Category Archives: Miracle
Etymology: From the Tibetan word “sprul-pa” meaning “emanation” or “manifestation.” “Thought-Form” in English
In Buddhist mysticism, a Tulpa is a thought-form created by either spiritual or mental powers.
The term would later be adopted by Western Mysticism and thought in the 20th-century by Theosophists who would take the Tibetan words: nirmita, tulku, sprul-pa, along with others for the word “tulpa” meaning thoughtform. For Modern, Western practitioners of Theosophy, this thoughtform is seen as some sort of imaginary friend willed into existence that is sentient and capable of having its own free will.
What’s In A Name?
I should slow it down here, as there are several words in Tibetan mysticism and Buddhism that lead to the English use of the word “tulpa.” The main Tibetan word is sprul pa where the first part, “sprul” breaks down to mean “emanate” or “manifest” and the word “pa” is a function of Tibetan language that allows for a verb to be used as a noun. This is where, in English, the translation then becomes “Thoughtform.” Another similar word in Tibetan is “phrul” that not only means “manifestations” and “emanation,” but has several other meanings such as: magic, miracle, jugglery, trick, illusion, conjuring and even black art.
Still another Tibetan word that has been translated to mean “thoughtform” is the word “vilu” or “yid lus” and “yi dam” that are all words for tulpa. Further, there are several schools of mysticism, Asian shamanism, and Buddhism that have this concept found throughout China, the Himalayans, Bhutan, India, Mongolia, Nepal, Russia, Tibet and Tuva.
What the term Tulpa means in Buddhism obviously has differences with how Western mysticism approaches and sees the term.
Indian Buddhism –
In the Pali Samaññaphala Sutta, an early Buddhist text, the manomāyakāya or “mind-made body” ability is listed as a means to a full contemplative life. Other texts comment that this “mind-made body” is how the Gautama Buddha and arhats are able to travel up to the heavenly realms. This same ability is how the Buddha accomplished his multiplication miracle in the Divyavadana where he multiplied his nirmita or emanated form into a countless number of bodies filling the sky. This ability would be something that a Buddha or other enlightened beings would be able to accomplish as well.
As an aside, this sounds more like Astral Projection to me with the “mind-made body.” To be fair, the Buddhist philosopher Vasubandhu, who lived in the 4th to 5th century CE does say that the nirmita is a siddhi or psychic power that Buddhists can master. Other Buddhist philosophers see the nirmita or nirmana as a magical illusion. The Madhyamaka philosophy sees all of reality as empty and that all reality is a form of nirmita or an illusion.
Tibetan Buddhism –
There are several terms, nirmanakaya, sprulsku, sprul-pa that all relate and connect to the word trikaya. This is the Buddhist doctrine of the three bodies of the Buddha. These are often the “emanation bodies” of celestial beings, though there are “unrealized beings” such as those humans create too that are known to exist.
The 14th Dalai Lama is believed by some followers to be an emanation-reincarnation (tulku) of Chenrezig, the Bodhisattva of Compassion. The 14th Dalai Lama has even said in a public statement that his successor might appear while he is still alive as an emanation.
In Theosophy, Annie Besant, in her 1901 book “Thought-Forms” has this term divided into three classes. The form in the shape of the person who created them, those forms resembling objects or people that can potentially gain a soul or spirit or even by the dead and lastly, the forms that represent an “inherent quality” from the astral or mental planes. This is something abstract like emotions and ideas.
In Western occult understanding, the term “thoughtform” is first used as early as 1927 in Evans-Wentz’s translation for the Tibetan Book of the Dead. The Occultist William Walker Atkinson describes thought-forms in his book The Human Aura as simple ethereal objects created from people’s auras. Atkinson explains further in another book of his where thought-forms are astral projections that may or may not look like the person who created them. Or, thought forms are illusions that only those with awakened senses can see.
Alexandra David-Néel is a spiritualist who claims tulpas are capable of developing their own personality and being able to act on their own free will independent of their creator. David-Néel describes this process much like a baby developing in the womb and is later born, able to live outside.
David-Néel says she created her own tulpa in the image of a Friar Tuck like monk. This particular tulpa of David-Néel’s eventually had to be destroy when it became too malevolent. David-Néel notes that she may have created her own hallucination despite others claiming they could see the thoughtforms she created.
I can see how that makes sense, many writers mention how the story they’re working on and the characters they’ve created can seem to take on a life of their own.
With the later part of the 20th Century and early 21st century, the term Tulpa has become popularized as well as secularized with the Western media and mindset. This has mainly meant equating a Tulpa as a form of Imaginary Friend that is consciously willed into being or created.
With tropes used in media and literature, the two terms of Tulpa and Imaginary Friend tend to get used interchangeably. Some stories have the Tulpa or Imaginary Friend able to have a physical manifestation.
There are self-described tulpamancers who can be found on such websites such as Reddit or 4chan claiming to practice tulpamancy to create sentient, imaginary friends that live within their head.
Done correctly, from a psychological standpoint, I can see how this practice can be a tool to help build empathy and social skills such as sharing or more easily deal with anxiety. Though given the mention of 4Chan and Reddit, it does become very questionable some of the activities these Tulpamancers are engaging in and if they’re suffering from mental illness and seeing things.
One of the articles that I came across that leaned heavily into the Western Mysticism of Tulpa creation mentioned that the tulpas could be “poisonous.” The article leaned into pseudo-science with sound vibrations and creation. It points out that the problems with the subconscious mind. If a Tulpa were created unintentionally or incorrectly, it could become dangerous or “poisonous” with drawing on darker aspects from the psyche of the person that created it.
In Buddhist Mysticism, a Tulpa is able to eventually become separate and it’s own entity, whereas in Western Mysticism, there’s a tendency to see these Tulpa as not separate, that it will be some sort of servitor and controlled by its maker and dismissed later when no longer needed.
What happens when it becomes independent? What happens if what you thought was a Tulpa or Imaginary Friend turns out not to be?
Tulpa Effect – Cryptids & Spirits
There are several Cryptid encounters, Ghost stories and even sightings of Shadow People that may be connected to what’s called the Tulpa Effect. Where a collective belief has fueled the creation of such a being or entity with enough people believing, hearing the stories and thus, it leads to the creation of an entity, even if such a creation were unintentional.
There have been enough discussions with how the expectations of seeing a ghost can manifest and create one even if the local stories and history don’t properly support it. The most notorious of these would be the Slender Man stories circulating and people claiming encounters that it fizzled out in the true short lived internet media sensation and hype.
An episode of the classic Real Ghost Busters has a quick discussion about the creation of the ghosts of Sherlock Holmes and Watson due to the collective beliefs of many people thinking they had been real people and constantly writing letters to the fictional characters. Just even in the confines of a cartoon, it can be seen how much the concept of Tulpas, Thought-Forms and Imaginary Friends becoming real permeates pop-culture.
With mainstream media, there are many shows and literature where the concept of the Imaginary Friend or Tulpa being willed into existence has become a common trope. From shows such as X-Files, Foster’s Home of Imaginary Friends (even if they didn’t use the term tulpa) to even Puss in Boots Netflix series use these beings as part of the plot for a sentient being that’s created.
With Imaginary Friends, most don’t last beyond childhood and can seem to fade away whereas with Tulpas, those can grow in personality and experience to become their own being that can’t be controlled is often what is cited as the distinction between the two.
This leads to another concept idea held behind these tulpas that get created through a collective unconscious and belief. In Fortean Phenomena, this concept is called a “window area” where these are places of former religious importance that are now fallen out of use and abandoned. It follows then, that due to religious beliefs, a local deity or entity could have been created and with their former worshipers gone, they continue to find other ways to instill a belief, cause paranormal activity to try and perpetuate a belief in them, thus feeding and keeping themselves from fading away.
Anyone reading or watching Neil Gaiman’s American Gods knows this idea very well.
Changeling: The Dreaming
The creation of Tulpas and Imaginary Friends all sounds like fun and games. The entire discussion of Tulpas reminds me of the Changeling: The Dreaming role-playing game. Instead of the term Tulpa, the term Chimera is used to describe those entities, sentient or non-sentient that are created. That these Chimera are created intentionally or not from human thoughts and emotions or just even the collective unconscious of everyone believing in the same thing. Such entities or object could manifest a physical presence in the world for a short period and when exposed to banality, human doubt, or disbelief, they could be weakened or even destroyed.
