 1470 C.E. Pachacuti Inca Yupanqui is the ruler is renowned for the Temple of Viracocha and the Temple of the Sun along with the expansion of the Incan empire.
The Incas didn’t keep any written records. Like many other ancient cultures, there were those responsible for remembering the oral histories and to pass it on. Aiding them in this endeavor, the Incans used sets of knotted strings known as quipus number notations. By this means, the Incan creation myths and other stories would be kept and passed on.
In a comparison to the Roman empire, the Incan were also very tolerant of other religions, so those people whom they either conquered or absorbed into their empire would find their beliefs and deities easily accepted and adapted into Incan religion. One such deity is Pacha Kamaq, a chthonic creator deity revered by the Ichma in southern Peru whose myth was adopted to the Incan creation myths. At the same time, the Incan religion would be thrust on those they conquered and absorbed.
On one hand, yes, we can appreciate the Spanish Conquistadors and the chroniclers they brought with them for getting these myths and history written down. They did suffer from the fallacy of being biased with believing they were hearing dangerous heresies and would treat all the creation myths and other stories accordingly. Which is why many of the myths can and do end up with a Christian influence and the idea of a “white god” is introduced.
Parentage and Family
Unknown, Incan culture and myths make mention of Viracocha as a survivor of an older generation of gods that no one knows much about.
Mama Qucha – She is mentioned as Viracocha’s wife in some myth retellings.
Daughters – Mama Killa, Pachamama
Sons – Inti, Imahmana, Tocapo
Sun & Storm God
Viracocha was worshipped by the Incans as both a Sun and Storm god, which makes sense in his role as a Creation deity. The sun is the source of light by which things can grow and without rain, nothing has what it takes to even grow in the first place.
Cosmic Myths In The Rain
Many of the stories that we have of Incan mythology were recorded by Juan de Betanzos. Naturally, being Spanish, these stories would gain a Christian influence to them.
Rise Of A Deity – In this story, Viracocha first rose up from the waters of Lake Titicaca or the Cave of Paqariq Tampu. This was during a time of darkness that would bring forth light. It is at this time that Viracocha makes the sun, the moon, and stars. He then goes to make humans by breathing life into stones. The first of these creations were mindless giants that displeased Viracocha so he destroyed them in a flood. After the destruction of the giants, Viracocha breathed life into smaller stones to get humans dispersed over the earth.
Taking A Leave Of Absence – Eventually, Viracocha would take his leave of people by heading out over the Pacific Ocean where he walked on the water. He wouldn’t stay away forever as Viracocha is said to have returned as a beggar, teaching humans the basics of civilization and performing a number of miracles. People weren’t inclined to listen to Viracocha’s teaching and eventually fell into infighting and wars. Despite this, Viracocha would still appear to his people in times of trouble.
Incan Flood – As the All-Creator, Viracocha had already created the Earth, Sky and the first people. Giants. There wasn’t any Sun yet at this point. These first people defied Viracocha, angering him such that he decided to kill them all in a flood. This flood lasted for 60 days and nights. This great flood came and drowned everyone, all save two who had hidden themselves in a box. The flood water carried the box holding the two down to the shores of Tihuanaco.
Seeing that there were survivors, Viracocha decided to forgive the two, Manco Cápac, the son of Inti (or Viracocha) and Mama Uqllu who would establish the Incan civilization. Viracocha created more people this time, much smaller to be human beings from clay. These people, Viracocha taught language, songs and civilization too before sending them out into the world through underground passages. It is now, that Viracocha would create the Sun, Moon and stars to illuminate the night sky.
Another legend says that Viracocha fathered the first eight humans from which civilization would arise. Some of these stories will mention Mama Qucha as Viracocha’s wife.
The Cañari People – Hot on the heels of the flood myth is a variation told by the Cañari people about how two brothers managed to escape Viracocha’s flood by climbing up a mountain. After the water receded, the two made a hut. Some time later, the brothers would come home to find that food and drink had been left there for them. This would happen a few more times to peak the curiosity of the brothers who would hide.
Two women would arrive, bringing food. When the brothers came out, the women ran away. The two then prayed to Viracocha, asking that the women return. Viracocha heard and granted their prayer so the women returned. It is from these people, that the Cañari people would come to be.
The Creation of People – Dove tailing on the previous story, Viracocha has created a number of people, humans to send out and populate the Earth. These people, known as Vari Viracocharuna, were left inside the earth, Viracocha created another set of people known as viracohas and it is there people that the god spoke to learn the different aspects and characteristics of the previous group of people he created. The viracochas then headed off to the various caves, streams and rivers, telling the other people that it was time to come forth and populate the land.
Teaching Humankind – This story takes place after the stories of Creation and the Great Flood. Viracocha sends his two sons, Imahmana and Tocapo to visit the tribes to the Northeast or Andesuyo and Northwest or Condesuvo. Viracocha headed straight north towards the city of Cuzco. The intent was to see who would listen to Viracocha’s commands. As the two brothers traveled, they named all the various trees, flowers and plants, teaching the tribes which were edible, which had medicinal properties and which ones were poisonous. Eventually, the three would arrive at the city of Cusco, found in modern-day Peru and the Pacific coast. Here, they would head out, walking over the water to disappear into the horizon.
The Canas People – A side story to the previous one, after Viracocha sent his sons off to go teach the people their stories and teach civilization. As Viracocha traveled north, he would wake people who hadn’t been woken up yet, he passed through the area where the Canas people were. When they emerged from the Earth, they refused to recognize Viracocha. This angered the god as the Canas attacked him and Viracocha caused a nearby mountain to erupt, spewing down fire on the people. Realizing their error, the Canas threw themselves at Viracocha’s feet, begging for his forgiveness which he gave.
Founding The City Of Cuzco – Viracocha continues on to the mountain Urcos where he gave the people there a special statue and founded the city of Cuzco. He would then call forth the Orejones or “big-ears” as they placed large golden discs in their earlobes. These Orejones would become the nobility and ruling class of Cuzco.
His tasks done, Viracocha would head off into the ocean, walking out over it with the other Viracocha joining him. One final bit of advice would be given, to beware of those false men who would claim that they were Viracocha returned.
Right Of Conquest – In this story, Viracocha appeared before Manco Capac, the first Incan ruler, the god gave him a headdress and battle-axe, informing the Manco that the Inca would conquer everyone around them.
Yes, it’s easy to see how incoming Spaniards would equate Viracocha with Christ and likely influenced many of the myths with a Christian flair.
White God – This is a reference to Viracocha that clearly shows how the incoming Spanish Conquistadors and scholars coming in, learning about local myths instantly equated Viracocha with the Christian god. At first, in the 16th century, early Spanish chroniclers and historians make no mention of Viracocha. In 1553, Pedro Cieza de Leon is the first chronicler to describe Viracocha as a “white god” who has a beard.
It must be noted that in the native legends of the Incas, that there is no mention of Viracocha’s whiteness or beard, causing most modern scholars to agree that it is likely a Spanish addition to the myths. Other deities in Central and South America have also been affected by the Western or European influence of their deities such as Quetzalcoatl from Aztec beliefs and Bochica from Muisca beliefs all becoming described as having beards.
Though that isn’t true of all the Central and South American cultures. Some like the Peruvian Moche culture have pottery that depicted bearded men. The Aché people in Paraguay are also known to have beards. Though the debates and controversy are on with scholars arguing when the arrival of European colonialism began to influence the various native cultures.
Ultimately, equating deities such as Viracocha with a “White God” were readily used by the Spanish Catholics to convert the locals to Christianity. Much of which involved replaced the word God with Viracocha.
Pacha Kamaq – The “Earth Maker”, a chthonic creator god worshiped by the Ichma people whose myth would later be adopted by the Inca.
Saturn – It is through Viracocha’s epitaph of Tunuupa that he has been equated with the Roman god Saturn who is a generational god of creation in Roman mythology and beliefs.
Thunupa – The creator god and god of thunder and weather of the Aymara-speaking people in Bolivia.
Zeus Part 1
Etymology: Greek – dios “bright”
Alternate Spellings & Other Names: Ζευς, Kronion
Epithets: Zeus has some 150 epitaphs that he is known by. I expect to miss a few, if not several. Here are some of his many names and epitaphs.
Zeus-Amphitryon (Zeus in the form of Amphitryon when he seduced Alcmene), Zeus Areius (“War-Like” or “The Atoning One”), Abrettenus or Abretanus (Zeus’ surname in Mysia), Achad (Syrian name), Adad (Syrian name), Zeus Adados, Adultus (Invoked as a name of Zeus in marriage), Zeus Agamemnon, Zeus Amphiaraus, Apemius (Averter of Ills), Apomyius (Dispeller of Flies), Acraeus (name in Smyrna ), Acrettenus (name in Mysia), Zeus Areius, Brontios (“Thunderer”), “Ceneus” – An epithet of Zeus after the temple on Cape Canaeum of Euboea. “Kosmetas” (Orderer), “Soter” (Savior), “Polieus” (Overseer of the City) and “Eleutherios” (guarantor of political freedoms), “The Lord of Justice,” “Father of Gods and Men,” “Nephelegereta” (Cloud-Gatherer), Zeus Helioupolites (“Heliopolite” or “Heliopolitan Zeus”), Zeus Olympios, Zeus Panhellenios (“Zeus of all the Hellenes”), Zeus Xenios (“Zeus of Hospitality, Strangers & Foriegners”), Zeus Herkios (“God of Courtyards”), Zeus Herkeios (Guardian of the House), Zeus Hikesios (“God of those seeking sanctuary”), Zeus Larisaeus, Philoxenon or Hospites, Zeus Horkios and Zeus Pistios (“Keeper of Oaths’), Zeus Hypsistos (“Supreme God”), Zeus Agoraeus (“Presider over Businesses”), Zeus Aegiduchos or Aegiochos (“Bearer of the Aegis”), Zeus Nikephoros (“Zeus holding Nike”), Zeus Tallaios (“Solar Zeus”), Zeus Ktesios (“Protector of Property”), Zeus Labrandos, Zeus Trephonius (“the nurturing”), Zeus Naos and Bouleus, Zeus Georgos (“Earth Worker” or “Farmer”), Kasios (“Zeus of Mount Kasios”), Ithomatas, Astrapios (“Lightninger”), Diktaios, Bottiaeus, Zeus Velchanos (“Boy-Zeus”), Kouros (Boy Zeus and early Cretan fertility god), Zeus Lykaios (Wolf Zeus), Zeus Katachthonios (Zeus of the Underworld), Eubouleus, Zeus Meilichios (“Zeus the Easily-Entreated”or Zeus as a snake), Zeus Maimaktes (the bloody aspect of Zeus Meilichios), Zeus Chthonios (“earth”), Zeus Plousios (“wealth-brining”) and Zan (Zeus’ name in Crete).
Zeus, mighty Zeus. King and “All-Father” of the Gods in Greek mythology. He is the mighty thunderer who rules from his abode on Mount Olympus. As King of the Gods, Zeus’ decrees dispense law, order, and justice throughout the mortal and divine realms. If you believe the myths, Zeus is also highly respected(?) in having fathered many of the gods and demigods alike. Exactly how he fathers them all is another matter, of which, his wife Hera is often not too pleased.
Universal Problems Require Universal Solutions
While researching the mythology for Zeus, it can get very problematic. There are at least three different major mythos for Zeus. Two Arcadian versions of his legend and the Hellenistic Zeus that so many are familiar with. Other versions are Zeus found at the Dodona oracle.
As more Greek writers and even modern retellers try to create an all-encompassing myth for all of Greece, it can often get contradictory as to which versions of the myths are correct. Hesiod’s Theogony is a big contributor to the version of the myths that most are familiar with.
Further, for all that the Greeks saw Zeus as the head of their Pantheon, he can often lose a lot of emphasis and power as too often, as the myths try to show his importance, Zeus just ends up having a cameo appearance or mention in the stories. The king who sits up on high passing out judgements.
Add in too, the numerous affairs that Zeus is to have had. Depending on the era of myths, this is Greek influence spreading and trying more to have Zeus as the progenitor for many deities and demigod heroes. If people are creating the gods in their image to reflect them, what does it say for a culture where a god gets to have his way with every female he desires and lusts after? The euphemism of ravish is used a lot for many of Zeus’ “romantic” pursuits. How much is Zeus a victim of his own reputation or not, can be hard to say.
Animal: Bull, Dove, Cuckoo, Golden Eagle, Lion, Quail, Rooster, Swan, Wolf, Woodpecker
Patron of: Kings, People, Fate
Plant: Oak, Olive Tree
Sphere of Influence: Law, Order, Justice, Weather, Rain, Sky
Symbols: Aegis, Cornucopia, Courage, Lightning, Scepter, Sky, Strength, Thunderbolt
Early Greek Depictions
In art, Zeus is often shown as a middle-aged looking male with a long beard and hair and youthful, athletic figure, sporting a toga as he wields his lightning bolts. Sometimes Zeus is shown wielding a hammer. In Greek statuary, Zeus can be shown either standing or sitting with a lightning bolt or scepter in his hand. Zeus is sometimes shown wearing a crown of oak leaves. As King of the gods, Zeus is often seen as being very regal and imposing in this role.
Cult & Worship
Being the head god of the Greek pantheon, Zeus had several temples and festivals held in his honor. Zeus has what’s known as Panhellenic cults, centers of worship that are found spread throughout all of Greece.
Olympia – This is the biggest and major center of worship for Zeus. Located at Thessaly, Thessalia, the Olympic Games would be held here. An alter made of ash dedicated to Zeus is found here. Centuries of animal sacrifice remains can be found here. Such sacrifices were a white animal.
Olympic Games – These games were held every four years in honor of Zeus.
Nemean Games – Similar to the Olympic Games, only held every two years.
Theogamia – Or Gamelia, a festival celebrating Zeus and Hera’s marriage in Athens.
The Divine Youth – The island of Crete was unanimously recognized by the Greeks as being the birthplace of Zeus. Crete of course, was the center of the Minoan culture and civilization at one point. In Crete, the “Boy-Zeus” or Zeus Velchanos is a strong part of a Great Mother and Divine Child or Son and Consort mythos and religion. Zeus Velchanos would also be known as Kouros or Megas Kouros, “the Great Youth.”
On the island of Crete, Zeus is shown in art as a young, long-haired boy rather than the mature adult many statues depict. Ivory statues of the “Divine Boy” have been found near the Labyrinth of Knossos.
There’s even coinage that will show Zeus as a young boy sitting in a tree with a rooster or cockerel. Other coinage will show an eagle and a goddess in a sacred marriage. Inscriptions found at Gortyn and Lyttos show that a Velchania festival was still widely celebrated even during Hellenistic times.
There are several caves at Knossos, Ida and Palaikstro where Zeus was worshiped at. During the Hellenistic era, there was a small sanctuary dedicated to Zeus Velchanos at the Hagia Triada in the ruins of the Minoan palace. Looking at the stories of Minos and Epimenides, there is suggestion that these caves used as incubatory divination by kings and priests. Plato’s dialogue for Laws uses the pilgrimage route of these caves for its setting.
There was a secret rite held at the Cretan paideia. Zeus was said to preside over this military training and athletics. The participants were known as Kouretes, a group of armed dancers.
There is also a death or end-of-year fertility spirit where Zeus as Velchanos’ death is revered. The stories related to this myth are found in several mountain site where a fire would be lit annually at Zeus’ birth cave. Bees are also somehow connected to this observance.
There’s speculation, some holding that Zeus may have been a Cretan King that became deified after his death.
Lykaia – Under the name Zeus Lykaios or Wolf Zeus, Zeus is connected to the festival of Lykaia near Mount Lykaion in Arcadia.
The festival of Lykaia had a secret festival held on Mount Lykaion (Wolf Mountain) in Arcadia and it’s tallest peak. The myths that surround this ritual are believed to relate the story of Lycaon’s feast he held for the gods and involved having served up one of his sons Nyctimus as one of the main courses. Another version of this story given by an Eratosthenes, holds that Lycaon had served up his grandson Arcas at this feast. In either eventuality, an enraged Zeus turns Lycaon into a wolf and proceeds to kill by means of lightning; Lycaon’s other sons before restoring the dead child back to life.
Mmm…. Cannibalism. Not.
The festival of Lykaia were held annually at the beginning of May. It was a primitive ritual festival and rite of passage for young males known as epheboi among the Greeks into adulthood. With the ritual held at night, evidence taken by some with the name of Lycaon’s son Nyctimus, a lot of rumors about cannibalism and werewolf transformations circulated widely among the Greeks as to just what was going on up there. Even Plato wrote about one clan who would gather every nine years and sacrifice to Zeus Lykaios where a piece of human flesh would be mixed in among the pieces of animal.
The belief held that whoever ate the human flesh would turn into a wolf and they could only return to human form after nine-years if they hadn’t eaten human flesh. The famous Olympic boxing champion, Damarchus is said to have turned into a wolf during the ritual sacrifice held for Zeus Lykaios. Games were also a big part of the Lykaios festival held every year after the secret ritual held at night.
It has been put forth, that the epitaphs of Lykaios and Lykeios likely originate in a Proto-Greek word *λύκη, meaning “light.” It’s a word still seen in other Greek words for “twilight” and “year.” This connection is seen in the tragedy writer Achaeus referring to Zeus Lykaios as being “starry eyed.”
This Arcadian Zeus connects strongly to Zeus being the son of Aether. It more easily makes a connection of Lykosoura being the “first city that the sun beheld” as described by Pausanias. The other connection is the alter to Zeus on the summit of Mount Lykaion standing between two columns with eagles that faced the sun-rise.” This all connects Zeus as a god of light.
Eleusinian Mysteries & Orphic Mysteries – Zeus gets around, a lot. Not much is known about the Eleusinian Mysteries and there is plenty known about the Orphic Mysteries given the amount of literature and hymns that have been found and translated.
Both the Eleusinian Mysteries and Orphic Mysteries concern themselves with the death & rebirth of a deity. A role often given to Hades and Dionysus in order to connect them to the mysteries of Demeter and Persephone. As Zeus Katachthonios or Eubouleus (a youthful version of the Lord of the Underworld), Zeus finds himself venerated in many local customs that honor the Underworld Lord and the symbolic rebirth at Spring.
It varies greatly as the local customs varied from one Greek city to another. The Athenians and Siclians honored a chthonic Zeus as Zeus Meilichios (“kindly” or “honeyed”). More epitaphs of Zeus claiming a chthonic role are Zeus Chthonios (“earth”), Zeus Katachthonios (“under-the-earth”) and Zeus Plousios (“wealth-brining”). These versions of Zeus would be depicted as snakes or in a more humanoid form. Sacrifices to the chthonic form of Zeus would be offerings of black animals in sunken pits. Some places, such the Lebadaea shrine in Boeotia, a local hero, Trophonius was revered and then attached as an epitaph to Zeus as Zeus Trephonius (“the nurturing”). Another hero, Amphiaraus was honored as Zeus Amphiaraus near Thebes and the Spartans honored a shrine to Zeus Agamemnon.
It all makes for an interesting connection. Hades as the God of Death, Dionysus as the God of Life and Zeus tying them both together to represent the birth, death and resurrection of a deity.
Aetnaea – A local festival near Mount Aetna. A statue of Zeus is found here where he is worshiped as Zeus Aetnaeus.
Really getting around as the All-Father and God of Everything.
