Category Archives: Dance
Also known as: Dodore (northern Malaita), Kakangora, Kalibohibohi (Guadalcanal), Mumu (southern Malaita), Nopitu (Bank Islands of northern Vanuatu), and Tutulangi
Perhaps if I had done this post sooner, I could have found more posts directly about the Kakamora instead of so many about the movie Moana.
Legends of creatures known as Kakamora come from Polynesian mythology, especially in the Solomon Islands of the Melanesian people. The main legends of the kakamora are from the island of Makira. They are sometimes called tricksters and are known for stealing fire from humans. The other more malicious trick that kakamora are reputed to do is to beat one of their own so they would cry, sounding like a baby. This of course would cause a human to come close, thinking they’re going to help, only to be captured, killed, and eaten by the kakamora.
Let’s dispel the notion of the Kakamora from the movie Moana as sadistically cute coconut-clad armored pirates that attack Moana and Maui on their quest. The movie does get it correct in terms of size for them being small.
In Polynesian mythology, the Kakamora are small, hairy spirits with sharp claws known to be secretive and dangerous. In the Solomon Islands, these beings are held to be harmless until they aren’t. In the forests where they live, the kakamora live on nuts, fruit, and opossums. Making them dangerous is that from time to time, the Kakamora are reported to feed on anyone found wandering alone, be it a child or a hapless traveler. They also live in holes, caves, and banyan trees. The language that kakamora have is not shared with the Melanesian people.
Warding Off Kakamora
Apparently, waving anything white will frighten off the kakamora. It’s not clear why this color but go figure.
Aside from people saying that Kakamore loves to be in the moonlight, there is a traditional dance held in the Soloman Islands. This play or dance imitates the legendary dance that the kakamora did to the sounding of a conch shell. When people traveling by canoe suddenly arrive, the smaller kakamora take off for the trees in a panic, running.
Possible Reality Behind The Myth
Much like the celebrities of Cryptozoology with Big Foot, Lochness Monster, and the Yeti, people claim and believe that there may still be Kakamora living deep within the forests and mountains of the Solomon Islands.
One author, Reverend Charles Fox in his book The Threshold of the Pacific, written in 1924, wrote of the kakamora, how they build no houses, don’t use tools, or make fires. Fox’s book describes how he was traveling with a group of Arosi people when they came across the remains of half-eaten fish and small, wet footprints on dry stone in the river. Even in 1930, District Officer Dick Horton claims to have seen very short people near the village of Veramakuru on Guadalcanal.
More excitement for an extinct race of hominids arose in 2003 with the discovery of 18,000-year-old bones on Flores Island in Indonesia. The short, one-meter stature of this archaeological find has led scholars to refer to this race as hobbits.
Most claims and sightings of kakamora ended in the early 20th century when local people began to obtain firearms. There had been reports of sightings near villages and thefts in gardens. However, just like the Cryptozoology superstars like Big Foot and Nessie, some people are hopeful that they’ll capture a kakamora and prove to the world their existence while other people have relegated such stories to the realm of superstitions, folklore, and fairy tales.
Movie Time – Moana!
So of course, the movie came out in 2016, featuring the famous Maui of Polynesian mythology. Since I was curious, of course, I wanted to know how much of the mythology and stories that the movie gets right.
It is, of course, a new story, and the Maui seen in the movie pulls and combines many of the aspects of him found primarily in Hawaiian and Maori legends. Much of this is confirmed during the song: “You’re Welcome” and a quick montage of all of Maui’s deeds that he’s done that have earned him a new tattoo to commemorate the event.
The character of Te Fiti in her darker aspect as Te Ka was originally referred to as Te Po, based on the Maori goddess Hine-Nui-Te-Po, the goddess of night, death, and the underworld. Others have noted a strong similarity between Te Ka and the Hawaiian volcano goddess Pele.
As to the Kakamora, not really. They get depicted as coconut armor-wearing pirates that roam the sea and show up rather randomly at one point and end up as comic relief.
Interestingly, while the movie was being developed and written, it incorporates the history of Polynesian people as voyagers who just abruptly ceased and then a thousand years later, start sailing again. Why? No one knows. However, the story of Moana certainly provides an interesting what-if story to it.
It’s interesting to note the importance of coconuts in Polynesian culture. Just from the movie Moana we see the people of the village sing about the importance of coconuts and Maui talking about how he created the coconuts so people would love him.
So, it’s weird seeing vicious coconut armor-wearing pirates, especially to menace Moana and Maui for the heart of Te Fiti. It also doesn’t help to come across “coconut” as a racial slur against Pacific Islanders.
The whole Waterworld & Mad Max vibe of random sea fairing pirates that show up and then are gone doesn’t seem to help the movie plot other than being filler and adding comedy. Sticking more to the folkloric beliefs and legends would have been far better in presenting the Kakamora.
If nothing else, the movie has catapulted the stories of Kakamora more towards the foreground of mythology, stories, folklore, and fairytales that everyone has some familiarity with.
Other Names: All-Heal, Birdlime, Devil’s Fuge, Donnerbesen, Druid’s Herb, Golden Bough, Herbe de la Croix, Holy Wood, Lignum Sanctae Crucis, Misseltoe, Mistillteinn, Mystyldyne, Thunderbesem, Witches’ Broom, Wood of the Cross,
Deity: Apollo, Balder, Cerridwen, Freya, Frigga, Odin, Taranis, Thor, Venus
Sphere of Influence: Defense, Dreams, Exorcism, Fertility, Health, Hunting, Invisibility, Locks, Love, and Protection
Symbols: Friendship, Peace
Victorian Language of Flowers: “I surmount difficulties, I send you a thousand kisses.”
What Is It?
Mistletoe is the common name for plant that is parasitic (hemiparasite) in that it grows by attaching itself to the branches of a tree or shrub, taking water and nutrients from the host plant. The mistletoe species, Viscum album is the one referred to in folklore is that is native to Great Britain and most of Europe. It is characterized by having a smooth-edged, oval shaped evergreen leaves set in pairs along the stem and white berries that are known to be poisonous.
There are a variety of other species of mistletoe plants found in other countries of Europe such as Spain and Portugal and on other continents. American Mistletoe is also known as False Mistletoe as the homeopathic remedies and uses are different from the European Mistletoe. Over time, the term mistletoe has come to include other species of parasitic plants. Even plants get parasites…
Despite mistletoe’s parasitic nature, it does have an ecological benefit with being a keystone species in that it provides food for a variety of animals that feed on it as well as providing nesting material for various birds.
There used to be all sorts of folkloric beliefs about how mistletoe would come to grow on various shrubs and trees. By the sixteenth, botanists had it figured out that seeds were passed by the digestive tracts of birds who fed on mistletoe or by the birds rubbing their bills on trees to get rid of the sticky seeds. An early reference to this is in 1532, an Herbal book by Turner.
What’s In A Name
One etymology for mistletoe that seems fairly accurate are the Anglo-Saxon words for “mistel” meaning “dung” and “tan” meaning “twig.” Making the meaning of mistletoe as “dung-on-a-twig.” Which makes sense, people observed that mistletoe grew wherever birds roosted and thus did their business.
The Latin word “viscusas” and the Greek word “ixias” both refer to the white coloration of mistletoe berries and being thought of to resemble sperm. The same words “visand ischu” mean “strength” In the Greek and Roman mindsets, sperm was connected to strength and vitality and thus to fertility for life springing seemingly out of nowhere. Mistletoe berries harvested from Oak trees were believed to have regenerative powers.
Mistletoe is a plant strongly associated with Christmas, Yule and other Winter Celebrations where it is used in decorations for its evergreen leaves that symbolize the promised return of spring.
Hanging Mistletoe – Anyone standing beneath the mistletoe can expect to be kissed. This probably originates in Druidic beliefs where mistletoe is strongly connected with fertility as the white berries of the mistletoe resembled semen. Now, proper etiquette says that when someone is kissed beneath the mistletoe, a berry needs to be removed until all have been plucked, at which point, there are no more kisses.
One tradition holds that if any unmarried woman went unkissed after the hanging of the mistletoe, they would not be able to marry for a year.
British farmers would feed a bough of mistletoe to their livestock on January 1st, believing it would ward off any bad luck for the coming year. Alternatively, a farmer feeding mistletoe to the first cow calving in the New Year was what brought good luck.
In some regions of Britain, mistletoe would be burned on the twelfth night after Christmas to ensure any boys or girls who didn’t get kissed could still marry.
Celtic Druidic Mythology & Traditions
In the Celtic language, the name for mistletoe translates to “All-Heal” as they believed this plant to have healing powers that could cure a number of ailments and held the soul of the host tree. By Mistletoe was held the chief of the Druid’s sacred seven herbs. The other sacred plants were: vervain, henbane, primrose, pulsatilla, clover and wolf’s bane.
The tradition of kissing under the mistletoe is attributed to the Druids who held the plant as being sacred. It held a magical virtue and served as a remedy to protect against evil. Mistletoe found growing on Oaks were especially sacred. Ovid’s writings mention how Druids would dance around oak trees with mistletoe growing on them. If mistletoe were to fall to the ground without being cut, it was considered an ill omen.
In Between – Seen as a tree that was not a tree. One of the things making mistletoe sacred was its seeming ability to spring forth out of nowhere. It represented the “in between” or a gateway to other worlds and spirit.
Harvesting – Pliny the Elder in his Natural History, circa 77 C.E. notes how the Druids revered the mistletoe. Pliny goes on to explain how white-clad Druids would use a golden sickle when harvesting mistletoe; taking great care to make sure that none hit the ground, believing that the plant would lose its potency and sacred powers. The sacrifice of two white bulls would follow. Pliny’s accounts are the most well-known documentation of Druid beliefs regarding the sacredness of mistletoe. Either the Midsummer or the Winter Solstice were the times to harvest and collect mistletoe. Better when done so on the sixth day after a waning moon.
Oak King & Holly King – This is a particularly old folkloric belief. With the Oak King and Holly King being personifications for the cycle of the year. Mistletoe berries found on an Oak tree were thought to be representative of the Oak King’s semen. So when the Oak King’s power waned and gave way to the Holly King, the harvesting of mistletoe and it’s berries off of Oak trees was symbolic of emasculating the Oak King. Hence, why two bulls would be sacrificed, to compensate the Oak King.
The white berries of mistletoe would be made into fertility potions as they were thought to be regenerative as on the Winter Solstice, the Oak King would be reborn, gaining power again as the new year progressed.
Fire & Lightning – It was thought that mistletoe would grow on an Oak tree that had been struck by lightning. For this, mistletoe was believed to be able to stop fires.
French farmers would burn mistletoe in their fields in order to have a successful harvest with the coming year.
Maidens would place a sprig of mistletoe beneath their pillows so they could dream of their future husband.
Herbe de la Croix – In Brittany, there is a legend how the cross that Jesus is to have been hung on was made from the wood of mistletoe. After Christ’s death, mistletoe is said to have been cursed or degraded to become a parasitic plant. Now days, thanks to 16th century Botanists discoveries, it’s better understood how the seeds of mistletoe or spread.
Immortality – Asclepius, the son of Apollo and god of medicine was greatly renowned for his healing skills to the degree that he could even bring people back from the dead. This knowledge of healing came about after Glaucus, the son of King Minos of Crete had fallen into a jar of honey and drowned. Asclepius had been called onto the scene and while there, saw a snake slithering towards Glaucus’ body. Asclepius killed the snake and then saw another snake come in and place an herb on the body of the first snake, bringing it back to life. After witnessing this, Asclepius proceeded to take the same herb and place it on Glaucus’ body and bring him back to life.
This herb is said to have been mistletoe. Now armed with this knowledge, Asclepius brought Glaucus back to life. Later, he would bring Thesues’ son, Hippolytus after the king’s son had been thrown from his chariot.
This angered Hades enough that he complained to Zeus that humans would become immortal and that there wouldn’t be anyone entering the Underworld. To prevent people from becoming immortal, Zeus agreed to kill Asclepius, doing so with a lightning bolt. Later, Zeus placed Asclepius’ image up into the heavens to become the constellation of Ophiuchus in honor and memory.
Golden Bough or Mistletoe is the plant Aeneas uses to enter the Underworld to Hades’ realm.
Saturnalia – Many traditions regarding mistletoe and the Christmas traditions are believed to trace their origins to this ancient Roman festival once held on December 17th of the old Julian calendar.
The Death Of Balder
This is one of the bigger, more well-known Norse stories. Balder’s mother Frigg, the goddess of Love had received a prophesy concerning Balder’s death, who was the most beloved of all the gods. Wishing to try and avoid this fate, Frigg got an oath from all living things that they wouldn’t harm her son. In her haste to do so, Frigg overlooked the mistletoe, believing it to be too small and inconsequential.
Leave it to Loki to learn of this oversight and to test the validity of the prophesy. Depending on the source, Loki either makes an arrow or a spear out of mistletoe and hands it off to the blind god Hod, instructing him to aim it at Balder. This act doesn’t seem so unusual when taken into account that many of the other gods were taking aim at Balder to test his invulnerability.
Hod then, unknowingly of Loki’s true intent, fires the mistletoe weapon at Balder and impales the god who soon dies. Frigg is grief stricken and Hermod rides off on Sleipnir down to the Underworld to plead for Balder’s release from Hel, how everyone loves him. The Underworld goddess replies that if this is so, then every being in the living world will weep for the slain god. If everyone does weep, then Hel will release her hold on Balder and allow him to return.
Hermod returns with the news and every creature on the earth cries for Balder. All, that is except for an old giantess by the name of Tokk (or Þökk, meaning “Thanks,”) she was most certainly and likely Loki in disguise.
With this failure to have everyone weep, Balder remained in Hel’s domain.
Some variations to this legend have mistletoe becoming the symbol of peace and friendship to make-up for it’s part in Balder’s death.
In the version of the story with a happy ending, Balder is restored to life, and Frigga is so grateful that she reverses the reputation of the offending plant–making it a symbol of love and promising to bestow a kiss upon anyone who passes under it.
The white berries of mistletoe are to have formed from Frigg’s tears when she mourned Balder’s death. Shakespeare makes an allusion to the story of Balder’s death by referring to mistletoe as “baleful.”
Peace & Love
Due to the above story, the Norse held the belief that hanging the mistletoe would be a symbol of peace, indicating that any past hurts and anger would be forgiven. Enemies would cease fighting each other for the day.
Under the incoming Christian religion as it spread throughout Europe, the symbolism of the mistletoe would be converted to have Christian meanings as older pagan beliefs and traditions would get adapted and changed.
For example, in the Norse story with the death of Balder, mistletoe would keep its meanings as a symbol of life and fertility.
Wearing sprigs of mistletoe is believed to help conceive, attract love and for protection.
During Medieval times or Antiquity, branches of mistletoe would be hung to ward off evil spirits. Mistletoe would be hung over the house and stable doors to protect from witches and keep them from entering.
Mistletoe could also be worn in amulets, bracelets, and rings for its magical qualities of protecting from evil, witches, poisoning and even werewolves!
Yes, there are medical uses for mistletoe. However, the white berries are poisonous as they do cause epileptic type seizures and convulsions. Keep the white berries away from small children and pets who might decide to try and eat them.
Do make sure to consult an accredited medical source as some information has changed.
Homeopathic Remedies – Due to the nature of the poisonous berries, it causes many cultures such as the ancient Celts to use mistletoe berries in remedies for treating convulsions, delirium, hysteria, neuralgia and heart conditions. Some Native American tribes used a tea wash for bathing the head to treat headaches and infusions for lowering blood pressure and treating lung problems.
Warning – Do make sure to consult an accredited medical source as some medical experts disagree about the applications of homeopathic remedies and information is likely to change with better data and research.
Mistletoe is seen as an all-purpose plant and has been attributed a wide variety of magical uses and even a number of herbal and homeopathic remedies. A lot of it ending up very contradictory and suspect as to which to see as accurate. Further, you want to make sure you have the right mistletoe species.
Also called: Ananse (Trinidad and Tobago), Annancy or Anancy (Jamaica, Grenada, Costa Rica, Colombia, Nicaragua), Anansi Drew (The Bahamas), Anansi Kokroko (Wise Spider), Anancyi, Ananansa, Annecy (West Indian), Ayiyi, Kacou Ananzè, Ba Anansi (Suriname), Ba Yentay (South Carolina), Bra Anansi, Hapanzi, Nansi or bra spaida (Jamaica, Sierra Leone), Kompa Nanzi (Curaçao, Bonaire), Bru Nansi (Virgin Islands), Kwaku Anansi (Akan-Ashante), Nanzi, Nancy, Aunt Nancy (Gullah; South Carolina), Miss Nancy, Sis’ Nancy, Kuenta di Nanzi, Spider (Temne), Cha Nanzi (Aruba), Hanansi, Pablo Barnansi (S. Quanderer), Compé Anansi, Kompa Nanzi (Curaçao, Bonaire), Gede Zariyen, Zarenyen, or Ti Malice (Haiti)
Etymology: Spider (Akan)
Anansi is the spider trickster god of the Akan, Ashanti people in Ghana and several West African folklore and folktales. As a trickster, he is able to shape-shift into a human form. His presence as an important cultural figure has made his way into Caribbean mythology, spreading to Aruba, Bonaire, Curacao, over to the Netherlands Antilles, the West Indies, Suriname, Sierra Leone and likely several other places. Like a good many trickster figures, Anansi is known for causing and getting into mischief or trouble before using his wits, cunning and guile to wheedle his way out of the troubles and problems. His stories and exploits are numerous, with many regional variations to his tales. As a trickster, Anansi is just as likely to help as to hinder someone.
As with all good stories, Anansi tales began with being told in oral traditions, survived, thrived, and made their way across the Atlantic Ocean to North America during the Trans-Atlantic slave trade era. These stories would play an important part to maintaining cultural identities for many enslaved West Africans. Many of these Anansi stories would be stories and lessons of how to rise up and outsmart those who would harm and oppress the less powerful.
Animal: Fox, Rabbit, Spider
Mineral: Spider Silk
Patron of: Storytellers,
Sphere of Influence: Cunning, Freedom, Messages, Morals, Proverbs, Stories, Trickery, Wisdom, Wits
A trickster, Anansi is often shown in many different forms and representations depending on the artistic source. In many stories, Anansi is a spider while in other stories, he is more anthropomorphized as either a spider with a human face or a human with spider-like features. The original spider-man.
In the Southern United States, when the Anansi came and his named changed to Nancy and Aunt Nancy with anglicized spellings, he became a spider woman and female figure.
One story has Nyame becoming so angry with Anansi’ tricks and antics that he turns Anansi into his spider form.
What’s In A Name?
Letters, letters are in a name…
The name Anansi is the Akan word for spider. Where he is called Kwaku or Kweku Anansi, the word Kweku means Wednesday as that is the day that Anansi’s soul first appeared. Given that Wednesday is named for Woden or Odin, the Norse god of Wisdom, there’s a very good coincidence here for names and meanings.
Parentage and Family
Nyame – Father & Sky-God; some regional variations place Anansi as his son, others don’t.
Ya Nsia – Mother. Asaase Yaa, the Earth Mother is also given as Anansi’s mother.
Where Nyame is given as Anansi’s father. There’s one story where Esum the Night, Osrane the Moon, and Owia the Sun are given as Nyame’s son.
It makes sense to me that these three should be counted as Anansi’s brothers.
Okonore Yaa – Wife, she is also known by the names of Aso, Crooky, Konori or Konoro, and Shi Maria.
The name Konori likely comes from the Hausa word koki for a “female spider.”
Afudohwedohwe – Pot-bellied son.
Anansewa – Anansi’s beautiful daughter, introduced in Efua Sutherland’s stories where Anansi sets out to find his daughter a proper suitor.
Nankonhwea – Son with a spindly neck and legs.
Ntikuma – Firstborn son.
Tikelenkelen – Big-Headed son.
Singular – Obosom
In Akan Spirituality, Anansi is considered an Obosom, a minor deity and spirit. The Abosom are all considered to be children and messengers of the great creator god Nyame. They could be male, female or a mixture of both.
The term Abosom reminds me of the Greek term Daimon (not Demon!) when referring to smaller, lesser & localized gods or spirits. Especially they were likely to be tied to one place such as a river, tree, or mountain.
Abosom is also the Ashanti term for pantheon, so all the gods. Or every divine being who isn’t the great creator Nyame.
