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Category Archives: Death

Sigmund

Sigmund

Etymology: Sigr- (Old Norse), Sig- “Victory” (Sieg- Germanic, Zege- Dutch) and -mundr (Old Norse) “Protector”

Pronunciation: Zeek-muwnt (German), Seeg-mund (Swedish), Sig-mənd (English)

Also known as: Siegmund

Alternate Spellings: Sigmundr (Old Norse), Sigimund, Sigismund (Ancient Germanic), Sigmundr (Ancient Scandinavian), Zikmund (Czech), Siegmund, Sigismund (German), Zsigmond, Zsiga (Hungarian), Sigismondo (Italian), Zygmunt (Polish), Žigmund (Slovak), Žiga (Slovene), Segismundo (Spanish), Sigge (Swedish)

The hero Sigmund is best known from his exploits in the Völsunga saga. Sigmund’s fame comes from being the one who could pull the sword, Gram from a tree and being the father of another hero, Sigurd.

Parentage and Family

Parents

Father – Völsung, for whom the Völsunga saga is named.

Mother – Ljod, also spelled Hljod, Sigmund’s mother in the Völsunga.

Consort –

Borghild – His first wife.

Sieglind – His wife in the Nibelungenlied.

Sisibe – His wife in the Thiðrekssaga.

Sibling –

 BrotherIt’s mentioned that Sigmund has nine brothers, though none of them are ever given any names.

Sister – Signý, his twin

Children –

Helgi – Son by way of Borghild.

Sigurd – Son by way of Hljod. A famous dragon-slayer of many Norse, Scandinavian and German sagas.

Sinfjötli – Son by way of incest with his sister Signý.

Hamund and Helgi – Sons by way of Borghild.

Ancient Runes

The oldest source for Sigmund’s legend are found in Sweden on seven runestones. The most notable of these are the Ramsund carving dating from about 1,000 C.E. based on events from the fifth and sixth centuries C.E.

 Völsunga Saga

This is a 13th century Icelandic saga from the Völsung clan that follows several generations of Völsung’s lineage. While this saga is best known for the story of Sigurd and Brunhildr and the destruction of the Burgundians, this is the main source for the story regarding Sigmund.

Backing up a little bit, the saga begins with Völsung, known of his great strength and size, who is the king of Hunland. Völsung marries Hljod with whom he fathers ten sons and a daughter, Signý, the twin to Sigmund.

So great is Signý’s beauty, that King Siggeir of Gautland (Västergötland) sends a missive to King Völsung requesting his daughter Signý’s hand in marriage. Now, Siggeir had a reputation for being fierce in battle and Völsung and his sons knew that they couldn’t hope to fend off Siggeir and his men once they saw them. Add to this, Signý doesn’t want to marry Siggeir.

Against her better judgment, Signý marries Siggeir. A wedding feast, one that would last for several days commenced shortly after. At a time when both Völsung and Sigmund are in attendance, the god Odin came, disguised as a beggar and thrust the sword Gram into the a large oak tree known as Barnstock. Völsung’s hall was built around this large oak. The beggar (Odin) announces that the man who is able to pull the sword free may have it as a gift. Of all the men present, only Sigmund succeeded in pulling the sword free.

Signý’s new husband, Siggeir became very envious and greedy for Sigmund’s sword. When Sigmund refused an offer to buy the sword, Siggeir than invites Völsung, Sigmund and his nine other brothers to come visit him and Signý a few months later in Gautland.

When Völsung and the rest of his clan arrived, they are attacked by Siggeir’s men. In the fight that followed, Völsung is killed and his sons captured. Signý pleaded with Siggeir to spare her brothers, to have them placed in stocks instead of killing them outright. Siggeir agreed to Signý’s pleas only because it went along with his ideas of torturing the brothers before killing them.

It turns out that Siggeir has a mother who can shape-shift into a wolf. He lets dear old mother kill one of the Völsung brothers each night. Signý, much as she tries, is unable to save her brothers. One by one they are killed by this she-wolf until finally only Sigmund remains.

With only last chance to save any of her brothers, Signý gets a servant to smear some honey on Sigmund’s face. When Siggeir’s shape-shifted mother arrives that night, the she-wolf licks the honey off Sigmund’s face, causing her tongue to stick to the roof of her mouth. The opportunity allowed Sigmund to bite off the she-wolf’s tongue. The resulting blood loss killed the wolf. Shortly after, he freed himself and Sigmund took off to hide in the forest.

Hidden safely in the woods, Sigmund has everything he needs and what he doesn’t have, Signý would bring to him. Seeking revenge for the death of their father herself, Signý would send her sons out to the forest to be tested by their uncle. As each one failed the test, Sigmund would kill them until he finally had enough of it and refused to kill any more children. A distraught Signý came to Sigmund disguised as a völva (a type of Scandinavian Witch or Shaman). Disguised, Signý gave birth to Sinfjötli, whom, a child of incest is able to pass Sigmund’s test.

Living the life of outlaws, both Sigmund and Sinfjötli lived in the forest. During their time, the two came across some men sleeping in some wolf skins. The two kill the men and on donning the wolf skins for themselves, discover that the skins are cursed. With their new-found abilities or curse, Sigmund and Sinfjötli are able to avenge Völsung when they kill Siggeir by way of setting his place on fire. The only person to escape the blaze was Signý, whom if Sigmund hadn’t known the truth about his nephew/son Sinfjötli, she now came clean to tell him she had tricked Sigmund into sleeping with her. After revealing the truth, Signý walked back into the raging fire to die with Siggeir.

Returning To Hunland

The story doesn’t end there as both Sigmund and Sinfjötli continue their exploits of banditry when they return to Hunland. Sigmund’s plan is to reclaim his lands from the king who took over after Völsung’s death. After reclaiming his rightful throne, Sigmund marries Borghild and they have two sons, Hamund and Helgi.

It’s known that Helgi, at the age of fifteen would go on to fight many battles and win his own kingdom. He earned the name Helgi Hundingsbani when he killed Hunding and his sons after two battles. Helgi wasn’t done yet and would continue on to defeat Hodbrodd and Grannar in order to win the hand of Sigrun, the daughter of King Hogni in marriage. This is a story for another post.

Borghild became jealous of her stepson Sinfjötli’s abilities and when he killed her brother, she plotted Sinfjötli’s demise. Both Sinfjötli and her brother  had been competing for the hand of the same woman. Killing Sinfjötli wouldn’t be easy for Borghild as he was immune to all poison. That didn’t stop Borghild from trying. She offered Sinfjötli two cups of poisoned wine that he drank without problem. However, with the third cup, that did Sinfjötli in. For her efforts, Borghild was banished from Hunland.

The narrative continues that Sigmund carried Sinfjötli’s body into the forest where he meets a ferryman at a fjord. The ferryman had only enough room on his boat for one passenger at a time and offered to take Sinfjötli’s body across first and come back for Sigmund. When the boat reached the middle of the fjord, it vanished along with the ferryman and Sinfjötli’s body. This ferryman would be none other than Odin in disguise, come to personally take his descendant to Valhalla despite not meeting the prerequisite to die in battle.

Marrying Hjördís & Sigmund’s Doom

Sigmund goes on to marry again, this time to Hjördís, daughter of King Eylimi. Hjördís had another suitor who sought her hand in marriage, King Lyngi along with other suitors. The would be suitors competed for Hjördís’s hand in marriage and Sigmund won, despite being much older than other kings. Lyngi refused to give up and concede to Sigmund.

After enjoying a brief period of peace, Sigmund’s kingdom is attacked by King Lyngi as he was jealous and wanted revenge on Hjördís for marrying Sigmund.

It is during this battle, Sigmund fought alongside his father-in-law, King Eylimi who is killed. It is this day, that the Norns have decreed will be when Sigmund dies. The god Odin returns in this battle, disguised as a beggar and when he comes face to face with Sigmund, the sword Gram is shattered by his spear Gungnir.

The sword shattered, Sigmund easily falls at the hands of others in battle. As he lays dying, Sigmund tells Hjördís that she is pregnant, and their son will one day receive the broken remains of his sword. That their son will be named Sigurd who would go on to avenge his father’s death and slay the dragon Fafnir.

As to Lyngi, he was thwarted in trying to win Hjördís for she had fled and was found by King Alf who married and took her and her unborn son in.

Other Germanic Sagas

In many of the sagas about the hero Sigurd (Siegfried), Sigmund or Siegmund is often cited as being Sigurd’s father. None of these other sagas have the same level of detail regarding Sigmund that is found within the Völsunga.

Nibelungenlied – In this saga, his wife was Sieglind

Thiðrekssaga – In this saga, Sigmund is the son of Sifjan, the king of Tarlungland. He has a son with Sisibe, the daughter of King Nidung of Spain.

Beowulf

This is an Old English poem. In the story Beowulf, the story of Sigemund is told to the title character and involves the slaying of a dragon, not unlike that of Sigurd slaying a dragon. The child conceived by Signý and Sigemund the Wælsing is known as Fitela, not Sinfjötli.

The Sword In The Tree – Arthurian Legend!?!

The Branstock tree was a massive oak tree that Völsung built his hall around.

For those familiar with Arthurian legend, Sigmund’s pulling the sword Gram from the Branstock tree sounds very familiar to the story of Arthur pulling the sword Excalibur from the stone.

In addition, it’s been noted that the characters of Sinfjötli and Mordred are both nephew and son to the respective figures of Sigmund and Arthur.

Gram – A Gift From Odin

In the Völsunga saga, the name of Sigmund’s sword is Gram. Other Norse sagas will give the name of Balmung for Sigmund’s sword. Gram’s name means: “wrath.”

Being an enchanted sword gifted by the god Odin, Gram holds the magical ability of giving its wielder the power to win all their battles.

As for who forged Gram, the myths and legends say that Volund, or Wayland the Smith is who crafted this blade. In the Nibelungenlied, Gram is known by the name of Balmung and Mimung in Germanic myths. In Wagner’s “Der Ring des Nibelungen,” the sword is known as Nothung.

It was said that Volund (or Wayland the Smith) made the sword, and the magic sword was later called Gram (Balmung or Mimung in German myth).

Tolkien Middle Earth Connection – I mentioned in my post for Sigurd that the shattering of Gram served as the inspiration for Aragorn’s shattered sword that he reforges.

Odin’s Role In The Völsunga

It should be noted that Odin is the great grandfather of Völsung who founds the clan of the same name. Effectively making Völsung at least a demigod of sorts and later descendants being more extraordinary in their deeds and destiny.

So, it makes sense at the first, that Odin would appear, favoring the Völsung’s when he impales the sword Gram into the Branstock tree, saying that whoever can pull this sword can have it and it’s Sigmund who succeeds.

However later, Sigmund appears to fall out of favor with Odin when the god shatters Gram and leaves Sigmund to fall at the hands of his enemies.

God of Prophesy

Surely a god of prophesy would know what events would transpire. Which could mean that’s exactly what Odin wanted to have happen. Or he’s trying to change the fates of his kinsmen even though the Norns have told Odin that no, you can’t change fate, no you won’t get your descendant at all. That as punishment, Sigmund won’t die in battle at all.

Even a god can try?

If a person’s fate is truly set and there’s no avoiding destiny or changing one’s stars, even a god of prophesy would know you can’t change the future. Unless predicting the future is nothing more than being able to see what the most likely outcomes and probabilities are. That if you don’t change the variables, X event is the most likely event and course of action to happen.

Battle God

Of course, the other thing to remember, is that Odin is also a god of battle and as such, like many other war gods, he thrives on the conflicts and strife that happen. Even if only for the sake of it.

With the whole impending doom of the gods and Ragnarok among the Norse, Odin is going to try and bolster his forces by recruiting from the various fields of battle, the fallen and slain warriors. Isn’t that what the Valkyries are for? Well sure, so unless there’s a constant steady source of conflicts and battles, the Valkyries aren’t likely to be doing much recruiting. One can see Odin going about instigating some of these conflicts, so he can try to recruit promising warriors for his Einherjar, ya’ know, the slain warriors of Valhalla. And let’s not forget that Freya is going to get half of those warriors for her hall of Folkvangr.

Sigmund! I don’t choose you!

Sigmund also has a date with destiny, for the Norns have decreed that he would die on that day. There is however a hitch to this, so long as Sigmund has the sword Gram, there’s no way he’s going to loose or die. So there’s Odin off to the field of battle to make sure that Sigmund can meet destiny by making sure he doesn’t have the sword.

Now it could be that he has angered Odin when Sigmund tries to interfere with protecting his father-in-law, King Eylimi during the battle against King Lyngi. Odin attacks Sigmund, shattering the sword Gram and leaves him to die.

It might be too how dare a descendant of his defy the mighty Odin and shatter the sword, hoping somehow that Sigmund will die in battle to join his forces in Valhalla. Odin’s efforts to sow contention earlier at a wedding only resulted in nine other of his grandsons getting killed by a wolf while tied up. That’s not exactly the heat of battle there and the loss of nine potential warriors to join him.

So, Odin cuts his losses with Sigmund and gifts a final prophesy to his grandson about the birth of Sigurd and that Gram will be reforged and passed on to another hero.

Medieval Sagas

Lastly, the Völsunga saga was written in the 13th century C.E. several centuries from when the events are to have initially occurred. That’s more than enough time for the skalds to have embellished the stories. To add Odin to the events in an effort to make sense of narrative as well as give a more mythic quality to the tales to explain why events turn out the way they did.

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Sigurd

Sigurd

Etymology: Sigr- (Old Norse), Sig- “Victory” (Sieg- Germanic, Zege- Dutch) and vörðr- (-ward Proto-Germanic)“guardian” or “protection” (Old Norse), -fried – “peace”

Also known as: Siegfried, Sigfred, Sifrit, Sîvrît (High German), Sivard (Danish), Sigevrit, Zegevrijt (Middle Dutch), Seyfrid, Seufrid (early modern German)

Alternate Spellings: Sigurðr (Old Norse)

Sigurd is a legendary hero from old Germanic, Norse and Scandinavian mythologies, where he is best known for slaying the dragon Fafnir, rescuing the Valkyrie maiden Brynhildr and the disastrous events that come after with his death.

As I discovered when first doing my article for Brynhildr, there are a number of different stories and various spellings or names for the main character, all of whom and which seem to be the same story and characters. With the differences, we’re likely just seeing different regional and cultural versions. Plus, the addition of Wagner’s famous Opera cycle goes and confuses that matter a bit as he takes from a the Völsunga and Nibelungenlied, mixing them together.

All I can say, is I’ve done my best to keep all of this straight. Also, it’s not like the ancients had access to e-mail and the internet to keep their sources straight, one tribe tells the story one way, another tribe tells it slightly different. The stories also alter and change when you start looking at when one is written and recorded compared to another.

Parentage and Family

Parents

Father – Sigmund, regardless of variant spellings, nearly all sources list him as Sigurd’s father.

It is in the Völsunga that Odin is mentioned as being Sigurd’s real father, making the hero a demigod of sorts and would explain why in some versions of the story, Odin goes out of his way to offer advice and aid him. It’s more accurate that Sigurd is a descendant of Odin’s though.

Mother – Hiordis, Sigmund’s second wife in the Völsunga. In the Þiðrekssaga, it is Sisibe who is Sigurd’s mother. The Nibelungenlied lists Sigelinde as Siegfried’s mother.

Consort –

Brunhildr – The Valkyrie maiden whom Sigurd falls in love with and would have married had outside sources not interfered.

Gudrun – She is who Sigurd marries in the Völsunga. In the Nibelung, her name is Kriemhild.

Children –

Aslaug – Sigurd’s daughter by way of Brynhildr in the Völsunga. Aslaug goes on to marry Ragnar Lodbrok.

Sigmund & Svanhild – Twin sons by way of Gudrun in the Völsunga. Sigmund is named after Sigurd’s father.

What’s In A Name?

At first glance, due to the similarity of their stories, both Sigurd and Siegmund appear to be the same character. Perhaps they are, at the same time, I think it helps to remember regional variations from very similar cultures. Thanks in part to Richard Wagner’s “Der Ring des Nibelungen” Opera cycle, there gets to be further confusion to the matter.

It should be noted that what the names of Sigurd and Siegfried mean are different, however they do share the first part of the names do have the same etymology. The second part of the names have very different meanings.

In all cases, the different names all share the commonality of the first part or prefix name of “Sig-“ which means “victory.” The second part of the names have different meanings. “-fried” meaning peace in the name Siegfried and “-vörðr” meaning protection.

Sigurðr – Or Sigurd, is not the same character as the Germanic Siegfried no matter how much the sources seem to want to confuse them. This name translates to Victory-Protection or Protector of Victory.

Siegfried – With this spelling, he is the hero of both the Germanic Nibelungenlied and Richard Wagner’s operas of Siegfried and Götterdämmerung. The Old Norse name for Siegfried would have been Sigfroðr. This name translates to Victory-Peace or Peaceful Victory. The name Siegfried doesn’t appear until towards the end of the seventh century. So it’s possible that Sigurd is the original form of the name.

Sivard Snarensven – This is the name of the hero from several medieval Scandinavian ballads. He’s noted here as his name is known for being a variant spelling to Sigurðr.

Ancient Runes

The oldest source for Sigurd’s legend are found in Sweden on seven runestones. The most notable of these are the Ramsund carving dating from about 1,000 C.E. and the Gok Runestone dating to the 11th century C.E.

Ramsund Carvings – These runes show Sigurd sitting naked before a fire as he prepares to cook the heart taken from the dragon Fafnir. As the heart isn’t fully cooked yet, Sigurd burns himself when he touches it, promptly sticking the burnt finger in his mouth. One he tastes the dragon’s blood, Sigurd is able to understand the birds’ song.

The birds inform Sigurd not to trust his foster-father Regin as he won’t keep his promise. To which, Sigurd chops off Regin’s head. Smithing tools laying around Regin’s head that were used to reforge the sword Gram.

Other carvings show Regin’s horse loaded down with the dragon’s gold, Sigurd slaying Fafnir and Otr, Regin’s brother from the start of the saga.

Hylestad Stave Church – Other carvings and runes can be found on doorways and stones at this church, showing more of Sigurd’s legend.

Völsunga Saga

This is the main source for Sigurd’s story. It is a 13th century Icelandic saga from the Völsung clan that tells the story of Sigurðr and Brynhildr and the subsequent destruction of the Burgundians.

Within this saga, Sigurd is the son of Sigmund and Hiordis, his second wife. So, this is where the story begins, with Sigmund attacking a disguised Odin. Attacking a deity is never a good idea and Odin kills Sigmund while also shattering his sword. As he lays dying, Sigmund hangs on long enough to tell Hiordis about her pregnancy and to bequeath the shattered fragments of his sword to his unborn son.

With Sigmund dead and pregnant, Hiordis then marries King Alf. When Sigurd is old enough, Alf sends the boy to Regin to be fostered. When Sigurd gets older, nearing being an adult, Regin begins to try putting into Sigurd’s head that his station and position isn’t very much.

In a seemingly benign series of questions, Regin asks Sigurd if has any control or say over how Sigmund’s gold, Sigurd’s inheritance by right. Sigurd responds that Alf and his family take care of all of the gold and that he has everything he needs or desires. Regin continues his questioning by asking Sigurd why he accepts such a low position in Alf’s court. Again, Sigurd says he’s treated as an equal and that he has everything he needs or desires.

