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Category Archives: India

Fūjin

Fujin

Other Names and Epithets: 風神, Futen, Kami-no-Kaze, Ryobu

Fujin is one of the oldest Shinto goes in Japan. He is a god of wind and is often paired with the storm god Raijin.

Description

Fujin is often shown as a fearsome wizard-like demon with green skin and a red head wearing only a leopard skin and carrying around a large bag or bags of wind with him. He is also noted to have only four fingers or digits that represent each of the four cardinal directions.

Parentage and Family

Parents

The gods Izanami and Izanagi, the main deities in Shinto are who birthed or created Fujin and all the other gods in Japan.

Siblings

In addition to Raijin and his brother Fujin, all of the Kami of Japan can be said to be Fujin’s brothers and sisters as they were all created after the creation of Nippon (Japan).

Divine Origins

Like Raijin, Fujin was born or created by the gods Izanami and Izanagi after creating Nippon. When Fujin opened his wind bag for the first time, the winds he released cleared away the morning mists and filled the space between the earth and the heavens so the sun could shine.

In Japanese lore, both Raijin and Fujin were a pair of oni who actively opposed the other deities. Under the orders of Buddha, it took an army of thirty-three gods to subdue Raijin and Fujin and convert them to work alongside the other deities.

Kojiki – This ancient Japanese text is the primary source for everything known about Fujin.

The Silk Road – Surprisingly, the imagery for Fujin seems to have originated from the West, during the Greek’s Hellenistic era when they were once spread throughout areas of Central Asia and India. Meaning, that the wind god Boreas is whom Fujin could have originated from. As the imagery for Boreas traveled, he would become the god Wardo in Greco-Buddhist era, changing then to the wind god Fei Lian (or Feng Bo) in China before making his way to Japan as Fujin. What appears to be the connecting motif is that all these deities carry a bag of wind (or shawl in the case of Boreas) and has a disheveled, wild appearance.

Kamikaze – The Divine Wind

In 1274, the Mongols for the first time would attempt to set sail and invade Japan. However, a massive typhoon would destroy a good number of the Mongol fleet, disrupting plans for a conquest of Japanese archipelago. Going by the legend, only three men are said to have escaped. A second attempt in 1281 saw a similar typhoon blow through and wreck most of the Mongol fleet again. Both massive storms or Kamikaze as they would come to be known were attributed as being sent by Raijin and Fujin to protect Japan.

One of Fujin’s alternative names is Kami-no-Kaze, directly connecting him to these fierce, massive storms.

Kami or Oni?

Some of the descriptions of Fujin say he’s an oni and that certainly seems true given his description and when looking at more Buddhist influenced stories where the gods had to battle Raijin and Fujin to tame them and convert them to Buddhism.

Kami – When we go back to the Shinto religion that predates Buddhism in Japan, Fujin is one of many, numerous gods or kami found throughout the region. They range in power from low level spirits all the up to gods.

Shintoism holds the belief and idea that everything seen in nature has a spirit, or kami. As spirits, they just are. The greater the spirit or kami, more of a force of nature and raw power it will be. So many of these spirits would be revered and respected just to avoid needlessly getting them angry and ticked off.

Oni – By Japanese mythology, Oni are very synonymous with the Western concept of demons. Ugly, ogre-like creatures of varying descriptions. An Oni’s only purpose is to create chaos, destruction and disaster. Given depictions of Fujin, he looks very much the part of an Oni and when it comes to wind storms, a more severe storm can be very destructive.

With some of the more primal nature spirits and gods, it’s a very thin line for the concepts of good and evil if you’re trying to pin them to those categories.

Thunder Buddies!

When Raijin is mentioned, he is frequently paired with Fujin, another Weather God is also a sometimes rival. The two are constantly at it, fighting amongst themselves over who will rule the skies. The more intense a storm, the more intense their fighting.

Temple Guardians – Statues of Raijin and Fujin can be found at the gates to many temples and holy places in Japan where they are seen as protectors and guardians.

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Kappa

Kappa Mikey

Also Called: Gataro (“River Boy”), Kawako (“River Child”), Kawataro (“River Boy” or “River Tiger”), Komahiki (“Horse Puller”), Suiko (“Water Tiger”)

There are some eighty names for kappa depending on the region they’re found in. Next to the oni and tengu, kappa are some of the best known yokai found in Japan.

Some of these other names are: Dangame (“Soft-Shelled Turtle”), Enko (“monkey”), Gawappa, Kawappa, Kawaso (“otter”), Kogo, Mizuchi, Mizushi, and Suitengu.

 Etymology – “River-Child” from the words kawa for “river” and wappo, an inflection of waraba meaning “child.”

In the Shinto Religion of Japan, Kappa are mischievous water spirits or yokai who will pull young children and the unwary into the river and ponds where they live and drown them. Kappa are also known for attacking travelers and animals. Even today, many towns and villages keep signs out warning of the dangers of kappa near a river.

Some of the less deadly pranks that kappa will pull are passing gas loudly and looking up women’s kimonos. They will also steal crops, flat out kidnap children and rape women.

The kappa are curious about human culture, they are not mindlessly aggressive and many can be appealed or reasoned with as they do speak Japanese. Wisemen were known to befriend kappa and learn the art of setting bones from them. It’s thought that somehow, kappa were once wise monkeys.

Kappa will also sometimes challenge people to different tests of skill such as shogi or sumo wrestling. People have been known to befriend kappa by giving gifts and offerings, often of food and especially cucumbers.

The kappa are a major folkloric figure that people have reported seeing for centuries. They have remained a staple of literature and even the tourist industry in some towns will tell visitors to be wary of kappa and to be careful.

Suijin

In Shinto, the Kappa are viewed as one of many types of Suijin or water people or even water deities. Many of these water deities or spirits are often depicted as snakes, dragons, eels, fish, turtles and kappa. It is believed that belief in kappa can be traced back to China, though much of the kappa lore is native to Japan.

With the arrival of Chinese and Koreans during the 2nd century C.E. along with the arrival of Buddhism in Japan, the imagery of kappa would be begin to take on these attributes.

While the name for the most powerful Suijin in Japan is Mizu no Kamisama or Goddess or God of Water, the kappa are more accurately referred to as Kawa no Kami or River Deity reflecting a less powerful status.

The offering of cucumbers to kappa may have come from a tradition of giving the year’s first crop of cucumbers and eggplants to the local river to either appease local water deities or hungry ghosts.

Festivals – There are still some festivals held in places, twice a year during the equinoxes to placate the kappa and ensure a good harvest. These festivals also mark the time of the year when the kappa travel down from the mountains to the rivers and back up.

Kappa Odori Dance – This is a sacred Shinto dance used to pray for abundant crops. Young boys dress up as kappa and jump and bounce around in time to the humorous music as it’s played.

Jozankei Hot Springs – A local spa near the Toyohiragawa River to the southwest of Sapporo. Named after the monk who found the place, the kappa are local guardian spirits. Some 23 kappa statues stand around the area. The Kappa Pool becomes very lively in early August during the Kappa Festival. A local legend holds that the story of the Kappa Buchi occurred here.

Ancient Origins?

Ainu Folklore – The Ainu are Japan’s earliest inhabitants who live mostly on the northern island of Hokkaido. The connection here is very tentative as some believe that the kappa come from Ainu folklore. There’s just not enough known of their mythology to really make a concrete connection. What does get cited is that near the main city Sapporo on Hokkaido is an area known as Jozankei where the legends for the “Great Kappa King” and the “Kappa Buchi Legend” can be found, though these stories are not likely to be of Ainu origin and mythology.

Nihon Shoki – Chronicles of Japan – One of Japan’s earliest and official records, it was compiled sometime around 720 C.E. It is the first text to refer to kappa where it is called Kawa no Kami or River Deity in this text.

Wakan Sansaizue – Kappa don’t really take on popularity until around Japan’s medieval era, during the Edo period. The Wakan Sansaizue is a 105-volume encyclopedia dating to about 1713 C.E. and is the first to depict a kappa.

Gazu Hyakkiyagyō – Or the “Night Procession of One Hundred Demons” is a four volume text that next shows and depicts kappa within it.