With Anansi, he isn’t necessarily revered the same way as the other Abosom in Akan Spirituality or if he’s even seen in the same light. That too can vary and can be up for debate. Which is also understandable, Anansi is a trickster figure. With many trickster figures, you are playing with fire and in Anansi’s case, that’s water that could potentially drown you if you’re not careful. When Anansi does get acknowledged, he is an Obosom of Wisdom.
Just how much of a divine being Anansi will be, varies by region and which stories about him are being told. In some, he’s a human named Spider that has done a few favors for Nyame and is granted extra powers, namely one of t hem being an extended life. He’s a son of Nyame or just one of many beings with some measure of power to separate them from being fully human. Or Anansi is the straight up animal trickster as seen in Native American lore with beings like Coyote and Raven and their stories.
In many of the Anansi stories, the spider is often Nyame’s messenger, acting as his go-between. For many of the Abosom, this is often a role they play for either Nyame, the Sky God or Asaase Yaa, the Earth.
There is a story where Anansi’ antics grew too much for Nyame and he replaced Anansi with Chameleon to be the Sky-God’s new messenger.
Maybe, most of the stories of Anansi aren’t so much as him creating the Universe, but often setting the precedence for why things happen the way they do. Anansi is credited with having created the first man and then Nyame breathing life into them. Or Anansi is convincing Nyame that people need the rain to stop a destructive fire, setting order to the course of the day, ect. Even death if Anansi hadn’t stolen from them.
Like many tricksters, Anansi also has stories revolving around him having brought agriculture, hunting and writing to the Earth for people to use. In the story where Anansi tried to hoard all the world’s wisdom and knowledge, he found it much easier to share and disperse this knowledge for everyone’s use.
As a trickster, Anansi doesn’t just rely on his wits and cunnings to get through scrapes. One of his many tricks is the ability to shape-shift. Not just physically from spider to man but the ability to take seeming weaknesses and turn them into virtues and strengths.
Weakness To Strength
That’s a vital and important lesson to learn. In many stories, Anansi is able to overcome an opponent or situation, not just by his wits but using a seeming weakness to a strength. Similarly, he will exploit an opponent’s weakness against them.
Insatiable Greed – Finding The Angles
That seems to be a reoccurring theme with several Anansi stories, where what he has, isn’t enough and he has to find some way to get more. Oftentimes, that more is food. Anansi is often looking for the angles and finding ways to get others to bring him food or he kills the other animals for food if he’s not outright stealing it.
Sometimes, in the course of Anansi’s covetous and insatiable greed, another character is able trick Anansi instead, outwitting him. That is a classic of trickster tales, where the trickster gets outwitted instead of outwitting everyone else.
Of course, it could be I’m misremembering and thinking far too much of a particular Gargoyles episode “Mark of the Panther” in season 2.
God Of Storytelling & Knowledge
Not only is Anansi the god of storytelling, but he is also the god of knowledge. This makes a lot of sense with how early in human history, much of the history involved, lessons, wisdom and knowledge imparted is through the use of stories.
Meaning Spider Stories in the Ashanti language. The Anansesem stories, like many stories began as an oral tradition. Such is the prominence of the spider stories, that the term Anansesem came to include all the different fables and stories. The Jamaican version of the Anansi stories are the most preserved of the spider stories and have close ties to their Ashanti origins. Especially with how the Anansi stories end with a proverb or moral given at the end.
Anthropologists have studied and found that humans are hard-wired for stories. Stories are important, they are an integral part and parcel of the human experience. They convey who we are as a people, where we came from, morals, lessons and how things came to be.
It seems very poignant, that stories seem very central to the Anansi tales, especially for a keeping one’s cultural identity. Especially in the face of so much adversity and the dark side of history with the Trans-Atlantic Slave Trade. The most well known of the Anansi stories are those from Jamaica.
Like all trickster tales, the Anansesem not only entertain, they are also moral stories that often highlight his greed and other flaws along with his wit. The Anansesem stories cover a wide range of stories from the mundane and the subversive. Anansi as a folk hero is both an ideal as well as a cautionary figure of downfalls to be avoided.
It seems very poignant, that one of the roles that Tricksters carry is that of Culture-Bringer. That the very first story of Anansi, or at least the one to place as chronologically first is how Anansi comes to acquire all the stories. Frequently Trickster stories tell the importance of things, how they came to be, conflicts, shenanigans and more. Without stories to tell us who we are as a people, a great many aspects of history and culture are lost. With Anansesem, all stories, regardless of genre are considered spider stories.
Anansi-Tori – This is the name for the Spider stories among the Surinam people. In the capital city of Paramaribo, the Anansi-tori are a prominent part of the death rites. It’s important that these stories are only told during the night and never during the day, lest the dead come to listen, thereby causing the death of the storyteller or their parents. The Saramaca Bush people have a tradition that during the seven days that a body lays in the village death house, they tell the Anansi-Tori to the dead as entertainment. The Anansi-tori have also come to include the dances and songs sung during these rites.
The Spider stories are called Nansi in Guyana and Kuent’i Nanzi in Curacao.
Vive La Résistance! – The importance of the Anansesem stories is seen as a symbol of resiliency with slave resistance and survival. As a trickster, Anansi is frequently able to get the better of more powerful opponents using his trickery and cunning. As such, slaves used the stories of Anansi as inspiration for finding ways to resist and gain the upper hand on plantations, to give a sense of community, connection to their past in Africa and a way to maintain their cultural identity.
As the King of Stories, Anansi is not only the patron of storytellers, but those who live by their wits. Like many Caribbean deities, Anansi can be summoned with offerings of treats, smokes, and liquor.
Just be aware, if Anansi is bored by the story, he may not hang around for long.
A traditional opening for an Anansi story goes:
“This is my story which I have related. If it be sweet, or if it be not sweet, take some elsewhere, and let some come back to me.”
Another way to traditionally start a story is:
“We do not really mean; we do not really mean that what we are about to say is true. A story, a story; let it come, let it go.”
All The Stories!
Also known as “How the Sky God’s stories became Anansi’s stories.” It is the most retold story of all the Anansi tales.
For you see, once upon a time, there were no stories. None. There were stories, but they were all kept by Nyame, the Sky God who had them all hidden away. Some versions of the story note about here how Anansi is Nyame’s son.
For Anansi, it doesn’t sit well with him that his father should be hoarding all the stories and as the world is a boring place, Anansi decides to find a way to get stories of his own. Using his silk webbing, Anansi climbs up to the heavens where his father is at and tries to buy the stories from Nyame, but Nyame refuses, he didn’t want to share the stories with anyone. Anansi kept insisting he can afford the price for Nyame’s stories. Nyame refutes Anansi still, saying that even the great kingdoms of Kokofu, Bekwai and Asumengya couldn’t afford his stories.
A sudden thought comes to Nyame and he asks Anansi, how he, someone so small and insignificant is going to be able to afford the price where others have failed. Undaunted, Anansi persists, saying he can afford the stories, just name the price.
Amused, Nyame relents and sets as high a price as he can, hoping that these impossible tasks would finally deter the spider. As to what these tasks were to be?
Anansi was to capture four of the most dangerous creatures known in the world. Onini the Python, the Mmoboro Hornets, Osebo the Leopard and lastly, the Fairy Mmoatia.
Smiling, Anansi promises Nyame that he will bring these four back and just for good measure, he will even throw in his own mother, Ya Nsia. Nyame accepted the offer, thinking that would be the end of it and told Anansi to start his quest.
Quest in hand, Anansi returns home to his family so he can consult them about his plan. Anansi talks with his mother, Ya Nsia about his plan to capture Onini the Python first. His wife, Okonore Yaa tells Anansi that he should cut a long branch from a tree and get some vines.
Anansi returns with the branch and vines and Okonore Yaa tells him to head down to the river where Onini lives. As the two pretend to argue, Onini overhears them and comes over, listening over whether Onini’s body was longer than the branch of a tree.
Onini, on hearing what Anansi and Okonore Yaa are arguing about, he quickly agrees to stretch out next to the branch to his full length to prove that he’s longer than the branch. No sooner has Onini stretched out than Anansi takes the vines to tie the python up.
As Anansi carries Onini back to Nyame, the spider cheerfully tells Onini about the bargain that he has made. Nyame nods acknowledgement to Anansi for one task accomplished and reminds the spider that there are still three other tasks to fulfill.
Anansi returns to consult with his family for the next task, which would be capturing the Mmoboro Hornets. Okonore Yaa comes up with an idea for Anansi to get a gourd and fill it with water. Carrying that gourd with him, Anansi went off to pay a visit to the Hornets. Once he arrived, Anansi looked around the bushes where the Hornets. Soon as Anansi spotted them, he carefully sprinkled water on the Hornets and then on himself. Grabbing a palm leaf from a nearby tree, Anansi covered his head just time as the swarm of angry Hornets came his direction. Holding out the wet palm leaf, Anansi explained that it had been raining and that he too was wet.
Anansi explained that this rain would be dangerous and that the Hornets might want to hide inside the gourd he brought. The Hornets agreed and soon had all flown inside to take shelter.
Once all the Hornets were in, Anansi stopped up the mouth of the gourd and proceeded to gloat for falling for his trick. Anansi continued with telling the Hornets about his bargain with Nyame as he carried the gourd with him.
Seeing that another task was completed, Nyame accepted the Hornets. He reminded Anansi that there were still two more tasks to go. Surely one of those tasks would prove to be too much for the Spider, Nyame thought.
Once more Anansi returned home triumphant. Now the task was for Osebo the Leopard. Once more Anansi and Okonore Yaa schemed together on a plan. What’s now considered the oldest trick in the book, Okonore Yaa told Anansi to dig a deep hole in the ground and cover it. Anansi caught on quickly to Okonore Yaa’s plan and told her he could take it from there.
Anansi headed off for the parts of the jungle where he knew Osebo hung around at. There, he proceeded to dig the hole and cover with brushwood as planned. Done, Anansi headed home, knowing that eventually Osebo would wander along and be likely to fall in.
Sure enough, the next morning, when Anansi returned, he found Osebo trapped down in the hole. Feigning sympathy, Anansi asked Osebo why he was trapped down there. Was it because Osebo had been drinking again? It seems this has been a problem of Osebo’s for a while. Continuing his act, Anansi asked Osebo if he wanted help. Despite Anansi’s suspicions, Osebo assured the spider that he wouldn’t eat them.
With Osebo knocked out, Anansi made a ladder and climbed down to tie up the leopard and cart him off to Nyame. All the while, Anansi gloated to Osebo when he woke about his bargain with the Sky God. Just like before, Nyame accepted Osebo from the spider and reminded Anansi that there were still more tasks to do.
Eventually Anansi agreed to “help” Osebo and got two long sticks that he cut with a knife. Anansi told Osebo to stretch out his arms, wide. This would leave Osebo vulnerable, who was unaware of Anansi’ plan. The wily spider threw his knife at Osebo when he attempted to climb out, the hilt of the knife hitting the leopard square on the head, hard enough to knock him out.
Once more Nyame accepted the latest of Anansi’s accomplishments. Just like before, Nyame reminded the spider that there were still a couple more tasks to complete. Anansi had not forgotten the deal and set off again back home.
The penultimate task, capturing the Mmoatia, the Fairy. This one won’t be so easy and Anansi sits down to think a while on the matter. After a time, Anansi goes and carves an Akua doll and then cover it the sap of a gum tree. That done, Anansi took some yams and mashed them up to place in the doll’s hand while the rest went into a bowl. Finally, Anansi took some string to tie around the doll’s waist so he could manipulate it.
Ready, Anansi took the doll down to the Odum tree where fairies were known to gather. The wily spider set up the doll and the bowl of mashed yams and then went to hide out of sight. Soon, Mmoatia appeared, lured away from her sisters by the smell of the yams.
Believing the doll to be a real person, Mmoatia asked if she could have some of the yams. Hidden, Anansi pulled on the string, making the doll nod it’s head. Delighted, Mmoatia went back to her sisters, asking if she’d be allowed to have some of the yams.
The sisters said yes and Mmoatia soon returned to the Akua doll and began to eat all the mashed yams. When she had finished, Mmoatia thanked the doll, however this time, Anansi didn’t pull on the string, so the doll didn’t respond. Infuriated at the doll’s lack of response, Mmoatia went to her sisters to complain about the lack of response.
Mmoatia’s sisters tell her to go back and slap the person for their insolence. Back she goes and on promptly slapping the doll, Mmoatia’s hand gets stuck from the sticky sap covering the doll. Stuck, Mmoatia complains again to her sisters, with one of her sisters commenting to slap the doll with her other hand. Mmoatia does so and that hand too, becomes stuck.
There is something remarkably hysterical about this, I can see the sisters realizing what’s going on, maybe they don’t like Mmoatia for some reason and she’s too insolent and arrogant to really understand that she’s getting tricked and that at this point, the sisters are getting in on it too.
I can just see where Mmoatia complains yet again that both hands are now stuck and the sisters, incredulous to the fact that she’s listened to them and gotten stuck, tell her to hit the doll again with her whole body. This has got to be a scene of where the sisters are looking to see if Mmoatia is really going to be that arrogant, insolent, even dumb enough to listen and they want to see if she’ll do it.
And yes, Mmoatia hits the Akua doll with her whole body, getting well and thoroughly stuck. Hilarity ensues, I can see all of Mmoatia’s sisters flying off in fits of laughter as Anansi emerges from where he’s been hiding to gloat over his success.
Just like the others, Anansi tied up Mmoatia and carried her off back to Nyame. Anansi also stopped on the way home to tell his mother Ya Nsia about the last task he had told the Sky-God he would do and that was to bring his own mother. I can see Mom rolling her eyes and “Yes child, of course child” as she accompanies Anansi back to Nyame.
Impressed by Anansi’ persistence, Nyame upheld his end of the bargain, bringing all the elders, the Kontire and Akwam chiefs, the Adontem, general of his army, the Gyase, the Oyoko, Ankobea and Kyidom. Nyame told all those present of Anansi’s deeds that no one else in the kingdom had been able to do. Nyame showed off each of the four, along with Anansi’ own mother. Everyone cheered as Nyame gifts all his stories, to now be known as Spider Stories to Anansi, naming him the Keeper of Stories and God of Storytelling
Variants – There are numerous variations to this story. Some retellings will omit involving Anansi’s wife and mother in the story. In some of the Caribbean stories, it is a Tiger from whom the stories originate. Other stories, the fairy Mmoatia will be solitary or a dwarf who can turn invisible. Sometimes the task of capturing the Python isn’t mentioned. In yet other stories, Osebo, the Panther is caught, getting tangled up in Anansi’ webs when trying to climb out of the pit. Or, Anansi captures Osebo when he offers to help the panther when he lowers a long branch down and tells Osebo to tie his tail to the branch. In this one, Osebo is killed and skinned by Anansi.
Anansi And The Dispersal Of Wisdom
Now that Anansi has all the stories, you’d think he’d go spread them around to tell and pass on the wisdom that they hold. Well no…
It seems Anansi was trying to hoard all that wisdom in a pot. The knowledge he has isn’t enough and he wants even more of it, just collecting it all. After a time, Anansi decides the pot isn’t safe enough to store all this wisdom and knowledge in and takes it to hide in a tall, thorny tree in the forest. Some accounts say this tree is a Silk Cotton Tree.
Anansi’s son, Ntikuma saw his father up to something and decided to follow at a distance to find out what was up. Staying hidden, Ntikuma saw that this pot was the largest one he had ever seen. As he watched, Ntikuma watched as his father struggled with carrying the pot up. Anansi tried tying the pot in front of him to no avail.
As Anansi grew ever more frustrated by his inability to carry the pot up, Ntikuma couldn’t help himself but laugh!
“Try tying the pot behind you and then climb!” Ntikuma called out.
So frustrated with his failed attempts to climb the tree, it perturbed Anansi more to realize that his own son was right behind him. In his frustration, the pot slipped from Anansi’s grip and fell, hitting the ground with all the wisdom spilling out of it.
Making matters worse, a storm was arriving, and the rain washed all the wisdom down to a nearby river stream. From there, the currents carried the wisdom out to the sea and spreading throughout the world.
Seeing what happened, an angry Anansi chased his son, Ntikuma all the way home through the downpour of rain. When Anansi caught up with his son, the spider realized what was the use of all that wisdom if all it takes is a child to put you in your place?
As for the wisdom, because it mixed with the water, that’s why everyone has a little bit within them, but not all of it.
Variation – A minor variation is that instead of getting angry with his son, Anansi listens, carrying the pot up the tree by the means suggested. While he is sitting there, Anansi comes to the realization that try as he might to know everything, there were still things that others could teach or tell him and the wily spider comes to an epiphany to dump the pot out for everyone who has need, to be able to have access to it when the wisdom mixed with the wind and water.
How Anansi Comes To Have A Long Hind End & How His Head Became Small
In this story, a famine comes to the land and Anansi tells his family that he’s going in search of food for them. On his way, Anansi comes to a stream where there are some people who end up being spirits. It seems these spirits were draining the water in hopes of being able to catch some fish. Intrigued, Anansi asks if he could join the spirits.
The spirits invited Anansi to join them and he soon saw that they were using their skulls to drain the river. That’s interesting. The spirits asked Anansi if they could remove his own skull so that he could help drain the river.
As they drained the water, the spirits sang a song: “We, the Spirits, when we splash the river-bed dry to catch fish, we use our heads to splash the water. Oh, the Spirits, we are splashing the water.”
Anansi liked the song and asked if he could sing it with them and the spirits agreed.
And so, Anansi and the spirits sang as they drained the stream enough that they could catch some fish. The spirits gave Anansi his share of the fish in a basket to take home. As they restored Anansi’s skull, the spirits warned him not to sing the song again that day or his skull would open and fall off.
Anansi assured the spirits that he wouldn’t sing that song again as he had more than enough fish. Soon, Anansi and the spirits parted ways.
The spirits began to sing their song again. Overhearing the song, Anansi began to sing along as well and presently, his skull fell off. Just as he had been warned. Anansi picked up his skull and cried out in embarrassment to the spirits that his head had fallen off!
The spirits heard him and came back. As they listened to Anansi apologize and beg for help, the spirits agreed to help him. As they restored Anansi’s skull, they warned him not to sing the song again as they would not return to help him.
No sooner had they parted ways, than the spirits began singing and Anansi over hearing them, just couldn’t help himself and started singing along. It must have had a catchy tune.
This time, as Anansi’s skull fell, he caught it with his rear end and ran from the stream. And that, is how Anansi comes to have such a small head and huge behind, due to his hard-headedness.
Nyame’s Messenger, Anansi; Why Men Commit Evil At Night, Children Play In Moonlight, And Why Disputes Are Settled During The Day
That, is a lengthy title for a story…
The Sky-God Nyame sired three children one day; Esum the Night, Osrane the Moon, and Owia the Sun. When each of the children came of age, Nyame sent them out on their own where they founded their own village. Of these children, Owia was Nyame’s favorite and decided that they should become chief.
Nyame devised a plan, wherein he secretly harvested a yam or “Kintinkyi.” The task was, that the son who could guess what Nyame had harvested, would become the next chief. In addition, the winner would receive Nyame’s royal stool.
As Nyame set about blackening his stool, his subjects were nearby and Nyame asked if any of them could guess his thoughts. Anansi happened to be there and said that he knew. Nyame then sent Anansi to go gather his sons from their villages. The plot twist here, is that Anansi didn’t really know what Nyame’s thoughts were and decided he would try to find out.
Anansi then took feathers from every known bird and covered himself with them. Then he flew high above Nyame’s village, startling the villagers. This brought Nyame out, who didn’t recognize Anansi’s disguise.
But, Nyame thought to himself, if Anansi were present, he’d know the name of this bird as the crafty spider had known that Nyame wanted his son Owia to win his royal stool. That all they had to do was guess the name of the yam. As Nyame pondered and mused to himself, it allowed for Anansi to overhear the Sky-God’s plan.
Away Anansi flew until he was far enough away to ditch his disguise. From there, Anansi went to Esum’s village and told them that their father wished to see them. Anansi made no mention of Nyami’s plans. Esum gave Anansi roasted corn by way of thanks. Soon after, Anansi made his way to Osrane’s village, delivering the same news he had told Esum. Osrane gave Anansi yam in thanks and again, shortly after, Anansi headed for Owia’s village.
