Category Archives: Immortal
Etymology – “Youth,” “Flower of Youth” or “Prime of Life”
Other Names and Epithets: Ἡβη, Basileia (Princess), Dia, Ganymeda, Juventas (Roman)
Hebe is the goddess of Youth in Greek mythology. She had also been the cup bearer to the gods before being replaced by the youth, Ganymede. In Pindar’s Nemean Odes, he notes how Hebe is one of the most beautiful goddesses in Olympus.
Animal: Chicken, Eagle
Patron of: Sinners, Former Prisoners and Slaves, Young Brides
Plant: Ivy, Lettuce
Sphere of Influence: Youth, Vitality, Forgiveness
Symbols: Chalice, Fountain of Youth, Wings
In Grecian art, Hebe is frequently shown as a young woman wearing a crown of flowers and a sleeveless dress or partially nude. Many ancient vases show Hebe in either her role as cup-bearer or as Heracles’ bride. Occasionally, Hebe is shown to have wings like Iris or Nike.
There is a lost, though famous statue of Hebe made of gold and ivory that was sculpted by Naucydes during the 5th century B.C.E.
Hebe was worshiped in Phlious and Sicyon. There she was known by the name of Dia. They would pardon or forgive supplicants who came to her temple to pay respects and reverence.
Kissotomoi – Also known as Ivy-Cutters, this was a yearly festival held in secret dedicated to Hebe as Dia.
Hebe was also worshiped in Athens where she had an alter near an alter dedicated to Heracles in the Cynosarges.
Parentage and Family
Zeus – King of the Olympian Gods is Hebe’s father.
Hera – Queen of the Olympian Gods is Hebe’s mother.
Another version for Hebe’s parentage is that her mother, Hera became pregnant when she ate some lettuce while dining with the god Apollo.
Some sources list only a couple of siblings for Hebe, namely Ares and Eileithyia. Regardless of how many siblings that Hebe is noted to have, she was regarded as being the youngest of all of the Olympian gods residing on Mount Olympus.
Aeacus, Angelos, Aphrodite, Apollo, Ares, Artemis, Athena, Dionysus, Eileithyia, Enyo, Ersa, Helen of Troy, Heracles, Hephaestus, Hermes, Minos, Pandia, Persephone, Perseus, Rhadamanthus, the Graces, the Horae, the Litae, the Muses, the Moirai
In some of the myths, Hebe is the wife of the Greek hero Hercules after he became deified. It’s also kind of wrong given they’re half siblings.
With Heracles, Hebe bore two children, Alexiares and Anicetus.
Cup-Bearer To The Gods
As cup-bearer to the gods on Mount Olympus, Hebe’s duties were to fill the gods’ chalices with the nectar of the gods, that would keep them all youthful and invigorated. In addition to the nectar, Hebe also served the ambrosia.
Some stories have Hebe being replaced by Ganymede to become the cup-bearer to the gods, other stories have where the youth is just one of two cup-bearers.
Most people seem to be familiar with the story of Hebe having been clumsy and either accidentally having a wardrobe malfunction or spilling the nectar. Either way, Apollo or Zeus fired Hebe on the spot and replaced with Ganymede.
Another version has Hebe leaving her post as cup-bearer to the gods when she marries Heracles and that’s why Ganymede ultimately takes over the divine position as cup-bearer.
Goddess Of Beauty
Sometimes, albeit briefly and in passing, Hebe is mentioned as a goddess of Beauty. For this, I can see Hebe sometimes being mentioned as one of Aphrodite, the goddess of love’s attendants.
Goddess Of Pardons & Forgiveness
As previously mentioned under worship, Hebe was the goddess of pardoning. In Hebe’s sanctuary in Phlius, she had a grove where freed prisoners would hang their former chains before going to live a free life.
Goddess Of Youth
This function pretty much goes hand in hand with Hebe’s role as cup-bearer for she was responsible for the vitality of youth and bestowing it on the other gods with dispensing and filling their cups with the nectar of the gods.
Fountain of Youth – In Greek myths, the fabled Fountain of Youth is a fountain from which the waters that flowed would keep one youth forever or restore one’s youth. As the goddess of Youth, Hebe guarded over these waters and they could only be found and used by her.
Young Brides – As Hebe’s mother is Hera, the goddess of marriage, as her daughter, Hebe is a handmaiden to Hera and the goddess of young brides. Other goddesses that Hebe would accompany for overseeing weddings are: Aphrodite, the Charities or Graces and Harmonia.
Spring – As a goddess of Youth, Hebe is sometimes seen as a goddess of the springtime.
Immortality – According to Euphronios in his writings, Hebe as a goddess of Youth is also the goddess of Immortality. Many have often pointed out over the years, what good is immortality if you don’t also have the strength, vitality and youth to go with it?
There’s a metaphor, from the Bacchylides where receiving the Basileia (“the Princess”) of heaven, one could gain or win immortality.
Granting Youth – When Heracles nephew, Iolaus grew old, he prayed to Hebe to be young again before he went off to fight Eurystheus. Hebe granted Iolaus’ request on Heracles’ behalf for the day. This episode is shown in Euripidies’ play Heracleidae.
In Ovid’s The Metamorphoses, there is an episode where after Hebe grants this guerdon or boon, that Themis, the goddess of Justice says to grant it this once is fair. After which there was a great discussion among that other gods and it was agreed not to allow any further gifts of restored youth.
Marriage To Heracles
When Heracles became deified and ascended to Mount Olympus, there was a marriage between the mighty hero and Hebe. This marriage was held to try and reconcile the problems between the mighty hero and Hera, Hebe’s mother.
Ancient Greek Traditions & Responsibilities
Aside from being the cup-bearer, Hebe would also help her mother, Hera when preparing her chariot. She has also been known to draw the bath for Ares after a battle.
It seems a bit odd at first some of these other servant-like tasks that Hebe held. She was the youngest of all of the Olympian gods and her role reflects the ancient Greek custom where the daughter helps and assists around the house and serving guests.
Previously mentioned, Ganymedes served as Hebe’s male counterpart in her role as being cup-bearer to the gods.
As the goddess of youth, Hebe’s counter was Geras, the goddess or personification of Old Age.
Hebe is sometimes seen as being the counterpart or similar to Pandeia, the daughter of the moon goddess Selene.
Juventas – Roman Goddess
The Romans are very famous for taking and equating their gods with those of the Greeks or flat out renaming them. It is no different with Hebe, her Roman name and counterpart is Juventas.
In Rome, Juventas held a temple on the Capitol and Terminus long before there was one built for Jupiter. There was another temple for Juventas at the Circus Maximus.
The Month of June – This story is found more in the Roman myths as there’s a minor spat and disagreement over which goddess gave their name to the month of June, Juno or Juventas. It’s a minor footnote of a story as Juventas has a discussion with her husband, Hercules about wanting only her honor and acknowledgment for the month of June. Most people default to assuming Juno gave her name for the month of June.
Alternate Spellings: 黄帝, Huang Di, Huangdi
Also known as: Gongsun, Kung-sun, Xuanyuan, Xuan Yuan, Hsuan-yuan, Huang Ti, Hwang Ti, Yellow Emperor, Yellow Thearch, the Yellow God, the Yellow Lord
Etymology: the Yellow Emperor, The character 黄 Huang, means “yellow” and is a homophony for the character, 皇 Huang, meaning, “august”, “creator” and “radiant”, Di “emperor”
Huang-Di, the Yellow Emperor ruled during a golden age of Chinese history and mythology. He is the first of five legendary Chinese emperors. Tradition has Huang-Di beginning his rule during 2697 B.C.E. and ending 2597. An alternate date is 2698-2598 B.C.E. These dates were first calculated by Jesuit missionaries studying the Chinese chronicles. They have been accepted by later scholars looking to try and establish a universal calendar.
There are a number of different legends surrounding Huang-Di that tell of his greatness as a benevolent ruler and establishing Chinese civilization. Huang-Di is to have ruled in a Golden Era of history before written Chinese history was established so many of his stories were passed down orally first. Just as Britain has its King Arthur, China has Huang-Di, the greatest ruler of all time that everyone looks up to and reveres.
What’s In A Name?
This gets a little tricky. Depending on the Chinese character used and its pronunciation; depends on what the word is translated to mean.
The character for Di, is used to refer to the highest deity from the Shang dynasty. During the Warring States period, the term Di came to be associated with the gods of the five sacred mountains and colors. After this era, about 221 B.C.E. the term Di came to refer to earthly emperors.
The character for Huang can be translated a couple different ways. Either Yellow or August. Scholars and historians seeking to emphasize the more religious meaning to the name Huaung-Di will translate the name to mean “Yellow Thearch” or “August Thearch.”
Some scholars such as Sima Qian in his “Records of the Grand Historian” compiled in 1st century B.C.E. have given Huang-Di’s name as Xuanyuan. The 3rd century scholar Huangfu Mi have said that this is to be the very same hill that Huang-Di lived and takes his name from. Liang Yusheng, from the Qing dynasty has argued that the hill is named after the Huang-Di. In Chinese astronomy, Xuanyan is the name for the star Alpha Leonis or Regulus.
The name Xuanyuan is also references Huang-Di’s birthplace. Huang-Di’s surname was Gongsun or Ji.
The name Youxiong is thought to be either a place name or clan name. Several Western scholars and translators have given their ideas on what Youxiong translate to. The British sinologist, Herbert Allen Giles says the name is from Huang-Di’s principal heritage. William Nienhauser, in translating the “Records of the Grand Historian” has put forth that Huang-Di is the head of the Youxiong clan who lived near Xinzheng in Henan. The French historian, Rémi Mathieu translates the name Youxiong to mean “possessor of bears” and linking Huang-Di in mythology to bears. Rémi isn’t the only one to make a connection to bears. Ye Shuxian also makes a connection with Huang-Di to the bear legends found throughout northeast Asia and the Dangun legend.
As a culture hero, Huang-Di is seen as a wise and benevolent ruler who introduced government and laws. He is also seen as having taught people several different skills and to have invented several things such as clothing, building permanent structures such as palaces and houses, music, the wheel, armor & weapons, carts, ships, writing, digging wells, agriculture, taming and domesticating animals, astronomy, calendars, mathematics, cuju (a sport similar to football), the compass and currency.
At some time during Huang-Di’s rule, he reputed to have visited the Eastern sea where he met Bai Ze, a supernatural talking beast that taught him the knowledge of all supernatural creatures. Bai Ze explained to Huang-Di there were 11,522 (or 1,522) different types of supernatural beings.
San-Huang – The Three Sovereigns
Also, known as the Three Emperors, they are a group of god-kings and demigod emperors who are believed to have lived some 4,500 years ago. Huang-Di is counted as being part of this group and the leader of their number to have once ruled over China. Other’s counted among this number are Fu Xi, Nuwa and Shennong.
This is another mythological and historical group of rulers important to Chinese culture. These five emperors were virtuous rulers of outstanding moral character. Taihao, the Yan Emperor, the Yellow Emperor (Huang-Di), Shaohao and Zhuanxu are considered among the Five Emperors in this group.