From here, the popularity of kappa in continues in the Edo Period, appearing in a serial called Kasshiyawa where the kappa called Kawataro. Another document is the Mimibukuro, a 10-volume text written by Negishi Yasumori.

Portuguese Monks – When Portuguese monks arrived in Japan during the 16th century, their appearance of cloaks that hung down in back like a kappa’s shell and their shaven heads resulting in a bald head crowned with hair known as a Capa for the Portuguese word for this hair style would easily become absorbed into Japan’s Kappa lore…. After all a homophone of words Kappa and Capa sound very alike.

Drowned Monkeys – Some legends will hold that the first kappa come from monkeys. Yanagida Kunio records a story where he notes that some regions of Japan referred to kappa as enko or monkeys.

There is a famous Buddhist story from China in which a group of monkeys tried to capture the moon’s reflection. For their trouble and efforts, the monkeys were drowned.

The Monkey King Versus The Water Demon – There are a number of tales for the Indian collection of Buddha stories called Jataka. Dating from the 3rd century B.C.E. India and Sri Lanka, the story in question features the monkey kingdom under attack from a monkey-eating water demon. The wise monkey king outwitted the demon with bamboo.

So, what’s the connection? In Sanskrit, the word Kapi translates to monkey. It’s possible that Kappa is a distorted form of Kapi. It would explain some of the descriptions of kappa being monkey-like is a carry over of this distortion. Further, there is a kapi jembawan, a monkey sage in Indonesian folklore based on the Dwarka kingdom where Lord Krishna ruled. The famous Hindi poet, Tulsidas who wrote the Ramayana some 500 years ago, uses the word kapi in place of the Vanara or monkey folk in the South who help Rama defeat Ravana.

If we’re looking at linguist connections, that could all hold up.

Description

Kappa look like child-sized humanoid turtles or more often monkeys with scaly limbs and thick tortoise shells. Some kappa are depicted with ape-like faces while others are more beaked. Skin coloration ranges from green to yellow and even blue.

The most distinguishing feature of kappa are the bowl or saucer-shaped depressions on the top of their heads called a sara (meaning “dish,” “bowl,” or “plate.”) When leaving the water, kappa makes sure that the sara is kept filled with water. The sara is surrounded with scraggly hair in a bobbed hair style known as okappa-atama. Should the kappa loose this water, it loses its strength and powers, possibly even dying in this weakened state if water isn’t refilled. Some kappa are reputed to have taken to wearing a metal plate or cap to cover their sara so the water doesn’t pour or dry out, thus weakening them.

Depending on the story, the arms of a kappa are said to be connected to each such, that the kappa can slide their arm from one side to the other. I can see that trick, the kappa is wearing a shell, pull one arm in and stuff it out the other arm hole, much like a person does when wearing a t-shirt. I’m sure it’s a simple enough illusion and magic trick to pull off.

Aquatic creatures who live in ponds and rivers, Kappa also possess webbed hands and feet. People have commented that Kappa smell like fish. Some of the legends involving kappa have them spending spring and summer down in the water during autumn and winter, heading up to the Yama-no-Kami (“Mountain Deities”) mountains. While kappa can be found throughout much of Japan, they’re often found in the Saga Prefecture.

Hyosube – This is the name for the kappa’s hairy cousin. The two are identical otherwise in terms of physical attributes and what they do. The biggest distinction of the two aside from hair, is that kappa are more prone to staying outside. The Hyosube are more likely to sneak into people’s homes to cause mischief, namely to take a bath. Being so hairsute, the hyosube are known to shed hair which is deadly to those who encounter it in Japanese folklore.

Shibaten – Also called Shibatengu, is a more turtle-like kappa where the kappa can be more ape or monkey like in appearance.

Diet

The kappa feed on a diet of blood and cucumbers.

Blood – Young children are told to be wary when playing near the water’s edge of ponds and rivers. Children are a kappa’s favored meal though they’re not above eating an adult.

Eww… so what makes humans so appealing to a kappa is a shirikodama that they will suck out of a person’s anus. Alrighty then.

And the shirikodama? Depending on the source and legend, that’s a mystical ball containing a person’s life force or soul that’s found near the anus, entrails, in the blood or liver.

Cucumbers – The only thing that kappa love more than small children. Its customary for some Japanese parents to write the names of their children or themselves on a cucumber and toss it into a pond or river where the kappa are believed to dwell.

Other Food Offerings – Cucumbers aren’t the only food item a kappa will accept. Offerings of eggplant, soba noodles, natto (fermented soybeans) and kabocha (winter squash) are accepted by kappa.

Powers

Being an aquatic yokai, it goes without saying that kappa are master swimmers with a vast knowledge of water and it’s importance.

Strength – Much of a kappa’s strength is tied to the waters of the pond or river it calls home. The water that a kappa keeps in the depression on its head is a source of its strength and even life.

Flatulence – I’m not sure that I would call this a power. Suffice to say that a kappa can use a particularly noxious gas attack in self-defense much like skunks do. A kappa is known to release this gas not just as a prank but to get someone like fishermen to let it go.

Flight – So those cucumbers offered to the kappa, not only do they eat the cucumbers, the kappa uses them to fly around on like dragonflies. Okay….

Weaknesses

So how does one manage to thwart and defeat a Kappa you might ask?

Arms – If we go off the idea that the arms of a kappa are connected to each other, they can be easily pulled off. If a person manages to get a kappa’s arm, they will perform a task in order to get it back. Assuming the arm can be reattached.

Challenges – Kappa aren’t mindlessly aggressive, and a person can reason with them. If they don’t have an offering of cucumbers to give, a person can try challenging the kappa. Most challenges usually take the form of feats of strength with wrestling matches.

One challenge found in a folktale sees a Farmer’s daughter get promised to a kappa in marriage in exchange for the yokai to irrigate his land. The daughter challenged the kappa to submerge several gourds in water. When the kappa failed at this task, the daughter was freed from the marital arrangement.

Fire – Being water creatures, it stands to reason that Kappa are held to be afraid of fire and loud noises. Some villages in Japan will have fireworks festivals each year to try and scare away spirits.

Land – Kappa can’t survive for long on the land and must always keep their heads wet, especially the sara filled with water.

Etiquette – That in mind, the kappa are overly found of etiquette, so if you bow deeply to them in greeting, they will bow as well, spilling the water from their sara. With this water spilled, the kappa loses its strength and any powers, becoming weakened and possibly die if this water isn’t refilled. It must be water from their home river or pond that is poured back in. If a human is the one who refills this water, it is believed that the kappa would the human in question for the rest of eternity.

Cucumbers – Offering the Kappa a nice tasty cucumber is sure to do the trick and placate them instead of trying to haul you into the river to drown.

Instead of offering the cucumber, a person would the vegetable themselves as a means of protection before swimming. Though some will say this is sure to guarantee an attack.

Miscellaneous – There’s a variety of other items that supposedly drive away kappa. These items include ginger, iron and sesame.

A Friend For Life

Those who have successfully befriended a kappa find that they truly have a friend for life. Kappa are known to help farmers in any number of ways such as irrigating fields. The kappa are very knowledgeable in the way of medicine and have been known to teach the art of bone setting to humans.

There are shrines to kappa that have been established, especially of a particularly helpful kappa. You could trick a kappa into service via the bowing and refilling the bowl on their head with water. He’s not likely to be so nice about the help he gives then.

The kappa, like the European Fae won’t break an oath as their sense of etiquette and decorum is such, they just won’t. So yeah, a human can trick a kappa into service and get one to swear an oath to them, the kappa’s sense of honor says they will follow it through to the end.

Japanese Expressions

There are a few expressions associated with kappa.

Kappa Maki – A cucumber sushi roll named for kappa.

“Kappa-no-kawa-nagare” – This phrase translates to “A kappa drowning in a river” is used to mean that even an expert can make mistakes.

“Kappa no He” – Much ado about nothing, the literal translation is water-imp fart. This is my new favorite.

Okappa – the bobbed hairstyles that look like those kappa sport.

Koppojutsu

This is a martial arts style invented by Kappa who will sometimes teach it to humans. The name of koppojutsu translates as “attacks against bones.” It is a hard-martial art compared to another, koshijutsu that is a soft-martial art that targets an opponent’s muscles.

