Category Archives: Love
Also Known As: Rey Pascual, El Rey San Pascual, King of the Graveyard, King of the Underworld, and San Pascualito Muerte
San Pascualito is a folk saint found in Guatemala and the Mexican state of Chiapas. Given the skeletal nature of his appearance, he is a figure that bears a strong resemblance to San La Muerte and Santa Muerte.
Warning – San Pascualito’s imagery causes him not to be acknowledged by the Catholic Church. Having a skeleton iconography puts San Pascualito in the same vein as Santa Muerte and San La Muerte and associations with death and crime. Due to not being as well known either outside of where he is venerated, there is still an air of unease among Catholic and other Christian sects.
Color: Black, Red, White
Month: May (17th Feast Day)
Patron of: Curing Diseases, Cures, Death, Healings, Love, Graveyards, Vengeance
Sphere of Influence: Death, Healing
Symbols: Skeleton, Cape, Crown, Wheeled Cart
San Pascualito is shown as a skeleton wearing a cape and crown.
Tradition holds that San Pascualito’s veneration very likely originates with a Pre-Columbian Death God. As a folk saint, he is strongly associated with Saint Paschal Baylon, a Spanish friar. Though traditions surrounding San Pascualito strongly lean towards a Pre-Columbian death god.
As the historian Francisco Antonio de Fuentes y Guzmán relates, in 1650, an indigenous Guatemalan man in San Antonio Aguacaliente (now modern-day Ciudad Vieja) was dying of an epidemic fever known as cucumatz in the Kaqchikel language. As the man received his last rites, he had a vision of a tall skeleton dressed in glowing robes appear before him. This figure introduced themselves as “Saint Paschal Baylon.” At this time, Baylon would not be canonized by the Catholic church until 1690, though he had been beatified earlier in 1618.
The figure promised the dying man to intercede and end the cucumatz if he were to be adopted by the community as their patron saint and honor his image. For proof of his identity, the figure predicted that the man receiving the vision would die in nine days, at which time the epidemic would end.
When the appointed time came and the man died, the story of the vision began to spread, and people began putting up images of San Pascualito despite prohibition from the Spanish Inquisition.
San Pascualito’s major center of worship and veneration is in Guatemala and the Mexican state of Chiapas. There is a major shrine dedicated to him in Olintepeque, Guatemala. In the Church of San Pascualito in Tuxtla Gutierrez in Chiapas, there is a version of San Pascualito as a seated skeleton in a cart. Devotees of San Pascualito will leave thank you notes, offerings of capes, or burn candles.
The color of the candle determines the intent of the request. Red is for love, Pink for health, Yellow for protection, Green for business, Blue for work, Light Blue for money, Purple for help overcoming vices or temptation, White for the protection of children, and Black for revenge.
King Of The Graveyard
One of San Pascualito’s epitaphs or names, King of the Graveyard does link him to being a potential death cult. Unlike other such cults, San Pascualito is more concerned with curing diseases, ya’ know, staving off death. Not yet.
As a Folk Saint, San Pascualito’s Feast Day is held on May 17th, the same feast day as Saint Paschal Baylon.
Ah Puch – The Mayan god or lord of death.
Grim Reaper – The imagery of the Grim Reaper and San Pascualito are remarkably similar.
Mictlantecutli – There are very noted, strong similarities between the imagery of the Aztec god of death and San La Muerte.
San La Muerte – A similar figure to San Pascualito found in South America, mainly Argentina, Brazil, and Paraguay.
Santa Muerte – A similar female counterpart found in Mexico and southern parts of the United States.
Also Known As: Saint Death, Señor De La Buena Muerte (Lord of the Good Death), Señor De La Muerte (Lord of Death), and in Paraguya, San Esqueleto (Saint Skeleton)
San La Muerte is a folk saint who is worshipped in many places in South America, namely Argentina, Brazil and Paraguay and notably of those who speak the Guaraní language.
Note: The most important thing to note with San La Muerte is not to confuse them with Santa Muerte. Yes, the two are incredibly similar in appearances as local Folk Saints and many of Santa Muerte’s attributes are held to be the same as San La Muerte.
Warning – As a result of San La Muerte’s associations with the criminal element such as the drug cartels, the worship, and veneration of San La Muerte is very controversial, especially by the Catholic Church and several Protestant dominations that don’t acknowledge or see him as cannon. There is a strong reaction of condemnation by the Catholic and other Christian sects to see his veneration as blasphemous and even satanic.
Color: Black, Red, White
Month: August (13th & 15th)
Patron of: Death, the Dead, Inmates, Prisoners
Sphere of Influence: Restore Love, Good Fortune, Gambling, Protection against Witchcraft, Protection against Imprisonment, Luck, Good Health, Vengeance
Symbols: Globe, Scale of Justice, Hourglass, Oil Lamp,Scythe
San La Muerte is essentially a male skeleton dressed in a hooded robe, carrying a scythe, much like the Grim Reaper and Santa Muerte.
Santito – Or Small Saint, these are small skeleton sculptures that depict San La Muerte. These can be carved from wood, bone, and metal. They are somewhere between 3 to 15 centimeters in height. A classic image is a human skeleton standing holding scythe. Devotees will also seek to get their statues consecrated by a Catholic priest seven times. If the statue is made from the bones of a Catholic saint, then such consecration needs only be five times. Devotees are known to perform subterfuge such as hiding their statue beneath the picture of another saint to get them consecrated.
Followers and worshipers of San La Muerte can be found in many places in South America, primarily Paraguay, northeastern Argentina (the provinces of Chaco, Corrientes, Formosa, and Missiones), Southern Brazil (states off Paraná, Rio Grande, and Santa Catarina) are the main places for San La Muerte’s Cults. Since the 1960’s and some internal migrations, the worshiping of San La Muerte has spread into the Greater Buenos Aires and the national prison system.
Like Santa Muerte, most of San La Muerte’s followers are Catholics and former Catholics who venerate this folk saint and deity. This means a person doesn’t have to exclusively be one religion or another to seek her favor and protection.
Put bluntly, everyone, rich and poor alike are equal in death, and in this regard, Santa Muerte plays no favorites. Everyone eventually dies, it’s just part of life.
Many seeking San La Muerte’s favor and miracles due to the strong Catholic influence, will offer up prayers and light votive candles, often of different colors depending on their need. Offerings given to San La Muerte are frequently for specific requests and tailored such as the devotee’s own blood, alcohol, candle and other items.
Such devotion to San La Muerte is a mixture of submission to an entity that expects punishment for any obligations not upheld by the devotee. Such obligations or threats involve going hungry or banishment to an uninhabited place. When the Saint grants his favors, it won’t be in full as there is the need for a threat or punishment again.
Side Note: This is also part of why the Catholic church sees blasphemy with San La Muerte, catholic style prayers, votive candles, and rosaries are used in prayers and rites with this folk saint.
Catholic Folk Saint?
It is thought and believed that the veneration for San La Muerte began among the Guarani tribe shortly after the expulsion of Jesuit missionaries in 1767 with the arrival of Catholicism. Over in Argentine was the local folk saint of Gauchito Gil, a known devotee to San La Muerte. Combine this with the Guarani tribes worshipping the bones of their ancestors, and these traditions and those of the Catholics would lead to the veneration and origins of the San La Muerte’s cult.
Archangel – Belief in San La Muerte has also compared him to supernatural beings like angels or archangels that a devotee will pray to.
Saint Of Protection
There are a variety of favors that San La Muerte is believed to grant. Everything from restoring love, to health and prosperity, protection in general of worshipers, protection from witchcraft, the evil eye, and the granting of good luck in gambling.
More controversial among devote Catholics is San La Muerte’s aid in helping those involved in crime and violence, bringing death to enemies, keeping a devotee out of prison, shorter prison terms even, and the recovery of stolen items.
Brujos and other traditional healers such as Curanderos can also invoke protections for their clients. Many practitioners and devotees will have a statue depicting San La Muerte that is kept hidden so he can extend protection to all family members. There are public altars that display a statue of San La Muerte too. Devotees will act as guardians and caretakers for any public altars.
Other protections will be more personal with rituals done in the house at the altar, wearing amulets, tattoos, or a carving depicting San La Muerte inserted under a worshiper’s skin.
Bullets that were fired to kill a Christian man are considered the most powerful material to use for an amulet. Other materials are gold, silver, and human bone.
Saint & Festival Day
Since there is no official Saint Day for San La Muerte from the Catholic church, plus they’re not recognized by the Catholic faith, some devotees will hold a festival for him on either August 13th or August 15th. When the date falls on the 15th, that is the same Saint Day and festival as Santa Muerte. Though some comment that Santa Muerte’s Saint Day can also be observed on November 1st.
Grim Reaper – The imagery of the Grim Reaper and San La Muerte are remarkably similar.
Mictlantecutli – There are very noted, strong similarities between the imagery of the Aztec god of death and San La Muerte.
Santa Muerte – A similar female counterpart found in Mexico and southern parts of the United States.
San Pascualito– A similar male counterpart to Santa Muerte found in Guatemala.
Etymology: Greek – “Lady” or from haireo – “chosen one”
Alternate Spellings & Other Names: Ἥρᾱ, Hērā; Ἥρη, Hērē in Ionic and Homeric Greek
Epithets: Ἀλέξανδρος or Alexandros (“Protector of Men”), Hera Aigophágos, Αἰγοφάγος or Akraia (“She of the Heights”), Ἀμμωνία or Ammonia, Ἀργεία or Argéia (“She of Argos”), Argive Hera (“Hera Argeia”), Hera Antheia (“Hera of the Flowers”), Βασίλεια or Basíleia (“Queen”), βοῶπις or Boōpis (“Cow-Eyed” or “Cow-Faced), Βουναία or Bounáia (“She of the Mound” in Cornith), Hera Gamelia (“Hera of Marriage”), Hera Heniokhe (“Hera of the Chariot”), Hera Hyperkheireia (“Hera, Whose Hand is Above”), Hera Nympheuomene (“Hera the Betrothed”), Ἥρᾱ Παῖς or Hera Pais (“Child Hera” for her role as virgin), Ἥρᾱ Τελεία or Hera Teleia (“Adult Hera” as goddess of marriage), Ἥρᾱ Χήρη or Hera Chḗrē (“Widowed”), Λευκώλενος or Leukṓlenos (“White-Armed”), Παρθένος or Parthénos (“Virgin”), “Goat Eater,” “Queen of the Immortals,” “Queen of Heaven,” “Queen of the Gods,” “Queen of Olympus,” “Golden-Throned Hera,” “Bride of the Thunderer,” “The Supreme Goddess”
Not only is Hera the Queen of the Gods in Greek mythology, she is also the goddess of marriage, women, childbirth, and family. All roles that appear nigh impossible to preside over when one is married to Zeus, King of the Gods who goes about doing whatever he wants. It is easily understandable why some myths and stories will depict Hera constantly angry with Zeus, taking it out on his many “love affairs,” offspring, and even mortals who cross her path.
Animal: Cow, Crow, Cuckoo, Lion, Panther, Peacock
Patron of: Women
Plant: Lily, Lotus, Pomegranate
Sphere of Influence: Marriage, Childbirth, Family
Symbols: Peacock Feather, Diadem, Scepter, Throne, Veil
In some art, Hera is shown riding in a chariot pulled by peacocks. Hera is often shown with those animals sacred to her. As the Queen of the Gods, Hera is depicted as majestic and solemn, sitting on a throne wearing a polo (think a high cylindrical crown) or diadem with a veil hanging down behind her. Sometimes Hera is shown holding a pomegranate symbolizing marriage, fertility, and even death.
The most famous statue depicting Hera is the one carved by Polycletus. It is considered the noblest image and one that represents the ideal image of Hera as a mature woman with a beautiful forehead and large, wide-opened eyes. She is regarded as having a grave expression thought to command reverence.
In some instances, there is no imagery used for Hera to represent her, or she can be difficult to distinguish from other goddesses in Greek art. In Argos, Hera was represented as a pillar and on the island of Samos where Hera is said to have been born, she was represented by a plank of wood.
What’s In A Name
There are several possible etymological roots for Hera’s name. One given is the Greek word ὥρα or hora meaning “season,” or “year,” and likely meant to refer to being ripe for marriage. According to Plato, Hera’s name comes from ἐρατή or eratē for “beloved” as Zeus is supposed to have married her out of love. Yeah… we will get back to that myth later.
If we go by Plutarch, Hera’s name is an anagram of ἀήρ or aēr meaning “air.” That’s a little better.
Now we get into some suspect meanings that have been offered up. In Walter Burkert’s “Greek Religion,” he makes note of how scholars have argued for a meaning of Hera as the feminine of Heros meaning Master. Close on Burkett’s heels is John Chadwick who in deciphering the Linear B Greek script, says that Hera’s name may be related to the word ἥρως or hērōs and thus, the modern word of “hero.” It does get pointed out that this connection is too tenuous and obscure for any firm confirmation.
Then we have A. J. van Windekens who suggests the meaning of “young cow” or “heifer” for Hera as one of her epithets is βοῶπις or boōpis meaning “cow-eyed.”
Finally, we have R. S. P. Beekes who has put forward the idea of Hera being of Pre-Grecian origins. That her name may have meant “Lady” or “Mistress” That one makes sense too; we do have Hera’s name appearing in the Mycenaean Greek Linear B script and tablets found in Pylos and Thebes that seem to point to that meaning.
According to Herodotus, Hera is the only goddess not introduced to Greece from Egypt.
Like many deities and even words for that matter, the meanings and what they stand for change over time. On this hypothesis, however tentative, Hera goes from being an ancient earth goddess with vast power to a goddess of marriage ruling alongside Zeus with diminished influence.
We’re talking ancient ancient Mycenaean Greece of about 1500 B.C.E. to the ancient Greek and its city-states that many think of and are familiar with around 500 B.C.E. So, about a thousand years and a lot has happened. A lot has changed and even been lost.
Worship & First Temple
For all that Zeus tends to get top billing in Greek mythology and appears to be very prominent, after all, he is the King of the Gods! Archeological evidence shows that Hera may have been the first deity that the Greeks built and dedicated an enclosed, roofed temple. Said temple is found on the island of Samos and dates to around 800 B.C.E. It must be noted that this temple was later replaced by Heraion of Samos, being an even larger temple.
There is some archaeological confusion with dates as there have been many temples built on Samos. Rhoecus sculptors and architects destroyed the temple sometime between 570 to 560 B.C.E. and then replaced it with the Polycratean temple between 540 & 530 B.C.E. A lack of tiles suggests that the temple was never finished or that it was open to the sky. Other excavations at Samos have found votive offerings that date to the 7th and 8th centuries B.C.E.
There are “house sanctuaries” that date from the Mycenaean era. On mainland Greece, there is the “Argive Hera,” another sanctuary found between the Mycenaean cities of Argos and Mycenae. Festivals honoring Hera would be held there. There are two Doric temples dedicated to Hera that were constructed at Paestum around 550 B.C.E. to 450 B.C.E. One of these temples had long thought to be a Temple of Poseidon until the 1950’s when it was properly identified as belonging to Hera.
Further archaeological evidence shows that people would come from across the Mediterranean to make offerings at this site. These people likely came from Armenia, Assyria, Babylon, Egypt and Iran.
Argos – This city is held to be Hera’s favorite city. There is a sanctuary devoted to her in the Peloponnesus where she was worshipped as the city’s goddess and protector
Other Temples – Other temples dedicated to Hera are found at Mycene, Sparta, Paestum, Corinth, Tiryns, Perachora, and on the islands of Samos and Delos.
In book IV of the Iliad, Hera refers to Argos, Sparta, and Mycenae as “The three cities I love best.” Many of Hera’s temples and sanctuaries were located outside the city as she served as the city protector and for the privacy of various sacred cult observances.
The Temple of Hera – Located at Olympia, the seated figure of Hera is older than the warrior statue of Zeus that accompanies her.
Great Daedala – This sacred festival honoring Hera was celebrated every sixty years in Euboea. During this festival and ritual, wooden dolls would be dressed up as brides and then burned in a pyre. This festival reenacts a myth where Hera and Zeus had a fight before reconciling.
Heraia – This is a New Year’s Festival held every year to honor Hera. The Heraia held at Argos is known to have had a sacrificial procession where priestess of Hera rode in ox carts as young men carried the “Shield of Hera.” This culminated with a “hecatomb” where one hundred bulls were sacrificed. For this, the Argive Heraia was sometimes known as the “Hecatombaia.”
In the region of Kanathos, every spring there was a special rite where Hera would renew her virginity by bathing in the stream. The Heraia festivals were also celebrated at the cities of Corinth, Elis and Samos. Couples would re-enact the marriage of Hera and Zeus and every four years, there would be sporting competitions for women held in Hera’s honor.
Toneia – A festival held on the island of Samos, there would be a scavenger hunt where people searched for an image of Hera. When it was finally found, the statue would be washed and dressed in new clothes.
Parentage and Family
Ouranos (the Sky) and Gaia (the Earth)
Depending on the source, Hera can have a few different origins.
Cronus and Rhea – The often-recognized version of Hera’s parentage, especially when referencing Hesiod’s Theogony as the source.
Father – Aether (Arcadian origin)
Father – Coelus (Arcadian origin)
Father – Saturnus (Cretan origin)
Zeus – Also her brother, who becomes King of the Gods.
She is the third child born of Cronus and Rhea.
Chiron – a half-brother by way of Cronus and the nymph Philyra.
Sidenote – Homer’s Iliad will have Hera stating she’s the oldest daughter of Cronus.
With Zeus, Hera is the mother of Angelos (Angelia) an Underworld goddess, Ares god of War, Arge a nymph, Eileithyia goddess of Childbirth, Eleutheria goddess of Liberty, Enyo goddess of War, Eris goddess of Discord, Hebe goddess of Youth, Hephaestus god of Fire and Forge
The Charites – Goddesses of beauty and grace. Usually given as being the daughters of Zeus and Eurynome, or Dionysus and Coronis. The poet Colluthus places them as the daughters of Hera though no father is mentioned.
Pasithea – One of the Graces, the Greek writer Nonnus places her as a daughter of Hera. Sometimes Dionysus is given as her parent and there is uncertainty if both Hera and Dionysus are meant to be her parents together.
Prometheus – The Hellenistic poet Euphorion lists the giant Eurymedon who raped a young Hera as being the parents of this Titan. Though other sources place Iapetus and Clymene as Prometheus’ parents.
Typhon – A serpent monster whom Hera gives birth to parthenogenically.
Hera is counted among the twelve major deities who resided on Mount Olympus, the highest mountain peak in Greece and all of Europe. For the Greeks, this was the perfect location for where the gods would preside at while keeping watch on humankind down below them.
As there are several deities within Greek mythology, just who numbers among the Olympians vary. It’s generally agreed that the twelve major Olympians are: Zeus, Hera, Poseidon, Demeter, Athena, Apollo, Artemis, Ares, Aphrodite, Hephaestus, Hermes, and then either Hestia or Dionysus.
During the Hellenistic era of Greek history, Hera becomes associated with peacocks and has a chariot pulled by them. Peacocks were not part of any associations, symbols, or attributes until Alexander the Great’s conquests and expanding the Greek empire. The peacock is also interpreted as a symbol of pride.
Aristotle, Alexander’s tutor calls the peacock, the “Persian bird.” It is during the Renaissance era that the peacock imagery is more heavily used by painters to fully identify Hera with her Roman counterpart, Juno.
Before this, Hera’s chariot had been pulled by horses.
This bird has been associated with Hera the longest and before her associations with peacocks. It mainly comes from Zeus’ “wooing” Hera to get her to fall in love and marry him.
Yeah, I’ll cover that story more later down. So many of Zeus’ “affairs,” seducing, and “ravishing” women are too often a euphemism for rape.
One of Hera’s epitaphs is Boôpis meaning “cow-eyed.” On the island of Euboea, just off the coast of Greece, the region was known for having an abundance of cattle. Then in Cyprus, archaeologists have found several cattle skulls that have been used as masks. All of this has caused some to see a connection to the Egyptian goddess Hathor.
Queen of the Gods
Being married to Zeus does have some perks. With Zeus being the ruler of the Olympian gods, that places Hera as the Queen of the gods and keeping some of her prominence and influence. Though with much of the known Greek culture, they were a patriarchy, and unfortunately, we don’t often see the might and power of Hera in surviving myths except as being petty, cruel, and vindictive. In fairness, this aspect gets attributed to a lot of the Greek gods, so it says something for the level of cruelty and vindicativeness that Hera becomes known for.
Looking at the story of Jason & The Argonauts, we do see a time when Hera did hold a lot of influence, sending Jason on his quest and the favors she grants him there. An old Ray Harryhaussen movie for Jason and the Argonauts depicts Hera as begging Zeus to allow her to be the one to guide the heroes on their quest. After having watched the movie, I can’t help but feel that they should have stayed closer to the source material.
Ancient Earth Goddess
It is the scholar Walter Burkert who makes the claim that both Hera and Demeter have characteristics that link them to a Pre-Greek Great Goddess. Then we have the British scholar Charles Francis Keary suggest the idea of Hera as an Earth Goddess worshiped in ancient times. Keary further suggests this connection with Hera having been a Pelasgian goddess. This makes sense with Demeter given her connection to the Eleusinian mysteries and how it predates Grecian culture. Plus, it makes sense for Hera given how her temples are among some of the oldest in Greece, even dating to the Mycenaean era.
Some of the ancients viewed Hera as a personification of the atmosphere, the Queen of Heaven, the Goddess of the Stars, and as the Goddess of the Moon.
With Hera clearly being the Queen of the Olympian Pantheon and the ideas put out connecting her as an ancient earth goddess, do make sense. Those cultures that are more agriculturally inclined are more often going to be matriarchal versus those cultures that are more nomadic and thus have a stronger tendency to be more patriarchal and war-like fighting over land and territory.
In the mid-nineteenth century, the anthropologist Johann Jakob Bachofen puts forward the idea that Hera was the goddess of a matriarchal culture; given her place in Greek religion and in the region before the rise of Hellenistic Greece that most think of as Ancient Greece.
It should be noted that the idea of a Great Mother Goddess among the ancient Greeks is seen as controversial even among modern scholars. But it’s worth taking note of when looking at various myths and why it is that so often, Hera comes across as jealous and petty towards Zeus and all his “affairs.”