Not letting up, Regin again asks Sigurd why he settles for being a stable boy to the Kings or have any horse of his own for that matter. That last bit does get to Sigurd who decides he’s going to have his own horse. On the way to the castle to get one, Sigurd is met by an old man (Odin in disguise) who gives some advice to the young man on which horse to choose. This advice does lead Sigurd to getting the horse Grani, a decedent of Odin’s own horse, Sleipnir.

Regin’s Story – Otr’s Gold

When Sigurd returns with a horse of his own, Regin then tells the young man the story of Otter’s Gold. How Regin’s father is Hreidmar, a powerful magician and about his two brothers Otr and Fafnir. How he is a master smith and that Otr himself also held many magical talents. That Otr would go out swimming near a waterfall in one of his favorite forms, that of an otter. That another, a dwarf by the name of Andvari would take the form of a pike and swim too.

Then one day, the Aesir gods came across Otr in his otter form. Not realizing him to be a person and instead, believing the otter to be the real animal, Loki killed Otr and took his pelt. The Aesir then took the pelt to Hreidmar to show off what they caught. Knowing the pelt to belong to their brother, both Fafnir and Regin detain the Aesir; demanding a weregild or restitution be paid for Otr’s death.

Realizing what had happened, the Aesir agreed to pay compensation and fill Otr’s body with gold and cover him with an assortment of treasure. Before Otr’s body is returned to his family, Loki took a net from the sea goddess Ran and used it to catch Andvari in his pike form. In exchange for his freedom, Loki commanded Andvari to give him all of his gold. Grudgingly, Andvari gave up his gold to Loki; except for one ring, that one, Loki had to take by force. Loki took this ring more by force. Unknown to Loki, Andvari cursed this ring with a death curse on it that for whoever wielded the one ring.

Gold in hand now, the Aesir proceed with stuffing Otr’s pelt with it and covering it with treasure, the one ring placed over a whisker and present it to Hreidmar. Greed over coming him, Fafnir killed Hreidmar and took all of the gold, refusing to give Regin his rightful share or inheritance. For this, Regin is looking for someone who can help him seek revenge.

Reforging His Father’s Sword

Caught up by the injustice of it all, Sigurd readily agrees to the plan of killing Fafnir, thereby avenging Hreidmar. As Regin is a master smith, Sigurd requests that a sword be made for him. The first sword made is tested against an anvil, breaking. So, another sword is crafted by Regin, only be broken too.

Third times the charm, Sigurd went to his mother to request the broken pieces of his father’s sword. Sigurd then has Regin take the shattered remains of his father’s sword and reforge those into a sword. This new sword would be known as Gram and it was able to split the anvil in twain. The blade is so sharp, Sigurd can even cut wool with his sword in the river.

First, I Must Avenge My Father

Seeing that Sigurd finally has a sword, Regin tries to get Sigurd to promise to slay the dragon Fafnir to which Sigurd agrees, but not until he has gone to avenge the death of his father.

First, Sigurd set off for his uncle Griper on his mother’s side. It seems dear old uncle Griper can foretell the future and Sigurd wanted to know the Norns had in store for him. Griper refused at first to admit anything to young Sigurd. After much persistence, Griper told Sigurd what would befall him.

Armed with this knowledge, Sigurd went now to King Alf, requesting a fleet of ships and enough men that he could wage war against the Hunding tribe and there by take revenge upon King Lynge for the death of his father Sigmund.

While sailing towards Lynge’s kingdom, a storm broke. A sailor that Sigurd had taken on, by the name of Fjorner sang a runic song that calmed the storm, allowing Sigurd’s fleet to arrive safely. Now Sigurd could lay waste to King Lynge’s kingdom and kill Lynge, thus avenging his father.

Sigurd returned home, having claimed the lands and treasures held by Lynge and earning a lot of prestige and renown as a warrior.

Now I Will Do The Thing!

With Sigurd back, Regin asked him again about slaying the dragon Fafnir. Sigurd was ready now and set off for the task.

Ready, Regin advised Sigurd on a plan to kill Fafnir. He was to dig a pit and wait for Fafnir to come, walking over it. Once the dragon, Fafnir fell in, Sigurd was to stab him.

Sounds like a solid enough plan if you ask me.

Odin added to Regin’s plan, appearing as an old man before Sigurd and told him to dig some trenches to drain Fafnir’s spilled blood. The idea being that Sigurd would bathe in the dragon’s blood after killing Fafnir. It seems the dragon’s blood would bestow invulnerability. When Sigurd does bathe, a leaf is stuck to his back, making a part of him still vulnerable. This point of note is important later on.

Heeding the instructions of both, Sigurd does just that with digging the pit and trenches. He succeeds in killing Fafnir.

Now, Regin had told Sigurd to cut out Fafnir’s heart. Before doing so, Sigurd also ended up drinking some of Fafnir’s blood. This too had the effect of granting Sigurd to understand the language of birds. From them, Sigurd learned that Regin had been corrupted by Andvari’s ring with greed and planned to kill Sigurd as soon as he handed over the heart and gold.

Sigurd instead roasts Fafnir’s heart and eats part of it, gaining yet another benefit, that of wisdom or that of prophecy. If he truly had that, he would know what happens in the next part that comes.

Meeting The Beautiful Brunhildr

After his adventures with slaying the dragon Fafnir, Sigurd meets the Valkyrie and shieldmaiden, Brynhildr. Sigurd pledges himself to her and promises to return. Before leaving, Brynhildr gave Sigurd a prophecy that he would die and marry another, not her.

Eventually, Sigurd travels to Heimar’s court. Heimar it should be noted, is married to Bekkhild, the sister to Brynhildr. From there, Sigurd makes his way to Gjuki’s court. Gjuki’s wife is Grimhild who conspires to have Sigurd marry her daughter, Gudrun. Grimhild wants the magical ring and gold that Sigurd for her own family. Grimhild creates a magical potion, an “Ale of Forgetfulness” that she manages to get the hero to drink. Doing so, Sigurd forgets all about Brynhildr and the promise he’s made to her to be wed. Sigurd now marries Gudrun.

A while later, Gjuki dies and the oldest son, Gunnar becomes king. Gunnar while seeking for a suitable wife, learns about Brynhildr and decides he will court her. The only difficulty is that where Brynhildr is at, she’s surrounded by flames.

Of course, Brynhildr has promised that she will only marry the man brave enough to ride through the flames to her. As Gunnar is not brave enough to ride through the flames and even with trying to use Sigurd’s horse, Grani, still can’t ride through.

Gunnar’s brother, Hogni eventually speaks up and proposes the idea that Sigurd could use magic to shapeshift (by use of his magic helmet) and take Gunnar’s shape. Now now, Sigurd, disguised as Gunnar, ride through on his own horse, Grani to claim the fair Brynhildr.

When Brynhildr sees another man besides her Sigurd enter the flames, she despairs and demands to know who this stranger is.

The disguised Sigurd responds that he is Gunnar, the son of Gjuki of the Nibelungs. Angry at the response, Brynhildr as this isn’t Sigurd, fights him. During the fight, Sigurd manages to pull the ring Andvaranaut of her finger, rendering the Valkyrie powerless. Sigurd would later give the ring Andvaranaut to Gudrun.

Before leaving, both Brynhildr and Sigurd stay in the castle for three nights. Despite this, Sigurd in a symbolic gesture, lays his sword between them to signify that he won’t take Brynhildr’s virginity.

Maybe they meant chastity if you remember Sigurd’s earlier visit. He may not remember, but I know I do.

Eventually, Sigurd and Gunnar switch back places so that Gunnar can marry Brynhildr. Poor Brynhildr believes that Sigurd has forgotten her and keeps the promise she made of marrying the man whom she believes rode through the flames for her.

A Woman Scorned….

We’re not to any sort of happy ending yet, much of this is found under my article for Brynhildr. Later, Brynhildr and Gudrun are out bathing in a nearby river when they get into a heated argument over whose husband is better and braver.

Brynhildr boasts that her husband, Gunnar was brave enough to ride through flames for her. Knowing the truth, Gudrun smugly reveals that it was actually Sigurd who rode through the ring of fire. At this revelation, Brynhildr becomes enraged, making her marriage to Gunnar a sham as she is still in love with Sigurd.

Just remember, Hel hath no fury like a woman scorned.

Due to the trickery and deceits involved, Brynhildr just assumes that Sigurd went back on his word to marry her. It is still unknown to Brynhildr that Sigurd had been given a potion to forget all about her.

In the articles that focus on Sigurd, the notes state Brynhildr is so angry with Grimhild, not Sigurd himself directly. At this time, Brynhildr withdraws and refuses to speak to anyone, to the point that Sigurd is sent by Gunnar to try and talk to her. An angry Brynhildr uses the opportunity to claim that Sigurd has taken advantage of her and was inappropriate with her.

This of course gets Gunnar angry and wanting to kill Sigurd for sleeping with his wife.

It is that ring I tell you. That and Grimhild’s mettling in people’s love lives.

Gunnar and his brother, Hogni were reluctant to kill Sigurd as they had sworn oaths of brotherhood with him. Instead, the two got their younger brother Gutthorm to kill Sigurd after giving him a potion of enragement.

Under the influence of the potion, Gutthorm killed Sigurd in his sleep. As his final act before dying, Sigurd manages to pull his sword and kill Gutthorm in return.

A still enraged Brynhildr mocks Gudrun’s grief for the death of Sigurd and confesses to Gunnar that she had lied about Sigurd sleeping with her. She then tells Gunnar and Hogni, that her brother Atli will come avenge her death. Poor Brynhildr had always loved Sigurd, even when he betrayed her.

As Gunnar’s wife, Brynhildr then orders that Sigurd‘s three-year old son, Sigmund be killed. In a final act of desperation, Brynhildr kills herself by throwing herself onto Sigurd’s funeral pyre.

If that’s not a Shakespearean Tragedy, the two were then reunited together in Hel’s realm, the realm of the dead.

Þiðrekssaga

Also called the Thidrekssaga, this is another Nordic saga that relates the story of Sigurd, specifically chapters 152-168. It’s mostly similar to the Völsunga with parts very similar to events in the Nibelungenlied.

Mainly that it has Regin who is the dragon, not Fafnir and that the dwarf Mimir is Regin’s brother and who is the foster father to Sigurd.

Starting the story with Sigmund, whom on returning from some extended traveling, hears of some rumor that his wife, Sisibe has been engaged in an affair with a thrall (that’s a fancy term for a slave during Viking era Scandinavia).

Sadly, believing the rumor and lie told to him by his noblemen, Sigmund orders the same nobles to take Sisibe out to the forest and kill her. The nobles had intended to get back at Sisibe for refusing their advances while her husband was away. One of the nobles changed his mind about this turn of events and was just going to let her live while the other noble intended to take on his full petty revenge.

Yes, how dare a woman say no to a man. Really? No means no.

Anyways, the two nobles duke it out in a fight. While that’s happening, (did I forget to mention that Sisibe is pregnant?) she goes into labor and gives birth to a healthy boy. Whose baby, it should be noted is Sigmund’s.

Sisibe places the infant into a crystal vessel, I’m not sure where she got that from. It’s part of the narrative, just go with it… Sisibi kicks this vessel into a river where it floats down the stream. After which, Sisibi dies, whether by blood loss from birthing or the one nobleman out to kill her wins the fight and comes over to finish the job.

As in all stories of lost babies lost and abandoned in the wilderness, the baby is found by a doe, ya’ know, a female deer who nurses and raises the infant as her own. The infant is later found by a smith by the name of Mimir who names the boy, Sigurd (though in some places in the Þiðrekssaga, he is called Sigfred), raising them as his own.

When Sigurd is older and like any adolescent, becomes willful, Mimir asks his brother Regin, who happens to be a dragon to kill the kid. Not quite so, Sigurd turns the table on the two, first killing the dragon and then his traitorous foster-father.

Sigurd’s story from here, picks up again in chapters 225-230 where he marries Gudrun, Gunnar’s sister. Like the Völsunga, Sigurd had promised Brynhild first that he would marry her. Gunnar also marries Brynhild but is unable to consummate the marriage. Why? Because Brynhild is still in love with Sigurd. So, thinking to appease her, it is arranged to have Sigurd sleep with Brynhild and then after, she is compliant and gives into Gunnar. Mainly because Brynhild’s strength came from her being a virgin. So without it, she’s helpless before Gunnar.

That sounds so messed up.

The saga ends commenting how there would be no man now living or after who could equal Sigurd’s strength, courage or character. That Sigurd’s name would live on forever in the German tongue.

Nibelungenlied

The Nibelungenlied is a Germanic epic poem dating to the 1200’s. The events within the poem can be traced to oral traditions from the 5th and 6th century. Siegfried is a prince hailing from a kingdom of Niederland with the seat of power being in the city of Xanten. While some would want to say this is the Netherlands, it’s not the same locality.

In this poem, Brynhildr is known as Brunhild or Prunhilt. With this version of the story, she is a queen or princess of Iceland. Gudrun is known as Kriemhild, Gunnar is known as Gunther and Hogni and known as Hagen.

Siegfried (or Sifrit) is a prince from Xanten who succeeds at killing a dragon and claiming a massive fortune and land from a couple of brothers.

Now Siegfried was very willful and head strong, so much so, that his father, King Siegmund sent the lad to the wonder smith, Mimer for fostering. It was hoped by Siegmund that Mimer would manage to teach discipline and humbleness to the lad.

While under Mimer’s tutelage, Siegfried comes to blows with Wieland, another of the smiths in Mimer’s service. However angry Mimer was with the incident, Siegfried demanded that the master smith forge him a sword worthy of a prince of his strength. Which is what Mimer then proceeded to forge for the young man.

The first sword that Mimer forged didn’t hold up to Siegfried’s might strength as it broke when the prince struck it with a great hammer. Siegfried proceeded to punch Mimer and his assistant before demanding another sword be made for him.

Mimer swore to forge another. Though he was also very angry and went out to the forest where his brother Regin resided, who due to other evil acts, was changed into a dragon. Mimer enlisted his draconic brother to get revenge. Regin agreed and Mimer went back tot his smithy, where he sent Siegfried off to a local charcoal-burner to get fuel hot enough to forge a sword.

Taking up a club, Siegfried sets off on his task. He passed through a forest swamp crawling with numerous venomous snakes, large toads and giant lind-worms. When the lad reached the charcoal-burner’s place, the man informed him that if Siegfried returned the way he came, that the dragon Regin would be awaiting him.

Scoffing at the news, Siegfried picked up a burning brand that he had been sent for and went back into the forest, setting fire to all the trees and underbrush so he could destroy all the loathsome reptiles.

Little fire bug there aren’t we?

Sure enough, the dragon Regin comes and spits out his venom at Siegfried. Undaunted, even as the earth is shaking with the dragon’s approach, Siegfried takes his club and knocks the fearsome dragon upside the head, killing it.

The dragon now dead, Siegfried cuts it up and discovers when the blood pours out, that where it has touched his skin, he’s become hard as horn. In a flash of insight, Siegfried goes and bathes himself in the dragon’s blood, so he can become invulnerable. The only part of him that is still vulnerable is a spot on his back where a leaf had stuck to him.

That done, Siegfried dressed himself again and set about to eat the pieces of dragon meat, looking to take in the dragon’s strength to himself. As the meat cooked, Siegfried took a piece and ate it. Instantly, Siegfried could hear voices and realized it was the birdsong that he was hearing and that he could understand it.

Listening to the birdsong, Siegfried learned from the birds that Mimer had sent him out to his doom with the intention of being killed by the dragon. Angry at what he heard, Siegfried cut off the dragon’s head and took it back with him to the smithy to fling at Mimer’s feet. The assistants took off and fled while Mimer tried to appeal to Siegfried and offered up the horse Grane, a descendant of Odin’s steed Sleipner.

Remembering what the birds said, Siegfried accepted the gift horse and then killed Mimer anyways. The young prince then returned to his father, King Siegmund. When Siegmund hear of what happened, he admonished his son over slaying Mimer, but he was proud of his son for having slain a dragon. Armor was then presented to Siegfried and he was now seen as a warrior and acknowledged as the heir to the Netherlands.

A warrior now, Siegfried set out to further prove himself by traveling to a distant land of Isenland. Despite a storm that threatened to delay Siegfried’s voyage, the young warrior pressed on towards his destination.

There, at Queen Brunhild’s castle, Siegfried found the gates to be locked. Undaunted, Siegfried broke them down and attacked Queen Brunhild’s knights. Finally, Queen Brunhild entered and stopped the melee. She gave the young prince welcome to her castle.

Seeing that Brunhild was very fair to behold, her being a battle maiden of great strength and prowess, was not whom Siegfried wanted to marry. Even though many knights had come to try and prove their skill in combat to court Brunhild, all had been slain.

Even though Siegfried says that Brunhild is not whom he would seek for a wife and that he preferred someone gentler; he does stop to lift up a boulder to fling it as far as he can. Just to show he wasn’t intimidated by Brunhild’s strength or weak.

Siegfried went his way until he came to the land of the Nibelungs. Here, Siegfried found that the king had recently died and that his two sons were fighting over their inheritance. The brothers offered Sigurd payment the sword Balmung, forged by dwarves if he would help divide their father’s wealth and lands.

The brothers then accused Siegfried of withholding part of the treasure for himself. An argument ensued, and the brothers called upon some twelve giants to seize Siegfried and imprison him within a mountain’s treasure cave.

Undaunted yet again, Siegfried fought the giants. Spells were cast, and a thick mist formed around the combatants. Wielding the sword Balmung, Siegfried held his own against the giants while a thunderstorm coursed, and the earth shook.

Eventually all of the giants were slain. The dwarf Alberich now fought Siegfried. This was not an easy match for Siegfried as Alberich wore a cloak of invisibility to aid him. At long last, Siegfried had Alberich at his mercy. Sparing the dwarf’s life, Siegfried claimed the cloak of invisibility for his own.

Siegfried killed the two brothers and placed Alberich in charge of watching the treasure horde. The Nibelung clan proclaimed Siegfried to be their rightful ruler. Though Siegfried didn’t stay long, he still had other places to go and took with him twelve men back to the Netherlands.

Siegfried’s fame began to spread before him as bards and skalds began to spread word of his deeds and accomplishments.

One day, these same bards and skalds would bring word to Siegfried about a beautiful and fair maiden by the name of Kriemhild. Deciding that this is whom he wanted to marry, Siegfried set out for the country of Burgundy to seek her hand in marriage.

Siegfried’s parents, the King and Queen tried to warn him not to go to Burgundy. The Burgundians held a reputation for being very war-like. As if warnings never stopped Siegfried before, he insisted on going, saying if he couldn’t get Kriemhild’s hand by request, he would win her by force of arms.

Siegfried went with a retinue of eleven other knights. Queen Sigelinde made sure the retinue left with rich and lavish apparel to make sure they were taken for being nobles.

How exactly Siegfried did it, I don’t know. Siegfried marries Kriemhild and aids her brother, Gunther who is the king of the Burgundians, to court and marry Brunhild, a queen or princess of Iceland.

As a queen (or princess) and a powerful woman in her own right, Brunhild declared that the man she would marry must be someone able to best her in three contests meant to show strength and courage.

Gunther wanted to marry Brunhild and with the help of his liege man, Siegfried (who has a cloak of invisibility), he is able to overpower Brunhild in her three contests. In the first game, Brunhild manages to lift and throw a spear at Gunther that three men together could barely lift. Siegfried with his cloak of invisibility on, blocks and keeps the spear from hitting Gunther. In the second game, Brunhild throws a boulder that requires the strength of twelve men to heave some twelves fathoms. In the last game, Brunhild leaps over the same boulder.