Kappa-Buchi

The Kappa Pool is a legend found in the Jozankei region of Japan.

A young man was out fishing in a deep pool and he ended up falling in. He never surfaced. Some months later, as his father slept, the son came to him in a dream and told his father that he was living happily with the Kappa, that he even had a kappa wife and child. Shortly after, the pool came to be known as the Kappa Buchi.

Kappa Bashi

The Kappa bridge found in Tokyo used to be farmland that was surrounded by canals prone to flooding. During the late Edo period, a raincoat dealer, Kappaya Kihachi spent his entire fortune on building a better drainage system. The work proved more difficult than expect and taking longer to complete.

Falling into despair and about to give up, the man was visited by a kappa whose life he had saved many years before. The kappa had arrived to help and in no time at all, the new drainage system was completed. Further, the story goes that those who saw the kappa were blessed with good fortune. Shortly after, the Kappa Temple was built to honor and enshrine the kappa as a local deity.

Saiyuki – Journey West

When the Chinese epic of Journey to the West arrived in Japan, the character of Sha Wujing’s name is changed to Sangojo or Sagojo. Where Sha Wujing or Sandy is often depicted as a Water Buffalo or some kind of water demon, in Japan, he is frequently identified as a kappa.

Horses & Livestock & Monkeys!

Continuing a connection of Kappa to the Journey West story, in which kappa come from drown monkeys. In Chinese lore, monkeys are shown riding horses and in Journey West, the Jade Emperor appoints Monkey or Son Goku to a position of a Stable Hand or Protector of Horses.

This connection could explain a few different folktales and stories of kappa harassing people’s horse and cattle. There is a story recorded by Lafcadio Hearn in Kawachimura where a horse-stealing kappa was captured and forced to sign an agreement never to harm any people or steal from them again. The kappa even went so far as to swear he would get his fellow kappa to swear to the oath of leaving humans alone.

Of course, it could be too much of a stretch and horses were just one of many animals and objects that kappa would try to steal from humans.

Possible Reality Behind The Myths

Drowning – It’s likely stories of kappa developed as a means to scare and warn children from wandering too close to the water’s edge at any pond or river.

Kappa are even blamed for drowning deaths and signs are still posted near bodies of water that warn of kappa dangers.

Giant Salamanders – It makes sense, that inspiration for the kappa could come from the Japanese giant salamander or hanzaki. It is a large, aggressive salamander that grow up to five feet in length that will grab its prey with powerful jaws.

Miscarriages & Leech Babies – Touching back on that idea of kappa rapping women. There is an 18th century Ukiyo-e picture by Utamaro showing a kappa rapping an ama diver while underwater. That’s a bit unpleasant. More relevant might be a belief found in Kunio Yanagita’s Tono Monogatari, in which women who were raped by kappa and became pregnant often had repulsive babies born. These babies, called Leech Babies, would be buried shortly after.

Sometimes these stillborn babies would be tossed into a river and children would be warned to stay away from the water’s edge to avoid seeing these dead babies. Sadly, sometimes a poor family might have tossed an unwanted baby into the river if they couldn’t afford to care for it.

It’s possible a woman might say she had been raped by a kappa in order to try and explain why a baby was born deformed and likely stillborn. It would provide a way of saving face to explain a stillborn and deformities. That’s my take after reading in Celtic folklore and comparing it the myths regarding Changelings and parents who have a child that dies of SIDs, you just say the fairies came and took your baby and that the one isn’t real. Because somewhere, your real baby is still alive.

Similar Folkloric Figures

There are a few other, similar figures found in other cultures from around the world that have been used to scare young children from straying too close to the water’s edge.

Kelpie – A fearsome water horse in Scottish folklore known to drown those who try to ride it.

Näkki – A water monster from Finnish folklore.

Neck – Also called Nix or Nixie, a similar shapeshifting creature to the Näkki, only from Germanic and Scandinavian folklore.

Shui Gui – Water Ghost or Water Monkey is a similar creature found in Chinese folklore.

Siyokoy – Found in the Philippin islands and known for kidnapping children. Their description is very similar to those of kappa.

Vodyanoy – A frog-like water spirit found in Slavic folklore.

Vodnik – A green humanoid spirit or creature found in western Slavic folklore, particularly in the Czech Republic and Slovakia.

 

Budai

BudaiAlso known as: 布袋, 笑佛 (Laughing Buddha), Hasne Buddha (Nepal), 胖佛 (Fat Buddha), Hotei (“cloth bag”) Japanese, Hotei-Osho (Japanese), Bo Dai or Bố Đại (Vietnamese), Hangul (Korean), Pu-Tai, Wagon Priest, Budai Luohan

Etymology: Laughing Buddha, Fat Buddha, Cloth Sack

In Chinese folklore, Budai is a Buddhist deity who has been integrated into Buddhism, Taoism and Shinto religions. The historical Budai lived during the 10th century C.E.

In art, Budai is often shown as being a very fat, bald man wearing a robe, either wearing or carrying prayer beads and has a huge belly; seen as the symbol of abundance, contentment, happiness, luck and generosity. He carries a large linen bag holding a number of precious things, even children on his back. This same bag is the source of Budai’s name. Sometimes Budai is shown sitting in a cart being pulled by boys where he is known as the Wagon Priest.

With his nickname of the Laughing Buddha, Budai is frequently shown smiling or laughing. Budai’s image is often confused with that of Gautama Buddha with Westerners, where he gets the name of the Fat Buddha. In Japan, Budai becomes known as Hotei and is one of the Seven Lucky Gods or Shichi Fukujin.

Budai Statues & Depictions

As already said, Budai is nearly always shown carrying a sack that is filled with a number of precious things such as rice plants, candy for children, food and the sadness of the world.

In Buddhist temples throughout China, statues of Budai are placed in the front part of the entrance halls. Budai is frequently shown as a stough, smiling or laughing man wearing a robe that is unable to cover his large belly. This large belly represents happiness, good luck and abundance. Some Budai statues will have small children gathered around at his feet. Another common feature of Budai statues is a begging bowl, that clearly shows him to be a Buddhist.

Because of Budai’s great association with happiness and wealth, statues of Budai can be found in many businesses and homes in China and Japan.

I Kuan Tao – Budai statues are a central part of I Kuan Tao shrines. Here, Budai is known by his Sanskrit name of Maitreya.

Budai’s Teachings

Budai represents the teachings of contentment, generosity, wisdom and kind-heartedness. He is also associated with luck and abundance.

Budai is the guardian and protector of children, the weak and poor. As a wandering monk, Budai is known to take sadness from people and bring them happiness.

Chinese History

Chinese history holds that Budai had been an eccentric Chan monk who lived during the late Liang dynasty. He had been a native of Zhejiang or Fenghua and his Buddhist name was Qieci, meaning: “Promise This.” Budai or Qieci was regarded as a man of good and loving character.

Buddhism

In Buddhism, the term Buddha means: “one who is awake,” as in awakened to enlightenment. There have been many figures in Buddhism who have all been revered as Buddhas. The Chan school of Buddhism teaches that all beings possess a Buddha nature within them and thus, already enlightened, they just have yet to realize it.

A few Buddhist traditions view Budai as an incarnation of Buddha or a bodhisattva.

Angida Arhat – One of the original Eighteen Arhats, meaning one who is worth or a perfected person, much like the Saints of Western Culture. In the Sakyamuni Buddhism, there is a legend wherein Angida is a talented Indian snake catcher would catch venomous snakes, thereby preventing them from biting travelers. Angida would remove the snake’s venomous fangs before releasing them. Due to these acts of kindness, Angida was able to attain bodhi or nirvana. In Chinese art, Angiha is sometimes depicted as Budhai; being rotund, mirthful and carrying a bag.

Gautama Buddha – The historical Buddha, Siddhartha Gautama lived during the 6th century B.C.E. in India, Nepal and much of southeast Asia. Here, Gautama is shown as being tall and slender in appearance. Whereas in China and other areas, Budai is consistently shown as being short and rotund. Both of these descriptions have been noted as being the idealized imagery of the different religions, cultural and folkloric traditions of the countries and regions after the two monks’ deaths. Many Westerners too, often confuse Budai with Gautama and Budai often does get equated or replace Gautama.

