Category Archives: Life
Also known as: 布袋, 笑佛 (Laughing Buddha), Hasne Buddha (Nepal), 胖佛 (Fat Buddha), Hotei (“cloth bag”) Japanese, Hotei-Osho (Japanese), Bo Dai or Bố Đại (Vietnamese), Hangul (Korean), Pu-Tai, Wagon Priest, Budai Luohan
Etymology: Laughing Buddha, Fat Buddha, Cloth Sack
In Chinese folklore, Budai is a Buddhist deity who has been integrated into Buddhism, Taoism and Shinto religions. The historical Budai lived during the 10th century C.E.
In art, Budai is often shown as being a very fat, bald man wearing a robe, either wearing or carrying prayer beads and has a huge belly; seen as the symbol of abundance, contentment, happiness, luck and generosity. He carries a large linen bag holding a number of precious things, even children on his back. This same bag is the source of Budai’s name. Sometimes Budai is shown sitting in a cart being pulled by boys where he is known as the Wagon Priest.
With his nickname of the Laughing Buddha, Budai is frequently shown smiling or laughing. Budai’s image is often confused with that of Gautama Buddha with Westerners, where he gets the name of the Fat Buddha. In Japan, Budai becomes known as Hotei and is one of the Seven Lucky Gods or Shichi Fukujin.
Budai Statues & Depictions
As already said, Budai is nearly always shown carrying a sack that is filled with a number of precious things such as rice plants, candy for children, food and the sadness of the world.
In Buddhist temples throughout China, statues of Budai are placed in the front part of the entrance halls. Budai is frequently shown as a stough, smiling or laughing man wearing a robe that is unable to cover his large belly. This large belly represents happiness, good luck and abundance. Some Budai statues will have small children gathered around at his feet. Another common feature of Budai statues is a begging bowl, that clearly shows him to be a Buddhist.
Because of Budai’s great association with happiness and wealth, statues of Budai can be found in many businesses and homes in China and Japan.
I Kuan Tao – Budai statues are a central part of I Kuan Tao shrines. Here, Budai is known by his Sanskrit name of Maitreya.
Budai represents the teachings of contentment, generosity, wisdom and kind-heartedness. He is also associated with luck and abundance.
Budai is the guardian and protector of children, the weak and poor. As a wandering monk, Budai is known to take sadness from people and bring them happiness.
Chinese history holds that Budai had been an eccentric Chan monk who lived during the late Liang dynasty. He had been a native of Zhejiang or Fenghua and his Buddhist name was Qieci, meaning: “Promise This.” Budai or Qieci was regarded as a man of good and loving character.
In Buddhism, the term Buddha means: “one who is awake,” as in awakened to enlightenment. There have been many figures in Buddhism who have all been revered as Buddhas. The Chan school of Buddhism teaches that all beings possess a Buddha nature within them and thus, already enlightened, they just have yet to realize it.
A few Buddhist traditions view Budai as an incarnation of Buddha or a bodhisattva.
Angida Arhat – One of the original Eighteen Arhats, meaning one who is worth or a perfected person, much like the Saints of Western Culture. In the Sakyamuni Buddhism, there is a legend wherein Angida is a talented Indian snake catcher would catch venomous snakes, thereby preventing them from biting travelers. Angida would remove the snake’s venomous fangs before releasing them. Due to these acts of kindness, Angida was able to attain bodhi or nirvana. In Chinese art, Angiha is sometimes depicted as Budhai; being rotund, mirthful and carrying a bag.
Gautama Buddha – The historical Buddha, Siddhartha Gautama lived during the 6th century B.C.E. in India, Nepal and much of southeast Asia. Here, Gautama is shown as being tall and slender in appearance. Whereas in China and other areas, Budai is consistently shown as being short and rotund. Both of these descriptions have been noted as being the idealized imagery of the different religions, cultural and folkloric traditions of the countries and regions after the two monks’ deaths. Many Westerners too, often confuse Budai with Gautama and Budai often does get equated or replace Gautama.
Maitreya – The Future Buddha
Budai is identified or seen as an incarnation of Maitreya, the future Buddha. In China, Budai’s image is often the main used to depict Maitreya. Among the Japanese, Maitreya is known as Miroku. There is a Buddhist hymn that Budai is to have spoken at his death that identifies him with Maitreya:
Maitreya, the true Maitreya
has billions of incarnations.
Often he is shown to people at the time;
Other times they do not recognize him.
Mi-Lo-Fo – As Hotei, Budai is often confused with the Buddhist deity known as Mi-lo-Fo.
