Category Archives: Demon
Attis & Cybele
This story is one of the major myths involving Cybele and they often include her relationship with Attis, a youthful consort to the goddess. Attis is noted too as being the name of a Phrygian deity. Further, Attis doesn’t become a part of the myth with Cybele until the Roman poet Catullus references him with Cybele as Magna Mater and as the name of the head priest for the Galli. Additionally, pine cones are used as symbols of Attis’ death and rebirth.
Attis – As a Phrygian deity, Attis is the god of vegetation, his death and resurrection is symbolic of the death and rebirth of vegetation and the harvest with each winter and spring. The name Attis in Phyrgia was a common name and one used for priests. In the myths linking Attis with Cybele as her consort; wherever Cybele’s worship spread, Attis’ worship went as well.
Imagery portraying Attis has been found at a number of Greek sites. Whenever Attis is shown with Cybele, he is shown as a younger, lesser deity to her. He is possibly even one of her priestly attendants. During the mid-2nd century B.C.E., various letters from the king of Pergamum to Cybele’s shrine in Pessinos all address the chief priest as “Attis.” So deity or priest tends to be a matter of personal interpretation with the myths of Attis.
Attis was Cybele’s young lover who had devoted himself to the goddess. He had a made a promise that he would always be faithful. As fate would have it, Attis in time fell in love with a nymph by the name of Sagaritis (or Sagaris) and they decided to marry. When Cybele learned of this marriage, she burst in on the marriage ceremony, inflicting Attis with madness and sending the other guests into a panic.
In his maddened state, Attis fled for the mountains. There, he stopped under a pine tree and proceeded to mutilate himself to the point of castrating himself and bleeding to death there beneath the pine tree.
When Cybele found her lover, the young Attis dead, she mourned her actions and deeply regretted them. She pleaded with the god Jupiter to restore Attis to life. Jupiter vowed that that pine tree would remain sacred and like the tree, Attis would live again. The blood that Attis shed is said to have become the first violets.
In the versions of the myths where Maeon is Cybele’s father – Maeon kills Attis, the baby whom he sires after committing incest with his daughter. Cybele manages, in this myth to restore Attis back to life.
Pausanias’ Version – Another story of Attis, this time with Agdistis as another name for Cybele follows much of the same story as previously mentioned. Only now, when the baby, Attis is born, he is left exposed and a ram comes, standing guard over the child. As the baby grew, his beauty became ever more apparent as more than human. Agdistis saw Attis and fell in love with him.
When Attis finally came of age, he was sent to Pessinos, a city in Phrygia to wed the King’s daughter. After the marriage ceremony was completed, Agdistis appeared, causing Attis, driving him mad in her jealously to the point of cutting off his own genitals. The madness was such, it effected other nearby, that even the king cut off his own genitals.
Shocked, Agdistis sought amends for what she had done and begged Zeus to restore Attis to life so that he would be reborn.
Ovid’s Version – In this one, Attis had fallen in love with Cybele who wanted to keep the boy at her shrine as a guardian. She commanded Attis to always be a boy. Attis declared in kind that if he lied, let the lover he cheated be his last.
As happens with these kinds of stories, Attis does cheat with the Nymph Sagaritis (or Sagaris). Her tree is cut down by Cybele, killing her the Nymph. Attis in response goes mad and hallucinates that the roof to his bedroom is collapsing on him. Attis runs towards Mount Dindymus where he calls out for Cybele to save him.
Hacking away at his own body with a sharp stone, Attis continues to cry out to Cybele that she take his blood as punishment and cuts off his genitals as that is what has caused him to cheat on Cybele.
Ultimately, this story of Attis’ self-mutilation and castration is the basis for the Galli, Cybele’s priest to castrate themselves as a show of devotion to the goddess.
Cybele & Dionysus
Similar to the story of Attis & Cybele, is the story of Dionysus & Cybele. The earliest reference to this myth in Greek mythos is around the 1st century B.C.E. in Apollodorus’ Bibliotheca.
Like Attis, Cybele also cures Dionysus of his madness. Considering she’s the one who caused Attis’ madness, I would hope she would cure it too.
Both Dionysus’ and Cybele’s cult shared many similarities. As foreign deities worshiped among the Greeks, both gods would arrive in chariots drawn by large exotic cats. Dionysus would come in his chariot pulled by tigers whereas Cybele’s chariot was drawn by lions. Both deities would be accompanied to the fanfare of wild, raucous music and a parade of exotic foreigners and lower class citizens of Greek society.
For the Hellenic Greeks, these two gods held wild temperaments that didn’t sit well with many affluent Greeks and were thus, warily worshiped.
Due to the similarities of both Dionysus’ and Cybele’s cults, in Athens, by the end of the 1st century B.C.E., the two cults were often combined.
Cybele & Sabazios
Sabazios is the Phrygian version to the Greek Dionysus. Under Greek influence, the name Sabazios is often used as an epithet for Dionysus and the two’s myths have become very intertwined.
Further Greek influences have Cybele equated with Rhea. By Phrygian traditions, Cybele is the mother of Sabazios. When Cybele is equated with Rhea, she is the nurse-maid and tutor to a young Dionysus after his mother Hera rejects him.
Orgia – It is thought that the Orgia, the Orgiastic cult of Dionysos-Sabazios may have originated with Cybele. When Sabazios had been wandering in his madness, he made his way to Cybele in Phrygia where she purified him and taught him the initiation rite for the Orgia. Sabazios is to have received his thyrsus and panther-drawn chariot while he went throughout all of Thrace to spread the Orgia. The Orgia certainly seems to have become associated with the celebrations of Cybele as the Great Mother or Mountain Mother in the writings of Strabo or as Euripides makes mention of in his play Bacchae.
As Nurse-Maid – In a story very similar to Dionysus’ being rejected by his mother Hera, it is Cybele, identified as Rhea and Grandmother to Dionysus who takes up the infant to care for him much like she did her own son Zeus. The god Hermes, tells Cybele how Dionysus will become a god later when he’s grown to manhood. Cybele’s priests the Korybantes use their loud drumming and chanting to drown out the cries of the infant in order to prevent Hera’s wrath from finding him to finish what she had started with trying to kill Dionysus when she cast him out. The story of Dionysus’ youth with Cybele continues with him grabbing lions for the Mother Goddess to hitch up to her chariots and later acquiring a lion-drawn chariot of his own.
Atalanta & Hippomenes
These two were turned into lions in myth by either Cybele or Zeus as punishment for having sex with one of their temples. The Greeks believed that lions were not able to mate with other lions. Another version of the story will have Aphrodite turn them into lions when they forgot to give her proper tribute or offerings.
Cybele was also especially noted for being a bee goddess.
Mother Of The Mountain – Goddess Of Mountains And Fortresses
As a goddess of mountains, cities and forts, Cybele’s crown was seen to take the form of a city wall, showing her role as a guardian and protector of Anatolian cities.
There is an inscription of “Matar Kubileya” found at a Phrygian rock shrine dating from the 6th century B.C.E. It is often translated to: “Mother of the Mountain.” It is a name that is consistent with Cybele and a number of other tutelary goddess who are all seen as “mother” and connected to a specific Anatolian mountain or other locations. In this sense, Cybele is seen as a goddess born from stone.
Cybele’s connection and association with hawks, lions and the mountainous regions of Anatolia show her role as a mother of the land in its wild, uninhabited state. She holds the power to rule, moderate or soften the unbridled power and ferocity of nature and to reign it in for the use of civilization.
Idaea – Mountain Goddess & Nymph
Cybele is often connected with Mount Ida in Anatolia where there is an ancient site of worship. Idaea is the name of the local mountain goddess or nymph who resided here. Where many goddess get absorbed into each, the name of one deity, Idaea in this case will become an epithet to the more well-known deity.
Goddess Of Nature And Fertility
As an ancient fertility goddess, Cybele’s worship is believed to have covered from Anatolia to Greece during the Archaic period, roughly 800 to 500 B.C.E and then into the Hellenistic era of 300 to 50 B.C.E.
Lions and sometimes leopards were shown to either side of Cybele to depict her strength.
Cybele is typically seen as a guardian and protector over all of a nature and a goddess of unbridled sex.
Along with Artemis, Cybele is seen as the “Great Huntress” and patron goddess and protector of the Amazons.
Magna Mātēr – The Great Mother
The Romans revered and knew Cyble as Magna Mātēr or the Great Mother, Rome’s protector. They also knew her as Magna Mātēr deorum Idaea, the great Idaean mother of the gods. It is a similar title to the Greek title for Cybele of Mētēr Theon Idaia, Mother of the Gods from Mount Ida. In the early 5th century B.C.E., she was known as Kubelē. In Pindar, she was known as “Mistress Cybele the Mother.” Cybele’s worship among the Greeks saw her easily identified and equated with the Minoan-Greek Goddess Rhea and the grain-goddess Demeter.
As Magna Mātēr, Cybele was symbolized by a throne and lions. She held a frame drum. A bowl used for scrying. A burning torch was also used to symbolize her bull-god husband Attis in his resurrection. For some like Lucretius, Magna Mater represented the world order. Her imagery hold overhead represented the Earth, thought to “hang in the air.” As the mother of all, the lions pulling her chariot represent the offspring’s duty of parental obedience. Magna Mater is seen as un-created and separate from and independent of all of her creations.
Under Imperial Rome, Magna Mater represented Imperial order and Rome’s religious authority throughout its empire. Emperor Augustus, like many of Rome’s leading families, claimed Trojan ancestry and a connection to Magna Mater. His spouse, empress Livia was seen as the earthly equivalent and representation of Magna Mater. Statuary of Magna Mater has Livia’s likeness.
While there are not a lot of documents or myths that survive regarding Cybele, it has been suggested that her Phrygian name of Mātēr indicated a role as a mediator between the boundaries of the known and the unknown, the civilized world and the untamed wilds, the living and the dead. The Imperial Magna Mater protected Rome’s cities and its agriculture. Ovid mentions how barren the earth was before Magna Mater’s arrival. The stories and legend of Magna Mater’s arrival to Rome are used to promote and exemplify its principles and Trojan ancestry.
Megalesia – Festival To Magna Mātēr
Also known as the Megalensia or Megalenses Ludi; under the Roman calendar, Cybele’s Spring festival of Megalesia was celebrated from April 4th to April 10th, a period of six days. This festival celebrated Cybele’s arrival in Rome along with the death and resurrection of her consort, Attis. This festival and the whole month of April were celebrated with an air of rejoicing and lavish feasts.
Exactly how the festival was celebrated is uncertain. What is known is that there were many religiously themed plays, games and activities. There are descriptions of mummery, war dancers wielding shields and knives and a lot of drumming and flute playing. As to the games, slaves were not allowed to participate. On the first day of Megalesia, there would be a feast held. These feasts were known for being very lavish and the Roman Senate passed a law limiting the amount that could be spent on these feasts. On April 10th, Cybele’s image would be publicly paraded to the Circus Maximus, chariot races would be held in her honor. A statue dedicated to Magna Mater with her seat on a lion’s back stood at the side of the race track barrier line.
Hilaria – Holy Week
In addition to the Megalesia festival, there is also a week-long festival known as Holy Week that starts from March 15th, also known as the Ides of March. That really gives a new meaning to Shakespeare’s Julius Caesar when he’s told to beware the Ides of March. The entire festival is meant to have an air of celebration for the arrival of Spring and the Vernal Equinox.
The festival itself seems to have been established by Claudius as a means of claiming and honoring Trojan ancestry. As a result, the festival very likely grew and expanded over time as a celebration for the death and resurrection of Attis.
The Reed Entered – Also known as Canna Intrat, from the 15th to the end of the month, there is festival for Cybele and Attis that starts on the 15th or Ides, with Attis’ birth and his being left along the reed bank of the Sangarius river in Phrygia before either shepherds or Cybele find him. People known as Cannophores will carry away the reeds. During this time, there is a nine-day period of abstinence from eating bread, fish, pomegranates, pork, quinces and likely wine. Only milk was allowed to be drunk during this period.
The Tree Enters – Also known as Arbor Intrat, March 22nd marks the date of Attis’ death under a pine tree. It is observed. People known as Dendrophores or “Tree Bearers,” after sacrificing a ram, will cut down a tree and carry it to Magna Mater’s temple for a mourning period of three days.