Maitreya – The Future Buddha

Budai is identified or seen as an incarnation of Maitreya, the future Buddha. In China, Budai’s image is often the main used to depict Maitreya. Among the Japanese, Maitreya is known as Miroku. There is a Buddhist hymn that Budai is to have spoken at his death that identifies him with Maitreya:

Maitreya, the true Maitreya

has billions of incarnations.

Often he is shown to people at the time;

Other times they do not recognize him.

Mi-Lo-Fo – As Hotei, Budai is often confused with the Buddhist deity known as Mi-lo-Fo.

Pu-Tai – A Chinese monk that Budai came to be associated with, who due to their good nature, was seen as the incarnation for the bodhisattva or future Buddha, Maitreya. Due to how Pu-Tai is also portrayed with having a large, rotund belly, its easy to see how he came to be known as the Laughing Buddha and connected to Budai.

Chan, Seon And Zen

Chan is Chinese, Seon is Korean and Zen is Japanese, all three are the same philosophy.

The following koan, or short story is often told about Budai. One day, Budai was out traveling, giving candy to poor children. He would only a penny from any monks or lay practitioners he met with. One day, a monk approaches Budai and asks: “What is the meaning of Zen?” (Or Chan or Seon). Budai responded by dropping his bag. The monk continued with his questions. “How does one realize Zen?” At that, Budai picked up his bag and continued on his way.

Chinese Folklore

Budai is greatly admired for his congenial and jovial attitude, along with his generosity and philosophy of contentment.

One of the most persistent and popular beliefs is that of rubbing the statues of Budai to bring wealth, good luck and even prosperity.

Japanese Religion & Folklore

In Japan, Budai becomes known as Hotei who was a Buddhist monk that lived during the 16th century. Like Budai, Hotei is still greatly associated with laughter and being called the Laughing Buddha. Chinese legend holds that Hotei had been a real person, whose name was Kaishi. While the date of his birth is unknown, Hotei death is given as being March 916. The Japanese began to believe in Hotei during the Edo era. Hotei was once a Zen priest who appearance and actions didn’t go along with his fellow Zen priests. He always looked like he was up to mischief and never had a permanent place to sleep. Hotei had no desire to be a Zen Master or to gather a following of disciples. He was known for walking the streets with a sack full of candy, fruits and doughnuts that he would give out to children. His bag would also hold the fortunes for those who believe in him. Among the Chinese, he is nicknamed: Cho-Tei-Shi or Ho-Tei-Shi, which means “bag of old clothes.”

According to Japanese legend, before Zen Buddhism came to the islands, another Buddhist philosophy of questionable aesthetics was prevalent. This philosophy originated with the priest Miroku. Miroku was the patron of those who couldn’t be saved by the beliefs of Buddha. Later, Hotei’s arrival was seen and accepted by the Japanese as a second Miroku.

Laughter – This is Hotei’s essence and teachings, he used laughter to impart wisdom. This was not the laughter of laughing at jokes or making fun of others. Hotei would laugh at himself and laugh for the mere celebration of life and existence, for the joy of life.  Hotei has no other philosophy, scriptures, dogmas, ideologies or any other precepts to teach. Hotei’s laughter is considered a form of meditation, to experience the joy of living and to just be living and being present in the moment.

People would gather around Hotei as at first, they thought he was mad with how often he laugh and his laugh was known for being infectious in that others would soon laugh along with him. Such was Hotei’s laughter that people would cease to be judgmental or ask questions about enlightened. People would wait for Hotei and his laughter as they found it to have a purifying quality to it that would impart a deep sense of well-being.

One story about Hotei has a villager finding him sitting beneath a tree with his eyes closed. When the villager asked why Hotei wasn’t smiling or laughing, Hotei answered that he was preparing, preparing himself for laughter as he needed go within, forget the world without and recharge himself with rest. Once he was well rested, Hotei would be ready to laugh again.

Thailand Religion & Folklore

Phra Sangkajai – Also spelled Phra Sangkachai. Budai is sometimes equated with the monk Phra Sangkajai. Both Budai and Phra Sangkajai can be found Thai and Chinese temples. Though Phra Sangkajai can be found more often in Thai temples and Budai in Chinese temples. While very similar in appearance, Phra Sangkajai is distinguished from Budai in that he has a thin trace of hair while Budai is bald. Their styles of dress are also different, Phra Sangkajai is dressed in robes folded across one shoulder, with the other bare. Budai’s robes are clearly a Chinese style that covers both of his arms and front part of his upper body uncovered.

Phra Sangkajai is credited with composing the Madhupinadika Sutra. Buddha is said to have praised Phra Sangkajai for his excellence and understanding with explaining the more sophisticated dharma in easy and correct, understandable manners.

A folk story about Phra Sangkajai tells how he was so handsome, that a man once wanted to marry Phra Sangkajai and take him for a wife. To avoid this situation, Phra Sangkajai changed his appearance to that of a fat monk. Another story tells how Phra Sangkajai was found to be so attractive, that both men and angels would compare him to the Buddha. Phra Sangkajai considered this inappropriate, changed his body so he would be rather fat.

Yiguandao

First off, Yiguandao is a folk religion out of China that got started around the late 19th century.

In many Yiguandao shrines, statues of Budai or Maitreya as he is known can be found. In Yiguandao, Maitreya represents a number of teachings such as: contentment, generosity, wisdom and open kind-heartedness. It is believed that Maitreya will succeed Gautama Buddha as the next Buddha and help people to realize their own spiritual essence within that connects everyone.

Shichi Fukujin – Seven Lucky Gods

In Japan, the Seven Lucky Gods or Seven Gods of Fortune, known as Shichi Fukujin are believed to granters of good luck and fortune. The Shichi Fukujin are often depicted in Japanese art and engravings known as netsuke. While many of the Shichi Fukujin are believed to be mythical in nature, one Shichi Fukujin is a known historical figure. Over the course of Japan’s history, the Shichi Fukujin became more associated with specific professions and aspects. Many of these same gods also originate from different countries and religions such as Hinduism and India to Chinese Buddhism and Taoism before coming to Japan. There are also seven Shichi Fukujin as seven in Japan is a lucky number.

While the gods had been worshipped for over a thousand years, mainly by merchants, they were first collectively called the Shichi Fukujin in 1420 C.E. It’s believed the Buddhist priest Tenkai arranged and selected these deities after talking with the shogun, Iemitsu Tokugawa. The selection was based on the following virtues of: longevity, fortune, popularity, sincerity, kindness, dignity and magnanimity.

Benzaiten – Often claimed as the only female deity among the Shichi Fukujin, Benzaiten originates in Hinduism where she had been the goddess Saraswati. Other names for Benzaiten are: Benten, Bentensama and Benzaitennyo. When she was adopted into Buddhism, Benzaiten became the associated with talent, beauty and music. Benzaiten is the patron of artists, writers, dancers and geishas. She is often seen as an intelligent, beautiful woman standing before a Torri, carrying a biwa, a traditional Japanese lute-style instrument and is accompanied by a white snake.

Bishamonten – A god originating in Hinduism where he had been the god Kubera and Vaisravana before becoming Bishamonten in Japanese culture. Bishamonten is the god of fortune in war and battles. He is also associated with authority and dignity, the protector of those who follow the rules and hold themselves accordingly. He is the protector of holy sites and other important places. Bishamonten is the patron of fighters and is often shown dressed in armor and helmet, carrying a pagoda in his left hand and a spear in his right hand to battle evil spirits. Bishamonten is also shown with a hoop of fire.

Daikokuten – The god of commerce and prosperity. He was also known as the patron of cooks, farmers, bankers and protected crops. Daikokuten was known too for hunting demons. There is a legend of how Daikokuten hung a sacred talisman from a tree branch in his garden to use as a trap for catching a demon. Daikokuten is often depicted with short legs, perpetual smile and wearing a hat on his head and often carrying a bag full of valuables.