Temples And Sacred Sites
Cave of Zeus – Found on the slopes of Mount Ida on the island of Crete, the Cave of Zeus is a sacred place dating to antiquity. Sometimes the location of this Cave is given as the Psychro Cave on Crete or the Cave of Zeus is found on the Aegean island of Naxos.
It is the cave that the infant Zeus was hidden in from his father, the titan Cronos. Some variations of Zeus’ origins will place this as his birthing place. A band of mythical warriors known as the Kouretes would dance wildly and loudly as a means to drown out the infant’s cries to keep Cronus from discovering his son.
Archeology discoveries of the cave have found a number of votive offerings in this place.
Dodona Oracle – The site of Zeus’ most famous and oldest oracle, found at Dodona in Epirus, Northwestern Greece. It was known as a land of Oak trees and likely why the tree is associated with Zeus. At this site, Zeus was known as Zeus Naos and Zeus Bouleus. Zeus’ priests were known as Selloi and barefoot. They would lay on the ground and observe the rustling of leaves and branches for their divinations. It is thought that their name contributed to the Hellenes. Later, female priests replaced the male priests and were called Peleiades or Doves. Here, Zeus’ consort is reputed to be Dione, not Hera. Dione is a titaness who may have predated the Hellenic era and likely the original goddess worshipped. Her name is a female form of Zeus’ own name.
Siwa Oracle – The oracle of Ammon near the Siwa Oasis in the western Egyptian desert. Herodotus writes of a Zeus Ammon whould be be consulted at this oracle. This version of Zeus favored the Spartans and a temple dedicated to him was already built during the Peloponnesian War. After Alexander’s trek to this oracle, this figure became the Libyan Sibyl.
Temple of Zeus – This is the most famous of Zeus’ temples in Olympia. It features a gold and ivory statue of Zeus seated on a throne. This statue was sculpted by Phidias and was regarded as one of the “Seven Wonders of the Ancient World.”
Mount Aenos – Located on the island of Cephalonia, Zeus was worshiped as either Zeus Aeneius or Zeus Aenesius.
Mount Olympus – This is the tallest mountain peak in Greece, Thessaly, Thessalia to be more precise. It is place from which Zeus and all of the gods are to have resided at, looking down on their domains below.
Shrines – There are several smaller shrines where it’s not always clear if it was dedicated to Zeus or to a local hero that had become defied. Some shrines were Lebadaea in Boeotia that might have belonged to Trophonius or Zeus Trephonius. Just outside of Thebes was Oropus was the shrine dedicated to Amphiaraus or Zeus Amphiaraus. There was a shrine to Zeus Agamemnon revered by the Spartans. At Tralles, there was a shrine dedicated to Zeus Larisaeus.
What’s In A Name?
Proto-Types – It has been put forward that Zeus’ name likely derives from a Proto-Indo-European god of the sky known as Dyeus phter or “Sky Father.” With this name, he is linked to the Rigveda Dyaus or Dyaus Pita. While there is a lot of speculation and hypothesizes about the Proto-Indian-European people, what their language was, culture and myths, Zeus is one whose name clearly comes from the Indo-European language that etymologists have tried to reconstruct. Another root word is “dyeu-“meaning to “to shine” or “bright.” The word is noted to have a similar meaning to the Latin word dies for “day.”
The Proto-Indo-Europeans aren’t really well known as they’re largely a hypothetical group as scholars try to track and guess which directions early humans migrated as they spread over Europe, the Middle East and Asia, which ideas and words stayed the same, ect.
With Mycenaean Greek as seen in the Linear B script, we have the words di-we and di-wo that very similar to the word dyeus.
In Plato’s Cratylus he gives the folk meaning for Zeus’ name as “cause of life always to all things.” It’s based on a pun with Zeus and Dia with Greek words for life and the phrase “because of.” As a result, persisting with this connection as correct isn’t supported with modern scholars.
Parentage and Family
Ouranos (the Sky) and Gaia (the Earth)
Depending on the source, Zeus can have a few different origins.
Cronus and Rhea – The often recognized version of Zeus’ parentage, especially when referencing Hesiod’s Theogony as the source.
Father – Aether (Arcadian origin)
Father – Coelus (Arcadian origin)
Father – Saturnus (Cretan origin)
Hera – Also his sister, who becomes Queen of the Gods.
Dione – In the Iliad, at the Oracle of Dodona, Dione is his consort.
Metis – In some myths, Zeus is married to this Titaness before swallowing her.
This list is more the willing consorts and lovers, not those who were raped, no matter what euphemisms are used.
He is the sixth child born of Cronus and Rhea.
The birth order is Hestia, Demeter, Hera, Hades, Poseidon, and Zeus.
Chiron – a half-brother by way of Cronus and the nymph Philyra.
A lot. Suffice to say, there are a lot of children that Zeus has fathered. As time went on and the Greek myths get rewritten and added to, there are even more children added to the roster of Zeus’ progeny. Either the god is really busy, or everyone wants to claim divinity and Zeus as their daddy!
With Aega, Zeus is the father of Aegipan or Goat-Pan. Not Pan, a different Pan.
With Alcmene, Zeus is the father of the famous Greek demi-god and hero Heracles.
With Callisto, Zeus fathers Arcas.
With Danae, Zeus is the father of Perseus.
With Demeter, Zeus is the father of Persephone and Iacchus.
With Dione, at the Oracle of Dodona, in the Iliad, Zeus fathers Aphrodite.
With Electra, Zeus fathers Iasion.
With Europa, Zeus fathers Minos, Rhadamanthys and Sarpedon.
With Eurynome, Zeus fathers the Charites or Graces.
With Io, Zeus is the father of Epaphos.
With Leda, Zeus fathered two sets of twins: Castor and Polydeuces and Clytemnestra and Helen of Troy.
With Leto, Zeus fathers the twin gods Apollo and Artemis.
With Maia, Zeus is said to be the father of Hermes.
With Metis, Zeus is the father of Athena.
With Hera, Zeus is the father of Ares, Eileithyia, Eris, Hebe, Hephaestus
With Mnemosyne (Memory), Zeus fathers nine daughters, the Muses over a period of nine nights.
With Semele, Zeus fathers Dionysus in some versions of the myths.
With Themis, the goddess of Justice, Zeus fathers the three Horae, goddesses of the seasons, and the three Moirai or Fates.
Aeacus, Agdistis, Angelos, Dardanus, Enyo, Ersa, the Litae, Pandia,
In addition, Zeus is also said to be the father of the Magnesian and Macedonian people.
Zeus is counted among the twelve major deities who resided on Mount Olympus, the highest mountain peak in Greece and all of Europe. For the Greeks, this was the perfect location for where the gods would preside at while keeping watch on humankind down below them. Add in that as King and Ruler of the other Olympians, this is really the ideal place as Zeus can look down upon the earth and see what’s going on.
As there are several deities within Greek mythology, just who numbers among the Olympians varies. It’s generally agreed that the twelve major Olympians are: Zeus, Hera, Poseidon, Demeter, Athena, Apollo, Artemis, Ares, Aphrodite, Hephaestus, Hermes, and then either Hestia or Dionysus.
King Of The Gods
Zeus is the ruler of the Olympian gods, ruling over all of the gods and mortals alike from Mount Olympus. As King, Zeus was the patron of Kings before later Grecian history, Kings were no longer followed. Zeus dispensed with wisdom, authority, divine decres over the lot of mortals.
Mortal Fates – Before the Moirai were born, Zeus governed the fates of men. He had two urns, one filled with ill fortune and the other filled with luck. Zeus would arbitrarily dole out man’s lot by way of fortunes and misfortunes according to his whim.
Prophecies – As an all-knowing deity who saw and knew everything he ruled over, the powers of prophecies were once Zeus’ domain before passing them on to his son Apollo.
Sky & Weather God
Zeus’ main domain is the Sky and with it, the weather and rain. Especially the thunderbolts and lightning that are his primary weapons. One of his epitaphs is Nephelegereta or “Cloud-Gatherer.” Closely connected to this epitaph as one of his symbols is the scepter, thought to be influenced with imagery from the Ancient Near East.
It was believed and still believed, even if in fun, that Zeus would strike those he sought to punish with lightning. Zeus would especially punish those who lied or broke their oaths.
Zeus would also send thunderstorms at enemies as seen in Homer’s epic, The Iliad.
On occasion, Zeus is equated with the Hellenic sun deity, Helios who is said to be Zeus’ eye. In Hesiod’ss Theogony, the sun is outright stated to be Zeus’ eye.
The Cretan version of Zeus Tallaios, the local cult equated their local deity Talos with Helios.
The Zeus that originates from Arcadia and Dodona was a nature god as seen in his connection to the oak tree and doves as a symbol of fertility. Even the Cretan Zeus connects him as a nature deity with the cornucopia, milk and honey symbols.
By the time that the Homeric poems, the nature aspect of Zeus seem to have been discarded and he is viewed more as a political and national deity that guards over Kings and the protector of law, tradition and religion.
Alternate Spelling: Κάδμος Kadmos
Etymology: “From the East” or “He Who Excels”
In Greek mythology, Cadmus is the name of the legendary founder and first king of Thebes. He is distinguished by being one of Greece’s first heroes who slew monsters long before the birth of the mighty Heracles.
Parentage and Family
Father – King Agenor of Tyre
Mother – Queen Telephassa of Tyre
Alternatively, Phoenix and Perimede are given as Cadmus’ parents.
Phoenix – No, not the legendary fire bird that resurrects itself in flames, but his brother who returns to Tyre to rule where the region is renamed to Phoenicia.
Cilix – Brother, the city of Cilicia is named after him.
Europa – Sister, abducted by Zeus
Harmonia – Wife, depending on the accounts given, she is either the daughter of Zeus and Electra or Ares & Aphrodite.
Agave – Daughter, with her sisters Autonoe and Ino, she unknowingly killed her son Pentheus. She marries first the Spartoi Echion and then later King Lycotherses of Illyria whom she also murders in order to hand over the kingdom to her father.
Autonoe – Daughter, her son, Actaeon was killed by his hounds.
Illyrius – Youngest son and child born, from whom the Illyrians are descended.
Ino – Daughter, was driven mad by Hera leapt to her death to the sea with her only surviving son. Instead of dying, Ino becomes a sea goddess.
Polydorus – Eldest son, inherits the throne in Thebes, carrying on the family dynasty.
Semele – Daughter, she is killed later by Hera after a liaison with Zeus. In some stories, she is the mother of Dionysus. The controversy will say that Semele was raped from an unknown assailant and the blame is placed on Zeus in an effort to try keeping some dignity
Thasus – The son of Cilix. In some accounts, he is also Cadmus’ brother. The island of Thassos is named after him.
Pentheus – the son of Agave and the Spartoi Echion, he becomes king of Thebes after Polydorus.
Cadmus’ Lineage – Divine Heritage
I feel it’s worth mentioning that through Telephassa’s line, Cadmus and all of his siblings are the grandchildren of Nilus, the god of the Nile River and Nephele, a cloud nymph. Through their father Agenor, again, Cadmus and his siblings are the grandchildren of the sea god Poseidon and Libya, the goddess or personification of ancient Libya in North Africa.
During Mycenaean Greek, Poseidon is the head of the Greek pantheon, it is later during what most think of as ancient Greece when we have more concrete records and writing, that Zeus is the head of the pantheon. I feel that Cadmus’ myth does show where some of these changes to try giving Zeus more prominence start getting put in.
Fifth generation divinity! That’s gotta count for something though!
As early culture heroes, Cadmus and a few others some of the founding members are who get the ball rolling for Greek culture.
First King Of Thebes
Part of Cadmus’ claim to fame is that he’s the first king and founder of Thebes. A Grecian dynasty that stayed in power for quite some time. By Greek myths, this dynasty ruled Thebes for many generations, even during the time of the Trojan War.
His history goes back far enough to when oral history was getting passed on from one generation to the next before getting written down.
Antique Powerhouse – As far as Greek antiquity goes; Thebes did rival the ancient cities of Athens and Sparta. Come the time of Alexander the Great, when he set his sights on Thebes in 335 B.C.E., the city fell and never reclaimed its ancient glory.
Historical Conflicts – The Grecian historian, Herodotus (who lived between 484 B.C.E. and 425 B.C.E.) wrote about Cadmus, chronically him down. Herodotus writes down that he believes Cadmus to have lived some 1600 years before him, placing the timeline for Cadmus in 2000 B.C.E. With so much myth and legend interwoven into Cadmus’ story, how much is history and how much is a tall tale turned to legend that we aren’t sure if there really was a Cadmus.
Once again, Herodotus is to have seen and described the Cadmean writing inscribed on some tripods within the temple of Apollo at Thebes. Tripods that are to date back to when Laius, Cadmus’ great-grandson lived. The inscriptions effectively read as: “Ἀμφιτρύων μ᾽ ἀνέθηκ᾽ ἐνάρων ἀπὸ Τηλεβοάων in English “Amphitryon dedicated me don’t forget the spoils of the battle of Teleboae.”
Further confusion for how much myth and legend there is versus actual history comes from a later Roman writer, Ovid in his Metamorphosis. There are certainly a lot of additions and his versions of the myths are what many are familiar with when thinking of Greco-Roman mythology.
Hittite Connection – More like a controversy. There is a letter from the King of Ahhivawa to the Hittite King where a Cadmus is mentioned as the father of the Ahhivawa people. It is known that this is the term for the Achaeans in the Mycenaean Greek era and mentioned in Homer’s works. It’s not accepted by scholars that this is evidence of the actual Cadmus of mythology.
Cadmeia – This is the acropolis in Thebes named so in honor of Cadmus.
Fun Fact – Cadmeia is supposed to be the original name of the city before becoming Thebes. The name change came about a couple generations later during the reign of Amphion and Zethus who wanted to change the city’s name to honor his wife Thebe.
Al-Qadmus – The name of a Syrian city that is named after Cadmus.
Thebes – There is a city called Thebes in Egypt, no they are not the same city, they just happen to share the same name.
What’s In A Name?
There’s not a clear consensus on what Cadmus’ name means. Some scholars have put forward the idea that it might have a Semitic root of QDM meaning “East.” In Arabic, QDM is a verb meaning: “to come.” Then, in Hebrew, qedem means: “east,” “front” and “ancient.” Then there is the ver qadam meaning: “to be in front.” The Greek word kekasmai means: “to shine.” All this conjecture means that Cadmus translates as either “He who excels” or “From the east.”
I’d say we’re really close, there is a clue with Cadmus being from Tyre and his brother returning to rule there and the region becoming Phoenicia. Scholars studying the region and languages note that there are cognates between the Phoenician and Hebraic language.
The Alphabet – It’s Greek To Me!
Speaking of writing, Cadmus is who gets the credit by the ancient Greek historians for introducing the Phoenician alphabet where it would get adapted to become the Greek alphabet.
Herodotus goes as far as to say that Cadmus founded Thebes long before the events of the Trojan War, placing it during the Aegean Bronze Age. It’s a chronology that’s dubious as it conflicts with when both the Phoenician and Greek alphabets are to have originated.
The earliest known Greek inscriptions that involve Phoenician letters don’t appear until the late 9th and 8th century B.C.E. The belief is that the Phoenician alphabet didn’t develop until 1050 B.C.E., after the Bronze Age.
The Homeric depictions of the Mycenaean Greek (think really ancient Greek) doesn’t mention much about writing. The only reference to any Homeric writing is the phrase “grammata lygra” meaning: “baneful drawings.” This is a connection to the Bellerophontic letter, in which Proteus sent a sealed message with the hero Bellerophon to King Iobates who one reading the missive had instructions to kill the hero.
At any rate, there are several examples of Greek writing known as Linear B found in Thebes that seems to give credence to Cadmus as the inventor and bringer of writing to the Greeks. In Modern-Day Lebanon, Cadmus is still revered and accepted as the originator.
Once again, it’s just Cadmus’ legend that goes so far back that there are doubts and questions about the existing records for just how accurate any of it is.
Going To Find His Sister
All legends have their beginning.
Cadmus’ story begins when he and his brothers are sent by their parents, the King Agenor and Queen Telephassa to go find his sister Europa and bring her back to Tyre after she had been abducted by the god Zeus. Further, Cadmus and his brothers are told not to return without their sister.
Unable to find their sister, Cadmus’ brothers Phoenix and Cilix gave up in their quests. The region of Phoenicia is named after Phoenix and the city of Cilicia is named after Cilix. Here, it can go either way, either Cadmus was unsuccessful in finding his sister or Cadmus very wisely chose not to go up against Zeus.
He very likely decided not to press his luck and instead went to Samothrace, an island known to be sacred to the “Great Gods” or Kabeiroi.
On his journey to Samothrace, Cadmus was not alone. For his mother, Telephassa and his nephew Thasus were also present. Thasus is noted for naming the nearby island of Thasos after himself. It is at Samothrace, that Cadmus meets and marries Harmonia, the daughter of Electra and Zeus. Though, some accounts will say that Cadmus abducted Harmonia away the same way that Zeus did with Europa.
I can’t see that ending well though…
It will get confusing, as some accounts have Cadmus and Harmonia marrying on Samothrace or meeting later after the founding of Thebes and marrying then.
Bridal Gifts With A Curse
I mentioned things not ending well right? I did.
Some of Harmonia’ bridal gifts were a peplos (a type of dress) gifted by Athena and a necklace made by Hephaestus. This necklace will become known as the Necklace of Harmonia and it would bring misfortune to anyone who had it. Sure, the necklace will make any woman who wears it eternally young and beautiful. Eventually, the curse takes hold and Harmonia’s home city of Thebes faces civil unrest and misfortunes.
At first glance, that seems unusual, I’ll cover this further down.
The Founding Of Thebes
This is perhaps the story that Cadmus is best known for in his saga. As Cadmus and his mother continued their journey and search for Europa, the two settled in a place called Thrace. It is here, that Telephassa died of grief for her missing daughter. After performing the funeral rites for his mother, Cadmus sought out the Oracle of Delphi for help.
It is here, that Cadmus is told to stop his quest and search for Europa (thanks to the gods), and instead, Cadmus is to now follow a cow.
Not just any cow, this one has a half-moon on her flank and Cadmus is to follow her until she finally comes to a rest, exhausted. The spot where the cow rests is where Cadmus is to build a town in a land known as Boeotia along the banks of the river Cephisus.
With the exhausted cow, Cadmus decided to sacrifice it to Athena as thanks for the cow guiding him. While making his preparations, Cadmus sent off his companions, Deileon and Seriphus to get some water from the Ismenian spring. While the two were there, the guardian of the spring, a water-dragon belonging to Ares rose up and slew both Deileon and Seriphus.
Chaoskampf & Spartoi
On discovering what had happened, Cadmus then slew the dragon. It has been noted that this is a notable trait of culture heroes to slay a dragon and the whole order triumphing over chaos.
The dragon-slaying story usually ends here. However, a couple of different things will happen here. First, Athena appears to Cadmus and gives him half of the dragon’s teeth, instructing our stalwart hero to plant them. (The other half of the teeth will appear later in the story of Jason and the Argonauts). As Cadmus plants each tooth on the Aonian plain; from each tooth springs up a fully armed warrior. Fearing for his life, Cadmus threw a stone in amongst the warriors and they began to fight each other. Each thinking the stone had been thrown by another warrior. These warriors fought until there were only five of them left standing. Sometimes, depending on who’s telling the story, Athena instructed Cadmus to leave only five Spartoi living. These five remaining warriors’ names were: Chthonius, Echion, Hyperenor, Pelorus and Udeus who would become the founders of Thebes’ noble families. At Cadmus’ instructions, these five helped him to found and build the city of Thebes.
