Category Archives: Monster
This one took me a while to be satisfied with sources that were beyond just one or two sources.
Basically, Nana Miriam is who helps the hero Fara Maka to defeat a monstrous hippopotamus.
Parentage and Family
This one can get a little odd and confusing as it depends upon the narrative and who’s telling the story.
Fara Maka – When the story is told by the Soroko, he is the father of Nana Miriam.
Faran Maka – Or Fara Maka, among the Mali people, he is Nana Miriam’s spouse.
What’s In A Name?
This is a tidbit I found interesting. The name Nana Miriam is an Islamicized version of the original name. In addition, the name Nana is used as a title for older women. During the African Diaspora, Nana became a name for grandmothers.
Among the people of Mali, Fara Maka is a hero who slew a monstrous hippopotamus known as Mali. But he doesn’t do it without help!
The short version –
Mali had eaten all of Fara Maka’s crops. Fara Maka tried to kill the monster hippo using his spear and sending out as many 120 black hounds to attack the beast. Fara Maka failed and was eaten in the process by some accounts. His wife, Nana Miriam used a spell to paralyze the monster Mali and finally defeated it.
The long version –
As told by the Soroko of Niger, a long time ago there was a monstrous hippopotamus by the name of Mali that would eat all of the crops before they could be harvested.
The Soroko banded together to attack and take out this monster. To their dismay, none of their spears could hurt the giant hippo. The spears would fall away harmlessly or fall into fiery pots hanging around the Mali’s neck.
To make matters worse, Mali was also a shapeshifter and would change into the forms of a crocodile, manatee or other creatures to get away.
Even the greatest hunter among them, Fara Maka was unable to defeat Mali. Fara Maka went after Mali with seven spears and all of those melted in the hippo’s fire pots.
Not giving up, Fara Maka went to get the help of a fellow hunter, Kara-Digi-Mao-Fosi-Fasi (sometimes he’s just called: Karadigi). Kara-Digi brought 120 hunting dogs with him to help take down the monster hippo. Each dog was chained to the other and as big as a horse.
In the Soroko story, Mali is able to talk, which makes sense given its supernatural nature with shape-shifting and being so huge; seeing Fara Maka with Kara-Digi and his dogs, the monster hippo laughed and taunted them, stating that a rat couldn’t make a cat accountable. At which, Mali then proceeded to eat all 120 dogs.
Crushed and thoroughly defeated, the two men returned to Fara Maka’s home where they were met by Fara Maka’s daughter, Nana Miriam. Now it is said, that for as ugly as Fara Maka was, Nana Miriam was just that beautiful. Like her father, who taught her of course, Nana Miriam knew magic and her abilities far out striped Fara Maka’s magic. Seeing the despair on her father and his friend’s face, Nana Miriam decided to take matter into her own hands to do something about stopping Mali.
Like any parent who loves their child and there’s a vicious monster out there, Fara Maka is understandably upset that his daughter wants to go out and face off with Mali. No, just no. Kara-Digi takes the approach of telling Nana Miriam that she’s just a girl and should listen to her father. Of course, from Nana Miriam’s perspective, what Kara-Digi likely sounds condescending, that she’s weak and can’t do it and with her father, that need for independence and showing that, yes, she can do this.
So, grab the spear and a juju (magic) bag and off, out the door Nana Miriam goes in search of this monstrous hippo, Mali. It doesn’t take our heroine long to find Mali and the two get into a verbal spat wherein Mali taunts Nana Miriam that she can’t hurt him.
A magical battle follows, first Mali creates a giant wall of fire around himself that Nana Miriam counters with some powder from her juju bag that turns the flames to water. Next, Mali lets out a loud shout, creating a great iron wall to separate them. This, Nana Miriam counters by pulling a hammer from her bag and breaks through the wall.
Worried that he may have met his match, Mali transforms into a river and starts to flow towards the larger Niger river. Nana Miriam pulls a bottle of lotion from her juju bag that she flings at the river to dry it up, forcing Mali to retake his animal form.
Around this time, Fara Maka and Kara-Digi return to see Nana Miriam kill the monstrous hippopotamus. When the two arrived, Mali charged towards Fara Maka. Seeing the hippo barreling towards her father, Nana Miriam leapt in front of Mali. She proceeded to grab the monster’s leg and with enough force and momentum; Nana Miriam swung Mali up over her head, hurling him off into the distance.
Now, depending on the version of the story told, Nana Miriam either threw hard enough that he circled the earth three times or that it would take ten years of marching to reach where Mali finally landed. Either way, Mali was dead.
Nana Miriam wasn’t stopping there, she next told the villagers to leave their hunting gear home and to get ready for a vast quantity of food to arrive soon. Taking a magical egg from her juju bag, Nana Miriam threw it into the Niger river. Once the egg hit the water, it caused every hippo within it to die and the villagers had food a plenty to eat for a while.
Well, there was still one hippo left after all this, one who was pregnant. As Nana Miriam prepared to make short work of this one like she had all the others, Fara Maka intervened. He stepped in front of his daughter and said that if Nana Miriam killed all of the hippos, that there would be none left later for people to eat. Nana Miriam relented and allowed the last hippo to live. This hippo would go on to become known as the Mother of Hippos.