On one hand, when you have so many people claiming the same thing or beliefs, there must be something to it?
The idea of the Tulpas and Imaginary Friends is definitely a concept to stay a little more critical of. Crossing over to Ghost Stories, there’s also enough discussion how the expectations of seeing a ghost can manifest and create one even if the local stories and history don’t properly support it.
Some people have aphantasia and lack the ability to see anything with their imagination or mind’s eye. Other people have an incredibly vivid imagination. Is there an entity there, real, imagined or created? Is it someone who has mental health issues such as schizophrenia? Is it just a good, strong healthy imagination with someone able to strongly visualize?
Plus, not everything encountered will be the result of a tulpa. But it should be part of the line of questioning process when doing the process of elimination. That when you remove the impossible, whatever remains, no matter how improbable, must be the truth.
This one can be hard to define.
Also known as: Maaui-Tikitiki (Maori/New Zealand)
Alternate Spellings: Māui
Epithets: Maui-Tikitiki “Maui the Top-Knot,” Maui-Tikitiki-a-Taranga “Maui the Top-Knot of Taranga,” Maui-Potiki “Maui the Last Born”
In Polynesian mythology, Maui is either a trickster demigod or god and in some stories, a mere mortal man. Most of his stories and exploits are best known from the Hawaiian and Maori legends though many other Polynesian cultures such as Mangarevan, Tahitian and Tongan have their own stories regarding this trickster hero. Among the Samoans, Maui is known as Ti’iTi’i. Many of the stories involving Maui make note of him being the youngest son, thus while small, he was extremely strong for his size.
Maui is sometimes described as being ugly, quick to respond as well as quick-witted covered in tattoos. Lucky for humans, for all that Maui is known for having some vicious practical jokes, he works to help people and not the Gods.
Parentage and Family
In the Hawaiian Kumulipo, Maui is the son of Akalana and Hina-a-ke-ahi (or just Hina, a goddess).
In another Hawaiian legend, Maui’s father is given as Ru.
In the Mangarevan myths, Maui is the son of Ataraga (Father) and Uaega (Mother).
In the Maori myths, Maui is the son of Makeatutara (Father) and Taranga (Mother).
Tangaroa – This Maori god of the sea is sometimes mentioned as being Maui’s father with his mother being a mortal woman.
Akalana and Hina had four sons: Maui-Mua, Maui-Waena (or Maui-Hope), Maui-Ki’iki’i and Maui-a-Kalana.
In the Mangarevan myths, Ataraga has eight sons all named Maui: Maui-mua, Maui-muri, Maui-toere-mataroa, Tumei-hauhia, Maui-tikitiki-toga, Maui-matavaru, Maui-taha, Maui-roto. It is Maui matavaru or eight-eyed who is the culture hero.
In the Maori myths, Maui has four brothers: Maui-Taha, Maui-Roto, Maui-Pae and Maui-Waho.
Hinakealohaila – She is the wife to Maui-a-Kalana in Hawaiian legends.
Nanamaoa – The son of Maui-a-Kalana and Hinakealohaila in Hawaiian legends.
This is the name of Maui’s great, big fish-hook. In the Hawaiian legends, it is baited with the wing of an Alae, the sacred or pet bird of Hina. This fish-hook was created from the jawbone of an ancestor of Maui’s, usually given as being his grandmother.
Maui’s Fish-Hook can be seen in the night-sky in the same constellation recognized by Western Culture as Scorpio.
While yes, there is an island called Maui in Hawaii, it is not named for the trickster Maui. Legend holds that the island is named for the son of Hawai’iloa, a great navigator who discovered the Hawaiian Islands. Each of the islands of Kaua’i, O’ahu, and Maui are named after one of Hawai’iloa’s sons.
These were a group of heroic trickster demigods in Hawaiian legends. All kupua are shape-shifters who took the forms of either humans or various elements in nature, often an animal. Many kupua are rather malevolent and vindictive. Maui appears to be one of the more beneficial and gentler kupua in comparison.
Pulling Up The Islands
There are many variations to the story of Maui using his fish-hook to pull up all eight of the Hawaiian Islands.
Version 1 – Maui had gone out fishing one day with his brother. In typical sibling rivalry, the brother wouldn’t share any of his bait with Maui. Ever the resourceful one, Maui punched his own nose and used his own blood as bait to fish. He succeeded in bringing in hauls so large, that they would become the Hawaiian Islands. Not just Hawaii, but all the Polynesian Islands were pulled up in this way.
Version 2 – Maui had gone out fishing with his brothers. While out there, Maui caught his hook on the ocean floor. Maui then told his brothers he had caught a large fish and to start paddling as hard and as fast as they can. The brothers never noticed the island rising up behind them out of the ocean. Maui of course, proceeds to do this several more times, pulling up all the Hawaiian Islands.
Version 3 – This is perhaps the more interesting version of the stories. Maui planted his fish-hook at Hamakua with the intent to pull up Pimoe, the god of fish. Maui warned his brothers not to look back as they paddled their boats or this venture would fail. Hina, shape-shifted into a bailing-gourd and Maui, not realizing it was his mother, took hold of the gourd and put it in front of his seat. Now suddenly, there appeared before them, an extremely beautiful woman and all of Maui’s brothers looked back out of curiosity. Having looked back, Hina in her disguise disappeared and the line breaks, causing all of the islands that Maui was trying to unite into one giant island falls apart and he is unable to catch Pimoe.
The Theft Of Fire
Version 1 – In order to steal fire for the people of the islands, Maui transformed himself into the guise of a hawk so he could get closer the Earth-Mother. To this day, the hawk’s feathers are brown in memory of Maui being burned by the flames when he brought the gift of fire.
Version 2 – In this story, Maui and his brother would go out fishing every day. Every morning they would always see a bunch of Kiawe trees smoking and flames coming up out of them. Hovering above all this were some vultures, also known as mud hens or ‘alae.
Maui and his brothers constantly tried to sneak up on the vultures, thinking they were responsible for the fire. However, just before getting close enough, there would be a noise that scared them all off.
Maui came up with the idea of creating a dummy that looked like him and placed in the canoe. Now Maui had his brothers take the dummy with them as they would go one direction and Maui would come from the other as they tried to sneak up on the vultures.
Maui snuck up on the bird and grabbed it by the neck, forcing it to tell him the secrets of fire. The vulture, an ‘alae told Maui to take and rub two maia peels together. When nothing happened, Maui nearly choked the bird to death, telling it to tell the truth. Finally the bird said to rub to Ti leaf stalks together. Nothing happened this time and Maui once more choked the bird who said to rub two dry kiawe sticks together.
This time, Maui had success with creating fire. He took the flaming stick and pressed it against the ‘alae’s forehead, making their head red and bald to remind it and other ‘alae’s thereafter of their selfish act.
Slowing Down The Sun
Version 1 – In this story, Maui’s mother, Hina complained about how the sun moved too quickly through the sky, that she barely had time to get her kapa, bark cloth dry. Hina wasn’t the only one, many people hurried to get their work such as planting, cooking or making clothing done in the few hours of daylight. There just wasn’t time with how fast the Sun moved.
Deciding to help his mother and the other people, Maui hid behind a big rock at the highest peak on the island known as Haleakala, the “House Of The Sun.” When the Sun passed by overhead, Maui quickly threw a rope, made from his sister’s hair with his magic hook tied to the end and lassoed the Sun’s rays with it. Some legends have Maui using a net to trap the Sun. The Sun demanded to be let go and Maui would only do so if the Sun would promise to move slower through the day so people could get their work done. Some versions of the story have Maui beating the Sun with his jawbone until it agreed to move slower. Added to this, Maui took one look at the sky and decided it hung too low. With a shove and heave, Maui pushed the sky up higher.
Version 2 – In this telling of the story, Hina sends Maui to a big wiliwili tree where he finds his old, blind grandmother laying out bananas. Ever mischievous, Maui starts stealing bananas from his grandmother, one by one until she catches him in the act. Maui tells his Grandmother about his mother’s complaints and sending him out to the tree. After hearing the story, Grandmother decides to help him with making a rope. Maui then sits by the tree, waiting until the Sun passes by overhead and he lassos it, forcing it to agree to slow it’s progress across the sky.
