Category Archives: Divine Order
Credit – Spiderbrick 2099
Etymology: “Great One”
Alternate Spellings & Other Names: Taueret, Tauret, Taurt, Apet, Ipet, Ipy, Opet, Reret, Rertrertu, Thoueris (Greek), Thoeris (Greek), Toeris (Greek), Ta-uret (Greek)
Other Names and Epithets: “Lady of Heaven,” Nebetakhet “The Mistress of the Horizon,” “She Who Removes Water,” “Mistress of Pure Water,” “The One Who is in the Waters of Nun,” and “Lady of the Birth House”
In ancient Egypt or Khemet, Taweret is the hippopotamus goddess of fertility, protection, and childbirth. She was a rather popular goddess whose image could be found in homes on beds and pillows rather than in any formal temple. Because of her fearsome chimeric appearance, some sources and translations will refer to Taweret as a demon.
Color: Blue, Green
Gemstones: (Hippopotamus) Ivory, Turquoise
Patron of: Child, Mothers
Sphere of Influence: Childbirth, Fertility, Motherhood, Pregnancy, Protection
Symbols: Ivory Dagger, Sa symbol, Wand
Taweret is shown in Egyptian art as being a chimeric deity having the head and body of a hippopotamus, the arms and legs of a lion, a crocodile’s tail and human breasts, and swollen belly of someone pregnant. She wears a flat, cylindrical headdress called a modius that sits on top of her hair or wig. These chimeric aspects show Taweret being both a fertility goddess and a protective deity and how nature can be bountiful while dangerous at the same time if not properly respected. The images where Taweret is shown with a crocodile on her back represent her connection to Sobek.
Later images show Taweret with the sun disc that’s associated with the goddesses Hathor and Isis. Taweret is often shown holding a Sa amulet, a symbol for protection and it wasn’t just protective amulets, as a household deity, Taweret’s image could be found on a wide variety of objects. Household furniture from chairs to stools and headrests. Vessels holding liquid were made with Taweret’s image with openings on the nipples, thought to purify any liquid being poured out. These vessels were very popular during the New Kingdom era. Towards the Middle Kingdom era, apotropaic objects such as wands and knives would bear Taweret’s image during both funerary rituals and pregnancy and birthing rituals. These objects have been shown in tomb paintings.
What’s In A Name
Taweret’s name means either “She who is great” or “Great One” and is the type of name or epitaph given to a potentially dangerous deity or entity so as not to provoke their wrath.
Taweret is a domestic deity in that she usually didn’t have any temples dedicated to her. Instead, you could find images of her in people’s homes on beds and pillows.
However, statues of hippopotamus goddesses can be found in tombs and temples to help the deceased be successfully reborn into the afterlife. Plus, during the time of the Middle Kingdome between 2,055 and 1,650 B.C.E., Taweret became more prominent with her image appearing on more apotropaic objects, the most common being a “wand” or “knife” carved from hippopotamus ivory used in rituals for the birth and protection of infants. These same images would also appear on children’s feeding cups.
Interestingly enough, during the Middle Kingdom era, Taweret would also become a funerary deity and hippopotami images would appear alongside the marsh flora décor in tombs and temples. This imagery connects Taweret as a goddess of rebirth into the afterlife, not just earthly births.
During the New Kingdom (1,550 to 1,069 B.C.E.), Taweret along with other household deities would become even more prominent. Taweret’s image would appear on a number of household items. Despite the ruling of the Eighteenth Dynasty pharaoh Akhenaten to alter Egypt from polytheism to henotheistic religion and a focus on the sun disc, Aten banned the worship of many deities, Taweret persisted due to her influence on daily life and her connection as a funerary deity.
During the Ptolemaic and Roman periods between 332 B.C.E. and 390 C.E., Taweret continued to have the main role in day-to-day Egyptian life. Either during the Late Period 664 B.C.E. to 332 B.C.E., a temple was built for Ipet, a similar hippopotamus goddess in Karnak. This temple was believed to be the place of the sun god, Amun-Re’s daily birth, and several goddesses like Taweret were connected to him as a divine mother.
Crete – In the Minoan religion of ancient Crete, Taweret is known as the Minoan Genius. All thanks to contact and trade of ideas with Levant who in turn, got them from Egypt. Taweret’s image continued to be used on protective amulets, though in a more Minoan style, and would find their way even to mainland Greece.
Levant – Taweret was adopted into Levantine religions, taking a maternal goddess role in their pantheon.
Nubia – Taweret even found favor with the Nubian empire and became part of their pantheon during the lat Middle Kingdom era in Egypt. Evidence has been found of Taweret appearing in royal rituals in Kerma, the capital of Nubia.
Parentage & Family
Given how fluid Egyptian myths can be, who’s related to who can vary by era.
Taweret has been paired up with a few different gods.
Aha – Or Bes, the dwarf god, Taweret is sometimes paired with him.
Apep – An Egyptian snake god of chaos who is sometimes paired with Taweret.
Seth – Or Set, according to Plutarch, is Taweret’s spouse.
Sobek – The crocodile god of chaos, Taweret is paired with him.
In Thebes, Taweret is regarded as the mother of Osiris and thus linked to the sky goddess Nut. Taweret is to have given birth to Osiris in Karnak.
Amun-Re in Ptolemaic traditions and accounts when he becomes the supreme god instead of Ra. Under this mythic tradition, numerous maternal goddesses were seen as Amun-Re’s divine mother. They were all just different names for the same Divine Mother.
The Egyptians were very fluid in their theology and how the gods were depicted. Different deities were known to merge for a specific reason or to emerge and split away, becoming their own entity. Given the thousands of years, the Egyptian Dynasties lasted, it’s not surprising in many ways for the myths to be fluid and change with the times. It was no problem for the Egyptians who saw such myths as complimentary and not contradictory.
At different points in the continuing development of Egyptian mythology, Taweret has had her roles become associated with other goddesses or have roles added. For the ancient Egyptians, they often saw their deities as just being different aspects of the same Goddess. Taweret goes from not just a goddess who protects children and the birth process but one who protects and purifies those moving to the afterlife. Which, makes sense, death being a form of rebirth to the next life and what comes after.
Other examples of this are the goddess of Isis, Hathor, and Mut all having protective roles and aspects that would later be absorbed by Taweret.
Egyptian Astronomy – The Mistress of the Horizon
Taweret’s image is often used to represent a northern constellation in the zodiacs where she is known as Nebetakhet (“The Mistress of the Horizon”). This same image can be found in many astronomical tomb paintings, even the Theban tombs of Tharwas, Senemut tomb, and the Pharoah Seti I in the Valley of the Kings. In this aspect, Taweret is thought to keep the heavens free of evil preventing those not worthy from passing by.
We see the image of the astral Taweret again, almost exclusively on the Sethian foreleg of a bull. This image later comes to represent the never-setting circumpolar constellations of Ursa Major and Draco and has associations with the Egyptian god of Chaos, Seth. The seven stars that line down Taweret’s form are from Ursa Minor.
In the Book of Day & Night, a mythological text dating from the Twentieth Dynasty (1186-1069 B.C.E.), it’s commented that this foreleg of Seth’s in the northern sky is tied down to two mooring posts of flint by gold chains. Isis in the form of a hippopotamus guards these posts.
This specific example of mentioning Isis and not Taweret is part of the fluidity of Egyptian cosmology and beliefs where the aspects of one goddess could be absorbed by another or split off for other deities.
The cosmic, astral imagery for Taweret is even found in later Ptolemaic and Roman eras such as the Book of Faiyum where Taweret is shown in her usual image with a crocodile on her back and a small upright crocodile in her right hand. Another section of Faiyum papyrus shows her near Lake Moeris. The Faiyum shows the solar journey that the sun god Ra takes with Lake Moeris being where the sun god is believed to descend during his nightly journey to the underworld of Amduat.
Taweret is represented in connection with Lake Moeris as a well-known constellation where she is a protective divine mother to Sobek-Re during his daily, solar journeys. In this respect, Taweret is like Neith the primary divine mother to Sobek. This aspect of Taweret is known as “Neith the Great, who protects her son.”
Protector of Pregnancy & Motherhood
This is perhaps Taweret’s best-known role as a goddess of protection. Her role and domain is over pregnancy and childbirth to ensure safe and healthy births. Magic by way of charms, amulets, and the use of special apotropaic wands and ivory-handled knives to ward off evil. 75% of all apotropaic wands have been found with Taweret’s image on them. Practitioners using these would draw a circle on the ground around the sleeping, expectant mother.
As a protective goddess of childbirth, Taweret would often be shown with the dwarf god, Bes who also has a similar protection role.
It should go without saying that pregnancy and childbirth were and still can be a dangerous time. Advanced as Egyptian medical knowledge was, they weren’t above invoking Taweret’s aid and help to ensure a successful birth with incantations that hoped and prayed for a son to carry on a patriarchal line for the household.
Metternich Stela – In this later myth, Isis tells Horus that he was raised by a “sow and a dwarf.” The sow refers to a female hippopotamus and thus Taweret while the dwarf is a reference to Bes.
The Death Of Osiris – Plutarch says that Taweret is a concubine of Set who changed her ways to become a follower of Horus and his order of law. This links Taweret to Isis as the goddess kept Set on a chain to control his forces of chaos. One version of this myth has Taweret holding Set down while Horus slays him.
Motherhood – Later myths quickly connect Taweret as a divine mother, namely the one who fiercely protects her children, much like lions and hippopotamuses are known to.
Pregnancy – Modern folk magic in Egypt still sees women who desire to become pregnant going to the Egyptian Museum in Cairo to rub the belly of Taweret’s statue. To the point that a glass vitrine now shields the statue from the constant rubbing and wear. That doesn’t stop women from going to visit the statue in efforts and hopes of becoming pregnant.
The Sa symbol is the hieroglyph for protection and with Taweret, this protective amulet is used during pregnancy and childbirth to ensure the baby’s health and safety. Pregnant women frequently wore these Sa amulets or those with Taweret’s image on them.
Plutarch’s Notes – Plutarch mentions in his writings that in the central myth of Isis and Osiris, Taweret is a concubine to Seth, the god of chaos and murderer of Osiris. Taweret rebels against Seth in order to join Horus and his forces of order.
To the Egyptian mind, this one makes sense, as you’re born into the mortal life, so too do you undergo a similar rebirth into the afterlife with death. Who else will be there, none other than Taweret to act as a sort of psychopomp to purify the soul as you move on.
Taweret’s image would also be placed outside of temples dedicated to other Egyptian gods where it was believed she would protect and keep away harmful, chaotic spirits.
The Eye Of Ra
This story has been found engraved on one of the shrines in Tutankhamun’s tomb and in “The Book of the Heavenly Cow.”
In this story, Hathor, as the Eye of Ra, turns into Sakhmet. How this came about is that Hathor’s father Ra, having grown old, was beginning to fall out of worship. Angry about this, Ra speaks to his daughter who turns into Sakhment and goes out to punish humanity.
As Sakhmet, she was very efficient and nearly wiped out everyone. Realizing that if she continued killing everyone, there would be none left at all to worship the gods, Ra decided that there has been enough killing and told her to stop. Only now she can’t quit, Sekhmet’s become so full of bloodlust.