But that makes four with the Three Sovereigns! The math is off! There are a number of variations as to who is counted among these numbers and it all depends on which text and source is used. It will even flip-flop too as to where Huang-Di is placed as either one of the Three Sovereigns or Five Emperors.
Parentage and Family
Huang-Di’ parents are given as Shaodian as his father and Fu Pao as his mother.
According to the “Discourses of the States”, Shaodian is sometimes mentioned as being Huang-Di’s step-father.
Huang-Di seems to have had several different wives:
Leizu – Of Xiling, she is the first wife, she is the most notable with any information as she is the first person to have domesticated silk worms for their silk. With Leizu, Huang-Di had two sons.
Fenglei – Second wife
Tongyu – Third wife
Momu – Fourth wife
Huang-Di is reputed to have had 25 sons. 14 of these sons all started clans of their own with their own surnames.
Shaohao – Also known as Xuanxiao, he would become the Emperor after Huang-Di’s death.
Changyi, who in turn is the father of Zhuanxu who would succeed his uncle, Shaohao as the next Emperor.
Ancestor Of The Chinese
A lot of emphasis and importance has been placed on Huang-Di as many Chinese dynasty rulers would trace the rights of their sovereignty to him. The Chinese Han claim being descendants of both Yandi (The Flame Emperor) and Huang-Di. Eventually, Huang-Di would be seen as the ancestor to all Chinese. A many Dynasty Emperors would all lay claim to Huang-Di’s legacy to prove their rightful claim to the throne.
It should be noted that the earlier mentions of Huang-Di, the Yellow Emperor is on a fourth century bronze inscription for the royal house of the Qi. This inscription claims Huang-Di as an ancestor to the Qi. The scholar, Lothar von Falkenhausen has suggested that Huang-Di is likely created as an ancestral figure in order to claim that all the ruling clans from the Zhou share a common ancestor.
Birth Of A Legend
Per myth and legend, Huang-Di is the result of a virgin birth. His mother, Fubao become pregnant with him while walking out in the countryside and was struck by lightning from the Big Dipper constellation. Fubao would give birth to her son after a period of twenty-four months on either Mount Shou or Mount Xuanyuan. It is for mount Xuanyan that Huang-Di would be named.
In Huangfu Mi’s account, Huang-Di is born at Shou Qiu or Longevity Hill near the outskirts of Qufu in Shandong by modern times. Huang-Di lived with his tribe near the Ji River, a mythological river and later migrated with his tribe to Zhuolu near modern Hebei. As a cultural hero, Huang-Di tames six different animals, the bear, the brown bear, the pi and xiu. The pi and xiu get combined to become a mythological animal known as the Pixiu. He also tames the chu and tiger. I’m not sure which creatures all of these are or the difference between a bear and brown bear is, but there we have it.
Other legends surrounding Huang-Di hold that he could speak shortly after his birth. That when he was fifteen years old, there was nothing that he didn’t know. Huang-Di would eventually hold the Xiong throne.
Trouble In Paradise
Huang-Di’s rule wasn’t completely problem free. One god decided to challenge Huang-Di’s sovereignty. This god was helped by the emperor’s son, Fei Lian, the Lord of the Wind. Fei Lian sent fog and heavy rain to try and drown the Imperial Armies. The emperor’s daughter, Ba (meaning drought) put an end to the rain and helped to defeat Fei Lian and his forces.
The Yellow Emperor And The Yan Emperor
Despite there being some 500 years between Huang-Di and Shennong rules, both of these emperors’ rules near the Yellow River. Shennong hailed from another are up around the Jiang River. Shennong having trouble with keeping order within his borders, begged the Yellow Emperor, Huang-Di for help against the “Nine Li” lead by Chi You and his some 81 brothers who all have horns and four eyes.
Battle of Zhuolu – Shennong was forced to flee Zhuolu before begging for help. Huang-Di used his tame animals against Chi You who darkened the sky by breathing out a thick fog. Huang-Di then invented the south-point chariot to lead his army out of the miasma of fog.
In order to defeat Chi You, Huang-Di calls on a drought demon, Nüba to get rid of Chi You’s storm.
This story sounds a lot like a variation of the previous story where Huang-Di calls for his daughter Ba to defeat Fe Lian.
Battle of Banquan – It is at this battle, that both Huang-Di and Shennong finally defeat Chi You and his forces and replace him as ruler.
Death & Immortality
Huang-Di ruled for many years and is thought to have died in 2598 B.C.E. Legend holds Huang-Di lived over a hundred years, by some accounts this was 110 years. Before he died, Huang-Di met a phoenix and qilin before he rose to the heavens to become an immortal or Xian. He is considered the very archetype of a human who merges their self with the self of the Universal God; how a person reaches enlightenment and immortality.
Another account of Huang-Di’s death is that a yellow dragon from Heaven flew down to take up Huang-Di up. Huang-Di knew that he could not deny destiny and went with the dragon. On their way to fly back to Heaven, they flew over Mount Qiao where Huang-Di asked to be able to say goodbye to his people. The people cried out, not wanting Huang-Di to leave them and they pulled on his clothing to try and keep. Surprisingly, Huang-Di slipped free of his clothing and got back on the dragon to fly up to the heavens. As to his clothing, they were buried in a mausoleum built at Mount Qiao.
Two tombs commemorating Huang-Di were built in Shaanxi within the Mausoleum of the Yellow Emperor. Other tombs were built in Henan, Hebei and Gansu.
Huang-Di is the founder of Taoism, one of the main philosophies and religions found in China.
As Huang-Di began to age, he began to allow his court officials to handle matters and make decisions. Huang-Di moved out into a simple hut in his courtyard. There, as he fasted, prayed and meditated, Huang-Di discovered Tao, or the way, a philosophy that would lead to the ideal state of being.
In some of the older accounts with Huang-Di, he is identified as a god of light and thunder. The name Huang and Guang, meaning “light,” making him a Thunder God. However, Lei Gong or Leishen is the name of another deity and he is seen as Huang-Di’s student.
The legend and origins for Haung-Di have been cast into doubt by many. The scholar Yang Kuan, a member of the Doubting Antiquity School has argued that Huang-Di is derived from the god, Shang-Di from the Shang dynasty. Yang says that the etymology of Shang-Di, Huang Shang-Di and Huang-Di all have a connection to the Chinese character of 黄 Huang, which means “yellow” and its homophony of, 皇 Huang, which means “august,” that to use the character for 皇 Huang, was considered taboo.
Other historians have disputed this claim like Mark Edward Lewis and Michael Puett. While Mark Edward Lewis agrees that the two characters are interchangeable, he has suggested that the character 黄 Huang is closer to the character wang phonetically. Lewis puts forth the idea that Huang might have referred to a “rainmaking shaman” and “rainmaking rituals.” He uses the Warring States and Han era myths for Huang-Di, in that these were ancient rainmaking rituals, as Huang-Di held power over the clouds and rains. Huang-Di’s rival, Chiyou or Yandi held power over fires and drought.
Lord Of The Underworld Or The Yellow Springs
Further disagreements with Yang Kuan’s idea of equating Haung-Di with Shang-Di is the Western scholar, Sarah Allen who has stated that the pre-Shang myths and history can be seen as changes to Shang’s mythology.
By this argument, Huang-Di was originally an unnamed Lord of the Underworld or Yellow Springs, the counterpart to Shang-Di in his role as the supreme deity of the sky. Continuing this theme, the Shang rulers claimed their ancestor as the “the ten suns, birds, east, life and the Lord on High. Shang-Di had defeated an earlier group of people who were associated with the Underworld, Dragons and the West.
After the Zhou dynasty overthrew the Shang dynasty in the eleventh century B.C.E., the Zhou rulers began to change out the myth, changing the Shang to the Xia dynasty. By the time of the Han, according to Sima Qian’s Shiji, Huang-Di as Lord of the Underworld had now become a historical ruler.
During the Warring States era of texts, the figure of Huan-Di appears intermittently. Sima Qian’s text, Shiji (Records of the Grand Historian) is the first work to gather all of the fragments and myths surrounding Huan-Di into a coherent form and narrative. The Shiji would become a very important and influential text for the Chinese and the start of their history.
In the Shiji, Sima Qian he says that the state of Qin began worshiping Huang-Di during the fifth century B.C.E. along with Yandi, the Flame Emperor. Alters had been established in Yong, the capital of Qin. By the time of King Zheng in 247 B.C.E., Huang-Di had become the most important of the four “thearchs” worshiped in Yong.
During the late Warring States and early Han eras, Huang-Di’s cult became very prominent as he is regarded as the founder of the arts, civilization, governing and a supreme god. There have been a number of texts such as the Huangdi Neijing, a classic medical text, and the Huangdi Sijing, a group of political treatises that Huang-Di is credited with having written.
While his influence has waned for a period, the early twentieth century saw Huang-Di become an important figure for the Han Chinese when trying to overthrow the Qing dynasty. For some, Huang-Di is still an important, nationalist symbol.
Huángdì Sìmiàn – Yellow Emperor with Four Faces
In the Shizi, Huang-Di is known as the Yellow Emperor with Four Faces. Other names that Huang-Di is known by are: Sìmiànshén, Four-Faced God or the Ubiquitous God. The name Sìmiànshén is also the name for Brahma in Chinese.
As Huángdì Sìmiàn, Huang-Di represented the center of the universe and his four faces allowed him to see in everything that happened around him and in the world. In this aspect, he communicated directly with the gods for prayer and sacrifice. When traveling, Huang-Di rode in an ivory chariot pulled by dragons and an elephant. He would be accompanied by a troop of tigers, wolves, snakes and flocks of phoenix.
Wufang Shangdi – Five Forms of the Highest Deity
In Chinese texts and common beliefs, the Wudi (“Five Deities”) or Wushen (“Five Gods”) are five main deities who are personifications or extensions of a main deity.
Zhōngyuèdàdì – Huang-Di, when he becomes an Immortal or Xian and deified, is one of the Wudi. As Zhōngyuèdàdì, the “Great Deity of the Central Peak”, he is the most important of the Wudi, representing the element of earth, the color yellow and the Yellow Dragon. He is the hub and center of all creation upon which the divine order found within physical reality makes way for possible immorality. Huang-Di is the god of the governing the material world, the creator of the Huaxia (Chinese) civilization, marriage, morality, language, lineage and the primal ancestor to all Chinese people. In addition, he is a Sun God and associated astrally with the planet Saturn, the star Regulus and the constellations Leo and Lynx. The constellation Lynx in Chinese star lore, represents the body of the Yellow Dragon.
Huángshén Běidǒu – the “Yellow God of the Northern Dipper”, connected to this constellation, Huang-Di becomes identified as Shangdi or Tiandi, the supreme God or “Highest Deity.”