Pu-Tai – A Chinese monk that Budai came to be associated with, who due to their good nature, was seen as the incarnation for the bodhisattva or future Buddha, Maitreya. Due to how Pu-Tai is also portrayed with having a large, rotund belly, its easy to see how he came to be known as the Laughing Buddha and connected to Budai.
Chan, Seon And Zen
Chan is Chinese, Seon is Korean and Zen is Japanese, all three are the same philosophy.
The following koan, or short story is often told about Budai. One day, Budai was out traveling, giving candy to poor children. He would only a penny from any monks or lay practitioners he met with. One day, a monk approaches Budai and asks: “What is the meaning of Zen?” (Or Chan or Seon). Budai responded by dropping his bag. The monk continued with his questions. “How does one realize Zen?” At that, Budai picked up his bag and continued on his way.
Budai is greatly admired for his congenial and jovial attitude, along with his generosity and philosophy of contentment.
One of the most persistent and popular beliefs is that of rubbing the statues of Budai to bring wealth, good luck and even prosperity.
Japanese Religion & Folklore
In Japan, Budai becomes known as Hotei who was a Buddhist monk that lived during the 16th century. Like Budai, Hotei is still greatly associated with laughter and being called the Laughing Buddha. Chinese legend holds that Hotei had been a real person, whose name was Kaishi. While the date of his birth is unknown, Hotei death is given as being March 916. The Japanese began to believe in Hotei during the Edo era. Hotei was once a Zen priest who appearance and actions didn’t go along with his fellow Zen priests. He always looked like he was up to mischief and never had a permanent place to sleep. Hotei had no desire to be a Zen Master or to gather a following of disciples. He was known for walking the streets with a sack full of candy, fruits and doughnuts that he would give out to children. His bag would also hold the fortunes for those who believe in him. Among the Chinese, he is nicknamed: Cho-Tei-Shi or Ho-Tei-Shi, which means “bag of old clothes.”
According to Japanese legend, before Zen Buddhism came to the islands, another Buddhist philosophy of questionable aesthetics was prevalent. This philosophy originated with the priest Miroku. Miroku was the patron of those who couldn’t be saved by the beliefs of Buddha. Later, Hotei’s arrival was seen and accepted by the Japanese as a second Miroku.
Laughter – This is Hotei’s essence and teachings, he used laughter to impart wisdom. This was not the laughter of laughing at jokes or making fun of others. Hotei would laugh at himself and laugh for the mere celebration of life and existence, for the joy of life. Hotei has no other philosophy, scriptures, dogmas, ideologies or any other precepts to teach. Hotei’s laughter is considered a form of meditation, to experience the joy of living and to just be living and being present in the moment.
People would gather around Hotei as at first, they thought he was mad with how often he laugh and his laugh was known for being infectious in that others would soon laugh along with him. Such was Hotei’s laughter that people would cease to be judgmental or ask questions about enlightened. People would wait for Hotei and his laughter as they found it to have a purifying quality to it that would impart a deep sense of well-being.
One story about Hotei has a villager finding him sitting beneath a tree with his eyes closed. When the villager asked why Hotei wasn’t smiling or laughing, Hotei answered that he was preparing, preparing himself for laughter as he needed go within, forget the world without and recharge himself with rest. Once he was well rested, Hotei would be ready to laugh again.
Thailand Religion & Folklore
Phra Sangkajai – Also spelled Phra Sangkachai. Budai is sometimes equated with the monk Phra Sangkajai. Both Budai and Phra Sangkajai can be found Thai and Chinese temples. Though Phra Sangkajai can be found more often in Thai temples and Budai in Chinese temples. While very similar in appearance, Phra Sangkajai is distinguished from Budai in that he has a thin trace of hair while Budai is bald. Their styles of dress are also different, Phra Sangkajai is dressed in robes folded across one shoulder, with the other bare. Budai’s robes are clearly a Chinese style that covers both of his arms and front part of his upper body uncovered.
Phra Sangkajai is credited with composing the Madhupinadika Sutra. Buddha is said to have praised Phra Sangkajai for his excellence and understanding with explaining the more sophisticated dharma in easy and correct, understandable manners.
A folk story about Phra Sangkajai tells how he was so handsome, that a man once wanted to marry Phra Sangkajai and take him for a wife. To avoid this situation, Phra Sangkajai changed his appearance to that of a fat monk. Another story tells how Phra Sangkajai was found to be so attractive, that both men and angels would compare him to the Buddha. Phra Sangkajai considered this inappropriate, changed his body so he would be rather fat.
First off, Yiguandao is a folk religion out of China that got started around the late 19th century.
