Category Archives: Cunning

Elegua

Pronunciation: uh·leh·goo·uh

Etymology: “Master of Force” or “Messenger of the Gods”

Other Spellings: Eleggua (Cuba), Elegu, Elegua, Elewa, Elegba

Other Names and Epithets: Legba, Club Bearer, Eshu-Eleggua

Elegua is a noted trickster and Orisha in Yoruba traditions from West Africa of Benin, Nigeria and Togo. It is an area known as Yorubaland that is a collection of some twenty plus groups with overlapping traditions and beliefs. Which means that trying to pin Elegua down is going to be rather tricky and I’d say precisely what Tricksters enjoy. These numerous groups mean that there will numerous variations to the stories and even spellings for Elegua’s name.

He is the first Orisha created by Olodumare and was present to witness the rest of creation. Elegua is a divine trickster who is seen as both young and old at once. The Orisha of the crossroads, he provides numerous opportunities and choices wherein he will enjoy sitting back to watch the chaos unfold.

Attributes

Colors: Black, Red

Day of the Week: Monday, Sunday

Element: Spirit

Feast Day: January 1st, June 13th, November 2nd

Number: 3, 21

Patron of: Doorways, Justice, Messengers, Tricksters

Sphere of Influence: Crossroads, Doors, Time, Trickster, Mischief, Mayhem

Symbols: Cement or Sandstone head with eyes and mouth formed of seashells, Hooked Staff (painted red & black), Keys, Whistle

Taboo: Pigeon (no food offerings of this please)

Depictions Of Elegua

Because he represents both the beginning and end of life, Elegua can often be shown as either a young child, an old man or both simultaneously. He is frequently shown wearing black and red clothing, either traditional or jester’s attire. Elegua often takes on the role of warrior and protector as noted when shown carrying a club. He represents the endless wanderer who often appears in the guises of a beggar or crazy person.

What’s In A Name?

Studying Elegua as a separate entity from Eshu can get a bit confusing. Some traditions hold the two as brothers, other traditions say they are one and the same. That the name Elegua is one title for Eshu representing the light half with Eshu being the dark or shadow half.

In Cuba, where the spelling is Eleggua, it is generally thought that this name is a mispronunciation of Elegbara, one of Eshu’s many caminos and manifestations in Africa. That the name Eleggua is probably the Hispanic form of Elewa for Eshu meaning: “Handsome One.”

With enough sources discussing the two, Elegua and Eshu as separate, Eshu will get a separate entry later on.

Modern Day Worship

Elegua is venerated throughout Latin America and Nigeria, especially in the Candomblé, Quimbanda, Santeria, Umbanda and Youran religions.

Statues of Elegua are kept behind the front entrance to a home. Elegua’s alter will be kept either behind the front door of the house or outside, directly to the left of the door. Additionally, Elegua’s alter is always kept on the ground and never at a human height.

Elegua has a beaded necklace or eleke that has a repeated red and black pattern. These colors of red and black represent the duality of life and death, war and peace, health and sickness and so. In Santeria, is well understood that you want to be on Elegua’s good side as he is the one to help things go smoothly or cause the mishaps that life can throw at a person. He is very much so at the crossroads and a part of every decision that a person can make in life for good or ill.

Offerings To Elegua

Elegua will extend his protection and help to those who give offerings of candy, cigars, coconuts and rum.

Like many Orishas, in the Santeria religion, it is important to properly propitiate Elegua; for as often as he will provide opportunities, he is just as likely to toss challenges and obstacles in one’s way.

For food offerings, Elegua will eat almost anything but pigeon. The young, child-like manifestations of Elegua often receive offerings of candy and toys. Older manifestations lean more towards the hard candy, popcorn, smoked fish, bush rat, goat, and rooster. Elegua is especially found of black & white hens and she-goats as offerings.

Orisha

Elegua is a member of the Orisha, the first one created by Olodumare. The Orisha are either a spirit or deity. In the Yoruban religion, a nature-based tradition, it is believed that the source of everything is called Olorun or Olodumare. The Orisha themselves are regarded as being different aspects of the main deity, Olorun-Olodumare. The Orisha act as messengers and go between for humans, answering the different prayers and requests as Olodumare is seen as being too busy to answer or do everything.

The Orisha are not perfect and like humans, will have many different good and bad traits. They also function as a family and the different relations and stories about how different Orisha relate to each other are known as Pataki, much like a fable or parable. The story doesn’t have to be true in that it actually happened in a historical sense but is made true in the telling.

With the Trans-Atlantic slave trade, the worship of Elegua was brought with the slaves and is now found throughout much of the southern U.S., Latin America and South America.

In places such as Cuba, the Dominican Republic, Haiti, and Puerto Rico, the various aspects of an Orisha are called caminos, meaning road or path.

In Nigeria, every city has a patron Orisha. Eleggua’s city is Ketu.

The First Orisha – Elegua is the first Orisha that Olodumare or Olofe created. As such, Elegua existed before the rest of creation and was present to witness everything else come into being.

However, there are other Yoruban traditions that state that Elegua is the youngest of the Orisha and the most powerful after Obatala. Elegua did come to be venerated and fed first in ceremonies after he successfully healed Olodumare. Like anyone could, getting to be first has gotten to Elegua’s head and he can cause a lot of mischief, mainly with ceremonies not going right if he isn’t appeased first. Just as Elegua must be called on first in ceremonies, he is also called upon last when closing them out.

Parentage & Family

There are a few different stories for the origins and parentage of Elegua.

Mother Oya is given as the mother of Elegua.

Father – This part isn’t clear as Oya herself has a couple of different consorts. Either Chango or Ogun.

Other sources and myths will list Elegua as the son of Obatala and Yemmu.

Siblings

Following where Obatala and Yemmu are his parents, Elegua’s siblings will be Ogun and Orunla.

As an Orisha, one could argue that ultimately, they are all brothers and sisters.

Messenger

Elegua is the messenger orisha for Olofi, one of the three manifestations of the Supreme god in Yoruban religion. As a messenger, Elegua has the power or Ashe (Ase) to make things happen or get things done.

Divine Judgment

As messenger, that also puts Elegua in the position to mete out justice to wrong doers. Anything from financial losses. To accidents and even jail. Naturally, Elegua can also bless those whom he favors too.

Trickster

Due to his nature, Elegua is seen as a trickster in Santeria as he is present everywhere. He was the first to witness creation, he is witness to all of humankind’s events and history. Elegua provides both opportunities and obstacles in a person’s life. If you’re particularly lucky, you might even get a second chance with him.

God Of The Crossroads

A trickster, Elegua is known for opening the crossroads in the Santeria religion. Elegua is also associated with doorways and will protect a home from any danger or ills entering. Especially for those who have made the right offerings.

Within the Santaria religion, before starting any ritual or ceremony, Elegua must be called upon first, getting his approval at the beginning of every ceremony and to ensure it will proceed in an orderly manner. By the same token, Elegua will be called on last to close out a ceremony too.

As an Orisha of Crossroads, Elegua rules over different “roads” or caminos. Elegua is believed to have 101 (some traditions say 21) different such caminos or aspects. Some traditions, these caminos are also called “Eshu.” There is Eshu Alawana, the one who wanders alone in the wilds, Eshu Larove, the talkative one and Eshu Olona, the owner of the road. These are just a few of the different aspects or caminos that Elegua can take on.

As a god of the crossroads, he is the guardian of not just the crossroads, but marketplaces, curved streets and thresholds to houses. With this aspect, also comes providing choices and options, for a person to decide which direction they will go or to make mistakes in the process as Elegua stands back and watches.

Divination

Elegua is not an Orisha of Divination. However, due to his nature of facilitating the flow of energy and crossroads, Elegua does hold close ties to Orunmila, who is the Orisha of Divination. It makes sense given that Elegua has the keys to time to see the past, present and potential futures.

For general readings, Elegua’s diloggun or cowrie shells are used as he is considered to speak for all the Orishas.

Keys Of Time

There is a Pakati or story within Santeria where Olodumare gives Elegua the keys to the past, present and future. It is from this story, that Elegua is sometimes shown holding keys.

In the traditions where Elegua is the youngest of the Orishas; Olodumare had fallen extremely ill and lay sick in bed. All the Orisha gathered around and in turn, each one tried their best to heal Olodumare to no avail. Finally, Elegua arrived and offered to try healing Olodumare. The other Orisha scoffed at this, for how could Elegua, a mere child accomplish what the others, adults couldn’t do? Undaunted by the others, Elegua tried his hand and successfully healed Olodumare. In gratitude, Elegua was made the first Orisha to be called upon in every ceremony.

Variation – Other versions will say that it is Obatala who fell sick that Elegua healed. In thanks, Olodumare or Olofi then gives him the keys to all doors.

An Argument Among Friends

This is one story involving Elegua that I came across in full.

Elegua heads out one day on a Monday wearing a hat that is red on one side and white on the other. As he’s heading to the crossroad, he passes between two friends. One only sees the side of the hat that’s red and the other, the side that’s white.

Later on, the two friends comment about the stranger that walked past them earlier in the day. One friend comments on the red hat while the other says he is wrong, it was white. They get into such an argument about who is right and who is wrong, that it comes to blows.

Elegua had been watching the two from a hidden spot. He laughed at the two as he strode over to separate the friends and chastise them for fighting over the color of a stranger’s hat. He points out how his hat is red on one side and white on the other. That the two should be ashamed as their clothing is now torn and that there are more important matters to argue about.

In some versions of this story, the two friends apologize, while in other versions that two are so furious with each other that they continue their fight to the point of destroying their village.

Eshu – Synodeity

Elegua is also associated with Eshu (Echu). In many traditions, the two are seen as brothers while in others, they are one and the same. In Santeria, Elegua’s energy is tamer and more constrained compared to Eshu whose energy is wilder and more unpredictable. Basically, light and shadow.

In Brazilian traditions, Elegua is known as Elegbara and is just one of the titles that Exu or Eschu is known by.