Variations to the story –
Some variations have Nana Miriam getting the egg she tosses from her father, Fara Maka.
Another variation has her using a spell to paralyze Mali before killing him. In this version, Fara Maka is her husband, not father.
Among the Soroko, whenever people go hunting hippopotamuses, they will chant Nana Miriam’s name over the charm as they make it.
Other Names: Christmas Cat, Yule Cat
The Jólakötturinn or Yule Cat is a monstrous feline heralding from Icelandic folklore. It is a huge and fearsome cat that stalks the countryside of Iceland during the month of December. Those unfortunate enough to cross paths with the Yule Cat and who have not received a new article of clothing by Christmas Eve will find themselves eaten.
The Yule Cat is a black cat who is able to grow in size in order to feed on its victims. When huge, the Yule Cat towers over the tallest homes as it prowls the Icelandic countryside during Christmas night. It will look through windows to see who has gotten new clothes or not.
The Yule Cat is infamously the ogress Grýla’s pet. Grýla herself is known for terrorizing and eating children who misbehave, especially at Christmas time. Her sons, the Yule Lads started off not being much better with their variety of mischief and pranks they cause.
Dark Ages – Autumn Wool
According to one source, a monstrous cat eating people comes from farmers using this threat to give incentive to their workers to get the autumn wool in before Christmas. Those who did so would receive new clothes, while those who didn’t would fall victim to the Yule Cat.
This belief is also likely a way to explain that those who don’t have good warm clothing to protect against the cold of Iceland’s winters weren’t likely to survive.
The Yule Cat Poem was written by the poet, Jóhannes úr Kötlum in 1932, this poem describes and makes popular the Yule Cat who eats those who don’t receive new clothing before Christmas.
The following is Kötlum’s poem in English:
You all know the Yule Cat
And that Cat was huge indeed.
People didn’t know where he came from
Or where he went.
He opened his glaring eyes wide,
The two of them glowing bright.
It took a really brave man
To look straight into them.
His whiskers, sharp as bristles,
His back arched up high.
And the claws of his hairy paws
Were a terrible sight.
He gave a wave of his strong tail,
He jumped and he clawed and he hissed.
Sometimes up in the valley,
Sometimes down by the shore.
He roamed at large, hungry and evil
In the freezing Yule snow.
In every home
People shuddered at his name.
If one heard a pitiful “meow”
Something evil would happen soon.
Everybody knew he hunted men
But didn’t care for mice.
He picked on the very poor
That no new garments got
For Yule – who toiled
And lived in dire need.
From them he took in one fell swoop
Their whole Yule dinner
Always eating it himself
If he possibly could.
Hence it was that the women
At their spinning wheels sat
Spinning a colorful thread
For a frock or a little sock.
Because you mustn’t let the Cat
Get hold of the little children.
They had to get something new to wear
From the grownups each year.
And when the lights came on, on Yule Eve
And the Cat peered in,
The little children stood rosy and proud
All dressed up in their new clothes.
Some had gotten an apron
And some had gotten shoes
Or something that was needed
– That was all it took.
For all who got something new to wear
Stayed out of that pussy-cat’s grasp
He then gave an awful hiss
But went on his way.
Whether he still exists I do not know.
But his visit would be in vain
If next time everybody
Got something new to wear.
Now you might be thinking of helping
Where help is needed most.
Perhaps you’ll find some children
That have nothing at all.
Perhaps searching for those
That live in a lightless world
Will give you a happy day
And a Merry, Merry Yule.
It goes without saying, that in Iceland, families will be sure to give gifts of new and warm clothing for Christmas. If not, the Yule Cat is sure to catch and eat that person.
Further, children are encouraged to finish their chores before Christmas to receive new clothing or else face the Yule Cat’s hunger if they failed to do so. Though sometimes the Yule Cat will just eat a child’s diner, so they go to bed hungry or just take their gifts.
Making sure that no one gets eaten by the Yule Cat, giving clothes to the less fortunate as a means to promote generosity is done in Iceland.
So, the next time you receive socks or a sweater for Christmas from that one relative, just remember, they love you and don’t want the Yule Cat to eat you.
Etymology – “Growler,” “Threat” or “Threatening,” possibly “Bugbear”
Grýla is the name of a popular and famous Christmas Witch, Ogress or Troll found in Icelandic traditions. Stories and imagery for Grýla can also be found in the Faroe Islands. She is used by parents to scare naughty children into behaving.
The earliest translation for Grýla’s name, likely comes from the Sverris saga in the late 1100’s where the author has a section titled Grýla and goes on to explain that it means: “Bugbear.”
This ogress lives up in the mountains of Iceland. She is said to have hooves for feet and thirteen tails. Always in a foul temper with an insatiable hunger, especially for children, Grýla will descend from her mountain in search of bad children. She will put the children into a large sack to carry back up to her mountain cave to boil alive in a stew.
The descriptions for Grýla vary widely as some accounts saying she is half troll, half animal, that she has 300 heads with three eyes on each head. Other accounts will say she has bad nails, fangs, eyes in the back of her head and horns like a goat, that her ears hang down to her shoulders and are tied to her nose. Further accounts will say her chin is bearded and that her teeth are black like charcoal.