In many Yiguandao shrines, statues of Budai or Maitreya as he is known can be found. In Yiguandao, Maitreya represents a number of teachings such as: contentment, generosity, wisdom and open kind-heartedness. It is believed that Maitreya will succeed Gautama Buddha as the next Buddha and help people to realize their own spiritual essence within that connects everyone.
Shichi Fukujin – Seven Lucky Gods
In Japan, the Seven Lucky Gods or Seven Gods of Fortune, known as Shichi Fukujin are believed to granters of good luck and fortune. The Shichi Fukujin are often depicted in Japanese art and engravings known as netsuke. While many of the Shichi Fukujin are believed to be mythical in nature, one Shichi Fukujin is a known historical figure. Over the course of Japan’s history, the Shichi Fukujin became more associated with specific professions and aspects. Many of these same gods also originate from different countries and religions such as Hinduism and India to Chinese Buddhism and Taoism before coming to Japan. There are also seven Shichi Fukujin as seven in Japan is a lucky number.
While the gods had been worshipped for over a thousand years, mainly by merchants, they were first collectively called the Shichi Fukujin in 1420 C.E. It’s believed the Buddhist priest Tenkai arranged and selected these deities after talking with the shogun, Iemitsu Tokugawa. The selection was based on the following virtues of: longevity, fortune, popularity, sincerity, kindness, dignity and magnanimity.
Benzaiten – Often claimed as the only female deity among the Shichi Fukujin, Benzaiten originates in Hinduism where she had been the goddess Saraswati. Other names for Benzaiten are: Benten, Bentensama and Benzaitennyo. When she was adopted into Buddhism, Benzaiten became the associated with talent, beauty and music. Benzaiten is the patron of artists, writers, dancers and geishas. She is often seen as an intelligent, beautiful woman standing before a Torri, carrying a biwa, a traditional Japanese lute-style instrument and is accompanied by a white snake.
Bishamonten – A god originating in Hinduism where he had been the god Kubera and Vaisravana before becoming Bishamonten in Japanese culture. Bishamonten is the god of fortune in war and battles. He is also associated with authority and dignity, the protector of those who follow the rules and hold themselves accordingly. He is the protector of holy sites and other important places. Bishamonten is the patron of fighters and is often shown dressed in armor and helmet, carrying a pagoda in his left hand and a spear in his right hand to battle evil spirits. Bishamonten is also shown with a hoop of fire.
Daikokuten – The god of commerce and prosperity. He was also known as the patron of cooks, farmers, bankers and protected crops. Daikokuten was known too for hunting demons. There is a legend of how Daikokuten hung a sacred talisman from a tree branch in his garden to use as a trap for catching a demon. Daikokuten is often depicted with short legs, perpetual smile and wearing a hat on his head and often carrying a bag full of valuables.
Ebisu – The only purely Japanese god in the group, he is the god of prosperity, wealth in business, abundance in crops, cereals and food. Ebisu is the patron of fishermen and he is often dressed as a fisherman carrying a fishing rod in his right hand and the left holding a fish. Ebisu’s figure can often be found in restaurants where fish is served or in kitchens.
Fukurokuju – Originating in China, Fukurokuju is believed to have once been a hermit who lived during the Song dynasty. Fukurokuju is seen as the reincarnation of the Taoist god Hsuan-wu. As a god, Fukurokuju is the god of wisom, luck, longevity, wealth and happiness. In addition, he is thought to be one of the Chinese philosophers who could live without eating and was able to resurrect the dead. Fukurokuju is noted for having a head that is almost the same size as his body. He is often shown dressed in traditional Chinese attire, carrying a cane in one hand and a scroll containing historical writings. Fukurokuju is often shown being accompanied by a turtle, crow or deer, all animals that represent a long life. With a strong love for chess, Fukurokuju is also the patron of chess players. Fukurokuju, along with Jurojin both overlap with their origins with the Chinese Taoist god Nanjilaoren. Due to this overlapping, Fukurokuju’s position as one of the Shichi Fukujin is sometimes given to the goddess Kichijoten in the Butsuzozu compendium.
Hotei – This is the Japanese name for Budai. As Hotei, he is the god of fortune, the guardian of children, happiness, laughter, popularity and the patron of diviners and barmen. Hotei is often shown as a fat, smiling bald man with a curly mustache. Because he is so fat, Hotei is often shown as being half naked as his clothes aren’t quite big enough to cover his large belly.