In an act of cheating and with Siegfried’s aid using the invisibility cloak, Gunther is able to defeat Brunhild and claim her for his wife.

That sounds like dirty pool to me.

Rightfully so, on their wedding night, Brunhild refuses to give up her virginity to Gunther. Instead, she ties up Gunther and leaves him dangling from the ceiling of their chamber. Coming to Gunther’s aid, Siegfried wearing his invisibility cloak, attacks Brunhild, breaking her bones and then taking both her girdle and ring.

It seems both girdle and ring are the source of Brunhild’s supernatural strength and without them, she was forced to be docile and submit to be Gunther’s wife.

At the Worms Cathedral, Brunhild and Kriemhild, Siegfried’s wife gets in a rather heated argument about their husbands. Brunhild takes the stance that Siegfried is nothing more than a lowly vassal beholden to Gunther. Kriemhild reveals the dirty pool and trickery used by Gunther and Siegfried, by showing off the girdle and ring that were stolen from Brunhild.

Unlike the Völsunga, Brunhild’s fate is never mentioned and it’s assumed she out lives Kriemhild and her brothers.

As for Siegfried and Gunther, they make peace with each other despite their wives quarreling. Unfortunately, Gunther’s courtier, Hagen von Tronje had other ideas and plotted to kill the two. Hagen managed to convince Kriemhild to place a cross on Siegfried’s back, covering the vulnerable spot on him. While Hagen and Siegfried are out hunting, Hagen spears him in the back when Siegfried stops to take a drink from a stream.

Supposedly this had been part of a prophecy that whomever Kriemhild ended up marrying would suffer a violent death. Out of spite, Hagen then threw all of Siegfried’s wealth into the Rhine so that his widow, Kriemhild would be unable to raise an army and avenge her husband.

Das Lied Vom Hürnen Seyfrid

“The song of horn-skinned Siegfried” is a late medieval & modern heroic ballad that first appears around 1500 C.E.

This version of the story tells of Siegfried’s youthful adventures. For the most part, it follows the events found in the Nibelungenlied.

By this account, Siegfried had to leave his father Siegmund’s court for his unseemly behavior to live with a smith in the nearby forest. Siegfried is so uncontrollable that the smith deems it fit to try and have the youth killed by a dragon.

Turning the tables, Siegfried is the one who kills the dragon and not just one, but several dragons by trapping them with log traps and setting them on fire! Wow.

Seeing that the dragon skin is hard as horn though it melts in the fire. Siegfried discovers after sticking his fingers in it that his own skin becomes hard as horn too. At which point, Siegfried covers himself in the melted skin of dragon except for one spot on his back.

Not stopping there, Siegfried discovers the tracks of another dragon and discovers it has the princess Kriemhild of Worms held captive. With a little help from the dwarf Eugel, Siegfried defeats a giant by the name of Kuperan who holds the key to the mountain where Kriemhild is held prisoner.

In true heroic fashion, Siegfried slays the dragon and in the process finds the Nibelungen treasure within the mountain cavern. Eugel than prophesies that Siegfried will only have eight years to live. As he won’t be able to make use of the treasure, Siegfried dumps it into the Rhine as he returns to Worms. There, Siegfried rules with Kriemhild’s brother who eventually plot to have him killed.

Der Ring des Nibelungen

Richard Wagner’s famous four opera cycle. Wagner took of the mythology for Siegfried from the Nordic sagas rather than the Nibelungenlied. Siegfried mainly appears in the last three operas of this cycle, Die Walküre, Siegfried and Gotterdammerung where he plays a major role. The legends of Sigurd from the Völsunga form the basis for which the opera Siegfried is based on and thus influences both Die Walküre and Gotterdammerung.

For those who don’t know or may have guessed already, this is the opera cycle that inspires a popular saying of “It isn’t over until fat lady sings.” Especially with Brünnhilde’s famous immolation in the finale of Gotterdammerung. Adding to this, thanks to the costume designer, the idea of Viking helmets having two horns was firmly ingrained in people’s minds after a visit to the museum for ideas and saw the ceremonial two horned helmet on display.

In this opera cycle, Brünnhilde is one of many Valkyries born from the union between Wotan and Erda, the personification of the earth. In the Die Walkurie, Wotan tasks Brünnhilde with protecting the hero Siegmund, his son by a mortal woman. When the goddess Fricka contests this, she forces Wotan to have Siegmund die for his infidelity and incest. Brünnhilde disobeys Wotan’s order and carries away Siegmund’s wife and sister Sieglinde along with the broken pieces of Siegmund’s sword Nothung.

After hiding them away, Brünnhilde then faces the wrath of her father, Wotan who makes her a mortal woman and then places her in an enchanted sleep who can be claimed by any man who comes across her. Brünnhilde argues against this punishment, saying she had obeyed Wotan’s true will and doesn’t deserve this harsh of a punishment. Wotan is persuaded to lessen the punishment to protect her enchanted sleep with a magical circle of fire and that she can only be awakened by a hero who knows no fear.

Brünnhilde doesn’t appear again in the operas until the third act of Siegfried. Here, the title character is the son of Siegmund and Sieglinde. He was born after Siegmund’s death and raised by the dwarf Mime, the brother of Alberich.

It should be noted that Alberich is the one who stole the gold and made the ring from which the entire Der Ring des Nibelungen cycle is based on. If you’re thinking “my precious” and the “one ring” as in Tolkien’s Middle Earth series, you’d be more or less correct as this is where J.R.R. Tolkien got inspired and took his ideas from with Norse mythology.

Back to the main story, Siegfried kills the dragon Fafnir that was once a giant. Siegfried takes the ring and finds himself guided to the rock hiding Brünnhilde by a bird. It seems Fafnir’s blood allowed Siegfried to understand the language of birds. Wotan tries to stop Siegfried who instead breaks the god’s spear. Wotan defeated, Siegfried than awakens the sleeping Brünnhilde.

The two appear again in the last opera, Gotterdammerung. Siegfried gives Brünnhilde the ring, the very ring that Alberich made. The two separate and Wagner goes back to following the Norse story though with notable changes.

Siegfried does go to Gunther’s hall where he is given the magical potion that causes him to forget all about Brünnhilde. That way, Gunther can now marry her. This is all possible thanks to Hagen, Alberich’s son and Gunther’s half-brother. Hagen’s plans are successful as Siegfried leads Gunther to where Brünnhilde is at.

During that time, Brünnhilde had been visited by a sister Valkyrie, Waltraute who warns her of Wotan’s plan for self-immolation and urges her to give up the ring. Brünnhilde refuses to give up the ring.

“My precious!”

However, Brünnhilde is overpowered by Siegfried, who, disguised as Gunther using the Tarnhelm (a helm of invisibility instead of a cloak of invisibility) and takes the ring by force.

The enchanted Siegfried goes on to marry Gutrune, Gunther’s sister. When Brünnhilde sees that Siegfried has the ring taken from her, she denounces and calls him out on his treachery. Brünnhilde then joins with Gunther and Hagen in a plot to murder Siegfried. She informs Hagen that Siegfried can only be attacked from behind.

So, when Gunther and Hagen take Siegfried out on a hunting trip, Hagen takes the opportunity to go ahead and stab Siegfried in the back with his spear.

After the two brothers return, Hagen ends up killing Gunther in a fight over the ring. Brünnhilde ceases the moment to take charge and has a pyre built on which she will sacrifice herself, thereby cleansing the ring of its curse and sending it back to the Rhinemaidens.

Brünnhilde’s pyre becomes the signal by which Valhalla and all the Norse gods perish as Ragnarok is brought about with everyone dying in a fire.

Other Sagas

There a couple of other sources for the story of Sigurd. Seeming minor sources, they do contribute to the overall story of Sigurd and can confuse people if they try to make the numerous sources for Sigurd and Siegfried all match up and be consistent. The story of Sigurd slaying the dragon is combined with another story of two brothers fighting over their inheritance as an example.

Atlakviða – The lay of Atli, this poem is found in the Poetic Edda and has a story similar to the Völsunga. Here, Atli (as in Attila the Hun) sending a message to Gunnar of the Burgundians and his brothers, inviting them to a feast. Suspicious of the message, their sister Gudrun sends a warning not to come. The brothers go anyways and are killed. Later in an act of revenge, Gudrun tricks Atli into eating the flesh of their two sons. After which Gudrun kills Atli and burns down his hall.

One thing this story is noted for is that it lacks any of Sigurd’s involvement with the destruction of the Burgundians that other sources try to connect. It’s the Nibelungenlied that tends to make this connection. As stories grow and change, it does show where Sigurd’s widow Gudrun seeks out revenge for her brothers.

Poetic Edda – One poem tells the story of Sigurd awakening the Valkyrie from an enchanted sleep.

Andyaranaut

This is the name of the magical ring that Brynhildr already possesses or is given to her by Siegfried. In Wagnar’s Der Ring des Nibelungen, it was forged by the dwarf Alberich and has a curse placed on it.

In the Völsunga, the ring is part of the cursed treasure that Siegfried takes after slaying the dragon Fafnir. Either way, it explains all of Brynhildr and Siegfried’s bad luck and subsequent deaths.

The ring had been cursed by its creator, Andvari when Loki tried to force him to give it up. Andvari cursed it that all his treasure and the ring would be the death of those who owns it. Aside from being cursed, Andyaranaut could also make gold.

Dragon’s Blood

1st – Sigurd bathes in it, gaining invulnerability. Except for one spot on his back where a leaf is to have stuck to him. This is important as some versions of Sigurd’s story, once Brynhildr is seeking revenge against him, tells Gunnar that Sigurd’s vulnerable spot is on his back.

Where have we heard this before? Ah yes, Achilles being dipped into the river Styx so he would become invulnerable because his mother feared for her child’s wellbeing. Of course, Achilles has a vulnerable spot of his heel, where his mother held onto him so he wouldn’t fall in.

And if Odin is really Sigurd’s father, not Sigmund… same thing. So Achilles’ Heel for the vulnerable spot… Sigurd’s Back for the vulnerable spot. Achille’s Heel has the better ring to it.

2nd – Sigurd drinks some of the blood, gaining the ability to speak the language of birds.

3rd – Sigurd eats part of Fafnir’s heart, gaining wisdom and prophesy. I’m not so sure how effect that one was as it didn’t stop his demise with Brynhildr’s revenge plan and getting killed.

A Sword For A Hero!

In the Volsunga, the sword that Sigurd wields is called Gram.

In the Nibelungd, the sword that Siegfried wields is called Balmung.

Both are correct, it’s just a matter of which saga and source you’re using or prefer.

Possible Reality Behind The Legends

The legends surrounding Sigurd/Siegfried are considered by scholars and mythographers as coming from a mythic age before any confirmed written history can be verified. There’s a dispute and disagreement about if the figure of Sigurd/Siegfried even existed. If they did, the legends certainly grew around them to make them larger than life.

As far as an actual historical figure goes, it’s been suggested that any one or more of the figures or kings in the Merovingian dynasty among the Franks could have inspired the legend of Sigurd. One notable king is Sigebert I who had been married to Brunhilda of Austrasia. The names are close when you consider the possibility of Brunhildr as a likely historical person. There’s just too much uncertainty for some scholars. Though if it has any truth, the connection comes with Sigebert’s murder at the hands of Brunhilda and Fredegund and not that of Gudrun/Kriemhild and Brunhildr/Brynhild.

Another idea put forth seen in the elements of Sigurd slaying the dragon, is that this could be a mythological retelling of Arminius’ defeat of Publius Quinctilius Varas during the Battle of Teutoburg Forest in 9 C.E. This idea often seen as not very likely or tenuous.

Paderborn – An Icelandic Abbot, Nicholaus of Thvera recorded in his travels through Westphalia how he was shown where Sigurd is to have slain the dragon, Gnita-Heath near two villages in Paderborn.

City of Worms – When Emperor Frederick III visited the city in 1488 C.E., he learned of the legend how the “giant Siegfried” was buried in the cemetery at St. Meinhard and St. Cecilia. One account ordered the graveyard dug up and found nothing. A German chronicle says that a skull and some large bones were found.

Dragons & Dinosaurs

Both the legends of Sigurd and Siegfried feature prominently the titular hero slaying a dragon. Anyone doing a cursory glance at history and paleontology, it’s not hard to imagine our ancestors taking one look at fossilized skeletons of giant creatures and believing them to still be around. A lack of understanding about fossils and just how long ago something lived would have been beyond them.

In 1941 Germany, the German paleontologist H. Kirchner speculated on the idea that two sets of prominent, yet massive dinosaur tracks in Siegfriedsburg, in the Rhine Valley could very well have contributed to the legend of dragons and Siegfried slaying one.

Other dinosaur tracks have been found in northern Europe. Some like the ones found in a quarry at Rehburg-Loccum, close to Hannover, Germany or another set in Muenchehagen, Germany.

Another place, Drachenfels (“Dragon Rock”), Konigswinter on the Rhine has a large statue of a dragon near the ruins of a castle. Below this castle, there is a cave that is attributed to having been Fafnir’s lair.

A 2005 production of Wagner’s “Ring of the Neibelung” showed Siegfried battling Fafnir as fossilized dinosaur monster.

Sigurd & Beowulf – Comparison

For those who have read Beowulf’s story, towards the end of Beowulf, the titular hero battles a dragon, thus spelling his doom and the end of all of his adventures. It’s been pointed too that Beowulf and even Thor’s encounters with dragons were more about defending their homelands to keep them safe.

For Sigurd (or Siegfried), slaying the dragon merely marks the beginning of all of the hero’s adventures for more is to come. Where Beowulf and Thor are defending their homelands, Sigurd is all about going out to make a name for himself and gaining wealth. By slaying the dragon, then bathing in and drinking its blood along with eating it’s heart, Sigurd gains super human powers.

Christian Theology

When Christianity became more prominent throughout Europe, many of the dragon symbols came to be associated with the devil or Satan. As a side note to this, dragons too in Western myths tend to represent greed.

So images of Sigurd slaying the dragon Fafnir were often depicted in Scandinavian churches.

Tolkien And The Lord of the Rings!

As I previously mentioned above, J.R.R. Tolkien took his inspiration for his Middle Earth series from Norse mythology and the inspiration for the One Ring from that of Andyaranaut. The inspirations for Aragorn’s sword are clearly seen too in the broken and reforged swords of Gram and Balmung.

A fun note to add is that Tolkien did not like Wagner’s take on the German myths. I can see it too, Taking and combining the Völsunga and Nibelungenlied together can make it a bit harder to figure out which myth and legend is which.

Now, J.R.R. Tolkien did write a version of the Völsunga saga in “The Legend of Sigurd and Gudrun” circa 1930. It was published later by his son, Christopher Tolkien in 2009. The book comprises of two narrative poems: “The new lay of the Volsungs” and “The new lay of Gudrun” done in the meter of ancient Scandinavian poetry while using Modern English.

Brynhildr

Brynhildr

Etymology: Bright Battle

Also known as: Sigrdrífa (“driver to victory”)

Alternate Spellings: Brunhild, Brünhild, Brunhilde, Brünnhilde, Brunhilda, Brynhild, Brunhilt, Prunhilt

Brynhildr is a famous shieldmaiden and Valkyrie from Germanic and Scandinavian mythology. She is a main character in the Völsunga saga and Poetic Eddic poems. She also appears in the Nibelungenlied and in Richard Wagner’s Der Ring des Nibelungen operas.

There are a few different versions of Brynhildr’s story that can be found along with alternative spellings. It’s likely that these could be about a different Brynhildr and these different versions just reflect different regional differences based on which clan is telling the story.

Parentage and Family

Parents

Budli – Her father as made mention in the Völsunga.

Erda – Her mother in Wagner’s Der Ring des Nibelungen operas.

Wotan – Her father in Wagner’s Der Ring des Nibelungen operas.

Valkyrie – An unnamed Valkyrie is her mother in the Völsunga.

Siblings –

Alti – Her brother in the Eddic poem “Sigurðarkviða Hin Skamma.” Interestingly, Alti could be Attila the Hun.

Heimer – Her brother-inlaw in the Völsunga for the versions of the story that have her up in a tower. He’s married to her sister Bekkhild.

Sisters – According to the Eddic poem “Helreid Brynhildar” with Brynhildr being a Valkyrie, she has eight sisters.

Other siblings are Bekkhild and maybe Oddrun.

Consort

Gunnar – Whom she is tricked into marrying in one fashion or another in different versions of the story.

Children –

 Aslaug – Brynhildr’s daughter by way of Sigurðr in the Völsunga. Aslaug goes on to marry Ragnar Lodbrok.

Völsunga Saga

This is the main source for Brynhildr’s story. It is a 13th century Icelandic saga from the Völsung clan that tells the story of Sigurðr and Brynhildr and the subsequent destruction of the Burgundians.

Brynhildr is the daughter to Budli, who grows up to become a shield-maiden and Valkyrie. As a Valkyrie, she was tasked by Odin to determine the outcome of a fight between two kings, Hjalmgunnar and Agnar. Odin favored the older king Hjalmgunnar and in an act of defiance, Brynhildr throws the fight and to favor Agnar as the winner.

Angry, Odin condemns Brynhildr to live out the rest of her life as a mortal woman and has her imprisoned in a remote castle with a wall of shields on top of Mount Hindarfjall. There, Brynhildr slept within a ring of fire until a man without fear could ride through the fires to rescue and marry her.

The hero, Sigurðr Sigmundson, the heir to the clan Volsung and the slayer of the dragon Fafnir, is the one who enters the castle and awakens Brynhildr when he removes her helmet and chain mail armor.

Sigurðr still had some other tasks he needed to go perform and he promised Brynhildr that he would return. As both Brynhildr and Sigurðr have fallen in love with each other, Sigurðr proposes to her with the magic ring known as Andyaranaut. Brynhildr makes an oath that she will marry the man who rides through the flames for her. It’s also here, during their stay in the castle that Aslaug is conceived.

Unknown to Sigurðr, the ring Andyaranaut is cursed and would cause him and Brynhildr a lot of problems later. The ring was part of the cursed treasure that Sigurðr claimed after slaying Fafnir.

Meeting In Hlymdale

This seems to be a slight variation to the story where Sigurðr has taken Brynhildr with him or she was up in a tower this time.

Later, when Brynhildr and Sigurðr are at Hlymdale, the home of Heimer, Brynhildr’s brother-in-law, Sigurðr spots her up in a tower and declares his love. Sigurðr promises that he will return for Brynhildr to wed her.

Sigurðr then heads for Burgundy, to King Gjuki’s court. While Sigurðr is gone, Brynhildr receives a visit from Gudrun, Gjuki’s daughter. Gudrun has come seeking help with interpreting a dream, a dream that seems to foretell Sigurðr’s betrayal to Brynhildr when he marries Gudrun.

Meanwhile….

Over in Burgundy, Grimhild, a sorceress and wife to Gjuki conspires to have Sigurðr marry her daughter Gudrun. Grimhild creates a magic potion that she manages to get Sigurðr to drink so that he will forget all about Brynhildr.

Naturally enough, Sigurðr does marry Gudrun.

As a consolation prize for Brynhildr, if you can call it that, Grimhild, upon learning about Brynhildr being a Valkyrie, decides to have her marry her son, Gunnar.

