Category Archives: Dog

Mictecacihuatl

Pronunciation: Mikt-eyk-as-see-wahl or Misk-tesk-ei-siev-alth

Alternate Spelling: Mictlantecihuatl

Also Known As: Lady of the Dead, Queen of Mictlan

Etymology: Lady of the Dead (Nahuatl)

Mictecacihuatl is the Aztec goddess of the dead and Mictlantecuhtli‘s wife. Together the two rule over the nine layers of the Aztec Underworld and it’s nine rivers. Compared to her husband, Mictecacihuatl doesn’t have much for stories and myths surrounding her. But that could be if we’re just seeing male and female half of the same divine concept with similar, overlapping functions and roles.

Attributes

Animal: Bat, Dog, Owl, Spider

Direction: North

Element: Earth

Month: Tititl (Aztec), November

Patron of: Death, the Dead

Plant: Cempasúchil (Marigold)

Planet: Pluto

Sphere of Influence: Death, Resurrection

Symbols: Bones, Skeletons

Aztec Depictions

Mictecacihuatl is described as wearing a skirt made of snakes, sagging breasts, skull face and clawed feet for digging her way through the earth. She is also shown as being flayed, having no flesh on her body and her mouth open to swallow the stars during the day so that they become invisible. Mictecacihuatl can also be shown as a beautiful woman wearing traditional Aztec clothing and the skull face being more ritualistically painted on.

What’s In A Name

As previously mentioned, Mictecacihuatl’s name translates to “Lady of the Dead” in the Nahuatl language.

Family

Parents – Unknown, it is believed that when Mictlantecuhtli was born, that her parents sacrificed the infant.

SpouseMictlantecuhtli, the Lord of Mictlan.

Aztec Cosmology

Suns – This is a big one in Aztec Cosmology, the Aztecs believed in a cycle of suns or periods of creation. The fourth sun ended with a great deluge or flood that drowned everyone and that the current age is the fifth sun.

There were a number of different paradises or afterlives in Aztec belief. The manner of a person’s death would determine which of these paradises they got to enter. Any person who failed to get into these paradises would find themselves destined for Mictlan.

Fairly common in many world beliefs, the Aztecs divided the cosmos into three parts. The Heavens or Ilhuicac at the top with the Earth or Tlalticpac, being the land of the living found in the middle. Mictlan, the Underworld would be found below.

Depending on the manner of one’s death, would depend on which after life a person to. Mictlan was pretty much seen as the place for all souls who couldn’t get into one of the paradises.

Cosmic Origins

In the Aztec Creation story, there were Ometecuhtli and his wife Omecihuatl who bore four children Xipe Totec, Tezcatlipoca, Quetzalcoatl, and Huitzilopochtli.

And…. Nothing really happens for about 600 years, so the four children decide that they will set about creating the universe. That of course includes creating the Sun, the first man and woman, maize, and calendar. Mictlantecuhtli and Mictecacihuatl, the Lord and Lady of Death would be created last.

Deific Origins

Mictecacihuatl’s origins are a bit gruesome. When Mictecacihuat was a baby, she was sacrificed and it is there in the Underworld of Mictlan, that she quickly grew to adulthood and married Mictlantecuhtli and from there, would rule over the Underworld with him.

Keeper Of Bones – Resurrection

One of Mictecacihuatl’s functions within Aztec religion is that she kept watch over the bones of the dead. For the Aztecs, skeletons and bones were symbols of abundance, fertility, and health. You couldn’t have one without the other.

Both Mictecacihuatl and Mictlantecuhtli collect bones so that the other Aztec gods might bring them back to life. The mixing up of all of these various bones is also what allows for the creation of new races.

Lord Of The Underworld – Mictlan

With the Christian mindset, the Underworld, any Underworld does not sound like a happy fun place to be or go.

Not quite in Aztec beliefs, most everyone who died, went to Mictlan. When a person died, they would be buried with grave goods that they would carry with them on their travels to Mictlan. These goods would be offered up to Mictlantecutli and Mictecacihuatl.

As the newly dead started their journey to Mictlan, they would be accompanied by a small dog who guided them. Mictlan was known to be located somewhere far to the North. Much like in other world myths and beliefs, the Realm of the Dead is pretty much just neutral, not necessarily evil. Mictlan is divided into nine different levels or layers that the dead must travel through and a series of tests they must do on a four-year journey down to Mictlan. We are talking having to run from various monsters, icy blasts known as the “winds of obsidian,” traverse a mountain range where the mountains crash into each other, and to cross the nine rivers of blood guarded by jaguars. Once the soul arrived, they would dissolve, vanishing forever.

Home Sweet Home – While Mictlan is divided into nine different levels, Mictlantecutli and Mictecacihuatl live in the last few levels. One legend holds that there is a place of white flowers that was forever dark and served as home to the gods of death.

The actual house or dwelling place that Mictlantecutli and Mictecacihuatl live at in the Mictlan is reputed to have no windows.

Vaticanus Codex – In this Colonial codex, Mictlantecutli is identified and labelled by the Spanish as “the Lord of the Underworld, Tzitzimitl” and equated with the Christian Lucifer.

Mictlampa

This is the name the Aztecs used for the northern direction associated with Mictlanteculhtli. The northern direction is where the Aztecs believed the land of the dead to be. This would be a region of the earth that was a dark, barren and cold place that was eternally still and quiet. Which makes sense for the Artic. Sometimes, Mictlanteculhtli could be associated with the south, just as equally likely if one were to make it to Antarctica, that’s pretty cold and lifeless the further inland you get.

Souls Of The Dead

The Aztecs recognized three types of souls and Mictlantecutli governed over all of them.

  1. People who died of normal deaths as in old age and disease
  • People who died heroic deaths such as in battle, sacrifices and childbirth
  • People who died non-heroic deaths, accidents and suicides

While this sounds like every soul ends up in Mictlan, a soul could end up in another place. For example, if someone died violently drowning or lighting, they would end up in Tlalocan (a realm in the Heavens), for the Tlaloc, the water god.

Deific Offerings

Like many cultures, the Aztecs buried their dead with offerings for the afterlife, namely for Mictlantecuhtl and Mictlantecutli. These items would be offerings of food and various ceremonial or precious items.

Cempasúchil – Also called Flor de Muertos and Marigold, specifically Mexican Marigold in English, these flowers are held sacred to Mictlantecuhtl. These orange & yellow blossom’s scent is thought to be able to wake the souls of the dead and bring them back for a Dia De los Muertos in autumn. Many alters, graveyards and decorations would be festooned with these flowers. The Mexican Marigold is a familiar wild flower that grows in many places of central Mexico.

Aztec Calendar

In the Aztec Calendar, Mictecacihuatl was honored and celebrated throughout the ninth month, a 20-day period that roughly corresponds to the Gregorian calendar of late July and early August. When Spanish Conquistadors arrived in 1519, Mictecacihuatl’s corresponding holiday of Hueymiccaylhuitl was moved forward to October 31st to November 2nd to correspond with the Catholic observance of All Saint’s Day.

Hueymiccaylhuitl

An Aztec holiday, the “Great Feast of the Dead” was celebrated for the recently deceased and to help them on their journey to Mictlan. Hueymiccaylhuitl would be celebrated in the Aztec month of Tititl where an impersonator or stand-in for the god Mictlantecuhtli would be sacrificed.

When someone died, the Aztecs would cremate the remains. It was believed that the soul would than undertake a four-year journey to Mictlan through the various levels of the Underworld and needing to pass a series of trials. Those who succeeded would make it to the lowest levels of Mictlan.

Hueymiccaylhuitl was also celebrated as an annual celebration as it was believed the dead could return to the lands of the living and visit. Plus, it was a way for the living to help those on their journey as the living could communicate with the deceased souls.

When the Spanish Conquistadors arrived, bringing Catholicism with them, the traditions of Hueymiccaylhuitl transformed, becoming known as Día de los Muertos, the Day of the Dead. Families still leave offerings of food and goods for the dead to take with them on their journey.

Under more modern and current celebrations and influence from the Catholic church, Día de los Muertos coincides with All Saints’ Day or Feast of All Saints on November 1st. It is a celebration that combines imagery from Aztec beliefs with an air of carnival and festivities with families gathering at cemeteries to share a picnic meal with deceased loved ones and sugar skulls in the image of Mictlantecuhtli.

Month-Long Celebration

Mictecacihuatl had a month-long celebration for her. However, not much is known about it and all Archaeologists and historians know for certain is that there was song and dancing, incense burnt and very likely blood sacrifices.

Dia Los Muertes

Mictecacihuatl not only have presided over the older Aztec celebrations for the dead but continues to watch over the contemporary festivals of Día de los Muertos or the Day of the Dead. Celebrations and observances for this holiday start on the evening of October 31st, coinciding with the holidays of Halloween and Samhain. In Mexican tradition, families will hold graveside vigils with deceased loved ones. Then on November 1st and 2nd, the dead are said to awaken and celebrate with their living family and friends.

Santa Muerte – Mexico

A female deity, early images of her started off as male. Santa Muerte is a folk saint whose worship and popularity has been increasing since the start of the 21st century in Mexico and has been spreading. Devotees of Santa Muerte may or may not be disenfranchised with the Catholic Religion and many turn to her for healing, protection, and a safe passage to the afterlife.

Mictlantecutli

Pronunciation: Mict-lan-te-cuht-li

Alternate Spelling: Mictlantecihuatl

Other names: Chicunauhmictlan (“King of Mictlan”)

Etymology: “Lord of Mictlan”

Mictlantecutli is the Aztec deity who is the Lord of the Dead and ruler of the Aztec Underworld known as Mictlan. Which is exactly what Mictlantecutli’s name translates to, “Lord of Mictlan.”

Just to get it out of the way, Mictlantecuhtli’s wife is Mictecacihuatl, who is also the ruler of the dead.

Attributes

Animal: Bat, Dog, Owl, Spider

Direction: North

Element: Earth

Month: Tititl (Aztec)

Patron of: Death, the Dead

Planet: Pluto

Sphere of Influence: Death

Symbols: Bones, Skeletons, Paper

Time: 11th Hour

Aztec Depictions

Mictlantecutli is often represented as either a skeleton or a human figure wearing a skull. His headdress will often have owl feathers on it. When shown as a skeleton, Michlantechutli’s headdress will have knives in it to represent the wind of knives that the souls of the dead must pass through on their way to Mictlan. Michlantechutli when shown as a skeleton may be shown covered or splattered in blood and wearing a necklace of eyeballs or wearing paper clothing. Paper being a common offering for the dead. As human, Michlantechutli would have human bones serving as ear plugs that he wears.

Additional depictions of Michlantechutli show him wearing sandals to symbolize his high rank as the Lord of Mictlan. Michlantechutli could also be shown with his arm held out in an aggressive pose, showing he was ready to tear apart the dead as they came into his presence and realm. There is also an Aztec Codice that shows Michlantechutli as having his skeletal jaw wide open to take in the stars into him during the day.

What’s In A Name

Mictlantecutli’s name translates to “Lord of Mictlan” in the Nahuatl language.

Family

Parents – Not really, Mictlantecuhtli was created by Xipe Totec, Tezcatlipoca, Quetzalcoatl, and Huitzilopochtli when they were busy creating the universe and world.

Spouse – Mictecacihuatl, the Queen and Ruler of the Dead. Another spelling I have for her is Mictlantecihuatl.

Aztec Cosmology

Suns – This is a big one in Aztec Cosmology, the Aztecs believed in a cycle of suns or periods of creation. The fourth sun ended with a great deluge or flood that drowned everyone and that the current age is the fifth sun.

There were a number of different paradises or afterlives in Aztec belief. The manner of a person’s death would determine which of these paradises they got to enter. Any person who failed to get into these paradises would find themselves destined for Mictlan.

Fairly common in many world beliefs, the Aztecs divided the cosmos into three parts. The Heavens or Ilhuicac at the top with the Earth or Tlalticpac, being the land of the living found in the middle. Mictlan, the Underworld would be found below.

Depending on the manner of one’s death, would depend on which after life a person to. Mictlan was pretty much seen as the place for all souls who couldn’t get into one of the paradises.

Cosmic Origins

In the Aztec Creation story, there were Ometecuhtli and his wife Omecihuatl who bore four children Xipe Totec, Tezcatlipoca, Quetzalcoatl, and Huitzilopochtli.

And…. Nothing really happens for about 600 years, so the four children decide that they will set about creating the universe. That of course includes creating the Sun, the first man and woman, maize, and calendar. Mictlantecuhtli and Mictecacihuatl, the Lord and Lady of Death would be created last.

Lord Of The Underworld – Mictlan

With the Christian mindset, the Underworld, any Underworld does not sound like a happy fun place to be or go.

Not quite in Aztec beliefs, most everyone who died, went to Mictlan. When a person died, they would be buried with grave goods that they would carry with them on their travels to Mictlan. These goods would be offered up to Mictlantecutli and Mictecacihuatl.

As the newly dead started their journey to Mictlan, they would be accompanied by a small dog who guided them. Mictlan was known to be located somewhere far to the North. Much like in other world myths and beliefs, the Realm of the Dead is pretty much just neutral, not necessarily evil. Mictlan is divided into nine different levels or layers that the dead must travel through and a series of tests they must do on a four-year journey down to Mictlan. We are talking having to run from various monsters, icy blasts known as the “winds of obsidian,” traverse a mountain range where the mountains crash into each other, and to cross the nine rivers of blood guarded by jaguars. Once the soul arrived, they would dissolve, vanishing forever.

Home Sweet Home – While Mictlan is divided into nine different levels, Mictlantecutli and Mictecacihuatl live in the last few levels. One legend holds that there is a place of white flowers that was forever dark and served as home to the gods of death.

The actual house or dwelling place that Mictlantecutli and Mictecacihuatl live at in the Mictlan is reputed to have no windows.

Vaticanus Codex – In this Colonial codex, Mictlantecutli is identified and labelled by the Spanish as “the Lord of the Underworld, Tzitzimitl” and equated with the Christian Lucifer.

Mictlampa

This is the name the Aztecs used for the northern direction associated with Mictlanteculhtli. The northern direction is where the Aztecs believed the land of the dead to be. This would be a region of the earth that was a dark, barren and cold place that was eternally still and quiet. Which makes sense for the Artic. Sometimes, Mictlanteculhtli could be associated with the south, just as equally likely if one were to make it to Antarctica, that’s pretty cold and lifeless the further inland you get.

Souls Of The Dead

The Aztecs recognized three types of souls and Mictlantecutli governed over all of them.

  1. People who died of normal deaths as in old age and disease
  • People who died heroic deaths such as in battle, sacrifices and childbirth
  • People who died non-heroic deaths, accidents and suicides

While this sounds like every soul ends up in Mictlan, a soul could end up in another place. For example, if someone died violently drowning or lighting, they would end up in Tlalocan (a realm in the Heavens), for the Tlaloc, the water god.

Aztec Calendar

In the Aztec Calendar, Mictlanteculhtli is associated with the tenth day sign Itzcuintli, a dog. There were twenty such signs in the Aztec calendar. On the day that a particular deity is associated with, that deity was were responsible for providing the souls born on that day.

In addition, Mictlanteculhtli was the source of all souls born on the sixth day of a 13-day week. That is an exceedingly long weekend to work towards.

Mictlanteculhtli presided as the second Week Deity for the tenth week of a twenty-week calendar cycle.

Aztec Gods

Of the Aztec Gods as a whole, Mictlanteculhtli is the fifth out of nine Night Deities.

As a Night God, Mictlanteculhtli would be paired up with the Sun god Tonatiuh to symbolize the duality and dichotomy of light and darkness.

He was also the secondary Week God for the tenth week of the twenty-week cycle of the calendar, joining the sun god Tonatiuh to symbolize the dichotomy of light and darkness.

Dualities – Light & Dark

While we are on this subject, where Mictlantecutli and Mictecacihuatl represented Death; they are the complements and opposites to Ometecuhtli and Omecihuatl who represented Life.

Fertility – Life & Death

By modern, Western aesthetics, Mictlanteculhtli is not the only Aztec deity to be shown with skeletal imagery or bones. For the Aztecs, skeletons and bones were symbols of abundance, fertility, and health. You couldn’t have one without the other.

Bats

As they only come out at night and often from caves, bats have been associated with Mictlanteculhtli and the Underworld.

Dogs

Due to the tenth day sign Itzcuintli, a dog, they are also associated with Mictlanteculhtli. It also seems fairly coincidental enough too as even in Europe, dogs as in Black Dogs are often associated with death and being psychopomps to lead the souls of the dead to the afterlife.

Owls

In Aztec beliefs, the owl is associated with death and thus one of Michlantechutli’s animals. Michlantechutli is often shown wearing owl feathers on his headdress.

Spiders

Another animal associated with death and darkness; they too have been associated with Mictlanteculhtli.

Ritual Sacrifices

A good portion of the Aztec belief system involved a lot of ritual blood sacrifices. Mictlantecuhtli was no different. Sacrifices made to Mictlantecuhtli were performed at night with a person being a stand in or avatar, representative for the god of death. They would be sacrificed at the Tlalxicco temple, whose name means “navel of the world.”

The flayed skins of humans would be offered up to Mictlantecuhtli and it is said that ritual cannibalism was done at the temple too.

Fun Fact – When Hernan Cortes landed on the shore of Central America, the Aztec ruler Moctezuma II thought that this was the deity Quetzalcoatl who had arrived. Thinking that this was the end of the world, Moctezuma II increased the number of human sacrifices believing that this would allow him to appease Mictlantecuhtli and avoid the torments of Mictlan.

Aztec Creation Story

In Aztec myths and beliefs, the world has been created and destroyed a few times.

In this case, the gods Tezcatlipoca and Quetzalcoatl had just finished with restoring the sky and earth when they decide that they need to create people to populate this new fifth world. Since Michlantechutli has all the bones, Quetzalcoatl travels to him to inquire about getting some bones. Michlantechutli agrees to the condition that Quetzalcoatl travel around the Underworld four times while sounding a conch shell horn. The catch is that Michlantechutli gives Quetzalcoatl a shell that doesn’t have any holes drilled into it.

Quetzalcoatl fixes this problem by summoning some worms who drill holes into the conch shell and then having bees fly into the shell. When Michlantechutli hears Quetzalcoatl blowing the conch horn, he is obligated to fulfill his end of the agreement. However Michlantechutli decides to go back on his word to keep the bones. Quetzalcoatl is forced to flee, taking the bones with him and Michlantechutli sends his minions, the Micteca after the other god. The Micteca dig a deep pit and as Quetzalcoatl is running, a quail jumps out, startling Quetzalcoatl so that he falls into the pit and dies with the bones all shattering. This is why people will be different sizes.

One retelling has the quail tormenting Quetzalcoatl before he seemingly dies and then gnaws on all the bones, making that the reason why humans will be in different sizes.

Quetzalcoatl does eventually revive, being a god and takes the bones to the goddess Cihuacoatl who grinds up the bones and puts them into a special container. The other gods now gather around this container and cut themselves to shed blood into it. From this mixture, the humans of today came forth to populate the earth.

Variation – One version of the myths I came across is that it is both Quetzalcoatl and Xolotl who come to claim bones from Mictlantecuhtli and that these were the bones of previous deities who had lived and died.

Hueymiccaylhuitl

An Aztec holiday, the “Great Feast of the Dead” was celebrated for the recently deceased and to help them on their journey to Mictlan. Hueymiccaylhuitl would be celebrated in the Aztec month of Tititl where an impersonator or stand-in for the god Mictlantecuhtli would be sacrificed.

When someone died, the Aztecs would cremate the remains. It was believed that the soul would than undertake a four-year journey to Mictlan through the various levels of the Underworld and needing to pass a series of trials. Those who succeeded would make it to the lowest levels of Mictlan.

Hueymiccaylhuitl was also celebrated as an annual celebration as it was believed the dead could return to the lands of the living and visit. Plus, it was a way for the living to help those on their journey as the living could communicate with the deceased souls.