Seeking the guidance of the ever-wise Thoth, he and Ra get large vats or barrels of beer that have been dyed and colored red to look like blood. In some versions of the story, they flood the land with the blood-red beer, and in others; Thoth has a hallucinogenic like poppies put into the beer.
Regardless of the final version told, Sekhmet on seeing all this beer drinks it up, getting so drunk, she forgets about her reason for coming to the earth, her great blood lust, and forgets all about killing anyone. When Sekhmet returns to Ra, he embraces her and Sekhmet turns back into Taweret. Granted, the other version I have mentioned before sees Sekhmet turn back into Hathor.
With Taweret’s rise and popularity, this version and change of the story is meant to showcase Taweret’s role as a fertility goddess and one of renewal or rejuvenation. This version of the story is why Taweret has the epithet of “Mistress of Pure Water.” By taking the form of a giant hippopotamus that brings the flooding of the Nile River.
Mistress of Pure Water – Fertility Goddess
The above story places Taweret in a position as a goddess of fertility, which makes sense, she is already the goddess responsible for watching over the birth process. Since hippopotami are associated with the Nile River, it’s easy to equate them with the annual flooding that brings much-needed life, rejuvenation, and renewal, especially near Jabal al-Silsila. Just as Tawerret would bring rejuvenation and fertility, she was also associated with the harvest.
Another myth has the god Amun-Re as being born from Taweret as Ipet to ensure the cycle of renewal and regeneration.
Archeological finds have found that hippopotami lived in the Nile River long before the rise of dynastic Egypt around 3,000 B.C.E. Among the Egyptians, male hippopotami were viewed as dark, negative creatures allied with Set, the god of chaos. There would be royal hunting parties that would prove the divine power and might of the pharaoh.
As for female hippopotami, they were seen in a more favorable light as they were seen to represent Taweret. This frightful appearance was to frighten away any negative spirits that would harm a child, especially during labor and childbirth. Given the protective nature of female hippopotami with their young, they were easily adopted as protective symbols. Protective amulets with female hippopotami have been found dating back to between 3,000 to 2,686 B.C.E. up to the Ptolemaic and Roman eras between 332 B.C.E. and 390 C.E.
More Than One Hippo Goddess!?!
Taweret isn’t the only protective hippopotamus goddess. There is also Ipet, Reret, and Hedjet. Some scholars have put forward the idea that all these goddesses are merely different aspects of the same goddess as they’re all protective household goddesses.
We know already that Taweret means “Great One.” Ipet’s name means “the Nurse” and refers to her connection with birth, child rearing, and caretaking. Reret’s name means “the Sow” and it does connect to an erroneous classification of calling hippopotami as water pigs. Hedjet’s name means “the White One” and the meaning for this name isn’t clear. Depending on the source and era, all three goddesses were regarded as different names and aspects of Taweret or she absorbs them.
There is evidence of a hippopotamus goddesses’ cult during the time of the Old Kingdom between 2,686 and 2,181 B.C.E. found on Ancient Egyptian funerary papyrus known as the Pyramid Texts. Ipet is mentioned in Spell 269 of the Pyramid Texts of how the deceased Pharoah will suck on the goddess’ “white, dazzling, sweet milk” when he ascends to the heavens. Maternal goddesses, these hippopotami goddesses protected not just those of royal lineage but those of non-royal lineages as well.
Not To Be Confused With Ammit!
While Taweret and the other hippopotamus goddesses all share similar roles with protection, fertility, and childbirth. There is another hippopotamus goddess, Ammit who should not be confused with Taweret or her fellow hippopotamus goddesses. Why? Because Ammit is the only hippopotamus goddess who is destructive, she is known for eating the souls of the unjust before they go to the afterlife.
Hathor – An Egyptian goddess, it should come as no surprise that at some point in the ever-evolving and changing Egyptian cosmology, that at some point Taweret would be equated with Hathor or share, take over many of the same attributes and even a myth or two while we’re at it.
Mut – A mother goddess in ancient Egypt, married to Amun-Re and often equated with Taweret.
Persephone – A Greek goddess of fertility and the underworld, those attributes seem to be the most like Taweret.
Also Called: An (Sumerian), Anum, Ilu
Epitaphs: “The Father,” “Father of the Gods,” “King of the Gods”
Etymology: “Heaven” Sumerian “One on High”
In Mesopotamian mythology, Anu is a god of the sky and heavens, he was lord of the constellations and the king of the gods, spirits and demons. Anu was worshiped primarily by the Sumerians, but also among the Akkadians and Babylonians. In Sumer, Anu is known as An and his worship dates back to at least 3,000 B.C.E. and is one of the oldest gods in the Mesopotamian myths.
Patron of: Kings, Aristocrats
Planet: Saturn, Uranus
Sphere of Influence: Law, Order, Justice, Weather, Rain, Sky
Symbols: Horned Cap
In art, Anu is often shown wearing a horned headdress or helmet that symbolized his strength. Anu is sometimes shown as being seated in his throne. Early art shows him as a bull and later on that a bull is his companion animal.
What’s In A Name
Being a primordial god and one of the earliest, it can be difficult to pinpoint when exactly Anu or An appears as a deity. Part of what makes it difficult is that the sign for “An” can be read in several different ways. As a title and for the sky itself. In the third millennium B.C.E., the first attestations of An as a deity appear on the Fara god-list with his name appearing more frequently later on.
In Sumerian, An’s name is never written down denote the usage of his name as a divine being or god. In Akkadian, as Anu, his name is read as dAN, leading to being read as da-nu, da-num, and an-nu.
There are a couple of temples dedicated to Anu found in Uruk and Assur. The Eanna in Uruk was dedicated to Anu and his consort Antu or Anatum. Sometimes this consort is given as Inana or Ishtar who was worshiped with Anu.
During the Achaemenid and Seleucid eras, Anu was worshipped at the Res temple with Antu.
Both the Mesopotamian cities of Der and Uruk held the title as “the City of Anu.” In the city of Lagas, there was a temple dedicated to Anu or An by Gudea. Later, Ur-Namma would build a garde and shrine for Anu in Ur. That was also a “seat” for Anu in the main temple in Babylon, Esagil. Offerings to Anu were given in Nippur, Sippar and Kish. In Assur, there was a doubled temple dedicated for both Anu and Adad.
This is the abode and the level of heaven that Anu resides in as mentioned in the Akkadian-Babylonian epic called the Atrahasis that recounts the Great Flood myth.
This third heaven is also the highest of the three heavens and is made of a reddish luludānitu stone. Other scholars have put forward that the floor or ground of this heaven is made of that color stone.
The Third Heaven that Anu resides in is thought to be located towards the northern pole found within the Draco constellation.
The earliest of the Mesopotamian texts make no mention of Anu’s origins. He just is and it isn’t until the third millennium B.C.E. that we find Sumerian texts that there is mention of Anu or An and his consort Uraš who give birth to the other gods.
Over the next few millennia of Mesopotamian culture, different cultures and eras would assign a different consort to Anu along with his stepping back to allow another deity to take over rulership of the gods.
In later texts such as the Enuma Elis, Anu is given as the son of Anšar, the Sky and Kišar, the Earth. If we go by the lineage with Tiamat, Anu would properly be one of the Igigi, the third and fourth generation of gods.
Parentage & Family
Apsu – Primordial god of Fresh Water
Tiamat – Primordial Goddess of the Oceans and Abyssal Deeps
Alalu – Anu’s father in Hurrian and Hittite religion and mythology.
In Sumerian religion, the sea goddess Nammu is given as Anu’s mother.
Anšar (the Sky) and Kišar (the Earth) in East Semitic religions and mythos.
Aside note has that though there are different goddesses mentioned as Anu’s wife, the name she goes by varies from one Mesopotamian culture to another and which era of history the story was written down.
Antu – An East Semitic goddess, she is also called Antum, Anatum, Uras (early Sumerian), she is a creation goddess and wife of Anu. In Akkadian, the name Antu is merely the feminine form of Anu.
Ishtar – Also called Innina, later myths would place Ishtar as being Anu’s wife.
Ki – Earth goddess, sister and consort to An in later Sumerian myths.
Nammu – A water goddess and consort to Anu in Neo-Sumerian myths. In Sumerian religion, Nammu is instead Anu’s mother.
As an all-father figure, Anu is the father of many gods, spirits, and demons. Depending on the text, depends on which gods are stated to be Anu’ children directly.
With Ki, the goddess of the earth, they give birth to the Anunnaki (“the offspring of Anu”), a group of 50 gods who are the most powerful pantheon of gods in Mesopotamian myths.
With Nammu, Anu is the father of Enki/Ea and Ningikuga.
With Uras, Anu is the father of Ninsuna, the mother of the legendary Gilgamesh.
Inscriptions found at Lagas give Baba, Gatumdug and Ningirsu as Anu’s children.
Adad, Enlil, Girra, Nanna/Sin, Nergal and Šara are some who are listed as sons.
Inana/Ištar, Nanaya, Nidaba, Ninisinna, Ninkarrak, Ninmug, Ninnibru, Ninsumun, Nungal and Nusku are some who are listed as daughters.
Anammelech – Going by the Hebrew Bible, she is a lunar goddess worshiped in Assyria and Mesopotamian religion. Her name means “Daughter of Anu” and is thought to be his daughter.
Kumarbi – Anu’s son in Hurrian and Hittite mythology and religion.
Asag – A demon so monstrous, his presence would cause fish to boil in the rivers.
Lamashtu – A Demoness who preyed on infants
Utukki – Seven evil demons
Enki – Is one of Anu’s notable children, a god of wisdom, intelligence, magic, trickery, fertility and creation to name a few of Enki’s attributes.
Sebitti – In Akkadian and Babylonian traditions, the Sebitti are a group of seven minor war gods who follow Erra into battle. Depending on which tradition and myth is being retold, is if the Sebitti are seen as good or evil. I would say evil, given that in one version of the myths, Erra is a plague god, while in others texts he is a war god. The Sebitti are given various powers and fates that allow them to help Erra in killing over populous people and animals.
Attendants Of Ani
Ilabrat – He is an attendant and minister of state to Anu.
The Bull Of Heaven
As An, he dates back to 3,000 B.C.E. in Sumerian history. During this time, An was depicted as a great bull. Later, An would become separated into two distinct beings, the god An and the Bull of Heaven. The sound of thunder was thought to be caused by An in his bull form as he moved across the heavens or sky.
An’s holy city was Uruk or Erech along the southern region of Mesopotamia known for herding and grazing lands. There are several bovine images found in the area that appear to suggest An being part of a pastoral pantheon.
Dingir – In Sumerian, this cuneiform represented by an eight-pointed star meant “god” or “goddess” when used in punctuation. By itself, it is the Sumerian word for “sky.”
As a god of the sky, the Sumerians saw rain that fell as being Anu’s seed coming down to impregnate his consort Uraš or Ki, the Earth, depending on which era of text we are referring to and who’s given as his current wife. The Akkadians have Antu, a feminine form of Anu as his consort. They believed that the clouds were Antu’s breasts and that rain falling was her milk.
King Of The Gods!
Seen as the King of the Gods, King of the Igigi, Anu ruled over the other gods.