Ebisu – The only purely Japanese god in the group, he is the god of prosperity, wealth in business, abundance in crops, cereals and food. Ebisu is the patron of fishermen and he is often dressed as a fisherman carrying a fishing rod in his right hand and the left holding a fish. Ebisu’s figure can often be found in restaurants where fish is served or in kitchens.

Fukurokuju – Originating in China, Fukurokuju is believed to have once been a hermit who lived during the Song dynasty. Fukurokuju is seen as the reincarnation of the Taoist god Hsuan-wu. As a god, Fukurokuju is the god of wisom, luck, longevity, wealth and happiness. In addition, he is thought to be one of the Chinese philosophers who could live without eating and was able to resurrect the dead. Fukurokuju is noted for having a head that is almost the same size as his body. He is often shown dressed in traditional Chinese attire, carrying a cane in one hand and a scroll containing historical writings. Fukurokuju is often shown being accompanied by a turtle, crow or deer, all animals that represent a long life. With a strong love for chess, Fukurokuju is also the patron of chess players. Fukurokuju, along with Jurojin both overlap with their origins with the Chinese Taoist god Nanjilaoren. Due to this overlapping, Fukurokuju’s position as one of the Shichi Fukujin is sometimes given to the goddess Kichijoten in the Butsuzozu compendium.

Hotei – This is the Japanese name for Budai. As Hotei, he is the god of fortune, the guardian of children, happiness, laughter, popularity and the patron of diviners and barmen. Hotei is often shown as a fat, smiling bald man with a curly mustache. Because he is so fat, Hotei is often shown as being half naked as his clothes aren’t quite big enough to cover his large belly.

Jurojin – Like Fukurokujin, he has his origins in the Chinese Taoist god Nanjilaoren. He is the god of the elderly and longevity in the Japanese Buddhist mythology. Jurojin is believed to be based on a real person, he was very tall, 1.82 meters with a very long head, much like Fukurokuju. Aside from his elongated skull, Jurojin is also shown to have a long white beard and rides a deer and is sometimes accompanied by a crane and tortoise, all animals that represent a long life. Jurojin is sometimes shown sitting under a peach tree, another symbol of long life. In one hand, he holds a cane, in the other he holds either a book or scroll containing the wisdom of the world. Jurojin is known to enjoy rice and wine and has a rather cheerful disposition. Finally, Jurojin is an incarnation of the southern polestar.

Kichijoten – Also known as Kisshoten or Kisshoutennyo. Kichijoten was adopted into Buddhism from the Hindu goddess Lakshmi. Kichijoten is shown holding a Nyoihoju gem in her hand. The Butsuzozu compendium from 1783 lists and has Kichijoten replace Fukurokuju as one of the seven Shichi Fukujin. By this accounting, Daikoku is portrayed as being feminine and all three of the Hindu Tridevi goddesses are seen represented among the Shichi Fukujin.

Huma

Huma Bird

Other names: Bulah (Arabic), Homa, Homajo (Avestan), Huma, Kumay (Turkic), Umay (Turkic), Hurruz, The Bird Of The Paradise

Pronunciation: Homa

Etymology – Fabulous Bird in the Persian language.

The Sufi teacher, Inayat Khan put forward the idea that the word huma breaks down to two parts. The first hu, which means spirit and the second, mah, from the Arabic word: “Ma’a” which means water.

Found in Iranian legends and stories, the Huma or Homa bird is a common motif of Sufi and Diwan poetry.

The Legend

While there a good many stories and legends of the Huma, they all share in common that the bird never lands on the ground and lives its entire life flying high above the earth where it is invisible. Some versions of the legends will state that the reason that Huma never lands is that it has no legs.

Other stories of the Huma say that they are hermaphrodites in that they have both male and female features represented by one wing and leg being male and other female. The Huma is seen as a being of compassion and a “bird of fortune” for to see its shadow or to be touched by one is considered auspicious.

The Bird Of Kings

One of the most important aspects of the Huma is its role as bestowing and confirming the right of rule and kingship. Most of the legends have the Huma landing on a person’s hand, head or shoulder to confirm their right to rule.

The Sufi teacher Inayat Khan gives the Huma’s kingship bestowing a spiritual explanation. In his explanation, he states: “Its true meaning is that when a person’s thoughts so evolve that they break all limitation, then he becomes as a king. It is the limitation of language that it can only describe the Most High as something like a king.”

Rising From The Ashes

In some versions of the legends surrounding the Huma, it is perceived as being like a phoenix in that it will consume itself in fire every few hundred years and then rise again whole from the ashes.

Indian Folklore

Mughal Era – The Huma’s aspects for bestowing the rights of kingship appear during this time. Aside from landing on a person’s head or shoulder, the shadow of the Huma passing over the head or shoulder would be enough to confirm kingship. Additionally, the feathers used to adorn the turbans of the kings were believed to be plumage from a Huma bird.

Folk Legend – In India, there is a folk story from Kashmir that tells the story of a poor man who struggled and toiled each day in the forests chopping wood. One day a Huma passed by and wanting to help him in some way, laid and dropped a golden egg next to him. When the man awoke, he found the egg and took it to a merchant who realized the significance of the egg and wanted the man to bring him another golden egg and the bird as well. The man returned to the forest and soon enough, the Huma found him again. Seeing that he was still poor, the Huma laid another egg for him. The man jumped up and grabbed the bird.

The bird pleaded with the man to let her go, promising him a feather that if he burned it, would take him up to Koh-I-Quaf where her mother lived who would reward him better. Disbelieving her, the man tied up the bird and ran to fetch the merchant. When he returned with the merchant, the bird was died from her struggles to break free. Enraged, the merchant told the man to never bother him again and the man lived out the rest of his days poor and continuing to struggle.

Iranian Literature & History

The Huma bird is often associated with pre-Islamic monarchs and stands vis-a-vis ravens, a metaphor for Arabs. In these pre-Islamic traditions, the Huma bestows the right of kingship to people.

Dating to 500 B.C.E., the Griffin-like statuary found in Persepolis, Iran are generally viewed and regarded as being Huma.

Sufi Traditions

Catching a Huma is seen as achieving the impossible. Just getting a glimpse of one, even if just the Huma’ shadow is believed to make a person happy for the rest of their life. Further, tradition holds that a Huma cannot be caught alive and the person who ends up killing a Huma in this way will die within forty days.

Attar of Nishapur’s “The Conference of the Birds,” the Huma is depicted as a pupil who refuses to take on a journey because the task would compromise its right to bestow kingship upon those whom it flew over.

Turkish Folklore

Huma, known as Kumay or Umay in Turkish mythology. It was used as a symbol of the Cepni, one of 24 tribal groups under the Oghuz Turks. The imagery of the Huma is used a lot in Turkey’s Diwan poetry.

Interestingly, Umay is the goddess of fertility and virginity in Turkish mythology and Tengriism.

In the Ottoman era poetry, the Huma is called a “bird of paradise.” Early European descriptions of the Paradisaeidae species of bird show these birds as having no wings or legs. Because of this, the birds were believed to always be inflight their whole lives.

In Turkish folk literature, the Huma symbolizes unreachable highness. References to the Huma also appear in Sindhi literature and like diwan traditions, the bird is a harbinger of great fortune.

A letter addressed to the Mughal Emperor Aurangzeb in the Zafarnama of Guru Gobind Singh, makes a reference to the Huma as being a mighty and auspicious bird. In the same letter, the Huma is also referred to as an Osprey.

In the Memalik ul Mirat by the Ottoman admiral: Sisi Ali Reis, the Huma is also referred to as Hurruz. It has been suggested that Sisi Ali Reis’ account, the Hurruz that he observed on his return trip from India to Istanbul, is a vulture. This reference is seen as noteworthy as vultures, like many other birds were revered in Zoroastrianism.

Zoroastrianism

In my researching the Huma, I found a few references linking the bird to the Zoroastrian religion. The references are rather tentative and I’ll post them here as I don’t have enough information to properly confirm or dispute them.

The first account for a reference seems to be a mis-translation due to similar sounding words where a Huma tree is mentioned and that Zoroaster himself is to have been born from one. The same reference mentions the Biblical, New Testament verse of John 3:5, “Except that a man be born of Water and the Spirit, he cannot enter the Kingdom of God.”