Version 3 – Very similar to the story in Version 2, Maui decides to slow down the sun after a man by the name of Moemoe taunts him and says it can’t be done. Just to prove him wrong, Maui sets off to slow down the sun much like he did earlier with finding his grandmother and getting her help. After Maui slows down the sun, he chases after Moemoe and beats him soundly.
Lifting The Sky
While a similar story of Maui lifting the sky is told in his quest to slow down the sun, there is another expanded version of this story.
After a while, as Maui was looking around, he could see that the sky was far too low to the ground and that people were unable to stand up straight. Being Maui, if he didn’t like a thing, he went about changing it. As it just so happened to be, the sky was sinking or lowering and would have made living on the earth impossible for humans.
Maui proceeded to travel to the town of Lahaina, to enlist his father into helping him lift the sky. There, Maui laid himself on the ground and then bracing himself, pushed the sky upwards with all of his considerable strength.
At the signal, Maui’s father, Ru also began pushing with all his might, aiding his son in getting the sky up high enough so people could stand upright. So there you have it, another of Maui’s deeds done.
Variations – In other retellings of this story, Maui lifts up the sky when he comes across a girl complaining how the sky was too low and that she couldn’t do her chores. Like any guy seeking to impress a girl, Maui decided to push up the sky for her.
Yet another variation is that Maui was busy making an earth oven when his poker got stuck up in the sky. To get his poker unstuck and to keep it from getting stuck again, Maui simply pushed the sky up higher. Again, this was all part of impressing a girl.
Defeating The Long Eel
Still one more legend of Maui’s to cover in Hawaiian mythology!
After Maui finished pulling up all of the islands with his Fish-Hook, he decided to start exploring them to find out what all was there. Traveling to each of the islands, Maui discovered that they were all inhabitable. There were houses, but no one living in them, no one in the whole of all the islands.
Taking ideas from the layout and build of the houses, Maui returned home and built a new house for himself in the style of what he had seen on the islands. Finished, Maui then sought out Hinakealohaila (or just Hina, not to be confused with his mother) to marry.
Time passed and Hina went down to a nearby river bank to get some water. While down there, Hina ran into the Long Eel Tuna, who just so happened to decide that striking Hina and covering her in slime was somehow a good idea.
Hina ran back home, but didn’t tell Maui of what transpired. Or at least, not yet.
The next day, Hina went back down to the riverbank and the same thing happened. The Long Eel Tuna hitting and covering her with slime again. This time, when she returned home, Hina told Maui about what happened.
Angry, Maui headed down to the river. Once down there, Maui laid out a number of traps designed to lure the Long Eel Tuna out of hiding. When the Eel Tuna emerged, Mauil used his stone axe to kill them. It seems that the Long Eel Tuna had been causing many people in the village problems. Thanks now to Maui, everyone would be safe.
In this mythology cycle, the Maui known as Maui the Eight-Eyed is the hero, born from his mother’s navel and raised by his grandfather, Te Rupe. This Maui has a magic staff called Atua-Tane and a hatchet called Iraiapatapata. Like the Hawaiian and Maori legends, Maui still pulls up the islands from the sea and ties up the sun with locks of hair to slow it down or hold in place.
The legend of Maui among the Maori is a long epic.
The Birth Of Maui
Maui was born the son of Taranga and Makeatutara. Considered a miraculous birth, Makeatutara had taken her premature baby and threw it into the ocean wrapped in locks of hair from her topknot. Hence, Maui is known as Maui-Tikitiki-A-Taranga. Fortunately for the infant Maui, ocean spirits found him and wrapping him in seaweed, took him to Tama-Nui-Te-Ra (or Rangi), a divine ancestor who raised the child.
It is Maori tradition, that any baby prematurely born is buried with special incantations and ceremonies least the spirit of the unborn child become a malicious spirit as they had never known any joy or happiness in life. Given what happens later in the stories with Maui, this may be why they bury the baby with rites and ceremonies instead of tossing them into the ocean. It would certainly explain all the mean spirited tricks and deeds that Maui performs.
Reuniting With His Family
Once Maui was a child and no longer a premature infant, he left the sea, going search of his mother and family. When Maui found his mother’s house, he discovered four other older brothers: Maui-Taha, Maui-Roto, Maui-Pae and Maui-Waho.
Understandably, the brothers were all leery of this new comer. Maui won them all over by performing many tricks such as transforming into a number of different birds. The brothers were greatly impressed and accepted Maui.
As for his mother, Maui introduced himself to Taranga when everyone was gathered for some dancing and celebrating. Maui sat down behind his brothers, when Taranga called for her children, she discovered a fifth unknown child among her sons. Maui soon proved he was Taranga’s son and he was accepted into the family.
At first, some of Maui’s brothers were jealous. They were put at easy by the eldest brother telling them how they should let Maui be counted among them, that in days of peace, they should be generous to others by helping to improve the welfare of others and that in times of war, that’s only when disputes should be settled with violence. The speech worked and Maui was finally welcomed home.
Maui Finding His Father
Though Maui stayed with his mother and his brothers, each morning, his mother Taranga would disappear. None of Maui’s older brothers seemed concerned about their mother’s disappearance each morning. This bothered Maui who wondered where Taranga would go each morning before they woke.
When nightfall came again, Taranga returned to her children, they all went to sleep as before on other nights in their house. This time, Maui stayed awake so that when everyone else had fallen asleep, he stole Taranga’s clothing and hid them. Then Maui went and hid himself in the crevice of a window above the doorway so that when morning came, he could see where it was that his mother went.
After what seemed like forever, morning finally came and Taranga awoke. Upon finding she was naked, Taranga began frantically looking for her clothes, finally she gave up and began pulling off pieces of siding from the house to cover herself. Covered, she now ran outside.
Watching from his hiding spot, Maui watched as his mother reach down to some tufts of grass, revealing a hole that she disappeared into and pulling close behind her. Curious, Maui came out of his hiding spot and ran to the spot where the grass had been pulled up. Sure enough, he found the opening to a cave descending deep into the earth, to the Underworld in fact.
Covering the hole again, Maui returned to the house and woke up his brothers. He asked them about where it is that their father and mother went during the day. The older brothers answered that they didn’t know. They taunted Maui saying he shouldn’t worry or bother and that Rangi, the god of the sky was their father.
Little Maui responded how he had been brought up differently from his brothers, having been tossed to the sea. That he had never been nursed by their mother and how he longed to find where it was that she and father went to during the day.
Surprised by the response, Maui’s brothers encouraged to try and find their parents. Maui said that he would go and demonstrated to them his ability to turn into a bird. It was only with the kereru or wood pigeon shape that his brothers were impressed. The ability to shapeshift was something that only a skilled magician with a lot magic could perform and Maui delighted in his being the youngest brother, able to do something the others couldn’t.
Bidding farewell to his brothers, Maui took off in pigeon form to seek after his parents. Long Maui flew off into the forest and down to the cave his mother had disappeared into. Eventually, Maui came to a place where he saw many people gathered in a grove of trees. Among these people, Maui spotted his mother seated by whom he could only assume to be his father.
Still in bird form, Maui descended to a lower branch where he could pick off some berries growing. These berries, Maui dropped down to his father on the head with. Some of the other people at the gathering asked if the bird had dropped the berry and Maui’s father, Makeatutara insisted the berry had only fallen by chance.
Once more, Maui plucked more berries and threw them down hard at both of his parents. As Maui’s parents cried out, the other people gathered there, looked up to the tree and seeing only a pigeon sitting there cooing, began to throw stones at the bird. All the stones missed and it was when Maui’s father threw a stone at the bird that he hit the pigeon, but only because Maui allowed it.
The pigeon fell to the ground and when the others ran up to it, it turned into a man. The others were taken aback for the eyes of the young man who now stood before them were red and fierce looking. Talking amongst themselves, the others discussed if the man standing before them was a god like Rangi and Papa-Tu-A-Nuku. Finally Taranga spoke up and said the man looked like someone knew and repeated the story of Maui’s premature birth everyone to hear.
Taranga then asked the man, Maui who he was and where he came from. When she asked Maui, if he was her child Maui-Tikitiki-O-Taranga, he answered yes and Taranga welcomed him where she seemed to prophesy that he would visit his ancestor, Hine-Nui-Te-Po and conquer death.