Birth Of A Goddess
We start with Cronus and Rhea, the parents of Hera and all her siblings.
As the story goes, Cronus defeated his father, Uranus, overthrowing him to become the leader and King of the Titans. Shortly after, Cronus receives a prophesy that just as he killed his father, so too, would a child of his kill him.
This prompts Cronus to decide to devour his children whole as soon as they are born. This happens five times. Poor Rhea just gets to where she can’t take it anymore. With the birth of her sixth child, Zeus, Rhea hides him away and manages to convince Cronus that this large stone is their latest child. Bon Appetit, Cronus eats the “stone baby” none the wiser that he’s been tricked.
Rhea takes and hides Zeus, so that later when he is older, he can come to fulfill the prophecy of killing his father Cronus. During the battle, Zeus splits open Cronos’ stomach, freeing all of his brothers and sisters: Poseidon, Hades, Demeter, Hera, and Hestia.
There is a ten-year long war known as the Titanomachy, and by the end, Zeus takes his place as ruler and king of the gods on Mount Olympus. Hera takes her place as Queen of the gods and the others take up their roles as part of the newly formed Pantheon.
Raising Hera – Childhood
Going by the Homeric poems, the Titans, Ocean and Tethys raised Hera and that she never knew who her birth parents are. As such, Hera marries Zeus later without knowing of the connection between them as brother and sister.
Looking at other traditions around the Mediterranean, the Arcadians say that Hera was raised by Temenus, the son of Pelagus. The Argives say that Hera was raised by Euboea, Prosymna and Acraea, the daughters of the river Asterion, And then, looking at Olen, he says that the Horae were Hera’s nurses.
Plus, many places in Greece such as Argos and Samos claim to be the birthplace of Hera. This makes sense as Hera was also prominently worshiped in these two cities.
Goddess Of Marriage
As the goddess of marriage, Hera is the protector of married women. She would preside over weddings and their arrangements and bless the unions. On the surface, that seems great until you look at the Greek myths and what life was like for Grecian women. Here it’s a bit spotty as we don’t have good records to show, but the general idea and belief are that Grecian women held fewer rights than men in regard to voting, owning land or inheritance, and were relegated to the home, raising children. Plus, this could vary by the Greek city-state in question such as Sparta, women being held in higher regard. Or we just erroneously assume that’s how it is given the nature of the myths and stories that have survived.
The biggest one is that while Hera is married and presumably faithful, Zeus however, is not and is frequently depicted having a roaming eye, chasing after every woman that catches his interest. How much of this is the result of mythological hijackings and the subsuming of many local myths to bring them all under an all-encompassing myth to try and justify or show nearly every hero, mortal or certain gods being a descendant of Zeus or not, is hard to say. Especially thousands of years later.
It is also worth noting that for all the reputations that many of the other Olympian deities have with affairs and resultant offspring, Hera is the only goddess who doesn’t cheat on her spouse, managing to keep fidelity on her part in the marriage with Zeus. Though given the reputation for being petty, vindictive and jealous, this attribute of fidelity is overlooked or dismissed.
Marriage To Zeus
As stated above, Hera is married to Zeus who is also her brother. For gods and immortals, this works out. There just weren’t very many other options. For those who are mortal and human, Ewww…. Inbreeding. Don’t do it!
Depending on the source, for Zeus, Hera is his second wife. Zeus had to trick Hera into marrying him as she had refused the first proposal. Knowing that Hera holds an affinity for animals and other beings, Zeus first created a thunderstorm and then transformed into a cuckoo. Pretending to be hurt, the cuckoo fluttered on Hera’s window where she would spot the “poor thing.” Naturally, Hera picked up the bird and held it close to her to warm it up. It is at that moment that Zeus transforms back to his godly self and rapes Hera. Shamed by what happened, Hera agreed to marry Zeus.
As a goddess connected to nature, it is said that all the earth burst to life and greenery and blossoms for their wedding and many lavish gifts were given. The Greek writer Callimachus says their wedding feast lasted for three thousand years. Gaia brought the Apples of Hesperides as a wedding gift.
Given how this marriage came by duress, I just don’t see how it will be a lasting or happy marriage.
Some myths will try to say that Zeus feared Hera’s wrath. It just comes across as a poor excuse to defend Zeus’ promiscuous nature, even if it really is just the ancient mythographers trying to connect every local god, hero, and ruler as being related to him. The same mythographers also add that Hera held great jealousy towards all of Zeus’ “lovers” and any resulting children.
With how Zeus is said to be powerless to stop Hera’s wrath, these could be holdovers remnants of ancient stories where Hera is resisting Zeus and the arrival of patriarchy. Hera is always said to be aware of Zeus’ actions, if not constantly on the look out for his antics when he descends down to the earth.
Close on the heels of Hera’s role as the goddess of marriage, she was also known as a matron goddess or Hera Teleia, the “adult Hera.”
That is interesting, digging further into this, aside from the fragments of a practice for a sacred marriage with Zeus, we find at Platea there is a sculpture of Hera seated in her role as a bride and another statue of a matronly standing Hera.
We find in Stymphalia, Arcadia where Hera was worshiped at a triple shrine, first as Hera the Girl (Hera Pais), the Adult Woman (Hera Teleia), and the Separated (Chḗrē, Divorced or Widowed).
Near the region Argos in Hermione, there is a temple of Hera as Hera the Virgin. Every spring in the region of Kanathos, close to the city of Nauplia, there is a rite where Hera would renew her virginity.
So, What Went Wrong?
Most people who have any understanding of the Greek myths know Hera to be a jealous woman and vengeful against Zeus for his many “affairs” where she would often punish Zeus’ “lovers” and children rather than confront her husband outright.
Like any of the Greek gods, yeah, Hera could favor or punish mortals at a whim too. However, in Hera’s case, this something really pointed out and noted between her and Zeus.
Why? The evidence is anecdotal and relies on looking at the surviving myths and connections of Hera being an Ancient Earth Goddess and worshiped first in the ancient, ancient Mycenean Greece and accepting the ideas of an early Matriarchal Greek culture.
There is a Neolithic, Cycladic culture that is best known for its female idols. Couple these archeological finds with Hera and her vehemence towards Zeus and his numerous affairs. Now it appears to be clear that the Greek myths we get of Zeus & Hera are the result of revisionist history and storytelling.
From that standpoint, then we see Hera as the goddess of marriage, being the arrival and introduction of patriarchy where Zeus becomes the leader and King of the gods, ruling over everything, and Hera is to somehow be subordinate to him.
Accepting this, we can see so much of Hera’s anger and jealousy as a holdover to a time when she and thus her cults resisted a theological takeover in Greek culture as Zeus rises to prominence, even replacing his brother Poseidon who in some early myths was once ruler.
There’s hints and evidence of all of these theological takeovers with the various myths, which Grecian scholar is writing down what and the apparent discrepancies as Greece and then Rome expanded, trying to absorb all of these local myths and to equate local deities and variations with their own myths and deities.
Homer – There is also influence from Homer’s writings where Hera is not treated as respectfully which leads to later retellings of the myths focusing more on Hera being vengeful as she is supposed to uphold the old rules of Hellenistic Greek culture.
Greek Culture – The way Hera’s stories are presented does show the misogynistic culture of the ancient Greeks and where a woman’s place is. Hera is the only properly married goddess in the Olympian Pantheon if you make an exception for Aphrodite. As such, Hera is expected and does show fidelity to Zeus even throughout all his affairs. However, much Zeus cheats on Hera, she remains faithful. Because of an oath that Hera swore to Zeus when she tried to initiate a revolt in the heavens, Hera is unable to move against Zeus. But she does frequently act against his “lovers” and children. With some futility against those such as Alcmene, Leto, Io and Herakles, it does show the limits of justice that women could expect and just whom the Greeks blamed in any of Zeus’ “affairs,” who was responsible.
Grandmother Of Monsters
Wait… isn’t that Echidna the mother of monsters? Yes, however looking at the Homeric Hymn to Pythian Apollo, Hera, in her older, more ancient form from Minoa is mother to the monstrous draconic looking Typhon, giving birth to him solely herself in an act of parthenogenesis. Not the only time for Hera. From there, Hera is to have given her monstrous child to the serpent Python to raise.
In the Iliad, Typhon is born in Cilicia and is the son of Cronus. Gaia is angry with the destruction of her children, the Giants slanders and insults Zeus in front of Hera. This results in Hera going to Cronus and he gives her two eggs fertilized with his own semen and instructs Hera to bury the eggs. Hera buries the eggs in Cilicia. By the time Typhon is born and begins his reign of terror and problems, Hera has reconciled with Zeus, and she informs him about the issue.
Sometime after Zeus has succeeded over coming all the previous challenges from Gaia, the various giants and titans to become ruler of the heavens, a young Zeus had gotten rather prideful, temperamental and arrogant in his rulership.
Enter Apollo, Hera, and Poseidon (and depending on the source, all the other gods except Hestia join in) decide that Zeus needs to be taught a lesson.
Hera’s part was to drug Zeus so that he fell into a deep sleep. While Zeus is sleeping, they come in to steal his thunderbolts and tie him up with some one hundred knots. Powerless, Zeus lays there until the Neriad, Thetis comes and seeing the god’s predicament, calls the Hecatoncheire, Briareus who comes and unties Zeus.
With Briareus’ support, Zeus is able to put an end to the rebellion and punish those involved. Most notable is Hera’s punishment as she led the rebellion. Zeus hung her up int the sky with golden chains. Hera’s weeping kept Zeus up all night and the next morning, he agreed to end the punishments after Hera and all the gods swear never to rise up against him again.
This is the story of why Hera is to have her “petty jealousies” against Zeus and his many affairs. If she can’t outright go up against Zeus, she takes it out on those unable to stop her.
This story seems to be a remnant of when Zeus and Hera got along relatively well before later additions where Hera gets her reputation for being petty and vindictive.
After a fight with Zeus, Hera left and went to Euboea. Nothing that Zeus said would get Hera to change her mind. She had had it. A local king, named Cithaeron suggested that Zeus make a wooden statue of a woman and pretend to marry it. That gives an idea of what they were fighting about.
Following this advice, Zeus named a wooden statue Plataea, claiming that she was the daughter of Asopus. When Hera heard this news, she came tearing in, interrupting the ceremony only to discover that it was only a lifeless statue and not a rival lover.
Hera and Zeus are to have reconciled and those gathered, celebrated with the two in a festival to become known as Daedala. During this festival, there is a reenactment of the myth where a wood statue of Hera is chosen, bathed in the river Asopus and then placed in a chariot where it is led around in a procession before being ritually burned.
Echo & Hera
This version of the story originates from Roman mythology from Ovid’s Metamorphosis. As it’s Roman, the Roman names for the gods are Jupiter or Jove (Zeus in Greece) and Juno (Hera in Greece). Anyone familiar with Greco-Roman mythologies knows of Jupiter’s reputation and his numerous affairs among mortals and gods alike; much to his wife, Juno’s displeasure. For most lay people, the two pantheons are virtually one and the same.
This is the main story about Echo that most everyone knows, it explains the origin of echoes or repeating sounds in mountains and valleys or anywhere an echo can be heard.
On one occasion, as Zeus is pursuing one of his latest affairs with a nymph, Hera comes among the nymphs looking for her husband as she hoped to catch him in the act. As the case was, Echo had been tasked by Zeus himself to keep Hera distracted with a lot of idle chatter while Zeus engages in his latest tryst. Hera wasn’t happy with the overly talkative nymph and when she discovers that Echo is merely distracting her; Hera punishes Echo that she would always be able to have the last word, but she would only be able to repeat the last thing said.
Birth Of Hephaestus
The timing of this story takes place right after Zeus is to have given birth to Athena without the need for sex. Except that, Zeus swallowed Metis who was pregnant with Athena who springs forth out of Zeus’ brow, all to avoid a prophecy that Gaia gave him.
In an act of parthenogenesis, Hera gives birth to Hephaestus. On seeing him, Hera was so repulsed by the sight of her infant son that she threw him from Mount Olympus where he would become crippled.
It’s understandable that someone would grow up bitter towards the mother that rejected and threw them off a mountainside. Hephaestus got his revenge when he created a magical golden throne for Hera.
No hard feelings, right?
Nope, when Hera sat on the throne, she was unable to get up. The other gods begged and pleaded with Hephaestus for Hera’s release. Enter Dionysus who gets Hephaestus drunk and brings them back to Olympus riding a mule. Hephaestus agrees to release Hera after he is given Aphrodite in marriage.
Birth Of Hebe
While dining with Apollo, Hera became pregnant with Hebe, the goddess of Youth while eating some lettuce. Hera may have also become pregnant when she beat her hand against the earth. An act considered solemn to the Greeks.
Birth Of Apollo & Artemis
There are a few different versions of this story.
In the version of this story from the Homeric Hymn III to Delian Apollo, Hera is described as detaining Eileithyia the goddess of childbirth, from letting Leto birth to the twins Apollo and Artemis as their father is Zeus. As the other goddesses were present there at Delos, they send Iris to go fetch Eileithyia and bring her back so Leto can give birth.
Another version has Hera commanding all the nature spirits to prevent Leto from giving birth on any mainland, island or anywhere under the sun for that matter. Enter Poseidon who takes pity on Leto and guides her to the floating island of Delos. Here, Leto is finally able to give birth to her children. Afterword, Zeus secures Delos to the bottom of the sea.
The third version holds that Hera kidnaps Eileithyia to prevent Leto from being able to go into labor. The other gods got together and bribed Hera with a lovely, yet irresistible necklace to persuade her to give up Eileighyia and let the twins be born.
Either way, of the twins, it is Artemis who is born first, the moon, and then her brother, Apollo, the sun. Some versions will have Artemis then miraculously be old enough to help her mother give birth to Apollo after a period of nine days. Or that Artemis was born one day before Apollo on the island of Ortygia and that she helps Leto get to Delos to give birth to Apollo.
Hera’s Continued Spite Towards Leto
If that isn’t enough, Hera tries to get one of Zeus’ many prodigies, a giant by the name of Tityos to rape Leto on her way to the Delphi Oracle. Luckily Apollo and Artemis are there to slay Tityos as they protect their mother.
Hesiod’s Theogony – The birth of the twins, Apollo and Artemis is contradicted in this text as they’re born before Zeus is married to Hera. So why by this continuity she would have any animosity towards Leto doesn’t make sense.
Hera & Herakles
Better known by the Roman spelling of his name, Hercules. This hero is the most well-known for showcasing the vehemence, spite, and hatred that Hera could hold towards others. Hera is the stepmother to Herakles and no matter how the hero’s name means “Glory of Hera,” it wouldn’t be enough to placate her.
Birth of a hero – For this, we have three versions of this heroic origin story.
Homer’s Iliad – Right before Herakles was to be born, Zeus announced that when his son is born, that they would become the ruler of Argos (or Tiryns in some versions). Angered, Hera requested that Zeus swear an oath to enforce that proclamation. She then went down from Olympus to Argos caused the wife of Sthenelus, the son of Perseus, to give birth seven months early. As Sthenelus’ wife went into labor, Hera went to sit in the doorway of Alcimides’ home, preventing Eileithyia from coming in. so that his half-brother, Eurystheus would be born first and thus become ruler. This resulted in Eurystheus being born first instead of Herakles all while fulfilling Zeus’ oath.
Ovid’s Metamorphoses – When Alcmene is pregnant with Herakles, Hera tries to prevent the birth by ordering Eileithyia to “Alcmene’s legs in knots.” Hera’s plans were thwarted when Galanthis, Alcmene’s servant frighted off Eileithyia. Angry, Hera turned Galanthis into a weasel.
Pausanias’ Account – In this account, Hera sends witches (according to the translation available) to prevent Alcmene from giving birth to Herakles. The witches were successful until the daughter of Tiresias, Historis came up with a trick to deceive the witches. Historis called out that Alcmene had given birth and hearing that, the witches left, allowing Alcmene to really give birth.
Snakes In A Crib
Hera wasn’t done yet. This time she sent a pair of serpents into the infant Herakles’ crib. Imagine Alcmene’s surprise as she walks in to find her infant son holding a pair of dead snakes in his chubby baby hands playing with them like they were toys.
Side Note: This story and the imagery it invokes is something that the ancient Thebans would have been familiar with. That is a hero holding a serpent in each hand much like the Minoan goddess holding snakes and other Cabeiri.
The Milky Way
If that weren’t enough, by this time, Alcmene has become terrified of Hera. Not wanting to suffer Hera’s wrath further, Alcmene takes the infant Herakles out to the wilderness and leaves him there, exposing him to the elements. The goddess Athena, known for protecting heroes, found the infant and brought them to Hera who nursed the baby out of pity.
Once Hera realized which baby she was nursing, she pulled the infant away from her. The spurt of milk from her breast smeared across the heavens, creating the Milky Way. It is from the divine milk of Hera that Herakles is said to have gained great power.
After that, Athena brought the infant Herakles back to his mother.
Side Note: The Etruscan version of Herakles is shown as being fully bearded when he’s nursing. It has been suggested that later when Hera and Herakles do finally reconcile, this symbolizes when she adopted him, and he becomes immortal.
Driving Herakles Mad
All seemed well for a while, that is until Herakles became an adult. Hera drove Herakles mad, causing him to believe that his family were his enemies so that he murdered his wife and children.
Herakles’ Twelve Labors
To atone for his acts of murder, Hera assigned Herakles to go into servitude to his half-brother, King Eurystheus. This resulted in a series of twelve tasks or labors. In each of the labors, Hera strove to make each task harder. When Herakles went up against the Lernaean Hydra, Hera sent the crab to bite his feet to distract the hero.
Later, Hera would rile up the Amazons against Herakles during one of his labors. In another labor, when Herakles is sent to get the cattle of Geryon, Hera is shot in her right breast by a large, barbed arrow that leaves her in constant pain. In retaliation, Hera sent a gadfly to irritate the cattle causing them to scatter. Then Hera caused a flood of the river making it so Herakles wouldn’t be able to carry the cattle across it. Herakles eventually dropped a bunch of large stones into the river to make the river shallower. The cattle were then taken to Eurystheus and sacrificed to Hera.
The Cretan Bull is another of Herakles’ labors and Eurystheus wanted to sacrifice it to Hera. She refused of course as it would only glorify Herakles’ deeds. So the bull was let go and it wandered over to Marathon becoming the Marathonian Bull.
Gigantomachy & Reconciliation
Despite all of the animosity, Herakles does eventually win over Hera. The opportunity came during the Gigantomachy when Gaia sent the Gigantes to attack the Olympians after the defeat of the Titans. One such Giant was Porphyrion, the King of the Gigantes who attempted to rape Hera. Herakles killed Porphyrion with an arrow. An ever-grateful Hera offers the hand of her daughter, Hebe in marriage to Herakles as a further step to heal the rift between them.
This would make Herakles “Hera’s man” and the name meaning “Glory of Hera” more fitting and understandable. That maybe there was another name Herakles was known by or that all along, the name is a foreshadowing of how the story will end between them.
It is also worth noting that after the story of Herakles, Diodorus Siculus writes that Alcmene is the last mortal woman that Zeus had an “affair.”
Zeus & Io
Ever vigilante for Zeus’ next “affair,” Hera spotted a solitary thundercloud and knew that this could only be the latest. As Hera sped down to catch Zeus in the act, she arrived to find Zeus with a small, white cow. Naturally, Hera isn’t fooled, she knows that Zeus has likely transformed his latest love interest and demands that he give her the cow as a present. Unable to refuse, Zeus relents and gives Hera the cow.
The cow, Io in her possession, Hera takes and ties her to a tree where she has her servant, Argus watch over the heifer in order to keep Zeus away. Argus was a giant with a hundred eyes over his entire body. Even when asleep, some of his eyes would always be awake and watching.
Afraid and unwilling to face Hera’s wrath, Zeus ordered Hermes to lull Argus into a deep sleep so that all of his eyes would close. If anyone could do it, it would be Hermes, he succeeded at getting all of Argus’ eyes to close in sleep and the god killed him.
Furious that Io is free, Hera sends a gadfly to harry and sting her as she wandered the land. Eventually, Io would make her way to Egypt where the Egyptians would worship this snow-white cow and call her Isis. Hera finally relented and allowed Zeus to change Io back into a human on the condition that he never seeks her out again. Human again and worshipped as a goddess-queen in Egypt, the son that Io bore thanks to Zeus would become the next king or pharaoh of Egypt.
These stories linking Grecian myths with those of Egypt are just that, a means by which the Greeks and later Romans would say that all the myths were connected, and local gods are the same deities, just under a different name.
Ovid’s Metamorphosis – In this retelling, after learning about Argus’ death, Hera places his eyes on the tail feathers of peacocks, one of her sacred animals.
Callisto & Arcas
Another of Zeus’ many love interests and affairs, Callisto was a follower of Artemis and had taken a vow of chastity. Enter Zeus who disguises himself as Apollo and then “seduces” her.
Out of revenge, Hera turns Callisto into a bear. Later on, Zeus and Callisto’s son, Arcas nearly kills Callisto while hunting. Zeus then places the two up into the heavens.
A slighter alternative to this story is that Zeus disguised himself as Artemis before “seducing” Callisto. That an enraged Artemis turns Callisto into a bear. We still have Arcas nearly killing his bear mother while hunting with either Zeus or Artemis placing them up into the heavens to become the constellations of Ursa Major and Ursa Minor.
Hera becomes angry with Callisto and Arcas’ placement up in the heavens and asks her foster mother, Tethys the Titan goddess of the oceans for help. Tethys places a curse on the constellations so that they will forever circle the heavens and never drop below the horizon. Thus explaining why the two constellations are what’s known as circumpolar.
Semele & Dionysus
In this myth, Semele, the daughter of Cadmus and Harmonia is “seduced” by Zeus. Hera learns of this and disguises herself as Semele’s nurse and tells the young woman to persuade Zeus to reveal himself to her. The mighty Zeus promised, swearing on the River Styx, the young Semele to reveal himself in all of his godly glory. However, Semele dies when Zeus reveals himself as thunder and lightning to her. Zeus takes the unborn child and completes Dionysus’ gestation by being sewn into Zeus’ thigh.