Among the Yoruban practitioners of Nigeria, Eshu is just another name for Elegba or Elegua. Here, Eshu is a protective spirit who serves the chief god Ifa as a messenger.

Legba – West Africa/Haitian

A trickster deity and Loa found among the Fon people and Voudon religion, he is often equated as being the same figure as Elegua, especially variations of Eshu-Eleggua.

Janus – Roman

Given that Janus is the Roman god of portals and crossroads, shown to protect doorways, symbolism with keys and was invoked first in Roman rites, I see a lot of similarities between Janus and Elegua.

Catholic Saints

There are a few different Saints that Elegua has been equated to and it varies by the religion. Often the connections are fairly superficial.

Anima Sola – Not exactly a saint, but this is the Lonely Soul in Purgatory that is popular in Latin America in Catholosism with the Saint Cults. The Santeria religion in Cuba makes this connection of Elegua, more specifically Eshu with this figure.

Holy Child of Atocha – As in the infant Jesus, he is a popular folk image among Hispanics and as a protector of travelers, has easily been syncretized with Elegua.

Saint Anthony of Padua – One of the beloved Saints in Catholism, Pictures of Saint Anthony often show him carrying the Child-Jesus and a lily. The connection to Elegua is made as he is sometimes shown as a child.

Advertisement

Anansi

Also called: Ananse (Trinidad and Tobago), Annancy or Anancy (Jamaica, Grenada, Costa Rica, Colombia, Nicaragua), Anansi Drew (The Bahamas), Anansi Kokroko (Wise Spider), Anancyi, Ananansa, Annecy (West Indian), Ayiyi, Kacou Ananzè, Ba Anansi (Suriname), Ba Yentay (South Carolina), Bra Anansi, Hapanzi, Nansi or bra spaida (Jamaica, Sierra Leone), Kompa Nanzi (Curaçao, Bonaire), Bru Nansi (Virgin Islands), Kwaku Anansi (Akan-Ashante), Nanzi, Nancy, Aunt Nancy (Gullah; South Carolina), Miss Nancy, Sis’ Nancy, Kuenta di Nanzi, Spider (Temne), Cha Nanzi (Aruba), Hanansi, Pablo Barnansi (S. Quanderer), Compé Anansi, Kompa Nanzi (Curaçao, Bonaire), Gede Zariyen, Zarenyen, or Ti Malice (Haiti)

Etymology: Spider (Akan)

Anansi is the spider trickster god of the Akan, Ashanti people in Ghana and several West African folklore and folktales. As a trickster, he is able to shape-shift into a human form. His presence as an important cultural figure has made his way into Caribbean mythology, spreading to Aruba, Bonaire, Curacao, over to the Netherlands Antilles, the West Indies, Suriname, Sierra Leone and likely several other places. Like a good many trickster figures, Anansi is known for causing and getting into mischief or trouble before using his wits, cunning and guile to wheedle his way out of the troubles and problems. His stories and exploits are numerous, with many regional variations to his tales. As a trickster, Anansi is just as likely to help as to hinder someone.

As with all good stories, Anansi tales began with being told in oral traditions, survived, thrived, and made their way across the Atlantic Ocean to North America during the Trans-Atlantic slave trade era. These stories would play an important part to maintaining cultural identities for many enslaved West Africans. Many of these Anansi stories would be stories and lessons of how to rise up and outsmart those who would harm and oppress the less powerful.

Attributes

Animal: Fox, Rabbit, Spider

Day: Wednesday

Element: Water

Mineral: Spider Silk

Patron of: Storytellers,

Plant: Gourd

Sphere of Influence: Cunning, Freedom, Messages, Morals, Proverbs, Stories, Trickery, Wisdom, Wits

Symbols: Spider

Description

A trickster, Anansi is often shown in many different forms and representations depending on the artistic source. In many stories, Anansi is a spider while in other stories, he is more anthropomorphized as either a spider with a human face or a human with spider-like features. The original spider-man.

In the Southern United States, when the Anansi came and his named changed to Nancy and Aunt Nancy with anglicized spellings, he became a spider woman and female figure.

One story has Nyame becoming so angry with Anansi’ tricks and antics that he turns Anansi into his spider form.

What’s In A Name?

Letters, letters are in a name…

The name Anansi is the Akan word for spider. Where he is called Kwaku or Kweku Anansi, the word Kweku means Wednesday as that is the day that Anansi’s soul first appeared. Given that Wednesday is named for Woden or Odin, the Norse god of Wisdom, there’s a very good coincidence here for names and meanings.

Parentage and Family

Parents

Nyame – Father & Sky-God; some regional variations place Anansi as his son, others don’t.

Pronunciation: ə-NAHN-see

Ya Nsia – Mother. Asaase Yaa, the Earth Mother is also given as Anansi’s mother.

Siblings

Where Nyame is given as Anansi’s father. There’s one story where Esum the Night, Osrane the Moon, and Owia the Sun are given as Nyame’s son.

It makes sense to me that these three should be counted as Anansi’s brothers.

Consort

Okonore Yaa – Wife, she is also known by the names of Aso, Crooky, Konori or Konoro, and Shi Maria.

The name Konori likely comes from the Hausa word koki for a “female spider.”

Children

Afudohwedohwe – Pot-bellied son.

Anansewa – Anansi’s beautiful daughter, introduced in Efua Sutherland’s stories where Anansi sets out to find his daughter a proper suitor.

Nankonhwea – Son with a spindly neck and legs.

Ntikuma – Firstborn son.

Tikelenkelen – Big-Headed son.

Abosom

Singular – Obosom

In Akan Spirituality, Anansi is considered an Obosom, a minor deity and spirit. The Abosom are all considered to be children and messengers of the great creator god Nyame. They could be male, female or a mixture of both.

The term Abosom reminds me of the Greek term Daimon (not Demon!) when referring to smaller, lesser & localized gods or spirits. Especially they were likely to be tied to one place such as a river, tree, or mountain.

Abosom is also the Ashanti term for pantheon, so all the gods. Or every divine being who isn’t the great creator Nyame.

With Anansi, he isn’t necessarily revered the same way as the other Abosom in Akan Spirituality or if he’s even seen in the same light. That too can vary and can be up for debate. Which is also understandable, Anansi is a trickster figure. With many trickster figures, you are playing with fire and in Anansi’s case, that’s water that could potentially drown you if you’re not careful. When Anansi does get acknowledged, he is an Obosom of Wisdom.

Just how much of a divine being Anansi will be, varies by region and which stories about him are being told. In some, he’s a human named Spider that has done a few favors for Nyame and is granted extra powers, namely one of t hem being an extended life. He’s a son of Nyame or just one of many beings with some measure of power to separate them from being fully human. Or Anansi is the straight up animal trickster as seen in Native American lore with beings like Coyote and Raven and their stories.

Messenger

In many of the Anansi stories, the spider is often Nyame’s messenger, acting as his go-between. For many of the Abosom, this is often a role they play for either Nyame, the Sky God or Asaase Yaa, the Earth.

There is a story where Anansi’ antics grew too much for Nyame and he replaced Anansi with Chameleon to be the Sky-God’s new messenger.

Creation

Maybe, most of the stories of Anansi aren’t so much as him creating the Universe, but often setting the precedence for why things happen the way they do. Anansi is credited with having created the first man and then Nyame breathing life into them. Or Anansi is convincing Nyame that people need the rain to stop a destructive fire, setting order to the course of the day, ect. Even death if Anansi hadn’t stolen from them.

Like many tricksters, Anansi also has stories revolving around him having brought agriculture, hunting and writing to the Earth for people to use. In the story where Anansi tried to hoard all the world’s wisdom and knowledge, he found it much easier to share and disperse this knowledge for everyone’s use.

Shapeshifting

As a trickster, Anansi doesn’t just rely on his wits and cunnings to get through scrapes. One of his many tricks is the ability to shape-shift. Not just physically from spider to man but the ability to take seeming weaknesses and turn them into virtues and strengths.

Weakness To Strength

That’s a vital and important lesson to learn. In many stories, Anansi is able to overcome an opponent or situation, not just by his wits but using a seeming weakness to a strength. Similarly, he will exploit an opponent’s weakness against them.

Insatiable Greed – Finding The Angles

That seems to be a reoccurring theme with several Anansi stories, where what he has, isn’t enough and he has to find some way to get more. Oftentimes, that more is food. Anansi is often looking for the angles and finding ways to get others to bring him food or he kills the other animals for food if he’s not outright stealing it.

Sometimes, in the course of Anansi’s covetous and insatiable greed, another character is able trick Anansi instead, outwitting him. That is a classic of trickster tales, where the trickster gets outwitted instead of outwitting everyone else.

Of course, it could be I’m misremembering and thinking far too much of a particular Gargoyles episode “Mark of the Panther” in season 2.

God Of Storytelling & Knowledge

Not only is Anansi the god of storytelling, but he is also the god of knowledge. This makes a lot of sense with how early in human history, much of the history involved, lessons, wisdom and knowledge imparted is through the use of stories.

Anansesem

Meaning Spider Stories in the Ashanti language. The Anansesem stories, like many stories began as an oral tradition. Such is the prominence of the spider stories, that the term Anansesem came to include all the different fables and stories. The Jamaican version of the Anansi stories are the most preserved of the spider stories and have close ties to their Ashanti origins. Especially with how the Anansi stories end with a proverb or moral given at the end.

Anthropologists have studied and found that humans are hard-wired for stories. Stories are important, they are an integral part and parcel of the human experience. They convey who we are as a people, where we came from, morals, lessons and how things came to be.

It seems very poignant, that stories seem very central to the Anansi tales, especially for a keeping one’s cultural identity. Especially in the face of so much adversity and the dark side of history with the Trans-Atlantic Slave Trade. The most well known of the Anansi stories are those from Jamaica.