Further, Huang-Di is the representation for the hub of creation, the divine center and the axis mundi for the divine order in physical reality which opens the way to immortality. He is the god who is the center of the cosmos that connects the San-Huang and the Wudi.
Huángdì Nèijing – The Yellow Emperor’s Inner Canon
Also, spelled as Huang Ti Nei Ching (The Yellow Emperor’s Classic of Medicine).
This medical text forms the foundation for traditional Chinese Medicine. it comprises of the theories of the legendary emperor Huang Di who lived around 2600 B.C.E. This tome preserved a lot of ancient medical knowledge and is compose of two volumes. The first one is a dialogue between Huang Di and his minister, Qibo. The second one has the descriptions of anatomy, medical physiology and acupuncture. The real author of this book is unknown.
Huangdi Sijing – Four Scriptures of the Yellow Emperor
In this text, it is explained how regulating the heart and one’s emotions, they will never allow oneself to get overly emotional and carried away. Huang-Di had accomplished doing this during his three years at the refuge at Mount Bowang in order to find himself. Doing this, creates an internal void where all the forces of creation gather, where the indeterminate they stay, the more powerful these forces of creation will be. In more simpler terms, this is self-mastery and self-control.
Other Books –
Other books attributed to Huang Di are: Huángdì Yinfújing (Yellow Emperor’s Book of the Hidden Symbol) and the Yellow Emperor’s Four Seasons Poem that is found contained in the Tung Shing fortune-telling almanac.
As a Sun God, Huang-Di as Zhōngyuèdàdì is associated astrally with the planet Saturn, the star Regulus and the constellations Leo and Lynx. The constellation Lynx in Chinese star lore, represents the body of the Yellow Dragon.
Going Back To Where It All Began!
As previously mentioned earlier, tradition has Huang-Di begin his rule during 2697 B.C.E. and ending in 2597. An alternate date is 2698-2598 B.C.E. These dates were first calculated by Jesuit missionaries studying the Chinese chronicles. They have been accepted by later scholars looking to try and establish a universal calendar.
It should be noted that the traditional Chinese calendar didn’t mark years consecutively. Some Han-dynasty astronomers have tried to determine when Huang-Di ruled. Under the reign of Emperor Zhao in 78 B.C.E. a court official, Zhang Shouwang calculated that some 6,000 years had passed since the time of Huang-Di rule. The court however rejected this claim and said that only 3,629 years had passed. Comparisons with the Western, Julian calendar place the court’s calculations to the late 38th century B.C.E. for Huang-Di. Nowadays, the 27th century B.C.E. is accepted by many.
Possible Reality Behind The Legends
Getting anything for reliable accuracy and the historical context of China before the 13th century B.C.E. is difficult. There is a lot of reliance on what archaeology can provide and prove. The earliest Chinese writing and records date to the Shang dynasty around 1200 B.C.E. This system of writing is the use of bones for oracles. Even any hard evidence for the Xia dynasty is hard to find, even with Chinese archaeologists trying to link this dynasty to the Bronze Age Erlitou sites.
Many Chinese historians view Huang-Di to have a stronger historical basis than other legendary figures like Fu Xi, Nuwa and the Yan Emperor. While many legendary figures and ancient sages have all been considered to be historical figures, it is not until the 1920’s that members of the Doubting Antiquity School in China began to question the accuracy of these legends and claims.
Warring States Era
These early figures of Chinese history, as Gu Jiegang from the Doubting Antiquity School, as stated are mythological in origin. They started off as gods and then became depicted as mortal during the Warring States era by intellectuals.
Yang Kuan, another member of the Doubting Antiquity School, has commented that it is only during the Warring States era that Huang-Di is mentioned as the first ruler of China. Yang goes on to argue that Huang-Di is really the supreme god, Shang-Di, the god of the Shang pantheon.
Even the French scholars Henri Maspero and Marcel Granet, in their “Danses et légendes de la Chine ancienne” (“Dances and legends of ancient China”) have commented that early Chinese legends have more to do with the period to when they were written than to when they are supposed to have happened.
From God To Man
Huang Di’s status as a god faded during the 2nd century C.E. with the rise and reverence of Laozi. Huang Di will still be regarded as an immortal and the master of the longevity techniques and a deity who would reveal new teachings in the form of books like the Huang Di Yinfujing in the 6th century C.E.
Nowadays, many scholars accept the view that Huang-Di and other figures like him started off as a god of religious importance and then become humanized, mortal during the Warring States and Han periods. Even though Huang Di’s status as a god faded during the
Chang Tsung-tung, a Taiwanese scholar has argued, that based on a vocabulary comparison between Bernhard Karlgren’s Grammata Serica and Julius Pokorny’s Indogermanisches etymologisches Wörterbuch, there is a connection with the Old Chinese and the Proto-Indo-European etymologies. That there is a strong influence of Indo-European languages on the Old Chinese language around 2400 B.C.E. Chang goes on to say that the Shang dynasty was founded by Indo-European conquerors and identifies Huang-Di as an Indo-European god. Chang says that the “yellow” in Huang-Di’s name should be interpreted as referring to blond hair. That as a nomad of the steppes, Huang-Di encouraged road construction and horse-drawn carriages to establish a central state.
This idea, to me, seems farfetched. Since it is one of the ideas I came across, I’ll include it here.
Thanks to the French scholar, Albert Terrien de Lacouperie, many Chinese historians got hooked on the idea Chinese civilization getting its start in 2300 B.C.E. by Babylonian immigrants and that Huang Di would have been a Mesopotamian tribal leader. This idea has been rejected by European sinologists, however the idea was advocated for again by two Japanese scholars Shirakawa Jiro and Kokubu Tanenori in 1900.
The ideas certainly seem to held on to by anti-Manchu intellectuals who are looking for the truth of China’s history and wanting to prove the superiority of the Han over the Manchu and the importance of Huang Di as the ancestor of all Chinese.
The Mausoleum Of The Yellow Emperor
Also called Xuanyuan Temple, this mausoleum is the most important of ancient mausoleums in China and praised as “the First Mausoleum in China.” The mausoleum is located at Mount Qiao, north of the Huangling County of Yan’an some 200 kilometers north of Xi’an, the capital of Shaanxi Province. According to historians, the mausoleum was first built on the western side of Qiao during the Han Dynasty (206 B.C.E. – 220 C.E.) It was later restored during the Tang Dynasty (618 – 907 C.E.) It had been damaged by floods and moved to Qiao’s eastern side by the Emperor Song Taizu of the Song Dynasty (960 – 1234 C.E.)
During the Qingming Festival that is held on April 5th, Chinese people from all over gather to hold a memorial ceremony to commemorate the Yellow Emperor, Huang-Di. Yan’an also earns the distinction of being considered the birthplace of Chinese civilization.
I came across a few of the gods or ancestral deities for the Shilluk people. However, the information is sparse enough, I decided to combine all the deities into one article in order to expand this post. Plus, it feels more worthwhile writing it up.
First up is that Shilluk is a corruption of the word Chollo, so a lot of my research did center around looking up Shilluk and not just Chollo.
The Shilluk or Chollo people are a large, native or Luo Nilotic people living along the Nile River of modern, Southern Sudan.
Legend and traditions hold that sometime during the 15th century C.E., Nyikango, the mythical ancestor and founder of the Shilluk or Chollo nation had an argument with Dimo and other Luo groups in a place known as Bahr el Ghazel.
Taking a group of his closest family and friends, Nykango led them northwards up along the Nile in rafts and canoes until they found the place of Otango Dirum to settle. Through the use of war and diplomacy, Nykango managed to conquer over time the entire area of Otango Dirum. For each of the tribes, Nykango granted a name and ritual they were to perform. Legends and tradition hold that Nykango’s son, Dak was the most influential in establishing the Shilluk Kingdom.
Today though, the Shilluk as a nation is recognized by the Sudanese state as only part of native administrations. Since 1837, the Shilluk have never truly free except for a brief period from 1881 and 1898 during the Mahdiya. The Shilluk still have a common territory, language, tribal authority they listen to and their customs and traditions they hold to.
Diang is a cow goddess, she lived along the west bank of the Nile river. She is seen as the wife of the first human Omara that had been sent by the Creator God, Juok.
Diang and Omara have a son, Okwa who grows up and marries the crocodile goddess Nyakaya.
In Shilluk religion and beliefs, this shows a connection of the three major elements of life. Men or humans for the sky, cattle for the earth and crocodiles for water.
Juok is known by a number of other names: Jo-Uk, Joagh, Joghi, jok, Joogi, Jouk, Jok Odudu, Ju-Ok, or Jwok
He is the main Creator God of the Shilluk and other tribes along the upper areas of the Nile river. It is generally believed that Juok controls the destinies of all living creatures. The legendary Shilluk king, Nyikang is often seen as being Juok’s earthly representative or avatar much like the Egyptian pharaohs were often seen as the living god Ra in earthly form. Other tribes such as the Acholi and Lango use the name Jok to refer to local or ancestor spirits.
A crocodile goddess, she is the wife of Okwa and the mother of Nyikang.
Also known as Nyakango.
He is a fertility god and the mythical ancestor from whom all the kings of the Shilluk are descended from. Being an immortal and the avatar of Juok, Nyikang is believed not to have died, but instead, to have vanished in a whirlwind. The later kings of the Shilluk are seen as the reincarnations of Nyikang. The vitality and well-being of the tribe is closely connected to the health of Nyikang.
The son of Omara and Diang, he is the husband of Nyakaya and the father of Nyikang.
The husband of Diang, he is the first man in the mythology of the Shilluk. Omara and Diang fathered Okwa who would eventually found the lineage of Nyikang.
Etymology – Greek – ophis (serpent), ekhein or okhos (holder), “Serpent-Bearer”
Also known as: Ὀφιοῦχος (Greek), Anguitenens, Serpentarius, Hebitsukai-Za (Japanese, “Serpent Bearer”, the Serpent-holder, the Serpent Bearer, the Serpent Wrestler, or the Snake Charmer
The constellation of Ophiuchus is represented as a man holding a snake, seen in the constellation of Serpens. The body of Ophiuchus divides the Serpens constellation in half to Serpens Caput and Serpens Cauda.
The ancient Greeks saw the god Apollo in the constellation of Ophiuchus, contending with a large snake that guarded the Delphi Oracle. Many others have seen various legendary healers from Joseph and Aaron from the Bible, Imhotep and Asclepius in this constellation.
Astronomy & Astrology
Much of the foundations of Western knowledge regarding the fields of Astronomy and Astrology owe its roots to Ancient Mesopotamian cultures. Many ancient cultures studied the stars, seeing in them patterns that are called constellations. These ancient astronomers could make predictable, annual turnings of the heavens that they could divide and mark for the passing of the Seasons and time. For the ancients, Astrology served as a precursor to Astronomy and they believed that by studying the heavens, they could foretell future events and even a person’s life path.