Just how much owes to mis-translation or misunderstanding, I’m not sure. In keeping with the Biblical verse of Water and Spirit, the same reference source takes note of the translation for Huma from the Arabic words of “Hu” for “Spirit” and “Mah” for “Water.”

The other reference for the Huma with Zoroastrianism is previous mention of the bird in Sisi Ali Reis’ Memalik ul Mirat where the suggestion of the bird is actually a vulture. This source goes on to mention how vultures were particularly revered in Zoroastrianism as a bird of compassion who refuses to hunt and instead feeds on carrion. And that vultures are found referenced in The Towers of Silence in Mumbai where they dispose of the dead.

What’s In A Name?

In several Persian dialects, the name Homa is sometimes used to refer to the Bearded Vultures and not just the mythical Homa. This could explain some legends that say the Homa is a bird of compassion that avoids killing for food and instead feeds on carrion.

Pleiades Part 2

Pleiades 3

Pleiades Star Lore Around The World

African Mythology

For many tribes in the African continent, the Pleiades mark the beginning of the agricultural season.

East Africa – In the Swahili language, the Pleiades are called: “kilimia” which means to “dig” or “cultivate.” The Pleiades appearance in the heavens is seen as being time to start digging or the arrival of rain.

North Africa – The Tuareg Berbers call the Pleiades by the name of: Cat ihed, pronounced as: shatt ihedd or Cat ahăḍ, pronounced as: shat ahadd. The name means “daughters of the night” in the Berber language. Other Berber tribes have called the Pleiades star cluster by other names such as: Amanar “the guide” and Tagemmunt “the group.”

The Tuareg Berber have a proverb that translates into English as:

“When the Pleiades fall, I wake up looking for my goatskin bag to drink. When the Pleiades rise, I wake up looking for a cloth to wear.”

It is a proverb that takes note of the changing of the seasons to prepare for the heat of summer and the colder weather that the rainy season brings.

South Africa – The Basotho call the Pleiades “Seleme se setshehadi” meaning the “female planter.” When the Pleiades leave the night sky around April, the Basotho’s tenth month, along with the appearance of the star Achernar marks the beginning of their cold season. Like many South African cultures, the Pleiades are associated with agriculture and plenty. The Khoikhoi tribe call the Pleiades by the name of Khuseti, the stars of rain or rain bearers.

Australian Mythology

The Pleiades star cluster is known by several names among many tribes.

Karatgurk – In the stories told by the Wurundjeri of Victoria, Australia, the Pleiades represent a group of seven sisters known as the Karatgurk. They were the first to hold the secrets of fire and each of the sisters carried live coals on the end of their digging stick. The sisters refused to share the coals with anyone and eventually were tricked into giving up the secret of fire to Crow who in turn brought the gift of fire to the rest of humanity. As to the sisters, they were taken up into the night sky where their glowing fire sticks became the stars of the Pleiades cluster.

Kidili – A moon god of the Mandjindja from Western Australia, he had tried to rape some of the first women on Earth. In retaliation, the lizard men, Wati-kutjara attacked and castrated him using a boomerang before leaving him to die in a watering hole. As for the women, they became the Pleiades star cluster.

Kungkarungkara – They are the ancestral women in the lore of the Pitjantjatjara tribe.

Makara – According to the Adnyamathanha tribe, the Makara (The Pleiades) are the wives of stars within the Orion constellation.

Napaltjarri – From Central Australia, they were seven sisters being chased by Jilbi Tjakamarra. He had attempted to use love magic on one of the sisters. She refused Jilbi’s advances and she and her sisters fled from him. They fled all the way to Uluru where they searched for honey ants. While there, the sisters again saw Jilbi and they went to Kurlunyalimpa and the other spirits of Uluru who transformed the sisters into stars. In response, Jilbi transformed himself into the Morning Star seen in Orion’s Belt where he continues to chase after the seven sisters.

The Seven Sisters And The Faithful Lovers – In this story of the Koori’s Dreamtime, the Pleiades or the Seven Sisters were a group of seven beautiful ice maidens. Their parents were huge mountain whose peaks were hidden by the clouds and an ice-cold stream who flowed from some snow covered hills. The Seven Sisters would wander the land, their long hair flowing out behind them like storm clouds. Their beauty was so great, that many men loved them, but the sisters were always cold in returning any affections.

One day, a man by the name of Wurrunnah, caught two of the sisters and forced them to live with him while the others continued on their journey home to the sky. Wurrunnah soon found that the sisters he caught were ice-maidens and took them to his camp fire in order to try and melt the ice off of them. This only served to put out his fire and dimming the brightness of the two sisters.

The two sisters were very lonely and sad by their captivity and every night, they would look up to the night sky where they could see their sisters calling for them. One day, Wurrunnah told the two sisters to go out and gather some pine bark. After a short trip, the two came to a big pine tree where they began with stripping the bark off of it.

As they stripped bark off the pine, whose totem was the same totem as the sisters, it began to extend upward towards the sky. The two sisters saw their opportunity and climbed up the tree to their home in the sky with their sisters. The two sisters never did regain their full brightness in the heavens and is why two of the Pleiades are dimmer than the others. The journey of the seven sisters is remembered every time it snows.

The Berai Berai Brothers And The Seven Sisters – Another story told of the Seven Sisters is that when they were on earth, of all the men in love with their beauty, the Berai Berai or two brothers were the most devoted. They always brought all the choicest catches from their hunts to the Sisters as an offering and token of their love. This love was not returned and when the Sisters wandered away, up to the mountains, the Berai Berai followed after them.

After the Sisters left for their journey to the sky, the Berai Berai mourned. A grave depression fell upon them that they eventually died. The spirits of the Dreamtime took pity on the brothers and placed them up in the sky, up where they could hear the Sisters sing. On clear nights, the Berai Berai can be seen, represented by the stars that form Orion’s Sword and Belt.

Baltic Mythology

The name for this constellation in Lithuanian is Sietynas and Sietiņš in Latvian. Both of which have a root word: sietas meaning “a sieve.” In both Latvian and Lithuanian folk talks, the Pleiades constellation is shown as an inanimate object, a sieve that is stolen by the devil from the god of thunder or it is used to bring light rain by the thunder god’s wife and children. In some Lithuanian folk songs, Sietynas is depicted as a benevolent brother who helps orphaned girls to marry or he helps walk soldiers across fields.

Ben Raji Mythology

Living in western Nepal and northern India, the semi-nomadic Ban Raji refer to the Pleiades as the “Seven Sisters-In-Law and One Brother-In-Law” or “Hatai halyou daa salla.” For the Ban Raji, when the Pleiades rise up over the mountains at night, they see their ancient kinfolk. The timing for the appearance of the Pleiades over the Nepali mountains along the Kali River, marks when it is 8 p.m. local time.

Bronze Age And Celtic Mythology

In Bronze Age Europe, the Celts and possibly others may have associated the Pleiades with grief, mourning and funerals. At this period of time and history, the time of the Autumn Equinox and Solstice would have occurred around the time that the Pleiades star cluster rose in the eastern skyline as the sun set. The precession of the constellations over the centuries and millennia would have since changed for the timing of the Equinox and Solstice celebrations. This Solstice celebration is possibly a predecessor to the modern Halloween, Samhain and All Souls Day celebrations. While a good many Pagan and Wiccan sites are quick to point out such a connection, more secular sites don’t necessarily see a connection. What seems more plausible is that it does have connections as a Harvest Festival and the end of the harvest season before winter comes.

An artifact discovered in 1999 called the Nebra Sky Disc, due to where it was found in Nebra, Saxony-Anhalt in Germany, shows the Pleiades star cluster on it along with the Sun and Moon. Two golden arcs on the disk mark the solstices. It has been dated to somewhere around 1600 B.C.E. and part of the Bronze Age Unetice culture. Unlike the megaliths of much of Europe, the Nebra Sky Disc is a portable astronomical instrument.

Central America

Aztecs – The Aztecs based the beginning of year on the appearance of the Pleiades asterism when it rises in the east before the sun’s morning light became too bright. They called this star cluster by the name of Tianquiztli, meaning “marketplace.”