A slight variation to this story has, that when King Gjuki dies, his son Gunnar becomes King and is a sworn oath brother to Sigurðr. Grimhild desired to see Gunnar wed, but Gunnar had told his mother that he had seen no maiden whom he would want to take as a wife.

Fair enough it seems.

News is brought to Gunnar by his sister Gudrun about a warrior maiden behind a wall of flames. Gunnar decides this maid is the perfect one for him and goes to find out if she is the one.

So off Gunnar, his brother Hogni and Sigurðr ride, towards Hindfell in search of a maid worthy to be Gunnar’s bride. The three come across the high tower with black walls with shields and encircled with flames. Thanks to the potion, Sigurðr has no memory of this place or Brynhildr within, faithfully awaiting his return.

A slight variation to this has Gunnar getting Heimir’s consent to go court Brynhildr, provided he can be the one to show no fear and ride through the flames.

Gunnar decides he’s going to ride through the flames, but his horse, Goti refuses to go near the flames. Then Gunnar gets the idea that he can ride Sigurðr’s horse, Grani through the flames. But Grani being a smart horse, knows that Gunnar is afraid of fire and refuses to ride through.

At a loss, the three sworn brothers brainstormed and considered the matter. Hogni eventually spoke up and proposed the idea that Sigurðr could use magic to shape-shift (by use of his magic helmet) and take Gunnar’s shape.

Sigurðr now disguised, rides through the flames, claiming to be Gunnar and take Brynhildr’s hand in marriage. Of course, Grani, knowing this to be his true rider, gives Sigurðr no problems with riding through the flames.

When Brynhildr saw another man besides her Sigurðr enter the flames, she despaired and demanded to know who this stranger was.

The disguised Sigurðr responded that he was Gunnar, the son of Gjuki of the Nibelungs. Angry at the response, Brynhildr, as this isn’t Sigurðr, fights him. During the fight, Sigurðr manages to pull the ring Andvaranaut off her finger, rendering the Valkyrie powerless. Sigurðr would later give the ring Andvaranaut to Gudrun.

Before leaving, both Brynhildr and Sigurðr stay in the castle for three nights. Despite this, Sigurðr in a symbolic gesture, lays his sword between them to signify that he won’t take Brynhildr’s virginity.

Maybe they meant chastity if you remember Sigurðr’s earlier visit. He may not remember, but I know I do.

Eventually, Sigurðr and Gunnar switch back places so that Gunnar can marry Brynhildr. Poor Brynhildr believes that Sigurðr has forgotten her and keeps the promise she made of marrying the man whom she believes rode through the flames for her.

We’re not to any sort of a happy ending yet. Later, Brynhildr and Gudrun are out bathing in a nearby river when they get into a heated argument over whose husband is better and braver.

Brynhildr boasts that her husband, Gunnar was brave enough to ride through flames for her. Knowing the truth, Gudrun smugly reveals that it was actually Sigurðr who rode through the ring of fire. At this revelation, Brynhildr becomes enraged, making her marriage to Gunnar a sham as she is still in love with Sigurðr.

Due to the trickery and deceits involved, Brynhildr just assumes that Sigurðr went back on his word to marry her. It is still unknown to Brynhildr that Sigurðr had been given a potion to forget all about her.

Just remember, Hel hath no fury like a woman scorned.

Mysteriously at this time (or the potion wearing off), Sigurðr starts to remember what happened. Despite his efforts, Sigurðr is unable to console an enraged Brynhildr. Instead, Brynhildr plotted revenge by persuading Gunnar to kill Sigurðr in a false claim that he had taken her virginity in Hidarfiall. Something that Sigurðr had sworn not to do when he placed his sword between the two.

This of course gets Gunnar angry and wanting to kill Sigurðr for sleeping with his wife.

It is that ring I tell you. That and Grimhild’s mettling in people’s love lives.

Gunnar and his brother, Hogni were reluctant to kill Sigurðr as they had sworn oaths of brotherhood with him. Instead, the two got their younger brother Gutthorm to kill Sigurðr after giving him a potion of enragement.

Under the influence of the potion, Gutthorm killed Sigurðr in his sleep. As his final act before dying, Sigurðr manages to pull his sword and kill Gutthorm in return.

A still enraged Brynhildr mocks Gudrun’s grief for the death of Sigurðr and confesses to Gunnar that she had lied about Sigurðr sleeping with her. She then tells Gunnar and Hogni, that her brother Atli will come avenge her death. Poor Brynhildr had always loved Sigurðr, even when he betrayed her.

As Gunnar’s wife, Brynhildr then orders that Sigurðr ‘s three-year old son, Sigmund be killed. In a final act of desperation, Brynhildr kills herself by throwing herself onto Sigurðr’s funeral pyre.

If that’s not a Shakespearean Tragedy, the two were then reunited together in Hel’s realm, the realm of the dead.

Nibelungenlied

The Nibelungenlied is a Germanic epic poem dating to the 1200’s. The events within the poem can be traced to oral traditions from the 5th and 6th century. In this poem, Brynhildr is known as Brunhild or Prunhilt. With this version of the story, she a queen or princess of Iceland. Gudrun is known as Kriemhild, Gunnar is known as Gunther and Hogni and known as Hagen.

As a queen (or princess) and a powerful woman in her own right, Brunhild declared that the man she would marry must be someone able to best her in three contests meant to show strength and courage.

Gunther wanted to marry Brunhild and with the help of his liege man, Siegfried (who has a cloak of invisibility), he is able to overpower Brunhild in her three contests. In the first game, Brunhild manages to lift and throw a spear at Gunther that three men together could barely lift. Siegfried with his cloak of invisibility on, blocks and keeps the spear from hitting Gunther. In the second game, Brunhild throws a boulder that requires the strength of twelve men to heave some twelves fathoms. In the last game, Brunhild leaps over the same boulder.

In an act of cheating and with Siegfried’s aid using the invisibility cloak, Gunther is able to defeat Brunhild and claim her for his wife.

That sounds like dirty pool to me.

Rightfully so, on their wedding night, Brunhild refuses to give up her virginity to Gunther. Instead, she ties up Gunther and leaves him dangling from the ceiling of their chamber. Coming to Gunther’s aid, Siegfried wearing his invisibility cloak, attacks Brunhild, breaking her bones and then taking both her girdle and ring.

It seems both girdle and ring are the source of Brunhild’s supernatural strength and without them, she was forced to be docile and submit to be Gunther’s wife.

At the Worms Cathedral, Brunhild and Kriemhild, Siegfried’s wife gets in a rather heated argument about their husbands. Brunhild takes the stance that Siegfried is nothing more than a lowly vassal beholden to Gunther. Kriemhild reveals the dirty pool and trickery used by Gunther and Siegfried, by showing off the girdle and ring that were stolen from Brunhild.

Unlike the Völsunga, Brunhild’s fate is never mentioned and it’s assumed she out lives Kriemhild and her brothers.

Sigrdrífumál

In this poem, Brynhildr is known as Sigrdrifa. The Sigrdrífumál does have the story of Sigurd and Brynhildr meeting. The poem is mostly about runic magic and has Brynhildr teaching Sigurd about their use.

Poetic Eddas

For the most part, the Poetic Eddas collaborate the story told in the Volsunga, though with some changes.

In some of the Eddic poems, Gutthorm kills Sigurðr in a forest in Southern Rhine while resting.

In the Edda poems from Iceland, Brunhildr or Brunhilde is a strong, capable princess who is deceived by her lover.

I feel it’s worth noting that in the Eddic poems, Brunhildr is a prominent protagonist, whereas in other sources like the Nibelungenlied, her role and importance are diminished.

Helreið Brynhildar – “Bryndhildr’s Ride To Hel,” on her way down to Hel, the underworld of the dead, Brynhildr meets a giantess who blames her for leading an immoral life. Brynhildr refuted the giantess, saying that all men and women live lives of grief and that she and Sigurðr would live together.

Sigurðarkviða Hin Skamma – In this Eddic poem, Gunnar and Sigurðr laid siege to the castle of Atli, Brynhildr’s brother. Atli had offered Brynhildr’s hand in marriage to Gunnar for a truce. The problem in this poem being, that Brynhildr had sworn she would only marry Sigurðr. She is then tricked into believing that Gunnar is Sigurðr.

Der Ring des Nibelungen

Richard Wagner’s famous four opera cycle. Wagner took of the mythology for Brynhilde or Brünnhilde’s role from the Nordic sagas rather than the Nibelungenlied. Brünnhilde only appears in the last three operas of this cycle, Die Walküre, Siegfried and Gotterdammerung where she plays a major role in the downfall of Wotan.

For those who don’t know or may have guessed already, this is the opera cycle that inspires a popular saying of “It isn’t over until fat lady sings.” Especially with Brünnhilde’s famous immolation in the finale of Gotterdammerung. Adding to this, thanks to the costume designer, the idea of Viking helmets having two horns was firmly ingrained in people’s minds after a visit to the museum for ideas and saw the ceremonial two horned helmet on display.

In this opera cycle, Brünnhilde is one of many Valkyries born from the union between Wotan and Erda, the personification of the earth. In the Die Walkurie, Wotan tasks Brünnhilde with protecting the hero Siegmund, his son by a mortal woman. When the goddess Fricka contests this, she forces Wotan to have Siegmund die for his infidelity and incest. Brünnhilde disobeys Wotan’s order and carries away Siegmund’s wife and sister Sieglinde along with the broken pieces of Siegmund’s sword Nothung.

After hiding them away, Brünnhilde then faces the wrath of her father, Wotan who makes her a mortal woman and then places her in an enchanted sleep who can be claimed by any man who comes across her. Brünnhilde argues against this punishment, saying she had obeyed Wotan’s true will and doesn’t deserve this harsh of a punishment. Wotan is persuaded to lessen the punishment to protect her enchanted sleep with a magical circle of fire and that she can only be awakened by a hero who knows no fear.

Brünnhilde doesn’t appear again in the operas until the third act of Siegfried. Here, the title character is the son of Siegmund and Sieglinde. He was born after Siegmund’s death and raised by the dwarf Mime, the brother of Alberich.

It should be noted that Alberich is the one who stole the gold and made the ring from which the entire Der Ring des Nibelungen cycle is based on. If you’re thinking “my precious” and the “one ring” as in Tolkien’s Middle Earth series, you’d be more or less correct as this is where J.R.R. Tolkien got inspired and took his ideas from with Norse mythology.

Back to the main story, Siegfried kills the dragon Fafnir that was once a giant. Siegfried takes the ring and finds himself guided to the rock hiding Brünnhilde by a bird. It seems Fafnir’s blood allowed Siegfried to understand the language of birds. Wotan tries to stop Siegfried who instead breaks the god’s spear. Wotan defeated, Siegfried than awakens the sleeping Brünnhilde.

The two appear again in the last opera, Gotterdammerung. Siegfried gives Brünnhilde the ring, the very ring that Alberich made. The two separate and Wagner goes back to following the Norse story though with notable changes.

Siegfried does go to Gunther’s hall where he is given the magical potion that causes him to forget all about Brünnhilde. That way, Gunther can now marry her. This is all possible thanks to Hagen, Alberich’s son and Gunther’s half-brother. Hagen’s plans are successful as Siegfried leads Gunther to where Brünnhilde is at.

During that time, Brünnhilde had been visited by a sister Valkyrie, Waltraute who warns her of Wotan’s plan for self-immolation and urges her to give up the ring. Brünnhilde refuses to give up the ring.

“My precious!”

However, Brünnhilde is overpowered by Siegfried, who, disguised as Gunther using the Tarnhelm (a helm of invisibility instead of a cloak of invisibility) and takes the ring by force.

The enchanted Siegfried goes on to marry Gutrune, Gunther’s sister. When Brünnhilde sees that Siegfried has the ring taken from her, she denounces and calls him out on his treachery. Brünnhilde then joins with Gunther and Hagen in a plot to murder Siegfried. She informs Hagen that Siegfried can only be attacked from behind.

So, when Gunther and Hagen take Siegfried out on a hunting trip, Hagen takes the opportunity to go ahead and stab Siegfried in the back with his spear.

After the two brothers return, Hagen ends up killing Gunther in a fight over the ring. Brünnhilde ceases the moment to take charge and has a pyre built on which she will sacrifice herself, thereby cleansing the ring of its curse and sending it back to the Rhinemaidens.

Brünnhilde’s pyre becomes the signal by which Valhalla and all the Norse gods perish as Ragnarok is brought about with everyone dying in a fire.

Andyaranaut

This is the name of the magical ring that Brynhildr already possesses or is given to her by Siegfried. In Wagnar’s Der Ring des Nibelungen, it was forged by the dwarf Alberich and has a curse placed on it.

In the Völsunga, the ring is part of the cursed treasure that Siegfried takes after slaying the dragon Fafnir. Either way, it explains all of Brynhildr and Siegfried’s bad luck and subsequent deaths.

The ring had been cursed by its creator, Andvari when Loki tried to force him to give it up. Andvari cursed it that all his treasure and the ring would be the death of those who owns it. Aside from being cursed, Andyaranaut could also make gold.

Seeress

By the account of the Völsunga, Brynhildr was a prophetess or seeress and able to foretell the future and interpret dreams.

In the Völsunga, Brynhildr tells Gudrun that Sigurðr would love her, Brynhildr but would marry Gudrun. She also told Gudrun that Sigurðr would die at the hands of her brothers. That she would marry Atli and kill him and her children. Brynhildr is also saw someone else, Svanhild get trampled to death. At the funeral for Sigurðr, Brynhildr tells Gunnar and Hogni, that her brother Atli would kill them.

Valkyrie

The Valkyries are found in both Scandinavian and Germanic religions.

Some of the stories and sources for Brynhildr’s story have her as a Valkyrie, a chooser of the slain, the warrior maids who determined who died in battle and would to Valhalla, Odin’s abode where the fallen warriors would await Ragnarok. More properly, half the warriors go to Valhalla and the other half go hang out with Freya in her hall of Folkvangr.

Many scholars have questioned Brynhildr’s authenticity as a Valkyrie as there is a real person of the same name. In addition, the name Brynhildr or Brunhilda has been found as a place name for many places and regions throughout Belgium, France and the Rhine.

Visigothic Princess

It’s possible that Brynhildr’s story is the same inspiration for the Visigothic princess Brunhilda of Austria. She married the Merovingian king Sigebert I in 567 C.E.

This Brunhilda did have a rival with a Fredegunde who was married to King Chilperic I of Neustria. This is a feud that would last several generations resulting in a lot of deaths on both sides among husband and numerous family members.

Plus, many of the Valkyries that appear in the Poetic Edda are often mortal woman who often come of royal blood.

Viking Genealogy

Given that there are multiple sources for Brynhildr’s story along with Wagner’s opera series that combines a couple of them together. It can get a little confusing as to which clan or tribe Brynhildr would belong to.

Budling – In the Volsunga, being a daughter of Budli, would make Brynhildr a Budling.

Skioldung – In the poem fragment of Sigurd from the Poetic Edda, Brynhildr is called a “lady of the Skioldungs.” The Skioldungs were of course, the descendants of Skiod. Brynhildr’s connection to these people comes about as her father would have been one of 18 sons of Halfdan the Old, or Ali in Snorri Sturluson’s Prose Edda.

Nine of these sons would have gone on to found their own kingdoms and dynasties in the northern, Scandinavian countries. This would have made Brynhildr related to Sigurðr or Sigurd on his mother’s side as well as related to the children of Guiki. Those being Gunnar, Hogni and Gudrun.

Tolkien And The Lord of the Rings!

As I previously mentioned above, J.R.R. Tolkien took his inspiration for his Middle Earth series from Norse mythology and the inspiration for the One Ring from that of Andyaranaut.

A fun note to add is that Tolkien did not like Wagner’s take on the German myths. I can see it too, Taking and combining the Völsunga and Nibelungenlied together can make it a bit harder to figure out which myth and legend is which.

Oya

Oya

Pronunciation: Oh-Yah

Etymology: “She Tore”

Other Names and Epithets: Aido-Wedo, Ayaba Nikua (“Queen of Death”), Ayi Lo Da (“She Who Turns and Changes”), Ollá, Oya-Ajere (“Carrier of the Container of Fire”), Iya Yansan, Ọya-Iyansan (“Mother of Nine”), Oyá, Oiá, Yansá, Yansã, Yansan, lyá Mésàn, Iansá or Iansã, Lady of the Wind, Goddess of the Nine Skirts, Lady of War, Bearded Amazon, Thunder Maiden, Ayi Lo Da “She Who Turns & Changes”

Attributes

Animal: Antelope, Bats, Birds, especially Sparrows and Purple Martins, Deer, Insects, especially Dragonflies and Fireflies, Water Buffalo

Colors: Burgundy, Brown (Candomble), Orange, Pink (Candomble), Purple, Rainbow, Red (Candomble), White (Candomble), No Black

Day of the Week: Wednesday (Candomble), Friday

Elements: Air, Fire , Water

Feast Day: February 2nd and November 25th

Gemstones: Amethyst, Black opals, Bloodstone, Garnets, Labradorite, Red Stones, Tourmaline, Smokey Quartz

Herbs: Caimito, Chickweed, Comfrey, Cypress, Elecampane, Flamboyan, Grains of Paradise, Horehound, Peony, Pleurisy Roots, Royal Poinciana, Star Apple, Yucca

Incense: Geranium, Patchouli, Sandalwood

Metal: Copper

Month: February

Number: 9

Patron of: Change, Feminism

Sphere of Influence: Athletics, Businesses, Cemeteries, Change, Death, Lightning, Market Places, Rebirth, Storms, Tornadoes, Wind, Witchcraft

Symbols: axe, brightly colored cloth, balloons, broom, buffalo horns, copper, hoe, lightning, kites, graves, mattock, rake, shovel, spear, tornadoes, the sword or machete, masks, scythe, the flywhisk, weather vanes, whip, wind instruments, anything associated with the wind,

Taboo (Candomble): Palm Kernal Oil, Pork, Pumpkin, Ram, Smoke, Stingray, Mutton

Oya is a mother goddess and Orisha from Yoruban mythology found in Africa regions of Benin and Nigeria and in Latin America. In brief, she is the goddess or Orisha of many things such as: winds, lightnings, violent storms, death, cemeteries, rebirth and the market place.

Depictions Of Oya

Oya is often described as being a tall, regal and very beautiful, yet fierce warrior woman. She wears a skirt of nine different colors representing her nine children as she dances. When going into battle, Oya will wield two machetes. Sometimes Oya is shown with a beard or being bare from the waist up.

 Modern Day Worship

What’s interesting, is that Oya is a goddess or Orisha whose worship is still very much so active. There are several traditions that honor, venerate and worship Oya that include: Candomble, Folk Catholicism, Haitian Vodou, Oyotunji, Santeria, Trinidad Orisha and Umbanda to name a few.

Oya’s feast day is on February 2nd and another I found listed November 25th.

Offerings To Oya

Specifically, food offerings, Oya is said to enjoy sweet and dark colored foods and anything spicy. Such foods include the following: fish, fruit, plums, eggplant, figs, kola nuts, legumes, porridge, gin, grape wine, red wine, rum, chocolate pudding, purple grapes, rice, black beans, rain water, starfruit, shea or coconut butter, yams, black she goat, black hens, pigeons, rooster and guinea hens.

Such offerings can be left at the corner of an outdoor market or at the gates to a cemetery, particularly one marked by use of divination. Yes, do place the offerings in a trashcan with a prayer to Oya in thanks. She’ll know your intentions and you’ll keep from littering.