Grýla is described as having the ability to detect naughty children all year-round. It is during Christmas time that she will come down from her mountain home to find naughty children in local towns to take back and boil alive in her cauldron. Those children who have behaved or who have repented of their misdeeds, Grýla is unable to take or must release.
Snorri Edda – Written in the 13th century by Snorri Sturluson, Grýla is among the names of female trolls listed in his saga. Grýla is a cannibalistic mountain ogre or troll. Even in this early writing, Grýla is used to scare bad children into behaving lest she come down from her mountain cave to devour them. Sturluson’s Sage, Grýla has fifteen tails and on each tail, there are a hundred ballons and each balloon holds twenty children.
Þjóðsögur Jóns Árnasonar – “The Folklore of Jón Árnason” gives a description of both Grýla and her husband, Leppalúði. Both of these fiends are cannibalistic trolls who mostly prey on children. Found within the Folklore of Jón Árnason, is a poem that mentions both Grýla and Leppalúði having nineteen children.
Grýla has had three different husbands. Out of boredom or spite, she killed her first two husbands.
Gustur – This is the name of Grýla’s first husband whom she killed and ate out of boredom.
Boli – This is the name of Grýla’s second husband with whom she bore many children with. Boli is noted as having been a cannibal and died of old age. Sometimes Grýla kills and eats him too.
Leppalúði – He is Grýla’s current and third husband and the father of the Yule Lads. Leppalúði is known for being very lazy. He lives in their cave found in the Dimmuborgir lava fields. Aside from the Yule Lads, Grýla and Leppalúði also have twenty other children.
Leppalúði had an affair with a girl by the name of Lúpa while Grýla was very ill and bedridden for an entire year. The girl, Lúpa was to play nurse to Grýla while she was sick. It’s no small wonder than, that when Grýla finds out that Leppalúði and Lúpa had an affair, resulting in a son by the name of Skröggur, that the trolless would become enraged and drive the girl and her son off from the cave.
The last children Grýla had with Leppalúði, when she was 50 years old, were twins. The twins died very young and still needing a crib.
Having been married a few times, Grýla has some 72 children who are responsible for a variety of mischief and trouble. All ranging from harmless pranks to outright murder.
Jólasveinarnir – The Yule Lads, in the 17th century, when Grýla became associated with Christmas, she was assigned to be the mother of the Yule Lads. There are 13 Yule Lads who started off causing all sorts of mischief and trouble. Overtime and influenced by the American Santa Claus tradition, the Yule Lads became associated with gift giving and will leave either a gift of sweets ore a rotten potato in a shoe left on the window sill depending on a child’s behavior.
Jólakötturinn – The Yule Cat, as if children aren’t enough, Grýla also has a monstrous giant black cat for a pet. The Yule Cat will prey upon children and adults alike who have not received the gift of a new article of clothing. The Yule Cat will swell to a monstrous size before tearing apart its victim. So make sure your Nana or favorite Aunt has sent you a new article of clothing for Christmas. Even if it’s a pink bunny outfit, it will keep the Yule Cat from eating you!
Dark Winter Spirits
This ties into why Grýla is said to have so many children. With Grýla’s pre-Christmas traditions, she and all her numerous children are the dark, dangerous and capricious spirits of Winter. This time of the year, the weather is colder, the nights longer and it’s just more treacherous to go out into the wilderness if one is not prepared or wary.
Jól – The midwinter holiday that predates the modern Christmas, marks a time of people gathering together to feast and celebrate family both living and deceased. This older holiday is generally darker as elves, trolls and other mystical creatures that inhabit the Icelandic countryside are also out and would sometimes come to visit homes and farms, often as masked figures.
The character of Grýla was certainly one of these dark, spooky spirits who would come down from the mountains as a personification of Winter and the danger that comes with it. Another point of note, given Grýla’s insatiable appetite, is that she is closely related to the fear of hunger that the long, dark winter months can bring.
Grýla became associated with the Icelandic celebrations for Christmas in the 17th century. At this time, she was given the role of being the mother of the Yule Lads who bring either a gift or a rotten potato. When children get so frightened of going out for fear of being eaten that the government has to step in and ban parents from using Grýla as a fear tactic, you know you have a really scary badass that you just don’t mess with.
It has been suggested by Terry Gunnell that the tradition of Grýla may come from that of the Julebukk or Yule Goat and that her name may mean “threat” or “threatening.”
In her role as a Christmas Ogre, Grýla still hunts out misbehaving children to kidnap and eat. Later stories will sometimes have Grýla and Leppalúði die from starvation as they’re unable to find any naughty children. Though occasionally the two aren’t averse to eating adults either.
A more modern convention of the twentieth century, Grýla’s sons, the Yule Lads image softened and became more friendlier, adopting some of the Dutch tradition of leaving a shoe out so that the Lads could leave a gift if a child was good and a rotten potato if a child was bad in the thirteen days leading up to Christmas.
A satirical news site, The Onion blamed the 2010 eruption of the Eyjafjallajökull volcano on Grýla.