Now a man, Maui’s father Makeatutara took him down to the river to be baptized in order to cleanse and purify his son. As luck would have it, Makeatutara made a mistake during the ceremony with incantations, having skipped over parts and forgotten them. This mistake was an ill omen that would eventually lead to the death of Maui. The gods would be sure to punish this forgetfulness with Maui’s eventual death.
In the meantime, however, Maui returned to his brothers to tell them he had found their parents and how to find them too.
Maui Getting Bloodthirsty
After returning to his brothers, Maui ended up slaying and carrying away his first victim, the daughter of Maru-Te-Whare-Aitu. Not long after, Maui proceeded to destroy the crops of Maru-Te-Whare-Aitu, causing them to all wither.
Maui Gaining His Jaw-Bone Weapon
His first war raid done, Maui once more visited his parents. While with them, he noticed how the other people would be carrying away some food as if it were being taken to someone.
When he asked for who, they informed Maui it was for an ancestress, Muri-Ranga-Whenua, an old chief. Maui responded with saying that he would take the food to her.
In typical trickster fashion, Maui didn’t take any of the food to Muri-Ranga-Whenua. Instead he set them to the side, hiding them away. Eventually Muri-Ranga-Whenua wondered why her food wasn’t coming and suspecting that something was up, she wandered down the path, sniffing.
Finally smelling something coming, Muri-Ranga-Whenua’s stomach began to enlarge as she got ready to devour Maui as soon as he came close enough. Maui went up wind of the old chief so she couldn’t find him. Turning westward, Muri-Ranga-Whenua finally smelled someone close to her, realizing it was a human.
Muri-Ranga-Whenua’s stomach shrunk back to normal size and she greeted Maui as one of her descendants. Her next question was why Maui wasn’t bring her food. Maui answered that he was seeking for Muri-Ranga-Whenua’s jaw-bone to use as a weapon. The old chief consented and gave Maui the bone.
Holding Back The Sun
Similar to the story found in the Hawaiian cycle, Maui for his next quest, takes the jaw-bone of an ancestor, Muri-Ranga-Whenua to use as a weapon. He uses this jaw-bone to ensnare the Sun so it will be forced to move slower throughout the day, thus making the days longer. With the aid of his brothers, Maui lassoes the Sun and beats them soundly until the Sun agrees to move slower.
Variation – Sometimes a net is mentioned as what Maui used to catch the Sun before Maui and his brother beat the Sun senseless with his magic jawbone to the point it could limp slowly now across the sky.
Gone Fishing – Part 1
Somewhere along the line, Maui got married and had a number of wives and children to boot. When Maui and his brothers returned from the feat of Holding back and slowing down the sun, he heard the complaints of his family and how they had no fish to eat.
Maui assured his wives and children not to fret, he would soon take care of this trivial matter and they would soon enough have food to eat. He then took his jaw-bone and fashioned it into a fish-hook.
When Maui’s brother headed out to go fishing, Maui jumped in the canoe. His brothers yelled for Maui to get out of the boat, claiming that his constant use of magic would cause problems. Eventually Maui got out of the canoe seeing as his brothers refused to take him.
Determined, Maui just waited until it was night when he went back to the beach and his brothers’ canoe. This time he hid in the bottom, under some boards. When his brothers came at dawn, they headed out to sea, none the wiser that Maui was hidden on board.
Once they were well at sea, Maui came out of his hiding spot. Seeing him, his brothers commented that they had better return to shore. Using his magic, Maui stretched out the distance from the shore to the boat that when his brothers looked for land, it was out of view.
Maui told his brothers that they should let him come with, at the very least he could be able to bail water out of the canoe for them. The brothers consented and they paddled on towards their fishing spot. Maui wasn’t content and told his brothers to paddle out further before dropping anchor, which spot would be far out of view of land.
Far out on the open ocean, the brothers now began to fish and soon, easily they had their canoe filled with fish in no time.
Pulling Up The Islands – Part 2
Continuing from Gone Fishing, this story is similar to the previously mentioned Hawaiian story of Pulling Up The Islands. Now that the brothers had filled the canoe, they wanted to return, but not Maui who now wanted a turn at fishing.
The North Island – Maui’s brothers wanted to know where he got a fishing-hook from, to which he told them never mind. When he asked to borrow of their bait, his brothers refused. With no other recourse, Maui made a fist and struck his own nose, using his own blood for bait.
With that and using incantations, Maui managed to snag the porch of a carved house on the sea bed floor and pulled up not just the house with his superhuman strength, but an entire island. Witht his much land pulled up, the canoe became grounded.
With the newly pulled up land and the haul of fish that had been caught, Maui went to go make an offering of thanks to the gods. He instructed his brothers to wait until her returned before eating or cutting up any of the fish, that everyone would get a fair share.
While Maui went to get a priest to bless, consecrate and purify the land, his brothers went ahead and started to cut up the fish that were also pulled up. These fish began to writhe in agony and in their throes, the mountains, cliffs and valleys of the island were formed. It’s been said if the brothers had waited for Maui to make his offerings, the island would have all been level plains and forest, making it easy for people to traverse it. The Maori call this land Te Ika-a-Maaui, the Fish of Maui or Hahau-Whenua, it is the North Island of New Zealand.
The South Island – By Maori tradition, Maui’s canoe becomes the South Island. The Banks Peninsula is said to be where Maui place his foot to support himself as he pulled in his fish haul. The island is known as Te Waipounamu or Te Waka-A-Maui, the canoe of Maui.
The Secret Of Fire
The secret for the creation of fire had been lost and Maui decided to remedy that situation. Of course, if Maui didn’t have it in his head to pull the stunt of putting out all of the fires for the cooking houses in the village, there would still be fire. But no, Maui puts them all out and then calls out, saying he’s hungry and getting someone to come cook up some food for him and there’s no fire to be had, anywhere.
When Maui’s mother heard there was no fire, she implored the servants to seek out Mahu-Ika to see if she would send more fire. The servants refused, no matter how Maui’s mother and others insisted they go.
Finally, Maui spoke up and said that he would go and get more fire. In order to do so, he needed to know which way to go. His parents informed Maui which path he should go, that he should let Mahu-Ika know who he was and that he shouldn’t perform any of his tricks as too often, his tricks brought harm and injury to others.
Yes, they’re on to you Maui!
Of course, Maui assured his folks he was only interested in bringing fire, he wasn’t going to do anything else, he’d go and come back right away. Honest!
So off he goes, in search of Mahu-Ika, the goddess of fire and his ancestor. When Maui found Mahu-Ika, he was filled with wonder and awe, all he could do was stare before he finally spoke up asking her where the fire was, he had come to get some.
Mahu-Ika got up and asked who Maui was. At first, Maui wouldn’t tell Mahu-Ika was, making her do a quessing game of which country he was from and which direction he had come. Finally, when Mahu-Ika asked Maui if he had come on the wind, he said yes and she recognized him as one of her descendants.
Mahu-Ika proceeded to pull out a fingernail from which fire flowed out. This she gave to Maui who was amazed by the feat. Maui took the fingernail away with him and when he was out of sight, he promptly put the fire out.
Maui returned to Mahu-Ika saying that the fire she had given him had gone out and to give him another. Once more, Mahu-Ika pulled one of her fingernails out, producing fire to give to Maui once more.
Maui managed to keep this antic up of coming back to Mahu-Ika saying the fire had gone out until he had gotten her to pull out all of the nails from her hands and feet save for the nail of her big toe. Nine times and Mahu-Ika finally catches on that Maui might be playing tricks on her.
Angry, Mahu-Ika pulled the last nail out and slamming it on the ground, she told Maui that he now had all the fire as everything around them began to catch fire. Maui made a mad dash to escape with the fire quickly gaining. Maui changed himself into an eagle (or hawk) to be fast enough to escape.
Even as an eagle, his flight wasn’t enough and the fire was about to consume Maui; he called on his ancestors Tawhiri-Ma-Tea and Whatitiri-Matakatak to send rain. The ancestors answered and soon there was a heavy rain. Mahu-Ika was nearly killed in the resulting downpour before she could hide. Maui however, in his eagle form was scorched, resulting in black-tipped wings. Mahu-Ika saved some of her fire by placing it in the wood of trees.