Non-food offerings can include coins, cloth and tobacco.

Orisha

Oya is a member of the Orisha, who are either a spirit or deity. In the Yoruban religion, a nature-based tradition, it is believed that the source of everything is called Olorun or Olodumare. The Orisha themselves are regarded as being different aspects of the main deity, Olorun-Olodumare.

With the Trans-Atlantic slave trade, the worship of Oya was brought with the slaves and is now found throughout much of the southern U.S., Latin America and South America.

Parentage and Family

Father

Obatala is said to be Oya’s father.

Mother

Yemaya – The Great Sea Mother

Yemu – Or Yembo, with Obatala, she is the mother of Oya.

Consort

Shango – (Also spelled Chango), Orisha of Thunder, her second husband. Oya is sometime considered one of three of Shango’s wives along with Oshun and Oba.

Ogun – A powerful warrior and Orisha of metal working, rum and rum making. Oya was married to him first before leaving Ogun for Shango.

Siblings

Shango – Depending on the stories or tradition, Oya and Shango are brother and sister, not husband and wife.

Yemaya and Ochun are held to be Oya’s sisters.

Children

The nine tributaries of the Nile River that represent her stillborn children. These children are Egungun and four sets of twins.

The Ibeji – Twins whom Oya took in after their mother rejected them.

Ọya-Iyansan – “Mother Of Nine”

This is in reference to the Niger River known in Yoruba as Odo-Oya and its nine tributaries. Oya in her role as a Storm Goddess is seen as the queen and source of the Niger River. This connection of Oya with the Niger River comes from a story where Oya gave birth to nine stillborn children. As a result of this, Oya holds a lot of sadness from this, medical term would be Post-Partum Depression. Oya wears nine different colored scarves or skirts around her waist in honor and memory of these children.

Later, when Oshun (or Yemaya) rejects the twins, the Ibeji from her home, it is Oya who takes them in and raise the twins as her own children.

In Brazil, where Oya’s worship has traveled, she is the goddess of the Amazon River.

 Storm & Wind Goddess

One of the main things that Oya is known for is that of a Storm Goddess, including winds and lightning. Oya can manifest winds from a gentle breeze up to hurricane force level winds and tornadoes.

Harmattan – This is the name of the Dry Season in the West African subcontinent that happens towards the end of November and up to the middle of March. The Harmattan is characterized by a dry and dusty northeasterly trade wind that blows in from the Sahara Desert towards the Gulf of Guinea. Depending upon where one is at, is if the Harmattan wind is cold or hot. The amount of dust that can happen can create a haze and has been known to be the cause of flight cancellations in West Africa.

Oya & Shango – It should be noted that Shango is a god of thunder and that Oya stole or learned the secret of throwing lightning from him. Additionally, Oya would use Shango’s fear of the dead to keep in his place. During thunderstorms, both Oya and Shango ride out, destroying buildings and tearing up the landscape. Often the two are described as Oya being the lightning with Shango being the thunder that follows soon after.

Goddess Of Change & Fire

Closely related to her aspect as a Storm goddess, Oya is also the goddess of change as seen in both nature and life; which may or may not always be comfortable or pleasant to go through. Such changes that Oya is known to bring are not slow and gradual, they are fierce, quick and often seemingly destructive. This change and the ensuing chaos as seen in the tornadoes associated with Oya are needed for new growth and preventing stagnation.

Fire comes into play as it is often a trans-formative force of change and can be a result of lightning strikes.

As a goddess of change, Oya is not seen as being held by tradition, conventions or boundaries. As a boundary breaker, Oya is known for going hunting, something that had been forbidden to women in West Africa where she was first worshiped.

Goddess Of Cemeteries

As previously mentioned, Oya guarded the gates to cemeteries, most notably, she protected those graves marked with a cross.

Iku – Oya, along with Orunmila, are the only two Orisha who have defeated Iku, the force of death.

Psychopomp – Oya will escort the spirits of the dead to the cemetery’s threshold, though she does not reside within them herself. Other Orishas, Obba and Yewá are the ones who reside within a cemetery or graveyard’s boundaries.

Oya is regarded as holding the secrets and mysteries of death and rebirth, helping the newly deceased with their transitions from the living world to the world of the spirit. In worship, Oya represents the first and last breaths of life taken.

Ancestors – as a goddess of cemeteries, Oya also holds a connection with the ancestors.

Ira – The underworld, Oya entered into the lower realm of Ira in search of her husband Shango when she heard he had died.

Guardian of Stillborn/Unborn Children – As a mother who was unable to keep her own children as they were stillborn, Oya guards and protects the spirit of the unborn or stillborn children, taking them to herself as she guides them to the afterlife.

Illnesses – Oya is called up and invoked during times of a serious illness. Curiously, one source mentioned that Oya protects the lungs and nasal passages. Which makes sense as she is representative of the first and last breath that a person takes.

Goddess Of Markets

This is where Oya can be found, in the market places where businesses are conducted. Whether that place is in a Boardroom Meeting or on the street level, open market, Oya deals in the changing flow of fortunes made and lost. She is noted for being a very shrewd business woman who is also good with horses.

Warrior Queen

Oya did live many centuries ago where she was a princess of the Oyo clan and consort to Shango, the then ruling king. She was known then as an unbeatable warrior whose skills were unequaled. After her death, she became deified as an Orisha.

Oya’s favored weapons are a pair of machetes forged by her first husband, Ogun.

After becoming deified, Oya employs the wind, storms and tornadoes as her weapons along with raising the egun or spirits of the dead to fight as soldiers.

Feminism – As a goddess of female empowerment and a champion of women, Oya will mete justice on their behalf

Women often ask Oya to give them the ability to choose their words so that they speak persuasively and powerfully.

Huntress – Hunters and Chiefs will seek out Oya’s blessing when hunting or when selecting new, strong leaders.

Justice – Oya’s machetes represent the sword of truth, cutting quickly to the truth of the matter and dealing out matters of equality and custom. As an agent of change, Oya will cut through all injustices, deceits and dishonesty that’s in her path. She will speak only truths, even when they are hard to hear.

Protector Of Women – In her role as a warrior, Oya is known to be a strong and fierce protector of women. Oya also protects children and spouses. The newly deceased are often said to be her children whom she cares for as her own were stillborn.

Water Buffalo

The main animal that I found mentioned repeated as being sacred to Oya is the Water Buffalo. Such an animal is often her avatar or representative or it is Oya herself, having transformed or shape-shifted into this form.

Buffalo Horns – A set of buffalo horns rubbed with cam wood to make them red are placed on alters and shrines dedicated to Oya.

Antelope

Antelope Skin – This story reads a lot like the Celtic or Irish stories of selkies and seal maidens.

One story about Oya mentions that she had originally been an antelope who could take off her skin to transform into a beautiful woman. She would do this every five days when she came to the market in town; hiding her skin in the forest or under some bushes.

One day, Shango meets Oya in the market place and is immediately taken in by her beauty. So enamored of her was he, that Shango followed back to the forest where he saw Oya take her skin and transform back into an antelope.

The next time that Oya returned to market, Shango was hiding, watching for her to change into a woman and hide her skin. As soon as Oya went into the market, Shango came out of hiding to take the skin home where he hid it up in the roof rafters.

With out her skin, Oya became Shango’s wive and went home with him. It should be noted, that Shango has two other wives who became jealous of Oya and the attentions that Shango gave her. She had become his favorite after all.

When Oya bore twins, the other wives, Oshun and Oba told Oya where to find her antelope skin up in the rafters.

Just like the Irish stories, as soon as Oya regained her skin and donned it, turning into an antelope, she took off for the forest.

Spousal Conflict – Not every couple are always going to get along, so its not surprising to find a story of Oya and Shango getting into it and having a fight. Oya changed into an antelope and charged at Shango with her horns. Thinking quickly, Shango made a peace offering of Oya’s favorite food of akara, bean cakes, placing those before her. Pleased with the offering, Oya accepted Shango’s apology and peace offering by giving him her two horns. From then on, whenever he needed her help, Shango needed only to beat the two horns together and Oya would come.

A Stormy Affair – Oya, Shango & Ogun

Oya was first married to Ogun, an Orisha of War and Smithing. The two lived out in the forests together. Ogun was often away working in his smithy or at war, frequently leaving Oya alone.

This provided an opportunity for Shango who wanted to avenge his adopted father Obatala. It seems that Ogun had created some offense towards Obatala and was thus banished to the forest. The banishment wasn’t enough for Shango and he decided to go seduce Oya.

If you want to keep a fight going, this is one way to do it. With the affair and Oya leaving Ogun for Shango, a war broke out between the two.

These wars and fights are often seen in the thunderstorms and the two Orishas, Shango and Ogun continue to be at odds with each other. Obatala often has to come play moderator and impose a peace on them, that is, until the next storm breaks out.

To The Rescue – Saving Shango

Shango got himself into a lot of trouble and made more than a few enemies with his numerous affairs and seducing the wives of the other Orisha.

One night, when Shango was out dancing at a party, some Shango’s enemies managed to capture him and toss him into a jail. Going so far as to throw away the key too.

Later, when Oya is wondering why Shango didn’t return home, she had a vision in which she saw that Shango was being held captive. Oya called down a fierce storm and summoned a bolt of lightning to break the bars of the jail cell holding Shango.

Since then, Shango has always respected Oya’s abilities and skill as a warrior. However, it still doesn’t stop him always remaining faithful as a husband. He is however, careful not to ever make Oya mad.

Betrayal By A Ram

The story goes that Oya and the ram were once best friends. When the ram found out that there was a bounty on Oya’s head, it betrayed her.

When Olofi discovered this, he demanded that the ram be sacrificed. Hurt by her friend’s betrayal, Oya has since been unable to bear the sight of the ram. At the same time, Oya is unable to be in the same room with him being sacrificed as she still cares for him.

In ceremonies, when Oya is being consecrated, the ritual items for Shango, Inle and Yemaya are removed from the room. Likewise, when Shango, Inle or Yemaya are being consecrated, Oya’ ritual items are removed from the room. All of this is to pay respect to the fact that Shango, Inle and Yemaya’s favorite food is ram and they thus bear his scent on them. So the four not ever being in the same room during consecrations is out of respect and remembrance of the ram’s betrayal to Oya.

Oshun’s Fading

There is a story told, how Oshun’s essence or life was fading as people were beginning to concern themselves with other things instead of worshiping her.

As it was, Oya insisted to her husband Shango, to consult with the diloggun (a form of divination) for the first time in order to mark an ebo or sacrifice to Oshun, thereby, saving her. This sacrifice bonded the two in friendship.

Maman Brigitte – Haitian Goddess

Oya has been connected to Maman Brigitte as a syno-deity. Maman Brigitte is a Voodoo goddess or Loa who protects those graves within a cemetery marked with a cross. She is the wife to Ghede or Baron Samedi. Like Oya, she has been connected to the Catholic Saint Brigit.

Catholic Saints

There are a few different Saints that Oya has been equated to and it varies by the religion revering Oya.

Saint Barbara – The Saint whom Oya is equated to in the Candomble tradition. She is the patron saint of armourers, artillerymen, military engineers, miners and others who work with explosives. She has an old legend that connects her to lightning and mathematicians.

Saint Brigit – Not just the saint, the Celtic goddess Bridget of the same name. She is the patron saint of Ireland and babies, blacksmiths, boatmen, brewers, cattle, chicken farmers, children whose parents are not married, children with abusive fathers, children born into abusive unions, Clan Douglas, dairy workers, Florida, fugitives, Leinster, mariners, midwives, milk maids, nuns, poets, poor, poultry farmers, poultry raisers, printing presses, sailors, scholars, travelers, and  watermen. That is quiet a lot if you ask me.

Saint Teresa – There’s like five or six different Saint Teresas, so I’m not sure which was meant with mentioning her. With the mention of a feast day of October 15th, Saint Teresa of Avila seems to have been who they were mentioning. She is the patron saint of Bodily illnesses, headaches, chess, lacemakers, laceworkers, loss of parents, people in need of grace, people in religious orders, people ridiculed for their piety, Požega, Croatia, sick people, sickness, Spain, and Talisay City, Cebu.

Virgin Mary – “Our Lady of La Candelaria” and “Virgin of Candelaria” as in the Virgin Mary of the Canary Islands, Spain and sometime connected with the Black Madonna.

Narcissus

 

NarcissusPronunciation: nahr-sis’-uhs

Etymology: Uncertain, the name Narcissus has come to be associated with a species of daffodil. Pliny the Elder wrote that the flower is named for its fragrance. There’s a connection to “narko” meaning “I grow numb” and not for mythological figure.

Alternate Spellings: Nárkissos

Narcissus hailed from Thespiae in Boeotia and was very well known for his beauty. He was so proud of his beauty that he held disdain and scorn for those who professed their love for him. This of course, attracted the attention of Nemesis, the goddess of retribution who sought to punish Narcissus for his arrogance.

Parentage

Father – Cephissus, a river god or Endymion by Nonnus in his Dionysiaca

Mother – Liriope, a nymph or Selene by by Nonnus in his Dionysiaca

There are several variations to the story of Narcissus.

For one, with Narcissus’ parentage of a minor river god and nymph, Narcissus himself is a minor god. This makes it a little more likely for why other gods, albeit minor take an interest in him.

Conon’s Narrations

Conon was a contemporary of Ovid. Unlike Ovid’s telling of the story, in this one, there is a young man by the name of Ameinias who falls in love with Narcissus. Now, Narcissus had already spurned the love and advances of several other male suitors already. So Ameinias is just merely the latest of who’s been turned down.

What makes Ameinias different from the others is that Narcissus gives him a sword. Ameinias prays to the gods, specifically Nemesis, that Narcissus would get his comeuppance and feel all the pain that he has caused others. The prayer said, Ameinias takes his own life on the steps to Narcissus’ home with the sword given to him.

In answer, when Narcissus walks by a pool of water, he sees his own reflection after stopping to get a drink. Falling in love with his own reflection, Narcissus kills himself as he’s unable to have what he wants, his reflection.

Or, when Narcissus realizes that he is cursed for the humiliation he inflicted on Ameinias, he kills himself. From Narcissus’ blood, a flower springs up, bearing his name.

Sometimes it is the goddess Artemis who answers Ameinias’ call for vengeance.

By Conon’s account, Narcissus is still in the Underworld, gazing at his reflection in the waters of the Styx river.

Edith Hamilton’s Mythology

One story mentioned in this volume is that Zeus had created the narcissus flower in order to help Hades with kidnapping Kore (Persephone), the daughter of Demeter down to the Underworld while she was out with friends gathering flowers and playing. When Kore went to pick the strange, new flower, that is when a chasm leading to the Underworld opened up and Hades carried her away to become his wife.

Ovid’s Metamorphoses

Ovid’s Metamorphoses has the version of Narcissus’ story that most people are familiar with.

The son of Cephissus, the river god of the Boeotian river and the nymph Liriope, Narcissus was born in Thespiae, Boetia. Liriope was worried about the fate of her baby boy and took him to a blind seer by the name of Tiresias. The seer told Narcissus’ mother that the baby would enjoy a long life so long as: “he didn’t get to know himself.” In some accounts, in response to this prophecy, Liriope removed all mirrors to try and prevent Narcissus from ever catching sight of his reflection.

When Narcissus reached sixteen years of age, he spurned the love and advances of all those, men and women alike, who showed any interest in him. Yes, the ancient Grecian heart-throb leaving a trail of broken hearts behind him without any second thoughts.

Narcissus is out wandering the forests one day with some friends hunting deer when Echo, a mountain nymph or Oread sees and instantly falls in love with him.

What’s not told when starting off with just Narcissus’ side of the story is that Echo had been cursed by Juno, Jupiter’s wife after finding out that Echo was only running distraction to keep her from finding out about her husband’s affairs. Angry, Juno curses Echo that she can only repeat what someone else has said.

With that context in mind, when Narcissus gets separated from his friends and calls out: “Is anyone there?” That Echo can only repeat back what he says with: “Is anyone there?”

This startled Narcissus who then asked: “Come here.”

Because of the curse, Echo could only respond with the same “come here” reply.

When no one came out into the glade he was standing in, Narcissus figured that the other person must be moving away from him. So, he called out again: “This way, we must come together.”

Echo, taking this to heart as confirmation for her love, called back: “We must come together!” As she came running out, ready to throw her arms around Narcissus.

On seeing the nymph running towards him, Narcissus became affronted and pushed Echo away exclaiming: “Hands off! May I die before you enjoy my body!”

Hurt, all Echo could respond with was: “Enjoy my body.” Before she turned to flee back into the woods, rejected and humiliated by Narcissus. By this account, Echo wasted away, her body becoming stone until only her voice remained.

Narcissus would have his own comeuppance coming, for he continued to spurn the advances and loves of others. Including the previously mentioned Ameinias, who in his love-sickness, called out: “O may he love himself alone and fail un that great love.”

Nemesis, the goddess of revenge heard Ameinias’ cure and decided to respond. She cursed Narcissus, attracted him to a pool where he fell in love with his own reflection. Not realizing it was merely an image and unable to leave the beauty of his reflection, Narcissus lost his will to live. He stared at his reflection until he died.

Echo, her own love unrequited and unable to do anything, watched on as Narcissus pined away for his reflection.

It is said, that just before he died, Narcissus told his reflection: “Oh darling boy, I loved you in vain, good-bye.”

Echo repeated the words: “Good-bye.” As she was now completely stone and unable to do anything else.

When the nymphs came to gather up Narcissus’ body for funeral, it was gone and in its place was a flower.

Nemesis – It should be noted that she is sometimes seen as an aspect of Aphrodite and not a separate entity.

Another note, Ovid connecting Echo to Narcissus’ myth seems to have been his own invention. However, its now the official one.

Pausanias’s Guide To Greece

In a Greek travelogue, Pausanias retells Narcissus’ story in which he ends up falling in love with a twin sister, not his own reflection. When his sister died, Narcissus would go to a spring and look at his reflection, imagining that it was his own sister that he saw. Narcissus eventually dies, pinning away for the loss of his sister.

Pausanias doesn’t think the story of Narcissus falling in love with is reflection and not being able to recognize it as such is unlikely.

Mirror, Mirror On The Wall….

One idea I came across says that Narcissus’ story may originate in an ancient Greek superstition that it is unlucky, possibly even fatal, to see one’s reflection.

Drowning

Other sources to Narcissus’ story have him drowning in the pool as he tries reaching for his reflection.

Suicide

That’s a bit heavy and deep to take. Ovid, Parthenius of Nicaea and Conon all have versions of Narcissus’ story where he commits suicide as he’s unable to what he desires, that being his reflection give love back.

Narcissus Flower

After Narcissus’ death, a flower sprang up in the very place that he died. This flower of course bears Narcissus’ name and is a genus of daffodil.

Narcissistic Personality Disorder

Or Narcissism. Obviously, Narcissus’ story is the basis for a personality disorder in which a person is very self-absorbed, vain and everything is always about them whether that is their own physical appearance or public perception. Psychologist have studied this disorder for years.

A little bit of self-care and self-love is good. We should care about ourselves and want to do good as well as look good. When taken to the extremes and a narcissus is that self-absorbed with themselves that they don’t care about others or make everything about them, then you get a problem.