Tubilustrium – March 23rd, this is an old, archaic holiday for the Roman god Mars. The tree has now been laid to rest in Magna Mater’s temple. Mars’ priest, the Salii will do a traditional beating of their shields accompanied by trumpets and other loud music from the Corybantes. Overall, this is a day of mourning.
The Day of Blood – Also known as Sanguis, Sanguem or Dies Sanguinis March 24th. The rites can only be described as frenzied as mourners and devotees whip or scourge themselves in order to sprinkle the alters and Attis’ effigy with their blood. Some of the rites involve castration and the tree is buried, symbolizing Attis’ placing within his tomb. This day was also to honor Bellona, a war goddess. Her priests were known as the Bellonarii and practiced mutilation along with using hallucinogenic plants.
The Day of Joy – Also known as Hilaria, on the Roman Calendar this marks the Vernal Equinox. It takes place on March 25th and celebrates Attis’ resurrection. It must be noted that is a day of celebration and not the previous mournful tones and rites. I’m also not the only one to have noted a similarity to the Christian association of Jesus’ resurrection.
Day of Rest – Also known as Requietio, March 26th. What can we say? Partying is hard work.
The Washing – Also known as Lavatio, March 27th. This is when Cybele’s sacred stone, the Pessinos’ black meteor is taken from the Palatine temple to the Porta Capena along a stream called Almo. This stream is a tributary to the Tiber river. Here, the stone would be bathed by a priest. The return trip back to the temple would be conducted by torchlight. It’s noted by Ovid as being an innovation by Augustus.
Initium Caiani – March 28th. This particular part of the festival is found on the Calendar of Philocalus. It is likely an initiation ceremony that was held at the Vatican sanctuary for the mysteries of Magna Mater and Attis.
Pine cones are symbols of Cybele and the related myth of Attis. They are believed to have been worn by Cybele’s priests and followers as one of her symbols. As a protective symbol, a pine cone would be affixed to the top of a pole and placed out in vineyards to protect the crops. Pine cones would also be placed at the entrances to homes, gates and other entrances.
A type of hand drum or tambourine, the tympanon was used by the Greeks to denote worship in a foreign cult or religion. Of the foreign deities the Greek adopted, only Cybele is ever shown holding the tympanon. On the cuirass of Ceasar Augustus’ Prima Porta statue, Cybele’s tympanon is shown lying at the goddess Tellus’ feet.
The Trojan War
Among the Romans, Cybele was rewritten to be a Trojan goddess and thus making her an ancestral goddess through the Trojan prince Aeneas.
The Trojan War was a major and significant war among the Greeks. Many deities got themselves involved. Cybele was one of many such gods to do so. When Prince Aeneas was attacked by Turnus, leading the Rutulians, Cybele prevented Turnus from setting fire to the Trojan fleet by turning all of the ships into nymphs.
Virgil’s Aeneid – As Berecyntian Cybele, she is the mother of Jupiter and the protector of prince Aeneas. Cybele gave the Trojans her sacred tree to use for building their ships. Cybele then pleaded with Jupiter to make the resulting ships indestructible. Aeneas and his men are able to flee Troy, heading for Italy, where Rome would be founded. Once the they arrived in Italy, the ships all turned into sea nymphs or Oceanids.
Yes, you read that correctly. During the early Roman Imperial era, the poet Manilius introduces Cybele into classic Greco-Roman zodiac. It upsets the balance as there’s already twelve zodiac houses represented by a corresponding constellation. Each of which is ruled by a different deity, the Twelve Olympians in Greek and the Di Consentes in Rome. Manilius places Cybele as a co-ruler with Jupiter over Leo the Lion, which is noted for being in direct opposition to Juno who rules Aquarius.
Some modern scholars have taken note of how, as Leo rises over the horizon, that Taurus the Bull sets. Symbolically, this is seen as the lion dominating or defeating the bull. The idea then gets put forth that the celebrations of Megalensia includes this symbolism with lions attacking bulls. As a Spring festival, the date for the celebration of Megalensia is around April 12th when farmers would dig in their vineyards to break up the soil and sow their crops. This would also be when farmers would castrate their cattle and other livestock.
It has been suggested by some scholars that Cybele’s name can be traced to that of Kubaba, a deified queen who ruled during the Kish Dynasty of Sumer. Kubaba was worshipped at Carchemish and would later be Hellenized to the name of Kybebe. Kubaba was also known to the Hittites and Hurrians in the region. There isn’t enough etymological evidence to support this. However the names Kubaba and Matar do seem to have become closely associated. Such as the genital mutilations that are found both within Cybele’s and Kybebe’s cults. Much like many other localized mountain goddesses in Anatolia, who are called “mother” and among many who would become identified with Cybele.
Christianity And The Book Of Revelation
Of interest, is that the author of the Book of Revelations, identified by modern scholars as John of Patmos is likely to have been referring to Cybele when he mentions “the mother of harlots who rides the Beast.”
Christianity – Kept to a nutshell, the early Christians, once Christianity became the state religion of Rome, began to view and regard Cybele’s cult as evil, even demonic. Under Emperor Valentinian II in the 4th century C.E., he officially banned the worship of Cybele and the goddess followers and devotees fell under a lot of hate and persecution. Under the rule of Justinian, objects of worship for Cybele and her temples were destroyed and eventually by the 6th century C.E., Cybele’s cult seems to have vanished.
It has been noted by others how the Basilica of the Vatican is apparently the same exact spot for where Cybele’s Temple once stood and that Christians celebrate the death and resurrection of Jesus Christ in the same place where Attis was once worshiped. Some will even go so far as to suggest that revering the Virgin Mary is merely another aspect of worshiping Cybele and many other ancient Mother Goddesses.
Montanism – Christianity – Also known as New Prophecy – Now I do find it fascinating that around 100 C.E. a former Galli priest of Cybele by the name of Montanus formed a Christian sect that worked to oppose Pauline Christianity.
In Pauline Christianity, those who followed the teachings of the Apostle Paul, it held a major influence into the formation of Christianity in terms of scriptural interpretations, cannon and dogma.
Montanus’ sect was considered very heretical to the Catholic Church and would eventually see all of its followers excommunicated.
In brief, Montanus believed himself to be a prophet of god and that women could also be bishops and presbyters. Where much of early Christian theology diminished the power and presence of women within religion, Montanus’ sought to keep it.
It’s also interesting to note a rather prominent example of a Pagan religion that Christianity and former followers of other religions attempting to adopt and add in their beliefs. Like Montanus equating Jesus with Attis and the celebrating of Easter with the resurrection of Jesus during Holy Week, the days between Good Friday and Easter is also the same period that Hilaria, observing and celebrating Attis’ resurrection was held.
Rhea – Greek Goddess
Just as Cybele is the Great Mother of the Roman Pantheon, Rhea, her Grecian counterpart is the Great Mother of the Greek Pantheon of Gods. Thanks greatly to the influence of the Romans, many people will identify and equate Cybele with Rhea.
The Romans were famous for subsuming many deities in their conquest across Europe, particularly the Mediterranean area, and identifying their gods with those of a conquered culture. The most famous being the Greeks, where many deities were renamed to those of Roman gods. Prominent examples like Zeus and Jupiter, Hera and Juno, Ares and Mars and so on down the line.
With the Hellenization of Latin literature, many Greek writers and even Roman writers rewrote and intertwined the myths of these two deities so that would virtually become one and the same. As the centuries have passed, the tradition of accepting both of these goddesses as one and the same has become generally accepted. Just that there are still some differences that separate the two.
Rhea’s best known story is with the birth of the Olympian gods. Cronus fearing that a son of his would kill him and take over, devoured all of his children as they were born. Rhea managed to rescue her youngest son, Zeus by tricking Cronus into swallowing a rock. She hid Zeus in the Dictean Cave in Crete. Zeus, after growing up, succeeded at overthrowing Cronus and rescuing his siblings.
Like Cybele, Rhea can help in easing the pain of childbirth and soothe the pain and difficulties that come with menstruation.
Other names: zmaj (Serbian) змај, (Croatian and Bosnian), zmaj (Slovene), zmey, змей (Bulgarian, Russian), zmiy (Old Church Slavonic), змеj (Macedonian), żmij (Polish), змій (Ukrainian)
It should be noted that most of these words are the masculine forms for the Slavic word “snake.” In Russian, the feminine is zmeya. Other names include zmajček or zmajić that is used as a diminutive form of endearment.
Etymology – Dragon, Snake or Serpent
In the Slavic language, a dragon is called a Zmej. It appears as multi-headed dragon with three, seven or nine heads that are capable of breathing fire. The Eastern Slavic dragons are believed to be able to regrow their heads like a hydra if one head is chopped off. In all cases, their large size makes them fearsome foes.
The Zmej is primarily associated with fire, like a good many other dragons of European folklore. It either breathes fire or it can throw fiery arrows or lightning bolts. It is exceedingly strong and the Zmej’s strength can be taken by a person who eats the dragon’s heart. That puts a whole new light on the movie Dragon Heart. The precise abilities of the Slavic dragons vary by locality and country.
The male Zmej were often portrayed in a positive light, acting as protectors of their family and tribe. He was seen as a good demonic force, using the power of weather in the way of hail, storms and strong winds to protect crops and harvests from getting ruined. Among the Southern Slavs, it’s very common to see the imagery of a dragon representing a good demonic force.
While I note the use of the word and spelling demonic to describe the Zmej; given the context and influence of Christianity upon an older Pagan religion, beliefs and traditions; it is very likely that the Greek term and usage of daimon is more appropriate.
You Called Him A Daimon!
Yes, as in the Greek term and meaning for the word spirit. It is Christianity that takes and twists the word and meaning to Demon, for an evil spirit or being.
Among the ancient Greeks, the word daimon means spirit or “replete with knowledge.” They recognized both good (eudemons) and bad (cacodemons). The word or term daimon also means “divine power,” “fate,” or “god.” And in Greek mythology, daimons could also include deified heroes.
Daimons functioned as messengers or intermediary spirits between men and gods. The good daimons were viewed as guardian spirits who gave guidance and protection to those they watched over. The bad daimons, naturally, weren’t so nice and could mislead people, getting them into trouble.
Sometimes the Zmej also appears as an anthropomorphic dragon man, much like the Romanian Zmeu, seen as very intelligent, wise and knowledgeable with great magical proficiency, breath fire and superhuman strength. Like the Romanian Zmeu, the Slavic Zmej was also known for being very wealthy with castles and realms in otherworlds. They too lusted after women with home they could bear children. Respect was always given to these Zmej as one never knew what to expect in terms of behavior.
National And Folk Heroes
A good many heroes were considered dragons or the son of a Zmej. A number of these heroes include:
Husein-Kapetan Gradaščević – A successful Bosniak general who fought for the independence of the Ottoman Empire from Bosnia. He is known as “Zmaj od Bosnia,” or “The Dragon of Bosnia.”
Vlad III Dracula – A Romanian Hero and more infamously known as Count Dracula in Bram Stoker’s book Dracula and depicted as a Vampire. Among the Romanians of Wallachia, Vlad is a hero, having been inducted into the Order of the Dragon by the Holy Roman Emperor Sigismund to defend a Christian Europe against the Ottoman Empire.
Vuk Grgurević – A Serbian Despot known as “Zmaj-Ognjeni Vuk” or “Vuk the Fiery-Dragon” due to the vicioness of his rule and his many battles against the Turks.
In the folk songs of Bulgaria, the Zmej appears as a popular motif as a Draconic Lover. Most of these songs featuring a Dragon Love, have a male Zmej. More heroic songs involving a Zmej will be female.
It’s interesting to note a very stark contrast and distinction male and female dragons in Bulgarian folklore. For one, the male and female dragons were seen as brother and sister. Yet for all this, they were very staunchly opposed to each other. The female dragons were known for representing the destructive weather that would destroy crops and agriculture. Whereas, the male dragons protected the fields and crops for harvest. Such that the two often fought each other, representing the dueling, opposing forces of female/water with male/fire symbolism.
Macedonia, Croatia, Bulgaria, Bosnia, Herzegovina, Serbia, Slovenia and Montenegro Folklore
In these Eastern Slavic countries and areas, a dragon is known by the name of zmaj, zmej and lamja. Similar to the Russian dragons, it has three, seven or even nine heads, all of which breathe fire. Additionally, in Serbia the dragon is called aždaja or hala and in Bosnia is called aždaha.
