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Category Archives: Dragon

Huang-Di

Huang-Di

Alternate Spellings: 黄帝, Huang Di, Huangdi

Also known as: Gongsun, Kung-sun, Xuanyuan, Xuan Yuan, Hsuan-yuan, Huang Ti, Hwang Ti, Yellow Emperor, Yellow Thearch, the Yellow God, the Yellow Lord

Etymology: the Yellow Emperor, The character 黄 Huang, means “yellow” and is a homophony for the character, 皇 Huang, meaning, “august”, “creator” and “radiant”, Di “emperor”

Huang-Di, the Yellow Emperor ruled during a golden age of Chinese history and mythology. He is the first of five legendary Chinese emperors. Tradition has Huang-Di beginning his rule during 2697 B.C.E. and ending 2597. An alternate date is 2698-2598 B.C.E. These dates were first calculated by Jesuit missionaries studying the Chinese chronicles. They have been accepted by later scholars looking to try and establish a universal calendar.

There are a number of different legends surrounding Huang-Di that tell of his greatness as a benevolent ruler and establishing Chinese civilization. Huang-Di is to have ruled in a Golden Era of history before written Chinese history was established so many of his stories were passed down orally first. Just as Britain has its King Arthur, China has Huang-Di, the greatest ruler of all time that everyone looks up to and reveres.

What’s In A Name?

This gets a little tricky. Depending on the Chinese character used and its pronunciation; depends on what the word is translated to mean.

Huang-Di

The character for Di, is used to refer to the highest deity from the Shang dynasty. During the Warring States period, the term Di came to be associated with the gods of the five sacred mountains and colors. After this era, about 221 B.C.E. the term Di came to refer to earthly emperors.

The character for Huang can be translated a couple different ways. Either Yellow or August. Scholars and historians seeking to emphasize the more religious meaning to the name Huaung-Di will translate the name to mean “Yellow Thearch” or “August Thearch.”

Xuanyuan Shi

Some scholars such as Sima Qian in his “Records of the Grand Historian” compiled in 1st century B.C.E.  have given Huang-Di’s name as Xuanyuan. The 3rd century scholar Huangfu Mi have said that this is to be the very same hill that Huang-Di lived and takes his name from. Liang Yusheng, from the Qing dynasty has argued that the hill is named after the Huang-Di. In Chinese astronomy, Xuanyan is the name for the star Alpha Leonis or Regulus.

The name Xuanyuan is also references Huang-Di’s birthplace. Huang-Di’s surname was Gongsun or Ji.

Youxiong

The name Youxiong is thought to be either a place name or clan name. Several Western scholars and translators have given their ideas on what Youxiong translate to. The British sinologist, Herbert Allen Giles says the name is from Huang-Di’s principal heritage. William Nienhauser, in translating the “Records of the Grand Historian” has put forth that Huang-Di is the head of the Youxiong clan who lived near Xinzheng in Henan. The French historian, Rémi Mathieu translates the name Youxiong to mean “possessor of bears” and linking Huang-Di in mythology to bears. Rémi isn’t the only one to make a connection to bears. Ye Shuxian also makes a connection with Huang-Di to the bear legends found throughout northeast Asia and the Dangun legend.

Cultural Hero

As a culture hero, Huang-Di is seen as a wise and benevolent ruler who introduced government and laws. He is also seen as having taught people several different skills and to have invented several things such as clothing, building permanent structures such as palaces and houses, music, the wheel, armor & weapons, carts, ships, writing, digging wells, agriculture, taming and domesticating animals, astronomy, calendars, mathematics, cuju (a sport similar to football), the compass and currency.

At some time during Huang-Di’s rule, he reputed to have visited the Eastern sea where he met Bai Ze, a supernatural talking beast that taught him the knowledge of all supernatural creatures. Bai Ze explained to Huang-Di there were 11,522 (or 1,522) different types of supernatural beings.

San-Huang – The Three Sovereigns

Also, known as the Three Emperors, they are a group of god-kings and demigod emperors who are believed to have lived some 4,500 years ago. Huang-Di is counted as being part of this group and the leader of their number to have once ruled over China. Other’s counted among this number are Fu Xi, Nuwa and Shennong.

Five Emperors

This is another mythological and historical group of rulers important to Chinese culture. These five emperors were virtuous rulers of outstanding moral character. Taihao, the Yan Emperor, the Yellow Emperor (Huang-Di), Shaohao and Zhuanxu are considered among the Five Emperors in this group.

But that makes four with the Three Sovereigns! The math is off! There are a number of variations as to who is counted among these numbers and it all depends on which text and source is used. It will even flip-flop too as to where Huang-Di is placed as either one of the Three Sovereigns or Five Emperors.

Parentage and Family

Parents

Huang-Di’ parents are given as Shaodian as his father and Fu Pao as his mother.

According to the “Discourses of the States”, Shaodian is sometimes mentioned as being Huang-Di’s step-father.

Spouse

Huang-Di seems to have had several different wives:

Leizu – Of Xiling, she is the first wife, she is the most notable with any information as she is the first person to have domesticated silk worms for their silk. With Leizu, Huang-Di had two sons.

Fenglei – Second wife

Tongyu – Third wife

Momu – Fourth wife

Children

Huang-Di is reputed to have had 25 sons. 14 of these sons all started clans of their own with their own surnames.

Shaohao – Also known as Xuanxiao, he would become the Emperor after Huang-Di’s death.

Changyi, who in turn is the father of Zhuanxu who would succeed his uncle, Shaohao as the next Emperor.

Ancestor Of The Chinese

A lot of emphasis and importance has been placed on Huang-Di as many Chinese dynasty rulers would trace the rights of their sovereignty to him. The Chinese Han claim being descendants of both Yandi (The Flame Emperor) and Huang-Di. Eventually, Huang-Di would be seen as the ancestor to all Chinese. A many Dynasty Emperors would all lay claim to Huang-Di’s legacy to prove their rightful claim to the throne.

It should be noted that the earlier mentions of Huang-Di, the Yellow Emperor is on a fourth century bronze inscription for the royal house of the Qi. This inscription claims Huang-Di as an ancestor to the Qi. The scholar, Lothar von Falkenhausen has suggested that Huang-Di is likely created as an ancestral figure in order to claim that all the ruling clans from the Zhou share a common ancestor.