The first building that would-be built-in Thebes was a shrine dedicated to the Moon goddess Selene. The acropolis of Thebes would be called Cadmeia.
In his writings, when Cadmus planted the dragon’s teeth, only five warriors sprang up from the ground. There was no fighting it out among them. In addition, Hellanicus has Zeus step in to save Cadmus from the Ares’ wrath as the war god wanted to kill the mortal. And the Spartoi, Echion marries Cadmus’ daughter Agave and their son, Pentheus succeeds Cadmus to become king.
In this version of the myths with the Roman names for the gods in it, a voice (presumably Mars) speaks out to Cadmus, after he slays the giant serpent, that he too shall become one.
Ares’ Dragon & Eight Years Servitude
Slaying the dragon also held another problem to it. This dragon or drakon was a servant to the god of war, Ares; add, in some versions, the drakon is a son of Ares. Either way, Ares’ isn’t too pleased.
As restitution for this deed, Cadmus meets Ares’ demands by serving the war god for an “everlasting year” or eight years. At the end of this period, Cadmus marries Harmonia, the daughter of Aphrodite and Ares.
Sidenote: Yeah, I know, the marriage has been mentioned up above. It is a conflict of the narrative and it really depends on who’s telling the story.
The narrative that places Harmonia’s marriage to Cadmus here, as the daughter of Ares is meant to symbolize the coming of harmony and an end to war.
Harmonia would bear Cadmus several children, Agave who married Echion, one of the Spartoi, they would have a son named Pentheus. Cadmus and Harmonia’s other children are three daughters, Autonoe, Ino and Semele who would be the mother of Dionysus. There two sons are Polydorus and Illyrius from whom the Illyrians descend.
Something Rotten In Thebes
Married and the City of Thebes founded, no matter how divinely ordained this was, peace and harmony wouldn’t last.
Due to the cursed necklace that Harmonia received, she and Cadmus’ family would soon see misfortune befall them and a series of civil unrest. Eventually, Cadmus would abdicate his throne to his grandson, Pentheus.
Cadmus would go with Harmonia to Illyria to fight a war brewing over there as they took the side of the Enchelii. From there, Cadmus would go on and found the city of Lychnidus and Bouthoe.
Despite leaving Thebes and establishing other cities, misfortune continued to plague and follow Cadmus. It got so bad that Cadmus cried out that all this had to because of his slaying Ares’ dragon, if the gods were so obsessed with its death, why not turn him into one.
At that pronouncement, Cadmus begins to grow scales and to change into a serpent. Horrified by this transition of her husband, Harmonia begged the gods to change her too so she could share in Cadmus’ fate.
Variations to this ending are that both Cadmus and Harmonia are changed into snakes when they died. Both snakes watched over their tombs while their souls were sent by Zeus to the Elysian Fields.
Famous Grecian playwright Euripides’ in his The Bacchae, has Cadmus given a prophecy from Dionysus that both he and his wife will be turned into snakes before getting to enjoy an eternity of bliss in the Elysian Fields.
The First Earthly Marriage
If you were paying attention to the above narrative and Cadmus’ story, I noted that there are two different timelines to when he marries Harmonia and each one has a side not for who her parentage is.
I think it’s worth noting and remembering Cadmus’ Divine Lineage connecting him to Poseidon and thus a demigod. The story of Cadmus and the ruling, royal family of Thebes is likely a very old story, dating back to Mycenaean Greece and it is during Mycenaean Greece that Poseidon is the head of the Pantheon, not Zeus.
Zeus will become head of the Greek Pantheon during the era thought of as Ancient Greece when we have written records being kept that chronicle historical accounts.
It’s an important distinction and one seen in the conflicting timeline of when Cadmus is to have married Harmonia and who her parentage is to be.
Where Cadmus marries Harmonia on the island of Samothrace with Zeus and Electra given as her parents seems more like the later changes to the story to have Zeus hold a more prominent role within it.
Following a timeline for after Cadmus’ eight years of servitude to Ares and then marrying Harmonia with both Ares and Aphrodite as her parents seems far more likely the correct lineage. It would explain too so much better why Hephaestus would gift Harmonia a cursed necklace.
Knowing the backstory between Hephaestus, Aphrodite and Ares, the cursed necklace that is given to Harmonia makes more sense. Hephaestus was angry at Aphrodite for her affair with Ares and yes, he makes the necklace a means to punish Aphrodite’s infidelity by placing a curse on the child that resulted from hers and Ares’ affair.
Thus, all the misfortunes that Cadmus and Harmonia suffer are from the necklace, not slaying the dragon. Afterall, Cadmus had already paid penance to Ares and then is rewarded his daughter for marriage. It’s even in Harmonia’s name, harmony, there was to be an end to the strife and conflicts.
I do find it curious that there are versions of Cadmus’ story where the Necklace of Harmonia is not mentioned at all or having been made by Hephaestus. The misfortunes that befall Cadmus are attributed to the dragon that was slain. It makes no sense to have Ares forgive Cadmus after several years of servitude and giving his daughter to marry.
Of course, it’s easy to assume the Greek gods are perpetuating their pettiness. We have lots of stories of mortals being punished by the gods. If Hephaestus is keeping mums about the curse he placed on the necklace, of course, no one knows why bad things keep happening to Cadmus and Harmonia.
By Diodorus’ account of this story, Cadmus’ marriage to Harmonia is significant in that it was the first one celebrated on Earth and one wherein the gods are to have come, bringing gifts. There was supposed to be an end to conflicts and war, alas it could not last.
East Meets West – Another idea for Cadmus and Harmonia’s wedding is that it may be symbolic of the Eastern, Phoenician learning combining with the Western, Grecian love of beauty.
Fertility God – The Samothracian Connection!
The island of Samothrace is one of the places that Cadmus, his mother, and nephew are said to have stopped at in their search for a missing Europa.
There is a small Pantheon of the Great Gods whose members have been equated or identified with several of the Greek deities. One such god, is Kadmilus, a fertility god identified with the god Hermes. There are also a pair of Underworld deities, Axiokersos (Hades) and Axiokersa (Persephone) whose marriage gets equated to Cadmus and Harmonia courtesy of Diodorus Siculus’ trying to connect the island’s local myths to the overall Greek myths.
I can see it too, the similar-sounding names of Kadmilus and Cadmus.
Zeus Versus Typhon
In Nonnus’ Dionysiaca where he recounts the story of Zeus battling the monstrous serpentine monster known as Typhon, Zeus asks the hero Cadmus to help him by recovering his lightning bolts with playing his pipes, to play a tune. Zeus promises Cadmus that if he helps, that he will receive the hand of Harmonia in marriage.
The Dionysiaca is written in the 5th century C.E. and reflects plenty of time to have rewritten the myths. This is the only myth to involve Cadmus with Pan, playing the pipes to distract Typhon so this fearsome monster can be defeated.
Earlier versions of this story have where it’s Hermes and Aeigipan (Pan) stealing back Zeus’ tendons, no mention of the thunderbolts.
Once again, if we are confusing Cadmus with Kadmilus, the Samothracian deity identified with Hermes. I can see the confusion.
However, yes Nonnus is equating Hermes with Kadmilus and thus Cadmus in the episode where Hermes comes in disguise as a mortal to announce that Zeus has decreed a marriage of Harmonia with Cadmus.
That’s just confusing if you can’t keep it straight.
The story of Cadmus slaying the dragon is sometimes cited as being one of many myths associated with this constellation.
Etymology: “Unseen” or “The Unseen One”
Alternate Spellings & Other Names: Ἁιδης, Αιδωνευς, Áïdes (Ionic and Epic Greek), Aïdoneús, Áïdos, Áïdos, Áïda, Ais, Eubouteous, Háides, Klymenos, Pluto or Ploutos (“wealth” or “the rich one,”) Pluteus,Pluton, Ploutodótes, Ploutodotr (“Giver of Wealth”), Pylartes, Stygeros, ‘unseen’, Zeus Katachthonios (“Zeus of the Underworld”)
Epithets: Agesander, Agesilaos (“fetcher of men,” “carries away all” or “leader of men”), Chthonian Zeus, Clymenus (“notorious,”) Eubuleus (“good counsel” or “well-intentioned”), Hegesilaus, Polydegmon (“Reciever of Many Guests”)
Hades is an ancient chthonic deity who best known as the God and Ruler of the Underworld, so much so, that the Underworld would come to be known by his name.
Animal: Black Rams, Dog, Rooster, Screech-Owl, Serpents
Patron of: The Underworld, the Dead, Wealth
Plant: Asphodel, Cypress, Mint, Narcissus, Pomegranate, White Poplar
Sphere of Influence: Death, Grief
Symbols: Cerberus, Cornucopia, Scepter, Narcissus, Key of Hades
Early Greek Depictions
In early Greek art and even mythology, Hades doesn’t make many appearances as this is a deity whom the ancient Greeks didn’t want to attract the attention of.
Most of Hades’ early representations in art are mostly pottery and statuary where he’s not always clearly defined. The classical era of art, especially those that depict the Rape of Persephone will show Hades with varying ages depending on the artist. Sometimes Hades is shown as looking away from the other gods to represent their disdain for him.
In Greek pottery, Hades is often shown having a dark beard and shown as a stately figure seated on an ebony thrown. In Greek statuary, Hades is often shown with his three-headed dog Cerberus for quick and easy recognition.
Hades is known to drive a chariot, drawn by four black horses, which makes for a fearsome and impressive sight. Hades is often thought of as being very dour and stern, unmoved by prayers.
When identified and represented as Plouton, Hades is seen in a more positive light. As Plouton, he is shown holding a cornucopia that represents the riches and fertility of the earth.
Cult & Worship
Hades was a grim and fearsome seeming deity that living humans did not mention by name lightly. As the god of the dead, one simply did not mention Hades by name lest they draw his attention and potentially an early death. Instead, Hades would be called by a few different euphemisms and epithets.
Such was the reluctance of any followers that people were hesitant to swear oaths in Hades’ name and would avert their gazes when performing sacrifices to him. The sacrifices made to Hades were black animals like sheep. Human sacrifices to Hades were outright rejected even though other sources will try to say that such human sacrifices were done. The blood from the animal sacrifices would be dripped into a pit or cleft in the ground. The person offering the sacrifice would turn away their face. When propitiated, people would slap or hit the ground to make sure that Hades heard them. Finally, every hundreds, festivals would be held to honor Hades. These were known as the Secular Games.
Temples – Hades was worshiped throughout Greece and Italy. It is known he had a sacred grove and temple in Elis. This temple would only be opened once a year. Another temple is known to have been in Pylos Triphyliacus near Mount Menthe. Finally, there was a sacred grove to the Erinnyes in Athens and another grove in Olympia.
Hades does have a part in the Eleusinian Mysteries, an annual religious celebration that predates the Olympian pantheon. It is an important life and death ritual with Persephone in her role as a vegetation goddess and Demeter having important roles where they are worshiped together. Hade’s role in the mysteries comes in the story of his abducting Persephone to the Underworld to be his wife and Queen. The Mysteries concern more the worshiping of Demeter and Persephone.
While we don’t know as much about the Eleusinian Mysteries, the Orphic Mysteries are another matter as there have been plenty of surviving Orphic Hymns and texts that have been found and translated. There’s plenty of evidence that has been left behind found through out all of southern Italy. Much of which is the connection of Dionysus’ death and resurrection symbolisms in myth.
Hades = Dionysus!?!
In connection to the previously mentioned Eleusinian Mysteries, starting with the philosopher Heraclitus; he states that Hades and Dionysus are merely the same deity with different aspects to them, the essence of life. A Karl Kerenyi points out that in her grief, Demeter refused to drink wine, a symbol of Dionysus, especially after Persephone’s abduction. Further, one of the Dionysus’ epithets is Chthonios, meaning “the subterranean.” Demeter knows full well that its Dionysus who has abducted her daughter and that Hades is merely an alias.
Though this is just one level of the Orphic tradition trying to explain a deity who has a dual nature. Many of Hades epitaphs are also the same epitaphs used for Dionysus. Names such as: Chthonios (“the Subterranean”), Euclius (“glorious” or “renowned”) and Eubouleus (“Good Counselor”)
Speaking of Eubouleus, that epitaph is also applied to Zeus…. When covered as a deity by himself, Eubouleus is depicted as a youthful representation of the Lord of the Underworld.
Zeus Katachthonios – Zeus of the Underworld
Another important epitaph of Hades in the Orphic tradition. By calling Hades the name: “Zeus Katachthonios” they could connect him to his brother Zeus and why there are stories of Zeus and Persephone coupling up to have children like Melinoe and Zagreus.
Homer calls Hades “the Infernal Zeus” and “Grisly God”.
It all makes for an interesting connection. Hades as the God of Death, Dionysus as the God of Life and Zeus tying them both together to represent the birth, death and resurrection of a deity.
What’s In A Name
The exact origins for Hades’ name have been lost to antiquity. It is however been agreed to translate as: “The Unseen One.” Plato’s dialogue of Cratylus has an extensive section devoted to the etymology of Hades’ name. Socrates argues that the name doesn’t mean “unseen,” but instead means: “his knowledge of all noble things.” More modern linguists lean towards the “unseen” meaning though another idea put forward is the meaning: “the one who presides over meeting up” referring to death.
Given his role as Lord of the Underworld, Hades is the deity liked least and people were reluctant to speak his name lest they bring unwanted attention to themselves. Even the other gods are said to have avoided Hades’ company.
In the 5th century B.C.E., the ancient Greeks began calling Hades by the name of Plouton, meaning “wealth” or “riches.” This name served more as a euphemism as the Greeks didn’t want to draw the attention of the God of Death. In addition, not only is the Underworld were the dead go and that’s who Hades rules over, but wealth and riches in the form of gold, silver and various gems can be found there.
Parentage and Family
Cronus and Rhea
Persephone – The daughter of Demeter whom Hades himself abducted. She is the Goddess of Spring, Vegetation and Fertility before becoming Queen of the Underworld.
He is the fourth child born of Cronus and Rhea.
The birth order is Hestia, Demeter, Hera, Hades, Poseidon, and Zeus.
Chiron – a half-brother by way of Cronus and the nymph Philyra.
It should be noted that by some accounts, Hades being the God of the Underworld is thought to be infertile, so any of Hades and Persephone’s children are the result of Zeus coming to have sex with his brother’s wife… and his own daughter. If you ask me, that’s a bit limited in thinking, just because Hades is lord of the Underworld, doesn’t mean he will be infertile. Of course, Zeus as the father works in the Orphic tradition when you want him to be the father of everyone.
The Erinyes – Also known as the Furies, they are sometimes called the daughters of Hades, though they’re actually earth-born.
Macaria – Death or Blessed. It’s just known that she is a daughter of Hades. There is a proverb: “Go to blessedness.” This is a euphemism for death as it’s not polite to speak ill of the dead.
Melinoe – A chthonic goddess identified with Hecate. In the Orphic tradition, she is the daughter of Persephone and Zeus in the guise of Hades. So, she’s not really Hades’ daughter and it’s possible Persephone claimed her as Hades if she didn’t know of Zeus’ ruse.
Zagreus – A minor deity in Greek mythology, he is called the “first Dionysus” in the Orphic tradition. In the Orphic tradition, Zagreus is the son of Zeus and Persephone, he is torn apart by the Titans and reborn later. The earliest mentions of Zagreus have him as a consort to Gaia and the god of the Underworld. The Greek playwright, Aeschylus connects Zagreaus with Hades so that they are either Father (Hades) and Son (Zagreus) or that they’re the same deity. Linking Dionysus into the myth of being Hades seems to stem from the myths of Zagreus.
As much as Hades is a major Greek Deity, as his domain and realm is that of the Underworld where he rules over the dead, he isn’t one of the Olympian Gods.
Simply because that isn’t where Hades spent all his time. Except for the one time that he happened to be above ground and fell in love with Persephone, Hades spends all his time underground.
Attendants of Hades
Ruling the Underworld isn’t easy. There are all those souls of the deceased coming in. While Hades is sure to have the help if his wife and queen, Persephone, there’s still a lot to be done.
Cerberus – A Most Loyal Hound
Cerberus is the three-headed dog of Hades that guards the gate to the Underworld. It is with amusement that Cerberus has the meaning of “spot.” There’s something very humanizing and endearing in a deity naming their dog Spot.
Also known as the Furies, they are an earth-born trio of chthonic deities whose job is to mete out retribution and vengeance. If you went against the natural order of things, perjured, broke an oath, murder, unfilial conduct, a child upsetting their parent…. These are the deities who came to deal with you. In their connection to Hades in the Underworld, the Erinyes would torment the souls of criminals.
I think its fair to say I wouldn’t want them angry with me, that way lays madness and likely some horrifying illness.
Judges of the Dead
The three judges of the dead are: Aeacus, Minos and Rhadamanthus. These three judges would sentence the souls of the dead, determine their guilt on if they would go to Tartarus or if deemed innocent enough, to pass on to the Elysian Fields.
In Plato’s Gorgias, a story is told to Socrates that the reason that there are three judges is so that everyone who dies will be judged fairly. The original judges had been there since Cronos’ time and were prone to letting anyone who was wealthy enough, dressed fanically enough and had witness who would claim that an undeserving, wicked soul was being allowed to pass on to the Elysian Fields. As these judges were judging people while still alive on their last day on earth.
Hades and the overseers in charge of the Isles of the Blessed came before Zeus with a complaint about this.
Zeus said he would put a stop to this practice and decreed that there would be stop to anyone having any foreknowledge of their death. The dead would be stripped bare of everything before judgement and would stand naked. The judge too would likewise be naked… clearly a metaphor for the naked truth and nothing hidden. The judge would hold the soul of the deceased in their hands to determine it’s worthiness without any of the entrapments of life. Aeacus and Rhadamanthus would determine a soul’s fate with Minos to act as a tie breaker if there were any doubt to where a soul’s final destination would be.
Birth Of A God
We start with Cronus and Rhea, the parents of Hades and all his siblings.
As the story goes, Cronus defeated his father, Uranus, overthrowing him to become the leader and King of the Titans. Shortly after, Cronus receives a prophesy that just as he killed his father, so too, would a child of his kill him.
This prompts Cronus to decide to devour his children whole as soon as they are born. This happens five times. Poor Rhea just gets to where she can’t take it anymore. With the birth of her sixth child, Zeus, Rhea hides him away and manages to convince Cronus that this large stone is their latest child. Bon Appetit, Cronus eats the “stone baby” none the wiser that he’s been tricked.
Rhea takes and hides Zeus, so that later, when he is older, he can come to fulfill the prophecy by killing his father Cronus. During the battle, Zeus splits open Cronus’ stomach, freeing all of his brothers and sisters: Poseidon, Hades, Demeter, Hera, and Hestia. Incidentally, Hades is the last of Cronus’ children that is either regurgitated or comes out after Zeus splits their father open.
In other versions I have found of this story, Zeus meets with Metis who concocts a drug for Zeus to give Cronus so that he disgorges or vomits up the stone and all of his children.
There is a ten-year long divine war known as the Titanomachy, that by the end, Zeus takes his place as ruler and king of the gods on Mount Olympus. Hades and the other gods take up their roles as part of the newly formed Pantheon.
During the war, Gaia gave a prophesy to Zeus that he would have victory over the Titans by freeing the Cyclops who were then prisoners in Tartaros. Zeus slew Campe, the jail-keeper of the Cyclops. As a reward and thanks for releasing them, the Cyclcops forged weapons for the three brothers. Thunderbolts for Zeus, a Trident for Poseidon and a Bident for Hades along with a magical helmet of invisibility.