Pan

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Etymology: From the Greek word “pantes” meaning: All, everything, rustic

Other Spellings: Πάν

Other Names and Epithets: Aegocerus (“Goat-Horned”), Agreus (the Hunter), Faunus, Haliplanktos (Sea-Roaming), Innus, Kronios, Nomios (the Shepherd), Sinoeis

Pan is a familiar, half-goat, half-man or satyr deity in Greek mythology. As a god of forests and wilderness, he’s known too for inhabiting grottoes too. In his ancient Arcadian home, Pan is said to have wandered the mountain sides playing his reed pipes, aiding or hindering hunters, guarding shepherds and their flocks and his never-ending pursuit and dancing with nymphs.

Attributes

Animal: Goat, Tortoise

Patron of: Shepherds

Plant: Pine, Mountain Beech, Water-Reed

Season: Spring

Sphere of Influence: Fertility, Flocks, Rustic Music, Wilderness

Symbols: Reed Pipe, Phallus, Lagobolon (Hare Trap)

Pan is the Greek half-man, half-goat god of shepherds and flocks. A god of fertility and the wilds.

What’s In A Name?

The Latin words of the verb paô and pasco connect Pan’s name to mean “all” or the universe. The Arcadians used the word pan meaning rustic, for anything out in the country, wild and untamed.

The idea of the Greek word pan for “all” comes from Homeric Hymn where Pan is described as delighting all the gods. This word ends up being used in word play in Plato’s Cratylus where he describes Pan as a dual-natured god, a personification of the cosmos.

The Greek word: “pa” is a more likely source for Pan’s name as it translates into “Guardian of the flocks,” certainly one of the things he is known for. Interestingly “pa-on” meaning: “herdsman” is a closely related word and where the Latin pastor and the modern English word “pasture” come from.

Another source says that Pan’s name comes from the Greek word: “paein” meaning “to pasture.” Furthering the ideas, Edwin L. Brown puts forward the idea that Pan is likely a cognate to the Greek word: ὀπάων, meaning “companion.”

Early Greek Depictions

It is around 500 B.C.E. that Pan appears in Greek art. These early depictions of Pan show him as a black goat standing upright on hind legs.

Later red-figure pottery shows Pan’s image change to that of a satyr. Some might even say the father of all satyrs. He is often shown having a wrinkled face with a prominent, bearded chin, snub nose, pointed ears, goat-like horns with hairy legs and cloven hooves like a goat. playing a reed pipe. Sometimes he is shown with a shepherd’s crook and a pine branch or a crown made of pine. Often times he’s in the company of fellow satyrs and Maenads.

Coinage – In 4th century B.C.E., Pan’s image is found on coinage in Pantikapaion, for the Arcadian League.

Dual Nature – Plato’s Cratylus

This one’s interesting. Socrates discusses how Pan is a duel-nature son of Hermes. That makes sense as Pan is half man, half goat after all. Socrates goes on to explain how Hermes’ name comes from the word for “speech.” That Pan, the all things known, both true and false. The true part of Pan is the part that is smooth and divine and that he lives with the gods. The false part is the lower part that is goat, representing the baser, common man who are rough and like the tragic goat. I presume this comes from the origin for the word tragedy or tragikos, goat-song and is in reference to early, primitive performances where people wore goat-skins. A roundabout way of saying that life is nasty, short and brutish. It is among mankind that tales and falsehoods can be found.

Goat-Song!

While we’re at it, Pan was also the god of theatrical criticism.

Arcadia

Considered a pastoral paradise in Ancient Greece, the land “that existed before the moon,” this is the place where Pan is said to have been born, specifically on Mount Lycaeum.

Arcadia is mountainous and fertile area located in central Peloponnessus. This place is found to the south of modern-day Greece. This is the location where the seat of the ancient Greek empire once lay.

For the ancient Greeks of their day, they viewed Arcadia and those who lived there as being backwards and primitive. They weren’t held in the same light as more civilized Greeks. Outside of Greece, Pan’s worship spread as far as Egypt and other local, neighboring countries.

Athens – Around the fifth century B.C.E., after the Battle of Marathon, Pan’s worshipped arrived in this City-State.

The story goes that Pheidippides, an Athenian was to Sparta to enlist their aid against the Persians, Pan appeared before him and promised that he would terrify or panic the invaders. In return, the Athenians would begin honoring and worshipping Pan.

Shrines & Temples

Even after the Greeks began worshiping other gods and adding them to their pantheon, Pan still had shrines built, honoring and venerating him. Many of these shrines and sacred places to Pan were often in caves and grottos. There were many sanctuaries and temples dedicated to Pan throughout Arcadia, including some in places like Athens, Heraea, Homala in Turkey, Megalopolis, Mount Parthenius, Oropus, the island of Psyttaleia, and Troezene to name a few. The Korkykeion cave found on Mount Parnassos and the Vari cave in Attica are a couple of the places dedicated to Pan.

According to the ancient Greek historian, Diodorus Siculus, the Egyptians had a good number of statues of Pan in many of their temples. In Thebes, the city of Chemmis was also known as the city of Pan or Panopolis.

Caves & Grottos

Many of Pan’s sacred places were found in caves and grottos. Pan’s sacred shrines and grottos weren’t solely dedicated to him, sometimes he shared it with a local deity or nymph in the region. Sacrifices offered up to Pan included cows, rams, lambs, milk and lamb. These sacrifices would also be offered up to Pan in conjunction with Dionysus and the nymphs. Other sacrifices to Pan included statues of herdsmen, vases, lamps and gold grasshoppers. Goat sacrifices and torch races were also part of Pan’s worship at Delphi and Athens.

A few other locations for Pan’s shrines or temples are:

Acacesium – A perpetual fire was kept burning here in this time. Also at this time, there was an oracle where the nymph Erato was Pan’s priestess.

Acropolis – This shrine to Pan is hidden away in a shallow cave beneath the Acropolis in a place still wild and untamed.

Apollonopolis Magna, Egypt – A Temple of Pan is found here.

Corycian Grotto – Located near Mount Parnassus.

Nomian Hill – A shrine was located here near Lycosura.

Peloponnese – A Temple of Pan was located here on the Neda River gorge.

Well of Eresinus – Located between Argos and Tegea

Mystery Cults – During the Hellenistic era, Pan becomes a cognate to the Phanes/Protogonos, Eros, Dionysus and Zeus.

Youngest To Oldest

In the Greek pantheon, Pan is considered the youngest of the gods. That makes sense if Hermes is Pan’s father. Making Zeus his great grandfather and Apollo his grandfather. At the same time, Pan is also considered the oldest god as records of his worship date to the 6th century B.C.E. in Arcadia. Mythical evidence seems to back this with Pan being the one who gives Artemis her hunting dogs and teaches Apollo the secrets to prophecy.

This likely makes sense too that for all that Pan being a rustic, rural god, was seen by the Greeks as representing the connection between the wildernesses and civilization. In Arcadia he would enjoy being a major god, but else where he was reduced to a minor god and not counted among the twelve major Olympian gods. So how ever minor his role seemed to have taken on, his influence and importance were not denied or forgotten.

Parentage and Family

Grandfather or Great Grandfather

As the grandson or great grandson of Cronos, Pan is known as Kronios.

Parents

The parentage for Pan is greatly varied and murky. Depending on the source that one uses, a different set of parents will be mentioned. That kind of makes sense when seeing Pan as a nature god, that he could be older than the other Olympian deities. Depending on which one you read, will be which one you decide to go with.

Father – Hermes, nearly every myth concerning Pan’s birth agrees on this. Sometimes another deity, Aegipan is given as Pan’s father. Even the gods Apollo, Cronus, Dionysus, Uranus, or Zeus could be mentioned as Pan’s father. Others like Amphinomos, Antinoos and Odysseseus are mentioned as Pan’s father.

According to Euhemerus, a 4th century B.C.E. mythographer, Aegipan (or Pan) was married to Aex and when she had an affair with Zeus, she bore the god Pan to him. In this instance, Pan was called Aegipan.

Mother – There are many different myths regarding who Pan’s mother is.

In no particular order, they are: Dryope the daughter of Dryopos, Thymbris, Penelope (There are two Penelopes of note here. The first one, Hermes visited in the form of a ram. The second Penelope is of Odysseus fame as she proved to be unfaithful while she waited for Odysseus to return home). Nonnus’ Dionysiacs is where Penelope of Mantineia in Arcadia, a nymph. This Penelope is later confused or combined with the Penelope, the wife of Odysseus. Oeneios, some random Nereid, Sose, and Callisto. Even the goddesses Aprodite and Hecate are sometimes mentioned as being Pan’s mother.

Sometimes Pan’s parentage is given as being Uranus and Ge or that of Aether and Oeneios.

Consorts

That seems a little odd to think of Pan as having any spouse. Given Pan’s later reputation for chasing around after all the Nymphs and seducing anyone who’s female…. There’s actually a few that Pan actually truly loved.

Aix – Also spelled Aex, she is a goat or a nymph who took the shape of a goat. Her connection to Pan seems more sure if you count Aegipan and Pan as being one and the same person.

Echo – This one is rather tragic, the story is given in full later.

Pitys – A nymph who turned herself into a pine in order to elude Pan’s advances.

Syrinx – A more well known Syrinx who changed herself into a bed of reeds to escape from Pan’s unwanted advances.

Siblings

The satyrs in general were all considered kin to Pan, if not his sons, Laertes, Circe and the Maenads.

Agreus – A half-brother by way of Hermes, part of a “Pan Triad.”

 Arcas – the twin brother to Pan, when Zeus is seen as the father. That is, if you accept the source of Kerenyi’s work of Aeschylus in Rheus noting there being two Pans.

Daphnis – A half-brother by way of Hermes.

Nomios – A half-brother by way of Hermes, part of a “Pan Triad.”

Children

Akis – Also spelled Acis, he is the son of Pan (or rather Faunus) and the nymph Symaethis.

Eurymedon – Of the Seven Against Thebes fame, he said to be the son of Pan given how he fought fiercely in battle, causing others to panic.

Iambe – With Echo, Pan is the father of Iambe, a minor goddess of verse.

Iynx – With Echo, Pan is the father of Iynx, a girl who took the form of a bird.

 Krenaios – Also spelled Crenaeus, he is the son of Pan (or rather Faunus) and the nymph (more accurately a Nereid) Ismenis. Crenaeus fought fiercely in the Seven Against Thebes, even more so in the river Ismenis of his mother’s name sake.

Krotos – With Eupheme, Pan fathered Krotos, a minor god who invented the hunting bow and rhythmic beats or clapping in music.

Silenus – This one is a bit dubious, as he is sometimes considered older than all of the satyrs and sometimes his parentage is given as being the son of Hermes and Gaia.

The Panes – All the satyr and local woodland deities including the fauns. According to Nonnus’ Dionysiaca, there are twelve Panes who lived in caves and claimed Pan as their father. They are known for having accompanied Dionysus in his War with India. These Panes were:

Aigikoros, Argennon, Argos, Daphoineus, Eugeneios, Glaukos, Kelaineus, Omester, Philamnos, Phobos, Phorbas, and Xanthos

What A Pane

Nearly every region of Ancient Greece had a regional woodland deity, many of them local satyr deities that all came to be identified as just different aspects of Pan. These multiple Pans or Panes were also known as Paniskoi or “little Pans.”

Satyrs weren’t necessarily gods in themselves, but nature spirits known for all sorts of carousing and chasing after nymphs, eating and drinking. The Romans would know these nature spirits by the name of fauns or incubi, the Celts believed in Dusios or dusii for plural. Much like the plural of Pan being Panes, the plural of satyr is Satyri.

This association with these local deities, gave rise to Pan being known by many names and seen as a universal god. Some of these local deities are as follows:

Aegipan – A goat-fish god connected to the constellation Capricorn.

Aristaeus – God of flocks, agriculture, bee-keeping, viticulture in Northern Greece. Like Pan, Aristaeus also held the title of Agreus (the Hunter) and Nomios (the Shepherd).

Marsyas – A Phrygian satyr also known for playing the pan pipes.

Priapus – A local god whose images have been found at Pompeii

Silenus – Knowledge and viticulture

Sybarios – An Italian version of Pan who was worshiped in the Greek colony found at Sybaris, Italy. This Sybarite Pan is the son of a Krathis, a sheperd and a she-goat.

Pan Triad

As a triad, Pan was known as Agreus, Nomios, and Phorbas. Each seen as a separate entity and not just as a title of Pan’s.

In Nonnus’ Dionysiaca, two of the Panes, Agreus (Hunter) and Nomios (Shepherd) are merely different aspects of Pan. By the same account, they are the sons of Hermes with two Nymphs. The first is Sose, a prophetess who bore Agreus who inherited Sose’s gift for prophecy and would become a god of the hunt. The second is a nymph by the name of Penelope (not to be confused with the one of Odysseus fame) who bore Nomios known for playing the reed shepherd’s pipes or syrinx, shepherd, and seducing Nymphs. It has been said that many of the stories about Pan are actually about Nomios.

Agreus and Nomios are often taken to be two different aspects of Pan, indicating a dual nature to the half-goat god as both wise prophet and a lusty, amorous beast.

Phorbas would later join these two. Phorbas’ name means “giver of grazing” and has been noted as a play on the word phobos for “fear.”

The Birth Of Pan

Regardless of who is considered Pan’s mother, it’s generally agreed that she ran away at the sight of this already fully developed infant sporting horns, covered in hair, complete with beard, goat tail and legs with cloven hooves. Hermes however, took his son up to Olympus where the other gods were immediately delighted with him, especially Dionysus. The nymphs would raise Pan.

One of the nymphs to raise the infant Pan was Sinoe. From her, Pan received the epitaph of Sinoeis.

As a side note, the Homeric Hymn has the nurse being the one frightened by the sight of Pan and running away.

Where Penelope, the wife of Odysseus is listed as Pan’s mother, she was seduced by Antinous. When Odysseus returned Penelope to her father Ikarios, she gave birth to Pan when she arrived at Mantineia in Arcadia. With Penelope as Pan’s mother, he is clearly a demigod who became fully immortal.

Fertility God

A fertility deity, Pan is known for being very lusty as a symbol of male sexuality and carnal desire. Spring is the time for fertility, so it makes sense that Pan what he’s known for doing best, sex. There’s just no way around it.

Pan is very famous for his stories of endlessly chasing after nymphs who, to elude the lusty, rutting god, would turn into trees and rocks. These same stories were also used by the ancient Greeks to explain the many varieties of plants and natural features with how they came to be.

Erotica

Nudity was a common thing among the Greeks, seen as being very natural and not holding any of the stigmas against it that are found with later cultural, especially religious taboos. It just is, nothing sexual about it.

Pan on the other hand… Part and parcel to Pan’s sexual prowess, one of his symbols is a phallus. Meant in joking tones, Diogenes of Sinope tells how Pan learned masturbation form his father, Hermes and then went on to teach it to shepherds. As such, it’s not uncommon to find ancient Greek art depicting Pan having an erection, he was just that sexually active.

Panic Sex

Sex for the sake of it. That is part of who Pan is, bringing out the wild, untamed natural man to give into primal desires to satisfy momentary, carnal lust. If you want a love god for someone to fall in love with for a life partner, Pan is not your deity. Try Aphrodite or Eros for better results. For the ancient Greeks and Pan especially, he held many sexual partners and would move from one to the next with ease.

Rest assured, the ancient Greeks did see a need for having a main partner and a need to have someone you were with to create a better sense of family and unity. But engaging with a new partner from time to time could lead to something new and a change of pace.

When in Rome, only this was Greece.

Pan & The Nymphs

Pan is often mentioned as a companion to the nymphs of the woods, mountains and rivers. As a god of fertility, Pan also has a reputation that may or may not be deserved as being very lusty and constantly chasing after the nymphs as they flee from his unwanted advances. It all starts off well and good, he would join their dances and play his reed pipes, then soon enough comes the rutting and the chasing after. The nymphs would very likely be the original #MeToo crowd. They do manage to get their revenge on him at one point where they set upon Pan while he’s asleep to tie him up and shaved off his beard.

This part comes from Philostratus the Elder in his Imagines 2 where he describes a painting of the Bucolic Nymphs having tied up Pan and shaved off his beard as they say they will persuade Echo to no longer respond to him.

Even Artemis, the goddess of the Hunt and Moon got fed up with Pan’s behavior as her retinue of virgin followers and nymphs would grow smaller every time Pan or any of the satyrs came around.

 Maenads – Aside from the Nymphs, Pan also got on well with the Maenads, the female followers of Dionysus rather well too. Now, either did this one by one or would multiply into a host of Panes to satisfy them all.

Pity – This poor nymph eluded Pan’s advances by turning into a Mountain Fir.

Pan Girls – With Pan’s rather lusty nature, Greek girls back then were known as Pan Girls when they displayed the same behavior.

Where The Wild Things Roam

A nature god, Pan’s domains were all of wildernesses. Grottoes, meadows, forests, beasts and even human nature itself. All of it is Pan’s domain. During the heat of the day, Pan would sleep and didn’t take kindly to anyone who disturbed him. Pan is described too as a god heard, but not seen.

Bees – As a god of nature and wild things, it stands to reason that among many of the things that Pan cared and watched over would include bees too. Like was previously stated, all of wilderness.

Fishing – Coastal areas and the success of local fishermen were also under Pan’s province.

God Of The Hunt – As a god of the wild places, Pan is also a god of the hunt, hunting dogs and he could decide a hunter’s success or not. In Arcadia, hunters would whip or scourge statues of Pan if their hunting failed.

God Of Shepherds And Flocks – In Pan’s homeland of Arcadia, there were many shepherding groups, most of whom herded goats and sheep. Pan protected the herds and flocks both wild and domestic. Pan would even help shepherds find their way back to the towns and cities. This role clearly placed Pan as the guardian of the wilds and civilization.

Panic At The Parthenon!

Pan’s name is the basis by which the word “panic” originates. It is one of the things that Pan is known for, causing a sudden or great fear in people. There are a couple myths given as an explanation for this.

Afternoon Naps – Sleep is good. The afternoons are when Pan is known to take his naps and woe to anyone who disturbed him from his sleep. But hey, who wouldn’t be cranky when woken up from their sleep. That’s right, run for the hills.

Music – Pan’s music that he played on his reed pipes could inspire panic in anyone who heard it. With it, Pan’s music could lower people’s inhibitions, an ecstasy brought on by listening to the music and dancing. A lowered inhibition that could either inspire or bring on a madness.

Panolepsia – During the Hellenistic era, Pan’s popularity increased and it is at this time he became associated with the word panic, an emotion known to overcome soldiers on the battle field. This violent emotion, known as panolepsia could overcome any individual person, inside and outside of battle.

Titanomachy –  The first myth given is that Pan was present when Zeus defeated the Titans during the great Titanomachy. The claim then is that Pan’s yelling caused the Titans to flee.

Battle Of Marathon – The Athenians began worshiping Pan after he helped them out with causing panic among the invading Persians.

Nighttime Pranks – The second myth given is that Pan would make noises to scare away travelers in his protected forests.

God Of Rustic Music

When he wasn’t busy chasing nymphs, Pan could be found playing his famous reed pipes and dancing with the wood nymphs. Pan’s skill with music was such that he could cause inspiration, promiscuity or panic depending on what he wanted. The reed pipes were synonymous with rustic music as they were relatively cheap and easy to make with cutting reeds to different lengths and stopping them up with something like wax.