Things were different at Owia’s village when Anansi arrived, bringing the news of Nyame’s desire to see his sons. Owia mentioned to Anansi that he wished his father would know of Owia’s accomplishments. Owia decided to treat Anansi as if he were his own father come and prepared the best feast that he could with sheep. With that treatment, Anansi decided to fill Owia in on what he hadn’t told the other brothers. That being the name of Nyame’s yam that he had harvested.
Anansi then fashioned a pair of drums that would beat out the yam’s name, Kintinkyi to help Owia remember. Anansi with Owia in tow, then went to collect up the other brothers as they returned to bring them to Nyame.
Nyame called an assembly as Anansi presented his three sons before everyone. The contest of guessing the yam’s name was then revealed to each of the sons. The eldest, Esum was allowed to guess first and he said “Pona.” Osrane, the second eldest then took his turn to guess and gave the name of “Asante.” Finally, it was Owia’s turn and remembering what Anansi had told him, said the name “Kintinkyi.” Everyone present cheered Owia’s success.
Nyame then took his eldest son, Esum and told him that as he had not paid attention when growing up, that Nighttime would be when evil deeds would be done. To Osrane, Nyame said that as he had not listened when growing up, only children would play during his time. To his youngest son, Owia, Nyame praised him and made him the chief, decreeing that any issue that needed to be settled, would be done so during the day. To protect himself from his brothers, Nyame gave Owia the rainbow.
Lastly, to Anansi, Nyame blessed the spider for knowing his inner-most thoughts and said that from then on, that Anansi would be Nyame’s messenger.
The Arrival Of Disease
Oh yes, Anansi appeared before Nyame one day asking if he could one of Nyame’s sheep, Kra Kwame and eat it. Anansi said that he would bring a maiden from one of the villages as a gift in exchange for the sheep. This seemed reasonable enough and Nyame agreed to the exchange, giving Anansi the sheep while he waited for the maiden’s arrival.
As it were, Anansi took the sheep home and prepared it for eating. Once he was done, Anansi then went in search of a maiden. In his search, Anansi found a village where only women lived. Seeing an opportunity, Anansi moved there and offered each woman some of the sheep and marrying everyone.
It’s not hard to see that Anansi broke his word with Nyame. It wasn’t long after, that a hunter stopped in the village and saw what happened. The hunter back to Nyame and reported what he had seen in the village. Nyame became furious on learning what Anansi had done and sent his messengers to the village to take every woman living there.
Off the messengers went, seizing every woman in the village except for one who was ill at the time to bring back to Nyame. Anansi pondered what to do, as his remaining wife was very ill. The wife told Anansi to bathe her and then fill a gourd with water from the bathwater. This water would hold all the diseases that afflicted the wife.
See his wife after she was bathed, Anansi saw how beautiful she was, more so than all the other wives in the village. Anansi remarried her right there on the spot. It wouldn’t take long for another hunter to pass by the village and to see Anansi and his wife together.
This hunter returned to Nyame, giving the Sky-God a report of this extremely beautiful woman. Obviously Anansi had tricked Nyame as this woman was more beautiful than all the other women that were taken.
Angry again, Nyame ordered his messengers to go take Anansi’s wife. When the messengers got there, Anansi confronted them and they told Anansi of what Nyame’s desires were. Anansi nodded and complied with the messengers, taking them to where his wife was at.
Anansi had his own plans once the messengers left. He found the gourd holding the diseased water and took a skin by which to fashion a drum. Anansi then set about to make a second drum. Done, Anansi called for his son, Ntikuma and together they began to beat the drums and dance around while singing vulgarities.
Another messenger of Nyame’s, Anene the crow saw what Anansi was doing and went back to report about what he saw. Intrigued, Nyame sent more messengers to ask Anansi to come and perform his songs for him.
Ah, Anansi said, he could only perform his song and dance if all of his wives were present. Anansi promised to perform for Nyame if he could have his wives and his drum. The messengers relayed Anansi’s message back to Nyame and he agreed.
Anansi was brough to the harem where all of his wives were being kept and he began to sing and beat his drum. Nyame soon joined in the merriment with Anansi while the wives joined in too.
However, Anansi’ last wife recognized the gourd that Anansi’s drum was made from. She suspected what mischief Anansi had planned and decided not to join in dancing. Nyame tried to coax the last wife into dancing, but before she could, Anansi cut open his drum and tossed all the water out. All the diseases that had once been washed away now returned and a sickness fell upon the tribe.
So out of revenge, Anansi brought illness and disease to the world. Though to be fair, if Anansi had kept his word with Nyame from the start and brought him a maiden as promised, none of this would have happened.
Kwaku Anansi Takes Aso To Wife & How Jealousy Arrives In The Tribe
In this story, Anansi isn’t yet married to Aso as she is married to another man, known as Akwasi-The-Jealous-One.
True to his name, Akwasi was very possessive of Aso and forbad anyone from seeing or talking to her. Such, that Akwasi built a small village where only the two of them lived. The reason for Akwasi’s jealousy is that he is sterile and worried that Aso would be taken from him if they lived among other people.
Well hey, somebody knew or was paying attention. Nyame got tired of Akwasi’s lack of or failure to father any children with Aso. And if Akwasi isn’t siring any children, than Aso is fair game and Nyame tells the other young men in the village about Akwasi’ marriage to Aso and tells them, that the first man to successfully take Aso away and get her with child, can marry and take her to wife.
That is very much so a cultural thing. Doesn’t Aso get a say in who she’s married to and want to be with?
The challenge proves to be more difficult than expected and all the young men who’ve tried to seize Aso, all fail. Anansi was watching all this and after the latest failure from a young man, Anansi went before Nyame. The crafty spider tells Nyame that he’ll be able to accomplish this task to capture Aso.
Just give Anansi the items he requests to help him. Specifically, medicine, rifles and and bullets.
Off Anansi goes, passing through several villages, passing out the black powder, bullets and guns, telling people how Nyame has sent those to go hunting on the god’s behalf. Sweet! Anansi says he’ll come back later to collect up the meat for Nyame.
While everyone’s off hunting, Anansi makes a basket to hold all the meat in when he returns. It’s either a basket of holding, a very large basket or there’s several small baskets to hold meat in. Either way, Anansi collects up the meat and heads off for Akwasi-The-Jealous-One’s village.
Anansi reaches the river where Akwasi and Aso get their water and he takes out some of the meat, placing it in the water. He then continues up to where Akwasi lives, carrying the basket still. Aso spots Anansi’s arrival and calls out to her husband, who is surprised that they have a visitor. Akwasi comes out to find out who this person is.
Anansi tells Akwasi that he’s been sent by Nyame to this place to rest during his journey. This pleases Akwasi as he welcomes the spider into his village. While this is happening, Aso notices the meat that Anansi left in the river and says something. Anansi tells Aso she’s welcome to it as he doesn’t need it. That she can feed it to any pets they have.
Aso comes back with the meat and shows it to Akwasi. Anansi asks Aso if she would cook some food for him and she sets about preparing a dish known as Fufu. As she is preparing the meal, Anansi tells Aso that it won’t be enough and tells her to use a bigger pot as he offers up more of the meat. The catch is, she is to cook only the thighs, of which there are 40.
With the meal prepared, everyone sits down to eat. As they’re eating, Anansi complains, saying that the fufu Aso made lacks salt. At this, Akwasi commands Aso to bring some salt. Anansi spoke up, saying that wasn’t proper, Aso is eating and that Akwasi should be the one who goes and gets the salt. When Akwasi leaves, Anansi pulls some medicine out of his pouch and puts it in Akwasi’s fufu.
Akwasi returns with the salt and Anansi announces that he’s now full and doesn’t need the salt anymore. I’m sure Akwasi may have grumbled at this, but he set down again and finished his fufu, unaware of what Anansi has done.
As he’s eating, it occurs to Akwasi that he hasn’t asked for Anansi’s name yet. Anansi responds by saying that his name is “Rise-up-and-make-love-to-Aso.” This confuses Akwasi who asks Aso if she had heard the name too. Aso assures her husband that she did and Akwasi gets up to go prepare a room for Anansi. The spider says he can’t sleep in the room, he as to sleep in a room with an open veranda as he is Nyame’s Soul-Washer. Apparently, Anansi’s parents are to have conceived him in an open room, so he can’t sleep in a closed room.
Right, so where does Anansi want to sleep then? It must be an open room in a house that belongs to Nyame and asks for a sleeping mat so he can sleep in front of their room. When Anansi was certain that the two were asleep, he pulled out his sepirewa out to play, singing: “Akuamoa Ananse, today we shall achieve something today. Ananse, the child of Nsia, the mother of Nyame, the Sky-god; today, we shall achieve something, to-day. Ananse, the Soul-washer to the Nyame, the Sky-god, today, I shall see something.” Once the song finished, Anansi went to sleep.
Anansi was awoken by Akwasi calling out for him. But as he didn’t like the name that Anansi had told him, the spider remained silent. The medicine that Anansi had put into Akwasi’s food was working. After a few more attempts to rouse a sleeping Anansi, Akwasi finally used the name “Rise-up-and-make-love-to-Aso.”
Now Anansi responded to Akwasi’s calls, asking what troubled him. Akwasi said he needed. Akwasi replied that he needed to leave for a moment and left.
Entering the room, Anansi saw that Aso was awake and he asked if she had heard what Akwasi said. Aso asked in turn of Anansi what Akwasi had said. So Anansi obliged with the name he’d given, implying that it was a command, not his name. Wink, wink.
The two then made passionate love with each other before going back to sleep and before Akwasi returned. The medicine or poison that Anansi used was rather potent and Akwasi would be getting up eight more times, where once again, Anansi and Aso would make love before he returned. Come the morning, Anansi was on his way.
Two moon later, Aso begins to start showing that she’s pregnant. This gets Akwasi suspicious of how his wife got pregnant given that he’s sterile and can’t father any children. Aso takes the opportunity to tell Akwasi that it was by his own commands that she had made love to Anansi and that the child is his.
Angry, Akwasi takes Aso with him to go to Nyame’s village to complain. On the way, Aso gave birth and the two took the baby with them. On hearing the story, Nyame didn’t believe the two, saying no one had left his village and asked them to point out the person to him.
Aso did so, looking around the village until she spotted Anansi sitting on a ridgepole. She told Nyame that’s the one who impregnated her. Anansi slid down the ridgepole, attempting to hide, but Aso found him again, causing Anansi to fall over and dirty himself.
Now Anansi complained, how Aso and Akwasi’s actions defiled him. That he was Nyame’s Soul-Washer and that his desires had been ignored. Hearing this, Akwasi was seized by Nyame’s other subjects for disobeying a god’s commands. That as punishment, Akwasi was to sacrifice a sheep as penance. Embarrased, Akwasi performed the sacrifice and then told Nyame that Anansi could take Aso as his wife.
Sadly, the baby that Anansi fathered with Aso was taken and killed, their remains scattered about Nyame’s village as a reminder. And that, is how Aso becomes Anansi’s wife and how jealousy entered the tribe.
Anansi’s Bald Head
Sometime after Anansi and Aso were married, when they returned from visiting a plantation outside of the village, a messenger arrived. Anansi greeted the messenger and asked why they had come. The messenger replied that Anansi’ mother-in-law had died the previous day. Anansi informed his Aso of what happened, and plans were made to go to the village to mourn.
The next morning, Anansi went down to the village, looking for some favors. He soon found: Odwan the Sheep, Okra the Cat, Okraman the Dog, Akoko the Fowl, and Aberekyie the Goat. Anansi told all of them how his mother-in-law had died and asked if they would accompany him to her funeral. They all agreed, and Anansi returned home to prepare for the journey.
Anansi prepared funeral clothing, consisting of a leopard skin hat and russet colored clothing. The day of the mother-in-law’s funeral came, and Anansi called upon those he’d asked to come. They brought several supplies with them as well, consisting of guns, drums, palm-wine, and other things that they would share with those attending as they celebrated his mother-in-law’s memory.
Soon they arrived at the village and they fired off their guns to signal that they had arrived. Then Anansi and his company went to the home of his mother-in-law for her wake. Anansi shared out everything that he had brought. Anansi also then presented his offerings to help pay for the funeral.
The next morning, as everyone ate, they invited Anansi to join them. Anansi declined, saying he was forbidden from doing so as it is his mother-in-law’s funeral, that he would not eat until the eighth day. Food was then gathered for his companions who accompanied him for the funeral before they departed back for their own village.
Days passed as Anansi fasted, finally on the fourth day he was too hungry, and he went into the house where he was staying to find food. In the kitchen, he found a fire going with beans in a pot boiling. Anansi ate those, scooping some into his leopard hat after making sure no one was watching. No sooner had Anansi placed his hat back on his head to hide the beans, then Aso entered. Thinking fast, Anansi told Aso that there was a Hat-Shaking Festival taking place at his father’s village and that he was going to go.
Now Aso was suspicious. Who wouldn’t be? Especially when married to a trickster. She asked Anansi why he hadn’t told before of this festival. She also reminded Anansi that he hadn’t eatten anything yet and that he really should wait for the next day. Anansi refused to wait and headed off.
Aso went and gathered up everyone in the village, telling them that Anansi was up to something and that they had to keep him from leaving. As Aso went back after her husband, Anansi grabbed his hat and sang: “Just now at my father’s village they are shaking hats! Saworowa, they are shaking hats! E, they are shaking hats, o, they are shaking hats! Saworowa!”
Anansi began to panic too, for the beans were hot and burning his scalp. He bid his wife and everyone goodbye, that he was leaving. However, everyone began to follow after him, knowing what Aso had told them. Paniced, Anansi told everyone to leave and he sang more: “Turn back, because: Just now at my father’s village they are shaking hats! Saworowa, they are shaking hats! E, they are shaking hats, o, they are shaking hats! Saworowa!”
Eventually, Anansi couldn’t stand the heat from the beans and he pulled them off his head with the hat. Now that everyone could see what Anansi had done, Aso and the villagers began to boo him, such that he took off running.
Anansi promised the road he would thank it if it helped him flee. The road agreed and Anansi mad his way back home and access to some sorely needed medicine for his head. Alas, Anansi’ hair never did grow back.
Why Anansi Runs When He’s On The Water’s Surface
With this story, Anansi goes to Okraman, the Dog and tells him how he plans to build a new village. That sounds sensible and Okraman agreed. Okraman would gather some rope-creepr vines and Anansi would also do the same and they would meet up again on the following Monday. They would also bring a gourd filled with water in case where they met up didn’t have any. As an added measure, Anansi put some honey into his gouard.
Anansi and Okraman met each other at the half-way point to their destination. As they continued to travel, they became tired and Okraman said they should rest a bit and drink some of the water they brought with them.
Now it gets a little weird. As the two rested, Anansi said they should play a game to pass the time while they rested. Well type of game Okraman wanted to know. A binding game, where they would take turns tie each other up. The one tied, would then have to escape. After a bit of disagreement on who would get tied up first, Anansi said he would go first.
Once Okraman had Anansi bound, he decided he was so hungry that he didn’t really want to play anymore. Instead, he picked up the trussed-up Spider and carried him away to go sell for food. When Anansi realized what was happening, he began to complain, making a ruckus until they reached a stream.
Odenkyem the Crocodile heard them and asked Okraman what was going on. Okraman was too frightened to answer and dropped the bound Anansi while he fled. Laughing, Odenkyem freed Anansi from his bounds while Anansi thanked him, asking if there were any way to repay the crocodile. Odenkyem declined, saying he didn’t want anything in return. Anansi insisted, saying if Odenkyem had any children, they come, and he would dress and style their hair. Odenkyem accepted this offer, not suspecting that Anansi would be up to any deception.
Anansi returns home, telling Aso that he needs palm-nuts and onions for a stew and that he’s going to bring back crocodile to provide the meat.
That does not sound like a way to repay someone for rescuing you.
Aso gathers up the ingredients asked for as Anansi sharpens a knife. He mashes up some eto and carries it down to the stream where Odenkyem lives. Anansi calls out for the crocodile, saying he’s got a reward for them and sets the eto in the water. Odenkyem comes, having heard Anansi and just as he’s about to take the gift; Anansi flings his knife at the crocodile.
Thinking he’s dealt Odenkyem a lethal blow, Anansi heads home. Aso notices this and asks where’s the crocodile meat? You didn’t get it? Anansi brushes her off, yelling at her and gives her the silent treatment the rest of the night.
The next morning, Aso went down to the river. There, she spoted the crocodile laying still with flies buzzing around him. Seeing this, Aso returned home to tell Anansi what she saw. Anansi explains that he used a special medicine to kill Odenkyem and it will take another day for the full effect and before he can collect up the meat. Anansi thanked Aso for confirming the kill.
Anansi headed down to the river, taking with him a long stick. Seeing the crocodile laying there still in the riverbank, Anansi carefully walked over and poked Odenkyem. As Anansi continued to poke the big crocodile with his stick and roll the body over, the Spider decided to edge closer. When Anansi got close enough and reached out to touch Odenkyem’s body with his hand, that’s when the big crocodile his own trap and snapped his jaws on Anansi’s arm.
That two wrestled for a while and eventually Anansi squirmed free of Odenkyem’s grasp and fled. Now, everytime Anansi crosses a river, he runs for it, never letting Odenkyem get a second chance.
That wouldn’t be the lesson I’d take from here though.
Note: My intention was to include all the Anansi stories that I could find. However, there are just so many variations and stories from Ghana to the Caribbean and even to North America. I could spend whole volumes and books on his stories and likely still not have found them all as he is still very much so active. So I find myself having to make a cutoff point of what do I include? Obviously, if you like Anansi want to read more of his stories or find a storyteller to tell his stories, you will do so.
And of course, the traditional ending to an Anansi story:
“This is my story which I have related. If it be sweet, or if it be not sweet, take some elsewhere, and let some come back to me.”
Just a few little odds & ends that I couldn’t figure out where to fit them in at.
“No one goes to the house of the spider Ananse to teach him wisdom.”
“No one tells stories to Ntikuma” refers to someone who has heard it all.
Other West African tricksters that share many similar stories to Anansi are Br’er Rabbit and Leuk Rabbit.
Br’er Rabbit – The similarities between Anansi and Br’er Rabbit, the trickster figure who originates among the Bantu speaking people of South and Central Africa. Just like Anansi, Br’er Rabbit was brought to the Americas with the slave trade where his stories thrived and became a means by which he uses his wits and cunning to outsmart larger creatures. Stories of Br’er Rabbit are found in the French-speaking islands of the Caribbean where he is known as “Compare Lapin.” The most obvious story to compare Anansi and Br’er Rabbit with is that story of Anansi and his capturing the Mmoatia fairy with the Akua doll and the story of Br’er Rabbit and the Tar Baby. The Br-er Rabbit stories were collected up into the Uncle Remus stories by the American Journalist Joel Chandler Harris between 1870 to 1906.
Gede Lwa – In Haitian Voudo, Anansi is worshipped as a loa of this name and he is the intermediary between ancestors and the living. We also see in Haitian folklore, the figures of Ti Bouki, Ti Malice or Uncle Mischief who are other variations of Anansi.
Gizo – A spider trickster-hero of the Housa. His wife is Koki. He’s been equated with Anansi stories and sometimes called the Yoruba Anansi.
Iktomi – A Native American Spider figure whom many have noted similarities with Anansi.
Nambo-Nansi – A Haitian Loa, based on the figure of Anansi.
Etymology: Kore – “The Maiden” or “The Girl”, Persephone – pherein phonon, “to bring (or cause) death”, Destroy-Slay
Alternate Spellings & Other Names: Περσεφόνη, Kore, Core, Cora, Nestis, Persephonê, Persephneia (Homeric), Persephoneiê, Periphona, Persephassa, Persephatta, Phersephassa, Pherepaha, Phersephatta, Pherrephatta, Juno Inferna, Auerna, and Stygia
Epithets: Goddess of the Underworld, Queen of the Underworld
Persephone has a number of epithets that show her dual role as a chthonic and vegetation goddess. In other words, a life and death goddess. The poetic names for Persephone display her role as a Queen of the Underworld with the power to bring forth life and to take it away back to the earth. Persephone’s name of Kore, shows her role as a vegetation goddess in Arcadia where she was worshiped as Despoinia, an ancient chthonic goddess.