During this war, Hades used his helmet of invisibility to sneak into the Titans’ camp and destroy their weapons. After the war, the Titans were imprisoned within Tartoros and the Hecatoncheires were placed in charge of guarding the new prisoners.
Dividing the Spoils of War – After defeating Cronus and all of his father’s followers, the three brothers, Hades, Poseidon and Zeus divided up rulership of the cosmos between them. Hades would become ruler of the Underworld, Poseidon would become ruler of the seas and Zeus would become ruler of the air. The earth, the domain of Gaia, would be available to all three gods.
Iliad – The Iliad describes the three brothers as pulling lots to determine who would rule which realm.
Hades & Typhon – While not exactly a flattering story of Hades; the story is that of Zeus battling the giant monstrous serpent Typhon during or after the Titanomachy. Hesiod’s Theogony describes Hades as cowering down below in the Underworld while Zeus is busy hurling thunder bolts and battling Typhon to take his place as king of the Olympian gods.
The Rape Of Persephone
You read that right. Yes, I could have titled this one differently. However, this is the title of the story for Persephone’s abduction by Hades to the Underworld that many are familiar with and the most well-known story regarding Persephone.
After Hades’ birth and the dividing up rulership of the realms, this story is the most well-known regarding this deity.
When Persephone is first known as Kore, the Maiden. As Kore, she lived with her mother Demeter, a harvest Goddess. Kore herself is a fertility goddess who makes or causes everything to grow. Kore’s father is the mighty Zeus himself.
Kore grew up and spent her time playing in the fields with the nymphs, gathering flowers, playing and with her mother. As she grew older, Kore came to attract the attention of the other male Olympian gods. Hephaestus, Ares, Apollo and Hermes all sought her hand in marriage. The young Kore rejected them all for she was still interested in playing with her nymph friends and collecting flowers. Demeter made sure that her daughter’s desires were known.
This didn’t stop Hades, the god and ruler of the Underworld. For Hades, this was love at first sight. As was customary, Hades went to his brother, Zeus (also Kore’s father), to petition for Kore’s hand in marriage, getting permission.
Zeus took the proposal to Demeter who refused. Kore isn’t going to leave her or go anywhere, least of all the Underworld with Hades. Not going to happen!
At first, this sounds as if Demeter is simply being unreasonable. The type of response of a mother fearing the empty nest or mother smothering and won’t let her child go. What we would call nowadays, Helicopter Parenting.
Zeus likely thinks he’s being reasonable, mentioning that every child grows up and leaves their parents eventually and that Kore is certainly old enough to marry. But Zeus isn’t listening, he thinks he knows better. That Demeter is just making an idle threat that if he marries off Kore to Hades and takes her down to the Underworld, nothing will grow!
Since they can’t get Demeter’s approval for the match, Zeus and Hades take a step back, allowing Demeter to think she’s won this round. Hades comes up with a plan to outright kidnap/abduct Kore while she is out gathering flowers. Zeus is in on this too and plants a narcissus flower to attract Kore’s attention.
While Kore is distracted by this new, unusual flower, behind her, a chasm opens up in the earth and out comes Hades, riding in his chariot to snatch up Kore to carry away with him back to the Underworld.
Of all of Kore’s Nymph friends, only the Naiad, Cyane tried to rescue and stop her abduction. Overpowered by Hades, Cyane in a fit of grief cried herself into a puddle of tears, forming the river Cyane.
Demeter, hearing the nymph’s cry out that something was amiss, came running, only to find that her daughter is missing and none of the nymphs in their crying could tell her what happened. Angry, Demeter cursed the nymphs that they turned into Sirens. Only the river Cyane offered any help with washing ashore, Kore’s belt.
In vain, Demeter wandered the earth, searching for her daughter. Unable to find her, Demeter went and hid herself in sorrow at the loss of her daughter. Once plant life begins to die, the other gods go in search of her. Especially once all their followers begin to cry out there’s no food, help them.
Pan is the one who eventually finds her in a cave. Demeter in her despair, reiterates that without Kore, nothing will grow.
The way this gets told in most retellings, Demeter is threatening to refuse any new life or plant growth. To appease her and prevent people from starving, the gods agree to find Kore so that life can return. It seems that way if you don’t know or forget Kore’s already existing role as a fertility goddess.
Hecate realizes and knows there’s a problem. Hence, she intervenes. All isn’t lost if Kore hasn’t eaten the food of the Underworld, the dead, she can return to the world above.
Down in the Underworld, a frightened and despairing Kore is refusing the advances of Hades and refusing to eat any food. Kore knows that if she eats the food, she won’t be able to return to the living world.
Now at some point, Hecate comes and talks with Kore. At some point, Kore falls in love with Hades or she sees the state of what the Underworld is like. A plot twist comes, and Kore does, either willingly or tricked into it, eats some pomegranate seeds. The number of which varies from one to four, Persephone is bound to the Underworld and must spend part of the year there. The rest, she can spend above in the mortal world with her mother Demeter.
This way, Hades doesn’t lose his wife and queen and Persephone can fulfill her role as a fertility goddess, bringing life to the land.
As a note, I came across commentary that says there are some 22 variations in Antiquity about the story of Persephone’s abduction. I doubt I could find all of them. The Homeric Hymn to Demeter written between 650-550 B.C.E. is thought to be the oldest story.
Overly Simplified – One version of the above story is drastically simplified and glosses over a lot of details to the story of Persephone and Hades. In it, Hades just happens to be out and about in the mortal realm when he spots Persephone. It’s easy enough to say Hades has love at first sight and he simply grabs Persephone and carries her off with him down to the Underworld. Persephone is unhappy at first with her lot, but eventually, she grows to love Hades and comes to accept her fate as his wife.
As to Demeter, she is so overcome with grief at the loss of her daughter that she neglects her duties of creating plant growth. It is Zeus who makes a decree that Persephone may be reunited with her mother, but only for part of the year. Zeus sends the god Hermes down to the Underworld to retrieve and bring Persephone back.
Hades held no desire to give up the goddess whom he intended to marry. Coming up with a plan, Hades tricked Persephone into eating some pomegranate seeds. Now because she had eaten the food of the Underworld, Persephone was bound to stay.
Persephone needed to only stay part of the year and the rest, she could be with Demeter. This way too, Hades didn’t lose his bride for she would have to return to him.
Not the best version of the story to give as it removes many details and robs Persephone of any agency or choice in the matter. Stockholm Syndrome at its finest.
Version 2 – Regarding the Narcissus flower, Zeus commands Gaia to create it to distract Persephone when she is out picking flowers. As it is far from any lakes or rivers where her Naiad friends can follow, Persephone is all alone for when Hades comes. Sure enough, when Persephone picks this strange new flower, a chasm opens underneath her, and she falls down into the waiting arms of Hades and the Underworld.
Version 3 – When Demeter becomes distraught over the loss of Persephone, she goes mad and wanders the land disguised as an old woman carrying a pair of torches in her hands. She searches for some nine days and nights.
Eventually Demeter meets Hecate on the tenth day who takes pity on Demeter’s miserable appearance. Hecate tells Demeter to seek out Helios, the sun god who can tell her of what happened. Demeter finds Helios who informs her about Hades abducting Persephone.
Demeter begs Hades to release Persephone and allow her to come back to the living world. Hades consults with Zeus about the matter. Hecate returns and lets Demeter know that Persephone hasn’t eaten four pomegranate seeds and because of that, Persephone will still be able to return to the living world. There is a catch and that is, because Persephone has eaten some of the pomegranate, she will have to return to the Underworld for part of the year.
Both version 2 and 3 retellings go for making it look as if Demeter is responsible for refusing to allow anything to grow and does so out of anger or spite. Or that in her grief, Demeter simply neglects her duties for making things grow. This idea originates in Homer’s “Hymn to Demeter,” that gives the idea that Demeter is in charge of fertility.
Those versions work if you want to ignore that Kore/Persephone is a Fertility goddess, she’s the one who is responsible for new plant growth.
Hades’ Role In The Myth
In the story for the Rape of Persephone, Hades fits into the story as he is an Underworld deity himself. Among the Greeks, it was believed that Hades rode around in his chariot catching the souls of the dead to carry back down to the Underworld.
With Persephone being a chthonic goddess, the Greeks likely came up with the story to better fit the goddess to her role as a Queen of the World. It unfortunately greatly diminishes her role and what her functions were from a much earlier era.
In the myths where Hades is called Pluto or Plouton, he is not only a god of the Underworld, but wealth where the riches of the earth can be found. Partnering him up with Persephone is meant only to add to his power and domain for now it is the riches of the earth in terms of fertility.
Homeric Hymn – More like a side note, this hymn tells how the shepherd Eumolpus and the swineherd Eubuleus see a girl being carried away to the Underworld in Hades’ chariot. Eubuleus looses his pigs to the Underworld as they fall into the chasm that opens up for Hades on his descent below.
Ascalaphus – In what seems to be padding the story, Ascalaphus, the keeper of Hades’ Orchard is who tells the other gods that Persephone has eaten the pomegranate seeds. Demeter becomes so enraged with this news that she buries him beneath a huge rock in the Underworld. Later, when he is released, Demeter turns him into an owl.
Altered States of Mind – Most people think of rape as having to be something violent for it to be valid? I’m sure the in the original Greek tellings of the story, it’s obvious what Hades’ intent is. Never mind later retellings that seem to gloss over and not really make it clear as they want to give you a happy fuzzy feeling that Persephone just accepted her fate and this is how we got the four seasons of the year.
Looking at the older, archaic definition, this is the forcible carrying away of a woman to have sexual intercourse with her. So, looking at how the story of Persephone’s Abduction is originally titled and knowing older definitions of a word, I’d say it’s pretty clear.
Before his marriage to Persephone, Hades does seem to have had a couple of love interests. Not as many as Zeus, that’s for sure, just a couple though.
Hades & Minthe
Hades had a mistress by the name of Minthe, a nymph. In an act of hubris, Minthe boasts about how she is more beautiful than Persephone and that she would manage to win Hades back.
Persephone takes exception to this boast and to prove her power, might and indignation, she turns the nymph into a plant of the same name.
By Ovid’s account, Hades is still pursuing Minthe, which would explain a moment of jealousy on Persephone’s part to make sure her man remains loyal.
Mmm…. Mint. Gotta love that sweet smell.
Hades & Leuce
Leuce was a nymph and the daughter of Oceanus. She was carried off by Hades and ravaged, according to Ovid’s Metamorphosis. Though we know what really happened, rape. Alas things were not meant to be and Leuce died. On her death, Hades turns Leuce into a white poplar, a tree that would later be sacred to Hades. Hercules is said to have been wearing a crown of poplar leaves when he returned from the Underworld.
Theseus & Pirithous – Would-Be Suitors
Even though Persephone is married to Hades, that doesn’t stop the heroes Pirithous and Theseus from descending down to the Underworld with the aspirations of Pirithous marrying Persephone.
The two had it in their heads that they would marry daughters of Zeus. They clearly didn’t think the plan through. Of course, Theseus had the bright idea of being the one to try kidnapping Helene, Zeus wasn’t happy with that. Some accounts have the mighty Zeus sending a dream to the two with the idea of going off to have Pirithous marrying Persephone.
Hades is there to welcome the pair sure enough. Soon as they are seated, their chairs magically bind and holdfast the would-be suitors. There they would remain prisoners until the hero Hercules comes to the Underworld to free them. Most versions, it’s just Theseus who is freed.
Just let that be a lesson, don’t mess with another man’s wife or daughters if he thinks you’re unworthy of such a thing.
Molossians – King Aidoneus
There’s a version of the story of Theseus and Pirithous were they journied to the Molossian in Epiros where a King Aidoneus rules. Coincidentally, Aidoneus has a wife by the name of Persephone, a daughter named Kora and a dog named Cerberus. Pirithous conspires to kidnap Kora and when Aidoneus learns of this plot, he seizes both men. Pirithous is killed by the dog Cerberus and Theseus is held prisoner. In this version of the story, Herakles (Hercules) was a guest of Aidoneus and when he learned of what happened; Herakles pleaded for Theseus’ release. In gratitude, Theseus built an alter to Herakles.
So perhaps this shows a bit of taking an actual event and making it larger than life involving the god of the Underworld, Hades.
The Twelve Labors Of Hercules
In Greek mythology, the hero Hercules was tasked with a series of twelve labors by King Eurystheus that needed to be performed as penance for the killing of Hercules’ family. One of Hercules’ tasks and the final one, was to descend to the Underworld to retrieve the three-headed hound Cerberus.
In a more extended version of the event, Hercules goes to Eleusis to be initiated into the Eleusinian Mysteries. This had to purposes, first to absolve Hercules of his guilt for the death of all the centaurs, and secondly, it would allow him to learn enter and return from the Underworld.
Hercules found the entrance to the Underworld in Taenarum. With the help of the gods Athena and Hermes, Hercules was able to make the descent down and back. Being sensible, Hercules goes and asks Hades if he can take his dog, Cerberus rather than outright steal it. Hades only consents to Hercules taking his beloved dog on the condition of not harming Cerberus. Specifically, Hercules is not to use any weapons. When leaving the Underworld with Cerberus, Hercules passes through the Acherusia cavern.
In some accounts, it is said that Persephone, not Hades is who allowed the hero to take the hell hound. While Hercules was at it, Persephone also allowed the hero to free Theseus from his confinement. Other accounts will say that Hercules wounds Hades with an arrow, though that sounds like that’s from another story.
In Pseudo-Apollodorus’ Bibliotheca, Hercules decided it was a good idea to slaughter one of Hades’ cattle in order to give the souls of the dead some fresh blood. Menoetes, Hades’ keeper of cattle challenged the titular hero to a wrestling match. It is only after Hercules breaks the ribs of Menoetes that the hero sets him down at the behest of Persephone.
In the versions told by Diodorus Siculus in his “Library of History” and Pseudo-Hyginus’ Fabulae, Hercules frees both Theseus and Pirithous.
In Seneca’s Hercules Furens, Hera complains about Hercules having broken down the doors to the Underworld and dragging the hound, Cerberus up to the living world. Hera asks why doesn’t Hercules lord it over Hades, saying that the law of the shades has been nullified. That a way for ghosts or spirits of the dead to return from the Underworld has been opened up. That the mysteries of Death are available for all to see. Seneca’s Hercules Furens also ignores that Hercules was not to harm Cerberus with any weapons and says that the hero does use his club.
Hercules & Alcestis
This is the second encounter that Hercules and Hades have.
Queen Alcestis was the wife of King Admetos. He didn’t want to die and seems to have gotten some special permission from the Fates.
The Fates told Admetos that he could escape his time to die if someone else would take his place. That person ended up being Alcestis. Wise to the shenanigans, Persephone sent Alcestis back to the living world.
Another version has the mighty Hercules coming to fight Hades so Admetos can be released back to the living world.
Look, when your time comes, it comes.
Hercules & The Siege Of Pylos
This is the third time that Hercules and Hades encountered each other. During the siege of Pylos, Hercules hurt Hades who was there to gather up the souls of the deceased. Some later accounts would place Hades as defending the town of Pylos. Most accounts of this story have Hades wounded by an arrow.
Orpheus & Eurydice
In the story of Orpheus’ descent to the Underworld, wherein he hoped to bring back his wife, Eurydice back from the dead. Both Hades and Persephone takes compassion on Orpheus and allow him a chance to try and bring his deceased wife back to the lands of the living.
Seven Against Thebes
During this event, Hades and Persephone ended up sending a deadly plague to the city of Thebes when King Creon refused to bury any of the dead warriors. When two maidens, the Coronides, daughters of Orion sacrificed themselves to appease Hades and Persephone, they were transformed into a pair of comets.
Well, you’re gonna get a plague and diseases if you leave a bunch of corpses out rotting in the field of battle and don’t bury or clean them up.
Hades & Sisyphus
Ah Sisyphus forced to forever roll that boulder up a hill, only to have it roll back down on him.
Before dying, Sisyphus has tied up Thanatos so that men would cease to die. It would take the god Ares to come to the rescue and release Thanatos before turning Sisyphus back over to the god of Death.
Just before getting taken away to the Underworld, Sisyphus had told his wife, Merope to just have his body be thrown out into a public square, where eventually his body made its way to the river Styx. Sisyphus then tricked Hades into allowing him to return to the living world, so he could scold his wife for not giving him a proper burial.
Naturally, the trick worked and once Sisyphus “told off” his wife, he refused to return to the Underworld. It took the god Hermes to forcibly drag Sisyphus back to the Underworld.
Another version of the story has Sisyphus simply pleading to Persephone that he was taken to Tartarus by mistake and the Queen of the Underworld orders his return.
Some people just don’t want to face the music.
Lord Of The Underworld – Hades
Hades was so well equated with the Underworld that the very place came to be associated with his name. Small wonder then, that the Greeks would start calling him Pluto to distinguish between the deity and the place.
The Underworld was known as the Unseen Realm where all the souls of the dead, not just of humans, but all living things. Once there, there for good, there’s no leaving.
As ruler of the dead, Hades forbid anyone from leaving the underworld. A few such as Hercules and Orpheus are among the few living to have claim to entering and returning to tell about it. Others, such as Pirithous and Sisyphus learned the hard way that you don’t dare try to cheat death or there would heavy consequences to pay.
Even so, feared and disliked as he is, Hades was known for being very stern and sometimes seemingly cruel at times. He was still just in all his dealings, even when he had someone like Sisyphus repeatedly trying to cheat death.
The Underworld – Hades
As a physical locale, there are many regions in the underworld. The Greek mythographers weren’t consistent with the geography of the Underworld.
Getting to the Underworld isn’t so easy as it’s located beneath the earth, obviously. In the Odyssey, the entrance is described as being at the edge of the world, across the ocean. Other Greek and Roman poets would describe the Underworld’s entrance being found in deep caverns and deep lakes.
Homer describes the Underworld as being a vague and shadowy place occupied by ghost where nothing is real and any existence, such as it is, was miserable. Well then….
Later descriptions better define what the Underworld looks like with having the Elysian Fields where “good people” go and Tartarus where “evil people” go. Firstly, the god Hermes in his role as a Psychopomp would lead the souls of the dead down to the river Styx. There, assuming the dead had been buried with a coin, the souls would pay the ferryman, Charon to take them across the river Styx to the gates of the Underworld.
An unlucky soul who wasn’t buried with the proper coin, the Greek obol, a small denomination coin much like an American penny, would be condemned to wander the Earth as a ghost
Guarding the gates to the Underworld would be Cerberus ensuring that anyone can enter, but no one is getting back out. Once in, the souls of the dead would stand before the Judges of the Dead to determine where they would be spending the rest of eternity.
A soul deemed to have been good would be taken to the river Lethe where they would drink and forget all the awful things that happened to them in life before being sent to the Elysian Fields. A soul deemed to be bad or unworthy would be seized by the Erinyes and taken to Tartarus where they would be tormented forever.
Acheron – Meaning woe or sorrow, it is one of five rivers found in the Underworld.
Asphodel Meadows – Or the Fields of Asphodel, this is the first region of the Underworld. The shades of heroes wander here. Lesser spirits gather around them. The libations of blood offered to them by those in the living world are able to reawaken these spirits for a short period to what it had been like to be living.
Avernus – In Roman myths, the entrance to the Underworld is found at Avernus, a crater near Cumae. This is where the hero, Aeneas journeyed on his descent down to Hades. Incidentally, the name Avernus is sometimes used as the name for the Underworld.