Another version of Dionysus’ birth has him as the son of Zeus and either Demeter or Persephone. An infuriated Hera sends her Titans to rip the infant apart, earning him the name Zagreus or “Torn to Pieces.” Zeus rescues the heart or part of it at least is saved by either Athena, Demeter, or Rhea. Whichever version of the story is followed, Zeus uses the heart to recreate Dionysus and places him in Semele’s womb. This also earns Dionysus the name “twice-born.” Alternatively, Zeus gives Semele the heart to eat, thereby impregnating her. The end story is still the same with Hera tricking Semele to get Zeus to reveal himself, thus killing her.
Later, Dionysus would return to the Underworld to retrieve his mother and the two would go to live on Mount Olympus.
The Judgement Of Paris
First, we have a prophecy, one that stated that the son of the sea-nymph Thetis would become greater than his father. Zeus with his reputation for an ever-roving eye fell in love while watching her in the sea just off the Grecian coast, learned of this prophecy, and decided to wed Thetis to an elderly mortal king, Peleus, the son of Aeacus. Sources vary, Thetis agrees to this arrangement either out of Zeus’ orders or because Hera had raised her, and did so to please Hera, the goddess of Marriage.
The gods were feasting at the wedding of Peleus and Thetis, who would become the parents of Achilles. All the gods were invited except Eris who hadn’t received an invite. Chiron oversaw the wedding invites and didn’t invite Eris due to her reputation for stirring up trouble. This understandably miffed Eris to no end. After all, everyone else got invited, so why not her?
Coming off as seeking to be peaceful and with no hard feelings, Eris proposed a beauty contest between the goddesses Aphrodite, Athena, and Hera. As the prize, Eris tossed a golden apple of beauty, or better known, the golden apple of discord. In some retellings, it is noted that the golden apple has engraved or written the word: “Kallisti,” meaning: “for the fairest.”
This dispute, one driven by vanity over who was the loveliest of the goddess would escalate and the gods bring the matter before Zeus to decide. Not wanting to favor one goddess over the others, Zeus has the hapless mortal Paris called in to judge. Each of the goddesses attempted to bribe Paris to choose her. Hera offered political power, Athena offered battle prowess and Aphrodite tempted Paris with the most beautiful woman in the world, Helen.
Being a young mortal man, Paris chooses Helen and rewards Aphrodite with the golden apple. Only there is one problem, Helen is the wife of Menelaus of Sparta. In claiming and taking her, Paris sparks off the Trojan War. This causes Athena and Hera to side with the Greeks in the ensuing war.
Divine Set-Up – If we go by the “lost” epic, The Cypria attributed to Stasinus, this whole Trojan War was planned by Zeus and Themis. There are only about 50 lines of text from the Cypria and it’s seen as a prequel to Homer’s The Iliad and explains how the events come about.
Hera has a significant part in the Trojan War, making a number of appearances throughout The Iliad. First, we know that Hera is angry towards the Trojans due to Paris’ decision to favor Aphrodite and not her. Hence why Hera favors the Greeks and convinces Athena to aid the Achaeans to help interfere against the Trojans.
Later, Hera and Athena plot against Ares who was supposed to side with them initially but was convinced by Aphrodite to help her and thus the Trojans. Diomedes was able to see Ares aiding the Trojans and called for his soldiers to fall back. Seeing this, Hera asked Zeus for permission to drive Ares off the battlefield. At Hera’s encouragement, Diomedes threw his spear at Ares and Athena made sure the spear found its mark. Howling in pain, Ares fled back to Mount Olympus, causing the Trojans to fall back.
In another book, Hera attempts to persuade Poseidon to go against Zeus’ word and aid the Achaeans. Poseidon refuses, saying that he won’t. A still determined Hera and Athena head off towards the battlefield. Seeing this, Zeus sends Iris to intercept the two, telling them they must return to Olympus or face the consequences. After more fighting happens, Hera spots Poseidon doing what he told her he wouldn’t do and that is helping the Greeks and keeping them motivated to stay fighting.
Jumping to another book, Zeus has made a decree that the gods are not to get involved in the mortals’ war. Hera conceives of a plan in which she will seduce her husband. Hera lies to Aphrodite, saying she wants the help so that she and Zeus will stop fighting and Aphrodite loans Hera her girdle. Some additional help from Hypnos, the god of sleep, Zeus fell into a deep sleep. Now Hera and the other gods could continue to interfere in the Trojan War.
Free to do as she pleases, Hera has her son Hephaestus keep a river from harming Achilles. Hephaestus also sets the battlefield on fire, this causes the local river deity to plead with Hera, saying that he won’t help the Trojans if Hephaestus would cease his attacks. Hera persuades Hephaestus to stop and Hera returns to the field of battle, fighting with and against the other gods.
Zeus does eventually wake up and sees how much of the war he’s missed and that several of the gods are involved despite his decree not to. Seeing that he missed saving Sarpedon’s life, Zeus just does a deific shrug and says yeah, the other gods can get involved now.
Despite all of the interference, the Greeks won.
Once the Queen of Libya, Lamia was another of Zeus’ many lovers. An infuriated Hera killed Lamia’s children and then turned her a monster. Driven insane, Lamia was also cursed to be unable to close her eyes so she would be forced to forever obsess over the image of her dead children. Lamia turned to killing children and eating them as she was held to be envious of other mothers with children. Zeus taking pity, gave her the ability to prophesy as well as remove her eyes so she could sleep.
A minor story, Gerana was a Queen of the Pygmies. In an act of hubris, Gerana boasted of being more beautiful than Hera. An angry goddess responded by turning Gerana into a crane, stating that forever after, the crane’s descendants would be at war with the Pygmy people.
In this quick story, Antigone, the daughter of Laomedon boasted of being the most beautiful, and like Gerana, Hera turned Antigone into a stork.
Also spelled Side and meaning “pomegranate,” she was Orion’s first wife. Like Antigone and Gerana, Sida also boasted of being more beautiful than Hera. Unlike the other two, Hera sent Sida straight to the Underworld.
In this story, Cydippe is a priestess of Hera who was headed to a festival honoring the goddess. The ox pulling her cart were late and Cydippe’s sons, Biton and Cleobis pulled the cart the rest of the way to the festival. Cydippe was pleased with her sons’ devotion and asked Hera for a boon, the best gift a mortal could receive. Hera decreed that both brothers would die in their sleep.
This is an interesting myth, Tiresias was a priest of Zeus. One day, he came upon a pair of snakes who were mating. He hit them with a stick and was turned into a woman. Tiresias then became a priestess of Hera, married and bore children, one of whom she named Manto. Seven years later, Tiresias came upon another pair of mating snakes. Now, depending on who is retelling the story, Tiresias either leaves the snakes alone, remaining a woman, or, as Hyginus tells it, tramples the snakes to become a man once more.
Battle Of The Sexes – As a result of his experiences, Zeus and Hera called on Tiresias to settle the question of who had more pleasure during sex. Men or Women? Zeus claimed it was women and Hera said it was men. Tiresias sided with Zeus and an angry Hera struck them blind. Since Zeus couldn’t undo what Hera did, he gave Tiresias the gift of prophecy.
Other sources say that Tiresias sides with Zeus in saying that men have more pleasure during sex and for that, Zeus allows him to live three times longer than other mortals. Yet another source says that Tiresias, having returned to being male, is struck blind by Athena after coming across her bathing. Chariclo, Tiresias’ mother begged Athena to undo the curse and as the goddess could not, she gave Tiresias the gift of prophecy.
In a rather minor story or substory, during the marriage of Zeus and Hera, the nymph Chelone was regarded as being disrespectful by either being late or flat out not showing up. In anger, Zeus turned the nymph into a tortoise.
In this story, Hera became angry with Pelias as he had killed his step=mother, Sidero in one of the goddess’ temples. Given how power-hungry Pelias was, it was easy for Hera to plot and plan his downfall. A prophecy was given to Pelias about a one-sandaled man would kill him. Wanting to rule of all Thessaly, he seized the throne of Iolcus. Jason, the rightful heir was sent away and grew up under the tutelage of the centaur, Chiron. Many years later, Jason returned to Iolcus, and with a series of events and motions, such as his losing a sandal in the river while helping an old woman to cross, really Hera in disguise, the goddess was able to get Jason and Medea to ultimately kill Pelias after they returned from a long voyage to get The Golden Fleece.
Ovid’s The Metamorphoses
Given that Ovid is Roman, this story fits more for Hera’s Roman counterpart Juno.
The rulers of Thrace, King Haemus and Queen Rhodope were turned into mountains, the Balkan and Rhodope respectively after the two dared compare themselves to Juno & Jupiter, thus incurring their wrath.
The first human guilty of murder, after he refused to pay a bride price. Ixion searched everywhere for anyone who could purify him of this crime. No one would or could until Zeus took pity on him and invited Ixion up to Olympus to live.
While there, Ixion tried putting some moves on Hera who complained to her husband, Zeus. In response, Zeus created a cloud named Nephele in Hera’s likeness. When Zeus caught Ixion trying to put some unwanted moves on Nephele, Zeus sentenced Ixion down to Tartarus to spin forever on a flaming wheel crying out how you should always show gratitude to your benefactor.
Shadow Goddess – Jealousy & Envy
With all the numerous stories of Hera’s jealousy towards Zeus, his various love affairs and children, Hera is seen as a goddess who represents jealousy, the need for revenge as she has never forgotten a slight or injury. All of this gives Hera a particularly vindictive nature, seemingly more so and notable compared to the other Olympian gods.
Like Zeus, how much a victim of the passage of time and the tellings and retellings of her myths over the millennia is hard to say. Most people aren’t aware of how the story between Hera and Herakles ends with them finally having reconciliation. I’ve had people mock the name of Herakles and the meaning of the name, for “Glory of Hera” and don’t seem to be aware of the part of the stories where Hebe is given to Herakles in marriage after he saves Hera from the giant Porphyrion trying to rape her.
“Hercules the Legendary Journeys” is a bit infuriating there with the ending where the reconciliation between Zeus, Hera, and Hercules all comes about with her getting amnesia. They could have built up a more meaningful ending that more closely matched the myths the writers were pulling from. That they didn’t just shows to me lazy writing on the part of the screenwriters. Many other shows and movies tend to gloss over the moral and marital problems as that usually is not the focus of the story at hand that writers want to tackle and tell.
Yet the reconciliation is there. It is in Herakles’ name as a foreshadowing of how the story ends and possible, potential hints of when Greek culture went from being matriarchal to patriarchal and stories getting rewritten.
We see an aspect that modern Wicca, Witchcraft, and Paganism would recognize as the Triple Goddess with Hebe, the Virgin of Spring, Hera, the Mother of Summer, and Hecate, the Crone of Autumn. Bear in mind, that this aspect comes from Robert Graves in his “The Greek Myths.”
Gaia – Greek Goddess
I’m my own Grandma!
Not really, leave it to the Greeks to continue with blending all their deities as being one and the same, to blur or ignore their own genealogies for their Pantheon. Gaia is the primordial goddess of the Earth and from whom all life sprang forth. Again, it works if you’re just seeing all of these deities as just different aspects of the divine.
In the case of Hera; older, more archaic versions place her as an ancient Earth Goddess. The Homeric Hymn to Pythian Apollo places Hera as the mother to Typhon, while most myths place Gaia as being his mother.
Hathor – Egyptian
In her role as a cow goddess or goddess of cattle, Hera has been identified with Hathor. Other than that, the similarities end there.
Juno – Roman
Where Hera is the Queen of the Gods in the Greek Pantheon, her Roman counterpart is Juno who is depicted as more warlike wearing a goatskin cloak as seen on those worn by Roman soldiers. The month of June gains its name from this goddess. There was a festival known as Matronalia, celebrated on March 1st honoring Juno as Juno Lucina, the goddess of childbirth. Juno Pronuba presided over marriage much like her Greek counterpart and Juno Regina was a special counselor and protector of the Roman state.
Thanks greatly to the influence of the Romans, many people will identify and equate Hera with Juno. The Romans were famous for subsuming many deities in their conquest across Europe, particularly the Mediterranean area, and identifying their gods with those of a conquered culture. The most famous being the Greeks, where many deities were renamed to those of Roman gods. Prominent examples like Zeus and Jupiter, Hera and Juno, Ares and Mars, and so on down the line.
With the Hellenization of Latin literature, many Greek writers and even Roman writers rewrote and intertwined the myths of these two deities so that they would virtually become one and the same. And this has become the tradition passed down through the centuries that many people know and accept. Just that there are still some differences that separate the two.
Uni – Etruscan
A cognate for Hera in the little-known Etruscan beliefs and mythology.
Also Known As: Our Lady of the Holy Death, Nuestra Señora de la Santa Muerte, Señora de las Sombras (“Lady of Shadows”), Lady of Night, Señora Blanca (“White Lady”), la Dama Poderosa (“the Powerful Lady”), Señora Negra (“Black Lady”), la Niña Blanca (“the White Girl”), la Hermana Blanca (“the White Sister”), la Flaquita (“Skinny Lady”), La Flaca (“The Skinny Woman”), la Huesuda (“Bony Lady”), la Madrina (“the Godmother”), Mictecacihuatl (Lady of the Dead), la Niña Bonita (“the Pretty Girl”), Niña Santa (“Holy Girl”), Santísima Muerte (“Most Holy Death” or “Most Saintly Death”), Santa Sebastiana (“Saint Sebastienne”), Doña Bella Sebastiana (“Beautiful Lady Sebastienne”), Virgin of the Incarcerated
Etymology: “Saint Death” or “Holy Death”
Santa Muerte is a folk Saint who is worshipped and venerated throughout much of Mexico and several places within the United States, most notably along the southern border. Many followers of Santa Muerte seek out her favor for love, prosperity, good health, healing, safe travels, and protection from several things such as assault, gun violence, violent death, and witchcraft.
Warning – As a result of Santa Muerte’s associations with the criminal element such as the drug cartels, the worship, and veneration of Santa Muerte is very controversial, especially by the Catholic Church and several Protestant dominations that don’t acknowledge or see her as cannon. There is a strong reaction of condemnation by the Catholic and other Christian sects to see her veneration as blasphemous and even satanic.
Color: Black, Red, White
Month: August, November
Patron of: Death, the Dead
Plant: Cempasúchil (Marigold)
Sphere of Influence: Death, Healing, Justice, Love, Prosperity, Protection, Safety in the Afterlife, Resurrection
Symbols: Globe, Scale of Justice, Hourglass, Oil Lamp, Scythe
Santa Muerta is often shown as a female skeleton dressed in robes carrying a scythe and a globe. Exactly how she will look and be dressed is up to the individual as the robe can end up being any color. Additionally, there are several other symbols and objects Santa Muerte can be shown with.
Some devotees of Santa Muerte also believe that her image should not be displayed alongside other Saints and Deities as she is jealous and there’s likely to be problems.
Though other devotees will have personal shrines and altars where Santa Muerte sits right alongside other Saints and images of Jesus.
Globe – The globe represents the earth and Santa Muerte’s, death’s dominion and power over the earth. For in death, everyone returns to the earth and with the resurrections and reincarnation, are likely to emerge from later.
Hourglass – This one simply represents our time upon this mortal coil before it’s time to shuffle off. It is also the belief that death is not the end with the ideas of reincarnation and being able to start over. When time is up, flip the hourglass over. It is also a symbol of patience and to wait along with Santa Muerte’s power over time and other worlds and realms.
Lamp – This symbolizes intelligence and spirit, the ability to light one’s way through the darkness, especially that of ignorance and doubt.
Owl – The owl represents Santa Muerte’s ability to navigate the dark places of life and the wisdom she can bestow. Like many bird symbols, the owl is also a messenger. The owl is also associated with Mesoamerican death gods like Mictlantecuhtli, serving as one more connection of Santa Muerte to Aztec roots with Mictecacihuatl as a continuation of her worship.
Robe – The color of the robe or garments that Santa Muerte is dressed often has symbolic meaning for what the worshiper and devotee is petitioning her for. Amber or Dark Yellow represents health or money, Black represents protection from black magic, negative magic, or power, Blue represents wisdom and knowledge, Brown is used for invoking spirits, Gold represents money, success, and prosperity, and Green represents justice and legal matters and unity with loved ones, Purple represents the need for opening paths, Red represents love and passion, and White represents loyalty, cleansing, and purity. Lastly, there is a Rainbow-Colored robe, wearing this, she is called the Santa Muerte of the Seven Powers. The colors of this robe are gold, silver, copper, blue, purple, red, and green. With this robe, Gold is for wealth, silver for luck, copper for lifting negative spirits, blue is for spirituality, purple for changing negative to positive, red is for love and passion and green is for justice.
Scales – These represent equity and balancing out for justice and equality. For all people are equal in death.
Scythe – The scythe symbolizes the cutting of negative energies and influences. In the role of a harvest tool, the scythe also represents hope and prosperity. This symbol also connects Santa Muerte most strongly with the Grim Reaper of Western culture. Much like the Fates in Greek mythology, the scythe can also cut the thread of one’s life for when it’s time to die. The long handle allows for her influence to be anywhere.
Followers and worshipers of Santa Muerta can be found throughout Mexico, Central America, and mainly the southwestern areas of the United States. Cults for Santa Muerte are one of the fastest-growing new religions growing in the Americas.
Most of Santa Muerte’s followers are neo-pagans and Catholics and former Catholics who venerate this folk saint and deity. This means a person doesn’t have to exclusively be one religion or another to seek her favor and protection.
Put bluntly, everyone, rich and poor alike is equal in death, and in this regard, Santa Muerte plays no favorites. Everyone eventually dies, it’s just part of life.
Many seeking Santa Muerte’s favor and miracles due to the strong Catholic influence, will offer up prayers and light votive candles, often of different colors depending on their need.
Side Note: This is also part of why the Catholic church sees blasphemy with Santa Muerte, catholic style prayers, votive candles, and rosaries are used in prayers and rites with this folk saint.
Votive Candles – black candles are lit for protection and vengeance, brown candles are for wisdom, gold candles are for financial matters, green candles are for crime and justice, purple candles are for healing, red candles for love and passion, and white candles for gratitude and consecration.
It should be noted that black votive candles are not often found in public shrines due to the strong association with “black magic” and the negative aspects of witchcraft. These votive candles are likely to be used in private. It doesn’t help that drug traffickers and criminals twist the worshiping of Santa Muerte around to hide and protect their activities. More benign uses for lighting the candle such as spell reversals, protection, and removing negative energies are uses for this votive.
Temples – The first or earliest known temple for Santa Muerte is the Shrine of Most Holy Death in Mexico City. It was founded by Enriqueta Romero.
Shrines dedicated to Santa Muerte can be found in several places: the home, stores, gas stations, and roadsides just about anywhere.
Altars – As more temples and shrines to Santa Muerte have sprung up, it’s not uncommon to see one or more images of her and to see offerings of cigarettes, flowers, fruit, incense, water, alcoholic beverages, coins, candies, and candles left there to try and gain her favor and protection.
Festivals – There is a festival day on August 15th for Santa Muerta. Though many have noted she can also be worshiped on November 1st & 2nd alongside La Dia de Los Muertos celebrations.
It should be noted that November 1st is the anniversary of when the altar to Santa Muerte was first constructed in Tepito where she is seen as the Patron Saint of that city.
Whereas Dia de Los Muertos is more associated with the skeletal figure of La Carina.
“Cult Of Crisis” – Anthropologists studying the rapid rise and popularity of Santa Muerte have called it this as they note how a large number of followers, worshipers, and devotees are mainly of the urban working poor, those who are younger from teens to early ’30s, especially women who live in areas where crime rates and poverty are high. Though members of more influential socioeconomic status and law enforcement are known to seek Santa Muerte’s blessings and protection as well.
We are talking about extreme economic and social hardships, were those most likely to turn to any entity or deity outside of the main, local religion. Where they are already likely to be overlooked, forgotten, and where there appears to be no hope.
Controversy – Criminal Associations
Much of what makes Santa Muerte so controversial is that many of her devotees are often criminals, thieves, gang members, and cartels. She has even become a popular Saint to venerate even in prison. Many of them will pray to Santa Muerte for protection from gun violence and violent death.
It makes sense if the ordinary people trying to live their lives, run a business, and take care of families seem more whom Santa Muerte would protect.
This association came to be in 1998 when a notorious gangster by the name of Daniel Arizmendi López was arrested and a shrine to Santa Muerte was discovered in his home. March of 2009, the Mexican army went so far as to destroy some 40 roadside shrines to Santa Muerte. In March of 2012, the Sonora State Investigative Police arrested eight people for murder who had intended human sacrifices to Santa Muerte. The sensationalism from the news media is what firmly associated Santa Muerte with violence and crimes, notably in the Mexican popular consciousness.
It’s hard to say if life is imitating art or if art is imitating life. There are those who claim a connection back to Aztec beliefs with human sacrifices and connecting them to Santa Muerte. So, any gentler, benevolent side is harder to see or accept.
Authorities have linked prostitution, drug trafficking, kidnapping, smuggling, and homicides to the worship of Santa Muerte. There are just as many law enforcement and military personnel to pray to Santa Muerte as there are criminals.
Duality – That many criminal organizations and cartels claim religious authority around her and messianic prophesies have created two versions of Santa Muerte. “The Black Lady” who has the darker, negative aspects of black magic and human sacrifices is associated with her to cover and hide illicit activities.
Then “The White Lady” is the more the healer, nurturer, and protector from the violence that crimes bring that regular people call upon.
This duality of Santa Muerte’s means she will grant favors to anyone who asks and who prays to her regularly. Many people believe if you cut a deal with Santa Muerte and fail to uphold your end, she will take away a loved one even take your life.
Catholic Church – The Vatican has condemned any worship and veneration of Santa Muerte in Mexico. They see it as blasphemous and satanic. As long as there continue to be strong associations of Santa Muerte with criminals and drug running, any attempts to get people to see the lighter side of this entity will be an uphill battle.
It’s not just the Catholic Church, but other Protestant sects in Christianity have strong, adverse reactions to seeing satanism and devil-worshiping with Santa Muerte. Calling her an idol, that it’s all backward superstition, trickery, and black magic.