When Maui returned from this latest stunt, his parents tried to warn him about trying to trick his ancestors and that he deserved what he got. They concluded the speech that things would end badly and likely in his death if he didn’t stop his behavior. Maui taunted his parents, saying what did he care, he planned to continue. With that, Maui went off to seek out his next round of mischief.
Variation – A little simpler, Maui gained the secrets of fire by stealing a hen from heaven as fire was believed to be guarded by a celestial chicken.
Turning Irawaru Into A Dog
Shortly after his theft of fire, Maui went out fishing with his brother in law, Irawaru who had married Maui’s younger sister Hinauri, Maui as per his luck, had only caught one fish while Irawaru was catching plenty of fish. Fuming his poor luck, Maui lost his cool when Irawaru’s line got tangled with his. The classic two fishermen tugging on their respective lines, each in the opposite direction.
The two began arguing about how it was their fish on the line and to let go. Finally Irawaru relented and let go of his line enough that Maui was able to pull up on his end. Once the line was pulled up, Maui saw that the fish caught was indeed on Irawaru’s line and that it was his line entangled with the other.
Mad, Maui said they should return to shore and the two began paddling. Once back to shore, Maui had Irawaru lift up the canoe to his back as part of pulling it in. No sooner had Irawaru gotten the canoe up onto this back than Maui jumped on it, forcing the whole weight down on his brother-in-law, nearly killing him.
Nearly dead, Maui continued to trample Irawaru’s body, twisting and forming him through the use of magic into a dog. Maui completed the job by force feeding Irawaru some dung.
That done, Maui went back to the village, acting like nothing had happened. It’s then, that Maui’s little sister Hinauri on seeing him, ran up to asked where her husband Irawaru was. Maui responded with that he had left Irawaru back with the canoe. Well how come the two of them didn’t return together? Oh, well that’s because Irawaru wanted Hinauri’s help with bringing back the fish. So you had better hurry and if you don’t see him, just call out “Mo-i, mo-i, mo-i.”
Hinauri hurried down to the beach looking for her husband. Not seeing him, she called Irawaru’s name and when there was no response, then she called as Maui had told her to with the “Mo-i, mo-i, mo-i.”
Irawaru, now in his dog form, recognized his wife and barked back. He followed her all the way back to the village wagging his tail. Seeing what had happened to her husband, Hinauri became very distraught with grief to the point that she threw herself into the sea.
As to Maui, that antic seems rather petty to have done, but no different from say the Greek gods taking it out on mortals. Maui was now at a point that he found it best to leave the village and once more return to the Underworld where his parents lived.
Variation – Sometimes the story of Maui turning Irawaru into a dog is told that they were on their way to another village not far away. As they were headed on the return trip home, Maui had asked Irawaru to carry some food for them. Irawaru said there was no need to, they had just eaten a meal and it was only a short ways home.
This angered Maui and he used his magic to make the journey home take longer than it should have. As they continued to walk on the seemingly endless road, both Maui and Irawaru grew tired and hungry.
As they sat down, Maui pulled the food he had brought for himself after all and proceeded to eat right in front of Irawaru.
If it had been me, I would have left it at that.
Not Maui, after finishing his meal and not offering anything to Irawaru, Maui asked his brother-in-law to clean and dress his hair. Irawaru supposed that was harmless enough and did the job for Maui. When he had finished, Maui offered to clean and dress Irawaru’s hair for him. Thinking nothing of it, Irawaru allowed Maui to do so. Maui put Irawaru into an enchanted sleep and with further magic, changed Irawaru into a dog.
Either way, in Maori legends, Irawaru is the progenitor of all dogs.
The Death Of Maui
Version 1 – In this version of Maui’s death, people got tired of all his antics and decided to kill him. As a result, Maui’s blood is what creates rainbows and is responsible for the color of shrimp.
But that’s not a very exiting end for a hero and trouble maker.
Version 2: The Quest for Immortality! – This one is more exciting and noteworthy.
Following the events of a botched baptismal ceremony, Maui takes it on himself to go win immortality for humankind. Maui’s father, Makeatutara tries to dissuade him of the notion, that he will fail and that someone will kill him.
Of course, since Maui’s last antics involved turning Irawaru into a dog, he’s looking to leave the village anyways. He’s certainly gotten more than enough people upset with him, Maui heads off for the Underworld where his parents are at.
After staying with his folks for some time, Maui’s father, Makeatutara makes mention of how they have heard of Maui’s deeds up in the living world, but being down here in the Underworld, he’s sure to be defeated at some point. Makeatutara is also remembering the botched baptismal ceremony, knowing that Maui will come to a bad end.
Maui scoffs at this notion of someone defeating him, who after all would do that? Makeatutara says it would be Maui’s ancestor, Hine-Nui-Te-Po, the goddess of the Night. Undaunted, Maui boasts of his many previous deeds with pulling up the islands and slowing down the sun, saying that it won’t be possible to beat him.
Makeatutara relents and tells Maui to go find his ancestress who lives far on the horizon. After asking what she looks like, Makeatutara told Maui his ancestor, Hine-Nui-Te-Po looks human but with greenstones for eyes and sea kelp hair, barracuda mouth and that the red flashing of light came from her.
Unfazed, Maui set off towards the west with companions towards the home of Hine-Nui-Te-Po. In some versions of the stories, these companions of Maui are birds such as the tomtit, robin, warbler and fantail. In other versions, these companions are Maui’s brothers.
Eventually, Maui finds Hine-Nui-Te-Po asleep with her legs spread apart. Maui and his companions were quick to note rows of sharp obsidian and greenstones between Hine’s legs.
Maui now informed the others of his master plan, telling his companions not to laugh and to save it for after. Maui planned to enter Hine-Nui-Te-Po’s vagina, in a reverse birth process and to exit out her mouth. This, according to Maui was to gain him immortality.
Maui’s companions tried to dissuade him, saying he would be killed. Maui was again undaunted, insisting if his friends did laugh, waking Hini-Nui-Te-Po, then yes, he would die, but if he successfully passed through her, he would live and that she would be the one to die.
This of course is where the companions just shut up and let Maui do his thing as he readied himself, tying a rope that held his battle club around his waist and thrusting off his clothes. Ready, Maui began to climb in, very much the image of reverse birth as his companions did their best not to laugh.
As it happens with these type of stories, the one task you’re not supposed to do, happens and one of the companions couldn’t hold it in anymore and began laughing. One version of the story says it’s the fantail who begins laughing and wakes Hine-Nui-Te-Po who opens her eyes and quickly closes her legs tight, cutting Maui in half.
Instead of immortality, Maui becomes the first person to die, bringing death to the world. Hine-Nui-Te-Po maintained her post as the Goddess of the Underworld the portal to which all humans must pass through on death.
Variation – When Maui set off to gain immortality for humankind, he did so by changing into a worm in order to enter the vagina of Hine-Nui-Te-Po and leaving through her mouth. This stunt didn’t work out so well as Hine-Nui-Te-Po crushed Maui in her sleep with the obsidian teeth in her vagina.
Maui And Rohe
We’re not quite done with Maui! In a few stories, Maui is married to the goddess Rohe whom he ends up mistreating in some rather cruel and unusual means.
What happens, is that Maui wished to trade faces with Rohe as she is very beautiful and he on the other hand is rather ugly.
Rohe refused to trade faces and when she was asleep, Maui used an incantation to make the trade and switch for faces. When Rohe woke up and realized what happened, she left the living world and departed for the Underworld, becoming the Goddess of Death.
Good one Maui.
In Samoan mythology, the character of Ti’iti’i is very similar to that of Maui. Many of the stories are similar to those of Maui from other Polynesian cultures. One striking similiarity is the story of Ti’iti’i’s theft of fire from the earthquake god, Mafui’e. In this story, Ti’iti’i breaks off one of Mafui’e’s arms, forcing them to reveal the secret of fire and how to rub sticks together for friction to create it.
For the Samoans, the loss of Mafui’e’s arm means that he is unable to create even bigger earthquakes.
Among the Tahitians, Maui was a prophet or priest who later becomes deified.
He had once been at a sacred place known as a marae busy with some task or other. When the sun began to set before he was finished, Maui grabbed hold of the sun’s rays and halted the movement of the sun so he could complete his task.
Maui became known as Ao-ao-ma-ra’i-a after he discovered fire and passed on his knowledge to others to create it by the use of friction with wood. Before this, people would eat their food raw.