Birth Of A Legend

Per myth and legend, Huang-Di is the result of a virgin birth. His mother, Fubao become pregnant with him while walking out in the countryside and was struck by lightning from the Big Dipper constellation. Fubao would give birth to her son after a period of twenty-four months on either Mount Shou or Mount Xuanyuan. It is for mount Xuanyan that Huang-Di would be named.

In Huangfu Mi’s account, Huang-Di is born at Shou Qiu or Longevity Hill near the outskirts of Qufu in Shandong by modern times. Huang-Di lived with his tribe near the Ji River, a mythological river and later migrated with his tribe to Zhuolu near modern Hebei. As a cultural hero, Huang-Di tames six different animals, the bear, the brown bear, the pi and xiu. The pi and xiu get combined to become a mythological animal known as the Pixiu. He also tames the chu and tiger. I’m not sure which creatures all of these are or the difference between a bear and brown bear is, but there we have it.

Other legends surrounding Huang-Di hold that he could speak shortly after his birth. That when he was fifteen years old, there was nothing that he didn’t know. Huang-Di would eventually hold the Xiong throne.

Trouble In Paradise

Huang-Di’s rule wasn’t completely problem free. One god decided to challenge Huang-Di’s sovereignty. This god was helped by the emperor’s son, Fei Lian, the Lord of the Wind. Fei Lian sent fog and heavy rain to try and drown the Imperial Armies. The emperor’s daughter, Ba (meaning drought) put an end to the rain and helped to defeat Fei Lian and his forces.

The Yellow Emperor And The Yan Emperor

Despite there being some 500 years between Huang-Di and Shennong rules, both of these emperors’ rules near the Yellow River. Shennong hailed from another are up around the Jiang River. Shennong having trouble with keeping order within his borders, begged the Yellow Emperor, Huang-Di for help against the “Nine Li” lead by Chi You and his some 81 brothers who all have horns and four eyes.

Battle of Zhuolu – Shennong was forced to flee Zhuolu before begging for help. Huang-Di used his tame animals against Chi You who darkened the sky by breathing out a thick fog. Huang-Di then invented the south-point chariot to lead his army out of the miasma of fog.

In order to defeat Chi You, Huang-Di calls on a drought demon, Nüba to get rid of Chi You’s storm.

This story sounds a lot like a variation of the previous story where Huang-Di calls for his daughter Ba to defeat Fe Lian.

Battle of Banquan – It is at this battle, that both Huang-Di and Shennong finally defeat Chi You and his forces and replace him as ruler.

Death & Immortality

Huang-Di ruled for many years and is thought to have died in 2598 B.C.E. Legend holds Huang-Di lived over a hundred years, by some accounts this was 110 years. Before he died, Huang-Di met a phoenix and qilin before he rose to the heavens to become an immortal or Xian. He is considered the very archetype of a human who merges their self with the self of the Universal God; how a person reaches enlightenment and immortality.

Another account of Huang-Di’s death is that a yellow dragon from Heaven flew down to take up Huang-Di up. Huang-Di knew that he could not deny destiny and went with the dragon. On their way to fly back to Heaven, they flew over Mount Qiao where Huang-Di asked to be able to say goodbye to his people. The people cried out, not wanting Huang-Di to leave them and they pulled on his clothing to try and keep. Surprisingly, Huang-Di slipped free of his clothing and got back on the dragon to fly up to the heavens. As to his clothing, they were buried in a mausoleum built at Mount Qiao.

Two tombs commemorating Huang-Di were built in Shaanxi within the Mausoleum of the Yellow Emperor. Other tombs were built in Henan, Hebei and Gansu.

Taoism

Huang-Di is the founder of Taoism, one of the main philosophies and religions found in China.

As Huang-Di began to age, he began to allow his court officials to handle matters and make decisions. Huang-Di moved out into a simple hut in his courtyard. There, as he fasted, prayed and meditated, Huang-Di discovered Tao, or the way, a philosophy that would lead to the ideal state of being.

Lei Gong

In some of the older accounts with Huang-Di, he is identified as a god of light and thunder. The name Huang and Guang, meaning “light,” making him a Thunder God. However, Lei Gong or Leishen is the name of another deity and he is seen as Huang-Di’s student.

Shang-Di

The legend and origins for Haung-Di have been cast into doubt by many. The scholar Yang Kuan, a member of the Doubting Antiquity School has argued that Huang-Di is derived from the god, Shang-Di from the Shang dynasty. Yang says that the etymology of Shang-Di, Huang Shang-Di and Huang-Di all have a connection to the Chinese character of 黄 Huang, which means “yellow” and its homophony of, 皇 Huang, which means “august,” that to use the character for 皇 Huang, was considered taboo.

Other historians have disputed this claim like Mark Edward Lewis and Michael Puett. While Mark Edward Lewis agrees that the two characters are interchangeable, he has suggested that the character 黄 Huang is closer to the character wang phonetically. Lewis puts forth the idea that Huang might have referred to a “rainmaking shaman” and “rainmaking rituals.” He uses the Warring States and Han era myths for Huang-Di, in that these were ancient rainmaking rituals, as Huang-Di held power over the clouds and rains. Huang-Di’s rival, Chiyou or Yandi held power over fires and drought.

Lord Of The Underworld Or The Yellow Springs

Further disagreements with Yang Kuan’s idea of equating Haung-Di with Shang-Di is the Western scholar, Sarah Allen who has stated that the pre-Shang myths and history can be seen as changes to Shang’s mythology.

By this argument, Huang-Di was originally an unnamed Lord of the Underworld or Yellow Springs, the counterpart to Shang-Di in his role as the supreme deity of the sky. Continuing this theme, the Shang rulers claimed their ancestor as the “the ten suns, birds, east, life and the Lord on High. Shang-Di had defeated an earlier group of people who were associated with the Underworld, Dragons and the West.

After the Zhou dynasty overthrew the Shang dynasty in the eleventh century B.C.E., the Zhou rulers began to change out the myth, changing the Shang to the Xia dynasty. By the time of the Han, according to Sima Qian’s Shiji, Huang-Di as Lord of the Underworld had now become a historical ruler.

Huang-Di’s Cult

During the Warring States era of texts, the figure of Huan-Di appears intermittently. Sima Qian’s text, Shiji (Records of the Grand Historian) is the first work to gather all of the fragments and myths surrounding Huan-Di into a coherent form and narrative. The Shiji would become a very important and influential text for the Chinese and the start of their history.