These ancient cultures would also meet and exchange ideas frequently and in this fashion, when the Greeks encountered the Persians, there was an exchange of knowledge regarding Astronomy that becomes the constellations and zodiacs so many know today. Eventually, there is no clear distinction between what ancient Mesopotamian Astronomers and Greeks Philosophers knew. Even in current, modern times, the influence of these ancients is still known.
The constellation known as Ophiuchus is one of 48 constellations listed by the 2nd century astronomer Ptolemy in his book, Almagest. Today it remains as one of the 88 current or modern constellations. It is a large constellation, ranking 11th in size and located near the celestial equator. Ophiuchus was previously known as Anguitenens and Serpentarius; which in Latin has the same meaning as the modern name.
Constellations bordering with Ophiuchus are: Aquila, Libra, Scorpius, Serpens and Hercules. If you know where in the night sky that Orion is, Ophiuchus on the opposite. The best time to spot Ophiuchus is during the month of July in the Northern Hemisphere.
The ancient Babylonians have a constellation known as the “Sitting Gods” that might have been in the same location of the night sky that Ophiuchus is found.
The Sumerian god, Enki has also been suggested as who the constellation is based on.
In his book, Babylonian Star-lore, Gavin White suggests that Ophiuchus has a connection to the ancient snake god, Nirah, who is sometimes depicted having the upper body of a man and snakes for legs. This idea seems a bit farfetched as there aren’t too many other scholarly works to validate or refute it.
Ophiuchus, combined with Serpens was known as Nu-tsir-da.
Arabic & Islamic Astronomy
According to 10th century C.E., Azophi’s Uranometry, the constellation of Ophiuchus is known by the name of Al-Hawwa’, the Snake-Charmer.
An Arabic title for Ophiuchus is Suille. Herodotus mentions a tribe of snake-charmers known as Psylli in North Africa. This part offered up some confusion keeping this straight. Again, as there’s some conflicting information and research. I found a “le Psylle” that refers to an insect. This may be to a lot of confusion with languages and translations.
To the ancient Chinese astronomers, Alpha Ophiuchi is known as Hou, a senior assistant to the Emperor. The Emperor’s thrown, Dizuo is located directly north in the Hercules constellation where it corresponds with the star Alpha Herculis. What exactly Hou’s role is, is rather unclear. Some have referred to him as an overseer, an usher bringing in guests and possibly an astrologer.
The stars Iota and Kappa Ophiuchi formed Hu, a measuring cup for liquids, this constellation is found further in the Hercules constellation.
For the ancient Chinese, the southern part of Hercules, most of Serpens and Ophiuchus were viewed as a celestial market place, Tianshi. To the left of Tianshi, there is an eastern wall that starts in the constellation of Hercules and heads south through Serpens Cauda and ending in Ophiuchus at Eta Ophiuchi. To the right of Tianshi, a western wall runs southward from Hercules, through Serpens Caput and ends in Ophiuchus with stars Delta, Epsilon and Zeta Ophiuchi. The stars 20 Ophiuchi and Chesi are seen as market stalls along the right wall. The stars Lambda Ophiuchi and Sigma Serpentis made up Liesi, an arcade where jewelers shops could be found.
Comprised of stars Mu, 47, 30 and a much fainter star formed a six-star loop that represents a hall or a tower housing the trading standards office. Finishing out this shape are the stars Omicron and Nu in Serpens Cauda.
Zongzheng, Zongren, and Zong
These three constellations are found to the south of Hou. Zongzheng is noted by the stars Beta and Gamma Ophiuchi and Zongren is noted by the stars 66, 67, 68 and 70 Ophiuchi. These two constellations are seen to represent a governor and his aides who are supervising the younger members of the royal family. Zong is noted by the stars 71 and 72 Ophiuchi and is seen to represent a revered ancestor to the royal family.
The stars Phi, Chi, Psi, and Omega Ophiuchi formed Dongxian found outside the market walls. Dongxian is the western door to the steward’s room, used for investigating on any trade infractions. The eastern door, Xixian is found in Scorpius and Libra.
Marked by Theta Ophiuchi and three other stars, this constellation is a celestial river, located in the Milky Way and thought to control the waterways.
Lying next to Tianjiang, this constellation is composed of eight faint stars found in Ophiuchus and Sagittarius. It is thought that Tianyue lays directly on the ecliptic and represents a keyhole or lock that the Sun must thread itself through every year. It lays directly across the heavens from Tiangun, a gate found on the ecliptic within the Taurus constellation.
In later symbolic literature for Christianity, the imagery of Ophiuchus and the serpent is used in the story of the Garden of Eden. In his Paradise Lost, John Milton uses Ophiuchus as a major simile where he compares Satan to a comet that burns through the length of the constellation.
Again, with the strong imagery of the figure holding a serpent, some astrologists have connected the story of Joseph from the Biblical Book of Genesis and his interpreting dreams for the Pharaoh. Another story connecting Ophiuchus to the bible is that of Aaron and his casting down his rod to become a snake.
Due to the rise of interest in Ophiuchus as a 13th Astrological sign, many have been quick to identify the Greek physician Asclepius in this constellation. In turn, discussion extends to an earlier Egyptian healer, Imhotep that Asclepius is based on.
The 4th century B.C.E. Greek poet, Aratus has the earliest mention of Ophiuchus in his Phaenomena, which in turn is based on earlier works by Eudoxus of Cnidus. While Aratus didn’t know much about astronomy by Greek standards of the day, he was very well known for his poetry and descriptive imagery for the constellations.
The ancient Greeks saw the god Apollo in the constellation of Ophiuchus, contending with a large snake that guarded the Delphi Oracle.
The son of the god Apollo, Asclepius is the figure most often seen and identified in the constellation of Ophiuchus. Elevated to the status of a demi or lesser god, Asclepius was greatly renowned for his healing skills to the degree that he could even bring people back from the dead.
This knowledge of healing came about after Glaucus, the son of King Minos of Crete had fallen into a jar of honey and drowned. Asclepius had been called into the scene and while there, saw a snake slithering towards Glaucus’ body. Asclepius killed the snake and then saw another snake come in and place an herb on the body of the first snake, bringing it back to life. After witnessing this, Asclepius proceeded to take the same herb and place it on Glaucus’ body and bring him back to life.
Another story of Asclepius bringing people back to life is the resurrection of Thesues’ son, Hippolytus after the king’s son had been thrown from his chariot.
Asclepius had been raised by Chiron, the immortal centaur and god in his own right. From Chiron, Asclepius learned the art of healing and in one story, Asclepius received the blood of the slain gorgon Medusa from the goddess Athena. The gorgon’s blood reportedly held some mystical qualities. The blood taken from the left side of Medusa’s body was a poison while the blood taken from the right side would be able to resurrect people, bringing them back from the dead.
This caused enough of a complaint from Hades to Zeus that humans would become immortal and that there wouldn’t be any one entering the Underworld. To prevent people from becoming immortal, Zeus agreed to kill Asclepius, doing so with a lightning bolt. Later, Zeus placed Asclepius’ image up into the heavens to become the constellation of Ophiuchus in honor and memory.
Ophiuchus is part of the Hercules Family of constellations. The myth I found making this connection, has the famous hero Hercules kill Kaikias, the Blinding One. Kaikias or Caecius is the god of the North East Wind who is shown carrying a large shield that scatters hailstones upon the earth.
Other Greek myths see the figure of Laocoön, a Trojan priest of Poseidon. Laocoön had tried to warn the other Trojans about the Trojan Horse and the fact that the Greeks were hiding within it. He would later be killed by a pair of sea serpents sent by the gods to punish Laocoön.
Another Greek myth links Phorbos with the constellation of Ophiuchus. The son of Triopas and Hiscilla, Phorbas became the hero of the island of Rhodes when he saved the people from a plague of serpents. Sometimes this is interpreted to have been dragons, but snakes is often referred to or meant in the story. An oracle had told the people to call on Phorbas who came and rid the island of snakes.
Renaissance And Early Modern Depictions
Inspired by Aratus’ description of Ophiuchus stepping on the constellation of Scorpio with his feet, others such as Renaissance artist such as Albrecht Dürer and astronomer Johannes Kepler continued this idea.
For the Romans, the legendary healer, Asclepius is Romanized to the Latin spelling of Aesculapius. The Ophiuchus constellation is known by the Latin name of Serpentarius.
The constellation of Ophiuchus, along with 18 other constellations of: Cygnus, Hercules, Sagitta, Aquila, Lyra, Vulpecula, Hydra, Sextans, Crater, Corvus, Serpens, Scutum, Centaurus, Lupus, Corona Australis, Ara, Triangulum Australe, and Crux.
These constellations have some connection to the overall legend and myth of the Grecian hero Hercules. They are the largest grouping of constellations found in the Western Hemisphere.
The connection extends from Donald H. Menzel, the director of the Harvard Observatory, who in his A Field Guide to the Stars and Planets, takes groups of constellations based on where in the night sky they are located and grouping them by the very same location.
Stars Of Ophiuchus
Alpha Ophiuchi – Also known as Rasalhagues or Ras Alhague, meaning “Head of the Snake Charmer” or “Snake Collector” in Arabic, is the brightest star in the Ophiuchus constellation. It marks the head of Ophiuchus.
Beta Ophiuchi – Also known as Celbalrai. Cheleb and Kelb Alrai, it comes from the Arabic word kalb al-rā‘ī, meaning “the shepherd dog.” Ptolemy in his Almagest, placed the right shoulder of the Serpent Holder with this star along with Gamma Ophiuchi.
The Arabs saw a Shepherd in the star Alpha Ophiuchi with his dog, the star Beta Ophiuchi guarding sheep in the area.
Delta Ophiuchi – Also known as Yed Prior, the word “yed” comes from the Arabic language meaning “the hand.” Along with the star Epsilon Ophiuchi, these two stars mark the left hand of the Serpent Bearer, holding the head of the snake.
Epsilon Ophiuchi – Also known as Yed Posterior, this star along with Delta Ophiuchi mark the left hand of the Serpent Bearer.
Eta Ophiuchi – Also known as Sabik is the second brightest star in Ophiuchus.
Gamma Ophiuchi – Ptolemy in his Almagest, placed the right shoulder of the Serpent Holder with this star along with Beta Ophiuchi.
Iota Ophiuchi – Ptolemy in his Almagest, placed the left shoulder of the Serpent Holder with this star along with Kappa Ophiuchi.
Kappa Ophiuchi – Ptolemy in his Almagest, placed the left shoulder of the Serpent Holder with this star along with Iota Ophiuchi.
Barnard’s Star – This is the second or third closest star to our own sun about 6 light-years away. The only other stars that are closer are those found in the Alpha Centauri binary star system and Proxima Centauri. Banard’s Star is located just north of a V-shaped group of stars that form a now obsolete constellation known as Taurus Poniatovii or Poniatowski’s Bull, specifically 66 Ophiuchi.
Taurus Poniatovii – Obsolete Constellation
According to Ptolemy’s The Almagest, the stars 66, 67, 68, 70, and 72 Ophiuchi made a short-lived constellation that formed a bull. The constellation has since then been combined wiwth Ophiuchus to form the right shoulder and tail of the serpent.
