Category Archives: European

Perchta

Etymology: “Bright One”, peraht (Old High German meaning “brilliant”). “Hidden” or “Covered,” pergan (Old High German)

Also Called: Behrta, Berchta, Berigl, Bertha (English), Bechtrababa, Berchtlmuada, Berchte, Butzen-Bercht, Frau Berchta, Frau Faste (the Lady of Ember Days), Frau Perchta, Fronfastenweiber, Kvaternica (Slovene), Lutzl, Pehta, Perchta, Perahta, Perhta-Baba, Posterli, Pudelfrau, Quatemberca, Rauweib. Sampa, Stampa, Spinnstubenfrau (“Spinning Room Lady”), Zamperin, Zampermuatta, Zlobna Pehta, The Lady of the Beasts, The Belly Slitter

Perchta has her beginnings and roots as an Alpine goddess worshiped in the Germanic countries where she protected the forests and animals. Later, as Christian influences increased, Perchta would take on a more sinister appearance and role, especially during the dark winter months where she would become a boogeyman type figure used to scare children into good behavior.

This is one of those confusing ones. Is Perchta a goddess, a witch, demon, or something else?

To answer that, we start at the beginning.

Attributes

Animal: Goose, Swan

Day of the Week: Friday

Element: Water

Month: January

Plant: Birch

Sphere of Influence: Nature, Forests, Wildlife, Spinning, Weaving

Symbols: Staff, Knife,

Time: Night

What’s In A Name?

The meaning for Perchta’s name is fairly easy to find, it comes the Old High Germanic words “beraht” and “bereht” meaning bright, light, flame and white. The word percht was meant as a warning for the sin of vanity. Another potential word in Old High German is the verb pergan, meaning “Hidden” or Covered” as the origin for Perchta’s name.

Given the many different eras and regions of Germany, Perchta is known by several different names. In southern Austria, there is a male form of Perchta known as Quantembermann (German), or Kvaternik (Slovene), meaning “The man of the Four Ember Days.” Jacob Grimm holds the idea that Perchta’s male counterpart is Berchtold.

Depictions

Perchta is notable for a dual nature where she will have one of two forms that people see her in. During the Spring and Summer months, Perchta takes on the form of a lovely, young maiden dressed in white, or during the colder, autumn and winter months, she is seen as an ugly old hag with a hooked nose and tattered, worn clothing as she carries either a knife or scissors to slit open people’s bellies. Some perchten masks showing the ugly crone aspect give Perchta an iron face and beak-like nose.

Jacob Grimm of the Grimm Brothers fame tries to say that Perchta is an ancient goddess. In some stories, Perchta will be described as having a goose or swan foot; this imagery connects her to having a higher nature and the ability to shape-shift. This same goose foot could also be the splay foot that a spinner develops with one foot pumping the pedal of a spinning wheel.

Swan Maiden – It has been noted that in several languages, that Perchta or Bertha is also referred to by her peculiar foot. Berhte mit dem fuoze in German, Bertha au grand pied in French and Berhta cum magno pede in Latin. The idea given by Jacob Grimm is that foot means that Perchta is a Swan Maiden.

Woodcut – There is a notable woodcut from 1750 that depicts Perchta as “Butzen-Bercht.” The word Butzen is noted to mean “bogeyman.” The woodcut shows Perchta as a crone with a wart on her nose as she carries a basket filled with screaming children, all of them girls. Perchta also holds a staff as she stands before a door to a house where there are more frightened young girls.

Middle Ages

The earliest depictions and mentions of Perchta, date her to during the Middle Ages, first in around 1200 and then later in the 1400’s when mention of Perchta becomes more prominent. Perchta served as an enforcer of communal taboos. One such taboo is weaving on sacred days or not joining in the feasts enthusiastically enough. Many of Perchta’s punishments stem out of punishing those who are lazy and haven’t done the proper work.

As to Perchta’s retinue that accompanies her, the first reference to them is in 1468, however, these are the souls of the dead. With the passage of time, this retinue would become demons, and then by the coming of the 15th century, they would become the familiar horned figures of the perchten and the first mentions of costumed processions and parades would appear.

In Hans Vintler’s Die Pluemen der Tugent (“The Flowers of Virtue”) written in 1411, we have the first illustration of Perchta and more accurately someone in a mask posing as “Percht with the iron nose.”

Counter-Reformations & Witchtrials – It has been noted that the era of history that Perchta first emerges also overlaps and coincides with the Reformations and Religious wars between Catholics and Protestants over how Christianity should be observed and practiced along with trying to stamp out other non-Christian religions and practices through Europe.

Among Wiccans and Pagans, the period between 1450 and 1700’s is called The Burning Times when thousands of men and women, upwards of around 100,000 were executed and burned at the stake for the crime of witchcraft. Germany had the worst of it with historians reporting that entire villages could see their population of women gone. There’s some sense to Perchta appearing as a dark figure who carried off girls who didn’t behave and the changes to her appearance during this era.

Alpine Goddess

In the southern parts of Germany and Austria, the name Frau Perchta is attributed to a witch who comes during the twelve days of Christmas, spanning from December 25th to January 6th for Epiphany. If a person is naughty or sinful, Frau Perchta is fierce and terrible with the punishment she will hand out. We are talking she will rip out a person’s intestines and other internal organs to replace with straw, rocks, and other garbage. In this terrible, punishing aspect, this image of Perchta looks very similar to that of Krampus, and figures dressed as her, called perchten are known to also appear in the annual Krampus parades held in several Alpine towns.

Dual Goddess

Before her darker imagery took hold, Perchta was held in a more benevolent light. Many of her positive attributes would be twisted under Christian influence causing many people to associate Perchta as a dark, Wintertime, Christmas entity to be feared. The influence of Christianity also creates a seeming, conflicting goddess with a dual identity.

Given when the change to her darker appearance happens, Winter when the nights are longer, when it is cold, and nature becomes that much more precarious if people haven’t properly prepared for the cold months. When evil spirits are thought to roam.

Protector Of Women & Children

In this role, Perchta is a goddess who protects women, children, and infants. For those children and infants who died, Perchta is a psychopomp who guided their souls to the Afterlife.

Goddess Of Nature

In this role, Perchta was mainly concerned with tending to her forests and taking care of nature. As a nature goddess or spirit, Perchta was known as “The Lady of the Beasts.” In this aspect, Perchta holds some similarities with Holda and Germany’s ancient hunting cultures.

It was only during wintertime and Christmas, the Winter Solstice that Perchta would concern herself with the affairs of humans. During Winter, Perchta will withdraw up into the mountains where she will create snow. In addition, Perchta will protect her followers by removing evil spirits as they travel.

Weaver Goddess

In this role and aspect, Perchta not only governs the mundane arts of weaving and spinning, but she also presides over fate, much like the Moirai or Fates of Greek mythology.

During the Summer months, Perchta is believed to live in the depths of various lakes, during which time she busies herself with spinning flax upon her golden spindle. During the night, Perchta can be encountered walking along the steep slopes of the alps carrying her spindle. Those who approach Perchta with their flocks can get her to bless them.

The Wild Hunt

The Wild Hunt is a phenomenon found in many different European countries and cultures. It is a nightmarish, supernatural force led by some dark spectral hunter on horseback and accompanied by a host of other riders and hounds as they chase down unlucky mortals, either until they drop dead of exhaustion, are caught, and forced to join the Wild Hunt or they can evade the Hunt until dawn.

Just exactly who it is that leads the Hunt does vary country by country in Europe. The Wild Hunt is known for making its ride during the Winter Solstice or New Year’s Eve. Jacob Grimm of Grimms Brothers fame makes a connection of Herne to the Wild Hunt due to the epitaph of “the Hunter.” That does seem to work, a Huntsman, connect him to the Wild Hunt and for Britain, the idea really jells of a local person who becomes a lost soul, doomed to forever ride with the Hunt.

According to Jacob Grimm, Perchta is one potential leader of the Wild Hunt. Given that during Midwinter, Perchta is known to wander around the countryside at this time with her entourage of perchten, it’s no surprise to see Perchta be suggested as a leader of the Wild Hunt.

Ultimately, just who leads the Wild Hunt will vary from country to country. In Welsh mythology, it is Gwyn ap Nudd or Annwn who lead the hunt with a pack of spectral hounds to collect unlucky souls. The Anglo-Saxons of Britain hold that it is Woden who leads the hunt at midwinter. Herne the Hunter has been given as the name for another leader of the Wild Hunt. Wotan is very similar to Odin (just another name for the same deity really), Herne has been linked to them as both have been hung from a tree.

Christian Influences

The arrival of Christianity is about when we see Perchta become a minor deity and then diminished to be some sort of magical creature or spirit. As more time passed, Perchta would then become an evil witch or sorceress. Later, Christian clergy would equate Perchta in official documents as being synonymous with other female spirits and goddesses such as Abundia, Diana, Herodias, Holda, and Richella.

Thesaurus Pauperum – This text and collection of recipes and natural cures was written by prominent Catholic officials for use by the poor. This text mentioned a Cult of Perchta who would leave out food and drink for Perchta on Epiphany for wealth and abundance. This same document would be used to Perchta’s cult in Bavaria in 1468. In 1439, Thomas Ebendorfer von Haselbach in De decem praeceptis also condemned this practice.

Frau Perchta – Christmas Witch & Bogeyman

During wintertime, especially during the month of December and Yule, as Frau Perchta, she becomes a fierce some looking hag or witch with two faces. Those children who are good and have behaved, have nothing to fear from Frau Perchta. However, for those who are deemed bad and have misbehaved, Frau Perchta is known for slitting open the stomachs of people and pulling out all of their organs to replace them with straw, stones, and garbage.

Perchten

These wild spirits are known to be active between the Winter Solstice and up to around January 6th, for the Twelfth Night. The percht are an offshoot of the older goddess, Perchta from the Alpine regions where she guarded the beasts of the forest. The percht would be depicted as humanoid goats with elongated necks and wearing animal furs. These same percht are believed to become the basis for Krampus. It is in the late 20th century that both Perchten and Krampus appear together in the same processions so that the two have become indistinguishable from one another. The wooden masks worn for these processions are called perchten.

Originally, the term perchten, (the plural for Perchta), referred to the female masks that represent the entourage of spirits accompanying Frau Perchta or Pehta Baba in Slovenia. The perchten are associated with midwinter where they personify fate and the souls of the dead. There are several regional names and variations for the perchten. Their names include: Bechtrababa, Berchta, Berchtlmuada, Berigl, Pehta, Lutzl, Perhta-Baba, Pudelfrau, Rauweib, Sampa, Stampa, Zamperin, Zampermuatta, and Zlobna Pehta.

Other Perchten names are:

Glöcklerlaufen – “bell-running” from the Salzkammergut region.

Schiachperchten – Or “ugly Perchten,” they come from the Pongau region of Austria. They have fangs, tusks and horse or otherwise ugly features. These perchten, despite their appearance, come to drive off evil spirits and demons as they go from house to house.

Schnabelpercht – Or “trunked Percht” from the Unterinntal region.

Schönperchten – Or “beautiful Perchten,” they come from the Pongau region of Austria. These perchten come during the Twelve Nights and festivals to bestow luck and wealth to the people.

Tresterer – From Pinzgau region of Austria.

Heimchen

Sometimes the spirits that accompany Perchta will be those of children, particularly unbaptized children in Christian beliefs. Food offerings left out for Perchta and her retinue are said to be consumed by these Heimchen.

For many women, before the arrival of modern medicine, there was a high infant and child mortality rate. Having a benevolent goddess who would come and take care of their children was likely very comforting for many women, to think of their child in a better place or in better hands.

Raunachte

This period is also known as the Twelve Days of Christmas. These nights are also known as Magic Nights when Perchta leading the Wild Hunt are known to ride.

Perchtenlauf

This is a seasonal play that is found throughout the Alpine regions during the last week of December and through the first week of January up to January 6th for Twelfth Night or Epiphany. It was known as Nikolausspiel or “Nicholas’ Play” at one time. These plays stem from the Medieval Morality Plays from Antiquity. The Nicholas plays feature Saint Nicholas rewarding children for their scholarly efforts instead of good behavior. People dress as perchten with masks made of wood with brown or white sheep’s wool.

For a while, the Roman Catholic Church tried to prohibit the practice of Perchtenlauf during the 17th and 18th centuries. Despite its best efforts, the parade and processions continued either in secret or as a result have made a resurgence in later centuries.

Krampuslauf

The great Krampus run is an annual parade held every year in many Alpine towns. For the first two weeks, especially on the eve of December 6th, young people will dress in Krampus costumes and parade through the town, ringing bells and scaring parade watchers. Some participants may dress up as perchten, a wild female spirit from Germanic folklore. Alcoholic beverages of Krampus schnapps and brandy are common during this celebration.

Twelfth Night

Also known as Little Christmas in Italy, Old Christmas in Ireland or Epiphany, this holiday is held on January 6th. The feast held on this day is called Berchtentag. In Salzburg, Austria, Perchta is believed to wander the halls of Hohensalzburg Castle during the night.

In Germany, this is when Perchta will go about collecting her offerings, where she will reward her followers, often with a silver coin or other small gifts, and punish those who haven’t observed certain practices and traditions. This is where Perchta, as Frau Perchta appears in her fearsome guise mentioned earlier to slit open the bellies of wrongdoers and those deemed naughty, only to stuff them full of straw, rocks, and garbage. Perchta would also be interested in making sure that women had spun the wool needed for the year.

In observance of this holiday, there would be a feast held with a ceremonial dance. Several people would dress up, pretending to be evil spirits that someone dressed as Perchta would then chase away, “slaying” the evil spirits in a pageant to invoke a ritual to protect the people of the village.

A special porridge consisting of gruel or dumplings and fish called Perchtenmilch would be eaten during this time. While the family ate, an additional bowl would be left out for Perchta and her entourage. If this traditional meal is forgotten, it is one of the taboos that angers Perchta so that she will cut open people’s stomachs and stuff them with straw.

Note: My earlier section for Frau Perchta gives the time for this celebration closer to Yule in December. Given multiple sources, this change of observances could easily be people conforming old traditions to those of the newer, incoming Christian religion and observance of Christmas along with a change from the Julian to the Gregorian calendar.

Berchtoldstag

Also known as: Bechtelistag, Bächtelistag, Berchtelistag, Bärzelistag, Bechtelstag, Bechtle. It is a celebration typically observed on January 2nd in Liechtenstein and Switzerland and has been happening since at least the 14th century. There are various theories about the origin of this holiday. There is a Blessed Bertchtold of the Engelberg abbey who died on November 2nd of 1197. Another theory holds that it commemorates the first animal killed during Duke Berchtold V of Zähringen’s hunt and the naming of his new city.

Like the English practice of mummery, another idea is that this holiday comes from the word: berchten” meaning to “walk around, begging for food.” Obviously, there is also Perchta given the similarity of the names and that when the celebrations of Epiphany were abolished by the various Protestant regions, those refusing to give up the Twelfth Night traditions, simply moved them to the day after New Year’s to gain another day off. There is a “nut feast” where children build hocks of four nuts with a fifth nut balanced on top. Masked parades are held, along with folk dances and families going out to the pubs to eat.

Fastnacht

Translating to mean “Fast Night” or “Almost Night,” this is a celebration that is held on the Tuesday before Ash Wednesday and Lent. It is a night where people eat the best foods possible, and yes, the preferred food is doughnuts. A procession of perchten is known for showing up in some modern celebrations.

Urglaawe

This is a dominion of Heathenry inspired by the Pennsylvania Dutch culture. In it, Perchta or rather, Berchta is a major goddess instead of a minor. The eleventh day (Elfder Daag) and twelfth night (Zwelfdi Nacht) are notable days for the Yuletide celebrations that fall on December 31st. In Urglaawe tradition, this feast day is known as Berchtaslaaf.

In this tradition, Berchta is held as either another name for the goddess Holle or is her sister. In this respect, Berchta becomes a goddess of order, notably for one’s own actions, thoughts, and behaviors. Owls are held sacred to her and are her messengers. In the Deitsch lunar zodiac, the Eil or Owl symbol occurs near Yuletide. Like many various cultures, the owl tends to be a symbol and warning of death and danger.

Syno-Deities & Figures

Freyja – Norse

Sometimes a connection of Perchta to this Norse goddess is made, however it’s noted to be rather dubious at best as Freyja and Frigg are often confused together as being the same goddess.

Frigg – Norse

The wife of Odin, placing he as the mother of the Gods, she is associated with marriage, prophesy, clairvoyance, and motherhood along with spinning. Frigg is more likely to be whom Perchta is associated with or stems from.

Holda – Germanic

The goddess Holda has been equated as the southern cousin or a syno-deity to Perchta as they both hold the same function as a guardian of the animals and come during the Twelve Days of Christmas to inspect the spinning.

La Befana – Italy

The Italian Christmas Witch is sometimes compared with Perchta during Winter celebrations. This is more the contrast of where La Befana is portrayed as an ugly, yet good witch and Perchta is in her more monstrous appearance.

Saint Lucy – Germany

A local Saint whose feast day fell near the Winter Solstice. She is primarily known and revered in Bavaria and German Bohemia. Saint Lucy is often equated with Perchta.

Weisse Frauen

A type of fairy or enchanted being, these white women are a variety of light elves. Jacob Grimm saw connection between the goddesses Holda and Perchta in their white forms with these beings.

Vampire Pumpkins & Watermelons

This is an interesting one. According to the beliefs of the Romani living in the Balkan region of southeastern Europe, any fruit or inanimate object left outside during a full moon becomes a vampire. The proof of this impending change is the appearance of blood, even a single drop on the skin of the pumpkin or watermelon.

Description

A vampire pumpkin or watermelon is going to look indistinguishable from the original plant. Though you know it has changed or is about to change if there is the appearance of blood on the fruit in question.

Legend

According to the account recorded by the ethnologist, Tatomir Vukanović, there is a belief that vampire fruit is similar to any inanimate object left outside during the night of a full moon will become a vampire. The only known source for Vukanović’s account is in his journal when he was in Serbia between 1933 and 1948.

Vukanović writes how the Gypsies (properly, they are known as Romani) who live in Kosovo, believe in vampiric plants and that Pumpkins and Watermelons are the two plants specifically to wary of that have this change. This vampiric change in the two happens only when they are fighting each other.

Exactly how and why they are fighting each other isn’t made clear. Just that they do.

Vampiric Transformation

In Podrima and Prizrenski Podgar, the vampiric transformation only happens when pumpkins and watermelons have been kept for more than ten days. After ten days, the pumpkins and melons begin to stir and make a “brrrl, brrrl, brrrl!” noise as they shake.

Sometimes, a trace of blood can be found on the pumpkin or watermelon and that is how you know for sure that the plant has become a vampire. These pumpkins and melons then begin to roll around, going to people’s homes, stables, and rooms at night.

Christmas – In the village of Pirani, it was believed that any pumpkin kept after Christmas would become a vampire.

Another tradition among the Lešani holds that a pumpkin becomes a vampire when it’s used as a siphon, ripened, and dried without becoming opened after three years.

Yes, there’s a certain danger from this vampire pumpkin or melon showing up, but it is believed that they couldn’t do a lot of harm. Not in terms of draining blood, a vampire pumpkin isn’t likely to have teeth. But they can drain a person’s life or psychic energy, leaving them with a weakened aura and feeling ill or fatigued. Still, it’s a vampire and people tended to be wary of these vampiric plants anyways as this source of damage is much slower.

Destroying The Vampire!

Stake it!

More like boiling it. The Romani destroy their vampire veggies by tossing them into a pot of boiling water. Then the water is poured out. Next, the plant is smashed to pieces or scrubbed with a broom. Now the plant is thrown away and the broom burned.

Possible Reality Behind The Myths

While this sounds preposterous and ridiculous. There is an explanation for why this belief persisted and originated.

It’s possible the Romani of Serbia were joking with Vukanović when they told him the story while he was compiling his research notes for his book, “The Vampire.”

It’s also possible that this legend and superstition arose as a means for people to avoid eating rotten food.

Watermelons are known for having a red sap or “blood” that appears on their rind when they’ve aged and been sitting around for a while.

Pop Culture

The idea and use of vampire pumpkins and watermelons have made their way into the literature.  Notably Terry Pratchett’s “Carpe Jugulum” was written in 1998. The Bunnicula children’s series has vampire vegetables. The webcomic Digger makes use of vampire squashes, even pop culture books on vampires will mention vampire pumpkins.

Curupira

Pronunciation: kuɾuˈpiɾɐ (Portuguese pronunciation)

Also Called: Korupira, Korupira or Urupira.

Etymology: Tupi “kuru’pir” meaning “covered in blisters”, tupi-guarani “curu” Child and “pira” body

The Curupira is a legendary creature found in Brazilian folklore. Most of the stories will describe Curupira as being demonic in nature. A rationale that only makes sense if you’re the one going out exploiting nature and over hunting in the jungle.

Curupira is very clearly a nature spirit and protector of the jungle’s wildlife who takes his role very seriously. Given the number of stories where a hunter dies or vanishes that are attributed to Curupira’s doing, it’s easy to see why he is seen as demonic or in a gray area of attitude towards humans.