In the Shiji, Sima Qian he says that the state of Qin began worshiping Huang-Di during the fifth century B.C.E. along with Yandi, the Flame Emperor. Alters had been established in Yong, the capital of Qin. By the time of King Zheng in 247 B.C.E., Huang-Di had become the most important of the four “thearchs” worshiped in Yong.

During the late Warring States and early Han eras, Huang-Di’s cult became very prominent as he is regarded as the founder of the arts, civilization, governing and a supreme god. There have been a number of texts such as the Huangdi Neijing, a classic medical text, and the Huangdi Sijing, a group of political treatises that Huang-Di is credited with having written.

While his influence has waned for a period, the early twentieth century saw Huang-Di become an important figure for the Han Chinese when trying to overthrow the Qing dynasty. For some, Huang-Di is still an important, nationalist symbol.

Huángdì Sìmiàn – Yellow Emperor with Four Faces

In the Shizi, Huang-Di is known as the Yellow Emperor with Four Faces. Other names that Huang-Di is known by are: Sìmiànshén, Four-Faced God or the Ubiquitous God. The name Sìmiànshén is also the name for Brahma in Chinese.

As Huángdì Sìmiàn, Huang-Di represented the center of the universe and his four faces allowed him to see in everything that happened around him and in the world. In this aspect, he communicated directly with the gods for prayer and sacrifice. When traveling, Huang-Di rode in an ivory chariot pulled by dragons and an elephant. He would be accompanied by a troop of tigers, wolves, snakes and flocks of phoenix.

Wufang Shangdi – Five Forms of the Highest Deity

In Chinese texts and common beliefs, the Wudi (“Five Deities”) or Wushen (“Five Gods”) are five main deities who are personifications or extensions of a main deity.

Zhōngyuèdàdì – Huang-Di, when he becomes an Immortal or Xian and deified, is one of the Wudi. As Zhōngyuèdàdì, the “Great Deity of the Central Peak”, he is the most important of the Wudi, representing the element of earth, the color yellow and the Yellow Dragon. He is the hub and center of all creation upon which the divine order found within physical reality makes way for possible immorality. Huang-Di is the god of the governing the material world, the creator of the Huaxia (Chinese) civilization, marriage, morality, language, lineage and the primal ancestor to all Chinese people. In addition, he is a Sun God and associated astrally with the planet Saturn, the star Regulus and the constellations Leo and Lynx. The constellation Lynx in Chinese star lore, represents the body of the Yellow Dragon.

Huángshén Běidǒu – the “Yellow God of the Northern Dipper”, connected to this constellation, Huang-Di becomes identified as Shangdi or Tiandi, the supreme God or “Highest Deity.”

Further, Huang-Di is the representation for the hub of creation, the divine center and the axis mundi for the divine order in physical reality which opens the way to immortality. He is the god who is the center of the cosmos that connects the San-Huang and the Wudi.

Huángdì Nèijing – The Yellow Emperor’s Inner Canon

Also, spelled as Huang Ti Nei Ching (The Yellow Emperor’s Classic of Medicine).

This medical text forms the foundation for traditional Chinese Medicine. it comprises of the theories of the legendary emperor Huang Di who lived around 2600 B.C.E. This tome preserved a lot of ancient medical knowledge and is compose of two volumes. The first one is a dialogue between Huang Di and his minister, Qibo. The second one has the descriptions of anatomy, medical physiology and acupuncture. The real author of this book is unknown.

Huangdi Sijing – Four Scriptures of the Yellow Emperor

In this text, it is explained how regulating the heart and one’s emotions, they will never allow oneself to get overly emotional and carried away. Huang-Di had accomplished doing this during his three years at the refuge at Mount Bowang in order to find himself. Doing this, creates an internal void where all the forces of creation gather, where the indeterminate they stay, the more powerful these forces of creation will be. In more simpler terms, this is self-mastery and self-control.

Other Books –

Other books attributed to Huang Di are: Huángdì Yinfújing (Yellow Emperor’s Book of the Hidden Symbol) and the Yellow Emperor’s Four Seasons Poem that is found contained in the Tung Shing fortune-telling almanac.

Chinese Astronomy

As a Sun God, Huang-Di as Zhōngyuèdàdì is associated astrally with the planet Saturn, the star Regulus and the constellations Leo and Lynx. The constellation Lynx in Chinese star lore, represents the body of the Yellow Dragon.

Going Back To Where It All Began!

As previously mentioned earlier, tradition has Huang-Di begin his rule during 2697 B.C.E. and ending in 2597. An alternate date is 2698-2598 B.C.E. These dates were first calculated by Jesuit missionaries studying the Chinese chronicles. They have been accepted by later scholars looking to try and establish a universal calendar.

It should be noted that the traditional Chinese calendar didn’t mark years consecutively. Some Han-dynasty astronomers have tried to determine when Huang-Di ruled. Under the reign of Emperor Zhao in 78 B.C.E. a court official, Zhang Shouwang calculated that some 6,000 years had passed since the time of Huang-Di rule. The court however rejected this claim and said that only 3,629 years had passed. Comparisons with the Western, Julian calendar place the court’s calculations to the late 38th century B.C.E. for Huang-Di. Nowadays, the 27th century B.C.E. is accepted by many.

Possible Reality Behind The Legends

Getting anything for reliable accuracy and the historical context of China before the 13th century B.C.E. is difficult. There is a lot of reliance on what archaeology can provide and prove. The earliest Chinese writing and records date to the Shang dynasty around 1200 B.C.E. This system of writing is the use of bones for oracles. Even any hard evidence for the Xia dynasty is hard to find, even with Chinese archaeologists trying to link this dynasty to the Bronze Age Erlitou sites.

Many Chinese historians view Huang-Di to have a stronger historical basis than other legendary figures like Fu Xi, Nuwa and the Yan Emperor. While many legendary figures and ancient sages have all been considered to be historical figures, it is not until the 1920’s that members of the Doubting Antiquity School in China began to question the accuracy of these legends and claims.

Warring States Era

These early figures of Chinese history, as Gu Jiegang from the Doubting Antiquity School, as stated are mythological in origin. They started off as gods and then became depicted as mortal during the Warring States era by intellectuals.

Yang Kuan, another member of the Doubting Antiquity School, has commented that it is only during the Warring States era that Huang-Di is mentioned as the first ruler of China. Yang goes on to argue that Huang-Di is really the supreme god, Shang-Di, the god of the Shang pantheon.