First off, what is a Superbubble? It’s an astronomical event that happens when area of space, often hundreds of light years in distance has been created by several stars going supernovae and stellar winds blowing in interstellar gas. It’s basically what’s left over after the star or stars have finished going nova.
2005 saw a group of astronomers using information from the Green Bank Telescope to discover and identify one such Superbubble or Supershell. This particular superbubble is so large it reaches out beyond the furthest edges of the galaxy.
Also, known as Keplar’s Star. On October 9th, 1604, Johannes Kepler observed a supernova near the star Ophiuchi. Johannes would study this nova so extensively that it would eventually be named after him. The book, De stella nova in pede Serpentarii (On the New Star in Ophiuchus’ Foot) contains all of Johannes’ studies and finding on this nova.
Galileo used this nova’s brief appearance when countering Aristotelian dogma and beliefs that the heavens were unchangeable.
Little Ghost Nebula
This is a planetary nebula found in Ophiuchus by William Herschel. It is about 2,000 light years away from the Earth.
Dark Horse Nebula
Also, known as the Great Dark Horse is a nebula found in Ophiuchus. This nebular is so named as its shape looks like the profile of a horse. It lays near the border with the constellations of Sagittarius and Scorpius. The Dark Horse Nebula is one of the largest and with the right conditions, it can be seen without the aid of binoculars.
This nebula is part of the larger Dark Horse Nebula and is considered to form the hind legs or quarters of the Dark Horse. Like the Dark Horse, the Pipe can be seen without any aid from telescopes or binoculars, but its still helpful to use them.
Yet another nebula found in Ophiuchus. Like the Pipe Nebula, the Snake Nebula is also part of the much larger Dark Horse Nebula. It is about 650 light years from the Earth. While small, the snake is easily found for its distinctive s-shape near the bowl part of the Pipe Nebula.
Twin Jet Nebula
Also, known as Minkowski’s Butterfly or the Butterfly Nebula, it was first discovered by German-American astronomer Rudolph Minkowski in 1947. The nebula is so named as it appears like either a butterfly or a pair of exhaust pipes on a jet.
There are four meteor shows associated with the constellation of Ophiuchus. They are the Ophiuchids, the Northern May Ophiuchids, Southern May Ophiuchids and Theta Ophiuchids.
Ophiuchus In Astrology?
The 13th Sign of the Zodiac!
Not so fast there! It may sound great and exciting, but such is not the case.
The idea of a 13th Sign for the Zodiac quickly caught fire in the imaginations of many aspiring astrologers, New Agers and assorted others.
Even from the expert astrologers, it must be remembered that Ophiuchus is a constellation, not a new Zodiac Sign. You don’t have to worry about going to bed, believing you were a Scorpio or Sagittarius and suddenly, everything has changed and you’re now an Ophiuchus. Nothing of the sort.
Yes, Ophiuchus is one of thirteen constellations that crosses the ecliptic as the earth makes it monthly journey around the sun and appears to move from one Zodiac Sign to the next. There is a huge difference though between a constellation and a Sign within the Zodiac. Traditionally the classical Greek Zodiac is set up into twelve Signs that stretch along the earth’s ecliptic path with each sign having roughly a month’s time. Especially in the Western traditions. The set up for the for the Signs also follow the changes of the seasons so that the March equinox will fall on the day when the celestial boundary is between Aries and Pisces.
Constellations on the other hand, vary in size and are based on the positions of the stars. Due to the precession of the equinoxes over the millennia, a Sign and constellation no longer directly line up and correlate to which Zodiac is in the heavens.
A History Lesson
Ptolemy, in his book Tetrabiblos, 170 C.E., mentions only 12 Signs. Yes Ophiuchus and some of the fixed stars got used by some of the ancient astrologers for the more significant celestial events. The 1st C.E. poet Manilius for example, in his Astronomica, describes Ohiuchus in an astrological poem. Later, Manilus goes on to discuss the astrological influence of Ophiuchus, commenting that when this constellation is rising, a person will have an affinity for snakes and be protected from their poison. Of course, a later 4th century astrologer known as Anonymous of 379 will make the association of Ras Alhague, the brightest star in Ophiuchus, as the star of doctors, healers and physicians.
Alright, so I can see where some people will jump up and down getting excited for: “See! It is the 13th Sign!”
In more modern 20th and 21st century, the IAU (International Astronomy Union) in 1930 came up with the idea of 13 astrological Signs due to “the Sun is in the sign of Ophiuchus” between November 29th and December 17th with where the constellation boundaries lay. This continues with Stephen Schmidt in 1970, when he suggested a 14-Sign Zodiac, which includes Cetus as a Sign. Later, in 1995, the 13-Sign Zodiac is put forward by Walter Berg in his “The 13 Signs of the Zodiac” and Mark Yazaki in Japan. There, the concept of Ophiuchus took off in Japanese pop culture appearing in a number of video games, notably Final Fantasy and the anime and manga series known as Fairy Tail.
People’s imaginations got fired up for a 13th Sign when an astronomy professor Parke Kunkle from the Minneapolis Community and Technical College explained to his local paper, the Minneapolis Star-Tribune about the precession of stars over time and that eventually, old markers for time with the changes of the season altered.
The specific quote is this – “Two thousand years ago the Sun was ‘in’ whatever it was in. Now it’s about a whole constellation off from that.” It’s a quote that went viral and got picked up by various media news sites. And for the lay person who first gets into Astrology or doesn’t know anything at all, there’s the assumption that it’s all based on the constellations and not the Signs.
But It Must Be A Sign!
If you’re insisting it must be a new Zodiac Sign, here we go –
The time for Ophiuchus is from November 29th to December 17th. This takes up a good chunk of the time that’s for Sagittarius that typically runs from November 23rd to December 21st. Perhaps you can see why this is problematic.
As a 13th Sign, Ophiuchus doesn’t have an opposite Sign like all the others do. Adding Ophiuchus makes the use of the Zodiacs more Constellation based or sidereal. The use of sidereal astrology is more typical of the Vedic Astrology. Walter Berg states that the Sun is the Planet associated for this Sign. Many also place a strong emphasis on Ophiuchus’ role and affinity with healing through the use of imagery with Asclepius, Imhotep and to a lesser degree others like Joseph of Biblical fame for his interpretation of dreams and the Babylonian god Enki.
Ophiuchans are described as: seekers of wisdom and knowledge, they’re known for having a flamboyant or brightly colored wardrobe, they get along will with authority and supervisors, a seeker of peace and harmony, dream interpretation, premonitions, medical affinity, likely to have a large family though possibly have left their own home at an early age and have an eye for design and construction. The number 12 is considered an Ophiuchan’s lucky number and people may or may not be a bit envious for their progress and advances in life.
Etymology – Of Mount Agdistis
Agdistis is a hermaphroditic deity who originates in Anatolian mythology. They would later be introduced and imported into the Greek and Roman myths, where they would, like a good many other local deities, become absorbed by a more popular deity.
Very simply, as is extrapolated from the mythological evidence and what little is known, Agdistis as a hermaphrodite themselves, they are the deity of hermaphrodites and eunuchs, a deity of healing, benevolent in nature and who’s sacred plant is the Almond tree.
Parentage and Family
Papas – The best I could find for this, is that the name Papas is a Greek surname meaning Priest. So perhaps one of Cybele’s priests is the parent of Agdistis. Again, by rape or seduction from Zeus, in Greek mythology.
Pausanias Version – The Sky-God Zeus and Earth-Mother Gaia are mentioned as the parents of Agdistis. Though some have noted that Ouranos should be listed as the father and not Zeus. Given the reputation that Zeus has in the mythologies, it seems like everyone is trying to make a connection, no matter how it comes across.
Epithet Of Cybele
The name Agdistis is generally taken as an epithet of Cybele, the Magna Mater or Great Mother Goddess of Rome.
In addition, is the theory passed around by scholars that Agdistis may just be part of a continuous line of androgynous deities out of Anatolia. Some of the names are Andistis, the name of a potentially ancient Phrygian deity and Adamma that dates to the Kizzuwatna kingdom during the 2nd millennia B.C.E.
Cults Of Agdistis
This shouldn’t be too surprising Agdistis would have her own worshipers and followers before getting absorbed into the larger myth associated with Cybele.
While some like Hesychius and Strabo make the case for Agdistis being another name that Cybele is known as in their place of worship in Pessinus; there are a number of ancient inscriptions that clearly show the two gods as being separate. Some have been found in Mithymna and Paros.
As an Anatolian goddess, Agdistis’ cults and worship could be found in Attica, Egypt, Lesbos, Panticapeum, Piraeus and Rhamnus at different points in history between 250 B.C.E. and 3 B.C.E.
Agdistis’ shrine in the Philadelphia found in Asia Minor held a strict code of conduct and behavior. Interestingly enough, in other places like Sardis, inscriptions have been found that forbade the priests of Zeus from participating in Agdistis’ mysteries. Not surprising given the nature of some of the stories that would later become connected between the two.
Goddess Of Healing!
There is apparently supposed to be some evidence found among ancient inscriptions that Agdistis may have really been a goddess of healing and one who was good-natured before any later myths do drastic changes to her nature.
As a deity separate from Cybele, Agdistis was a mountain deity found on Mount Dindymus near the city of Pessinus.
You Called Him A Daimon!
Yes, as in the Greek term and meaning for the word spirit. It is Christianity that takes and twists the word and meaning to Demon, for an evil spirit or being.
Among the ancient Greeks, the word daimon means spirit or “replete with knowledge.” They recognized both good (eudemons) and bad (cacodemons). The word or term daimon also means “divine power,” “fate,” or “god.” And in Greek mythology, daimons could also include deified heroes.
Daimons functioned as messengers or intermediary spirits between men and gods. The good daimons were viewed as guardian spirits who gave guidance and protection to those they watched over. The bad daimons, naturally, weren’t so nice and could mislead people, getting them into trouble.
Strange Deity In A Strange Land
Most people are familiar with Agdistis’ part in the Greek and Roman myths when she has become combined and subsumed with the myths of Cybele and Attis.
Anatolian Goddess – Before the drastic changes to her myth, Agdistis had been a benevolent goddess of healing. Accepted for as they are until later changes are made and forced to this goddess as she and many others are absorbed into the larger myth of Cybele and adopted by other cultures, namely Greece and Rome.
Agdistis is a hermaphrodite or androgynous being; having both the male and female sexual organs. This dual nature of Agdistis made them symbolic of the wild and uncontrollable nature. This is an aspect that was seen as so threatening to the other gods that they sought to destroy Agdistis. The one explanation found or given is that with Agdistis being a hermaphrodite, they held a huge sexual appetite and the gods were unable to handle it. They felt that this being could and should only be one gender or the other and for the gods, it was easier to remove the male sexual organs.