When the Spanish Conquistadors arrived, bringing Catholicism with them, the traditions of Hueymiccaylhuitl transformed, becoming known as Día de los Muertos, the Day of the Dead. Families still leave offerings of food and goods for the dead to take with them on their journey.

Under more modern and current celebrations and influence from the Catholic church, Día de los Muertos coincides with All Saints’ Day or Feast of All Saints on November 1st. It is a celebration that combines imagery from Aztec beliefs with an air of carnival and festivities with families gathering at cemeteries to share a picnic meal with deceased loved ones and sugar skulls in the image of Mictlantecuhtli.

Syno-Deities

Santa Muerte – Mexico

A female deity, early images of her started off as male. Santa Muerte is a folk saint whose worship and popularity has been increasing since the start of the 21st century in Mexico and has been spreading. Devotees of Santa Muerte may or may not be disenfranchised with the Catholic Religion and many turn to her for healing, protection and a safe passage to the afterlife.

Ah Puch – Mayan

Also known as Yum Cimil, the Mayan god of Death, seen as similar to Mictlantecuhtli.

Coqui Bezelao – Zapotec

Another god of Death similar to Mictlantecuhtli in Central to South America.

Kedo – Zapotec

Another god of Death that Mictlantecuhtli has been equated with.

Tihuime – Tarascan

Another god of Death similar to Mictlantecuhtli in Central America.

Herne The Hunter

Herne The Hunter

Etymology – Horn (Old English)

Suffice to say, Herne is a well-known figure in British and Modern folklore. At first glance, it’s easy to say that Herne is one of the names for the Horned God in Wicca and Modern Paganism. A slightly more knowledgeable response would say that Herne is who leads the Wild Hunt. Or perhaps that he is the ghostly specter of a Games Keeper with antlers who haunts Windsor Forest.

It does get a bit tricky on trying to get into what’s concrete for the figure of Herne.

Description

Many descriptions of Herne will agree that he is human either wearing antlers or has antlers. Sometimes he is on foot others he is on horseback and may or may not be accompanied by hunting hounds or other animals of the forest.

Ghost – The version of Herne that appears in Shakespeare’s play, clearly terrorizes the forest animals and people alike, blasting or withering the trees of the forest as he shakes his chains. The alternative lines say he can take on the shape of a stag. Later descriptions of Herne will have him riding a horse as part of the Wild Hunt.

The Merry Wives Of Windsor

The earliest known mention that we have of Herne is in William Shakespeare’s play The Merry Wives of Windsor written in 1597.

That certainly is a case for having been around for quite a while just based off that alone.

In Act 4, Scene 4, we have the characters Mistress Page and Mistress Ford deciding that they will play a trick on Sir John Falstaff because of his unwanted advances. The two ladies convince Falstaff to disguise himself as a ghost and meet them out under an oak in Windsor Forest at midnight. The two ladies also convince and get some children to show up at the same time who are dressed up as fairies to pinch and burn Falstaff.

“There is an old tale goes, that Herne the hunter,

Sometime a keeper here in Windsor Forest,

Doth all the wintertime, at still midnight,

Walk round about an oak, with great ragg’d horns;

And there he blasts the trees, and takes the carrle,

And makes milch kine* yield blood, and shakes a chain

In a most hideous and dreadful manner.”

Milch kine? Yeah, milking cows.

Bogeyman?

There is a set of alternative lines from 1602 that hint that Herne was a local ghost story used by mothers to get their children to behave.

The alternative lines are as follows:

“Oft have you heard since Horne the hunter dyed,

That women, to affright their little children,

Says that he walkes in the shape of a great stagge.”

Whether the character of Herne existed before the creation of Shakespeare’s play or is a creation of it, isn’t clear. What is clear is that this play is for certain where the figure of Herne enters British folklore and onwards to a larger, global audience… at least the West.

Cuckold’s Horns – With an Elizabethan audience, they would know that a cuckold is a name given to a husband with an unfaithful wife. A cuckold like the cuckoo bird that lays its eggs in the nests of other birds. So, a husband is likely raising a child who is not his own. The horns were likely a theatrical device of the Elizabethan stage to inform an audience of a character’s role.

Herne’s Oak

In Windsor’s Home Park, there have been a few different oak trees since the mid-1800’s that people have claimed to be either Falstaff’s Oak or Herne’s Oak.

The main oak that people pointed to as Herne’s Oak fell in 1796 due to declining botanical health. The other oak was blown over during a windstorm on August 31st 1863. The logs from this tree were burnt in order to exorcise the ghost of Herne. One log was kept to carve a bust of Shakespeare from and is on display in the Windsor and Royal Borough Museum in the Guildhall.

Later, Queen Victoria planted another oak to replace the one that fell in 1863. Later, King Edward VII would have the tree removed in 1906 during a landscaping project. Still, another oak would be replanted to replace the fallen tree from 1796 and named Herne’s Oak.

All’s well that ends well.

Growing Fame

As the legend of Herne continues to grow and expand, the 20th century sees Herne’s ghost now appearing shortly before national disasters and before the death of monarchs, much like a Banshee.

At the very least, because people expect to see something, more and more people claim to have encountered Herne’s ghost or to have heard the sounds of hounds or a horn blowing in Windsor Forest.

Truth In The Telling

With the authenticity of Herne being lost to history and up for debate, there are enough people who believe that Shakespeare must have been using a local legend. To this end, people have been trying to add some historical veracity and authenticity to legitimize Herne’s legend. If nothing else, the legend and imagery of Herne have succeeded at capturing people’s imaginations for centuries and has well earned a place in folklore.

The Restless Gamekeeper – This is the next literary source, written by Samuel Ireland in 1791 in his Picturesque Views on the River Thames. In the story, Herne is to have been based on a historical figure by the name of Richard Horne, a yeoman who lived during Henry VIII’s reign. Horne was accused of poaching and as a result, he hung himself from an oak tree. As this was a suicide death, Herne’s spirit is believed to be barred from entering either heaven or hell and is doomed to haunt the place of their death.

Shakespearean scholar James Halliwell-Phillips found a document where Herne is listed as a hunter and confessed to poaching. Plus, early versions of The Merry Wives of Windsor spell the name as “Horne” instead of “Herne.”

There are of course, a couple variants to this story.

Variation 1 – In this version, Herne is the huntsman to King Richard II. After some local men grew jealous of Herne’s status, they conspired to accuse him of poaching on the King’s land. Falsely accused and outcast, Herne hung himself from an oak tree.

Variation 2 – In this story, Herne saves King Richard II from a stag. Fatally wounded, Herne is healed by a magician who takes Herne’s skills in forestry and hunting as payment. Part of this being cured involved having the dead stag’s horns tied to Herne’s head. Distraught by the loss of his skills, Herne hung himself from a tree. As a result, his spirit is doomed each night to lead a spectral hunt through Windsor Rest.

Windsor Castle – Written by William Harrison Ainsworth in 1842. This novel aims to be a historical drama set during the reign of the Tudors and follows Henry VIII’s pursuit of Anne Boleyn. Herne features throughout the novel as a ghostly figure haunting the nearby woods of Windsor. This version of Herne is somewhat sinister as Harrison Ainsworth created a history where Herne was gored by a stag. Herne makes a deal with the Devil to spare him. Part of the deal is that Herne would forever wear antlers. This version of Herne had served Richard II and likely the source of the two previous folkloric versions of where he originates from.

The Wild Hunt

The Wild Hunt is a phenomenon found in many different European countries and cultures. It is a nightmarish, supernatural force led by some dark spectral hunter on horseback and accompanied by a host of other riders and hounds as they chase down unlucky mortals, either until they drop dead of exhaustion, are caught and forced to join the Wild Hunt or able to evade the Hunt until dawn.

Just exactly who it is that leads the Hunt does vary country by country in Europe. The Wild Hunt is known for making its ride during the Winter Solstice or New Year’s Eve. Jacob Grimm of Grimms Brothers fame makes a connection of Herne to the Wild Hunt due to the epitaph of “the Hunter.” That does seem to work, a Huntsman, connect him to the Wild Hunt and for Britain, the idea really jells of a local person who becomes a lost soul, doomed to forever ride with the Hunt.

Of course, the point is brought up that as a ghost, Herne is connected to one locality whereas the Wild Hunt wanders, moving from one place to another, seemingly randomly.

Ultimately, just who leads the Wild Hunt will vary from country to country. In Welsh mythology, it is Gwyn ap Nudd or Annwn who lead the hunt with a pack of spectral hounds to collect unlucky souls. The Anglo-Saxons of Britain hold that it is Woden who leads the hunt at midwinter. Wotan is very similar to Odin (just another name for the same deity really), Herne has been linked to them as both have been hung from a tree.

Pagan Deity

With Wicca and many modern pagan religions, Herne is frequently identified with the Horned God. As a Horned God, Herne is seen as a god of the Hunt, the sacred masculine, animals, nature, crossroads, sacrifice, fertility, virility, forests, hunters, and warriors.

Close on the heels of a horned deity, Herne has been connected to the Celtic deity of Cernunnos. Most notably, Margaret Murray made this connection in her 1931 book, “God of the Witches.” She sees Herne as a manifestation of Cernunnos and a very localized god found only in Berkshire. Take that as you will, for as much as Margaret Murray is hailed as the Grandmother of Wicca, many of her ideas and theories have been discredited and contested or challenged as they often appealed to emotional desires didn’t fulfill proper scrutiny and criteria for research. She is still very important in getting the ball rolling for those who follow Wicca and Paganism.

Archeological Discoveries – Of note is that a headpiece made from the top part of a stag’s skull with antlers still attached was found in Britain at Star Carr near Scarborough. This headpiece is thought to date back to around 8500 B.C.E., dating it to the Mesolithic era. The headdress is thought to have served shamanic rituals to ensure a successful hunt.

Cernunnos – Gaul

It’s not just Margaret Murry who sees Herne as being very similar to or an aspect of Cernunnos, it is also R. Lowe Thompson in his 1929 book “The History of the Devil – The Horned God of the West” who makes the connection.

Thompson makes the connection of Herne to other Wild Huntsmen, looking for a connection of all of these horned deities being really the same being or aspects of each other. He goes on how Herne and Cernunnos are the same, just as the English word “horn” is a cognate of the Latin word “cornu.”

So… “cerne” and “herne.” It’s enough for many Wiccans and Pagans to accept Herne as an aspect of Cernunnos just on the fact that both have horns or antlers.

Depending on the source and who you ask, Herne hunts and destroys nature and wildlife where Cernunnos seeks to protect it.

Pan – Greek

While we’re at it, the Grecian rustic gods of the wild, Pan is also seen as a syno-deity who can be equated with Herne and other Horned Gods.

Woden – Anglo-Saxon

Also spelled Wotan.

Because so many have tried to make connections, I already touched on this above with the Wild Hunt, Herne as been connected to Wodan as well. Both Herne and Wodan hung from a tree. Herne out of shame and suicide and Wodan as he was seeking knowledge of the runes. Herne is also bandied about as being derived from one of Wodan’s titles, Herian (“Warrior-Leader”), a titled used when leading his fallen warriors, the Einherjar.

The Play’s The Thing!

Even if the origins of Herne are rooted in a Shakespearean play solely as a creation of the great bard himself. People assume that Shakespeare must have drawn on some unverifiable local myths and folklore.

While we can argue and aren’t completely sure, Herne has more than earned a place in folklore. Afterall, Herne continues to inspire and find his way into literature and modern media.

There are numerous books and T.V. series where Herne has a part or features and continues to be a character people readily draw inspiration from.

Such as a British show, Robin of Sherwood where Herne is a pagan priest and spirit of the woods. Books such as Susan Cooper’s The Dark Is Rising and Terry Pratchett’s Discworld series.

 

Marduk

Marduk

Etymology: “Bull Calf of the Sun,” “Calf of the Sun” or “Solar Calf”

Also known as: Bel (“Lord,” Akkadian), Bel-Marduk, Murdoch

Other Spellings: 𒀭𒀫𒌓 (Cuniform), dAMAR.UTU, Amar utu k (Sumerian), Μαρδοχαῖος, Mardochaios (Greek), מְרֹדַךְ, Mərōdaḵ (Masoretic Hebrew), Merōḏaḵ (Tiberian), Marōdak (Septuagint), Merodach (Biblical Hebrew), Martuk

Pronunciation: mah’-duk

In Mesopotamian mythology, Marduk is a fertility and storm deity of Babylon. He is known for defeating the dragon goddess Tiamat and becoming the Leader of the Babylonian pantheon.

Marduk came to prominence as the patron deity of the city of Babylon during the rule of Hammruabi, the sixth king of the First Babylonian dynasty of the Amorites in the 18th century B.C.E. when Babylon became the political center of the Euphrates valley. Marduk’s full acceptance as the head of the Babylonian pantheon would be completed by the last half of the second millennium B.C.E.

Attributes

Animal: Dogs, Horse, Mušḫuššu (Snake-Dragon)

Element: Air, Water

Planet: Jupiter

Sphere of Influence: Fertility, Judgement, Storms, Vegetation

Symbols: Hoe, Spade

Weapon: Imhullu

Mesopotamian Depictions

In what surviving art and texts we have, Marduk is shown as being human dressed in royal robes decorated with stars. Marduk is often accompanied by his snake-dragon that he got from the god Tishpak.

When shown riding in his war chariot, Marduk carries his other emblems of a scepter, arrows, bow, spear, net and lightning bolt.

What’s In A Name?

To start, there is some controversy over the translation of Marduk’s name. There is the Sumerian dAMAR.UD that translates as: “calf of the sun/sun-god.” Then comes the suggestion that this spelling should call for the translation of: “calf of the storm,” “the son of the storm, and “maker of storms.” The latter translation is often rejected due to a lack of evidence with Marduk’s role as a storm god. Accepting this interpretation of the name nixes any connection to Marduk as a solar deity.

The Akkadian spelling for Marduk’s name is AMAR.UTU that translates to mean MERI.DUG. The name is translated to mean “Solar Calf.” In the Hebrew Torah, his name is spelled as Merodach and the Greek spelling of his name is given as Mardochaios.

Marduk’s name is thought to derive from the phrase: amar-Utu meaning: “Bull Calf of the Sun God Utu.” This naming convention could easily be an indicator of early genealogy. Or, it’s an indicator of cultural ties to the city of Sippar, whose main deity was Utu, a Sun God. The city of Sippar dates to the third millennium B.C.E.

The Encyclopedia of Religion comments that the name Marduk was likely pronounced as Marutuk.

Temple Sites

Esagila – “Temple whose top is raised” or “Proud/Honored Temple.” While Marduk would come to claim prominence throughout most of Mesopotamia, his primary temple is Esagila, located in Babylon. This is the famous ziggurat that’s described by Herodotus.

Etemenanki – “Temple that is the foundation of Heavens and Earth” A ziggurat with Marduk’s shrine located at the top. This may be the temple that inspired the “Tower of Babel.”

Cult of Marduk – As the patron god of Babylon, this city was the main location for Marduk’s worship. The rise and popularity of this religion venerating Marduk is tied closely with the rise of Babylon as a strong political power and capital of the Mesopotamian empire. To the degree that many other deities were subsumed and seen as aspects and epitaphs of Marduk. Outside of Babylon, Marduk was worshipped in Borsippa, Nippur, and Sippar.

In the Assyrian period of Babylonian history, Aššur becomes the head of the pantheon and Marduk takes on a symbolic role of Babylon’s resistance to Assyrian rule. The cult of Aššur would compete with the cult of Marduk. In the Assyrian version of the Enūma Eliš, it is Aššur who becomes the head of the pantheon, not Marduk.

The Marduk Prophecy also shows the conflicts of this change of power as Marduk’s statue is continually “taken captive” until finally the resulting destruction of Babylon and Esagila with the different shifts of power in the region.

Marduk Statue

This is a very important aspect of the ancient world beliefs and Mesopotamia is no different. Within the temple of Esagila there was a golden statue of Marduk. This statue wasn’t just dedicated to Marduk, the ancient Mesopotamians believed that statue to actually be the god himself. Seen in the Marduk Prophecy, if the statue of the god wasn’t present, then he wasn’t in his temple or there to protect his city-state and all sorts of calamities and problems would happen.

Originating during the rule of the Kassites, a new king wishing to see his rule as legitimate, needed to “take the hands of Marduk,” symbolizing the king’s submission and accepting the will and guidance of the god.

In 485 B.C.E., the Persian king Xerxes attacked the city of Babylon and there is no mention of Marduk’s statue. The same goes when Alexander the Great conquers Babylon in 331 B.C.E., there’s no mention of the statue. This lack of evidence and records leads many scholars to believe and agree that Marduk’s statue disappearance from history means that it has, in all likelihood been destroyed.

Without a statue, the Babylonian religion and worship of Marduk declined.

Akitu Festival

This was the ancient New Year’s festival that the Sumerians and Mesopotamian cultures celebrated. This festival occurred sometime during March and April, marking the planting of barley. This festival was presided over by Nabu and Marduk to such a degree, that a text known as the Akitu Chronicle documents a time when the festival couldn’t be observed as Marduk (his physical statue, thus him) wasn’t present in the city of Babylon. Without the statue to carry through the city out to a small house outside the city walls, the people thought that disaster would soon befall them if the patron god wasn’t there to stop the forces of chaos.

Every year at the Akitu House located outside the city, the Enuma Elish would be recited for the New Year’s festival. There was also involved a ritual slapping of the king. Gotta’ stay humble, I guess.

Parentage and Family

Anu – Grandfather and the original head of the Mesopotamian pantheon before other deities arrive on the scene.

Parents

Ea – The previous head and leader of the gods before stepping down. Known as Enki in Sumerian. Ea was the creator god, associated with the fresh, life-giving waters.

Damkina – A Fertility and Mother goddess originally known as Ninhursag.

Consort

Sarpanitu – Also spelled Zarpanitu. She is a Mother and Fertility Goddess

Nanaya – She is sometimes given as Marduk’s wife in the myths.

Children

Nabu – Son and god of literature, scribes and wisdom. Nabu was originally Marduk’s first minister before being identified as his son.

Birth Of A Legend

For as old and ancient as the Mesopotamian mythologies are, it makes sense that we might not know that much about them. To a point.

Marduk goes from obscurity with almost nobody knowing anything about him in the third millennium B.C.E. to the head of the Mesopotamian pantheon in Babylon in the first millennium B.C.E.

By the time the Enuma Elish is written, Marduk’s original nature has already been altered and obscured. As now, he’s a deity linked to the attributes of judgment, magic, vegetation, and water. He is now identified as the son of Ea and Damkina.

As the politics of Babylon and the whole of the Euphrates Valley ramped up, Marduk’s attributes and aspects begin to alter as he would be placed as the head of the Mesopotamian pantheon, especially for his patron city-state of Babylon.

Once Babylon becomes the capital of Mesopotamia, Marduk who was currently just a patron deity of the city now ascends to become the head of the Mesopotamian pantheon and a supreme deity, ruling or presiding over everything else. Explaining this power shift of head honcho, head god and the transfer of power from Ea to Marduk, the Enûma Elish gets written, showing a peaceful abdication of power as Ea steps down and concedes rulership to his son.

There are a couple little snags later on, such as the revival of the god Enlil’s worship to Marduk, reflecting a real-world, historical rise of the cult of Enlil during Kassite control in Babylon between 1570 B.C.E. to 1157 B.C.E. The worship of Marduk and thus, his triumph over Enlil returns at the end of this era of Kassite control.

The other snag to Marduk’s popularity and his being the supreme deity comes during 1000 B.C.E. when the deity Aššur up north in Assyria gains popularity and worship. Down in the southern parts of the region, Marduk is still the head deity. The history of these events is reflected in the Marduk Prophecy.

Enuma Elish

This ancient epic creation poem was written in the 18th century B.C.E. when the city of Babylon becomes the political capital of Mesopotamia. It’s largely written to show Marduk’s birth, many of his heroic deeds and how Ea (Enki) steps down to allow Marduk, in a relatively peaceful transfer of power to become the king and head of the pantheon.