This status also associated Anu as the god of Kings whom he favored and not the common people. So, unless you were legit royalty, don’t expect any divine favors.
At the same time, Anu is considered to be very benevolent and his compassion for all creation caused him to retreat further and higher up into the heavens where he was distant from all creation, humankind, and the other gods. Over time, Anu would be worshiped less and less with his name becoming synonymous with the sky.
Only Anu’s son, Enlil could gain access to him, relaying messages. Eventually, he would be prayed to less and less, Anu was still seen as the power behind the throne so to speak. Even as Enlil in turn became ruler of the gods, he too would take on more and more of Anu’s qualities of compassion and benevolence. The same with Marduk, when he takes over the role of King of the Gods and assumes Anu’s position and thus power, gains these qualities over time.
With the passage of time, Anu would fade further to the background, retreating to the Heavens and leaving the matters of governing and ruling to Marduk and the younger generations of gods, the Igigi.
Clearly one of the few times where power isn’t going to corrupt.
Tablet of Destinies
This clay tablet is a legal document written in cuniform with cylinder seals that Anu carried with him as a sign of his divine authority. This tablet would be passed on in turn to Enlil and Marduk in turn as they each assumed rulership.
Tiamat is to have bestowed this tablet on Kingu when she made him the head of her army. A couple of other Mesopotamian poems have where the tablet is stolen by Anzu, but the tablet is always returned to Enlil.
Truth, Justice And The Sumerian Way!
One of Anu’s roles as head of the pantheon is that of Judge. Anu would judge those who had committed various crimes.
Anu’s word was law. In terms of a comic book, he would be considered a Reality Warper, that whatever he spoke or decreed, to become real. He delegated the functions, roles, and status of the other gods.
Anûtu – The elevating of status among the gods to leadership was even called anûtu or the “Anu Power” or “Heavenly Power.” An example of this is seen in the Enuma Elis when Marduk becomes the ruler of the gods after Enlil by their saying “Your word is Anu!”
A Partial List Of Anu’s Decrees
As King of the Gods, Anu hits a point where he often has a cameo role in a greater myth where he dispenses with divine wisdom, judgment, and punishments.
- The divine Bull of Heaven is sent on Ishtar’s behalf to go after Gilgamesh.
- Anu decrees that either Gilgamesh or Enkidu are to die for killing Humbaba and the Bull of Heaven.
- Kakka is sent to Kurnugi to inform Ereshkigal to send a messenger to return with a gift.
- It is Anu who creates a whirlwind and flood to rile up Tiamat.
- When the griffin-like monster Anzu steals the Tablet of Destinies from Enlil to hide on a mountaintop, it is Anu who orders the other gods to bring back the tablet.
Lord Of The Constellations
Ruling the heavens has its perks, one of which is there is an army of stars that Anu could command to destroy his foes and evildoers.
Calendar – Closely related, Anu is also the lord of the Calendar. A fact that makes sense is when many early cultures and civilizations used the movement of the heavens to track the seasons.
Draco – Anu has been identified with the Draco constellation. I’d think with the Bull of Heaven epitaph, he would be identified with Taurus.
Kishru – These shooting stars are reputed to have great strength.
In Sumerian beliefs, Anu formed a triad or holy trinity with Enlil (God of the Air and the Earth) and Enki (God of Water). This division of power could easily reflect the importance each of these deities held in their patron city and show the pantheons of different city-states merging into a more unified whole. Anu represented the “transcendental” and obscure, Enlil represented the “transcendent” and Enkil represented the “immanent” aspects of this divine triad.
Mesopotamian theology also divided the sky into three regions that the sun passed through. A northern, middle, and southern region. In Babylonian cosmology, the Way of Anu covered the equator and much of the classical zodiacs. The Way of Enlil covered the northern sky and the Way of Ea covered the southern sky. In Akkadian cosmology, Anu, Enlil, and Ea (Enki) are credited with creating the universe.
This an ancient epic creation poem was written in the 18th century B.C.E. when the city of Babylon becomes the political capital of Mesopotamia. It’s largely written to show Marduk’s birth, many of his heroic deeds, and how Anu stepped down from being King of the Gods to Ea (Enki) who in turn steps down to allow Marduk, in a relatively peaceful succession for the transfer of power to become the king and head of the pantheon.
The Enuma Elish begins at the start of time when the universe is nothing more than chaos with freshwater represented by Apsu and saltwater (or the abyss) represented by Tiamat, a dragoness. The male and female principles, are not unlike the concept seen in the Japanese Yin & Yang. The joining of these two primordial deities would see the creation of all the other gods and other beings. Their most notable children are Lachmu and Lachamu, protective deities, and Anshar and Kishar who go on to sire the other gods and goddesses, known as the Anunnaki. The other children of Apsu and Tiamat are giant sea serpents, dragons, snakes, storm demons, fish-men, scorpion-men
While Tiamat loved all her children, Apsu on the other hand didn’t care for them, saying they were too noisy, keeping him up all night, and unable to get any work done during the day. Apsu’s response to this problem was to kill his children, specifically the younger, Igigi deities.
A horrified Tiamat told her eldest son, Enki (later version its Ea) of what Apsu has planned. Enki decided that the best plan for dealing with this was to capture and put Apsu into a deep sleep and then kill him. From Apsu’s corpse, Enki then creates his home, the earth, and the marshy region of Eridu.
Kingu, one of Tiamat and Apsu’s sons, soon to consort to Tiamat is upset and goes to report what happened. This further horrifies Tiamat who wasn’t expecting Enki to just up and kill Apsu. As a result, she decided to wage war on her own children. The mighty Tiamat raises up an army of chaos consisting of twelve monsters: Bašmu, “Venomous Snake,” Ušumgallu, “Great Dragon,” Mušmahhu, “Exalted Serpent,” Mušhuššu, “Furious Snake,” Lahmu, the “Hairy One,” Ugallu, the “Big Weather-Beast,” Uridimmu, “Mad Lion,” Girtablullû, “Scorpion-Man,” Umu dabrutu, “Violent Storms,” Kulullû, “Fish-Man,” and Kusarikku, “Bull-Man” who are all led by Kingu (Quingu) as the general of this army.
This has Enki and the other gods worried about what to do. At first, Anu says he will try to speak with Tiamat to resolve the problem. When Anu fails diplomatically to resolve the problem, that is when Marduk steps forward, saying he will lead everyone in this war. Marduk has one condition, that is that he be named as the new king of the pantheon. Enki agrees and Marduk leads the Anunnaki to battle.
Marduk prepares his weapons consisting of bow and arrows, a mace, lightning as he is a storm god, flames, and a net. Gathering up the four winds, Marduk encircles and nets the mighty Tiamat to prevent her from escaping him. New winds are created by Marduk such as whirlwinds and tornadoes. As he is a storm god, Marduk brings down a fierce flood of rain. It’s a battle between a storm god and a primordial goddess of chaos and the sea, it’s epic as Marduk rides in his storm-chariot pulled by four horses who have poison in their mouths. Spellcasting and an herbal antidote as Marduk faces off against one of the mightiest dragons known in mythology.
After Marduk finally slays Tiamat with an arrow to her stomach, he then goes after Tiamat’s son, Kingu who oversaw the army and wears the Tablet of Destiny over his chest. Marduk makes short work of Kingu in single combat, claiming the tablets and establishing himself as the new head of the pantheon.
This is a lot of power that Marduk has now accumulated, and he sets about to create the universe. But didn’t that already exist? He’s at least making a new one as Marduk takes the two halves of Tiamat’s corpse to create the heavens and the earth, completing the work started by Enki. From Tiamat’s eyes, the Tigris and Euphrates rivers flow. With the creation of the heavens, Anu, Enlil and Ea each take their roles and stations.
With Kingu’s blood, Marduk mixes it with the earth to create the first humans who would be the servants of the Igigi (the younger Mesopotamian gods). The creation of humans would allow the gods the leisure time and the time to focus on higher purposes, taking care of human needs as humanity basically did the grunt work. All humans would need to do is respect and give heed to the will of the gods living in Eridu with Marduk ruling overall as a benevolent god.
That doesn’t sound like it will end well and I’m sure there’s another story concerning that.
Side Note: Early versions of this story have Anu, later replaced by Enlil and then in the last version, it is Marduk who gets the promise from the other gods about becoming head of the pantheon.
Marduk’s version dates from the first dynasty of the Babylonians, whereas the other versions are much older. Even then, depending on the version of the creation myth, it is solely Marduk involved in all of it and there’s no mention of Enki at all. Scholars who look at when the Enuma Elish was written generally believe that it represents political and religious propaganda meant to justify and install Marduk as the head of the Babylonian pantheon as the city-state rose to political power in the region.
As for Apsu, the Enuma Elish is the first time he’s treated as a deity. Before, he’s just a concept, what they called the fresh water found beneath the earth in the aquifers.
Adapa And The Food Of Life
This story dates from the Kassite Period between 1595 to 1155 B.C.E., after the fall of Babylon.
In this myth, Enki (Ea) creates the first man Adapa, endowing him with great wisdom and intelligence but not immortality. Adapa is aware of his own pending mortality yet resolves to serve his king in Eridu.
One day, Adapa heads out to sea in his boat for some fishing only to have the South Wind blow him back ashore. An enraged Adapa breaks the wings of the South Wind and returns home. After some seven days have passed, Anu begins to wonder why the South Wind isn’t blowing and asks his right-hand man, Ilabrat what the cause is. Ilabrat replies that it is because Adapa, the priest of Enki (Ea) has broken the South Wind’s wings.
Anu demands that Adapa be summoned before him to explain himself. Enki, fearing Anu’s wrath on his son, instructs Adapa on how to behave when he arrives in the heavens. How he should greet the gatekeepers Tammuz and Gishida. That when he arrives, Adapa should refuse to eat or drink anything, warning his son how Anu is angry and that anything offered is likely to be the food of death or poisoned.
The time comes and Adapa arrives at the gates of heaven and is received in by Anu. Following the advice of his father, Adapa does as instructed and when Anu listens to Adapa’s story of what happened, he has the Food and Water of Life brought in, expecting he will be able to give Adapa the gift of immortality when Enki has refused to do so.
When Adapa refuses the gift of immortality, Anu becomes confused and inquires of Adapa why he is refusing this gift.
Unfortunately, the second and third tablets that this story is written on have been broken and we don’t have the full account.
What we can surmise of what we do have, is that Adapa does tell Anu of the advice that Enki gave him. For this, Anu becomes angry and seeks to punish Enki.
It is clear that knew Enki knew Adapa was going to be offered immortality and had purposefully prevented this from happening. That this gift was something that could only be offered once because when Adapa refuses, there is no second chance given.
Scholars have noted similarities between the story of Adapa and the Food of Life and that of the Fall of Man in Genesis. Notably between Enki’s reasoning and that of God or Yahweh that Adam and Eve would be cast out from the Garden of Eden for eating of the Tree of the Knowledge of Good and Evil before they can eat of the Tree of Life.
It appears clear that Enki didn’t want humans to become like the gods as that would upset the natural order and that he would need to keep Adapa mortal in order to keep him in his place.