There are a lot of ancient inscriptions that plainly and clearly show Agdistis as being separate from Cybele. However, later, Agdistis’ name would become one of Cybele’s many epithets. A common occurrence for many localized gods and goddess of Phrygia as gods were imported into Greece and then Rome. Add to this, many deities of a foreign place were often seen as being the same god, just known by another name, particularly with Rome’s penchant for expansion and conquering.
There are multiple versions of the story for how Agdistis is attacked by the other gods and is castrated, how Attis is born and that Agdistis, now Cybele falls in love with the youth Attis, promising to make him immortal.
How in some versions, Attis is punished for falling in love with his mother, how instead of keeping his vow to Cybele to only follow her, that he falls in love with another and that a jealous, angry Cybele drives Attis and the other guests at a wedding mad. How after, regretting her actions that she pleads to Jupiter/Zeus to restore Attis. One version of the story has both Agdistis and Cybele as separate beings who both fall in love with Attis.
Getting absorbed into the greater whole and myths involving Cybele and Attis has meant a lot of changes and not necessarily for the better. The stories now turn this once benevolent goddess of healing into some sort of sex crazed monster that the other gods couldn’t handle. And when Agdistis gives birth or is part of siring a son, Attis, they’re so driven by lust and jealousy they drive their own offspring into madness and suicide. That is not a happy way to end things.
I have to add in the double standards that it’s okay for Pan and the numerous satyrs to be sex-crazed or how about the numerous love affairs that Zeus is credited with? The only thing I can comment on is that this is an ancient people and their different cultures who are long since gone, even though we have their stories.
The Greek Myths
Dionysus & Agdistis – With Agdistis being a hermaphrodite, the other deities of Mount Olympus couldn’t handle the huge sexual appetite that a being like Agdistis is perceived to have.
The solution? Make Agdistis single gender like the other gods.
Dionysus or Liber makes a potion that they mix in with Agdistis’ drink so they pass out asleep. It is then that Dionysus ties Agdistis’ genitals to a tree or sometimes their own foot. This way, when Agdistis jumps up from their sleep, they rip off their own genitals.
From Agdistis’ spilled blood that hit the earth, an almond tree is to have sprung up. The nymph Nana, the daughter of the river god Sangarius is said to have picked some of the almonds and either eat them or when laying them on her lap, becomes pregnant and gives birth to the god Attis.
Attis & Agdistis
The story continues, when Attis grew up, he was considered extremely handsome and Agdistis fell in love with him. Their own child and in many ways creepy. Attis’ adoptive relatives had plans for the youth to marry the daughter of the King of Pessinus. Other, slight variations to this story have the King punishing Attis with marriage to his daughter for the incestuous affair with his mother.
In either event, when the two are making their marriage vows and ceremony, Agdistis appears and causes all of the wedding guests to become mad. Both Attis and the King wind up castrating themselves. The Princess cuts off her own breasts. As a result of the self-inflicted wounds, Attis dies and a suddenly grieving Agdistis pleads with Zeus to restore Attis to life. Zeus intercedes with the promise that Attis won’t die and will be reborn.
Incidentally, a hill or mountain by the same name of Agdistis in Phrygia is where Attis is believed to have been buried.
Other variations to this story have both Agdistis and the goddess Cybele falling in love with Attis.
The Roman Version – In one version of the myths, Cybele, known as Agdistis is thought to have been a hermaphrodite, having been born of the earth where Jupiter’s sperm fell. The gods castrated Agdistis who then becomes the goddess Cybele. Where the severed pieces of Agdistis’ manhood fell, an almond tree grew. The fruit of this tree impregnated the nymph Nana when she placed an almond on her womb. She later gave birth to the god Attis. The baby Attis was abandoned by Nana as she was afraid of her father. The baby Attis was discovered and saved by shepherds. Attis would grow up to become Cybele’s lover.
Pausanias’ Version – Pausanias identifies the Phrygian Sky-God and Earth-Goddess as being Zeus and Gaia.
In Pausanias’ version of the story, while sleeping, Zeus had some of his sperm fall on the ground. This, of course, created a Daimon that was hermaphroditic, having the sexual organs for both male and female. This Daimon would be called Agdistis, another name for Cybele. The other gods feared Agdistis and cut off the male organs. This proceeded to create an almond tree. The daughter of the river Saggarios then took the almond fruit and held it to her bosom where it vanished. The daughter would find later that she was pregnant and give birth to Attis.
Other Versions Of The Story
A slight variation to this story is that while Gaia, as the Great Mother slept on a rock called “Agdo,” the god Zeus raped Gaia and brought about Agdistis’ birth.
Depending on the version of the story read, there are different accounts to the sequences of events and who is involved, a river nymph or king’s daughter that Attis marries.
It certainly reads as a very conflicting story that will vary by which author relates it. There have been a good many changes to the story, especially considering how much Attis appears to be a later addition by the Romans. At the same time, myths are evolving and changing and shouldn’t stay completely stagnant.
Hermaphrodite Versus Intersex
The entire story of Agditis reflects people’s limited understanding and dates back several thousands of years ago. It reflects an era of a lack of medical understanding and cognitive and religious biases that people wanted to enforce.
If you came here looking justification on persisting to use the outdated and older term of Hermaphrodite for today’s usage. Well no. An increased and better understanding of Medical Science and biology of just what is happening and going on, the proper term to use is Intersex. No two cases will be exactly alike and there’s a lot going on with why it happens.
People are fallible and often, no amount of current, improved, better understandings of Medical Science and Facts will change a viewpoint. Worse, is when a person double downs on their cognitive and religious biases. The equivalent of hands over the ears, screaming “la la la! I can’t hear you!” and they don’t want to budge on what they learned as being true, right and correct.
Hermaphrodite gets used in the ancient myths, especially those of Greek and Roman stories to reflect the time era, what was understood and it’s an effort to try and present the myths as found. Hey, look what I found in the dustbin of mythology and sometimes, it just isn’t pretty of what happens, was believed and justified.
Also known as: 叔均 (Chinese), Shangjun and Yijun
Shujun is one of many Agricultural deities that China has. Others include Di Jun, Houji, Shennong to name a few. Shujun specifically, is the god of farming and cultivation. He is also credited with the invention of using a draft animal such as oxen to pull a plow when tilling the fields.
An alternative to Shujun’s story is that he is a cultural hero who descends from a line of emperors known as the Yellow Emperor or Huangdi.
Qiaorui – He is a famous craftsman who invented a number of different crafts such as the bell, boat, and a plow-like farm tool for people. Shujun has sometimes been identified with him.
The Yellow Emperor
The Yellow Emperor is a title of the dynasty who ruled China after the first defeated the last of the Flame Emperors or Yandi.
Huangdi – Also known as “The Yellow Emperor,” was known to be a friend and fellow scholar with Shennong despite there being some 500 years’ distance between the two. Both Huangdi and Shennong are said to have shared the alchemical secrets of medicine, immortality and making gold.
Shiji (Records of the Grand Historian) – By the 8th Century C.E. historian Sima Zhen, Shennong is a kinsman of the Yellow Emperor and the ancestor or patriarch of the Chinese. The Han Chinese regard both Shennong and the Yellow Emperor as their ancestors.
Aside from the Yellow Emperor, Shujun is also said to be related to Di Jun, or the Emperor Jun and Houji, a minister of Huangdi.
Alternatively, Shujun is the son of Houji. Sometimes Shujun is even Houji’s nephew through his younger brother Taixi.
God Of Farming And Cultivation
In either event, whether as son or nephew, Shujun takes Houji and/or Taixi’s place with sowing a variety of different grains and the invention of the plowing with draft animals.
Alternate Spellings: Shen-Nung
Also known as: 神農 (Traditional Chinese), 神农 (Simplified Chinese), Thần Nông
(Vietnamese), Hangul (신농 Korean), 神農 (Japanese), The Emperor of the Five Grains (Wǔgǔxiāndì), Shen-Nung, Sheng-Nong, Shen-Nong-Shi, Yan-Di, Yandi, Flame Emperor, Lord of the Burning Wind, Holy Plowman King
Pronunciation: shin nung
Etymology: Divine Farmer or Divine Husbandman
In Chinese mythology, Shennong is one of several important deities who introduced and brought agriculture to the Chinese people. Shennong is one of the three noble ones known as the San-huang. In art, Shennong is sometimes depicted with the head of an ox or bull.
Shennong is credited with having invented the plow and teaching people agriculture and the cultivation of forests. In addition, Shennong also introduced the use of medicines and herbs.
Shennong is the second of three legendary Emperors of China and an important cultural hero. Tradition has him being born in the 28th century B.C.E. with the head of a bull and the body of a man.
What makes Shennong such an important hero is not only his introduction and use of agriculture but his identifying the use of hundreds of medical and poisonous plants that are used in Traditional Chinese Medicine. He went about this by testing the effects of these plants on himself.
Chinese legends tell how Shennong had a transparent body that allowed him to see the effects that different plants and substances had on him. Another legend tells how during his research, Shennong poisoned himself a total of seventy-two times during the course of a single day. Fortunately, and Shennong credited his anecdotal tea preventing him from suffering any long-term complications or side-effects.
Tea, a discovery attributed to Shennong, was believed to act as an antidote to some seventy different herbs. Shennong traditionally held to have discovered tea and to have first tasted it sometime around 2437 B.C.E. when the burning leaves of a tea tree were lifted up by the hot air from a fire and fell into a cauldron of boiling water.
Another discovery attributed to Shennong is that of acupuncture. Further, stories of Shennong’s youth have him speaking after three days, walking within the week and that he could plow a field by the time he was three.
Depending on the version of the story told and the accounts given, Shennong died as a result of his testing the effects of plants on himself. One of his experiments didn’t agree with him when he ate a yellow flower from a weed that caused his intestines to rupture before Shennong had time to take his anecdotal tea.
This wouldn’t be the end for Shennong as he was given special honors and worshiped as the Medicine King and Father of Chinese Medicine.
God Of Agriculture & Medicine
When Shennong is worshipped and mentioned as a deity, he is the god of the burning wind and the patron of farmers, pharmacists, rice traders and practitioners of Traditional Chinese Medicine.
As a god of agriculture, Shennong is one of many cultural heroes and deities credited with different, various inventions such as the axe, the hoe, the plow (both leisi and the plowshare), digging wells, irrigations, the use of boiled horse urine to store seeds, weekly farmers’ markets, the Chinese calendar, acupuncture, therapeutic use of taking pulse measurements, moxibustion and instituting the harvest thanksgiving ceremony of Zhaji Sacrificial Rite, later known as the Laji Rite.
Burning Wind – This term refers to the type of agriculture that is slash and burn. The ash from the resulting fire is then used to fertilize the fields.
Worship – As Shennong is often depicted as being ox-headed, the sacrifice and offerings of cattle is never acceptable. However, the sacrifice of pigs and sheep is acceptable. In addition, the use and offerings of fireworks and incense is used at Shennong’s statues, particularly on the lunar calendar for April 26th for his birthday. There are a number of temples and places dedicated to the commemoration of Shennong.