Even the French scholars Henri Maspero and Marcel Granet, in their “Danses et légendes de la Chine ancienne” (“Dances and legends of ancient China”) have commented that early Chinese legends have more to do with the period to when they were written than to when they are supposed to have happened.

From God To Man

Huang Di’s status as a god faded during the 2nd century C.E. with the rise and reverence of Laozi. Huang Di will still be regarded as an immortal and the master of the longevity techniques and a deity who would reveal new teachings in the form of books like the Huang Di Yinfujing in the 6th century C.E.

Nowadays, many scholars accept the view that Huang-Di and other figures like him started off as a god of religious importance and then become humanized, mortal during the Warring States and Han periods. Even though Huang Di’s status as a god faded during the

Indo-European Connections

Okay?

Chang Tsung-tung, a Taiwanese scholar has argued, that based on a vocabulary comparison between Bernhard Karlgren’s Grammata Serica and Julius Pokorny’s Indogermanisches etymologisches Wörterbuch, there is a connection with the Old Chinese and the Proto-Indo-European etymologies. That there is a strong influence of Indo-European languages on the Old Chinese language around 2400 B.C.E. Chang goes on to say that the Shang dynasty was founded by Indo-European conquerors and identifies Huang-Di as an Indo-European god. Chang says that the “yellow” in Huang-Di’s name should be interpreted as referring to blond hair. That as a nomad of the steppes, Huang-Di encouraged road construction and horse-drawn carriages to establish a central state.

This idea, to me, seems farfetched. Since it is one of the ideas I came across, I’ll include it here.

Babylonian Immigrants

Thanks to the French scholar, Albert Terrien de Lacouperie, many Chinese historians got hooked on the idea Chinese civilization getting its start in 2300 B.C.E. by Babylonian immigrants and that Huang Di would have been a Mesopotamian tribal leader. This idea has been rejected by European sinologists, however the idea was advocated for again by two Japanese scholars Shirakawa Jiro and Kokubu Tanenori in 1900.

The ideas certainly seem to held on to by anti-Manchu intellectuals who are looking for the truth of China’s history and wanting to prove the superiority of the Han over the Manchu and the importance of Huang Di as the ancestor of all Chinese.

The Mausoleum Of The Yellow Emperor

Also called Xuanyuan Temple, this mausoleum is the most important of ancient mausoleums in China and praised as “the First Mausoleum in China.” The mausoleum is located at Mount Qiao, north of the Huangling County of Yan’an some 200 kilometers north of Xi’an, the capital of Shaanxi Province. According to historians, the mausoleum was first built on the western side of Qiao during the Han Dynasty (206 B.C.E. – 220 C.E.) It was later restored during the Tang Dynasty (618 – 907 C.E.) It had been damaged by floods and moved to Qiao’s eastern side by the Emperor Song Taizu of the Song Dynasty (960 – 1234 C.E.)

During the Qingming Festival that is held on April 5th, Chinese people from all over gather to hold a memorial ceremony to commemorate the Yellow Emperor, Huang-Di. Yan’an also earns the distinction of being considered the birthplace of Chinese civilization.

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Zmej

Zmej

Other names: zmaj (Serbian) змај, (Croatian and Bosnian), zmaj (Slovene), zmey, змей (Bulgarian, Russian), zmiy (Old Church Slavonic), змеj (Macedonian), żmij (Polish), змій (Ukrainian)

It should be noted that most of these words are the masculine forms for the Slavic word “snake.” In Russian, the feminine is zmeya. Other names include zmajček or zmajić that is used as a diminutive form of endearment.

Etymology – Dragon, Snake or Serpent

In the Slavic language, a dragon is called a Zmej. It appears as multi-headed dragon with three, seven or nine heads that are capable of breathing fire. The Eastern Slavic dragons are believed to be able to regrow their heads like a hydra if one head is chopped off. In all cases, their large size makes them fearsome foes.

The Zmej is primarily associated with fire, like a good many other dragons of European folklore. It either breathes fire or it can throw fiery arrows or lightning bolts. It is exceedingly strong and the Zmej’s strength can be taken by a person who eats the dragon’s heart. That puts a whole new light on the movie Dragon Heart. The precise abilities of the Slavic dragons vary by locality and country.

The male Zmej were often portrayed in a positive light, acting as protectors of their family and tribe. He was seen as a good demonic force, using the power of weather in the way of hail, storms and strong winds to protect crops and harvests from getting ruined. Among the Southern Slavs, it’s very common to see the imagery of a dragon representing a good demonic force.

While I note the use of the word and spelling demonic to describe the Zmej; given the context and influence of Christianity upon an older Pagan religion, beliefs and traditions; it is very likely that the Greek term and usage of daimon is more appropriate.

You Called Him A Daimon!

Yes, as in the Greek term and meaning for the word spirit. It is Christianity that takes and twists the word and meaning to Demon, for an evil spirit or being.

Among the ancient Greeks, the word daimon means spirit or “replete with knowledge.” They recognized both good (eudemons) and bad (cacodemons). The word or term daimon also means “divine power,” “fate,” or “god.” And in Greek mythology, daimons could also include deified heroes.

Daimons functioned as messengers or intermediary spirits between men and gods. The good daimons were viewed as guardian spirits who gave guidance and protection to those they watched over. The bad daimons, naturally, weren’t so nice and could mislead people, getting them into trouble.

Romanian Similarities

 Sometimes the Zmej also appears as an anthropomorphic dragon man, much like the Romanian Zmeu, seen as very intelligent, wise and knowledgeable with great magical proficiency, breath fire and superhuman strength. Like the Romanian Zmeu, the Slavic Zmej was also known for being very wealthy with castles and realms in otherworlds. They too lusted after women with home they could bear children. Respect was always given to these Zmej as one never knew what to expect in terms of behavior.

National And Folk Heroes

A good many heroes were considered dragons or the son of a Zmej. A number of these heroes include:

Husein-Kapetan Gradaščević – A successful Bosniak general who fought for the independence of the Ottoman Empire from Bosnia. He is known as “Zmaj od Bosnia,” or “The Dragon of Bosnia.”

Vlad III Dracula – A Romanian Hero and more infamously known as Count Dracula in Bram Stoker’s book Dracula and depicted as a Vampire. Among the Romanians of Wallachia, Vlad is a hero, having been inducted into the Order of the Dragon by the Holy Roman Emperor Sigismund to defend a Christian Europe against the Ottoman Empire.