Description

The folklore surrounding Curupira is first documented in 1560 by the priest José de Anchieta and the first one he collected. The current versions of the stories tend to blend aspects of West African and European fairy lore into him. Even so, the stories of Curupira have been told by the native Tupi and Guarnani of Brazil for a long time.

There are regional variations to Curupria’s description, most though describe him having a bright red or orange hair and will either be a boy, man or a dwarf whose feet are turned backwards. Living in the jungle and forests of Brazil, Curupira uses his feet to confuse hunters and travelers as his footprints cause people to think he is coming instead of going.

Nothing earns Curupira’s ire more than a poacher or hunter who takes more than they need or those hunting animals with young and offspring.

To try and keep on his good side, some people going into the jungle will leave cigarettes and cachaca as a peace offering that they’re only harvesting or hunting a little bit and not to excess.

Powers

Curupira is also able to create illusions and a high pitch whistle sound to scare his victims into madness. The last bit is that Curupira is sometimes shown riding a peccary, not unlike another Brazilian creature known as Caipora.

Some variations give him super speed or the power of enchantment, transmutation and even increased strength.

Forest Protector

As a protective spirit of the jungle, that is Curpira’s main shtick in that he protects the jungle and its inhabitants from being over hunted and exploited.

T.V. Shows

Beast Master – A female version of Curupira appeared in several episodes. This version appeared as a young, blonde girl dressed in green with the same backwards feet and she could drain humans of their life energy, reducing them to a husk with a husk.

Invisible City – A Netflix Series, this series features a number of characters from Brazilian folklore, including Curupira who appears as a homeless person for much of the first season before revealing himself towards the end of first season. This version of Curupira featured flaming hair, not just red or orange hair.

Aphrodite

Pronunciation: af-ruh-dahy-tee

Etymology: “Rising from the Sea,” Aphros “Sea Foam”

Other Names and Epithets: Αφροδιτη, Acraea, Amathusia, Ambologera (”She who Postpones Old Age”), Anadyomene, Antheia, Aphrodite Areia (“War-Like”), Aphrodite en kopois (“Aphrodite of the Gardens”), Chryse (mythology), Cytherea, Lady of Cythera, Despoina, Aphrodite Pandemos, Aphrodite Ourania or Urania (Heavenly Aphrodite), Aphrodite Benetrix (Married Love), Aphrodite Porne (Erotic Love), Pandemos, Urania, Lady of Cyprus, Philommeidḗs (“Smile-Loving” or “Laughter-Loving”), Eleemon (“The Merciful”), Genetyllis (“Mother”), Potnia (“Mistress”), Enoplios (“Armed”), Morpho (“Shapely”), Melainis (“Black One”), Skotia (“Dark One”), Androphonos (“Killer of Men”), Anosia (“Unholy”), Tymborychos (“Gravedigger”), Aphrodite Pontia (“Of the Deep Sea”), and Aphrodite Euploia (“Of the Fair Voyage”)

Aphrodite is the Greek goddess of love, specifically sexual love, beauty, desire and fertility. With an irresistible charm and beauty, Aphrodite is used to getting her way as many a mortal and god sought her favor. For those who spurned her, Aphrodite could be vindictive like many a Greek deity’s reputation for pettiness. Aphrodite is without a doubt, one of the best-known Olympian goddesses. In more modern times, Aphrodite is still seen one of many feminine icons from mythology who continues to feature in Western literature and arts.

Aphrodite’s Roman counterpart is Venus and their myths become very intertwined over the millennia to the point that their names are often interchangeable in Aphrodite’s myths.

Attributes

Animal: Dolphin, Dove, Ducks, Geese, Heron, Ram, Sparrow, Swan, Tortoise

Colors: Blue, Green, Scarlet, White, Gold

Day of the Week: Friday

Element: Water

Gemstones: Lapis Lazuli, Pearl

Metal: Copper

Month: April, February, July

Patron of: Love, Lovers, Prostitutes

Plant: Apple, Lime Tree, Mandrake, Myrtle, Myrrh, Palm, Pomegranate, Poppy, Rose

Planet: Venus

Sphere of Influence: Love in all of its forms, physical, sensual, passion, relationships

Symbols: Girdle, Golden Apples, Scallop Shells, Mirror, the Ocean, Chocolate

Aphrodite Areia – Helmet, Lance, Shield, Sword, Victory

Aphrodite Pandemos – Ram

Aphrodite Urania – Tortoise for Domestic Modesty and Chastity

Greek Depictions

In Classic Greek art, Aphrodite is often depicted as a blue-eyed, golden-haired woman with pale skin. For the Greeks, she was the very ideal of beauty. Statues of Aphrodite depict her as the height of Grecian physical beauty. At first, there was nothing to distinguish Aphrodite from other statues of goddesses, not until around the 5th century B.C.E. Statues of Aphrodite from Cyrene and Esquiline in the 1st century B.C.E. were called Aphrodite Kallipygos or “Aphrodite with a Beautiful Derriere.”

Classical art and sculpture from the 5th century B.C.E. will show Aphrodite as fully clothed, once the 1st century B.C.E. comes, do nude statues of Aphrodite appear. The most famous of the Aphrodite sculptures was carved by Praxieteles. It is during the Hellenistic era of Greece that the first nude statue of Aphrodite, the Venus de Milo appears in the 2nd century B.C.E.

Aphrodite is often shown accompanied with her son Eros, also a god of love.

What’s In A Name

We know the first part of Aphrodite’s name, aphros means sea foam or foam and alludes to her birth from the ocean when Uranus’ gentiles were thrown in the sea by his son Cronus. There were early attempts by scholars to link Aphrodite’s name to a Greek or Indo-European origin. Given the strong connections of Aphrodite to the Middle East and likely of Semitic origin.

Nineteenth and early twentieth scholars who accepted the etymology of “sea form” for the first part of Aphrodite’s name have tried to connect the second part of the name “-odite” to mean either “wanderer” or “brite.” As there’s disagreements, some scholars have even gone so far as to link Aphrodite’s name to the Assyrian barīrītu, the name of a female demon found in Babylonian texts. Others have tried for the Etruscan word of “eproni” for “lord” making the last part of Aphrodite’s name an honorific. The name continues to be debated as to what the correct translation and etymology for Aphrodite’s name is.

The epithets of Urania for Heavenly Dweller and Pandemos for “Of all the people” likely try to connect her as a goddess of universal love and everyone. In his Symposium, Plato argues that the epitaphs of Aphrodite Ourania and Aphrodite Pandemos are two separate deities.

Mesopotamian Connection

There is a lot of evidence and discussions that Aphrodite very strongly began as the Mesopotamian goddess Ishtar or the Phoenician Astarte and the Syro-Palestinian goddess Ashtart.

Pausanias records that the first people to worship Aphrodite were the Assyrians and then the people of Cyprus, followed by the Phoenicians at Ascalon. From there, Aphrodite’s cult and worship spread throughout most of Greece.

Looking at the epitaph of Aphrodite Ourania shows a connection to Inanna as the Queen of Heaven. Early art and literature that describes Aphrodite is very similar to Inanna. Like Inanna, Aprodite was worshiped as a war goddess, at least in the second century B.C.E. Pausanias makes mention where in Sparta, she is worshipped as Aphrodite Areia, meaning “warlike.” Pausanias also records that early statues in Sparta and Cythera show Aprodite bearing arms. Modern scholars use this connection of Aphrodite with her Middle Eastern origins. It makes sense when ancient Grecian culture once stretched as far as where modern Turkey and Syria are today.

Doves – One of Aphrodite’s symbols, the dove is also connected to Ishtar as one of her symbols. Scholars have noted that the Greek word for dove is “peristera” is likely comes from the Semitic phrase of “perah Istar” meaning “bird of Ishtar.” How interesting. Doves appear in a lot of ancient Greek art for pottery, reliefs, and sculptures depicting Aphrodite.

Dawn Goddess?

At one point, early comparative scholars have tried to link Aprodite with Eos, the Greek goddess of the Dawn. It works and relies on linking to the Proto-Indo European Dawn goddess of Haéusōs who is then linked to the Greek Eos, the Latin Aurora and the Sanskrit Ushas.

Both Aphrodite and Eos are known for their erotic beauty and sexuality. They have both had relationships with mortal lovers (as have a good number of Greek deities). Add in, that both goddesses are associated with the colors of red, white, and gold. The myth of Aphrodite rising from the sea has a similarity to the Rigvedic myth of Indra defeating Vrtra and freeing Ushas. Which then brings the last comparison of Aphrodite and the Indo-European goddess Haéusōs both having a parentage that links them to of a sky deity.

Maybe, but it is the alternative mythological and etymological link when the Middle Eastern connection isn’t accepted. Plus, the whole Proto-Indo-European language is largely theoretical with many modern scholars leaning towards the Mesopotamian connections.

Worship

As a goddess of love, beauty and sexual desires, Aphrodite was and still is worshiped by a wide variety of people from nearly every walk of life. For ancient Greece, this is the everyday people up to the higher, ruling class

As a very sensual goddess of love, particularly sexual love and beauty, Aphrodite’s priestesses were known to engage in sexual activities themselves as part of worshiping her. It should be noted that this didn’t make them prostitutes, it was part of the job description for priestess of Aphrodite. If you’re seeing every woman as a goddess to held sacred, cherished, respected and worshiped, you’re not far from worshiping Aphrodite or any goddess or god of love. It is going to get carnal.

As such, Aphrodite had several shrines and temples dedicated to her. Her main temples and cults were to be found in Cythera and Cyprus.

Gynaikonomoi – If it hasn’t been noticed before, women in many Greek and even Roman myths aren’t treated well, whether goddess or mortal. The Gynaikonomoi or Magistrates in Charge of Women are mentioned in the 1st century C.E. Sparta.

Marriage – Pausanias records the practice of the mothers of brides sacrificing to a wooden image known as Aphrodite Hera, an epitaph of either goddess connecting the ideals of love and marriage. Pausanias goes on to mention a seated statue of Aphrodite Morpho or the “The Fair Shaped Aphrodite” that had a veil on her head and chains on her feet. Lovely. This statuary clearly meant to connect the role of brides and a woman’s place in a marriage with her duties with wives being faithful to husbands.

Prostitutes – Yes, Aphrodite is the patron goddess of prostitutes. The city of Corinth was known for the high number of prostitutes and courtesans. With Corinth also being one of Aphrodite’s main cult centers with a major temple, it led to early scholars believing in the concept of “sacred prostitution” in Greco-Roman cultures with nearby islands of Cyprus and Cythera and even Sicily being associated with prostitution. There are records of many dedications to Aphrodite found in poetry and pottery by courtesans that have been found. Plus, you add in that Aphrodite’s Mesopotamian counterpart Inanna is also associated with prostitution. While the idea of “sacred prostitution” persists in some schools of thought, the idea is getting discarded more and more.

Amathus – This is one of Aphrodite’s centers of worship on the island of Cyprus.

Corinth – On mainland Greece, this city was one of Aphrodite’ centers of worship.

Cyprus – Aphrodite’s center of worship was clearly on this island as evidenced by the numerous sanctuaries dedicated to this goddess. Aphrodite would be called Cyprian for her connection to this island as her birthplace.

Cythera – Another island where Aphrodite’s worship was prominent. It had been a Minoan colony at one point. Some myths will place Aphrodite’s birth as being here, giving her the epitaph of Cytherea. The island was certainly a stopping point for the trade route between Crete and Peloponesus which in turn could mean that the myths might have evidence of how Aphrodite’s cult came from the Middle East to Greece.

Pandemos – This the oldest of Aphrodite’s cult-sites that dates back to 230 B.C.E. Here, Aphrodite was known as Aphrodite Pandemos or “Aphrodite who is Common to all the People.” This Aphrodite was associated with the hero Theseus and worshipers of Aphrodite Pandemos sought out her blessings for uniting the people of Athens. Not just for personal relationships, but political connections too. The cult of Aphrodite Pandemos is very likely led to the formation of democracy.

Paphos

This city located on Cyprus is the location for one of Aphrodite’s most well-known temples, especially in the ancient world. It is thought that the rites dedicated to Aphrodite were a blend of oriental and Aegean influences that could ultimately trace their origins to the Mesopotamian Ishtar and Phoenician Astarte. Archeological studies have shown that the cult of Aphrodite dates back to the Late Bronze Age, roughly 1200 B.C.E. and continue uninterrupted up to the Late Roman Era towards the 4th century C.E. There are suggestions that Aphrodite’s worship could possibly go back to the Chalcolithic Era. Female figurines and charms have been found dating to the third millennium and religious sanctuaries called temenos were well established before the construction of any Late Bronze Age structures.

Prior to this, Pausanias thought Aphrodite’s cult was introduced from Syria and of Phoenician origin. Prior to more modern Archeology, people that that Aphrodite’s worship and cult dated back before Homer’s time of around 700 B.C.E. with mention of Aphrodite’s altar in the Odyssey.

Paphos is also the location that the Greeks say where Aphrodite landed when she arrived at Cyprus when she rose out of the sea. An oracle was also to found here in Paphos. The Sanctuary of Aphrodite Paphia was a pilgrimage destination for her followers. The city gains its name from Paphos, the son of Pygmalion and Galatea.

Hellenistic Greece

During this era of classical Greek history that many are familiar with, the Greeks began to identify Aphrodite with the Egyptian goddesses of Hathor and Isis. Aphrodite would become the patron goddess of the Lagid queens. As was Egyptian custom, Queen Arsinoe II was claimed to be the mortal incarnation of Aphrodite.

Aphrodite’s worship spread to the city of Alexandria with many temples dedicated to her that could be found around the city. The cult of Adonis was introduced to the city by Queen Arisone II. The Tessarakonteres galley had a temple dedicated to Aphrodite with a marble statue. Another temple dedicated to Aphrodite Hathor would be established in the second century B.C.E. at Philae. Statuettes of Aphrodite would become very common for people to do personal devotions during the Ptolemaic era in Egypt and last through when it came under Roman rule.

Roman Influence

The Romans readily adopted and identified Aphrodite with their own goddess Venus who was originally a goddess of agriculture, fertility, vegetation, and Spring. This would become official in the third century B.C.E. when the cult of Venus Erycina is introduced to Rome by way of the Grecian sanctuary for Aphrodite on Mount Eryx in Sicily. From here, the iconography and imagery of Aphrodite along with her myths would be attached to Venus.

Further cementing this adaptation is that Aphrodite was revered as the mother of the Trojan hero Aeneas in Greek myths and the Romans hailed him as the ancestor to Romulus and Remus, the legendary founders of Rome. With this connection, Venus as Venus Genetrix, the mother of the Roman nation became prominent. The Greek worship of Aphrodite began to emphasis more and more her connection to the city of Troy and Aeneas. More and more Roman influences and elements began to connect Aphrodite as more maternal and militaristic and more connected to the bureaucracy that Aphrodite became a divine guardian of numerous magistrates.

Parentage and Family

Parents

According to Hesiod’s Theogony, Aphrodite was born from the dismembered genitals of Uranus after Cronus cut them off. She rose up from the sea where they landed after being thrown.

Sometimes the primordial sea goddess Thalassa is given as Aphrodite’s mother in the myth with Uranus.

According to Homer’s Iliad, Zeus and Dione are her parents.

Siblings

As a result of mixed parentage, depending on if you go by Hesiod’s Theogony or Homer’s Iliad, Aphrodite is going have several siblings.

Aeacus, Angelos, Apollo, Ares, Artemis, Athena, Dionysus, Eileithyia, Enyo, Eris, Ersa, Hebe, Helen of Troy, Hephaestus, Heracles, Hermes, Minos, Pandia, Persephone, Perseus, Rhadamanthus, the Charities, the Horae, the Litae, the Muses, the Moirai, or the Titans, the Cyclopes, the Meliae, the Erinyes (Furies), the Giants, the Hekatonkheires

Consort

Hephaestus – Husband and god of Smithing and Volcanoes.

Children

With Adonis, Aphrodite is the mother of Beroe and Golgos.

With the god Ares, Aphrodite is the mother of: the Erotes: Anteros, Eros, Himeros and Pothos (though sometimes Pothos is listed as Eros’ son). Other children of theirs are: Phobos, Deimos, Phlegyas, Harmonia and Adrestia.

In early myth, Anteros was originally born from the sea alongside Aphrodite, later on, he comes her son by Ares.

With Butes, Aphrodite is the mother of Eryx, Meligounis, and a number of unnamed daughters.

With Dionysus, Aphrodite is the mother of  Hymenaios, Iacchus, and the Charities (Aglaea, Euphrosyne, and Thalia)

With the god Hermes, Aphrodite is the mother of the androgynous deity Hermaphroditus.

With Phaethon, Aphrodite is the mother of Astynous.

With the god Poseidon, Aphrodite is the mother of Eryx, Rhodus and Herophilus.

With the mortal Prince Anchises, Aphrodite is the mother of Aeneas

Peitho has no father is given for him.

Priapus – either the gods Adonis, Ares or Dionysus is their father.

Olympian Goddess

Aphrodite is counted among the twelve major deities who resided on Mount Olympus, the highest mountain peak in Greece and all of Europe. For the Greeks, this was the perfect location for where the gods would preside at while keeping watch on humankind down below them.

As there are several deities within Greek mythology, just who numbers among the Olympians varies. It’s generally agreed that the twelve major Olympians are: Zeus, Hera, Poseidon, Demeter, Athena, Apollo, Artemis, Ares, Aphrodite, Hephaestus, Hermes, and then either Hestia or Dionysus.

Aphrodisiac Festival

Also called Aphrodisia, as the name implies, this was a festival held in Aphrodite’s honor and was celebrated in many places around Greece during midsummer. It was a festival involved substances believed or known to cause sexual arousal and desire. This festival was most notably in Athens and Cornith.

In Athens, Aphrodisia would be celebrated in the month of Hekatombaion to celebrate Aphrodite’s rule in the unification of Attica. In the old Grecian calendar, the month of Hekatombaion corresponded with the month of July and was the first month of the year.

The priests of Aphrodite would purify the Temple of Aphrodite Pandemos with the blood of a dove that had been sacrificed. The altars would than be anointed and the statues of Aphrodite Pandemos and Aphrodite Peitho would be carried down to be ritually bathed.

Arrhephoria

This is another festival that honored Aphrodite in Athens. Not much is known about this festival.

Monthly Observances

The fourth day of every month was also held sacred to Aphrodite.

Attendants Of Aphrodite

Charities – The Graces in Roman mythology, this group of goddesses were known to accompany Aphrodite. They were Aglaea (“Splendor”), Euphrosyne (“Good Cheer”), and Thalia (“Abundance.”) They were worshiped as goddesses in Greek long before the arrival of Aphrodite.

Erotes – Aphrodite’s many sons who all presided over a different aspect of love.

            Eros – Is the primary son who most people think of as accompanying Aphrodite. Most people are familiar with his Roman name of Cupid. By either name, Eros is the god of lust and sexual desire. Eros is described as one of four original primeval forces born at the beginning of time in Hesiod’s Theogony. After the birth of Aphrodite, Eros joins Himeros to become one of her companions.

Harmonia – A minor goddess of harmony. She is Aphrodite’s daughter with Ares, she is sometimes seen accompanying her.

Hebe – The goddess of youth, she is the daughter of Zeus and Hera. Hebe sometimes accompanied Aphrodite.

Horae – The Hours, they are the daughters of Zeus and Themis. Their names are Eunomia (“Good Order”), Dike (“Justice”), and Eirene (“Peace”).

Sparrow Chariot

In Sappho’s “Ode to Aphrodite,” the goddess is described as riding in a chariot that is pulled by sparrows.

Fertility Goddess?

Aphrodite isn’t just a Love Goddess, the sexual acts associated with her, Aphrodite’s attributes extend to the fertility of animals and vegetation, not just humans. In the story of Aphrodite’s affair with Ares, the version of the story found in the Iliad has Aphrodite returning to Cyprus so she can renew her virginity in Spring. Something she apparently does after each liaison. Some even suggest so far as to identify Aphrodite as a Mother Goddess as she gives birth to the crops each year. However, I think that domain is well and thoroughly covered with Demeter and Persephone. Though given the story of Aphrodite and Adonis, Mother Goddess and fertility still easily fits.

Pomegranates are thought to be associated with Aphrodite as the red seeds symbolized sexuality. An interesting side note, Greek women sometimes used pomegranates as a form of birth control.

Venus – When equating Aphrodite with the Roman goddess Venus, the poet Lucretius calls Aphrodite as a Genetrix for her creation and creative role in the world.

Plus, the aspects of Aphrodite as a fertility goddess really fit when under Roman influence and they have identified many of Aphrodite’s myths to their goddess and are busy tacking on Venus’ aspects to her Grecian counterpart.

Love Goddess

This is the domain that Aphrodite is really known for, Love, all kinds of love. The many epitaphs that Aphrodite has denote which form of love she presides over.

Aphrodite Benetrix – Married Love

Aphrodite Porne – Erotic Love

Aphrodite Urania – Heavenly Aphrodite, Spiritual Love, the kind that is unconditional and all of creation.

That’s just a few of the names that cover the many types of love that Aphrodite presided over. In addition, Aphrodite had numerous sons, most notably Eros who would accompany her and who represented the different types of love.

Birth Of A Goddess

There are a couple different origin stories for Aphrodite.