The Akkadian epic does seem to fill in the gap here. It tells how humans were created with mortality by the will of the gods. Enki sees Anu as upsetting what’s supposed to be the natural order. But Anu makes the offer to Adapa out of compassion, feeling that it was wrong for Enki to have created Adapa wise and intelligent enough to be aware of his own mortality while unable to do anything about it to escape death.
These aspects of Anu trying to bring compassion and understanding were to also be seen in the Enuma Elish in the versions where Anu is trying diplomacy to end the war with Tiamat.
Erra And Išum
An eighth century B.C.E. Akkadian epic poem; Anu gives the Sebettu to the plague god Erra to help him massacre the humans when they become too numerous and noisy.
Epic Of Gilgamesh
This is a Sumerian myth and the second oldest known religious text. There are numerous Akkadian copies of this epic from the late 2,000 B.C.E. that have been found. The prologue of this epic is the source of what’s known about the Sumerian creation story. How in the beginning, there was only Nammu, a primeval sea goddess. Nammu gives birth to An, the sky and Ki, the earth. An and Ki give birth to the god Enlil. It is Enlil who separate the heaven from the earth, An and Ki. Enlil goes on to rule over the earth as his domain with An ruling over the sky.
It is in the Epic of Gilgamesh that Anu and the Bull of Heaven are seen as separate beings when Ishtar petitions him to release the Bull to punish Gilgamesh for refusing to marry her. Of course when the Bull is sent after Gilgamesh and his friend Enkidu, the Bull is slain.
Inanna And Ebih
This is a 184-line poem written by the Akkadian poetess Enheduanna.
The poem tells of Inanna, An’s granddaughter who petitions An to allow her to destroy Mount Ebih. An tries to warn Inanna not to attack the mountain, but she does so and destroys it in the process.
Inanna Takes Command Of Heaven
This is another poem that only survives in fragments. What has been translated tells of Inanna’s conquering the Eanna temple in Uruk. Inanna is lamenting to her brother Utu how the Eanna temple isn’t under their influence and that she wants to claim it. Fragments of the poem detail Inanna’s difficulties with traveling through a marshland and some fishermen telling her the best route to take. Eventually Inanna reaches the temple where An is surprised by her arrogance. An however does concede control of the temple to Inanna saying she has won it.
The poem ends extoling on Inanna’s greatness. It is thought the poem represents a transfer of power between the priests of An to those of Inanna.
The story, “The Kingship of Heaven,” begins with how Alalu, the King of Heaven ruled for seven years and then is overthrown by Anu, who in turn rules for seven years before being overthrown by Kumarbi. This time, Kumarbi when he attacks his father Anu, he bites off his genitals and when he spits it out, there were three new gods. Kumarbi is deposed of by his own son Teshub in time.
When Anu is overthrown, Kumarbi banishes Anu to the underworld, along with his allies, the old gods. The Hittites would equate these gods with the Anunnaki.
Grecian scholars have noted a similarity of this story of Kumarbi overthrowing Anu with Cronus overthrowing Uranous and eventually their own sons Teshub and Zeus overthrowing them.
Amurru – Amorite God
Depending on your source, Amurru is a patron god of the Mesopotamian city Ninab. He was a god of the steppes, the mountain, and a storm god. Some sources will equate Amurru with Anu while other sources will place him as Anu’s son.
Caelus – Roman God
A primordial Roman god of the sky who has been equated with Anu.
El – Canaanite God
The supreme god in Canaanite beliefs who symbol is also a bull. The ancient Canaanites clearly equated El with Anu as the two share many of the same attributes such as being a ruler of the gods and the ability to make decrees that only he could make.
Jupiter – Roman God
The ruler of the Roman pantheon, he too has been equated with Anu.
Shamem – Canaanite God
Like Anu, Shamem is the personification of the sky. Shamem however does not appear in any Canaanite myths.
Uranus – Greek God
Anu is equated with Uranus, a primordial Greek God of the Heavens who with Gaia would father and originate all creation. Also known as Ouranos.
Zeus – Greek God
Similarities between Anu and Zeus have been noted in some of their myths. Namely were in the Epic of Gilgamesh, where Ishtar goes before Anu after being rejected by Gilgamesh and complains to her mother Antu. The scene seems to echo what’s found in the Iliad where Aphrodite flees to Mount Olympus after being wounded by Diomedes while trying to save her son Aeneas. Here, Aphrodite cries to her mother Dione, is mocked by Athena, and is rebuked by Zeus for her actions, how she is the goddess of love, not war. The chapter in the Iliad that Dione appears in is the only time, the rest of the time, Zeus’ consort is named Hera. Where Antu is a feminine form of Anu, Dione is the feminine of Zeus.
It’s an interesting connection and observation.
Zeus Part 4
Eagle – Sacred Bird
The Golden Eagle specifically is Zeus’ sacred bird. A giant bird that had once been the seer Phineus, was always by Zeus’ side.
It is this eagle that Zeus sends to abduct and carry away a young Ganymede up to Mount Olympus to serve as Cup-Bearer to the Gods after Hebe either dropped the goblet or married his son Hercules.
The Sky Tides
They are a group of four siblings: Bia (“Force”), Kratos (“Power“), Nike (“Victory”), and Zelus (“Zeal”). They are the winged enforcers or Sky Tides for Zeus. The four siblings received this honor from Zeus as their mother, Styx was the first to come to show her support during the Titanomachy or War against the Titans.
Hounds Of Zeus
Not really hounds, they were just called that, and by they, I mean the Harpies, the winged half-bird half-women creatures of Greek myth.
I can only imagine that Zeus claimed the famed winged horse to hold and carry his thunderbolts after Perseus’ adventures. At least the version where Perseus tames the winged horse and isn’t using Hermes’ winged sandals.
Zeus’ Cup Bearer
Zeus had two, first was his daughter Hebe and then Ganymede whose job was to serve the chalice containing the nectar of the gods.
Zeus’ Herald Of The Gods
Hermes is often employed by Zeus to act as his personal herald and envoy for his decrees, sometimes acting as a diplomat.
Zeus’ Messenger Of The Gods
While more modern takes on Greek mythos place Hermes to this role, it belongs to Iris, goddess of the rainbow who relayed messages and commands to the other gods word for word.
Zeus’ High Council
This was slightly surprising to come across, that Zeus would have councilors.
On this council sat Themis, the goddess of law and order, along with their daughters the Moirai or Fates and the Horai or Seasons. These goddesses were tasked with maintaining the order of the cosmos and have it function.
Themis also had the additional job of summoning all of the gods to Zeus’ courtyard when he was ready to declare a new law or edict.
Of course, if we looked at them as the real power behind the throne… but that could just be inviting hubris…
Keeper Of Fate & Divine Destiny
Before the birth of the Moirai, it was Zeus who dispensed out fate, the good and the bad that he doled out from the jars of Fate that he kept near his feet. When a mortal’s time of death was carefully weighed on a set of golden scales.
Once the Moirai were born, the task of men’s fates and their time of deaths were given to them.
Xenia – Hospitality Laws
Xenia is the Greek word for the concept of hospitality and forms the ancient customs of Hospitality. Of all the attributes that Zeus is known for, he was originally the deity who presided over this custom of Xenia. For this, he was known as Zeus Xenios and was at one time, the god of travelers.
Xenia consists of three basic rules:
1) The respect from host to guest. The host must be hospitable to the guest and provide them with food and drink and a bath, if required. It was not polite to ask questions until the guest had stated his or her needs.
2) The respect from guest to host. The guest must be courteous to their host and not be a burden.
3) The parting gift (xenion) from host to guest. The parting gift was to show the host’s honor at receiving the guest.
The custom of Xenia was really important in ancient times as people believed that the gods mingled among them. If a person played a poor host to a stranger, there was the risk of inciting the wrath of a god disguised as the stranger.
This custom of Xenia extended to include the protection of traveling musicians, known as Rhapsode who could expect to receive hospitality in the form of a place to sleep, food and possible other gifts in return for a night of entertainment and news from other parts of the world. The protection and safety of these Rhapsode was believed to be enforced by the god Zeus and any harm to them or violation of Xenia was sure to place the offender at the mercy of Zeus or any god he deemed necessary to enforce this rule.
This is one of Zeus’ symbols, it was created from the skin of the goat Amaltheia that helped raise him as an infant. It was either a breastplate or shield.
This is the stone that Cronus had swallowed was apparently set down at Pytho in the glens of Parnassus as proof to mortal people that the event really happened.
The stone would be placed at the Delphi Oracle as Zeus had wanted to find the center of the earth. In his search, Zeus sent out two eagles from either ends of the earth and where they met at would mark the center.
This variation of Zeus was worshiped in Ancient Athens as the god of farmlands and crops. He had a festival held on the 10th of Maimakterion to commemorate the start of plowing the fields. Sacrifices were also made to Zeus Georgos at the time of harvesting.
In a story that won’t end well, Antiochus IV Epiphanes erected a statue of Zeus Olympios in the Judean Temple in Jerusalem. This figure was known as Baal Shamen or “Lord of Heaven” among the Hellenized Jews of the time.
There is a story that appears in the Apocrypha, namely 2 Maccabees where the Maccabees or The Hammerers come in to reclaim the temple, tear down the statue and we get the story of Channukah or the Miracle of Lights.
Zeus did not prove almighty in this one.
Other Biblical Mentions
In the New Testament, Zeus will be mentioned twice in Acts. First in Acts 14 where two of the Apostles: Paul and Barnabas are mistaken for the gods Hermes and Zeus in the city of Lystra. Where people get excited for archeological proof, in 1909, two inscriptions were found near Lystra testifying of the worship of Hermes and Zeus.
Well sure, the Greek gods were worshiped in a lot of places around the Mediterranean, so I imagine finding mention of them in a lot of places to be common. Zeus was the head of the pantheon and All-Father, he would have been everywhere.
The other mention will occur again in Acts 28, where the ship taking the prisoner Paul to the island of Malta; the figurehead is said to of the “sons of Zeus” Castor and Pollux.
In this school of thought and philosophy, Zeus’ relation to the other gods is that of the Demiurge or the Divine Mind. This idea is found in Plotinus’ work the Enneads and the Platonic Theology of Proclus.
Grecian Flood Myth
In a myth connected to the constellation and zodiac sign Aquarius, Zeus is the one who causes a great flooding of the earth. A man by the name of Deucalion and his wife, Pyrrha are who survive a great flood that washed over the earth. Deucalion had been told by his father, Prometheus in some versions of this story, to build a boat and to fill it with provisions. The two did and they floated in the boat over the sea for nine days and nights before coming to ground on Mount Parnassus.
Safe now, the two found that they were the only survivors and began to wander more as the flood waters receded. Deucalion and his wife couldn’t have been the only survivors of this flood if they were able to consult an oracle who told them to “throw over your shoulders the bones of your mother.”
The solution seemed pretty easy to Deucalion who guessed that the bones of Mother Earth must be stones and so he and Pyrrha began picking up stones to toss over their shoulders. After a bit of this, they looked back and saw that there were now people. The stones thrown by Deucalion had become men and the stones thrown by Pyrrha had become women.
In this myth, Aquarius is seen or becomes a taker as well as giver of life. This myth of a world flood and the rebirth of life on Earth is a very common myth that can be found in numerous cultures around the world.