As a final bit of lore, Maui is the one responsible for earthquakes.
Among the Tongans, the Maui stories tell how he pulled up the Tongan islands from the depths of the ocean, starting first with Lofanga, then the other Ha’apai islands and finishing up with Vava’u. That task finished, Maui lived on the island of Tonga. The village of Houma located on the main island of Tongatapu is noted for being the place where Maui’s fish-hook got caught.
In these stories, Maui has two sons: Maui-Atalanga, the eldest and Maui-Kisikisi, the younger. In other sources, there are listed three Maui brothers: Maui-Motu’a (old Maui), Maui-Atalanga and Maui-Kisikisi (dragonfly Maui). It is Maui-Atlanga who discovered the secret of fire and taught others how to cook with it. Maui-Motu, like Atlas from Greek mythos, holds the earth up on his shoulders. Whenever Maui-Motu starts to nod off, he causes earthquakes and people will stomp the ground in order to wake him up. The god, Hikule’o who rules the underworld of Pulotu is Maui-Motu’s youngest son.
Maui-Kisikis is known for being a trickster. He gained the name of Maui-Fusi-Fonua or Maui Land Puller after Maui-Kisikisi begged for a magic fish-hook from an old fisherman by the name of Tongafusifonua. The old man would only allow the fish-hook to be taken on the condition that Maui be able to find it in his collection of hooks. Tongafusifonua’s wife, Tavatava told Maui the secret of how to find the hook and Maui was able to succeed at picking it out from all the other hooks. With this hook, Maui-Kisikisi was able to pull up the coral islands from the bottom of the sea as these volcanic islands were believed to have fallen from the heavens.
Movie Time – Moana!
So of course, the movie came out in 2016, featuring the famous Maui of Polynesian mythology. Since I was curious, I of course wanted to know how much of the mythology and stories that the movie gets right.
It is of course, a new story and the Maui seen in the movie pulls and combines many of the aspects of him found primarily in Hawaiian and Maori legends. Much of which is confirmed during the song: “You’re Welcome” and a quick montage of all of Maui’s deeds that he’s done that have earned him a new tattoo to commemorate the event.
The character of Te Fiti in her darker aspect as Te Ka was originally referred to as Te Po, based on the Maori goddess Hine-Nui-Te-Po, the goddess of night, death and the underworld. Others have noted a strong similarity between Te Ka and the Hawaiian volcano goddess Pele.
Interestingly, while the movie was being developed and written, it incorporates the history of Polynesian people as voyagers who just abruptly ceased and then a thousand years later, start sailing again. Why? No one knows. However, the story of Moana certainly provides an interesting what if story to it.
Also called: Black Pete, Black Peter, Père Fouettard, Schwaarze Péiter
Etymology: Black Peter
December has come and with it many familiar Winter Celebrations and Holidays.
The Dutch character of Zwarte Piet is one mired in controversy and folklore. In the folklore of the Low Countries of Europe, Zwarte Piet is a companion to Saint Nicholas or Sinterklaas if you please in Dutch. Saint Nicholas is also synonymous with Santa Claus for those living in the US. Unfortunately for the character of Zwarte Piet, he has come under a lot of controversy and allegations of racism in recent years, especially among the Netherland’s migrant community.
Zwarte Piet is traditionally depicted as being black as he’s said to either be a Moor from Spain or to have gotten black from going down chimneys delivering presents. Many people who dress up as Zwarte Piet, dress in colorful Renaissance Page outfits, blackface makeup, curly wigs, red lipstick, and earrings. The character of Zwarte Piet that most people in the Netherlands have become familiar with first appeared in a book written by Jan Schenkman in 1850.
The Feast Of Saint Nicholas – December 5-6th
Where many American children get excited for Santa Claus on December 25th, in Europe, children get excited for Saint Nicholas’ arrival on December 5th (Aruba, Curacao and the Netherlands) or 6th (Belgium and Luxembourg). His arrival is accompanied by Zwarte Piet (Zwarte Pieten for plural) who hands out sweets and presents to many children. Zwarte Pieten will begin to make their appearances in the weeks before Saint Nicholas’ Feast. Their first appearance is when Saint Nicholas arrives and is greeted with a parade. In some parts of the Netherlands, Saint Nicholas will arrive by boat, having come all the way from Madrid, Spain. The Zwarte Pieten’s job then is to entertain the children, handing out sweets known as pepernoten, kruidnoten and strooigoed as Saint Nicholas makes his rounds.
Zwarte Piet’s Origins – Clash Of Cultures, Religion & Traditions
For anyone who even does just a cursory study of the Winter Celebrations of Christmas and the numerous related holidays for this time of year, can see that there has been a constant, evolving and changing view of how the Winter Holidays and Traditions have changed or adapted over the centuries and even millennia.
Many people can easily find and take note of Pagan elements for the holidays and why they were celebrated. The arrival of a new religion, Christianity as it spread and took over, clearly supplanted many of these older holidays and often the older Pagan traditions were adapted to the Christian celebrations of Christmas with new Christian imagery and symbolism.
Sometimes the origin and introduction of one tradition are clear cut and easy to point out and other times the passage of time has made it murky and there tends to be a lot of guesswork and overlay that makes it harder to separate all of the different elements. Ultimately it is a mixture and grab bag of different religions and traditions that have mixed together and changed over the years.
The Wild Hunt – Odin
I’ll include this connection as it is one that is often passed around and it does appear to bear merit.
The Wild Hunt is a phenomenon found in many different European countries and cultures of a nightmarish, supernatural force led by some dark spectral hunter on horseback and accompanied by a host of other riders and hounds as they chase down unlucky mortals, either until they drop dead of exhaustion, are caught and forced to join the Wild Hunt or they can evade the Hunt until dawn.
Just exactly who it is that leads the Hunt does vary country by country in Europe. One connection made is that of Woden or Odin in Germanic folklore. On New Year’s Eve, Woden would ride out during the night on his white, eight-legged steed Sleipnir. Woden or Odin is always accompanied by his two black ravens, Huginn and Muninn. These two ravens would sit at the edge of a chimney, listening to those within and then tell Woden of any good or bad behavior of those living in the dwelling. This report would determine if Woden left any gifts or chased down and abducted the unruly mortal with his Wild Hunt.
Middle Eastern Connections?
I came across this when doing research for the figure of Hajji Firuz.
Just as Zwarte Piet is paired up with Sinterklaas, so too is Hajji Firuz paired up with Amu Nowruz.
Where Sinterklaas is known to give gifts out to children, so too does Amu Nowruz give out gifts to children on Nowruz, the Persian New Year. Amu Nowruz’s name means “Uncle Nowruz.” The Russians hold a similar tradition of the “Grandfathers” for both Winter and Spring who die and are replaced by the other or reborn. The tradition of gift-giving doesn’t become associated with some of the European deities until the arrival of Christianity.
The character of Hajji Firuz has also been under similar attacks by people who see a negative racist implication in some countries such as Iran. Despite this, many people still love Hajji Firuz and the air of festivities he brings. His darkened skin is often seen as only face paint representing soot from a fire.
Exactly how good of a connection there is between Sinterklaas and Zwarte Piet with Amu Nowruz and Hajji Firuz? It’s hard to say, though the similarities between the two are interesting to note.
Sinterklaas, You’re The Devil
To better understand Zwarte Piet, one needs to understand who Sinterklaas is. Unlike the American Santa Claus who is seen as fat and jolly, Sinterklaas is a thin and stern man who is a combined figure of both Saint Nicholas from Turkey and the Germanic god Woden.
Saint Nicholas – From Myra, Turkey, Saint Nicholas is a Catholic Bishop who rides on his white horse, Amerigo as he travels. He is the patron saint of children, sailors and the city of Amsterdam. There are stories of Saint Nicholas leaving gifts in choir boys’ shoes and throwing money down chimneys to pay for a girl’s dowry that has contributed to the modern celebrations of Saint Nicholas’ Day and Christmas.
Woden – It has been pointed out that Woden is a god of poetry and wisdom. He is also the god who brought and introduced runes, the writing system. This is seen in the Dutch traditions of singing songs, writing poems and the passing out of pepernoten. Even Sinterklaas’ hat and staff are a reflection of Woden and not just that of Saint Nicholas, a stern catholic bishop riding on his white horse. Though the horse too is a reflection of Woden’s eight-legged horse Sleipnir that he rides. Woden’s helpers are the ravens, Huginn and Muninn who report back to him of all of mens’ deeds.