Like all trickster tales, the Anansesem not only entertain, they are also moral stories that often highlight his greed and other flaws along with his wit. The Anansesem stories cover a wide range of stories from the mundane and the subversive. Anansi as a folk hero is both an ideal as well as a cautionary figure of downfalls to be avoided.

It seems very poignant, that one of the roles that Tricksters carry is that of Culture-Bringer. That the very first story of Anansi, or at least the one to place as chronologically first is how Anansi comes to acquire all the stories. Frequently Trickster stories tell the importance of things, how they came to be, conflicts, shenanigans and more. Without stories to tell us who we are as a people, a great many aspects of history and culture are lost. With Anansesem, all stories, regardless of genre are considered spider stories.

Anansi-Tori – This is the name for the Spider stories among the Surinam people. In the capital city of Paramaribo, the Anansi-tori are a prominent part of the death rites. It’s important that these stories are only told during the night and never during the day, lest the dead come to listen, thereby causing the death of the storyteller or their parents. The Saramaca Bush people have a tradition that during the seven days that a body lays in the village death house, they tell the Anansi-Tori to the dead as entertainment. The Anansi-tori have also come to include the dances and songs sung during these rites.

The Spider stories are called Nansi in Guyana and Kuent’i Nanzi in Curacao.

Vive La Résistance! The importance of the Anansesem stories is seen as a symbol of resiliency with slave resistance and survival. As a trickster, Anansi is frequently able to get the better of more powerful opponents using his trickery and cunning. As such, slaves used the stories of Anansi as inspiration for finding ways to resist and gain the upper hand on plantations, to give a sense of community, connection to their past in Africa and a way to maintain their cultural identity.

Offerings

As the King of Stories, Anansi is not only the patron of storytellers, but those who live by their wits. Like many Caribbean deities, Anansi can be summoned with offerings of treats, smokes, and liquor.

Just be aware, if Anansi is bored by the story, he may not hang around for long.

A traditional opening for an Anansi story goes:

“This is my story which I have related. If it be sweet, or if it be not sweet, take some elsewhere, and let some come back to me.”

Another way to traditionally start a story is:

“We do not really mean; we do not really mean that what we are about to say is true. A story, a story; let it come, let it go.”

All The Stories!

Also known as “How the Sky God’s stories became Anansi’s stories.” It is the most retold story of all the Anansi tales.

For you see, once upon a time, there were no stories. None. There were stories, but they were all kept by Nyame, the Sky God who had them all hidden away. Some versions of the story note about here how Anansi is Nyame’s son.

For Anansi, it doesn’t sit well with him that his father should be hoarding all the stories and as the world is a boring place, Anansi decides to find a way to get stories of his own. Using his silk webbing, Anansi climbs up to the heavens where his father is at and tries to buy the stories from Nyame, but Nyame refuses, he didn’t want to share the stories with anyone. Anansi kept insisting he can afford the price for Nyame’s stories. Nyame refutes Anansi still, saying that even the great kingdoms of Kokofu, Bekwai and Asumengya couldn’t afford his stories.

A sudden thought comes to Nyame and he asks Anansi, how he, someone so small and insignificant is going to be able to afford the price where others have failed. Undaunted, Anansi persists, saying he can afford the stories, just name the price.

Amused, Nyame relents and sets as high a price as he can, hoping that these impossible tasks would finally deter the spider. As to what these tasks were to be?

Anansi was to capture four of the most dangerous creatures known in the world. Onini the Python, the Mmoboro Hornets, Osebo the Leopard and lastly, the Fairy Mmoatia.

Smiling, Anansi promises Nyame that he will bring these four back and just for good measure, he will even throw in his own mother, Ya Nsia. Nyame accepted the offer, thinking that would be the end of it and told Anansi to start his quest.

Quest in hand, Anansi returns home to his family so he can consult them about his plan. Anansi talks with his mother, Ya Nsia about his plan to capture Onini the Python first. His wife, Okonore Yaa tells Anansi that he should cut a long branch from a tree and get some vines.

Anansi returns with the branch and vines and Okonore Yaa tells him to head down to the river where Onini lives. As the two pretend to argue, Onini overhears them and comes over, listening over whether Onini’s body was longer than the branch of a tree.

Onini, on hearing what Anansi and Okonore Yaa are arguing about, he quickly agrees to stretch out next to the branch to his full length to prove that he’s longer than the branch. No sooner has Onini stretched out than Anansi takes the vines to tie the python up.

As Anansi carries Onini back to Nyame, the spider cheerfully tells Onini about the bargain that he has made. Nyame nods acknowledgement to Anansi for one task accomplished and reminds the spider that there are still three other tasks to fulfill.

Anansi returns to consult with his family for the next task, which would be capturing the Mmoboro Hornets. Okonore Yaa comes up with an idea for Anansi to get a gourd and fill it with water. Carrying that gourd with him, Anansi went off to pay a visit to the Hornets. Once he arrived, Anansi looked around the bushes where the Hornets. Soon as Anansi spotted them, he carefully sprinkled water on the Hornets and then on himself. Grabbing a palm leaf from a nearby tree, Anansi covered his head just time as the swarm of angry Hornets came his direction. Holding out the wet palm leaf, Anansi explained that it had been raining and that he too was wet.

Anansi explained that this rain would be dangerous and that the Hornets might want to hide inside the gourd he brought. The Hornets agreed and soon had all flown inside to take shelter.

Once all the Hornets were in, Anansi stopped up the mouth of the gourd and proceeded to gloat for falling for his trick. Anansi continued with telling the Hornets about his bargain with Nyame as he carried the gourd with him.

Seeing that another task was completed, Nyame accepted the Hornets. He reminded Anansi that there were still two more tasks to go. Surely one of those tasks would prove to be too much for the Spider, Nyame thought.

Once more Anansi returned home triumphant. Now the task was for Osebo the Leopard. Once more Anansi and Okonore Yaa schemed together on a plan. What’s now considered the oldest trick in the book, Okonore Yaa told Anansi to dig a deep hole in the ground and cover it. Anansi caught on quickly to Okonore Yaa’s plan and told her he could take it from there.

Anansi headed off for the parts of the jungle where he knew Osebo hung around at. There, he proceeded to dig the hole and cover with brushwood as planned. Done, Anansi headed home, knowing that eventually Osebo would wander along and be likely to fall in.

Sure enough, the next morning, when Anansi returned, he found Osebo trapped down in the hole. Feigning sympathy, Anansi asked Osebo why he was trapped down there. Was it because Osebo had been drinking again? It seems this has been a problem of Osebo’s for a while. Continuing his act, Anansi asked Osebo if he wanted help. Despite Anansi’s suspicions, Osebo assured the spider that he wouldn’t eat them.

With Osebo knocked out, Anansi made a ladder and climbed down to tie up the leopard and cart him off to Nyame. All the while, Anansi gloated to Osebo when he woke about his bargain with the Sky God. Just like before, Nyame accepted Osebo from the spider and reminded Anansi that there were still more tasks to do.

Eventually Anansi agreed to “help” Osebo and got two long sticks that he cut with a knife. Anansi told Osebo to stretch out his arms, wide. This would leave Osebo vulnerable, who was unaware of Anansi’ plan. The wily spider threw his knife at Osebo when he attempted to climb out, the hilt of the knife hitting the leopard square on the head, hard enough to knock him out.

Once more Nyame accepted the latest of Anansi’s accomplishments. Just like before, Nyame reminded the spider that there were still a couple more tasks to complete. Anansi had not forgotten the deal and set off again back home.

The penultimate task, capturing the Mmoatia, the Fairy. This one won’t be so easy and Anansi sits down to think a while on the matter. After a time, Anansi goes and carves an Akua doll and then cover it the sap of a gum tree. That done, Anansi took some yams and mashed them up to place in the doll’s hand while the rest went into a bowl. Finally, Anansi took some string to tie around the doll’s waist so he could manipulate it.

Ready, Anansi took the doll down to the Odum tree where fairies were known to gather. The wily spider set up the doll and the bowl of mashed yams and then went to hide out of sight. Soon, Mmoatia appeared, lured away from her sisters by the smell of the yams.

Believing the doll to be a real person, Mmoatia asked if she could have some of the yams. Hidden, Anansi pulled on the string, making the doll nod it’s head. Delighted, Mmoatia went back to her sisters, asking if she’d be allowed to have some of the yams.

The sisters said yes and Mmoatia soon returned to the Akua doll and began to eat all the mashed yams. When she had finished, Mmoatia thanked the doll, however this time, Anansi didn’t pull on the string, so the doll didn’t respond. Infuriated at the doll’s lack of response, Mmoatia went to her sisters to complain about the lack of response.

Mmoatia’s sisters tell her to go back and slap the person for their insolence. Back she goes and on promptly slapping the doll, Mmoatia’s hand gets stuck from the sticky sap covering the doll. Stuck, Mmoatia complains again to her sisters, with one of her sisters commenting to slap the doll with her other hand. Mmoatia does so and that hand too, becomes stuck.

There is something remarkably hysterical about this, I can see the sisters realizing what’s going on, maybe they don’t like Mmoatia for some reason and she’s too insolent and arrogant to really understand that she’s getting tricked and that at this point, the sisters are getting in on it too.

I can just see where Mmoatia complains yet again that both hands are now stuck and the sisters, incredulous to the fact that she’s listened to them and gotten stuck, tell her to hit the doll again with her whole body. This has got to be a scene of where the sisters are looking to see if Mmoatia is really going to be that arrogant, insolent, even dumb enough to listen and they want to see if she’ll do it.

And yes, Mmoatia hits the Akua doll with her whole body, getting well and thoroughly stuck. Hilarity ensues, I can see all of Mmoatia’s sisters flying off in fits of laughter as Anansi emerges from where he’s been hiding to gloat over his success.

Just like the others, Anansi tied up Mmoatia and carried her off back to Nyame. Anansi also stopped on the way home to tell his mother Ya Nsia about the last task he had told the Sky-God he would do and that was to bring his own mother. I can see Mom rolling her eyes and “Yes child, of course child” as she accompanies Anansi back to Nyame.