Divine Family – This part is rather tentative and relies on accepting Shennong as a defied human. A couple sources will list Shennong as having married a Sien-Tsang, the goddess of Weaving and Crafts. They had a son, Qi-Yu (alternatively Chi-Yu) a rain god and who is half bull like his father.
San-Huang – The Three Sovereigns
Also known as the Three Emperors, they are a group of pseudo-mythological and sage-like emperors who are believed to have lived some 4,500 years ago. Shennong is counted as being part of this group and the second of their number to have once ruled over China.
The Flame Emperor
Or Yan di, the Chinese accounts can sometimes get confused as to who exactly the Yan Emperor is or was.
Some accounts of Shennong’s legend place him as a relative to the Yan Emperor. Other accounts place him as the first Yan Emperor and that Shennong appointed one of his ministers, Chi You who was also ox-headed with sharp horns, bronze forehead and iron skulled.
Another account has posited that the Flame Emperor was a title, held by the dynastic succession with Shennong holding the title of Yandi posthumously. The last Yan Emperor was defeated by Huangdi (the Yellow Emperor) about 500 years later.
The Yan di were regarded as masters of fire and thus used fire in their names. The Yan di was also known as the Emperor of the South. With the Yan di defeat by the Huangdi, the title of Yan passed out of usage. Their descendants though intermarried with the Huangdi.
Shennong, along with Fuxi and the Yellow Emperor are credited with the creation of the Gugin.
The Yellow Emperor
Huangdi – Also known as “The Yellow Emperor,” was known to be a friend and fellow scholar with Shennong despite there being some 500 years’ distance between the two. Both Huangdi and Shennong are said to have shared the alchemical secrets of medicine, immortality and making gold.
Shiji (Records of the Grand Historian) – By the 8th Century C.E. historian Sima Zhen, Shennong is a kinsman of the Yellow Emperor and the ancestor or patriarch of the Chinese. The Han Chinese regard both Shennong and the Yellow Emperor as their ancestors.
Aside from the Han, the Song Dynasty General Yue Fei also traced his lineage to Shennong.
Possible Reality Behind The Legends
Getting anything for reliable accuracy and the historical context of China before the 13th century B.C.E. is fairly difficult. There is a lot of reliance on what archaeology can provide and prove. The earliest Chinese writing and records date to the Shang dynasty around 1200 B.C.E. This system of writing is the use of bones for oracles. Even any hard evidence for the Xia dynasty, a successor to Shennong is hard to find, even with Chinese archaeologist trying to link this dynasty to the Bronze Age Erlitou sites.
Despite a lack of hard evidence, Shennong remains an important individual and even his clan share a prominent place in the history of China’s culture for mythology, popular culture and historical literature.
Shennong-shi – Shennong’s name can also refer to his people. The “shi” can mean both “clan” and “surname” as well as an honorific like “sir” or “mister.”
Sima Qian comments how the rulers directly following the Yellow Emperor were all of Shennong’s house or social group. Sima Zhen in his prologue for his Shiji says that Shennong’s surname was Jiang before going on to list all of his successors.
Herbalism and Traditional Chinese Remedies
The Chinese have a rich history and use of traditional remedies and herbs that dates back more than 5,000 years. With the use of oral history and stories by word of mouth, many of the stories attribute Shennong as the father of medicine. Like Shennong, Chinese people have tested the effects of different plants and herbs on themselves for their medicinal values over the millennia. These years of experimentation allowed for an increased understanding of pharmacology for the uses, dosages and toxicity of different herbal medicines.
Huainanzi – This is an older and more famous reference document. In it, before Shennong came along, people were constantly sick, starving, diseased and always suffering. When Shennong came along, he taught the people the art of agriculture and through his own research, the use of plants for medicine. Shennong did this feat by consuming hundreds of plants, testing them on himself. He is even said to have eaten some seventy poisons in one day.
Huang Ti Nei Ching – The Yellow Emperor’s Classic of Medicine – This book comprises of the theories of the legendary emperor Huang Ti who lived around 2600 B.C.E. This tome preserved a lot of ancient medical knowledge and is compose of two volumes. The first one is a dialogue between Huang Ti and his minister, Qibo. The second one has the descriptions of anatomy, medical physiology and acupuncture. The real author of this book is unknown.
I Ching – The Book of Changes, Shennong is mentioned in this book coming into power after the end of the house or reigning period of Paoxi (Fu Xi). He is mentioned here as having invented the bent-wood plow, a cut-wood rake and having taught these skills to other people. Shennong is also credited with establishing of noonday markets.
Lüshi Chunqiu – This document mentions the violence of the rise of Shennong’s house and its lasting for seventeen generations.
Shénnóng Běn Cǎo Jīng – Also called: “The Divine Farmer’s Herb-Root Classic” or “The Classic of Herbal Medicine” and “Shen-nung Pen-tsao Ching.” This book on agriculture and medicinal plants is the most well-known work attributed to Shennong. Research has found and suggested that this book is a compilation of oral traditions dating to between 200 and 250 C.E. during the end of the Western Han Dynasty.
Unfortunately, the original book no longer exists, but it believed it was written in three volumes with some 365 entries. The books list numerous, different herbs said to be discovered by Shennong. As the earliest pharmacopoeia reference, there are hundreds of different medicines derived from various animals, minerals and plants.
The first volume included 120 herbs and drugs deemed to be harmless to humans as they were stimulants such as reishi, ginseng, jujube, the orange, Chinese cinnamon, Eucommia bark and liquorice root. All of these herbs were regarded as “noble” or “upper herbs.”
The second volume has 120 therapeutic entries intended to treat the sick. All of them though have toxic or potentially toxic effects. Entries include cucumber, ginger and peonies. All of these entries were considered to be “human,” “commoner” or “middle herbs.”
The last volume has 125 entries for those herbs and substances that have strong or violent effects on physiological functions and seen as poisonous. Entries in this volume include rhubarb, various pitted fruits and peaches. All of these herbs are considered “low herbs.”
Wu Shi Er Bing Fang – Prescriptions for Fifty-Two Diseases, this book is ultimately the first written treatise on herbal medicine that dates to between 1065-771 B.C.E. It was discovered in 1973 during that excavation of Ma Wang Dui’s tomb in Changsha, Hunan province. It beats out the Shénnóng Běn Cǎo Jīng which is figured to have been written between 200 and 250 C.E.
Many places in China have connections to Shennong.
Shennongjia – This mountain range located in Hubei is where Shennong is to have climbed up a rattan ladder that turns into a vast forest.
Shennongding – “Shennong’s Peak” – This is the specific mountain that Shennong climbed up and down with his ladder.
Shennong Stream – Named for Shennong, this stream flows into the Yangtze River.
Shennong Temple – Located in Taiwan, Shennong is worshiped here under a number of different names such as King Yan, the God of Five Grains, Shennong the Great Emperor, the Ancestor of Farming, Great Emperor of Medicine, God of Earth, and the God of Fields.
Other names: Catamitus (Latin), Ganymedes
Etymology: The etymology of the name Ganymede is rather uncertain with many people and sources giving different meanings. A possible Latin meaning is “Gladdening Prince” that takes from the Greek words of ganumai meaning “gladdening” and mêdon or medeôn which means “prince.” As this last word likely has a double meaning, another translation is “genitals.” In which case, Ganymede’s name is meant to have a deliberate double-meaning.
Plato gives forth the meanings of “Ganu,” meaning: “taking pleasure,” and “med,” meaning: “mind.”
Robert Graves in his “The Greek Myths” says that Ganymede comes from the words: ganyesthai and medea, meaning “rejoicing in virility.”
The story of Ganymede is one that is some three thousand years old and dates from the pre-Hellenic and Aegean myths. It’s important to note too, that Ganymede is Trojan and has his place first in the Anatolian myths before his story later becomes part of the classical Greek and Roman legends.
Ganymede’s story and myth is one that has changed too over the millennia. Later Cretan and Minoan additions to the story come some many hundreds if not a thousand years before the Greek version of the story. For many modern day readers, the Hellenic version of the story is the most familiar and well-known.
Ganymede was the son of King Tros of Dardania and who is the basis for the kingdom of Troy in Phrygia from Greek mythology. An exceptionally beautiful youth, Ganymede had caught the attention of Zeus when he was out watching over his father’s flock of sheep on Mount Ida. Now, depending on the versions of the story being told, Zeus, either in the guise of an eagle or sending his eagle Aquila, comes and carries him off to Mount Olympus.
Now, when King Tros heard of his son’s disappearance, he grieved so much that Zeus sent the messenger god Hermes to deliver two storm-footed horses as compensation. Other versions state that Zeus gave Tros a golden vine crafted by the god Hephaistos in addition to the two horses. These horses were said to be so fast that they could run over water. The legendary Heracles would ask for these same horses later as payment for destroying the sea monster sent by the god Poseidon when he attacked the city of Troy. Hermes was tasked too with assuring Tros that Ganymede would become immortal and have a place of great honor among the gods as Zeus’ cup-bearer.
Once he arrived in Olympus, Ganymede faced the wrath of Hera, the wife of Zeus. She was angry and very likely jealous that her husband had taken such a fancy to a young boy. In addition to this, Hera was also angry that Zeus intended for Ganymede to replace Hebe, her daughter as the cup-bearer, after an incident where Hebe had accidentally spilled some of the nectar of the gods.
Eos Kidnapping Ganymede & Tithonus
Another version of this myth says that it was Eos, the goddess of the Dawn who carries off Ganymede to Mount Olympus. At this same time, Eos had also kidnapped another, Tithonus. Zeus succeeded at snatching Ganymede away from Eos while making a bargain with her for Tithonus to become immortal. In her bargaining, Eos forgot to ask for Tithonus to also remain youthful. As a result, everyday Eos watched Tithonus grow older until she locked him in a room as she could no longer bear the sight of him so old or he turned into a grasshopper.
Ganymedes’ Lineage – Divine Heritage
While Ganymede is listed as the son of Tros, ruler of Dardania that would become known as Troy and Callirrhoe, the daughter of the river god Scamander.
Tros and Callirrhoe had two other sons: Assaracus and Ilus.
In Pseudo-Apollodorus’ Bibliotheca, he mentions that Tros and Callirrhoe also had a daughter, Cleopatra, a rather common name and not necessarily any of a line of Egyptian Queens.
It should be noted in some versions, Tros is the son of Erichthonius, who in turn is himself the son of Astyoche the daughter of the river god Simoeis. Following the lineage back through Tros’ grandfather of Dardanus, you find a connection to Zeus in the way of his being the great grandfather to Tros.
Ultimately, that makes Zeus Ganymede’s’ Great-Great Grandfather.
Sometimes, the genealogy of Ganymede gets confused and instead of Tros as his father, it is another king of Troy, Laomedon who is mentioned as the youth’s father. It can get rather confusing, as the genealogy will place Laomedon as a nephew to Ganymede with Ilus II as his father and thus Tros as grandfather to him. The overall story of Ganymede is still pretty much the same regardless of who’s mentioned as the father.