The connections of Sinterklaas traditions to Pagan Europe before its Christianization is fairly well known. And since then, there has been a further, continued mixing of Christian elements to a Pagan figure. Some of which haven’t always been completely smooth or “nice and tidy” changes. Nor has the image of Sinterklaas always been so benign.
Before the appearance of any companions for Sinterklaas, he would be the one to deliver gifts to good children or coal and switches to naughty children. At this point, he pretty much worked alone.
Sinterklaas wasn’t a very nice figure and one who could also provide a lot of nightmares. With the influence of Christianity and wanting everything in absolutes of black and white, the imagery of Sinterklaas chaining the devil became prominent as the triumph of light over darkness. This is a theme very central to the Yule-tide celebrations for the turning of the year as the nights now begin to grow shorter and the days longer.
Sidenote: I had notes say the pepernoot would have letters on them and made of chocolate. The pepernoot doesn’t have to be made of chocolate. That these letters represented runes that Woden would pass out to men. I did find, looking at this closer, that the tossing of pepernoten at children, especially a baby stems from an old fertility rite where Sinterklaas is blessing them.
Medieval Times – Enslaving The Devil
During the Medieval Times of Europe, Saint Nicholas is sometimes shown as having tamed or chained the devil. This figure may or may not necessarily be black. For the Netherlands, there is no mention of any devil, servant or any sort of companion for Saint Nicholas between the 16th and up to the last half of the 19th centuries.
A long-standing theory then has suggested that Zwarte Piet and many of the similar characters found in Germanic Europe such as Krampus in Austria, Ruprecht in Germany, Père Fouettard and Housécker (Mr. Bogeyman has been offered translation of this name) in France and Luxembourg, and Schmutzli in Switzerland to name a few.
While all the others dark helpers of Sinterklaas are outright devils or dark, soot covered men, the image of Zwarte Piet is the only one who seems to have changed to become an outright black person. That when we get to the 19th and 20th century Netherlands, Piet has become a Moor and servant to Saint Nicholas who helps the old man out on his nightly rounds.
Zwarte Piet’s Arrival To Dutch Traditions
By the time Zwarte Piet is introduced to the mythos of Christmas as a companion of Sinterklass, there has been a change in the overall attitude of Sinterklaas’ nature and character. Before Zwarte Piet, Sinterklaas was seen as something of a bogeyman. Was he bringing presents, coal, a beating with a switch or worse yet, carrying you away in his bag never to be seen again?
With the introduction of Zwarte Piet, some of the darker, more terrifying attributes of Sinterklaas were now part of Zwarte Piet’s character. This change owes a lot to the Christian dichotomy of Good and Evil with no in-betweens. While Zwarte Piet is introduced as Sinterklaas’ servant, it is still very much connected to the previously mentioned concept of chaining and enslaving the devil.
Unfortunately, with Zwarte Piet now getting all of these negative characteristics, many children became afraid of Zwarte Piet as he’s the one who now punishes and a bogeyman to be avoided. This again was changed around the 1950’s and 1960’s with Sinterklaas again becoming the sterner and dour of the two while Zwarte Piet becomes more of a benign figure passing out gifts and treats along with behaving in a clownish manner that children love.
Codifying A Legend
The earliest mention of Sinterklaas having a companion or servant is in 1850 when a school teacher, Jan Schenkman published the book: “Sint Nikolaas en zijn Knecht” (“Saint Nicholas and his Servant”). At first, this early servant is a page boy, a dark-skinned person wearing the clothing of the Moors. This book introduced the tradition of Sinterklaas arriving by steamboat from Spain. This version of Saint Nicholas has no mention to his Turkish connection in Myra.
In the first edition of Schenkman’s book, the servant is shown dressed in simple white clothing with red piping. Beginning with the second edition of the book in 1858, the servant’s page outfit becomes more colorful that is more typical of early Spanish fashions. Schenkman’s book stayed in print until 1950 and has shaped much of the Netherland traditions and celebrations of Saint Nicholas’ Day.
What’s In A Name?
The one thing to note is that in Schenkman’s book, Sinterklaas’ servant isn’t named. However, Joseph Albert Alberdingk Thijm had made reference to Sinterklaas’ companion being named Pieter-me-knecht in a note written to E.J. Potgieter in 1850. Alberdingk Thijm later wrote in 1884 remembering how as a child in 1828, he had gone to a Saint Nicholas celebration at the home of Dominico Arata, an Italian merchant living in Amsterdam. He recalled that during this time, Saint Nicholas had been accompanied by “Pieter me Knecht …, a frizzy haired Negro”, who, instead of a switch to punish children with, carried a large basket filled with presents.
The Dutch newspaper, De Tijd in 1859 took note of how Saint Nicholas was often seen in the company of “a Negro, who, under the name of Pieter, mijn knecht, is no less popular than the Holy Bishop himself.”
By 1891, the book Het Feest van Sinterklaas names Sinterklaas’ servant Pieter. Up until around 1920, there had been a number of books giving this servant varying names and even appearances.
By 1920, as the Dutch celebrations of Sinterklaas became more standardized, the name of this servant became Zwarte Piet. At first, he was portrayed as being dull-witted, clumsy and speaking broken-Dutch.
WWII – After the liberation of the Netherlands, Canadian soldiers who were helping to organize the Saint Nicholas celebration and distribute out presents, dressed up as Zwarte Piet. As these numerous Zwarte Pieten moved through Amsterdam passing out their gifts, the idea of more than one Piet stuck and has continued.
All of these Pieten all have different tasks and roles in helping Sinterklaas. Some of these other Pieten are: Hoofdpiet, Navigation Piet, Present-Wrapping Piet, Pepernoten Piet and so on. The antics of Piet have also taken on being more silly and clownish to entertain children.
A Saint’s Miracle and Dutch Slavery
Unfortunately, this is a fact of history and since the codification of Zwarte Piet to be seen as black and a servant of Saint Nicholas, somewhere along the lines it has clearly become confused. The Christian belief of Saint Nicholas chaining the devil has likely, subconsciously gotten confused with the actual slavery. In the 15th century, the name of Black Peter was an alternative name for the devil.
Contributing to this legend is a story from the Legenda Aurea as retold by Eelco Verwijs in 1863, one of the miraculous deeds performed by the Saint after his death is that of freeing a slave boy in the “Emperor of Babylon’s” court and returning him to his parents. In this story, there is no mention at all of the child’s skin color.
Another thing to be noted about the date of 1863, is that this is when the Dutch abolished slavery, though it would still take a little bit of time for the last slave to fully be free.
Later books found in the 20th century of both fiction and non-fiction began to appear wherein Zwarte Piet is mentioned as a former slave that had been freed by Saint Nicholas and then stays on to become a friend and companion, helping him out in the Saint’s annual visits to the children.
During the 1500’s to 1850 roughly, the Dutch did engage in slavery that helped to build up their empire over three continents and places like Suriname and Indonesia. It’s surprising to see that for a nation that had such a deep investment with slavery, that it is largely still glossed over in the classrooms for history. While the Dutch did not keep many slaves, the West India Trade Company did transport thousands of slaves to other parts of the world.
Other Takes On Zwarte Piet
High Barbary – Piracy – One take on explaining Zwarte Piet as black is that he’s a Moor from Spain. A few stories of Zwarte Piet’s origins connect him with piracy and the raids that the Moors would conduct along the coasts of Europe. So if Piet isn’t wearing a page’s outfit, he’s dressed as either a Moor or in a pirate’s garb. Hence the gold earrings that Piet used to wear.
Chimney Sweep – In the 1950’s, another explanation often given to try and soften the image of Zwarte Piet and resolve the issue of slavery is that Zwarte Piet is a chimney sweep. So Piet’s skin is black from going down the chimneys delivering gifts to children. In places like Belgium, Zwarte Piet will leave the gifts in children’s shoes much like La Befana leaves gifts in the shoes of Italian children.
This explanation of soot often isn’t accepted as people will point out that Piet still has curly or frizzy black hair, red lips and more importantly, that his clothes are still immaculately clean.
Crime & Punishment
Before being a gift-giver of Sinterklass, Zwarte Piet would be the one to punish naughty children. Some of the punishments he would dole out are:
*The least of a child’s worries is receiving a lump of coal as a reminder to be good.