Syrinx

One of Pan’s more famous and well-known myths. Syrinx was just one of many nymphs that Pan would endlessly pursue. She was a water-nymph and the daughter of the river-god Landon. One day, as Syrinx returned from hunting, she encountered Pan who became infatuated with her. To escape his unwanted advances, Syrinx fled from Mount Lycaeum down to the Ladon river, there she pleaded with her sisters (or sometimes Zeus) to change her into a bed of water reeds. When Pan narrowly missed grabbing Syrinx, he discovered that when he blew air through the reeds, they made a noise. A forlorn Pan, mourning the loss of Syrinx, took the reeds and crafted his famous reed pipes or Syrinx from them.

Daphnis – The son of Hermes and a nymph, a shepherd, he invented pastoral poetry. He is one of many whom Pan taught how to play the pan pipes or syrinx.

Pindar – A poet said to be loved by Pan for singing and dancing to his music. Pindar built a sanctuary dedicated to Pan outside his house.

Olympus’ Got Talent!

In the original version of this story, Pan is equated with the Phrygian satyr, Marsyas. In the original telling of events, Marsyas is punished for having challenged the god Apollo.

However, other versions of this story have Pan and Apollo having a music contest with a local deity, Timolus set to be the judge. King Midas (as in the one with the golden touch) was there by happen stance as at this time, he was now a follower of Pan and followed him around.

When Apollo and Pan completed their different musical scores, Timolus was all set to call Apollo the winner. Midas spoke up and said that it should be Pan who was the winner. This angered Apollo and in retribution, he changed Midas’ ears into those of an ass.

You just can’t win.

One version of this story has it that both Apollo and Pan were tied, so they held a second round. This time around, Apollo said that they should play their instruments upside-down. Apollo was unaffected with playing upside-down, Pan however, was unable to play his reed pipes. Thus Apollo won the contest.

The Mother Goddess

In Pindar’ Pythian Ode, Pan is mentioned as a being either a follower or consort to the mother goddess. This is very likely either Cybele or Rhea whom is seen as a synonymous with Cybele.

Pindar makes mention of virgins worshiping Cybele and Pan near his home in Boetia.

Pan and Rhea alike are deities of the mountains and wild places. In a fragment of Pindar’s Maiden Songs, Pan is mentioned as the companion to Rhea and the warder or guardian of holy shrines.

There’s an episode in Valerius Flaccus’ Argonautica where Rhea becomes angry with the king of Kyzican for killing one of her sacred lions and Pan descending on the city of Kyzikos at night yelling loudly to disturb the flocks to panic and stampede and bring terror to the city in revenge at Rhea’s command.

Another source I found for this, replaced Rhea’s name with that of Cybele’s. This isn’t too surprising, when you see Rhea and Cybele as the same deity, just different names from different Greek and Roman cultures. It almost seems like a matter of preference when someone retelling the Greco-Roman stories flip-flops back and forth with the names used.

Follower Dionysus

Pan is known to be part of Dionysus’ retinue accompanying many other prominent paniskoi, satyrs and rustic deities, causing a lot of rowdy behavior and riots characteristics of such bacchanalias.

Dionysus’ Indian War – When Dionysus went to war with the country of India, Pan was among the many satyroi and panes who accompanied him.

God Of Prophesy

Being the grandson to Apollo, that makes sense that Pan would have inherited some of the family tendency to foretell the future. According to some accounts, Pan is to have taught Apollo the prophetic arts. In the sanctuary of Despoine in Arcadia, the nymph Erato served as one of Pan’s prophetess’. Similarly, the Korykian cave, another Oracular site was held sacred to the nymph Korkykiai and Pan.

Pan & Typhon – Capricorn

In Greek mythology, the constellation, Capricorn is known as Pan and he is usually portrayed as the son of Hermes. He had the upper half of a man and the legs of a goat. How Pan becomes associated with the constellation of Capricorn is that one day when Pan and the other Gods were down by the Nile River, they were attacked by the monster Typhon. The Gods all changed themselves into various animals and forms in order to escape. In the confusion and panic, Pan jumped into the Nile River, intending to change into a fish, but only his lower half changed while his upper half turned into a goat. When the other Gods saw this half-goat, half-fish form of Pans, they laughed so much and decided to place an image of it up among the stars where it becomes the Capricornus or Capricorn constellation.

Aegipan

 In a more elaborate retelling of the story of the Greek Gods versus Typhon, while the Gods did change into various animal forms, Zeus changed into the form of the ram, Aries and remained in this form for a while. Other gods like Aphrodite and Eros became a pair of fish that form the constellation of Pisces. Now Aegipan had also transformed himself into an animal to escape Typhon, but he was already halfway submerged in the Nile River when he finally decided what animal form he would be. He had decided to be a goat, but only from the waist up and a fish from the waist down. And its this result of indecision during panic and trying to escape that results in the familiar half-goat, half-fish from of Capricorn.

Zeus finally reappears back in his own form and battles against Typhon, but he was however defeated. Typhon proceeds then to cut out the tendons of Zeus’ hands and feet and therefore unable and helpless to move. Typhon hid the tendons in a cave in the land of Cilicia. The draconic being known as Delphyne, a half-serpent, half-woman creature was tasked by Typhon to guard Zeus’ tendons.

Between the gods Hermes and Aegipan, they were able to steal back Zeus’ tendons and return them, so Zeus could become whole again. With his strength restored, Zeus was now able to battle Typhon again and this time, defeated him hurling thunderbolts at him. For Aegipan’s role in this battle the Titan, Zeus set the Capricorn constellation up in the stars to honor him.

Aegipan or Pan?

Well now that all depends… some scholars will say that Aegipan is a separate deity from Pan like Nomios and Phorbas who are collectively called the Panes. Other scholars will say that the Panes are merely different aspects of the same god, in this case, Pan.

Additionally, Aegipan is sometimes said to be the father of Pan and not Hermes. It can create for a lot of confusion. Which is what Pan is good at and hence the origin of the word panic. There is also a 5th century B.C.E. Greek vase depicting both Pan and Aegipan as separate beings.

Pan And Demeter

In this story, Demeter and Poseidon are married. After a falling out with Poseidon and the abduction of her daughter Persephone by Hades, Demeter became very distraught, clothing herself in black and hiding away in a cave. Because of this, with Demeter being an agricultural and fertility goddess, nothing grew and there came a famine upon the land. None of the gods knew where Demeter had gone. Pan returned to his home of Arcadia and began wandering the country side and mountains. Eventually, Pan made his way to Mount Elaios where he found Demeter hiding in her cave. Pan reported back to Zeus that he had found Demeter and the Moirai was sent to Demeter and a peace between her and Hades that resulted in the familiar cycle of seasons.

Pan And Echo

Another nymph (a minor mountain deity) by the name of Echo. Most stories have her spurning Pan’s advances and eventually she fades away, leaving behind only her voice to answer or echo Pan’s calls to her.

Beauty Contest – This story tells how Echo, being a rather beautiful nymph and musically inclined; being able to sing and play several different instruments. Like all her nymph sisters, Echo lived deep within the forests, spurning the love of mortals and immortals alike.

Before this, there had been an Achilles, the son of Zeus and the Lamia. Now Achilles was incredibly handsome and along with several others, entered a beauty contest with Aphrodite. Acting as judge was Pan who was the most fairest of them all. Aphrodite grew angry with Pan and she cursed Pan with an unrequited love for Echo, whom he pursued relentlessly.

To try and reconcile this version of the story with the below one in Daphnis & Chloe, it makes sense that in his madness, that Pan would incite his shepherd followers to descend upon Echo to tear her apart.

That afterword, Gaia taking pity and having favored Echo, gathers up the pieces of her broken, scattered body to the earth and that all that remained was Echo’s voice. It really makes sense that in mourning, that Echo is chasing after the sound of Echo’s voice every time he hears her repetitive call. It makes sense for Pan to be mentioned as forever chasing after his student that he can never find.

Daphne & Chloe – This story has Echo getting torn to pieces by shepherds after Pan incites them to riot and Gaia then gathering up the broken pieces of Echo’s body to hide within the earth. That only thing to remain was Echo’s repeating voice.

Thebes, Egypt – Here, there was a cave that was shaped like a shepherd’s pipe and a marble statue of a satyr. Pan visited this cave and was delighted by the music of the flute, yet held firmly to Echo in fear  so she wouldn’t echo a response to the marble statue.

Apuleius, The Golden Ass – A 2nd century C.E. Roman novel, the author Apuleius describes Pan as sitting by the banks of a stream with Echo in his arms as he teaches her his music and songs.

Suda – In this fragments of poetry and story, Echo is described as bearing the children Iambe and Iynx to Pan.

There must have been a real relation between Echo and Pan and not just the lusty, rutting of a goat-god. It’s unfortunate as it does seem the ire of Aphrodite cause Pan to go into madness and kill his one real love. Given the lusty reputation of Pan for chasing nymphs, Echo’s demise being caused by Aphrodite seems to have been over looked and lumped in as just another failed conquest.

Pursuing Omphale

In this story, Pan is in a rut, chasing after the Queen of Lydia, Omphale. On the night that Pan was to arrive, Omphale persuaded Hercules to switch clothes with her. So when an amorous Pan showed up and slipped into Omphale’s bed, he’s promptly kicked across the room by Hercules.

After that, Pan banned the wearing of any clothes at his religious rites and rumors began spreading about Hercules being a transvestite.

Pan And Selene

Selene is considered perhaps the greatest of Pan’s sexual conquests. He managed to woo and seduce the moon goddess Selene by wearing a sheep skin in order to hide his black goat features. Seeing her reflection in the white sheep skin, Selene came down from the night sky and Pan was able to woo and seduce her. By one account, this is how “The Man in the Moon” came to be.

Pan And Psyche

Thankfully, we can see that Pan isn’t all lusty goat-god out to ravage everyone he sees. After Psyche lost her lover, Eros, she went wandering in great despair. When Psyche’s wandering brought her the banks of a river, she intended to throw herself in it to drown.

Luckily for Psyche, both Pan and Echo were nearby as Pan was teaching Echo his songs. Seeing Psyche in her despair, Pan called her to him. Seeing how love-sick she was, Pan told Psyche not to kill herself but instead to make prayers and seek out the attention of Eros so she could eventually draw him back to her. After receiving the advice, Psyche went on her way.

Universal God

The idea of Pan’s name becoming associated with the meaning of “all” and Pan being a god of all, a universal deity comes about during Roman times. Over a period as the meanings of a word or words change or become confused.

It makes sense, Pan being a god of the wild places and all of nature, even human nature.

Pan Is Dead!?!

In Plutarch’s “The Obsolescence of Oracle,” he mentions that Pan is the only Greek god who is dead. According to this account, during the reign of Tiberius (between 14-37 C.E.) there had come news of Pan’s death to a sailor by the name of Thamus. The ship that Thamus was one was headed for Italy and when they passed by the Echinades islands, specifically, the island of Paxi, a divine called out to Thamus asking: “Thamus, are you there? When you reach Palodes, take care to proclaim that the great god Pan is dead.” The voice is to have called out three time to Thamus and when they reached their destination, Thamus spread the word of Pan’s passing much to others dismay.

The Rumors Of Pan’s Demise….

Now, it has been put forward by others such as Robert Graves, Salomon Reinach and James S. Van Teslaar, that Thamus and those onboard the ship may have misheard what was said. That it was: “the all-great Tammuz is dead” and not “Thamus, Great Pan is dead.” As the phrase spoken, “Thamus Panmegas tethneke” that is to have been said could easily have been misunderstood by those who didn’t speak the language.

When Pausanias traveled through Greece a century later after Plutarch, he discovered that a good many of Pan’s shrines and sacred places were still very much so in use. Jump forward to the 18th century C.E. and Christians have taken Plutarch’s words for gospel truth and have repeated it for history and allegorical truths with the passing of older, ancient orders and for a new age. Poets like John Milton have used the cry of: “Great Pan is dead!” taken to using this line in their poetry.

Are Greatly Exaggerated

To complicate this, even if Pan were dead, he wouldn’t have been the first deity or immortal to die. There’s Chiron, who died of a poisoned arrow and then you have Dionysus who was killed by the Titans. You could count the gorgon Medusa among this number for Greek immortals, only the stories will say she was really just mortal as the Greeks cling to the idea that an immortal can’t really, truly die. That’s only the Greek mythology without touching any other mythologies.

Seeing as this looks like it all stems from a misunderstanding or mistranslation that once the 18th century arrived, took off in people’s imaginations. When looking among the Neopagan, New Age and Wiccan crowd, the veneration and honoring of Pan as an aspect of the Horned God is still very active.

Margaret Murray, in 1933 wrote in her book “The God of the Witches” a theory how Pan was worshiped in Europe by a witch cult. This book is what has contributed to many modern Pagan and Wiccan religions using the Horned God as a symbol of male sexuality and prowess.

The important thing to remember with the 18th century is that this when Pan also makes a come back in literature. He makes an appearance in “The Wind and the Willows.” James Barrie’s famous character of Peter Pan is in part based off of Pan. Not just the last name of Pan, but a strong connection is made in “Peter Pan in Kensington’s Garden” where a young Peter is seen riding a goat.

That’s just a few of the works of literature or poetry to be inspired by and use Pan.

The Devil You Know…

One thing that seems so obvious, when looking at most Christian versions of the devil is the similarity of imagery with Pan, the horns and the cloven hooves. Much of medieval and even post-medieval Christian imagery in literature and art depicts a dark caricature of Pan as the devil or Satan. It really seems unmistakable. Ronald Hutton has noted that this imagery tends to be more modern and is influenced by Pan’s popularity during the Victorian and Edwardian eras.

Pushan – Hindu God

A Vedic solar god and guardian of flocks and herds. This is more of a modern idea as scholars see Pushan’s name as originating from a Proto-Indo-European god: Péhusōn, an important pastoral deity. It is thought that Péhusōn shares a root word with the English word “pasture.” As a result, the idea then comes that Pushan is a cognate of Pan. The German scholar, Hermann Colitz proposed the idea in 1924 of connecting Pan with Pushan.

Faunus – Roman God

The ancient Romans identified Pan with their own woodland deity of Faunus or Inuus.

Faunus is a vegetation deity as well as a god of prophecy and shepherds, so it’s easy to see how the Romans would come to equate the two gods as being one and the same. It is noteworthy to mention that only after the Faunus’ association with Pan did his depiction in art begin to change and become more like Pan’s with the goat hooves and horns. Some Roman accounts have Faunus as the son of the god Mars (Greek Ares) instead of Mercury (Greek Hermes). Faunus is known as the father of Bona Dea or Fauna.

Inuus being a fertility god and a god of shepherds was often used more as an epitaph of Faunus rather than a separate deity.

 

Slender Man

Slender Man 2

Also Known As or Spelled: Slenderman, Slendy, Fear Dubh (or, The Dark Man; Scottish) Takkenmann (Branch Man; Dutch), Der Großmann or Der Grosse Mann, Der Grossman (the Tall Man; German), Der Ritter (the Knight), Thief of the Gods, Thief of Kuk

The figure of Slender Man is relatively new in the Urban Folklore landscape, making it a 21st century Boogyman. This being’s first appearance was on June 10th of 2009, having been created by Eric Knudsen, using the name “Victor Surge” in the Something Awful forum for a photoshop contest. The idea had been to create an Urban Legend so believable it would take on a life of its own, which it certainly has.

Much of the early photos and videos showcasing Slender Man claim to be “found footage” much in the style of a movie like the Blair Witch Project. Knudsen has claimed a number of sources for inspiration into Slender Man’s creation. Most notable of which seem to be the Tall Man from the 1979 movie Phantasm, survival horror video games like Silent Hill and Resident Evil to the works of H.P. Lovecraft, Stephen King, Zack Parson and William S. Burroughs.

Depictions

Slender Man is often shown as an unnaturally tall and thin man wearing a suit with equally long thin arms and featureless face. The Slender Man is often shown having several tentacles extending from its back.

Exactly what powers Slender Man has, varies a bit with these numerous stories and narratives that seems to have taken the internet by storm. Many of stories will show Slender Man preferring the forests and abandoned locations.

Many will say it can teleport or “slender walk,” an effect that distorts how a person views and sees Slender Man as it approaches its victims. Other stories have the presence of Slender Man causing paranoia, delusions and nightmares as it stalks its victims. In some of the stories, adults are driven insane by Slender Man’s influence, becoming “Proxies” who work for this entity. The web series Marble Hornets are who originated the idea of the Proxies, though sometimes they were people already violently insane and didn’t need much of a push. This video series also has Slender Man’s presence able to distort any video or audio recordings. Other stories say that just researching and investigating the Slender Man draws its attention. Slender Man also seems to hold some sort of either hypnosis or mind-control on its victims. It seems to have invisibility or selective enough invisibility in who it lets see them.

Creepypasta

A term used on-line for scary stories, the concept of Slender Man went viral with many people creating their own takes and adding to the mythology. There have been many different stories since its creation involving Slender Man with numerous videos and pictures all claiming to “evidence” of this mysterious being. Many of the stories have Slender Man stalking, terrorizing and abducting people, especially children.

Despite having only been around a few years, Slender Man’s immediate popularity has seen it become used and reference in various media from literature, art to video games and T.V. Naturally YouTube is one such source of people finding and watching “found footage” style videos claiming Slender Man sightings and evidence. Rather than use graphic violence and splatter horror, the stories of Slender Man work more to try and invoke a psychological scare, leaving much of exactly what Slender Man is a mystery or vague as to what happens to victims. Early stories involving Slender Man have it impaling victims on tree branches, removing organs and replacing them back in the body bagged up. Such stories don’t hold fear for long than if the victims just vanish without a trace.

Slender Man Folklore & “History”

As Slender Man became more popular and people began adding to its mythos, the reality and fantasy of this being quickly became distorted.

Brazilian Cave Paintings – This one claims that cave paintings were found in the Serr da Capivara National Park in the Northeast of Brazil dating to around 9,000 B.C.E. The paintings supposedly show a strange, elongated figure leading a child by the hand.

Der Grossman – Meaning “Tall Man,” this is part of the made-up history by “Thoreau Up”, set in 16th century Germany that shows photographs of wood cuts showing an early Slender Man. These woodcuts are credited to Hans Freckenberg who called the figure Der Ritter (“The Knight”).

Further legends attached to this have stories of children seeing this entity or fairy in the Black Forest before disappearing. Bad children who went into the forest at night would be pursued by Der Grossman who wouldn’t let up until it either caught the children or the children confessed of their wrong doings to parents.

One story claimed to be from 1702 is that of a father telling of his son Lars who has been taken. The only thing they had found was a strange piece of black cloth, somehow softer and thicker than cotton. That Lars came into his room screaming of how the angel, Der Grossman was outside his room. Lars continued his story of having gone to one of the groves near the village where he found one of the cows dead, hanging from a tree. The story ends with the father saying they have to find Lars and his family must all leave before they are killed too.

Egyptian Hieroglyphs – Another claim for ancient “archaeological” evidence of Slender Man comes with Hieroglyphs dating from 3,100 B.C.E. with references during Pharaoh Wazner’s reign. The only problem with the mention of a tomb for the Pharoah, is that Wazner is known only from inscriptions on the Palermo Stone from Egypt’s fifth dynasty and that speculation posits that Wazner may be a mythical ruler and likely fictional himself. So, I’m doubting any tomb hieroglyphs showing Wazner and Slender Man meeting up.

English Lore – The Tree Man is an English myth that appears to describe a tall, slender figure with numerous appendages that stick out of the body like tree branches. This Tree Man is used as a boogey man by parents to scare children into behaving. In addition to stories about this Tree Man are the disappearances of a number of children.