Polish And Belarussian Folklore
In both of these cultures, aside from Zmej, they also have the word smok, coming from the Indo-Iranian word for swallow. Other spellings for smok are: смок and цмок.
As previously mentioned, there is a very similar dragon-like creature in Romania with an equally similar name called the Zmeu. It is distinguished from many of the Slavic Zmej as it is anthropomorphic in nature and always a destructive force.
Russian And Ukrainian Folklore
Representing the Eastern Slavic people, there are a few different dragons found in their folklore. A number of prehistoric sites such as the Serpent’s Wall near Kiev have associations with dragons and act as symbols for foreign people. The Russian dragons are known to have heads that come in multiples of three and will grow back if every single head isn’t chopped off or promptly covered in ash or burnt.
Zmey Gorynych – This green colored dragon has three heads and walks on two back paws with two smaller front paws. Like many dragons, it breathes fire. The hero Dobrynya Nikitich is who killed this dragon.
Tugarin Zmeyevich – This dragon very strongly represented the Mongols and other Steppe peoples who often threatened the borders of Russia. Tugarin’s name is Turkic in origin. He was defeated by the hero Alyosha Popovich.
Saint George And The Dragon – It is without question that the hero Saint George symbolizes Christianity and that his killing of the Dragon symbolizes the Devil or Satan. It is a motif often portrayed on the coat of arms for Moscow.
The Serbian folklore for dragons is very similar to that of Bulgarian folklore. Essentially the differences come down to the different countries and regions’ name for them. Here, the Zmaj or Zmey is seen as very intelligent with superhuman strength and well versed in the use of magic. Like many European dragons, they breath fire and lust over young women. An image that sounds very much so like the Romanian Zmeu. The big difference here is that the Zmaj or Zmey are defenders of the crops and fight against a demon known as Ala that they attack using lightning.
The Slovene word of zmaj is of an uncertain, archaic origin. Another word used for dragons is pozoj. Like many European dragons, the zmaj are often seen in a negative light and associated with Saint George in his slaying the dragon.
There are other Pre-Christian Folk Tales involving dragons.
Ljubljana Dragon – This dragon features on the city of Ljubljana’s coat of arms that it guarded over and protected.
Wawel Dragon – This Polish dragon is often defeated by tricking it into eating a lime. It should be noted that this dragon isn’t always harmful towards people.
Also known as aždaha, ala or hala in Persian mythology. Some Southern Slavic countries will mention Aždaja as a type of dragon. Its true nature is considered to be drastically different than that of a real dragon and considered separate. While the Zmej is often seen as a positive force, the Aždaja is seen as a negative force and woefully evil. Ultimately the nature of the Aždaja seems contradictory and should be a type of dragon as it shares all of the hall marks of the European dragons that are often sinister in nature. After all, the Aždaja is draconic in appearance, they live in dark places such as caves. Like many other Slavic dragons, the Aždaja is frequently multi-headed with three, seven or nine heads and breathes fire. In some of the Christian mythologies of Saint George, he is shown slaying the Aždaja and not Zmej.
While the Zmej is male, the Southern Slavic folklore makes mention of a female version known as Lamya. This name derives from the name Lamia, a Queen and former lover of the god Zeus who turns into a daemon that devours children and in some versions of her story, Lamia becomes more serpentine. Later stories will equate Lamia to vampires and succubae.
In Bulgaria and Macedonia, there is a Bulgarian legend about the hero Mavrud who succeeds in cutting off all of the heads of Lamya; who appears in this story as a hydra-like dragon. It has been commented that this story seems to symbolize the pruning of grape vines. Further, there is a variety of Bulgarian grapes known as Mavrud.
Alternate Spelling: Uncle Nowruz
Also called: Persian – عمو نوروز
Etymology: Uncle Nowruz or Uncle New Year.
The figure of Amu Nowruz is a familiar one in Iranian and other Middle Eastern cultures for their celebrations of New Year that coincides with the official start of Spring.
In Iranian tradition, Amu Nowruz appears every year at the start of Spring along with his companion Haji Firuz. Their appearance marks the beginning of Nowruz, the New Year.
Amu Nowruz is often depicted as an elderly, silver or white-haired man wearing a felt hat, long blue clock, sash, pants, sandals, and carrying a walking stick. Amu Nowruz’s role is to pass on the story of Nowruz to the young.
Naneh Sarma And Amu Nowruz
One thing I found of interest is learning about Amu Nowruz’s wife, Naneh Sarma. There’s a love story wherein they only meet each other once a year.
According to the one story found, every year, on the Spring Equinox, Mother Simorq flies down from Mount Qâf with Amu Nowruz, the Young Man Spring. Once Simorq has dropped off Amu Nowruz, he heads for a chestnut colored horse waiting for him. Amu Nowruz will then ride the horse out over the plains towards the city gates where he will meet Naneh Sarma, Grandmother Frost in her orchard just outside the city walls.
Amu Nowruz and Naneh Sarma were madly in love with each other and the first day of Spring, Naneh Sarma cleans her house and prepares for Amu Nowruz’ arrival. Naneh Sarma waits a long time for Amu Nowruz’s arrival. Long enough that she falls asleep.
By the time Amu Nowruz arrives, he finds Naneh Sarma fast asleep. Instead of waking her, Amu Nowruz leaves a flower he picked for Naneh Sarma on her lap. He then proceeds make himself a glass of tea and stoke the fire so it doesn’t die down. After all this, Amu Nowruz then heads on into the city, bringing Spring time with him.
Shortly after, Naneh Sarma wakes up and finds the flower that Amu Nowruz left and the other signs of his having been there. She weeps finding that her lover has come and gone again. Mother Simorq comes to Naneh Sarma to comfort and remind her that she will have to wait another year for Amu Nowruz’s arrival without falling asleep.
Mother Simorq then carries Naneh Sarma back up to Mount Qâf as she begins to melt. On the top of the Mountain, Mother Simorq lays Naneh Sarma down as she completely melts, knowing that if Naneh Sarma and Amu Nowruz should ever meet, the world would end.
Nowruz – The Persian New Year
Amu Nowruz’s role in the New Year’s celebration is one very similar to that of Santa Claus or Sinterklaas with the celebration of Christmas in that of one whom is bringing gifts. Depending on the country and the calendar used, Nowruz is celebrated close to the Spring or Vernal Equinox, often close to somewhere between March 19 to March 22.
Nowruz is Persian for “New Day,” marking the first day of the month Farvardin and the first day of Spring in the Iranian calendar. The celebration of Nowruz has its roots in ancient Persian traditions of Zoroastrian religion. Some scholars suggest that the celebration may even be older and have roots in Mithraism. It has survived some 3,000 years and varies a bit in celebration from one country to another, especially among the Middle Eastern cultures, mainly Iranian.
Heralding the start of Nowruz, Hajji Firuz is often seen parading through the city with a troupe of singers and dancers following him. Accompanying him is Amu Nowruz bringing and bearing gifts where Hajji Firuz is the one to demand and expect them.
With Nowruz, the New Year’s Day must start off with an atmosphere of joy and happiness so that families may continue to know joy throughout the coming year. The arrival of Hajji Firuz is important for bringing the necessary spirit of joy and happiness to accompany the New Year. This same spirit of joy and happiness is necessary too, for without it, the faravahars (similar to guardian spirits or angels) will leave the household, taking with them the family’s blessings, abundance and luck for the coming year.
Shahnameh – The Book Of Kings
The Shahnameh is an epic poem written by the Persian poet, Ferdowsi sometime between 977 and 1010 C.E.
What’s significant is that this poem dates the celebration of Nowruz to the reign of Jamshid, who in Zorastrian texts saves all of mankind from a killer winter that would have killed every living creature. This mythical Persian King likely represents or symbolizes the transition of people going from animal hunting to animal husbandry and the eventual more settled, civilized eras of human history.
Jamshid is credited with the founding of celebrating Nowruz. According to the text of the Shahnameh and Iranian mythology, Jamshid created a throne embedded with gemstones. Sitting on the throne, he had demons raise him up above the earth into the heavens where he sat like the sun, shining brightly. The creatures of the world would gather around Jamshid and scatter gems around him. This started the day known as the New Day or Nowruz and marking the first day of the month of Farvardin.
Persian scholar Abu Rayhan Biruni, about 10th century C.E. notes in his Kitab al-Tafhim li Awa’il Sina’at al-Tanjim, the Persian belief that Nowruz marks the first day that the universe begins.
UN Recognition Of Nowruz
While it goes slightly off topic of focusing on Amu Nowruz, I feel it’s important to mention that in 2010, the UN General Assembly recognized March 21st as the International Day of Nowruz. It is recognized as an ancient Persian festival for Spring that has been celebrated for over 3,000 years.
Where for Christians, the celebration of Christmas is often used to promote peace and goodwill, so too does the celebration of Nowruz during Spring. That having more of the world, the global community be better familiar with the significance of Nowruz and its meaning, it will help promote more cultural understandings, friendships, peace and hopefully long lasting respect.
Also called: Black Pete, Black Peter, Père Fouettard, Schwaarze Péiter
Etymology: Black Peter
December has come and with it many familiar Winter Celebrations and Holidays.
The Dutch character of Zwarte Piet is one mired in controversy and folklore. In the folklore of the Low Countries of Europe, Zwarte Piet is a companion to Saint Nicholas or Sinterklaas if you please in Dutch. Saint Nicholas is also synonymous with Santa Claus for those living in the US. Unfortunately for the character of Zwarte Piet, he has come under a lot of controversy and allegations of racism in recent years, especially among the Netherland’s migrant community.
Zwarte Piet is traditionally depicted as being black as he’s said to either be a Moor from Spain or to have gotten black from going down chimneys delivering presents. Many people who dress up as Zwarte Piet, dress in colorful Renaissance Page outfits, blackface makeup, curly wigs, red lipstick and earrings. The character of Zwarte Piet that most people in the Netherlands have become familiar with first appeared in a book written by Jan Schenkman in 1850.
The Feast Of Saint Nicholas – December 5-6th
Where many American children get excited for Santa Claus on December 25th, in Europe, children get excited for Saint Nicholas’ arrival on December 5th (Aruba, Curacao and the Netherlands) or 6th (Belgium and Luxembourg). His arrival is accompanied by Zwarte Piet (Zwarte Pieten for plural) who hands out sweets and presents to many children. Zwarte Pieten will begin to make their appearances in the weeks before Saint Nicholas’ Feast. Their first appearance is when Saint Nicholas arrives and is greeted with a parade. In some parts of the Netherlands, Saint Nicholas will arrive by boat, having come all the way from Madrid, Spain. The Zwarte Pieten’s job then is to entertain the children, handing out sweets known as pepernoten, kruidnoten and strooigoed as Saint Nicholas makes his rounds.
Zwarte Piet’s Origins – Clash Of Cultures, Religion & Traditions
For anyone who even does just a cursory study of the Winter Celebrations of Christmas and the numerous related holidays for this time of year, can see that there has been a constant, evolving and changing view of how the Winter Holidays and Traditions have changed or adapted over the centuries and even millennia.
Many people can easily find and take note of Pagan elements for the holidays and why they were celebrated. The arrival of a new religion, Christianity as it spread and took over, clearly supplanted many of these older holidays and often the older Pagan traditions were adapted to the Christian celebrations of Christmas with new Christian imagery and symbolisms.
Sometimes the origin and introduction of one tradition are clear cut and easy to point out and other times the passage of time has made it murky and there tends to be a lot of guess work and overlay that makes it harder to separate all of the different elements. Ultimately it is a mixture and grab bag of different religions and traditions that have mixed together and changed over the years.
The Wild Hunt – Odin
I’ll include this connection as it is one that is often passed around and it does appear to bear merit.
The Wild Hunt is a phenomenon found in many different European countries and cultures of a nightmarish, supernatural force led by some dark spectral hunter on horseback and accompanied by a host of other riders and hounds as they chase down unlucky mortals, either until they drop dead of exhaustion, are caught and forced to join the Wild Hunt or they can evade the Hunt until dawn.