*Some bad children will get a “roe” – which is a bundle of twigs or switches.
*If a child was really naughty, he or she might be hit with that roe or switch.
*Particularly bad children get carried away back to Spain where Sinterklaas lives. This part of the legend and punishment is a reference to the times when the Moors raided along the European coasts and would abduct people into slavery.
Also, depending on the version of this part of the myth being told, the bad children carried away in the sack either become Pieten themselves or get eaten.
Signs & Changes Of The Times
Of course, once the image of Zwarte Piet became standardized, it took off in the Netherlands in the early 20th century and instead of doling out punishments, Zwarte Piet hands out treats from his bag and continues his role as Sinterklaas’ helper.
Towards the end of the 20th century and the start of the 21st century, the character of Zwarte Piet has come under attack as many people see the character to be very racist in some very negative portrayals of stereotypes. At current, there have been discussions on how to update the image of Piet to try and remove the racist elements to others outright calling for Piet’s being banned from the Saint Nicholas celebrations.
There have been efforts to try and ease this problem, some like the NPS replacing the black Pieten with a rainbow of Pieten. Others have called for alterations to characteristics of Zwarte Piet to be changed such as the frizzy hair, red lips, and no earrings. Other proposed changes put forth by the Centre for Equal Opportunities and Opposition to Racism have been to stop the portrayals of Zwarte Piet as being “stupid, inferior or a dangerous black man.” Even the use of blackface makeup with Zwarte Piet has caused a lot of debate. If Piet is supposed to be black from the soot while going down chimneys, he should only look smudged, not totally black. And certainly other countries such as the US and the UK when first encountering Zwarte Piet see a very strong negative connotation with the use of blackface when portraying a black person.
There are many Dutch and those who celebrate Saint Nicholas Day in places such as Aruba, Curaçao, Indonesia, Sint Maarten, and Suriname who do not see a problem with Zwarte Piet and accept an evolution of a character to become a friend of children and a positive representation of color in the Christmas/Winter traditions. To them, he’s just black, but not necessarily of African descent and is more of a fairy tale type figure who delivers gifts and has become removed from the enslaved devil he once was.
The argument then is trying to get an awareness that how Zwarte Piet has been depicted is a caricature and very much so negative stereotypes of black people. Namely with the afro hair, thick red lips and being shown as too buffoonish.
While there are efforts to try and make changes to how Zwarte Piet is depicted, there are still protests and demonstrations against Zwarte Piet. The protesters cite the racism in Zwarte Piet’s depictions as being a very lazy, clownish black stereotype that in other settings and countries, would be very offensive. Articles have recounted examples of children from African decent being bullied. Adults and children alike of African descent who get called Zwarte Piet and any possible unspoken and underlying implications of what’s being referred to with the comment of slaves, someone who is foolish, stupid, lazy or dangerous, who’s only purpose is to be there for someone else’s entertainment.
And as has been noted in comments and articles while reading up on Zwarte Piet, it hasn’t been until the last couple of generations that there as more and more immigrants and people of other ethnic groups moving to the Netherlands that, the Dutch mindset of what is appropriate and what’s seen as racist is currently being challenged by outsiders.
Cultural & Historical Disconnect
It has been commented on by one journalist, Dimitri Tokmetzis, “”I don’t think the Dutch want to offend black people with Zwarte Piet. We don’t have a history with blackface, on the other hand, there are clearly some racist undertones that many people won’t recognize. Zwarte Piet is always depicted as stupid and one song even states that although Zwarte Piet is black, you can basically trust him because he means well. So there is this disconnect between the intentions of most people and how it comes across to those who are more sensitive to racial issues.”
Which would be the heart of it, a disconnect and denial by some who don’t see or fail to see the racist implications in the figure of Zwarte Piet as he is currently represented. Another commentary has pointed out a lack of the Netherlands own sensitivity to their colonial history and the impact it has had. Not surprising when others have pointed out that in history books in school, the subject barely gets covered or glossed over.
The flip side to why many Dutch may have a hard time accepting the racist elements is that Zwarte Piet is so closely tied to a children’s celebration and it feels so much like an attack on childhood memories and nostalgia. It can be very difficult to have an ugly truth of what was once thought socially acceptable be pointed out as no it’s not.
Movie Time! – Santa & Pete
I was delighted one year when visiting an Aunt of mine during the holidays, that when searching for a Christmas movie to watch, we came across the movie of Santa & Pete with James Earl Jones staring as the Grandfather and narrator of the story as he tells his grandson of their family history.
I had already come across the figure of Zwarte Piet when reading the book “When Santa was a Shaman.” I had been worried this would show some of the more negative associations and connotations with Piet. To my relief, the movie shows a very positive portrayal of the character and showing both Santa and Pete as friends and equals in their work to visit the children at Christmas and passing out gifts.
This is what I see, if the more positive aspects of Zwarte Piet can get focused on, as a friend to children and gift giver, we have a positive representation of someone of color within the overall Christmas mythos and celebrations.
As it stands, when reading the various articles and controversies regarding Zwarte Piet, there are still a lot of the more negative associations attached to him and no one is quite sure on how to make the appropriate changes to the character in order to keep him while others are calling for his complete banning and removal from Dutch traditions.
Also known as: Bullet Baba, Om Bana
Now get this, the story as it goes, on December 2nd, 1988, Om Banna (alias Om Singh) was riding from the town of Bangi when he lost control of his motorcycle and died instantly on collision with a tree. Om Banna’s bullet motorcycle however, fell into a roadside ditch.
The next morning, the police came and took the motorcycle back to their station. Mysteriously, the motorcycle disappeared and was found back at the site of the accident the following day. Once more, the police took the motorcycle and returned it to the station. This time, they emptied the motorcycle’s fuel tank and placed it under lock & chain to prevent it from being taken.
Once again, the motorcycle was gone and found again at the site of the accident. The locals came to see this event as a miracle. A growing legend states how the motorcycle kept returning to the same ditch, no matter how many times the police came to take it, the motorcycle always returned to the same spot before dawn.
The story of the motorcycle spread and people began to come and worship the “Bullet Bike.” A temple was built, becoming the Bullet Baba’s Temple. Local belief holds that Om Banna’s spirit aids and protects travelers.
Bullet Baba’s Temple
The temple to Om Banna is more of a wooden shed that houses the Bullet Bike. The bik itself is now enclosed in a glass box. Hundreds of people come every day seeking blessings and praying for a safe journey. Many will bring offerings of liquor and alcohol. Not to pray or seek blessings is believed to invite disaster.
In addition, the tree that Om Banna died on, has been decorated with offerings of scarves, rope and other bangles. Outside the temple, there is a large picture of Om Singh who has come to be known as Om Banna on display.
For the past twenty years, a lone priest, Poonam Giri has tended to the temple and maintained its grounds. Many shops sell incense sticks, flowers, coconut and red thread for use as prayer offerings. Folk songs are sung in Om Banna’s name.
The prayer of: “j ay shri om Banna. Me aaj Jo bhi hu aap hi Ki karpa se hu” is usually spoken by those who visit the shrine.
Local Customs, Stories And Traditions
A few customs have begun at the shrine. Some of the more notable ones are as follows:
The first tradition or story is that Om Banna’s grandmother had a dream, wherein he had come to her requesting two yards of land on which to build the temple. This is supposed to be the story and belief that brought about the construction of the temple in the first place.
Another tradition holds that the sound of the Bullet Bike can be heard on the anniversary of Om Banna’s death.
On Ashatmi day, the Bullet Bike is said to start its own engine, even without any fuel or ignition.
Further, Grooms and Brides will come to the temple seeking blessings and families will bring their newborns to be blessed as well.
Location Of The Shrine
The Om Banna shrine is found in the Pali district near Jodhpur, India. It’s about 20 km (12 miles) from Pali and 50 km (31 miles) from Jodhpur along the Pali-Jodhpur highway close to the Chotila village.
Spiritride – The SERRAted Edge
I just think it’s an interesting connection. The author Mark Sheppard in his book, Spiritride wrote about a motorcyclist who died in an accident. The motorcyclist’s spirit along with many others act as guardians, protecting other motorcyclists when out on the road. Mercedes Lackey uses the idea again later in the Bedlam Bard series.