Sometimes in an effort to have the Grecian Flood myth story parallel the Biblical Flood story of Noah and the Ark, it is Zeus himself who tells Deucalion to build a boat and not Prometheus.
Homer’s The Iliad is the main source for the gods’ involvement in the Trojan War. Zeus sided with the Trojans during this war while Hera took the side of the Greeks. Zeus took a rather significant part in the story of the Trojan War.
A lesser-known work, The Cypria and attributed to Stasinus, reveals the whole Trojan War was planned on by Zeus and Themis. There’s only about 50 lines of text from the Cypria and it’s seen as a prequel to Homer’s The Iliad and explains how the events come about.
Zeus’ part of this epic starts off by sending Agamemnon a dream and through which, the god is able to influence Agamemnon’s decisions. Next is Zeus telling Hera that he’s going to destroy the City of Troy come the end of the war. Together, both Zeus and Poseidon destroy the Achaeans fortress.
The war hits a point where Zeus tells all the other Olympian gods that they can’t fight each other as Zeus returns to Mount Ida where he thinks over his decision on having the Greeks lose this war.
Soon it is Hera’s time to shine as she seduces her husband Zeus, distracting him with her affections while helping out the Greeks.
When Zeus wakes up, he discovers that not only has Poseidon been helping the Greeks, but Hector and Apollo have been helping to fight the Trojans. Follow it up by Zeus getting upset that he can’t save Sarpedon’s life as that would contradict an earlier decree he made. Zeus is further upset by what happens to Hector.
Now Zeus decides that yeah, the other gods can join in and help out whichever side they owe it to. Towards the end, Zeus’ last part in the story, he demands that Achilles release Hector’s body so it can have an honorable burial.
The Theogony is an 8th to 7th century B.C.E. epic poem written by Hesiod. It is perhaps the most famous, if not familiar story that tells the origins of the Greek pantheon. The most interesting parts are the story of Zeus usurping the throne from his father Cronus after having swallowed all of his other children.
It’s interesting in hindsight, come 1876 when the Enuma Elish is translated and then, later in 1946 with the translation of the Hittite Kingship of Heaven text, that we are able to see a strong Middle Eastern influence on Greek myths.
Ammon – Egyptian God
Zeus is sometimes equated with this god.
Ba’al – Canaanite God
A sun god, Ba’al was Hellenized and worshiped as Zeus Helioupolites at Heliopolis, modern-day Baalbek.
Baal Zephon – Canaanite God
A weather god of the ancient Canaanites. The Hellenized version of this god is known as Zeus Kasios where he was worshiped at a site along the Syrian-Turkish border.
Hadad – Canaanite God
Another Canaanite sun deity who was Hellenized as Zeus Adados. The Assyrian Adad also had the same Hellenized name.
Indra – Hindu God
Zeus is seen as similar to this deity in India.
Jupiter – Roman God
Where Zeus is the head of the Greek Pantheon, his Roman counterpart is Jupiter
Thanks greatly to the influence of the Romans, many people will identify and equate Zeus with Jupiter. The Romans were famous for subsuming many deities in their conquest across Europe, particularly the Mediterranean area, and identifying their gods with those of a conquered culture. The most famous being the Greeks, where many deities were renamed to those of Roman gods. Prominent examples like Zeus and Jupiter, Hera and Juno, Ares and Mars, and so on down the line.
With the Hellenization of Latin literature, many Greek writers and even Roman writers rewrote and intertwined the myths of these two deities so that they would virtually become one and the same. And that’s the tradition passed down through the centuries and has become accepted. Just that there are still some differences that separate the two.
Odin & Thor – Norse Gods
Zeus is equated with each of these deities in Norse mythology. Odin as he is the All-Father and head of the Norse Pantheon, Thor as he is a god of Thunder & Lightning like Zeus.
Perun – Slavic God
Zeus is equated as a cognate of this god.
Sabazios – Phrygian God
As Greek culture spread throughout the Mediterranean region, absorbing the local beliefs and equating the local deities with those of the Greek pantheon, Sabazios is one deity whose attributes and role were absorbed by both Dionysus and Zeus, notably as a divine child and god of rebirth.
Teshub – Hurrian God
A storm and sky god of the Hurrians, as Zeus Labrandos, Zeus is equated with this deity, particularly in his worship at Caria. He held a sacred site at Labranda where Zeus would be shown wielding a double-edged ax known as a labrys.
Tinia – Etruscan God
A cognate for Zeus in the little-known Etruscan beliefs and mythology.
Vajrapāni – Buddhist
In Greco-Buddhist art, Zeus is depicted as Vajrapāni, the protector of the Buddha.
Velchanos – Minoan God
Zeus is equated with this deity in Crete or Minoan culture, such that the name Velchanos is used as another name or epitaph. As a separate deity, before getting Hellenized, Velchanos was very likely an Vegetation Deity or Spirit. Velchanos was likely associated with the rooster and bees, which is why the Boy-Zeus in Hellenized Crete will be shown with those animals.
Alternate Spelling: Κάδμος Kadmos
Etymology: “From the East” or “He Who Excels”
In Greek mythology, Cadmus is the name of the legendary founder and first king of Thebes. He is distinguished by being one of Greece’s first heroes who slew monsters long before the birth of the mighty Heracles.
Parentage and Family
Father – King Agenor of Tyre
Mother – Queen Telephassa of Tyre
Alternatively, Phoenix and Perimede are given as Cadmus’ parents.
Phoenix – No, not the legendary fire bird that resurrects itself in flames, but his brother who returns to Tyre to rule where the region is renamed to Phoenicia.
Cilix – Brother, the city of Cilicia is named after him.
Europa – Sister, abducted by Zeus
Harmonia – Wife, depending on the accounts given, she is either the daughter of Zeus and Electra or Ares & Aphrodite.
Agave – Daughter, with her sisters Autonoe and Ino, she unknowingly killed her son Pentheus. She marries first the Spartoi Echion and then later King Lycotherses of Illyria whom she also murders in order to hand over the kingdom to her father.
Autonoe – Daughter, her son, Actaeon was killed by his hounds.
Illyrius – Youngest son and child born, from whom the Illyrians are descended.
Ino – Daughter, was driven mad by Hera leapt to her death to the sea with her only surviving son. Instead of dying, Ino becomes a sea goddess.
Polydorus – Eldest son, inherits the throne in Thebes, carrying on the family dynasty.
Semele – Daughter, she is killed later by Hera after a liaison with Zeus. In some stories, she is the mother of Dionysus. The controversy will say that Semele was raped from an unknown assailant and the blame is placed on Zeus in an effort to try keeping some dignity
Thasus – The son of Cilix. In some accounts, he is also Cadmus’ brother. The island of Thassos is named after him.
Pentheus – the son of Agave and the Spartoi Echion, he becomes king of Thebes after Polydorus.
Cadmus’ Lineage – Divine Heritage
I feel it’s worth mentioning that through Telephassa’s line, Cadmus and all of his siblings are the grandchildren of Nilus, the god of the Nile River and Nephele, a cloud nymph. Through their father Agenor, again, Cadmus and his siblings are the grandchildren of the sea god Poseidon and Libya, the goddess or personification of ancient Libya in North Africa.
During Mycenaean Greek, Poseidon is the head of the Greek pantheon, it is later during what most think of as ancient Greece when we have more concrete records and writing, that Zeus is the head of the pantheon. I feel that Cadmus’ myth does show where some of these changes to try giving Zeus more prominence start getting put in.
Fifth generation divinity! That’s gotta count for something though!
As early culture heroes, Cadmus and a few others some of the founding members are who get the ball rolling for Greek culture.
First King Of Thebes
Part of Cadmus’ claim to fame is that he’s the first king and founder of Thebes. A Grecian dynasty that stayed in power for quite some time. By Greek myths, this dynasty ruled Thebes for many generations, even during the time of the Trojan War.
His history goes back far enough to when oral history was getting passed on from one generation to the next before getting written down.
Antique Powerhouse – As far as Greek antiquity goes; Thebes did rival the ancient cities of Athens and Sparta. Come the time of Alexander the Great, when he set his sights on Thebes in 335 B.C.E., the city fell and never reclaimed its ancient glory.
Historical Conflicts – The Grecian historian, Herodotus (who lived between 484 B.C.E. and 425 B.C.E.) wrote about Cadmus, chronically him down. Herodotus writes down that he believes Cadmus to have lived some 1600 years before him, placing the timeline for Cadmus in 2000 B.C.E. With so much myth and legend interwoven into Cadmus’ story, how much is history and how much is a tall tale turned to legend that we aren’t sure if there really was a Cadmus.
Once again, Herodotus is to have seen and described the Cadmean writing inscribed on some tripods within the temple of Apollo at Thebes. Tripods that are to date back to when Laius, Cadmus’ great-grandson lived. The inscriptions effectively read as: “Ἀμφιτρύων μ᾽ ἀνέθηκ᾽ ἐνάρων ἀπὸ Τηλεβοάων in English “Amphitryon dedicated me don’t forget the spoils of the battle of Teleboae.”
Further confusion for how much myth and legend there is versus actual history comes from a later Roman writer, Ovid in his Metamorphosis. There are certainly a lot of additions and his versions of the myths are what many are familiar with when thinking of Greco-Roman mythology.
Hittite Connection – More like a controversy. There is a letter from the King of Ahhivawa to the Hittite King where a Cadmus is mentioned as the father of the Ahhivawa people. It is known that this is the term for the Achaeans in the Mycenaean Greek era and mentioned in Homer’s works. It’s not accepted by scholars that this is evidence of the actual Cadmus of mythology.
Cadmeia – This is the acropolis in Thebes named so in honor of Cadmus.
Fun Fact – Cadmeia is supposed to be the original name of the city before becoming Thebes. The name change came about a couple generations later during the reign of Amphion and Zethus who wanted to change the city’s name to honor his wife Thebe.
Al-Qadmus – The name of a Syrian city that is named after Cadmus.
Thebes – There is a city called Thebes in Egypt, no they are not the same city, they just happen to share the same name.
What’s In A Name?
There’s not a clear consensus on what Cadmus’ name means. Some scholars have put forward the idea that it might have a Semitic root of QDM meaning “East.” In Arabic, QDM is a verb meaning: “to come.” Then, in Hebrew, qedem means: “east,” “front” and “ancient.” Then there is the ver qadam meaning: “to be in front.” The Greek word kekasmai means: “to shine.” All this conjecture means that Cadmus translates as either “He who excels” or “From the east.”
I’d say we’re really close, there is a clue with Cadmus being from Tyre and his brother returning to rule there and the region becoming Phoenicia. Scholars studying the region and languages note that there are cognates between the Phoenician and Hebraic language.
The Alphabet – It’s Greek To Me!
Speaking of writing, Cadmus is who gets the credit by the ancient Greek historians for introducing the Phoenician alphabet where it would get adapted to become the Greek alphabet.
Herodotus goes as far as to say that Cadmus founded Thebes long before the events of the Trojan War, placing it during the Aegean Bronze Age. It’s a chronology that’s dubious as it conflicts with when both the Phoenician and Greek alphabets are to have originated.