As an Underworld goddess, Persephone is given euphemistic, friendly names as some people were afraid to draw her attention to them. It’s possible that names are also the names of an original, local goddess. Some of these names are: Despoina (Dems-potnia), “the Mistress” in Arcadia. This name means: “Mistress of the House.”
Other names are: Aristi Cthnia, “the Best Chthonic,” Hagne, “Pure,” this is the original name of a goddess of springs in Messenia. Melinda or Melinoia (from meli “Honey”) in her role as the wife of Hades in Hermione, the names: Melivial and Melitodes. “the Pure One”, “the Maiden,” and “the Venerable One” to give a few others.
The Orphic Hymn to Persephone identifies her as Praxidike, the Subterranean Queen, the Eumenides’ source or mother, fair-haired, whose frame proceeds from Zeus’ ineffable and secret seeds.”
In her role as a vegetation goddess, she was called: Kore, “the Maiden,” Kore Soteira, “the Savior Maiden” in Megalopolis, Neotera, “the Younger” in Eleusis, Kore of Demeter Hagne in Homeric Hymns and Kore Memagmeni, “the Mixed Daughter” or bread.
With her mother Demeter, they were called: The Goddesses, often as “the older” and “the younger” in Eleusis. Demeters in Rhodes and Sparta, The Thesmophoroi or “the legislators” in Thesmophoria, The Great Goddesses, The two Demeters, The two Goddesses and The Mistresses in Arcadia and Karpophoroi or “the bringers of fruit” in Tegea, Arcadia.
Persephone is known as the Queen of the Underworld and wife to Hades. She is best known for the story of her abduction by Hades from her mother Demeter and being brought down to the Underworld to marry him for the Greek explanation and story for the origin of the seasons.
Month: January, May
Patron of: the Underworld, Spring, Flowers, Vegetation
Plant: Flowers, Pomegranate, Seeds of Grain
Sphere of Influence: Fertility, New Growth
Symbols: Cornucopia, Torch
Early Greek Depictions
The earliest depictions of a goddess that can be identified with Persephone show her growing up out of the ground. This image is found on a plate from the Old-Palace period in Phaistos. This goddess is plant-like in appearance and she is surrounded by dancing girls and blossoming flowers. In Minoan ring of Isopata, there is a similar image of this plant-like goddess.
In Classical Greek art, Persephone is typically shown wearing a robe and carrying a sheaf of grain. Sometimes she is shown carrying a scepter and a small box. More often though, Persephone is shown being carried off to the Underworld by Hades. When Persephone is shown with her mother, it is Demeter who often carries the scepter and sheaf of grain. Persephone is then shown holding a four-tipped torch, the kind often used for the Eleusinian Mysteries.
Sometimes, Persephone is shown holding a pomegranate or even just a pomegranate seed, thus linking her to her marriage with Hades and the Underworld. Another symbol that Persephone could be shown with is a cornucopia or horn of plenty to represent her role as a fertility deity.
Grecian poet Homer describes Persephone as being a formidable, venerable and majestic princess of the underworld. Persephone would put into effect the curses of men onto the souls of the dead.
What’s In A Name
There are serveral different names that have been given for Persephone. In a Mycenean Greek or Linear B inscription tablet dating from 1400 to 1200 B.C.E., the name Preswa has been identified a Persa, the daughter of Oceanus with speculation that this could be Persephone.
In the Ionic (think Epic) Greek literature, Persephone is the name used to identify her. The Homeric poems uses the spelling of Persephneia. In Plato’s Cratylus, she is known as Pherepaha as “she is wise and touches that which is in motion.” With other Grecian dialects, the names of Periphona, Persephassa, Persephatta, Phersephassa and Kore have been used. All of these variations to spelling and even pronunciation, have suggested the idea that Persephone may originated before Greek culture did.
The name Persephatta has been thoughted to translate to: “female thresher of grain.” With “perso-“ being connected to the Sanskrit word “parsa” meaning: “sheaf of grain.” The second part of the name comes from a Proto-Indo European word meaning: “to strike.”
Nestis – There is a Classical period text attributed to Empedocles, who lived from 490 to 430 B.C.E. In this text, Empedocles is describing the correspondence between four gods and the classical elements of earth, wind, fire and water. The name Nestis, for water, is used as a euphemism as Persephone’s name is taboo.
She who must not be named. That makes sense as Persephone is a Queen of the Dead and you didn’t want to unnecessarily attract her attention. Given the taboo to Persephone’s name, she would also be called Kore or “the maiden.”
Though, given the text: “Now hear the fourfold roots of everything: enlivening Hera, Hades, shining Zeus. And Nestis, moistening mortal springs with tears.” I see that Hades gets mentioned by name. Given Persephone’s much older lineage, she must not have been a goddess whose name was taken lightly.
The Eleusinian mysteries were an annual religious celebration that predates the Olympian pantheon. It is an important life and death ritual with Persephone in her role as a vegetation goddess and Demeter having important roles where they are worshiped together.
Originally, the festival was celebrated in the autumn during the seasonal sowing in the city of Eleusis. The myth was told in three phases of a decent, the search and the ascent, describing Demeter’s sorrow and her joy as she became reunited with Persephone. This celebration also involved dancing in the Rharian field where the first grains were grown. There are inscriptions of “the Goddesses” being accompanied by Triptolemos, an agricultural god and another of the God and Goddess that refer to Persephone and Plouton.
Ancient Sumerian Origin – The idea has been put forward by the renowned scholar, Samuel Noah Kramer that the story of Persephone’s abduction to the Underworld likely sees its origins in the ancient Sumerian story of Ereshkigal, the goddess of the Underworld who was abducted by the dragon Kur and forced to become the ruler of the Underworld against her will.
Agrarian Cults – The cults of Demeter and Persephone of the Eleusinian Mysteries and Thesmophoria are based on some very old agrarian cults. These cults were led by priest as evidenced from an image on a Minoan vase dating to the end of the New Palace Period. This ancient cult held a connection to seasonal practices and tasks.
Daemons & Animal Nature – In Arcadia, the worship of Persephone and Demeter were the first daemons local deities who governed the powers of nature. Such ancient beliefs show a connection to animal nature that saw a belief in nature personified with nymphs and deities with human forms but also possessing animal heads and tails or other features.
Celebrate Good Times, Come On!
The seasonal disappearance and the later return of Persephone were times of festivals during the time of ancient Greece. The Eleusinian Mysteries are the most well-known and even then, the secrets for this festival were closely guarded, that not much is known about them.
Secret Rites & Immortality – Life after death seems to be a very common motif in many religions and beliefs around the world, even anciently. That somehow, life, some sort of existence continues even after death. It was no different for initiates into the Eleusinian Mysteries who closely guarded their initiation rites. After all, the Eleusinian Mysteries wouldn’t be a mystery if everyone knew about them. For the Eleusinian Mystery initiates, these secrets were that of resurrection and there would be some place better than that of dismal depths of Tartarus.
They wouldn’t be the first to have the idea of life after death. It is thought by the experts, that the rites and mysteries held during the Eleusinian mysteries, along with other traditions such as the Orphic tradition and Mithraism all contributed towards the formation of Christianity and its ideas of resurrection, everlasting life and even immortality.
In the Eleusinian Mysteries, Kore’s return from the Underworld conveyed the idea of immortality and a resurrection from death.
Orphic Tradition – This is where the myth of Persephone is identified with other deities such as Isis, Rhea, Ge, Hestia, Pandora, Artemis, and Hecate. It is within this tradition that Persephone, with Zeus becomes the mother of Dionysus Iacchus, Zagreus or Sabazius.
Local Cults & Worship
Each local cult held their own traditions and ideas for where Persephone had been abducted from. In the Homeric Hymn to Demeter, it is the “plain of Nysa” where Persephone’s is kidnapped. The Corinthian and Megarian colonists, and Sicilians believed her abduction to happen in the fields of Enna. The Cretes believed that Persephone’s abduction occurred on their island. Other versions will place the abduction in places like Attica, near Athens, or even near Eleusis.
Distant localities that lay in the mythical played a part in creating a sense of some mystically, distant chthonic world that normally couldn’t be visited and created more of an air of mystery and prestige to the Eleusinian Mysteries. In the month known as Anthesterion, Persephone was the only one to whom the mysteries were dedicated to in Athens.
Temples dedicated to the Eleusinian Mysteries and the worship of Demeter and Persephone were found throughout all of ancient Greece, Asia Minor, Sicily, Magna Graecia and Libya. Not much is known about the specifics of local rites and worship.
According to Homer, Groves sacred to Persephone were found on the far western edges of the earth, leading to the lower or Underworld. These Groves were known as the House of Persephone.
New Year’s Celebration & Divine Child
A near eastern culture with strong ties and connection to the ancient Greeks. The Minoans of Crete held a belief in a fertility goddess whom every year, would give birth to the God of the New Year. That sounds familiar. The New Year’s baby to symbolize the New Year.
This god of the New Year would become the fertility goddess’ lover and of course, the cycle would repeat with the god’s death and his rebirth at the New Year. Similar beliefs and cults are found with those of Adonis, Attis and Osiris.
In Minoan Crete, this fertility goddess is Ariadne and the “divine child” who died every year were part of an aniconic religion whose main deities were female. Every year, an ecstatic sacral dance that involved tree-shaking and the worshiping of stone or stone idols were conducted. The idea and suggestion have been put forward that the worshiping of Persephone may likely be a continuation of the worshiping of a Minoan Great Goddess.
Divine Child – This boy consort to the Great Goddess symbolized the annual dying and renewal of vegetation every year.
Mycenean Greece – Arcadia
While we know the mystery cults existed, not much is known about other than a few inscriptions. In Mycenae, Persephone is thought to have been identified with a local goddess by the name of Despoina, “the Mistress” and chthonic goddess of West-Arcadia. Despoina’s worship is just an example of another deity who would be absorbed into the worship of Greek deities. To the uninitiated of the Arcadian mysteries, the name Despoina was not allowed to be revealed.
The local temples throughout Arcadia were often built near springs and there is evidence of continual fires being kept at some of these. The worship of Demeter and Kore were closely linked to springs and animals.
Another mystery cult similar to the Elesusinian Mysteries. Many of the secret rites and traditions are very similar to each other, including an early concept idea of immortality. Thesemophoria were held and celebrated in the city of Athen before coming more wide spread throughout Greece. It was a women-only festival that held strong association to marriage customs. It would be held on the third day of the year in the month of Pyanepsion, marking when Kore was abducted and Dememter neglected her duties as a harvest goddess.
One ceremony involved burying sacrifices of pigs into the earth and then unearthing the decayed remains of pigs buried from the previous year. The remains would be placed on an alter and mixed with seeds before being planted.
Thesmophoria would be celebrated over the course of three days. On the first day is the “way up” to the sacred space. The second day is a day of feasting where pomegranate seeds are eaten. The third and final day, is a meat feast that honors Kalligeneia, goddess of beautiful birth. Hades, under the euphemistic name of Zeus-Eubuleus would attend the feast.
Parentage and Family
It is generally given and accepted that the parents of Persephone are Zeus and Demeter.
Zeus and Styx – Apollodorus is who lists these two deities as being Persephone’s parents. In the rest of Apollodorus’ accounts, he gives story of Demeter being Persephone’s mother.
In the Arcadian mysteries and worship, Persephone-Kore, known there as Despoina, is the daughter of Poseidon Hippios and Demeter. She is then believed to have been raised by the Titan Anytus.
I would also note that at this time, despite her parentage, Persephone is not considered one of the twelve Olympian gods.
Hades, god of the Underworld, also her Uncle.
Zeus, In the Orphic tradition, there is a story of Zeus seducing his daughter.
The direct siblings of Persephone are: Aeacus, Amphitheus I, Angelos, Aphrodite, Apollo, Ares, Arion, Artemis, Athena, Chrysothemis, Despoina, Dionysus, Eileithyia, Enyo, Eris, Ersa, Eubuleus, Hebe, Helen of Troy, Hephaestus, Heracles, Hermes, Minos, Pandia, Philomelus, Plutus, Perseus, Rhadamanthus, the Graces, the Horae, the Litae, the Muses and the Moirai
In the Orphic tradition, Persephone with Zeus is the mother of Dionysus, Iacchus, Melinoe and Zagreus.
By Hades, Persephone is also the mother of the Furies or Erinyes.
The Rape Of Persephone
You read that right. Yes, I could have titled this one differently. However, this is the title of the story for Persephone’s abduction by Hades to the Underworld that many are familiar with and the most well-known story regarding Persephone.
It seems prudent that this story gets mentioned first. When Persephone is first known as Kore, the Maiden. As Kore, she lived with her mother Demeter, a harvest Goddess. Kore herself is a fertility goddess who makes or causes everything to grow. Kore’s father is the mighty Zeus himself.
Kore grew up and spent her time playing in the fields with the nymphs, gathering flowers, playing and with her mother. As she grew older, Kore came to attract the attention of the other male Olympian gods. Hephaestus, Ares, Apollo and Hermes all sought her hand in marriage. The young Kore rejected them all for she was still interested in playing with her nymph friends and collecting flowers. Demeter made sure that her daughter’s desires were known.
This didn’t stop Hades, the god and ruler of the Underworld. For Hades, this was love at first sight. As was customary, Hades went to his brother, Zeus (also Kore’s father), to petition for Kore’s hand in marriage, getting permission.
Zeus took the proposal to Demeter who refused. Kore isn’t going to leave her or go anywhere, least of all the Underworld with Hades. Not going to happen!
At first, this sounds as if Demeter is simply being unreasonable. The type of response of a mother fearing the empty nest or mother smothering and won’t let her child go. What we would call now days, Helicopter Parenting.
Zeus likely thinks he’s being reasonable, mentioning that every child grows up and leaves their parents eventually and that Kore is certainly old enough to marry. But Zeus isn’t listening, he thinks he knows better. That Demeter is just making an idle threat that if he marries off Kore to Hades and takes her down to the Underworld, nothing will grow!
Since they can’t get Demeter’s approval for the match, Zeus and Hades take a step back, allowing Demeter to think she’s won this round. Hades comes up with a plan to outright kidnap/abduct Kore while she is out gathering flowers. Zeus is in on this too and plants a narcissus flower to attract Kore’s attention.
While Kore is distracted by this new, unusual flower, behind her, a chasm opens up in the earth and out comes Hades, riding in his chariot to snatch up Kore to carry away with him back to the Underworld.
Of all of Kore’s Nymph friends, only the Naiad, Cyane tried to rescue and stop her abduction. Overpowered by Hades, Cyane in a fit of grief cried herself into a puddle of tears, forming the river Cyane.
Demeter, hearing the nymph’s cry out that something was amiss, came running, only to find that her daughter is missing and none of the nymphs in their crying could tell her what happened. Angry, Demeter cursed the nymphs that they turned into Sirens. Only the river Cyane offered any help with washing ashore, Kore’s belt.
In vain, Demeter wandered the earth, searching for her daughter. Unable to find her, Demeter went and hid herself in sorrow at the loss of her daughter. Once plant life begins to die, the other gods go in search of her. Especially once all their followers begin to cry out there’s no food, help them.
Pan is the one who eventually finds her in a cave. Demeter in her despair, reiterates that without Kore, nothing will grow.
The way this gets told in most retellings, Demeter is threatening to refuse any new life or plant growth. To appease her and prevent people from starving, the gods agree to find Kore so that life can return. It seems that way if you don’t know or forget Kore’s already existing role as a fertility goddess.
Hecate realizes and knows there’s a problem. Hence, she intervenes. All isn’t lost if Kore hasn’t eaten the food of the Underworld, the dead, she can return to the world above.
Down in the Underworld, a frightened and despairing Kore is refusing the advances of Hades and refusing to eat any food. Kore knows that if she eats the food, she won’t be able to return to the living world.
Now at some point, Hecate comes and talks with Kore. At some point, Kore falls in love with Hades or she sees the state of what the Underworld is like. A plot twist comes and Kore does, either willingly or tricked into it, eats some pomegranate seeds. The number of which varies from one to four, Persephone is bound to the Underworld and must spend part of the year there. The rest, she can spend above in the mortal world with her mother Demeter.
This way, Hades doesn’t lose his wife and queen and Persephone can fulfill her role as a fertility goddess, bringing life to the land.
As a note, I came across commentary that says there are some 22 variations in Antiquity about the story of Persephone’s abduction. I doubt I could find all of them. The Homeric Hymn to Demeter written between 650-550 B.C.E. is thought to be the oldest story.
Overly Simplified – One version of the above story is drastically simplified and glosses over a lot of details to the story of Persephone and Hades. In it, Hades just happens to be out and about in the mortal realm when he spots Persephone. It’s easy enough to say Hades has love and first sight and he simply grabs Persephone and carries her off with him down to the Underworld. Persephone is unhappy at first with her lot, but eventually she grows to love Hades and comes to accept her fate as his wife.
As to Demeter, she is so overcome with grief at the loss of her daughter that she neglects her duties with creating plant growth. It is Zeus who makes a decree that Persephone may be reunited with her mother, but only for part of the year. Zeus sends the god Hermes down to the Underworld to retrieve and bring Persephone back.
Hades held no desire to give up the goddess whom he intended to marry. Coming up with a plan, Hades tricked Persephone into eating some pomegranate seeds. Now because she had eaten the food of the Underworld, Persephone was bound to stay.
Persephone needed to only stay part of the year and the rest, she could be with Demeter. This way too, Hades didn’t lose his bride for she would have to return to him.
Not the best version of the story to give as it removes many details and robs Persephone of any agency or choice in the matter. Stockholm Syndrome at its finest.
Version 2 – Regarding the Narcissus flower, Zeus commands Gaia to create it to distract Persephone when she is out picking flowers. As it is far from any lakes or rivers where her Naiad friends can follow, Persephone is all alone for when Hades comes. Sure enough, when Persephone picks this strange new flower, a chasm opens underneath her, and she falls down into the waiting arms of Hades and the Underworld.
Version 3 – When Demeter becomes distraught over the loss of Persephone, she goes mad and wanders the land disguised as an old woman carrying a pair of torches in her hands. She searches for some nine days and nights.
Eventually Demeter meets Hecate on the tenth day who takes pity on Demeter’s miserable appearance. Hecate tells Demeter to seek out Helios, the sun god who can tell her of what happened. Demeter finds Helios who informs her about Hades abducting Persephone.
Demeter begs Hades to release Persephone and allow her to come back to the living world. Hades consults with Zeus about the matter. Hecate returns and lets Demeter know that Persephone hasn’t eaten four pomegranate seeds and because of that, Persephone will still be able to return to the living world. There is a catch and that is, because Persephone has eaten some of the pomegranate, she will have to return to the Underworld for part of the year.
Both version 2 and 3 retellings go for making it look as if Demeter is responsible for refusing to allow anything to grow and does so out of anger or spite. Or that in her grief, Demeter simply neglects her duties for making things grow. This idea originates in Homer’s “Hymn to Demeter,” that gives the idea that Demeter is in charge of fertility.
Those versions work if you want to ignore that Kore/Persephone is a Fertility goddess, she’s the one who is responsible for new plant growth.
Hades’ Role In The Myth
In the story for the Rape of Persephone, Hades fits into the story as he is an Underworld deity himself. Among the Greeks, it was believed that Hades rode around in his chariot catching the souls of the dead to carry back down to the Underworld.
With Persephone being a chthonic goddess, the Greeks likely came up with the story to better fit the goddess to her role as a Queen of the World. It unfortunately greatly diminishes her role and what her functions were from a much earlier era.
In the myths where Hades is called Pluto or Ploutos, he is not only a god of the Underworld, but wealth where the riches of the earth can be found. Partnering him up with Persephone is meant only to add to his power and domain for now it is the riches of the earth in terms of fertility.
Homeric Hymn – More like a side note, this hymn tells how the shepherd Eumolpus and the swineherd Eubuleus see a girl being carried away to the Underworld in Hades’ chariot. Eubuleus looses his pigs to the Underworld as they fall into the chasm that opens up for Hades on his descent below.
Ascalaphus – In what seems to be padding the story, Ascalaphus, the keeper of Hades’ Orchard is who tells the other gods that Persephone has eaten the pomegranate seeds. Demeter becomes so enraged with this news that she buries him beneath a huge rock in the Underworld.
Altered States of Mind – Most people think of rape as having to be a something violent for it to be valid? I’m sure the in the original Greek tellings of the story, it’s obvious what Hades’ intent is. Never mind later retellings that seem to gloss over and not really make it clear as they want to give you a happy fuzzy feeling that Persephone just accepted her fate and this is how we got the four seasons of the year.