Impressed by Anansi’ persistence, Nyame upheld his end of the bargain, bringing all the elders, the Kontire and Akwam chiefs, the Adontem, general of his army, the Gyase, the Oyoko, Ankobea and Kyidom. Nyame told all those present of Anansi’s deeds that no one else in the kingdom had been able to do. Nyame showed off each of the four, along with Anansi’ own mother. Everyone cheered as Nyame gifts all his stories, to now be known as Spider Stories to Anansi, naming him the Keeper of Stories and God of Storytelling

Variants – There are numerous variations to this story. Some retellings will omit involving Anansi’s wife and mother in the story. In some of the Caribbean stories, it is a Tiger from whom the stories originate. Other stories, the fairy Mmoatia will be solitary or a dwarf who can turn invisible. Sometimes the task of capturing the Python isn’t mentioned. In yet other stories, Osebo, the Panther is caught, getting tangled up in Anansi’ webs when trying to climb out of the pit. Or, Anansi captures Osebo when he offers to help the panther when  he lowers a long branch down and tells Osebo to tie his tail to the branch. In this one, Osebo is killed and skinned by Anansi.

Anansi And The Dispersal Of Wisdom

Now that Anansi has all the stories, you’d think he’d go spread them around to tell and pass on the wisdom that they hold. Well no…

It seems Anansi was trying to hoard all that wisdom in a pot. The knowledge he has isn’t enough and he wants even more of it, just collecting it all. After a time, Anansi decides the pot isn’t safe enough to store all this wisdom and knowledge in and takes it to hide in a tall, thorny tree in the forest. Some accounts say this tree is a Silk Cotton Tree.

Anansi’s son, Ntikuma saw his father up to something and decided to follow at a distance to find out what was up. Staying hidden, Ntikuma saw that this pot was the largest one he had ever seen. As he watched, Ntikuma watched as his father struggled with carrying the pot up. Anansi tried tying the pot in front of him to no avail.

As Anansi grew ever more frustrated by his inability to carry the pot up, Ntikuma couldn’t help himself but laugh!

“Try tying the pot behind you and then climb!” Ntikuma called out.

So frustrated with his failed attempts to climb the tree, it perturbed Anansi more to realize that his own son was right behind him. In his frustration, the pot slipped from Anansi’s grip and fell, hitting the ground with all the wisdom spilling out of it.

Making matters worse, a storm was arriving, and the rain washed all the wisdom down to a nearby river stream. From there, the currents carried the wisdom out to the sea and spreading throughout the world.

Seeing what happened, an angry Anansi chased his son, Ntikuma all the way home through the downpour of rain. When Anansi caught up with his son, the spider realized what was the use of all that wisdom if all it takes is a child to put you in your place?

As for the wisdom, because it mixed with the water, that’s why everyone has a little bit within them, but not all of it.

Variation – A minor variation is that instead of getting angry with his son, Anansi listens, carrying the pot up the tree by the means suggested. While he is sitting there, Anansi comes to the realization that try as he might to know everything, there were still things that others could teach or tell him and the wily spider comes to an epiphany to dump the pot out for everyone who has need, to be able to have access to it when the wisdom mixed with the wind and water.

How Anansi Comes To Have A Long Hind End & How His Head Became Small

In this story, a famine comes to the land and Anansi tells his family that he’s going in search of food for them. On his way, Anansi comes to a stream where there are some people who end up being spirits. It seems these spirits were draining the water in hopes of being able to catch some fish. Intrigued, Anansi asks if he could join the spirits.

The spirits invited Anansi to join them and he soon saw that they were using their skulls to drain the river. That’s interesting. The spirits asked Anansi if they could remove his own skull so that he could help drain the river.

As they drained the water, the spirits sang a song: “We, the Spirits, when we splash the river-bed dry to catch fish, we use our heads to splash the water. Oh, the Spirits, we are splashing the water.”

Anansi liked the song and asked if he could sing it with them and the spirits agreed.

And so, Anansi and the spirits sang as they drained the stream enough that they could catch some fish. The spirits gave Anansi his share of the fish in a basket to take home. As they restored Anansi’s skull, the spirits warned him not to sing the song again that day or his skull would open and fall off.

Anansi assured the spirits that he wouldn’t sing that song again as he had more than enough fish. Soon, Anansi and the spirits parted ways.

The spirits began to sing their song again. Overhearing the song, Anansi began to sing along as well and presently, his skull fell off. Just as he had been warned. Anansi picked up his skull and cried out in embarrassment to the spirits that his head had fallen off!

The spirits heard him and came back. As they listened to Anansi apologize and beg for help, the spirits agreed to help him. As they restored Anansi’s skull, they warned him not to sing the song again as they would not return to help him.

No sooner had they parted ways, than the spirits began singing and Anansi over hearing them, just couldn’t help himself and started singing along. It must have had a catchy tune.

This time, as Anansi’s skull fell, he caught it with his rear end and ran from the stream. And that, is how Anansi comes to have such a small head and huge behind, due to his hard-headedness.

Nyame’s Messenger, Anansi; Why Men Commit Evil At Night, Children Play In Moonlight, And Why Disputes Are Settled During The Day

That, is a lengthy title for a story…

The Sky-God Nyame sired three children one day; Esum the Night, Osrane the Moon, and Owia the Sun. When each of the children came of age, Nyame sent them out on their own where they founded their own village. Of these children, Owia was Nyame’s favorite and decided that they should become chief.

Nyame devised a plan, wherein he secretly harvested a yam or “Kintinkyi.” The task was, that the son who could guess what Nyame had harvested, would become the next chief. In addition, the winner would receive Nyame’s royal stool.

As Nyame set about blackening his stool, his subjects were nearby and Nyame asked if any of them could guess his thoughts. Anansi happened to be there and said that he knew. Nyame then sent Anansi to go gather his sons from their villages. The plot twist here, is that Anansi didn’t really know what Nyame’s thoughts were and decided he would try to find out.

Anansi then took feathers from every known bird and covered himself with them. Then he flew high above Nyame’s village, startling the villagers. This brought Nyame out, who didn’t recognize Anansi’s disguise.

But, Nyame thought to himself, if Anansi were present, he’d know the name of this bird as the crafty spider had known that Nyame wanted his son Owia to win his royal stool. That all they had to do was guess the name of the yam. As Nyame pondered and mused to himself, it allowed for Anansi to overhear the Sky-God’s plan.

Away Anansi flew until he was far enough away to ditch his disguise. From there, Anansi went to Esum’s village and told them that their father wished to see them. Anansi made no mention of Nyami’s plans. Esum gave Anansi roasted corn by way of thanks. Soon after, Anansi made his way to Osrane’s village, delivering the same news he had told Esum. Osrane gave Anansi yam in thanks and again, shortly after, Anansi headed for Owia’s village.

Things were different at Owia’s village when Anansi arrived, bringing the news of Nyame’s desire to see his sons. Owia mentioned to Anansi that he wished his father would know of Owia’s accomplishments. Owia decided to treat Anansi as if he were his own father come and prepared the best feast that he could with sheep. With that treatment, Anansi decided to fill Owia in on what he hadn’t told the other brothers. That being the name of Nyame’s yam that he had harvested.

Anansi then fashioned a pair of drums that would beat out the yam’s name, Kintinkyi to help Owia remember. Anansi with Owia in tow, then went to collect up the other brothers as they returned to bring them to Nyame.

Nyame called an assembly as Anansi presented his three sons before everyone. The contest of guessing the yam’s name was then revealed to each of the sons. The eldest, Esum was allowed to guess first and he said “Pona.” Osrane, the second eldest then took his turn to guess and gave the name of “Asante.” Finally, it was Owia’s turn and remembering what Anansi had told him, said the name “Kintinkyi.” Everyone present cheered Owia’s success.

Nyame then took his eldest son, Esum and told him that as he had not paid attention when growing up, that Nighttime would be when evil deeds would be done. To Osrane, Nyame said that as he had not listened when growing up, only children would play during his time. To his youngest son, Owia, Nyame praised him and made him the chief, decreeing that any issue that needed to be settled, would be done so during the day. To protect himself from his brothers, Nyame gave Owia the rainbow.

Lastly, to Anansi, Nyame blessed the spider for knowing his inner-most thoughts and said that from then on, that Anansi would be Nyame’s messenger.

The Arrival Of Disease

Oh yes, Anansi appeared before Nyame one day asking if he could one of Nyame’s sheep, Kra Kwame and eat it. Anansi said that he would bring a maiden from one of the villages as a gift in exchange for the sheep. This seemed reasonable enough and Nyame agreed to the exchange, giving Anansi the sheep while he waited for the maiden’s arrival.

As it were, Anansi took the sheep home and prepared it for eating. Once he was done, Anansi then went in search of a maiden. In his search, Anansi found a village where only women lived. Seeing an opportunity, Anansi moved there and offered each woman some of the sheep and marrying everyone.

It’s not hard to see that Anansi broke his word with Nyame. It wasn’t long after, that a hunter stopped in the village and saw what happened. The hunter back to Nyame and reported what he had seen in the village. Nyame became furious on learning what Anansi had done and sent his messengers to the village to take every woman living there.

Off the messengers went, seizing every woman in the village except for one who was ill at the time to bring back to Nyame. Anansi pondered what to do, as his remaining wife was very ill. The wife told Anansi to bathe her and then fill a gourd with water from the bathwater. This water would hold all the diseases that afflicted the wife.

See his wife after she was bathed, Anansi saw how beautiful she was, more so than all the other wives in the village. Anansi remarried her right there on the spot. It wouldn’t take long for another hunter to pass by the village and to see Anansi and his wife together.

This hunter returned to Nyame, giving the Sky-God a report of this extremely beautiful woman. Obviously Anansi had tricked Nyame as this woman was more beautiful than all the other women that were taken.