The earliest known Greek inscriptions that involve Phoenician letters don’t appear until the late 9th and 8th century B.C.E. The belief is that the Phoenician alphabet didn’t develop until 1050 B.C.E., after the Bronze Age.
The Homeric depictions of the Mycenaean Greek (think really ancient Greek) doesn’t mention much about writing. The only reference to any Homeric writing is the phrase “grammata lygra” meaning: “baneful drawings.” This is a connection to the Bellerophontic letter, in which Proteus sent a sealed message with the hero Bellerophon to King Iobates who one reading the missive had instructions to kill the hero.
At any rate, there are several examples of Greek writing known as Linear B found in Thebes that seems to give credence to Cadmus as the inventor and bringer of writing to the Greeks. In Modern-Day Lebanon, Cadmus is still revered and accepted as the originator.
Once again, it’s just Cadmus’ legend that goes so far back that there are doubts and questions about the existing records for just how accurate any of it is.
Going To Find His Sister
All legends have their beginning.
Cadmus’ story begins when he and his brothers are sent by their parents, the King Agenor and Queen Telephassa to go find his sister Europa and bring her back to Tyre after she had been abducted by the god Zeus. Further, Cadmus and his brothers are told not to return without their sister.
Unable to find their sister, Cadmus’ brothers Phoenix and Cilix gave up in their quests. The region of Phoenicia is named after Phoenix and the city of Cilicia is named after Cilix. Here, it can go either way, either Cadmus was unsuccessful in finding his sister or Cadmus very wisely chose not to go up against Zeus.
He very likely decided not to press his luck and instead went to Samothrace, an island known to be sacred to the “Great Gods” or Kabeiroi.
On his journey to Samothrace, Cadmus was not alone. For his mother, Telephassa and his nephew Thasus were also present. Thasus is noted for naming the nearby island of Thasos after himself. It is at Samothrace, that Cadmus meets and marries Harmonia, the daughter of Electra and Zeus. Though, some accounts will say that Cadmus abducted Harmonia away the same way that Zeus did with Europa.
I can’t see that ending well though…
It will get confusing, as some accounts have Cadmus and Harmonia marrying on Samothrace or meeting later after the founding of Thebes and marrying then.
Bridal Gifts With A Curse
I mentioned things not ending well right? I did.
Some of Harmonia’ bridal gifts were a peplos (a type of dress) gifted by Athena and a necklace made by Hephaestus. This necklace will become known as the Necklace of Harmonia and it would bring misfortune to anyone who had it. Sure, the necklace will make any woman who wears it eternally young and beautiful. Eventually, the curse takes hold and Harmonia’s home city of Thebes faces civil unrest and misfortunes.
At first glance, that seems unusual, I’ll cover this further down.
The Founding Of Thebes
This is perhaps the story that Cadmus is best known for in his saga. As Cadmus and his mother continued their journey and search for Europa, the two settled in a place called Thrace. It is here, that Telephassa died of grief for her missing daughter. After performing the funeral rites for his mother, Cadmus sought out the Oracle of Delphi for help.
It is here, that Cadmus is told to stop his quest and search for Europa (thanks to the gods), and instead, Cadmus is to now follow a cow.
Not just any cow, this one has a half-moon on her flank and Cadmus is to follow her until she finally comes to a rest, exhausted. The spot where the cow rests is where Cadmus is to build a town in a land known as Boeotia along the banks of the river Cephisus.
With the exhausted cow, Cadmus decided to sacrifice it to Athena as thanks for the cow guiding him. While making his preparations, Cadmus sent off his companions, Deileon and Seriphus to get some water from the Ismenian spring. While the two were there, the guardian of the spring, a water-dragon belonging to Ares rose up and slew both Deileon and Seriphus.
Chaoskampf & Spartoi
On discovering what had happened, Cadmus then slew the dragon. It has been noted that this is a notable trait of culture heroes to slay a dragon and the whole order triumphing over chaos.
The dragon-slaying story usually ends here. However, a couple of different things will happen here. First, Athena appears to Cadmus and gives him half of the dragon’s teeth, instructing our stalwart hero to plant them. (The other half of the teeth will appear later in the story of Jason and the Argonauts). As Cadmus plants each tooth on the Aonian plain; from each tooth springs up a fully armed warrior. Fearing for his life, Cadmus threw a stone in amongst the warriors and they began to fight each other. Each thinking the stone had been thrown by another warrior. These warriors fought until there were only five of them left standing. Sometimes, depending on who’s telling the story, Athena instructed Cadmus to leave only five Spartoi living. These five remaining warriors’ names were: Chthonius, Echion, Hyperenor, Pelorus and Udeus who would become the founders of Thebes’ noble families. At Cadmus’ instructions, these five helped him to found and build the city of Thebes.
The first building that would-be built-in Thebes was a shrine dedicated to the Moon goddess Selene. The acropolis of Thebes would be called Cadmeia.
In his writings, when Cadmus planted the dragon’s teeth, only five warriors sprang up from the ground. There was no fighting it out among them. In addition, Hellanicus has Zeus step in to save Cadmus from the Ares’ wrath as the war god wanted to kill the mortal. And the Spartoi, Echion marries Cadmus’ daughter Agave and their son, Pentheus succeeds Cadmus to become king.
In this version of the myths with the Roman names for the gods in it, a voice (presumably Mars) speaks out to Cadmus, after he slays the giant serpent, that he too shall become one.
Ares’ Dragon & Eight Years Servitude
Slaying the dragon also held another problem to it. This dragon or drakon was a servant to the god of war, Ares; add, in some versions, the drakon is a son of Ares. Either way, Ares’ isn’t too pleased.
As restitution for this deed, Cadmus meets Ares’ demands by serving the war god for an “everlasting year” or eight years. At the end of this period, Cadmus marries Harmonia, the daughter of Aphrodite and Ares.
Sidenote: Yeah, I know, the marriage has been mentioned up above. It is a conflict of the narrative and it really depends on who’s telling the story.
The narrative that places Harmonia’s marriage to Cadmus here, as the daughter of Ares is meant to symbolize the coming of harmony and an end to war.
Harmonia would bear Cadmus several children, Agave who married Echion, one of the Spartoi, they would have a son named Pentheus. Cadmus and Harmonia’s other children are three daughters, Autonoe, Ino and Semele who would be the mother of Dionysus. There two sons are Polydorus and Illyrius from whom the Illyrians descend.
Something Rotten In Thebes
Married and the City of Thebes founded, no matter how divinely ordained this was, peace and harmony wouldn’t last.
Due to the cursed necklace that Harmonia received, she and Cadmus’ family would soon see misfortune befall them and a series of civil unrest. Eventually, Cadmus would abdicate his throne to his grandson, Pentheus.
Cadmus would go with Harmonia to Illyria to fight a war brewing over there as they took the side of the Enchelii. From there, Cadmus would go on and found the city of Lychnidus and Bouthoe.
Despite leaving Thebes and establishing other cities, misfortune continued to plague and follow Cadmus. It got so bad that Cadmus cried out that all this had to because of his slaying Ares’ dragon, if the gods were so obsessed with its death, why not turn him into one.
At that pronouncement, Cadmus begins to grow scales and to change into a serpent. Horrified by this transition of her husband, Harmonia begged the gods to change her too so she could share in Cadmus’ fate.
Variations to this ending are that both Cadmus and Harmonia are changed into snakes when they died. Both snakes watched over their tombs while their souls were sent by Zeus to the Elysian Fields.
Famous Grecian playwright Euripides’ in his The Bacchae, has Cadmus given a prophecy from Dionysus that both he and his wife will be turned into snakes before getting to enjoy an eternity of bliss in the Elysian Fields.
The First Earthly Marriage
If you were paying attention to the above narrative and Cadmus’ story, I noted that there are two different timelines to when he marries Harmonia and each one has a side not for who her parentage is.
I think it’s worth noting and remembering Cadmus’ Divine Lineage connecting him to Poseidon and thus a demigod. The story of Cadmus and the ruling, royal family of Thebes is likely a very old story, dating back to Mycenaean Greece and it is during Mycenaean Greece that Poseidon is the head of the Pantheon, not Zeus.
Zeus will become head of the Greek Pantheon during the era thought of as Ancient Greece when we have written records being kept that chronicle historical accounts.
It’s an important distinction and one seen in the conflicting timeline of when Cadmus is to have married Harmonia and who her parentage is to be.
Where Cadmus marries Harmonia on the island of Samothrace with Zeus and Electra given as her parents seems more like the later changes to the story to have Zeus hold a more prominent role within it.
Following a timeline for after Cadmus’ eight years of servitude to Ares and then marrying Harmonia with both Ares and Aphrodite as her parents seems far more likely the correct lineage. It would explain too so much better why Hephaestus would gift Harmonia a cursed necklace.
Knowing the backstory between Hephaestus, Aphrodite and Ares, the cursed necklace that is given to Harmonia makes more sense. Hephaestus was angry at Aphrodite for her affair with Ares and yes, he makes the necklace a means to punish Aphrodite’s infidelity by placing a curse on the child that resulted from hers and Ares’ affair.
Thus, all the misfortunes that Cadmus and Harmonia suffer are from the necklace, not slaying the dragon. Afterall, Cadmus had already paid penance to Ares and then is rewarded his daughter for marriage. It’s even in Harmonia’s name, harmony, there was to be an end to the strife and conflicts.
I do find it curious that there are versions of Cadmus’ story where the Necklace of Harmonia is not mentioned at all or having been made by Hephaestus. The misfortunes that befall Cadmus are attributed to the dragon that was slain. It makes no sense to have Ares forgive Cadmus after several years of servitude and giving his daughter to marry.
Of course, it’s easy to assume the Greek gods are perpetuating their pettiness. We have lots of stories of mortals being punished by the gods. If Hephaestus is keeping mums about the curse he placed on the necklace, of course, no one knows why bad things keep happening to Cadmus and Harmonia.
By Diodorus’ account of this story, Cadmus’ marriage to Harmonia is significant in that it was the first one celebrated on Earth and one wherein the gods are to have come, bringing gifts. There was supposed to be an end to conflicts and war, alas it could not last.
East Meets West – Another idea for Cadmus and Harmonia’s wedding is that it may be symbolic of the Eastern, Phoenician learning combining with the Western, Grecian love of beauty.
Fertility God – The Samothracian Connection!
The island of Samothrace is one of the places that Cadmus, his mother, and nephew are said to have stopped at in their search for a missing Europa.
There is a small Pantheon of the Great Gods whose members have been equated or identified with several of the Greek deities. One such god, is Kadmilus, a fertility god identified with the god Hermes. There are also a pair of Underworld deities, Axiokersos (Hades) and Axiokersa (Persephone) whose marriage gets equated to Cadmus and Harmonia courtesy of Diodorus Siculus’ trying to connect the island’s local myths to the overall Greek myths.
I can see it too, the similar-sounding names of Kadmilus and Cadmus.
Zeus Versus Typhon
In Nonnus’ Dionysiaca where he recounts the story of Zeus battling the monstrous serpentine monster known as Typhon, Zeus asks the hero Cadmus to help him by recovering his lightning bolts with playing his pipes, to play a tune. Zeus promises Cadmus that if he helps, that he will receive the hand of Harmonia in marriage.