Cocytus – Meaning lamentation, one of five rivers found in the Underworld.
Elysium – Also called the “Islands of the Blessed,” those souls deemed blameless or heroes would come here to reside in the afterlife.
Erebus – This area is described as being a gloomy and misty place where the dead reside. This is the place where every living person goes when they die. Few are those who have entered that leave. This place is the area most associated with Hades and would be called by the deity’s own name. Here, two pools were to be found. The first being Lethe, the souls of the dead would drink from to erase the memories of their former life. The second pool is Mnemosyne or “memory” that initiates of the Mysteries would drink from.
Hades and Persephone’s court is found here, where three judges of the Underworld, Aeacus, Minos and Rhadamanthus sit in judgment of the dead. In addition, the trivium, a spot sacred to Hecate was found. From the trivium ran three roads. The souls of the dead would be judged here. If a soul was judged to be neither virtuous or evil, they would be sent to the Asphodel Meadows. If a soul was judged to be evil or impious, they would be sent to Tartarus. If a soul was judged to be virtuous or “blameless”, they would be sent to Elysium.
Erytheia – An island found in the Underworld. Hades kept a herd of cattle here who are attended to by Menoetius.
Lethe – Meaning oblivion, one of five rivers found in the Underworld.
Phlegethon – Meaning fire, one of five rivers found in the Underworld.
Styx – Meaning hate, an infamous river of the Underworld. One of five rivers, Styx forms the boundary between the living world and the lands of the dead. The newly dead would pay the fare of an obolus or small coin to Charon, the Ferryman to be ferried across to the Underworld. The Greeks would make propitiatory offerings to help those born paupers or without friends and relatives to have a proper burial; thus, preventing their return to the living world. Once to the other side of Styx, the dead would pass by Cerberus, through the gates of the Underworld to be judged and sent on their way to where in the Underworld they would reside. The gods would swear their oaths on this river and is the same river that Achille’s mother dipped him into in order to grant her son invulnerability.
Tartarus – If a soul were deemed evil, they would be sent to Tartarus. Infamous inmates of Tartarus are: the daughters of Danaus who must try to fill a sieve with water, Ixion who is tied to a constantly spinning wheel of fire, Oknos who forever braids a piece of rope while a donkey eats the other end, Sisyphus who must forever roll a rock up a hill, and Tantalos who is unable to ever quench his thirst.
Judaism & Hades
Continuing on the theme of Hades’ name becoming synonymous with that of the Underworld. The Hebrew word, Sheol which means “Unseen” is also the name for the Jewish Underworld. And Hades’ name means “Unseen” as well. It could be easy to see a linguistic translation could cause confusion and could cause people to start calling the Underworld by the name of Hades and giving the deity the name Pluto to keep it straight.
Christianity & Hades
It wasn’t just the Greeks, later Christians would also refer to Hades when wishing someone to go to Hell, they might say “See you in Hades” as an alternative.
The name Hades appears ten times in the Bible, particularly the New Testament; specifically, the newer King James Version and the original Greek texts, where the name Hades is frequently interchangeable with the Christian idea of Hell or for the body’s decay and destruction in death. At times, certain verses seem to indicate the god Hades, not just the place. Later translation will replace the name Hades with that of Hell.
Evil Vs. Well… Neutral
Because Hades is the ruler of the Underworld and God of the Dead, there’s a strong tendency to equate him as being evil. The Underworld, that’s where Hades rules and people down below to Hell where Satan, the devil dwells. Hades must be evil!
Not so, Hades is more altruistic in that he prefers to keep balance. Sure, he comes off as stern and dour and when dealing those like Sisyphus, you have to lay down the law.
There’s a lot of movies and T.V. shows that tend towards showing death and going to the Underworld as some sort of negative thing. When really, it’s just another place, another state of being and plane of existence. Hades was all about maintaining balance.
The television show: Hercules: The Legendary Journeys seems to be the only series I know of that portrays Hades in a positive light. The main episode in question being Hercules helping his Uncle Hades properly win and earn Persephone’s love, not just flat out abducting her. A retelling of Hades’ abduction of Persephone to the Underworld.
Thanatos – Death Personified
Just a quick note to throw in, yes Hades is the God of the Underworld and the Dead, he is not Death personified, that distinction belongs to Thanatos.
Sibylline Oracles – This was a curious mixture of Greco-Roman beliefs and Judeo-Christian beliefs. Here, Hades is noted as the name for the realm of the dead. If one played fast and loose with the etymology of the name Hades, they would derive the name of Adam, the first man due to his being the first to die and enter the afterlife.
Asclepius & Hades
As mentioned before, Hades being the God of the Underworld doesn’t allow the souls of the living to return to the living world lightly. So, it should come as no surprise when, Asclepius, a famous healer, finds himself in trouble with Hades.
Asclepius’ healing abilities were so great, that he could bring the dead back to life. This angered Hades, who, one of his few trips to the upper world, brought his grievances to Zeus. Hades accused Asclepius for the decreasing number of dead who entered his realm.
Siding with his brother, Zeus kills Asclepius with a thunderbolt.
Aesop Fable #133
As a bit of a side story, this fable has a reference to Asclepius’ story. In it, a physician who knows nothing about medicine, informs a patient that they will die and to get his affairs in order.
Even though this patient had other people telling him this bought of illness would go away.
A short bit later, the physician runs into the patient again and asks them how everyone down in Hades are doing. The patient responds that everyone is doing well, however Persephone and Hades are angry, ready to denounce all physicians with the physician at the top of the list as people were no longer getting sick and dying. The patient goes on to say that he stepped forward, grasping their scepters and sword that his was nonsense as the physician was no doctor of at all.
Key Of Hades
This symbol is often used in art to represent Hades’ power and control over the Underworld. The key serves as a reminder that the Gates to the Underworld are always locked. That while souls are free to enter, they are not allowed to leave. Even if the Gates are opened, that Cerberus is right there, guarding the exit to prevent any escapees.
A bident is a two-pronged weapon that Hades is often shown with. That claim though, for antiquity remains uncertain even though a bident does appear in various Greek art and literature and there are a few examples of bronze weapons from Greek culture.
It has also been pointed out that Poseidon has a trident, a three-pronged weapon, Hades has a bident, a two-pronged weapon and that Zeus has his thunderbolt, that is a one-pronged weapon. Just in case someone thought there should be some sort of connection.
With this bident, Hades could shatter anything in his way, much like Poseidon does with his trident.
Helm Of Darkness
Better known as the Cap of Invisibility, the Cap of Hades and Helm of Hades, it is either a cap or helmet that can turn whoever wears it, invisible. The Greek name for the Cap of Invisibility is: Ἅϊδος κυνέην, which translates into “dog-skin of Hades.” The 1st/2nd century text: Bibliotheca mentions Hades having this helmet. A Rabelais refers to this helmet as the Helmet of Pluto and Eramus calls it the Helmet of Orcus. Both names clearly connect this cap or helmet as belonging to the god of the Underworld.
The Helm of Darkness is said to work by creating a cloud of mist, allowing the wearer to become invisible to any supernatural being. The Elder or Uranian cyclops created the Helm of Darkness for Hades to use in the war during the Titanomachy. A gift and thanks for freeing the cyclops from Tartarus.
Hades isn’t the only one to wear the helmet. The goddess Athena wore the helmet during the Trojan War when helping Diomedes fight her brother, Ares. Diomedes succeeds at wounding Ares with a spear.
Then you have Hermes who wore the Helmet when he battled the giant Hippolytus. Lastly is the hero Perseus who received the Helmet from Athena, along with a set of winged sandals when he was on his way to go slay the gorgon, Medusa. Another variation to the story has Perseus getting the Helmet and sandals from the Stygian nymphs. After slaying Medusa, Perseus used the helmet to escape the wrath of her sisters, Euryale and Sthenno.
Plouton – God of Wealth & Riches!
When Hades is known as Plouton, he becomes connected with that of wealth and riches. Seeing as it is underground where gold, silver, precious gems, etc. are all going to be found, that makes sense. It also makes some sense too when partnering Hades up in his role as Plouton with Persephone to spread and share the bounty of the earth. Not just in mineral wealth, but the fertility and growth of the land as well.
Eleusinian Deity – Ploutos is originally a god of wealth as it concerns agriculture and later just wealth and riches overall. Of which, Ploutos is the Demeter’s son by way of Iasion. Which when you know the genealogy and who Ploutos mother is and who Persephone’s mother is, I don’t think the ancient Greeks were thinking through this pairing of deities very well.
Which is what they did when referring Hades by the name of Plouton to try and connect him to the Eleusinian Mysteries. Of course, that could be why Hades is said not to have any children directly and why the mother of Persephone’s children are fathered by someone else. Even then….
It’s just the Greeks playing theological games with throwing everything in a blender and trying to have more minor deities absorbed into the worship of a more influential deity to become an epitaph of said deity.
This connection also comes about too, as the Greeks didn’t like to refer to Hades by name. A euphemistic name would be used instead; Plouton. This alternate name for Hades started seeing use in 5th century B.C.E. The name Plouton would be adopted by the Romans and Latinized to become Pluto.
Aita – Etruscan
A cognate for Hades in the little-known Etruscan beliefs and mythology.
Pluto – Roman
Pluto the Latinization of Plouton. Other Roman names used for Pluto are: Aidoneus, Dis, Dis Pater (“the Rich Father”), Dives and Orcus.
In the Roman retellings of the story, Pluto (Hades) is out riding in the mortal realms, inspecting the land to make sure that after the fall of the titans, the borders to his realm in Tartarus are still secure. When Venus and her son Cupid see the lord of the Underworld out riding, the opportunity is too much for them and Venus instructs her son to hit Pluto with an arrow so that when he sees Proserpine, he is stricken with such love and lust that he carries her off to his shadowy realm of Tartarus. The rest of the story is much like the Greek versions where Ceres sets off in search of her missing daughter.
Etymology – “Father of Andromeda” otherwise unknown
Alternate Spellings: Κηφεύς Kepheús (Greek)
Pronunciation: sē-ˌfyüs or sē-fē-əs
In Greek mythology, Cepheus is the name of two rulers for Aethiopia; a grandfather and grandson. Regarding the more famous story for Perseus; his freeing Andromeda and constellation, it is the grandson, King Cepheus, the son of Agenor who is the more well known.
The constellation representing Cepheus is often portrayed as a monarch sitting on his throne with his arms held up and his feet pointing towards the north pole. In the night sky, Cepheus is found to the west of the Cassiopeia constellation where it appears to be circling the pole star every night.
Story Of Perseus
In Greek story of Perseus, Cepheus was the king of Acrisios or Aethiopia, the husband of Queen Cassiopeia, and the father to Andromeda. For the Greeks, Cepheus is known as the father of the Royal Family.
The story begins when Cassiopea started bragging about how Andromeda was more beautiful than the Nereids. This kind of attitude of extreme arrogance and pride, especially when a person claims to be better than the gods, creates what’s known as hubris.
Offended by Cassiopeia’s remarks, the Nereids approached Poseidon and complained, asking him to punish this mortal woman. Poseidon agreed and he sent a flood as well as the sea monster Cetus (or Kraken) to destroy the coastline of Aethiopia.
After consulting with the oracle of Ammon (identified by the Greeks with Zeus,) located at an oasis near Siwa in the Libyan desert, Cepheus was told that he would be able to end the destruction of his country by giving up his daughter Andromeda in sacrifice to Cetus. At the urging of his people, Cepheus had Andromeda chained to a rock by the sea to await her fate.
Luck was with Andromeda, for the hero Perseus was flying by on the Pegasus and on seeing her, he flew down to ask her why she was bound to the rocks. Andromeda told her story to the hero Perseus.
After hearing the story, Perseus went to Cepheus, saying he could save Andromeda from the sea monster and that in return, he wanted her hand in marriage. Cepheus told Perseus that he could have what he wanted.
At that, Perseus then, depending on the accounts given, pulled his sword and found a weak spot in the scales of the sea monster Cetus or he used the severed head of Medusa to turn the monster to stone.
In either event, the monster was slain, Perseus saved Andromeda and a grateful Cepheus and Cassiopeia welcomed them to a feast where the two were married.
The story doesn’t completely end there as it seems Andromeda had also been promised to her uncle Phineus to marry. This wouldn’t have been disputed or contested if Phineus had been the one to save Andromeda and slay Cetus himself. So Phineus picked a fight with Perseus about his right to marry Andromeda at the wedding.
After slaying a Gorgon and a Sea Monster, a mere mortal man is no challenge for Perseus who once again pulls out Medusa’s head and turns Phineus to stone. Given variations of the story, sometimes this is when Cepheus and Cassiopeia are also turned to stone when they accidentally look at the gorgon’s severed head. With Phineus now dead, Andromeda accompanies Perseus back to his home Tiryns in Argos where they eventually founded the Perseid dynasty.
Some accounts give that Perseus and Andromeda had seven sons and two daughters. Others place this count a little differently saying its seven children altogether, six sons and one daughter. Most accounts agree that the eldest son, Perses founds his own kingdom and becomes the ancestor of the kings of Persia. A variation to this account is that Perses was adopted by his grandfather Cepheus and named an heir to the throne.
Eventually, years later, as the major figures of the storied died and passed away, the goddess Athena placed Cepheus and the others up into the heavens as constellations to immortalize and commemorate this story.
In another account, because Cepheus was descended from one of Zeus’ lovers, the nymph Io, that earned him a place in the night sky.
Further, it is the god Poseidon who places both Cepheus and Cassiopeia up into the heavens to become a constellation.
Hyginus’ Account – By his account, Cepheus’ brother is Agenor who confronts Perseus as he was the one to whom Andromeda had been promised in marriage. So, this is who Perseus ends up killing instead of Phineus.
Aethiopia or Ethiopia?
The accounts can vary and much of this owes to some lack of clarity among the ancient Greek Scholars and Historians. Homer is the first to have used the term Aethiopia in his Iliad and Odyssey. The Greek historian Herodotus uses the name Aethiopia to describe all of the inhabited lands south of Egypt. The name also features in Greek mythology, where it is sometimes associated with a kingdom said to be seated at Joppa, (what would be modern-day Tel-Aviv) or it is placed elsewhere in Asia Minor such as Lybia, Lydia, the Zagros Mountains, and even India.
Modern-day Ethiopia is located on the horn of Africa and has some tentative ties to the legend of Andromeda. The Egyptian priest Manetho, who lived around 300 BCE called Egypt’s Kushite dynasty the “Aethiopian dynasty.” And with the translation of the Hebrew Bible or Torah into Greek around 200 BCE, the Hebrew usage of “Kush” and Kushite” became the Greek “Aethiopia” and “Aethiopians.” This again changes later to the modern English use of “Ethiopia” and “Ethiopians” with the arrival of the King James Bible.
Given the way that Countries, Empires, Kingdoms and Nations rise and fall, expand and shrink, it’s very well possible that both Aethiopia and Ethiopia are one and the same and that modern-day Tel-Aviv once known as Joppa (Jaffa) may have once been part of Ethiopia. Some sources cite Joppa as having been a city of Phoenicia. There is a lot of history that has been lost to the sands of time that can only be guessed at and speculated upon.
Descendant Of Poseidon
Sometimes the genealogies of Greek characters can get a bit confusing depending on when and who is giving the story.
Regarding the King Cepheus from the story of Perseus and Andromeda, he is sometimes said to be the son of Belus, a king of Egypt and son of the god Poseidon. Or, Cepheus would be listed as the son of Phoenix.
Where Belus’ is given as the father, Cepheus then had Anchinoe as his mother and that Danaus, Aegyptus, and Phineus are his brothers.
Iasid Cepheus – This is another name Cepheus is known as, referencing his Argive ancestry and connection to King Iasus of Argus, the father of Io.
The constellation known as Cepheus is one of 48 constellations listed by the 2nd-century astronomer Ptolemy in his book, Almagest. Today it remains as one of the 88 current or modern constellations. The constellation of Cepheus is one of the oldest ones identified by the ancient Greeks in the night sky. Also of note is that the stars that comprise the Cepheus constellation aren’t very bright.
The Cepheus constellation is found on the northern hemisphere where it can most likely be seen during autumn evenings, along with several other constellations named after characters in the myth of Perseus. Because of its northern location, Cepheus is only visible north of the 40° south latitude line, and for observers farther south it lies below the horizon. It is the 27th largest constellation found in the night sky. Bordering constellations to Cepheus are: Cygnus, Lacerta, Cassiopeia, Camelopardalis, Draco, and Ursa Minor.
In Arab astronomy, the image of a shepherd with his dog and sheep are seen in this constellation.
In modern Chinese, the constellation is known as Xiān Wáng Zuò, “The Immortal King.”
The stars of Cepheus are found in two areas of the night sky, the Purple Forbidden Enclosure (Zǐ Wēi Yuán, also called the Central Palace) and the Black Tortoise of the North (Běi Fāng Xuán Wǔ). Part of the eastern wall forming the Purple Palace Enclosure passed through Cepheus coming from the Draco constellation to Cassiopeia. Which stars made up this wall is uncertain though.
Tiangou – Also known as Gouxing, the “Hook Star.” The stars Alpha, Eta, Theta, Xi, Iota, and Omicron Cephei form this asterism. This asterism was associated with omens portending earthquakes.
Wudineizuo – This was a group of five stars in the northern part of the Cepheus constellation that bordered with Cassiopeia and Camelopardalis. These five stars represented the seats of the five celestial emperors. These emperors are the deified rulers for the five directions of North, South, East, West and the Center. It’s unknown which of these five stars represented this asterism.
Zaofu – Also spelt as Zhaofu or Tsao Fu. The stars Delta, Epsilon, Zeta, Mu, and Nu Cephei formed this constellation. It is named for a famous charioteer of emperor Mu Wang who lived in approximately 950 B.C.E.
The constellation of Cepheus, along with eight other constellations of Andromeda, Auriga, Cassiopeia, Cetus, Lacerta, Pegasus, Perseus, and Triangulum.
All of these constellations have some connection to the overall legend and myth of the Grecian hero Perseus.
Stars of Cepheus
Alpha Cephei – Also known as Alderamin from the Arabic phrase “að-ðirā‘ al-yamīn,” meaning: “the right arm.” This is the brightest star within the Cepheus constellation that is some 49 light years away from the earth. This star still will become the pole star in another 5,500 years. The last time that Alpha Cephei had been the pole star was about 18,000 B.C.E.
Beta Cephei – Also known as Alfirk from the Arabic word “al-firqah,” meaning: “the flock.” It is the second brightest star within the Cepheus constellation. It is a triple star that is a class of stars known as Beta Cephei variable stars and is located some 690 light years away from the earth.
Delta Cephei – Also known as Alrediph or Al Radif meaning “the follower.” It is a double star of a yellow and blue star, this star is a prototype star of a class of stars known as Cepheid variable stars or Cepheids. These are pulsating variable stars that can vary in size over a period of hours, days and years. The constellation of Cepheus has many such stars like this. Delta Cephei is some 891 light years away from the earth.
Gamma Cephei – Also known as Alrai, Er Rai and Errai from the Arabic word “ar-rā‘ī” meaning: “the shepherd.” The star Beta Ophiuchi found within the Ophiuchus constellation is sometimes called Alrai, but is more often called “Cebalrai,” the shepherd’s dog. The first confirmed exo-planet was found near Gamma Cephei in 1989 that then got retracted and later reconfirmed in 2002 after more evidence and studies were done. This is a double star like Delta Cephei and is located some 45 light years from the earth. Due to the precession of equinoxes, Gamma Cephei will replace the star Polaris, Alpha Canis Minoris as the north pole star around 3,000 C.E.