Angry again, Nyame ordered his messengers to go take Anansi’s wife. When the messengers got there, Anansi confronted them and they told Anansi of what Nyame’s desires were. Anansi nodded and complied with the messengers, taking them to where his wife was at.

Anansi had his own plans once the messengers left. He found the gourd holding the diseased water and took a skin by which to fashion a drum. Anansi then set about to make a second drum. Done, Anansi called for his son, Ntikuma and together they began to beat the drums and dance around while singing vulgarities.

Another messenger of Nyame’s, Anene the crow saw what Anansi was doing and went back to report about what he saw. Intrigued, Nyame sent more messengers to ask Anansi to come and perform his songs for him.

Ah, Anansi said, he could only perform his song and dance if all of his wives were present. Anansi promised to perform for Nyame if he could have his wives and his drum. The messengers relayed Anansi’s message back to Nyame and he agreed.

Anansi was brough to the harem where all of his wives were being kept and he began to sing and beat his drum. Nyame soon joined in the merriment with Anansi while the wives joined in too.

However, Anansi’ last wife recognized the gourd that Anansi’s drum was made from. She suspected what mischief Anansi had planned and decided not to join in dancing. Nyame tried to coax the last wife into dancing, but before she could, Anansi cut open his drum and tossed all the water out. All the diseases that had once been washed away now returned and a sickness fell upon the tribe.

So out of revenge, Anansi brought illness and disease to the world. Though to be fair, if Anansi had kept his word with Nyame from the start and brought him a maiden as promised, none of this would have happened.

Kwaku Anansi Takes Aso To Wife & How Jealousy Arrives In The Tribe

In this story, Anansi isn’t yet married to Aso as she is married to another man, known as Akwasi-The-Jealous-One.

Fun.

True to his name, Akwasi was very possessive of Aso and forbad anyone from seeing or talking to her. Such, that Akwasi built a small village where only the two of them lived. The reason for Akwasi’s jealousy is that he is sterile and worried that Aso would be taken from him if they lived among other people.

Well hey, somebody knew or was paying attention. Nyame got tired of Akwasi’s lack of or failure to father any children with Aso. And if Akwasi isn’t siring any children, than Aso is fair game and Nyame tells the other young men in the village about Akwasi’ marriage to Aso and tells them, that the first man to successfully take Aso away and get her with child, can marry and take her to wife.

That is very much so a cultural thing. Doesn’t Aso get a say in who she’s married to and want to be with?

The challenge proves to be more difficult than expected and all the young men who’ve tried to seize Aso, all fail. Anansi was watching all this and after the latest failure from a young man, Anansi went before Nyame. The crafty spider tells Nyame that he’ll be able to accomplish this task to capture Aso.

The catch?

Just give Anansi the items he requests to help him. Specifically, medicine, rifles and and bullets.

Done!

Off Anansi goes, passing through several villages, passing out the black powder, bullets and guns, telling people how Nyame has sent those to go hunting on the god’s behalf. Sweet! Anansi says he’ll come back later to collect up the meat for Nyame.

While everyone’s off hunting, Anansi makes a basket to hold all the meat in when he returns. It’s either a basket of holding, a very large basket or there’s several small baskets to hold meat in. Either way, Anansi collects up the meat and heads off for Akwasi-The-Jealous-One’s village.

Anansi reaches the river where Akwasi and Aso get their water and he takes out some of the meat, placing it in the water. He then continues up to where Akwasi lives, carrying the basket still. Aso spots Anansi’s arrival and calls out to her husband, who is surprised that they have a visitor. Akwasi comes out to find out who this person is.

Anansi tells Akwasi that he’s been sent by Nyame to this place to rest during his journey. This pleases Akwasi as he welcomes the spider into his village. While this is happening, Aso notices the meat that Anansi left in the river and says something. Anansi tells Aso she’s welcome to it as he doesn’t need it. That she can feed it to any pets they have.

Aso comes back with the meat and shows it to Akwasi. Anansi asks Aso if she would cook some food for him and she sets about preparing a dish known as Fufu. As she is preparing the meal, Anansi tells Aso that it won’t be enough and tells her to use a bigger pot as he offers up more of the meat. The catch is, she is to cook only the thighs, of which there are 40.

With the meal prepared, everyone sits down to eat. As they’re eating, Anansi complains, saying that the fufu Aso made lacks salt. At this, Akwasi commands Aso to bring some salt. Anansi spoke up, saying that wasn’t proper, Aso is eating and that Akwasi should be the one who goes and gets the salt. When Akwasi leaves, Anansi pulls some medicine out of his pouch and puts it in Akwasi’s fufu.

Akwasi returns with the salt and Anansi announces that he’s now full and doesn’t need the salt anymore. I’m sure Akwasi may have grumbled at this, but he set down again and finished his fufu, unaware of what Anansi has done.

As he’s eating, it occurs to Akwasi that he hasn’t asked for Anansi’s name yet. Anansi responds by saying that his name is “Rise-up-and-make-love-to-Aso.” This confuses Akwasi who asks Aso if she had heard the name too. Aso assures her husband that she did and Akwasi gets up to go prepare a room for Anansi. The spider says he can’t sleep in the room, he as to sleep in a room with an open veranda as he is Nyame’s Soul-Washer. Apparently, Anansi’s parents are to have conceived him in an open room, so he can’t sleep in a closed room.

Right, so where does Anansi want to sleep then? It must be an open room in a house that belongs to Nyame and asks for a sleeping mat so he can sleep in front of their room. When Anansi was certain that the two were asleep, he pulled out his sepirewa out to play, singing: “Akuamoa Ananse, today we shall achieve something today. Ananse, the child of Nsia, the mother of Nyame, the Sky-god; today, we shall achieve something, to-day. Ananse, the Soul-washer to the Nyame, the Sky-god, today, I shall see something.” Once the song finished, Anansi went to sleep.

Anansi was awoken by Akwasi calling out for him. But as he didn’t like the name that Anansi had told him, the spider remained silent. The medicine that Anansi had put into Akwasi’s food was working. After a few more attempts to rouse a sleeping Anansi, Akwasi finally used the name “Rise-up-and-make-love-to-Aso.”

Perfect.

Now Anansi responded to Akwasi’s calls, asking what troubled him. Akwasi said he needed. Akwasi replied that he needed to leave for a moment and left.

Entering the room, Anansi saw that Aso was awake and he asked if she had heard what Akwasi said. Aso asked in turn of Anansi what Akwasi had said. So Anansi obliged with the name he’d given, implying that it was a command, not his name. Wink, wink.

The two then made passionate love with each other before going back to sleep and before Akwasi returned. The medicine or poison that Anansi used was rather potent and Akwasi would be getting up eight more times, where once again, Anansi and Aso would make love before he returned. Come the morning, Anansi was on his way.

Two moon later, Aso begins to start showing that she’s pregnant. This gets Akwasi suspicious of how his wife got pregnant given that he’s sterile and can’t father any children. Aso takes the opportunity to tell Akwasi that it was by his own commands that she had made love to Anansi and that the child is his.

Angry, Akwasi takes Aso with him to go to Nyame’s village to complain. On the way, Aso gave birth and the two took the baby with them. On hearing the story, Nyame didn’t believe the two, saying no one had left his village and asked them to point out the person to him.

Aso did so, looking around the village until she spotted Anansi sitting on a ridgepole. She told Nyame that’s the one who impregnated her. Anansi slid down the ridgepole, attempting to hide, but Aso found him again, causing Anansi to fall over and dirty himself.

Now Anansi complained, how Aso and Akwasi’s actions defiled him. That he was Nyame’s Soul-Washer and that his desires had been ignored. Hearing this, Akwasi was seized by Nyame’s other subjects for disobeying a god’s commands. That as punishment, Akwasi was to sacrifice a sheep as penance. Embarrased, Akwasi performed the sacrifice and then told Nyame that Anansi could take Aso as his wife.

Sadly, the baby that Anansi fathered with Aso was taken and killed, their remains scattered about Nyame’s village as a reminder. And that, is how Aso becomes Anansi’s wife and how jealousy entered the tribe.

Anansi’s Bald Head

Sometime after Anansi and Aso were married, when they returned from visiting a plantation outside of the village, a messenger arrived. Anansi greeted the messenger and asked why they had come. The messenger replied that Anansi’ mother-in-law had died the previous day. Anansi informed his Aso of what happened, and plans were made to go to the village to mourn.

The next morning, Anansi went down to the village, looking for some favors. He soon found: Odwan the Sheep, Okra the Cat, Okraman the Dog, Akoko the Fowl, and Aberekyie the Goat. Anansi told all of them how his mother-in-law had died and asked if they would accompany him to her funeral. They all agreed, and Anansi returned home to prepare for the journey.

Anansi prepared funeral clothing, consisting of a leopard skin hat and russet colored clothing. The day of the mother-in-law’s funeral came, and Anansi called upon those he’d asked to come. They brought several supplies with them as well, consisting of guns, drums, palm-wine, and other things that they would share with those attending as they celebrated his mother-in-law’s memory.

Soon they arrived at the village and they fired off their guns to signal that they had arrived. Then Anansi and his company went to the home of his mother-in-law for her wake. Anansi shared out everything that he had brought. Anansi also then presented his offerings to help pay for the funeral.

The next morning, as everyone ate, they invited Anansi to join them. Anansi declined, saying he was forbidden from doing so as it is his mother-in-law’s funeral, that he would not eat until the eighth day. Food was then gathered for his companions who accompanied him for the funeral before they departed back for their own village.

Days passed as Anansi fasted, finally on the fourth day he was too hungry, and he went into the house where he was staying to find food. In the kitchen, he found a fire going with beans in a pot boiling. Anansi ate those, scooping some into his leopard hat after making sure no one was watching. No sooner had Anansi placed his hat back on his head to hide the beans, then Aso entered. Thinking fast, Anansi told Aso that there was a Hat-Shaking Festival taking place at his father’s village and that he was going to go.