Just exactly who it is that leads the Hunt does vary country by country in Europe. One connection made is that of Woden or Odin in Germanic folklore. On New Year’s Eve, Woden would ride out during the night on his white, eight-legged steed Sleipnir. Woden or Odin is always accompanied by his two black ravens, Huginn and Muninn. These two ravens would sit at the edge of a chimney, listening to those within and then tell Woden of any good or bad behavior of those living in the dwelling. This report would determine if Woden left any gifts or chased down and abducted the unruly mortal with his Wild Hunt.
Middle Eastern Connections?
I came across this when doing research for the figure of Hajji Firuz.
Just as Zwarte Piet is paired up with Sinterklaas, so too is Hajji Firuz paired up with Amu Nowruz.
Where Sinterklaas is known to give gifts out to children, so too does Amu Nowruz give out gifts to children on Nowruz, the Persian New Year. Amu Nowruz’s name means “Uncle Nowruz.” The Russians hold a similar tradition of the “Grandfathers” for both Winter and Spring who die and are replaced by the other or reborn. The tradition of gift giving doesn’t become associated with some of the European deities until the arrival of Christianity.
The character of Hajji Firuz has also been under similar attacks by people who see a negative racist implication in some countries such as Iran. Despite this, many people still love Hajji Firuz and the air of festivities he brings. His darkened skin is often seen as only face paint representing soot from a fire.
Exactly how good of a connection there is between Sinterklaas and Zwarte Piet with Amu Nowruz and Hajji Firuz? It’s hard to say, though the similarities between the two are interesting to note.
Sinterklaas, You’re The Devil
To better understand Zwarte Piet, one needs to understand who Sinterklaas is. Unlike the American Santa Claus who is seen as fat and jolly, Sinterklaas is a thin and stern man who is a combined figure of both Saint Nicholas from Turkey and the Germanic god Woden.
Saint Nicholas – From Myra, Turkey, Saint Nicholas is a Catholic Bishop who rides on his white horse, Amerigo as he travels. He is the patron saint of children, sailors and the city of Amsterdam. There are stories of Saint Nicholas leaving gifts in choir boys’ shoes and throwing money down chimneys to pay for a girl’s dowry that have contributed to the modern celebrations of Saint Nicholas’ Day and Christmas.
Woden – It has been pointed out that Woden is a god of poetry and wisdom. He is also the god who brought and introduced runes, the writing system. This is seen in the Dutch traditions of singing songs, writing poems and the passing out of pepernoten which are chocolate letters, what used to be runes that Woden would pass out to men. Even Sinterklaas’ hat and staff are a reflection of Woden and not just that of Saint Nicholas, a stern catholic bishop riding on his white horse. Though the horse too is a reflection of Woden’s eight-legged horse Sleipnir that he rides. Woden’s helpers are the ravens, Huginn and Muninn who report back to him of all of men’s deeds.
The connections of Sinterklaas traditions to Pagan Europe before its Christianization is fairly well known. And since then, there has been a further, continued mixing of Christian elements to a Pagan figure. Some of which haven’t always been completely smooth or “nice and tidy” changes. Nor has the image of Sinterklaas always been so benign.
Before the appearance of any companions for Sinterklaas, he would be the one to deliver gifts to good children or coal and switches to naughty children. At this point, he pretty much worked alone.
Sinterklaas wasn’t a very nice figure and one whom could also provide a lot of nightmares. With the influence of Christianity and wanting everything in absolutes of black and white, the imagery of Sinterklaas chaining the devil became prominent as the triumph of light over darkness. This is a theme very central to the Yule-tide celebrations for the turning of the year as the nights now begin to grow shorter and the days longer.
Medieval Times – Enslaving The Devil
During the Medieval Times of Europe, Saint Nicholas is sometimes shown as having tamed or chained the devil. This figure may or may not necessarily be black. For the Netherlands, there is no mention of any devil, servant or any sort of companion for Saint Nicholas between the 16th and up to the last half of the 19th centuries.
A long-standing theory then has suggested that Zwarte Piet and many of the similar characters found in Germanic Europe such as Krampus in Austria, Ruprecht in Germany, Père Fouettard and Housécker (Mr. Bogeyman has been offered translation of this name) in France and Luxembourg, and Schmutzli in Switzerland to name a few.
While all the others dark helpers of Sinterklaas are outright devils or dark, soot covered men, the image of Zwarte Piet is the only one who seems to have changed to become an outright black person. That when we get to the 19th and 20th century Netherlands, Piet has become a Moor and servant to Saint Nicholas who helps the old man out on his nightly rounds.
Zwarte Piet’s Arrival To Dutch Traditions
By the time Zwarte Piet is introduced to the mythos of Christmas as a companion of Sinterklass, there has been a change in the overall attitude of Sinterklaas’ nature and character. Before Zwarte Piet, Sinterklaas was seen as something of a bogeyman. Was he bringing presents, coal, a beating with a switch or worse yet, carrying you away in his bag never to be seen again?
With the introduction of Zwarte Piet, some of the darker, more terrifying attributes of Sinterklaas were now part of Zwarte Piet’s character. This change owes a lot to the Christian dichotomy of Good and Evil with no in-betweens. While Zwarte Piet is introduced as Sinterklaas’ servant, it is still very much connected to the previously mentioned concept of chaining and enslaving the devil.
Unfortunately, with Zwarte Piet now getting all of these negative characteristics, many children became afraid of Zwarte Piet as he’s the one who now punishes and a bogeyman to be avoided. This again was changed around the 1950’s and 1960’s with Sinterklaas again becoming the sterner and dour of the two while Zwarte Piet becomes more of a benign figure passing out gifts and treats along with behaving in a clownish manner that children love.
Codifying A Legend
The earliest mention of Sinterklaas having a companion or servant is in 1850 when a school teacher, Jan Schenkman published the book: “Sint Nikolaas en zijn Knecht” (“Saint Nicholas and his Servant”). At first, this early servant is a page boy, a dark-skinned person wearing the clothing of the Moors. This book introduced the tradition of Sinterklaas arriving by steamboat from Spain. This version of Saint Nicholas has no mention to his Turkish connection in Myra.
In the first edition of Schenkman’s book, the servant is shown dressed in simple white clothing with red piping. Beginning with the second edition of the book in 1858, the servant’s page outfit becomes more colorful that is more typical of early Spanish fashions. Schenkman’s book stayed in print until 1950 and has shaped much of the Netherland traditions and celebrations of Saint Nicholas’ Day.
What’s In A Name?
The one thing to note is that in Schenkman’s book, Sinterklaas’ servant isn’t named. However, Joseph Albert Alberdingk Thijm had made reference to Sinterklaas’ companion being named Pieter-me-knecht in a note written to E.J. Potgieter in 1850. Alberdingk Thijm later wrote in 1884 remembering how as a child in 1828, he had gone to a Saint Nicholas celebration at the home of Dominico Arata, an Italian merchant living in Amsterdam. He recalled that during this time, Saint Nicholas had been accompanied by “Pieter me Knecht …, a frizzy haired Negro”, who, instead of a switch to punish children with, carried a large basket filled with presents.
The Dutch newspaper, De Tijd in 1859 took note of how Saint Nicholas was often seen in the company of “a Negro, who, under the name of Pieter, mijn knecht, is no less popular than the Holy Bishop himself.”
By 1891, the book Het Feest van Sinterklaas names Sinterklaas’ servant Pieter. Up until around 1920, there had been a number of books giving this servant varying names and even appearances.
By 1920, as the Dutch celebrations of Sinterklaas became more standardized, the name of this servant became Zwarte Piet. At first, he was portrayed as being dull-witted, clumsy and speaking broken-Dutch.
By 1968, another change came and instead of one Piet, there were numerous Pieten who all have different tasks and roles in helping Sinterklaas. Some of these other Pieten are: Hoofdpiet, Navigation Piet, Present-Wrapping Piet, Pepernoten Piet and so on. The antics of Piet have also taken on being more silly and clownish to entertain children.
This change with more than one Piet comes after World War II with the liberation of the Netherlands. Canadian soldiers helping to organize the Saint Nicholas celebration and distribute out presents, dressed up Zwarte Piet. As the numerous Zwarte Pieten moved through Amsterdam passing out their gifts, the idea of more than one Piet stuck and has continued.
A Saint’s Miracle and Dutch Slavery
Unfortunately, this is a fact of history and since the codification of Zwarte Piet to be seen as black and a servant of Saint Nicholas, somewhere along the lines it has clearly become confused. The Christian belief of Saint Nicholas chaining the devil has likely, subconsciously gotten confused with the actual slavery. In the 15th century, the name of Black Peter was an alternative name for the devil.
Contributing to this legend is a story from the Legenda Aurea as retold by Eelco Verwijs in 1863, one of the miraculous deeds performed by the Saint after his death is that of freeing a slave boy in the “Emperor of Babylon’s” court and returning him to his parents. In this story, there is no mention at all of the child’s skin color.
Another thing to be noted about the date of 1863, is that this is when the Dutch abolished slavery, though it would still take a little bit of time for the last slave to fully be free.
Later books found in the 20th century of both fiction and non-fiction began to appear wherein Zwarte Piet is mentioned as a former slave that had been freed by Saint Nicholas and then stays on to become a friend and companion, helping him out in the Saint’s annual visits to the children.
During the 1500’s to 1850 roughly, the Dutch did engage in slavery that helped to build up their empire over three continents and places like Suriname and Indonesia. It’s surprising to see that for a nation that had such a deep investment with slavery, that it is largely still glossed over in the classrooms for history. While the Dutch did not keep many slaves, the West India Trade Company did transport thousands of slaves to other parts of the world.
Other Takes On Zwarte Piet
High Barbary – Piracy – One take on explaining Zwarte Piet as black is that he’s a Moor from Spain. A few stories of Zwarte Piet’s origins connect him with piracy and the raids that the Moors would conduct along the coasts of Europe. So if Piet isn’t wearing a page’s outfit, he’s dressed as either a Moor or in a pirate’s garb. Hence the gold earrings that Piet used to wear.
Chimney Sweep – In the 1950’s, another explanation often given to try and soften the image of Zwarte Piet and resolve the issue of slavery is that Zwarte Piet is a chimney sweep. So Piet’s skin is black from going down the chimneys delivering gifts to children. In places like Belgium, Zwarte Piet will leave the gifts in children’s shoes much like La Befana leaves gifts in the shoes of Italian children.
This explanation of soot often isn’t accepted as people will point out that Piet still has curly or frizzy black hair, red lips and more importantly, that his clothes are still immaculately clean.
Crime & Punishment
Before being a gift giver of Sinterklass, Zwarte Piet would be the one to punish naughty children. Some of the punishments he would dole out are:
*The least of a child’s worries is receiving a lump of coal as a reminder to be good.
*Some bad children will get a “roe” – which is a bundle of twigs or switches.
*If a child was really naughty, he or she might be hit with that roe or switch.
*Particularly bad children get carried away back to Spain where Sinterklaas lives. This part of the legend and punishment is a reference to the times when the Moors raided along the European coasts and would abduct people into slavery.
Also, depending on the version of this part of the myth being told, the bad children carried away in the sack either become Pieten themselves or get eaten.
Signs & Changes Of The Times
Of course, once the image of Zwarte Piet became standardized, it took off in the Netherlands in the early 20th century and instead of doling out punishments, Zwarte Piet hands out treats from his bag and continues his role as Sinterklaas’ helper.
Towards the end of the 20th century and the start of the 21st century, the character of Zwarte Piet has come under attack as many people see the character to be very racist in some very negative portrayals of stereotypes. At current there has been discussions on how to update the image of Piet to try and remove the racist elements to others out right calling for Piet’s being banned from the Saint Nicholas celebrations.
There have been efforts to try and ease this problem, some like the NPS replacing the black Pieten with a rainbow of Pieten. Others have called for alterations to characteristics of Zwarte Piet to be changed such as the frizzy hair, red lips and no earrings. Other proposed changes put forth by the Centre for Equal Opportunities and Opposition to Racism have been to stop the portrayals of Zwarte Piet as being “stupid, inferior or a dangerous black man.” Even the use of blackface makeup with Zwarte Piet has caused a lot of debate. If Piet is supposed to be black from the soot while going down chimneys, he should only look smudged, not totally black. And certainly other countries such as the US and the UK when first encountering Zwarte Piet see a very strong negative connotation with the use of blackface when portraying a black person.