According to Hesiod’s Theogony, Aphrodite was born when Uranus was castrated by his son Cronus and the severed member was thrown into the ocean. As the ocean began to churn and foam, Aphrodite rose up out of the waves. With Zephyr’s help, this Wind God blew the young goddess towards the island of Cyprus where flowers sprang up from her footsteps as she stepped on land. There, Aphrodite was welcomed by the Charities. From there, Aphrodite was dressed and taken to Mount Olympus to be presented to the other gods.

Other variations have Aphrodite arriving at Cythera. Seafood is known as aphrodisiacs as they are seen related to Aphrodite’s birth from the sea.

It is for the places of Cyprus and Cythera, that Aphrodite is also known by the names of Kypris and Cytherea.

It has been pointed out that Hesiod’s Theogony is likely pulled from the Hittite epic “The Song of Kumarbi” where Kumarbi overthrows his father, Anu the sky god by biting off his genitals and thus becoming pregnant to give birth to Ishtar and Teshub.

Homer, in his Iliad, however, says that Aphrodite is the daughter of Zeus and Dione. A note here is that Dione’s name is possibly a feminine form to Dios and Dion, both alternative names for Zeus and that both Zeus and Dione had a cult center in Dodona. Hesiod names Dione an Oceanid in his Theogony.

Marriage To Hephaestus

Following the genealogy with Zeus, he feared that the other gods would fight each other over who would get to marry Aphrodite.

Figuring himself wise and clever, Zeus married Aphrodite off to Hephaestus, the Smithing god. Imagine Hephaestus’ surprise, him the least comely of the gods and disabled. Elated, Hephaestus put all his efforts and skills in smithing to create the most exquisite jewels that he could for his bride. He even made a girdle of finely wrought gold with magic woven into it for Aphrodite.

While Hephaestus was happy with his marriage, Aphrodite wasn’t too pleased with the arrangement. She would have greatly preferred someone far more attractive and like many of the gods, she does have her affairs and dalliances.

Strophion – This is what Hephaestus will have crafted for Aphrodite, translations into English will call it a girdle. As lovely as this magic girdle is, whenever Aphrodite wore it, no one was able to resist her charms and was already irresistible to many. It’s been commented that Hera sometimes borrowed Aphrodite’s magic strophion from time to time.

The other name I have come across for this girdle or belt is cestus, which in Rome, a cestus is a set of armored leather gloves worn by boxers. That could be a translation error though as Aphrodite’s strophion was called “keston himanta” or (kestos himas) and that might be the source of confusion.

A final bit to note, is that this style of strophia were also used in depictions for the Middle Eastern goddesses Astarte and Ishtar.

Notes:

Folklore – Instead of Zeus handing Aphrodite off in marriage, it is Hera who does so. In this one, Hephaestus made a golden throne for his mother Hera. When Hera sat down on the throne, it trapped her, and Hephaestus refused to release her until Hera agreed to give Aphrodite to him in marriage. Pleased that his mother agreed to the marriage, Hephaestus then gods to make his bride to be some jewelry, including the strophion that is often translated to mean girdle.

There are a few versions of Aphrodite’s marriage and who Hephaestus is actually married to.

Iliad – Aphrodite is the unmarried consort to Ares. Hephaestus’ wife is Charis, one of the Charities.

Odyssey – Book Eight is where the blind singer Demodocus describes Aphrodite as the wife to Hephaestus when the story of Aphrodite and Ares’ Affair is related.

Theogony – Aphrodite is unmarried, Hephaestus’ wife is Aglaea, the youngest of the Charities.

Aphrodite & Pandora

From Hesiod’s Works and Days, Zeus tasks Aphrodite to create Pandora, as the first woman to punish mankind after Prometheus’ stealing fire and gifting it to humans. Aphrodite makes Pandora to be both physically beautiful and sexually attractive so men will fall for her and lead to opening the box by which to release evils upon the world. Aphrodite’s attendants of Peitho, the Charities and the Horae contribute by gifting Pandora with gold and jewelry to be even more attractive.

Love Affair With Adonis

This is perhaps the most famous of Aphrodite’s affairs with a mortal by the name of Adonis.

Accordiing to Ovid’s Metamorphosis, Adonis is the son of Myrrha who was cursed by Aphrodite and turned into a Myrrh tree. Depending on the version of the story, either Myrrh’s father takes an axe to split open the tree or nine months later the tree burst, splitting open with Adonis being born.

Aphrodite found the infant and takes him down to the Underworld hidden in a chest to be entrusted into Persephone’s keeping. When Persephone discover a baby in the chest, she falls in love with the infant and takes care of him.

Later, Aphrodite returns to check in and discovers that Adonis has grown up to become remarkably handsome. By this time, Persephone is also rather attached to Adonis as well and what ensues is a custody battle of who gets Adonis.

Zeus took the matter into his own hands, in which he put the muse Calliope to arbitrate. She divided the year into three parts, saying that Adonis would spend one third with Aphrodite, another third with Persephone and the third part of the year as time to himself.

Having his own agency, Adonis comes to love Aphrodite more. It doesn’t help that Aphrodite cheated by wearing her magic girdle to cause Adonis to spend more time with her.

When it was time for him to go to the Underworld, Adonis refused. This angered Persephone so that she sent a wild boar to kill Adonis. This wild boar is actually Ares in a jealous rage. As Adonis died in Aphrodite’s arms, he was either transformed into the anemone flower or wherever Adonis’ blood fell, a red anemone flower sprung up.

Another account says that in her search for Adonis, that Aphrodite’s feet became cut and pierced by thorns and that the blood from her feet is what turned into the Anemone flowers.

A slight variation holds that Aphrodite acted as a surrogate mother to Adonis.

Sometimes the boar is sent by Artemis in retaliation for Aphrodite killing Hippolytus. Other times, it’s Apollo who is the boar that kills Adonis. Or that Dionysus carried Adonis away.

Phoenician Connection – It has been commented that the story of Persephone and Adonis is nothing more than the Greeks adopting the Phoenician story of Ashtarte and Adon. In the Canaanite language, Adon means lord and the names of Adonis and Adon appear to have a very solid linguistic connection.

Sumerian Connection – Another connection is that of the story of Inanna and Dumuzid.

Vegetation God – Some accounts will say that Adonis wasn’t mortal, that he was a deity in his own right and that this myth explains his death and rebirth each year for Summer and Winter as Zeus stepped in at this point saying that Adonis must spend the summers with Aphrodite and the winters with Persephone in the Underworld.

With this connection in mind, it’s been noted that Adonis’ cult had underworld tones of life and rebirth. From this, Aphrodite became connected with the dead in Delphi.

Aphrodite & Dionysus

Aphrodite is known to have numerous affairs. Depending on the account read, depends on if, with this story if it is either Dionysus, Hermes, Adonis or even Zeus himself who Aphrodite comes to bear the son Priapus with.

Generally, Dionysus is given as the father of Priapus with Aphrodite. As the story goes, following the events of the Trojan War, Hera was angry with Aphrodite’s interference when all the other gods were forbidden to be there by Zeus.

While pregnant with Priapus, Hera applied a potion to Aphrodite’s stomach as the goddess was sleeping. This was to ensure the child would be born deformed and monstrous looking. When Aphrodite gave birth to Priapus, she was horrified by the sight of an infant with a large, permanently erect gentile, potbelly, and large tongue. Aphrodite left the infant out on a hillside to die of exposure. However, a huntsman found the infant and raised them.

Later, Priapus would discover his powers a deity and the ability to cause vegetation to grow.

Aphrodite & Hermes

Aproditus

First, a little bit of history. There was at one point, a male version of Aphrodite known as Aproditus. This is a male version of Aphrodite who was worshiped within the city of Amathus on the island of Cyprus. Aphroditus would be shown in art as having the dress and body of a woman while sporting a beard. He would be shown lifting up his dress to show his genitals, thought to be an apotropaic symbol or warding off evil. Eventually, Aphroditus’ popularity would fade away and the feminine form of Aphrodite would prevail.

Hermaphroditus – Also called Hermaphroditos. With so many gods having affairs with the fair and lovely Aphrodite, it isn’t too much of a surprise that she would also haven one with Hermes. The child that they had was a very handsome and beautiful boy of the name Hermaphroditus. A naiad by the name of Salmacis fell in love with Hermaphoditus and in a rare twist, she tried to rape him. When Hermaphroditus tries to fight off Salmacis, the naiad prays to the gods that they should become one. The gods answer, it’s not clear which one or ones answer and Salmacis and Hermaphroditus fuse into one intersex being. Horrified by what happened to him, Hermaphroditus called on his parents, Hermes and Aphrodite to curse the fountain so that others who entered it’s waters would have the same thing happen to them.

Traces of Aphroditus’ cult are found within Hermaphroditus’ story.

Love Affair With Ares

This story is told in the Odyssey, Book Eight by the blind singer Demodocus. This is also a story that probably began as a folk tale among the Greeks.

The Sun-god Helios had spotted the two gods, Ares and Aphrodite in a tryst in the halls of Hephaestus. Helios went to inform Hephaestus of his wife’s affair who then decided to try and catch the two in the act. Being the master smith and craftsman of the gods, Hephaestus created a finely woven and nearly invisible net to ensnare the two in. Waiting for the right moment, he succeeded in trapping both Ares and Aphrodite within the net.

Wanting to make sure the two were properly shamed and punished, Hephaestus called the other Olympian gods to come. All the goddesses declined to come, not wanting to be scandalized while all the gods did come and gawked. Some commenting to the beauty of Aphrodite and other stating they’d gladly trade places with Ares. In versions of the story, the gods agreed on Hephaestus’ right to be angry and in others, they didn’t care. In the end, when released, an embarrassed Ares returned to his home in Thrace and Aphrodite went to the city of Paphos on Cyprus where she would bathe in the sea to renew her virginity with the help of the Charities. It wouldn’t take Hephaestus long to forgive Aphrodite her affair as he missed her.

Elaborating on this story, a later addition, Ares had the youth Alectryon guarding the door to warn when Helios came by as he would no doubt inform Hephaestus of the affair. However, Alectryon fell asleep and Helios discovered the two’s affair. Ares, embarrassed and infuriated at being caught, turned Alectryon into a rooster and it’s that add-on to the story of Ares and Aphrodite’s affair that roosters always crow, announcing the rising of the sun in the morning.

Variation – A version of the story found in Homer’s Odyssey has Hephaestus refusing to release the lovers unless Zeus returned the bridal gifts. Zeus staunchly refused as he felt that Hephaestus shouldn’t have made the affair so public. Though in the Odyssey, Poseidon does agree to play Hephaestus’ price to release both Ares and Aphrodite.

From their affair, Ares and Aphrodite became the parents of several minor deities: Eros, Arethousa, Harmonia, Phobos, Deimos and Adrestia. Both Eros and Arethousa’s tended to have attributes more in align with Aphrodite. Adrestia tended to be more like her father Ares.

Aphrodite & Poseidon

It makes sense, that this story takes place right after Aphrodite’s affair with Ares. Poseidon fell in love with Aphrodite and there must have been a fling for there is one daughter, Rhode and a son, Herophilus who is attributed to Poseidon as being the father.

Aphrodite & Pygmalion

The myth of Pygmalion has its first mention in the third century B.C.E. by the Greek writer Philostephanus of Cyrene. The myth has a full accounting later in Ovid’s Metamorphoses.

Pygmalion was a sculptor from the island of Cyprus who refused to marry any woman as he found them to all be immoral. Very well, Pygmalion sets about carving an ivory statue of Aphrodite that was so life-like that he fell in love with it.

So, in love with the statue, Pygmalion prayed to Aphrodite to bring the statue to live so he could marry it. Aphrodite heard the sculptor’s prayers and brought the statue to life, naming her Galatea. From their union, Galatea and Pygmalion had two children, Paphos, a son and from whom the capital of Cyprus would be named for, and a daughter Metharme as mentioned by Pseudo-Apollodorus.

Atalanta & Hippomenes

In this story, Aphrodite helped Hippomenes, a youth who desired to marry the maiden Atalanta. The catch was, Atalanta refused to marry any man unless they could beat her in a footrace, and she had the habit of beheading those who lost.

In comes Aphrodite give Hippomenes three golden apples from the Garden of the Hesperides with the instructions to toss them before Atalanta as they raced. Doing as instructed, Hippomenes tossed the apples down in Atalanta’s path. Each time Atalanta bent down to pick up another golden apple, it would give Hippomenes more of a lead, allowing him to win the race and thus marry Atalanta.

In Ovid’s Metamorphoses, the story continues. Because Hippomenes forgot to give thanks to Aphrodite after words, she causes the two to become so infatuated with each other while in the Temple of Cybele. The two desecrated Cybele’s temple by having sex in it and an angry Cybele turned Hippomenes and Atalanta into lions.

Sometimes it is Zeus who punishes the two mortals. The Greeks believed that lions were not able to mate with other lions. Another version of the story will have Aphrodite turn them into lions when they forgot to give her proper tribute or offerings.

As it is Ovid’s Metamorphosis and the mention of Cybele, there’s a clear Roman influence on the second part of the story.

Aphrodite & Typhon – Pisces

Typhon, a monstrous god, attacked the Gods when they were down by the Nile River. In some retellings of the story, the Gods where there in exile or that just happens to be where they were at for one of their many battles with Typhon. In either eventuality, Aphrodite and her son Eros were among the gods along the Nile River’s banks when Typhon appeared to do battle. While Zeus and a couple of other gods fought it out with Typhon, Aphrodite and Eros had leapt into the river, changing into a pair of fish so they could make their escape. In other accounts of the story, Aphrodite and Eros tied themselves together with a rope so they wouldn’t get separated.

Another account of this story places the riverbank that the gods were walking along as being the Euphrates River and not the Nile River. There is also a very similar story found in a Manilius’ five-volume poetic work Astronomica in which the fish that become the constellation of Pisces carried Aphrodite and Eros away to safety.

Keeping with the Euphrates River connection, when an egg fell into this river, a pair of fish pushed it to the shore where doves then sat on the egg to hatch it. When it hatched, Aphrodite came out of the egg. In a show of gratitude, the goddess placed the fish up into the sky to become the constellation Pisces. Through these connections of the myth, Pisces is also known as “Venus et Cupido,” “Venus Syria cum Cupidine,” Venus cum Adone,” “Dione,” and “Veneris Mater.”

Eros & Psyche

Psyche happened to be an extraordinarily beautiful princess. This brought about the anger and jealousy of Aphrodite when people turned their attention to Psyche and worshiped her. Aphrodite enlisted the aid of her son Eros to help punish Psyche.

The idea is that Eros would cause Psyche to fall in love with the worst and most vilest creature on the earth possible. Instead of doing as his mother bid, Eros fell in love with Psyche and took her home. He instructed Psyche that she was to never look upon his face.

All is well for awhile until Psyche goes home to visit family and her sisters convince her to break Eros’ command and look upon his face. Psyche does this and hurt, angry, Eros flies away leaving poor Psyche behind.

Psyche beseeches Aphrodite for help with finding her lost love. Knowing who it is that Psyche is looking for, Aphrodite sets out a series of nearly impossible tasks for Psyche to do. Eventually Eros discovers what’s happening and as he can’t bear to see Psyche’s suffering, returns. The two are married with all the gods attending.

This story is an early model for the fairytale of Beauty and the Beast.

A Goddess Scorned

Many of the Greek gods have a reputation for being very fickle. Just as often as they favor mortals, they can also punish them too.

By the stories, Aphrodite is no different and she could be very gracious with those mortals whom she favored. For those mortals who didn’t fawn upon Aphrodite the attention and worship she felt she was owed, Aphrodite could be very vindictive.

Aegialeia – The wife of Diomedes, she was cursed by Aphrodite after Diomedes had wounded the goddess during the Trojan War. Aegialia was cursed with promiscuity and she had several lovers, among them Hippolytus. Now it could be, that Aegialeia was angry with Diomedes as she heard rumors, he was returning home with a Trojan woman and this was to get back at an unfaithful husband. When Aegialeia threatened Diomedes’ life, he took off for Italy.

Clio – When the Muse derided Aphrodite’s love for Adonis, Aphrodite caused Clio to fall in love with Pierus of Magnesia and they had a son, Hyacinth.

Eos – Aphrodite cursed Eos, the goddess of the Dawn to be forever, perpetually in love with an insatiable sexual desire after Eos had slept with Ares, god of war. Guess no one else was allowed to have Aphrodite’s sweetheart.

Glaucus of Corinth – He angered Aphrodite when he refused to let his chariot horses mate, as to do so would slow their speed down. Aphrodite bided her time and when the Funeral Games for King Pelias happened, the goddess caused Glaucus’ horses to go mad and tear him apart during the chariot race.

Halia – She is a sea nymph who bore six sons with Poseidon. When Halia’s sons refused to let Aphrodite land on their shore, Aphrodite drove them all insane, causing them to rape their mother, Halia. Poseidon buried his six sons within the island’s sea caves.

Hippolytus – The son of Theseus, he worshipped only Artemis, the goddess of virginity and hunting. Because Hippolytus refused any sexual intercourse, this upset Aphrodite who saw him as being very prideful. As a result, Aphrodite caused Phaedra, Hippolytus’ stepmother to fall in love with him. Understandably so, Hippolytus refuses Phaedra’s advances. Phaedra however, is so distraught that she kills herself but not before leaving a note for Theseus, telling him that she committed suicide because Hippolytus tried to rape her.

This upsets Theseus who prays to Poseidon to kill Hippolytus for his actions. Poseidon answers by sending a wild bull to scare Hippolytus’ horses and smash the chariot so that he falls to his death along a seaside cliff. In the end, Artemis finally gets wind of what happened and goes to seek her own revenge against Aphrodite, which in some stories, is sending a wild boar to kill Adonis.

Leucippus – The grandson of Bellerophon, it is never clear what caused Aphrodit’e anger in this story. Only that the goddess caused Leucippus to fall in love with his sister. The sister was already betrothed to another and the betrothed found out about the incestuous relationship that Leucippus and his sister were having, went to inform their father Xanthius. Father Xanthius shows up at his daughter’s bed chamber and discovers his son, Leucippus there. As it’s dark, a fight ensues where the daughter is killed trying to escape and Leucippus kills his father as he doesn’t recognize who it is at first. Once he realizes what happened, Leucippus leaves to go be part of the colonizing of Crete and Asia Minor.

Myrrha – I covered this myth earlier in the story of Adonis. Myrrha’s mother, Queen Cenchreis of Cyprus had bragged that her daughter was more beautiful than Aphrodite. In response, Aphrodite cursed Myrrha to fall in love with her father, King Cinyras who slept with her unknowingly. Eventually Myrrha turned into the myrrh tree and gave birth to Adonis.

It doesn’t end there, Aphrodite continued her wrath against Queen Cenchreis and King Cinyras’ other three daughters, Braesia, Laogora, Orsedice to sleep with some foreigners and they ended up dying in Egypt.

Narcissus – One account has Aphrodite cursing Narcissus to fall in love with his own reflection after he refused to worship her.

Pasiphae – In one version, for the birth of the birth of the minotaur, Pasiphae had failed to make the appropriate offerings to Venus (Aphrodite), as a result, the goddess caused her to fall in love with the white bull meant as an offering to Zeus.

Alternatively, the curse comes because Pasiphae is the daughter of Helio and this is Aphrodite getting back at him for exposing her affair with Ares.

Polyphonte – Was a young woman and another devote to Artemis who chose a life of virginity instead of marriage and children. Aphrodite cursed Polyphonte to fall in love with a bear. Her resulting monstrous humanoid bear children, Agrius and Oreius who were cannibals. Zeus got involved this time and turned Polyphonte and her children into birds of ill omen; owls and a vulture.

Propoetides – He and his daughters were from the city of Amathus on the island of Cyprus. They had failed to worship Aphrodite appropriately and she caused them to become the first prostitutes. It should be noted that this is a story found in Ovid’ Metamorphoses.

Tanais – The son of Lysippe and Berossos, he was a devote to Ares, fully committed to war. This upset Aphrodite as Tanais neglected love and marriage. The goddess cursed Tanais to fall in love with his mother Lysippe. As he refused to give up his chastity, Tanais threw himself into the Amazonius river, which after words was renamed to the Tanais river.

The Women of Lemnos – Because these ladies refused to offer sacrifices to Aphrodite, she cursed all of them to have a horrible stench. We’re talking bad, to the point that their husbands refused to have sex with them. The husbands went and had sex with their Thracian slave-girls instead. This angered the Lemnos Women, and they murdered all the men and their slaves on their island. Later, when Jason and the Argonauts show up, these women are just starved for a man’s affections, that with Aphrodite’s approval, she allows for the Lemnos Women to have sex with Jason and his crew whereby they can repopulate the island. From there on out, the Lemnos Women never failed to appease Aphrodite.

The Judgement Of Paris

The gods were feasting at the wedding of Peleus and Thetis, who would become the parents of Achilles. All the gods were invited accept Eris who hadn’t received an invite. Chiron was in charge of the wedding invites and didn’t invite Eris due to her reputation for stirring up trouble. This understandably miffed Eris to no end. After all, everyone else got invited, why not her?