Now Aso was suspicious. Who wouldn’t be? Especially when married to a trickster. She asked Anansi why he hadn’t told before of this festival. She also reminded Anansi that he hadn’t eatten anything yet and that he really should wait for the next day. Anansi refused to wait and headed off.

Aso went and gathered up everyone in the village, telling them that Anansi was up to something and that they had to keep him from leaving. As Aso went back after her husband, Anansi grabbed his hat and sang: “Just now at my father’s village they are shaking hats! Saworowa, they are shaking hats! E, they are shaking hats, o, they are shaking hats! Saworowa!”

Anansi began to panic too, for the beans were hot and burning his scalp. He bid his wife and everyone goodbye, that he was leaving. However, everyone began to follow after him, knowing what Aso had told them. Paniced, Anansi told everyone to leave and he sang more: “Turn back, because: Just now at my father’s village they are shaking hats! Saworowa, they are shaking hats! E, they are shaking hats, o, they are shaking hats! Saworowa!”

Eventually, Anansi couldn’t stand the heat from the beans and he pulled them off his head with the hat. Now that everyone could see what Anansi had done, Aso and the villagers began to boo him, such that he took off running.

Anansi promised the road he would thank it if it helped him flee. The road agreed and Anansi mad his way back home and access to some sorely needed medicine for his head. Alas, Anansi’ hair never did grow back.

Why Anansi Runs When He’s On The Water’s Surface

With this story, Anansi goes to Okraman, the Dog and tells him how he plans to build a new village. That sounds sensible and Okraman agreed. Okraman would gather some rope-creepr vines and Anansi would also do the same and they would meet up again on the following Monday. They would also bring a gourd filled with water in case where they met up didn’t have any. As an added measure, Anansi put some honey into his gouard.

Anansi and Okraman met each other at the half-way point to their destination. As they continued to travel, they became tired and Okraman said they should rest a bit and drink some of the water they brought with them.

Now it gets a little weird. As the two rested, Anansi said they should play a game to pass the time while they rested. Well type of game Okraman wanted to know. A binding game, where they would take turns tie each other up. The one tied, would then have to escape. After a bit of disagreement on who would get tied up first, Anansi said he would go first.

Once Okraman had Anansi bound, he decided he was so hungry that he didn’t really want to play anymore. Instead, he picked up the trussed-up Spider and carried him away to go sell for food. When Anansi realized what was happening, he began to complain, making a ruckus until they reached a stream.

Odenkyem the Crocodile heard them and asked Okraman what was going on. Okraman was too frightened to answer and dropped the bound Anansi while he fled. Laughing, Odenkyem freed Anansi from his bounds while Anansi thanked him, asking if there were any way to repay the crocodile. Odenkyem declined, saying he didn’t want anything in return. Anansi insisted, saying if Odenkyem had any children, they come, and he would dress and style their hair. Odenkyem accepted this offer, not suspecting that Anansi would be up to any deception.

Anansi returns home, telling Aso that he needs palm-nuts and onions for a stew and that he’s going to bring back crocodile to provide the meat.

That does not sound like a way to repay someone for rescuing you.

Aso gathers up the ingredients asked for as Anansi sharpens a knife. He mashes up some eto and carries it down to the stream where Odenkyem lives. Anansi calls out for the crocodile, saying he’s got a reward for them and sets the eto in the water. Odenkyem comes, having heard Anansi and just as he’s about to take the gift; Anansi flings his knife at the crocodile.

Thinking he’s dealt Odenkyem a lethal blow, Anansi heads home. Aso notices this and asks where’s the crocodile meat? You didn’t get it? Anansi brushes her off, yelling at her and gives her the silent treatment the rest of the night.

The next morning, Aso went down to the river. There, she spoted the crocodile laying still with flies buzzing around him. Seeing this, Aso returned home to tell Anansi what she saw. Anansi explains that he used a special medicine to kill Odenkyem and it will take another day for the full effect and before he can collect up the meat. Anansi thanked Aso for confirming the kill.

Anansi headed down to the river, taking with him a long stick. Seeing the crocodile laying there still in the riverbank, Anansi carefully walked over and poked Odenkyem. As Anansi continued to poke the big crocodile with his stick and roll the body over, the Spider decided to edge closer. When Anansi got close enough and reached out to touch Odenkyem’s body with his hand, that’s when the big crocodile his own trap and snapped his jaws on Anansi’s arm.

That two wrestled for a while and eventually Anansi squirmed free of Odenkyem’s grasp and fled. Now, everytime Anansi crosses a river, he runs for it, never letting Odenkyem get a second chance.

That wouldn’t be the lesson I’d take from here though.

Note: My intention was to include all the Anansi stories that I could find. However, there are just so many variations and stories from Ghana to the Caribbean and even to North America. I could spend whole volumes and books on his stories and likely still not have found them all as he is still very much so active. So I find myself having to make a cutoff point of what do I include? Obviously, if you like Anansi want to read more of his stories or find a storyteller to tell his stories, you will do so.

And of course, the traditional ending to an Anansi story:

“This is my story which I have related. If it be sweet, or if it be not sweet, take some elsewhere, and let some come back to me.”

Proverbs

Just a few little odds & ends that I couldn’t figure out where to fit them in at.

“No one goes to the house of the spider Ananse to teach him wisdom.”

“No one tells stories to Ntikuma” refers to someone who has heard it all.

Syno-Deities

Other West African tricksters that share many similar stories to Anansi are Br’er Rabbit and Leuk Rabbit.

Br’er Rabbit – The similarities between Anansi and Br’er Rabbit, the trickster figure who originates among the Bantu speaking people of South and Central Africa. Just like Anansi, Br’er Rabbit was brought to the Americas with the slave trade where his stories thrived and became a means by which he uses his wits and cunning to outsmart larger creatures. Stories of Br’er Rabbit are found in the French-speaking islands of the Caribbean where he is known as “Compare Lapin.” The most obvious story to compare Anansi and Br’er Rabbit with is that story of Anansi and his capturing the Mmoatia fairy with the Akua doll and the story of Br’er Rabbit and the Tar Baby. The Br-er Rabbit stories were collected up into the Uncle Remus stories by the American Journalist Joel Chandler Harris between 1870 to 1906.

Gede Lwa – In Haitian Voudo, Anansi is worshipped as a loa of this name and he is the intermediary between ancestors and the living. We also see in Haitian folklore, the figures of Ti Bouki, Ti Malice or Uncle Mischief who are other variations of Anansi.

Gizo – A spider trickster-hero of the Housa. His wife is Koki. He’s been equated with Anansi stories and sometimes called the Yoruba Anansi.

Iktomi – A Native American Spider figure whom many have noted similarities with Anansi.

Nambo-Nansi – A Haitian Loa, based on the figure of Anansi.

Baba Yaga

Baba Yaga

Alternate Spelling: Баба Яга (Russian)

Other names: Baba Cloanta (“Old Hag with Broken Teeth,” Romanian), Baba Jaga (Czech, Slovak, Polish), Baba Jaha, Baba-Jahinia, Baba Roga, Baba Ruta, Baba Yaha, Baba Yaga Kostianaya Noga (“bone legs”), Babcia (“grandmother” Polish), Babushka (Russian), Baka (Croatian), Boba (Lithuanian), Jezi-Baba, Yaga-Baba, Bobbe Yakhne (Yiddish), Ježibaba (Czech & Slovak), Vasorrú (“iron-nosed”)

Etymology: Baba means an elderly woman or grandmother, Yaga is uncertain, but may likely come the words: “jeza” meaning: horror, shudder or chill, “jezinka” for an evil wood nymph or dryad, “jeze” meaning: witch, “jedza” another word meaning: witch, fury or evil woman and lastly, “jeza” meaning: anger or disease and illness.

At its heart, the stories of Baba Yaga are used in Russian and Slavic folklore as a legendary bogeyman type monster to scare little children into behaving. Depending on your source, there is either just the one, terrifying Baba Yaga or there are several.

What’s In A Name?

In the Slavic languages, Baba Yaga’s name is understood to be composed of two parts. The first part of her name, Baba is generally understood to mean an elderly woman or grandmother. The second part of her name, Yaga is thought to be from a Proto-Slavic word “eg” and likely related to a Lithuanian word of “ingis” meaning: lazybones or sluggard. Other suggested words are the Old Norse word of “ekki” meaning pain and the Old English word of “inca” for doubt, scruple, grievance, and quarrel. Yaga might also derive from the feminine name of “Jadwiga.”

A Sergei V. Rjabchikov suggests that Yaga derives from the word Aga meaning: “Fiery” or “cauldron” saying that it refers to a solar deity of the Scythians and Sarmatians. Mainly as the suggestion connects Aga as a cognate to the Sanskrit word “agni” meaning: “fire” which is also the name of a fire god. Other cognate words that get linked are the Russian word “ogon” for fire and the Ossetic word “ag” for cauldron. Another scholar, Alexander Afanasyey proposes the ides of a proto-Slavic word “ož” and the Sanskrit word ahi for serpent may be a source for where the word Yaga comes from.

The earliest references to Baba Yaga, or “Yaga-Baba” is found in the “Of the Russe Common Wealth” by Giles Fletcher, the Elder. As “Yaga-Baba” she is found in the section for Permyaks, Samoyeds and Lopars where a Finno-Ugric influence is suggested.

Depending on the region and local dialect, Baba Yaga is known by slightly different names. In the Czech, Slovak and Polish regions, she’s called Baba Jaga, though Jezibaba is also used. In the Slovene language, the name is reversed to Jaga Baba. Where the term Jaga is concerned, there are numerous variations from different Slavic languages that connect it to the word jeza meaning: “horror,” “shudder,” and “chill.” There is the Slovian word jeza for “anger” and then the Old Czech word of jeze for “witch” or any legendary evil female being. The modern Czech word of jezinka refers to any evil nymph or dryad.