Eta Cephei – Also known as Al Kidr, this star is an orange giant that is located some 45 light years away from the earth.
Mu Cephei – Also known as the Garnet Star or Herschel’s Garnet Star, it is a red supergiant that is estimated to be about 2,400 light years away from the earth. This star was discovered by William Herschell in 1781 who described it as being: “a very fine deep garnet colour, such as the periodical star ο Ceti.” It is to date, the largest known star within the Milky Way galaxy.
Xi Cephei – Also known as Kurhah, Alkirdah, Alkurhah or Al Kirduh, it is a triple star of which all three are dwarf stars.
The Cepheus constellation is the location of the quasar 6C B0014+8120 and has an ultra-massive black hole that is reported to be some 40 billion solar masses. This is about 10,000 times more massive than the central black hole found in the Milky Way, making it the most massive black hole known.
Also known as S 155, this nebula is dim and diffuse bright nebula within a larger nebula.
The Fireworks Galaxy
Also known as NGC 6946, this is a spiral galaxy that has had ten supernovae observed within it so far. This galaxy was first discovered by William Herschel in September 1798. It is some 22 million light years away from the earth and lays along the border between Cepheus and Cygnus.
Also known as NGC 738, this is an open star cluster that was discovered by Caroline Herschel in 1787. This cluster is about 7,000 light years away and the stars found within are less than five million years old, making the Wizard Nebula a young open cluster.
Others Named Cepheus
There are a couple of others named Cepheus in Greek mythology.
- There is a King Cepheus of Tegea. He was the son of Aleus from Arcadia and either Neaera or Cleobule. He had four brothers: Amphidamas, Lycurgus of Arcadia, Auge, and Alcidice. This Cepheus would go on to sire twenty sons (at least one named Aeropus) and at least three daughters (Aerope, Antinoe, and Sterope). He is noted too as the founder of Caphyae. Cepheus and his brother, Amphidamas would later sail with Jason as an Argonaut. During Heracles’ campaign against Hippocoon, Cepheus and his sons allied with the Heracles. Depending on the version of this story told, Cepheus either lost all of his sons or seventeen of his sons and was himself killed during the campaign.
- Cepheus is also the name of one of the people involved in the Calydonian Hunt.
Etymology – Greek – ophis (serpent), ekhein or okhos (holder), “Serpent-Bearer”
Also known as: Ὀφιοῦχος (Greek), Anguitenens, Serpentarius, Hebitsukai-Za (Japanese, “Serpent Bearer”, the Serpent-holder, the Serpent Bearer, the Serpent Wrestler, or the Snake Charmer
The constellation of Ophiuchus is represented as a man holding a snake, seen in the constellation of Serpens. The body of Ophiuchus divides the Serpens constellation in half to Serpens Caput and Serpens Cauda.
The ancient Greeks saw the god Apollo in the constellation of Ophiuchus, contending with a large snake that guarded the Delphi Oracle. Many others have seen various legendary healers from Joseph and Aaron from the Bible, Imhotep and Asclepius in this constellation.
Astronomy & Astrology
Much of the foundations of Western knowledge regarding the fields of Astronomy and Astrology owe its roots to Ancient Mesopotamian cultures. Many ancient cultures studied the stars, seeing in them patterns that are called constellations. These ancient astronomers could make predictable, annual turnings of the heavens that they could divide and mark for the passing of the Seasons and time. For the ancients, Astrology served as a precursor to Astronomy and they believed that by studying the heavens, they could foretell future events and even a person’s life path.
These ancient cultures would also meet and exchange ideas frequently and in this fashion, when the Greeks encountered the Persians, there was an exchange of knowledge regarding Astronomy that becomes the constellations and zodiacs so many know today. Eventually, there is no clear distinction between what ancient Mesopotamian Astronomers and Greeks Philosophers knew. Even in current, modern times, the influence of these ancients is still known.
The constellation known as Ophiuchus is one of 48 constellations listed by the 2nd century astronomer Ptolemy in his book, Almagest. Today it remains as one of the 88 current or modern constellations. It is a large constellation, ranking 11th in size and located near the celestial equator. Ophiuchus was previously known as Anguitenens and Serpentarius; which in Latin has the same meaning as the modern name.
Constellations bordering with Ophiuchus are: Aquila, Libra, Scorpius, Serpens and Hercules. If you know where in the night sky that Orion is, Ophiuchus on the opposite. The best time to spot Ophiuchus is during the month of July in the Northern Hemisphere.
The ancient Babylonians have a constellation known as the “Sitting Gods” that might have been in the same location of the night sky that Ophiuchus is found.
The Sumerian god, Enki has also been suggested as who the constellation is based on.
In his book, Babylonian Star-lore, Gavin White suggests that Ophiuchus has a connection to the ancient snake god, Nirah, who is sometimes depicted having the upper body of a man and snakes for legs. This idea seems a bit farfetched as there aren’t too many other scholarly works to validate or refute it.
Ophiuchus, combined with Serpens was known as Nu-tsir-da.
Arabic & Islamic Astronomy
According to 10th century C.E., Azophi’s Uranometry, the constellation of Ophiuchus is known by the name of Al-Hawwa’, the Snake-Charmer.
An Arabic title for Ophiuchus is Suille. Herodotus mentions a tribe of snake-charmers known as Psylli in North Africa. This part offered up some confusion keeping this straight. Again, as there’s some conflicting information and research. I found a “le Psylle” that refers to an insect. This may be to a lot of confusion with languages and translations.
To the ancient Chinese astronomers, Alpha Ophiuchi is known as Hou, a senior assistant to the Emperor. The Emperor’s thrown, Dizuo is located directly north in the Hercules constellation where it corresponds with the star Alpha Herculis. What exactly Hou’s role is, is rather unclear. Some have referred to him as an overseer, an usher bringing in guests and possibly an astrologer.
The stars Iota and Kappa Ophiuchi formed Hu, a measuring cup for liquids, this constellation is found further in the Hercules constellation.
For the ancient Chinese, the southern part of Hercules, most of Serpens and Ophiuchus were viewed as a celestial market place, Tianshi. To the left of Tianshi, there is an eastern wall that starts in the constellation of Hercules and heads south through Serpens Cauda and ending in Ophiuchus at Eta Ophiuchi. To the right of Tianshi, a western wall runs southward from Hercules, through Serpens Caput and ends in Ophiuchus with stars Delta, Epsilon and Zeta Ophiuchi. The stars 20 Ophiuchi and Chesi are seen as market stalls along the right wall. The stars Lambda Ophiuchi and Sigma Serpentis made up Liesi, an arcade where jewelers shops could be found.
Comprised of stars Mu, 47, 30 and a much fainter star formed a six-star loop that represents a hall or a tower housing the trading standards office. Finishing out this shape are the stars Omicron and Nu in Serpens Cauda.
Zongzheng, Zongren, and Zong
These three constellations are found to the south of Hou. Zongzheng is noted by the stars Beta and Gamma Ophiuchi and Zongren is noted by the stars 66, 67, 68 and 70 Ophiuchi. These two constellations are seen to represent a governor and his aides who are supervising the younger members of the royal family. Zong is noted by the stars 71 and 72 Ophiuchi and is seen to represent a revered ancestor to the royal family.
The stars Phi, Chi, Psi, and Omega Ophiuchi formed Dongxian found outside the market walls. Dongxian is the western door to the steward’s room, used for investigating on any trade infractions. The eastern door, Xixian is found in Scorpius and Libra.
Marked by Theta Ophiuchi and three other stars, this constellation is a celestial river, located in the Milky Way and thought to control the waterways.
Lying next to Tianjiang, this constellation is composed of eight faint stars found in Ophiuchus and Sagittarius. It is thought that Tianyue lays directly on the ecliptic and represents a keyhole or lock that the Sun must thread itself through every year. It lays directly across the heavens from Tiangun, a gate found on the ecliptic within the Taurus constellation.
In later symbolic literature for Christianity, the imagery of Ophiuchus and the serpent is used in the story of the Garden of Eden. In his Paradise Lost, John Milton uses Ophiuchus as a major simile where he compares Satan to a comet that burns through the length of the constellation.
Again, with the strong imagery of the figure holding a serpent, some astrologists have connected the story of Joseph from the Biblical Book of Genesis and his interpreting dreams for the Pharaoh. Another story connecting Ophiuchus to the bible is that of Aaron and his casting down his rod to become a snake.
Due to the rise of interest in Ophiuchus as a 13th Astrological sign, many have been quick to identify the Greek physician Asclepius in this constellation. In turn, discussion extends to an earlier Egyptian healer, Imhotep that Asclepius is based on.
The 4th century B.C.E. Greek poet, Aratus has the earliest mention of Ophiuchus in his Phaenomena, which in turn is based on earlier works by Eudoxus of Cnidus. While Aratus didn’t know much about astronomy by Greek standards of the day, he was very well known for his poetry and descriptive imagery for the constellations.
The ancient Greeks saw the god Apollo in the constellation of Ophiuchus, contending with a large snake that guarded the Delphi Oracle.
The son of the god Apollo, Asclepius is the figure most often seen and identified in the constellation of Ophiuchus. Elevated to the status of a demi or lesser god, Asclepius was greatly renowned for his healing skills to the degree that he could even bring people back from the dead.
This knowledge of healing came about after Glaucus, the son of King Minos of Crete had fallen into a jar of honey and drowned. Asclepius had been called into the scene and while there, saw a snake slithering towards Glaucus’ body. Asclepius killed the snake and then saw another snake come in and place an herb on the body of the first snake, bringing it back to life. After witnessing this, Asclepius proceeded to take the same herb and place it on Glaucus’ body and bring him back to life.
Another story of Asclepius bringing people back to life is the resurrection of Thesues’ son, Hippolytus after the king’s son had been thrown from his chariot.
Asclepius had been raised by Chiron, the immortal centaur and god in his own right. From Chiron, Asclepius learned the art of healing and in one story, Asclepius received the blood of the slain gorgon Medusa from the goddess Athena. The gorgon’s blood reportedly held some mystical qualities. The blood taken from the left side of Medusa’s body was a poison while the blood taken from the right side would be able to resurrect people, bringing them back from the dead.
This caused enough of a complaint from Hades to Zeus that humans would become immortal and that there wouldn’t be any one entering the Underworld. To prevent people from becoming immortal, Zeus agreed to kill Asclepius, doing so with a lightning bolt. Later, Zeus placed Asclepius’ image up into the heavens to become the constellation of Ophiuchus in honor and memory.
Ophiuchus is part of the Hercules Family of constellations. The myth I found making this connection, has the famous hero Hercules kill Kaikias, the Blinding One. Kaikias or Caecius is the god of the North East Wind who is shown carrying a large shield that scatters hailstones upon the earth.
Other Greek myths see the figure of Laocoön, a Trojan priest of Poseidon. Laocoön had tried to warn the other Trojans about the Trojan Horse and the fact that the Greeks were hiding within it. He would later be killed by a pair of sea serpents sent by the gods to punish Laocoön.
Another Greek myth links Phorbos with the constellation of Ophiuchus. The son of Triopas and Hiscilla, Phorbas became the hero of the island of Rhodes when he saved the people from a plague of serpents. Sometimes this is interpreted to have been dragons, but snakes is often referred to or meant in the story. An oracle had told the people to call on Phorbas who came and rid the island of snakes.
Renaissance And Early Modern Depictions
Inspired by Aratus’ description of Ophiuchus stepping on the constellation of Scorpio with his feet, others such as Renaissance artist such as Albrecht Dürer and astronomer Johannes Kepler continued this idea.
For the Romans, the legendary healer, Asclepius is Romanized to the Latin spelling of Aesculapius. The Ophiuchus constellation is known by the Latin name of Serpentarius.
The constellation of Ophiuchus, along with 18 other constellations of: Cygnus, Hercules, Sagitta, Aquila, Lyra, Vulpecula, Hydra, Sextans, Crater, Corvus, Serpens, Scutum, Centaurus, Lupus, Corona Australis, Ara, Triangulum Australe, and Crux.
These constellations have some connection to the overall legend and myth of the Grecian hero Hercules. They are the largest grouping of constellations found in the Western Hemisphere.
The connection extends from Donald H. Menzel, the director of the Harvard Observatory, who in his A Field Guide to the Stars and Planets, takes groups of constellations based on where in the night sky they are located and grouping them by the very same location.
Stars Of Ophiuchus
Alpha Ophiuchi – Also known as Rasalhagues or Ras Alhague, meaning “Head of the Snake Charmer” or “Snake Collector” in Arabic, is the brightest star in the Ophiuchus constellation. It marks the head of Ophiuchus.
Beta Ophiuchi – Also known as Celbalrai. Cheleb and Kelb Alrai, it comes from the Arabic word kalb al-rā‘ī, meaning “the shepherd dog.” Ptolemy in his Almagest, placed the right shoulder of the Serpent Holder with this star along with Gamma Ophiuchi.
The Arabs saw a Shepherd in the star Alpha Ophiuchi with his dog, the star Beta Ophiuchi guarding sheep in the area.
Delta Ophiuchi – Also known as Yed Prior, the word “yed” comes from the Arabic language meaning “the hand.” Along with the star Epsilon Ophiuchi, these two stars mark the left hand of the Serpent Bearer, holding the head of the snake.
Epsilon Ophiuchi – Also known as Yed Posterior, this star along with Delta Ophiuchi mark the left hand of the Serpent Bearer.
Eta Ophiuchi – Also known as Sabik is the second brightest star in Ophiuchus.
Gamma Ophiuchi – Ptolemy in his Almagest, placed the right shoulder of the Serpent Holder with this star along with Beta Ophiuchi.
Iota Ophiuchi – Ptolemy in his Almagest, placed the left shoulder of the Serpent Holder with this star along with Kappa Ophiuchi.
Kappa Ophiuchi – Ptolemy in his Almagest, placed the left shoulder of the Serpent Holder with this star along with Iota Ophiuchi.
Barnard’s Star – This is the second or third closest star to our own sun about 6 light-years away. The only other stars that are closer are those found in the Alpha Centauri binary star system and Proxima Centauri. Banard’s Star is located just north of a V-shaped group of stars that form a now obsolete constellation known as Taurus Poniatovii or Poniatowski’s Bull, specifically 66 Ophiuchi.
Taurus Poniatovii – Obsolete Constellation
According to Ptolemy’s The Almagest, the stars 66, 67, 68, 70, and 72 Ophiuchi made a short-lived constellation that formed a bull. The constellation has since then been combined wiwth Ophiuchus to form the right shoulder and tail of the serpent.
First off, what is a Superbubble? It’s an astronomical event that happens when area of space, often hundreds of light years in distance has been created by several stars going supernovae and stellar winds blowing in interstellar gas. It’s basically what’s left over after the star or stars have finished going nova.
2005 saw a group of astronomers using information from the Green Bank Telescope to discover and identify one such Superbubble or Supershell. This particular superbubble is so large it reaches out beyond the furthest edges of the galaxy.
Also, known as Keplar’s Star. On October 9th, 1604, Johannes Kepler observed a supernova near the star Ophiuchi. Johannes would study this nova so extensively that it would eventually be named after him. The book, De stella nova in pede Serpentarii (On the New Star in Ophiuchus’ Foot) contains all of Johannes’ studies and finding on this nova.
Galileo used this nova’s brief appearance when countering Aristotelian dogma and beliefs that the heavens were unchangeable.
Little Ghost Nebula
This is a planetary nebula found in Ophiuchus by William Herschel. It is about 2,000 light years away from the Earth.
Dark Horse Nebula
Also, known as the Great Dark Horse is a nebula found in Ophiuchus. This nebular is so named as its shape looks like the profile of a horse. It lays near the border with the constellations of Sagittarius and Scorpius. The Dark Horse Nebula is one of the largest and with the right conditions, it can be seen without the aid of binoculars.
This nebula is part of the larger Dark Horse Nebula and is considered to form the hind legs or quarters of the Dark Horse. Like the Dark Horse, the Pipe can be seen without any aid from telescopes or binoculars, but its still helpful to use them.
Yet another nebula found in Ophiuchus. Like the Pipe Nebula, the Snake Nebula is also part of the much larger Dark Horse Nebula. It is about 650 light years from the Earth. While small, the snake is easily found for its distinctive s-shape near the bowl part of the Pipe Nebula.
Twin Jet Nebula
Also, known as Minkowski’s Butterfly or the Butterfly Nebula, it was first discovered by German-American astronomer Rudolph Minkowski in 1947. The nebula is so named as it appears like either a butterfly or a pair of exhaust pipes on a jet.
There are four meteor shows associated with the constellation of Ophiuchus. They are the Ophiuchids, the Northern May Ophiuchids, Southern May Ophiuchids and Theta Ophiuchids.
Ophiuchus In Astrology?
The 13th Sign of the Zodiac!
Not so fast there! It may sound great and exciting, but such is not the case.
The idea of a 13th Sign for the Zodiac quickly caught fire in the imaginations of many aspiring astrologers, New Agers and assorted others.
Even from the expert astrologers, it must be remembered that Ophiuchus is a constellation, not a new Zodiac Sign. You don’t have to worry about going to bed, believing you were a Scorpio or Sagittarius and suddenly, everything has changed and you’re now an Ophiuchus. Nothing of the sort.
Yes, Ophiuchus is one of thirteen constellations that crosses the ecliptic as the earth makes it monthly journey around the sun and appears to move from one Zodiac Sign to the next. There is a huge difference though between a constellation and a Sign within the Zodiac. Traditionally the classical Greek Zodiac is set up into twelve Signs that stretch along the earth’s ecliptic path with each sign having roughly a month’s time. Especially in the Western traditions. The set up for the for the Signs also follow the changes of the seasons so that the March equinox will fall on the day when the celestial boundary is between Aries and Pisces.
Constellations on the other hand, vary in size and are based on the positions of the stars. Due to the precession of the equinoxes over the millennia, a Sign and constellation no longer directly line up and correlate to which Zodiac is in the heavens.
A History Lesson
Ptolemy, in his book Tetrabiblos, 170 C.E., mentions only 12 Signs. Yes Ophiuchus and some of the fixed stars got used by some of the ancient astrologers for the more significant celestial events. The 1st C.E. poet Manilius for example, in his Astronomica, describes Ohiuchus in an astrological poem. Later, Manilus goes on to discuss the astrological influence of Ophiuchus, commenting that when this constellation is rising, a person will have an affinity for snakes and be protected from their poison. Of course, a later 4th century astrologer known as Anonymous of 379 will make the association of Ras Alhague, the brightest star in Ophiuchus, as the star of doctors, healers and physicians.
Alright, so I can see where some people will jump up and down getting excited for: “See! It is the 13th Sign!”
In more modern 20th and 21st century, the IAU (International Astronomy Union) in 1930 came up with the idea of 13 astrological Signs due to “the Sun is in the sign of Ophiuchus” between November 29th and December 17th with where the constellation boundaries lay. This continues with Stephen Schmidt in 1970, when he suggested a 14-Sign Zodiac, which includes Cetus as a Sign. Later, in 1995, the 13-Sign Zodiac is put forward by Walter Berg in his “The 13 Signs of the Zodiac” and Mark Yazaki in Japan. There, the concept of Ophiuchus took off in Japanese pop culture appearing in a number of video games, notably Final Fantasy and the anime and manga series known as Fairy Tail.