There are many Dutch and those who celebrate Saint Nicholas Day in places such as Aruba, Curaçao, Indonesia, Sint Maarten, and Suriname who do not see a problem with Zwarte Piet and accept an evolution of a character to become a friend of children and a positive representation of color in the Christmas/Winter traditions. To them, he’s just black, but not necessarily of African descent and is more of a fairy tale type figure who delivers gifts and has become removed from the enslaved devil he once was.
The argument then is trying to get an awareness that how Zwarte Piet has been depicted is a caricature and very much so negative stereotypes of black people. Namely with the afro hair, thick red lips and being shown as too buffoonish.
While there are efforts to try and make changes to how Zwarte Piet is depicted, there are still protests and demonstrations against Zwarte Piet. The protesters cite the racism in Zwarte Piet’s depictions as being a very lazy, clownish black stereotype that in other settings and countries, would be very offensive. Articles have recounted examples of children from African decent being bullied. Adults and children alike of African descent who get called Zwarte Piet and any possible unspoken and underlying implications of what’s being referred to with the comment of slaves, someone who is foolish, stupid, lazy or dangerous, who’s only purpose is to be there for someone else’s entertainment.
And as has been noted in comments and articles while reading up on Zwarte Piet, it hasn’t been until the last couple of generations that there as more and more immigrants and people of other ethnic groups moving to the Netherlands that, the Dutch mindset of what is appropriate and what’s seen as racist is currently being challenged by outsiders.
Cultural & Historical Disconnect
It has been commented on by one journalist, Dimitri Tokmetzis, “”I don’t think the Dutch want to offend black people with Zwarte Piet. We don’t have a history with blackface, on the other hand, there are clearly some racist undertones that many people won’t recognize. Zwarte Piet is always depicted as stupid and one song even states that although Zwarte Piet is black, you can basically trust him because he means well. So there is this disconnect between the intentions of most people and how it comes across to those who are more sensitive to racial issues.”
Which would be the heart of it, a disconnect and denial by some who don’t see or fail to see the racist implications in the figure of Zwarte Piet as he is currently represented. Other commentary has pointed out a lack of the Netherlands own sensitivity to their colonial history and the impact it has had. Not surprising when others have pointed that in history books in school, the subject barely gets covered or glossed over.
The flip side to why many Dutch may have a hard time accepting the racist elements is that Zwarte Piet is so closely tied to a children’s celebration and it feels so much like an attack on childhood memories and nostalgia. It can be very difficult to have an ugly truth of what was once thought socially acceptable be pointed out as no it’s not.
Movie Time! – Santa & Pete
I was delighted one year when visiting an Aunt of mine during the holidays, that when searching for a Christmas movie to watch, we came across the movie of Santa & Pete with James Earl Jones staring as the Grandfather and narrator of the story as he tells his grandson of their family history.
I had already come across the figure of Zwarte Piet when reading the book of “When Santa was a Shaman.” I had been worried this would show some of the more negative associations and connotations with Piet. To my relief, the movie shows a very positive portrayal of the character and showing both Santa and Pete as friends and equals in their work to visit the children at Christmas and passing out gifts.
Which is what I see, if the more positive aspects of Zwarte Piet can get focused on, as a friend to children and gift giver, we have a positive representation of someone of color within the overall Christmas mythos and celebrations.
As it stands, when reading the various articles and controversies regarding Zwarte Piet, there are still a lot of the more negative associations attached to him and no one is quite sure how to make the appropriate changes to the character in order to keep him while others are calling for his complete banning and removal from Dutch traditions.
Pleiades Star Lore Around The World
For many tribes in the African continent, the Pleiades mark the beginning of the agricultural season.
East Africa – In the Swahili language, the Pleiades are called: “kilimia” which means to “dig” or “cultivate.” The Pleiades appearance in the heavens is seen as being time to start digging or the arrival of rain.
North Africa – The Tuareg Berbers call the Pleiades by the name of: Cat ihed, pronounced as: shatt ihedd or Cat ahăḍ, pronounced as: shat ahadd. The name means “daughters of the night” in the Berber language. Other Berber tribes have called the Pleiades star cluster by other names such as: Amanar “the guide” and Tagemmunt “the group.”
The Tuareg Berber have a proverb that translates into English as:
“When the Pleiades fall, I wake up looking for my goatskin bag to drink. When the Pleiades rise, I wake up looking for a cloth to wear.”
It is a proverb that takes note of the changing of the seasons to prepare for the heat of summer and the colder weather that the rainy season brings.
South Africa – The Basotho call the Pleiades “Seleme se setshehadi” meaning the “female planter.” When the Pleiades leave the night sky around April, the Basotho’s tenth month, along with the appearance of the star Achernar marks the beginning of their cold season. Like many South African cultures, the Pleiades are associated with agriculture and plenty. The Khoikhoi tribe call the Pleiades by the name of Khuseti, the stars of rain or rain bearers.
The Pleiades star cluster is known by several names among many tribes.
Karatgurk – In the stories told by the Wurundjeri of Victoria, Australia, the Pleiades represent a group of seven sisters known as the Karatgurk. They were the first to hold the secrets of fire and each of the sisters carried live coals on the end of their digging stick. The sisters refused to share the coals with anyone and eventually were tricked into giving up the secret of fire to Crow who in turn brought the gift of fire to the rest of humanity. As to the sisters, they were taken up into the night sky where their glowing fire sticks became the stars of the Pleiades cluster.
Kidili – A moon god of the Mandjindja from Western Australia, he had tried to rape some of the first women on Earth. In retaliation, the lizard men, Wati-kutjara attacked and castrated him using a boomerang before leaving him to die in a watering hole. As for the women, they became the Pleiades star cluster.
Kungkarungkara – They are the ancestral women in the lore of the Pitjantjatjara tribe.
Makara – According to the Adnyamathanha tribe, the Makara (The Pleiades) are the wives of stars within the Orion constellation.
Napaltjarri – From Central Australia, they were seven sisters being chased by Jilbi Tjakamarra. He had attempted to use love magic on one of the sisters. She refused Jilbi’s advances and she and her sisters fled from him. They fled all the way to Uluru where they searched for honey ants. While there, the sisters again saw Jilbi and they went to Kurlunyalimpa and the other spirits of Uluru who transformed the sisters into stars. In response, Jilbi transformed himself into the Morning Star seen in Orion’s Belt where he continues to chase after the seven sisters.
The Seven Sisters And The Faithful Lovers – In this story of the Koori’s Dreamtime, the Pleiades or the Seven Sisters were a group of seven beautiful ice maidens. Their parents were huge mountain whose peaks were hidden by the clouds and an ice-cold stream who flowed from some snow covered hills. The Seven Sisters would wander the land, their long hair flowing out behind them like storm clouds. Their beauty was so great, that many men loved them, but the sisters were always cold in returning any affections.
One day, a man by the name of Wurrunnah, caught two of the sisters and forced them to live with him while the others continued on their journey home to the sky. Wurrunnah soon found that the sisters he caught were ice-maidens and took them to his camp fire in order to try and melt the ice off of them. This only served to put out his fire and dimming the brightness of the two sisters.
The two sisters were very lonely and sad by their captivity and every night, they would look up to the night sky where they could see their sisters calling for them. One day, Wurrunnah told the two sisters to go out and gather some pine bark. After a short trip, the two came to a big pine tree where they began with stripping the bark off of it.
As they stripped bark off the pine, whose totem was the same totem as the sisters, it began to extend upward towards the sky. The two sisters saw their opportunity and climbed up the tree to their home in the sky with their sisters. The two sisters never did regain their full brightness in the heavens and is why two of the Pleiades are dimmer than the others. The journey of the seven sisters is remembered every time it snows.
The Berai Berai Brothers And The Seven Sisters – Another story told of the Seven Sisters is that when they were on earth, of all the men in love with their beauty, the Berai Berai or two brothers were the most devoted. They always brought all the choicest catches from their hunts to the Sisters as an offering and token of their love. This love was not returned and when the Sisters wandered away, up to the mountains, the Berai Berai followed after them.
After the Sisters left for their journey to the sky, the Berai Berai mourned. A grave depression fell upon them that they eventually died. The spirits of the Dreamtime took pity on the brothers and placed them up in the sky, up where they could hear the Sisters sing. On clear nights, the Berai Berai can be seen, represented by the stars that form Orion’s Sword and Belt.
The name for this constellation in Lithuanian is Sietynas and Sietiņš in Latvian. Both of which have a root word: sietas meaning “a sieve.” In both Latvian and Lithuanian folk talks, the Pleiades constellation is shown as an inanimate object, a sieve that is stolen by the devil from the god of thunder or it is used to bring light rain by the thunder god’s wife and children. In some Lithuanian folk songs, Sietynas is depicted as a benevolent brother who helps orphaned girls to marry or he helps walk soldiers across fields.
Ben Raji Mythology
Living in western Nepal and northern India, the semi-nomadic Ban Raji refer to the Pleiades as the “Seven Sisters-In-Law and One Brother-In-Law” or “Hatai halyou daa salla.” For the Ban Raji, when the Pleiades rise up over the mountains at night, they see their ancient kinfolk. The timing for the appearance of the Pleiades over the Nepali mountains along the Kali River, marks when it is 8 p.m. local time.
Bronze Age And Celtic Mythology
In Bronze Age Europe, the Celts and possibly others may have associated the Pleiades with grief, mourning and funerals. At this period of time and history, the time of the Autumn Equinox and Solstice would have occurred around the time that the Pleiades star cluster rose in the eastern skyline as the sun set. The precession of the constellations over the centuries and millennia would have since changed for the timing of the Equinox and Solstice celebrations. This Solstice celebration is possibly a predecessor to the modern Halloween, Samhain and All Souls Day celebrations. While a good many Pagan and Wiccan sites are quick to point out such a connection, more secular sites don’t necessarily see a connection. What seems more plausible is that it does have connections as a Harvest Festival and the end of the harvest season before winter comes.
An artifact discovered in 1999 called the Nebra Sky Disc, due to where it was found in Nebra, Saxony-Anhalt in Germany, shows the Pleiades star cluster on it along with the Sun and Moon. Two golden arcs on the disk mark the solstices. It has been dated to somewhere around 1600 B.C.E. and part of the Bronze Age Unetice culture. Unlike the megaliths of much of Europe, the Nebra Sky Disc is a portable astronomical instrument.
Aztecs – The Aztecs based the beginning of year on the appearance of the Pleiades asterism when it rises in the east before the sun’s morning light became too bright. They called this star cluster by the name of Tianquiztli, meaning “marketplace.”
The Aztecs were very good astronomers and kept careful track of the heavens. Their calendar was based on a 52-year cycle. The Pleiades were carefully watched to make sure the world wouldn’t end. At the end of each 52-year cycle, the Aztecs held a religious ceremony to ensure the rebirth of the sun and continued movement of the heavens. The Aztecs strongly believed their ceremony would prevent demons of darkness from coming to the Earth and devouring mankind. For this, they offered up to the gods human sacrifices.
Mayan – During colonial times, the Pleiades were used to track the time by diving up the night.
An epic legend tells the story of the Pleiades star cluster. There had been a long standing feud between the heavenly twins Hun-Apu and Xbalanque and a giant named Zipacna. With the help of several other youth, the twins pretended that they were building a house. They started with digging a large hole in the ground. As they were digging, Zipacna came along and asked what they were doing.
The twins told Zipacna they were building a house but were having trouble with digging a hole for the foundation deep enough. Zipacna was persuaded to help and he went down into the hole. Once he was at the bottom of the hole, the twins and their helpers began to throw stones, dirt and tree trunks down on him. When the hole was completely filled in and everyone was certain that Zipacna must be dead, they continued to build a house over the spot marking his grave.
Unknown to the twins, Zipacna was still alive. Yes he had been knocked out by the weight of everything piled and thrown on him. Once he had regained consciousness, he lay there and waited, pretending to be dead until the house was completed.
With the house completed and everyone inside celebrating, Zipacna made his move. Throwing up his shoulders, Zipacna’s great strength allowed him fling the house up into the sky towards the heavens. There, the twins and everyone with them became the Pleiades, unable to get back down to the earth.
Monte Alto Culture – This also includes other cultures such as Takalik Abaj and Ujuxte who are known to have made early observatories. They used the Pleiades stars and Eta Draconis as references in the night sky. The Pleiades are called “The Seven Sisters” and thought to be where they originated from.