Jurojin – Like Fukurokujin, he has his origins in the Chinese Taoist god Nanjilaoren. He is the god of the elderly and longevity in the Japanese Buddhist mythology. Jurojin is believed to be based on a real person, he was very tall, 1.82 meters with a very long head, much like Fukurokuju. Aside from his elongated skull, Jurojin is also shown to have a long white beard and rides a deer and is sometimes accompanied by a crane and tortoise, all animals that represent a long life. Jurojin is sometimes shown sitting under a peach tree, another symbol of long life. In one hand, he holds a cane, in the other he holds either a book or scroll containing the wisdom of the world. Jurojin is known to enjoy rice and wine and has a rather cheerful disposition. Finally, Jurojin is an incarnation of the southern polestar.
Kichijoten – Also known as Kisshoten or Kisshoutennyo. Kichijoten was adopted into Buddhism from the Hindu goddess Lakshmi. Kichijoten is shown holding a Nyoihoju gem in her hand. The Butsuzozu compendium from 1783 lists and has Kichijoten replace Fukurokuju as one of the seven Shichi Fukujin. By this accounting, Daikoku is portrayed as being feminine and all three of the Hindu Tridevi goddesses are seen represented among the Shichi Fukujin.
Alternate Spelling: Kybele
Other names: Agdistis Cybele Magna Mater, Berecyntia, Brimo, Dindymene, Magna Mater, Mother of the Gods, Kubaba, Matar Kubelē, Kubileya or Kubeleya “Kubeleyan Mother” (Phrygian, translation: “Mountain Mother”), Lydian Kuvava (Turkish Kibele), Κυβέλη, Kybêlê, Kybele, Κυβήβη Kybebe, Κύβελις Kybelis (Greek), Meter Theon, Great Mother
Other Names and Epithets: Mātēr, Mētēr, Mistress Cybele the Mother, Mistress of Animals, Idaea, Isis, Rhea, Demeter, Ops, Potnia Theron (Mistress of the Animals), Mater Deum Magna Idaea, Meter Theon Idaia (“Mother of the Gods, from Mount Ida”), Meter Oreie (Mountain Mother), “The Mother of the Gods, the Savior who Hears our Prayers”, “The Mother of the Gods, the Accessible One.” Megalenses ludi
Etymology: ” Mother of the Mountain,” “Cavern-Dweller”
An inscription found on one of Cybele’s Phrygian rock monuments has been translated as mater kubileya, “Mother of the Mountain.” The inscription for matar or “Mother” is found at many other Phrygian sites.
Animal: Bee, Hawks, Lions, essentially all wildlife.
Colors: Brown, Green, Blue
Day of the Week: Saturday
Patron of: Nature, Natural places, Mountains, Caverns, Walls, Fortresses
Plant: Almond, Pine
Sphere of Influence: Fertility, Menstruation, Nature, Sex, War, Mother of Life
Symbols: lions, naiskos, tympanon (hand-drum or tambourine), pine cones
Early Greek depictions of Cybele are small votive representations of her rock-cut statues and images found in Phrygia. Cybele is shown standing alone inside a naiskos, which is basically a rock-hewn relief with walls and roof overhead to represent a temple or doorway. She is crowned with a type of tall cylindrical hat called a polos, a long flowing chiton that covers her shoulders and back. Cybele is sometimes shown with lion attendants to either side of her.
Approximately 5th century B.C.E., the Greek sculptor Agoracritos made the official Hellenized version of Cybele in the Athenian agora. This statue shows Cybele sitting on a throne with a lion at her side and holding a tympanon, a type of hand drum that the Greeks used in her cults and worship. In Greece, Cybele would be very closely identified with the Greek’s mother goddess figure of Rhea.
Anatolian & Phrygian Origins
While Cybele is known as the Great Mother in the Roman pantheon, she was originally a mother goddess from Anatolia. She is likely the precursor of a Neolithic goddess in Çatalhöyük (Konya), where a statue of a pregnant goddess that appears to be giving birth is seated on a lion throne was found within a granary.
For the Phrygians, Cybele is the only known goddess and is also likely the state deity. In addition, Cybele was a goddess of caverns, goddess of the Earth in its primitive form and was worshiped on mountain tops. Cybele’s domain was over all the wild creatures of the earth. Phrygian art dating to the 8th century B.C.E. shows Cybele attended by lions, a bird of prey and a small vase for libations or other offerings.
Greek colonists would later adopt Cybele in Asia Minor before bringing her back to the mainland where her worship would spread during the 6th century B.C.E.
In Çatal Hüyük, Turkey, there is a figurine that was found dating back to 8,000 B.C.E. that depicts a Mother Goddess squatting in the process of giving birth and is flanked to either side by two leopards. This figurine is thought to be Cybele in a very early form.
Cumae – The Sybils of this temple were Cybele’s priestess and oracles.
Ionia – In places such as Magnesia and Maeander, where Cybele is worshiped as Dindymene, she held temples.