Looking at the older, archaic definition, this is the forcible carrying away of a woman to have sexual intercourse with her. So looking at how the story of Persephone’s Abduction is originally titled and knowing older definitions of a word, I’d say it’s pretty clear.
Stockholm Syndrome – This is when a prisoner or someone being abused comes to identify with their captor, to the point of identifying with them and possibly helping them.
After my research into Persephone, the views of Persephone coming to just accept her fate or where Hades tricks her into eating a pomegranate seed, so she’s forced to come down to the Underworld part of the year don’t sit well with me.
It’s abusive and greatly diminishes Persephone’s agency to have versions of the stories where Zeus and Hades (or just Hades) conspire to have her abducted. That’s forced marriage, no one likes it. Plus, when you compare Persephone’s story to Hebe’s story with coming of age and marrying, they’re inconsistent.
Once Kore has married Hades, she changes her name to Persephone. This is used to signify Kore transitioning to being an adult. If this happened with other gods and goddesses, I’d say this is cultural. Just Kore to Persephone, no one else that I have researched so far in Greek Mythology.
The only other example I have is that of Hebe when she marries Hercules once she’s considered old enough. Unlike Kore/Persephone, Hebe never changes her name. The Eleusinian Mysteries do predate Grecian Culture. So maybe the name change is a remnant of that. Or trying to combine different local deities under one name.
The change of names definitely notes a change to Kore’s function with the Greek interpretation of the myths. She is no longer strictly a fertility goddess, she is now also Queen of the Underworld, ruling alongside Hades. That Kore/Persephone returns part of the year, makes her a goddess of life and death, resurrection deity like other deities such as Attis, Jesus, Osiris, Minoan Crete among others.
Knowing now that Persephone is an ancient chthonic goddess whose worship predates the Greeks, it shows strongly the influence of the Greeks and a more patriarchal religion imposing their views and versions on these stories.
After all, we have how many male dominated stories among the Grecian stories? How many people perceive the Greek pantheon being male dominated? No wonder Demeter is angry and no wonder we have so many stories where Hera takes out her frustrations on Zeus’ children.
You said earlier that Persephone is a chthonic goddess? Yes, I did, I was getting a bit ahead of myself there.
Now that we got the main story for Persephone out of the way, it’s easier to get into the rest of Persephone’s aspects as an ancient goddess who predates the Greeks and not just merely the daughter of Demeter, who gets married off to Hades against her will.
As said, an ancient chthonic deity worshiped by many agriculture cultures in ancient Greece. In this role, Persephone would receive the souls of the dead down into the earth. In return, Persephone would cause the fertility of the earth for there to be new growth.
Queen Of The Underworld – She Who Must Not Be Named
There is a tradition in Greek beliefs not to speak Persephone’s name. This dates to the Arcadian beliefs where Persephone is equated with another deity, Despoina who’s name could not be spoken except to those who had been initiated. As a goddess of death, Persephone is said to be the daughter of Zeus and Styx. Homer gave description of Persephone as capable of carrying out the curses of men upon the souls of the dead. In the Orphic traditions, Dionysus and Melinoe are said to be the children of Zeus and Persephone.
Goddess Of Fertility & Springtime
One of Persephone’s important roles is that of a fertility goddess. The very myth and story of Persephone’s abduction is the basis for the explanation of the annual growth of vegetation in spring and its subsequent dying in the fall. Her myth is comparable to other, often male gods of life and rebirth myths such as Attis, Adonis and Osiris.
Agriculture is an important aspect of life, for without a bountiful harvest, it can spell disaster come winter time. The Eleusinian mysteries emphasized this importance with Persephone’s return every year, that there would be the promise of new life and growth. A sort of immortality.
It’s unfortunate that this important aspect of Persephone seems to have been forgotten and overlooked, oftentimes simply relegating her to the of Hade’s wife and Queen of the Underworld.
Though perhaps it makes sense that in her dual role of Fertility goddess and Queen of the Underworld, where she is responsible for putting forth new life and growth everything spring and then come fall, it is destroyed with her departure back to the Underworld.
Grain – This crop was of great importance to the ancient Greeks as it was rare and hard to come by in the Grecian country sides. Persephone’s close association with this crop held the promise of renewal, regeneration and possibly immortality, knowing that she would return every spring.
Seasonal Cycles & Changes
The more simplified Greek influences on Persephone’s story greatly diminish her role, reducing her to an almost non-person status who gets no say in what happens to her. She just goes with the flow, unable to change her fate. Ultimately, what we get, a watered-down version that is used by the Greeks to explain the changes of the seasons from Spring to Winter and back.
When you understand Persephone’s role as a fertility goddess, this isn’t Demeter in a mood, sad or angry that her daughter isn’t there and refuses to allow anything to grow. Doing it out of spite because her daughter married Hades and she’s mad with Zeus. As a fertility goddess, nothing can grow on the earth if Persephone isn’t there. Demeter knew this, the other gods, especially Zeus and Hades didn’t listen.
By assigning Persephone’s role as a fertility goddess to her mother Demeter, the story that is then told and passed on, makes it seem as if Demeter is the one acting out of spite and grief towards Zeus to neglect her duties or outright as a means of blackmail, to allow anything to grow on the earth until she gets her way. That is, the return of her daughter Persephone.
With that understanding, Zeus than, by allowing Hades to marry Kore, created the problem of winter. Not because Demeter is depressed and vengeful, refusing to allow anything to grow, but because without Kore, nothing can grow. Sure, Demeter is depressed. Sure, all children grow up and leave home. It would explain Hecate getting involved. The world above needs you as much as the underworld
Remembering Persephone’s dual role as a fertility goddess and a chthonic goddess, now her descent to the underworld and the subsequent winter makes sense. Winter becomes a fallow period in which the earth is asleep and plant life is dormant. It won’t be forever, for come Spring again, when Persephone returns, a new season of growth begins again.
Nearly all versions of Kore/Persephone’s abduction to the Underworld and her return have being tricked into or choosing to some pomegranate seeds.
Sometimes the number of seeds eaten seems to matter as that represents the number of months in the year that Persephone must return and stay in the Underworld. So, mentioning three to four seeds tend to represent the winter months in which she is with Hades.
In ancient mythology, to eat the food of one’s captor meant that one would have to return to that captor or country, especially anything from the Otherworld, Faerie or the Underworld. Persephone is doomed to return to the Underworld for a part of the year. The other part, she is allowed to remain with her mother, Demeter.
Remember, the seeds themselves are merely symbolic. Persephone in her original role is a chthonic deity and would have returned to the living world and back to the Underworld as part of her seasonal traveling in her role as a fertility goddess.
As a symbol, the pomegranate seeds, under the Greek versions of the myth are looking to explain the seasonal cycle of the year and why it is that Persephone must return for a part of the year to her husband Hades.
Touching back on what I commented earlier about Altered States of Minds and Stockholm Syndrome, continuing a narrative of Persephone being tricked into or choosing to eat the seeds seems to perpetuate an abusive ideal of taking away her agency.
Either an abusive husband who forced himself on her, rape. Or an overbearing mother who doesn’t want to let her little girl go and will throw a tantrum refusing to allow anything to grow if Persephone isn’t with her. Then Persephone, even if she’s but I want to stay with Hades, mom’s willing to starve the entire world for her pettiness. This interpretation just doesn’t work for me.
I have to look at ancient chthonic goddess who’s going to travel back and forth anyways. As she’s a goddess of the Underworld and Hades is also a god of the Underworld, they are a perfect match in heaven…. Well the Underworld and the pomegranates were the food of choice to join in holy matrimony. No forced coercion.
Renewal Of The Earth & Soul – Another bit of commentary I came across is that by Persephone eating the pomegranate seeds, a flowering plant, it symbolizes that she would return in Spring just as all flowers bloom at this time. In the Eleusinian Mysteries, this speaks for the renewal of the soul.
Persephone & Minthe
For being a rather important deity, Persephone doesn’t have too many stories regarding her as she seems to be relegated to being little more than Hades wife. So where Hera often took complaint to Zeus’ many lovers and affairs, Persephone only has one such story.
That would be with the nymph, Minthe who may have been a mistress or lover of Hades before he abducted Persephone. In an act of hubris, Minthe boasts about how she is more beautiful than Persephone and that she would manage to win Hades back.
Persephone took exception to this boast and to prove her power, might and indignation, she turned the nymph into a plant of the same name.
Mmm…. Mint. Gotta love that sweet smell.
A slight variation to this story has Demeter being the one to avenge her daughter’s honor and be the one to change Minthe into the plant of the same name.
If we go by the Greek legends and stories, Persephone wasn’t always so loyal with Hades. She did take Adonis and Hermes as lovers at different points. Granted nothing came of these affairs.
Even though Persephone is married to Hades, that doesn’t stop the heroes Pirithous and Theseus from descending down to the Underworld with the aspirations of Pirithous marrying Persephone.
The two had it in their heads that they would marry daughters of Zeus. They clearly didn’t think the plan through. Of course, Theseus had the bright idea of being the one to try kidnapping Helene, Zeus wasn’t happy with that. Some accounts have the mighty Zeus sending a dream to the two with the idea of going off to have Pirithous marrying Persephone.
Hades is there to welcome the pair sure enough. Soon as they are seated, their chairs magically bind and holdfast the would-be suitors. There they would remain prisoners until the hero Hercules comes to the Underworld to free them.
Just let that be a lesson, don’t mess with another man’s wife or daughters if he thinks you’re unworthy of such a thing.
Persephone & Zeus
Sitting in a tree, K-I-S-S-I-N-G…. this is a story from the Orphic tradition. Zeus (yes, her father) comes and seduces Persephone in the guise of a serpent. From this union, she bares a son, Zagreus. Zeus put his son up on the throne of heaven only to have him attacked and torn apart by the Titans.
Zagreus’ heart is recovered, and the young god is reborn through Semele to become the god Dionysus or Sabazius. This is to be a second Dionysus and not to be confused with each other.
Another goddess, Melinoe is also reputed to have been born from the union of Persephone and Zeus.
Persephone & Adonis
In this story, both Aphrodite and Persephone fell in love with the same mortal named Adonis. Naturally he is a handsome youth and neither goddess could agree as to who deserved him more. Zeus took the matter into his own hands and divided the year into three parts, saying that Adonis would spend on third with Aphrodite, another third with Persephone and the third part of the year as time to himself.
Having his own agency, Adonis came to love Aphrodite more. When it was time for him to go to the Underworld, Adonis refused. This angered Persephone so that she sent a wild boar to kill Adonis. As Adonis died in Aphrodite’s arms, he was transformed into the anemone flower.
Phoenician Connection – It has been commented that the story of Persephone and Adonis is nothing more than the Greeks adopting the story the Phoenician story of Ashtarte and Adon.
Orpheus & Eurydice
In the story of Orpheus’ descent to the Underworld, wherein he hoped to bring back his wife, Eurydice from the dead. Persephone takes compassion on Orpheus and allows him a chance to try and bring his deceased wife back to the lands of the living.
Persephone & Sisyphus
Ah Sisyphus forced to forever roll that boulder up a hill, only to have it roll back down on him. Before dying, Sisyphus had told his wife to just throw his body to be thrown out into a public square where eventually his body made its way to the river Styx. Sisyphus then tricked Persephone into allowing him to return to the living world, so he could scold his wife for not giving him a proper burial.
Naturally, the trick worked and once Sisyphus “told off” his wife, he refused to return to the Underworld. It took the god Hermes to forcibly drag Sisyphus back to the Underworld.
Another version of the story has Sisyphus simply pleading to Persephone that he was taken to Tartarus by mistake and the Queen of the Underworld orders his return.
Some people just don’t want to face the music.
Persephone & Alcestis
Which takes us to Alcestis, married to King Admetos. He didn’t want to die either.
The Fates told Admetos that he could escape his time to die if someone else would take his place. That person ended up being Alcestis. Wise to the shenanigans, Persephone sent Alcestis back to the living world.
Another version has the mighty Hercules coming to fight Hades so Alcestis can be released back to the living world.
Look, when your time comes, it comes.
I always thought it was Prometheus who did this. There’s a rather obscure myth in which Persephone is credited with the creation of man or humankind using clay. There was then a dispute among the gods over who should get to claim humans. An agreement came with the god Cronus presiding as judge, that while living, humans would be subjects of Zeus (who initially gave the clay figures life and controls their fate) and Gaia (who provided the clay in the first place) and when they died, they would go to the Underworld to be with Persephone as she came up with the idea to begin with.
The Twelve Labors Of Hercules
In Greek mythology, the hero Hercules was tasked with a series of twelve labors by King Eurystheus that needed to be performed as penance for the killing of Hercules’ family. One of Hercules’ tasks was to descend to the Underworld to retrieve the three-headed hound Cerberus. In some accounts, it is said that Persephone, not Hades is who allowed the hero to take the hell hound. While Hercules was at it, Persephone also allowed the hero to free Theseus from his confinement.
In Pseudo-Apollodorus’ Bibliotheca, Hercules decided it was a good idea to slaughter one of Hades’ cattle in order to give the souls of the dead some fresh blood. Menoetes, Hades’ keeper of cattle challenged the titular hero to a wrestling match. It is only after Hercules breaks the ribs of Menoetes that the hero sets him down at the behest of Persephone.
In the versions told by Diodorus Siculus in his “Library of History” and Pseudo-Hyginus’ Fabulae, Hercules freed both Theseus and Pirithous.
Seven Against Thebes
During this event, Hades and Persephone ended up sending a deadly plague to the city of Thebes when King Creon refused to bury any of the dead warriors. When two maidens, the Coronides, daughters of Orion sacrificed themselves to appease Hades and Persephone, they were transformed into a pair of comets.
Well, you’re gonna get a plague and diseases if you leave a bunch of corpses out rotting in the field of battle and don’t bury or clean them up.
In New Age and Wiccan practices, Persephone is often seen as the Maiden aspect of the “Triple Goddess” with Demeter representing the Mother and Hecate the Crone.
Proserpina – Roman Goddess
Among the ancient Romans, Persephone is known as Proserpina. Her mother is said to be the goddess Ceres. The Romans first heard of Persephone from the Aeolian and Dorian cities in Magna Graecia. It’s an error on the part of the Roman’s, believing the name Proserpine to be derived from the Latin word proserpere, meaning: “to shoot or creep forth” and is a verb related to the germination of plants.
In the Roman retellings of the story, Pluto (Hades) is out riding in the mortal realms, inspecting the land to make sure that after the fall of the titans, the borders to his realm in Tartarus are still secure. When Venus and her son Cupid see the lord of the Underworld out riding, the opportunity is too much for them and Venus instructs her son to hit Pluto with an arrow so that when he sees Proserpine, he is stricken with such love and lust that he carries her off to his shadowy realm of Tartarus. The rest of the story is much like the Greek versions where Ceres sets off in search of her missing daughter.
Protector Of Marriage
In Locri, Proserpina is the protector of marriage. This role is usually Hera’s domain. There are votive plaques in Locri that show Persephone’s abduction and her marriage to Hades, serving as a symbol of the marital state. The children of Locri were dedicated to Proserpina and maidens would bring their peplos to be blessed before getting married.
Proserpina And Psyche
This story is from Apuleius’ The Golden Ass, a second century Roman novel. In it, Venus (Aphrodite) forces Psyche to perform a task for her. Psyche is instructed to deliver a box from Venus down to the Underworld, to Proserpina. It seems simple enough that Venus wants some beauty cream from Proserpina, enough for one day so she can dress up for the Deities’ Theatre later that evening. Except this task is just one of many harsh tasks that Venus has Psyche perform.
Off to the Underworld she goes, a talking tower informs Psyche how to gain entrance. First, she has to offer a cake to Cerberus, the three-headed hound who guards the gates of the Underworld. That done, she will be welcomed readily enough by Proserpina who will invite her to sit on a soft cushion and enjoy a feast. This she, Psyche must not do, she must instead sit on the ground and ask for some course bread. If she does that, Psyche can then tell Proserpina what she is there for. Once she has what she seeks, Psyche is to come straight back, giving the last cake to Cerberus so she can leave the Underworld. The final instructions are, that Psyche is not to look within the box. She must retrace her steps back to Venus straight away.
Following the instructions, Psyche is able to get the box filled with beauty cream to bring back to Venus. The return trip back up to the Living World goes smoothly enough. Only now, past the seeming difficult parts of the journey, curiosity gets the better of Psyche and she decides to open the box, reasoning that she can take a drop for herself to look even more beautiful for her lover, Eros.
When you get instructions from the Otherworldly Guides and Deities, it’s best to heed them. As soon as Psyche opened the box, to her surprise it’s filled with the stygian sleep of Pluto. The sleep of death and it at once envelops her. Psyche’s limbs go rigid and she falls to the earth, stiff as a corpse laying there. Luckily for her, Eros finds Psyche and wipes the sleep off her and restores it to the box.
Proserpina And Euphemea
When the nymph Euphemea stopped worshiping Diana, the goddess struck the nymph full of arrows. At the very last, Proserpina snatched her up, still alive to take down to the Underworld.
Etymology: From the Greek word “pantes” meaning: All, everything, rustic
Other Spellings: Πάν
Other Names and Epithets: Aegocerus (“Goat-Horned”), Agreus (the Hunter), Faunus, Haliplanktos (Sea-Roaming), Innus, Kronios, Nomios (the Shepherd), Sinoeis
Pan is a familiar, half-goat, half-man or satyr deity in Greek mythology. As a god of forests and wilderness, he’s known too for inhabiting grottoes too. In his ancient Arcadian home, Pan is said to have wandered the mountain sides playing his reed pipes, aiding or hindering hunters, guarding shepherds and their flocks and his never-ending pursuit and dancing with nymphs.
Animal: Goat, Tortoise
Patron of: Shepherds
Plant: Pine, Mountain Beech, Water-Reed
Sphere of Influence: Fertility, Flocks, Rustic Music, Wilderness
Symbols: Reed Pipe, Phallus, Lagobolon (Hare Trap)
Pan is the Greek half-man, half-goat god of shepherds and flocks. A god of fertility and the wilds.
What’s In A Name?
The Latin words of the verb paô and pasco connect Pan’s name to mean “all” or the universe. The Arcadians used the word pan meaning rustic, for anything out in the country, wild and untamed.
The idea of the Greek word pan for “all” comes from Homeric Hymn where Pan is described as delighting all the gods. This word ends up being used in word play in Plato’s Cratylus where he describes Pan as a dual-natured god, a personification of the cosmos.
The Greek word: “pa” is a more likely source for Pan’s name as it translates into “Guardian of the flocks,” certainly one of the things he is known for. Interestingly “pa-on” meaning: “herdsman” is a closely related word and where the Latin pastor and the modern English word “pasture” come from.
Another source says that Pan’s name comes from the Greek word: “paein” meaning “to pasture.” Furthering the ideas, Edwin L. Brown puts forward the idea that Pan is likely a cognate to the Greek word: ὀπάων, meaning “companion.”
Early Greek Depictions
It is around 500 B.C.E. that Pan appears in Greek art. These early depictions of Pan show him as a black goat standing upright on hind legs.
Later red-figure pottery shows Pan’s image change to that of a satyr. Some might even say the father of all satyrs. He is often shown having a wrinkled face with a prominent, bearded chin, snub nose, pointed ears, goat-like horns with hairy legs and cloven hooves like a goat. playing a reed pipe. Sometimes he is shown with a shepherd’s crook and a pine branch or a crown made of pine. Often times he’s in the company of fellow satyrs and Maenads.
Coinage – In 4th century B.C.E., Pan’s image is found on coinage in Pantikapaion, for the Arcadian League.
Dual Nature – Plato’s Cratylus
This one’s interesting. Socrates discusses how Pan is a duel-nature son of Hermes. That makes sense as Pan is half man, half goat after all. Socrates goes on to explain how Hermes’ name comes from the word for “speech.” That Pan, the all things known, both true and false. The true part of Pan is the part that is smooth and divine and that he lives with the gods. The false part is the lower part that is goat, representing the baser, common man who are rough and like the tragic goat. I presume this comes from the origin for the word tragedy or tragikos, goat-song and is in reference to early, primitive performances where people wore goat-skins. A roundabout way of saying that life is nasty, short and brutish. It is among mankind that tales and falsehoods can be found.