To the Chinese, the Pleiades are known as Mao, the Hairy Head of the White Tiger of the West. The Pleiades seem to be the first stars mentioned in astronomical literature, appearing in the Annals of 2357 B.C.E. Aside from the name Mao, the Pleiades are also known as The Blossom Stars and Flower Stars.
The ancient Egyptians recorded seven stars within Pleiades. Some scholars believe that the seven chambers of the Great Pyramid represent the seven stars of Pleiades.
The goddess Hathor has an interesting take in her role and aspect as a Mother goddess for it was believed by the ancient Egyptians that “Seven Hathors” would appear at the birth of a new baby, foretelling his fate. The reason they’re mentioned is that during the Ptolemaic Period, when Egypt was under Greek rule, the Seven Hathors became identified with the Pleiades star cluster.
Aside from Hathor, the Pleiades also represented the goddess Net or Neith, the “Divine Mother and Lady of Heaven.”
French History And Literature
La Pléiade is a post-Renaissance literary movement that references the Pleiades constellation and seven poets from the Alexandrian period during the reign of Ptolemy II. The La Pléiade title has been used by two groups of poets from Toulouse during the beginning of the 14th century and another group founded by Pierre de Ronsard in 1553. Their goal was to promote the classical literature of Greek and Rome with translations rather a perceived, outdated use of Latin. While the group were not known for being innovators, they did provide the foundations of French Classicism.
The Pleiades were considered by some ancient Greek astronomers, such as Eudoxus of Cnidos to be a distinct constellation separate from Taurus. This asterism is mentioned of by Hesiod and Homer in the Iliad and Odyssey. The ancient Greek text Geoponica mentions the rising of the Pleiades cluster. The Greek temples of Hecatompedon, built in 550 B.C.E. and Parthenon, built in 438 B.C.E. are oriented to the rising of the Pleiades.
For the Greeks, the setting of the Pleiades around October and November was a time to bring their ships in to port and to plow and sow their lands. Hesiod makes mention of the Pleiades numerous times in his “Works and Days,” alluding to their importance as a time of stormy weather and planting. Greek sailors were known to consult the heavens for the appearance of the Pleiades before setting sail.
Orion And The Pleiades
The Greek story is perhaps the most well known to many Westerners about the Pleiades star cluster.
The Pleiades is a group of seven sisters whose father is the titan Atlas. As their story goes, the Pleiades were traveling with their mother Pleïone, through Boeotia when they encountered the Greek hero Orion. He expressed such a deep infatuation and interest in them that he relentlessly pursued the sisters and even their mother. And with their father Atlas now holding the earth up on his shoulders, this very likely encouraged Orion in his antics as he thought no one could stop him.
After running from Orion for seven years, the sisters became tired of such extreme harassment and pursuit. In their desperation, they appealed to Zeus who in response, placed them up in the heavens, specifically in the Taurus constellation where they would be protected by the mighty bull from Orion’s unwanted advances. In the accounts that include Pleïone being chased by Orion, she too is placed up in the heavens, this a further punishment for the titan Atlas to be separated from not only his wife, but daughters.
In the end, being placed up in the heavens doesn’t seem to have helped them much, for when Orion died, he too was immortalized up in the heavens as a constellation. He can be seen up there still chasing after the Pleiades.
Variations to this story say the Pleiades committed suicide after the death of their brother Hyas. Other versions say that when the sisters pleaded to the gods for mercy from Orion, they were changed first into doves and then later into stars.
If the Pleiades weren’t getting chased by Orion, then they became stars after committing suicide over the fate of their father Atlas. Or the loss of their siblings the Hyades and Hyas. After their death, the god Zeus placed the sisters up into the heavens to become the famous star cluster.
Companions Of Artemis
This version of the myth follows closely the more well-known story of the Pleiades being chased by Orion. The Pleiades were the companions of the virgin goddess Artemis. She wasn’t too happy with Orion when he came upon the Pleiades while playing. In his lust and infatuation, he chased the Pleiades. On their behalf, Artemis pleaded with Zeus to intervene and he did so by transforming the sisters into doves and then into stars, becoming out of reach of both Artemis and Orion. Zeus, not to be completely without compassion for his daughter, the path of the Moon passes between the Pleiades and Orion so that she has a chance to be reunited with her friends on a regular basis.
Contrarianism – Daughters Of An Amazon Queen
While many variations of the Greek myths regarding the Pleiades are similar, especially in regards to names and parentage; Theocritus’ Idylls, using references from Callimachus differs greatly from the more familiar myths. In the Idylls, the Pleiades are the daughters of an Amazon queen. Their names are: Coccymo, Glaucia, Lampado, Maia, Parthenia, Protis and Stonychia. The sisters are supposed to have created ritual dances and nighttime festivals.
Ancestors Of Dionysus
In Nonnus’ Dionysiaca, the Pleiades appeared as an omen of victory for Dionysus’ war against India. There is further mention that the pleiad Electra was the foster-mother of Harmonia, the grandmother of the Greek god Dionysus. And thus in a way, Electra can be seen as Dionysus’ ancestor.
Indian Astronomy And Mythology
The Pleiades are known by a number of different names such Karttikeya, Kṛttikā, Kārtikā, Kumara or Subrahmanya. In both Indian astronomy and Hindu astrology, the names Krttika and Kartika translate into English as: “the cutters.” Like the ancient Greeks, India has a number of different, varying and often conflicting stories of Kṛttikā.
Hindu Mythology – A story associated with this star cluster tells how the war-god Skanda was raised by six sisters known as Kṛttikā, making it so that one of his names he is known as is Kartikeya or “Son of the Kṛttikā.” Skanda or Kartikeya was born to Agni and Svāhā after the Kṛttikā had impersonated themselves as six of the seven wives of the Saptarshi in order to make love with Agni. When the Saptarshi learned of this incident, they began to doubt their wives’ chastity and divorced them. Since then, the wives were known as the Kṛttikā.
As the six Kṛttikā, they are seen as the mothers of Skanda, his six faces represent them. Slight variations to this say that Skanda developed his six faces in order to drink the milk from his six mothers.
Hindu Astrology – Kṛttikā is the third nakṣatras or lunar mansion out of twenty seven other naksatras. The Pleiades are known as the Star of Fire and one of the most prominent of nakshatras associated with anger and stubbornness. They are ruled by the Hindu god of war, Kartikeya. Another deity associated with Kṛttikā is Agni, a god of sacred fire. Additionally, it is ruled by the sun or Surya and has the symbols of a knife or spear. There is a Hindu tradition of naming children according to the naksatra they’re born under. Each naksatra will have four syllables associated with it that is used for that start of a child’s name.
Kumarasambhava – “The Birth of the War God”
In an epic poem written by Kalidasa from the 4th and 5th centuries C.E., the gods had wished for a god to born in order take on and kill the demon Taraka who had a geas or boon that he could only be killed by a son of Shiva.
The problem, is that Shiva was deep in his meditations and not at all interested to his wife Parvati. That is, at least not until Kama, the god of love struck Shiva with an arrow. Now, after having practice abstinence for so long, Shiva’s virility was incredibly potent and the other gods fear what would happen. So they took Shiva’s seed and dropped it into a fire. It is from this, that the god Skanda, whose name means: “Spurt of Semen.”
Tamil Mythology – The Pleiades are known as Karthigai, they were the six wives of six Rishis, represented by the stars of Ursa Major. The seventh was known as Arunthadhi, associated with the star Alcor. She is the wife of Vasistha, the seventh Rishi or Sage. He is associated with the star Alcyone. Another name of the Karthigai is Saptha Kanni, meaning the “Seven Virgins.”
A variation to this story is that the Krttika had all lived together up in the heavens. One day, Agni, the god of fire fell in love with the seven Karthigai or Krttika. In trying to forget his love for them, Agni wandered the forest until he met Svaha, the star Zeta Tauri.
Svaha was immediately infatuated with Agni and disguised herself as one of the Krttika in order to seduce him. Agni truly believed he had made love with one of the Krttika. Svaha became pregnant and gave birth to Skanda.
As soon as Skanda was born, rumors began to circulate that one of the wives of the Rishis was his mother. This caused the Rishis to divorce their wives. Of them all, only Arundhati remained married. The other Krttika went on to become the Pleiades.
The Pleiades are known as Lintang Kartika in Javanese, it is a name that is from the Sanskrit word Kṛttikā, one of the nakṣatras in Hindu astrology.
In Japan, the Pleiades star cluster is known as Subaru, meaning “coming together,” “cluster” or “united.” The name and image are also the same name for a car manufacturer, Subaru.
Another name for the Pleiades is Mutsuraboshi, meaning “six stars.” This name dates from the 8th century Kojiki and Manyosyu documents. The Pleiades have also been called the Hoki Boshi, meaning “dab of paint on the sky” or “brush stars.”
A story found among the Marshall Islands in the Pacific Ocean, tells the story of Dümur, the eldest son of Ligedaner who is the mother of all the stars. Ligedaner is identified as being the star Capella in the Auriga constellation, Dümur is identified as the star Antares and the youngest son is identified as Pleiades.
Ligedaner’s sons came down from the vault of Heaven to visit with her where she lived on the atoll Alinablab. While there, a contest was proposed that who ever was the first to reach a certain island somewhere out in the East would be named the King of Stars.
The contest was agreed to and the sons prepared themselves to take off to claim the title of King. Ligedaner asked Dümur to take her with him in his canoe. Dümur refused as he saw that his mother wanted to take as many things with her as she could and thereby slow down the canoe with its weight.
Ligedaner asked each of her sons in turn to take her with them in their canoes and each in turned refused. Until she got to her youngest son, Pleiades who finally accepted her request to go with him. Ligedaner had seven objects she was taking with her and as she got into the canoe, she instructed Pleiades where to load and place each object.
When they were finally loaded up, Pleiades took his place to start rowing. He was surprised to find that instead of being weighed and slowed down by all the objects, that his canoe shot out into the water with great ease nor did he have to use his oars. The seven objects it turned out, had been previously unknown sail rigging and with his canoe driven by the wind, it took no time at all to catch up with his brothers.
As Pleiades’ canoe caught up with Dümur’s canoe, Dümur demanded, on his rights as the first-born son that his youngest brother hand over his canoe to him. Dismayed, Pleiades complied with the demands. Ligedaner proceeded to play a rather mean trick on Dümur by turning the canoe around and then when she jumped with Pleiades into the sea, she took with her the yardarm. Together, Ligedaner and Pleiades swam on towards the island to the East.
Dümur found that in order to sail Pleiades’ canoe, he had to fasten the sail to his shoulders, causing him to become bent over. By the time Dümur reached the island, he found that his youngest brother Pleiades and Ligedaner had beaten him there already and that Pleiades now claimed the title of King of the Stars. Angry, Dümur desired to never see his brother Pleiades again. This separation fo Dümur and Pleiades can be seen in the night sky of the Southern Hemisphere as when Pleiades rises in the East, Dümur (as the star Antares) sets in the West. The bent back of Dümur is also seen represented by the curved line formed by the stars outlining the bent body of Scorpius.
The story of “Aunty Greenleaf and the White Deer” is one that I found while looking up another article on an American Folklore site. The imagery that came to mind while reading the story caught my imagination and I set it to the side while I worked on other projects for Brickthology before coming back to it.
Now, sometime later as I began working on this post, I find that the story of “Aunty Greenleaf and the White Deer” is one of several stories from S.E. Schlosser’s “Spooky New York” which is a collection of ghost stories and folklore from around New York State.
Further, is that many of the sites that mention and reference this story, merely reprint it. Only one additional mention is of Aunty Greenleaf appearing as a character in Fables’ “The Wolf Among Us” game. It does leave me to question the validity of Aunty Greenleaf as an actual folkloric figure or if she can be considered a newer folkloric and literary character who first makes her appearance in 1995.
Even if Aunty Greenleaf doesn’t appear before Schlosser’s “Spooky New York,” this is how new mythological characters find their place. Enough people who want to view the story of Aunty Greenleaf as a literary source and new piece of folklore will certainly succeed.
The story of Aunty Greenleaf goes as follows: she is your typical elderly woman who lived alone in a small house outside the town of Brookhaven. She was known as a witch who people avoided except for when they needed her knowledge of herbs and healing. Like many suspected and accused witches, the townspeople accused Aunty Greenleaf of being in league with the devil.