Pessinus – Located near Mount Dindymus in Phrygia, a temple was built here dedicated to Cybele Dindymene. Legend holds that the Argonauts built this temple. Here, Cybele was represented by a black meteoric iron stone. This same meteorite may have also associated with another mountain deity of Pessinus as Agdistis.
Rome – A temple for Cybele as Magna Mater stood on the slopes of Palatine Hill it overlooked the Circus Maximus and facing another of Cybele’s temples on Aventine. The first temple here was destroyed by fire in 111 B.C.E. and later rebuilt. In Imperial Rome, the temple burned down again and was rebuilt by Augustus, only to get burned again.
During the ground breaking and preparation for Saint Peter’s Basilica on Vatican Hill, a shrine known as the Phrgianum and dedicated to Magna Mater was found. A motif of Saint Peter is found standing at the site of Cybele’s temple in Rome.
The Roman port of Ostia also boosted a sanctuary to Magna Mater and Attis, commemorating their arrival to Rome. The worship of Cybele brought on the anger of many Christians within the Roman Empire. Especially when Saint Theodre of Amasea, in recanting his beliefs, did so by burning down a temple of Cybele.
Mount Sipylus – A stone carving found here is believed to be the oldest image of Cybele. The carving itself is attributed to the legendary Greek hunter Broteas as having created it. The 2nd century C.E. geographer Rausanias mentions a Magnesian cult to “The Mother of the Gods” having been present.
Cults Of Cybele
The rites for Cybele were secretive and mysterious like many Earth Mother Goddesses such as Demeter and Isis. Cybele’ cult was directed by eunuch priests known as Corybantes or Galli. They were very faithful in conducting their orgiastic rites that were often wild and emotional with lots of ecstatic cries and frenzied, passionate music of flutes, drums and cymbals. In addition, sacrifices were made to Cybele, symbolizing the death and rebirth of her son and consort Attis. Self-castration is said to have taken place in Cybele’s rites. Other later rites were the taurobolium in which a bull was sacrificed and a priest bathing in its blood.
As a mystery cult, not much is known about Cybele’s initiates and worshipers. Stone reliefs show Cybele alongside both young male and female attendants carrying torches and vessels used for purification. Surviving literature describes a joyous sound of abandonment with loud percussions of tympanons, castanets, cymbals and flutes and a lot of frenzied dancing. It has been suggested that the dancing is likely to have been circle-dancing by women.
Worship Among The Greeks
Cybele’s cult was introduced to Greece by returning soldiers from the Trojan War and is noted for having caused a lot of conflicts. It would later be adopted by the Romans who held festivals in Cybele’s honor. The worship of Cybele among the Greeks held various mixed views. Here, her various different aspects were mixed with other goddesses. Notably the goddesses of Gaia, an Earth-goddess, Rhea, a Minoan goddess and the Harvest-Mother goddess of Demeter. The city-state of Athens invoked Cybele as a protector.
In 6th century B.C.E., Herodotus mentions that when Anacharsis returned to Scythia, that his brother the Scythian king had Anacharsis put to death for joining Cybele’s cult.
Athenian tradition holds that sometime around 500 B.C.E, a city metroon was created in order to placate Cybele after she visited a plague upon the city after one of her priests was killed for trying to introduce her cult. It’s thought that this story would explain why a public building would be dedicated to an imported goddess. The earliest source to this story is referenced in the “Hymn To The Mother Of The Gods,” circa 362 C.E. by the Roman emperor Julian. Given Cybele’s wild and forceful nature, her cults were often privately funded rather than publicly funded among the Greeks.
In Greek rites, Cybele was often seen as a foreign and exotic mystery-goddess who rode in a lion-drawn chariot accompanied with wild music, wine and a rather disorderly following; not unlike Dionysus or Bacchus’ Bacchanalias. As a foreign goddess, Cybele was seen as the great goddess of the Eastern World.
The transgender or eunuch priesthood was uniquely Greek. Many of Cybele’s Greek cults held a rite to a divine Phrygian Shepard-consort of Attis. This joint cult of Cybele and Attis was found throughout Magna Graecia, with evidence of this cult in Gaul, modern day Marseilles and Lokroi in southern Italy during the 6th and 7th centuries B.C.E. Following Alexander the Great’s conquests of the known world, wandering devotees to Cybele became common place in Greek literature and social life.
The Greeks associating Cybele with the Minoan goddess, Rhea has led to a number of different male demigods becoming tied into Cybele’s mythology as attendants or guardians for her infant son Zeus, in the cave of his birth.
Within the Grecian cults, these different male demigods acted as the intermediaries, go-between, even messengers for the goddess and her mortal followers through the use of dreams, trances and ecstatic dances and song.