Romanian Tale – There is an alleged Romanian folktale about twin sisters Sorina and Stela who were led out into the woods one day with their mother. The twins could see Der Grossman nearby, dressed as a nobleman with boneless arms. The mother fell under Der Grossman’s influence and told her daughter Stela to take a knife and carve a circle on the ground that Sorina was to then lay in so she could be cut open. Stela refused and ran home to hide under a bed.

When the father returned home, Stela told him of what happened. Hearing the tale, the father set off immediately into the forest to find the mother and Sorina. Falling asleep, Stela was awakened later to a knock at the door and a voice calling for her to open the door, it was her father. When the Stela refused, the voice called again to open the door, it was her mother.

Refusing to answer the door still, this time it burst open and Stela’s mother came in, holding the severed head of Sorina in one hand and the father’s head in the other hand. When Stela cried out why, the mother replied it was that there was no reward for goodness in the world, nothing but cold steel teeth and fire for everyone. That it is coming for you now.

It is then the Der Grossman slid out from the fireplace and clutched Stela to his burning self, ending her life.

That does make for a rather gruesome tale.

Photographs – There’s an interesting assortment of altered photographs that claim to be images of Slender Man that date from the early 1900’s from the US, UK and Russia, linking it to the disappearances of children. Photos and Videos from the 1990’s and after all claim further evidences and proof of Slender Man as various people continue to add to the mythos.

The Rake – While not Slender Man itself, newer stories have been adding stories of this figure to accompany Slender Man on its stalking of terror, instilling fear into those who see it.

There’s been a few other characters added who seem similar to Slender Man or aid him, but these seem more like “up the ante” characters to keep the suspense and fear going.

Slender Man Panic

For all that Slender Man is a modern, Urban Legend and story, it crossed the line from fantasy to reality when a couple girls in 2014 attempted to murder a fellow 12-year old girl in Waukesha, Wisconsin. If you hadn’t heard of Slender Man before then, people knew about him now. A panic ensued as parents tried to better monitor what their children were looking at on-line and knew the difference between fantasy and reality.

Clearly a well written and crafted story takes on a life of its own.

Modern Folklore & Urban Legend

An interesting take I found on this, is from Professor Shira Chess. In her book: “Folklore, Horror Stories, and the Slender Man: The Development of an Internet Mythology,” Professor Chess discusses how Slender Man is like the folklore regarding fairies. For just like fairies, the Slender Man is an otherworldly being whose motives are alien and therefore difficult to understand. Like the fairies, Slender Man is vague in appearance and often takes on the expectations of a victim’s fears. Again, just like the fairies, the Slender Man too lives in the forests and kidnaps children. It’s an interesting connection and observation.

One thing seems clear, the stories of Slender Man have spread much like other Urban Legends have and achieved a folkloric quality in the digital age where people have been able to take and adapt the mythos to suit their needs. It’s that vagueness of the Slender Man stories where you don’t know what it is or wants, that has made the stories of Slender Man so malleable with details that are easy to adapt to anytime and place that suits the storyteller’s needs.

That’s what makes any urban legend successful or appealing. Their ability to be told anywhere, that it could happen here, in this very town, very location, at any time. Even better, is when the people hearing the story don’t know the urban legend’s origins and how it got started. Humans by our very natures are hard wired for storytelling. The simplicity of urban legends makes them easy to pass on as they’re a story told by third and fourth-hand accounts that keep the story going to the point that no one knows where it started.

With the Internet, it’s easy to fake photos, videos and news reports. Making Slender Man seem all the more real and plausible for a less discerning reader. Even with people knowing how to find and track the origins of Slender Man’s origins, there’s another group who just won’t look further and appear to accept the photo and video evidences as authentic. Maybe for a good scare or the susceptibility to want to believe.

Where many monsters in mythology and folklore represent an aspect of the human psyche, however dark. Professor Chess has commented that Slender Man can be seen as a metaphor for “helplessness, power differentials, and anonymous forces,” and as ever, as always, the fear of the unknown, things beyond people’s control. Given the narrative for much of the Slender Man mythos, that seems very likely.

Like any fear, such a being only has as much power as you give it. It’s been commented how this day and age of the Internet has allowed for such stories like Slender Man’s to go viral. As with any good, well written horror story, enjoy it. Just be careful of what you create and how far you let that fear go to feed it.

Narahdarn

NarahdarnI must confess, I came across the figure of Narahdarn when a friend posted a link to a series of pictures for a number of different mythological deities grouped by pantheon. Yes, said link and pictures were for the Marvel Comics versions. Not planning to turn it down, I kept a copy of the pictures to use for later inspiration of “what to do next” for Brickthology.

In Australian mythology, there is a story of Narahdarn the Bat who is associated as a symbol of Death. His other thing is honey, the guy loves it, enough to kill for it.

Narahdarn The Bat

This story was the most referenced source for Narahdarn that I could find.

As I said already, Narahdarn loves honey, so much so he was bound and determined to himself some. Unable to locate a Bee Hive, Narahdarn set out to follow a bee to its nest. While following the bee, Narahdarn’s two wives accompanied him with jars or pots to carry home honey in.

Narahdarn followed the bee to it’s nest and marked it with dagger so he could find it later and went to get his wives who had fallen behind. He hurried the two to the tree with the bee hive in it and demanded that one of the wives climb the tree to chop out some of the honey combs. The first wife who climbed up, got her arm stuck fast within the tree hollow or split.

To the first wife’s horror, Narahdarn’s answer to get her free from being stuck was to chop off her arm. Once she realized what he was doing, the first wife began to protest. Narahdarn didn’t listen and proceeded with chopping off the arm. The first wife of shock and Narahdarn brought her body down from the tree.

Laying down the first wife’s body, Narahdarn commanded his second wife to climb up the tree. Horrified the sight, the second wife protested, saying that the bees were likely to have moved the honey to a different tree.

Refusing to accept the excuses, Narahdarn brandished his knife and forced the second wife to climb up the tree. Finding the same notch in the tree that the first wife had found, made all the more obvious with the bloody limb hanging from the hole, the second wife reached her arm in for the honey within.

Like the first wife, the second wife was now stuck too. Narahdarn chopped off the second wife’s arm as well and yelled for her to come down. When the second wife didn’t answer, Narahdarn realized what he had done and became scared. He quickly climbed down the tree, laying the bodies of both wives next to each other. No longer wanting any honey, Narahdarn ran from the place, running back to the tribe.

Back at the tribe’s camp, two of the little sisters for the wives came out to greet Narahdarn. Naturally they believed the wives, their sisters would be with Narahdarn. So it’s no wonder they were surprised to see him return alone and not just that, but covered in blood. Narahdarn’s face had a harsh look to him.

Alarmed, the two young sisters ran for their mother. Upon hearing the two girls, the mother went out to confront Narahdarn, asking him where her daughters were. Narahdarn refused to answer, rebuking the mother with saying to go ask the bee, Wurranunnah.

The mother returned to her tribe, telling them of her missing daughters and how Narahdarn would tell her nothing about their disappearances. She was certain that they were truly dead given how Narahdarn’s arms had been covered in blood. The chief of the tribe listened to the Mother and her cries that came after. The chief said that the daughters would surely be avenged and that the young warriors of the tribe would retrace Narahdarn’s tracks to discover their fate. If it was found that they were dead, then Narahdarn would be punished at a corrobboree (a special ceremony).

It didn’t take long for the young warriors to track Narahdarn’s tracks or to find the bodies of the daughters. Just as quickly, the young warriors return with their news and soon enough the corrobboree was held. Narahdarn joined the men, not realizing what was in store for him. As he danced towards a particularly large fire, the Mother let out a loud shriek and when Narahdarn turned to move away from the fire, he found himself blocked in. The men seized Narahdarn and threw him into the fire where he died.

Not the most pleasant of ways to go, but consider that justice served.

The Introduction Of Death

This next story when I found and came across seems rather Biblical in nature.

By this story, the first man in Australia was named Ber-rook-boorn, created by the god Baiame. After placing Ber-rook-boorn in the area they were to live in, Baiame placed his sacred mark on a yarran tree which happened to have a bees’ nest in it.

Baiame told the first man and woman that this yarran tree was his, along with the bees in it. That Ber-rook-boorn and his wife could take food from anywhere in the land that they wanted, just not this tree or the honey produced by the bees within. Baiame warned the two that a grave evil would come upon them all people who followed after.

With that, Baiame disappeared and Ber-rook-boorn and his wife obeyed as told, for a short time at least. For one day, while the woman was out gathering firewood, she found herself near Baiame’s tree where she found many branches on the ground. Looking up, the woman realized she was beneath the sacred tree of Baiame’s. Scared, the woman still managed to gather up an armful of branches.

Soon, the woman felt a presence over her and she looked up again. This time she saw the bees buzzing around the tree’s trunk and drops of honey that glistened from within the tree. The woman stared hungrily at the honey. She had had honey before, even if only once and surely there was enough honey, a little wouldn’t hurt or be missed. Letting her branches fall, the woman climbed the tree, determined to get herself some honey.

Once she up in the tree, the woman was greeted to a flurry of leathery wings as Narahdarn the Bat swooped down at her. Baiame had placed Narahdarn there to guard his tree. Now because of her action, the woman had released Narahdarn, bringing with him and symbolizing death. This ended a Golden Age for Ber-rook-boorn and the woman. The yarran tree, it seems wept tears for the loss of man’s immortality. These tears would become a red gum that can be found on the yarran tree.

As I said, the story sounds very Biblical and similar to the story told of Adam and Eve in the garden, how they could eat of all the fruit except from one tree and when Eve did, it’s at the snake’s suggestion and with it, when she does eat the forbidden fruit, brings death to the world. I know there’s far more to the story, but that’s just in brief for right here.

Marvel Deity

Making only one appearance within the pages of Marvel comics, specifically the Official Handbook of the Marvel Universe 2006 #3, Narahdarn is presented as an Australian god of Death.

Disney’s Hercules

In the cartoon series of the same name, there is an episode where Hercules travels to Australia and goes up against Narahdarn as a god of Death.

Headless Horseman

Headless Horseman

The Headless Horseman is a popular figure found in American folklore. Often described as well, a headless rider on horseback.

The Headless Horseman is a common figure and staple of American Folklore. It has shown up for usage in various movies, T.V. series and literature outside of the original “The Legend of Sleepy Hollow” by Washington Irving. Recent t.v. series are Sleepy Hollow and Tim Burton’s movie of the same name, both drawing on the same inspiration of Irving’s story.

Washington Irving’s “The Legend of Sleepy Hollow”

Ah yes, the classic American story. “The Legend of Sleepy Hollow” first appears in a collection of short stories titled: “The Sketch Book of Geoffrey Crayon, Gent.” As far as inspiration goes for Irving’s story, many seem to agree to the idea that the German writer, Karl Musäus is where the idea for a Headless Horseman from. Karl Musäus is known for having collected Germanic folktales much like the Brothers Grimm.

The story is set in Sleepy Hollow, New York during the time of the American Revolutionary War, so about 1775 or shortly after. Tradition holds that the Headless Horseman had been a Hessian Artillery man who had been killed during the Battle of White Plains, circa 1776.  So, at the time the story was told and set, not too long ago. The Hessian had been decapitated by a cannonball, not a fun way to go.

The shattered remains of the Hessian’s head were simply left on the battlefield while fellow soldiers carried off his body to be buried. The Hessian’s body was laid to rest in the cemetery of the Old Dutch Church of Sleepy Hollow. Following this, each Halloween night, the Hessian’s ghost would appear as a Headless Horseman seeking for this lost head. The Headless Horseman wouldn’t or couldn’t cross bridges.

The story ends with the Horseman chasing down Ichabod Crane who simply disappears after. In the short story, there’s a strong implication that the Horseman may have been Brom Bones in disguise. Brom was a rival lover of Ichabod’s, so what better way than to hide any possible foul play?

Texas – El Muerto

Another headless horseman legend arose during the 1800’s in Texas. At this point and time, Texas was known for being a wild and lawless place that attracted all sorts of unsavory characters from thieves to murderers. The local native tribes were known to fiercely fight off these foreign invaders. To the point, that the Texas Rangers began making headway into taming a seemingly lawless frontier.

There was a dispute between the United States and Mexico over a tract of land between the Rio Grande and Nueces Rivers for where the borders between the two countries lay. In 1850, things came to a header a man by the name of Vidal who was out rustling cattle. Vidal had a bounty on his head, wanted “Dead of Alive.” Two Texas Rangers by the name of Creed Taylor and William Alexander Anderson (a.k.a. “Big Foot” Wallace) had had enough of Vidal and his small gang stealing cattle and horses and sought this group of bandits.

The two Rangers along with a local rancher by the name of Flores tracked and found the bandits camp. They waited until night before striking. In a strong display of Frontier Justice, Wallace decided that killing the bandits wasn’t enough, he beheaded Vidal. Then Wallace took Vidal’s corpse and tied him to the saddle of a mustang so it would stay upright. Vidal’s head and sombrero were then tied to the saddle as well before Wallace let the horse go loose into the hillside terrain.

It didn’t take long for the stories to circulate of people seeing a headless rider to surface. Many local natives and cowboys would riddle the corpse with bullets and arrows on seeing this fearsome specter. Southern Texas became known as a place to avoid as many deeds of evil and misfortune were attributed to El Muerto.

Eventually a posse got together to capture the poor mustang and relief it of its grisly and macabre cargo near a placed called Ben Bolt, south of Alice, Texas. Vidal’s body was laid to rest in an unmarked grave.

While that should have been the end of El Muerto’s story, his legend continues to live on. Soon after Vidal’s body was laid to rest, people continued to report seeing a headless horseman wandering the land. One couple in 1917, reported seeing the specter of a grey horse with a headless rider shouting: “It is mine! It is all mine!” and the stories and sittings continue.

Washington State – The White Skoad

Not exactly a headless horseman, if you live in Washington State and ever head out to Whidbey Island, there is a local legend about Colonel Ebey’s whose head was taken by the Haida on a raid who are believed to have come the Queen Charlotte Sound. Since then, the White Skoad, a patch of white fog said to be Colonel Ebey’s ghost can be seen from time to time as he searches for his head. Other versions of Colonel Ebey’s ghost have him replaying his death every night at the house he lived in at the time.

Arthurian Legend

Not quite a headless horseman, in the story of Sir Gawain and the Green Knight, the title character of Sir Gawain accepts the challenge of a beheading game by the Green Knight. This is a story that dates to the 14th century that has been cited as involving decapitation.

German Folklore

There are two stories that the Brothers Grimm collected about a headless horseman.

Hans Jagenteufel – In this one, near Dresden in Saxony, there was a woman who headed out early one Sunday morning to gather acorns in the forest. Near the place called “Lost Waters,” the woman heard a hunting horn. Hearing it a second time, the woman looked behind her to see a headless man wearing a long grey coat and riding a grey horse. The rider rode past the woman and she gained her resolve and went back to gathering acorns.

Some nine days later, the woman returned to the same spot, once more to collect acorns. This time, she heard behind her asking if anyone had tried to punish her for taking acorns. The woman replied no, saying the foresters took pity on the poor and called to God to forgive her sins.

When the woman turned around, she again saw the same grey cloaked figure from before, only this time he carried his head under an arm. The grey figure told the woman she did well to ask God for forgiveness as he had never done so in life. The figure than went on to explain how he was called Hans Jagenteufel and in life, never heeded the warnings of his father to extend mercy to those below him and would spend his days drinking and carousing. In death, he was condemned to wander the world as an evil spirit.

The Wild Huntsman – This story is set in Brunswick, Lower Saxony. A huntsman by the name of Hackelberg. He was so proficient at his profession, that on his deathbed, Hackelberg begged god to allow him to remain on earth, giving up his spot in heaven. It would seem the request was granted and Hackelberg roamed the hereafter as “the Wild Huntsman,” blowing his horn to warn hunters not to go out riding the next day. If they do, the unfortunate hunter meets with an untimely accident.

Depending on the version of the story told, the headless horseman seeks out those who have done crimes to punish them. Other times, the headless horseman is accompanied by a pack of black hounds with tongues of fire. Much like a figure from the Wild Hunt.

Indian Folklore

Jhinjhār – This is a headless horseman mentioned in the Rajasthan and Madhya Pradesh folklore. Where many of the European headless horsemen are entities to be wary of, the Jhinjhār is often seen as a hero.

The Jhinjhār is created during a rather violent and wrongful death when defending the innocents. Other stories say the Jhinjhār was a Rajput prince who lost his head while defending a village or caravan from some bandits. The prince refused to retreat and was beheaded. Other versions of this story say the Jhinjhār was created when a Mughal cavalryman died defending his prince.

Irish Folklore

Crom Dubh – This one is a bit of a stretch. Crom Dubh was an ancient Celtic fertility god who demanded human sacrifices every year, of which, the preferred method was decapitation. Eventually the god fell out of favor and somehow this god becomes a spirit seekings corpses and eventually becoming the Dullahan.

The Dullahan – also known as Dulachán meaning “dark man” or “without a head.” This being is a headless fairy often seen dressed in black and riding a black headless horse while carrying his head under an arm or inner thigh. The Dullahan is armed with a whip made from a human spine. Death occurs wherever the Dullahan ceases riding and when it calls out a name, the person called dies. Death can also come if the Dullahan tosses a bucket of blood at a person who has been watching it.

In other versions, the Dullahan rides a black carriage. Sometimes they are accompanied by a banshee. Nothing can stop the Dullahan from claiming a victim save the payment of gold.

Gan Cean – Its name means: “without a head.” It is a figure similar to the Dullahan. The Gan Cean can be warded off by wearing a gold object or placing one in its path.

Scandinavian Folklore

In a story similar to the German story of Hackelberg the Wild Huntsman, this story is about “good King Waldemar” whose’ ghost still haunts the forest of Gurre. King Waldemar had prayed to God to be allowed to still hunt in his beloved forest after death. Waldemar’s ghost can be seen riding a white horse and cracking his whip as he runs through the forest. His head though, is sometimes seen being carried under one of King Waldemar’s arms. As any Wild Hunt goes, Waldemar has a pack of black hounds with fiery mouths accompanying him.

Scottish Folklore

There is a story of headless horseman by the name of Ewen who had been decapitated during a clan battle on the Isle of Mull. This battle prevented Ewen from becoming chieftain. Both the ghost of Ewen and his horse are reputed to haunt the area of Glen Cainnir.

Bubak

Bubak

Also known as: Bugbear, Bumann, Boggelmann, Boogeyman, Bogy, Golliwog, Hastrman

Also spelled: Bebok, Babok, Bobok

Etymology: Bugbear, Hastrman – “scarecrow”

This starts off seeing the image of a rather scary looking scarecrow from either Polish, Czech Republican or Slovakian folklore. The imagination is hooked.

According to what I found and much of it seems largely repeat the same information over and over, a Bubak is a scarecrow-like entity said to hide along riverbanks. It will make sounds like an infant in order to lure victims, adults and children alike to their doom. Further, the Bubak has a cart that is driven by cats. The Bubak’s clothing is made from the souls of its victims.

Poland – An alternative name is the Hastrman, meaning scarecrow. This is a man with a sack who will take any children and adults. He is known for hiding beside riverbanks and making a sound like a lost baby.

On the night of full moons, the Hastrman is known to weave and make clothing from the souls of those it has taken. Further, this creature also has a cart that is drawn by black cats.

Essentially, the bubak is another type of boogeyman.