Coming off as seeking to be peaceful and no hard feelings, Eris proposed a beauty contest between the goddesses Aphrodite, Athena and Hera. As the prize, Eris tossed a golden apple of beauty, or better known, the golden apple of discord. In some retellings, it is noted that the golden apple has engraved or written the word: “Kallisti,” meaning: “for the fairest.”

This dispute, one driven by vanity over who was the loveliest of the goddess would escalate and the hapless mortal Paris is called in to judge. Each of the goddesses attempted to bribe Paris to choose her. Hera offered political power, Athena offered battle prowess and Aphrodite tempted Paris with the most beautiful woman in the world, Helen.

Being a young mortal man, Paris chooses Helen and rewards Aphrodite with the golden apple. Only there is one problem, Helen is the wife of Menelaus of Sparta. In claiming and taking her, Paris sparks off the Trojan War. This causes Athena and Hera to side with the Greeks in the ensuing war.

Trojan War

Divine Set Up – If we go by the “lost” epic, The Cypria attributed to Stasinus, this whole Trojan War was planned on by Zeus and Themis. There’s only about 50 lines of text from the Cypria and its seen as a prequel to Homer’s the Iliad and explains how the events came about.

Some scholars look at Aphrodite’s connection to Mesopotamia with the War Goddess Ishtar as an explanation for the start of the Trojan War, saying that Aphrodite instigated it by manipulating Paris with a promise to marry Helen.

Aphrodite has a prominent and active role in Homer’s Iliad. In Book III, Aphrodite rescues Paris from Menelaus after a one-on-one duel to settle the matter. Aphrodite also appears to Helen in the form of an old woman, trying to persuade her to have sex with Paris. However, Helen recognizes Aphrodite by her eyes, neck, and breasts. Helen entreats with Aphrodite as an equal and the goddess rebukes Helen, threatening her. Not wanting a god’s wrath, Helen obeys Aphrodite’s command to lay with Paris.

In Book XIV of the Iliad, Aphrodite loans her kestos himas or magic girdle to Hera so she can seduce Zeus as he had forbidden the other gods to stay involved in the Trojan War at this point.  While Zeus is distracted by Hera’s advances, Poseidon is aiding the Greek forces to be able to take the beach to invade Troy. Then in Book XXI, Aphrodite returns to the war to carry Ares away off the field of battle after he’s been wounded.

Anchises – He was a shepherd prince who lived on Mount Ida, whom Aphrodite fell in love with after Zeus convinced Eros to hit her with one of his arrows. After all, with Aphrodite being the goddess of love, it’s her fault that Zeus has so many affairs and is constantly on the outs with Hera.

Aphrodite pretended to be a mortal woman in order to marry Anchises. When Anchises saw Aphrodite, he asked if she was said goddess, saying he would build her an alter if she would only bless him and his family. Aphrodite lied, saying she was a princess from Phrygia. She explains how she came to understand the Trojan language due to a Trojan nursemaid as a child. How she had been snatched away by Hermes while dancing for a celebration to honor Artemis. The disguised goddess tells Anchises to take her to his parents.

From there, the two are married or Anchises so overcome with lust, couples with the goddess-princess. After their union does Aphrodite reveal who she really is, saying she will bare Aenease a son who will become the demigod Aeneas. As Anchises didn’t keep quiet about who the mother of his son was, Zeus struck him down with a thunderbolt and either blinds or kills him outright.

There are a couple of slight versions to this story such as Aphrodite allowed for Anchises to be able to flee the city of Troy.

Aeneas – Trojan Hero and son of Aphrodite with Anchises. In book V of Homer’s Iliad, Aphrodite rescues her son from Diomedes in battle. Diomedes, recognizing Aphrodite and viewing her as a weak goddess, spears her, nicking her wrist. When Aphrodite rides back to Mount Olympus in Ares’ borrowed chariot, Zeus tells the goddess that her specialty is love, not war as he mocks her for getting hurt.

Aeneas features in Virgil’s Aeneid to be Rome’s first hero and an ancestor to Romulus and Remus.

Note: It has been commented that the scene of Aphrodite and Zeus has similarities in the Epic of Gilgamesh where Ishtar laments to her mother Antu after Gilgamesh rejects her advances and is in turn, rebuked by her father Anu.

Sea Goddess

With Aphrodite’s birth and arrival from the ocean, some people have worshiped Aphrodite as a sea goddess. Several types of waterfowl such as ducks, geese and swans would become associated with Aphrodite. Naturally, seashells are associated with Aphrodite. Sea food is considered an aphrodisiac due to this lovely goddess’ connection to the briny deeps.

As a sea goddess, Aphrodite protects those who travel the seas. This earned her the epitaphs of Aphrodite Pontia or Aphrodite of the Deep Sea and Aphrodite Euploia or Aphrodite of the Fair Voyage. The planet Venus that Aphrodite is associated with, served as navigational aid for ancient mariners as they plied the seas.

War Goddess

With the previously mentioned Mesopotamian connection to the goddesses of Astarte and Ishtar, Aphrodite may have arrived first as a goddess of War in ancient Greece. She was honored as such in Cyprus, Laconia, Sparta, and Thebes to name a few places. In Sparta, Aphrodite was known as Aphrodite Areia (“War-Like”), showing her connection to the god Ares.

Eventually, the war aspects of Aphrodite would be dropped, and the role left to Athena and Ares.

Christian Iconography

Early Christianity readily adapted many pagan symbols and icons to their religion. With Aphrodite/Venus, her symbolisms were given to Eve, prostitutes, and some female saints such as the Virgin Mary.

The story of Aphrodite’s birth became a metaphor for baptism. There is a Coptic stele dating from the sixth century C.E. where a female orant is wearing Aphrodite’s conch shell to show she has been recently baptized. Throughout the Middle Ages, folktales regarding Aphrodite/Venus remained popular.

In the fifth century C.E. North Africa, Fulgentius of Ruspe found mosaics of Aphrodite that he proceeded to interpret as a symbol for the sin of Lust, how Aphrodite’s nudeness meant that “the sin of lust is never cloaked” and that her swimming represented how all lust suffers a “shipwreck”. Fulgentius even argued how the symbols of doves and conch shells were symbols of copulation and that the symbol of roses represented the fleetingness of lust, that it has momentary pleasures that are soon gone.

Then we have Isidore of Seville who interpreted Aphrodite as a symbol of marital procreative sex, declaring how the story of Aprodite’s birth represents that sex can only be holy with the presence of semen, blood and heat for the purposes of procreation. Isidore also held that Eros/Cupid is a demon of fornication.

Venusberg – Dating from the Late Middle Ages, the Venusberg mythology would become popular in European folklore. The “Mountain of Venus” is a subterranean realm ruled by Venus and a folktale archetype for visiting the Otherworld. The most familiar appearance of Venusberg is in the German Tannhäuser legend in the 16th century.

Variations to this myth are the mortal lover being carried away to the realm of faerie by a fairy queen. Popular legends include Thomas the Rhymer and Tam Lin.

Modern Paganism & Wicca

In modern Paganism such as the Church of Aphrodite, Hellenismos, and Wicca, either Aphrodite or her Roman counterpart, Venus are goddess often invoked for casting love spells and love rituals. Aphrodite is often used in charms for making aphrodisiacs, philters, and love potions.

Astarte – Canaanite & Phoenician Goddess

A goddess of love and war worshiped in the Middle East during the Bronze Age to Classical Antiquity. Astarte was identified by the Hebrews as Ashtoreth.

Hathor – Egyptian Goddess

The Egyptian Cow Goddess Hathor is frequently identified with Aphrodite.

It wasn’t uncommon for the Greeks and Romans to equate many of their deities with those of other cultures. The Romans especially did it with any gods whose people they conquered. In the case of Egypt and their gods, Hathor in her role as a goddess of love and beauty is synonymous with the Greek Aphrodite and the Roman Venus.

Inanna – Mesopotamian Goddess

Also known as Ishtar, she is the goddess of love, war and sexuality. She is known as the Queen of Heaven.

Isis – Egyptian Goddess

The Egyptian goddess of the moon, healing, magic and life who protected women and children. During the Hellenistic Grecian era, she was equated with Aphrodite.

Turan – Etruscan Goddess

The Etruscan goddess of beauty, love, and fertility. She was the patron goddess of the city Velch. She has been identified with the Roman Venus and Grecian Aphrodite.

Venus – Roman Goddess

As the Greek Goddess of Love, Aphrodite is often confused with or identified with the Roman deity of Venus, also a Goddess of Love. Thanks greatly to the influence of the Romans, many people will identify and equate Venus with Aphrodite. While both deities are Goddesses of Love, there are differences in the Roman myths and the Greek myths.

The Romans were famous for subsuming many deities in their conquest across Europe, particularly the Mediterranean area, and identifying their gods with those of a conquered culture. The most famous being the Greeks, where many deities were renamed to those of Roman gods. Prominent examples like Zeus and Jupiter, Hera and Juno, Ares and Mars and so on down the line.

With the Hellenization of Latin literature, many Greek writers and even Roman writers rewrote and intertwined the myths of these two deities so that they would virtually become one and the same. And that’s the tradition passed down through the centuries and has become accepted. Just that there are still some differences that separate the two.

Just as Aphrodite is often accompanied by her son Eros, so too is Venus accompanied by her son Cupid.

Mistletoe

Other Names: All-Heal, Birdlime, Devil’s Fuge, Donnerbesen, Druid’s Herb, Golden Bough, Herbe de la Croix, Holy Wood, Lignum Sanctae Crucis, Misseltoe, Mistillteinn, Mystyldyne, Thunderbesem,  Witches’ Broom, Wood of the Cross,

Attributes

Animal: Thrush

Deity: Apollo, Balder, Cerridwen, Freya, Frigga, Odin, Taranis, Thor, Venus

Element: Air

Gender: Masculine

Planet: Sun

Rune: Ing

Sphere of Influence: Defense, Dreams, Exorcism, Fertility, Health, Hunting, Invisibility, Locks, Love, and Protection

Symbols: Friendship, Peace

Victorian Language of Flowers: “I surmount difficulties, I send you a thousand kisses.”

Zodiac: Leo

What Is It?

Mistletoe is the common name for plant that is parasitic (hemiparasite) in that it grows by attaching itself to the branches of a tree or shrub, taking water and nutrients from the host plant. The mistletoe species, Viscum album is the one referred to in folklore is that is native to Great Britain and most of Europe. It is characterized by having a smooth-edged, oval shaped evergreen leaves set in pairs along the stem and white berries that are known to be poisonous.

There are a variety of other species of mistletoe plants found in other countries of Europe such as Spain and Portugal and on other continents. American Mistletoe is also known as False Mistletoe as the homeopathic remedies and uses are different from the European Mistletoe. Over time, the term mistletoe has come to include other species of parasitic plants. Even plants get parasites…

Despite mistletoe’s parasitic nature, it does have an ecological benefit with being a keystone species in that it provides food for a variety of animals that feed on it as well as providing nesting material for various birds.

There used to be all sorts of folkloric beliefs about how mistletoe would come to grow on various shrubs and trees. By the sixteenth, botanists had it figured out that seeds were passed by the digestive tracts of birds who fed on mistletoe or by the birds rubbing their bills on trees to get rid of the sticky seeds. An early reference to this is in 1532, an Herbal book by Turner.

What’s In A Name

One etymology for mistletoe that seems fairly accurate are the Anglo-Saxon words for “mistel” meaning “dung” and “tan” meaning “twig.” Making the meaning of mistletoe as “dung-on-a-twig.” Which makes sense, people observed that mistletoe grew wherever birds roosted and thus did their business.

The Latin word “viscusas” and the Greek word “ixias” both refer to the white coloration of mistletoe berries and being thought of to resemble sperm. The same words “visand ischu” mean “strength” In the Greek and Roman mindsets, sperm was connected to strength and vitality and thus to fertility for life springing seemingly out of nowhere. Mistletoe berries harvested from Oak trees were believed to have regenerative powers.

Christmas Folklore

Mistletoe is a plant strongly associated with Christmas, Yule and other Winter Celebrations where it is used in decorations for its evergreen leaves that symbolize the promised return of spring.

Hanging Mistletoe – Anyone standing beneath the mistletoe can expect to be kissed. This probably originates in Druidic beliefs where mistletoe is strongly connected with fertility as the white berries of the mistletoe resembled semen. Now, proper etiquette says that when someone is kissed beneath the mistletoe, a berry needs to be removed until all have been plucked, at which point, there are no more kisses.

One tradition holds that if any unmarried woman went unkissed after the hanging of the mistletoe, they would not be able to marry for a year.

British Folklore

British farmers would feed a bough of mistletoe to their livestock on January 1st, believing it would ward off any bad luck for the coming year. Alternatively, a farmer feeding mistletoe to the first cow calving in the New Year was what brought good luck.

In some regions of Britain, mistletoe would be burned on the twelfth night after Christmas to ensure any boys or girls who didn’t get kissed could still marry.

Celtic Druidic Mythology & Traditions

In the Celtic language, the name for mistletoe translates to “All-Heal” as they believed this plant to have healing powers that could cure a number of ailments and held the soul of the host tree. By Mistletoe was held the chief of the Druid’s sacred seven herbs. The other sacred plants were: vervain, henbane, primrose, pulsatilla, clover and wolf’s bane.

The tradition of kissing under the mistletoe is attributed to the Druids who held the plant as being sacred. It held a magical virtue and served as a remedy to protect against evil. Mistletoe found growing on Oaks were especially sacred. Ovid’s writings mention how Druids would dance around oak trees with mistletoe growing on them. If mistletoe were to fall to the ground without being cut, it was considered an ill omen.

In Between – Seen as a tree that was not a tree. One of the things making mistletoe sacred was its seeming ability to spring forth out of nowhere. It represented the “in between” or a gateway to other worlds and spirit.

Harvesting – Pliny the Elder in his Natural History, circa 77 C.E. notes how the Druids revered the mistletoe. Pliny goes on to explain how white-clad Druids would use a golden sickle when harvesting mistletoe; taking great care to make sure that none hit the ground, believing that the plant would lose its potency and sacred powers. The sacrifice of two white bulls would follow. Pliny’s accounts are the most well-known documentation of Druid beliefs regarding the sacredness of mistletoe. Either the Midsummer or the Winter Solstice were the times to harvest and collect mistletoe. Better when done so on the sixth day after a waning moon.

Oak King & Holly King – This is a particularly old folkloric belief. With the Oak King and Holly King being personifications for the cycle of the year. Mistletoe berries found on an Oak tree were thought to be representative of the Oak King’s semen. So when the Oak King’s power waned and gave way to the Holly King, the harvesting of mistletoe and it’s berries off of Oak trees was symbolic of emasculating the Oak King. Hence, why two bulls would be sacrificed, to compensate the Oak King.

The white berries of mistletoe would be made into fertility potions as they were thought to be regenerative as on the Winter Solstice, the Oak King would be reborn, gaining power again as the new year progressed.

Fire & Lightning – It was thought that mistletoe would grow on an Oak tree that had been struck by lightning. For this, mistletoe was believed to be able to stop fires.

French Folklore

French farmers would burn mistletoe in their fields in order to have a successful harvest with the coming year.

Maidens would place a sprig of mistletoe beneath their pillows so they could dream of their future husband.

Herbe de la Croix – In Brittany, there is a legend how the cross that Jesus is to have been hung on was made from the wood of mistletoe. After Christ’s death, mistletoe is said to have been cursed or degraded to become a parasitic plant. Now days, thanks to 16th century Botanists discoveries, it’s better understood how the seeds of mistletoe or spread.

Greek Mythology

Immortality – Asclepius, the son of Apollo and god of medicine was greatly renowned for his healing skills to the degree that he could even bring people back from the dead. This knowledge of healing came about after Glaucus, the son of King Minos of Crete had fallen into a jar of honey and drowned. Asclepius had been called onto the scene and while there, saw a snake slithering towards Glaucus’ body. Asclepius killed the snake and then saw another snake come in and place an herb on the body of the first snake, bringing it back to life. After witnessing this, Asclepius proceeded to take the same herb and place it on Glaucus’ body and bring him back to life.

This herb is said to have been mistletoe. Now armed with this knowledge, Asclepius brought Glaucus back to life. Later, he would bring Thesues’ son, Hippolytus after the king’s son had been thrown from his chariot.

This angered Hades enough that he complained to Zeus that humans would become immortal and that there wouldn’t be anyone entering the Underworld. To prevent people from becoming immortal, Zeus agreed to kill Asclepius, doing so with a lightning bolt. Later, Zeus placed Asclepius’ image up into the heavens to become the constellation of Ophiuchus in honor and memory.

Roman Mythology

Golden Bough or Mistletoe is the plant Aeneas uses to enter the Underworld to Hades’ realm.

Saturnalia – Many traditions regarding mistletoe and the Christmas traditions are believed to trace their origins to this ancient Roman festival once held on December 17th of the old Julian calendar.

Norse Mythology

The Death Of Balder

This is one of the bigger, more well-known Norse stories. Balder’s mother Frigg, the goddess of Love had received a prophesy concerning Balder’s death, who was the most beloved of all the gods. Wishing to try and avoid this fate, Frigg got an oath from all living things that they wouldn’t harm her son. In her haste to do so, Frigg overlooked the mistletoe, believing it to be too small and inconsequential.

Leave it to Loki to learn of this oversight and to test the validity of the prophesy. Depending on the source, Loki either makes an arrow or a spear out of mistletoe and hands it off to the blind god Hod, instructing him to aim it at Balder. This act doesn’t seem so unusual when taken into account that many of the other gods were taking aim at Balder to test his invulnerability.

Hod then, unknowingly of Loki’s true intent, fires the mistletoe weapon at Balder and impales the god who soon dies. Frigg is grief stricken and Hermod rides off on Sleipnir down to the Underworld to plead for Balder’s release from Hel, how everyone loves him. The Underworld goddess replies that if this is so, then every being in the living world will weep for the slain god. If everyone does weep, then Hel will release her hold on Balder and allow him to return.

Hermod returns with the news and every creature on the earth cries for Balder. All, that is except for an old giantess by the name of Tokk (or Þökk, meaning “Thanks,”) she was most certainly and likely Loki in disguise.

With this failure to have everyone weep, Balder remained in Hel’s domain.

Some variations to this legend have mistletoe becoming the symbol of peace and friendship to make-up for it’s part in Balder’s death.

In the version of the story with a happy ending, Balder is restored to life, and Frigga is so grateful that she reverses the reputation of the offending plant–making it a symbol of love and promising to bestow a kiss upon anyone who passes under it.

The white berries of mistletoe are to have formed from Frigg’s tears when she mourned Balder’s death. Shakespeare makes an allusion to the story of Balder’s death by referring to mistletoe as “baleful.”

Peace & Love

Due to the above story, the Norse held the belief that hanging the mistletoe would be a symbol of peace, indicating that any past hurts and anger would be forgiven. Enemies would cease fighting each other for the day.

Christianity

Under the incoming Christian religion as it spread throughout Europe, the symbolism of the mistletoe would be converted to have Christian meanings as older pagan beliefs and traditions would get adapted and changed.

For example, in the Norse story with the death of Balder, mistletoe would keep its meanings as a symbol of life and fertility.

Magical Uses

Wearing sprigs of mistletoe is believed to help conceive, attract love and for protection.

During Medieval times or Antiquity, branches of mistletoe would be hung to ward off evil spirits. Mistletoe would be hung over the house and stable doors to protect from witches and keep them from entering.

Mistletoe could also be worn in amulets, bracelets, and rings for its magical qualities of protecting from evil, witches, poisoning and even werewolves!

Medicinal Uses

Yes, there are medical uses for mistletoe. However, the white berries are poisonous as they do cause epileptic type seizures and convulsions. Keep the white berries away from small children and pets who might decide to try and eat them.

Do make sure to consult an accredited medical source as some information has changed.

Homeopathic Remedies – Due to the nature of the poisonous berries, it causes many cultures such as the ancient Celts to use mistletoe berries in remedies for treating convulsions, delirium, hysteria, neuralgia and heart conditions. Some Native American tribes used a tea wash for bathing the head to treat headaches and infusions for lowering blood pressure and treating lung problems.

Warning – Do make sure to consult an accredited medical source as some medical experts disagree about the applications of homeopathic remedies and information is likely to change with better data and research.

Mistletoe is seen as an all-purpose plant and has been attributed a wide variety of magical uses and even a number of herbal and homeopathic remedies. A lot of it ending up very contradictory and suspect as to which to see as accurate. Further, you want to make sure you have the right mistletoe species.

Krampus

Also called: Krampusz (Hungarian)

Pronounciation: krahm-pus

Etymology: Claw (Old High German, Krampen)

Also Known As: Bartl or Bartel, Klaubauf (Austria), Krampusz (Hungarian,) Niglobartl, Parkelj (Slovenian,) and Wubartl

Once more December is upon us with its many familiar Winter Celebrations and Holidays.

In the Alpine regions of Austria and Germany, and even to Bavaria, the Czech Republic, Hungary, northern Italy, Slovenia and Switzerland, there is the familiar horned and sometimes hairy figure of Krampus who arrives on Krampus Night to punish misbehaving children. Where Saint Nicholas is who gives gifts to good children. Krampus, like Zwarte Piet and other characters of Christmas are seen as the companions of Santa Claus or Sinterklaas.