Which, from the Western, Christian mindset, seeing an entity that’s skeletal in appearance is very unsettling and scary. It’s an image far worse than that of the Grim Reaper for many. It just doesn’t sit well with many.
It’s a very strong “Nope!” from them.
It seems a bit odd at first, but that’s a Christian mindset and upbringing to see the worship of a deity or saint of death as odd, unusual, weird, and why!?!
For many though, it is obvious that Santa Muerte is merely the modern worship of the ancient Aztec goddess of death, Mictecacihuatl. This provides an important understanding of why so many would venerate the modern image of Santa Muerte.
For some, the worship of Mictecacihuatl never went away. She just went underground, only to resurface later as Santa Muerte. The more modern image really does lean on that of the Grim Reaper when she’s shown holding a scythe and robes.
The primary thought is likely defiance to the Catholic Church, especially if many feel the church hasn’t protected them from the violence found in numerous places where gangs and cartels are found. It should be noted that a large number of the poor and destitute with a strong leaning towards women are the most likely to turn to Santa Muerte to worship her and seek her protection and favor.
That aside, the worshiping of Santa Muerte begins around the mid-20th century and peaks about the mid-1990s where many prayers and rites were done privately in one’s home. The earliest documentation for Santa Muerte’s worship is in the 1940s among the working class. Starting in 2001, with the introduction of Santa Muerte’s shrine in Mexico City, her worship has taken off in the 21st century with estimates of some 10-20 million worshipers throughout Mexico, Central America, and the United States.
Santa Muerte has become Mexico’s second most popular saint after Saint Jude and is close to rivaling Mexico’s national patroness, the Virgin of Guadalupe.
Goddess & Patron Saint Of Death
The majority of Santa Muerte’s devotees pray to her for protection, financial well-being, healing, and safe passage to the afterlife.
Goddess & Saint Of Protection
As I have previously mentioned, many people will seek out Santa Muerte’s favor for protection, especially from violence and violent death. This tends to include many people from marginalized groups, not just minorities, women, but those who are also LGBQT+. Protection from violence, hate disease, and surprisingly, even seeking love.
Saint Of Love
The Iglesia Católica Tradicional México-Estados Unidos, also known as Church of Santa Muerte, are known for providing same-sex marriage ceremonies.
One source I came across said that Santa Muerte was originally a male figure. That makes sense as her image does look very similar to the Western figure of the Grim Reaper and Ankou with the robes and scythe.
When you’re praying to Santa Muerte for a safe delivery and passage to the afterlife, that’s a lot of what a psychopomp does. They deliver or escort the recently deceased to the afterlife, wherever it is that a soul will go.
As no one lives forever, Santa Muerte’s presence is a reminder that death should be greeted as a friend and not something to be feared.
Grim Reaper – In her role as a psychopomp, Santa Muerte easily has parallels to this entity and not just similar appearances of skeletal, scythe and robes.
Mictecacihuatl – There are very noted, strong similarities between the imagery of the Aztec goddess of death and Santa Muerte. So much so, that there are many will say that the two are merely one and the same goddess, that as Santa Muerte, this is Mictecacihuatl’s continued worship into the modern, present day.
San La Muerte – A similar male counterpart to Santa Muerte found in Paraguay.
San Pascualito – A similar male counterpart to Santa Muerte found in Guatemala.
Etymology: “Rising from the Sea,” Aphros “Sea Foam”
Other Names and Epithets: Αφροδιτη, Acraea, Amathusia, Ambologera (”She who Postpones Old Age”), Anadyomene, Antheia, Aphrodite Areia (“War-Like”), Aphrodite en kopois (“Aphrodite of the Gardens”), Chryse (mythology), Cytherea, Lady of Cythera, Despoina, Aphrodite Pandemos, Aphrodite Ourania or Urania (Heavenly Aphrodite), Aphrodite Benetrix (Married Love), Aphrodite Porne (Erotic Love), Pandemos, Urania, Lady of Cyprus, Philommeidḗs (“Smile-Loving” or “Laughter-Loving”), Eleemon (“The Merciful”), Genetyllis (“Mother”), Potnia (“Mistress”), Enoplios (“Armed”), Morpho (“Shapely”), Melainis (“Black One”), Skotia (“Dark One”), Androphonos (“Killer of Men”), Anosia (“Unholy”), Tymborychos (“Gravedigger”), Aphrodite Pontia (“Of the Deep Sea”), and Aphrodite Euploia (“Of the Fair Voyage”)
Aphrodite is the Greek goddess of love, specifically sexual love, beauty, desire and fertility. With an irresistible charm and beauty, Aphrodite is used to getting her way as many a mortal and god sought her favor. For those who spurned her, Aphrodite could be vindictive like many a Greek deity’s reputation for pettiness. Aphrodite is without a doubt, one of the best-known Olympian goddesses. In more modern times, Aphrodite is still seen one of many feminine icons from mythology who continues to feature in Western literature and arts.
Aphrodite’s Roman counterpart is Venus and their myths become very intertwined over the millennia to the point that their names are often interchangeable in Aphrodite’s myths.
Animal: Dolphin, Dove, Ducks, Geese, Heron, Ram, Sparrow, Swan, Tortoise
Colors: Blue, Green, Scarlet, White, Gold
Day of the Week: Friday
Gemstones: Lapis Lazuli, Pearl
Month: April, February, July
Patron of: Love, Lovers, Prostitutes
Plant: Apple, Lime Tree, Mandrake, Myrtle, Myrrh, Palm, Pomegranate, Poppy, Rose
Sphere of Influence: Love in all of its forms, physical, sensual, passion, relationships
Symbols: Girdle, Golden Apples, Scallop Shells, Mirror, the Ocean, Chocolate
Aphrodite Areia – Helmet, Lance, Shield, Sword, Victory
Aphrodite Pandemos – Ram
Aphrodite Urania – Tortoise for Domestic Modesty and Chastity
In Classic Greek art, Aphrodite is often depicted as a blue-eyed, golden-haired woman with pale skin. For the Greeks, she was the very ideal of beauty. Statues of Aphrodite depict her as the height of Grecian physical beauty. At first, there was nothing to distinguish Aphrodite from other statues of goddesses, not until around the 5th century B.C.E. Statues of Aphrodite from Cyrene and Esquiline in the 1st century B.C.E. were called Aphrodite Kallipygos or “Aphrodite with a Beautiful Derriere.”
Classical art and sculpture from the 5th century B.C.E. will show Aphrodite as fully clothed, once the 1st century B.C.E. comes, do nude statues of Aphrodite appear. The most famous of the Aphrodite sculptures was carved by Praxieteles. It is during the Hellenistic era of Greece that the first nude statue of Aphrodite, the Venus de Milo appears in the 2nd century B.C.E.
Aphrodite is often shown accompanied with her son Eros, also a god of love.
What’s In A Name
We know the first part of Aphrodite’s name, aphros means sea foam or foam and alludes to her birth from the ocean when Uranus’ gentiles were thrown in the sea by his son Cronus. There were early attempts by scholars to link Aphrodite’s name to a Greek or Indo-European origin. Given the strong connections of Aphrodite to the Middle East and likely of Semitic origin.
Nineteenth and early twentieth scholars who accepted the etymology of “sea form” for the first part of Aphrodite’s name have tried to connect the second part of the name “-odite” to mean either “wanderer” or “brite.” As there’s disagreements, some scholars have even gone so far as to link Aphrodite’s name to the Assyrian barīrītu, the name of a female demon found in Babylonian texts. Others have tried for the Etruscan word of “eproni” for “lord” making the last part of Aphrodite’s name an honorific. The name continues to be debated as to what the correct translation and etymology for Aphrodite’s name is.
The epithets of Urania for Heavenly Dweller and Pandemos for “Of all the people” likely try to connect her as a goddess of universal love and everyone. In his Symposium, Plato argues that the epitaphs of Aphrodite Ourania and Aphrodite Pandemos are two separate deities.
There is a lot of evidence and discussions that Aphrodite very strongly began as the Mesopotamian goddess Ishtar or the Phoenician Astarte and the Syro-Palestinian goddess Ashtart.
Pausanias records that the first people to worship Aphrodite were the Assyrians and then the people of Cyprus, followed by the Phoenicians at Ascalon. From there, Aphrodite’s cult and worship spread throughout most of Greece.
Looking at the epitaph of Aphrodite Ourania shows a connection to Inanna as the Queen of Heaven. Early art and literature that describes Aphrodite is very similar to Inanna. Like Inanna, Aprodite was worshiped as a war goddess, at least in the second century B.C.E. Pausanias makes mention where in Sparta, she is worshipped as Aphrodite Areia, meaning “warlike.” Pausanias also records that early statues in Sparta and Cythera show Aprodite bearing arms. Modern scholars use this connection of Aphrodite with her Middle Eastern origins. It makes sense when ancient Grecian culture once stretched as far as where modern Turkey and Syria are today.
Doves – One of Aphrodite’s symbols, the dove is also connected to Ishtar as one of her symbols. Scholars have noted that the Greek word for dove is “peristera” is likely comes from the Semitic phrase of “perah Istar” meaning “bird of Ishtar.” How interesting. Doves appear in a lot of ancient Greek art for pottery, reliefs, and sculptures depicting Aphrodite.
At one point, early comparative scholars have tried to link Aprodite with Eos, the Greek goddess of the Dawn. It works and relies on linking to the Proto-Indo European Dawn goddess of Haéusōs who is then linked to the Greek Eos, the Latin Aurora and the Sanskrit Ushas.
Both Aphrodite and Eos are known for their erotic beauty and sexuality. They have both had relationships with mortal lovers (as have a good number of Greek deities). Add in, that both goddesses are associated with the colors of red, white, and gold. The myth of Aphrodite rising from the sea has a similarity to the Rigvedic myth of Indra defeating Vrtra and freeing Ushas. Which then brings the last comparison of Aphrodite and the Indo-European goddess Haéusōs both having a parentage that links them to of a sky deity.
Maybe, but it is the alternative mythological and etymological link when the Middle Eastern connection isn’t accepted. Plus, the whole Proto-Indo-European language is largely theoretical with many modern scholars leaning towards the Mesopotamian connections.
As a goddess of love, beauty and sexual desires, Aphrodite was and still is worshiped by a wide variety of people from nearly every walk of life. For ancient Greece, this is the everyday people up to the higher, ruling class
As a very sensual goddess of love, particularly sexual love and beauty, Aphrodite’s priestesses were known to engage in sexual activities themselves as part of worshiping her. It should be noted that this didn’t make them prostitutes, it was part of the job description for priestess of Aphrodite. If you’re seeing every woman as a goddess to held sacred, cherished, respected and worshiped, you’re not far from worshiping Aphrodite or any goddess or god of love. It is going to get carnal.
As such, Aphrodite had several shrines and temples dedicated to her. Her main temples and cults were to be found in Cythera and Cyprus.
Gynaikonomoi – If it hasn’t been noticed before, women in many Greek and even Roman myths aren’t treated well, whether goddess or mortal. The Gynaikonomoi or Magistrates in Charge of Women are mentioned in the 1st century C.E. Sparta.
Marriage – Pausanias records the practice of the mothers of brides sacrificing to a wooden image known as Aphrodite Hera, an epitaph of either goddess connecting the ideals of love and marriage. Pausanias goes on to mention a seated statue of Aphrodite Morpho or the “The Fair Shaped Aphrodite” that had a veil on her head and chains on her feet. Lovely. This statuary clearly meant to connect the role of brides and a woman’s place in a marriage with her duties with wives being faithful to husbands.
Prostitutes – Yes, Aphrodite is the patron goddess of prostitutes. The city of Corinth was known for the high number of prostitutes and courtesans. With Corinth also being one of Aphrodite’s main cult centers with a major temple, it led to early scholars believing in the concept of “sacred prostitution” in Greco-Roman cultures with nearby islands of Cyprus and Cythera and even Sicily being associated with prostitution. There are records of many dedications to Aphrodite found in poetry and pottery by courtesans that have been found. Plus, you add in that Aphrodite’s Mesopotamian counterpart Inanna is also associated with prostitution. While the idea of “sacred prostitution” persists in some schools of thought, the idea is getting discarded more and more.
Amathus – This is one of Aphrodite’s centers of worship on the island of Cyprus.
Corinth – On mainland Greece, this city was one of Aphrodite’ centers of worship.
Cyprus – Aphrodite’s center of worship was clearly on this island as evidenced by the numerous sanctuaries dedicated to this goddess. Aphrodite would be called Cyprian for her connection to this island as her birthplace.
Cythera – Another island where Aphrodite’s worship was prominent. It had been a Minoan colony at one point. Some myths will place Aphrodite’s birth as being here, giving her the epitaph of Cytherea. The island was certainly a stopping point for the trade route between Crete and Peloponesus which in turn could mean that the myths might have evidence of how Aphrodite’s cult came from the Middle East to Greece.
Pandemos – This the oldest of Aphrodite’s cult-sites that dates back to 230 B.C.E. Here, Aphrodite was known as Aphrodite Pandemos or “Aphrodite who is Common to all the People.” This Aphrodite was associated with the hero Theseus and worshipers of Aphrodite Pandemos sought out her blessings for uniting the people of Athens. Not just for personal relationships, but political connections too. The cult of Aphrodite Pandemos is very likely led to the formation of democracy.
This city located on Cyprus is the location for one of Aphrodite’s most well-known temples, especially in the ancient world. It is thought that the rites dedicated to Aphrodite were a blend of oriental and Aegean influences that could ultimately trace their origins to the Mesopotamian Ishtar and Phoenician Astarte. Archeological studies have shown that the cult of Aphrodite dates back to the Late Bronze Age, roughly 1200 B.C.E. and continue uninterrupted up to the Late Roman Era towards the 4th century C.E. There are suggestions that Aphrodite’s worship could possibly go back to the Chalcolithic Era. Female figurines and charms have been found dating to the third millennium and religious sanctuaries called temenos were well established before the construction of any Late Bronze Age structures.
Prior to this, Pausanias thought Aphrodite’s cult was introduced from Syria and of Phoenician origin. Prior to more modern Archeology, people that that Aphrodite’s worship and cult dated back before Homer’s time of around 700 B.C.E. with mention of Aphrodite’s altar in the Odyssey.
Paphos is also the location that the Greeks say where Aphrodite landed when she arrived at Cyprus when she rose out of the sea. An oracle was also to found here in Paphos. The Sanctuary of Aphrodite Paphia was a pilgrimage destination for her followers. The city gains its name from Paphos, the son of Pygmalion and Galatea.
During this era of classical Greek history that many are familiar with, the Greeks began to identify Aphrodite with the Egyptian goddesses of Hathor and Isis. Aphrodite would become the patron goddess of the Lagid queens. As was Egyptian custom, Queen Arsinoe II was claimed to be the mortal incarnation of Aphrodite.
Aphrodite’s worship spread to the city of Alexandria with many temples dedicated to her that could be found around the city. The cult of Adonis was introduced to the city by Queen Arisone II. The Tessarakonteres galley had a temple dedicated to Aphrodite with a marble statue. Another temple dedicated to Aphrodite Hathor would be established in the second century B.C.E. at Philae. Statuettes of Aphrodite would become very common for people to do personal devotions during the Ptolemaic era in Egypt and last through when it came under Roman rule.
The Romans readily adopted and identified Aphrodite with their own goddess Venus who was originally a goddess of agriculture, fertility, vegetation, and Spring. This would become official in the third century B.C.E. when the cult of Venus Erycina is introduced to Rome by way of the Grecian sanctuary for Aphrodite on Mount Eryx in Sicily. From here, the iconography and imagery of Aphrodite along with her myths would be attached to Venus.
Further cementing this adaptation is that Aphrodite was revered as the mother of the Trojan hero Aeneas in Greek myths and the Romans hailed him as the ancestor to Romulus and Remus, the legendary founders of Rome. With this connection, Venus as Venus Genetrix, the mother of the Roman nation became prominent. The Greek worship of Aphrodite began to emphasis more and more her connection to the city of Troy and Aeneas. More and more Roman influences and elements began to connect Aphrodite as more maternal and militaristic and more connected to the bureaucracy that Aphrodite became a divine guardian of numerous magistrates.
Parentage and Family
According to Hesiod’s Theogony, Aphrodite was born from the dismembered genitals of Uranus after Cronus cut them off. She rose up from the sea where they landed after being thrown.
Sometimes the primordial sea goddess Thalassa is given as Aphrodite’s mother in the myth with Uranus.
According to Homer’s Iliad, Zeus and Dione are her parents.
As a result of mixed parentage, depending on if you go by Hesiod’s Theogony or Homer’s Iliad, Aphrodite is going have several siblings.
Aeacus, Angelos, Apollo, Ares, Artemis, Athena, Dionysus, Eileithyia, Enyo, Eris, Ersa, Hebe, Helen of Troy, Hephaestus, Heracles, Hermes, Minos, Pandia, Persephone, Perseus, Rhadamanthus, the Charities, the Horae, the Litae, the Muses, the Moirai, or the Titans, the Cyclopes, the Meliae, the Erinyes (Furies), the Giants, the Hekatonkheires
Hephaestus – Husband and god of Smithing and Volcanoes.
With Adonis, Aphrodite is the mother of Beroe and Golgos.
With the god Ares, Aphrodite is the mother of: the Erotes: Anteros, Eros, Himeros and Pothos (though sometimes Pothos is listed as Eros’ son). Other children of theirs are: Phobos, Deimos, Phlegyas, Harmonia and Adrestia.
In early myth, Anteros was originally born from the sea alongside Aphrodite, later on, he comes her son by Ares.
With Butes, Aphrodite is the mother of Eryx, Meligounis, and a number of unnamed daughters.
With Dionysus, Aphrodite is the mother of Hymenaios, Iacchus, and the Charities (Aglaea, Euphrosyne, and Thalia)
With the god Hermes, Aphrodite is the mother of the androgynous deity Hermaphroditus.
With Phaethon, Aphrodite is the mother of Astynous.
With the god Poseidon, Aphrodite is the mother of Eryx, Rhodus and Herophilus.
With the mortal Prince Anchises, Aphrodite is the mother of Aeneas
Peitho has no father is given for him.
Priapus – either the gods Adonis, Ares or Dionysus is their father.
Aphrodite is counted among the twelve major deities who resided on Mount Olympus, the highest mountain peak in Greece and all of Europe. For the Greeks, this was the perfect location for where the gods would preside at while keeping watch on humankind down below them.
As there are several deities within Greek mythology, just who numbers among the Olympians varies. It’s generally agreed that the twelve major Olympians are: Zeus, Hera, Poseidon, Demeter, Athena, Apollo, Artemis, Ares, Aphrodite, Hephaestus, Hermes, and then either Hestia or Dionysus.
Also called Aphrodisia, as the name implies, this was a festival held in Aphrodite’s honor and was celebrated in many places around Greece during midsummer. It was a festival involved substances believed or known to cause sexual arousal and desire. This festival was most notably in Athens and Cornith.
In Athens, Aphrodisia would be celebrated in the month of Hekatombaion to celebrate Aphrodite’s rule in the unification of Attica. In the old Grecian calendar, the month of Hekatombaion corresponded with the month of July and was the first month of the year.
The priests of Aphrodite would purify the Temple of Aphrodite Pandemos with the blood of a dove that had been sacrificed. The altars would than be anointed and the statues of Aphrodite Pandemos and Aphrodite Peitho would be carried down to be ritually bathed.
This is another festival that honored Aphrodite in Athens. Not much is known about this festival.
The fourth day of every month was also held sacred to Aphrodite.
Attendants Of Aphrodite
Charities – The Graces in Roman mythology, this group of goddesses were known to accompany Aphrodite. They were Aglaea (“Splendor”), Euphrosyne (“Good Cheer”), and Thalia (“Abundance.”) They were worshiped as goddesses in Greek long before the arrival of Aphrodite.
Erotes – Aphrodite’s many sons who all presided over a different aspect of love.
Eros – Is the primary son who most people think of as accompanying Aphrodite. Most people are familiar with his Roman name of Cupid. By either name, Eros is the god of lust and sexual desire. Eros is described as one of four original primeval forces born at the beginning of time in Hesiod’s Theogony. After the birth of Aphrodite, Eros joins Himeros to become one of her companions.
Harmonia – A minor goddess of harmony. She is Aphrodite’s daughter with Ares, she is sometimes seen accompanying her.
Hebe – The goddess of youth, she is the daughter of Zeus and Hera. Hebe sometimes accompanied Aphrodite.
Horae – The Hours, they are the daughters of Zeus and Themis. Their names are Eunomia (“Good Order”), Dike (“Justice”), and Eirene (“Peace”).
In Sappho’s “Ode to Aphrodite,” the goddess is described as riding in a chariot that is pulled by sparrows.
Aphrodite isn’t just a Love Goddess, the sexual acts associated with her, Aphrodite’s attributes extend to the fertility of animals and vegetation, not just humans. In the story of Aphrodite’s affair with Ares, the version of the story found in the Iliad has Aphrodite returning to Cyprus so she can renew her virginity in Spring. Something she apparently does after each liaison. Some even suggest so far as to identify Aphrodite as a Mother Goddess as she gives birth to the crops each year. However, I think that domain is well and thoroughly covered with Demeter and Persephone. Though given the story of Aphrodite and Adonis, Mother Goddess and fertility still easily fits.
Pomegranates are thought to be associated with Aphrodite as the red seeds symbolized sexuality. An interesting side note, Greek women sometimes used pomegranates as a form of birth control.
Venus – When equating Aphrodite with the Roman goddess Venus, the poet Lucretius calls Aphrodite as a Genetrix for her creation and creative role in the world.
Plus, the aspects of Aphrodite as a fertility goddess really fit when under Roman influence and they have identified many of Aphrodite’s myths to their goddess and are busy tacking on Venus’ aspects to her Grecian counterpart.
This is the domain that Aphrodite is really known for, Love, all kinds of love. The many epitaphs that Aphrodite has denote which form of love she presides over.
Aphrodite Benetrix – Married Love
Aphrodite Porne – Erotic Love
Aphrodite Urania – Heavenly Aphrodite, Spiritual Love, the kind that is unconditional and all of creation.