The Dionysiaca is written in the 5th century C.E. and reflects plenty of time to have rewritten the myths. This is the only myth to involve Cadmus with Pan, playing the pipes to distract Typhon so this fearsome monster can be defeated.
Earlier versions of this story have where it’s Hermes and Aeigipan (Pan) stealing back Zeus’ tendons, no mention of the thunderbolts.
Once again, if we are confusing Cadmus with Kadmilus, the Samothracian deity identified with Hermes. I can see the confusion.
However, yes Nonnus is equating Hermes with Kadmilus and thus Cadmus in the episode where Hermes comes in disguise as a mortal to announce that Zeus has decreed a marriage of Harmonia with Cadmus.
That’s just confusing if you can’t keep it straight.
The story of Cadmus slaying the dragon is sometimes cited as being one of many myths associated with this constellation.
Alternate Spellings: 黄帝, Huang Di, Huangdi
Also known as: Gongsun, Kung-sun, Xuanyuan, Xuan Yuan, Hsuan-yuan, Huang Ti, Hwang Ti, Yellow Emperor, Yellow Thearch, the Yellow God, the Yellow Lord
Etymology: the Yellow Emperor, The character 黄 Huang, means “yellow” and is a homophony for the character, 皇 Huang, meaning, “august”, “creator” and “radiant”, Di “emperor”
Huang-Di, the Yellow Emperor ruled during a golden age of Chinese history and mythology. He is the first of five legendary Chinese emperors. Tradition has Huang-Di beginning his rule during 2697 B.C.E. and ending 2597. An alternate date is 2698-2598 B.C.E. These dates were first calculated by Jesuit missionaries studying the Chinese chronicles. They have been accepted by later scholars looking to try and establish a universal calendar.
There are a number of different legends surrounding Huang-Di that tell of his greatness as a benevolent ruler and establishing Chinese civilization. Huang-Di is to have ruled in a Golden Era of history before written Chinese history was established so many of his stories were passed down orally first. Just as Britain has its King Arthur, China has Huang-Di, the greatest ruler of all time that everyone looks up to and reveres.
What’s In A Name?
This gets a little tricky. Depending on the Chinese character used and its pronunciation; depends on what the word is translated to mean.
The character for Di, is used to refer to the highest deity from the Shang dynasty. During the Warring States period, the term Di came to be associated with the gods of the five sacred mountains and colors. After this era, about 221 B.C.E. the term Di came to refer to earthly emperors.
The character for Huang can be translated a couple different ways. Either Yellow or August. Scholars and historians seeking to emphasize the more religious meaning to the name Huaung-Di will translate the name to mean “Yellow Thearch” or “August Thearch.”
Some scholars such as Sima Qian in his “Records of the Grand Historian” compiled in 1st century B.C.E. have given Huang-Di’s name as Xuanyuan. The 3rd century scholar Huangfu Mi have said that this is to be the very same hill that Huang-Di lived and takes his name from. Liang Yusheng, from the Qing dynasty has argued that the hill is named after the Huang-Di. In Chinese astronomy, Xuanyan is the name for the star Alpha Leonis or Regulus.
The name Xuanyuan is also references Huang-Di’s birthplace. Huang-Di’s surname was Gongsun or Ji.
The name Youxiong is thought to be either a place name or clan name. Several Western scholars and translators have given their ideas on what Youxiong translate to. The British sinologist, Herbert Allen Giles says the name is from Huang-Di’s principal heritage. William Nienhauser, in translating the “Records of the Grand Historian” has put forth that Huang-Di is the head of the Youxiong clan who lived near Xinzheng in Henan. The French historian, Rémi Mathieu translates the name Youxiong to mean “possessor of bears” and linking Huang-Di in mythology to bears. Rémi isn’t the only one to make a connection to bears. Ye Shuxian also makes a connection with Huang-Di to the bear legends found throughout northeast Asia and the Dangun legend.
As a culture hero, Huang-Di is seen as a wise and benevolent ruler who introduced government and laws. He is also seen as having taught people several different skills and to have invented several things such as clothing, building permanent structures such as palaces and houses, music, the wheel, armor & weapons, carts, ships, writing, digging wells, agriculture, taming and domesticating animals, astronomy, calendars, mathematics, cuju (a sport similar to football), the compass and currency.
At some time during Huang-Di’s rule, he reputed to have visited the Eastern sea where he met Bai Ze, a supernatural talking beast that taught him the knowledge of all supernatural creatures. Bai Ze explained to Huang-Di there were 11,522 (or 1,522) different types of supernatural beings.
San-Huang – The Three Sovereigns
Also, known as the Three Emperors, they are a group of god-kings and demigod emperors who are believed to have lived some 4,500 years ago. Huang-Di is counted as being part of this group and the leader of their number to have once ruled over China. Other’s counted among this number are Fu Xi, Nuwa and Shennong.
This is another mythological and historical group of rulers important to Chinese culture. These five emperors were virtuous rulers of outstanding moral character. Taihao, the Yan Emperor, the Yellow Emperor (Huang-Di), Shaohao and Zhuanxu are considered among the Five Emperors in this group.
But that makes four with the Three Sovereigns! The math is off! There are a number of variations as to who is counted among these numbers and it all depends on which text and source is used. It will even flip-flop too as to where Huang-Di is placed as either one of the Three Sovereigns or Five Emperors.
Parentage and Family
Huang-Di’ parents are given as Shaodian as his father and Fu Pao as his mother.
According to the “Discourses of the States”, Shaodian is sometimes mentioned as being Huang-Di’s step-father.
Huang-Di seems to have had several different wives:
Leizu – Of Xiling, she is the first wife, she is the most notable with any information as she is the first person to have domesticated silk worms for their silk. With Leizu, Huang-Di had two sons.
Fenglei – Second wife
Tongyu – Third wife
Momu – Fourth wife
Huang-Di is reputed to have had 25 sons. 14 of these sons all started clans of their own with their own surnames.
Shaohao – Also known as Xuanxiao, he would become the Emperor after Huang-Di’s death.
Changyi, who in turn is the father of Zhuanxu who would succeed his uncle, Shaohao as the next Emperor.
Ancestor Of The Chinese
A lot of emphasis and importance has been placed on Huang-Di as many Chinese dynasty rulers would trace the rights of their sovereignty to him. The Chinese Han claim being descendants of both Yandi (The Flame Emperor) and Huang-Di. Eventually, Huang-Di would be seen as the ancestor to all Chinese. A many Dynasty Emperors would all lay claim to Huang-Di’s legacy to prove their rightful claim to the throne.
It should be noted that the earlier mentions of Huang-Di, the Yellow Emperor is on a fourth century bronze inscription for the royal house of the Qi. This inscription claims Huang-Di as an ancestor to the Qi. The scholar, Lothar von Falkenhausen has suggested that Huang-Di is likely created as an ancestral figure in order to claim that all the ruling clans from the Zhou share a common ancestor.
Birth Of A Legend
Per myth and legend, Huang-Di is the result of a virgin birth. His mother, Fubao become pregnant with him while walking out in the countryside and was struck by lightning from the Big Dipper constellation. Fubao would give birth to her son after a period of twenty-four months on either Mount Shou or Mount Xuanyuan. It is for mount Xuanyan that Huang-Di would be named.
In Huangfu Mi’s account, Huang-Di is born at Shou Qiu or Longevity Hill near the outskirts of Qufu in Shandong by modern times. Huang-Di lived with his tribe near the Ji River, a mythological river and later migrated with his tribe to Zhuolu near modern Hebei. As a cultural hero, Huang-Di tames six different animals, the bear, the brown bear, the pi and xiu. The pi and xiu get combined to become a mythological animal known as the Pixiu. He also tames the chu and tiger. I’m not sure which creatures all of these are or the difference between a bear and brown bear is, but there we have it.
Other legends surrounding Huang-Di hold that he could speak shortly after his birth. That when he was fifteen years old, there was nothing that he didn’t know. Huang-Di would eventually hold the Xiong throne.
Trouble In Paradise
Huang-Di’s rule wasn’t completely problem free. One god decided to challenge Huang-Di’s sovereignty. This god was helped by the emperor’s son, Fei Lian, the Lord of the Wind. Fei Lian sent fog and heavy rain to try and drown the Imperial Armies. The emperor’s daughter, Ba (meaning drought) put an end to the rain and helped to defeat Fei Lian and his forces.
The Yellow Emperor And The Yan Emperor
Despite there being some 500 years between Huang-Di and Shennong rules, both of these emperors’ rules near the Yellow River. Shennong hailed from another are up around the Jiang River. Shennong having trouble with keeping order within his borders, begged the Yellow Emperor, Huang-Di for help against the “Nine Li” lead by Chi You and his some 81 brothers who all have horns and four eyes.
Battle of Zhuolu – Shennong was forced to flee Zhuolu before begging for help. Huang-Di used his tame animals against Chi You who darkened the sky by breathing out a thick fog. Huang-Di then invented the south-point chariot to lead his army out of the miasma of fog.
In order to defeat Chi You, Huang-Di calls on a drought demon, Nüba to get rid of Chi You’s storm.
This story sounds a lot like a variation of the previous story where Huang-Di calls for his daughter Ba to defeat Fe Lian.
Battle of Banquan – It is at this battle, that both Huang-Di and Shennong finally defeat Chi You and his forces and replace him as ruler.
Death & Immortality
Huang-Di ruled for many years and is thought to have died in 2598 B.C.E. Legend holds Huang-Di lived over a hundred years, by some accounts this was 110 years. Before he died, Huang-Di met a phoenix and qilin before he rose to the heavens to become an immortal or Xian. He is considered the very archetype of a human who merges their self with the self of the Universal God; how a person reaches enlightenment and immortality.
Another account of Huang-Di’s death is that a yellow dragon from Heaven flew down to take up Huang-Di up. Huang-Di knew that he could not deny destiny and went with the dragon. On their way to fly back to Heaven, they flew over Mount Qiao where Huang-Di asked to be able to say goodbye to his people. The people cried out, not wanting Huang-Di to leave them and they pulled on his clothing to try and keep. Surprisingly, Huang-Di slipped free of his clothing and got back on the dragon to fly up to the heavens. As to his clothing, they were buried in a mausoleum built at Mount Qiao.
Two tombs commemorating Huang-Di were built in Shaanxi within the Mausoleum of the Yellow Emperor. Other tombs were built in Henan, Hebei and Gansu.
Huang-Di is the founder of Taoism, one of the main philosophies and religions found in China.
As Huang-Di began to age, he began to allow his court officials to handle matters and make decisions. Huang-Di moved out into a simple hut in his courtyard. There, as he fasted, prayed and meditated, Huang-Di discovered Tao, or the way, a philosophy that would lead to the ideal state of being.
In some of the older accounts with Huang-Di, he is identified as a god of light and thunder. The name Huang and Guang, meaning “light,” making him a Thunder God. However, Lei Gong or Leishen is the name of another deity and he is seen as Huang-Di’s student.
The legend and origins for Haung-Di have been cast into doubt by many. The scholar Yang Kuan, a member of the Doubting Antiquity School has argued that Huang-Di is derived from the god, Shang-Di from the Shang dynasty. Yang says that the etymology of Shang-Di, Huang Shang-Di and Huang-Di all have a connection to the Chinese character of 黄 Huang, which means “yellow” and its homophony of, 皇 Huang, which means “august,” that to use the character for 皇 Huang, was considered taboo.