Krampus is a figure who seems to originate in Germanic paganism before the arrival of Christianity in the region.

Description

While there are a few variations to the appearance of Krampus, many descriptions do agree on this figure being very hairy with brown, black or gray fur, cloven hooves, and horns of a goat. He will have a particularly longer than usual tongue that hangs out.

Krampus will also be carrying or wearing chains that symbolize the binding of the Devil by Saint Nicholas. These chains will be shaken and sometimes have bells on them. The other items that Krampus is known to carry are ruten or bundles of birch branches that he will either hand out to naughty children or beat them with. Sometimes this branch is replaced with a whip instead. Krampus can also be seen carrying a sack or washtub on his back that he uses to carry off naughty children whom he either eats, drowns, or takes to Hell.

Crime & Punishment

On December 5th, Krampusnacht, the figure of Krampus is known for going about and punishing naughty children, similar to the role that Zwarte Piet has in the Netherlands. Unlike Zwarte Piet, Krampus never gives out treats or gifts. They are one of the original Nightmares before Christmas. Or, if we do like with the 2015 Krampus movie, Krampus is who comes when all hope dies at Christmas.

Some of the punishments that children might expect are:

  • If a child is lucky, they only get handed a birch branch.
  • If said child was particularly naughty, they could expect to be beaten with the birch branch.
  • In the cases where children were extremely naughty, they would get carried off by Krampus in either a sack or washtub that he carries on his back. What happens now to the child varies on the legend. In some cases, Krampus might eat the child, drown them or simply carry them off to Hell. These older legends where Krampus carries off a child do make a connection to the time when Moors would raid the European coast and carry off people into slavery. A connection also seen with the previously mentioned Zwarte Piet.

Ancient History

The history of Krampus is a bit murky and many scholars do agree that this figure has to date before pre-Christianity. Some try to make a connection back to the Epic of Gilgamesh and Endiku, the original Wild Man. Even if that source is flimsy and suspect, the European traditions of going out in disguises and mummery have long been a part of the Winter Solstice celebrations and have survived in some form or another.

The description of Krampus shows him as being demonic with a half human, half goat appearance for the long fur, horns, and hooves. It has been theorized that Krampus may have been a fertility deity before the arrival of Christianity to the region. At this point, anything that didn’t fit under the umbrella of Christian beliefs or couldn’t be incorporated, tends to be labeled as evil and demonic.

God of the Witches – This connection seems a bit speculative. Maurice Bruce makes a connection of Krampus with the Horned God of the Witches. That the birch branches may have been part of initiation rites into a coven. That the chains that Krampus carries are part of the Christian tradition of “binding the Devil” much like Sinterklaas is to have done with Zwarte Piet with binding the devil. It’s easy to see a connection of the horns and hooves, woodland entity and connect Krampus to satyrs, fauns and possibly Pan. A horned god of the forest is a fairly common image in many of the early European religions and beliefs.

The Son Of Hel

This aspect of the myth is fairly recent and was likely introduced in Gerald Brom’s 2012 novel “Krampus: Th

This aspect of the myth is fairly recent and is introduced in Gerald Brom’s 2012 novel “Krampus: The Yule Lord.” In it, Krampus is stated to be the son of Hel, the Norse goddess of death. Even if it’s a recent addition, it does show an expanding and evolving folklore surrounding Krampus that seems to be gaining popularity.

However, do note that many serious scholars of Norse and Germanic mythology do not accept this connection of Hel and Krampus.

Mileage will vary, this is a decent book that expands on the conflict that Krampus and Santa Claus have with each other over Christmas and Yule celebrations.

The Wild Hunt

The Wild Hunt is a phenomenon found in many different European countries and cultures. It is a nightmarish, supernatural force led by some dark spectral hunter on horseback and accompanied by a host of other riders and hounds as they chase down unlucky mortals, either until they drop dead of exhaustion, are caught, and forced to join the Wild Hunt or if they can evade the Hunt until dawn.

Just exactly who it is that leads the Hunt does vary country by country in Europe. The Wild Hunt is known for making its ride during the Winter Solstice or New Year’s Eve. It’s possible that Krampus is a representative or aspect of the darker and harsher winter months.

It does tie in for one legend that the Krampus parades stem from an ancient rite to parade through town and run off ghosts. This seems further tied in as an explanation for the bells on the Krampus’ chains as there are traditions that the ringing of bells at the Solstice would scare off or banish evil spirits.

A Krampus By Any Other Name…

There are a few other figures in the Saint Nicholas/Winter Solstice celebrations who are similar to Krampus.

Bartel – Also called Bartl is a local name or variation for Krampus in Styria.

Belsnickel – A figure who follows Santa Claus in some regions of Europe such as Germany and Austria, he is similar to Krampus in that he will punish naughty children.

Hans Trapp – A sinister scarecrow from France that scares children around Christmas time.

La Pere Fouettard – “The Whipping Father,” Pere Fouettard accompanies the French Pere Noel on his nightly visit of December 5th where like Belsnickel, Krampus and Zwarte Piete, he will punish naughty children.

Knecht Ruprecht – Another figure from Germany who punishes children.

Percht – The percht are an offshoot of an older goddess, Perchta from the Alpine regions who guarded the beasts of the forest. The percht would be depicted as humanoid goats with elongated necks and wearing animal furs. These same percht are believed to become the basis for Krampus.

Ru Klaas – Another figure from Germany who punishes children.

Schabmänner or Rauhen – In the Austrian state Styria, these “Wild Man” figures will appear in addition to Krampus to dole out birch rods and punishments.

Zwarte Piete – A helper and companion to the Dutch Sinterklaas. Early depictions of Zwarte Piete show him as a punisher while later depictions have tried to soften the image.

Krampusnacht & The Feast Of Saint Nicholas

Where many American children get excited for Santa Claus on December 25th, in Europe, children get excited for Saint Nicholas’ arrival on December 5th (Aruba, Curacao and the Netherlands) or 6th (Belgium and Luxembourg). The celebrations of Saint Nicholas gained popularity in Germany right around the eleventh century. It is also around this time, that the patron saint of children would get paired up with a dark counterpart. With Saint Nicholas giving gifts to good children and Krampus punishing the bad children.

In Germany, things are a little different. The night before Saint Nicholas’ Day is December 5th, all well and good for the most part. However, December 5th though is known as Krampusnacht or Krampus Night and is a night of riotous revelry and fear for Krampus is known to come, punishing naughty children, or carrying them away in a basket on his back.

The next morning on December 6th, children will look to see if their shoe or stocking has gifts and presents in it or if a rod or twigs have been left for them.

Austrian Urban Centers – In many Christmas markets, watered or toned-down images of Krampus will be sold, presenting him in a humorous light to tourists. Some people have complained that by softening the image of Krampus, he may be getting too commercialized.

Bavaria – The celebrations surrounding Krampus have seen revivals that include artistic traditions of hand-carved wooden masks.

Croatia – Here, Krampus is described as wearing sackcloth around his waist and chains on his wrists and ankles, not just around his neck. If a child misbehaves too badly, Krampus will keep the gifts that Saint Nicholas would have given for himself and leave a silver birch branch behind.

Northern Italy – In the Udine province of Italy, there is the Cave del Predil. An annual Krampus festival is held here where the Krampus comes out just before sunset to chase children and whip them. To satiate the Krampus’ anger, children and young people would need to recite a prayer.

Slovenia – In many areas of Slovenia, Krampus is called Parkeli and is one of the companions of Miklavž, the Slovenian name for Saint Nicholas.

Styria – In this Austrian state, Krampus has a few different appearances. Here, Krampus will present a bundle of birch rods, painted gold to families so they can be hung in the house as a reminder to children to be on their best behavior. In smaller, more remote villages, other horned or antlered figures known as Schabmänner or Rauhen, “the Wild Man” will make appearances too in addition to Krampus.

United States –The figure of Krampus is catching on in many places and there are more and more movies and shows that will feature Krampus as a main antagonist, even if for one episode. Some cities will hold their own Krampus Runs and there are parties held celebrating Krampus, even if they are nothing more than an excuse to drink.

“The Great War On Christmas”

In the 12th century C.E., the Catholic Church tried to banish the Krampus celebrations due to their pagan elements and Krampus’ resemblance to the devil. This would prove difficult as people in the more rural areas would keep alive their traditions.

People wearing devil masks and acting riotously with drunken revelries and causing trouble have been recorded since the sixteenth century. It was not uncommon for animal masked devils to appear in Medieval Christian church plays. So, the appearances of Krampus masks at this time may very well have been part of these celebrations and the mummery that happens with many Winter festivals. The 17th century would see a full integration of pairing Saint Nicholas with Krampus. If they couldn’t stamp the Krampus traditions out, they would adapt him to the Christian religious observances.

When we get to the 20th century, the Austrian governments tried once more to prohibit the Krampus antics and displays. After the 1934 Austrian Civil War, the Dollfuss regime with the Fatherland’s Front and Christian Social Party tried to ban the Krampus traditions. The 1950’s saw the publication of government-issued pamphlets titled: “Krampus is an Evil Man.”

But you can’t keep a good Krampus down and by the end of the 20th century, Krampus celebrations and parades came back in force. So much so, that Krampus celebrations have been spreading around the world to places like the United States as part of an “anti-Christmas celebration.” He certainly does represent a darker side to the holiday where not everything is not always so joyous. It does play to earlier celebrations of Christmas with drunk revelries and anyone wanting to push back again the heavy, over-commercialization of Christmas.

Krampusfest

Also known as Kränchen, this is a village-wide celebration held in southeast Austria. It is often held on the Saturday after Krampus Day. These festivities are typically held at local community centers, schools, or any facility large enough to hold some 300+ drunk revelers. Sometimes, Kränchen will be held a week before or after Krampus Day. It’s a way that some villages will turn Krampus Day into a three weekend-long celebration, particularly one for drinking and booze.

Krampuslauf

The great Krampus run is an annual parade held every year in many Alpine towns. For the first two weeks, especially on the eve of December 6th, young people will dress in Krampus costumes and parade through the town, ringing bells and scaring parade watchers. Some participants may dress up as perchten, a wild female spirit from Germanic folklore. Alcoholic beverages of Krampus schnapps and brandy are common during this celebration.

Perchten – These wild spirits are known to be active between the Winter Solstice and up to around January 6th, Epiphany if you were in Italy.

Krampuskarten

These are the holiday greeting cards that feature Krampus on them. Krampus cards have been exchanged since the 1800’s during the Holiday Season. A typical greeting card reads: “Gruß vom Krampus” or “Greetings from the Krampus” and likely accompanied with some humorous rhymes or poems within.

Older versions of Krampus cards are likely to show a more sinister and frightening Krampus while newer, modern cards might show a more toned down, cuter, or humorous looking Krampus figure.

Perchtenlauf

This is a seasonal play that is found throughout the Alpine regions. It was known as Nikolausspiel or “Nicholas’ Play” at one time. These plays stem from the Medieval Morality Plays from Antiquity. The Nicholas plays feature Saint Nicholas reward children for their scholarly efforts instead of good behavior.

As I mentioned above, the percht are an offshoot of an older goddess, Perchta from the Alpine regions who guarded the beasts of the forest. The percht would be depicted as humanoid goats with elongated necks and wearing animal furs. These same percht are believed to become the basis for Krampus. Villagers living in the more remote regions of the Alpines would parade around in percht guises.

Herne The Hunter

Herne The Hunter

Etymology – Horn (Old English)

Suffice to say, Herne is a well-known figure in British and Modern folklore. At first glance, it’s easy to say that Herne is one of the names for the Horned God in Wicca and Modern Paganism. A slightly more knowledgeable response would say that Herne is who leads the Wild Hunt. Or perhaps that he is the ghostly specter of a Games Keeper with antlers who haunts Windsor Forest.

It does get a bit tricky on trying to get into what’s concrete for the figure of Herne.

Description

Many descriptions of Herne will agree that he is human either wearing antlers or has antlers. Sometimes he is on foot others he is on horseback and may or may not be accompanied by hunting hounds or other animals of the forest.

Ghost – The version of Herne that appears in Shakespeare’s play, clearly terrorizes the forest animals and people alike, blasting or withering the trees of the forest as he shakes his chains. The alternative lines say he can take on the shape of a stag. Later descriptions of Herne will have him riding a horse as part of the Wild Hunt.

The Merry Wives Of Windsor

The earliest known mention that we have of Herne is in William Shakespeare’s play The Merry Wives of Windsor written in 1597.

That certainly is a case for having been around for quite a while just based off that alone.

In Act 4, Scene 4, we have the characters Mistress Page and Mistress Ford deciding that they will play a trick on Sir John Falstaff because of his unwanted advances. The two ladies convince Falstaff to disguise himself as a ghost and meet them out under an oak in Windsor Forest at midnight. The two ladies also convince and get some children to show up at the same time who are dressed up as fairies to pinch and burn Falstaff.

“There is an old tale goes, that Herne the hunter,

Sometime a keeper here in Windsor Forest,

Doth all the wintertime, at still midnight,

Walk round about an oak, with great ragg’d horns;

And there he blasts the trees, and takes the carrle,

And makes milch kine* yield blood, and shakes a chain

In a most hideous and dreadful manner.”

Milch kine? Yeah, milking cows.

Bogeyman?

There is a set of alternative lines from 1602 that hint that Herne was a local ghost story used by mothers to get their children to behave.

The alternative lines are as follows:

“Oft have you heard since Horne the hunter dyed,

That women, to affright their little children,

Says that he walkes in the shape of a great stagge.”

Whether the character of Herne existed before the creation of Shakespeare’s play or is a creation of it, isn’t clear. What is clear is that this play is for certain where the figure of Herne enters British folklore and onwards to a larger, global audience… at least the West.

Cuckold’s Horns – With an Elizabethan audience, they would know that a cuckold is a name given to a husband with an unfaithful wife. A cuckold like the cuckoo bird that lays its eggs in the nests of other birds. So, a husband is likely raising a child who is not his own. The horns were likely a theatrical device of the Elizabethan stage to inform an audience of a character’s role.

Herne’s Oak

In Windsor’s Home Park, there have been a few different oak trees since the mid-1800’s that people have claimed to be either Falstaff’s Oak or Herne’s Oak.

The main oak that people pointed to as Herne’s Oak fell in 1796 due to declining botanical health. The other oak was blown over during a windstorm on August 31st 1863. The logs from this tree were burnt in order to exorcise the ghost of Herne. One log was kept to carve a bust of Shakespeare from and is on display in the Windsor and Royal Borough Museum in the Guildhall.

Later, Queen Victoria planted another oak to replace the one that fell in 1863. Later, King Edward VII would have the tree removed in 1906 during a landscaping project. Still, another oak would be replanted to replace the fallen tree from 1796 and named Herne’s Oak.

All’s well that ends well.

Growing Fame

As the legend of Herne continues to grow and expand, the 20th century sees Herne’s ghost now appearing shortly before national disasters and before the death of monarchs, much like a Banshee.

At the very least, because people expect to see something, more and more people claim to have encountered Herne’s ghost or to have heard the sounds of hounds or a horn blowing in Windsor Forest.

Truth In The Telling

With the authenticity of Herne being lost to history and up for debate, there are enough people who believe that Shakespeare must have been using a local legend. To this end, people have been trying to add some historical veracity and authenticity to legitimize Herne’s legend. If nothing else, the legend and imagery of Herne have succeeded at capturing people’s imaginations for centuries and has well earned a place in folklore.

The Restless Gamekeeper – This is the next literary source, written by Samuel Ireland in 1791 in his Picturesque Views on the River Thames. In the story, Herne is to have been based on a historical figure by the name of Richard Horne, a yeoman who lived during Henry VIII’s reign. Horne was accused of poaching and as a result, he hung himself from an oak tree. As this was a suicide death, Herne’s spirit is believed to be barred from entering either heaven or hell and is doomed to haunt the place of their death.

Shakespearean scholar James Halliwell-Phillips found a document where Herne is listed as a hunter and confessed to poaching. Plus, early versions of The Merry Wives of Windsor spell the name as “Horne” instead of “Herne.”

There are of course, a couple variants to this story.

Variation 1 – In this version, Herne is the huntsman to King Richard II. After some local men grew jealous of Herne’s status, they conspired to accuse him of poaching on the King’s land. Falsely accused and outcast, Herne hung himself from an oak tree.

Variation 2 – In this story, Herne saves King Richard II from a stag. Fatally wounded, Herne is healed by a magician who takes Herne’s skills in forestry and hunting as payment. Part of this being cured involved having the dead stag’s horns tied to Herne’s head. Distraught by the loss of his skills, Herne hung himself from a tree. As a result, his spirit is doomed each night to lead a spectral hunt through Windsor Rest.

Windsor Castle – Written by William Harrison Ainsworth in 1842. This novel aims to be a historical drama set during the reign of the Tudors and follows Henry VIII’s pursuit of Anne Boleyn. Herne features throughout the novel as a ghostly figure haunting the nearby woods of Windsor. This version of Herne is somewhat sinister as Harrison Ainsworth created a history where Herne was gored by a stag. Herne makes a deal with the Devil to spare him. Part of the deal is that Herne would forever wear antlers. This version of Herne had served Richard II and likely the source of the two previous folkloric versions of where he originates from.

The Wild Hunt

The Wild Hunt is a phenomenon found in many different European countries and cultures. It is a nightmarish, supernatural force led by some dark spectral hunter on horseback and accompanied by a host of other riders and hounds as they chase down unlucky mortals, either until they drop dead of exhaustion, are caught and forced to join the Wild Hunt or able to evade the Hunt until dawn.

Just exactly who it is that leads the Hunt does vary country by country in Europe. The Wild Hunt is known for making its ride during the Winter Solstice or New Year’s Eve. Jacob Grimm of Grimms Brothers fame makes a connection of Herne to the Wild Hunt due to the epitaph of “the Hunter.” That does seem to work, a Huntsman, connect him to the Wild Hunt and for Britain, the idea really jells of a local person who becomes a lost soul, doomed to forever ride with the Hunt.

Of course, the point is brought up that as a ghost, Herne is connected to one locality whereas the Wild Hunt wanders, moving from one place to another, seemingly randomly.

Ultimately, just who leads the Wild Hunt will vary from country to country. In Welsh mythology, it is Gwyn ap Nudd or Annwn who lead the hunt with a pack of spectral hounds to collect unlucky souls. The Anglo-Saxons of Britain hold that it is Woden who leads the hunt at midwinter. Wotan is very similar to Odin (just another name for the same deity really), Herne has been linked to them as both have been hung from a tree.

Pagan Deity

With Wicca and many modern pagan religions, Herne is frequently identified with the Horned God. As a Horned God, Herne is seen as a god of the Hunt, the sacred masculine, animals, nature, crossroads, sacrifice, fertility, virility, forests, hunters, and warriors.

Close on the heels of a horned deity, Herne has been connected to the Celtic deity of Cernunnos. Most notably, Margaret Murray made this connection in her 1931 book, “God of the Witches.” She sees Herne as a manifestation of Cernunnos and a very localized god found only in Berkshire. Take that as you will, for as much as Margaret Murray is hailed as the Grandmother of Wicca, many of her ideas and theories have been discredited and contested or challenged as they often appealed to emotional desires didn’t fulfill proper scrutiny and criteria for research. She is still very important in getting the ball rolling for those who follow Wicca and Paganism.

Archeological Discoveries – Of note is that a headpiece made from the top part of a stag’s skull with antlers still attached was found in Britain at Star Carr near Scarborough. This headpiece is thought to date back to around 8500 B.C.E., dating it to the Mesolithic era. The headdress is thought to have served shamanic rituals to ensure a successful hunt.

Cernunnos – Gaul

It’s not just Margaret Murry who sees Herne as being very similar to or an aspect of Cernunnos, it is also R. Lowe Thompson in his 1929 book “The History of the Devil – The Horned God of the West” who makes the connection.

Thompson makes the connection of Herne to other Wild Huntsmen, looking for a connection of all of these horned deities being really the same being or aspects of each other. He goes on how Herne and Cernunnos are the same, just as the English word “horn” is a cognate of the Latin word “cornu.”

So… “cerne” and “herne.” It’s enough for many Wiccans and Pagans to accept Herne as an aspect of Cernunnos just on the fact that both have horns or antlers.

Depending on the source and who you ask, Herne hunts and destroys nature and wildlife where Cernunnos seeks to protect it.

Pan – Greek

While we’re at it, the Grecian rustic gods of the wild, Pan is also seen as a syno-deity who can be equated with Herne and other Horned Gods.

Woden – Anglo-Saxon

Also spelled Wotan.

Because so many have tried to make connections, I already touched on this above with the Wild Hunt, Herne as been connected to Wodan as well. Both Herne and Wodan hung from a tree. Herne out of shame and suicide and Wodan as he was seeking knowledge of the runes. Herne is also bandied about as being derived from one of Wodan’s titles, Herian (“Warrior-Leader”), a titled used when leading his fallen warriors, the Einherjar.

The Play’s The Thing!

Even if the origins of Herne are rooted in a Shakespearean play solely as a creation of the great bard himself. People assume that Shakespeare must have drawn on some unverifiable local myths and folklore.

While we can argue and aren’t completely sure, Herne has more than earned a place in folklore. Afterall, Herne continues to inspire and find his way into literature and modern media.