Vuk Grgurević – A Serbian Despot known as “Zmaj-Ognjeni Vuk” or “Vuk the Fiery-Dragon” due to the vicioness of his rule and his many battles against the Turks.

Bulgarian Folklore

In the folk songs of Bulgaria, the Zmej appears as a popular motif as a Draconic Lover. Most of these songs featuring a Dragon Love, have a male Zmej. More heroic songs involving a Zmej will be female.

It’s interesting to note a very stark contrast and distinction male and female dragons in Bulgarian folklore. For one, the male and female dragons were seen as brother and sister. Yet for all this, they were very staunchly opposed to each other. The female dragons were known for representing the destructive weather that would destroy crops and agriculture. Whereas, the male dragons protected the fields and crops for harvest. Such that the two often fought each other, representing the dueling, opposing forces of female/water with male/fire symbolism.

Macedonia, Croatia, Bulgaria, Bosnia, Herzegovina, Serbia, Slovenia and Montenegro Folklore

In these Eastern Slavic countries and areas, a dragon is known by the name of zmaj, zmej and lamja. Similar to the Russian dragons, it has three, seven or even nine heads, all of which breathe fire. Additionally, in Serbia the dragon is called aždaja or hala and in Bosnia is called aždaha.

Polish And Belarussian Folklore

In both of these cultures, aside from Zmej, they also have the word smok, coming from the Indo-Iranian word for swallow. Other spellings for smok are: смок and цмок.

Romanian Folklore

As previously mentioned, there is a very similar dragon-like creature in Romania with an equally similar name called the Zmeu. It is distinguished from many of the Slavic Zmej as it is anthropomorphic in nature and always a destructive force.

Russian And Ukrainian Folklore

Representing the Eastern Slavic people, there are a few different dragons found in their folklore. A number of prehistoric sites such as the Serpent’s Wall near Kiev have associations with dragons and act as symbols for foreign people. The Russian dragons are known to have heads that come in multiples of three and will grow back if every single head isn’t chopped off or promptly covered in ash or burnt.

Zmey Gorynych – This green colored dragon has three heads and walks on two back paws with two smaller front paws. Like many dragons, it breathes fire. The hero Dobrynya Nikitich is who killed this dragon.

Tugarin Zmeyevich – This dragon very strongly represented the Mongols and other Steppe peoples who often threatened the borders of Russia. Tugarin’s name is Turkic in origin. He was defeated by the hero Alyosha Popovich.

Saint George And The Dragon – It is without question that the hero Saint George symbolizes Christianity and that his killing of the Dragon symbolizes the Devil or Satan. It is a motif often portrayed on the coat of arms for Moscow.

Serbian Folklore

The Serbian folklore for dragons is very similar to that of Bulgarian folklore. Essentially the differences come down to the different countries and regions’ name for them. Here, the Zmaj or Zmey is seen as very intelligent with superhuman strength and well versed in the use of magic. Like many European dragons, they breath fire and lust over young women. An image that sounds very much so like the Romanian Zmeu. The big difference here is that the Zmaj or Zmey are defenders of the crops and fight against a demon known as Ala that they attack using lightning.

Slovenia Folklore

The Slovene word of zmaj is of an uncertain, archaic origin. Another word used for dragons is pozoj. Like many European dragons, the zmaj are often seen in a negative light and associated with Saint George in his slaying the dragon.

There are other Pre-Christian Folk Tales involving dragons.

Ljubljana Dragon – This dragon features on the city of Ljubljana’s coat of arms that it guarded over and protected.

Wawel Dragon – This Polish dragon is often defeated by tricking it into eating a lime. It should be noted that this dragon isn’t always harmful towards people.

Aždaja

Also known as aždaha, ala or hala in Persian mythology. Some Southern Slavic countries will mention Aždaja as a type of dragon. Its true nature is considered to be drastically different than that of a real dragon and considered separate. While the Zmej is often seen as a positive force, the Aždaja is seen as a negative force and woefully evil. Ultimately the nature of the Aždaja seems contradictory and should be a type of dragon as it shares all of the hall marks of the European dragons that are often sinister in nature. After all, the Aždaja is draconic in appearance, they live in dark places such as caves. Like many other Slavic dragons, the Aždaja is frequently multi-headed with three, seven or nine heads and breathes fire. In some of the Christian mythologies of Saint George, he is shown slaying the Aždaja and not Zmej.

Lamya

While the Zmej is male, the Southern Slavic folklore makes mention of a female version known as Lamya. This name derives from the name Lamia, a Queen and former lover of the god Zeus who turns into a daemon that devours children and in some versions of her story, Lamia becomes more serpentine. Later stories will equate Lamia to vampires and succubae.

In Bulgaria and Macedonia, there is a Bulgarian legend about the hero Mavrud who succeeds in cutting off all of the heads of Lamya; who appears in this story as a hydra-like dragon. It has been commented that this story seems to symbolize the pruning of grape vines. Further, there is a variety of Bulgarian grapes known as Mavrud.

Zmeu

ZmeuOther names: smeu, zmei (plural) and zmeoaică or zmeoaice (feminine)

Etymology – Dragon, Snake or Serpent

The Zmeu is a draconic being found in Romanian folklore and is often compared to other supernatural creatures such as the balaur, a type of dragon and the vârcolac, a werewolf. Due to the similarity of names, the Zmeu resembles the Slavic dragons, Zmej in their ability to fly and breathe fire.

Unlike other dragons, the Zmeu is often described as having anthropomorphic features as it is very human-like having arms and legs and is able to use or create human-like tools. It is also anthropomorphized due to the Zmeu’s desire to marry human maidens.

Dacian Etymology, Origins & Disputes

The biggest problem with trying to prove a connection to the Dacian-Thracian languages is due to a lack of written language from them and only a handful of words are known for certain. And it gets argued that Zmeu is not of Dacian origins. Instead, the word “Zmei” or “Zmeu” is of Russian, Bulgarian and Serbian origins. In all of these languages, “Zmei” means “snake.” The argument further continues that “Zmei” is of Slavic origin and comes from the Slavic word for earth, “Zemia.” The Proto-Slavic root is “zm” or “zum” So Zmei means a snake or an animal that lives close to the ground or earth, “Zemia.”

Paliga – The linguist, Sorin Paliga, believes that the word Zmeu and the very similar Slavic word Zmey may have come from the Dacian language. He even tries extensively to connect the word to the Romanian word for Earth and Subterranean features. Since then, Paliga’s idea have become contested and disputed.