Also Known As or Spelled: Slenderman, Slendy, Fear Dubh (or, The Dark Man; Scottish) Takkenmann (Branch Man; Dutch), Der Großmann or Der Grosse Mann, Der Grossman (the Tall Man; German), Der Ritter (the Knight), Thief of the Gods, Thief of Kuk
The figure of Slender Man is relatively new in the Urban Folklore landscape, making it a 21st century Boogyman. This being’s first appearance was on June 10th of 2009, having been created by Eric Knudsen, using the name “Victor Surge” in the Something Awful forum for a photoshop contest. The idea had been to create an Urban Legend so believable it would take on a life of its own, which it certainly has.
Much of the early photos and videos showcasing Slender Man claim to be “found footage” much in the style of a movie like the Blair Witch Project. Knudsen has claimed a number of sources for inspiration into Slender Man’s creation. Most notable of which seem to be the Tall Man from the 1979 movie Phantasm, survival horror video games like Silent Hill and Resident Evil to the works of H.P. Lovecraft, Stephen King, Zack Parson and William S. Burroughs.
Slender Man is often shown as an unnaturally tall and thin man wearing a suit with equally long thin arms and featureless face. The Slender Man is often shown having several tentacles extending from its back.
Exactly what powers Slender Man has, varies a bit with these numerous stories and narratives that seems to have taken the internet by storm. Many of stories will show Slender Man preferring the forests and abandoned locations.
Many will say it can teleport or “slender walk,” an effect that distorts how a person views and sees Slender Man as it approaches its victims. Other stories have the presence of Slender Man causing paranoia, delusions and nightmares as it stalks its victims. In some of the stories, adults are driven insane by Slender Man’s influence, becoming “Proxies” who work for this entity. The web series Marble Hornets are who originated the idea of the Proxies, though sometimes they were people already violently insane and didn’t need much of a push. This video series also has Slender Man’s presence able to distort any video or audio recordings. Other stories say that just researching and investigating the Slender Man draws its attention. Slender Man also seems to hold some sort of either hypnosis or mind-control on its victims. It seems to have invisibility or selective enough invisibility in who it lets see them.
A term used on-line for scary stories, the concept of Slender Man went viral with many people creating their own takes and adding to the mythology. There have been many different stories since its creation involving Slender Man with numerous videos and pictures all claiming to “evidence” of this mysterious being. Many of the stories have Slender Man stalking, terrorizing and abducting people, especially children.
Despite having only been around a few years, Slender Man’s immediate popularity has seen it become used and reference in various media from literature, art to video games and T.V. Naturally YouTube is one such source of people finding and watching “found footage” style videos claiming Slender Man sightings and evidence. Rather than use graphic violence and splatter horror, the stories of Slender Man work more to try and invoke a psychological scare, leaving much of exactly what Slender Man is a mystery or vague as to what happens to victims. Early stories involving Slender Man have it impaling victims on tree branches, removing organs and replacing them back in the body bagged up. Such stories don’t hold fear for long than if the victims just vanish without a trace.
Slender Man Folklore & “History”
As Slender Man became more popular and people began adding to its mythos, the reality and fantasy of this being quickly became distorted.
Brazilian Cave Paintings – This one claims that cave paintings were found in the Serr da Capivara National Park in the Northeast of Brazil dating to around 9,000 B.C.E. The paintings supposedly show a strange, elongated figure leading a child by the hand.
Der Grossman – Meaning “Tall Man,” this is part of the made-up history by “Thoreau Up”, set in 16th century Germany that shows photographs of wood cuts showing an early Slender Man. These woodcuts are credited to Hans Freckenberg who called the figure Der Ritter (“The Knight”).
Further legends attached to this have stories of children seeing this entity or fairy in the Black Forest before disappearing. Bad children who went into the forest at night would be pursued by Der Grossman who wouldn’t let up until it either caught the children or the children confessed of their wrong doings to parents.
One story claimed to be from 1702 is that of a father telling of his son Lars who has been taken. The only thing they had found was a strange piece of black cloth, somehow softer and thicker than cotton. That Lars came into his room screaming of how the angel, Der Grossman was outside his room. Lars continued his story of having gone to one of the groves near the village where he found one of the cows dead, hanging from a tree. The story ends with the father saying they have to find Lars and his family must all leave before they are killed too.
Egyptian Hieroglyphs – Another claim for ancient “archaeological” evidence of Slender Man comes with Hieroglyphs dating from 3,100 B.C.E. with references during Pharaoh Wazner’s reign. The only problem with the mention of a tomb for the Pharoah, is that Wazner is known only from inscriptions on the Palermo Stone from Egypt’s fifth dynasty and that speculation posits that Wazner may be a mythical ruler and likely fictional himself. So, I’m doubting any tomb hieroglyphs showing Wazner and Slender Man meeting up.
English Lore – The Tree Man is an English myth that appears to describe a tall, slender figure with numerous appendages that stick out of the body like tree branches. This Tree Man is used as a boogey man by parents to scare children into behaving. In addition to stories about this Tree Man are the disappearances of a number of children.
Romanian Tale – There is an alleged Romanian folktale about twin sisters Sorina and Stela who were led out into the woods one day with their mother. The twins could see Der Grossman nearby, dressed as a nobleman with boneless arms. The mother fell under Der Grossman’s influence and told her daughter Stela to take a knife and carve a circle on the ground that Sorina was to then lay in so she could be cut open. Stela refused and ran home to hide under a bed.