Some of these demigod messengers are:
Korybantes – Or Kouretes, a group of nine armed dancers who are the offspring of the Muse Thalia and the god Apollo. They used drumming and dancing to drown out the cries of an infant Zeus to prevent him from being discovered.
Corybantes – Simply the same group, only this is the Phrygian name for this group of dancers.
Dactyls – A group of magician-smiths who are sometimes the offspring of Rhea or they worked for the god Hephaestus. They were ancient smiths and healers who sprang into being as Rhea went into labor with her son Zeus.
Telchines – An ancient primordial race with dog heads and flippers for hands. They were best known for their metal working. A group of nine Telchines were employed by Rhea to raise her infant son Zeus.
Worship Among The Romans
To the Romans, Cybele was known as Magna Mātēr or “Great Mother.” In the Roman State, Cybele’s cult and worship was adopted after the Sibylline oracle said it would be an important religious factor during Rome’s Second Punic War with Carthage.
The Romans had some dire omens in the way of a meteor shower, failed crops and an impending famine. It should be noted that a second consultation with the Greek oracle at Delphi confirmed to the Romans that adopting Cybele’s cult and worship would be the right way to go in assuring victory.
Cybele’s arrival into Rome is marked by the arrival of the Pessinos’ black meteor stone from the neighboring Roman ally and Kingdom of Pergamum. Further, Roman legend connects the voyage of the meteor stone with a Claudia Quinta who was accused of being unchaste. When the ship carrying Cybele’s sacred stone became stuck on a sand bar in the Tiber River, Claudia prayed to the goddess for help. Proving her innocence, Claudia was able to single-handedly pull and tow the ship free of the sandbar. Shortly after, Rome’s fortunes changed with a successful harvest and their being able to defeat Hannibal, the then leader of Carthage.
Among the Romans, Cybele was rewritten to be a Trojan goddess and thus making her an ancestral goddess through the Trojan prince Aeneas. Many of Rome’s leading families claimed Trojan ancestry and this made for Cybele’s integration into the Roman culture and pantheon a sort of reunion with a Mother Goddess’ exiled people. Further Romanization of Cybele sees her identified with the goddess Ops, wife of Saturn and the parents of Jupiter.
Rome’s dominance over the Mediterranean and Europe, saw many of Cybele’s cults get Romanized and spread throughout the Empire. Just what the exact nature of Cybele’s cults and worship among the Romans has meant were greatly discussed and disputed in both Greek and Roman literature and even among modern scholars.
It is generally agreed that the addition of Cybele’s consort Attis and her eunuch priests known as Galli or Gallai and all the wild, ecstatic features of her worship from her Greek and Phrygian cults have been largely Romanized. Something the Romans were very good at when adopting the gods of other cultures into their own. Under the rule of Caesar Augustus, he built a large temple to Cybele on the Palatine Hill. The statue of Cybele found within this temple has the likeness of Augustus’ wife, Livia.
Big Three – Cybele’s worship in Rome became so popular that it would become one of the three, major and important cults within Rome. The other cults are the Cult of Isis and Serapis (Osirus) and Mithraism. All three of these cults would persist and last until Rome’s conversion to Christianity as a state religion. Under Emperor Constantine in the 4th Century C.E., he outlawed all other cults and the church of Magna Mater, Cybele ceased to be and saw heavy persecution and the destruction of her temples.
Castissima Femina – “Purest or Most Virtuous Woman” Claudia Quinta’s connection and involvement with bringing the worship of Cybele to Rome would become more glorified and embellished over the centuries. To the point of forming a small cult. Claudia Quinta would be shown in the dress of a Vestal Virgin in art. Imperial Augustan ideology viewed Claudia as the very ideal of virtuous Roman womanhood.
Criobolium And Taurobolium – While the Greeks may have had no problems with castration for initiation into Cybele’s Cults, the Romans did hold prohibitions to this practice that greatly limited who could be initiated into the cult. Around 160 C.E., it is known that Roman citizen who sought initiation could offer up two forms of animal sacrifice as an alternative to self-castration.
The first, Taurobolium, sacrificed a bull, considered to a potent and expensive offering. The high cost for this sacrifice ensured that only Rome’s highest social class could be initiated. The second, Cribolium, sacrificed a ram, seen as a more inexpensive and thus less potent offering. This sacrifice is more typical of Rome’s poorer social classes.
The Christian apologist, Prudentius gives a description of these sacrifices where a priest stands in a pit under a slatted wooden floor. When the acolytes killed the bull with a sacred spear. The priest will come out from the pit, covered in the bull’s blood, much to the applause of spectators. This is atypical of Roman sacrifices as what is more likely to have happened with a sacrifice is that the blood is carefully collected and offered up to the deity along with the animal’s reproductive organs.