That’s just a few of the names that cover the many types of love that Aphrodite presided over. In addition, Aphrodite had numerous sons, most notably Eros who would accompany her and who represented the different types of love.
Birth Of A Goddess
There are a couple different origin stories for Aphrodite.
According to Hesiod’s Theogony, Aphrodite was born when Uranus was castrated by his son Cronus and the severed member was thrown into the ocean. As the ocean began to churn and foam, Aphrodite rose up out of the waves. With Zephyr’s help, this Wind God blew the young goddess towards the island of Cyprus where flowers sprang up from her footsteps as she stepped on land. There, Aphrodite was welcomed by the Charities. From there, Aphrodite was dressed and taken to Mount Olympus to be presented to the other gods.
Other variations have Aphrodite arriving at Cythera. Seafood is known as aphrodisiacs as they are seen related to Aphrodite’s birth from the sea.
It is for the places of Cyprus and Cythera, that Aphrodite is also known by the names of Kypris and Cytherea.
It has been pointed out that Hesiod’s Theogony is likely pulled from the Hittite epic “The Song of Kumarbi” where Kumarbi overthrows his father, Anu the sky god by biting off his genitals and thus becoming pregnant to give birth to Ishtar and Teshub.
Homer, in his Iliad, however, says that Aphrodite is the daughter of Zeus and Dione. A note here is that Dione’s name is possibly a feminine form to Dios and Dion, both alternative names for Zeus and that both Zeus and Dione had a cult center in Dodona. Hesiod names Dione an Oceanid in his Theogony.
Marriage To Hephaestus
Following the genealogy with Zeus, he feared that the other gods would fight each other over who would get to marry Aphrodite.
Figuring himself wise and clever, Zeus married Aphrodite off to Hephaestus, the Smithing god. Imagine Hephaestus’ surprise, him the least comely of the gods and disabled. Elated, Hephaestus put all his efforts and skills in smithing to create the most exquisite jewels that he could for his bride. He even made a girdle of finely wrought gold with magic woven into it for Aphrodite.
While Hephaestus was happy with his marriage, Aphrodite wasn’t too pleased with the arrangement. She would have greatly preferred someone far more attractive and like many of the gods, she does have her affairs and dalliances.
Strophion – This is what Hephaestus will have crafted for Aphrodite, translations into English will call it a girdle. As lovely as this magic girdle is, whenever Aphrodite wore it, no one was able to resist her charms and was already irresistible to many. It’s been commented that Hera sometimes borrowed Aphrodite’s magic strophion from time to time.
The other name I have come across for this girdle or belt is cestus, which in Rome, a cestus is a set of armored leather gloves worn by boxers. That could be a translation error though as Aphrodite’s strophion was called “keston himanta” or (kestos himas) and that might be the source of confusion.
A final bit to note, is that this style of strophia were also used in depictions for the Middle Eastern goddesses Astarte and Ishtar.
Folklore – Instead of Zeus handing Aphrodite off in marriage, it is Hera who does so. In this one, Hephaestus made a golden throne for his mother Hera. When Hera sat down on the throne, it trapped her, and Hephaestus refused to release her until Hera agreed to give Aphrodite to him in marriage. Pleased that his mother agreed to the marriage, Hephaestus then gods to make his bride-to-be some jewelry, including the strophion that is often translated to mean girdle.
There are a few versions of Aphrodite’s marriage and who Hephaestus is actually married to.
Iliad – Aphrodite is the unmarried consort to Ares. Hephaestus’ wife is Charis, one of the Charities.
Odyssey – Book Eight is where the blind singer Demodocus describes Aphrodite as the wife to Hephaestus when the story of Aphrodite and Ares’ Affair is related.
Theogony – Aphrodite is unmarried, Hephaestus’ wife is Aglaea, the youngest of the Charities.
Aphrodite & Pandora
From Hesiod’s Works and Days, Zeus tasks Aphrodite to create Pandora, as the first woman to punish mankind after Prometheus’ stealing fire and gifting it to humans. Aphrodite makes Pandora to be both physically beautiful and sexually attractive so men will fall for her and lead to opening the box by which to release evils upon the world. Aphrodite’s attendants of Peitho, the Charities and the Horae contribute by gifting Pandora with gold and jewelry to be even more attractive.
Love Affair With Adonis
This is perhaps the most famous of Aphrodite’s affairs with a mortal by the name of Adonis.
Accordiing to Ovid’s Metamorphosis, Adonis is the son of Myrrha who was cursed by Aphrodite and turned into a Myrrh tree. Depending on the version of the story, either Myrrh’s father takes an axe to split open the tree or nine months later the tree burst, splitting open with Adonis being born.
Aphrodite found the infant and takes him down to the Underworld hidden in a chest to be entrusted into Persephone’s keeping. When Persephone discover a baby in the chest, she falls in love with the infant and takes care of him.
Later, Aphrodite returns to check in and discovers that Adonis has grown up to become remarkably handsome. By this time, Persephone is also rather attached to Adonis as well and what ensues is a custody battle of who gets Adonis.
Zeus took the matter into his own hands, in which he put the muse Calliope to arbitrate. She divided the year into three parts, saying that Adonis would spend one third with Aphrodite, another third with Persephone and the third part of the year as time to himself.
Having his own agency, Adonis comes to love Aphrodite more. It doesn’t help that Aphrodite cheated by wearing her magic girdle to cause Adonis to spend more time with her.
When it was time for him to go to the Underworld, Adonis refused. This angered Persephone so that she sent a wild boar to kill Adonis. This wild boar is actually Ares in a jealous rage. As Adonis died in Aphrodite’s arms, he was either transformed into the anemone flower or wherever Adonis’ blood fell, a red anemone flower sprung up.
Another account says that in her search for Adonis, that Aphrodite’s feet became cut and pierced by thorns and that the blood from her feet is what turned into the Anemone flowers.
A slight variation holds that Aphrodite acted as a surrogate mother to Adonis.
Sometimes the boar is sent by Artemis in retaliation for Aphrodite killing Hippolytus. Other times, it’s Apollo who is the boar that kills Adonis. Or that Dionysus carried Adonis away.
Phoenician Connection – It has been commented that the story of Persephone and Adonis is nothing more than the Greeks adopting the Phoenician story of Ashtarte and Adon. In the Canaanite language, Adon means lord and the names of Adonis and Adon appear to have a very solid linguistic connection.
Sumerian Connection – Another connection is that of the story of Inanna and Dumuzid.
Vegetation God – Some accounts will say that Adonis wasn’t mortal, that he was a deity in his own right and that this myth explains his death and rebirth each year for Summer and Winter as Zeus stepped in at this point saying that Adonis must spend the summers with Aphrodite and the winters with Persephone in the Underworld.
With this connection in mind, it’s been noted that Adonis’ cult had underworld tones of life and rebirth. From this, Aphrodite became connected with the dead in Delphi.
Aphrodite & Dionysus
Aphrodite is known to have numerous affairs. Depending on the account read, depends on if, with this story if it is either Dionysus, Hermes, Adonis or even Zeus himself who Aphrodite comes to bear the son Priapus with.
Generally, Dionysus is given as the father of Priapus with Aphrodite. As the story goes, following the events of the Trojan War, Hera was angry with Aphrodite’s interference when all the other gods were forbidden to be there by Zeus.
While pregnant with Priapus, Hera applied a potion to Aphrodite’s stomach as the goddess was sleeping. This was to ensure the child would be born deformed and monstrous-looking. When Aphrodite gave birth to Priapus, she was horrified by the sight of an infant with a large, permanently erect genital, potbelly, and large tongue. Aphrodite left the infant out on a hillside to die of exposure. However, a huntsman found the infant and raised them.
Later, Priapus would discover his powers as a deity and the ability to cause vegetation to grow.
Aphrodite & Hermes
First, a little bit of history. There was at one point, a male version of Aphrodite known as Aproditus. This is a male version of Aphrodite who was worshiped within the city of Amathus on the island of Cyprus. Aphroditus would be shown in art as having the dress and body of a woman while sporting a beard. He would be shown lifting up his dress to show his genitals, thought to be an apotropaic symbol or warding off evil. Eventually, Aphroditus’ popularity would fade away and the feminine form of Aphrodite would prevail.
Hermaphroditus – Also called Hermaphroditos. With so many gods having affairs with the fair and lovely Aphrodite, it isn’t too much of a surprise that she would also haven one with Hermes. The child that they had was a very handsome and beautiful boy of the name Hermaphroditus. A naiad by the name of Salmacis fell in love with Hermaphoditus and in a rare twist, she tried to rape him. When Hermaphroditus tries to fight off Salmacis, the naiad prays to the gods that they should become one. The gods answer, it’s not clear which one or ones answer and Salmacis and Hermaphroditus fuse into one intersex being. Horrified by what happened to him, Hermaphroditus called on his parents, Hermes and Aphrodite to curse the fountain so that others who entered it’s waters would have the same thing happen to them.
Traces of Aphroditus’ cult are found within Hermaphroditus’ story.
Love Affair With Ares
This story is told in the Odyssey, Book Eight by the blind singer Demodocus. This is also a story that probably began as a folk tale among the Greeks.
The Sun-god Helios had spotted the two gods, Ares and Aphrodite in a tryst in the halls of Hephaestus. Helios went to inform Hephaestus of his wife’s affair who then decided to try and catch the two in the act. Being the master smith and craftsman of the gods, Hephaestus created a finely woven and nearly invisible net to ensnare the two in. Waiting for the right moment, he succeeded in trapping both Ares and Aphrodite within the net.
Wanting to make sure the two were properly shamed and punished, Hephaestus called the other Olympian gods to come. All the goddesses declined to come, not wanting to be scandalized while all the gods did come and gawked. Some commenting to the beauty of Aphrodite and other stating they’d gladly trade places with Ares. In versions of the story, the gods agreed on Hephaestus’ right to be angry and in others, they didn’t care. In the end, when released, an embarrassed Ares returned to his home in Thrace and Aphrodite went to the city of Paphos on Cyprus where she would bathe in the sea to renew her virginity with the help of the Charities. It wouldn’t take Hephaestus long to forgive Aphrodite her affair as he missed her.
Elaborating on this story, a later addition, Ares had the youth Alectryon guarding the door to warn when Helios came by as he would no doubt inform Hephaestus of the affair. However, Alectryon fell asleep and Helios discovered the two’s affair. Ares, embarrassed and infuriated at being caught, turned Alectryon into a rooster and it’s that add-on to the story of Ares and Aphrodite’s affair that roosters always crow, announcing the rising of the sun in the morning.
Variation – A version of the story found in Homer’s Odyssey has Hephaestus refusing to release the lovers unless Zeus returned the bridal gifts. Zeus staunchly refused as he felt that Hephaestus shouldn’t have made the affair so public. Though in the Odyssey, Poseidon does agree to play Hephaestus’ price to release both Ares and Aphrodite.
From their affair, Ares and Aphrodite became the parents of several minor deities: Eros, Arethousa, Harmonia, Phobos, Deimos and Adrestia. Both Eros and Arethousa’s tended to have attributes more in align with Aphrodite. Adrestia tended to be more like her father Ares.
Aphrodite & Poseidon
It makes sense, that this story takes place right after Aphrodite’s affair with Ares. Poseidon fell in love with Aphrodite and there must have been a fling for there is one daughter, Rhode and a son, Herophilus who is attributed to Poseidon as being the father.
Aphrodite & Pygmalion
The myth of Pygmalion has its first mention in the third century B.C.E. by the Greek writer Philostephanus of Cyrene. The myth has a full accounting later in Ovid’s Metamorphoses.
Pygmalion was a sculptor from the island of Cyprus who refused to marry any woman as he found them to all be immoral. Very well, Pygmalion sets about carving an ivory statue of Aphrodite that was so life-like that he fell in love with it.
So, in love with the statue, Pygmalion prayed to Aphrodite to bring the statue to live so he could marry it. Aphrodite heard the sculptor’s prayers and brought the statue to life, naming her Galatea. From their union, Galatea and Pygmalion had two children, Paphos, a son and from whom the capital of Cyprus would be named for, and a daughter Metharme as mentioned by Pseudo-Apollodorus.
Atalanta & Hippomenes
In this story, Aphrodite helped Hippomenes, a youth who desired to marry the maiden Atalanta. The catch was, Atalanta refused to marry any man unless they could beat her in a footrace, and she had the habit of beheading those who lost.
In comes Aphrodite give Hippomenes three golden apples from the Garden of the Hesperides with the instructions to toss them before Atalanta as they raced. Doing as instructed, Hippomenes tossed the apples down in Atalanta’s path. Each time Atalanta bent down to pick up another golden apple, it would give Hippomenes more of a lead, allowing him to win the race and thus marry Atalanta.
In Ovid’s Metamorphoses, the story continues. Because Hippomenes forgot to give thanks to Aphrodite after words, she causes the two to become so infatuated with each other while in the Temple of Cybele. The two desecrated Cybele’s temple by having sex in it and an angry Cybele turned Hippomenes and Atalanta into lions.
Sometimes it is Zeus who punishes the two mortals. The Greeks believed that lions were not able to mate with other lions. Another version of the story will have Aphrodite turn them into lions when they forgot to give her proper tribute or offerings.
As it is Ovid’s Metamorphosis and the mention of Cybele, there’s a clear Roman influence on the second part of the story.
Aphrodite & Typhon – Pisces
Typhon, a monstrous god, attacked the Gods when they were down by the Nile River. In some retellings of the story, the Gods where there in exile or that just happens to be where they were at for one of their many battles with Typhon. In either eventuality, Aphrodite and her son Eros were among the gods along the Nile River’s banks when Typhon appeared to do battle. While Zeus and a couple of other gods fought it out with Typhon, Aphrodite and Eros had leapt into the river, changing into a pair of fish so they could make their escape. In other accounts of the story, Aphrodite and Eros tied themselves together with a rope so they wouldn’t get separated.
Another account of this story places the riverbank that the gods were walking along as being the Euphrates River and not the Nile River. There is also a very similar story found in a Manilius’ five-volume poetic work Astronomica in which the fish that become the constellation of Pisces carried Aphrodite and Eros away to safety.
Keeping with the Euphrates River connection, when an egg fell into this river, a pair of fish pushed it to the shore where doves then sat on the egg to hatch it. When it hatched, Aphrodite came out of the egg. In a show of gratitude, the goddess placed the fish up into the sky to become the constellation Pisces. Through these connections of the myth, Pisces is also known as “Venus et Cupido,” “Venus Syria cum Cupidine,” Venus cum Adone,” “Dione,” and “Veneris Mater.”
Eros & Psyche
Psyche happened to be an extraordinarily beautiful princess. This brought about the anger and jealousy of Aphrodite when people turned their attention to Psyche and worshiped her. Aphrodite enlisted the aid of her son Eros to help punish Psyche.
The idea is that Eros would cause Psyche to fall in love with the worst and vilest creature on the earth possible. Instead of doing as his mother bid, Eros fell in love with Psyche and took her home. He instructed Psyche that she was to never look upon his face.
All is well for a while until Psyche goes home to visit family and her sisters convince her to break Eros’ command and look upon his face. Psyche does this and hurt, angry, Eros flies away leaving poor Psyche behind.
Psyche beseeches Aphrodite for help with finding her lost love. Knowing who it is that Psyche is looking for, Aphrodite sets out a series of nearly impossible tasks for Psyche to do. Eventually Eros discovers what’s happening and as he can’t bear to see Psyche’s suffering, returns. The two are married with all the gods attending.
This story is an early model for the fairytale of Beauty and the Beast.
A Goddess Scorned
Many of the Greek gods have a reputation for being very fickle. Just as often as they favor mortals, they can also punish them too.
By the stories, Aphrodite is no different and she could be very gracious with those mortals whom she favored. For those mortals who didn’t fawn upon Aphrodite the attention and worship she felt she was owed, Aphrodite could be very vindictive.
Aegialeia – The wife of Diomedes, she was cursed by Aphrodite after Diomedes had wounded the goddess during the Trojan War. Aegialia was cursed with promiscuity and she had several lovers, among them Hippolytus. Now it could be, that Aegialeia was angry with Diomedes as she heard rumors, he was returning home with a Trojan woman and this was to get back at an unfaithful husband. When Aegialeia threatened Diomedes’ life, he took off for Italy.
Clio – When the Muse derided Aphrodite’s love for Adonis, Aphrodite caused Clio to fall in love with Pierus of Magnesia and they had a son, Hyacinth.
Eos – Aphrodite cursed Eos, the goddess of the Dawn to be forever, perpetually in love with an insatiable sexual desire after Eos had slept with Ares, god of war. Guess no one else was allowed to have Aphrodite’s sweetheart.
Glaucus of Corinth – He angered Aphrodite when he refused to let his chariot horses mate, as to do so would slow their speed down. Aphrodite bided her time and when the Funeral Games for King Pelias happened, the goddess caused Glaucus’ horses to go mad and tear him apart during the chariot race.
Halia – She is a sea nymph who bore six sons with Poseidon. When Halia’s sons refused to let Aphrodite land on their shore, Aphrodite drove them all insane, causing them to rape their mother, Halia. Poseidon buried his six sons within the island’s sea caves.
Hippolytus – The son of Theseus, he worshipped only Artemis, the goddess of virginity and hunting. Because Hippolytus refused any sexual intercourse, this upset Aphrodite who saw him as being very prideful. As a result, Aphrodite caused Phaedra, Hippolytus’ stepmother to fall in love with him. Understandably so, Hippolytus refuses Phaedra’s advances. Phaedra however, is so distraught that she kills herself but not before leaving a note for Theseus, telling him that she committed suicide because Hippolytus tried to rape her.
This upsets Theseus who prays to Poseidon to kill Hippolytus for his actions. Poseidon answers by sending a wild bull to scare Hippolytus’ horses and smash the chariot so that he falls to his death along a seaside cliff. In the end, Artemis finally gets wind of what happened and goes to seek her own revenge against Aphrodite, which in some stories, is sending a wild boar to kill Adonis.
Leucippus – The grandson of Bellerophon, it is never clear what caused Aphrodit’e anger in this story. Only that the goddess caused Leucippus to fall in love with his sister. The sister was already betrothed to another and the betrothed found out about the incestuous relationship that Leucippus and his sister were having, went to inform their father Xanthius. Father Xanthius shows up at his daughter’s bed chamber and discovers his son, Leucippus there. As it’s dark, a fight ensues where the daughter is killed trying to escape and Leucippus kills his father as he doesn’t recognize who it is at first. Once he realizes what happened, Leucippus leaves to go be part of the colonizing of Crete and Asia Minor.
Myrrha – I covered this myth earlier in the story of Adonis. Myrrha’s mother, Queen Cenchreis of Cyprus had bragged that her daughter was more beautiful than Aphrodite. In response, Aphrodite cursed Myrrha to fall in love with her father, King Cinyras who slept with her unknowingly. Eventually Myrrha turned into the myrrh tree and gave birth to Adonis.
It doesn’t end there, Aphrodite continued her wrath against Queen Cenchreis and King Cinyras’ other three daughters, Braesia, Laogora, Orsedice to sleep with some foreigners and they ended up dying in Egypt.
Narcissus – One account has Aphrodite cursing Narcissus to fall in love with his own reflection after he refused to worship her.
Pasiphae – In one version, for the birth of the birth of the minotaur, Pasiphae had failed to make the appropriate offerings to Venus (Aphrodite), as a result, the goddess caused her to fall in love with the white bull meant as an offering to Zeus.
Alternatively, the curse comes because Pasiphae is the daughter of Helio and this is Aphrodite getting back at him for exposing her affair with Ares.
Polyphonte – Was a young woman and another devote to Artemis who chose a life of virginity instead of marriage and children. Aphrodite cursed Polyphonte to fall in love with a bear. Her resulting monstrous humanoid bear children, Agrius and Oreius who were cannibals. Zeus got involved this time and turned Polyphonte and her children into birds of ill omen; owls and a vulture.
Propoetides – He and his daughters were from the city of Amathus on the island of Cyprus. They had failed to worship Aphrodite appropriately and she caused them to become the first prostitutes. It should be noted that this is a story found in Ovid’ Metamorphoses.
Tanais – The son of Lysippe and Berossos, he was a devote to Ares, fully committed to war. This upset Aphrodite as Tanais neglected love and marriage. The goddess cursed Tanais to fall in love with his mother Lysippe. As he refused to give up his chastity, Tanais threw himself into the Amazonius river, which after words was renamed to the Tanais river.
The Women of Lemnos – Because these ladies refused to offer sacrifices to Aphrodite, she cursed all of them to have a horrible stench. We’re talking bad, to the point that their husbands refused to have sex with them. The husbands went and had sex with their Thracian slave-girls instead. This angered the Lemnos Women, and they murdered all the men and their slaves on their island. Later, when Jason and the Argonauts show up, these women are just starved for a man’s affections, that with Aphrodite’s approval, she allows for the Lemnos Women to have sex with Jason and his crew whereby they can repopulate the island. From there on out, the Lemnos Women never failed to appease Aphrodite.
The Judgement Of Paris
The gods were feasting at the wedding of Peleus and Thetis, who would become the parents of Achilles. All the gods were invited accept Eris who hadn’t received an invite. Chiron was in charge of the wedding invites and didn’t invite Eris due to her reputation for stirring up trouble. This understandably miffed Eris to no end. After all, everyone else got invited, why not her?
Coming off as seeking to be peaceful and no hard feelings, Eris proposed a beauty contest between the goddesses Aphrodite, Athena, and Hera. As the prize, Eris tossed a golden apple of beauty, or better known, the golden apple of discord. In some retellings, it is noted that the golden apple has engraved or written the word: “Kallisti,” meaning: “for the fairest.”
This dispute, one driven by vanity over who was the loveliest of the goddess would escalate and the hapless mortal Paris is called in to judge. Each of the goddesses attempted to bribe Paris to choose her. Hera offered political power, Athena offered battle prowess and Aphrodite tempted Paris with the most beautiful woman in the world, Helen.
Being a young mortal man, Paris chooses Helen and rewards Aphrodite with the golden apple. Only there is one problem, Helen is the wife of Menelaus of Sparta. In claiming and taking her, Paris sparks off the Trojan War. This causes Athena and Hera to side with the Greeks in the ensuing war.