When the father returned home, Stela told him of what happened. Hearing the tale, the father set off immediately into the forest to find the mother and Sorina. Falling asleep, Stela was awakened later to a knock at the door and a voice calling for her to open the door, it was her father. When the Stela refused, the voice called again to open the door, it was her mother.
Refusing to answer the door still, this time it burst open and Stela’s mother came in, holding the severed head of Sorina in one hand and the father’s head in the other hand. When Stela cried out why, the mother replied it was that there was no reward for goodness in the world, nothing but cold steel teeth and fire for everyone. That it is coming for you now.
It is then the Der Grossman slid out from the fireplace and clutched Stela to his burning self, ending her life.
That does make for a rather gruesome tale.
Photographs – There’s an interesting assortment of altered photographs that claim to be images of Slender Man that date from the early 1900’s from the US, UK and Russia, linking it to the disappearances of children. Photos and Videos from the 1990’s and after all claim further evidences and proof of Slender Man as various people continue to add to the mythos.
The Rake – While not Slender Man itself, newer stories have been adding stories of this figure to accompany Slender Man on its stalking of terror, instilling fear into those who see it.
There’s been a few other characters added who seem similar to Slender Man or aid him, but these seem more like “up the ante” characters to keep the suspense and fear going.
Slender Man Panic
For all that Slender Man is a modern, Urban Legend and story, it crossed the line from fantasy to reality when a couple girls in 2014 attempted to murder a fellow 12-year old girl in Waukesha, Wisconsin. If you hadn’t heard of Slender Man before then, people knew about him now. A panic ensued as parents tried to better monitor what their children were looking at on-line and knew the difference between fantasy and reality.
Clearly a well written and crafted story takes on a life of its own.
Modern Folklore & Urban Legend
An interesting take I found on this, is from Professor Shira Chess. In her book: “Folklore, Horror Stories, and the Slender Man: The Development of an Internet Mythology,” Professor Chess discusses how Slender Man is like the folklore regarding fairies. For just like fairies, the Slender Man is an otherworldly being whose motives are alien and therefore difficult to understand. Like the fairies, Slender Man is vague in appearance and often takes on the expectations of a victim’s fears. Again, just like the fairies, the Slender Man too lives in the forests and kidnaps children. It’s an interesting connection and observation.
One thing seems clear, the stories of Slender Man have spread much like other Urban Legends have and achieved a folkloric quality in the digital age where people have been able to take and adapt the mythos to suit their needs. It’s that vagueness of the Slender Man stories where you don’t know what it is or wants, that has made the stories of Slender Man so malleable with details that are easy to adapt to anytime and place that suits the storyteller’s needs.
That’s what makes any urban legend successful or appealing. Their ability to be told anywhere, that it could happen here, in this very town, very location, at any time. Even better, is when the people hearing the story don’t know the urban legend’s origins and how it got started. Humans by our very natures are hard wired for storytelling. The simplicity of urban legends makes them easy to pass on as they’re a story told by third and fourth-hand accounts that keep the story going to the point that no one knows where it started.
With the Internet, it’s easy to fake photos, videos and news reports. Making Slender Man seem all the more real and plausible for a less discerning reader. Even with people knowing how to find and track the origins of Slender Man’s origins, there’s another group who just won’t look further and appear to accept the photo and video evidences as authentic. Maybe for a good scare or the susceptibility to want to believe.
Where many monsters in mythology and folklore represent an aspect of the human psyche, however dark. Professor Chess has commented that Slender Man can be seen as a metaphor for “helplessness, power differentials, and anonymous forces,” and as ever, as always, the fear of the unknown, things beyond people’s control. Given the narrative for much of the Slender Man mythos, that seems very likely.
Like any fear, such a being only has as much power as you give it. It’s been commented how this day and age of the Internet has allowed for such stories like Slender Man’s to go viral. As with any good, well written horror story, enjoy it. Just be careful of what you create and how far you let that fear go to feed it.
Alternate Spellings: Κηφεύς Kepheús (Greek)
Pronunciation: sē-ˌfyüs or sē-fē-əs
In Greek mythology, Cepheus is the name of two rulers for Aethiopia; a grandfather and grandson. Regarding the more famous story for Perseus; his freeing Andromeda and constellation, it is the grandson, King Cepheus, the son of Agenor who is the more well known.
The constellation representing Cepheus is often portrayed as a monarch sitting on his throne with his arms held up and his feet pointing towards the north pole. In the night sky, Cepheus is found to the west of the Cassiopeia constellation where it appears to be circling the pole star every night.
Story Of Perseus
In Greek story of Perseus, Cepheus was the king of Acrisios or Aethiopia, the husband of Queen Cassiopeia and the father to Andromeda. For the Greeks, Cepheus is known as the father of the Royal Family.
The story begins when Cassiopea started bragging about how Andromeda was more beautiful than the Nereids. This kind of attitude of extreme arrogance and pride, especially when a person claims to be better than the gods, creates what’s known as hubris.