The Enuma Elish begins at the start of time when the universe is nothing more than chaos with freshwater represented by Apsu and saltwater represented by Tiamat, a dragoness. The male and female principles, not unlike the concept seen in the Japanese Yin & Yang. The joining of these two primordial deities would see the creation of all the other gods, known as the Anunnaki.

While Tiamat loved all her children, Apsu, on the other hand, didn’t care for them, saying they were too noisy, keeping him up all night and unable to get any work done during the day. Apsu’s response to this problem was to kill his children.

A horrified Tiamat told her eldest son, Enki of what Apsu planned. Enki decided that the best plan for dealing with this was to put Apsu into a deep sleep and then kill him. From Apsu’s corpse, Enki then creates his home, the earth and the marshy region of Eridu.

This further horrifies Tiamat who wasn’t expecting for Enki to just up and kill Apsu. As a result, she decided to wage war on her own children. The mighty Tiamat raises up an army of chaos and sets Kingu (Quingu) as the general of this army and her new consort.

This has Enki and the other gods worried about what to do. That is, until Marduk steps forward, saying he will lead everyone in this war. Marduk has one condition, that is that he be named as the new king of the pantheon. Enki agrees and Marduk leads the Anunnaki to battle.

Marduk prepares his weapons consisting of bow and arrows, a mace, lightning as he is a storm god, flames and a net. Gathering up the four winds, Marduk encircles and nets the mighty Tiamat to prevent her from escaping him. New winds are created by Marduk such as whirlwinds and tornadoes. As he is a storm god, Marduk brings down a fierce flood of rain. It’s a battle between a storm god and a primordial goddess of chaos and the sea, it’s epic as Marduk rides in his storm-chariot pulled by four horses who have poison in their mouths. Spellcasting and an herbal antidote as Marduk faces off against one of the mightiest dragons known in mythology.

After Marduk finally slays Tiamat with an arrow to her stomach, he then goes after Tiamat’s son, Kingu who oversaw the army and wears the Tablets of Destiny over his chest. Marduk makes short work of Kingu in single combat, claiming the tablets and establishing himself as the new head of the pantheon.

This is a lot of power that Marduk has now accumulated and he sets about to create the universe. But didn’t that already exist? He’s at least making a new one as Marduk takes the two halves of Tiamat’s corpse to create the heavens and the earth, completing the work started by Enki. From Tiamat’s eyes, the Tigris and Euphrates rivers flow.

With Kingu’s blood, Marduk mixes it with the earth to create the first humans. The creation of humans would allow the gods the leisure time and the time to focus on higher purposes, taking care of human needs as humanity basically did the grunt work. All humans would need to do is respect and give heed to the will of the gods living in Eridu with Marduk ruling overall as a benevolent god.

That doesn’t sound like it will end well and I’m sure there’s another story concerning that.

Side Note: Depending on the version of the creation myth, it is solely Marduk involved in all of it and there’s no mention of Enki.

Further, knowing that this is a revision of the original myths, I’m curious about what the originals may have been.

Eridu – The First City

Yes, there really is a historical site for an ancient city of this name. Eridu is the oldest city built by the Mesopotamians around 5400 B.C.E. Depending on who you ask, it may be the oldest city in the world. In the Babylonian texts, namely Enuma Elish, it is a holy city where all the other gods lived a life of leisure.

This city was originally the city-state for the god Enki who is later known as Ea by the Akkadians. For modern times, it was first excavated by John George Taylor in 1855. Later, archeological discoveries found that the city was ultimately abandoned around 600 B.C.E. due to a change in climate as the water became more salinized from all the constant irrigation.

As seen later, in the Marduk Prophecy, with the Enuma Elish, the story here likely reflects on the transition from Eridu to Babylon as it became the political and religious center of the Euphrates valley and a cultural shift as the newer city becomes more prominent over the older city of Eridu.

Revisionist History – Scholars have noted that the city of Eridu is founded in the 5th millennium B.C.E. and that Marduk ascends to head of the Mesopotamian pantheon in the 2nd millennium B.C.E. That is a lot of time to have passed. It clearly marks that someone decided to rewrite the myths to favor Marduk when his popularity and the importance of Babylon as a political center become prominent.

Fertility God

Marduk is a god of fertility and vegetation and thus, agriculture. The triangular spade or hoe that Marduk is shown with in some art represents his role and power over fertility and vegetation.

The roles and aspects of Marduk being a Spring, Storm and Solar god also blend in with this function. However, making these connections relies on accepting certain etymological interpretations for Marduk’s name.

Patron God

As a patron god, Marduk, not just King of the gods, also presided over the city of Babylon. The importance of a patron deity is shown in the Marduk Prophecy where Babylon has fallen to chaos and disarray when Marduk’s statue and thus the god himself leaves and order is later restored when King Nebuchadnezzar returns Marduk’s statue to the city.

Not the Original Patron – This was a fun little fact to come across. Before Marduk became the patron god of Babylon, that honor belonged to Inanna, goddess of sexuality and warfare. She would still be a prominent and important goddess throughout the Mesopotamian culture.

Protector

Marduk’s role as Patron, also places him prominently as a protector deity. Aside from the Akitu Chronicles and the Marduk Prophecy, there are two other texts: “The Ludlul-Bel-Nimeqi” and “The Wrath of Erra” that highlight just how vital having one’s patron deity present was, not just for the city, but for the individual as well.

The Ludlul-Bel-Nimeqi – Also called the “Let me praise the Lord of Wisdom” or “The Poem of the Righteous Sufferer,” it is often classified as “Wisdom Literature.” This text is a long treatise some four tablets long with 120 lines each. that details the amount of suffering that Tabu-utu-bel, a city official of Nippur goes through because Marduk isn’t close enough to help as he is too far away for any meaningful help. Biblical scholars have compared this text with the Book of Job for the themes of suffering when one’s God seems absent.

The Wrath of Erra – This is another text, in which the war god, Erra (Irra or Nergal) grows bored and decides the only way to cure his boredom is to attack Babylon. The other gods try to persuade Erra that this is a bad idea and don’t do it. Undaunted, Erra heads off to Babylon anyways. Once there, Erra convinces Marduk that his clothes are shabby and perhaps he should go about getting some new threads. Marduk says he’s much too busy to take of this matter and Erra convinces Marduk that he’ll watch over the city. Off Marduk goes and Erra takes advantage of the opportunity to proceed with destroying the city and killing civilians. Depending on the source translated from, either the other gods stop Erra’s path of destruction or he’s halted when Marduk finally returns with his fancy new duds. Regardless, the story ends with giving praise to Erra, the god of war for sparing a part of the city so people could rebuild.

Yay?

The idea of having a protector and patron god of one’s city was very strong among the Babylonians. This was their whole city and personal identity that in 485 B.C.E. the Persian king Xerxes had Marduk’s statue destroyed when he sacked the city. Eventually, with the sands of time, Babylon is deserted and left to ruin and people have forgotten about worshiping Marduk.

King Of The Gods

As head of the Mesopotamian pantheon, Marduk takes on a lot of aspects. In some cases, this is taking over the role of other gods who had previously been the head of the pantheon. Such aspects that Marduk comes to preside over are justice, compassion, mercy, healing, regeneration, magic.

Mušḫuššu

A “snake-dragon, mušḫuššu is Marduk’s sacred animal that he got from the god Tishpak. The mušḫuššu is depicted on the city walls of Babylon.

50 Titles

If you ask me this is a lot of titles and epitaphs to be known by. We get this list from two different sources, “The Seven Tablets of Creation” that Leonard W. King studied in 1902 to reconstruct from fragments a list of names. Then there is the “King’s List” that Franz Bohl studied in 1936. Finally, we get to 1958, when Richard Litke compared and noticed similarities with Marduk’s name between the two lists of An (Anum, a deity list) and Enuma Elish.

These names demonstrate the level of prominence that Marduk held within the Babylonian pantheon. These fifty names of Marduk are found and documented in the Enûma Elish and the Anum.

Why 50? – The number 50 was originally associated with the god Enlil, the former head of the pantheon. So this is just part of showing the transfer of power from Enlil to Marduk.

Asalluhi – As Marduk came to prominence, he took over the role and identity of Asalluhi, the son of Ea and god of incantations and magic. With both Asalluhi and Marduk becoming equated as the same entity, Asalluhi’s name survives as one of Marduk’s many names and epitaphs. Some commentary has noted that equating or syncretizing Marduk and Asalluhi together is a means to create a stronger tie to the god Ea and the city of Eridu as Ea was not part of the original pantheon.

Bel – Meaning “Lord,” this is the name that Marduk would eventually be known by, making him a god of order and destiny.

He is normally referred to as Bel “Lord”, also bel rabim “great lord”, bêl bêlim “lord of lords”, ab-kal ilâni bêl terêti “leader of the gods”, aklu bêl terieti “the wise, lord of oracles”, muballit mîte “reviver of the dead”, etc.

The Marduk Prophecy

This is an interesting text, not so much as it’s telling prophecies, but more about being a history around the movement of Marduk’s cult as they follow Marduk’s statue from Babylon. This text was found at the House of the Exorcist in Assur and dates from 713 to 612 B.C.E. It appears to be similar to another set of texts, the Shulgi prophecy.

It begins with Marduk’s statue getting stolen by Mursilis I of Hatti in 1531 B.C.E. The god Marduk is described as visiting the land of Assyria. Then, when a Tukulti-Ninurta I overthrows Kashtiliash IV in 1225 B.C.E., Marduk’s statue is taken Assur and then Elam as Kudur-nahhunte sacks the city in 1160 B.C.E.

Each time, Marduk is described as willingly heading off to visit these places. Which makes sense when you remember that this far back, a statue of a deity… hence an idol was the actual deity in question, not just a representation.

The way Marduk’s travels are told, they are allegories of the history involved. The first couple of journeys that Marduk takes are fairly favorable. When it comes to the city-state of Elam, that’s a whole other matter as the other gods following after Marduk, likely shows the changing climate of the region as they abandon Babylon due to famine and pestilence.

There’s also a familiar theme as Marduk prophecies that he will return again to Babylon with a new king will rise to power bringing about redemption and salvation to the city, taking it back from the Elamites and restoring the Ekursagila temple. Where the Marduk Prophecy is concerned, King Nabu-kudurri-uṣur (Nebuchadnezzar), who reigned from 1125 to 1103 B.C.E. is accepted as being the king who returns Marduk’s statue to Babylon and is victorious over the Elamites.

The main importance of the Marduk Prophecy text is to highlight the necessity of the patron deity staying in Babylon. Each time that the Marduk statue (Marduk himself) is abducted, chaos falls on the city of Babylon while the places where the statue resides, prosper.

Like some epic game of football where the opposing team comes and steals the home team’s mascot to weaken their morale.

Propaganda?

No! Say it isn’t so!

Remember the previously mentioned King Nebuchadnezzar? It’s been noted that the dates of when the Marduk Prophecy (1 millennium B.C.E.) and even the Enuma Elish both date to around the time of Nebuchadnezzar’s rule and reign between 1125-1103 B.C.E. It makes him look good for restoring order (his defeat of the Elamites and bringing Marduk’s statue back) that he’s the prophesied king come to do Marduk’s will.

Jupiter – Roman

With Marduk’s position and role as the head of the Mesopotamian pantheon, the Romans equated him with Jupiter, the head of their pantheon.

Zeus – Greek

With Marduk’s position and role as the head of the Mesopotamian pantheon, the Greeks equated him with Zeus, the head of their pantheon.

Bel – Babylonian

Yes, Bel is previously mentioned earlier as one of Marduk’s fifty names.

He is mentioned as being a separate deity here as in the 1 millennium B.C.E., by the time we get to this era of history, as a title, Bel is the name that other deities Enlil and Dumuzid, not just Marduk have been known by.

Taken separately, Bel holds all the titles and aspects that Enlil did. To the point that Bel eventually becomes a god of order and destiny. Even Greek historians mentioned Bel in their writings. As a separate deity, Bel was the god of order and destiny. Both Marduk and Bel’s cults were similar, so it’s not hard to see how Bel becomes absorbed and an epitaph for Marduk.

Bel and the Dragon – This is a Jewish story and apocryphal addition to the Book of Daniel in which the Babylonians offer a substantial amount of food and wine every day to an idol of Bel. This vast quantity of food seemingly, miraculously disappears each night. This is enough to convince the Persian king Cyrus the Great that the idol is alive, and he tells Daniel this.

Daniel being a wise man and rather smart knows this isn’t the case. Afterall Daniel says it’s clay on the inside and bronze outside. It likely has never eaten anything. To prove this, Daniel discreetly covers the floor of the temple with ash.

Both Daniel and Cyrus leave for the night. When they return in the morning, Daniel is able to point out the footprints left behind, thus proving that it is the seventy priests of Bel who are eating the food, not the idol.

Biblical Connections

Some scholars point out that the name Bel is derived from the Semitic word “Baal” that has the same meaning of “Lord.” There are several places within the Bible where Bel is mentioned, this more than likely referencing Marduk. The Hebrew version of Marduk’s name, Merodach is found in many places in the Bible as a surname for non-Israeli kings.

Continuing this trend for Biblical Connections, Marduk and a couple other Mesopotamian and Canaanite deities are made mention of in the Torah or Old Testament.

Thanks to Cyrus the Great of Persia, when he captured Babylon, he reversed the policies of the previous ruler by calling for the rebuilding of temples and reinstating religions that had been destroyed or banned before.

Where the Bible (Torah) is concerned, Cyrus allowed the Jews to return to Jerusalem and rebuild their temple to Yahweh. Cyrus records inspiration for this as coming from Marduk. The bible will say that it is Yahweh who inspired Cyrus.

The “Cyrus Cylinder” found in 1879 at Babylon records the following: “Marduk, the great Lord, established as his fate for me a magnanimous heart of one who loves Babylon, and I daily attended to his worship… I returned the images of the gods, who had resided there [in Babylon], to their places; and I let them dwell in eternal abodes. I gathered all their inhabitants and returned to them their dwellings… at the command of Marduk.”

In the Book of Ezra 5:13 this event is recorded: “In the first year of Cyrus king of Babylon, King Cyrus issued a decree to rebuild this house of God.”

The Book of Isaiah is where Yahweh is given credit for inspiring Cyrus.

“I will raise up Cyrus in my righteousness:

I will make all his ways straight.

He will rebuild my city

and set my exiles free” (Isaiah 45:13)

The connections don’t end there, Biblical scholars see a similar theme with Marduk’s slaying Tiamat with the Canaanite story of Baal slaying Tannin and notably Yahweh’s defeating the giant sea monster Leviathan in Psalm 74: 13-14 or a future time in Isaiah 27:1.

The previously mentioned Etemenanki temple is thought to be the inspiration for the Tower of Babel. Babylon’s destruction is prophesied in the book of Jeremiah (50:2).

Who do you accept? It’s a matter of two different religions, cultures and perspectives. Of course, it’s easy, after the fact, to say there was divine intervention and that it is all prophesied.

Sitchin Time

According to Zecharia Sitchin, the claim is made that the great battle between Tiamat and Marduk is symbolic for the creation of our solar system’s asteroid belt. Sitchin writes that this asteroid belt was once a planet that the Sumerians called Tiamat. Due to an impact, the planet was destroyed, creating the “Great Band” or asteroid belt. The planetary impact responsible is that of the planet Nibiru, associated with the god Marduk.

Babylonian Astronomy, Astrology & Zodiac

I will call bunk on Sitchin’s ideas.

When you look at the word Nibiru in the Akkadian language, it refers to a crossing or transition points like with rivers. In Babylonian astronomy, Nibiru came to refer to the Equinox, notably, the Autumn Equinox. In their star lore, the term nibiru can refer to any crossing. Tracking the movement of the stars and planets in the heavens as they appear from Earth. The star or planet associated with Marduk is the one we know modernly as Jupiter.

For the Babylonians, the Autumn Equinox occurred in the month of Tisritum, roughly coinciding with between September and October. If we’re following the Greek Zodiac, then the constellation of Libra is prominent. A further fun fact, depending on the time of the year and the location of the planet Mercury, it could sometimes be called Nibiru.

Some of it is confusing. Mainly it’s understanding how to read and interpret what the Babylonians meant when tracking the night sky.

It should come as no surprise, that as old as the Mesopotamian cultures and religions are, that they would have mapped out the night sky to mark the turning of the seasons, creating a calendar. Many of these early constellations and zodiacs were adopted by the later Greeks who incorporated the constellations into their own mythology.

In Babylonian beliefs, it is Marduk who creates the astrological calendar and mapped out the different signs of the Zodiac. Marduk would be identified with the planet Jupiter, who of course is later equated with the Greek Zeus and renamed for the Roman deity Jupiter as all three are heads of their respective pantheons.

Cetus – Greek Mythology & Constellation

While many are familiar with the constellation’s connection to the Grecian story of Andromeda and Perseus in its role as the giant sea monster sent by Poseidon to destroy the coast of Aethiopia.

The constellation of Cetus has been identified with Tiamat, the dragon goddess of Chaos. Marking Tiamat’s story one of many that the Greeks likely inherited from the Mesopotamians and retold for their legends.

Nana Miriam

Nana Miriam

This one took me a while to be satisfied with sources that were beyond just one or two sources.

Basically, Nana Miriam is who helps the hero Fara Maka to defeat a monstrous hippopotamus.

Parentage and Family

This one can get a little odd and confusing as it depends upon the narrative and who’s telling the story.

Parents

Fara Maka – When the story is told by the Soroko, he is the father of Nana Miriam.

Consort

Faran Maka – Or Fara Maka, among the Mali people, he is Nana Miriam’s spouse.

What’s In A Name?

This is a tidbit I found interesting. The name Nana Miriam is an Islamicized version of the original name. In addition, the name Nana is used as a title for older women. During the African Diaspora, Nana became a name for grandmothers.

Fara Maka And Mali

Among the people of Mali, Fara Maka is a hero who slew a monstrous hippopotamus known as Mali. But he doesn’t do it without help!

The short version –

Mali had eaten all of Fara Maka’s crops. Fara Maka tried to kill the monster hippo using his spear and sending out as many 120 black hounds to attack the beast. Fara Maka failed and was eaten in the process by some accounts. His wife, Nana Miriam used a spell to paralyze the monster Mali and finally defeated it.

The long version –

As told by the Soroko of Niger, a long time ago there was a monstrous hippopotamus by the name of Mali that would eat all of the crops before they could be harvested.

The Soroko banded together to attack and take out this monster. To their dismay, none of their spears could hurt the giant hippo. The spears would fall away harmlessly or fall into fiery pots hanging around the Mali’s neck.

To make matters worse, Mali was also a shapeshifter and would change into the forms of a crocodile, manatee or other creatures to get away.

Even the greatest hunter among them, Fara Maka was unable to defeat Mali. Fara Maka went after Mali with seven spears and all of those melted in the hippo’s fire pots.

Not giving up, Fara Maka went to get the help of a fellow hunter, Kara-Digi-Mao-Fosi-Fasi (sometimes he’s just called: Karadigi). Kara-Digi brought 120 hunting dogs with him to help take down the monster hippo. Each dog was chained to the other and as big as a horse.

In the Soroko story, Mali is able to talk, which makes sense given its supernatural nature with shape-shifting and being so huge; seeing Fara Maka with Kara-Digi and his dogs, the monster hippo laughed and taunted them, stating that a rat couldn’t make a cat accountable. At which, Mali then proceeded to eat all 120 dogs.

Crushed and thoroughly defeated, the two men returned to Fara Maka’s home where they were met by Fara Maka’s daughter, Nana Miriam. Now it is said, that for as ugly as Fara Maka was, Nana Miriam was just that beautiful. Like her father, who taught her of course, Nana Miriam knew magic and her abilities far out striped Fara Maka’s magic. Seeing the despair on her father and his friend’s face, Nana Miriam decided to take matter into her own hands to do something about stopping Mali.