Both the Criobolium and Taurobolium are not linked to any specific religious celebration with Magna Mater, though they clearly have the same symbolism seen with the observance of Hilaria, March’s “Holy Week” that celebrates and honors the death and rebirth of Attis. Later, during Rome’s Imperial era, many of Attis’ initiates come from the deeply religious and wealthy citizens and not necessarily for the worship of Cybele.
Galli – This is the name for Cybele’s priesthood during Imperial Rome. They were eunuch priests who practiced castration as a sign of their devotion to the goddess Cybele. The Galli castrated themselves in service to Cybele as they thought that doing so would give them the powers of prophecy. After castration, they would dress as women, keeping their hair long and adopting female mannerisms and appearances. The Galli also wore a tall cylindrical hat called a polos. It is known the Galli held orgiastic rituals accompanied by loud cries and the loud noise of flutes, drums and cymbals. While there are certainly the male priests who wore women’s clothing, in some regions there were also known to be female priestesses devoted to Cybele.
In Servius’ account, Attis is the founder of this priesthood with the highest ranking Gallus taking the name of Attis. The more junior Galli was known as Battakes. The Galli located at Pessinus were very politically influential among the Roman Senate.
In Rome, the Galli were forbidden citizenship and the rights of inheritance, as they were eunuchs and unable to have children. This was a very stark contrast to many other priests of other Roman gods who did have families and raise children, particularly of the more senior priests.
The Galli are thought to have castrated themselves in keeping with the myth of Attis where he castrates a king for their unwanted sexual advances and gets castrated in turn by the dying king. Cybele’s priest would have found Attis at the base of a pine tree where he dies and they proceed to bury him. In memory of Atti’s passing, the priests are believed to have emasculated themselves and added him to the celebrations and rites for the goddess Cybele. In Hellenistic Greek, a poet refers to Cybele’s priests as Gallai, a feminine form of the name. The Roman poet Catullus refers to Attis in the masculine form of his name until he is castrated. Catullus then refers to Attis in the feminine form of his name thereafter. Different Roman sources refer to the Galli by a third gender of medium genus or tertium sexus when mentioning them.
During the Megalesia festival, the Galli were allowed to leave their temple under Cybele’s law and go out into the streets begging for money. The standard of dress that the Galli wore, marked them as outsiders to the Roman people. Despite their effeminate dress and mannerisms, the Galli were considered sacred and inviolate as they were part of a state Cult. The Roman prohibitions of castration made the Galli a clear image of curiosity and scorn. The Galli were a constant presence within Roman cities even into Rome’s Christian era.
Parentage and Family
Dindymene – In Phrygian mythology, she with King Maeon, is the mother of Cybele. Otherwise, the name of Dindymene is sometimes seen as just an alternative name for Cybele.
Maeon – (Also spelt Meion). A King of Phrygia and Lydia, with his wife Dindymene, fathered Cybele.
In this version of the myths, Cybele was left out, exposed on Mount Cybelus to die. However, leopards came and suckled Cybele, allowing her to survive.
Zeus & Gaia – Pausanias identifies Cybele’s parents as being the Phrygian Sky-Gods and Earth-Goddess whom he names as having been Zeus and Gaia.
Attis – A vegetation bull-god. In the very conflicting and varying stories, Attis is both Cybele’s son and consort.
Midas – As in King Midas of the golden touch. He is sometimes shown to be a consort of Cybele. Though he is definitely regarded as a leader to Cybele’s cult.
Cybele is ultimately the mother and grandmother to a good many deities of the Roman Pantheon.
Cronos – When Cybele is identified with Rhea, she is the mother of Alce, Midas and Nicaea.
Gordius – With him, Cybele is the mother of Midas, when he’s not shown as her consort.
Iasion – With him, Cybele is the mother of Corybas (also spelt Korybas). Iasion is the Samothrakian for Cybele’s consort Attis. Corybas is the first of the Korybantes who will later stand guard over the infant Zeus.
Olympos – With him, Cybele is the mother of Alke-Kybele
Sabazios-Dionysos – Some versions of his birth place him as Cybele’s son instead of Hera/Juno’s child.
A Crisis Of Identity
While Cybele has her origins in Anatolian and Phrygian culture and mythology; her being imported and adopted by other cultures in the Mediterranean has led to a good many other goddess being identified with Cybele or seen as alternative names and epithet.
The most notable is that of the Greek Goddess Rhea, who is also a Mother Goddess. Many of her myths have become intertwined with those of Cybele’s over the years.