Divine Set Up – If we go by the “lost” epic, The Cypria attributed to Stasinus, this whole Trojan War was planned on by Zeus and Themis. There’s only about 50 lines of text from the Cypria and its seen as a prequel to Homer’s the Iliad and explains how the events came about.
Some scholars look at Aphrodite’s connection to Mesopotamia with the War Goddess Ishtar as an explanation for the start of the Trojan War, saying that Aphrodite instigated it by manipulating Paris with a promise to marry Helen.
Aphrodite has a prominent and active role in Homer’s Iliad. In Book III, Aphrodite rescues Paris from Menelaus after a one-on-one duel to settle the matter. Aphrodite also appears to Helen in the form of an old woman, trying to persuade her to have sex with Paris. However, Helen recognizes Aphrodite by her eyes, neck, and breasts. Helen entreats with Aphrodite as an equal and the goddess rebukes Helen, threatening her. Not wanting a god’s wrath, Helen obeys Aphrodite’s command to lay with Paris.
In Book XIV of the Iliad, Aphrodite loans her kestos himas or magic girdle to Hera so she can seduce Zeus as he had forbidden the other gods to stay involved in the Trojan War at this point. While Zeus is distracted by Hera’s advances, Poseidon is aiding the Greek forces to be able to take the beach to invade Troy. Then in Book XXI, Aphrodite returns to the war to carry Ares away off the field of battle after he’s been wounded.
Anchises – He was a shepherd prince who lived on Mount Ida, whom Aphrodite fell in love with after Zeus convinced Eros to hit her with one of his arrows. After all, with Aphrodite being the goddess of love, it’s her fault that Zeus has so many affairs and is constantly on the outs with Hera.
Aphrodite pretended to be a mortal woman in order to marry Anchises. When Anchises saw Aphrodite, he asked if she was said goddess, saying he would build her an alter if she would only bless him and his family. Aphrodite lied, saying she was a princess from Phrygia. She explains how she came to understand the Trojan language due to a Trojan nursemaid as a child. How she had been snatched away by Hermes while dancing for a celebration to honor Artemis. The disguised goddess tells Anchises to take her to his parents.
From there, the two are married or Anchises so overcome with lust, couples with the goddess-princess. After their union does Aphrodite reveal who she really is, saying she will bare Aenease a son who will become the demigod Aeneas. As Anchises didn’t keep quiet about who the mother of his son was, Zeus struck him down with a thunderbolt and either blinds or kills him outright.
There are a couple of slight versions to this story such as Aphrodite allowed for Anchises to be able to flee the city of Troy.
Aeneas – Trojan Hero and son of Aphrodite with Anchises. In book V of Homer’s Iliad, Aphrodite rescues her son from Diomedes in battle. Diomedes, recognizing Aphrodite and viewing her as a weak goddess, spears her, nicking her wrist. When Aphrodite rides back to Mount Olympus in Ares’ borrowed chariot, Zeus tells the goddess that her specialty is love, not war as he mocks her for getting hurt.
Aeneas features in Virgil’s Aeneid to be Rome’s first hero and an ancestor to Romulus and Remus.
Note: It has been commented that the scene of Aphrodite and Zeus has similarities in the Epic of Gilgamesh where Ishtar laments to her mother Antu after Gilgamesh rejects her advances and is in turn, rebuked by her father Anu.
With Aphrodite’s birth and arrival from the ocean, some people have worshiped Aphrodite as a sea goddess. Several types of waterfowl such as ducks, geese, and swans would become associated with Aphrodite. Naturally, seashells are associated with Aphrodite. Seafood is considered an aphrodisiac due to this lovely goddess’ connection to the briny deeps.
As a sea goddess, Aphrodite protects those who travel the seas. This earned her the epitaphs of Aphrodite Pontia or Aphrodite of the Deep Sea and Aphrodite Euploia or Aphrodite of the Fair Voyage. The planet Venus that Aphrodite is associated with, served as navigational aid for ancient mariners as they plied the seas.
With the previously mentioned Mesopotamian connection to the goddesses of Astarte and Ishtar, Aphrodite may have arrived first as a goddess of War in ancient Greece. She was honored as such in Cyprus, Laconia, Sparta, and Thebes to name a few places. In Sparta, Aphrodite was known as Aphrodite Areia (“War-Like”), showing her connection to the god Ares.
Eventually, the war aspects of Aphrodite would be dropped, and the role left to Athena and Ares.
Early Christianity readily adapted many pagan symbols and icons to their religion. With Aphrodite/Venus, her symbolisms were given to Eve, prostitutes, and some female saints such as the Virgin Mary.
The story of Aphrodite’s birth became a metaphor for baptism. There is a Coptic stele dating from the sixth century C.E. where a female orant is wearing Aphrodite’s conch shell to show she has been recently baptized. Throughout the Middle Ages, folktales regarding Aphrodite/Venus remained popular.
In the fifth century C.E. North Africa, Fulgentius of Ruspe found mosaics of Aphrodite that he proceeded to interpret as a symbol for the sin of Lust, how Aphrodite’s nudeness meant that “the sin of lust is never cloaked” and that her swimming represented how all lust suffers a “shipwreck”. Fulgentius even argued how the symbols of doves and conch shells were symbols of copulation and that the symbol of roses represented the fleetingness of lust, that it has momentary pleasures that are soon gone.
Then we have Isidore of Seville who interpreted Aphrodite as a symbol of marital procreative sex, declaring how the story of Aprodite’s birth represents that sex can only be holy with the presence of semen, blood and heat for the purposes of procreation. Isidore also held that Eros/Cupid is a demon of fornication.
Venusberg – Dating from the Late Middle Ages, the Venusberg mythology would become popular in European folklore. The “Mountain of Venus” is a subterranean realm ruled by Venus and a folktale archetype for visiting the Otherworld. The most familiar appearance of Venusberg is in the German Tannhäuser legend in the 16th century.
Variations to this myth are the mortal lover being carried away to the realm of faerie by a fairy queen. Popular legends include Thomas the Rhymer and Tam Lin.
Modern Paganism & Wicca
In modern Paganism such as the Church of Aphrodite, Hellenismos, and Wicca, either Aphrodite or her Roman counterpart, Venus are goddess often invoked for casting love spells and love rituals. Aphrodite is often used in charms for making aphrodisiacs, philters, and love potions.
Astarte – Canaanite & Phoenician Goddess
A goddess of love and war was worshiped in the Middle East during the Bronze Age to Classical Antiquity. Astarte was identified by the Hebrews as Ashtoreth.
Hathor – Egyptian Goddess
The Egyptian Cow Goddess Hathor is frequently identified with Aphrodite.
It wasn’t uncommon for the Greeks and Romans to equate many of their deities with those of other cultures. The Romans especially did it with any gods whose people they conquered. In the case of Egypt and their gods, Hathor in her role as a goddess of love and beauty is synonymous with the Greek Aphrodite and the Roman Venus.
Inanna – Mesopotamian Goddess
Also known as Ishtar, she is the goddess of love, war and sexuality. She is known as the Queen of Heaven.
Isis – Egyptian Goddess
The Egyptian goddess of the moon, healing, magic and life who protected women and children. During the Hellenistic Grecian era, she was equated with Aphrodite.
Turan – Etruscan Goddess
The Etruscan goddess of beauty, love, and fertility. She was the patron goddess of the city Velch. She has been identified with the Roman Venus and Grecian Aphrodite.
Venus – Roman Goddess
As the Greek Goddess of Love, Aphrodite is often confused with or identified with the Roman deity of Venus, also a Goddess of Love. Thanks greatly to the influence of the Romans, many people will identify and equate Venus with Aphrodite. While both deities are Goddesses of Love, there are differences in the Roman myths and the Greek myths.
The Romans were famous for subsuming many deities in their conquest across Europe, particularly the Mediterranean area, and identifying their gods with those of a conquered culture. The most famous being the Greeks, where many deities were renamed to those of Roman gods. Prominent examples like Zeus and Jupiter, Hera and Juno, Ares and Mars and so on down the line.
With the Hellenization of Latin literature, many Greek writers and even Roman writers rewrote and intertwined the myths of these two deities so that they would virtually become one and the same. And that’s the tradition passed down through the centuries and has become accepted. Just that there are still some differences that separate the two.
Just as Aphrodite is often accompanied by her son Eros, so too is Venus accompanied by her son Cupid.
Pronunciation: ˈjaːnʊs or jayn’-uhs
Alternate Spelling: Iānus (Latin)
Other names: Bifrons,Ianuspater (“Janus Father”), Ianus Quadrifrons (“Janus Four-faced”), Ianus Bifrons (“Two-faced Janus”), Dianus, Dionus
Other Names and Epithets: Ianitos (Keeping Track of Time), Iunonius, Consuvius (‘”The Guardian of the Beginning of Human Life”), Cozeuios, Conseuius the Sower, Patultius (the Opener), Iancus or Ianeus (the Gatekeeper), Duonus Cerus (the Good Creator), Geminus (Double), Rex King, Father of the Gods (or part of the Gods), God of Gods, Pater, Patulcius, Clusivius or Clusius (Closer of Gate), Κήνουλος (Coenulus), Κιβουλλιος (Cibullius), Curiatius
Etymology: “Arched Passage, Doorway” (Latin)
Janus is quite simply, the Roman god of Beginnings, Gates, Transitions, Time, Duality, Doorways, Frames, Portals, Passages and Endings. To the ancient Romans, Janus is one of their primordial deities who was there at the beginning of time and all existence. While Janus has an important and prominent role in the Roman Pantheon, he is not the Sovereign Deity of it.
It should be noted that there is no Greek equivalent to Janus. However, I should note, that some later Greek authors would place Janus as having been a mortal from Greece. Plutarch specifically, says that Janus was from Perrhebia.
Day of the Week: The first day of every month
Number: 300 & 65
Patron of: Transitions, Travelers
Planet: Sun, Moon
Plant: White Hawthorne, Olive Tree
Sphere of Influence: Transitions, Giving form to Chaos
Symbols: Keys, Staff, Two-Faces, Doors, Archways, Gateways, Portals
Given the many aspects that Janus presided over, many of which are abstract ideas and concepts for duality, Janus is often shown as having two faces. One looking forward to the future and the other looking back towards the past. Additionally, one face is bearded while the other is not. Later, both faces would be bearded. In Janus’ right hand, he holds a key and a staff in the other.
The double-faced head is found on many early Roman coins. In the 2nd century C.E., Janus is sometimes depicted with four faces.
During the Renaissance, the two-faces of Janus not only represented the past and future, but wisdom as well.
Janus had no flamen or specialized priests dedicated to him. However, the King of the Sacred Rites, the Rex Sanctorum, would carry out Janus’ ceremonies.
There are several rites for Janus. All prayers, regardless of which deity was to be invoked, didn’t start without Janus first being mentioned, regardless of which deity was being invoked. For that matter, every day, every week, every month began with invoking and calling on Janus. Incidentally, every prayer and rite ended with invoking the goddess Vesta.
Military Season – For the Romans, the start of their military season began with March 1st with the Rite of Arma Movere and ended on October 1st with the Right of Arma Condere. The first rite is also known as the Rites of the Salii. The aspect of Janus as Janus Quirinus would be invoked on the anniversary of the dedication to Mars on June 1st that corresponds with the festival of Carna. Another festival was held on June 29th which had been the end of the month under the Julian calendar for Quirinus.
The Military Season also marks something of a seemingly paradoxical connection between Janus and the war god Mars. The peace-loving King Numa sends out the army to ensure peace while later, it’s the warmongering King Tullus in his battle with the Sabines who sees Roman Soldiers coming home to peace.
It’s a connection that makes sense that for the Romans, having been attacked once, vowed that peace would come when everyone else around them was subdued. This creates a couple other epitaphs for Janus of belliger and pacificus, depending on which role he is in. As Janus Quirinus, the deity brings the closing of the Rites of March at the end of the month and then later in October as soldiers return victorious.
Janus doesn’t seem to have many prominent temples for worship. We do see that the covered portaculis and areas over gates to a building are called iani. There is an altar, that later becomes a temple for Janus near the Porta Carmentalis that leads to where the Veii road ended.
The gates of the Argiletum were called Ianus Geminus. This gate yard was built by Numa around 260 B.C.E. after the Battle of Mylae. Other names for this passageway are Janus Bifrons, Janus Quirinus, and Porta Belli. These gates would be open during times of war and closed during peace, something that didn’t happen often with Roman history. A statue here dedicated to Janus shows him with the symbol for 300 in the right hand and on the other hand, the number 65 for the days in the solar year. There were also twelve altars, one for each month. In the Christian religion, early Christian clerics claimed that these gates were closed when Jesus was born.
There is also the Porta Ianualis that protected the city of Rome from the Sabine that were all thought to be places where Janus was present. Janus was also seen as having a presence at the Janiculum leading out of Rome towards Etruria and the Sororium Tigillum that lead to Latium.
What’s In A Name?
In Latin, Janus’ name is spelt as Ianus as their alphabet has no letter “j.”
Jansus’ name translates from Latin to English as “Arched Passage” or Doorway.” In turn, there’s a root word from Proto-Italic language of “iānu” for “door” and another from Proto-Indo-European of “iehnu” for “passage.” There is also a cognate word found in Sanskrit of “yāti” meaning “to go” or “travel.” Another cognate in Lithuanian of “jóti” meaning “to go” or “ride.” And lastly found in Serbo-Croatian is the word “jàhati” meaning “to go.”
Some modern scholars reject the Indo-European etymology though others see in the word “Iānus,” an action name that expresses movement. My favorite though is how the word “Janitor” derives from “ianua” and Janus.
Among the ancients, there are a few different interpretations that all tie into the nature of Janus as a deity. The first is Paul the Deacon’s definition that connects Ianus to chaos. As seen in the phrase: “hiantem hiare” to “be open,” indicating the transitional state of this deity.
The second definition comes from Nigidius Figulus where Ianus would be Apollo and Diana. That the “D” in Diana’s name has been added as it has a better sound. It would be related to Diana’s name to the word “Dianus” with the Indo-European root of “dia” or “dey” for day. This idea is somewhat flimsy and not usually, widely accepted as being accurate. It seems to be what happens when you’re stretching and trying to connect everything back as all originating from one deity.
The last proposed etymology comes from Cicero, Ovid and Macrobius, where they explain that the Latin form of Janus for “to go” refers to Janus as the god of beginnings and transitions. That one feels a little more on the money with how many people view and interpret Janus’ name.
Parentage and Family
As a primordial deity, Janus isn’t given any parentage. If any are mentioned, it is:
Caelus (The primal god of the Sky) & Terra (The Earth)
The gods Camese, Ops and Saturn are given as Janus’ siblings.
Camese – Depending on the version of the myth (Greek in this case,) they become Janus’ sister and wife.
Jana – A Moon Goddess
Juturna – Goddess of Wells & Springs
Venilia – Goddess of the Winds & Seas
Canens – A nymph and personification of song.
Fontus – Son of Janus and Juturna
In a Greek version of the myths, where Janus is mortal and marries his sister Camese, they have the following children: Aithex, Olistene, Tiberinus
Primordial Gate Keeper
You could say that Janus is the Ultimate Gate Keeper, even possibly the Custodian of the Universe and probably the only one we should have. This connection makes Janus a Liminal Deity, guarding boundaries and passages.
Janus guarded the gates of Heaven. Doorways, Gates, any passageways, Janus presides over these as well. As a Doorway is the literal transitioning, moving from one area to another. Nothing changed, transitioned, moves, or altered it’s/their states without Janus’ presence and influence. Even the abstract ideas of going from war to peace and back, from birth to death and rebirth, to journeys, exchanges, barbarism and civilization, the start of and any ending of conflicts, their resolutions. Janus presided over all transitions.
Key – Janus is often shown holding a key that symbolized his protection over doors, gates and thresholds of many kinds. Both physical and spatial boundaries. The key symbolized that a traveler would be able to find a safe place or harbor to trade their goods in peace.
Staff – This symbolized Janus’ guiding travelers on their paths.
Order Out Of Chaos
If, in the beginning, everything is a primordial ooze and chaos, Janus is the being who brings order from it all, as everything transitions from one state to another. Modern science will have fancy technical terms and jargon for everything and how everything forms and comes into being. For the ancient Romans, this is all explained as Janus being responsible for the formation of the elements and harmony from Chaos and getting the whole shebang going.
Janus’ functions denote that he is a liminal deity who watches the borders. As rivers are frequently natural borders and boundaries, Janus presided over these along with the bridges that cross over them. Four of Janus’ altars and temples were built along rivers.
Janus is a god of dualities, representing numerous abstract and literal concepts for beginnings and endings. The very transitioning from one state to another. Janus was present at the very beginning and start of the universe before any of the gods existed.
With Janus being depicted as having two faces. One face facing towards the future and the other towards the past, Janus is said to have held the gift of prophecy. Omens and portents were very much so the domain of Janus as he could see all.
A Solar Deity & Divine Twins?
This idea comes from Macrobius who in turns cites Nigidius Figulus and Cicero. The idea is that Janus and Jana (a variation of Diana) are a pair of deities worshiped together as Apollo & Diana; the sun and the moon.
Adding to this is one A. Audin who connects the solar motif back to the Sumerian cultures. They mention two solar pillars that are located on the eastern side of temples and denote the direction of the rising and setting sun and the solstices. These two solstices would connect to the idea of the Divine Twins often seen in mythology, particularly the myth where one twin is mortal and the other is immortal.
Morning Time – The start of the day or morning is thought to be Janus’ time, when men awoke and began their daily routines and activities. Janus is called Matutine Pater, meaning “Morning Father by Horace. It is thought this association with this time of the day is what links Janus with being a solar deity.
Winter Solstice – In keeping with the solar connection, under the Roman calendar, the Winter Solstice was held to be on December 25th, a remarkably familiar date that carries over to Christianity for when Christmas is celebrated. Where solar deities are revered, the Winter Solstice is often when these deities are said to be reborn and their power grows again.
Month – January
It is generally accepted that the month of January is named for Janus (Ianuarius) and why, with the Gregorian calendar, it is the first month and beginning of the calendar year. Under the ancient Roman calendar, their year began with March as the first month, incidentally when Rome would begin its war and campaign season.
For further, in-depth history, we can credit Numa Pompilius, the second of seven kings who ruled Rome before it became a Republic. In the 6th century B.C.E., Numa added the months of Inauarius and Februarius to ten month “Romulus” religious calendar. Under this new calendar, Inauarius would become the first month starting in 200 B.C.E. of the Roman Republican Calendar. Inauarius, pronounced as Januarius means the “Month of Janus.”
One interesting thing to note, when looking at the translations of old Roman Farmer’s Almanacs, the goddess Juno is who presided over the month of January initially, not Janus.
Since we’re on the subject of time and dates… as a god of beginnings, the very concept of time even starts with Janus. In one of the few temples dedicated to Janus there is a statue of him where the position of the hands signifies the number 355 for the number of days in a lunar year. Later, this number becomes 365 to symbolize Janus’ mastery over time.
New Year’s Day
Another calendar date that carries over from the Romans to modern day in much of Western culture, January 1st marks the start of the New Year. For the omens, the beginning of anything was an omen and would set the tone for the rest to follow. It was customary to greet people with well wishes. People would exchange gifts of dates, figs and honey. Gifts of money or coins called strenae were also exchanged.
Additionally, cakes made of spelled and salt were offered up to Janus on his altars. These offerings or libums were known as ianual. There is likely a corresponding connection to another offering of summanal on the Summer solstice for the god Summanus. However, these offerings would be made with flour, honey, and milk, making them sweeter.
This is another festival held on January 9th for Janus. A ram would be sacrificed at this time.
This is a bit of an oddball festival for me. It was held on October 1st, during the month that Rome’s War Season is ending, and soldiers are returning home.
It’s a purification rite that commemorates Marcus Horatius making atonement for the murder of his sister. The representative for Marcus has their head covered as they pass beneath an archway. The ritual seems to be used as a purification rite for soldiers returning from war to cleanse them from the taint of war as they return to civilized society.
This rite has also been connected to a pairing of Janus and Juno through the epitaphs of Janus Curiatus and Juno Sororia. Janus in his role as a god of transitions and Juno in her role as a protectress of young soldiers.
Several early Roman coins depict Janus on them. With one face being clean shaven while the other is bearded.
This connects Janus as the founder of financial commerce and trade systems as humans transitioned from an age of barbarism to civilization. Roman myth holds that Janus was the first to mint the first coins.
There is a rite or custom where a bride would oil the posts to the door of her new home with wolf fat when she arrived. While this rite does not specifically mention Janus, it is a rite of passage connected to the ianua.
King Of Latium
As old as Janus is, predating the Roman Pantheon, it is very likely that he was a real person at one time.
In a story told by Macrobius, Janus had been exiled from Thessaly and sailed to a place known as Latium with his wife Camise and their children. They settled in a place along the Tiber river that would be named after his son Tiberinus.
Where Janus and his family settled, they built a city called Janiculum. After his wife died, Janus ruled in Latium for many years. After his death, Janus became deified.
Janus’ rule in Latium is part of the Golden Age in Roman mythology that saw a lot of wealth and agriculture come to the region. This era would be what caused Janus to be associated with trade, streams, springs and a sky god.
Variations: Hyginus in his retellings, Camese is male and Janus succeeded him as ruler of the kingdom.
Greek authors place Camese as Janus’ sister and spouse and that they have a son by the name of Aithex and a daughter by the name of Olistene.
Janus & Saturn
In Ovid’s Fasti, the god Saturn welcomes Janus as a guest and eventually shares his kingdom with them in return for teaching the art of agriculture.
Another slight variation to this, is the custom of Roman to depict their gods as having been mortal and ruling the city of Latium during a Golden Age of Peace. Janus as the ruler of his own Kingdom, welcomed Saturn in after he had been expelled from the heavens by Jupiter.
Janus & Romulus
In this myth, Romulus, as in one of the legendary founders of Rome; with the help of his men, kidnapped the Sabine women. In response, the Sabine men retaliated, trying to get their daughters back. Luck was with the Sabine men as a daughter of the city guard betrayed her fellow Romans and let the Sabine men slip within the city.