Cup-Bearer To The Gods
Regardless of the versions of the story told, Ganymede does become the cup-bearer to the gods and basically serves them their wine. Further variations of this story tell how Ganymede would ride Zeus’ eagle Aquila, accompanying this god on his travels. Both the Aquila constellation near Aquarius and the constellation of Crater, said to be Ganymede’s cup, are near the Aquarius constellation to complete this story.
Ganymede also becomes deified as he was given immorality and eternal youth by Zeus and ends up being the one responsible for the annual Nile River flooding and the life-giving waters of rain. Some scholars have pointed out that like the story of Capricorn, the Greeks are borrowing from other older stories and cultures as well as coming up with their own stories to explain the images and what the constellations mean.
In Roman times, the name Ganymede was sometimes used for handsome slaves who served as cupbearers. Furthering this, many have pointed out that the story of Ganymede is a clear indication and precedence for homosexuality in Greek culture. Others, like in Plato’s writings of dialogues between him and Socrates, say that it wasn’t homosexuality. Instead, they point out the meaning of the name Ganymede for “taking pleasure of the mind.” That Zeus loved Ganymede non-sexually for his mind. Still, other sources point out that this is where the Latin word for catamite originates.
Homosexuality Within Greek Myths
There is a line of thought that points out that all of Zeus’ romantic affairs have some sort of allegorical meaning. The primary one with the story of Ganymede being that of homosexuality in Greek culture.
Before the story of Ganymede and Zeus became popular, the only mention of this type of behavior is found within the worship of the goddess Cybele. Her male followers and devotees would try to attain unity with her through castration and dressing as women. That description though, speaks more of being transgender.
Early Versions Of The Myth – As previously stated, the earliest retellings of Ganymede’s story have no erotic overtones. It isn’t until the fifth century B.C.E. that any sort of sexual relationship between Ganymede and Zeus is mentioned. There has been found a number of Attic vases showing the erotic relationship between the two.
Pederasty – Becoming popular around 7 B.C.E. in ancient Greece, the social acceptance of pederasty appears very suddenly and the first mention of it is on a Cretan brass plaque. Even the famous philosopher Plato makes mention of pederasty having Cretan origins. Pederasty is the relationship between an older man and a younger man, often in his late teens. Ancient Greek social customs say this relationship was consensual.
Note: In Ancient Greek culture and a few others, a youth who is just a young adult. About 15 years old for young women and 17-18 for young men. Not as young as a modern mindset is likely to assume.
Plato had Socrates deny Ganymede as the catamite of Zeus. Plato goes on to say that Zeus loved the youth non-sexually and for his mind or psyche. Further, of all of Zeus’ lovers, Ganymede is the only one who is given immortality. Though this is likely overlooking the genealogy of Ganymede’s and that he’s given immortality as he’s a descendant of Zeus’. At the same time, it makes sense for Zeus to love Ganymede’s mind or intellect when he’s just bringing home a descendant of his in whom he might see a lot of potential and wants to preserve it with immortality.
Once pederasty became popular, some scholars point out that it is or was part of an initiation ritual and in line with entering into the military and the worshiping of Zeus. There would be the presenting of gifts to the youth after his being abducted and taken to the country side. When the youth returned later, he would sacrifice a bull to Zeus.
Among the different regions of ancient Greece, pederasty was viewed and seen differently. Among the Spartans and Megarians, their cultures didn’t allow for the practice. In Athens, it was a practice reserved only for the aristocracy. Thebans and Boeotians used the practice as an educational means for young boys and to curb their more aggressive tendencies. The Dorians practiced it as well.
For those who have analyzed the myth of Ganymede, they have noted that in many Greek Coming-Of-Age stories for homosexuality, such pederastic relationships didn’t take place without the father’s approval or supervision.
Artistic & Poetic Symbolism – In poetry, Ganymede is used to symbolize an attractive young male drawn towards homosexual desires and love. He is not always shown as such though. In Apollonius’ Argonautica, Ganymede gets upset with a young, god Eros when he’s cheated at a game of chance with dice. Aphrodite, goddess of Love proceeds to chastise her son Eros for cheating a beginner.
The poet Virgil uses the imagery of Ganymede’s abduction with the youth’s elderly tutors trying uselessly to pull him back to earth while his hounds howl pathetically up towards the heavens.
Fifth century Attic vases frequently show Ganymede and Zeus’ sexual relationship. Ganymede is shown as a handsome youth. In his abduction scenes, he’s shown with a rooster (a lover’s gift), a hoop (a boy’s toy) or a lyre. In these scenes, he is either being carried off by an eagle or offering food to an eagle from a patera. When Ganymede is shown as the cup-bearer to the gods, he is usually shown as pouring nectar from a jug.
Sculptures and mosaic art often shows Ganymede with a shepherd’s crook and wearing a Phrygian cap.
God Of Homosexuality
Despite what the early myths may show and as stories do change and evolve over time, Ganymede does become the god of Homosexuality. Ganymede is often shown as a companion and playmate to the other gods of love, Eros (Love) and Hymenaios (Marital Love). Plato referred to Ganymede as Himeros (Sexual Desire).
The Trojan War
Hera had once been the patron goddess of Troy and her hatred of Ganymede as another lover in a long line of Zeus’ many affairs, has been used by poets and writers to explain why in the story of the Trojan War there is a sudden shift in alliances and support by the gods.
In Quintus Smyrnaeus’ “Fall of Troy” Ganymede is horrified by the invasion of his homeland and pleads with Zeus as he mentions their relationship as kinsmen not to be allowed to see the destruction of Troy. Persuaded by Ganymede’s tears, Zeus veils the city of Priamos in a fog bank that stopped the Greeks fighting.
Patriarchy Versus Matriarchy
The ancient historian and mythographer Apollodorus has taken the stance that the story of Ganymede shows the triumph of the patriarchy over the matriarchy. That men didn’t need women or their attentions.
The famous philosopher Plato used the story of Ganymede to justify his sexual feelings with his male students. That is, loving someone for their intellect.
That certainly seems to be evident with Zeus taking in interest in Ganymede and having him replace Hebe as the cup-bearer to the gods in the accounts that remember Zeus’ and Ganymede’s genealogy and relationship to each other.
Cretan & Minoan Connection – Possible Reality
First, it helps to remember and know that the Minoan culture and civilization predates the Classical Greek culture by some two thousand years. In the Cretan accounts of the story of Ganymede, it is either Tantalus or Minos who abducts the youth. While they were chasing after Ganymede, he is killed and they end up burying him up on Mysian Olympus.
There is a story of King Minos’ brother, Rhadamanthus who loved the youth Talos. Some scholars have speculated that this may be the source of Cretan traditions and customs of homosexuality.
In Plato’s Timaeus, he has no problems blaming the Cretes for coming up with the story of Ganymede as being a lover of Zeus in order to justify their own practices of homosexuality and saying they were only following an example set out by Zeus and his laws. Many Greek authors beyond Plato tended to agree on the practices of pederasty being introduced to the Greeks from Crete.
In the Byzantine Suda, King Minos of Crete on hearing of Tros’ fame in Phrygia, he went to the city of Dardanos to stay as a guest of Tros. While there, Minos and Tros exchanged gifts with each other. After a while, Minos asked to see Tros’ sons, so that he could give them gifts too. Tros informed Minos that his sons were out hunting. Hearing that, Minos wanted to go hunting with the youths too. Tros sent an attendant out to meet his sons where they were hunting near the Granikos river. Minos however, had already sent his ships ahead of the hunting party. Minos had seen the youth Ganymede and fallen in love with him. So he had given orders to his men to the youth. Ganymede however, to escape the pain of his captivity, killed himself with a sword and Minos had him buried in a temple. From there of course, comes the later, more familiar story of Zeus abducting Ganymede and making him immortal.
Ganymede, far as Greek myths goes, is viewed as the source of the Nile river and its life sustaining waters. In Egyptian legend, this god is Hapi, who is responsible for dispensing the life sustaining waters and making the Nile valley fertile.
The story of Ganymede seems to be related or taken from a Sumerian story of Etana, who descended to the heavens with the help of an eagle while looking for a plant of birth that in turn leads to the birth of his son, Balih.
In the Roman telling of the myth, before Ganymede replaced Hebe’s role as cup-bearer, they held a competition to see who would have the honor of serving the gods. Naturally, Ganymede won, replacing Hebe and taking his place as a favorite companion to Jupiter. Apuleius, in his 2nd century C.E. novel The Golden Ass refers to Ganymede as being a country-lad rather than a prince of Troy.
A catamite in Roman usage is the younger, passive partner of a pederastic relationship between an older man and a youth. Now days in more modern slang, catamite has come to mean an effeminate homosexual man. The Latin word Catamitus comes from the Etruscan word catmite. Though the word has lost many of the mythological connections to the Greek myth. While many vulgar Latinizations of the name Ganymede change it to Catamitus or Catamite, Ovid in his Metamorphoses continues to use Ganymede’s Greek name.
Similar to the Cretan connection, a possible real world reality involves King Tantalus of Thrake mentioned in the Byzantine Suda. After Tros had won over all the local rulers or conquered them, he sent his son Ganymede with some 50 men to go out and make sacrifices in thanks to Zeus. Tantalus, certain that Ganymede was there to spy on his kingdom, sent his own men to intercept the youth. Once Tantalus, learned the truth of Ganymede’s mission, the king of Thrake tried to nurse the youth back to health. Unfortunately, Ganymede died from illness and Tantalus sent messengers to inform Tros of his son’s death. According to this account, it is later poets who are responsible for changing the story so that Zeus kidnapped Ganymede and became immortal.
Ganymede In Astronomy
Moon – In what should be no surprise to anyone, the seventh and largest moon of the planet Jupiter (the Roman counterpart to Zeus), is named Ganymede after the myth. Ganymede is the second largest moon in the Solar System and the ninth largest object as well.
Its discovery is attributed to Galileo Galilei on January 7th, 1610. However, Chinese astronomical records dating to 365 B.C.E. have a Gan De detecting with the naked eye, a moon of Jupiter. This moon is most likely to have been Ganymede.
Astrology – To commemorate Ganymede’s place among the gods and his story, Zeus placed his eagle, Aquila up into the heavens to become the constellation of the same name, along with the Aquarius Constellation representing Ganymede and the constellation Crater, representing the cup holding the nectar of the gods in it. None of which I can imagine sat well with Hera that Zeus seems to rub it into her face his new favorite mortal.
Etymology – In Ancient Greek: Ὑάδες “the rainy ones.” The Greek word: hyein – “to rain.” It may also come from the Greek word hys or hus for “swine.” Latin – Suculae, “Suckling-pigs” or “little pigs.”
In Greek mythology, the Hyades are the five daughters of Atlas as well as the half-sisters of the Pleiades. As minor goddesses or nymphs, they are associated with bringing rain and stormy weather.
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