In Belarussia, Bulgarian, Russia and Ukraine, the names Baba Yaga and Baba Jaga are both used. Belarusia and Ukraine both have variant spellings of Baba Yaha and Baba Jaha. In the South Slavic languages of Bosnia Croatia, Macedonia and Serbia, she is known as Baba Roga. Finally, the Romanians, even though they’re not Slavic, know of her as Baba Cloanta, which roughly translates to “the Old Hag with Broken Teeth.”

Suffice to say, Baba is well known, revered, respected and feared. So much so, that some will say that Baba is the Devil’s own Grandmother. In Russian, Baba can sometimes get used as pejorative for women and men who are seen as unmanly, too timid and lack character. In the Polish language, the term Baba is also a pejorative as it can refer to a particularly nasty or ugly woman.

Description

The descriptions of Baba Yaga vary from region to region. Most are very similar in that she is a small, ugly old woman who’s very fierce or an ogress. Consistent details include mentioning her long nose and long teeth, long bony legs. Whichever details let a person know how hideous to look upon that Baba Yaga is and there’s no mistaking her for anyone else. She is a cannibalistic witch who lives in a hut in the forest. Where most witches of folklore are said to ride brooms, Baba Yaga is known for flying around in a mortar & pestle, using a broom made of silver birch to sweep away any traces of her passage. Much like the Wild Hunt, a host of spirits followed after Baba, these are most likely the spirits of her victims.

Aging: Baba Yaga is said to age one year for every question that she is asked, which, given that, could explain why she is often reluctant to help any who cross paths with her. With a tea made from a special blend of blue roses, Baba Yaga is able to undo the effects of this aging.

Chicken Hut: Baba’s Chicken Hut is notable as it walks and moves around chicken legs. The hut will move when Baba recites a specific rhyme. The keyhole to the door is a mouth full of sharp teeth. Sometimes this door will open with the following phrase: “Turn your back to the forest, your front to me.” When the house has roosted for the day, a fence with the skulls of Baba’s victims surrounds the hut.

Mortar & Pestle: Where most witches use a broom to fly around on, Baba rides around in a giant mortar & pestle, the same mortar & pestle that she can use to grind the bones of her victims then and there.

Servants: Baba will often be served by invisible servants inside her hut. If any ask about the servants, Baba is known to kill them.

Three Riders: Usually found in the Russian folklore, Baba can be associated with three riders, each of whom rides a different colored horse. White is the Day; Red is the Sun and Black is the Night. If any ask about who the riders are, Baba will explain who they are.

Hungarian Folklore

In the folklore and tales from Hungary, Baba Yaga began as a fairy, a good fairy. With the procession of time, she becomes a witch, one who drives a hard bargain and threatens to eat those who fail to uphold their ends of agreements.

Polish Folklore

Many Polish stories featuring witches often name them Baba Jaga. Much like the Brothers Grimm story of Hansel and Gretal, these Baba Jaga sometimes live in Gingerbread huts. When Baba Jaga’s hut isn’t described as being made of Gingerbread, it will be described as having only one chicken leg it moves around on.

Baba Jaga also flies around on a mop instead of a broom or in a flying mortar and pestle. She is further described wearing a black and red striped cloth that hails from Swietokrzyskie Mountains. For those wanting a bit of further trivia, this cloth is a symbol of the Kielce region and has a connection with a legendary witches sabbath on the Lysa Gora mountain.

Russian Folklore

This is the folklore that I at least was familiar with and knew Baba Yaga to hail from. It is these tales that the fearsome Baba Yaga flies through the air in flying mortar and pestle. The stories where the protagonists will discover Baba’s House that walks or dances on giant chicken legs. A house surrounded by a fence made of human bones with skulls on the posts. The keyhole of the front door is a mouth full of teeth.

Slavic Folklore

In Slavic folklore, Baba Yaga is often the antagonist of many tales. Often, she is sought by other characters who come seeking her for wisdom. Rarer is when Baba will offer guidance to wayward travelers and souls.

Dark Nature Spirit

There have been numerous, various folklore and tales about Baba Yaga over the years. Her tales often show her as a dangerous antagonist while other times she is just a tad more benevolent where she will help out others on their quests while devouring others instead. Given the location of where Baba Yaga is likely encountered most, it is out in the dark forests where she would easily represent the more wild, unknown and unpredictable force of nature.

In some stories, like Vasilissa the Beautiful, the heroine likely crosses over into the Otherworld when she is tasked by her stepsisters to go and get more light from Baba Yaga. Later traditions say that when meeting with Baba Yaga, one needs to prepare themselves spiritually and have a proper purity of spirit in order to survive an encounter with her.

Faerie – The Hungarian connection of Baba Yaga as a fairy really seems to fit given that the fae operates by rules. Baba Yaga strikes a bargain with Vasilissa the Beautiful who comes to get some fire from her in exchange for some labor. The old crone can’t hurt or eat Vasilissa so long as she full-fills her tasks and gets everything done. In the end, because Vasilissa has the aid and blessing of her mother, Baba Yaga sends the girl away. Just as many fae are known to have a trickster side to them, Baba Yaga displays hers, however dark with the skull she gives Vasilissa that burns up her stepfamily in flames. One can also argue that’s Baba Yaga acting as a bit of a dark fairy godmother to Vasilissa to aid her like that. But a bargain’s a bargain and many fairy gifts do often come with a price that’s up to the recipient to decide if that was a curse or blessing.

Good Witch Or Bad Witch? – Whether Baba Yaga will be helpful or try to eat someone really depends on the story told of her and what era of folklore for ancient or more modern. The ancient stories really home in on her dangerous nature and that she does eat people. More modern stories that feature Baba Yaga will still show her dangerous side, but as someone who’s mellowed with time, she seems to take on a more helpful nature.

More Than One? – As a supernatural being, some stories will mention a trio of sisters or witches who are all Baba Yaga, much like the idea of three fates? The good news is, that when Baba is encountered as three individuals, they’re much more likely to be benign and helpful.

Family – Some folktales will mention Baba Yaga having a daughter, sometimes she is given the name, Marinka.

Similar Folkloric Figures

There’s a number of other figures from myth and folklore of Europe that may have some cultural influence from the Eastern Slavic people’s beliefs or just the fact that similar ideas and concepts will pop up no matter what.

Baba Korizma – Serbian

Baba Pehtra – Slovenian

Baba Roga – From Croatia and Bosnia, she is used to scare children into behaving. The name Roga suggests that she has horns.

Babice – Serbian

Chlungeri – Switzerland

Gorska Maika – The Forest Mother of Bulgaria.

Gvozdenzuba – Meaning “Iron Tooth,” Serbian

Holda – Or Holle from Germany

Jezibaba –Western Slavic, she is very similar in function to Baba Yaga, though her appearance and specific stories differ from the Eastern Slavic stories.

Mama Padurii – Forest Mother, Romanian

Perchta – Alpine region

Sumska Majka – The Forest Mother, Serbian

Ancient Slavic Earth Goddess

 That’s very likely possibility given the strong connections of her as a fairy in Hungarian folklore and her connection as a dark, wild and unpredictable force of nature. She could be connected to an ancient matriarchal religion. Some sources have said that the Baba part of her name connects her as being female and that there could very well be a male counterpart to her.

There are also scholars who suggest that Baba Yaga is influenced by the Eastern Slavic people’s contact with the Finno-Ugric and Siberian people. The Finnish stories have an ogress by the name of Syöjätär who is the source of diseases and in stories, she often takes the role of a wicked mother. Contrasting with Syöjätär is Akka, a female fertility spirit or deity found in Estonian, Finnish and Sami mythology and shamanism.

The first distinct references to Baba Yaga or Iaga Baba appear in 1755 with Mikhail V. Lomonosov’s Rossiiskaia Grammatika (Russian Grammar). In this book, Baba Yaga is mentioned a couple times alongside other Slavic figures and traditions. The second mention has her in a list of Slavic deities and their assigned, roman syno-deities.

Feminist Icon

It’s no wonder, after looking into the folklore and mythology behind Baba Yaga, that in many Wiccan and Modern Pagan practices and even those who aren’t would seek to reclaim and take Baba Yaga back as a feminist icon. When incoming Christianity couldn’t tame Baba Yaga, they vilified her.

After all, centuries of persecution by Christian beliefs and she has endured in the imaginations and of those who examine her stories; see the quintessential, untamed wild old woman who does as she pleases with no one to tell her otherwise. Baba Yaga is a fierce, dark force of magic, who when approached with caution, can help or destroy.

Triple Goddess

In New Age and Wiccan practices, Baba Yaga fits very easily with the role of the Crone.

Baba Yaga In Folklore

There are a lot of stories in Slavic and Russian folklore that feature Baba Yaga, so much so, she is considered a stock character by authors of modern Russian fairy tales. There are whole articles and commentary that go into exploring Baba Yaga’s role and place in folklore as sometimes, she’s not always an antagonist or even protagonist, she’s a feature or obstacle that the heroes must overcome and get past on their journey. Is she a threat? Does she really prove helpful as a dark and dangerous fairy godmother or guide?

She does seem to come off as a trickster figure, one who can often be bested and outwitted by use of trickery and using her own sense of propriety and rules for manners and etiquette to escape her.

With her continued use in more modern, contemporary literature and media, Baba Yaga’s nature at times, depending on the needs of the narrative and author, her demeanor can soften, though she’ll remind people she can still be very dangerous.

Vasilissa The Beautiful

This is perhaps the most well-known story with Baba Yaga that was recorded by Alexander Afanasyeye in 1862. It begins as any story does, with a merchant who had married for twelve years before he and his wife were able to conceive and have a baby, a little girl whom he called Vasilissa the Beautiful.

Unfortunately, tragedy struck, and the mother became ill when Vasilissa was eight years old. Before she died, Vasilissa’s mother called her daughter to her bedside where she presented her Vasilissa with a small wooden doll. The mother explained that she was dying and that she was leaving her this little doll. She was not to show anyone this doll and to always be sure to carry it with her everywhere she went. If ever she had any sorrow or threat to her, Vasilissa was to go to a corner and take the doll from her pocket, giving it an offering of food or drink. Once it had drunk or eaten, Vasilissa would then able to tell the doll her troubles and it would aid her or give advice on what to do. With that, the mother kissed Vasilissa on the head and died soon after.