Like any parent who loves their child and there’s a vicious monster out there, Fara Maka is understandably upset that his daughter wants to go out and face off with Mali. No, just no. Kara-Digi takes the approach of telling Nana Miriam that she’s just a girl and should listen to her father. Of course, from Nana Miriam’s perspective, what Kara-Digi likely sounds condescending, that she’s weak and can’t do it and with her father, that need for independence and showing that, yes, she can do this.

So, grab the spear and a juju (magic) bag and off, out the door Nana Miriam goes in search of this monstrous hippo, Mali. It doesn’t take our heroine long to find Mali and the two get into a verbal spat wherein Mali taunts Nana Miriam that she can’t hurt him.

A magical battle follows, first Mali creates a giant wall of fire around himself that Nana Miriam counters with some powder from her juju bag that turns the flames to water. Next, Mali lets out a loud shout, creating a great iron wall to separate them. This, Nana Miriam counters by pulling a hammer from her bag and breaks through the wall.

Worried that he may have met his match, Mali transforms into a river and starts to flow towards the larger Niger river. Nana Miriam pulls a bottle of lotion from her juju bag that she flings at the river to dry it up, forcing Mali to retake his animal form.

Around this time, Fara Maka and Kara-Digi return to see Nana Miriam kill the monstrous hippopotamus. When the two arrived, Mali charged towards Fara Maka. Seeing the hippo barreling towards her father, Nana Miriam leapt in front of Mali. She proceeded to grab the monster’s leg and with enough force and momentum; Nana Miriam swung Mali up over her head, hurling him off into the distance.

Now, depending on the version of the story told, Nana Miriam either threw hard enough that he circled the earth three times or that it would take ten years of marching to reach where Mali finally landed. Either way, Mali was dead.

Nana Miriam wasn’t stopping there, she next told the villagers to leave their hunting gear home and to get ready for a vast quantity of food to arrive soon. Taking a magical egg from her juju bag, Nana Miriam threw it into the Niger river. Once the egg hit the water, it caused every hippo within it to die and the villagers had food a plenty to eat for a while.

Well, there was still one hippo left after all this, one who was pregnant. As Nana Miriam prepared to make short work of this one like she had all the others, Fara Maka intervened. He stepped in front of his daughter and said that if Nana Miriam killed all of the hippos, that there would be none left later for people to eat. Nana Miriam relented and allowed the last hippo to live. This hippo would go on to become known as the Mother of Hippos.

Variations to the story –

Some variations have Nana Miriam getting the egg she tosses from her father, Fara Maka.

Another variation has her using a spell to paralyze Mali before killing him. In this version, Fara Maka is her husband, not father.

Hunting Charm

Among the Soroko, whenever people go hunting hippopotamuses, they will chant Nana Miriam’s name over the charm as they make it.

Raiju

Raiju

Etymology: Rai (“Thunder”) and Ju (“Animal” or “Beast”)

Pronunciation: Rye-Gin

Other Names and Epithets: 雷獣, らいじゅ, Raijuu

Raiju is a curious mythical creature from Japanese mythology sometimes viewed as a type of demon or yokai. It’s best known for being a companion animal to Raijin, the god of storms and lightning.

Description

The descriptions of Raiju vary greatly in description as it is sometimes described as having a body made of electricity and resembles either a badger, cat, monkey, tanuki, weasel or even a wolf. Sometimes Raiju flies about as a ball of lightning. The cries of a Raiju are said to sound like thunder.

Thunderstorms

Normally peaceful, Raiju becomes agitated and active during thunderstorms, leaping from one tree to another. After a storm is over, any lightning marks on the tree were believed to have been caused by Raiju ripping it open.

Raiju! I Choose You!

That sounds like the name of a pokemon. There are a couple, Raichu and Raikou, a legendary pokemon who is based on Raiju and other thunder gods.

In Japanese mythology, raiju is the name of Raijin’s animal companion that is described as a blue and white wolf or a wolf wrapped in lightning.

It doesn’t stop there as Raiju is referenced in a number of different Japanese animes, manga and video games.

More Than One?

That might seem to be the case with some of the articles that I looked up and likely an evolution to the mythology of Raiju. Instead of one animal companion, that there are multiple of this creature. It could serve too to explain why the descriptions of Raiju and what animal it really looks like varies so much.

 Raikiri – Lightning Cutter

As legend holds, a samurai by the name of Tachibana Dōsetsu was taking shelter beneath a tree during a storm. When lightning struck the tree, Dōsetsu drew his sword swiftly enough to block being hit by the bolt. Once the smoke cleared, Dōsetsu saw that there was a dead raiju laying on the ground. Dōsetsu named his sword Raikiri or “Lightning Cutter.”

Possible Reality Behind The Myths

That’s very typical of human nature to try and explain the universe around us and to try to make sense of events and occurrences. Especially with natural phenomenon, like lightning strikes, that they’re caused by the gods or oh, this tree looks like it has scratch marks where the lightning hit it. Must have been a beast of some sort.

Ball Lightning – A ball lightning, when they’re reported, are balls of lightning or electricity that occur during thunderstorms. Given how rare these are, the science behind what causes them and what’s being seen is and can be disputed. Some reports say the ball lighting glows like a 100-watt lightbulb with tendrils of electricity. The balls vary in color from yellow, orange, blue and red and size from a grapefruit to a beachball. Other reports say the ball lightning explodes, leaving behind a sulfurous smell.

Traveling Shows – During the Edo period of Japan, reportedly “real raiju” would be caught and put on display as sideshow attractions. Much like “real kappa” and the mummified remains of mermaids, the mummified and stuffed taxidermy of animals ranging from cats to badges, tanuki and monkeys would-be put-on display for people to view. The descriptions of caged raiju would match those of other captive animals during a thunderstorm as they get agitated and try to flee the confines of their cage.

As scientific knowledge and advances progressed in the Meiji period, as people better understood what was going on with lightning and electricity, the belief in raiju began to taper off, becoming a rather minor figure that still shows up in pop culture references.

Hide Your Navel!

It’s believed that Raijin is found of eating human navels. It was common practice for Japanese parents to tell their children to hide their belly buttons during a thunderstorm lest Raijin come eat it.

If it’s any minor consolation, according to some beliefs, it’s not really Raijin who eats children’s belly buttons, but his animal companion Raiju who actually does. Or if Raiju isn’t eating your navel, he’ll curl up inside to sleep during a thunderstorm. Of course, you only manage to get Raiju sleeping in your navel if you were sleeping outside. If you must sleep outside during a storm, try sleeping on your stomach to keep Raiju from curling up in your belly button. Raijin is said to hurl to shoot arrows at Raiju to wake up, which getting hit by arrows or lightning will hurt.

Okay then…

Hades

Hades

Pronunciation: hay’-deez

 Etymology: “Unseen” or “The Unseen One”

Alternate Spellings & Other Names: Ἁιδης, Αιδωνευς, Áïdes (Ionic and Epic Greek), Aïdoneús, Áïdos, Áïdos, Áïda, Ais, Eubouteous, Háides, Klymenos, Pluto or Ploutos (“wealth” or “the rich one,”) Pluteus,Pluton, Ploutodótes, Ploutodotr (“Giver of Wealth”), Pylartes, Stygeros, ‘unseen’, Zeus Katachthonios (“Zeus of the Underworld”)

Epithets: Agesander, Agesilaos (“fetcher of men,” “carries away all” or “leader of men”), Chthonian Zeus, Clymenus (“notorious,”) Eubuleus (“good counsel” or “well-intentioned”), Hegesilaus, Polydegmon (“Reciever of Many Guests”)

Hades is an ancient chthonic deity who best known as the God and Ruler of the Underworld, so much so, that the Underworld would come to be known by his name.

Attributes

Animal: Black Rams, Dog, Rooster, Screech-Owl, Serpents

Element: Earth

Patron of: The Underworld, the Dead, Wealth

Planet: Pluto

Plant: Asphodel, Cypress, Mint, Narcissus, Pomegranate, White Poplar

Sphere of Influence: Death, Grief

Symbols: Cerberus, Cornucopia, Scepter, Narcissus, Key of Hades

Early Greek Depictions

In early Greek art and even mythology, Hades doesn’t make many appearances as this is a deity whom the ancient Greeks didn’t want to attract the attention of.

Most of Hades’ early representations in art are mostly pottery and statuary where he’s not always clearly defined. The classical era of art, especially those that depict the Rape of Persephone will show Hades with varying ages depending on the artist. Sometimes Hades is shown as looking away from the other gods to represent their disdain for him.

In Greek pottery, Hades is often shown having a dark beard and shown as a stately figure seated on an ebony thrown. In Greek statuary, Hades is often shown with his three-headed dog Cerberus for quick and easy recognition.

Hades is known to drive a chariot, drawn by four black horses, which makes for a fearsome and impressive sight. Hades is often thought of as being very dour and stern, unmoved by prayers.

When identified and represented as Plouton, Hades is seen in a more positive light. As Plouton, he is shown holding a cornucopia that represents the riches and fertility of the earth.

Cult & Worship

Hades was a grim and fearsome seeming deity that living humans did not mention by name lightly. As the god of the dead, one simply did not mention Hades by name lest they draw his attention and potentially an early death. Instead, Hades would be called by a few different euphemisms and epithets.

Such was the reluctance of any followers that people were hesitant to swear oaths in Hades’ name and would avert their gazes when performing sacrifices to him. The sacrifices made to Hades were black animals like sheep. Human sacrifices to Hades were outright rejected even though other sources will try to say that such human sacrifices were done. The blood from the animal sacrifices would be dripped into a pit or cleft in the ground. The person offering the sacrifice would turn away their face. When propitiated, people would slap or hit the ground to make sure that Hades heard them. Finally, every hundreds, festivals would be held to honor Hades. These were known as the Secular Games.

Temples – Hades was worshiped throughout Greece and Italy. It is known he had a sacred grove and temple in Elis. This temple would only be opened once a year. Another temple is known to have been in Pylos Triphyliacus near Mount Menthe. Finally, there was a sacred grove to the Erinnyes in Athens and another grove in Olympia.

Eleusinian Mysteries

Hades does have a part in the Eleusinian Mysteries, an annual religious celebration that predates the Olympian pantheon. It is an important life and death ritual with Persephone in her role as a vegetation goddess and Demeter having important roles where they are worshiped together. Hade’s role in the mysteries comes in the story of his abducting Persephone to the Underworld to be his wife and Queen. The Mysteries concern more the worshiping of Demeter and Persephone.

Orphic Mysteries

While we don’t know as much about the Eleusinian Mysteries, the Orphic Mysteries are another matter as there have been plenty of surviving Orphic Hymns and texts that have been found and translated. There’s plenty of evidence that has been left behind found through out all of southern Italy. Much of which is the connection of Dionysus’ death and resurrection symbolisms in myth.

Hades = Dionysus!?!

In connection to the previously mentioned Eleusinian Mysteries, starting with the philosopher Heraclitus; he states that Hades and Dionysus are merely the same deity with different aspects to them, the essence of life. A Karl Kerenyi points out that in her grief, Demeter refused to drink wine, a symbol of Dionysus, especially after Persephone’s abduction. Further, one of the Dionysus’ epithets is Chthonios, meaning “the subterranean.” Demeter knows full well that its Dionysus who has abducted her daughter and that Hades is merely an alias.

Though this is just one level of the Orphic tradition trying to explain a deity who has a dual nature. Many of Hades epitaphs are also the same epitaphs used for Dionysus. Names such as: Chthonios (“the Subterranean”), Euclius (“glorious” or “renowned”) and Eubouleus (“Good Counselor”)

Eubouleus

Speaking of Eubouleus, that epitaph is also applied to Zeus…. When covered as a deity by himself, Eubouleus is depicted as a youthful representation of the Lord of the Underworld.

Zeus Katachthonios – Zeus of the Underworld

Another important epitaph of Hades in the Orphic tradition. By calling Hades the name: “Zeus Katachthonios” they could connect him to his brother Zeus and why there are stories of Zeus and Persephone coupling up to have children like Melinoe and Zagreus.

Homer calls Hades “the Infernal Zeus” and “Grisly God”.

Tripartite God

It all makes for an interesting connection. Hades as the God of Death, Dionysus as the God of Life and Zeus tying them both together to represent the birth, death and resurrection of a deity.

What’s In A Name

The exact origins for Hades’ name have been lost to antiquity. It is however been agreed to translate as: “The Unseen One.” Plato’s dialogue of Cratylus has an extensive section devoted to the etymology of Hades’ name. Socrates argues that the name doesn’t mean “unseen,” but instead means: “his knowledge of all noble things.” More modern linguists lean towards the “unseen” meaning though another idea put forward is the meaning: “the one who presides over meeting up” referring to death.

Given his role as Lord of the Underworld, Hades is the deity liked least and people were reluctant to speak his name lest they bring unwanted attention to themselves. Even the other gods are said to have avoided Hades’ company.

In the 5th century B.C.E., the ancient Greeks began calling Hades by the name of Plouton, meaning “wealth” or “riches.” This name served more as a euphemism as the Greeks didn’t want to draw the attention of the God of Death. In addition, not only is the Underworld were the dead go and that’s who Hades rules over, but wealth and riches in the form of gold, silver and various gems can be found there.

Parentage and Family

Parents

Cronus and Rhea

Consort

Persephone – The daughter of Demeter whom Hades himself abducted. She is the Goddess of Spring, Vegetation and Fertility before becoming Queen of the Underworld.

Siblings

He is the fourth child born of Cronus and Rhea.

The birth order is Hestia, Demeter, Hera, Hades, Poseidon and Zeus.

Chiron – a half-brother by way of Cronus and the nymph Philyra.

Children

It should be noted that by some accounts, Hades being the God of the Underworld is thought to be infertile, so any of Hades and Persephone’s children are the result of Zeus coming to have sex with his brother’s wife… and his own daughter. If you ask me, that’s a bit limited in thinking, just because Hades is lord of the Underworld, doesn’t mean he will be infertile. Of course, Zeus as the father works in the Orphic tradition when you want him to be the father of everyone.

The Erinyes – Also known as the Furies, they are sometimes called the daughters of Hades, though they’re actually earth-born.

Macaria – Death or Blessed. It’s just known that she is a daughter of Hades. There is a proverb: “Go to blessedness.” This is a euphemism for death as it’s not polite to speak ill of the dead.

Melinoe – A chthonic goddess identified with Hecate. In the Orphic tradition, she is the daughter of Persephone and Zeus in the guise of Hades. So, she’s not really Hades’ daughter and it’s possible Persephone claimed her as Hades if she didn’t know of Zeus’ ruse.

Zagreus – A minor deity in Greek mythology, he is called the “first Dionysus” in the Orphic tradition. In the Orphic tradition, Zagreus is the son of Zeus and Persephone, he is torn apart by the Titans and reborn later. The earliest mentions of Zagreus have him as a consort to Gaia and the god of the Underworld. The Greek playwright, Aeschylus connects Zagreaus with Hades so that they are either Father (Hades) and Son (Zagreus) or that they’re the same deity. Linking Dionysus into the myth of being Hades seems to stem from the myths of Zagreus.

Olympian God?

As much as Hades is a major Greek Deity, as his domain and realm is that of the Underworld where he rules over the dead, he isn’t one of the Olympian Gods.

Why?

Simply because that isn’t where Hades spent all his time. Except for the one time that he happened to be above ground and fell in love with Persephone, Hades spends all his time underground.

Attendants of Hades

Ruling the Underworld isn’t easy. There are all those souls of the deceased coming in. While Hades is sure to have the help if his wife and queen, Persephone, there’s still a lot to be done.

Cerberus – A Most Loyal Hound

Cerberus is the three-headed dog of Hades that guards the gate to the Underworld. It is with amusement that Cerberus has the meaning of “spot.” There’s something very humanizing and endearing in a deity naming their dog Spot.

The Erinyes

Also known as the Furies, they are an earth-born trio of chthonic deities whose job is to mete out retribution and vengeance. If you went against the natural order of things, perjured, broke an oath, murder, unfilial conduct, a child upsetting their parent…. These are the deities who came to deal with you. In their connection to Hades in the Underworld, the Erinyes would torment the souls of criminals.

I think its fair to say I wouldn’t want them angry with me, that way lays madness and likely some horrifying illness.

Judges of the Dead

The three judges of the dead are: Aeacus, Minos and Rhadamanthus. These three judges would sentence the souls of the dead, determine their guilt on if they would go to Tartarus or if deemed innocent enough, to pass on to the Elysian Fields.

In Plato’s Gorgias, a story is told to Socrates that the reason that there are three judges is so that everyone who dies will be judged fairly. The original judges had been there since Cronos’ time and were prone to letting anyone who was wealthy enough, dressed fanically enough and had witness who would claim that an undeserving, wicked soul was being allowed to pass on to the Elysian Fields. As these judges were judging people while still alive on their last day on earth.

Hades and the overseers in charge of the Isles of the Blessed came before Zeus with a complaint about this.

Zeus said he would put a stop to this practice and decreed that there would be stop to anyone having any foreknowledge of their death. The dead would be stripped bare of everything before judgement and would stand naked. The judge too would likewise be naked… clearly a metaphor for the naked truth and nothing hidden. The judge would hold the soul of the deceased in their hands to determine it’s worthiness without any of the entrapments of life. Aeacus and Rhadamanthus would determine a soul’s fate with Minos to act as a tie breaker if there were any doubt to where a soul’s final destination would be.

Birth Of A God

We start with Cronus and Rhea, the parents of Hades and all his siblings.

As the story goes, Cronus defeated his father, Uranus, overthrowing him to become the leader and King of the Titans. Shortly after, Cronus receives a prophesy that just as he killed his father, so too, would a child of his kill him.

This prompts Cronus to decide to devour his children whole as soon as they are born. This happens five times. Poor Rhea just gets to where she can’t take it anymore. With the birth of her sixth child, Zeus, Rhea hides him away and manages to convince Cronus that this large stone is their latest child. Bon Appetit, Cronus eats the “stone baby” none the wiser that he’s been tricked.

Rhea takes and hides Zeus, that later, when he is older, he can come fulfill the prophecy killing his father Cronus. During the battle, Zeus splits open Cronus’ stomach, freeing all of his brothers and sisters: Poseidon, Hades, Demeter, Hera and Hestia. Incidentally, Hades is the last of Cronus’ children that is either regurgitated or comes out after Zeus splits their father open.

In other versions I have found of this story, Zeus meets with Metis who concocts a drug for Zeus to give Cronus so that he disgorges or vomits up the stone and all of his children.

Titanomachy

There is a ten-year long divine war known as the Titanomachy, that by the end, Zeus takes his place as ruler and king of the gods on Mount Olympus. Hades and the other gods take up their roles as part of the newly formed Pantheon.

During the war, Gaia gave a prophesy to Zeus that he would have victory over the Titans by freeing the Cyclops who were then prisoners in Tartaros. Zeus slew Campe, the jail-keeper of the Cyclops. As a reward and thanks for releasing them, the Cyclcops forged weapons for the three brothers. Thunderbolts for Zeus, a Trident for Poseidon and a Bident for Hades along with a magical helmet of invisibility.

During this war, Hades used his helmet of invisibility to sneak into the Titans’ camp and destroy their weapons. After the war, the Titans were imprisoned within Tartoros and the Hecatoncheires were placed in charge of guarding the new prisoners.

Dividing the Spoils of War – After defeating Cronus and all of his father’s followers, the three brothers, Hades, Poseidon and Zeus divided up rulership of the cosmos between them. Hades would become ruler of the Underworld, Poseidon would become ruler of the seas and Zeus would become ruler of the air. The earth, the domain of Gaia, would be available to all three gods.

Iliad – The Iliad describes the three brothers as pulling lots to determine who would rule which realm.

Hades & Typhon – While not exactly a flattering story of Hades; the story is that of Zeus battling the giant monstrous serpent Typhon during or after the Titanomachy. Hesiod’s Theogony describes Hades as cowering down below in the Underworld while Zeus is busy hurling thunder bolts and battling Typhon to take his place as king of the Olympian gods.