Offended by Cassiopeia’s remarks, the Nereids approached Poseidon and complained, asking him to punish this mortal woman. Poseidon agreed and he sent a flood as well as the sea monster Cetus (or Kraken) to destroy the coastline of Aethiopia.
After consulting with the oracle of Ammon (identified by the Greeks with Zeus,) located at an oasis near Siwa in the Libyan desert, Cepheus was told that he would be able to end the destruction of his country by giving up his daughter Andromeda in sacrifice to Cetus. At the urging of his people, Cepheus had Andromeda chained to a rock by the sea to await her fate.
Luck was with Andromeda, for the hero Perseus was flying by on the Pegasus and on seeing her, he flew down to ask her why she was bound to the rocks. Andromeda told her story to the hero Perseus.
After hearing the story, Perseus went to Cepheus, saying he could save Andromeda from the sea monster and that in return, he wanted her hand in marriage. Cepheus told Perseus that he could have what he wanted.
At that, Perseus then, depending on the accounts given, pulled his sword and found a weak spot in the scales of the sea monster Cetus or he used the severed head of Medusa to turn the monster to stone.
In either event, the monster was slain, Perseus saved Andromeda and a grateful Cepheus and Cassiopeia welcomed them to a feast where the two were married.
The story doesn’t completely end there as it seems Andromeda had also been promised to her uncle Phineus to marry. This wouldn’t have been disputed or contested if Phineus had been the one to save Andromeda and slay Cetus himself. So Phineus picked a fight with Perseus about his right to marry Andromeda at the wedding.
After slaying a Gorgon and a Sea Monster, a mere mortal man is no challenge for Perseus who once again pulls out Medusa’s head and turns Phineus to stone. Given variations of the story, sometimes this is when Cepheus and Cassiopeia are also turned to stone when they accidentally look at the gorgon’s severed head. With Phineus now dead, Andromeda accompanies Perseus back to his home Tiryns in Argos where they eventually founded the Perseid dynasty.
Some accounts give that Perseus and Andromeda had seven sons and two daughters. Others place this count a little differently saying its seven children all together, six sons and one daughter. Most accounts agree that the eldest son, Perses founds his own kingdom and becomes the ancestor to the kings of Persia. A variation to this account is that Perses was adopted by his grandfather Cepheus and named an heir to the throne.
Eventually, years later, as the major figures of the storied died and passed away, the goddess Athena placed Cepheus and the others up into the heavens as constellations to immortalize and commemorate this story.
In another account, because Cepheus was descended from one of Zeus’ lovers, the nymph Io, that earned him a place in the night sky.
Further, it is the god Poseidon who places both Cepheus and Cassiopeia up into heavens to become constellation.
Hyginus’ Account – By his account, Cepheus’ brother is Agenor who confronts Perseus as he was the one to whom Andromeda had been promised in marriage. So, this is who Perseus ends up killing instead of Phineus.
Aethiopia or Ethiopia?
The accounts can vary and much of this owes to some lack of clarity among the ancient Greek Scholars and Historians. Homer is the first to have used the term Aethiopia in his Iliad and Odyssey. The Greek historian Herodotus uses the name Aethiopia to describe all of the inhabited lands south of Egypt. The name also features in Greek mythology, where it is sometimes associated with a kingdom said to be seated at Joppa, (what would be modern-day Tel-Aviv) or it is placed elsewhere in Asia Minor such as Lybia, Lydia, the Zagros Mountains, and even India.
Modern-day Ethiopia is located on the horn of Africa and has some tentative ties to the legend of Andromeda. The Egyptian priest Manetho, who lived around 300 BCE called Egypt’s Kushite dynasty the “Aethiopian dynasty.” And with the translation of the Hebrew Bible or Torah into Greek around 200 BCE, the Hebrew usage of “Kush” and Kushite” became the Greek “Aethiopia” and “Aethiopians.” This again changes later to the modern English use of “Ethiopia” and “Ethiopians” with the arrival of the King James Bible.
Given the way that Countries, Empires, Kingdoms and Nations rise and fall, expand and shrink, it’s very well possible that both Aethiopia and Ethiopia are one and the same and that modern-day Tel-Aviv once known as Joppa (Jaffa) may have once been part of Ethiopia. Some sources cite Joppa as having been a city of Phoenicia. There is a lot of history that has been lost to the sands of time that can only be guessed at and speculated upon.
Descendant Of Poseidon
Sometimes the genealogies of Greek characters can get a bit confusing depending on when and who is giving the story.
Regarding the King Cepheus from the story of Perseus and Andromeda, he is sometimes said to be the son of Belus, a king of Egypt and son of the god Poseidon. Or, Cepheus would be listed as the son of Phoenix.
Where Belus’ is given as the father, Cepheus then had Anchinoe as his mother and that Danaus, Aegyptus, and Phineus are his brothers.
Iasid Cepheus – This is another name Cepheus is known as, referencing his Argive ancestry and connection to King Iasus of Argus, the father of Io.
The constellation known as Cepheus is one of 48 constellations listed by the 2nd-century astronomer Ptolemy in his book, Almagest. Today it remains as one of the 88 current or modern constellations. The constellation of Cepheus is one of the oldest ones identified by the ancient Greeks in the night sky. Also of note is that the stars that comprise the Cepheus constellation aren’t very bright.