Other historians have disputed this claim like Mark Edward Lewis and Michael Puett. While Mark Edward Lewis agrees that the two characters are interchangeable, he has suggested that the character 黄 Huang is closer to the character wang phonetically. Lewis puts forth the idea that Huang might have referred to a “rainmaking shaman” and “rainmaking rituals.” He uses the Warring States and Han era myths for Huang-Di, in that these were ancient rainmaking rituals, as Huang-Di held power over the clouds and rains. Huang-Di’s rival, Chiyou or Yandi held power over fires and drought.
Lord Of The Underworld Or The Yellow Springs
Further disagreements with Yang Kuan’s idea of equating Haung-Di with Shang-Di is the Western scholar, Sarah Allen who has stated that the pre-Shang myths and history can be seen as changes to Shang’s mythology.
By this argument, Huang-Di was originally an unnamed Lord of the Underworld or Yellow Springs, the counterpart to Shang-Di in his role as the supreme deity of the sky. Continuing this theme, the Shang rulers claimed their ancestor as the “the ten suns, birds, east, life and the Lord on High. Shang-Di had defeated an earlier group of people who were associated with the Underworld, Dragons and the West.
After the Zhou dynasty overthrew the Shang dynasty in the eleventh century B.C.E., the Zhou rulers began to change out the myth, changing the Shang to the Xia dynasty. By the time of the Han, according to Sima Qian’s Shiji, Huang-Di as Lord of the Underworld had now become a historical ruler.
During the Warring States era of texts, the figure of Huan-Di appears intermittently. Sima Qian’s text, Shiji (Records of the Grand Historian) is the first work to gather all of the fragments and myths surrounding Huan-Di into a coherent form and narrative. The Shiji would become a very important and influential text for the Chinese and the start of their history.
In the Shiji, Sima Qian he says that the state of Qin began worshiping Huang-Di during the fifth century B.C.E. along with Yandi, the Flame Emperor. Alters had been established in Yong, the capital of Qin. By the time of King Zheng in 247 B.C.E., Huang-Di had become the most important of the four “thearchs” worshiped in Yong.
During the late Warring States and early Han eras, Huang-Di’s cult became very prominent as he is regarded as the founder of the arts, civilization, governing and a supreme god. There have been a number of texts such as the Huangdi Neijing, a classic medical text, and the Huangdi Sijing, a group of political treatises that Huang-Di is credited with having written.
While his influence has waned for a period, the early twentieth century saw Huang-Di become an important figure for the Han Chinese when trying to overthrow the Qing dynasty. For some, Huang-Di is still an important, nationalist symbol.
Huángdì Sìmiàn – Yellow Emperor with Four Faces
In the Shizi, Huang-Di is known as the Yellow Emperor with Four Faces. Other names that Huang-Di is known by are: Sìmiànshén, Four-Faced God or the Ubiquitous God. The name Sìmiànshén is also the name for Brahma in Chinese.
As Huángdì Sìmiàn, Huang-Di represented the center of the universe and his four faces allowed him to see in everything that happened around him and in the world. In this aspect, he communicated directly with the gods for prayer and sacrifice. When traveling, Huang-Di rode in an ivory chariot pulled by dragons and an elephant. He would be accompanied by a troop of tigers, wolves, snakes and flocks of phoenix.
Wufang Shangdi – Five Forms of the Highest Deity
In Chinese texts and common beliefs, the Wudi (“Five Deities”) or Wushen (“Five Gods”) are five main deities who are personifications or extensions of a main deity.
Zhōngyuèdàdì – Huang-Di, when he becomes an Immortal or Xian and deified, is one of the Wudi. As Zhōngyuèdàdì, the “Great Deity of the Central Peak”, he is the most important of the Wudi, representing the element of earth, the color yellow and the Yellow Dragon. He is the hub and center of all creation upon which the divine order found within physical reality makes way for possible immorality. Huang-Di is the god of the governing the material world, the creator of the Huaxia (Chinese) civilization, marriage, morality, language, lineage and the primal ancestor to all Chinese people. In addition, he is a Sun God and associated astrally with the planet Saturn, the star Regulus and the constellations Leo and Lynx. The constellation Lynx in Chinese star lore, represents the body of the Yellow Dragon.
Huángshén Běidǒu – the “Yellow God of the Northern Dipper”, connected to this constellation, Huang-Di becomes identified as Shangdi or Tiandi, the supreme God or “Highest Deity.”
Further, Huang-Di is the representation for the hub of creation, the divine center and the axis mundi for the divine order in physical reality which opens the way to immortality. He is the god who is the center of the cosmos that connects the San-Huang and the Wudi.
Huángdì Nèijing – The Yellow Emperor’s Inner Canon
Also, spelled as Huang Ti Nei Ching (The Yellow Emperor’s Classic of Medicine).
This medical text forms the foundation for traditional Chinese Medicine. it comprises of the theories of the legendary emperor Huang Di who lived around 2600 B.C.E. This tome preserved a lot of ancient medical knowledge and is compose of two volumes. The first one is a dialogue between Huang Di and his minister, Qibo. The second one has the descriptions of anatomy, medical physiology and acupuncture. The real author of this book is unknown.
Huangdi Sijing – Four Scriptures of the Yellow Emperor
In this text, it is explained how regulating the heart and one’s emotions, they will never allow oneself to get overly emotional and carried away. Huang-Di had accomplished doing this during his three years at the refuge at Mount Bowang in order to find himself. Doing this, creates an internal void where all the forces of creation gather, where the indeterminate they stay, the more powerful these forces of creation will be. In more simpler terms, this is self-mastery and self-control.
Other Books –
Other books attributed to Huang Di are: Huángdì Yinfújing (Yellow Emperor’s Book of the Hidden Symbol) and the Yellow Emperor’s Four Seasons Poem that is found contained in the Tung Shing fortune-telling almanac.
As a Sun God, Huang-Di as Zhōngyuèdàdì is associated astrally with the planet Saturn, the star Regulus and the constellations Leo and Lynx. The constellation Lynx in Chinese star lore, represents the body of the Yellow Dragon.
Going Back To Where It All Began!
As previously mentioned earlier, tradition has Huang-Di begin his rule during 2697 B.C.E. and ending in 2597. An alternate date is 2698-2598 B.C.E. These dates were first calculated by Jesuit missionaries studying the Chinese chronicles. They have been accepted by later scholars looking to try and establish a universal calendar.
It should be noted that the traditional Chinese calendar didn’t mark years consecutively. Some Han-dynasty astronomers have tried to determine when Huang-Di ruled. Under the reign of Emperor Zhao in 78 B.C.E. a court official, Zhang Shouwang calculated that some 6,000 years had passed since the time of Huang-Di rule. The court however rejected this claim and said that only 3,629 years had passed. Comparisons with the Western, Julian calendar place the court’s calculations to the late 38th century B.C.E. for Huang-Di. Nowadays, the 27th century B.C.E. is accepted by many.
Possible Reality Behind The Legends
Getting anything for reliable accuracy and the historical context of China before the 13th century B.C.E. is difficult. There is a lot of reliance on what archaeology can provide and prove. The earliest Chinese writing and records date to the Shang dynasty around 1200 B.C.E. This system of writing is the use of bones for oracles. Even any hard evidence for the Xia dynasty is hard to find, even with Chinese archaeologists trying to link this dynasty to the Bronze Age Erlitou sites.
Many Chinese historians view Huang-Di to have a stronger historical basis than other legendary figures like Fu Xi, Nuwa and the Yan Emperor. While many legendary figures and ancient sages have all been considered to be historical figures, it is not until the 1920’s that members of the Doubting Antiquity School in China began to question the accuracy of these legends and claims.
Warring States Era
These early figures of Chinese history, as Gu Jiegang from the Doubting Antiquity School, as stated are mythological in origin. They started off as gods and then became depicted as mortal during the Warring States era by intellectuals.
Yang Kuan, another member of the Doubting Antiquity School, has commented that it is only during the Warring States era that Huang-Di is mentioned as the first ruler of China. Yang goes on to argue that Huang-Di is really the supreme god, Shang-Di, the god of the Shang pantheon.
Even the French scholars Henri Maspero and Marcel Granet, in their “Danses et légendes de la Chine ancienne” (“Dances and legends of ancient China”) have commented that early Chinese legends have more to do with the period to when they were written than to when they are supposed to have happened.
From God To Man
Huang Di’s status as a god faded during the 2nd century C.E. with the rise and reverence of Laozi. Huang Di will still be regarded as an immortal and the master of the longevity techniques and a deity who would reveal new teachings in the form of books like the Huang Di Yinfujing in the 6th century C.E.
Nowadays, many scholars accept the view that Huang-Di and other figures like him started off as a god of religious importance and then become humanized, mortal during the Warring States and Han periods. Even though Huang Di’s status as a god faded during the
Chang Tsung-tung, a Taiwanese scholar has argued, that based on a vocabulary comparison between Bernhard Karlgren’s Grammata Serica and Julius Pokorny’s Indogermanisches etymologisches Wörterbuch, there is a connection with the Old Chinese and the Proto-Indo-European etymologies. That there is a strong influence of Indo-European languages on the Old Chinese language around 2400 B.C.E. Chang goes on to say that the Shang dynasty was founded by Indo-European conquerors and identifies Huang-Di as an Indo-European god. Chang says that the “yellow” in Huang-Di’s name should be interpreted as referring to blond hair. That as a nomad of the steppes, Huang-Di encouraged road construction and horse-drawn carriages to establish a central state.
This idea, to me, seems farfetched. Since it is one of the ideas I came across, I’ll include it here.
Thanks to the French scholar, Albert Terrien de Lacouperie, many Chinese historians got hooked on the idea Chinese civilization getting its start in 2300 B.C.E. by Babylonian immigrants and that Huang Di would have been a Mesopotamian tribal leader. This idea has been rejected by European sinologists, however the idea was advocated for again by two Japanese scholars Shirakawa Jiro and Kokubu Tanenori in 1900.
The ideas certainly seem to held on to by anti-Manchu intellectuals who are looking for the truth of China’s history and wanting to prove the superiority of the Han over the Manchu and the importance of Huang Di as the ancestor of all Chinese.
The Mausoleum Of The Yellow Emperor
Also called Xuanyuan Temple, this mausoleum is the most important of ancient mausoleums in China and praised as “the First Mausoleum in China.” The mausoleum is located at Mount Qiao, north of the Huangling County of Yan’an some 200 kilometers north of Xi’an, the capital of Shaanxi Province. According to historians, the mausoleum was first built on the western side of Qiao during the Han Dynasty (206 B.C.E. – 220 C.E.) It was later restored during the Tang Dynasty (618 – 907 C.E.) It had been damaged by floods and moved to Qiao’s eastern side by the Emperor Song Taizu of the Song Dynasty (960 – 1234 C.E.)
During the Qingming Festival that is held on April 5th, Chinese people from all over gather to hold a memorial ceremony to commemorate the Yellow Emperor, Huang-Di. Yan’an also earns the distinction of being considered the birthplace of Chinese civilization.