The Rape Of Persephone

You read that right. Yes, I could have titled this one differently. However, this is the title of the story for Persephone’s abduction by Hades to the Underworld that many are familiar with and the most well-known story regarding Persephone.

After Hades’ birth and the dividing up rulership of the realms, this story is the most well-known regarding this deity.

When Persephone is first known as Kore, the Maiden. As Kore, she lived with her mother Demeter, a harvest Goddess. Kore herself is a fertility goddess who makes or causes everything to grow. Kore’s father is the mighty Zeus himself.

Kore grew up and spent her time playing in the fields with the nymphs, gathering flowers, playing and with her mother. As she grew older, Kore came to attract the attention of the other male Olympian gods. Hephaestus, Ares, Apollo and Hermes all sought her hand in marriage. The young Kore rejected them all for she was still interested in playing with her nymph friends and collecting flowers. Demeter made sure that her daughter’s desires were known.

This didn’t stop Hades, the god and ruler of the Underworld. For Hades, this was love at first sight. As was customary, Hades went to his brother, Zeus (also Kore’s father), to petition for Kore’s hand in marriage, getting permission.

Zeus took the proposal to Demeter who refused. Kore isn’t going to leave her or go anywhere, least of all the Underworld with Hades. Not going to happen!

At first, this sounds as if Demeter is simply being unreasonable. The type of response of a mother fearing the empty nest or mother smothering and won’t let her child go. What we would call now days, Helicopter Parenting.

Zeus likely thinks he’s being reasonable, mentioning that every child grows up and leaves their parents eventually and that Kore is certainly old enough to marry. But Zeus isn’t listening, he thinks he knows better. That Demeter is just making an idle threat that if he marries off Kore to Hades and takes her down to the Underworld, nothing will grow!

Since they can’t get Demeter’s approval for the match, Zeus and Hades take a step back, allowing Demeter to think she’s won this round. Hades comes up with a plan to outright kidnap/abduct Kore while she is out gathering flowers. Zeus is in on this too and plants a narcissus flower to attract Kore’s attention.

While Kore is distracted by this new, unusual flower, behind her, a chasm opens up in the earth and out comes Hades, riding in his chariot to snatch up Kore to carry away with him back to the Underworld.

Of all of Kore’s Nymph friends, only the Naiad, Cyane tried to rescue and stop her abduction. Overpowered by Hades, Cyane in a fit of grief cried herself into a puddle of tears, forming the river Cyane.

Demeter, hearing the nymph’s cry out that something was amiss, came running, only to find that her daughter is missing and none of the nymphs in their crying could tell her what happened. Angry, Demeter cursed the nymphs that they turned into Sirens. Only the river Cyane offered any help with washing ashore, Kore’s belt.

In vain, Demeter wandered the earth, searching for her daughter. Unable to find her, Demeter went and hid herself in sorrow at the loss of her daughter. Once plant life begins to die, the other gods go in search of her. Especially once all their followers begin to cry out there’s no food, help them.

Pan is the one who eventually finds her in a cave. Demeter in her despair, reiterates that without Kore, nothing will grow.

The way this gets told in most retellings, Demeter is threatening to refuse any new life or plant growth. To appease her and prevent people from starving, the gods agree to find Kore so that life can return. It seems that way if you don’t know or forget Kore’s already existing role as a fertility goddess.

Hecate realizes and knows there’s a problem. Hence, she intervenes. All isn’t lost if Kore hasn’t eaten the food of the Underworld, the dead, she can return to the world above.

Down in the Underworld, a frightened and despairing Kore is refusing the advances of Hades and refusing to eat any food. Kore knows that if she eats the food, she won’t be able to return to the living world.

Now at some point, Hecate comes and talks with Kore. At some point, Kore falls in love with Hades or she sees the state of what the Underworld is like. A plot twist comes, and Kore does, either willingly or tricked into it, eats some pomegranate seeds. The number of which varies from one to four, Persephone is bound to the Underworld and must spend part of the year there. The rest, she can spend above in the mortal world with her mother Demeter.

This way, Hades doesn’t lose his wife and queen and Persephone can fulfill her role as a fertility goddess, bringing life to the land.

Variations

As a note, I came across commentary that says there are some 22 variations in Antiquity about the story of Persephone’s abduction. I doubt I could find all of them. The Homeric Hymn to Demeter written between 650-550 B.C.E. is thought to be the oldest story.

Overly Simplified – One version of the above story is drastically simplified and glosses over a lot of details to the story of Persephone and Hades. In it, Hades just happens to be out and about in the mortal realm when he spots Persephone. It’s easy enough to say Hades has love at first sight and he simply grabs Persephone and carries her off with him down to the Underworld. Persephone is unhappy at first with her lot, but eventually she grows to love Hades and comes to accept her fate as his wife.

As to Demeter, she is so overcome with grief at the loss of her daughter that she neglects her duties with creating plant growth. It is Zeus who makes a decree that Persephone may be reunited with her mother, but only for part of the year. Zeus sends the god Hermes down to the Underworld to retrieve and bring Persephone back.

Hades held no desire to give up the goddess whom he intended to marry. Coming up with a plan, Hades tricked Persephone into eating some pomegranate seeds. Now because she had eaten the food of the Underworld, Persephone was bound to stay.

Persephone needed to only stay part of the year and the rest, she could be with Demeter. This way too, Hades didn’t lose his bride for she would have to return to him.

Not the best version of the story to give as it removes many details and robs Persephone of any agency or choice in the matter. Stockholm Syndrome at its finest.

Version 2 – Regarding the Narcissus flower, Zeus commands Gaia to create it to distract Persephone when she is out picking flowers. As it is far from any lakes or rivers where her Naiad friends can follow, Persephone is all alone for when Hades comes. Sure enough, when Persephone picks this strange new flower, a chasm opens underneath her, and she falls down into the waiting arms of Hades and the Underworld.

Version 3 – When Demeter becomes distraught over the loss of Persephone, she goes mad and wanders the land disguised as an old woman carrying a pair of torches in her hands. She searches for some nine days and nights.

Eventually Demeter meets Hecate on the tenth day who takes pity on Demeter’s miserable appearance. Hecate tells Demeter to seek out Helios, the sun god who can tell her of what happened. Demeter finds Helios who informs her about Hades abducting Persephone.

Demeter begs Hades to release Persephone and allow her to come back to the living world. Hades consults with Zeus about the matter. Hecate returns and lets Demeter know that Persephone hasn’t eaten four pomegranate seeds and because of that, Persephone will still be able to return to the living world. There is a catch and that is, because Persephone has eaten some of the pomegranate, she will have to return to the Underworld for part of the year.

Both version 2 and 3 retellings go for making it look as if Demeter is responsible for refusing to allow anything to grow and does so out of anger or spite. Or that in her grief, Demeter simply neglects her duties for making things grow. This idea originates in Homer’s “Hymn to Demeter,” that gives the idea that Demeter is in charge of fertility.

Those versions work if you want to ignore that Kore/Persephone is a Fertility goddess, she’s the one who is responsible for new plant growth.

Hades’ Role In The Myth

In the story for the Rape of Persephone, Hades fits into the story as he is an Underworld deity himself. Among the Greeks, it was believed that Hades rode around in his chariot catching the souls of the dead to carry back down to the Underworld.

With Persephone being a chthonic goddess, the Greeks likely came up with the story to better fit the goddess to her role as a Queen of the World. It unfortunately greatly diminishes her role and what her functions were from a much earlier era.

In the myths where Hades is called Pluto or Plouton, he is not only a god of the Underworld, but wealth where the riches of the earth can be found. Partnering him up with Persephone is meant only to add to his power and domain for now it is the riches of the earth in terms of fertility.

Homeric Hymn – More like a side note, this hymn tells how the shepherd Eumolpus and the swineherd Eubuleus see a girl being carried away to the Underworld in Hades’ chariot. Eubuleus looses his pigs to the Underworld as they fall into the chasm that opens up for Hades on his descent below.

Ascalaphus – In what seems to be padding the story, Ascalaphus, the keeper of Hades’ Orchard is who tells the other gods that Persephone has eaten the pomegranate seeds. Demeter becomes so enraged with this news that she buries him beneath a huge rock in the Underworld. Later, when he is released, Demeter turns him into an owl.

Altered States of Mind – Most people think of rape as having to be a something violent for it to be valid? I’m sure the in the original Greek tellings of the story, it’s obvious what Hades’ intent is. Never mind later retellings that seem to gloss over and not really make it clear as they want to give you a happy fuzzy feeling that Persephone just accepted her fate and this is how we got the four seasons of the year.

Looking at the older, archaic definition, this is the forcible carrying away of a woman to have sexual intercourse with her. So, looking at how the story of Persephone’s Abduction is originally titled and knowing older definitions of a word, I’d say it’s pretty clear.

Love Affairs

Before his marriage to Persephone, Hades does seem to have had a couple of love interests. Not as many as Zeus, that’s for sure, just a couple though.

Hades & Minthe

Hades had a mistress by the name of Minthe, a nymph. In an act of hubris, Minthe boasts about how she is more beautiful than Persephone and that she would manage to win Hades back.

Persephone takes exception to this boast and to prove her power, might and indignation, she turns the nymph into a plant of the same name.

By Ovid’s account, Hades is still pursuing Minthe, which would explain a moment of jealousy on Persephone’s part to make sure her man remains loyal.

Mmm…. Mint. Gotta love that sweet smell.

Hades & Leuce

Leuce was a nymph and the daughter of Oceanus. She was carried off by Hades and ravaged, according to Ovid’s Metamorphosis. Though we know what really happened, rape. Alas things were not meant to be and Leuce died. On her death, Hades turns Leuce into a white poplar, a tree that would later be sacred to Hades. Hercules is said to have been wearing a crown of poplar leaves when he returned from the Underworld.

Theseus & Pirithous – Would-Be Suitors

Even though Persephone is married to Hades, that doesn’t stop the heroes Pirithous and Theseus from descending down to the Underworld with the aspirations of Pirithous marrying Persephone.

The two had it in their heads that they would marry daughters of Zeus. They clearly didn’t think the plan through. Of course, Theseus had the bright idea of being the one to try kidnapping Helene, Zeus wasn’t happy with that. Some accounts have the mighty Zeus sending a dream to the two with the idea of going off to have Pirithous marrying Persephone.

Hades is there to welcome the pair sure enough. Soon as they are seated, their chairs magically bind and holdfast the would-be suitors. There they would remain prisoners until the hero Hercules comes to the Underworld to free them. Most versions, it’s just Theseus who is freed.

Just let that be a lesson, don’t mess with another man’s wife or daughters if he thinks you’re unworthy of such a thing.

Molossians – King Aidoneus

There’s a version of the story of Theseus and Pirithous were they journied to the Molossian in Epiros where a King Aidoneus rules. Coincidentally, Aidoneus has a wife by the name of Persephone, a daughter named Kora and a dog named Cerberus. Pirithous conspires to kidnap Kora and when Aidoneus learns of this plot, he seizes both men. Pirithous is killed by the dog Cerberus and Theseus is held prisoner. In this version of the story, Herakles (Hercules) was a guest of Aidoneus and when he learned of what happened; Herakles pleaded for Theseus’ release. In gratitude, Theseus built an alter to Herakles.

So perhaps this shows a bit of taking an actual event and making it larger than life involving the god of the Underworld, Hades.

The Twelve Labors Of Hercules

In Greek mythology, the hero Hercules was tasked with a series of twelve labors by King Eurystheus that needed to be performed as penance for the killing of Hercules’ family. One of Hercules’ tasks and the final one, was to descend to the Underworld to retrieve the three-headed hound Cerberus.

In a more extended version of the event, Hercules goes to Eleusis to be initiated into the Eleusinian Mysteries. This had to purposes, first to absolve Hercules of his guilt for the death of all the centaurs and secondly, it would allow him to learn enter and return from the Underworld.

Hercules found the entrance to the Underworld in Taenarum. With the help of the gods Athena and Hermes, Hercules was able to make the descent down and back. Being sensible, Hercules goes and asks Hades if he can take his dog, Cerberus rather than outright steal it. Hades only consents to Hercules taking his beloved dog on the condition of not harming Cerberus. Specifically, Hercules is not to use any weapons. When leaving the Underworld with Cerberus, Hercules passes through the Acherusia cavern.

In some accounts, it is said that Persephone, not Hades is who allowed the hero to take the hell hound. While Hercules was at it, Persephone also allowed the hero to free Theseus from his confinement. Other accounts will say that Hercules wounds Hades with an arrow, though that sounds like that’s from another story.

In Pseudo-Apollodorus’ Bibliotheca, Hercules decided it was a good idea to slaughter one of Hades’ cattle in order to give the souls of the dead some fresh blood. Menoetes, Hades’ keeper of cattle challenged the titular hero to a wrestling match. It is only after Hercules breaks the ribs of Menoetes that the hero sets him down at the behest of Persephone.

In the versions told by Diodorus Siculus in his “Library of History” and Pseudo-Hyginus’ Fabulae, Hercules frees both Theseus and Pirithous.

In Seneca’s Hercules Furens, Hera complains about Hercules having broken down the doors to the Underworld and dragging the hound, Cerberus up to the living world. Hera ask why doesn’t Hercules lord it over Hades, saying that the law of the shades has been nullified. That a way for ghosts or spirits of the dead to return from the Underworld has been opened up. That the mysteries of Death are available for all to see. Seneca’s Hercules Furens also ignores that Hercules was not to harm Cerberus with any weapons and says that the hero does use his club.

Hercules & Alcestis

This is the second encounter that Hercules and Hades have.

Queen Alcestis was the wife of King Admetos. He didn’t want to die and seems to have gotten some special permission from the Fates.

The Fates told Admetos that he could escape his time to die if someone else would take his place. That person ended up being Alcestis. Wise to the shenanigans, Persephone sent Alcestis back to the living world.

Another version has the mighty Hercules coming to fight Hades so Admetos can be released back to the living world.

Look, when your time comes, it comes.

Hercules & The Siege Of Pylos

This is the third time that Hercules and Hades encountered each other. During the siege of Pylos, Hercules hurt Hades who was there to gather up the souls of the deceased. Some later accounts would place Hades as defending the town of Pylos. Most accounts of this story have Hades wounded by an arrow.

Orpheus & Eurydice

In the story of Orpheus’ descent to the Underworld, wherein he hoped to bring back his wife, Eurydice back from the dead. Both Hades and Persephone takes compassion on Orpheus and allow him a chance to try and bring his deceased wife back to the lands of the living.

Seven Against Thebes

During this event, Hades and Persephone ended up sending a deadly plague to the city of Thebes when King Creon refused to bury any of the dead warriors. When two maidens, the Coronides, daughters of Orion sacrificed themselves to appease Hades and Persephone, they were transformed into a pair of comets.

Well, you’re gonna get a plague and diseases if you leave a bunch of corpses out rotting in the field of battle and don’t bury or clean them up.

Hades & Sisyphus

Ah Sisyphus forced to forever roll that boulder up a hill, only to have it roll back down on him.

Before dying, Sisyphus has tied up Thanatos so that men would cease to die. It would take the god Ares to come to the rescue and release Thanatos before turning Sisyphus back over to the god of Death.

Just before getting taken away to the Underworld, Sisyphus had told his wife, Merope to just have his body be thrown out into a public square, where eventually his body made its way to the river Styx. Sisyphus then tricked Hades into allowing him to return to the living world, so he could scold his wife for not giving him a proper burial.

Naturally, the trick worked and once Sisyphus “told off” his wife, he refused to return to the Underworld. It took the god Hermes to forcibly drag Sisyphus back to the Underworld.

Another version of the story has Sisyphus simply pleading to Persephone that he was taken to Tartarus by mistake and the Queen of the Underworld orders his return.

Some people just don’t want to face the music.

Lord Of The Underworld – Hades

Hades was so well equated with the Underworld that the very place came to be associated with his name. Small wonder then, that the Greeks would start calling him Pluto to distinguish between the deity and the place.

The Underworld was known as the Unseen Realm where all the souls of the dead, not just of humans, but all living things. Once there, there for good, there’s no leaving.

As ruler of the dead, Hades forbid anyone from leaving the underworld. A few such as Hercules and Orpheus are among the few living to have claim to entering and returning to tell about it. Others, such as Pirithous and Sisyphus learned the hard way that you don’t dare try to cheat death or there would heavy consequences to pay.

Even so, feared and disliked as he is, Hades was known for being very stern and sometimes seemingly cruel at times. He was still just in all his dealings, even when he had someone like Sisyphus repeatedly trying to cheat death.

The Underworld – Hades

As a physical locale, there are many regions in the underworld. The Greek mythographers weren’t consistent with the geography of the Underworld.

Getting to the Underworld isn’t so easy as it’s located beneath the earth, obviously. In the Odyssey, the entrance is described as being at the edge of the world, across the ocean. Other Greek and Roman poets would describe the Underworld’s entrance being found in deep caverns and deep lakes.

Homer describes the Underworld as being a vague and shadowy place occupied by ghost where nothing is real and any existence, such as it is, was miserable. Well then….

Later descriptions better define what the Underworld looks like with having the Elysian Fields where “good people” go and Tartarus where “evil people” go. Firstly, the god Hermes in his role as a Psychopomp would lead the souls of the dead down to the river Styx. There, assuming the dead had been buried with a coin, the souls would pay the ferryman, Charon to take them across the river Styx to the gates of the Underworld.

An unlucky soul who wasn’t buried with the proper coin, the Greek obol, a small denomination coin much like an American penny, would be condemned to wander the Earth as a ghost

Guarding the gates to the Underworld would be Cerberus ensuring that anyone can enter, but no one is getting back out. Once in, the souls of the dead would stand before the Judges of the Dead to determine where they would be spending the rest of eternity.

A soul deemed to have been good would be taken to the river Lethe where they would drink and forget all the awful things that happened to them in life before being sent to the Elysian Fields. A soul deemed to be bad or unworthy would be seized by the Erinyes and taken to Tartarus where they would be tormented forever.

Acheron – Meaning woe or sorrow, it is one of five rivers found in the Underworld.

Asphodel Meadows – Or the Fields of Asphodel, this is the first region of the Underworld. The shades of heroes wander here. Lesser spirits gather around them. The libations of blood offered to them by those in the living world are able to reawaken these spirits for a short period to what it had been like to be living.

Avernus – In Roman myths, the entrance to the Underworld is found at Avernus, a crater near Cumae. This is where the hero, Aeneas journeyed on his descent down to Hades. Incidentally, the name Avernus is sometimes used as the name for the Underworld.

Cocytus – Meaning lamentation, one of five rivers found in the Underworld.

Elysium – Also called the “Islands of the Blessed,” those souls deemed blameless or heroes would come here to reside in the afterlife.

Erebus – This area is described as being a gloomy and misty place where the dead reside. This is the place where every living person goes when they die. Few are those who have entered that leave. This place is the area most associated with Hades and would be called by the deity’s own name. Here, two pools were to be found. The first being Lethe, the souls of the dead would drink from to erase the memories of their former life. The second pool is Mnemosyne or “memory” that initiates of the Mysteries would drink from.

Hades and Persephone’s court is found here, where three judges of the Underworld, Aeacus, Minos and Rhadamanthus sit in judgment of the dead. In addition, the trivium, a spot sacred to Hecate was found. From the trivium ran three roads. The souls of the dead would be judged here. If a soul was judged to be neither virtuous or evil, they would be sent to the Asphodel Meadows. If a soul was judged to be evil or impious, they would be sent to Tartarus. If a soul was judged to be virtuous or “blameless”, they would be sent to Elysium.

Erytheia – An island found in the Underworld. Hades kept a herd of cattle here who are attended to by Menoetius.

Lethe – Meaning oblivion, one of five rivers found in the Underworld.

Phlegethon – Meaning fire, one of five rivers found in the Underworld.