When the Sabine men tried to make their way up the Capitoline Hill, Janus is credited with causing a hot spring to erupt, causing a mixture of boiling water and volcanic ash that forced the Sabine men to turn back.
It’s from this myth, that the Romans and Sabines would later form a new community and the gates being open during war and closed during peace to keep in would come from.
Janus & Canens
A story found in Ovid’s Metamorphosis; Janus is the father of Canens with the nymph Venilia. Canens was the personification of song and married to Picus. When Picus spurred the love of Circe, she turned him into a woodpecker.Canens searched for six days for her husband before throwing herself into the Tiber river where she sang one final song before dying.
Janus & Carna
Also known by the name of Crane.
Carna was a nymph of the sacred grove in Helernus. Whenever Carna found herself being pursued by the unwanted advances of a young man, she would call out to the young man only to slip away to hide in various crags and other places. Janus saw her hiding and of course, what ancient Roman wouldn’t, Janus rapes Carna.
By way of apology, Janus gives Carna a whitethorn branch so that she may guard all thresholds and doorways, making her a goddess of hinges and then becomes known by the name of Cardea. As a goddess, Cardea would be responsible for protecting and purifying thresholds and doorposts. Incidentally, she also protects newborn infants from stirges. That… is really interesting given the connection between Vampires and not being able to cross thresholds.
That, however, is a post for another day…
I think it is also possible, given how old this myth is, that Janus and Carna had consensual sex and not rape. It would explain giving the hawthorne as a gift between two lovers and Janus elevating Carna from a nymph to a goddess with close to the same powers and abilities as he does with guardianship over thresholds.
Janus & Juturna
A minor myth is that Janus and Juturna, a goddess of wells give birth to Fontus, the god of wells and springs. Comment has been made that Fontus or Fons is another name for Janus. This myth is more likely used to explain why two festivals, Juturna on January 11th and Agonium of Janus on January 9th were so close together. Plus, further explaining why there is an alter for Fontus or Fons near the Janiculum and the connection to spring and beginnings.
Janus & Vesta
Janus presides over the beginnings and guards the doors and entries. Janus would be invoked first in rites and Vesta would be invoked last. It has brought some curious observations. The presence of Vesta shows that there was importance for the hearth, its life-giving fire and thus the home. A community couldn’t survive or thrive without the safety of the household. To be able to exit the untamed and unknown wilds to the safety of the community and civilization.
As has been the case with many deities, Janus was made a martyr and then later the Saint Januarius by the Roman Catholic Church.
Janus was also made a martyr by the Roman Catholic Church and later became known Saint Januarius.
During the Medieval or Middle Ages, the Italian city of Genoa used the symbol of Janus or Ianua. Many other European communes also used the symbol of Ianua.
For those interested in tracing an Indo-European religion and pantheon of gods that links the European deities with those of Vedic origins. There’s been a lot of study into it. As a god of beginnings and transitions, a primordial deity, Janus has been connected to the Vedic Vâyu. Most notably in the works of G. Dumézil. There certainly was a cross-pollination of ideas and religion when you see how much further east Greek culture was at one point and trade routes.
Portunus – Syno-Deity
Portunus is a similar deity to Janus. The difference is that Portunus presided over harbors and gateways in regard to traveling, commerce, trade and shipping. Like Janus, the key and staff are also one of Portunus’ symbols. Portunus’s festival day was held on August 17th.
Janus the Sailor – Because of how similar Janus and Portunus are, there is a hypothesis put forward that Janus may have originated as a god of winds and sailing, brought to the communities by the Tiber river. The connection has more to do with when Saturn sailed to ancient Latium and was welcomed by Janus.
Aditi – Hindu Goddess
The Vedic goddess of Infinity, Aditi is depicted as having two faces. She is seen as the feminine form of Brahma. Like Janus, Aditi is invoked at the beginning of ceremonies and she concludes them as well.
Ani – Etruscan God
In the little-known Etruscan mythology, Ani is the god of the sky and sometimes shown as having two faces. This has led some to conclude a possible connection between Ani and Janus.
Belinus – Chaldean God
Also called Baal-Ianus, a William Betham has made arguments that Janus’ cult would originate from the Middle East with the Chaldean culture.
Brahma – Hindu God
The imagery of double or four-faced deities in Hinduism is common. Brahma is the god who created the universe.
Culśanś – Etruscan God
In the little-known Etruscan mythology, Culśanś has been identified as being the counterpart to the Roman Janus. This connection seems more likely given Culśanś’ role as a god and protector of doorways and his depiction of having two faces.
Heimdallr – Nordic God
As guardian of the Bifrost bridge, the functions that Heimdallr has for standing in a place between time and space have been noted to be similar to Janus.
Isimud – Sumerian God
Also known as Usimu in Babylonian. A deity featuring two faces appears several times in Babylonian art. Isimud is the messenger of Enki.
Greek Connection – Which brings us to another point. However much the ancient Greeks and Romans tried to claim that Janus had no Middle Eastern connection, and that Janus is solely a Roman deity, there are some much later writers who would equate Hermes with Janus, especially so during the Hellenistic era of Greek culture.
Svetovid – Slavic God
Depicted as having four heads or faces, Svetovid is the Slavic god of war, fertility, and abundance.
Janus In Astronomy
On December 15th of 1966, the astronomer Audouin Dollfus discovered and identified, orbiting around Saturn, a moon that would later be called Janus. This moon is also known as Saturn X. It would take a little over a decade before it was recognized that Janus was one of two satellites or moons occupying close to the same orbit. The other is called Epimetheus. These names would become official in 1983. Janus also has two craters on it named for the characters of Castor and Pollux in mythology.
Other Names: All-Heal, Birdlime, Devil’s Fuge, Donnerbesen, Druid’s Herb, Golden Bough, Herbe de la Croix, Holy Wood, Lignum Sanctae Crucis, Misseltoe, Mistillteinn, Mystyldyne, Thunderbesem, Witches’ Broom, Wood of the Cross,
Deity: Apollo, Balder, Cerridwen, Freya, Frigga, Odin, Taranis, Thor, Venus
Sphere of Influence: Defense, Dreams, Exorcism, Fertility, Health, Hunting, Invisibility, Locks, Love, and Protection
Symbols: Friendship, Peace
Victorian Language of Flowers: “I surmount difficulties, I send you a thousand kisses.”
What Is It?
Mistletoe is the common name for plant that is parasitic (hemiparasite) in that it grows by attaching itself to the branches of a tree or shrub, taking water and nutrients from the host plant. The mistletoe species, Viscum album is the one referred to in folklore is that is native to Great Britain and most of Europe. It is characterized by having a smooth-edged, oval shaped evergreen leaves set in pairs along the stem and white berries that are known to be poisonous.
There are a variety of other species of mistletoe plants found in other countries of Europe such as Spain and Portugal and on other continents. American Mistletoe is also known as False Mistletoe as the homeopathic remedies and uses are different from the European Mistletoe. Over time, the term mistletoe has come to include other species of parasitic plants. Even plants get parasites…
Despite mistletoe’s parasitic nature, it does have an ecological benefit with being a keystone species in that it provides food for a variety of animals that feed on it as well as providing nesting material for various birds.
There used to be all sorts of folkloric beliefs about how mistletoe would come to grow on various shrubs and trees. By the sixteenth, botanists had it figured out that seeds were passed by the digestive tracts of birds who fed on mistletoe or by the birds rubbing their bills on trees to get rid of the sticky seeds. An early reference to this is in 1532, an Herbal book by Turner.
What’s In A Name
One etymology for mistletoe that seems fairly accurate are the Anglo-Saxon words for “mistel” meaning “dung” and “tan” meaning “twig.” Making the meaning of mistletoe as “dung-on-a-twig.” Which makes sense, people observed that mistletoe grew wherever birds roosted and thus did their business.
The Latin word “viscusas” and the Greek word “ixias” both refer to the white coloration of mistletoe berries and being thought of to resemble sperm. The same words “visand ischu” mean “strength” In the Greek and Roman mindsets, sperm was connected to strength and vitality and thus to fertility for life springing seemingly out of nowhere. Mistletoe berries harvested from Oak trees were believed to have regenerative powers.
Mistletoe is a plant strongly associated with Christmas, Yule and other Winter Celebrations where it is used in decorations for its evergreen leaves that symbolize the promised return of spring.
Hanging Mistletoe – Anyone standing beneath the mistletoe can expect to be kissed. This probably originates in Druidic beliefs where mistletoe is strongly connected with fertility as the white berries of the mistletoe resembled semen. Now, proper etiquette says that when someone is kissed beneath the mistletoe, a berry needs to be removed until all have been plucked, at which point, there are no more kisses.
One tradition holds that if any unmarried woman went unkissed after the hanging of the mistletoe, they would not be able to marry for a year.
British farmers would feed a bough of mistletoe to their livestock on January 1st, believing it would ward off any bad luck for the coming year. Alternatively, a farmer feeding mistletoe to the first cow calving in the New Year was what brought good luck.
In some regions of Britain, mistletoe would be burned on the twelfth night after Christmas to ensure any boys or girls who didn’t get kissed could still marry.
Celtic Druidic Mythology & Traditions
In the Celtic language, the name for mistletoe translates to “All-Heal” as they believed this plant to have healing powers that could cure a number of ailments and held the soul of the host tree. By Mistletoe was held the chief of the Druid’s sacred seven herbs. The other sacred plants were: vervain, henbane, primrose, pulsatilla, clover and wolf’s bane.
The tradition of kissing under the mistletoe is attributed to the Druids who held the plant as being sacred. It held a magical virtue and served as a remedy to protect against evil. Mistletoe found growing on Oaks were especially sacred. Ovid’s writings mention how Druids would dance around oak trees with mistletoe growing on them. If mistletoe were to fall to the ground without being cut, it was considered an ill omen.
In Between – Seen as a tree that was not a tree. One of the things making mistletoe sacred was its seeming ability to spring forth out of nowhere. It represented the “in between” or a gateway to other worlds and spirit.
Harvesting – Pliny the Elder in his Natural History, circa 77 C.E. notes how the Druids revered the mistletoe. Pliny goes on to explain how white-clad Druids would use a golden sickle when harvesting mistletoe; taking great care to make sure that none hit the ground, believing that the plant would lose its potency and sacred powers. The sacrifice of two white bulls would follow. Pliny’s accounts are the most well-known documentation of Druid beliefs regarding the sacredness of mistletoe. Either the Midsummer or the Winter Solstice were the times to harvest and collect mistletoe. Better when done so on the sixth day after a waning moon.
Oak King & Holly King – This is a particularly old folkloric belief. With the Oak King and Holly King being personifications for the cycle of the year. Mistletoe berries found on an Oak tree were thought to be representative of the Oak King’s semen. So when the Oak King’s power waned and gave way to the Holly King, the harvesting of mistletoe and it’s berries off of Oak trees was symbolic of emasculating the Oak King. Hence, why two bulls would be sacrificed, to compensate the Oak King.
The white berries of mistletoe would be made into fertility potions as they were thought to be regenerative as on the Winter Solstice, the Oak King would be reborn, gaining power again as the new year progressed.
Fire & Lightning – It was thought that mistletoe would grow on an Oak tree that had been struck by lightning. For this, mistletoe was believed to be able to stop fires.
French farmers would burn mistletoe in their fields in order to have a successful harvest with the coming year.
Maidens would place a sprig of mistletoe beneath their pillows so they could dream of their future husband.
Herbe de la Croix – In Brittany, there is a legend how the cross that Jesus is to have been hung on was made from the wood of mistletoe. After Christ’s death, mistletoe is said to have been cursed or degraded to become a parasitic plant. Now days, thanks to 16th century Botanists discoveries, it’s better understood how the seeds of mistletoe or spread.
Immortality – Asclepius, the son of Apollo and god of medicine was greatly renowned for his healing skills to the degree that he could even bring people back from the dead. This knowledge of healing came about after Glaucus, the son of King Minos of Crete had fallen into a jar of honey and drowned. Asclepius had been called onto the scene and while there, saw a snake slithering towards Glaucus’ body. Asclepius killed the snake and then saw another snake come in and place an herb on the body of the first snake, bringing it back to life. After witnessing this, Asclepius proceeded to take the same herb and place it on Glaucus’ body and bring him back to life.
This herb is said to have been mistletoe. Now armed with this knowledge, Asclepius brought Glaucus back to life. Later, he would bring Thesues’ son, Hippolytus after the king’s son had been thrown from his chariot.
This angered Hades enough that he complained to Zeus that humans would become immortal and that there wouldn’t be anyone entering the Underworld. To prevent people from becoming immortal, Zeus agreed to kill Asclepius, doing so with a lightning bolt. Later, Zeus placed Asclepius’ image up into the heavens to become the constellation of Ophiuchus in honor and memory.
Golden Bough or Mistletoe is the plant Aeneas uses to enter the Underworld to Hades’ realm.
Saturnalia – Many traditions regarding mistletoe and the Christmas traditions are believed to trace their origins to this ancient Roman festival once held on December 17th of the old Julian calendar.
The Death Of Balder
This is one of the bigger, more well-known Norse stories. Balder’s mother Frigg, the goddess of Love had received a prophesy concerning Balder’s death, who was the most beloved of all the gods. Wishing to try and avoid this fate, Frigg got an oath from all living things that they wouldn’t harm her son. In her haste to do so, Frigg overlooked the mistletoe, believing it to be too small and inconsequential.
Leave it to Loki to learn of this oversight and to test the validity of the prophesy. Depending on the source, Loki either makes an arrow or a spear out of mistletoe and hands it off to the blind god Hod, instructing him to aim it at Balder. This act doesn’t seem so unusual when taken into account that many of the other gods were taking aim at Balder to test his invulnerability.
Hod then, unknowingly of Loki’s true intent, fires the mistletoe weapon at Balder and impales the god who soon dies. Frigg is grief stricken and Hermod rides off on Sleipnir down to the Underworld to plead for Balder’s release from Hel, how everyone loves him. The Underworld goddess replies that if this is so, then every being in the living world will weep for the slain god. If everyone does weep, then Hel will release her hold on Balder and allow him to return.
Hermod returns with the news and every creature on the earth cries for Balder. All, that is except for an old giantess by the name of Tokk (or Þökk, meaning “Thanks,”) she was most certainly and likely Loki in disguise.
With this failure to have everyone weep, Balder remained in Hel’s domain.
Some variations to this legend have mistletoe becoming the symbol of peace and friendship to make-up for it’s part in Balder’s death.
In the version of the story with a happy ending, Balder is restored to life, and Frigga is so grateful that she reverses the reputation of the offending plant–making it a symbol of love and promising to bestow a kiss upon anyone who passes under it.
The white berries of mistletoe are to have formed from Frigg’s tears when she mourned Balder’s death. Shakespeare makes an allusion to the story of Balder’s death by referring to mistletoe as “baleful.”
Peace & Love
Due to the above story, the Norse held the belief that hanging the mistletoe would be a symbol of peace, indicating that any past hurts and anger would be forgiven. Enemies would cease fighting each other for the day.
Under the incoming Christian religion as it spread throughout Europe, the symbolism of the mistletoe would be converted to have Christian meanings as older pagan beliefs and traditions would get adapted and changed.
For example, in the Norse story with the death of Balder, mistletoe would keep its meanings as a symbol of life and fertility.
Wearing sprigs of mistletoe is believed to help conceive, attract love and for protection.
During Medieval times or Antiquity, branches of mistletoe would be hung to ward off evil spirits. Mistletoe would be hung over the house and stable doors to protect from witches and keep them from entering.
Mistletoe could also be worn in amulets, bracelets, and rings for its magical qualities of protecting from evil, witches, poisoning and even werewolves!
Yes, there are medical uses for mistletoe. However, the white berries are poisonous as they do cause epileptic type seizures and convulsions. Keep the white berries away from small children and pets who might decide to try and eat them.
Do make sure to consult an accredited medical source as some information has changed.
Homeopathic Remedies – Due to the nature of the poisonous berries, it causes many cultures such as the ancient Celts to use mistletoe berries in remedies for treating convulsions, delirium, hysteria, neuralgia and heart conditions. Some Native American tribes used a tea wash for bathing the head to treat headaches and infusions for lowering blood pressure and treating lung problems.
Warning – Do make sure to consult an accredited medical source as some medical experts disagree about the applications of homeopathic remedies and information is likely to change with better data and research.
Mistletoe is seen as an all-purpose plant and has been attributed a wide variety of magical uses and even a number of herbal and homeopathic remedies. A lot of it ending up very contradictory and suspect as to which to see as accurate. Further, you want to make sure you have the right mistletoe species.
The Father Of Gods & Heroes
Some of Zeus’ “romantic conquests” are also how many of Greece’s heroes are born, giving them some divine might and heroic destiny for their exploits. It is very likely that many of these stories are just wish fulfillment to connect early Greeks to the gods and explain why many early heroes appear to have divine destinies and beyond human attributes.
As the Father and King of the Gods, even those deities not directly related to Zeus as his children would likely refer him to Father.
A good number of the myths and stories of the Greek gods and heroes tend to place Zeus having some prominence, even if it’s as a cameo appearance.
I will admit that many of the myths about the Olympians I grew up with only ever mention Hera as Zeus’ wife. Then throwing in all of the numerous “affairs” of Zeus as just his many flings by whom the different gods and heroes of Greek mythology are born.
Clean, sanitized versions of the myths. However, as I mentioned at the beginning of this article series, there are at least three main sources for Zeus’ origins and myths. A couple of sources mentioned give Metis as Zeus’ first wife and Hera as the second wife. So maybe Hera’s jealousy is not wanting to get replaced? Or just the rewrites that come later say Hera has to be jealous of Zeus’ affairs.
I did come across one source that gives several wives for Zeus, starting with Metis, then the Titaness Themis, Eurynome, Demeter, Mnemosyne, Leto, and lastly Hera.
Zeus & Callisto
This poor nymph found herself transformed into a bear along with her son Arcas by Artemis after an affair with Zeus. In compensation, Zeus placed both Callisto and Arcas up into the heavens to become the constellations Ursa Major and Ursa Minor.
Zeus & Danae
Zeus & Europa
In Greek mythology, Zeus in many of his various affairs; had fallen love with Europa, the daughter of Agenor, a King of Tyre in ancient Phoenicia. The problem with Zeus getting close to showing his affection is that Europa was always guarded by her father’s servants. Being a god and a shape-shifter, Zeus changed himself into the form of a handsome white bull with golden horns.
That accomplished, Zeus in his white bull form then mingles with the King’s royal herds grazing in a large field near the sea. While a walk along the beach, Europe noticed the handsome white bull and couldn’t resist going up to feed it. The bull was so very friendly and gentle, that Europe climbed up on its back when it lay down; taking hold of the golden horns.
Once she was on the bull’s back, it stood up and the white bull wandered closer and closer to the sea and then when they approached the beach, took off running for the water. Once in the sea, the bull starts swimming towards the island of Crete. And for Europa, it was too late to get off now.
When they arrived in Crete, Zeus changed back into his own form, revealing himself to Europa. As he’s already married to Hera, Zeus gives Europa instead in marriage to Asterius, the King of Crete.
In slightly different versions of this story, Zeus and Europa have three children together. One of whom is Minos who grows up and goes on to be a famous king of Crete. He had the palace in Knossos built where bull games were held and is more infamous for the sacrifice of fourteen youths (seven boys and seven girls) to his Minotaur in a labyrinth every year. In either event, Zeus is said to have commemorated the white bull he turned into by placing it up among the heavens as the constellation Taurus.
Zeus & Leda
This story is connected to the Cygnus constellation. In this story, Zeus disguised himself as a swan in order to seduce Leda. In this guise, Zeus behaved much like a swain, which means a lover or wooer.
Leda was the wife of the Spartan King Tyndareus. She’s known for giving birth to two sets of twins; the Dioscuri (Castor and Pollux), and Helen of Troy and Clytemnestra. When Leda laid with Zeus, their union produced an egg. Later that night, when she laid with her lawful husband Tyndareus, their union resulted in another egg. The immortal twins Pollux and Helen are said to have been fathered by Zeus while the mortal twins Castor and Clytemnestra were fathered by Tyndareus.
Zeus & Nemesis
A variation to the above myth is that instead of Zeus seducing Leda, he seduces Nemesis, the goddess of divine justice and retribution. She was also the goddess of the Pelopennesian cult. Other sources are clearer that Nemesis lived in Rhamnus (located to the North-East of Athens) where this cult may have been. When Zeus went to seduce Nemesis, she changed herself into a variety of different animals before taking the form of a goose to escape him. Zeus continued to pursue Nemesis, each time taking the form of a larger, swifter animal until he turned into a swan before he was able to catch and rape her.
A variation of the story with Nemesis that’s told by Hyginus is that Zeus had turned himself into a swan and pretends to be escaping from an eagle. Nemesis protected the bird, offering sanctuary. It’s afterwords, when Nemesis has gone to sleep with the swan on her lap that she discovers the truth of who the bird really is.
In either version of the story told, Nemesis ends up laying an egg that she leaves in a swamp. This egg was found either by Hermes or a shepherd who brings it to Leda who keeps the egg in a chest until it hatches. It is from this egg that Helen of Troy is hatched. As a result of his success, Zeus placed an image of the swan up into the heavens.
Zeus & Leto
Another of Zeus’ affairs is with Leto and the resultant children would be the twin deities Apollo and Artemis.
From the surviving stories we have, a jealous Hera forced Leto to roam the earth to safely give birth. Hera had commanded that the earth and sea refuse Leto any safe refuge. Eventually, Leto came to the floating island of Delos and was able to safely give birth to her twin children.
Zeus & Ganymede
This is an oddball myth in that Zeus falls in love with a particularly handsome youth, Ganymede while he is out watching his father’s sheep. Zeus either transforms into or sends an eagle to come and carry the youth off to Mount Olympus. There, Zeus grants Ganymede immortality and makes him a cup-bearer to the gods, replacing Hebe after she spilled some of the nectar and causing Hera a lot of anger over the replacement.
Depending on how you interpret this myth, this is Zeus wanting to grant immortality to a worthy descendant of his or how the ancient Greeks were justifying homosexuality in their culture.