The Cepheus constellation is found on the northern hemisphere where it can most likely be seen during autumn evenings, along with several other constellations named after characters in the myth of Perseus. Because of its northern location, Cepheus is only visible north of the 40° south latitude line and for observers farther south it lies below the horizon. It is 27th largest constellation found in the night sky. Bordering constellations to Cepheus are: Cygnus, Lacerta, Cassiopeia, Camelopardalis, Draco and Ursa Minor.
In Arab astronomy, the image of a shepherd with his dog and sheep are seen in this constellation.
In modern Chinese, the constellation is known as Xiān Wáng Zuò, “The Immortal King.”
The stars of Cepheus are found in two areas of the night sky, the Purple Forbidden Enclosure (Zǐ Wēi Yuán, also called the Central Palace) and the Black Tortoise of the North (Běi Fāng Xuán Wǔ). Part of the eastern wall forming the Purple Palace Enclosure passed through Cepheus coming from the Draco constellation to Cassiopeia. Which stars made up this wall is uncertain though.
Tiangou – Also known as Gouxing, the “Hook Star.” The stars Alpha, Eta, Theta, Xi, Iota, and Omicron Cephei form this asterism. This asterism was associated with omens portending earthquakes.
Wudineizuo – This was a group of five stars in the northern part of the Cepheus constellation that bordered with Cassiopeia and Camelopardalis. These five stars represented the seats of the five celestial emperors. These emperors are the deified rulers for the five directions of North, South, East, West and the Center. It’s unknown which of these five stars represented this asterism.
Zaofu – Also spelt as Zhaofu or Tsao Fu. The stars Delta, Epsilon, Zeta, Mu, and Nu Cephei formed this constellation. It is named for a famous charioteer of emperor Mu Wang who lived approximately 950 B.C.E.
All of these constellations have some connection to the overall legend and myth of the Grecian hero Perseus.
Stars of Cepheus
Alpha Cephei – Also known as Alderamin from the Arabic phrase “að-ðirā‘ al-yamīn,” meaning: “the right arm.” This is the brightest star within the Cepheus constellation that is some 49 light years away from the earth. This star still will become the pole star in another 5,500 years. The last time that Alpha Cephei had been the pole star was about 18,000 B.C.E.
Beta Cephei – Also known as Alfirk from the Arabic word “al-firqah,” meaning: “the flock.” It is the second brightest star within the Cepheus constellation. It is a triple star that is a class of stars known as Beta Cephei variable stars and is located some 690 light years away from the earth.
Delta Cephei – Also known as Alrediph or Al Radif meaning “the follower.” It is a double star of a yellow and blue star, this star is a prototype star of a class of stars known as Cepheid variable stars or Cepheids. These are pulsating variable stars that can vary in size over a period of hours, days and years. The constellation of Cepheus has many such stars like this. Delta Cephei is some 891 light years away from the earth.
Gamma Cephei – Also known as Alrai, Er Rai and Errai from the Arabic word “ar-rā‘ī” meaning: “the shepherd.” The star Beta Ophiuchi found within the Ophiuchus constellation is sometimes called Alrai, but is more often called “Cebalrai,” the shepherd’s dog. The first confirmed exo-planet was found near Gamma Cephei in 1989 that then got retracted and later reconfirmed in 2002 after more evidence and studies were done. This is a double star like Delta Cephei and is located some 45 light years from the earth. Due to the precession of equinoxes, Gamma Cephei will replace the star Polaris, Alpha Canis Minoris as the north pole star around 3,000 C.E.
Eta Cephei – Also known as Al Kidr, this star is an orange giant that is located some 45 light years away from the earth.
Mu Cephei – Also known as the Garnet Star or Herschel’s Garnet Star, it is a red supergiant that is estimated to be about 2,400 light years away from the earth. This star was discovered by William Herschell in 1781 who described it as being: “a very fine deep garnet colour, such as the periodical star ο Ceti.” It is to date, the largest known star within the Milky Way galaxy.
Xi Cephei – Also known as Kurhah, Alkirdah, Alkurhah or Al Kirduh, it is a triple star of which all three are dwarf stars.
The Cepheus constellation is the location of the quasar 6C B0014+8120 and has an ultra-massive black hole that is reported to be some 40 billion solar masses. This is about 10,000 times more massive than the central black hole found in the Milky Way, making it the most massive black hole known.
Also known as S 155, this nebula is dim and diffuse bright nebula within a larger nebula.
The Fireworks Galaxy
Also known as NGC 6946, this is a spiral galaxy that has had ten supernovae observed within it so far. This galaxy was first discovered by William Herschel in September 1798. It is some 22 million light years away from the earth and lays along the border between Cepheus and Cygnus.
Also known as NGC 738, this is an open star cluster that was discovered by Caroline Herschel in 1787. This cluster is about 7,000 light years away and the stars found within are less than five million years old, making the Wizard Nebula a young open cluster.
Others Named Cepheus
There are a couple of others named Cepheus in Greek mythology.