Styx – Meaning hate, an infamous river of the Underworld. One of five rivers, Styx forms the boundary between the living world and the lands of the dead. The newly dead would pay the fare of an obolus or small coin to Charon, the Ferryman to be ferried across to the Underworld. The Greeks would make propitiatory offerings to help those born paupers or without friends and relatives to have a proper burial; thus, preventing their return to the living world. Once to the other side of Styx, the dead would pass by Cerberus, through the gates of the Underworld to be judged and sent on their way to where in the Underworld they would reside. The gods would swear their oaths on this river and is the same river that Achille’s mother dipped him into in order to grant her son invulnerability.

Tartarus – If a soul were deemed evil, they would be sent to Tartarus. Infamous inmates of Tartarus are: the daughters of Danaus who must try to fill a sieve with water, Ixion who is tied to a constantly spinning wheel of fire, Oknos who forever braids a piece of rope while a donkey eats the other end, Sisyphus who must forever roll a rock up a hill, and Tantalos who is unable to ever quench his thirst.

Judaism & Hades

Continuing on the theme of Hades’ name becoming synonymous with that of the Underworld. The Hebrew word, Sheol which means “Unseen” is also the name for the Jewish Underworld. And Hades’ name means “Unseen” as well. It could be easy to see a linguistic translation could cause confusion and could cause people to start calling the Underworld by the name of Hades and giving the deity the name Pluto to keep it straight.

Christianity & Hades

It wasn’t just the Greeks, later Christians would also refer to Hades when wishing someone to go to Hell, they might say “See you in Hades” as an alternative.

The name Hades appears ten times in the Bible, particularly the New Testament; specifically, the newer King James Version and the original Greek texts, where the name Hades is frequently interchangeable with the Christian idea of Hell or for the body’s decay and destruction in death. At times, certain verses seem to indicate the god Hades, not just the place. Later translation will replace the name Hades with that of Hell.

Evil Vs. Well… Neutral

Because Hades is the ruler of the Underworld and God of the Dead, there’s a strong tendency to equate him as being evil. The Underworld, that’s where Hades rules and people down below to Hell where Satan, the devil dwells. Hades must be evil!

Not so, Hades is more altruistic in that he prefers to keep balance. Sure, he comes off as stern and dour and when dealing those like Sisyphus, you have to lay down the law.

There’s a lot of movies and T.V. shows that tend towards showing death and going to the Underworld as some sort of negative thing. When really, it’s just another place, another state of being and plane of existence. Hades was all about maintaining balance.

The television show: Hercules: The Legendary Journeys seems to be the only series I know of that portrays Hades in a positive light. The main episode in question being Hercules helping his Uncle Hades properly win and earn Persephone’s love, not just flat out abducting her. A retelling of Hades’ abduction of Persephone to the Underworld.

Thanatos – Death Personified

Just a quick note to throw in, yes Hades is the God of the Underworld and the Dead, he is not Death personified, that distinction belongs to Thanatos.

Sibylline Oracles – This was a curious mixture of Greco-Roman beliefs and Judeo-Christian beliefs. Here, Hades is noted as the name for the realm of the dead. If one played fast and loose with the etymology of the name Hades, they would derive the name of Adam, the first man due to his being the first to die and enter the afterlife.

Asclepius & Hades

As mentioned before, Hades being the God of the Underworld doesn’t allow the souls of the living to return to the living world lightly. So, it should come as no surprise when, Asclepius, a famous healer, finds himself in trouble with Hades.

Asclepius’ healing abilities were so great, that he could bring the dead back to life. This angered Hades, who, one of his few trips to the upper world, brought his grievances to Zeus. Hades accused Asclepius for the decreasing number of dead who entered his realm.

Siding with his brother, Zeus kills Asclepius with a thunderbolt.

Aesop Fable #133

As a bit of a side story, this fable has a reference to Asclepius’ story. In it, a physician who knows nothing about medicine, informs a patient that they will die and to get his affairs in order.

Even though this patient had other people telling him this bought of illness would go away.

A short bit later, the physician runs into the patient again and asks them how everyone down in Hades are doing. The patient responds that everyone is doing well, however Persephone and Hades are angry, ready to denounce all physicians with the physician at the top of the list as people were no longer getting sick and dying. The patient goes on to say that he stepped forward, grasping their scepters and sword that his was nonsense as the physician was no doctor of at all.

Key Of Hades

This symbol is often used in art to represent Hades’ power and control over the Underworld. The key serves as a reminder that the Gates to the Underworld are always locked. That while souls are free to enter, they are not allowed to leave. Even if the Gates are opened, that Cerberus is right there, guarding the exit to prevent any escapees.

Bident

A bident is a two-pronged weapon that Hades is often shown with. That claim though, for antiquity remains uncertain even though a bident does appear in various Greek art and literature and there are a few examples of bronze weapons from Greek culture.

It has also been pointed out that Poseidon has a trident, a three-pronged weapon, Hades has a bident, a two-pronged weapon and that Zeus has his thunderbolt, that is a one-pronged weapon. Just in case someone thought there should be some sort of connection.

With this bident, Hades could shatter anything in his way, much like Poseidon does with his trident.

Helm Of Darkness

Better known as the Cap of Invisibility, the Cap of Hades and Helm of Hades, it is either a cap or helmet that can turn whoever wears it, invisible. The Greek name for the Cap of Invisibility is: Ἅϊδος κυνέην, which translates into “dog-skin of Hades.” The 1st/2nd century text: Bibliotheca mentions Hades having this helmet. A Rabelais refers to this helmet as the Helmet of Pluto and Eramus calls it the Helmet of Orcus. Both names clearly connect this cap or helmet as belonging to the god of the Underworld.

The Helm of Darkness is said to work by creating a cloud of mist, allowing the wearer to become invisible to any supernatural being. The Elder or Uranian cyclops created the Helm of Darkness for Hades to use in the war during the Titanomachy. A gift and thanks for freeing the cyclops from Tartarus.

Hades isn’t the only one to wear the helmet. The goddess Athena wore the helmet during the Trojan War when helping Diomedes fight her brother, Ares. Diomedes succeeds at wounding Ares with a spear.

Then you have Hermes who wore the Helmet when he battled the giant Hippolytus. Lastly is the hero Perseus who received the Helmet from Athena, along with a set of winged sandals when he was on his way to go slay the gorgon, Medusa. Another variation to the story has Perseus getting the Helmet and sandals from the Stygian nymphs. After slaying Medusa, Perseus used the helmet to escape the wrath of her sisters, Euryale and Sthenno.

Plouton – God of Wealth & Riches!

When Hades is known as Plouton, he becomes connected with that of wealth and riches. Seeing as it is underground where gold, silver, precious gems, etc. are all going to be found, that makes sense. It also makes some sense too when partnering Hades up in his role as Plouton with Persephone to spread and share the bounty of the earth. Not just in mineral wealth, but the fertility and growth of the land as well.

Eleusinian Deity – Ploutos is originally a god of wealth as it concerns agriculture and later just wealth and riches overall. Of which, Ploutos is the Demeter’s son by way of Iasion. Which when you know the genealogy and who Ploutos mother is and who Persephone’s mother is, I don’t think the ancient Greeks were thinking through this pairing of deities very well.

 Which is what they did when referring Hades by the name of Plouton to try and connect him to the Eleusinian Mysteries. Of course, that could be why Hades is said not to have any children directly and why the mother of Persephone’s children are fathered by someone else. Even then….

It’s just the Greeks playing theological games with throwing everything in a blender and trying to have more minor deities absorbed into the worship of a more influential deity to become an epitaph of said deity.

This connection also comes about too, as the Greeks didn’t like to refer to Hades by name. A euphemistic name would be used instead; Plouton. This alternate name for Hades started seeing use in 5th century B.C.E. The name Plouton would be adopted by the Romans and Latinized to become Pluto.

Aita – Etruscan

A cognate for Hades in the little-known Etruscan beliefs and mythology.

Pluto – Roman

Pluto the Latinization of Plouton. Other Roman names used for Pluto are: Aidoneus, Dis, Dis Pater (“the Rich Father”), Dives and Orcus.

In the Roman retellings of the story, Pluto (Hades) is out riding in the mortal realms, inspecting the land to make sure that after the fall of the titans, the borders to his realm in Tartarus are still secure. When Venus and her son Cupid see the lord of the Underworld out riding, the opportunity is too much for them and Venus instructs her son to hit Pluto with an arrow so that when he sees Proserpine, he is stricken with such love and lust that he carries her off to his shadowy realm of Tartarus. The rest of the story is much like the Greek versions where Ceres sets off in search of her missing daughter.

Snarly Yow

Snarly Yow

Also known as: Black Dog, Dog-Fiend, the Werewolf, Vanishing Dog

The Snarly Yow is a local phantom Black Dog found in both Maryland and West Virginia folklore in the United States. Unlike the Black Dog of British folklore, the Snarly Yow is sometimes described not as black, but as a white, headless dog dragging a chain from its neck. It has a red mouth, glowing eyes and over-sized paws and known to be very intimidating in appearance. A few sightings will claim the beast stands on its hind legs or that it can change its size to that of a small pony.

Maryland Legend

The Snarly Yow is often found at a pass where the old National road crosses a brook and canyon. The first stories and sightings of the Snarly Yow date to 1790 where an Inn was built close by in Maryland. There are many stories of people encountering the Snarly Yow either while walking, driving, riding horseback where the phantom dog appears, follows along or chases after the car. Or just simply appears and vanishes. Variations to the stories will tell how the horse becomes spooked and throws the rider, how others have thrown sticks and rocks at the beast or even fired at with a firearm, only to have the objects pass through it. Every story ends with the Snarly Yow just vanishing before their eyes.

“South Mountain Magic” – A book written by Madeleine Vinton Dahlgren in 1882, collected many of these encounters. Dahlgren, a wealthy widow had a summer home on South Mountain where she made it her mission to collect local legends. The most striking feature of her book is that many of the stories about the Snarly Yow are all first-hand accounts ranging from a preacher, to a farmer’s wife and to a mountain man who have all had encounters with the beast.

Dahlgren’s book describes the Snarly Yow as an intimidating and imposing wolf-like creature that could change its size. A dark, black shadowy beast, it would mostly just block the path of any travelers coming through.

“Snarleyyow: or, the Dog-Fiend” – Is a high seas adventure novel written in 1837 by the British Naval Officer Frederick Maryatt. His book clearly features a similar large black dog known for being intimidating and formidable.

Civil War – The Civil War saw many battles, one of which, Battle of Antietam near Sharpsburg, Maryland, that claimed over some 22,000 lives in one day of fighting. A number of ghost stories rose up surrounding this battle and the Snarly Yow is just one of many such phantoms to make their appearance.

A plaque located by the road near Boonsboro, MD for a local battle that happened at South Mountain reads:

 “Beware of the “Snarly Yow.” Legend has it that the shadow of a black dog used to prowl the heights of South Mountain. One night, a huntsman, famous as a sure shot, encountered the beast. He aimed and fired his rifle. The shot went right through the animal with no effect. He fired again and again, each shot passing through the shadowy beast. Finally overcome with dread, the huntsman fled.”

Turner’s Gap – A location near South Mountain, it is the sight of a Civil War battle known as “The Midnight Battle.” The Snarly Yow is known to appear here.

20th & 21st Century Encounters – Many of these stories revolve around the Snarly Yow, like any dog, either blocking the road or chasing cars that drive along National Road (Route 40). Drivers will stop, thinking they have hit the apparent dog, only to get out, find nothing is there and when they turn to get back in their vehicle, the Snarly Yow appears, baring its teeth at them before disappearing.

West Virginia Legend

The Snarly Yow is believed to roam the mountains and hills near Harpers Ferry, part of West Virginia’s Eastern Panhandle. The stories of the Snarly Yow here begin in the 1700’s when the first Germans settled in the Potomac Valley. The name comes from the Germanic words to describe this creature’s howls and wails.

Civil War – The Civil War saw many battles and the town of Harpers Ferry was greatly contested by both sides, often changing hands. The Snarly Yow, just like in Maryland, is just one of many such phantoms to make their appearance.

Most of the stories regarding the Snarly Yow tell how people have claimed to shot at or run over the creature. Then, either believing the apparent dog to be killed or injured, they discover, when looking back, that the creature standing nearby. A few people report having seen the Snarly Yow standing on it’s hind legs like a human. This ghost hound will appear out of thin air, alter its size and just as quickly as it appeared, vanish. Most often the Snarly Yow will appear along roadsides or in the middle of the road.

Other Areas

 Stories of the Snarly Yow have also extended its range to the Blue Ridge Mountains of Georgia and even Hillsboro, Virginia.

British Black Dog

In Europe, particularly in the UK for England and Scotland, there a lot of folklore regarding Black Dogs and several different such individual Black Dogs. Sightings of these dogs have been going on for over 400 years. In British folklore, seeing a Black Dog is often an omen of death. These Black Dogs are often found out in the wilderness along old roads, bridges and pathways. Sometimes the Black Dog is in association with a nearby graveyard that it protects. Like the Snarly Yow, the British Black Dogs have glowing red eyes, are large and able to change their size; suddenly appearing and vanishing. Most Black Dogs encountered in British folklore might protect a family or warn an individual of coming death; with some cases outright heralding it. While some Black Dogs are more vicious than others, it is only if they come into physical contact with someone that they attack, can the Black Dog cause harm in the way of paralysis, death and serious wounds.

The Snarly Yow differs from the British Black Dogs in that it is not an omen of death, it just seems to have a penchant for appearing, blocking the path of travelers as it scares them and then just vanishes. Other than getting startling and scaring people, the Snarly Yow hasn’t ever really hurt anyone, unless you count the time a rider got thrown from their spooked horse and broke their collar bone.

Fallout 76

The latest installment in this video game series is set in West Virginia. The game takes advantage of the state’s wealth of local urban legends, cryptozoology and folklore to adapt many monsters to the game’s post-apocalyptic setting. The Snarly Yow is just one of many such monsters found in the game.

Sheepsquatch

Sheepsquatch

Also Known As: Devil Dog, White Creature, White Devil, The White Thing

First off, I have to say it’s rather hard to take this particular cryptid seriously due to the name. That said, the Sheepsquatch or White Thing is an American cryptid that is found in the mountains of West Virginia in the United States. Some accounts hold The White Thing and Sheepsquatch as being two separate creatures, yet the descriptions or so similar, it’s likely they’re one and the same entity.

The creature, first known as The White Thing, makes its way into American folklore with the 1965 book: “The Telltale Lilac Bush and Other West Virginia Ghost Tales” by Ruth Ann Musick. A folklorist, Musick puts forth the idea that The White Thing has both a physical and phantom or spiritual presence.

As the White Thing gained in popularity and stories of it began to spread, it would later become known as Sheepsquatch, a name owing more to people trying to give it a name that is more accurately descriptive of what it looks like. An impossible hybrid of sheep and Sasquatch in the imaginations of some.

Description: The Sheepsquatch is often described as having dog-like features, large like a bear with long, shaggy white or dirty white hair, goat-like horns and a large fanged mouth. The front paws as being paw-like hands such as those of a raccoon and even a long ringed tailed like a raccoon’s. Much like the previous raccoon description and those of bears, the Sheepsquatch can move about either on two or four legs. It’s reported to be incredibly fast with lightning speed and a scream like a woman. Mountain Lions are also known to have a scream like a woman. The creature is often spotted racing through the forests and down to river banks to drink.

That tends to be more the original description. Later accounts vary and seem to have altered what the creature looks like. These later descriptions give it a humanoid big foot or demonic appearance. Some will say it’s just a large unknown mountain cat. Further reports say the creature has too many legs, that it has four eyes, that the eyes are red, in addition to large fangs, it has large claws, that its tail is long and hairless like a possum.

These later altering descriptions certainly give the idea that people might be misidentifying what creature they’re seeing, or they may have heard a vague name from somewhere and are describing what they think they saw. West Virginia does have a lot of cryptids in its local lore, so is there a different cryptid being seen or an ordinary animal getting misidentified?

Phantom Creature – People further describe the Sheepsquatch as being very blood thirsty and will attack without any provocation. What marks the Sheepsquatch as being a potential phantom creature is that people will say they’ve been attacked by it and can feel the monster sinking its fangs into them. When the attack is over, to the person’s shock and surprise, there isn’t a mark on their body.

Now, if the creature were real, it would need to have a reason to attack, the simplest being it’s protecting its territory, or it’s sick or just possibly learned to become aggressive if enough people are out there hunting it and not leaving it alone.

Sulfur – The smell of sulfur follows it and can be indicator that a Sheepsquatch is nearby. The smell of sulfur is attributed to the TNT Area of Mason County where it is said to have originated. It’s possible that this sulfur smell is nothing more than the animal’s musk.

Incidentally, the TNT Area of Mason County is also the same place that Mothman is from.

Cherokee Legend

To try and give this cryptid any historical accuracy; Cherokee lore is brought up about white wolves. How a white wolf is an omen of magic and premature death. Overtime, the white wolf becomes a white dog in Appalachian lore. This large white dog is described as having matted, unkempt fur and a powerful build. The dog will appear alongside roads and follow a person home where it will sit far enough away from the house and wait. This dog seems to be wait for when a death occurs, only appearing to a person about ready to die. Sometimes this death occurs within a few days or up to a couple weeks and sometimes those close to the person will also die. The rest of the time, the dog remains invisible.

Black Dog

The above legend sounds very much like the British folklore of Black Dogs and how they are an omen of death. Most Black Dogs encountered in British folklore might protect a family or warn an individual of coming death with some cases outright heralding it.

Cemeteries – Like the Black Dog, some Sheepsquatch seem to be connected to cemeteries and those ones seen, are a death-omen.

Sightings

Kanawha Valley – This is generally the location for the majority of The White Thing or Sheepsquatch sightings. The Kanawha Valley and its surrounding mountains, river and many branching streams and creeks seems to be an ideal place for such a creature to exist.

The creature has also been spotted in other counties of: Boone, Mason and Putnam. All areas located to the west and southwestern West Virginia. The mid-1990’s saw a rash of sightings of this creature near Cross Lanes, West Virginia.

1973 Point Pleasant, West Virgina – In July, in the TNT area of Point Pleasant, where the Mothman sightings are to have occurred, a white creature was reported seen. In 1994, a twenty-eight-year-old man reported how he was seven years old at the time, had seen a white shaggy haired creature whose head was three feet wide. This creature suddenly appeared alongside the car he was riding in with his family. He says the creature floated through the air, keeping pace with the car at 65 miles an hour.

1994 Point Pleasant, West Virgina – A group of women were driving cautiously along on a particularly icy road near the TNT area. The women report seeing a large, seven or eight tall creature stepped out of the woods ahead of them on the road. They describe the creature as having white shaggy hair with a prominent snout, ram-like horns and standing upright like a human. The creature froze for a moment when the headlights of the car shone on it before taking off running back into the forest.

1994 Mason County – A former Navy Seaman by the name of Edward Rollins reports having witnessed the White Thing appear in the forest. Rollins had been out in search of another West Virginian cryptid, the Mothman. Only instead of Mothman, it was the White Thing that Rollins encountered.

Rollins was out in an area near Bethel Church Road when the White Thing is to have exited the forest, coming down to a creek where it drank before crossing over the creek and moving on towards a nearby road. Rollins notes the creature had a sulfurous smell to it and believes the smell is just likely due to the lingering waste and pollution from when explosives used to be manufactured in the area.

1994 Boone County – The same year as the previous account, two children report having seen the Sheepsquatch while out playing in their yard. The two describe the creature as looking like a large white bear, standing up on its back legs to tower some six feet in height. The creature was startled by the presence of the children and took off back towards the forest.

1995 Boone County – In this sighting, a couple were driving when they spotted a large white beast sitting in a ditch by the roadside. Curious, the couple slowed their car to get a better look as they passed by. The couple describes the creature as having four eyes. Unlike other incidents where the Sheepsquatch ran away, this time, the creature attacked the car. Frightened, the couple drove away quickly. Once back home, that’s when they noticed the large scratches on the side of the car where the creature attacked.