While we’re at it, Pan was also the god of theatrical criticism.
Considered a pastoral paradise in Ancient Greece, the land “that existed before the moon,” this is the place where Pan is said to have been born, specifically on Mount Lycaeum.
Arcadia is mountainous and fertile area located in central Peloponnessus. This place is found to the south of modern-day Greece. This is the location where the seat of the ancient Greek empire once lay.
For the ancient Greeks of their day, they viewed Arcadia and those who lived there as being backwards and primitive. They weren’t held in the same light as more civilized Greeks. Outside of Greece, Pan’s worship spread as far as Egypt and other local, neighboring countries.
Athens – Around the fifth century B.C.E., after the Battle of Marathon, Pan’s worshipped arrived in this City-State.
The story goes that Pheidippides, an Athenian was to Sparta to enlist their aid against the Persians, Pan appeared before him and promised that he would terrify or panic the invaders. In return, the Athenians would begin honoring and worshipping Pan.
Shrines & Temples
Even after the Greeks began worshiping other gods and adding them to their pantheon, Pan still had shrines built, honoring and venerating him. Many of these shrines and sacred places to Pan were often in caves and grottos. There were many sanctuaries and temples dedicated to Pan throughout Arcadia, including some in places like Athens, Heraea, Homala in Turkey, Megalopolis, Mount Parthenius, Oropus, the island of Psyttaleia, and Troezene to name a few. The Korkykeion cave found on Mount Parnassos and the Vari cave in Attica are a couple of the places dedicated to Pan.
According to the ancient Greek historian, Diodorus Siculus, the Egyptians had a good number of statues of Pan in many of their temples. In Thebes, the city of Chemmis was also known as the city of Pan or Panopolis.
Caves & Grottos
Many of Pan’s sacred places were found in caves and grottos. Pan’s sacred shrines and grottos weren’t solely dedicated to him, sometimes he shared it with a local deity or nymph in the region. Sacrifices offered up to Pan included cows, rams, lambs, milk and lamb. These sacrifices would also be offered up to Pan in conjunction with Dionysus and the nymphs. Other sacrifices to Pan included statues of herdsmen, vases, lamps and gold grasshoppers. Goat sacrifices and torch races were also part of Pan’s worship at Delphi and Athens.
A few other locations for Pan’s shrines or temples are:
Acacesium – A perpetual fire was kept burning here in this time. Also at this time, there was an oracle where the nymph Erato was Pan’s priestess.
Acropolis – This shrine to Pan is hidden away in a shallow cave beneath the Acropolis in a place still wild and untamed.
Apollonopolis Magna, Egypt – A Temple of Pan is found here.
Corycian Grotto – Located near Mount Parnassus.
Nomian Hill – A shrine was located here near Lycosura.
Peloponnese – A Temple of Pan was located here on the Neda River gorge.
Well of Eresinus – Located between Argos and Tegea
Mystery Cults – During the Hellenistic era, Pan becomes a cognate to the Phanes/Protogonos, Eros, Dionysus and Zeus.
Youngest To Oldest
In the Greek pantheon, Pan is considered the youngest of the gods. That makes sense if Hermes is Pan’s father. Making Zeus his great grandfather and Apollo his grandfather. At the same time, Pan is also considered the oldest god as records of his worship date to the 6th century B.C.E. in Arcadia. Mythical evidence seems to back this with Pan being the one who gives Artemis her hunting dogs and teaches Apollo the secrets to prophecy.
This likely makes sense too that for all that Pan being a rustic, rural god, was seen by the Greeks as representing the connection between the wildernesses and civilization. In Arcadia he would enjoy being a major god, but else where he was reduced to a minor god and not counted among the twelve major Olympian gods. So how ever minor his role seemed to have taken on, his influence and importance were not denied or forgotten.
Parentage and Family
Grandfather or Great Grandfather
As the grandson or great grandson of Cronos, Pan is known as Kronios.
The parentage for Pan is greatly varied and murky. Depending on the source that one uses, a different set of parents will be mentioned. That kind of makes sense when seeing Pan as a nature god, that he could be older than the other Olympian deities. Depending on which one you read, will be which one you decide to go with.
Father – Hermes, nearly every myth concerning Pan’s birth agrees on this. Sometimes another deity, Aegipan is given as Pan’s father. Even the gods Apollo, Cronus, Dionysus, Uranus, or Zeus could be mentioned as Pan’s father. Others like Amphinomos, Antinoos and Odysseseus are mentioned as Pan’s father.
According to Euhemerus, a 4th century B.C.E. mythographer, Aegipan (or Pan) was married to Aex and when she had an affair with Zeus, she bore the god Pan to him. In this instance, Pan was called Aegipan.
Mother – There are many different myths regarding who Pan’s mother is.
In no particular order, they are: Dryope the daughter of Dryopos, Thymbris, Penelope (There are two Penelopes of note here. The first one, Hermes visited in the form of a ram. The second Penelope is of Odysseus fame as she proved to be unfaithful while she waited for Odysseus to return home). Nonnus’ Dionysiacs is where Penelope of Mantineia in Arcadia, a nymph. This Penelope is later confused or combined with the Penelope, the wife of Odysseus. Oeneios, some random Nereid, Sose, and Callisto. Even the goddesses Aprodite and Hecate are sometimes mentioned as being Pan’s mother.
Sometimes Pan’s parentage is given as being Uranus and Ge or that of Aether and Oeneios.
That seems a little odd to think of Pan as having any spouse. Given Pan’s later reputation for chasing around after all the Nymphs and seducing anyone who’s female…. There’s actually a few that Pan actually truly loved.
Aix – Also spelled Aex, she is a goat or a nymph who took the shape of a goat. Her connection to Pan seems more sure if you count Aegipan and Pan as being one and the same person.
Echo – This one is rather tragic, the story is given in full later.
Pitys – A nymph who turned herself into a pine in order to elude Pan’s advances.
Syrinx – A more well known Syrinx who changed herself into a bed of reeds to escape from Pan’s unwanted advances.
The satyrs in general were all considered kin to Pan, if not his sons, Laertes, Circe and the Maenads.
Agreus – A half-brother by way of Hermes, part of a “Pan Triad.”
Arcas – the twin brother to Pan, when Zeus is seen as the father. That is, if you accept the source of Kerenyi’s work of Aeschylus in Rheus noting there being two Pans.
Daphnis – A half-brother by way of Hermes.
Nomios – A half-brother by way of Hermes, part of a “Pan Triad.”
Akis – Also spelled Acis, he is the son of Pan (or rather Faunus) and the nymph Symaethis.
Eurymedon – Of the Seven Against Thebes fame, he said to be the son of Pan given how he fought fiercely in battle, causing others to panic.
Iambe – With Echo, Pan is the father of Iambe, a minor goddess of verse.
Iynx – With Echo, Pan is the father of Iynx, a girl who took the form of a bird.
Krenaios – Also spelled Crenaeus, he is the son of Pan (or rather Faunus) and the nymph (more accurately a Nereid) Ismenis. Crenaeus fought fiercely in the Seven Against Thebes, even more so in the river Ismenis of his mother’s name sake.
Krotos – With Eupheme, Pan fathered Krotos, a minor god who invented the hunting bow and rhythmic beats or clapping in music.
Silenus – This one is a bit dubious, as he is sometimes considered older than all of the satyrs and sometimes his parentage is given as being the son of Hermes and Gaia.
The Panes – All the satyr and local woodland deities including the fauns. According to Nonnus’ Dionysiaca, there are twelve Panes who lived in caves and claimed Pan as their father. They are known for having accompanied Dionysus in his War with India. These Panes were:
Aigikoros, Argennon, Argos, Daphoineus, Eugeneios, Glaukos, Kelaineus, Omester, Philamnos, Phobos, Phorbas, and Xanthos
What A Pane
Nearly every region of Ancient Greece had a regional woodland deity, many of them local satyr deities that all came to be identified as just different aspects of Pan. These multiple Pans or Panes were also known as Paniskoi or “little Pans.”
Satyrs weren’t necessarily gods in themselves, but nature spirits known for all sorts of carousing and chasing after nymphs, eating and drinking. The Romans would know these nature spirits by the name of fauns or incubi, the Celts believed in Dusios or dusii for plural. Much like the plural of Pan being Panes, the plural of satyr is Satyri.
This association with these local deities, gave rise to Pan being known by many names and seen as a universal god. Some of these local deities are as follows:
Aegipan – A goat-fish god connected to the constellation Capricorn.
Aristaeus – God of flocks, agriculture, bee-keeping, viticulture in Northern Greece. Like Pan, Aristaeus also held the title of Agreus (the Hunter) and Nomios (the Shepherd).
Marsyas – A Phrygian satyr also known for playing the pan pipes.
Priapus – A local god whose images have been found at Pompeii
Silenus – Knowledge and viticulture
Sybarios – An Italian version of Pan who was worshiped in the Greek colony found at Sybaris, Italy. This Sybarite Pan is the son of a Krathis, a sheperd and a she-goat.
As a triad, Pan was known as Agreus, Nomios, and Phorbas. Each seen as a separate entity and not just as a title of Pan’s.
In Nonnus’ Dionysiaca, two of the Panes, Agreus (Hunter) and Nomios (Shepherd) are merely different aspects of Pan. By the same account, they are the sons of Hermes with two Nymphs. The first is Sose, a prophetess who bore Agreus who inherited Sose’s gift for prophecy and would become a god of the hunt. The second is a nymph by the name of Penelope (not to be confused with the one of Odysseus fame) who bore Nomios known for playing the reed shepherd’s pipes or syrinx, shepherd, and seducing Nymphs. It has been said that many of the stories about Pan are actually about Nomios.
Agreus and Nomios are often taken to be two different aspects of Pan, indicating a dual nature to the half-goat god as both wise prophet and a lusty, amorous beast.
Phorbas would later join these two. Phorbas’ name means “giver of grazing” and has been noted as a play on the word phobos for “fear.”
The Birth Of Pan
Regardless of who is considered Pan’s mother, it’s generally agreed that she ran away at the sight of this already fully developed infant sporting horns, covered in hair, complete with beard, goat tail and legs with cloven hooves. Hermes however, took his son up to Olympus where the other gods were immediately delighted with him, especially Dionysus. The nymphs would raise Pan.
One of the nymphs to raise the infant Pan was Sinoe. From her, Pan received the epitaph of Sinoeis.
As a side note, the Homeric Hymn has the nurse being the one frightened by the sight of Pan and running away.
Where Penelope, the wife of Odysseus is listed as Pan’s mother, she was seduced by Antinous. When Odysseus returned Penelope to her father Ikarios, she gave birth to Pan when she arrived at Mantineia in Arcadia. With Penelope as Pan’s mother, he is clearly a demigod who became fully immortal.
A fertility deity, Pan is known for being very lusty as a symbol of male sexuality and carnal desire. Spring is the time for fertility, so it makes sense that Pan what he’s known for doing best, sex. There’s just no way around it.
Pan is very famous for his stories of endlessly chasing after nymphs who, to elude the lusty, rutting god, would turn into trees and rocks. These same stories were also used by the ancient Greeks to explain the many varieties of plants and natural features with how they came to be.
Nudity was a common thing among the Greeks, seen as being very natural and not holding any of the stigmas against it that are found with later cultural, especially religious taboos. It just is, nothing sexual about it.
Pan on the other hand… Part and parcel to Pan’s sexual prowess, one of his symbols is a phallus. Meant in joking tones, Diogenes of Sinope tells how Pan learned masturbation form his father, Hermes and then went on to teach it to shepherds. As such, it’s not uncommon to find ancient Greek art depicting Pan having an erection, he was just that sexually active.
Sex for the sake of it. That is part of who Pan is, bringing out the wild, untamed natural man to give into primal desires to satisfy momentary, carnal lust. If you want a love god for someone to fall in love with for a life partner, Pan is not your deity. Try Aphrodite or Eros for better results. For the ancient Greeks and Pan especially, he held many sexual partners and would move from one to the next with ease.
Rest assured, the ancient Greeks did see a need for having a main partner and a need to have someone you were with to create a better sense of family and unity. But engaging with a new partner from time to time could lead to something new and a change of pace.
When in Rome, only this was Greece.
Pan & The Nymphs
Pan is often mentioned as a companion to the nymphs of the woods, mountains and rivers. As a god of fertility, Pan also has a reputation that may or may not be deserved as being very lusty and constantly chasing after the nymphs as they flee from his unwanted advances. It all starts off well and good, he would join their dances and play his reed pipes, then soon enough comes the rutting and the chasing after. The nymphs would very likely be the original #MeToo crowd. They do manage to get their revenge on him at one point where they set upon Pan while he’s asleep to tie him up and shaved off his beard.
This part comes from Philostratus the Elder in his Imagines 2 where he describes a painting of the Bucolic Nymphs having tied up Pan and shaved off his beard as they say they will persuade Echo to no longer respond to him.
Even Artemis, the goddess of the Hunt and Moon got fed up with Pan’s behavior as her retinue of virgin followers and nymphs would grow smaller every time Pan or any of the satyrs came around.
Maenads – Aside from the Nymphs, Pan also got on well with the Maenads, the female followers of Dionysus rather well too. Now, either did this one by one or would multiply into a host of Panes to satisfy them all.
Pity – This poor nymph eluded Pan’s advances by turning into a Mountain Fir.
Pan Girls – With Pan’s rather lusty nature, Greek girls back then were known as Pan Girls when they displayed the same behavior.
Where The Wild Things Roam
A nature god, Pan’s domains were all of wildernesses. Grottoes, meadows, forests, beasts and even human nature itself. All of it is Pan’s domain. During the heat of the day, Pan would sleep and didn’t take kindly to anyone who disturbed him. Pan is described too as a god heard, but not seen.
Bees – As a god of nature and wild things, it stands to reason that among many of the things that Pan cared and watched over would include bees too. Like was previously stated, all of wilderness.
Fishing – Coastal areas and the success of local fishermen were also under Pan’s province.
God Of The Hunt – As a god of the wild places, Pan is also a god of the hunt, hunting dogs and he could decide a hunter’s success or not. In Arcadia, hunters would whip or scourge statues of Pan if their hunting failed.
God Of Shepherds And Flocks – In Pan’s homeland of Arcadia, there were many shepherding groups, most of whom herded goats and sheep. Pan protected the herds and flocks both wild and domestic. Pan would even help shepherds find their way back to the towns and cities. This role clearly placed Pan as the guardian of the wilds and civilization.
Panic At The Parthenon!
Pan’s name is the basis by which the word “panic” originates. It is one of the things that Pan is known for, causing a sudden or great fear in people. There are a couple myths given as an explanation for this.
Afternoon Naps – Sleep is good. The afternoons are when Pan is known to take his naps and woe to anyone who disturbed him from his sleep. But hey, who wouldn’t be cranky when woken up from their sleep. That’s right, run for the hills.
Music – Pan’s music that he played on his reed pipes could inspire panic in anyone who heard it. With it, Pan’s music could lower people’s inhibitions, an ecstasy brought on by listening to the music and dancing. A lowered inhibition that could either inspire or bring on a madness.
Panolepsia – During the Hellenistic era, Pan’s popularity increased and it is at this time he became associated with the word panic, an emotion known to overcome soldiers on the battle field. This violent emotion, known as panolepsia could overcome any individual person, inside and outside of battle.
Titanomachy – The first myth given is that Pan was present when Zeus defeated the Titans during the great Titanomachy. The claim then is that Pan’s yelling caused the Titans to flee.
Battle Of Marathon – The Athenians began worshiping Pan after he helped them out with causing panic among the invading Persians.
Nighttime Pranks – The second myth given is that Pan would make noises to scare away travelers in his protected forests.
God Of Rustic Music
When he wasn’t busy chasing nymphs, Pan could be found playing his famous reed pipes and dancing with the wood nymphs. Pan’s skill with music was such that he could cause inspiration, promiscuity or panic depending on what he wanted. The reed pipes were synonymous with rustic music as they were relatively cheap and easy to make with cutting reeds to different lengths and stopping them up with something like wax.
One of Pan’s more famous and well-known myths. Syrinx was just one of many nymphs that Pan would endlessly pursue. She was a water-nymph and the daughter of the river-god Landon. One day, as Syrinx returned from hunting, she encountered Pan who became infatuated with her. To escape his unwanted advances, Syrinx fled from Mount Lycaeum down to the Ladon river, there she pleaded with her sisters (or sometimes Zeus) to change her into a bed of water reeds. When Pan narrowly missed grabbing Syrinx, he discovered that when he blew air through the reeds, they made a noise. A forlorn Pan, mourning the loss of Syrinx, took the reeds and crafted his famous reed pipes or Syrinx from them.
Daphnis – The son of Hermes and a nymph, a shepherd, he invented pastoral poetry. He is one of many whom Pan taught how to play the pan pipes or syrinx.
Pindar – A poet said to be loved by Pan for singing and dancing to his music. Pindar built a sanctuary dedicated to Pan outside his house.
Olympus’ Got Talent!
In the original version of this story, Pan is equated with the Phrygian satyr, Marsyas. In the original telling of events, Marsyas is punished for having challenged the god Apollo.
However, other versions of this story have Pan and Apollo having a music contest with a local deity, Timolus set to be the judge. King Midas (as in the one with the golden touch) was there by happen stance as at this time, he was now a follower of Pan and followed him around.
When Apollo and Pan completed their different musical scores, Timolus was all set to call Apollo the winner. Midas spoke up and said that it should be Pan who was the winner. This angered Apollo and in retribution, he changed Midas’ ears into those of an ass.
You just can’t win.
One version of this story has it that both Apollo and Pan were tied, so they held a second round. This time around, Apollo said that they should play their instruments upside-down. Apollo was unaffected with playing upside-down, Pan however, was unable to play his reed pipes. Thus Apollo won the contest.
The Mother Goddess
In Pindar’ Pythian Ode, Pan is mentioned as a being either a follower or consort to the mother goddess. This is very likely either Cybele or Rhea whom is seen as a synonymous with Cybele.
Pindar makes mention of virgins worshiping Cybele and Pan near his home in Boetia.
Pan and Rhea alike are deities of the mountains and wild places. In a fragment of Pindar’s Maiden Songs, Pan is mentioned as the companion to Rhea and the warder or guardian of holy shrines.
There’s an episode in Valerius Flaccus’ Argonautica where Rhea becomes angry with the king of Kyzican for killing one of her sacred lions and Pan descending on the city of Kyzikos at night yelling loudly to disturb the flocks to panic and stampede and bring terror to the city in revenge at Rhea’s command.
Another source I found for this, replaced Rhea’s name with that of Cybele’s. This isn’t too surprising, when you see Rhea and Cybele as the same deity, just different names from different Greek and Roman cultures. It almost seems like a matter of preference when someone retelling the Greco-Roman stories flip-flops back and forth with the names used.
Pan is known to be part of Dionysus’ retinue accompanying many other prominent paniskoi, satyrs and rustic deities, causing a lot of rowdy behavior and riots characteristics of such bacchanalias.
Dionysus’ Indian War – When Dionysus went to war with the country of India, Pan was among the many satyroi and panes who accompanied him.
God Of Prophesy
Being the grandson to Apollo, that makes sense that Pan would have inherited some of the family tendency to foretell the future. According to some accounts, Pan is to have taught Apollo the prophetic arts. In the sanctuary of Despoine in Arcadia, the nymph Erato served as one of Pan’s prophetess’. Similarly, the Korykian cave, another Oracular site was held sacred to the nymph Korkykiai and Pan.
Pan & Typhon – Capricorn
In Greek mythology, the constellation, Capricorn is known as Pan and he is usually portrayed as the son of Hermes. He had the upper half of a man and the legs of a goat. How Pan becomes associated with the constellation of Capricorn is that one day when Pan and the other Gods were down by the Nile River, they were attacked by the monster Typhon. The Gods all changed themselves into various animals and forms in order to escape. In the confusion and panic, Pan jumped into the Nile River, intending to change into a fish, but only his lower half changed while his upper half turned into a goat. When the other Gods saw this half-goat, half-fish form of Pans, they laughed so much and decided to place an image of it up among the stars where it becomes the Capricornus or Capricorn constellation.