The Aztecs were very good astronomers and kept careful track of the heavens. Their calendar was based on a 52-year cycle. The Pleiades were carefully watched to make sure the world wouldn’t end. At the end of each 52-year cycle, the Aztecs held a religious ceremony to ensure the rebirth of the sun and continued movement of the heavens. The Aztecs strongly believed their ceremony would prevent demons of darkness from coming to the Earth and devouring mankind. For this, they offered up to the gods human sacrifices.

Mayan – During colonial times, the Pleiades were used to track the time by diving up the night.

An epic legend tells the story of the Pleiades star cluster. There had been a long standing feud between the heavenly twins Hun-Apu and Xbalanque and a giant named Zipacna. With the help of several other youth, the twins pretended that they were building a house. They started with digging a large hole in the ground. As they were digging, Zipacna came along and asked what they were doing.

The twins told Zipacna they were building a house but were having trouble with digging a hole for the foundation deep enough. Zipacna was persuaded to help and he went down into the hole. Once he was at the bottom of the hole, the twins and their helpers began to throw stones, dirt and tree trunks down on him. When the hole was completely filled in and everyone was certain that Zipacna must be dead, they continued to build a house over the spot marking his grave.

Unknown to the twins, Zipacna was still alive. Yes he had been knocked out by the weight of everything piled and thrown on him. Once he had regained consciousness, he lay there and waited, pretending to be dead until the house was completed.

With the house completed and everyone inside celebrating, Zipacna made his move. Throwing up his shoulders, Zipacna’s great strength allowed him fling the house up into the sky towards the heavens. There, the twins and everyone with them became the Pleiades, unable to get back down to the earth.

Monte Alto Culture – This also includes other cultures such as Takalik Abaj and Ujuxte who are known to have made early observatories. They used the Pleiades stars and Eta Draconis as references in the night sky. The Pleiades are called “The Seven Sisters” and thought to be where they originated from.

Chinese Astronomy

To the Chinese, the Pleiades are known as Mao, the Hairy Head of the White Tiger of the West. The Pleiades seem to be the first stars mentioned in astronomical literature, appearing in the Annals of 2357 B.C.E. Aside from the name Mao, the Pleiades are also known as The Blossom Stars and Flower Stars.

Egyptian Mythology

The ancient Egyptians recorded seven stars within Pleiades. Some scholars believe that the seven chambers of the Great Pyramid represent the seven stars of Pleiades.

The goddess Hathor has an interesting take in her role and aspect as a Mother goddess for it was believed by the ancient Egyptians that “Seven Hathors” would appear at the birth of a new baby, foretelling his fate. The reason they’re mentioned is that during the Ptolemaic Period, when Egypt was under Greek rule, the Seven Hathors became identified with the Pleiades star cluster.

Aside from Hathor, the Pleiades also represented the goddess Net or Neith, the “Divine Mother and Lady of Heaven.”

French History And Literature

La Pléiade is a post-Renaissance literary movement that references the Pleiades constellation and seven poets from the Alexandrian period during the reign of Ptolemy II. The La Pléiade title has been used by two groups of poets from Toulouse during the beginning of the 14th century and another group founded by Pierre de Ronsard in 1553. Their goal was to promote the classical literature of Greek and Rome with translations rather a perceived, outdated use of Latin. While the group were not known for being innovators, they did provide the foundations of French Classicism.

Greek Mythology

The Pleiades were considered by some ancient Greek astronomers, such as Eudoxus of Cnidos to be a distinct constellation separate from Taurus. This asterism is mentioned of by Hesiod and Homer in the Iliad and Odyssey. The ancient Greek text Geoponica mentions the rising of the Pleiades cluster. The Greek temples of Hecatompedon, built in 550 B.C.E. and Parthenon, built in 438 B.C.E. are oriented to the rising of the Pleiades.

For the Greeks, the setting of the Pleiades around October and November was a time to bring their ships in to port and to plow and sow their lands. Hesiod makes mention of the Pleiades numerous times in his “Works and Days,” alluding to their importance as a time of stormy weather and planting. Greek sailors were known to consult the heavens for the appearance of the Pleiades before setting sail.

Orion And The Pleiades

The Greek story is perhaps the most well known to many Westerners about the Pleiades star cluster.

The Pleiades is a group of seven sisters whose father is the titan Atlas. As their story goes, the Pleiades were traveling with their mother Pleïone, through Boeotia when they encountered the Greek hero Orion. He expressed such a deep infatuation and interest in them that he relentlessly pursued the sisters and even their mother. And with their father Atlas now holding the earth up on his shoulders, this very likely encouraged Orion in his antics as he thought no one could stop him.

After running from Orion for seven years, the sisters became tired of such extreme harassment and pursuit. In their desperation, they appealed to Zeus who in response, placed them up in the heavens, specifically in the Taurus constellation where they would be protected by the mighty bull from Orion’s unwanted advances. In the accounts that include Pleïone being chased by Orion, she too is placed up in the heavens, this a further punishment for the titan Atlas to be separated from not only his wife, but daughters.

In the end, being placed up in the heavens doesn’t seem to have helped them much, for when Orion died, he too was immortalized up in the heavens as a constellation. He can be seen up there still chasing after the Pleiades.

Variations to this story say the Pleiades committed suicide after the death of their brother Hyas. Other versions say that when the sisters pleaded to the gods for mercy from Orion, they were changed first into doves and then later into stars.

Other Variations

Catasterism

If the Pleiades weren’t getting chased by Orion, then they became stars after committing suicide over the fate of their father Atlas. Or the loss of their siblings the Hyades and Hyas. After their death, the god Zeus placed the sisters up into the heavens to become the famous star cluster.

Companions Of Artemis

This version of the myth follows closely the more well-known story of the Pleiades being chased by Orion. The Pleiades were the companions of the virgin goddess Artemis. She wasn’t too happy with Orion when he came upon the Pleiades while playing. In his lust and infatuation, he chased the Pleiades. On their behalf, Artemis pleaded with Zeus to intervene and he did so by transforming the sisters into doves and then into stars, becoming out of reach of both Artemis and Orion. Zeus, not to be completely without compassion for his daughter, the path of the Moon passes between the Pleiades and Orion so that she has a chance to be reunited with her friends on a regular basis.

Contrarianism – Daughters Of An Amazon Queen

While many variations of the Greek myths regarding the Pleiades are similar, especially in regards to names and parentage; Theocritus’ Idylls, using references from Callimachus differs greatly from the more familiar myths. In the Idylls, the Pleiades are the daughters of an Amazon queen. Their names are: Coccymo, Glaucia, Lampado, Maia, Parthenia, Protis and Stonychia. The sisters are supposed to have created ritual dances and nighttime festivals.

Ancestors Of Dionysus

In Nonnus’ Dionysiaca, the Pleiades appeared as an omen of victory for Dionysus’ war against India. There is further mention that the pleiad Electra was the foster-mother of Harmonia, the grandmother of the Greek god Dionysus. And thus in a way, Electra can be seen as Dionysus’ ancestor.

Indian Astronomy And Mythology

The Pleiades are known by a number of different names such Karttikeya, Kṛttikā, Kārtikā, Kumara or Subrahmanya. In both Indian astronomy and Hindu astrology, the names Krttika and Kartika translate into English as: “the cutters.” Like the ancient Greeks, India has a number of different, varying and often conflicting stories of Kṛttikā.

Hindu Mythology – A story associated with this star cluster tells how the war-god Skanda was raised by six sisters known as Kṛttikā, making it so that one of his names he is known as is Kartikeya or “Son of the Kṛttikā.” Skanda or Kartikeya was born to Agni and Svāhā after the Kṛttikā had impersonated themselves as six of the seven wives of the Saptarshi in order to make love with Agni. When the Saptarshi learned of this incident, they began to doubt their wives’ chastity and divorced them. Since then, the wives were known as the Kṛttikā.

As the six Kṛttikā, they are seen as the mothers of Skanda, his six faces represent them. Slight variations to this say that Skanda developed his six faces in order to drink the milk from his six mothers.