There are numerous books and T.V. series where Herne has a part or features and continues to be a character people readily draw inspiration from.

Such as a British show, Robin of Sherwood where Herne is a pagan priest and spirit of the woods. Books such as Susan Cooper’s The Dark Is Rising and Terry Pratchett’s Discworld series.

 

Sandman

Sandman

Also Known As: John, Jon Blund, Klaas Vaak, Ole Lukøje

Sweet dreams are made of these…

The Sandman is a figure mainly from Western and Northern European folklore who is responsible for sprinkling the sands of sleep so that people can dream. At its heart, it’s a very simple piece of folklore that doesn’t seem to have much more than that. Rather, I should say that the Sandman is a deceptively major figure of folklore who appears to be a minor power. How much relevance he will have depends on the nature of the stories he is found in and those can vary widely.

Description: It seems as if a lot of popular media and books will have a description of the sandman as a human-looking male wearing a Victorian-style sleeping gown and nightcap with tassel. He might have a bag of sand or just magically produce it from pockets or thin air.

Then you have other sources of media and books that really play with his description and the Sandman will look like however they want him to look. Since the Sandman’s realm is the Land of Nod or Realm of Dreams, he could probably look however he wanted and suited the needs of the story being told.

The Land of Nod

Not the biblical Land of Nod where Cain was exiled to, but as in the Land of Sleep and Dreams.

First, we can thank Dean Jonathon Swift for this delightful play and pun on words with his 1738 book “A Complete Collection of Genteel and Ingenious Conversation.”

At any rate, the realm of Dreams, Dream Realm, or Land of Nod is sometimes shown as being the Sandman’s domain where he reigns all-powerful and supreme, so long as people remain asleep or he doesn’t leave it.

Since it’s dreams, the place can look like anything and anywhere, and the Sandman can look however he wants and suit the needs of who’s writing the stories.

Here’s Sand In Your Eyes!

The easiest explanation for a Sandman is the morning crust or rheum that people wake up with around their eyes. It’s common, it happens to everyone, and way back when it was easy to believe and explain to young children where this discharge came from by saying that the Sandman brought it as the dust he sprinkles in people’s eyes so they can dream.

Quite frankly, calling it Sleep or Sand is a lot more poetical than calling it rheum, dried discharge, or mucus.

Getting A Good Night’s Rest

In many places, the Sandman is known by different names and has slightly different appearances.

Canada – Nilus the Sandman was a television series that aired in the 1990’s.

Denmark – The famous author, Hans Christian Andersen’s 1841 story called Ole Lukøje about the Sandman who sprinkles sand in children’s eyes to sleep. The name Ole Lukøje means “Close Eye” in Danish. Ole Lukøje carries two umbrellas, one of which has pictures underneath, that when he opens it over good children, they have good dreams. The other umbrella is blank, this one Ole Lukøje’s hold over naughty children so they will have a heavy, dreamless sleep. Instead of using sand, Ole Lukøje squirts milk into children’s eyes… a little strange. At the end of the story, it is revealed that Ole Lukøje has a brother, who only visits once, bringing Death. The brother’s name is also Ole Lukøie.

Dutch – In the Netherlands and places like South Africa, the Sandman is known as Klaas Vaak.

Germany – Unser Sandmännchen (Our Little Sandman) is very similar to Anderson’s Ole Lukøje and is part of a television series that has been broadcast since 1959. The show has also been adapted into comic book form.

Scandinavia – The Sandman is the traditional folk character who sprinkles sand or dust into people’s eyes, so they sleep and dream. He’s a feature of many children’s stories.

Sweden – In English translations, the Sandman is known as John or Jon Blund.

The Stuff Of Nightmares

Every now and then, someone likes to write a story featuring the Sandman in a more sinister light. Okay… that makes sense when the story of the Sandman likely comes from exasperated parents trying to get their children to go to sleep, that some variations could hold similarities to stories of the Bogeyman.

Bonhome Sept-Heur – Meaning the Seven O’Clock Guy, this is a French-Canadian figure who will throw sand in children’s eyes who refuse to go to sleep so he can blind them before carrying them away in his bag.

Der Sandmann – Written by E.T.A. Hoffman in 1816 is just one such book wherein the Sandman throws sand in the eyes of children who refuse to go to sleep, causing their eyes to fall out. These would then be collected up and fed to the Sandman’s children on the Moon. Lovely…

In case you’re curious, in 1993, Paul Berry would adapt this story into a stop-motion short that won Craft Prize for “Best Animation” and got an Oscar nomination for “Best Animated Short Film.”

Mos Ene – Meaning Ene the Elder is a Romanian folklore figure very similar to the character described in Der Sandmann.

What Dreams May Come…

DC Comics – there have been a few characters who have carried the name of Sandman, at least one appears to be the actual folkloric figure where the other used hypnotic sand to control people. The latter appears in an episode from the 1960’s Batman series.

Marvel Comics – The Sandman appears as a villain to the hero Spider-man. It must be stressed and noted that this version of Sandman has nothing to do with dreams, just sand, turning into, manipulating, and controlling it.

Marvel has another villain from its Journey Into Mystery comics in 1961. This Sandman was an alien who crash-landed on earth.

The Sandman – This is a 75-part comic book series written by Neil Gaiman that many people are probably familiar with. The title character rules over a dream world and appears to various characters in the series in different guises and names.

There are several other comics that feature a Sandman character.

Miles To Go Before I Sleep…

There are several different songs and poems that all reference Sandman to one degree or another. The most famous of these is the 1954 song “Mister Sandman” by The Chordettes. Other songs and poems will have the Sandman as a focus or just briefly mentioned as allusions to sleep and dreams. Of course, there is Metallica’s “Enter Sandman” that isn’t very pleasant as it sings of dreams turning into nightmares.

There are also a few movies that the Sandman has appeared, Disney’s The Santa Clause series where he is a member of the Legendary Council, and Dreamwork’s Rise of the Guardians where the Sandman is one such member and Guardian of Dreams.

Der Sandmann Kommt

Many of our stories for the Sandman begin to appear in the 18th century. Though the stories are likely older as a means of trying to explain the sleep or rheum, crust on one’s eyelids in the morning. Stories of the Sandman could have circulated as cautionary tales to try and get children to behave, especially if Hoffman’s Der Sandmann is used as a source.

In Germany, the idioms for “der Sandmann kommt,” meaning “the Sandman comes” have been found in German to French dictionaries dated to 1771. It’s used to describe a person who’s about to fall asleep. A later 1798 German grammar book posits the idiom as a phrase used by adults in a humorous manner towards children who are tired. That’s just German culture and the understanding is that such an idiom is likely to have been around a while in usage before making its way into dictionaries and grammar books.

Greek Origins?

Maybe? That seems to stretch it a bit. Though it brings us back to Hans Christian Anderson’s Ole Lukøje and his brother of the same name. Where one brings sleep and the other brings death.

In Greek mythology, Nyx, the goddess of Night, and Erebus, the god of Darkness have two children by the name of Hypnos, the god of Sleep, and Thanatos, the god of Death. These two brothers live near each other in the Underworld. Which suddenly makes Anderson’s tale have a lot more sense.

Taking Hypnos’ Roman name or equivalent deity, Somnus, three of his children are Morpheus, the God of Dreams, Phobetor or Frightener who takes various animal forms, and Phantasos who is Fantasy or Imagination. It needs to be noted that these three of Morpheus, Phobetor, and Phantasos make their first appearances in Ovid’s Metamorphosis and are likely literary concepts used to try and break down, better explain dreams.

It makes it easy to see the Sandman in European folklore as an amalgam of all these deities or he’s just Hypnos/Somnus in the modern day.

Ded Moroz

Ded Moroz

Pronunciation: Djet m-aw rohz

Other names: Dzyed Maróz (Ukrainian), Did Moróz (Russian), Dédushka Moróz (Serbian), Deda Mraz (Bulgarian), Dyado Mraz (Slovenian), Dedek Mraz (Russian), Morozko (Russian), Grandfather Frost, King Frost, Father Frost, Ice King

Etymology: Grandfather Frost

Ah Santa Claus, Sinterklaas and Father Christmas…. That magical time of the year with Christmas and Yuletide celebrations. When we jump over to the Russian and Slavic celebrations for Winter, there is Ded Moroz or Grandfather Frost who will be bringing gifts.

Just who is Ded Moroz? Let’s see…

To start, Ded Moroz is described as an elderly looking man with a long, flowing white beard who wears a long red, blue or white fur coat and round fur hat and boots. He carries with him a long magical staff and rides along with an evergreen tree in a sled or troika pulled by three white horses.

Much like his American and other European counterparts, Ded Moroz is known for bringing presents to good children. Unlike Santa Claus who brings his gifts on December 25th or Sinterklaas who arrives on December 6th, Ded Moroz brings his gifts on New Year’s Eve.

Other little factoids about Ded Moroz include that his birthday is on November 18th, this coincides with when the first frost arrives on the ground in Veliky Ustyug, Russia. Many sources will also place Ded Moroz’s age at around 2,000 years old.

Slavic Paganism

Ded Moroz appears to have a strong connection to Eastern Slavic Paganism before spreading out into Russian beliefs and culture. Here, Ded Moroz is the Wizard of Winter and a snow demon who personifies Russian winters.

In folklore, Ded Moroz is originally Morozko, a powerful blacksmith and hero known for freezing water to become frost. As a force of nature, Morozko isn’t necessarily evil, he is known to help those who show him proper respect and giving gifts, plus he can be devastating to those who are rude, disrespectful and otherwise mean-spirited.

Slightly different origins place Morozko as a god of frost and ice who’s married to the harsh, unforgiving Winter. As a deity, he could freeze people and the countryside in a moment’s notice. With the Russian Orthodox Church, there was an attempt to label Morozko as a demon. Later fairy tales would soften Morozko’s image to be an elderly old man who could be more benevolent and not quite as harsh.

You Called Him A Demon!

Before we freak out, the Slavic use of referring to entities as demons is very similar to the Greeks usage of the term daimon when referring to a spirit or a minor local deity, or force of nature. As more of the Slavic countries and Russia became Christianized, the term demon would take on more negative associations.

I should throw in at this point, a note that scholars and historians do have some disputes about the exact origins of Ded Moroz. He does appear to be derived from a Slavic deity of Winter and to be the personification of cold and frost.

I’ll touch on it more, further down; there was a period of religious prohibition during the Soviet era and the Russian Orthodox Church doesn’t seem to be settled on the nature and role that Ded Moroz has. He goes from scary demon to a figure that can now allow for some of the religious traditions to come back, even if they’re claimed to be pagan in origin.

However, myths and legends do evolve, grow and change. The very image of Ded Moroz that many people have, especially in Russia does come out of the Soviet era. Why ruin a good thing that people love?

Morozko (Grandfather Frost)

Or Old Man Winter

This is the main story and source for Ded Moroz and is also the origin for his granddaughter, Snegurochka (Snow Maiden). It is a Russian fairy tale first collected by Alexander Afanasyey for his Russian Fairy Tales collection and then is included in “The Yellow Fairy Book” compiled by Andrew Lang in 1894 as “The Story of King Frost.”

The story begins with a stepmother who dislikes her good-natured stepdaughter who is always good and kind and always having to hear about it. Of course, the stepmother loves her own daughter and dotes on her whim and desires.

As is the nature of these type of stories, the stepmother tells the father to send the stepdaughter away, so she didn’t have to see or hear her again. The man begs his wife to reconsider and she is unrelenting about getting rid of the stepdaughter. So, the man, the father takes his daughter out on their sled, out to the woods before giving the girl a kiss and abandoning her there.

Realizing her lot and fate, the sobbing girl sits down next to a tree. She isn’t sitting there long before she hears a crackling noise and looks up to see that King Frost is standing there.

In a stern voice, King Frost snaps out doesn’t the girl know who he is? He is King Frost, king of the red-noses.

The girl says “All hail” to King Frost and then she asks if he is here to take her.

King Frost asks if she is warm enough. The girl answers, saying she is warm enough despite the fact that she is shivering fiercely.

The King repeated his question, stepping closer and the girl insisted that she was still warm.

At this, King Frost takes pity on the poor girl and wraps her in furs to keep warm. He goes further with covering her in blankets and giving her gifts of gems and lastly, a sleigh pulled by six white horses.

In the morning, the stepmother tells the man that he should go out and retrieve his daughter’s body for burial. To the stepmother’s surprise and shock, the man returns with a chest filled with gems and his still-living daughter, more beautiful than before with the splendid furs and her silver and gold dress.

Wanting the same for her own daughter, the stepmother tells the man to take her daughter out to the same spot where the stepdaughter had been left. The man did as he was bid, taking the stepmother’s daughter out and leaving her there.

As soon as the man left, the daughter sulked as she sat down by a tree. Just as before, it wasn’t long until King Frost appeared.

Just as before, King Frost asked the daughter if she was warm. Unlike the stepdaughter who had been respectful with her words, the daughter was rude, calling him a blind fool, of course she was cold, her hands and feet are nearly frozen.

Angered by this girl’s words, King Frost snapped his fingers and froze the girl to death.

Of course, the stepmother expected her own daughter to return just as the stepdaughter had, loaded with wealth and finery. That clearly wasn’t what happened when the man went out to retrieve her and brought back only the daughter’s cold, lifeless body.

It just shows, it pays to always be polite and respectful as you never know who you’re talking to or dealing with.

Moroz – Red Nose

This is a poem connected to Ded Moroz written by Nikolai Nekrasov. The story found within this poem highlights a dark aspect to Ded Moroz’s character as it depicts him killing a peasant woman and orphaning her children.

Other darker aspects to Ded Moroz as a wizard of winter would have him kidnap children and he would only be willing to return them when parents offered him up gifts.

Orthodox Influence

Within the Christian Orthodox Church, the character of Ded Moroz has changed over the years. Most notably during the 19th century with different plays featuring him. The two most notable plays are Aleksandr Ostrovsky’s Snegurochka and a similarly named play by Rimsky-Korsakov.

The Russian Revolution

1917 saw the Bolshevik Revolution. More forward a few years into the 1920’s with the formation of the Soviet Union and Government, we see that many Christmas traditions were discouraged as they were considered to be too religious in nature and materialistic. Especially Saint Nicholas, who had been Russia’s patron saint, his feast day of December 6th were done away with.

It doesn’t help that Ded Moroz was declared to be “an ally of the priest and kulak” as Russia tried to remove many religious elements. Other sources give the history that Ded Moroz was seen as too childish and not acceptable.

This isn’t just Christmas that got banned by the Soviet Government, this is a prohibition on any religious holidays, observances and celebrations.

Soviet Santa – An Alternative

Luckily a complete banning of the holiday spirits wouldn’t last long. I’m sure there are many children psychologists and just even psychologists in general who can extrapolate much better than I can about the importance of play, the use of imagination and human spirit. If you crush it completely, we’re going to have problems.

Seeing a need and importance for some type of holiday seasonal celebration, Ded Moroz would take on his more familiar image thanks in part to a letter written by Pavel Postyshey on December 28th of 1935. Pavel stated that the origins for the Christmas traditions pre-dated actual Christianity and that it would be beneficial to bring back these traditions for the sake of the children.

Now, instead of arriving on Christmas Day, Ded Moroz and Snegurochka would arrive on New Year’s or Novy God, bringing presents to leave under an evergreen tree. This change provided an alternative to the American Santa Claus and one seen as a secular celebration by the Soviet Union.

Letters To Ded Moroz

Much like how Santa Claus will receive letters from children, Ded Moroz will receive his share of letters from numerous children requesting gifts. Millions of letters over the years from all across Russia and around the world have been addressed to Ded Moroz.

Veliky Ustyug

Where Santa makes his home in the North Pole, Ded Moroz does hang his hat and call home?

To answer that, in 1998, it was declared that the town of Veliky Ustyug, in Vologda Oblast is Ded Moroz’s home. Since then, Veliky Ustyug has become a popular tourist destination for many Russians who travel to Veliky and visit. Ded Moroz’s lives in a log cabin out in the taiga forest near where three rivers meet.

Ded Moroz spends his summers reading letters from children all over the country in preparation for the New Year’s Tree on January 1st.

Ded Moroz’s Granddaughter

Snihurónka or the Snow Maiden is Ded Moroz’s granddaughter who often accompanies him. She is shown wearing a long silver-blue dress or robes and a fur-lined cap to keep warm.

Ded Moroz is often shown being accompanied by his granddaughter, Snihurónka. She’s noteworthy as numerous other, familiar Winter figures don’t have a female companion.

Holiday Twins & Counterparts

So, what are the difference between Santa Claus and Ded Moroz?

We know there are differences, after all, Santa Claus arrives Christmas Eve and Ded Moroz arrives on New Year’s; both bringing presents. Santa Claus classically dresses all in red, especially in America and Ded Moroz is known for dressing in not just red, he will also dress in blue or even white, much like how a Russian noble would be expected to dress. They certainly look like cultural syno-entities and cultural twins (given the history, that’s how Ded Moroz got his start.) Santa Claus is known for being short and rotund and Ded Moroz is tall and thin. Russian children will affectionately call Ded Moroz, “Ded Moroz the Red Nose.”

Other notable differences between the two is that Santa Claus will enter a home coming down the chimney and leaving his gifts in a stocking. Whereas, Ded Moroz will enter in through the front door and leave his gifts under the New Year’s Tree.

Cultural Bridges

During the 1990’s, the character of Santa Claus began to make his way into the Russian Federation as more and more influences of Western culture made their way through the previous Soviet Union.

There have been efforts to show cultural goodwill by having Santa Claus (or his various counterparts) and Ded Moroz (sometimes his Belarus counterpart Dzied Maroz) has one-on-one meetings or friendly competitions.

December of 1997 saw the creation of ‘Christmas Without Borders” where Ded Moroz and Santa Claus met a bridge crossing the Narva River between Estonia and Russia. The whole point was to spread goodwill and increase cooperation between the two countries and neighboring border towns. I wasn’t able to determine if this started a new tradition and continued or if it just petered off after a few years.

The early 21st century saw a resurgence for the character of Ded Moroz and his granddaughter, Snegurochka where they arrive on New Year’s bringing gifts, often showing up at children’s parties. Much like Saint Nicholas who battles Krampus in some of the Germanic countries, Ded Moroz and Snegurochka will face off with Baba Yaga who wants to steal the presents.

Of course, there are a few will say that Ded Moroz is really Santa Claus’ grandfather. That works too given how long the two have been around and who’s mythologies are older.

Tracking Ded Moroz On His Nightly Runs

Where Santa has NORAD tracking his nightly flight, Ded Moroz has GLONASS tracking his run on New Year’s. This began in November of 2009 when the Russian Federation offered to compete with NORAD.

Alright! May the best Present-Giver win!

What’s In A Name – Regional Variations

With the dissolution of the Soviet Union, many of the countries that formed after sought to move away a Soviet heritage by reclaiming their own regional heritages and roots. This means that Ded Moroz and Snegurochka will frequently have a different, variant name or change altogether as each country seeks their ancient traditions or move forward to something different.

Armenia – Dzmer Pap, meaning “Grandfather Winter,” his granddaughter is known as Dzyunanushik, meaning “Snow Sweetie” or Snow Anush. They have been part of Armenia traditions for some 160 years since the Russo-Persian War. Both wear red, blue or white winter coats. They make an appearance for both Christmas and New Year’s with bringing gifts. Children are expected to sing songs or recite poems before getting their gifts.

Azerbaijan – Saxta Baba, meaning “Grandfather Frost,” his granddaughter is known as Qar Qizi meaning “Snow Girl.” Saxta Baba brings gifts during New Year’s. Qar Qizi isn’t usually seen.

Bashkir and Tatar – Qis Babay, which means “Winter Old Man.”

Belarus – Dzied Maroz, he replaced Sviatv Mikalai who was more local, but had been disapproved of due to being Christian. Dzied Maroz’ makes his home in the Bialowieza Forest.

Bulgaria – Dyado Koleda or Grandfather Koleda is often equated with Santa Claus and appears alongside Dyado Mraz or Grandfather Frost. Dyado Mraz was popular during the Communist rule but has since fallen by the wayside since 1989 as Dyado Koleda began to gain more popularity.

Kazakhstan and Kyrgyzstan – Ayaz Ata is the name for Ded Moroz.

Nenets – Yamal Iri, which means “Grandfather of Yamal.”

Poland – Poland didn’t have a version of Ded Moroz and during the communist era, there were efforts to try and introduce Dziadek Mróz as historically speaking, Communists didn’t want religion and view Saint Nicholas as being too religious in nature. It’s fairly obviously that Dziadek Mróz was meant to create a culture link and tie to Russia.

Romania – In 1948, a Communist party gained power and Christmas celebrations were done away with. Mos Cracium (Father Christmas) was replaced with Mos Gerila (Old Man Frosty), the Romanian name for Ded Moroz who would now bring gifts on December 31st for the New Years. Anyone paying attention, knows that New Year’s celebrations begin on December 30th, the Day of the Republic, when King Mihai I abdicated the throne in 1947.

Sakha Republic – Chys Khan, meaning “Master of Cold” and Khaarchana (Snow Maiden).