English – Not really a linguist connection other than how the word translates. The name Zmeu is sometimes translated to refer to a type of ogre or giant due to the Zmeu’s tendency to kidnap a young maiden to be his wife in an otherworldly realm.

Romanian – Another source for the etymology of Zmeu is suggesting a relation to the Romanian word zmeura, meaning “raspberry.” It has been suggested that this may indicate a double meaning for the name Zmeu and is indicator of its true nature and color as a red colored dragon. Additionally, the name Zmeu also refers to a children’s kite. The folklore for Zmeu is also very similar to folklore found in Bulgaria.

Folklore And Legend

In many of the Romanian and Bulgarian stories, the Zmeu is a fierce being known for its cunning, intelligence and dangerous, destructive levels of greed and selfishness. Some of the stories told about the Zmeu, they appear in the sky like a dragon, flying and breathing out a gout of fire. Other stories make mention of the Zmeu having a magical gemstone in its head that shines as brightly as the sun. Aside from its tremendous supernatural strength, the Zmeu is also capable of great feats of magic that can allow it to steal the sun and moon from the sky.

The stories also go on to tell how the Zmeu can shapeshift into human form or as various, different animals. The Zmeu’s natural form is that of a dragon, specifically an anthropomorphized dragon man.

Like many dragons in European folklore, the Zmeu is particularly fond of beautiful young maidens, whom it kidnaps and carries way to its otherworldly realm. And also like in much of European folklore, the maiden is often rescued by a brave prince or knight-errant who manages to defeat the Zmeu.

Many Romanian stories depict the Zmeu as the destructive forces of greed and selfishness incarnated. The Zmeu will steal something of immense value that only the Romanian “Fat-Frumos” or “Prince Charming,” a literal translation is “handsome youth” who will be the only one who that can retrieve this valuable object back through his acts of great, selfless bravery. Often times, the Zmeu lives in an otherworldly realm, Celalalt Tarâm where Fat-Frumos must travel to in order to battle with the Zmeu. With descriptions of the Zmeu’s lair being dark, its often thought to imply that the Zmeu lives underground.

Ballad Of The Knight Greuceanu – In this story, the Zmeu steals the sun and moon from the sky and thus envelopes all of the earth and humankind under a cloak of darkness.

Prâslea The Brave And The Golden Apples – In this story, the Zmeu robs a king of his golden apples. This story that has been remarked to bear similarities to the German Fairy Tale of “The Golden Bird,” the Russian story of “Tsarevitch Ivan, The Fire Bird And The Gray Wolf” and the Bulgarian folktale of “The Nine Peahens And The Golden Apples.” In the later stories, the thief is a bird, though in some retellings of the Romanian tale, the Zmeu transforms into a bird in order to steal the apples.

Moldavian Vampire!?!

In Moldavia, the Zmeu is a vampiric or Incubus type figure. It will take the form of a flame and enter the room of a young woman or widow. Once in the room, the flame then becomes a man who seduces the woman.

Spartoi

Spartoi

Etymology – Sown-Ones or Sown Men. From the Greek word: σπείρω, speírō, meaning: “to sow.”

Also known as: Σπαρτοί (Spartos), Σπαρτος (Spartoi), Spartus, Spartes, Sparti, Serpent’s Race, Ophion’s Race, Gegenees (Earth-Born), Gigantes, Terrigenae (Earth-Born)

In Greek mythology, the Spartoi are the earth-born warriors of the war god, Ares. When the teeth of the slain dragon Dracon were planted in a field sacred to Ares, a warrior springs up from the ground fully grown, armed and ready for battle from each tooth. As such, the Spartoi are seen as the sons of Ares.

Spartoi Of Thebes

The famous hero Cadmus is perhaps the most well-known for having planted and created such an army in his founding of Thebes.

As the story goes, Cadmus was the son of King Agenor and Queen Telephassa in Tyre. After his sister Europa had been kidnapped by the god Zeus, Agenor sent Cadmus and his other brothers to search for her. Eventually all the brothers gave up their search and began to find other places to settle since they couldn’t return home to Tyre.

Cadmus had been told by an oracle at Delphi, to found a city where ever a cow would stop and lay down. After a good long while, the cow finally lay down and Cadmus sent his men off to the nearby spring of Ismene to fetch water as part of sacrificing the cow to Athena. As it would be, this particular spring was guarded by a dragon or serpent, Drakon that killed many of Cadmus’ men before he finally slew it with his sword.

Now a couple of different things happened. First, Athena appeared to Cadmus and gave him half of the dragon’s teeth, instructing him to plant them. As Cadmus did so on the Aonian plain, from each tooth sprang up a fully armed warrior. Fearing for his life, Cadmus threw a stone in amongst the warriors and they began to fight each other. Each thinking the stone had been thrown by another warrior. These warriors fought until there were only five of them left standing. Sometimes, depending on who’s telling the story, Athena instructed Cadmus to leave only five living Spartoi. These five remaining warriors’ names were: Chthonius, Echion, Hyperenor, Pelorus and Udeus. At Cadmus’ instructions, they helped him to found and build the city of Thebes.

Secondly, with the dragon being sacred to Ares, Cadmus was forced to be a servant to the god for an “everlasting year,” such a time period was the equivalent of eight years as repayment for killing it. At the end of that time, Cadmus was married to Harmonia, the daughter of Aphrodite and Ares. Cadmus and Harmonia had four daughters, Agave, Autonoe, Ino and Semele.

Hellanicus’s Version

In his writings, when Cadmus planted the dragon’s teeth, only five warriors sprang up from the ground. There was no fighting it out among them. In addition, Hellanicus has Zeus step in to save Cadmus from the Ares’ wrath as the war god wanted to kill the mortal. And the Spartoi, Echion marries Cadmus’ daughter Agave and their son, Pentheus succeeds Cadmus to become king.

Royal Family Of Thebes

The five surviving Spartoi from the dragon’s teeth that Cadmus sowed, go on to become the ancestors and founding families of Thebes. Additionally, whenever the Theban seer summons the ghosts of heroes past, it is the Spartoi who appear.

The descendants of the Spartoi all bear distinctive birth marks that identified them as such. Some thought is that these birth marks looked like serpents or dragons. Another source sites that this birth mark appeared as a spear.

Khthonios – (Χθονιος, Chthonius) “Of the Earth.” He has two known sons, Nykteus and Lykos. His granddaughter Nykteis marries Polydorus from Ekhiôn’s line and uniting these two families to the royal ruling line of Cadmus for Thebes.