Typical accusations against Aunty Greenleaf included claims that she had hexed a farmer’s pigs so that they all died after he had spoken ill of her. Another accusation involved a prominent townswoman who claimed to have dreamt of Aunty Greenleaf and the next morning, her daughter fell deathly ill. Another wild claim placed Aunty Greenleaf and her fellow witches crossing the Atlantic Ocean in an egg shell for a Sabbath in England before returning at sunrise.
This is typical of people during Colonial times in the Americas or even in Europe. Superstitions and fear when anything bad happens or a streak of misfortunes and it’s easier to blame the town outcast or someone who doesn’t quite fit in.
Aunty Greenleaf’s story picks up and get more interesting one year during early fall when people started talking about a large, white deer that has been seen in the surrounding forest of Brookhaven. Several large hunting parties were organized by the townsfolk to hunt down this white deer. It soon became clear that this white deer was impervious to bullets and people started to believe this deer to be supernatural in nature.
It wasn’t long after, that the women of Brookhaven also began having problems with churning their butter and a number of livestock sickened and died. It wasn’t too difficult for the people to blame the presence of the white deer. Added to this, those people affected had had run-ins with Aunty Greenleaf at one point or another during the past month.
Finally, a hunting party was put together in earnest and the people of Brookhaven really began hunting the white deer. They had gone all day and most of the night hunting the deer before it was finally spotted. It was the largest and fastest that anyone has seen. The hunting party was hard pressed to keep up. Several people fired at the deer, but it kept on running and the hunting party soon return empty-handed.
One farmer became rather obsessed with hunting the white deer, every chance he had when he wasn’t busy with his farm. It was this farmer who decided there must be some connection between the white deer and witchcraft. The farmer took some silver and melted it down to make bullets.
Ah! But aren’t silver bullets only for werewolves? Yes and no. Silver is a sacred metal, connected to the moon and there is folklore silver to harming other supernatural creatures such as vampires and witches who turn into rabbits.
Anyhow, rifle in hand, the farmer went hunting the white deer. This time he succeeded in hitting the deer with one of his shots. The farmer managed to track the deer close to Aunty Greenleaf’s house before it vanished in the growing darkness of night.
The next day, the farmer learned that Aunty Greenleaf was ill. From the moment she took to her bed, the local farm animals stopped dying and the families who were having trouble with their churning were back to normal. Less than a week later, Aunty Greenleaf died and the doctor who cared for her told the minister he found three silver bullets in her spine.
After the death of Aunty Greenleaf, the phantom white deer was never heard of or seen again in Brookhaven.
Other names: “Lord of the Black Magic,” “God of the Danger that Lurks in the Gloom”
Etymology – “of the night” or “He of the night”
There’s a lot of ancient Basque mythology that didn’t survive the arrival of Christianity between the 4th and 12th centuries C.E. Most of what is known and has survived is from the study of place names and the scant historical references of pagan rituals practiced by the Basques.
In Basque mythology, Gaueko is often depicted as a great black wolfhound who sometimes walks upright like a human. He is also known to appear as a bull, monster or a gust of wind. Gaueko is also known for eating shepherds and their flocks. Gaueko’s howls can often be heard on cold winter nights.
Gaueko is the male personification of the Night and all of its dangers. In Basque cosmology, the day is for humans and the living and that the night is for the spirits of the dead. As a spirit of the night, Gaueko would appear to people at night, uttering the words: “Gaua Gauekoarentzat, eguna egunezkoarentzat” or “The night for Gaueko, the one of the night, the day for the one of the day.” The idea being that he would urge a person to return home until morning came.
A slight variation to this sentence goes: “The day for the people of the day and the night for the night creatures.”
Now this is where it gets murky; later Christian influences tend to demonize Gaueko as a demon who is quick to punish those who don’t heed his warning to return home at night and stay there.
In trying to place Gaueko in a more positive light, he can be seen as more of a guardian or protector. He warns people to go home so that any wandering spirits of the dead won’t take out revenge or anger upon the living. Now, if the person goes home and stays where they’re safe, then it seems that Gaueko can protect them from the wrath of the spirits of the dead. And if a person chooses not to remain home where they’re safe, likely any “punishment” is the result of running afoul of vengeful, wandering spirits.
This is one of those…. what on earth Deities I came across while researching and looking up information regarding Egyptian Gods at one point.
Interestingly, Dua is a very minor ancient Egyptian god of Toilets. The information on him is very sparse and what little bit I found isn’t much.
In being a God of Toilets, it means that he is a god of sanitation and the cleanliness of lavatories. One more minor source mentions he is a god of shaving.
There is the word dua that’s found in ancient Egypt. The hieroglyph for it shows a figure with outstretched arms that are raised up. The image represented worship and adoration as it was a gesture made before all images of the gods and before approaching the Pharaoh.
That’s about all she wrote…
There was mention of Dua as a god of the stomach and protector of the dead. That lead seems to be a mistaking of Dua’s name with that of another deity, Duamutef, one of the four sons of Horus and protector god for organs kept in Canopic Jars after they’ve been removed during mummification.
Also known and spelled as: boogerman, boogeyman, boogieman, boogie man, boogyman and bogyman
Pronounced – boo g-ee-man, boh-gee-, boo-
The term or name bogeyman is often used to describe an entity or monster that causes an irrational source of fear. The bogeyman’s appearance is frequently nebulous and vague, leaving much to the imagination. This has led some people to believe that it may be a shape shifter that can reflect what a person most fears.
Stories of the Bogeyman vary by culture and even from home to the next as it is a creature often used by parents to keep children from misbehaving. For many children, that irrational fear of the unknown, that unknown terror under the bed, in the closet, lurking just outside a window, coming through unlocked doors and down chimneys is very real. Even if parents didn’t tell stories to frighten children, there would still be this irrational fear of the unknown for many. Many though, outgrow this irrational fear as they grow up and often find there truly is nothing to fear.
Possible Historical Connections
Tracing the name and origins of the name bogeyman is a bit murky and there have been many ideas and theories put forward.
A few sources place the appearance of the word bogeyman in the English language from the Scottish word bogle, which means “ghost” or “hobgoblin” which dates to around 1505. Other sources will place the word bogeyman to around 1836 as another name for the Devil. It certainly seems to have become popular with the works of Scottish poets such as Robert Burns and Sir Walter Scott.
Another idea is that the word comes from the Middle English word bugge, meaning a “frightening specter.” Other similar words to this are boggard, bogy, bugbear, the Welsh bwg, the Scots Gaelic bòcan and the German word bögge; all of these words refer to a goblin or frightening creatures.
This idea is a rather interesting source for the Bogeyman as a “boggy man.” Bog men can be found periodically preserved in peat bogs. In these stories, the bog men arise from the dead much like zombies to attack the living.
The name bogeyman may come from the Bugis people who were pirates from Indonesia and Malaysia. Its likely that English and French sailor brought home stories of the bugis where it becomes anglicized to bogeymen. They would tell their children “if you’re bad, the bugisman will come and get you!” Eventually, the word bugis changes into the word bogey. Etymologists tend to disagree on the Bugis being the source for the Bogeyman as the word and term had been in use long before the Europeons started exploring and colonizing Southeast Asia.
There’s a claim that Bogeyman is a reference to Napoleon Bonaparte who had been nicknamed “Boney” by the British. He was used as a threat for British children of the time and that somewhere along the line, Boney becomes Boneyman and further becomes Bogeyman.
Snot Your Friend
The most interesting connection of the bogey man is the relationship of its name as a slang term for snot and boogers.
A Monster By Any Other Name….
Nearly every culture around the world has its own version of the bogeyman. Some faceless monster used to keep unruly children in line and from misbehaving.
There’s a long list of them that can be given too.
Afghanistan – The Bala or Newanay Mama, which means “The Monster or Crazy Person”, is used to scare children when they won’t sleep or take their medicine.
Albania – In South Albania, there is the Katallani “the Catalan” a monster which relies on the historical Catalan occupation of the region centuries ago used to scare children. In South Italy, there is the Gogoli, “the Mongol” another historical use of the Golden Horde that is used to frighten children into behaving.
Algeria – The H’awouahoua is a chimerical monster made up of many different animal parts with eyes that are blobs of flaming spit and a coat made from the clothes of those children it eats.
Azerbaijan – A monster called Khokhan (“xoxan”) is used for scaring children into behaving.
Bahamas – The “small man” is the name given to an entity who rides in a cart that pulls itself. He picks up any child found outside after sundown. Anyone taken by the small man becomes a small person and rides with the small man forever. The term “rollin’ cart” has been used to scare children into behaving themselves.
Belgium – Oude Rode Ogen (Old Red Eyes) is known throughout the Flanders region, it is believed to have originated in Mechelen and is a cannibalistic shape-shifter that is able to change from a human to a black dog. Oude Rode Ogen later becomes a children’s story in the 1900’s called “The Nikker” who eats children that stay up past their bedtimes.
Belize – The Tata Duende is a small wrinkled goblin with a beard, no thumbs and backwards feet who wears a large brimmed hat. He is described as a protector of the forests and animals who scares children from going out to play at night or in the jungle.
Bosnia, Croatia, Herzegovina, Macedonia and Serbia – In these countries, the Bogeyman is called Babaroga. Baba means “old woman” and rogovi means “horns.” So the name literally means “old woman with horns.” The specifics of Babroga vary from household to household. In one household, Babaroga will take children and put them in her sack where she will take them to her cave to eat. In another household, she will take children, pulling them up through small holes in the ceiling.
Brazil – The “Bag Man,” called “homem do saco” in Portuguese, “hombre de la bolsa,” “hombre del costal” or “del saco” in Spanish is one such monster or man-like creature who is known for carrying off misbehaving children in a sack. There is also another very similar creature the “Bicho Papão” or Eating Beast who will carry off children. Bicho Papão is also known as Sarronco, the “Deep-Voiced Man”. Another monster is the Cuca, a female humanoid with an alligator head. Parents will sing a lullaby to their children at night about how Cuca will come take them away if they don’t go to sleep. Cuca appears as a character in Monteiro Lobato’s Sítio do Picapau Amarelo book series that uses a lot of Brazilian folklore. The difference between Bicho Papão and the Bag Man is that the Bag Man comes during the day and Bicho Papão comes during the night.
Bulgaria – The Torbalan or “Man-with-a-sack” is the name of the local bogeyman. In some places, a dark, hairy ghost-like creature called a Talasam who lives in the shadows of barns or in attics is what will come to scare children into behaving.
Congo – The Dongola Miso or “Creature with Scary Eyes” is used to scare children into going to bed on time. It is also used to warn children and adults alike about the dangers of dealing with and speaking to strangers.
China – The Ou-Wu is a witch or scary looking woman who kidnaps children that misbehave. She is popular in the southern regions of China and Hong Kong. The term is the origin for “monster” and has become used as a synonym for ugly or hideous.
Cyprus – In the Cypriot dialect, Bogeyman is known asd Kkullas.
Denmark – Here, the Bogey Man is known as busseman or Bøhman and is known for hiding under the bed where it grabs children who won’t sleep. Much like in the English language, the name has become a slang term for snot or nasal mucus.
England – In Yorkshire, children are warned that if they steal from orchards, they might get eaten by a fairy in the form of a giant caterpillar known as Awd Goggie. Another similar monster is “The Gooseberry Wife” who guards gooseberries on The Isle of Wight.
Egypt – The Abu Rigl Maslukha, “Man With Burnt/Skinned Leg,” is a particularly scary story told by parents to children who misbehave. The Abu Rigl Maslukha is a monster who got burnt as a child as he wouldn’t listen to his parents. He will grab children and cook them to eat.
Finland – Here, the Bogeyman is known as Mörkö. In the Moomin stories, the Mörkö or Groke is a frightening, dark blue and big ghost like creature.
France – Here the Bogeyman is called “le croque-mitaine” which means “The mitten-biter.” Another translation of the name is “the hand-cruncher.”
Georgia – In addition to a “Bag Man,” there is also the “Bua” used by parents to scare children who have misbehaved. No real description of Bua is given and its suspected there’s a link between it and the the Georgian word bu which means owl.
Germany – There is the black man or Der schwarze, called so for his preference to hiding in dark places like closets, under the bed or out in the forests. There is a children’s game called Wer hat Angst vorm schwarzen Mann (Who is afraid of the Bogey Man). There is also an old traditional folk song “Es tanzt ein Bi-Ba-Butzemann in unserm Haus herum” that translates as: A Bi-Ba-Bogeyman dances around in our house. Another name for the Bogeyman is Buhmann or Butzemann. And finally there is also the Grossman.