Slovenia – In this country, Ded Moroz’s name translates to Dedek Mraz. He is a slender man who wears a grey leather coat trimmed with fur inside and out and who wears round dormouse fur cap. This image of Dedek Mraz is based on pictures by Maksim Gaspari in 1952. Dedek Mraz’s home is located on Mount Triglay, the highest peak in both Slovenia and Yugoslavia. In the 1990’s when Communism ended, Miklavž (Saint Nicholas) who arrives on December 6th and Božicek (Christmas Man) who arrives on December 24th, Christmas Eve began making an appearance in Slovenia. Some Slovenian families in the 1940’s would have the Christkind (Jezušcek or “Little Jesus”) who brought gifts on Christmas Eve. It varies by family in regard to their political and religious views, current culture will show all three of Grandfather Frost, Saint Nicholas and Santa Claus as friends. The attributes of each will also get mixed with the others.

Tajikistan – Boboi Barfi, meaning “Grandfather Snow” and Snegurochka is known as Barfak, meaning “Snowball.” There was an effort briefly on December 11th of 2013 to do away with the state televised celebrations of Boboi Barfi, Barfak and the New Year’s. That lasted all of about a day and the next day, the televised broadcasting plans were back on.

Ukraine – With the current conflicts with Russia, as early as 2014, there have been efforts to replace Ded Moroz with Sviatyi Mykolai (Saint Nicholas) and well, Sviatyi Mykolai is more popular in Western Ukraine.

Yakut – Chys Khaan, meaning “Master of Cold.”

Yugoslavia – The socialist Yugoslavia that comprises Bosnia and Herzegovina, Croatia, Montenegro, North Macedonia, Serbia, and Slovenia, has a character by the name of Grandfather Frost. In Bosnian, this name is Djed Mraz or Djeda Mraz, in Croatian, this name is Djed Mraz, in Macedonian, the name is Dedo Mraz, the Serbian name is Deda Mraz and the Slovenian name is Dedek Mraz.

For a bit of a history lesson here, in Croatia, Djed Mraz was viewed as a communist figure and the character of Djed Božicnjak or Grandfather Christmas is introduced. It’s taken a while for Djed Božicnjak to replace Djed Mraz and then, not completely. After 1999, both Djed Mraz and Djed Božicnjak have become synonymous. Some families still have Djed Mraz arrive on New Year’s bringing gifts. Thanks to some historical Austrian influence in parts of Croatia, children will get gifts on December 6th brought by Sveti Nikola (Saint Nicholas) who is accompanied by Krampus. More religious families will have the baby Jesus (Isusek, Mali Isus or Kriskindl) who brings gifts on Christmas. Getting into some areas of Dalmatia, it is Sveta Lucija (Saint Lucy) who brings gifts.

Baba Yaga

Baba Yaga

Alternate Spelling: Баба Яга (Russian)

Other names: Baba Cloanta (“Old Hag with Broken Teeth,” Romanian), Baba Jaga (Czech, Slovak, Polish), Baba Jaha, Baba-Jahinia, Baba Roga, Baba Ruta, Baba Yaha, Baba Yaga Kostianaya Noga (“bone legs”), Babcia (“grandmother” Polish), Babushka (Russian), Baka (Croatian), Boba (Lithuanian), Jezi-Baba, Yaga-Baba, Bobbe Yakhne (Yiddish), Ježibaba (Czech & Slovak), Vasorrú (“iron-nosed”)

Etymology: Baba means an elderly woman or grandmother, Yaga is uncertain, but may likely come the words: “jeza” meaning: horror, shudder or chill, “jezinka” for an evil wood nymph or dryad, “jeze” meaning: witch, “jedza” another word meaning: witch, fury or evil woman and lastly, “jeza” meaning: anger or disease and illness.

At its heart, the stories of Baba Yaga are used in Russian and Slavic folklore as a legendary bogeyman type monster to scare little children into behaving. Depending on your source, there is either just the one, terrifying Baba Yaga or there are several.

What’s In A Name?

In the Slavic languages, Baba Yaga’s name is understood to be composed of two parts. The first part of her name, Baba is generally understood to mean an elderly woman or grandmother. The second part of her name, Yaga is thought to be from a Proto-Slavic word “eg” and likely related to a Lithuanian word of “ingis” meaning: lazybones or sluggard. Other suggested words are the Old Norse word of “ekki” meaning pain and the Old English word of “inca” for doubt, scruple, grievance, and quarrel. Yaga might also derive from the feminine name of “Jadwiga.”

A Sergei V. Rjabchikov suggests that Yaga derives from the word Aga meaning: “Fiery” or “cauldron” saying that it refers to a solar deity of the Scythians and Sarmatians. Mainly as the suggestion connects Aga as a cognate to the Sanskrit word “agni” meaning: “fire” which is also the name of a fire god. Other cognate words that get linked are the Russian word “ogon” for fire and the Ossetic word “ag” for cauldron. Another scholar, Alexander Afanasyey proposes the ides of a proto-Slavic word “ož” and the Sanskrit word ahi for serpent may be a source for where the word Yaga comes from.

The earliest references to Baba Yaga, or “Yaga-Baba” is found in the “Of the Russe Common Wealth” by Giles Fletcher, the Elder. As “Yaga-Baba” she is found in the section for Permyaks, Samoyeds and Lopars where a Finno-Ugric influence is suggested.

Depending on the region and local dialect, Baba Yaga is known by slightly different names. In the Czech, Slovak and Polish regions, she’s called Baba Jaga, though Jezibaba is also used. In the Slovene language, the name is reversed to Jaga Baba. Where the term Jaga is concerned, there are numerous variations from different Slavic languages that connect it to the word jeza meaning: “horror,” “shudder,” and “chill.” There is the Slovian word jeza for “anger” and then the Old Czech word of jeze for “witch” or any legendary evil female being. The modern Czech word of jezinka refers to any evil nymph or dryad.

In Belarussia, Bulgarian, Russia and Ukraine, the names Baba Yaga and Baba Jaga are both used. Belarusia and Ukraine both have variant spellings of Baba Yaha and Baba Jaha. In the South Slavic languages of Bosnia Croatia, Macedonia and Serbia, she is known as Baba Roga. Finally, the Romanians, even though they’re not Slavic, know of her as Baba Cloanta, which roughly translates to “the Old Hag with Broken Teeth.”

Suffice to say, Baba is well known, revered, respected and feared. So much so, that some will say that Baba is the Devil’s own Grandmother. In Russian, Baba can sometimes get used as pejorative for women and men who are seen as unmanly, too timid and lack character. In the Polish language, the term Baba is also a pejorative as it can refer to a particularly nasty or ugly woman.

Description

The descriptions of Baba Yaga vary from region to region. Most are very similar in that she is a small, ugly old woman who’s very fierce or an ogress. Consistent details include mentioning her long nose and long teeth, long bony legs. Whichever details let a person know how hideous to look upon that Baba Yaga is and there’s no mistaking her for anyone else. She is a cannibalistic witch who lives in a hut in the forest. Where most witches of folklore are said to ride brooms, Baba Yaga is known for flying around in a mortar & pestle, using a broom made of silver birch to sweep away any traces of her passage. Much like the Wild Hunt, a host of spirits followed after Baba, these are most likely the spirits of her victims.

Aging: Baba Yaga is said to age one year for every question that she is asked, which, given that, could explain why she is often reluctant to help any who cross paths with her. With a tea made from a special blend of blue roses, Baba Yaga is able to undo the effects of this aging.

Chicken Hut: Baba’s Chicken Hut is notable as it walks and moves around chicken legs. The hut will move when Baba recites a specific rhyme. The keyhole to the door is a mouth full of sharp teeth. Sometimes this door will open with the following phrase: “Turn your back to the forest, your front to me.” When the house has roosted for the day, a fence with the skulls of Baba’s victims surrounds the hut.

Mortar & Pestle: Where most witches use a broom to fly around on, Baba rides around in a giant mortar & pestle, the same mortar & pestle that she can use to grind the bones of her victims then and there.

Servants: Baba will often be served by invisible servants inside her hut. If any ask about the servants, Baba is known to kill them.

Three Riders: Usually found in the Russian folklore, Baba can be associated with three riders, each of whom rides a different colored horse. White is the Day; Red is the Sun and Black is the Night. If any ask about who the riders are, Baba will explain who they are.

Hungarian Folklore

In the folklore and tales from Hungary, Baba Yaga began as a fairy, a good fairy. With the procession of time, she becomes a witch, one who drives a hard bargain and threatens to eat those who fail to uphold their ends of agreements.

Polish Folklore

Many Polish stories featuring witches often name them Baba Jaga. Much like the Brothers Grimm story of Hansel and Gretal, these Baba Jaga sometimes live in Gingerbread huts. When Baba Jaga’s hut isn’t described as being made of Gingerbread, it will be described as having only one chicken leg it moves around on.

Baba Jaga also flies around on a mop instead of a broom or in a flying mortar and pestle. She is further described wearing a black and red striped cloth that hails from Swietokrzyskie Mountains. For those wanting a bit of further trivia, this cloth is a symbol of the Kielce region and has a connection with a legendary witches sabbath on the Lysa Gora mountain.

Russian Folklore

This is the folklore that I at least was familiar with and knew Baba Yaga to hail from. It is these tales that the fearsome Baba Yaga flies through the air in flying mortar and pestle. The stories where the protagonists will discover Baba’s House that walks or dances on giant chicken legs. A house surrounded by a fence made of human bones with skulls on the posts. The keyhole of the front door is a mouth full of teeth.

Slavic Folklore

In Slavic folklore, Baba Yaga is often the antagonist of many tales. Often, she is sought by other characters who come seeking her for wisdom. Rarer is when Baba will offer guidance to wayward travelers and souls.

Dark Nature Spirit

There have been numerous, various folklore and tales about Baba Yaga over the years. Her tales often show her as a dangerous antagonist while other times she is just a tad more benevolent where she will help out others on their quests while devouring others instead. Given the location of where Baba Yaga is likely encountered most, it is out in the dark forests where she would easily represent the more wild, unknown and unpredictable force of nature.

In some stories, like Vasilissa the Beautiful, the heroine likely crosses over into the Otherworld when she is tasked by her stepsisters to go and get more light from Baba Yaga. Later traditions say that when meeting with Baba Yaga, one needs to prepare themselves spiritually and have a proper purity of spirit in order to survive an encounter with her.

Faerie – The Hungarian connection of Baba Yaga as a fairy really seems to fit given that the fae operates by rules. Baba Yaga strikes a bargain with Vasilissa the Beautiful who comes to get some fire from her in exchange for some labor. The old crone can’t hurt or eat Vasilissa so long as she full-fills her tasks and gets everything done. In the end, because Vasilissa has the aid and blessing of her mother, Baba Yaga sends the girl away. Just as many fae are known to have a trickster side to them, Baba Yaga displays hers, however dark with the skull she gives Vasilissa that burns up her stepfamily in flames. One can also argue that’s Baba Yaga acting as a bit of a dark fairy godmother to Vasilissa to aid her like that. But a bargain’s a bargain and many fairy gifts do often come with a price that’s up to the recipient to decide if that was a curse or blessing.

Good Witch Or Bad Witch? – Whether Baba Yaga will be helpful or try to eat someone really depends on the story told of her and what era of folklore for ancient or more modern. The ancient stories really home in on her dangerous nature and that she does eat people. More modern stories that feature Baba Yaga will still show her dangerous side, but as someone who’s mellowed with time, she seems to take on a more helpful nature.

More Than One? – As a supernatural being, some stories will mention a trio of sisters or witches who are all Baba Yaga, much like the idea of three fates? The good news is, that when Baba is encountered as three individuals, they’re much more likely to be benign and helpful.

Family – Some folktales will mention Baba Yaga having a daughter, sometimes she is given the name, Marinka.

Similar Folkloric Figures

There’s a number of other figures from myth and folklore of Europe that may have some cultural influence from the Eastern Slavic people’s beliefs or just the fact that similar ideas and concepts will pop up no matter what.

Baba Korizma – Serbian

Baba Pehtra – Slovenian

Baba Roga – From Croatia and Bosnia, she is used to scare children into behaving. The name Roga suggests that she has horns.

Babice – Serbian

Chlungeri – Switzerland

Gorska Maika – The Forest Mother of Bulgaria.

Gvozdenzuba – Meaning “Iron Tooth,” Serbian

Holda – Or Holle from Germany

Jezibaba –Western Slavic, she is very similar in function to Baba Yaga, though her appearance and specific stories differ from the Eastern Slavic stories.

Mama Padurii – Forest Mother, Romanian

Perchta – Alpine region

Sumska Majka – The Forest Mother, Serbian

Ancient Slavic Earth Goddess

 That’s very likely possibility given the strong connections of her as a fairy in Hungarian folklore and her connection as a dark, wild and unpredictable force of nature. She could be connected to an ancient matriarchal religion. Some sources have said that the Baba part of her name connects her as being female and that there could very well be a male counterpart to her.

There are also scholars who suggest that Baba Yaga is influenced by the Eastern Slavic people’s contact with the Finno-Ugric and Siberian people. The Finnish stories have an ogress by the name of Syöjätär who is the source of diseases and in stories, she often takes the role of a wicked mother. Contrasting with Syöjätär is Akka, a female fertility spirit or deity found in Estonian, Finnish and Sami mythology and shamanism.

The first distinct references to Baba Yaga or Iaga Baba appear in 1755 with Mikhail V. Lomonosov’s Rossiiskaia Grammatika (Russian Grammar). In this book, Baba Yaga is mentioned a couple times alongside other Slavic figures and traditions. The second mention has her in a list of Slavic deities and their assigned, roman syno-deities.

Feminist Icon

It’s no wonder, after looking into the folklore and mythology behind Baba Yaga, that in many Wiccan and Modern Pagan practices and even those who aren’t would seek to reclaim and take Baba Yaga back as a feminist icon. When incoming Christianity couldn’t tame Baba Yaga, they vilified her.

After all, centuries of persecution by Christian beliefs and she has endured in the imaginations and of those who examine her stories; see the quintessential, untamed wild old woman who does as she pleases with no one to tell her otherwise. Baba Yaga is a fierce, dark force of magic, who when approached with caution, can help or destroy.

Triple Goddess

In New Age and Wiccan practices, Baba Yaga fits very easily with the role of the Crone.

Baba Yaga In Folklore

There are a lot of stories in Slavic and Russian folklore that feature Baba Yaga, so much so, she is considered a stock character by authors of modern Russian fairy tales. There are whole articles and commentary that go into exploring Baba Yaga’s role and place in folklore as sometimes, she’s not always an antagonist or even protagonist, she’s a feature or obstacle that the heroes must overcome and get past on their journey. Is she a threat? Does she really prove helpful as a dark and dangerous fairy godmother or guide?

She does seem to come off as a trickster figure, one who can often be bested and outwitted by use of trickery and using her own sense of propriety and rules for manners and etiquette to escape her.

With her continued use in more modern, contemporary literature and media, Baba Yaga’s nature at times, depending on the needs of the narrative and author, her demeanor can soften, though she’ll remind people she can still be very dangerous.

Vasilissa The Beautiful

This is perhaps the most well-known story with Baba Yaga that was recorded by Alexander Afanasyeye in 1862. It begins as any story does, with a merchant who had married for twelve years before he and his wife were able to conceive and have a baby, a little girl whom he called Vasilissa the Beautiful.

Unfortunately, tragedy struck, and the mother became ill when Vasilissa was eight years old. Before she died, Vasilissa’s mother called her daughter to her bedside where she presented her Vasilissa with a small wooden doll. The mother explained that she was dying and that she was leaving her this little doll. She was not to show anyone this doll and to always be sure to carry it with her everywhere she went. If ever she had any sorrow or threat to her, Vasilissa was to go to a corner and take the doll from her pocket, giving it an offering of food or drink. Once it had drunk or eaten, Vasilissa would then able to tell the doll her troubles and it would aid her or give advice on what to do. With that, the mother kissed Vasilissa on the head and died soon after.

That first day, Vasilissa grieved for her mother’s loss. So much so, that when night finally came, she couldn’t sleep. As she lay there in her bed, Vasilissa remembered the tiny doll and pulled it out from her pocket. Then she found a small piece of bread and something to drink, these Vasillisa placed before the doll, saying: “There, my little doll, take it. Eat a little, and drink a little, and listen to my grief. My dear mother is dead, and I am lonely for her.”

The doll came to life, its eyes glowing as it ate a bit of bread and took a sip of drink. When the doll had finished, it told Vasilissa not to cry, that grief can be at its strongest during the night. That she should lay down and try to sleep for in the morning things would be better. Vasilissa did as the doll advised her and went to sleep and found that in the morning, her grief as not as deep and sorrowful as before.

After a period of mourning, Vasilissa’s father decided that it was right to marry again. Being a merchant, it wasn’t difficult for him to find and attract a suitable wife given his status with having a fine house, horses and his charity for giving to the poor. The merchant found a widow close to his own age with two daughters and thought that she would make for a good foster mother to his own little Vasilissa.

Such was not the case, as many of these stories show, the widow was a cruel and cold-hearted woman who only wanted the merchant’s wealth. Nor, did the widow harbor any love for Vasilissa.

Take a page right out of Cinderella, the widow and her two daughters envied and hated Vasilissa for her good looks and gave her all manner of tasks and errands to run in an effort to try and were Vasilissa out. Despite this, Vasilissa persisted, never complaining of what happened to her.

The key to Vasilissa’s success and enduring where others might have failed, is that she still had the little doll. Every night, while everyone else slept, Vasilissa would bring out the doll, while locking her door, she would feed the little doll. After the doll had eaten and drunk a little, Vasilissa would tell the doll of her troubles and the work her stepmother would task her to do.

After the doll came to life and listened to the girl’s plea, it would comfort Vasilissa and send her off to sleep. While she slept, the doll would perform all of the tasks set before Vasilissa and get all of her work and chores are done for the next day. This wouldn’t leave much left come the next morning for Vasilissa to do besides rest and play.

Time passed and Vasilissa grew up, becoming a beautiful young woman of marrying age. All the young, would-be suitors in the village came knocking, seeking out Vasilissa’s hand in marriage. None of the young men ever had an eye for the stepmother’s two daughters. This angered the stepmother to the point of being enraged. The stepmother would tell every young man who arrived at their door that the youngest would never be wed before the older ones. When the young man left, the stepmother would then beat and berate Vasilissa.

More time passed and Vasilissa’s father, the merchant left for a business trip. Barely was the father gone when no sooner did the stepmother have the house sold and packed everything up so they could move to the far side of the village near the dark forest. While the stepsisters worked indoors, the stepmother would task Vasilissa with more errands that would take her out into the dark woods.

The plot thickens!

The stepmother it seems was well aware that out in this dark forest, in a small clearing, Baba Yaga’s hut could be found. The stepmother had high hopes that Vasilissa would encounter the old witch that was known to eat people. She hoped that with each errand, it would be Vasilissa’s last as she would get eaten. Such was not to be, for the little doll of Vasilissa’s would guide her to where the berries and flowers grew and kept her well away from Baba Yaga’s hut.

One night, the stepmother brought all three girls together and tasked each of them with a job. To one of her daughters, they were to knit a piece of lace. The second daughter was to knit a pair of hose. As for Vasilissa, she was to spin a basket of flax. The tasks given out; the stepmother proceeded to put out all of the fires except for one candle before then heading off to sleep.

The girls worked for hours. The older of the girls eventually got up and went to straighten the wick on the lone candle. Instead of straightening the wick, the girl “accidentally” put the candle out. Now the girls panicked, for what would they do without any light to work by? The only house close enough to get a light from was that of Baba Yaga’s. The two daughters of the stepmother bade that Vasilissa be the one to go out and get the much-needed fire as she knew the nearby forest better. Nor, would the girls allow Vasilissa to return to the house without any light or flame.

Out a distraught Vasilissa went and sat on the front steps of the house. She pulled the small doll from her pocket and some food from the other. As she gave the food to the doll, saying: “There, my little doll, take it. Eat a little and listen to my sorrow. I must go out to the hut of Baba Yaga in the dark forest to get some fire and I fear that she will eat. Tell me! What shall I do?”

The doll came to life, eyes glowing as it ate. When it had finished, the doll replied that Vasilissa should not fear, to go to where she had been sent and that while he was with her, no harm would come to her from the witch. Hearing those words, Vasilissa placed the doll back in her pocket and headed out into the forest.

After a time, walking through the dark forest, Vasilissa soon heard the sound of horse hooves pounding the ground and shortly after, a white horse and rider dressed all in white passed by her. Soon as rider and horse were gone, it became twilight.

Vasilissa continued further on and again, she heard the sound of horse hooves pounding the ground as presently, another horse and rider passed by her. This horse and rider were blood-red and once they had gone, the sun arose.

On, Vasilissa continued her journey within the Dark Forest and it became very clear that she was now lost and there was no longer a path to follow. Nor, was there any food for Vasilissa to take out and bring the little doll to life to ask for help or advice.

Finally, as the evening came, Vasilissa found herself standing before a green lawn where a peculiar hut stood on chicken legs. Around the hut, a wall made of human bones with skull atop each post. It was a very unsettling sight for Vasilissa to take in.