Ekhiôn – (Εχιων, Echion – Latin) “Of the Viper,” He marries Agave, Cadmus’ daughter and their son Pentheus goes on to become king after Cadmus. He also believed to have dedicated a temple to Cybele in Boeotia.

Further descendants of Ekhiôn after Pentheus’ reign are: Polydorus who married Nykteis, a daughter of Nykteus, the son of Khthonios. They in turn had Labdakos who died soon after Pentheus’ death but not before leaving behind a year-old son Laios. At this time, Thebes was ruled by a regent, Lykos until Laios came of age.

Hyperênôr – (Ὑπερηνωρ, Hyperenor) “Overbearing”

Pelôros – (Πελωρος, Pelorus, Pelor) “Huge” or “Gigantic”

Oudaios – (Ουδαιος, Udaeus – Latin) “Of the Earth.” From his linage, there is a soothsayer, Teiresias, son of Everes and the nymph Khariklo.

Seven Against Thebes

In Aeschylus’ tragedy from 5th century B.C.E., the whole dilemma comes about because Oedipus marries his mother Jocasta without knowing it. Oedipus and Jocasta had four children of which, the incest and inbreeding caused huge problems for the people of Thebes as they saw their crops begin to fail. In response, Oedipus blinded himself out of shame and cursed his two sons: Eteocles and Polynices to figure out who would succeed as ruler of Thebes through war.

All started out well as at first, Eteocles and Polynices decided they would avoid any bloodshed over their kingdom by alternating who ruled each year. Eventually, Eteocles refused to step down as king and his brother Polynices raised an army to confront his brother, leading to the story of the Seven Against Thebes.

Much of Aeschylus’ tragedy is mainly dialogue that delves into depth many of the characters of his story until it resolves at the end with a messenger coming and saying that the army has left and both Eteocles and Polynices are now dead.

There are a number of scenes in which descendants of the Spartoi are made mention of. One scene has a Tydeus, son of Astakos and ultimately descended from the Spartoi is set to guard a gate. Another scene has a Megareus, also descended from the Spartoi sent out to confront Eteoklos after he taunts Ares, the god of War as being unable to throw him from the battlements.

When the Thebans consulted their prophets, Teiresias told them that they would win the battle if Kreon’s son, Menoikeus and the father of Jocasta, a descendant of the Spartoi, offered up his life to Ares at the spring of Dirke or the Dragon’s hole. Menoikeus did so, pulling out a sword that was already stabbed into him and killing himself. Another variation to this story has Menoikeus throwing himself from a wall to ensure the Thebans victory after hearing Teiresias’ prophesy how if any of the descendants of the Spartoi should die, Thebes would be saved.

The Haunted Fields Of Thebes

Continuing Teiresias’ part in the story of the Seven Against Thebes, the Roman tragedy of Oedipus has the seer performing Necromancy and summoning the ghosts of the Spartoi, the Theban ancestors aid their living kinsmen against their attackers.

In Statius’ poem Thebaid the summoned ghosts of Spartoi are a bit vampiric as they are made mention of draining the blood of the living. That could just be the poetic phrasing on his account for the nature of war. Statius also continues to mention in his poem how the fields surrounding Thebes, particularly the plain sacred to Ares were haunted and the ghosts of Spartoi would appear to frighten off Farmers from tilling the land.

Other Descendants Of The Spartoi

There is a grave marker for the historical Theban Epaminondas with a shield of a dragon or serpent on it. The relief symbol indicates that Epaminondas was descended from the Spartoi.

The Roman mythographer, Pseudo-Hyginus in his Fabulae, when writing about Antigona (Antigone) and her son Haemon. When Haemon came of age, he went to Thebes for their annual Games and Kreon, his grandfather recognized him due to his birthmark that all those of Spartoi linage have.

In Plato’s Sophist, he comments that the Spartoi were so earthy and unable to grasp any philosophical concepts. Saying that anything they couldn’t hold in their hands, had no existence.

Spartoi Of Colchis

As to the other half of the dragon’s teeth that Athena hung onto, she gave those to King Aeetes of Colchis near the Black Sea. When Jason and his Argonauts came to Colchis seeking out the Golden Fleece, King Aeetes set Jason what he thought would be an impossible task in order to earn it. He was to sow the dragon’s teeth and slay all the arising Spartoi from them before the end of the day.

Jason was instructed by King Aeetes to sow the teeth of a Drakon in a field sacred to the god Ares. In this case, the task wasn’t as simple as that of plowing the field, Jason was to use a pair of metallic bulls who breathed fire constructed by the god Hephaestus to plow and sow the dragon’s teeth. Making the task more daunting is that the bulls had never been tamed or yoked for doing farm labor before. So much of Jason’s time, with the aid of his fellow Argonauts, was spent in taming these fearsome, wild bulls.

As the field was plowed, Jason sowed the dragon’s teeth and as it happened before with Cadmus, an army of Spartoi rose up from the earth, fully armed and ready for battle. Just as Cadmus had done before with his task, Jason also threw a stone into the middle of the newly sprung up Spartoi. As with the previous group of Spartoi, this new group also fought each other over who threw the stone. In some instances of this story’s retelling, Jason has the help of a witch, Medeia, who uses salves, herbs and charms to protect him from the spears and weapons of the Spartoi. As this new sprung group of Spartoi rose up and fought each other, the hero Jason slew and attacked many of them in order to fulfill his task from King Aeetes and win from him the Golden Fleece.

To Sow Dragon’s Teeth

This phrase has come to be a poetic way saying that someone is fomenting chaos, contention and stirring up strife or war. More specifically, the phrase refers to a fight or problem that is to have already been taken care of and laid to rest yet pops back up anew. The original example being Cadmus’ slaying the dragon and then sowing its teeth to create an army ready to fight. In other words, the problems of the past keep getting brought up and no one is willing to move on.

Poetically, the term Dragon’s Teeth refers to subjects or people of civil strife, for whatever cause and reason cause people to have to rise up and take arms.

Other phrases or words from the story of the Theban Spartoi is the word Cadmeian (or Kadmeian). It is used to mean any victory in war often has more losses instead of gains.