In a more elaborate retelling of the story of the Greek Gods versus Typhon, while the Gods did change into various animal forms, Zeus changed into the form of the ram, Aries and remained in this form for a while. Other gods like Aphrodite and Eros became a pair of fish that form the constellation of Pisces. Now Aegipan had also transformed himself into an animal to escape Typhon, but he was already halfway submerged in the Nile River when he finally decided what animal form he would be. He had decided to be a goat, but only from the waist up and a fish from the waist down. And its this result of indecision during panic and trying to escape that results in the familiar half-goat, half-fish from of Capricorn.
Zeus finally reappears back in his own form and battles against Typhon, but he was however defeated. Typhon proceeds then to cut out the tendons of Zeus’ hands and feet and therefore unable and helpless to move. Typhon hid the tendons in a cave in the land of Cilicia. The draconic being known as Delphyne, a half-serpent, half-woman creature was tasked by Typhon to guard Zeus’ tendons.
Between the gods Hermes and Aegipan, they were able to steal back Zeus’ tendons and return them, so Zeus could become whole again. With his strength restored, Zeus was now able to battle Typhon again and this time, defeated him hurling thunderbolts at him. For Aegipan’s role in this battle the Titan, Zeus set the Capricorn constellation up in the stars to honor him.
Aegipan or Pan?
Well now that all depends… some scholars will say that Aegipan is a separate deity from Pan like Nomios and Phorbas who are collectively called the Panes. Other scholars will say that the Panes are merely different aspects of the same god, in this case, Pan.
Additionally, Aegipan is sometimes said to be the father of Pan and not Hermes. It can create for a lot of confusion. Which is what Pan is good at and hence the origin of the word panic. There is also a 5th century B.C.E. Greek vase depicting both Pan and Aegipan as separate beings.
Pan And Demeter
In this story, Demeter and Poseidon are married. After a falling out with Poseidon and the abduction of her daughter Persephone by Hades, Demeter became very distraught, clothing herself in black and hiding away in a cave. Because of this, with Demeter being an agricultural and fertility goddess, nothing grew and there came a famine upon the land. None of the gods knew where Demeter had gone. Pan returned to his home of Arcadia and began wandering the country side and mountains. Eventually, Pan made his way to Mount Elaios where he found Demeter hiding in her cave. Pan reported back to Zeus that he had found Demeter and the Moirai was sent to Demeter and negotiated a peace between her and Hades that resulted in the familiar cycle of seasons.
Pan And Echo
Another nymph (a minor mountain deity) by the name of Echo. Most stories have her spurning Pan’s advances and eventually she fades away, leaving behind only her voice to answer or echo Pan’s calls to her.
Beauty Contest – This story tells how Echo, being a rather beautiful nymph and musically inclined; being able to sing and play several different instruments. Like all her nymph sisters, Echo lived deep within the forests, spurning the love of mortals and immortals alike.
Before this, there had been an Achilles, the son of Zeus and the Lamia. Now Achilles was incredibly handsome and along with several others, entered a beauty contest with Aphrodite. Acting as judge was Pan who was the most fairest of them all. Aphrodite grew angry with Pan and she cursed Pan with an unrequited love for Echo, whom he pursued relentlessly.
To try and reconcile this version of the story with the below one in Daphnis & Chloe, it makes sense that in his madness, that Pan would incite his shepherd followers to descend upon Echo to tear her apart.
That afterword, Gaia taking pity and having favored Echo, gathers up the pieces of her broken, scattered body to the earth and that all that remained was Echo’s voice. It really makes sense that in mourning, that Echo is chasing after the sound of Echo’s voice every time he hears her repetitive call. It makes sense for Pan to be mentioned as forever chasing after his student that he can never find.
Daphne & Chloe – This story has Echo getting torn to pieces by shepherds after Pan incites them to riot and Gaia then gathering up the broken pieces of Echo’s body to hide within the earth. That only thing to remain was Echo’s repeating voice.
Thebes, Egypt – Here, there was a cave that was shaped like a shepherd’s pipe and a marble statue of a satyr. Pan visited this cave and was delighted by the music of the flute, yet held firmly to Echo in fear so she wouldn’t echo a response to the marble statue.
Apuleius, The Golden Ass – A 2nd century C.E. Roman novel, the author Apuleius describes Pan as sitting by the banks of a stream with Echo in his arms as he teaches her his music and songs.
Suda – In this fragments of poetry and story, Echo is described as bearing the children Iambe and Iynx to Pan.
There must have been a real relation between Echo and Pan and not just the lusty, rutting of a goat-god. It’s unfortunate as it does seem the ire of Aphrodite cause Pan to go into madness and kill his one real love. Given the lusty reputation of Pan for chasing nymphs, Echo’s demise being caused by Aphrodite seems to have been over looked and lumped in as just another failed conquest.
In this story, Pan is in a rut, chasing after the Queen of Lydia, Omphale. On the night that Pan was to arrive, Omphale persuaded Hercules to switch clothes with her. So when an amorous Pan showed up and slipped into Omphale’s bed, he’s promptly kicked across the room by Hercules.
After that, Pan banned the wearing of any clothes at his religious rites and rumors began spreading about Hercules being a transvestite.
Pan And Selene
Selene is considered perhaps the greatest of Pan’s sexual conquests. He managed to woo and seduce the moon goddess Selene by wearing a sheep skin in order to hide his black goat features. Seeing her reflection in the white sheep skin, Selene came down from the night sky and Pan was able to woo and seduce her. By one account, this is how “The Man in the Moon” came to be.
Pan And Psyche
Thankfully, we can see that Pan isn’t all lusty goat-god out to ravage everyone he sees. After Psyche lost her lover, Eros, she went wandering in great despair. When Psyche’s wandering brought her the banks of a river, she intended to throw herself in it to drown.
Luckily for Psyche, both Pan and Echo were nearby as Pan was teaching Echo his songs. Seeing Psyche in her despair, Pan called her to him. Seeing how love-sick she was, Pan told Psyche not to kill herself but instead to make prayers and seek out the attention of Eros so she could eventually draw him back to her. After receiving the advice, Psyche went on her way.
The idea of Pan’s name becoming associated with the meaning of “all” and Pan being a god of all, a universal deity comes about during Roman times. Over a period as the meanings of a word or words change or become confused.
It makes sense, Pan being a god of the wild places and all of nature, even human nature.
Pan Is Dead!?!
In Plutarch’s “The Obsolescence of Oracle,” he mentions that Pan is the only Greek god who is dead. According to this account, during the reign of Tiberius (between 14-37 C.E.) there had come news of Pan’s death to a sailor by the name of Thamus. The ship that Thamus was one was headed for Italy and when they passed by the Echinades islands, specifically, the island of Paxi, a divine called out to Thamus asking: “Thamus, are you there? When you reach Palodes, take care to proclaim that the great god Pan is dead.” The voice is to have called out three time to Thamus and when they reached their destination, Thamus spread the word of Pan’s passing much to others dismay.
The Rumors Of Pan’s Demise….
Now, it has been put forward by others such as Robert Graves, Salomon Reinach and James S. Van Teslaar, that Thamus and those onboard the ship may have misheard what was said. That it was: “the all-great Tammuz is dead” and not “Thamus, Great Pan is dead.” As the phrase spoken, “Thamus Panmegas tethneke” that is to have been said could easily have been misunderstood by those who didn’t speak the language.
When Pausanias traveled through Greece a century later after Plutarch, he discovered that a good many of Pan’s shrines and sacred places were still very much so in use. Jump forward to the 18th century C.E. and Christians have taken Plutarch’s words for gospel truth and have repeated it for history and allegorical truths with the passing of older, ancient orders and for a new age. Poets like John Milton have used the cry of: “Great Pan is dead!” taken to using this line in their poetry.
Are Greatly Exaggerated
To complicate this, even if Pan were dead, he wouldn’t have been the first deity or immortal to die. There’s Chiron, who died of a poisoned arrow and then you have Dionysus who was killed by the Titans. You could count the gorgon Medusa among this number for Greek immortals, only the stories will say she was really just mortal as the Greeks cling to the idea that an immortal can’t really, truly die. That’s only the Greek mythology without touching any other mythologies.
Seeing as this looks like it all stems from a misunderstanding or mistranslation that once the 18th century arrived, took off in people’s imaginations. When looking among the Neopagan, New Age and Wiccan crowd, the veneration and honoring of Pan as an aspect of the Horned God is still very active.
Margaret Murray, in 1933 wrote in her book “The God of the Witches” a theory how Pan was worshiped in Europe by a witch cult. This book is what has contributed to many modern Pagan and Wiccan religions using the Horned God as a symbol of male sexuality and prowess.
The important thing to remember with the 18th century is that this when Pan also makes a come back in literature. He makes an appearance in “The Wind and the Willows.” James Barrie’s famous character of Peter Pan is in part based off of Pan. Not just the last name of Pan, but a strong connection is made in “Peter Pan in Kensington’s Garden” where a young Peter is seen riding a goat.
That’s just a few of the works of literature or poetry to be inspired by and use Pan.
The Devil You Know…
One thing that seems so obvious, when looking at most Christian versions of the devil is the similarity of imagery with Pan, the horns and the cloven hooves. Much of medieval and even post-medieval Christian imagery in literature and art depicts a dark caricature of Pan as the devil or Satan. It really seems unmistakable. Ronald Hutton has noted that this imagery tends to be more modern and is influenced by Pan’s popularity during the Victorian and Edwardian eras.
Pushan – Hindu God
A Vedic solar god and guardian of flocks and herds. This is more of a modern idea as scholars see Pushan’s name as originating from a Proto-Indo-European god: Péhusōn, an important pastoral deity. It is thought that Péhusōn shares a root word with the English word “pasture.” As a result, the idea then comes that Pushan is a cognate of Pan. The German scholar, Hermann Colitz proposed the idea in 1924 of connecting Pan with Pushan.
Faunus – Roman God
The ancient Romans identified Pan with their own woodland deity of Faunus or Inuus.
Faunus is a vegetation deity as well as a god of prophecy and shepherds, so it’s easy to see how the Romans would come to equate the two gods as being one and the same. It is noteworthy to mention that only after the Faunus’ association with Pan did his depiction in art begin to change and become more like Pan’s with the goat hooves and horns. Some Roman accounts have Faunus as the son of the god Mars (Greek Ares) instead of Mercury (Greek Hermes). Faunus is known as the father of Bona Dea or Fauna.
Inuus being a fertility god and a god of shepherds was often used more as an epitaph of Faunus rather than a separate deity.
I must confess, I came across the figure of Narahdarn when a friend posted a link to a series of pictures for a number of different mythological deities grouped by pantheon. Yes, said link and pictures were for the Marvel Comics versions. Not planning to turn it down, I kept a copy of the pictures to use for later inspiration of “what to do next” for Brickthology.
In Australian mythology, there is a story of Narahdarn the Bat who is associated as a symbol of Death. His other thing is honey, the guy loves it, enough to kill for it.
Narahdarn The Bat
This story was the most referenced source for Narahdarn that I could find.
As I said already, Narahdarn loves honey, so much so he was bound and determined to himself some. Unable to locate a Bee Hive, Narahdarn set out to follow a bee to its nest. While following the bee, Narahdarn’s two wives accompanied him with jars or pots to carry home honey in.
Narahdarn followed the bee to it’s nest and marked it with dagger so he could find it later and went to get his wives who had fallen behind. He hurried the two to the tree with the bee hive in it and demanded that one of the wives climb the tree to chop out some of the honey combs. The first wife who climbed up, got her arm stuck fast within the tree hollow or split.
To the first wife’s horror, Narahdarn’s answer to get her free from being stuck was to chop off her arm. Once she realized what he was doing, the first wife began to protest. Narahdarn didn’t listen and proceeded with chopping off the arm. The first wife of shock and Narahdarn brought her body down from the tree.
Laying down the first wife’s body, Narahdarn commanded his second wife to climb up the tree. Horrified the sight, the second wife protested, saying that the bees were likely to have moved the honey to a different tree.
Refusing to accept the excuses, Narahdarn brandished his knife and forced the second wife to climb up the tree. Finding the same notch in the tree that the first wife had found, made all the more obvious with the bloody limb hanging from the hole, the second wife reached her arm in for the honey within.
Like the first wife, the second wife was now stuck too. Narahdarn chopped off the second wife’s arm as well and yelled for her to come down. When the second wife didn’t answer, Narahdarn realized what he had done and became scared. He quickly climbed down the tree, laying the bodies of both wives next to each other. No longer wanting any honey, Narahdarn ran from the place, running back to the tribe.
Back at the tribe’s camp, two of the little sisters for the wives came out to greet Narahdarn. Naturally they believed the wives, their sisters would be with Narahdarn. So it’s no wonder they were surprised to see him return alone and not just that, but covered in blood. Narahdarn’s face had a harsh look to him.
Alarmed, the two young sisters ran for their mother. Upon hearing the two girls, the mother went out to confront Narahdarn, asking him where her daughters were. Narahdarn refused to answer, rebuking the mother with saying to go ask the bee, Wurranunnah.
The mother returned to her tribe, telling them of her missing daughters and how Narahdarn would tell her nothing about their disappearances. She was certain that they were truly dead given how Narahdarn’s arms had been covered in blood. The chief of the tribe listened to the Mother and her cries that came after. The chief said that the daughters would surely be avenged and that the young warriors of the tribe would retrace Narahdarn’s tracks to discover their fate. If it was found that they were dead, then Narahdarn would be punished at a corrobboree (a special ceremony).
It didn’t take long for the young warriors to track Narahdarn’s tracks or to find the bodies of the daughters. Just as quickly, the young warriors return with their news and soon enough the corrobboree was held. Narahdarn joined the men, not realizing what was in store for him. As he danced towards a particularly large fire, the Mother let out a loud shriek and when Narahdarn turned to move away from the fire, he found himself blocked in. The men seized Narahdarn and threw him into the fire where he died.
Not the most pleasant of ways to go, but consider that justice served.
The Introduction Of Death
This next story when I found and came across seems rather Biblical in nature.
By this story, the first man in Australia was named Ber-rook-boorn, created by the god Baiame. After placing Ber-rook-boorn in the area they were to live in, Baiame placed his sacred mark on a yarran tree which happened to have a bees’ nest in it.
Baiame told the first man and woman that this yarran tree was his, along with the bees in it. That Ber-rook-boorn and his wife could take food from anywhere in the land that they wanted, just not this tree or the honey produced by the bees within. Baiame warned the two that a grave evil would come upon them all people who followed after.
With that, Baiame disappeared and Ber-rook-boorn and his wife obeyed as told, for a short time at least. For one day, while the woman was out gathering firewood, she found herself near Baiame’s tree where she found many branches on the ground. Looking up, the woman realized she was beneath the sacred tree of Baiame’s. Scared, the woman still managed to gather up an armful of branches.
Soon, the woman felt a presence over her and she looked up again. This time she saw the bees buzzing around the tree’s trunk and drops of honey that glistened from within the tree. The woman stared hungrily at the honey. She had had honey before, even if only once and surely there was enough honey, a little wouldn’t hurt or be missed. Letting her branches fall, the woman climbed the tree, determined to get herself some honey.
Once she up in the tree, the woman was greeted to a flurry of leathery wings as Narahdarn the Bat swooped down at her. Baiame had placed Narahdarn there to guard his tree. Now because of her action, the woman had released Narahdarn, bringing with him and symbolizing death. This ended a Golden Age for Ber-rook-boorn and the woman. The yarran tree, it seems wept tears for the loss of man’s immortality. These tears would become a red gum that can be found on the yarran tree.
As I said, the story sounds very Biblical and similar to the story told of Adam and Eve in the garden, how they could eat of all the fruit except from one tree and when Eve did, it’s at the snake’s suggestion and with it, when she does eat the forbidden fruit, brings death to the world. I know there’s far more to the story, but that’s just in brief for right here.
Making only one appearance within the pages of Marvel comics, specifically the Official Handbook of the Marvel Universe 2006 #3, Narahdarn is presented as an Australian god of Death.
In the cartoon series of the same name, there is an episode where Hercules travels to Australia and goes up against Narahdarn as a god of Death.
Alternate Spelling: Kybele
Other names: Agdistis Cybele Magna Mater, Berecyntia, Brimo, Dindymene, Magna Mater, Mother of the Gods, Kubaba, Matar Kubelē, Kubileya or Kubeleya “Kubeleyan Mother” (Phrygian, translation: “Mountain Mother”), Lydian Kuvava (Turkish Kibele), Κυβέλη, Kybêlê, Kybele, Κυβήβη Kybebe, Κύβελις Kybelis (Greek), Meter Theon, Great Mother
Other Names and Epithets: Antaea, Mātēr, Mētēr, Mistress Cybele the Mother, Mistress of Animals, Idaea, Isis, Rhea, Demeter, Ops, Potnia Theron (Mistress of the Animals), Mater Deum Magna Idaea, Meter Theon Idaia (“Mother of the Gods, from Mount Ida”), Meter Oreie (Mountain Mother), “The Mother of the Gods, the Savior who Hears our Prayers”, “The Mother of the Gods, the Accessible One.” Megalenses ludi, Pessinuntica (Phrygian – “Mother of the Gods.”)
Antaea – This name and epitaph is one that is applied equally to Cybele, Demeter and Rhea by the Greeks. The meaning of the name is unclear, though it does denote a name for a goddess whom people could approach in prayer.
Etymology: ” Mother of the Mountain,” “Cavern-Dweller”
An inscription found on one of Cybele’s Phrygian rock monuments has been translated as mater kubileya, “Mother of the Mountain.” The inscription for matar or “Mother” is found at many other Phrygian sites.
Animal: Bee, Hawks, Lions, essentially all wildlife.
Colors: Brown, Green, Blue
Day of the Week: Saturday
Patron of: Nature, Natural places, Mountains, Caverns, Walls, Fortresses
Plant: Almond, Pine
Sphere of Influence: Fertility, Menstruation, Nature, Sex, War, Mother of Life
Symbols: lions, naiskos, tympanon (hand-drum or tambourine), pine cones
Early Greek depictions of Cybele are small votive representations of her rock-cut statues and images found in Phrygia. Cybele is shown standing alone inside a naiskos, which is basically a rock-hewn relief with walls and roof overhead to represent a temple or doorway. She is crowned with a type of tall cylindrical hat called a polos, a long flowing chiton that covers her shoulders and back. Cybele is sometimes shown with lion attendants to either side of her.
Approximately 5th century B.C.E., the Greek sculptor Agoracritos made the official Hellenized version of Cybele in the Athenian agora. This statue shows Cybele sitting on a throne with a lion at her side and holding a tympanon, a type of hand drum that the Greeks used in her cults and worship. In Greece, Cybele would be very closely identified with the Greek’s mother goddess figure of Rhea.
Anatolian & Phrygian Origins
While Cybele is known as the Great Mother in the Roman pantheon, she was originally a mother goddess from Anatolia. She is likely the precursor of a Neolithic goddess in Çatalhöyük (Konya), where a statue of a pregnant goddess that appears to be giving birth is seated on a lion throne was found within a granary.
For the Phrygians, Cybele is the only known goddess and is also likely the state deity. In addition, Cybele was a goddess of caverns, goddess of the Earth in its primitive form and was worshiped on mountain tops. Cybele’s domain was over all the wild creatures of the earth. Phrygian art dating to the 8th century B.C.E. shows Cybele attended by lions, a bird of prey and a small vase for libations or other offerings.
Greek colonists would later adopt Cybele in Asia Minor before bringing her back to the mainland where her worship would spread during the 6th century B.C.E.
In Çatal Hüyük, Turkey, there is a figurine that was found dating back to 8,000 B.C.E. that depicts a Mother Goddess squatting in the process of giving birth and is flanked to either side by two leopards. This figurine is thought to be Cybele in a very early form.
Cumae – The Sybils of this temple were Cybele’s priestess and oracles.
Ionia – In places such as Magnesia and Maeander, where Cybele is worshiped as Dindymene, she held temples.
Pessinus – Located near Mount Dindymus in Phrygia, a temple was built here dedicated to Cybele Dindymene. Legend holds that the Argonauts built this temple. Here, Cybele was represented by a black meteoric iron stone. This same meteorite may have also associated with another mountain deity of Pessinus as Agdistis.
Rome – A temple for Cybele as Magna Mater stood on the slopes of Palatine Hill it overlooked the Circus Maximus and facing another of Cybele’s temples on Aventine. The first temple here was destroyed by fire in 111 B.C.E. and later rebuilt. In Imperial Rome, the temple burned down again and was rebuilt by Augustus, only to get burned again.