1999 Boone County – This time around it’s campers out in the forest at night. As the group is sitting around their campfire, they hear an animal snorting and scuffling, much like what is thought of when a bear is nearby. Initially, the creature didn’t come into the light of the fire, then suddenly it charges the group. The campers jump up and run back towards their homes, the whole time being chased by whatever it is. The White Thing stops at the edge of the forest when the groups flees the tree line. The thing let out a loud scream before turning to retreat back into the woods. In the morning, when the group returned to their campsite, they found it all torn up. The commentary given is that it looked “like someone had tilled it up for gardening.”

2011 Patrick County – This story takes place in June, posted on June 11th and is to have happened in Fairy Stone State Park. A woman identifying herself as “Teena” tells how she was out hiking a few weeks ago with a friend. They had been out for about an hour when the friend stops and points towards a large group of rocks. There was something moving, but it had been too far away to see it clearly. As the two walked closer, they got a better look at what looked like a medium-sized bear with light colored fur, almost yellowish gray, the head was unusual too. The pair immediately left and went for home.

2015 Fulks Run, Virginia – This story claims to be the most recent sighting of the creature, this time in the Appalachian forests. Another group of campers reports having seen the creature. It stood about 8-9 feet tall and with shoulders some 4-5 feet wide. One camper reports seeing it at the top of a hill, crouching down. When the camper stood to alert the others, the creature started running towards the group. Fortunately, a river separated the group of campers from the creature and they report how the creature looked for a way to cross the river before wading across. When the creature got closer, the group describes it as being like a bipedal dog with wet fur. A loud gut-wrenching screech was heard that campers said sound about two miles away from their location. The creature got a look of shock to its face before whimpering and turning to run away, opposite of the sound that was made. As for the campers, they quickly packed camp and left, reporting their story to the locals instead of the authorities. The identity of the campers remains unknown.

Sweet Home Alabama

West Virginia isn’t the only place that The White Thing has been encountered. The people of Alabama, particularly around Argo and Trussville, tell of a 150-year-old legend of the White Thing of Happy Hollow that has been sighted for generations along this stretch of road. It is described as being man height, furry and white with sharp claws capable of scraping bark of trees and a shrill cry like a baby’s or a woman in distress. This beast is notorious for mutilating livestock. This White Thing is noted as looking more like a white or albino Sasquatch.

Possible Reality

It’s very likely, with some of the varying descriptions of the Sheepsquatch that people are misidentifying what they’re really seeing. Anything from ordinary animals like dogs, wolves and mountain lions to practical jokers dressed in costume looking to scare the tar out of campers and passersby.

Ice-Age Survivor – One idea put forward is that it could be Panthera Atrox or the American Cave Lion, a now extinct animal. If there were such an Ice-Age Survivor, it could be this animal that’s being seen.

Misidentified Animals – This is always a strong likelihood. Especially for any reported sightings of Sheepsquatch that try to describe it as being a feline or smaller like a dog. They might have seen an albino animal and with that fear of the unknown, some people tend to be rather confused and easily persuaded by the power of suggestion to misidentify what they saw.

Practical Jokers – And of course, as Sheepsquatch seems to clearly be in that realm of spooky campfire stories to tell people, I wouldn’t put it past someone to go scare the living tar out of a group of campers who will then run off to report having been terrorized by Sheepsquatch again.

Reality T.V.

Sheepsquatch has featured on a couple of different Reality T.V. shows that claim to be exploring the unknown and searching for evidence of mysterious cryptids and urban legends.

Monsters and Mysteries in America – In 2013, on the Destination channel, an episode of this show featured two hunters who claimed to encounter a nine-foot tall creature with white fur and long talons. The hunters shot at the apparent monster before it fled but were either unable to hit it or their firearms just didn’t affect the creature.

Mountain Monsters – In 2014, on the Destination channel, this show featured a video taken by a person claiming to have seen Sheepsquatch attack a pile of lumber.

Having seen that episode clip, wrong color.

Fallout 76 – The latest installment in this video game series is set in West Virginia. The game took advantage of the state’s wealth of local urban legends, cryptozoology and folklore to adapt many monsters to the game’s post-apocalyptic setting. The White Thing is just one of many such monsters found in the game.

Ufology & Mothman

The Mothman sightings were very prominent in the 1960’s and the spate of sightings for Sheepsquatch seem occur in the mid-1990’s. Most of which were all around the Cross Lanes section of West Virginia with a couple in Point Pleasant’s TNT Area. For those who readily believe and want to make connections, it’s easy to continue to attach a connection of the two entities. West Virginia does have a wealth of local folklore and monsters to draw upon.

Modern Folklore & Urban Legend

This particular post for me really feels as if all I’ve done is take two different cryptids in the way of “White Thing” and “Sheepsquatch” and mushed them together.

And it feels that way when starting with “The White Thing’s” first appearance in American folklore as a potential campfire ghost story. Whose early description and what it means; has a strong feeling of being the adaptation of British folklore with Black Dogs being brought by early British settlers, bringing along their beliefs. It’s possible that when hearing the local native folklore about white wolves and death-omens, the two just blended together.

Now somewhere along the line, due to the increasing popularity of Sasquatches or Bigfoot and the belief in mysterious unknown hominids still living in the wilds, somebody heard about The White Thing, heard its description and dubbed it Sheepsquatch. Once it gets that name, the creature moves away from its Black Dog, ghost story roots to the campfire quality stories of telling Bigfoot stories to scare people. Of course, because of the origin of West Virginia and Mothman, a lot of people into Fortean Phenomenon and chasing Ufos also glom onto the lore of Sheepsquatch.

You can see how there’s slightly, alternating descriptions from different accounts and sightings of Sheepsquatch and how it seems to be gaining in size, going from 6-7 feet to the latest reality T.V. show claiming sightings having it at 9 feet tall. It’s the fish story that just keeps getting bigger!

The description and location of where The White Thing and Sheepsquatch are found is what really puts it to mind for me they’re one and the same creature getting described. Like any good story, they do have a way of taking on a life of their own.

Pan

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Etymology: From the Greek word “pantes” meaning: All, everything, rustic

Other Spellings: Πάν

Other Names and Epithets: Aegocerus (“Goat-Horned”), Agreus (the Hunter), Faunus, Haliplanktos (Sea-Roaming), Innus, Kronios, Nomios (the Shepherd), Sinoeis

Pan is a familiar, half-goat, half-man or satyr deity in Greek mythology. As a god of forests and wilderness, he’s known too for inhabiting grottoes too. In his ancient Arcadian home, Pan is said to have wandered the mountain sides playing his reed pipes, aiding or hindering hunters, guarding shepherds and their flocks and his never-ending pursuit and dancing with nymphs.

Attributes

Animal: Goat, Tortoise

Patron of: Shepherds

Plant: Pine, Mountain Beech, Water-Reed

Season: Spring

Sphere of Influence: Fertility, Flocks, Rustic Music, Wilderness

Symbols: Reed Pipe, Phallus, Lagobolon (Hare Trap)

Pan is the Greek half-man, half-goat god of shepherds and flocks. A god of fertility and the wilds.

What’s In A Name?

The Latin words of the verb paô and pasco connect Pan’s name to mean “all” or the universe. The Arcadians used the word pan meaning rustic, for anything out in the country, wild and untamed.

The idea of the Greek word pan for “all” comes from Homeric Hymn where Pan is described as delighting all the gods. This word ends up being used in word play in Plato’s Cratylus where he describes Pan as a dual-natured god, a personification of the cosmos.

The Greek word: “pa” is a more likely source for Pan’s name as it translates into “Guardian of the flocks,” certainly one of the things he is known for. Interestingly “pa-on” meaning: “herdsman” is a closely related word and where the Latin pastor and the modern English word “pasture” come from.

Another source says that Pan’s name comes from the Greek word: “paein” meaning “to pasture.” Furthering the ideas, Edwin L. Brown puts forward the idea that Pan is likely a cognate to the Greek word: ὀπάων, meaning “companion.”

Early Greek Depictions

It is around 500 B.C.E. that Pan appears in Greek art. These early depictions of Pan show him as a black goat standing upright on hind legs.

Later red-figure pottery shows Pan’s image change to that of a satyr. Some might even say the father of all satyrs. He is often shown having a wrinkled face with a prominent, bearded chin, snub nose, pointed ears, goat-like horns with hairy legs and cloven hooves like a goat. playing a reed pipe. Sometimes he is shown with a shepherd’s crook and a pine branch or a crown made of pine. Often times he’s in the company of fellow satyrs and Maenads.

Coinage – In 4th century B.C.E., Pan’s image is found on coinage in Pantikapaion, for the Arcadian League.

Dual Nature – Plato’s Cratylus

This one’s interesting. Socrates discusses how Pan is a duel-nature son of Hermes. That makes sense as Pan is half man, half goat after all. Socrates goes on to explain how Hermes’ name comes from the word for “speech.” That Pan, the all things known, both true and false. The true part of Pan is the part that is smooth and divine and that he lives with the gods. The false part is the lower part that is goat, representing the baser, common man who are rough and like the tragic goat. I presume this comes from the origin for the word tragedy or tragikos, goat-song and is in reference to early, primitive performances where people wore goat-skins. A roundabout way of saying that life is nasty, short and brutish. It is among mankind that tales and falsehoods can be found.

Goat-Song!

While we’re at it, Pan was also the god of theatrical criticism.

Arcadia

Considered a pastoral paradise in Ancient Greece, the land “that existed before the moon,” this is the place where Pan is said to have been born, specifically on Mount Lycaeum.

Arcadia is mountainous and fertile area located in central Peloponnessus. This place is found to the south of modern-day Greece. This is the location where the seat of the ancient Greek empire once lay.

For the ancient Greeks of their day, they viewed Arcadia and those who lived there as being backwards and primitive. They weren’t held in the same light as more civilized Greeks. Outside of Greece, Pan’s worship spread as far as Egypt and other local, neighboring countries.

Athens – Around the fifth century B.C.E., after the Battle of Marathon, Pan’s worshipped arrived in this City-State.

The story goes that Pheidippides, an Athenian was to Sparta to enlist their aid against the Persians, Pan appeared before him and promised that he would terrify or panic the invaders. In return, the Athenians would begin honoring and worshipping Pan.

Shrines & Temples

Even after the Greeks began worshiping other gods and adding them to their pantheon, Pan still had shrines built, honoring and venerating him. Many of these shrines and sacred places to Pan were often in caves and grottos. There were many sanctuaries and temples dedicated to Pan throughout Arcadia, including some in places like Athens, Heraea, Homala in Turkey, Megalopolis, Mount Parthenius, Oropus, the island of Psyttaleia, and Troezene to name a few. The Korkykeion cave found on Mount Parnassos and the Vari cave in Attica are a couple of the places dedicated to Pan.

According to the ancient Greek historian, Diodorus Siculus, the Egyptians had a good number of statues of Pan in many of their temples. In Thebes, the city of Chemmis was also known as the city of Pan or Panopolis.

Caves & Grottos

Many of Pan’s sacred places were found in caves and grottos. Pan’s sacred shrines and grottos weren’t solely dedicated to him, sometimes he shared it with a local deity or nymph in the region. Sacrifices offered up to Pan included cows, rams, lambs, milk and lamb. These sacrifices would also be offered up to Pan in conjunction with Dionysus and the nymphs. Other sacrifices to Pan included statues of herdsmen, vases, lamps and gold grasshoppers. Goat sacrifices and torch races were also part of Pan’s worship at Delphi and Athens.

A few other locations for Pan’s shrines or temples are:

Acacesium – A perpetual fire was kept burning here in this time. Also at this time, there was an oracle where the nymph Erato was Pan’s priestess.

Acropolis – This shrine to Pan is hidden away in a shallow cave beneath the Acropolis in a place still wild and untamed.

Apollonopolis Magna, Egypt – A Temple of Pan is found here.

Corycian Grotto – Located near Mount Parnassus.

Nomian Hill – A shrine was located here near Lycosura.

Peloponnese – A Temple of Pan was located here on the Neda River gorge.

Well of Eresinus – Located between Argos and Tegea

Mystery Cults – During the Hellenistic era, Pan becomes a cognate to the Phanes/Protogonos, Eros, Dionysus and Zeus.

Youngest To Oldest

In the Greek pantheon, Pan is considered the youngest of the gods. That makes sense if Hermes is Pan’s father. Making Zeus his great grandfather and Apollo his grandfather. At the same time, Pan is also considered the oldest god as records of his worship date to the 6th century B.C.E. in Arcadia. Mythical evidence seems to back this with Pan being the one who gives Artemis her hunting dogs and teaches Apollo the secrets to prophecy.

This likely makes sense too that for all that Pan being a rustic, rural god, was seen by the Greeks as representing the connection between the wildernesses and civilization. In Arcadia he would enjoy being a major god, but else where he was reduced to a minor god and not counted among the twelve major Olympian gods. So how ever minor his role seemed to have taken on, his influence and importance were not denied or forgotten.

Parentage and Family

Grandfather or Great Grandfather

As the grandson or great grandson of Cronos, Pan is known as Kronios.

Parents

The parentage for Pan is greatly varied and murky. Depending on the source that one uses, a different set of parents will be mentioned. That kind of makes sense when seeing Pan as a nature god, that he could be older than the other Olympian deities. Depending on which one you read, will be which one you decide to go with.

Father – Hermes, nearly every myth concerning Pan’s birth agrees on this. Sometimes another deity, Aegipan is given as Pan’s father. Even the gods Apollo, Cronus, Dionysus, Uranus, or Zeus could be mentioned as Pan’s father. Others like Amphinomos, Antinoos and Odysseseus are mentioned as Pan’s father.

According to Euhemerus, a 4th century B.C.E. mythographer, Aegipan (or Pan) was married to Aex and when she had an affair with Zeus, she bore the god Pan to him. In this instance, Pan was called Aegipan.

Mother – There are many different myths regarding who Pan’s mother is.

In no particular order, they are: Dryope the daughter of Dryopos, Thymbris, Penelope (There are two Penelopes of note here. The first one, Hermes visited in the form of a ram. The second Penelope is of Odysseus fame as she proved to be unfaithful while she waited for Odysseus to return home). Nonnus’ Dionysiacs is where Penelope of Mantineia in Arcadia, a nymph. This Penelope is later confused or combined with the Penelope, the wife of Odysseus. Oeneios, some random Nereid, Sose, and Callisto. Even the goddesses Aprodite and Hecate are sometimes mentioned as being Pan’s mother.

Sometimes Pan’s parentage is given as being Uranus and Ge or that of Aether and Oeneios.

Consorts

That seems a little odd to think of Pan as having any spouse. Given Pan’s later reputation for chasing around after all the Nymphs and seducing anyone who’s female…. There’s actually a few that Pan actually truly loved.

Aix – Also spelled Aex, she is a goat or a nymph who took the shape of a goat. Her connection to Pan seems more sure if you count Aegipan and Pan as being one and the same person.

Echo – This one is rather tragic, the story is given in full later.

Pitys – A nymph who turned herself into a pine in order to elude Pan’s advances.

Syrinx – A more well known Syrinx who changed herself into a bed of reeds to escape from Pan’s unwanted advances.

Siblings

The satyrs in general were all considered kin to Pan, if not his sons, Laertes, Circe and the Maenads.

Agreus – A half-brother by way of Hermes, part of a “Pan Triad.”

 Arcas – the twin brother to Pan, when Zeus is seen as the father. That is, if you accept the source of Kerenyi’s work of Aeschylus in Rheus noting there being two Pans.

Daphnis – A half-brother by way of Hermes.

Nomios – A half-brother by way of Hermes, part of a “Pan Triad.”

Children

Akis – Also spelled Acis, he is the son of Pan (or rather Faunus) and the nymph Symaethis.

Eurymedon – Of the Seven Against Thebes fame, he said to be the son of Pan given how he fought fiercely in battle, causing others to panic.

Iambe – With Echo, Pan is the father of Iambe, a minor goddess of verse.

Iynx – With Echo, Pan is the father of Iynx, a girl who took the form of a bird.

 Krenaios – Also spelled Crenaeus, he is the son of Pan (or rather Faunus) and the nymph (more accurately a Nereid) Ismenis. Crenaeus fought fiercely in the Seven Against Thebes, even more so in the river Ismenis of his mother’s name sake.

Krotos – With Eupheme, Pan fathered Krotos, a minor god who invented the hunting bow and rhythmic beats or clapping in music.

Silenus – This one is a bit dubious, as he is sometimes considered older than all of the satyrs and sometimes his parentage is given as being the son of Hermes and Gaia.

The Panes – All the satyr and local woodland deities including the fauns. According to Nonnus’ Dionysiaca, there are twelve Panes who lived in caves and claimed Pan as their father. They are known for having accompanied Dionysus in his War with India. These Panes were:

Aigikoros, Argennon, Argos, Daphoineus, Eugeneios, Glaukos, Kelaineus, Omester, Philamnos, Phobos, Phorbas, and Xanthos

What A Pane

Nearly every region of Ancient Greece had a regional woodland deity, many of them local satyr deities that all came to be identified as just different aspects of Pan. These multiple Pans or Panes were also known as Paniskoi or “little Pans.”

Satyrs weren’t necessarily gods in themselves, but nature spirits known for all sorts of carousing and chasing after nymphs, eating and drinking. The Romans would know these nature spirits by the name of fauns or incubi, the Celts believed in Dusios or dusii for plural. Much like the plural of Pan being Panes, the plural of satyr is Satyri.

This association with these local deities, gave rise to Pan being known by many names and seen as a universal god. Some of these local deities are as follows:

Aegipan – A goat-fish god connected to the constellation Capricorn.

Aristaeus – God of flocks, agriculture, bee-keeping, viticulture in Northern Greece. Like Pan, Aristaeus also held the title of Agreus (the Hunter) and Nomios (the Shepherd).

Marsyas – A Phrygian satyr also known for playing the pan pipes.

Priapus – A local god whose images have been found at Pompeii

Silenus – Knowledge and viticulture

Sybarios – An Italian version of Pan who was worshiped in the Greek colony found at Sybaris, Italy. This Sybarite Pan is the son of a Krathis, a sheperd and a she-goat.

Pan Triad

As a triad, Pan was known as Agreus, Nomios, and Phorbas. Each seen as a separate entity and not just as a title of Pan’s.

In Nonnus’ Dionysiaca, two of the Panes, Agreus (Hunter) and Nomios (Shepherd) are merely different aspects of Pan. By the same account, they are the sons of Hermes with two Nymphs. The first is Sose, a prophetess who bore Agreus who inherited Sose’s gift for prophecy and would become a god of the hunt. The second is a nymph by the name of Penelope (not to be confused with the one of Odysseus fame) who bore Nomios known for playing the reed shepherd’s pipes or syrinx, shepherd, and seducing Nymphs. It has been said that many of the stories about Pan are actually about Nomios.

Agreus and Nomios are often taken to be two different aspects of Pan, indicating a dual nature to the half-goat god as both wise prophet and a lusty, amorous beast.

Phorbas would later join these two. Phorbas’ name means “giver of grazing” and has been noted as a play on the word phobos for “fear.”

The Birth Of Pan

Regardless of who is considered Pan’s mother, it’s generally agreed that she ran away at the sight of this already fully developed infant sporting horns, covered in hair, complete with beard, goat tail and legs with cloven hooves. Hermes however, took his son up to Olympus where the other gods were immediately delighted with him, especially Dionysus. The nymphs would raise Pan.

One of the nymphs to raise the infant Pan was Sinoe. From her, Pan received the epitaph of Sinoeis.

As a side note, the Homeric Hymn has the nurse being the one frightened by the sight of Pan and running away.

Where Penelope, the wife of Odysseus is listed as Pan’s mother, she was seduced by Antinous. When Odysseus returned Penelope to her father Ikarios, she gave birth to Pan when she arrived at Mantineia in Arcadia. With Penelope as Pan’s mother, he is clearly a demigod who became fully immortal.