Marvel Comics And Guardians Of The Galaxy

For those who’ve enjoyed the movie and read the comics, the Spartoi are an alien and cousin race to the Shi’ar with whom they have had unsteady alliances with in the past. The Spartoi come from a planet known as Spartax and have built an empire that spans hundreds of worlds. Compared to humans, the Spartoi are very long lived. J’son or Jason of Sparta and a prince is the father of Peter Quill or Star Lord in the comics. The basic concept of the Spartoi in Marvel Comics was very closely tied to Greek mythology.

Alyosha Popovich

Alyosha Popovich & Tugarin

Russian: Алё́ша Попо́вич, Alexey, Son of the Priest

In Russian folklore, Alyosha Popovich is an epic hero of the Kievan Rus era. He was a mighty warrior and a trickster; one of three well known bogatyrs, similar to other medieval knight-errants. Alyosha Popovich is considered the youngest of these three bogatyrs. The other two are Dobrynya Nikitich and Ilya Muromets. All three bogatyrs have been portrayed in Vasnetsov’s famous painting called Bogatyrs.

Where many bogatyrs are known for their physical might and prowess in defending the borders of old Russia and fighting various monsters, Alyosha did so by the use of trickery and outwitting his foes. He is best known for his agility, ingenuity, cleverness and resourcefulness. Alyosha Popovich is portrayed as fun-loving with his cheerful, talkative manner and something of a lady’s man with how he could woo women.

Alyosha was always ready to play mischievous pranks on his friends too. Once, when Dobrynya went away on a quest, Alyosha began spreading rumors of how Dobrynya was dead. The people eventually came to believe this and Dobrynya’s wife, Nastasya was expected to marry someone of Prince Vladimir’s choosing. Dobrynya managed to return from his quest to find his wife’s wedding ceremony in progress. Interrupting or stopping the wedding, Dobrynya gave Alyosha a sound beating for this stunt.

Birth of a Legend

According to legend, Alyosha was born to the sounds of thunder and the next day he jumped into the saddle to go off and see the world, all the while bragging of his accomplishments and victories. It’s mentioned in the story of Alyosha’s fight with Tugarin, that his father is Pope Leon of Rostov.

Alyosha Popovich and Tugarin

This story is perhaps the best known of all of Alyosha’s exploits and adventures. In this story, Alyosha Popovitch and his servant Yekim, went to Kiev in order to meet Prince Vladimir. When they arrived, Prince Vladimir was holding a feast and he offered Alyosha a seat next to him at the head of the table. Alyosha declined this offer and chose to sit at the lowest, social hierarchal spot next to the stove.

At the feast, the monster Tugarin came and insulted Prince Vladimir by sitting between him and his wife at the head of the table. Some versions of this story suggest that this is because Tugarin and Vladimir’s wife were having an affair. Tugarin failed at other social protocols such as refusing to say prayer and instead, started right in on the feast, gorging himself.

Disgusted by all of this, Alyosha proceeded to insult Tugarin first with a story about a dog that kills itself by eating too much. Then Alyosha tells Tugarin another story of a cow that kills herself by drinking too much. Both of these stories were commentaries on Tugarin’s table manners. Recognizing the insults for what they are, the monster throws a dagger at Alyosha Popovich which his servant Yekim catches.

Still enraged, Tugarin proceeds to threaten Alyosha with strangulation, with smoke, fiery sparks, charred logs and bolts of fire. Accepting the challenge, Alyosha told Tugarin to meet him out in an open field near the Safat River.

When Alyosha arrives, Tugarin is already up in the air flying, flapping his paper-like wings. Alyosha then prays for rain and in the ensuing rainfall that happens; Tugarin falls to the ground as his wings are too wet and unable to support him for flight. At this point, Alyosha Popovich is said to have knocked Tugarin’s head off with a staff and sticks it on a spear. He then cuts up Tugarin’s body into small pieces and presents it to Prince Vladimir’s court. When Vladimir’s wife hears of Tugarin’s death, she becomes sad and reproaches Alyosha Popovich for the death of her “dear friend.”

Did Alyosha Popovich really exist?

It’s known that Vladimir the Great, a Grand Prince of Kievan Rus’ from 980–1015 C.E. did exist and lived at the time, unifying the area and protecting it’s borders from invading Mongols and other nomads. Vladimir converted to Christianity in 988 due mainly to political motivations and Christianized Kievan Rus. This helps to explain the nature of some of the stories like Alyosha Popovich and Tugarin as the older Pagan traditions and religions giving way in favor of Christianity.

The existence of Dobrynya Nikititch and Ilya Muromets as historical people has also been proven by scientists and scholars. Some historians certainly think there is merit to the stories of Alyosha Popovich having come from Pyriatyn. The evidence for this comes from surviving stories where Alyosha’s mother watches her son march against the enemy in the market square of Pyriatyn. In that story, Pyriatyn is a border city of Old Rus and could easily be a place where many nomads would have been fought off. Literature also places Pyriatyn as Alyosha Popovich’s home town. What’s also considered interesting is that the surname of Popovich is still found among families living in present day Pyryatyn.

Different chronicles also record Alyosha’s exploits. Such as the Nikon Chronicle where he distinguishes himself again the Polovtsy, killing the Polovtsian Khan and his brother. Around 1201, Alyosha Popovich is mentioned again in the fight against Pechenegs. In the Tver Chronicles, it’s recorded that Alyosha fought at a famous battle on the Kalka river in 1223 and it is there that he is killed along side seventeen other champions.

Tugarin Zmeyevich

This monster from Russian bylinas and folktales is known by many names such as Zmey Tugarin, Zmey Tugaretin, Zmeishche Tugarishche, the Worm’s Son and others. Worm, for those who don’t know is an archaic term and name for dragons and can also be spelt Wyrm to distinguish it from earth worms. This monster has come to personify evil, cruelty and appears in the form of a bogatyr with draconic features and temperament.

Tugarin is often described as hissing like a snake and wearing numerous deadly and fiery serpents on him. He is capable of choking people with smoke and throwing bolts of fire at his enemies in order to burn them to death. Some folklore sources say he is also able to take the form of a dragon and fly, but when it rains, his paper-like wings are unable to support him aloft in the sky. Tugarin’s horse is also described as sounding like a beast instead of neighing.

For Folklorists, Tugarin is a clear chthonic symbol of the ancient dragon slaying myths and the dangers of the steppes that show the transition from older Pagan religions to Christianity. The name of Tugarin is also decidedly Turkish in origin and would easily explain how some myths and retellings of the story of Alyosha Popovich and Tugarin Zmyevich, that Tugarin changes from a dragon to a Mongol Khan.