People’s imaginations got fired up for a 13th Sign when an astronomy professor Parke Kunkle from the Minneapolis Community and Technical College explained to his local paper, the Minneapolis Star-Tribune about the precession of stars over time and that eventually, old markers for time with the changes of the season altered.
The specific quote is this – “Two thousand years ago the Sun was ‘in’ whatever it was in. Now it’s about a whole constellation off from that.” It’s a quote that went viral and got picked up by various media news sites. And for the lay person who first gets into Astrology or doesn’t know anything at all, there’s the assumption that it’s all based on the constellations and not the Signs.
But It Must Be A Sign!
If you’re insisting it must be a new Zodiac Sign, here we go –
The time for Ophiuchus is from November 29th to December 17th. This takes up a good chunk of the time that’s for Sagittarius that typically runs from November 23rd to December 21st. Perhaps you can see why this is problematic.
As a 13th Sign, Ophiuchus doesn’t have an opposite Sign like all the others do. Adding Ophiuchus makes the use of the Zodiacs more Constellation based or sidereal. The use of sidereal astrology is more typical of the Vedic Astrology. Walter Berg states that the Sun is the Planet associated for this Sign. Many also place a strong emphasis on Ophiuchus’ role and affinity with healing through the use of imagery with Asclepius, Imhotep and to a lesser degree others like Joseph of Biblical fame for his interpretation of dreams and the Babylonian god Enki.
Ophiuchans are described as: seekers of wisdom and knowledge, they’re known for having a flamboyant or brightly colored wardrobe, they get along will with authority and supervisors, a seeker of peace and harmony, dream interpretation, premonitions, medical affinity, likely to have a large family though possibly have left their own home at an early age and have an eye for design and construction. The number 12 is considered an Ophiuchan’s lucky number and people may or may not be a bit envious for their progress and advances in life.
Pronunciation: OHR-fee-us or OHR-fyoos
Alternate Spelling: Ὀρφεύς, Greek
Etymology: There are more than a few different etymologies that have been given for the name of Orpheus. One suggestion has been orbhao, meaning “to be deprived” and another is orbh, “to put asunder or separate.” This later is in reference to Orpheus having been torn apart by the Maenads. The last word is “goao,” meaning “to lament, sing wildly or cast a spell,” this word appears to combine all the traits that Orpheus is known for as a forlorn lover, musician, and priest.
Golden Age Hero
Among the Greeks, Orpheus is the name of the greatest and legendary musician and poet of mythology and religion. His music was so great that he could charm all living things and even the stones of the earth. The story that Orpheus is the most well-known for, is that of going to the Underworld to bring his wife, Eurydice back to the lands of the living. Orpheus’ other claim to fame in stories is being a member of the Argonauts.
Parentage and Family
There are typically a couple slight variations as to who Orpheus’ parents are.
Apollo & Calliope – In this version of parentage, Orpheus is very much so a god, even if a minor god.
Oeagrus & Calliope – With this version of parentage, with his father a mortal king and his mother the muse Calliope, Orpheus is certainly considered a demigod.
The Muses (though I’d think them more like Aunts), the Graces, Linus (who goes on to Thebes, thus becoming a Theban).
Aristaeus – the son of Apollo and a potential half-brother to Orpheus if we use the parentage of Apollo and Calliope for Orpheus.
Eurydice – Sometimes known as Argiope. Some versions of the story mention her to be a Nymph. Orpheus travels to the underworld to bring her back to life after her untimely death.
Musaeus of Athens is thought to be Orpheus’ son.
Orpheus’ Lineage – Divine Heritage
There are a couple of different lines of parentage for Orpheus that are given.
In one, he is the son of the god Apollo and the muse Calliope.
In the second, he is the son of a mortal king, Oeagrus, and again, the muse Calliope.
Depending on the lineage one goes with, Orpheus is either a minor god or a demigod.
The ancient writer, Strabo wrote of Orpheus as a mere mortal who lived in a village near Mount Olympus. According to Strabo, Orpheus would have made his living as a wizard, likely the charlatan, street performer kind and musician.
For those interested, this city in ancient Greek and likely located where the modern village of Agia Paraskevi close to Litochoron, is reputed to be the birthplace of Orpheus. Dion and Mount Olympus are also nearby to Pimpleia. There are several springs and memorials dedicated to Orpheus and the Orphic Cults. Even the Cults of the Muses were honored and known by the epithet of Pimpleids.
Early Literature & History
The ancient Greeks, except for Aristotle, seem to have accepted Orpheus as a historical personage. Neither Homer nor Hesiod mentions him in any of their writings. Pindar makes note of Orpheus, calling him “the father of songs” and that he is the son of the Thracian king Oeagrus and the Muse Calliope. The earliest reference to Orpheus is found in the fragments of a poem by the 6th century B.C.E. poet Ibycus. In this fragment, Orpheus is called onomaklyton Orphēn or “Orpheus famous-of-name.”
Orphism – The Orphic Mysteries
Orpheus is considered by the Greeks to be the founder of the Orphic Mysteries. He is often credited as being the composer for the Orphic Hymns, of which, only two have survived to the present day of this body of literature and hymns. Some 87 hymns have been attributed to Orpheus for the god Dionysus and sung for the Orphic and Bacchus Mystery cults. The composer, Onomacritus is likely to have written many of the early Orphic hymns.
Orphism was at its height during the 6th century B.C.E. in ancient Greece. Shrines dedicated to Orpheus reportedly containing relics of his have been regarded as Oracles. In the sanctuary of the Eleusinian Demeter in Taygetus, there was a wooden statue of Orpheus.
Orphic – The word orphic derives from Orpheus’ name and has come to have the definition of mystic, fascinating and entrancing. With the connection to the Oracle of Orpheus, the word orphic can also refer to or mean oracular. As a seer and auger, Orpheus also practiced astrology and founded cults for Apollo and Dionysus.
Orphikos – Or the “Orphic Way of Life.” Plato makes mention of a class of vagrant beggar-priests who would offer purification rites for the wealthy and have a collection of books attributed to Orpheus and Musaeus. The most devoted to the Orphic rites would frequently practice vegetarianism, refusing to eat eggs and beans as well as practicing celibacy.
Orphic Ritual & Eschatology – It’s thought that this ritual involved a symbolic or actual dismemberment of an individual who represented the god Dionysus reborn. There was a lot of Orphic eschatology doctrine centered around the rewards and punishment for the soul once the body died and being free to pursue its true purpose or life.
Wine – Wine was an important element of the Orphic religion, used in their sacrament for a sacred intoxication they believed would bring them closer to God and as a means of gaining mystic knowledge. This concept was introduced to the Greeks by Pythagoras, who was viewed as a reformer to the Orphic Mysteries that succeeded the Dionysus Mysteries. It’s easy to see or assume this concept of wine in religious sacraments makes its way into other religious practices.
Gifts Of Orpheus
Another gift that Orpheus is thought to have given to his fellow humans is that of medicine, though that is credited as more having been Aesculapius or Apollo. Writing, is often more the purview and invention of Cadmus. Lastly, agriculture, though with this role, Orpheus takes on the Eleusinian role of Triptolemus who gives Demeter’s knowledge of agriculture to humans. The ancient writers Aristophanes and Horace go so far as to state that Orpheus even taught cannibals to live on eating fruit. According to Horace, Orpheus is the one who brings order and civilization to otherwise lawless and savage people.
Other Cults And Religious Worship
Orpheus is credited with establishing the worship of different deities in other places throughout ancient Greece.
Hecate – in Aegina.
Demeter Chthonia – in Laconia
Kores Sōteiras – also in Laconia as a savior maid
Orpheus & His Lyre
While Orpheus was living with his mother Calliope and her other sisters, the muses in Parnassus, the youth met the god Apollo who was courting the muse Thalia at the time. In his role as the god of music, Apollo gave Orpheus a golden lyre and taught him how to play it. Calliope, Orpheus’ mother, taught him how to compose songs and lyrics.
A minor note though is that while Hermes is the one who invented the lyre, Orpheus is who perfected the art of music with it.
Jason and the Argonauts
In the stories of Jason and the Argonauts, Orpheus is but one of many companions who journeyed with Jason.
In his quest for the Golden Fleece, Jason had been advised by Chiron in a prophecy that he would need the famed musician Orpheus.
Feeding The Crew – Armed only with his golden lyre, Orpheus aided and helped feed the crew of the Argos by charming fish from the sea with his music.
Calming The Storm – In one episode, a storm rolled in and Orpheus played his lyre, thereby, immediately calming the seas and ending the storm.
Siren Call – This is the most famous episode in the tale of Jason and the Argonauts that Orpheus is known for. When the Argonauts encountered the Sirens, Orpheus pulled out his lyre and played his music much louder than the Sirens, drowning out their voices so that the crew could bypass the danger. One account has the Sirens changing into rocks.
However, one Argonaut, Boutes is mentioned as still being affected by the Sirens’ call and leaps overboard when the Argo started sailing further away. Lucky for Boutes, the goddess Aphrodite saved him and took him to Cape Lilybaeum.
These are the same Sirens that Odysseus encounters in Homer’s epic of the Odyssey. The Sirens lived on a series of three small, rocky islands known as the Sirenum scopuli. The voices of the Sirens, when they sang or called out would cause sailors to leap to their deaths into the sea and crashing their boats on the rocks to sink beneath the waves.
Unrequited Love – The 3rd century B.C.E. poet Phanocles, wrote of Orpheus being in love with Calais, the son of Boreas, the god of the North Wind. The affection doesn’t seem to have been returned as Phanocles writes of how Orpheus would go to shady groves and sing of his unfulfilled desire and longing for Calais.
Pederasty – Since we’re on this subject of love, Ovid writes of how Orpheus eventually came to spurn the love of women due to his loss of Eurydice. Due to Orpheus’ fame and skill with music, many people still wanted his companionship and not just as friends either. Continuing with Ovid’s line of thought, Orpheus is to be counted as the first Thracian to engage in pederasty. Pederasty being the relationship between an older man and a younger man, often in his teens. Ancient Greek social customs say this relationship was consensual.
Orpheus & Eurydice
This is perhaps the most well-known of the stories surrounding Orpheus, the death of his wife Eurydice and Orpheus’ journey to the Underworld to try and bring her back.
There are a few different variations of how Eurydice died. Most versions agree that in one way or another, she had been bitten by a venomous snake.
When Orpheus met and fell in love Eurydice, like many couples, they decided to tie the knot and get married. Hymen, the god of marriage presided over the marriage to bless it. However, Hymen prophesied that this marriage would not last.
Sooner than anyone thought, the trouble would come. Shortly after their marriage, Eurydice went out walking in some tall grass. In one version of the story has Eurydice bitten while dancing to Orpheus’ music. In another version, a satyr jumped out and did as all satyrs do when confronted by a female, they chased after Eurydice. In her flight from the satyr, Eurydice fell into a viper’s nest where she was bitten on the heel.
Yet another version of the story, told by Virgil in his Georgics, has a man by the name of Aristaeus, a shepard chasing after Eurydice before she is bit by a viper. In Ovid’s retelling of the story, Eurydice’s death comes about by dancing with the Naiads on her wedding day. Aristaeus is also, incidentally Apollo’s son. So, potential half-brother that might have been invited to the wedding and lusting after his brother’s wife.
When her body was later discovered by Orpheus; in his overwhelming grief, he played a rather sorrowful tune. This music caused all of the nymphs and gods to grieve for Orpheus’ loss. Virgil describes Dryads as weeping from Epirus and Hebrus and as far as the land of Getae. Orpheus is further described as having wandered to Hypberborea and Tanais in his grief for Eurydice’s loss.
Moved by Orpheus’ laments, the gods and nymphs advised the great musician to go into the Underworld to bring back Eurydice. Sometimes it is just the god Apollo who advises Orpheus to make the descent. Eventually, Orpheus descends into the Underworld to bring his wife back to life. Using his famous lyre, Orpheus succeeded in charming Charon, the ferryman for the river Styx, the three-headed dog Cerberus, and both Hades and Persephone. They agreed to a bargain, that Orpheus could lead Eurydice back up to the lands of the living. However, there was one condition for this and that was that Orpheus could not look back at Eurydice until they had reached the surface.
Tragically, just before they reached the surface, Orpheus’ anxiety and love for Eurydice overwhelmed him, and he looks back at his wife. This caused Eurydice to be pulled back down to the lands of the dead, this time for good.
Ancient Views –
Interestingly, Orpheus’ visit to the Underworld is sometimes viewed in a negative light. Some, like Plato, speaking through the voice of Phaedrus in his Symposium, say that Hades never intended for Eurydice to return to the lands of the living and had presented Orpheus with an illusion or apparition of his deceased wife. Plato saw Orpheus as a coward, who instead of choosing to die and be with the one he loved, decided to defy the gods and the natural order by going to Hades and bringing his dead wife back. By Plato’s argument, Orpheus’ love wasn’t true as he did not want to die for love, so the gods’ punishment is that Orpheus would have only the illusion of getting his wife back and would then later be killed by women, the Maenads.
It has been suggested that the story of Orpheus and Eurydice might be a later addition to the Orpheus myths. One example put forward is that of the name Eurudike, meaning “she whose justice extends widely” is very probably one of Persephone’s titles.
Don’t Look Back!
This mythical theme of not looking back is a stable of many stories. It is famously known in the biblical story of Lot’s wife looking when his family fled the destruction of Sodom. Other stories are those of the hero Jason’s raising up the chthonic Brimo Hekate with Medea, Adonis’ time in the Underworld, and Persephone’s capture by the god Hades. Even in general folklore, there is the one simple task the hero is to do to win the prize, and yet, they still manage to fail, thus upsetting the gods, fay, or other supernatural beings.
Distraught with the loss of his wife a second time, Orpheus fell into solitude, spurning the companionship of others and even disdaining the worship of the Greek Gods. In Ovid’s telling of Orpheus and Eurydice, Orpheus went mad in his failure to bring back his wife.
An Affront To Bacchus/Dionysus
In the version of this account by Aeschylus, in his play the Bassarids, Orpheus worshiped only the sun, Apollo. One morning, when Orpheus went to the Oracle of Dionysus located near Mount Pangaion to do his morning respects to the sun, he ended up getting torn to pieces by the Maenads for failing to give proper respect to Dionysus whom he had previously been devoted to. Eventually, Orpheus was buried in Pieria. The Greek writer Pausanias says that Orpheus was killed and buried in Dion. Per Pausanias, the river Helicon is to have sunk underground when the Maenads who killed Orpheus went to wash the blood off their hands.
Where it’s the god Bacchus who is mentioned, Orpheus had once been a devotee to the Bacchus’ Mysteries. So this version of the story has Bacchus punishing the Maenads for Orpheus’ death by turning them all into trees. This version of the story is disputed as to why would Bacchus punish his own followers even if Orpheus had once been a follower himself. Though an argument comes that Bacchus allows the death of Orpheus when the musician abandoned Bacchus’ Mystery Cult.
A slight variation to all of this as recounted by Dürer in his Death of Orpheus, the Ciconian women, when they set about to kill Orpheus, first did so by throwing sticks and stones at him. Due to Orpheus’ skill with music, the very stones of the earth and sticks wouldn’t hit him. It is then, that these enraged women tore Orpheus apart with their bare hands in a fit of Bacchae madness.
Orpheus’ head and lyre would eventually find their way to the shores of Lesbos where the local people buried his head and built a shrine near Antissa to honor him. Orpheus’ head would offer up prophecies. When this oracle began to become more famous than Apollo’s Delphi Oracle, the god silenced the Antissa oracle.
Sometimes the Muses are credited with having taken Orpheus’ body for burial, first in Leibethra before the river Sys flooded and eventually to Dion. It’s expected that Orpheus’ shade does return to the Underworld to be reunited with his love. In Edith Hamilton’s Mythology, Orpheus’ limbs are entombed at the base of Mount Olympus where nightingales to this day, “sing more sweetly than anywhere else.”
As to the lyre, the Muses would come claim it and place it up into the heavens to become the constellation Lyra.
Instead of being killed by a group of women, Orpheus is said to have committed suicide in his inability to bring back Eurydice or after a failed trip to the oracle found in Thesprotia. This suicide is seen as Orpheus playing his lyre, calling for the wild animals to come and tear him apart. Another story says that Zeus struck Orpheus with lightning as punishment for revealing the secrets of the gods to mortal men.
Analogies To Other Greek Figures Of Myth
The story of Orpheus’ death at the hands of the Maenads has similarities with other figures in Greek myths and legends.
Dionysus – In terms of the Orphic Mystery Cult, the death of Orpheus seems to parallel the story of Dionysus’ death and their descent into the Underworld of Hades.
Pentheus – A former king of Thebes who was also torn apart by the Maenads. His story is mainly found and best retold by Euripides in his The Bacchae.
After Orpheus was murdered by either the Ciconian group or Thracian Maenads, he was turned into a swan and placed up into the heavens to become the constellation Cygnus next to his lyre, the constellation Lyra.
Cybele Part 1
Alternate Spelling: Kybele
Other names: Agdistis Cybele Magna Mater, Berecyntia, Brimo, Dindymene, Magna Mater, Mother of the Gods, Kubaba, Matar Kubelē, Kubileya or Kubeleya “Kubeleyan Mother” (Phrygian, translation: “Mountain Mother”), Lydian Kuvava (Turkish Kibele), Κυβέλη, Kybêlê, Kybele, Κυβήβη Kybebe, Κύβελις Kybelis (Greek), Meter Theon, Great Mother
Other Names and Epithets: Antaea, Mātēr, Mētēr, Mistress Cybele the Mother, Mistress of Animals, Idaea, Isis, Rhea, Demeter, Ops, Potnia Theron (Mistress of the Animals), Mater Deum Magna Idaea, Meter Theon Idaia (“Mother of the Gods, from Mount Ida”), Meter Oreie (Mountain Mother), “The Mother of the Gods, the Savior who Hears our Prayers”, “The Mother of the Gods, the Accessible One.” Megalenses ludi, Pessinuntica (Phrygian – “Mother of the Gods.”)
Antaea – This name and epitaph is one that is applied equally to Cybele, Demeter and Rhea by the Greeks. The meaning of the name is unclear, though it does denote a name for a goddess whom people could approach in prayer.
Etymology: ” Mother of the Mountain,” “Cavern-Dweller”
An inscription found on one of Cybele’s Phrygian rock monuments has been translated as mater kubileya, “Mother of the Mountain.” The inscription for matar or “Mother” is found at many other Phrygian sites.
Animal: Bee, Hawks, Lions, essentially all wildlife.
Colors: Brown, Green, Blue
Day of the Week: Saturday
Patron of: Nature, Natural places, Mountains, Caverns, Walls, Fortresses
Plant: Almond, Pine
Sphere of Influence: Fertility, Menstruation, Nature, Sex, War, Mother of Life
Symbols: lions, naiskos, tympanon (hand-drum or tambourine), pine cones
Early Greek depictions of Cybele are small votive representations of her rock-cut statues and images found in Phrygia. Cybele is shown standing alone inside a naiskos, which is basically a rock-hewn relief with walls and roof overhead to represent a temple or doorway. She is crowned with a type of tall cylindrical hat called a polos, a long flowing chiton that covers her shoulders and back. Cybele is sometimes shown with lion attendants to either side of her.