While standing there, Vasilissa once more heard the sound of horse hooves and sure enough, a third horse and rider thundered into view. This time horse and rider were all in black. As horse and rider pounded the ground up to the gate to the hut, they disappeared, and night fell upon the forest as everything became dark.

The only place not dark within the forest was the lawn as all the eyes of the skulls on the wall lit up, illuminating the place. Vasilissa didn’t have long to stare for a loud noise boomed from the forest as trees groaned and shift. The source of the noise was Baba Yaga flying in riding in a large mortar with a pestle steering it. As Baba Yaga moved through the forest, behind her, she swept her trail clear with a broom.

Up to the gate, Baba Yaga flew and stopped, reciting the following: “Turn your back to the forest, your front to me.”

With those words, the hut turned on its chicken legs, facing towards Baba Yaga and stood waiting. Before going in, Baba Yaga sniffed the air and cried out that she smelled someone present and asked he was there.

In fear, Vasilissa stepped out, bowing low before Baba Yaga. “It is only me, Vasilissa, grandmother.” And explained how the daughters of her stepmother bid her come to borrow some fire as it had gone out at home.

Baba Yaga knew of whom Vasilissa spoke off and bargained that if she gave her some fire, that she was to stay a while and work for it. If Vasilissa didn’t, then Baba Yaga would eat her. The bargain struck, Baba Yaga with Vasilissa following behind, entered the hut.

Once they were inside, Baba Yaga sat down on her stove and stretched out her skinny, bony legs as she spoke: “Go and fetch the table and place everything in the oven on it. I’m hungry!”

Hearing this, Vasilissa hurried and pulled out from the oven, enough cooked meat for three big men. Then Vasilissa brought out from the cellar, honey and red wine. All of this Baba Yaga ate and drank with gusto, leaving only a small bit of cabbage soup, a crust of bread and a bit of pork for Vasilissa to eat.

Her hunger satiated, Baba Yaga grew tired and went to lay down on the stove. Before falling asleep, she instructed Vasilissa that on the morrow, when she left, that Vasilissa was to clean the yard, sweep the floors and cook her supper. Vasilissa was then to take a quarter measure of wheat from Baba’s storehouse and pick out all of the black grains and wild peas. Failure to accomplish all of this would see Vasilissa eaten by Baba.

Now Baba Yaga turned over, facing towards the wall and promptly fell asleep as evidenced by the snores. Scared, Vasilissa went to a corner and took out her tiny doll from her pocket. She fed it a bit of bread and a little bit of cabbage soup that she had saved. Then, bursting into tears, Vasilissa told the doll to eat a little and drink a little and then told it how she was in the house of Baba Yaga, that the old witch had given her a difficult task and if she did not complete it all, that Baba Yaga would eat her. What was she to do?

The little doll’s eyes glowed as it came to life and ate the bread and drank the soup before it responded, telling Vasilissa not to be afraid. To say her prayers and go to sleep, that things would look clearer in the morning. Trusting her little doll, Vasilissa did as she was told and went to sleep.

The next morning, Vasilissa awoke early while it was yet dark. Peering out the window, she the skulls on the wall glowing still. As she continued to watch, Vasilissa saw a man dressed all in white ride away on a white horse ran past and as they pounded by, it became light. The glowing eyes of the skulls went out with the light. Baba Yaga went out to the yard and whistled for her giant iron mortar and pestle that came. Climbing in, Baba Yaga flew away. Shortly after she left, a man dressed all in red riding an equally red horse appeared, signaling fully the arrival of dawn.

Alone now, Vasilissa looked about the hut as she took in everything that had to be cleaned and all that she was tasked to do. As she turned attention back to the yard, Vasilissa was astonished to find the yard already clean along with the floors of the house when she looked back inside. Looking around, Vasilissa spotted her little doll sitting in the storehouse as it picked the last of the black grains and wild peas out from a quarter measure of wheat.

Vasilissa took up the little doll in arms to thank it. That now all she had to do was cook Baba Yaga’s supper. The little doll bid her to that task which Vasilissa did after the doll went back to her pocket. Laying out the table for supper and getting the meal ready, Vasilissa needed only to rest and wait the rest of the day.

As she waited, Vasilissa heard the sound of horse’s hooves and soon saw a rider all in black on a black horse ride up the gate and disappear. Once the black rider vanished, it became night and the eyes of the skulls began to glow. Not long after that, the forest began to shake and branches tremble as Baba Yaga flew back to hut.

On entering her hut, Baba Yaga looked around, sniffing the air. Baba Yaga then asked the girl if she had done all that was asked of her or was Baba Yaga going to get to eat her? Vasilissa replied for her to look.

Baba Yaga looked around the hut and yard. Try as she might, Baba Yaga was unable to find anything amiss which angered the old witch. Still, the tasks were done, and Baba Yaga clapped her hands together, calling for her faithful servants to take her wheat. Instantly, three pairs of hands appeared and hauled away the measure of wheat.

Then Baba Yaga sat down at the table as Vasilissa placed before her all the food that she had cooked along with kvass, honey and red wine. Baba Yaga ate with much gusto, enough for four men. Finished, Baba Yaga stretched out her bony legs on the stove and told Vasilissa that tomorrow, she was to the same as she had done today and in addition, that she was to take a half-measure of poppy seeds from the storehouse and clean them, one by one. It seems that someone mixed earth with the seeds to cause old Baba Yaga some mischief. With that, Baba Yaga turned over towards the wall and began to snore.

Just as she had the night before, Vasilissa crept to a corner to pull out her little doll. She once more placed a small bit of food before the doll to ask its advice. Like always, the doll’s eyes glowed as it came to life and ate. Finished, the doll replied for Vasilissa not to worry, to say her prayers as she had before and to sleep. Vasilissa did as she was bid and went to sleep.

The next morning, Vasilissa awoke to the sound of Baba Yaga’s whistling. Vasilissa got up and ran to the window, just in time to see the old witch take off in her giant mortar and pestle. Just as she had seen the day before, the man in red appeared on his horse, riding away to signal the dawn. Like the previous morning too, as Vasilissa looked around, she saw that all of the tasks had been accomplished by her doll and all that remained was to cook the supper.

Vasilissa had everything for dinner prepared and ready on the table when the man in black on his horse return to signal nighttime and Baba Yaga’s arrival. Baba Yaga came into her hut, peering around, seeing for herself that all the tasks and supper were accomplished. Angry, Baba Yaga clapped her hands, calling for her servants to come take the poppy seeds. Again, three pairs of hands appeared to take the measure of poppy seeds away.

Baba Yaga sat down at the table devouring the meal with the zeal and gusto of five men. Vasilissa stood nearby, quietly waiting as the old witch ate. The quietness annoyed Baba Yaga who snapped at the girl, asking why she stood there as if she were dumb.

Vasilissa replied that she didn’t dare speak, but if she was allowed, could she ask grandmother some questions.

Baba Yaga allowed it, cautioning Vasilissa to remember that not every question had good answers and that knowing too much could lead a person to prematurely growing old.

Vasilissa then inquired, asking about the white rider. Baba Yaga said that was her servant, Bright Day. Then Vasilissa asked about the red rider to which Baba Yaga responded that was her servant, the Red Sun. Lastly, Vasilissa asked about the black rider and Baba Yaga replied that was her servant, the Dark Night. That none of her servants couldn’t harm Vasilissa.

Going silent, Vasilissa sat there and Baba Yaga wanted the girl to ask more questions. Why not ask more? What about the three pairs of hands? Vasilissa answered that three questions were enough and that she did not want to grow old too soon if she knew too much.

Old Baba Yaga laughed and said that well for her if she had asked about the hands, they would have appeared and seized Vasilissa to carry away to become Baba Yaga’s next meal. Now that Vasilissa had asked her questions, Baba Yaga wanted to ask questions of her own.

Namely, how was it that Vasilissa had been able to accomplish all the tasks in the short time allotted. Frightened, Vasilissa nearly brought out her doll, but thought better of it in time, replying instead that she had the blessing of her dead mother helped her.

Enraged, Baba Yaga told Vasilissa to get out of her house, she would have no one in her house who bore a blessing to cross her threshold. As Vasilissa got up to leave, running from the house, Baba Yaga grabbed a skull from a post on her wall and threw it at the girl. Saying that she was to take the skull, that’s what the stepmother’s daughters had sent her for.

Grabbing up the skull, Vasilissa placed it on the end of a stick and carried it with her out of the forest, running as fast as she could. She ran until morning when the glow of the skull dimmed just as Vasilissa exited the edge of the forest before her stepmother’s house.

Surely, by now, Vasilissa thought, the sisters would have found another light. Vasilissa thought to throw the skull into the hedge, but it spoke saying not to throw it away, to take it to her stepmother. Vasilissa picked up the skull again and carried it with her to the house.

In all the time that Vasilissa had been gone, the stepmother and daughters had had no fire or light for all of the house. Whenever they would strike flint and steel, the tinder wouldn’t catch and any fire brought in from a neighbor’s would immediately out as soon as it crossed the threshold of the house. Such was the state of three to have no light or warmth for themselves or to cook food. This made it the first time that the presence of Vasilissa was ever welcomed for when she carried the skull across the threshold, it’s light did not go out.

The stepmother insisted on placing the skull in the best room on a candlestick. As the stepmother and her daughters admired it, the eyes of the skull began to glow red like coals. Whenever the three would look or go, the eyes of the skull would follow, growing larger and brighter until the eyes burned bright as a furnace, growing hotter and hotter so that the stepmother and her daughters burned to ashes. Only Vasilissa was spared this fate.

What every poor abused stepchild wants, freedom from the wicked stepparent and siblings.

The next morning, Vasilissa dug a hole and buried the skull and locked the door to the house. She then set out of the village where she went to live with an old woman who was childless. There, Vasilissa lived, waiting for her father’s return from his journey.

After a few days of nothing to do, Vasilissa asked the old woman for some flax to spin, that she could at least do. The old woman went out and got Vasilissa some flax of the best kind and Vasilissa sat down to spin. So fine was the thread, even and fine as hair, eventually there was enough to work with to weave. However, so fine was the thread that there was frame that could weave the thread.

As she had done before when needing help, Vasilissa took out her little doll and giving it food and drink, told it of her need for a frame to weave her thread on. As always, the little doll came to life, eating and drink and when it had finished, it instructed Vasilissa to bring it an old frame, an old basket and some hairs from a horse’s mane and that it would make the frame needed. Vasilissa did as she was instructed, getting all the items and bringing them back.

The next morning, Vasilissa found a frame suited for the needs of weaving her thread on. It would take Vasilissa several months work weaving, throughout the winter, until she had at last a piece of linen as fine that it could be passed like the thread it was made of through the eye of a needle. Spring came and Vasilissa bleached the linen, making it as white as snow. Vasilissa then bid the old woman take the linen to market and sell it for the money made would pay for her food and lodging. The old woman returned from the market, saying that no one would buy the linen and that no one would wear it except for the Tsar himself. That tomorrow, she would carry it to the Palace.

The next day came and the old woman carried it to the Palace, and she spent her time walking up and down the walkways of the Palace. Servants would come up and ask her what brought her to the Palace and the old woman would say nothing. Presently enough, the Tsar opened his window and called down to the old woman what she wanted.

The old woman replied that she had a marvelous piece of linen and that she would show it to no one but him. The Tsar bid the servants bring the old woman in who showed off the linen to him. The Tsar was so taken with the finery and beauty of the cloth that he asked the old woman what she wanted for it. The old woman replied that there was no price for it, it had been brought as a gift. So pleased was the Tsar that he couldn’t thank her enough and sent the old woman away with many gifts.

Numerous seamstresses were brought in to make shirts for the Tsar out of the marvelous cloth, but they found that when it was cut up, that none of them had skill to sew it. The Tsar found himself calling the old woman back, saying that if she knew how to spin such linen, surely, she would know how to sew shirts from it.

At this, the old woman confessed that it wasn’t her who wove the cloth, but her adopted daughter who had done so. The Tsar bid the old woman to bring the cloth back to her daughter to sew into shirts. Bringing the cloth home, Vasilissa replied that it was just as well that she be the one to sew the shirts as she made the cloth.

Vasilissa took the cloth and went to her room where she returned later with a dozen shirts for the Tsar. The old woman brought all of these back to the Tsar who was so delighted with the craftsmanship that he sent a servant to fetch Vasilissa and bring her back to the Palace.

For the Tsar, it was love at first sight when he saw Vasilissa enter his Palace. So beautiful was Vasilissa that the Tsar asked her to marry him. The two wed and shortly after, Vasilissa’s father returned from his journey and he and the old woman went to live with Vasilissa in the Palace. As for the little doll, Vasilissa kept it with her always in her pocket all her life.

Christianized Version –

There is a Christianized version of this story where, when Vasilissa is sent off to Baba Yaga and ends up being captured by the old witch, it is Baba Yaga’s servants, a cat, a dog, a gate and a tree that all help Vasilissa escape her fate as she had shown them each kindness. At the end of this story, Baba Yaga turns into a crow.

Baba Yaga And The Peasant Children

This is a story I came across that is very similar to the Christianized version of Vasilissa’s story above. It also, after I finished reading it, that it sounds a lot like the Brothers Grimm story of Hansel and Gretel. You go over to Poland and these Gingerbread dwelling witches are all over the place.

The story starts off with two children who have a cruel stepmother. One day, the stepmother decides she no longer wants the children and contrives a way to send them off into the forest to get lost and eaten by the infamous Baba Yaga.

The children do find their way into Baba Yaga’s clutches and while there, they are able to escape her cannibalistic nature first from a black cat who helps them as they had fed it when Baba Yaga wouldn’t. Secondly, the children are aided by the gate slamming shut on Baba to slow her down because the children had mended the gate when Baba Yaga had neglected it. Finally, the very trees of the forest aid the children in evading Baba Yaga due to how she had mistreated them. The children are able to get home safely where their father kicks out the stepmother and welcomes his children home.

Prince Danila-Govorila

This is another story involving Baba Yaga that I came across and it reads in many ways, like a modern horror story. In it, there is an old woman who’s a princess and she had two children, a son and daughter. Entering the story is an old witch, Baba Yaga who doesn’t want the woman or her children to be happy. She turns into a fox and appears before the woman, presenting her with a ring and tells her that the ring is for her son, that he will be rich and generous, and he can only marry the woman whose finger will also fit the ring.

The old woman or princess believes the fox has given her a blessed gift and bestows it on her son. Time goes by and the son grows up and he beings to look for the woman whose finger will fit the ring. He finds many women whom he likes and fancies, but none of them are able to wear the ring. At long last, the son, Danila laments to his sister Katerina how he is unable to find a wife as no one is able to wear the ring.

Katerina asks to see the ring and Danila pulls it out. As it’s a ring, Katerina does the most natural thing and tries it on. To both siblings’ astonishment, the ring fits and Danila declares that Katerina is meant to be his wife. This can’t be so Katerina cries out, that’s incest and against God’s will. But Danila is so elated he runs off dancing and singing.

Katerina goes outside to cry her misfortune and as she does so, some elderly woman pass by and ask her what the matter is. They listen to her story and tell Katerina not to worry. Make four dolls and places them in the corners of her room. When Danila calls her to marriage, she should go and when it’s time to go to the bedroom, take her time. That Katerina should put her faith and trust in God to work things out.

Katerina does as she’s advised with making the dolls and placing them. Soon after, she and her brother are married. That night, when Danila called her to bed, Katerina took her time with getting ready and heading to bed.

This is where it gets to sounding like a horror story, as Danila is calling for Katerina, the dolls come to life, calling out how Prince Danila is marrying his sister and taking her to bed, for the earth to open up and Katerina to fall inside.

The more Danila calls, the more the dolls cry out, the more the earth opens up beneath Katrina and she sinks down within it. Eventually Danila can’t hear Katerina responding and he rushes into the room where she was supposed to be getting ready for bed. Only he finds the dolls calling out for the earth to open up and sister fall inside and there’s no sign of his sister. Danila flies into a rage and chops off the heads of all the dolls.

Meanwhile, Katerina finds herself beneath the earth and eventually she comes across a small hut that stands on chicken legs. A voice calls out from within for the hut to: “stand as before, rear to the forest and face before me.” The chicken hut turns, and Katerina is greeted to the sight of a beautiful maiden sitting alone inside.

The maiden invites Katerina inside to visit for a while. The maiden warns Katerina that her mother is a witch and when she shows up, she needs to hide. However much this frightened Katerina and with nowhere else to go, she went inside to visit and talk with the maiden as she knitted and made a wedding towel.

I can see where this is going…

The maiden knows when her mother will return, and she turns Katerina into a needle that she hides in her broom. No sooner done, then in comes the old witch who declares that it smells of a Russian having been in the hut.

The maiden says that some passersby had come through, looking for water. When the old witch asks why the maiden didn’t hold them, the maiden says that they were too old and tough for the old witch’s teeth.

The old witch instructs the maiden to call people into the yard and to keep them there next time. Now she was going to head off and get some booty. The old witch leaves and the two girls resume their talking and laughing.

The old witch returns again, Katerina is turned into a needle once more before she enters the house and the maiden tells a story to her mother how she couldn’t detain and keep the people there.

Third times the charm and the old witch isn’t fooled, she takes off again, but doesn’t go far for just when the girls are back to their antics of laughing and talking, where Katerina will hide this time and what story to use, the old witch enters the hut, revealing herself to be Baba Yaga to the frightened Katerina.

Delighted that her daughter has finally caught dinner, Baba Yaga tries unsuccessfully to get Katerina to sit on a paddle to be placed in the oven. Katerina makes it difficult as she keeps moving her legs to keep from getting pushed in. Baba Yaga is angered and when she tries to push Katerina in, the maiden takes her opportunity and instead, shoves her mother into the oven.

As the two girls ran, Baba Yaga got free of the oven and chased after them. First, the maiden threw down her brush that turned into a marsh that Baba Yaga had difficulty crawling through. On the girls ran with Baba Yaga still giving chase. Now the maiden tossed down her comb and a dark, thick forest sprang up that slowed down the old witch, causing Baba Yaga to lose sight of the two for a time.

Eventually, she was nearly caught up with the girls and the maiden now threw down her towel which turned into a vast fiery lake. Baba Yaga tried to fly up over this fiery lake, no matter how high Baba Yaga flew, the heat of the lake got to her and she plunged to a fiery death.

The two girls made it back to the world above but didn’t have any idea of where they were at. As they sat to rest, catching their breath, a man came up to the two. Both Katerina and the maiden were very alike in appearance and the man knew that they both matched the description of the missing Prince’s sister and wife, Katerina.

Finding themselves getting brought before Prince Danila so he could figure out which was his sister, Katerina refused to speak a word. As they couldn’t get either girl to speak, the man who was a servant of Danila’s came up with a plan to have the Prince hide a bladder full of blood under an arm, he, the servant would come up and stab him and that would get the sister to speak and thus reveal herself.

The plan is put into motion, the Prince with blood bladder under his clothing comes back out. The servant goes to stab the Prince. The Prince falls down as if dead, Katerina cries out in fright and goes up to hold the body of her brother, only to find, surprise! He’s not dead. Danila hugs his sister and marries her off to a good man and he decides to marry the maiden as the ring he has fits her finger too.

And I find that ending very wow? All that work and Katerina and the maiden are both married off like property, the Prince is reward for…pretending to die and takes the friend who shows up seemingly out of nowhere.

However that’s not the scope of retelling these stories, just that they’re ones that feature Baba Yaga that I came across and showcase her as a very scary, unpredictable being, whom with a bit of luck, cunning, one’s own magic or minding manners when dealing with someone very old, they can survive an encounter with Baba Yaga.

More Stories

I could go on for quite a while trying to give quick run-through of all the different folktales involving Baba Yaga, there are just that many. It would be my luck to still miss one or two. She even continues into the present day with continued use in literature and media.

At the very least, I can try to mention some of these other stories. There is: “The Feather of Finist the Falcon,” this is one story where the hero meets up with three Baba Yagas. There is also “Teryoshechka”, “The Enchanted Princess,” “The Silver Saucer and the Red Apple,” “The Maiden Tsar,” “The Tale of the Three Royal Divas”, “Ivashka, The Priest’s Son,” “Baba Yaga and Zamoryshek,” “By Command of the Prince Daniel,” “Marya Moryevna,” “Realms of Copper, Silver and Gold,” “The Sea Tsar and Vasilisa the Wise,” and “Legless Knight and Blind Knight.”

Reality Behind The Myth

The description of Baba Yaga’s hut that stands on chicken legs, with no windows or doors, likely has a place in the local cultures of the Siberian region. Similarly built cabins and huts have been observed with the early hunter-nomadic peoples of Siberia (namely the Finno-Ugric) and Tungusic families. To keep wild animals from getting into food supplies while they have gone, they built cabins with no doors or windows up on supports from trees. From a distance, these supports with the tree roots still attached would look like chicken legs. The only access to these huts would be by way of a trap door.

Siberian Paganism

Smaller, similar constructs were used in the old Siberian pagan religion to hold figurines of their deities. The idea has put forth of a late matriarchy where a bone-carved doll dressed in rags is placed in a small cabin that the doll can barely fit in.

The last idea is a funeral tradition used for cremating the dead in huts built on poles. Russian archaeologists, Yefimenko and Tretyakov found small huts containing the cremated remains of corpses and circular fences places around them in 1948.