Hindu Astrology – Kṛttikā is the third nakṣatras or lunar mansion out of twenty seven other naksatras. The Pleiades are known as the Star of Fire and one of the most prominent of nakshatras associated with anger and stubbornness. They are ruled by the Hindu god of war, Kartikeya. Another deity associated with Kṛttikā is Agni, a god of sacred fire. Additionally, it is ruled by the sun or Surya and has the symbols of a knife or spear. There is a Hindu tradition of naming children according to the naksatra they’re born under. Each naksatra will have four syllables associated with it that is used for that start of a child’s name.

Kumarasambhava – “The Birth of the War God”

In an epic poem written by Kalidasa from the 4th and 5th centuries C.E., the gods had wished for a god to born in order take on and kill the demon Taraka who had a geas or boon that he could only be killed by a son of Shiva.

The problem, is that Shiva was deep in his meditations and not at all interested to his wife Parvati. That is, at least not until Kama, the god of love struck Shiva with an arrow. Now, after having practice abstinence for so long, Shiva’s virility was incredibly potent and the other gods fear what would happen. So they took Shiva’s seed and dropped it into a fire. It is from this, that the god Skanda, whose name means: “Spurt of Semen.”

Tamil Mythology – The Pleiades are known as Karthigai, they were the six wives of six Rishis, represented by the stars of Ursa Major. The seventh was known as Arunthadhi, associated with the star Alcor. She is the wife of Vasistha, the seventh Rishi or Sage. He is associated with the star Alcyone. Another name of the Karthigai is Saptha Kanni, meaning the “Seven Virgins.”

A variation to this story is that the Krttika had all lived together up in the heavens. One day, Agni, the god of fire fell in love with the seven Karthigai or Krttika. In trying to forget his love for them, Agni wandered the forest until he met Svaha, the star Zeta Tauri.

Svaha was immediately infatuated with Agni and disguised herself as one of the Krttika in order to seduce him. Agni truly believed he had made love with one of the Krttika. Svaha became pregnant and gave birth to Skanda.

As soon as Skanda was born, rumors began to circulate that one of the wives of the Rishis was his mother. This caused the Rishis to divorce their wives. Of them all, only Arundhati remained married. The other Krttika went on to become the Pleiades.

Indonesian Mythology

The Pleiades are known as Lintang Kartika in Javanese, it is a name that is from the Sanskrit word Kṛttikā, one of the nakṣatras in Hindu astrology.

Japanese Mythology

In Japan, the Pleiades star cluster is known as Subaru, meaning “coming together,” “cluster” or “united.” The name and image are also the same name for a car manufacturer, Subaru.

Another name for the Pleiades is Mutsuraboshi, meaning “six stars.” This name dates from the 8th century Kojiki and Manyosyu documents. The Pleiades have also been called the Hoki Boshi, meaning “dab of paint on the sky” or “brush stars.”

Micronesian Mythology

A story found among the Marshall Islands in the Pacific Ocean, tells the story of Dümur, the eldest son of Ligedaner who is the mother of all the stars. Ligedaner is identified as being the star Capella in the Auriga constellation, Dümur is identified as the star Antares and the youngest son is identified as Pleiades.

Ligedaner’s sons came down from the vault of Heaven to visit with her where she lived on the atoll Alinablab. While there, a contest was proposed that who ever was the first to reach a certain island somewhere out in the East would be named the King of Stars.

The contest was agreed to and the sons prepared themselves to take off to claim the title of King. Ligedaner asked Dümur to take her with him in his canoe. Dümur refused as he saw that his mother wanted to take as many things with her as she could and thereby slow down the canoe with its weight.

Ligedaner asked each of her sons in turn to take her with them in their canoes and each in turned refused. Until she got to her youngest son, Pleiades who finally accepted her request to go with him. Ligedaner had seven objects she was taking with her and as she got into the canoe, she instructed Pleiades where to load and place each object.

When they were finally loaded up, Pleiades took his place to start rowing. He was surprised to find that instead of being weighed and slowed down by all the objects, that his canoe shot out into the water with great ease nor did he have to use his oars. The seven objects it turned out, had been previously unknown sail rigging and with his canoe driven by the wind, it took no time at all to catch up with his brothers.

As Pleiades’ canoe caught up with Dümur’s canoe, Dümur demanded, on his rights as the first-born son that his youngest brother hand over his canoe to him. Dismayed, Pleiades complied with the demands. Ligedaner proceeded to play a rather mean trick on Dümur by turning the canoe around and then when she jumped with Pleiades into the sea, she took with her the yardarm. Together, Ligedaner and Pleiades swam on towards the island to the East.

Dümur found that in order to sail Pleiades’ canoe, he had to fasten the sail to his shoulders, causing him to become bent over. By the time Dümur reached the island, he found that his youngest brother Pleiades and Ligedaner had beaten him there already and that Pleiades now claimed the title of King of the Stars. Angry, Dümur desired to never see his brother Pleiades again. This separation fo Dümur and Pleiades can be seen in the night sky of the Southern Hemisphere as when Pleiades rises in the East, Dümur (as the star Antares) sets in the West. The bent back of Dümur is also seen represented by the curved line formed by the stars outlining the bent body of Scorpius.

Pleiades Part 1

Pleiades Part 3

Om Banna

Om Banna

Also known as: Bullet Baba, Om Bana

Now get this, the story as it goes, on December 2nd, 1988, Om Banna (alias Om Singh) was riding from the town of Bangi when he lost control of his motorcycle and died instantly on collision with a tree. Om Banna’s bullet motorcycle however, fell into a roadside ditch.

The next morning, the police came and took the motorcycle back to their station. Mysteriously, the motorcycle disappeared and was found back at the site of the accident the following day. Once more, the police took the motorcycle and returned it to the station. This time, they emptied the motorcycle’s fuel tank and placed it under lock & chain to prevent it from being taken.

Once again, the motorcycle was gone and found again at the site of the accident. The locals came to see this event as a miracle. A growing legend states how the motorcycle kept returning to the same ditch, no matter how many times the police came to take it, the motorcycle always returned to the same spot before dawn.

The story of the motorcycle spread and people began to come and worship the “Bullet Bike.” A temple was built, becoming the Bullet Baba’s Temple. Local belief holds that Om Banna’s spirit aids and protects travelers.

Bullet Baba’s Temple

The temple to Om Banna is more of a wooden shed that houses the Bullet Bike. The bik itself is now enclosed in a glass box. Hundreds of people come every day seeking blessings and praying for a safe journey. Many will bring offerings of liquor and alcohol. Not to pray or seek blessings is believed to invite disaster.

In addition, the tree that Om Banna died on, has been decorated with offerings of scarves, rope and other bangles. Outside the temple, there is a large picture of Om Singh who has come to be known as Om Banna on display.

For the past twenty years, a lone priest, Poonam Giri has tended to the temple and maintained its grounds. Many shops sell incense sticks, flowers, coconut and red thread for use as prayer offerings. Folk songs are sung in Om Banna’s name.

The prayer of: “j ay shri om Banna. Me aaj Jo bhi hu aap hi Ki karpa se hu” is usually spoken by those who visit the shrine.

Local Customs, Stories And Traditions

A few customs have begun at the shrine. Some of the more notable ones are as follows:

The first tradition or story is that Om Banna’s grandmother had a dream, wherein he had come to her requesting two yards of land on which to build the temple. This is supposed to be the story and belief that brought about the construction of the temple in the first place.

Another tradition holds that the sound of the Bullet Bike can be heard on the anniversary of Om Banna’s death.

On Ashatmi day, the Bullet Bike is said to start its own engine, even without any fuel or ignition.

Further, Grooms and Brides will come to the temple seeking blessings and families will bring their newborns to be blessed as well.

Location Of The Shrine

The Om Banna shrine is found in the Pali district near Jodhpur, India. It’s about 20 km (12 miles) from Pali and 50 km (31 miles) from Jodhpur along the Pali-Jodhpur highway close to the Chotila village.

Spiritride – The SERRAted Edge

I just think it’s an interesting connection. The author Mark Sheppard in his book, Spiritride wrote about a motorcyclist who died in an accident. The motorcyclist’s spirit along with many others act as guardians, protecting other motorcyclists when out on the road. Mercedes Lackey uses the idea again later in the Bedlam Bard series.