Approximately 5th century B.C.E., the Greek sculptor Agoracritos made the official Hellenized version of Cybele in the Athenian agora. This statue shows Cybele sitting on a throne with a lion at her side and holding a tympanon, a type of hand drum that the Greeks used in her cults and worship. In Greece, Cybele would be very closely identified with the Greek’s mother goddess figure of Rhea.
Anatolian & Phrygian Origins
While Cybele is known as the Great Mother in the Roman pantheon, she was originally a mother goddess from Anatolia. She is likely the precursor of a Neolithic goddess in Çatalhöyük (Konya), where a statue of a pregnant goddess that appears to be giving birth is seated on a lion throne was found within a granary.
For the Phrygians, Cybele is the only known goddess and is also likely the state deity. In addition, Cybele was a goddess of caverns, goddess of the Earth in its primitive form and was worshiped on mountain tops. Cybele’s domain was over all the wild creatures of the earth. Phrygian art dating to the 8th century B.C.E. shows Cybele attended by lions, a bird of prey and a small vase for libations or other offerings.
Greek colonists would later adopt Cybele in Asia Minor before bringing her back to the mainland where her worship would spread during the 6th century B.C.E.
In Çatal Hüyük, Turkey, there is a figurine that was found dating back to 8,000 B.C.E. that depicts a Mother Goddess squatting in the process of giving birth and is flanked to either side by two leopards. This figurine is thought to be Cybele in a very early form.
Cumae – The Sybils of this temple were Cybele’s priestess and oracles.
Ionia – In places such as Magnesia and Maeander, where Cybele is worshiped as Dindymene, she held temples.
Pessinus – Located near Mount Dindymus in Phrygia, a temple was built here dedicated to Cybele Dindymene. Legend holds that the Argonauts built this temple. Here, Cybele was represented by a black meteoric iron stone. This same meteorite may have also associated with another mountain deity of Pessinus as Agdistis.
Rome – A temple for Cybele as Magna Mater stood on the slopes of Palatine Hill it overlooked the Circus Maximus and facing another of Cybele’s temples on Aventine. The first temple here was destroyed by fire in 111 B.C.E. and later rebuilt. In Imperial Rome, the temple burned down again and was rebuilt by Augustus, only to get burned again.
During the ground breaking and preparation for Saint Peter’s Basilica on Vatican Hill, a shrine known as the Phrgianum and dedicated to Magna Mater was found. A motif of Saint Peter is found standing at the site of Cybele’s temple in Rome.
The Roman port of Ostia also boosted a sanctuary to Magna Mater and Attis, commemorating their arrival to Rome. The worship of Cybele brought on the anger of many Christians within the Roman Empire. Especially when Saint Theodre of Amasea, in recanting his beliefs, did so by burning down a temple of Cybele.
Mount Sipylus – A stone carving found here is believed to be the oldest image of Cybele. The carving itself is attributed to the legendary Greek hunter Broteas as having created it. The 2nd century C.E. geographer Rausanias mentions a Magnesian cult to “The Mother of the Gods” having been present.
Cults Of Cybele
The rites for Cybele were secretive and mysterious like many Earth Mother Goddesses such as Demeter and Isis. Cybele’ cult was directed by eunuch priests known as Corybantes or Galli. They were very faithful in conducting their orgiastic rites that were often wild and emotional with lots of ecstatic cries and frenzied, passionate music of flutes, drums and cymbals. In addition, sacrifices were made to Cybele, symbolizing the death and rebirth of her son and consort Attis. Self-castration is said to have taken place in Cybele’s rites. Other later rites were the taurobolium in which a bull was sacrificed and a priest bathing in its blood.
As a mystery cult, not much is known about Cybele’s initiates and worshipers. Stone reliefs show Cybele alongside both young male and female attendants carrying torches and vessels used for purification. Surviving literature describes a joyous sound of abandonment with loud percussions of tympanons, castanets, cymbals and flutes and a lot of frenzied dancing. It has been suggested that the dancing is likely to have been circle-dancing by women.
Worship Among The Greeks
Cybele’s cult was introduced to Greece by returning soldiers from the Trojan War and is noted for having caused a lot of conflicts. It would later be adopted by the Romans who held festivals in Cybele’s honor. The worship of Cybele among the Greeks held various mixed views. Here, her various different aspects were mixed with other goddesses. Notably the goddesses of Gaia, an Earth-goddess, Rhea, a Minoan goddess and the Harvest-Mother goddess of Demeter. The city-state of Athens invoked Cybele as a protector.
In 6th century B.C.E., Herodotus mentions that when Anacharsis returned to Scythia, that his brother the Scythian king had Anacharsis put to death for joining Cybele’s cult.
Athenian tradition holds that sometime around 500 B.C.E, a city metroon was created in order to placate Cybele after she visited a plague upon the city after one of her priests was killed for trying to introduce her cult. It’s thought that this story would explain why a public building would be dedicated to an imported goddess. The earliest source to this story is referenced in the “Hymn To The Mother Of The Gods,” circa 362 C.E. by the Roman emperor Julian. Given Cybele’s wild and forceful nature, her cults were often privately funded rather than publicly funded among the Greeks.
In Greek rites, Cybele was often seen as a foreign and exotic mystery-goddess who rode in a lion-drawn chariot accompanied with wild music, wine and a rather disorderly following; not unlike Dionysus or Bacchus’ Bacchanalias. As a foreign goddess, Cybele was seen as the great goddess of the Eastern World.
The transgender or eunuch priesthood was uniquely Greek. Many of Cybele’s Greek cults held a rite to a divine Phrygian Shepard-consort of Attis. This joint cult of Cybele and Attis was found throughout Magna Graecia, with evidence of this cult in Gaul, modern day Marseilles and Lokroi in southern Italy during the 6th and 7th centuries B.C.E. Following Alexander the Great’s conquests of the known world, wandering devotees to Cybele became common place in Greek literature and social life.
The Greeks associating Cybele with the Minoan goddess, Rhea has led to a number of different male demigods becoming tied into Cybele’s mythology as attendants or guardians for her infant son Zeus, in the cave of his birth.
Within the Grecian cults, these different male demigods acted as the intermediaries, go-between, even messengers for the goddess and her mortal followers through the use of dreams, trances and ecstatic dances and song.
Some of these demigod messengers are:
Korybantes – Or Kouretes, a group of nine armed dancers who are the offspring of the Muse Thalia and the god Apollo. They used drumming and dancing to drown out the cries of an infant Zeus to prevent him from being discovered.
Corybantes – Simply the same group, only this is the Phrygian name for this group of dancers.
Dactyls – A group of magician-smiths who are sometimes the offspring of Rhea or they worked for the god Hephaestus. They were ancient smiths and healers who sprang into being as Rhea went into labor with her son Zeus.
Telchines – An ancient primordial race with dog heads and flippers for hands. They were best known for their metal working. A group of nine Telchines were employed by Rhea to raise her infant son Zeus.
Worship Among The Romans
To the Romans, Cybele was known as Magna Mātēr or “Great Mother.” In the Roman State, Cybele’s cult and worship was adopted after the Sibylline oracle said it would be an important religious factor during Rome’s Second Punic War with Carthage.
The Romans had some dire omens in the way of a meteor shower, failed crops and an impending famine. It should be noted that a second consultation with the Greek oracle at Delphi confirmed to the Romans that adopting Cybele’s cult and worship would be the right way to go in assuring victory.
Cybele’s arrival into Rome is marked by the arrival of the Pessinos’ black meteor stone from the neighboring Roman ally and Kingdom of Pergamum. Further, Roman legend connects the voyage of the meteor stone with a Claudia Quinta who was accused of being unchaste. When the ship carrying Cybele’s sacred stone became stuck on a sand bar in the Tiber River, Claudia prayed to the goddess for help. Proving her innocence, Claudia was able to single-handedly pull and tow the ship free of the sandbar. Shortly after, Rome’s fortunes changed with a successful harvest and their being able to defeat Hannibal, the then leader of Carthage.
Among the Romans, Cybele was rewritten to be a Trojan goddess and thus making her an ancestral goddess through the Trojan prince Aeneas. Many of Rome’s leading families claimed Trojan ancestry and this made for Cybele’s integration into the Roman culture and pantheon a sort of reunion with a Mother Goddess’ exiled people. Further Romanization of Cybele sees her identified with the goddess Ops, wife of Saturn and the parents of Jupiter.
Rome’s dominance over the Mediterranean and Europe, saw many of Cybele’s cults get Romanized and spread throughout the Empire. Just what the exact nature of Cybele’s cults and worship among the Romans has meant were greatly discussed and disputed in both Greek and Roman literature and even among modern scholars.
It is generally agreed that the addition of Cybele’s consort Attis and her eunuch priests known as Galli or Gallai and all the wild, ecstatic features of her worship from her Greek and Phrygian cults have been largely Romanized. Something the Romans were very good at when adopting the gods of other cultures into their own. Under the rule of Caesar Augustus, he built a large temple to Cybele on the Palatine Hill. The statue of Cybele found within this temple has the likeness of Augustus’ wife, Livia.
Big Three – Cybele’s worship in Rome became so popular that it would become one of the three, major and important cults within Rome. The other cults are the Cult of Isis and Serapis (Osirus) and Mithraism. All three of these cults would persist and last until Rome’s conversion to Christianity as a state religion. Under Emperor Constantine in the 4th Century C.E., he outlawed all other cults and the church of Magna Mater, Cybele ceased to be and saw heavy persecution and the destruction of her temples.
Castissima Femina – “Purest or Most Virtuous Woman” Claudia Quinta’s connection and involvement with bringing the worship of Cybele to Rome would become more glorified and embellished over the centuries. To the point of forming a small cult. Claudia Quinta would be shown in the dress of a Vestal Virgin in art. Imperial Augustan ideology viewed Claudia as the very ideal of virtuous Roman womanhood.
Criobolium And Taurobolium – While the Greeks may have had no problems with castration for initiation into Cybele’s Cults, the Romans did hold prohibitions to this practice that greatly limited who could be initiated into the cult. Around 160 C.E., it is known that Roman citizen who sought initiation could offer up two forms of animal sacrifice as an alternative to self-castration.
The first, Taurobolium, sacrificed a bull, considered to a potent and expensive offering. The high cost for this sacrifice ensured that only Rome’s highest social class could be initiated. The second, Cribolium, sacrificed a ram, seen as a more inexpensive and thus less potent offering. This sacrifice is more typical of Rome’s poorer social classes.
The Christian apologist, Prudentius gives a description of these sacrifices where a priest stands in a pit under a slatted wooden floor. When the acolytes killed the bull with a sacred spear. The priest will come out from the pit, covered in the bull’s blood, much to the applause of spectators. This is atypical of Roman sacrifices as what is more likely to have happened with a sacrifice is that the blood is carefully collected and offered up to the deity along with the animal’s reproductive organs.
Both the Criobolium and Taurobolium are not linked to any specific religious celebration with Magna Mater, though they clearly have the same symbolism seen with the observance of Hilaria, March’s “Holy Week” that celebrates and honors the death and rebirth of Attis. Later, during Rome’s Imperial era, many of Attis’ initiates come from the deeply religious and wealthy citizens and not necessarily for the worship of Cybele.
Galli – This is the name for Cybele’s priesthood during Imperial Rome. They were eunuch priests who practiced castration as a sign of their devotion to the goddess Cybele. The Galli castrated themselves in service to Cybele as they thought that doing so would give them the powers of prophecy. After castration, they would dress as women, keeping their hair long and adopting female mannerisms and appearances. The Galli also wore a tall cylindrical hat called a polos. It is known the Galli held orgiastic rituals accompanied by loud cries and the loud noise of flutes, drums and cymbals. While there are certainly the male priests who wore women’s clothing, in some regions there were also known to be female priestesses devoted to Cybele.
In Servius’ account, Attis is the founder of this priesthood with the highest ranking Gallus taking the name of Attis. The more junior Galli was known as Battakes. The Galli located at Pessinus were very politically influential among the Roman Senate.
In Rome, the Galli were forbidden citizenship and the rights of inheritance, as they were eunuchs and unable to have children. This was a very stark contrast to many other priests of other Roman gods who did have families and raise children, particularly of the more senior priests.
The Galli are thought to have castrated themselves in keeping with the myth of Attis where he castrates a king for their unwanted sexual advances and gets castrated in turn by the dying king. Cybele’s priest would have found Attis at the base of a pine tree where he dies and they proceed to bury him. In memory of Atti’s passing, the priests are believed to have emasculated themselves and added him to the celebrations and rites for the goddess Cybele. In Hellenistic Greek, a poet refers to Cybele’s priests as Gallai, a feminine form of the name. The Roman poet Catullus refers to Attis in the masculine form of his name until he is castrated. Catullus then refers to Attis in the feminine form of his name thereafter. Different Roman sources refer to the Galli by a third gender of medium genus or tertium sexus when mentioning them.
During the Megalesia festival, the Galli were allowed to leave their temple under Cybele’s law and go out into the streets begging for money. The standard of dress that the Galli wore, marked them as outsiders to the Roman people. Despite their effeminate dress and mannerisms, the Galli were considered sacred and inviolate as they were part of a state Cult. The Roman prohibitions of castration made the Galli a clear image of curiosity and scorn. The Galli were a constant presence within Roman cities even into Rome’s Christian era.
Parentage and Family
Dindymene – In Phrygian mythology, she with King Maeon, is the mother of Cybele. Otherwise, the name of Dindymene is sometimes seen as just an alternative name for Cybele.
Maeon – (Also spelt Meion). A King of Phrygia and Lydia, with his wife Dindymene, fathered Cybele.
In this version of the myths, Cybele was left out, exposed on Mount Cybelus to die. However, leopards came and suckled Cybele, allowing her to survive.
Zeus & Gaia – Pausanias identifies Cybele’s parents as being the Phrygian Sky-Gods and Earth-Goddess whom he names as having been Zeus and Gaia.
Attis – A vegetation bull-god. In the very conflicting and varying stories, Attis is both Cybele’s son and consort.
Midas – As in King Midas of the golden touch. He is sometimes shown to be a consort of Cybele. Though he is definitely regarded as a leader to Cybele’s cult.
Cybele is ultimately the mother and grandmother to a good many deities of the Roman Pantheon.
Cronos – When Cybele is identified with Rhea, she is the mother of Alce, Midas and Nicaea.
Gordius – With him, Cybele is the mother of Midas, when he’s not shown as her consort.
Iasion – With him, Cybele is the mother of Corybas (also spelt Korybas). Iasion is the Samothrakian for Cybele’s consort Attis. Corybas is the first of the Korybantes who will later stand guard over the infant Zeus.
Olympos – With him, Cybele is the mother of Alke-Kybele
Sabazios-Dionysos – Some versions of his birth place him as Cybele’s son instead of Hera/Juno’s child.
A Crisis Of Identity
While Cybele has her origins in Anatolian and Phrygian culture and mythology; her being imported and adopted by other cultures in the Mediterranean has led to a good many other goddess being identified with Cybele or seen as alternative names and epithet.
The most notable is that of the Greek Goddess Rhea, who is also a Mother Goddess. Many of her myths have become intertwined with those of Cybele’s over the years.
Other goddess who have been equated and identified with Cybele are the Roman Goddess Ops, the wife of Saturn, the Egyptian goddess Isis, a minor local goddess or nymph Idaea and the Greek goddess Demeter.
Cybele And The Sibyls
Due to the similarity in the how the names sound, there tends to be a lot of associating the Sibyls as potential female priests and oracles for Cybele. While female oracles, the Sibyls could claim patronage to any deity and not necessarily Cybele. Most seem to follow the Greek god Apollo as he is a god of Prophecy.
Many Sibyles would prophesy at holy sites and they were originally at Delphi and Pessinos, following chthonic deities. And yes, Pessinos is where Cybele originated from when the Romans brought her black stone and statue back home. So there just might be a real connection.
Agdistis – Hermaphrodite – The Birth Of Cybele
Anatolian Goddess – Before the drastic changes to her myth, Agdistis had been a benevolent goddess of healing. Accepted for as they are until later changes are made and forced to this goddess as she and many others are absorbed into the larger myth of Cybele and adopted by other cultures, namely Greece and Rome.
When taken as a separate deity from Cybele, Agdistis is of mixed Anatolian, Greek and Roman mythology. They are a hermaphrodite or androgynous being; having both the male and female sexual organs. This dual nature of Agdistis made them symbolic of the wild and uncontrollable nature. This is an aspect that was seen as so threatening to the other gods that they sought to destroy Agdistis. The one explanation found or given is that Agdistis, being a hermaphrodite, held a huge sexual appetite and the gods were unable to handle it. They felt that this being could and should only be one gender or the other and for the gods, it was easier to remove the male sexual organs.
There a lot of ancient inscriptions that plainly and clearly show Agdistis as being separate from Cybele. However, later, Agdistis’ name would become one of Cybele’s many epithets. A common occurrence for many localized gods and goddess of Phrygia as the gods were imported into Greece and then Rome and many deities of a foreign place were often seen as being the same god, just known by another name.
There are multiple versions of the story for how Agdistis is attacked by the other gods and is castrated, how Attis is born and that Agdistis, now Cybele falls in love with the youth, promising to make him immortal.
How in some versions, Attis is punished for falling in love with is mother, how instead of keeping his vow to Cybele to only follow her, that he falls in love with another and that a jealous, angry Cybele drives Attis and the other guests at a wedding mad. How after, regretting her actions that she pleads to Jupiter/Zeus to restore Attis. One version of the story has both Agdistis and Cybele as separate beings who both fall in love with Attis.
The Greek Version – In this version of the myths, Cybele was raped by Zeus and gave birth to Agdistis. It should be noted, that Attis is very strongly and likely an invention and addition to Cybele’s myth.
As a deity separate from Cybele, Agdistis was a mountain deity found on Mount Dindymus near the city of Pessinus.
The Roman Version – In one version of the myths, Cybele, known as Agdistis is thought to have been a hermaphrodite, having been born of the earth where Jupiter’s sperm fell. The gods castrated Agdistis who then becomes the goddess Cybele. Where the severed pieces of Agdistis’ manhood fell, an almond tree grew. The fruit of this tree impregnated the nymph Nana when she placed an almond on her womb. Or more likely, that she ate an almond. Nana later gave birth to the god Attis. The baby Attis was abandoned by Nana as she was afraid of her father. The baby was discovered and saved by shepherds. Attis would grow up to become Cybele’s lover.
Pausanias’ Version – Pausanias identifies the Phrygian Sky-God and Earth-Goddess as being Zeus and Gaia.
In Pausanias’ version of the story, while sleeping, Zeus had some of his sperm fall on the ground. This of course created a Daimon that was hermaphroditic having the sexual organs for both male and female. This Daimon would be called Agdistis, another name for Cybele. The other gods feared Agdistis and cut off the male organs. This proceeded to create an almond tree. The daughter of the river Saggarios then took the almond fruit and held it to her bosom where it vanished. The daughter would find later that she was pregnant and give birth to Attis.
A slight variation to this story is that while Gaia, as the Great Mother slept on a rock called “Agdo,” the god Zeus raped Gaia and brought about Agdistis birth.
Other variations yet have either Dionysus or Liber who make a potion to put Agdistis to sleep so they can castrate them by tying his genitals to his foot so they’re ripped off when Agdistis stands.
Depending on the version of the story read, there are different accounts to the sequences of events and who is involved, a river nymph or king’s daughter that Attis marries.
It certainly reads as a very conflicting story that will vary by which author relates it. There’s been a good many changes to the story, especially considering how much Attis is a later addition that is largely added-on by the Romans.