Greece – The Baboulas is said to hide under the bed, though parents will tell stories of this creature in other ways to frighten children into behaving.
Guyana – The Jumbi is the name for the Bogeyman and like many other variations, it too lives in the dark, staying in closets and under the bed. It is used to scare children to eat their food so that they can defend themselves against him.
Haiti – A tall man, with legs two floors high is believed to walk around the towns at midnight, catching and eating those people who stay outside. He called Mètminwi which seems to be a contraction of the French “maître,” for master and minwi, the French word minuit” for midnight. So his name translates to “Master of Midnight.” There is also Tonton Macoute or Uncle Gunnysack who would trap misbehaving children and eat them for breakfast. The MVSN, a secret police force in Haiti used this myth as a form of control as many so called Tonton Macoutes were followers of Voodoo.
Hejaz, Saudi Arabia – The Dojairah and Umna al Ghola, which means “Our mother the Monster” is used to scare children when they misbehave or outside alone at night.
Hungary – Stories of the Mumus is used to scare children. There is also the Zsákos Ember, a man with a sack. A final monster is the Rézfaszú bagoly or “Copperpenis Owl” and whose description is that, a giant owl with a copper penis.
Iceland – The Grýla, is a female troll who would take misbehaving children and eat them during Christmas Eve. Fortunately, she has been dead for quite some time. She is the mother of the Yule Lads who are Iceland’s version of Santa Claus.
India – There are a number of different names for the Bogeyman in India. In North India, the Bori Baba who carries a sack is used to frighten children. There is also the Chownki Daar, a night security guard who will come and take children away if they won’t go to sleep. In South India there is the Rettai Kanna (the two-eyed one) or Poochaandi who used to threaten children in the state of Tamil Nadu. There is also the Buchadu or Boochodu is used similarly in the state of Andhra Pradesh. Bihar parents use the demon Bhakolwa for scaring children. In Karnataka, there is the demon Goggayya, the “terrible man,” central Kerala has the Kokkachi who will take away disobedient children. More bogeymen like creatures are the Oochandi of South Kerala, the Gongo of West Coast India, a male ghost called Buva or Bagul Buva among the Marathi speaking people is used for scaring children and finally there is the Kaan Khowa used by Assamese parents who will eat children’s ears if they don’t go to sleep.
Indonesia – The Wewe Gombel is a ghost that kidnaps children who are abused by their parents. She takes them to her nest on top of a palm tree where she cares for the children until the parents realize what it is they have done. If the parents decide to change their ways, the Wewe Gombel will return the children. The Wewe Gombel’s story originated with an event that took place Bukit Gombel, Semarang.
Iran – The Lulu is used in Persian culture to frighten children into behaving. The Lulu is also sometimes called the Lulu-Khorkhore or “bogeyman who eats everything up.”
Iraq – There is the Saalua from ancient folklore. She is a half-witch, half-demon ghoul used by parents to scare their children. Saalua is mentioned in a story found in the 1001 Arabian Nights. She is known too in other Gulf countries.
Italy – The “L’uomo Nero” or The Black Man is used, he is a tall man wearing a heavy black coat and either a black hood or hat to hide his face. Alternately, he is a ghost with no legs. Parents are known for knocking under the table and pretending someone knocked on the door as they say: “Here comes l’uomo nero! He must know that there’s a child here who doesn’t want to drink his soup!” Unlike other monsters, L’uomo Nero doesn’t actually harm or eat children, he just take them away to a strange, frightening place. There is a lullaby used with L’uomo Nero who keeps a child with him for a whole month. Black is also used as a pun in politics in Italy as the color is associated with fascism. Unfortunately it also has negative, derogatory racial puns and slurs associated with the color black. Other places in Italy, the name babau is used for the Bogeyman.
Japan – The Namahage are demons that warn children not to be lazy or cry. During the Namahage Sedo Matsuri or “Demon Mask Festival,” villages wear demon masks pretending to be these spirits.
Korea – The Dokebi is a monster used against misbehaving children. Other variations to Dokebi are the Mangtae Younggam, an old man who carries a mesh sack to carry away kidnapped children in. Other places they have the Mangtae Halmum, an old woman with a mesh sack.
Macedonia – Aside from the Babroga, there is also the Strasilo (the “frightener”) who comes out at night, hides under beds, in forests, caves and basements. It is said to grab and eat children.
Mexico – El Cucuy is an evil monster that hides under children’s beds at night. He will kidnap and eat any child who disobeys their parents. He is described as being a small humanoid with glowing red eyes. Sometimes he is believed to have been a child who was a victim of violence that has come back to life.
Myanmar – The Pashu Gaung Phyat is used to threaten children with. The name means Malayu Headhunter. In Burmese, the Malays were called “Pashu,” which may have come from Bajau or Bugis. Many ethnic groups in Eastern Malaysia were notorious for being headhunters right up until the 1970’s with the Wa tribe.
Nepal – There is the “Hau-Guji” in Nepali. The Newars tell of an ape-like monster called Gurumapa who enjoys eating children. There is a story told of this creature found at Itum Bahal in the inner temple of Kathmandu.
Netherlands – The bogeyman is known by many names, some of these names are: Boeman, Boezeman, Boezehappert, Jan Haak, Mannetje met de haak, Bullebak, Boevent, Beukèl, Haantje Pik, Tenensnijder, Boelekerel, Nekker, Krolleman, Heintje Pik, Okkerman and so on. Many of these are known for hiding in the water. As Boeman, it is depicted as a creature that resembles a human, dressed all in black with sharp claws and fangs and will hide under the bed or in closets. It too will take those children who have misbehaved and won’t go to sleep and lock them away in his basement for a period of time.
Norway – The Bogeyman is called Busemannen, much like the Boeman of the Netherlands, it is depicted as a creature that resembles a human, dressed all in black with sharp claws and fangs and will hide under the bed or in closets. It too will take those children who have misbehaved and won’t go to sleep and lock them away in his basement for a period of time.
Pakistan – The Bhoot or Jin Baba is used by parents to scare children into behaving. This creature is a ghost Djinn. In other places it is known as Kathu Ki Maa.
Philippines – There are a number of different bogey man like monsters. The Pugot, Sipay, Mamu and Mumu. Among the Kapampangan people, there is the Mánguang Anak or Child-Snatcher.
Poland – Places like Silesia or Great Poland use the bebok (babok or bobok) to scare children into behaving.
Portugal – The Portuguese brought Bicho Papão (the Eating Beast) or Sarronco (Deep-Voiced Man) to Brazil. They also have an “homen do saco” or Bag Man. The difference between Bicho Papão and the Bag Man is that the Bag Man comes during the day and Bicho Papão comes during the night.
Quebec – In this province of Canada, the “Bonhomme Sept-Heures” or 7 O’clock Man is used to scare children into behaving if they won’t go to bed or else he takes them to his cave to eat them.
Romania – The Bau-Bau is used by parents to scare children into behaving.
Russia – The Babay is said to hide under the bed. The Babay is described as an old man with a bag or a monster who will come take them away if they misbehave. Similarly spelled, is the Babayka who comes at night for misbehaving children.
Serbia – The Bauk is an animal-like creature from Serbian mythology, it is described as hiding in dark places such as holes or abandoned houses where it waits to grab and carry of its victim to eat. It can be scared away with light and noise. It is known for having a clumsy gait.
Singapore – The local bogey man stories here are of Ah Bu Neh Neh or Matah who will snatch up misbehaving children. Matah is a variation off the Malay word Mata-Mata which means spy or spies and is used as a nickname for the police.
Spain – El Cuco, El Coco or El Bolo, a shapeless figure or hairy monster who eats children that misbehave when they won’t go to bed is used in place of the Bogeyman. Parent will sing lullabies or tell rhymes to their children about the dangers of refusing to go to sleep or else El Coco will come eat them. The nursery rhyme for El Coco is thought to have originated in the 17th century and has since changed over the years. El Coco has also traveled overseas to the Spanish-speaking Latin American countries. There is also the El roba-chicos or child-stealer who is used in many Spanish speaking countries. Incidentally, Coconuts received their name from El Cuco due their resemblance to the Spanish bogeyman. Another shapeless monster is El Ogro or Ogre that is also described as being hairy and will hide in closets and under beds where it will eat misbehaving children if they don’t go to bed. There is also the El Sacamantecas or “Fat Extractor” who is used for scaring children into good behavior by killing people to take their fat.
Sri Lanka – The Sinhalese people tell stories of the Gonibilla, “the sack-kidnapper” who will come day or night to carry off misbehaving children.
Sweden – The Bogey man is known as the Monstret under sängen or “Monster under the bed.”
Switzerland – The Bogeyman is called Böllima or Böögg and is an important figure in Springtime ceremonies as he or it symbolizes winter and death. In the Sechseläuten ceremony held in the city of Zürich, the effigies of Böögg are burnt.
Trinidad and Tobago – Many use folklore as a means of scaring misbehaving children into obey. The most common word used is the Jumbie. Many of their “Jumbies” are the Soucouyant, Lagahoo, La Diables and Papa Bois to name a few. The name Bogeyman will also be used in many urban areas. It can also be called “The Babooman.”
Turkey – The Gulyabani is a gigantic and strange monster that scares both children and adults alike.
Ukraine – The Babay is also present here just as it is in Russia.
United Arab Emirates – The Om Al- Khadar wa Alleef, meaning Mother of green and leef “bark” is used to scare children. She take the appearance of a tall woman who long hair flows in the wind. She is often used by parents as a means of getting children to stay indoor after sunset and go to bed. What’s interesting is that the Palm tree is used as the inspiration for this figure due to the scary sounds it can make when the wind blows, its height and how in the dark, it can resemble a woman.
United States – Aside from the classic Bogeyman, there is also the Jersey Devil used to scare travelers and the old British stories of Bloody Bones or Rawhead and even Tommy Rawhead told in the U.S. South. During the Cherokee Corn Festival, young men will wear caricature masks making fun of politicians and using them to scare children or chase after young women. This was known as a Booger Dance and the dancers are referred to as Booger Man. In areas of the Pacific Northwest, the bogey man will appear as a green fog. Other places the Bogeyman will scratch at windows, hide in closets or carry them off in a sack. Warts in some children’s stories are said to be transmitted to someone by the Bogeyman. Among the Pennsylvania Dutch, the term “der Butzemann” is used for male scarecrows and female scarecrows are Butzefrau.
Yukon – In this province of Canada, the Quankus take and puts misbehaving children into a large sock, carrying them away at night. Quankus too is used by many parents to scare children into going to bed.
Etymology – “bull demon king”
The character of Niu Mo Wang is a figure who features in the story of Journey to the West, a classic Chinese novel written and published anonymously by Wu Cheng’en during the 16th century.
Niu Mo Wang is a yaoguai, similar to the Japanese Yokai and from where the term originates. In the story of Journey to the West, Niu Mo Wang is the Master of the “Mountain of Fire” (Huoyanshan) that burns constantly, causing a lot of dryness and an unbearable heat in a volcanic region that blocks the passage of Tang Sanzang and his troop.
The Monkey King, Sun Wu Kong tries to steal the magical bajiaoshan from Tiě shàn gōngzhǔ, better known in English translations as Princess Iron Fan, the wife of Niu Mo Wang. The bajiaoshan is a large palm-leaf fan capable of creating whirl-winds and would be capable of causing the volcanoes in the area to become inactive, allowing Tang Sanzang and company to pass through.
Here it gets a bit confusing, as when reading the accounts given under Niu Mo Wang, Sun Wu Kong is able to defeat the Bull King with the help of a Buddhist deity, Nezha. When looking at entries under Princess Iron Fan, Sun Wu Kong is able to trick her into giving him the fan or to outright steal it.
Sun Wu Kong is able to help Tang Sanzang and his friends get past the volcanoes of Niu Mo Wang’s territory and the fan is returned. Again, in the account under Princess Iron Fan, Niu Mo Wang tricks Sun Wu Kong into giving the fan back by being the pig Zhu Bajie.
It’s mentioned that Niu Mo Wang and Tiě shàn gōngzhǔ have a son named Hong Haier, “Red Child.”