Fertility God

A fertility deity, Pan is known for being very lusty as a symbol of male sexuality and carnal desire. Spring is the time for fertility, so it makes sense that Pan what he’s known for doing best, sex. There’s just no way around it.

Pan is very famous for his stories of endlessly chasing after nymphs who, to elude the lusty, rutting god, would turn into trees and rocks. These same stories were also used by the ancient Greeks to explain the many varieties of plants and natural features with how they came to be.

Erotica

Nudity was a common thing among the Greeks, seen as being very natural and not holding any of the stigmas against it that are found with later cultural, especially religious taboos. It just is, nothing sexual about it.

Pan on the other hand… Part and parcel to Pan’s sexual prowess, one of his symbols is a phallus. Meant in joking tones, Diogenes of Sinope tells how Pan learned masturbation form his father, Hermes and then went on to teach it to shepherds. As such, it’s not uncommon to find ancient Greek art depicting Pan having an erection, he was just that sexually active.

Panic Sex

Sex for the sake of it. That is part of who Pan is, bringing out the wild, untamed natural man to give into primal desires to satisfy momentary, carnal lust. If you want a love god for someone to fall in love with for a life partner, Pan is not your deity. Try Aphrodite or Eros for better results. For the ancient Greeks and Pan especially, he held many sexual partners and would move from one to the next with ease.

Rest assured, the ancient Greeks did see a need for having a main partner and a need to have someone you were with to create a better sense of family and unity. But engaging with a new partner from time to time could lead to something new and a change of pace.

When in Rome, only this was Greece.

Pan & The Nymphs

Pan is often mentioned as a companion to the nymphs of the woods, mountains and rivers. As a god of fertility, Pan also has a reputation that may or may not be deserved as being very lusty and constantly chasing after the nymphs as they flee from his unwanted advances. It all starts off well and good, he would join their dances and play his reed pipes, then soon enough comes the rutting and the chasing after. The nymphs would very likely be the original #MeToo crowd. They do manage to get their revenge on him at one point where they set upon Pan while he’s asleep to tie him up and shaved off his beard.

This part comes from Philostratus the Elder in his Imagines 2 where he describes a painting of the Bucolic Nymphs having tied up Pan and shaved off his beard as they say they will persuade Echo to no longer respond to him.

Even Artemis, the goddess of the Hunt and Moon got fed up with Pan’s behavior as her retinue of virgin followers and nymphs would grow smaller every time Pan or any of the satyrs came around.

 Maenads – Aside from the Nymphs, Pan also got on well with the Maenads, the female followers of Dionysus rather well too. Now, either did this one by one or would multiply into a host of Panes to satisfy them all.

Pity – This poor nymph eluded Pan’s advances by turning into a Mountain Fir.

Pan Girls – With Pan’s rather lusty nature, Greek girls back then were known as Pan Girls when they displayed the same behavior.

Where The Wild Things Roam

A nature god, Pan’s domains were all of wildernesses. Grottoes, meadows, forests, beasts and even human nature itself. All of it is Pan’s domain. During the heat of the day, Pan would sleep and didn’t take kindly to anyone who disturbed him. Pan is described too as a god heard, but not seen.

Bees – As a god of nature and wild things, it stands to reason that among many of the things that Pan cared and watched over would include bees too. Like was previously stated, all of wilderness.

Fishing – Coastal areas and the success of local fishermen were also under Pan’s province.

God Of The Hunt – As a god of the wild places, Pan is also a god of the hunt, hunting dogs and he could decide a hunter’s success or not. In Arcadia, hunters would whip or scourge statues of Pan if their hunting failed.

God Of Shepherds And Flocks – In Pan’s homeland of Arcadia, there were many shepherding groups, most of whom herded goats and sheep. Pan protected the herds and flocks both wild and domestic. Pan would even help shepherds find their way back to the towns and cities. This role clearly placed Pan as the guardian of the wilds and civilization.

Panic At The Parthenon!

Pan’s name is the basis by which the word “panic” originates. It is one of the things that Pan is known for, causing a sudden or great fear in people. There are a couple myths given as an explanation for this.

Afternoon Naps – Sleep is good. The afternoons are when Pan is known to take his naps and woe to anyone who disturbed him from his sleep. But hey, who wouldn’t be cranky when woken up from their sleep. That’s right, run for the hills.

Music – Pan’s music that he played on his reed pipes could inspire panic in anyone who heard it. With it, Pan’s music could lower people’s inhibitions, an ecstasy brought on by listening to the music and dancing. A lowered inhibition that could either inspire or bring on a madness.

Panolepsia – During the Hellenistic era, Pan’s popularity increased and it is at this time he became associated with the word panic, an emotion known to overcome soldiers on the battle field. This violent emotion, known as panolepsia could overcome any individual person, inside and outside of battle.

Titanomachy –  The first myth given is that Pan was present when Zeus defeated the Titans during the great Titanomachy. The claim then is that Pan’s yelling caused the Titans to flee.

Battle Of Marathon – The Athenians began worshiping Pan after he helped them out with causing panic among the invading Persians.

Nighttime Pranks – The second myth given is that Pan would make noises to scare away travelers in his protected forests.

God Of Rustic Music

When he wasn’t busy chasing nymphs, Pan could be found playing his famous reed pipes and dancing with the wood nymphs. Pan’s skill with music was such that he could cause inspiration, promiscuity or panic depending on what he wanted. The reed pipes were synonymous with rustic music as they were relatively cheap and easy to make with cutting reeds to different lengths and stopping them up with something like wax.

Syrinx

One of Pan’s more famous and well-known myths. Syrinx was just one of many nymphs that Pan would endlessly pursue. She was a water-nymph and the daughter of the river-god Landon. One day, as Syrinx returned from hunting, she encountered Pan who became infatuated with her. To escape his unwanted advances, Syrinx fled from Mount Lycaeum down to the Ladon river, there she pleaded with her sisters (or sometimes Zeus) to change her into a bed of water reeds. When Pan narrowly missed grabbing Syrinx, he discovered that when he blew air through the reeds, they made a noise. A forlorn Pan, mourning the loss of Syrinx, took the reeds and crafted his famous reed pipes or Syrinx from them.

Daphnis – The son of Hermes and a nymph, a shepherd, he invented pastoral poetry. He is one of many whom Pan taught how to play the pan pipes or syrinx.

Pindar – A poet said to be loved by Pan for singing and dancing to his music. Pindar built a sanctuary dedicated to Pan outside his house.

Olympus’ Got Talent!

In the original version of this story, Pan is equated with the Phrygian satyr, Marsyas. In the original telling of events, Marsyas is punished for having challenged the god Apollo.

However, other versions of this story have Pan and Apollo having a music contest with a local deity, Timolus set to be the judge. King Midas (as in the one with the golden touch) was there by happen stance as at this time, he was now a follower of Pan and followed him around.

When Apollo and Pan completed their different musical scores, Timolus was all set to call Apollo the winner. Midas spoke up and said that it should be Pan who was the winner. This angered Apollo and in retribution, he changed Midas’ ears into those of an ass.

You just can’t win.

One version of this story has it that both Apollo and Pan were tied, so they held a second round. This time around, Apollo said that they should play their instruments upside-down. Apollo was unaffected with playing upside-down, Pan however, was unable to play his reed pipes. Thus Apollo won the contest.

The Mother Goddess

In Pindar’ Pythian Ode, Pan is mentioned as a being either a follower or consort to the mother goddess. This is very likely either Cybele or Rhea whom is seen as a synonymous with Cybele.

Pindar makes mention of virgins worshiping Cybele and Pan near his home in Boetia.

Pan and Rhea alike are deities of the mountains and wild places. In a fragment of Pindar’s Maiden Songs, Pan is mentioned as the companion to Rhea and the warder or guardian of holy shrines.

There’s an episode in Valerius Flaccus’ Argonautica where Rhea becomes angry with the king of Kyzican for killing one of her sacred lions and Pan descending on the city of Kyzikos at night yelling loudly to disturb the flocks to panic and stampede and bring terror to the city in revenge at Rhea’s command.

Another source I found for this, replaced Rhea’s name with that of Cybele’s. This isn’t too surprising, when you see Rhea and Cybele as the same deity, just different names from different Greek and Roman cultures. It almost seems like a matter of preference when someone retelling the Greco-Roman stories flip-flops back and forth with the names used.

Follower Dionysus

Pan is known to be part of Dionysus’ retinue accompanying many other prominent paniskoi, satyrs and rustic deities, causing a lot of rowdy behavior and riots characteristics of such bacchanalias.

Dionysus’ Indian War – When Dionysus went to war with the country of India, Pan was among the many satyroi and panes who accompanied him.

God Of Prophesy

Being the grandson to Apollo, that makes sense that Pan would have inherited some of the family tendency to foretell the future. According to some accounts, Pan is to have taught Apollo the prophetic arts. In the sanctuary of Despoine in Arcadia, the nymph Erato served as one of Pan’s prophetess’. Similarly, the Korykian cave, another Oracular site was held sacred to the nymph Korkykiai and Pan.

Pan & Typhon – Capricorn

In Greek mythology, the constellation, Capricorn is known as Pan and he is usually portrayed as the son of Hermes. He had the upper half of a man and the legs of a goat. How Pan becomes associated with the constellation of Capricorn is that one day when Pan and the other Gods were down by the Nile River, they were attacked by the monster Typhon. The Gods all changed themselves into various animals and forms in order to escape. In the confusion and panic, Pan jumped into the Nile River, intending to change into a fish, but only his lower half changed while his upper half turned into a goat. When the other Gods saw this half-goat, half-fish form of Pans, they laughed so much and decided to place an image of it up among the stars where it becomes the Capricornus or Capricorn constellation.

Aegipan

 In a more elaborate retelling of the story of the Greek Gods versus Typhon, while the Gods did change into various animal forms, Zeus changed into the form of the ram, Aries and remained in this form for a while. Other gods like Aphrodite and Eros became a pair of fish that form the constellation of Pisces. Now Aegipan had also transformed himself into an animal to escape Typhon, but he was already halfway submerged in the Nile River when he finally decided what animal form he would be. He had decided to be a goat, but only from the waist up and a fish from the waist down. And its this result of indecision during panic and trying to escape that results in the familiar half-goat, half-fish from of Capricorn.

Zeus finally reappears back in his own form and battles against Typhon, but he was however defeated. Typhon proceeds then to cut out the tendons of Zeus’ hands and feet and therefore unable and helpless to move. Typhon hid the tendons in a cave in the land of Cilicia. The draconic being known as Delphyne, a half-serpent, half-woman creature was tasked by Typhon to guard Zeus’ tendons.

Between the gods Hermes and Aegipan, they were able to steal back Zeus’ tendons and return them, so Zeus could become whole again. With his strength restored, Zeus was now able to battle Typhon again and this time, defeated him hurling thunderbolts at him. For Aegipan’s role in this battle the Titan, Zeus set the Capricorn constellation up in the stars to honor him.

Aegipan or Pan?

Well now that all depends… some scholars will say that Aegipan is a separate deity from Pan like Nomios and Phorbas who are collectively called the Panes. Other scholars will say that the Panes are merely different aspects of the same god, in this case, Pan.

Additionally, Aegipan is sometimes said to be the father of Pan and not Hermes. It can create for a lot of confusion. Which is what Pan is good at and hence the origin of the word panic. There is also a 5th century B.C.E. Greek vase depicting both Pan and Aegipan as separate beings.

Pan And Demeter

In this story, Demeter and Poseidon are married. After a falling out with Poseidon and the abduction of her daughter Persephone by Hades, Demeter became very distraught, clothing herself in black and hiding away in a cave. Because of this, with Demeter being an agricultural and fertility goddess, nothing grew and there came a famine upon the land. None of the gods knew where Demeter had gone. Pan returned to his home of Arcadia and began wandering the country side and mountains. Eventually, Pan made his way to Mount Elaios where he found Demeter hiding in her cave. Pan reported back to Zeus that he had found Demeter and the Moirai was sent to Demeter and negotiated a peace between her and Hades that resulted in the familiar cycle of seasons.

Pan And Echo

Another nymph (a minor mountain deity) by the name of Echo. Most stories have her spurning Pan’s advances and eventually she fades away, leaving behind only her voice to answer or echo Pan’s calls to her.

Beauty Contest – This story tells how Echo, being a rather beautiful nymph and musically inclined; being able to sing and play several different instruments. Like all her nymph sisters, Echo lived deep within the forests, spurning the love of mortals and immortals alike.

Before this, there had been an Achilles, the son of Zeus and the Lamia. Now Achilles was incredibly handsome and along with several others, entered a beauty contest with Aphrodite. Acting as judge was Pan who was the most fairest of them all. Aphrodite grew angry with Pan and she cursed Pan with an unrequited love for Echo, whom he pursued relentlessly.

To try and reconcile this version of the story with the below one in Daphnis & Chloe, it makes sense that in his madness, that Pan would incite his shepherd followers to descend upon Echo to tear her apart.

That afterword, Gaia taking pity and having favored Echo, gathers up the pieces of her broken, scattered body to the earth and that all that remained was Echo’s voice. It really makes sense that in mourning, that Echo is chasing after the sound of Echo’s voice every time he hears her repetitive call. It makes sense for Pan to be mentioned as forever chasing after his student that he can never find.

Daphne & Chloe – This story has Echo getting torn to pieces by shepherds after Pan incites them to riot and Gaia then gathering up the broken pieces of Echo’s body to hide within the earth. That only thing to remain was Echo’s repeating voice.

Thebes, Egypt – Here, there was a cave that was shaped like a shepherd’s pipe and a marble statue of a satyr. Pan visited this cave and was delighted by the music of the flute, yet held firmly to Echo in fear  so she wouldn’t echo a response to the marble statue.

Apuleius, The Golden Ass – A 2nd century C.E. Roman novel, the author Apuleius describes Pan as sitting by the banks of a stream with Echo in his arms as he teaches her his music and songs.

Suda – In this fragments of poetry and story, Echo is described as bearing the children Iambe and Iynx to Pan.

There must have been a real relation between Echo and Pan and not just the lusty, rutting of a goat-god. It’s unfortunate as it does seem the ire of Aphrodite cause Pan to go into madness and kill his one real love. Given the lusty reputation of Pan for chasing nymphs, Echo’s demise being caused by Aphrodite seems to have been over looked and lumped in as just another failed conquest.

Pursuing Omphale

In this story, Pan is in a rut, chasing after the Queen of Lydia, Omphale. On the night that Pan was to arrive, Omphale persuaded Hercules to switch clothes with her. So when an amorous Pan showed up and slipped into Omphale’s bed, he’s promptly kicked across the room by Hercules.

After that, Pan banned the wearing of any clothes at his religious rites and rumors began spreading about Hercules being a transvestite.

Pan And Selene

Selene is considered perhaps the greatest of Pan’s sexual conquests. He managed to woo and seduce the moon goddess Selene by wearing a sheep skin in order to hide his black goat features. Seeing her reflection in the white sheep skin, Selene came down from the night sky and Pan was able to woo and seduce her. By one account, this is how “The Man in the Moon” came to be.

Pan And Psyche

Thankfully, we can see that Pan isn’t all lusty goat-god out to ravage everyone he sees. After Psyche lost her lover, Eros, she went wandering in great despair. When Psyche’s wandering brought her the banks of a river, she intended to throw herself in it to drown.

Luckily for Psyche, both Pan and Echo were nearby as Pan was teaching Echo his songs. Seeing Psyche in her despair, Pan called her to him. Seeing how love-sick she was, Pan told Psyche not to kill herself but instead to make prayers and seek out the attention of Eros so she could eventually draw him back to her. After receiving the advice, Psyche went on her way.

Universal God

The idea of Pan’s name becoming associated with the meaning of “all” and Pan being a god of all, a universal deity comes about during Roman times. Over a period as the meanings of a word or words change or become confused.

It makes sense, Pan being a god of the wild places and all of nature, even human nature.

Pan Is Dead!?!

In Plutarch’s “The Obsolescence of Oracle,” he mentions that Pan is the only Greek god who is dead. According to this account, during the reign of Tiberius (between 14-37 C.E.) there had come news of Pan’s death to a sailor by the name of Thamus. The ship that Thamus was one was headed for Italy and when they passed by the Echinades islands, specifically, the island of Paxi, a divine called out to Thamus asking: “Thamus, are you there? When you reach Palodes, take care to proclaim that the great god Pan is dead.” The voice is to have called out three time to Thamus and when they reached their destination, Thamus spread the word of Pan’s passing much to others dismay.

The Rumors Of Pan’s Demise….

Now, it has been put forward by others such as Robert Graves, Salomon Reinach and James S. Van Teslaar, that Thamus and those onboard the ship may have misheard what was said. That it was: “the all-great Tammuz is dead” and not “Thamus, Great Pan is dead.” As the phrase spoken, “Thamus Panmegas tethneke” that is to have been said could easily have been misunderstood by those who didn’t speak the language.

When Pausanias traveled through Greece a century later after Plutarch, he discovered that a good many of Pan’s shrines and sacred places were still very much so in use. Jump forward to the 18th century C.E. and Christians have taken Plutarch’s words for gospel truth and have repeated it for history and allegorical truths with the passing of older, ancient orders and for a new age. Poets like John Milton have used the cry of: “Great Pan is dead!” taken to using this line in their poetry.

Are Greatly Exaggerated

To complicate this, even if Pan were dead, he wouldn’t have been the first deity or immortal to die. There’s Chiron, who died of a poisoned arrow and then you have Dionysus who was killed by the Titans. You could count the gorgon Medusa among this number for Greek immortals, only the stories will say she was really just mortal as the Greeks cling to the idea that an immortal can’t really, truly die. That’s only the Greek mythology without touching any other mythologies.

Seeing as this looks like it all stems from a misunderstanding or mistranslation that once the 18th century arrived, took off in people’s imaginations. When looking among the Neopagan, New Age and Wiccan crowd, the veneration and honoring of Pan as an aspect of the Horned God is still very active.

Margaret Murray, in 1933 wrote in her book “The God of the Witches” a theory how Pan was worshiped in Europe by a witch cult. This book is what has contributed to many modern Pagan and Wiccan religions using the Horned God as a symbol of male sexuality and prowess.

The important thing to remember with the 18th century is that this when Pan also makes a come back in literature. He makes an appearance in “The Wind and the Willows.” James Barrie’s famous character of Peter Pan is in part based off of Pan. Not just the last name of Pan, but a strong connection is made in “Peter Pan in Kensington’s Garden” where a young Peter is seen riding a goat.

That’s just a few of the works of literature or poetry to be inspired by and use Pan.

The Devil You Know…

One thing that seems so obvious, when looking at most Christian versions of the devil is the similarity of imagery with Pan, the horns and the cloven hooves. Much of medieval and even post-medieval Christian imagery in literature and art depicts a dark caricature of Pan as the devil or Satan. It really seems unmistakable. Ronald Hutton has noted that this imagery tends to be more modern and is influenced by Pan’s popularity during the Victorian and Edwardian eras.

Pushan – Hindu God

A Vedic solar god and guardian of flocks and herds. This is more of a modern idea as scholars see Pushan’s name as originating from a Proto-Indo-European god: Péhusōn, an important pastoral deity. It is thought that Péhusōn shares a root word with the English word “pasture.” As a result, the idea then comes that Pushan is a cognate of Pan. The German scholar, Hermann Colitz proposed the idea in 1924 of connecting Pan with Pushan.

Faunus – Roman God

The ancient Romans identified Pan with their own woodland deity of Faunus or Inuus.

Faunus is a vegetation deity as well as a god of prophecy and shepherds, so it’s easy to see how the Romans would come to equate the two gods as being one and the same. It is noteworthy to mention that only after the Faunus’ association with Pan did his depiction in art begin to change and become more like Pan’s with the goat hooves and horns. Some Roman accounts have Faunus as the son of the god Mars (Greek Ares) instead of Mercury (Greek Hermes). Faunus is known as the father of Bona Dea or Fauna.

Inuus being a fertility god and a god of shepherds was often used more as an epitaph of Faunus rather than a separate deity.