Zeus & Semele
In this myth, Semele, the daughter of Cadmus and Harmonia is “seduced” by Zeus. The mighty Zeus promised the young Semele to reveal himself in all of his godly glory, however, she dies when Zeus reveals himself as thunder and lightning to her. Their union results in the birth of the young Dionysus.
Herakles – The Favored Son
Of all of the many children that Zeus is to have sired, Herakles (or Hercules for the Roman spelling) is the son of Zeus and Alcmene. Even though, Herakles’ name means: “Glory of Hera,” Hera was not too pleased with the birth of this demigod and tried to kill him. Herakles would go on to become one of the best well-known heroes in Greek & Roman mythology.
One such adventure between father and son is when they team up against a tribe of earth-born Giants threatening Olympus. The Delphi Oracle had decreed that only a single god and mortal would be able to defeat these monsters. Zeus and Herakles proved their mettle and overcame the monsters, defeating them.
Truth, Justice And The Olympian Way!
As King of the gods and their ruler, Zeus is the one who also gets to determine and uphold the laws, and mete out justice, mercy, and morals. He punishes oath breakers and liars by hurling bolts of lightning to strike them down! It is Zeus’ place to maintain these laws, both in the heavens and on the earth, to protect his worshipers, preside over the various festivals and handle the governing of prophecies.
Given how often the gods, as a whole, are said to be petty and Zeus’ reputation for his numerous affairs (*coughs* rapes), I’m not sure I really buy this?
Hesiod in his “Work and Days” does describe Zeus as being a carefree god who loves to laugh aloud. Zeus was known for being wise, fair, just, merciful, and prudent despite supposedly having an unpredictable nature as no one knew what decrees he would give. A lord of justice who brought peace instead of violence.
Now we do have in the story of Ixion, what happens when someone violates the Host-Guest laws and proves to be a bad guest. Zeus comes through with laying down the law there.
Protector of Kings – Zeus was known to be a protector, particularly of kings and rulers. Once Greece shifted away from Kings and more towards democracy, Zeus then becomes the chief judge and peace maker.
Morals – For all of his affairs, if Zeus is to be setting the example for morals, it is small wonder that Hera comes across as angry and jealous all the time. Someone needs to keep him in line.
The show “Hercules: The Legendary Journey” is the only series that comes to mind that tried any meaningful reconciliation between Zeus and Hera about his numerous affairs. It was a very cheap shot with having Hera get amnesia as it didn’t really resolve the issues. Just lazy writing on the part of the screen writers. Most other shows and movies tend to gloss over the moral and marital problems as that usually is not the focus of the story at hand that writers want to tackle and tell.
I can’t help but feel that somewhere along the line, people twisted this view of justice and started recreating Zeus in their image. After all, people are mortal, and they’ll end up following after deities that appeal to their natures and what they want.
A Partial List Of Zeus’ Many Judgments & Punishments
I’m bound to miss a few, the stories involving Zeus are many, even if we’re counting the ones where he has a small bit part or cameo.
- At Hades’ request, Asclepius was killed by a thunderbolt after his medical knowledge enabled the dead to return to life.
- Forcing Atlas to hold up the world on his shoulders after his part in the Titanomachy.
- Turning the nymph Chelone into a tortoise after she refused to attend the marriage of Hera and Zeus.
- Turning both King Haemus and Queen Rhodope into mountains. Your mileage may vary depending on if these are the Balkan Mountains, Stara Planina or Rhodope mountains, all for the crime of being too vain.
- Punishing Hera by hanging her upside down from the sky after she attempted to drown Herakles in a storm. His own wife.
- Throwing Hephaestus off the top of Mount Olympus as the baby was too repulsive looking.
- Lycaon was turned into a wolf after daring to serve Zeus human flesh to eat.
- Turning Pandareus to stone after he stole the golden dog that had guarded him as an infant in the holy Dictaeon Cave of Crete.
- Pandora was given a box, that when opened cursed mankind with all the evils and diseases after Prometheus gave humans the gift of fire.
- Turning Periphas into an eagle, thus making him the king of birds after Apollo intervened and said not to kill him.
- Blinding the seer Phineus and sending the harpies to harass him after revealing divine secrets. In some cases, for blinding his own sons.
- Killing Salmoneus with a thunderbolt for attempting to impersonate him, riding around in a bronze chariot, and loudly imitating thunder.
- Sisyphus was condemned to spend all of eternity in the Underworld to roll a stone uphill.
- Condemning Tantalus to eternal torture in the depths of Tartarus after he tried to trick the gods into eating the flesh of his son Pelops.
- Sinking the Telchines into the sea.
Callirrhoe – Not everything was divine retribution… Zeus does grant Callirrhoe’s prayer that her sons be able to grow up swiftly so they can get revenge on Phegeus and his two sons for the death of their father.
Ixion – One really sees Zeus’ role as a god of justice and distributer of divine justice in the story of Ixion. How Ixion committed murder after refusing to pay a bride price. Ixion went everywhere he could think of to be purified and absolved of this grievous sin. Eventually, Zeus said he could purify Ixion and then invited the mortal up to Mount Olympus.
While there, Ixion tried putting some moves on Hera who complained to her husband, Zeus. In response, Zeus created a cloud named Nephele in Hera’s likeness. When Zeus caught Ixion trying to put some unwanted moves on Nephele, Zeus sentenced Ixion down to Tartarus to spin forever on a flaming wheel crying out how you should always show gratitude to your benefactor.
The Myrmidons – After the death of his son, King Aeacus, Zeus turned the Myrmidons into ants. Later, Achilles would lead them into battle during the Trojan War.
Porphyrion – Ixion wasn’t the only one to get punished by Zeus for daring to look at his wife. The giant Porphyrion was struck down by a lightning bolt after lusting for Hera.
Prometheus – This is another of the more famous of those punished by Zeus. In sum, the titan Prometheus had gifted humankind with fire. Not just fire, but divine fire after all the other animals received their gifts. Prometheus’ punishment is to be chained to a rock for all eternity while every day a vulture comes and eats his liver.
Most of the stories don’t mention that there was also a woman, by the name of Thetis whose identity that Prometheus was keeping from Zeus. That age-old prophecy plaguing Zeus that a son of his would-be born greater than him would overthrow the mighty Zeus and take his throne. After torturing Prometheus for a while, the titan tells Zeus that if he pursues Thetis, she will bear him the aforementioned, prophesied son. Hearing the news, Zeus decides to pass off Thetis to Peleus and it is from that union, that the hero Achilles is born.
Other names: Snegurka, Snow Maiden, Snowflake, Snow Princess, Niègette, Miss Snow
Etymology: Sneg (Russian) Snow; Snow Maiden, Snowy, Snow Girl, Snowflake, Snow Princess, Niègette, Miss Snow
The character of Snegurochka is a figure found in Russian fairy tales. She is prominently known as being Ded Moroz’s granddaughter and accompanies him at New Year’s to deliver gifts.
Father – Ded Moroz (Father Frost), later he becomes her grandfather.
Mother – Mother Spring or Spring of Beauty. Sometimes, in later stories, the Snow Queen is Snegurochka’s mother.
Soviet Era & New Year’s
Christmas Traditions? – Before the Soviet prohibition on celebrating Christmas, figurines depicting Snegurochka would be used to decorate the Christmas tree. Russian nesting dolls would also feature Snegurochka and her appearance can appear on various items as decoration.
In 1935, when the Soviet government decided to introduce Ded Moroz as the wintertime gift giver for New Year’s, Snegurochka also found herself reintroduced at this time as his granddaughter and accompanies him to deliver gifts.
As Ded Moroz’s granddaughter, Snegurochka dresses in a long silver-blue gown with a furry cap to keep warm. Alternately, she may be seen wearing a snow-flake crown. In this respect, Snegurochka is uniquely Russian as not very many other winter celebratory characters will have a female companion.
Once Upon A Time….
Snegurochka is relatively new to the scene as far as any myths are concerned. She makes her first appearance in Russian folklore and fairytales during the 19th century.
A few people will claim that Snegurochka’s roots and origins lay within Slavic pagan beliefs and mythology.
Despite being relatively new, there are several fairytales, stories and even plays showcasing Snegurochka’s origins.
Spring Ritual – There is mention that in some areas of Russia, there is a spring-time ritual that involves drowning a straw figure in a river or to burn it in a fire to symbolize the turning of the seasons from Winter to Spring.
This folktale was collected and published by Alexander Afanayev in his second volume of “The Poetic Outlook on Nature by the Slavs.” In this tome, Afanayev makes mention of a similar German figure by the name of Schneekind, “The Snow Child.” Andrew Lang called this story “Snowflake” and included it in his “The Pink Fairy Book,” published in 1897.
In the story of Snegurka, there is are childless Russian peasants who make a snow doll that comes to life. The magical child grows quickly and one day, some girls invite her to go for a walk with them into the woods. This particular day is St. John’s Day and as per tradition, the girls make a small fire that they take turns jumping over. When Snegurka’s turn comes, she evaporates into a cloud of mist when she gets halfway over the flames.
The Snow Maiden (Spring Fairytale)
This is another version of story, in this one, Snegurochka is the daughter of Ded Moroz and Spring the Beauty. This version was made into a play by Aleksandr Ostrovsky and music by Tchaikovsky in 1973.
In this story, Snegurochka longs for the companionship of humans. There is a shepherd boy by the name of Lel whom she is fond of. Due to her frozen heart, Snegurochka is unable to truly love him. Eventually, Mother Spring took pity on Snegurochka and softened her heart by giving her a spring wreath or garland to wear that she would be able to love. Once Snegurochka really fell in love with Lel, she melted.
I’ve come across a couple of variations that seek to combine the two above stories into one, longer version. One change is that Father Frost is secretly watching the couple as they create their snow daughter and brings her to life to their delight. Later, when the Spring celebrations are coming, Snegurka wants to go and she is warned by Father Frost to be careful of the warm sunlight and fires. In the village at the celebrations, she meets a young man whom she falls in love with and when she runs out to greet him, she melts on stepping into a bright, sunny patch.
Morozko (Grandfather Frost)
Also known as Old Man Winter, this story tells of a young girl who is sent out into the cold one night by her stepmother. Instead of freezing to death, the young girl is given gifts and warm furs and clothing by Morozko after she is courteous and shows him respect.
The young girl in this story isn’t Snegurochka, but worth noting due to similarities and any slim chance of inspiration for other stories involving her.
Other Retellings, Ballets and Movies
There is a story “The Little People of the Snow” written by the American poet William Cullen Bryant in 1864. In this story, the Snow-Maiden befriends a mortal girl by the name of Eva. When Eva comes to Snow-Maiden’s homeland, she is horrified when Eva freezes to death in her sleep.
“The Snow-Maiden: A Legend of the Alps,” was written in 1876 by an unknown author. In this story, a man traveling through the mountains falls in love with the Snow Maiden named Niègette. When he brings her down to the valley, intending to marry her, she melts reaching the warmer areas.
The composer Ludwig Minkus and Balletmaster Marius Petipa created a ballet of Snegurochka titled: “The Daughter of the Snows” for an Imperial Ballet in 1878. Nikolai Rimsky-Korsakov adapted the story of Snegurochka into the opera “The Snow Maiden: A Spring Fairy Tale” in 1880 thereabouts.
In 1886, Emilia, Lady Dilke wrote the story “The Secret” wherein Snow Maiden kills her lover by freezing him with her gaze. Other plays have included “The Christmas Chain” by Lilian Pearson in 1921 and “Queen Christmas: A Pageant Play” by Carolyn Wells in 1922.
An animated movie of Snegurochka was made in 1952 and a later live-action movie in 1969. The author, Ruth Sanderson has a retelling called “The Snow Princess” where instead of dying, she becomes mortal to marry Lel. Even as late as 2012, a ballad fairy tale called “Snegurocka” was written by Svetlana Makarovic.
Kostroma – In the fairytale that first mentions Snegurochka, this is where she originated. It helps that this is the hometown to Alexander Ostrovsky. As a child, his nanny inspired him with various stories and fairy tales. Ostrovsky’s former home has since become a museum. Further, the love that Kostroma has for Snegurochka is seen every year at New Year’s when the whole city decorates and again in March for a two-day celebration attributed to Snegurochka’s birthday.
Veliky Ustug – Later, when she becomes associated with Ded Moroz, Snegurochka moved here as part of the winter, New Year’s traditions. Veliky Ustyug has become a popular tourist destination for many Russians to travel to Veliky and visit. Ded Moroz’s lives in a log cabin out in the taiga forest near where three rivers meet. Snegurochka can also be found helping out her Grandfather and engaging with visitors.
Other Similar Winter Entities
The Snow Child, mentioned briefly earlier, this is a Germanic story about a boy made of snow who eventually melts. There are a number of various versions to this story, one where an unfaithful wife tells her returning husband that the child she has is the result of having swallowed a snowflake. The husband is angry and when the boy is old enough, he takes the boy with him and sells him into slavery. When the husband returns home, he tells the wife that the child melted in the heat. Other variations of this story will have the children be magical in nature to their snowy origins.
The Snow Queen
Written by Hans Christian Anderson, this story has some similarities to Snegurochka and became very popular with Soviet animators in the 1950’s. In Russian, the Snow Queen is called Snezhnaya Koroleva.
This is this Japanese snow maiden who, much like Morozko, can be very deadly to anyone unfortunate to be caught out in a blizzard. She appears as a calm, pale woman who will sing to people lost in the cold, lulling to them to sleep before she takes their life with her cold, deadly breath. That sounds a lot like hypothermia. At least with being asleep, their death is painless?
Etymology: “mother,” “woman,” “daring one”
Nanna Nepsdóttir is a Norse Goddess best known as the wife of Balder. There is also a Mesopotamian God of the Moon known by the same name, however the two are different deities.
What’s In A Name?
There’s a few different scholarly ideas and debates on what Nanna’s name may actually mean. The idea by some is that Nanna comes from a word that means “mother.” The scholar, Jan de Vries makes the connection of Nanna to the root word nanb- meaning: “the daring one.” Another scholar, John Lindow puts forward the theory that Nanna may come from a common word for “woman.” Then there is John McKinnell who notes that “mother” and variations of nanb- that are not always clear what’s meant. He does suggest that it might have meant: “she who empowers.”
Parentage and Family
Odin – If we follow Nep being a son of Odin.
Frigg – This goddess is mentioned as a mother-in-law to Nanna in the Prose Edda, Skáldskaparmál.
Nep – He is listed as Nanna’s father, as deduced by the surname of Nepsdóttir.
Balder – The Prose and Poetic Eddas both list him as Nanna’s husband.
Hodr – According to the Gesta Danorum, he is Nanna’s husband.
Foresti – The god of Justice, he is Nanna’s son with Balder.
This is Balder’s Mansion or abode in Asgard. Naturally being his wife, Nanna’s lives here with him. Considered the most beautiful of all the halls in Asgard, only the purest could enter it.
This is a comb dating from the either the 6th or 7th century. The comb has runic inscriptions on it that are thought to reference Nanna.
Poetic Edda & Other Sagas
Much of what we know about Nanna and the other Norse deities comes from the surviving Poetic Edda that was compiled in the 13th century C.E. It is a collection of various poems as follows: Völuspá, Grímnismál, Skírnismál, Hárbarðsljóð, Hymiskviða, Lokasenna, Þrymskviða, Alvíssmál, and Hyndluljóð.
Hyndluljóð – In this poem, Nanna is mentioned as the daughter of Nökkvi and a relative of Ottar. This may or may not be the same Nanna who’s Balder’s wife.
The Prose Edda & Other Sagas
Not to be confused with the Poetic Edda, the Prose Edda consists of four books: Prologue, Gylfaginning, Skáldskaparmál, and Háttatal written by Snorri Sturluson.
Gylfaginning – In chapter 38, Nanna Nepsdóttir and Balder are mentioned having a son, the god Foresti. Later, when Balder dies at the hands of Höðr, the blind god, Balder’s body is taken down to the seaside and placed into his ship, Hringhorni. Nanna collapses and dies from grief, her body is also placed within Badler’s ship and the ship light on fire with Thor using his hammer, Mjölnir to hallow the funeral pyre.
A grieving Freya sends the god Hermóðr down to Hel, the Underworld to try and resurrect Balder. Hermóðr arrives in Hel to find both Balder and Nanna sitting in a hall in places of honor. Hermóðr then begins bargaining with Hel to resurrect Balder. After a length of time, the two come to an agreement and Hermóðr leaves Hel’s hall with both Balder and Nanna. Balder presents the ring Draupnir to Hermóðr to be returned to Odin. Nanna presents Hermóðr with a few different gifts: a linen robe for Frigg, a gold ring for Fulla and a numer of other unnamed items. Laden up, Hermóðr makes the return journey to Asgard.
Much as Freya wanted, it would only be after the events of Ragnarök that Balder and Nanna are resurrected and return to the land of the living.
Skáldskaparmál – In the first chapter of this book, Nanna is listed among eight goddesses who are attending a feast for Aegir. Chapter five of this book, Balder is referenced as the “husband of Nanna.” Chapter nineteen continues with another reference of Frigg as the “mother-in-law of Nanna.” Chapter seventy-five has Nanna included in a general list of goddesses. Lastly, chapter eighteen references the skald, Eilífr Goðrúnarson’s Þórsdrápa where a kenning references Nanna as “wake-hilt-Nanna” another name for “troll-wife.”
Written by Saxo Grammati in the 12th century, the third book of this series portrays Nanna a mortal and daughter of King Gevar. Nanna becomes the object of affection by the demigod Balder and the mortal Hodr.
As it goes, Nanna has feelings for her foster-brother, Hodr Hothbrodd. Things won’t go the way the two lovers plan though. Balder, a demigod son of Odin is out and about one day when he espies Nanna bathing. Infatuated with her, Balder learns that another already has Nanna’s heart and he conspires to kill the competition.
The next time Hodr is out hunting, he finds himself wandering through a patch a mist and forest maidens calling out to him by name. They explain that they are able to manipulate fate and appear out on battlefields (that sounds like Valkyries to me). The Valkyries tell Hodr that Balder is interested in Nanna and being a demigod, Hodr won’t stand a chance against him. The Valkyries depart, leaving Hodr standing in an open field.
Undaunted, Hodr returns home where he recounts his story to King Gevar about getting lost in the forest and the Valkyries appearing before him. Not wanting to delay any longer, Hodr then asks King Gevar for Nanna’s hand in marriage.
Much as King Gevar would like too, Balder has already beaten Hodr to it and asked for Nanna’s hand in marriage first. Plus, King Gevar feared Balder’s wrath if he refused, given the demigod nature of Balder. Not all is lost, for Gevar knows of a magical sword that hurt someone like Balder and tells him where and how to get the sword.
While Hodr is off getting an enchanted blade, Balder returns to Gevar’s kingdom, ready to claim Nanna for his wife. Stalling for time for Hodr, King Gevar tells Balder to go easy with Nanna and try reasoning with her. Nanna is having none of Balder’s advances. One of her arguments is to say that a mortal woman and a demigod couldn’t possibly marry her as they’re too different.
Hodr, now accompanied by Helgi return to do battle with Balder and various other gods. We know for sure that two of their number are Thor and Odin. Despite the overwhelming odds, Hodr is victorious.
Once again, Hodr asks King Gevar for Nanna’s hand in marriage. This time, Hodr’s request is granted and both Hodr and Nanna ride off into the sunset for Sweden where Hodr becomes king!
Not quite, Balder returns and attacks Hodr, forcing Hodr and Nanna to retreat to Denmark. Alas poor Balder is plagued with visions of Nanna in his sleep, so much so, that Balder took to riding in a chariot as he couldn’t walk on his own and finally, he just wastes away.
We’ll assume at this point that Hodr and Nanna finally do get their happily ever after.
The term Pangenic or Pangenesis comes from Charles Darwin’s Theory of Evolution with trying to explain the origins of life and species.
As it relates to the study of folklore and mythology, the term and idea of Pangenic or Pangenesis connections is problematic and still very pervasive as a lot of scholars and literature try to make connections with various stories and deities; often as there are very similar motifs, concepts and ideas that are very universal.
The Romans of course, are famously known for equating many of their gods with the gods of other cultures, especially those they conquered. Nearly everyone knows of the Greek-Roman counterparts and connections such as Zeus and Jupiter or Ares and Mars. To a lesser known extant, the Romans connected their deities with those of the Egyptian, Norse and even Celtic deities.
The idea of Pangenic deities and myths still continue even today and is something of a disservice and in terms of mythology. When one ethnic group or religion moves into another area, the exiting myths will get overlapped and mixed together. Sometimes it’s easy to see where and when this blending of ideas occurs. Other times, the differences should be acknowledged without trying to force a connection.
Some scholars have taken one look at Nanna in Norse mythology and then see a similar sounding and spelling in Mesopotamian mythology and want to start connecting dots. There is the Sumerian goddess Inanna, the Babylonian Ishtar and then the Phrygian goddess Nana, the mother of the god Attis. Then you add in the Mesopotamian moon god Nanna and people really go all out trying to make connections.
Just accept that there’s a lot of coincidental spellings and pronunciations.
Unfortunately, it’s not clear what Nanna is a goddess of, only that she’s Balder’s wife. As has been observed by other scholars, a lot of the old Norse stories have been lost, especially considering a newer, Christian religion moving into the regions and displacing the older local, pagan worship. Nanna is just one of the many goddesses whose story has been lost to the sands of time and we just don’t know.
Modern Paganism & Wicca
This is where modern paganism trying to reconstruct an older religion will try to extrapolate on the meaning found in Nanna’s name of “woman” or “mother” and “daring one” what she might have been a goddess of. They also look at the scant evident found in the surviving myths.
Being married to Balder, it would be easy to assume that the two held similar and likely complimentary roles.
Love – Given the scant evidence, where Nanna dies of grief for the loss of Balder, she will be identified as a goddess of Devotion and Undying Love, even beyond the grave or in the darkest depths of depression, pain and sorrow.
Mother Goddess – This seems a likely role if we go from the meaning of Nanna as “mother” and that when she dies, both her and Balder will be resurrected after the events of Ragnarök to restart the cosmos all over.
Syno-Deity – Some pagans will adopt Balder’s symbols for Nanna. As Balder is a god of the seasons Spring and Summer along with flowers, so is Nanna.