Other goddess who have been equated and identified with Cybele are the Roman Goddess Ops, the wife of Saturn, the Egyptian goddess Isis, a minor local goddess or nymph Idaea and the Greek goddess Demeter.
Cybele And The Sibyls
Due to the similarity in the how the names sound, there tends to be a lot of associating the Sibyls as potential female priests and oracles for Cybele. While female oracles, the Sibyls could claim patronage to any deity and not necessarily Cybele. Most seem to follow the Greek god Apollo as he is a god of Prophecy.
Many Sibyles would prophesy at holy sites and they were originally at Delphi and Pessinos, following chthonic deities. And yes, Pessinos is where Cybele originated from when the Romans brought her black stone and statue back home. So there just might be a real connection.
Agdistis – Hermaphrodite – The Birth Of Cybele
Anatolian Goddess – Before the drastic changes to her myth, Agdistis had been a benevolent goddess of healing. Accepted for as they are until later changes are made and forced to this goddess as she and many others are absorbed into the larger myth of Cybele and adopted by other cultures, namely Greece and Rome.
When taken as a separate deity from Cybele, Agdistis is of mixed Anatolian, Greek and Roman mythology. They are a hermaphrodite or androgynous being; having both the male and female sexual organs. This dual nature of Agdistis made them symbolic of the wild and uncontrollable nature. This is an aspect that was seen as so threatening to the other gods that they sought to destroy Agdistis. The one explanation found or given is that Agdistis, being a hermaphrodite, held a huge sexual appetite and the gods were unable to handle it. They felt that this being could and should only be one gender or the other and for the gods, it was easier to remove the male sexual organs.
There a lot of ancient inscriptions that plainly and clearly show Agdistis as being separate from Cybele. However, later, Agdistis’ name would become one of Cybele’s many epithets. A common occurrence for many localized gods and goddess of Phrygia as the gods were imported into Greece and then Rome and many deities of a foreign place were often seen as being the same god, just known by another name.
There are multiple versions of the story for how Agdistis is attacked by the other gods and is castrated, how Attis is born and that Agdistis, now Cybele falls in love with the youth, promising to make him immortal.
How in some versions, Attis is punished for falling in love with is mother, how instead of keeping his vow to Cybele to only follow her, that he falls in love with another and that a jealous, angry Cybele drives Attis and the other guests at a wedding mad. How after, regretting her actions that she pleads to Jupiter/Zeus to restore Attis. One version of the story has both Agdistis and Cybele as separate beings who both fall in love with Attis.
The Greek Version – In this version of the myths, Cybele was raped by Zeus and gave birth to Agdistis. It should be noted, that Attis is very strongly and likely an invention and addition to Cybele’s myth.
As a deity separate from Cybele, Agdistis was a mountain deity found on Mount Dindymus near the city of Pessinus.
The Roman Version – In one version of the myths, Cybele, known as Agdistis is thought to have been a hermaphrodite, having been born of the earth where Jupiter’s sperm fell. The gods castrated Agdistis who then becomes the goddess Cybele. Where the severed pieces of Agdistis’ manhood fell, an almond tree grew. The fruit of this tree impregnated the nymph Nana when she placed an almond on her womb. Or more likely, that she ate an almond. Nana later gave birth to the god Attis. The baby Attis was abandoned by Nana as she was afraid of her father. The baby was discovered and saved by shepherds. Attis would grow up to become Cybele’s lover.
Pausanias’ Version – Pausanias identifies the Phrygian Sky-God and Earth-Goddess as being Zeus and Gaia.
In Pausanias’ version of the story, while sleeping, Zeus had some of his sperm fall on the ground. This of course created a Daimon that was hermaphroditic having the sexual organs for both male and female. This Daimon would be called Agdistis, another name for Cybele. The other gods feared Agdistis and cut off the male organs. This proceeded to create an almond tree. The daughter of the river Saggarios then took the almond fruit and held it to her bosom where it vanished. The daughter would find later that she was pregnant and give birth to Attis.
A slight variation to this story is that while Gaia, as the Great Mother slept on a rock called “Agdo,” the god Zeus raped Gaia and brought about Agdistis birth.
Other variations yet have either Dionysus or Liber who make a potion to put Agdistis to sleep so they can castrate them by tying his genitals to his foot so they’re ripped off when Agdistis stands.
Depending on the version of the story read, there are different accounts to the sequences of events and who is involved, a river nymph or king’s daughter that Attis marries.
It certainly reads as a very conflicting story that will vary by which author relates it. There’s been a good many changes to the story, especially considering how much Attis is a later addition that is largely added-on by the Romans.