During the ground breaking and preparation for Saint Peter’s Basilica on Vatican Hill, a shrine known as the Phrgianum and dedicated to Magna Mater was found. A motif of Saint Peter is found standing at the site of Cybele’s temple in Rome.
The Roman port of Ostia also boosted a sanctuary to Magna Mater and Attis, commemorating their arrival to Rome. The worship of Cybele brought on the anger of many Christians within the Roman Empire. Especially when Saint Theodre of Amasea, in recanting his beliefs, did so by burning down a temple of Cybele.
Mount Sipylus – A stone carving found here is believed to be the oldest image of Cybele. The carving itself is attributed to the legendary Greek hunter Broteas as having created it. The 2nd century C.E. geographer Rausanias mentions a Magnesian cult to “The Mother of the Gods” having been present.
Cults Of Cybele
The rites for Cybele were secretive and mysterious like many Earth Mother Goddesses such as Demeter and Isis. Cybele’ cult was directed by eunuch priests known as Corybantes or Galli. They were very faithful in conducting their orgiastic rites that were often wild and emotional with lots of ecstatic cries and frenzied, passionate music of flutes, drums and cymbals. In addition, sacrifices were made to Cybele, symbolizing the death and rebirth of her son and consort Attis. Self-castration is said to have taken place in Cybele’s rites. Other later rites were the taurobolium in which a bull was sacrificed and a priest bathing in its blood.
As a mystery cult, not much is known about Cybele’s initiates and worshipers. Stone reliefs show Cybele alongside both young male and female attendants carrying torches and vessels used for purification. Surviving literature describes a joyous sound of abandonment with loud percussions of tympanons, castanets, cymbals and flutes and a lot of frenzied dancing. It has been suggested that the dancing is likely to have been circle-dancing by women.
Worship Among The Greeks
Cybele’s cult was introduced to Greece by returning soldiers from the Trojan War and is noted for having caused a lot of conflicts. It would later be adopted by the Romans who held festivals in Cybele’s honor. The worship of Cybele among the Greeks held various mixed views. Here, her various different aspects were mixed with other goddesses. Notably the goddesses of Gaia, an Earth-goddess, Rhea, a Minoan goddess and the Harvest-Mother goddess of Demeter. The city-state of Athens invoked Cybele as a protector.
In 6th century B.C.E., Herodotus mentions that when Anacharsis returned to Scythia, that his brother the Scythian king had Anacharsis put to death for joining Cybele’s cult.
Athenian tradition holds that sometime around 500 B.C.E, a city metroon was created in order to placate Cybele after she visited a plague upon the city after one of her priests was killed for trying to introduce her cult. It’s thought that this story would explain why a public building would be dedicated to an imported goddess. The earliest source to this story is referenced in the “Hymn To The Mother Of The Gods,” circa 362 C.E. by the Roman emperor Julian. Given Cybele’s wild and forceful nature, her cults were often privately funded rather than publicly funded among the Greeks.
In Greek rites, Cybele was often seen as a foreign and exotic mystery-goddess who rode in a lion-drawn chariot accompanied with wild music, wine and a rather disorderly following; not unlike Dionysus or Bacchus’ Bacchanalias. As a foreign goddess, Cybele was seen as the great goddess of the Eastern World.
The transgender or eunuch priesthood was uniquely Greek. Many of Cybele’s Greek cults held a rite to a divine Phrygian Shepard-consort of Attis. This joint cult of Cybele and Attis was found throughout Magna Graecia, with evidence of this cult in Gaul, modern day Marseilles and Lokroi in southern Italy during the 6th and 7th centuries B.C.E. Following Alexander the Great’s conquests of the known world, wandering devotees to Cybele became common place in Greek literature and social life.
The Greeks associating Cybele with the Minoan goddess, Rhea has led to a number of different male demigods becoming tied into Cybele’s mythology as attendants or guardians for her infant son Zeus, in the cave of his birth.
Within the Grecian cults, these different male demigods acted as the intermediaries, go-between, even messengers for the goddess and her mortal followers through the use of dreams, trances and ecstatic dances and song.
Some of these demigod messengers are:
Korybantes – Or Kouretes, a group of nine armed dancers who are the offspring of the Muse Thalia and the god Apollo. They used drumming and dancing to drown out the cries of an infant Zeus to prevent him from being discovered.
Corybantes – Simply the same group, only this is the Phrygian name for this group of dancers.
Dactyls – A group of magician-smiths who are sometimes the offspring of Rhea or they worked for the god Hephaestus. They were ancient smiths and healers who sprang into being as Rhea went into labor with her son Zeus.
Telchines – An ancient primordial race with dog heads and flippers for hands. They were best known for their metal working. A group of nine Telchines were employed by Rhea to raise her infant son Zeus.
Worship Among The Romans
To the Romans, Cybele was known as Magna Mātēr or “Great Mother.” In the Roman State, Cybele’s cult and worship was adopted after the Sibylline oracle said it would be an important religious factor during Rome’s Second Punic War with Carthage.
The Romans had some dire omens in the way of a meteor shower, failed crops and an impending famine. It should be noted that a second consultation with the Greek oracle at Delphi confirmed to the Romans that adopting Cybele’s cult and worship would be the right way to go in assuring victory.
Cybele’s arrival into Rome is marked by the arrival of the Pessinos’ black meteor stone from the neighboring Roman ally and Kingdom of Pergamum. Further, Roman legend connects the voyage of the meteor stone with a Claudia Quinta who was accused of being unchaste. When the ship carrying Cybele’s sacred stone became stuck on a sand bar in the Tiber River, Claudia prayed to the goddess for help. Proving her innocence, Claudia was able to single-handedly pull and tow the ship free of the sandbar. Shortly after, Rome’s fortunes changed with a successful harvest and their being able to defeat Hannibal, the then leader of Carthage.
Among the Romans, Cybele was rewritten to be a Trojan goddess and thus making her an ancestral goddess through the Trojan prince Aeneas. Many of Rome’s leading families claimed Trojan ancestry and this made for Cybele’s integration into the Roman culture and pantheon a sort of reunion with a Mother Goddess’ exiled people. Further Romanization of Cybele sees her identified with the goddess Ops, wife of Saturn and the parents of Jupiter.
Rome’s dominance over the Mediterranean and Europe, saw many of Cybele’s cults get Romanized and spread throughout the Empire. Just what the exact nature of Cybele’s cults and worship among the Romans has meant were greatly discussed and disputed in both Greek and Roman literature and even among modern scholars.
It is generally agreed that the addition of Cybele’s consort Attis and her eunuch priests known as Galli or Gallai and all the wild, ecstatic features of her worship from her Greek and Phrygian cults have been largely Romanized. Something the Romans were very good at when adopting the gods of other cultures into their own. Under the rule of Caesar Augustus, he built a large temple to Cybele on the Palatine Hill. The statue of Cybele found within this temple has the likeness of Augustus’ wife, Livia.
Big Three – Cybele’s worship in Rome became so popular that it would become one of the three, major and important cults within Rome. The other cults are the Cult of Isis and Serapis (Osirus) and Mithraism. All three of these cults would persist and last until Rome’s conversion to Christianity as a state religion. Under Emperor Constantine in the 4th Century C.E., he outlawed all other cults and the church of Magna Mater, Cybele ceased to be and saw heavy persecution and the destruction of her temples.
Castissima Femina – “Purest or Most Virtuous Woman” Claudia Quinta’s connection and involvement with bringing the worship of Cybele to Rome would become more glorified and embellished over the centuries. To the point of forming a small cult. Claudia Quinta would be shown in the dress of a Vestal Virgin in art. Imperial Augustan ideology viewed Claudia as the very ideal of virtuous Roman womanhood.
Criobolium And Taurobolium – While the Greeks may have had no problems with castration for initiation into Cybele’s Cults, the Romans did hold prohibitions to this practice that greatly limited who could be initiated into the cult. Around 160 C.E., it is known that Roman citizen who sought initiation could offer up two forms of animal sacrifice as an alternative to self-castration.
The first, Taurobolium, sacrificed a bull, considered to a potent and expensive offering. The high cost for this sacrifice ensured that only Rome’s highest social class could be initiated. The second, Cribolium, sacrificed a ram, seen as a more inexpensive and thus less potent offering. This sacrifice is more typical of Rome’s poorer social classes.
The Christian apologist, Prudentius gives a description of these sacrifices where a priest stands in a pit under a slatted wooden floor. When the acolytes killed the bull with a sacred spear. The priest will come out from the pit, covered in the bull’s blood, much to the applause of spectators. This is atypical of Roman sacrifices as what is more likely to have happened with a sacrifice is that the blood is carefully collected and offered up to the deity along with the animal’s reproductive organs.
Both the Criobolium and Taurobolium are not linked to any specific religious celebration with Magna Mater, though they clearly have the same symbolism seen with the observance of Hilaria, March’s “Holy Week” that celebrates and honors the death and rebirth of Attis. Later, during Rome’s Imperial era, many of Attis’ initiates come from the deeply religious and wealthy citizens and not necessarily for the worship of Cybele.
Galli – This is the name for Cybele’s priesthood during Imperial Rome. They were eunuch priests who practiced castration as a sign of their devotion to the goddess Cybele. The Galli castrated themselves in service to Cybele as they thought that doing so would give them the powers of prophecy. After castration, they would dress as women, keeping their hair long and adopting female mannerisms and appearances. The Galli also wore a tall cylindrical hat called a polos. It is known the Galli held orgiastic rituals accompanied by loud cries and the loud noise of flutes, drums and cymbals. While there are certainly the male priests who wore women’s clothing, in some regions there were also known to be female priestesses devoted to Cybele.
In Servius’ account, Attis is the founder of this priesthood with the highest ranking Gallus taking the name of Attis. The more junior Galli was known as Battakes. The Galli located at Pessinus were very politically influential among the Roman Senate.
In Rome, the Galli were forbidden citizenship and the rights of inheritance, as they were eunuchs and unable to have children. This was a very stark contrast to many other priests of other Roman gods who did have families and raise children, particularly of the more senior priests.
The Galli are thought to have castrated themselves in keeping with the myth of Attis where he castrates a king for their unwanted sexual advances and gets castrated in turn by the dying king. Cybele’s priest would have found Attis at the base of a pine tree where he dies and they proceed to bury him. In memory of Atti’s passing, the priests are believed to have emasculated themselves and added him to the celebrations and rites for the goddess Cybele. In Hellenistic Greek, a poet refers to Cybele’s priests as Gallai, a feminine form of the name. The Roman poet Catullus refers to Attis in the masculine form of his name until he is castrated. Catullus then refers to Attis in the feminine form of his name thereafter. Different Roman sources refer to the Galli by a third gender of medium genus or tertium sexus when mentioning them.
During the Megalesia festival, the Galli were allowed to leave their temple under Cybele’s law and go out into the streets begging for money. The standard of dress that the Galli wore, marked them as outsiders to the Roman people. Despite their effeminate dress and mannerisms, the Galli were considered sacred and inviolate as they were part of a state Cult. The Roman prohibitions of castration made the Galli a clear image of curiosity and scorn. The Galli were a constant presence within Roman cities even into Rome’s Christian era.
Parentage and Family
Dindymene – In Phrygian mythology, she with King Maeon, is the mother of Cybele. Otherwise, the name of Dindymene is sometimes seen as just an alternative name for Cybele.
Maeon – (Also spelt Meion). A King of Phrygia and Lydia, with his wife Dindymene, fathered Cybele.
In this version of the myths, Cybele was left out, exposed on Mount Cybelus to die. However, leopards came and suckled Cybele, allowing her to survive.
Zeus & Gaia – Pausanias identifies Cybele’s parents as being the Phrygian Sky-Gods and Earth-Goddess whom he names as having been Zeus and Gaia.
Attis – A vegetation bull-god. In the very conflicting and varying stories, Attis is both Cybele’s son and consort.
Midas – As in King Midas of the golden touch. He is sometimes shown to be a consort of Cybele. Though he is definitely regarded as a leader to Cybele’s cult.
Cybele is ultimately the mother and grandmother to a good many deities of the Roman Pantheon.
Cronos – When Cybele is identified with Rhea, she is the mother of Alce, Midas and Nicaea.
Gordius – With him, Cybele is the mother of Midas, when he’s not shown as her consort.
Iasion – With him, Cybele is the mother of Corybas (also spelt Korybas). Iasion is the Samothrakian for Cybele’s consort Attis. Corybas is the first of the Korybantes who will later stand guard over the infant Zeus.
Olympos – With him, Cybele is the mother of Alke-Kybele
Sabazios-Dionysos – Some versions of his birth place him as Cybele’s son instead of Hera/Juno’s child.
A Crisis Of Identity
While Cybele has her origins in Anatolian and Phrygian culture and mythology; her being imported and adopted by other cultures in the Mediterranean has led to a good many other goddess being identified with Cybele or seen as alternative names and epithet.
The most notable is that of the Greek Goddess Rhea, who is also a Mother Goddess. Many of her myths have become intertwined with those of Cybele’s over the years.
Other goddess who have been equated and identified with Cybele are the Roman Goddess Ops, the wife of Saturn, the Egyptian goddess Isis, a minor local goddess or nymph Idaea and the Greek goddess Demeter.
Cybele And The Sibyls
Due to the similarity in the how the names sound, there tends to be a lot of associating the Sibyls as potential female priests and oracles for Cybele. While female oracles, the Sibyls could claim patronage to any deity and not necessarily Cybele. Most seem to follow the Greek god Apollo as he is a god of Prophecy.
Many Sibyles would prophesy at holy sites and they were originally at Delphi and Pessinos, following chthonic deities. And yes, Pessinos is where Cybele originated from when the Romans brought her black stone and statue back home. So there just might be a real connection.
Agdistis – Hermaphrodite – The Birth Of Cybele
Anatolian Goddess – Before the drastic changes to her myth, Agdistis had been a benevolent goddess of healing. Accepted for as they are until later changes are made and forced to this goddess as she and many others are absorbed into the larger myth of Cybele and adopted by other cultures, namely Greece and Rome.
When taken as a separate deity from Cybele, Agdistis is of mixed Anatolian, Greek and Roman mythology. They are a hermaphrodite or androgynous being; having both the male and female sexual organs. This dual nature of Agdistis made them symbolic of the wild and uncontrollable nature. This is an aspect that was seen as so threatening to the other gods that they sought to destroy Agdistis. The one explanation found or given is that Agdistis, being a hermaphrodite, held a huge sexual appetite and the gods were unable to handle it. They felt that this being could and should only be one gender or the other and for the gods, it was easier to remove the male sexual organs.
There a lot of ancient inscriptions that plainly and clearly show Agdistis as being separate from Cybele. However, later, Agdistis’ name would become one of Cybele’s many epithets. A common occurrence for many localized gods and goddess of Phrygia as the gods were imported into Greece and then Rome and many deities of a foreign place were often seen as being the same god, just known by another name.
There are multiple versions of the story for how Agdistis is attacked by the other gods and is castrated, how Attis is born and that Agdistis, now Cybele falls in love with the youth, promising to make him immortal.
How in some versions, Attis is punished for falling in love with is mother, how instead of keeping his vow to Cybele to only follow her, that he falls in love with another and that a jealous, angry Cybele drives Attis and the other guests at a wedding mad. How after, regretting her actions that she pleads to Jupiter/Zeus to restore Attis. One version of the story has both Agdistis and Cybele as separate beings who both fall in love with Attis.
The Greek Version – In this version of the myths, Cybele was raped by Zeus and gave birth to Agdistis. It should be noted, that Attis is very strongly and likely an invention and addition to Cybele’s myth.
As a deity separate from Cybele, Agdistis was a mountain deity found on Mount Dindymus near the city of Pessinus.
The Roman Version – In one version of the myths, Cybele, known as Agdistis is thought to have been a hermaphrodite, having been born of the earth where Jupiter’s sperm fell. The gods castrated Agdistis who then becomes the goddess Cybele. Where the severed pieces of Agdistis’ manhood fell, an almond tree grew. The fruit of this tree impregnated the nymph Nana when she placed an almond on her womb. Or more likely, that she ate an almond. Nana later gave birth to the god Attis. The baby Attis was abandoned by Nana as she was afraid of her father. The baby was discovered and saved by shepherds. Attis would grow up to become Cybele’s lover.
Pausanias’ Version – Pausanias identifies the Phrygian Sky-God and Earth-Goddess as being Zeus and Gaia.
In Pausanias’ version of the story, while sleeping, Zeus had some of his sperm fall on the ground. This of course created a Daimon that was hermaphroditic having the sexual organs for both male and female. This Daimon would be called Agdistis, another name for Cybele. The other gods feared Agdistis and cut off the male organs. This proceeded to create an almond tree. The daughter of the river Saggarios then took the almond fruit and held it to her bosom where it vanished. The daughter would find later that she was pregnant and give birth to Attis.
A slight variation to this story is that while Gaia, as the Great Mother slept on a rock called “Agdo,” the god Zeus raped Gaia and brought about Agdistis birth.
Other variations yet have either Dionysus or Liber who make a potion to put Agdistis to sleep so they can castrate them by tying his genitals to his foot so they’re ripped off when Agdistis stands.
Depending on the version of the story read, there are different accounts to the sequences of events and who is involved, a river nymph or king’s daughter that Attis marries.
It certainly reads as a very conflicting story that will vary by which author relates it. There’s been a good many changes to the story, especially considering how much Attis is a later addition that is largely added-on by the Romans.
Also called: Faran Maka, Faran Maka Bote
Among the Songhay people of Africa, Fara Maka is a significant culture hero. He is described as being a giant of a man who fished and grew rice for a living. Stories about Fara Maka have him using his long beard to catch fish and to eat at least one hippopotamus a day. As a result of his divine heritage, Fara Maka also had magical powers.
The Songhay are able to trace their origins back to the 8th century B.C.E. when Aliman Dia came to the Niger River. Aliman Dia had iron weapons that enabled him to overpower the people living there along the river. Namely the sorko or fishers and the gow or hunters. By uniting the different villages in the area, Aliman Dia founded the first Songhay dynasty.
Aliman Dia’s descendants ruled until around the 15th century when the Sonni replaced them.
Parentage and Family
Fara Maka’s father was a mortal man by the name of Nisili Bote, a fisherman by trade.
His mother’s name is Maka, a river spirit. As a result, this is from whom Fara got his mystical and divine heritage from.
This one is a bit odd, Fara Maka found a girl in a termite mound who gave birth to his two children.
Among the Mali people, Fara Maka or Fara Maka’s wife’s name is Nana Miriam.
Fara Maka is the father of Wango and Weikare. Not a whole lot else is known about them other than their children in turn become the sorko of the Songhay tribe.
The most significant story involving Fara Maka is that of his battle with the water spirit Zinkibaru for control of the Niger River.
Zinkibaru has caused the fish to eat Fara Maka’s rice crops. In response to this, Fara Maka fought the water spirit and in the process, won a magical guitar from it.
After his battle with the river spirit Zinkibaru, Fara Maka soon got too overconfident with his abilities and victory. This angered Dongo, the god of lightning and thunder. Dongo displayed his anger towards Fara by burning many Songhay villages and people.
Eventually Dongo cooled down enough and summoned Fara to him. Dongo demanded that Fara humble himself in order to stop the attacks on the villages by offering up music, praise-poems and animal sacrifices. Dongo further told Faran that if he would organize these festivals, that he, Dongo would enter into the bodies of the dancers for a spiritual ecstasy and help all those living along the Niger River.
Songhay Possession Ceremony
After Dongo’s forced meeting with Fara Maka, the first Songhay Possession Ceremony was held. Even today in modern era, this ceremony is still performed. The most important people of the Songhay Possession Troupe are the Sorko, the praise-singers to the spirits. The Sorko are direct descendants of Fara Maka Bote, keeping alive the traditions, folklore and religion of the Songhay.
Among the people of Mali, Fara Maka is a hero who slew a monstrous hippopotamus known as Mali.
Mali had eaten all of Fara Maka’s crops. Fara Maka tried to kill the monster hippo using his spear and sending out as many 120 black hounds to attack the beast. Fara Maka failed and was eaten in the process by some accounts. His wife, Nana Miriam used a spell to paralyze the monster Mali and finally defeating it.