- There is a King Cepheus of Tegea. He was the son of Aleus from Arcadia and either Neaera or Cleobule. He had four brothers: Amphidamas, Lycurgus of Arcadia, Auge and Alcidice. This Cepheus would go on to sire twenty sons (at least one named Aeropus) and at least three daughters (Aerope, Antinoe and Sterope). He is noted too as the founder of Caphyae. Cepheus and his brother, Amphidamas would later sail with Jason as an Argonaut. During Heracles’ campaign against Hippocoon, Cepheus and his sons allied with the Heracles. Depending on the version of this story told, Cepheus either lost all of his sons or seventeen of his sons and was himself killed during the campaign.
- Cepheus is also the name of one of the people involved in the Calydonian Hunt.
Other Names – “the Brain Sucker”
In the Zulu mythology of South Africa, Mamlambo is a large serpentine river goddess as well as a goddess of beer. In some legends, Mamlambo appears during lightning storms.
For the Xhosa of South Africa, the Mamlambo is a giant river snake that will bring good fortune to the one who can claim it. Witch doctors are believed to use Mamlambo to extract revenge on their enemies.
Goddess Of Beer!
Yes, beer. This aquatic, serpentine deity is also known for brewing beer. This is a job that women in many Southeast African tribes do.
Mamlambo’s myth entered the realm of cryptozoology in 1997 when various South African newspapers began reporting sightings of a “giant reptile” monster in the Mzintlava River (also known as the Umzimhlava River) near Mount Ayliff in South Africa. The reports also mention how between 7-9 people and even a number of animals were all killed by this monster by dragging its victims underwater and drowning them. After which, the Mamlambo would suck out the blood and brains of the victims, earning it the name of “the Brain Sucker.”
There are a few different accounts what Mamlambo is to look like.
One version has the creature being some 20 meters (67 feet) long, with the torso of a horse and lower body of a fish, short legs and neck of a snake. That it also shone green at night. Some have commented that this description fits that of a Mosasaur, a variety of giant marine reptiles that went extinct with the dinosaurs.
A slight variation to this description says the Mamlambo is half-fish, half-horse with short stumpy legs, crocodilian body and the head and neck of a snake. This version of the description also says the Mamlambo has a hypnotic gaze that it uses to lure its victims to a watery grave. Much like crocodiles do, the Mamlambo is able to leave the water to snag its potential victims that come to close to the water. The Mamlambo is also believed to glow an eerie bioluminescent green when it is dark.
Possible Reality Behind The Myths
In April of 1997, there had nine bodies found in the Mzintlava River. According to local police, all of the bodies had been in the water for a long time, long enough for scavengers such as crabs to come and eat the soft parts of the heads and necks. When the bodies were pulled from the water, river crabs were still clinging to the bodies. The local villagers on the other hand insist that these mutilations are the result of the Mamlambo eating people’s faces and then sucking out their brains.
Another idea put forward is that the Mamlambo may be an elasmosaur-like animal an ancient type of archaeocete from the cetacean evolutionary branch. Basically, a member of the whale family before whale legs became flippers.
Brosno Dragon – Or Brosnya, is a Russian Lake Monster that some have described as being a mutant beaver or a giant pike that’s around 100-150 years old.
Dobhar-Chú – A cryptid from Irish folklore described as being a water hound and known for dragging victims to a watery death.
Each-Uisge – A Scottish shape-shifting water horse, that much like the Irish Kelpie is known for drowning victims.
Glashtyn – Or Cabyll-Ushtey, it is a shape-shifting goblin that inhabits of the waterways in Manx, one of it’s favored forms is that of a horse.
Kelpie – A water horse, this is another creature from Irish folklore known for its shape-shifting abilities and drowning victims.
Lau – A dinosaur-like lake monster with tentacles from Sudan.
Loch Ness Monster – A similar aquatic and serpentine creature found in Scotland.
Mahamba – A reptilian cryptid from the Congo, it is often described as being similar to a giant crocodile or thought to be a fresh water living fossil mosasaur.
Mokele-Mbembe – A famous reptilian cryptid from the Congo described as looking a sauropod and herbivore in nature.
The Mamlambo has indeed featured on an episode of the SyFy channel’s Destination Truth.
Etymology – hippopotamus
Mali is the name of a shape-shifting, monstrous and carnivorous hippopotamus responsible for the destruction and eating entire fields of rice.
Among the Mali and Songhay people, the hero, Fara Maka is the one who finally defeats this monster after numerous attempts. In his first attempt, Fara Maka tries throwing spears to no affect, as the spears would disintegrate or melt on contact with Mali’s skin.
In Fara Maka’s next attempt, he is joined by fellow hunter, Karadigi who set his pack of 120 black dogs on the raging monster. Karadigi’s pack were all eaten in short order by Mali.
At last, Fara Maka decided to consult with his wife, Nana Miriam. She cast a spell of paralysis on Mali. With the monster unable to move, Fara Maka was now able to destroy this monstrous hippopotamus.
In some versions of this stories, the crops eaten were Fara Maka’s. When he had failed at killing Mali, Fara Maka’s wife, Nana Miriam used the spell of paralysis to defeat the monster.
The Niger River
The third longest river on the African continent after the Nile and Congo rivers. This river is the location for where the confrontations with Mali and Fara Maka take place in traditions and legends.