That first day, Vasilissa grieved for her mother’s loss. So much so, that when night finally came, she couldn’t sleep. As she lay there in her bed, Vasilissa remembered the tiny doll and pulled it out from her pocket. Then she found a small piece of bread and something to drink, these Vasillisa placed before the doll, saying: “There, my little doll, take it. Eat a little, and drink a little, and listen to my grief. My dear mother is dead, and I am lonely for her.”

The doll came to life, its eyes glowing as it ate a bit of bread and took a sip of drink. When the doll had finished, it told Vasilissa not to cry, that grief can be at its strongest during the night. That she should lay down and try to sleep for in the morning things would be better. Vasilissa did as the doll advised her and went to sleep and found that in the morning, her grief as not as deep and sorrowful as before.

After a period of mourning, Vasilissa’s father decided that it was right to marry again. Being a merchant, it wasn’t difficult for him to find and attract a suitable wife given his status with having a fine house, horses and his charity for giving to the poor. The merchant found a widow close to his own age with two daughters and thought that she would make for a good foster mother to his own little Vasilissa.

Such was not the case, as many of these stories show, the widow was a cruel and cold-hearted woman who only wanted the merchant’s wealth. Nor, did the widow harbor any love for Vasilissa.

Take a page right out of Cinderella, the widow and her two daughters envied and hated Vasilissa for her good looks and gave her all manner of tasks and errands to run in an effort to try and were Vasilissa out. Despite this, Vasilissa persisted, never complaining of what happened to her.

The key to Vasilissa’s success and enduring where others might have failed, is that she still had the little doll. Every night, while everyone else slept, Vasilissa would bring out the doll, while locking her door, she would feed the little doll. After the doll had eaten and drunk a little, Vasilissa would tell the doll of her troubles and the work her stepmother would task her to do.

After the doll came to life and listened to the girl’s plea, it would comfort Vasilissa and send her off to sleep. While she slept, the doll would perform all of the tasks set before Vasilissa and get all of her work and chores are done for the next day. This wouldn’t leave much left come the next morning for Vasilissa to do besides rest and play.

Time passed and Vasilissa grew up, becoming a beautiful young woman of marrying age. All the young, would-be suitors in the village came knocking, seeking out Vasilissa’s hand in marriage. None of the young men ever had an eye for the stepmother’s two daughters. This angered the stepmother to the point of being enraged. The stepmother would tell every young man who arrived at their door that the youngest would never be wed before the older ones. When the young man left, the stepmother would then beat and berate Vasilissa.

More time passed and Vasilissa’s father, the merchant left for a business trip. Barely was the father gone when no sooner did the stepmother have the house sold and packed everything up so they could move to the far side of the village near the dark forest. While the stepsisters worked indoors, the stepmother would task Vasilissa with more errands that would take her out into the dark woods.

The plot thickens!

The stepmother it seems was well aware that out in this dark forest, in a small clearing, Baba Yaga’s hut could be found. The stepmother had high hopes that Vasilissa would encounter the old witch that was known to eat people. She hoped that with each errand, it would be Vasilissa’s last as she would get eaten. Such was not to be, for the little doll of Vasilissa’s would guide her to where the berries and flowers grew and kept her well away from Baba Yaga’s hut.

One night, the stepmother brought all three girls together and tasked each of them with a job. To one of her daughters, they were to knit a piece of lace. The second daughter was to knit a pair of hose. As for Vasilissa, she was to spin a basket of flax. The tasks given out; the stepmother proceeded to put out all of the fires except for one candle before then heading off to sleep.

The girls worked for hours. The older of the girls eventually got up and went to straighten the wick on the lone candle. Instead of straightening the wick, the girl “accidentally” put the candle out. Now the girls panicked, for what would they do without any light to work by? The only house close enough to get a light from was that of Baba Yaga’s. The two daughters of the stepmother bade that Vasilissa be the one to go out and get the much-needed fire as she knew the nearby forest better. Nor, would the girls allow Vasilissa to return to the house without any light or flame.

Out a distraught Vasilissa went and sat on the front steps of the house. She pulled the small doll from her pocket and some food from the other. As she gave the food to the doll, saying: “There, my little doll, take it. Eat a little and listen to my sorrow. I must go out to the hut of Baba Yaga in the dark forest to get some fire and I fear that she will eat. Tell me! What shall I do?”

The doll came to life, eyes glowing as it ate. When it had finished, the doll replied that Vasilissa should not fear, to go to where she had been sent and that while he was with her, no harm would come to her from the witch. Hearing those words, Vasilissa placed the doll back in her pocket and headed out into the forest.

After a time, walking through the dark forest, Vasilissa soon heard the sound of horse hooves pounding the ground and shortly after, a white horse and rider dressed all in white passed by her. Soon as rider and horse were gone, it became twilight.

Vasilissa continued further on and again, she heard the sound of horse hooves pounding the ground as presently, another horse and rider passed by her. This horse and rider were blood-red and once they had gone, the sun arose.

On, Vasilissa continued her journey within the Dark Forest and it became very clear that she was now lost and there was no longer a path to follow. Nor, was there any food for Vasilissa to take out and bring the little doll to life to ask for help or advice.

Finally, as the evening came, Vasilissa found herself standing before a green lawn where a peculiar hut stood on chicken legs. Around the hut, a wall made of human bones with skull atop each post. It was a very unsettling sight for Vasilissa to take in.

While standing there, Vasilissa once more heard the sound of horse hooves and sure enough, a third horse and rider thundered into view. This time horse and rider were all in black. As horse and rider pounded the ground up to the gate to the hut, they disappeared, and night fell upon the forest as everything became dark.

The only place not dark within the forest was the lawn as all the eyes of the skulls on the wall lit up, illuminating the place. Vasilissa didn’t have long to stare for a loud noise boomed from the forest as trees groaned and shift. The source of the noise was Baba Yaga flying in riding in a large mortar with a pestle steering it. As Baba Yaga moved through the forest, behind her, she swept her trail clear with a broom.

Up to the gate, Baba Yaga flew and stopped, reciting the following: “Turn your back to the forest, your front to me.”

With those words, the hut turned on its chicken legs, facing towards Baba Yaga and stood waiting. Before going in, Baba Yaga sniffed the air and cried out that she smelled someone present and asked he was there.

In fear, Vasilissa stepped out, bowing low before Baba Yaga. “It is only me, Vasilissa, grandmother.” And explained how the daughters of her stepmother bid her come to borrow some fire as it had gone out at home.

Baba Yaga knew of whom Vasilissa spoke off and bargained that if she gave her some fire, that she was to stay a while and work for it. If Vasilissa didn’t, then Baba Yaga would eat her. The bargain struck, Baba Yaga with Vasilissa following behind, entered the hut.

Once they were inside, Baba Yaga sat down on her stove and stretched out her skinny, bony legs as she spoke: “Go and fetch the table and place everything in the oven on it. I’m hungry!”

Hearing this, Vasilissa hurried and pulled out from the oven, enough cooked meat for three big men. Then Vasilissa brought out from the cellar, honey and red wine. All of this Baba Yaga ate and drank with gusto, leaving only a small bit of cabbage soup, a crust of bread and a bit of pork for Vasilissa to eat.

Her hunger satiated, Baba Yaga grew tired and went to lay down on the stove. Before falling asleep, she instructed Vasilissa that on the morrow, when she left, that Vasilissa was to clean the yard, sweep the floors and cook her supper. Vasilissa was then to take a quarter measure of wheat from Baba’s storehouse and pick out all of the black grains and wild peas. Failure to accomplish all of this would see Vasilissa eaten by Baba.

Now Baba Yaga turned over, facing towards the wall and promptly fell asleep as evidenced by the snores. Scared, Vasilissa went to a corner and took out her tiny doll from her pocket. She fed it a bit of bread and a little bit of cabbage soup that she had saved. Then, bursting into tears, Vasilissa told the doll to eat a little and drink a little and then told it how she was in the house of Baba Yaga, that the old witch had given her a difficult task and if she did not complete it all, that Baba Yaga would eat her. What was she to do?

The little doll’s eyes glowed as it came to life and ate the bread and drank the soup before it responded, telling Vasilissa not to be afraid. To say her prayers and go to sleep, that things would look clearer in the morning. Trusting her little doll, Vasilissa did as she was told and went to sleep.

The next morning, Vasilissa awoke early while it was yet dark. Peering out the window, she the skulls on the wall glowing still. As she continued to watch, Vasilissa saw a man dressed all in white ride away on a white horse ran past and as they pounded by, it became light. The glowing eyes of the skulls went out with the light. Baba Yaga went out to the yard and whistled for her giant iron mortar and pestle that came. Climbing in, Baba Yaga flew away. Shortly after she left, a man dressed all in red riding an equally red horse appeared, signaling fully the arrival of dawn.

Alone now, Vasilissa looked about the hut as she took in everything that had to be cleaned and all that she was tasked to do. As she turned attention back to the yard, Vasilissa was astonished to find the yard already clean along with the floors of the house when she looked back inside. Looking around, Vasilissa spotted her little doll sitting in the storehouse as it picked the last of the black grains and wild peas out from a quarter measure of wheat.

Vasilissa took up the little doll in arms to thank it. That now all she had to do was cook Baba Yaga’s supper. The little doll bid her to that task which Vasilissa did after the doll went back to her pocket. Laying out the table for supper and getting the meal ready, Vasilissa needed only to rest and wait the rest of the day.

As she waited, Vasilissa heard the sound of horse’s hooves and soon saw a rider all in black on a black horse ride up the gate and disappear. Once the black rider vanished, it became night and the eyes of the skulls began to glow. Not long after that, the forest began to shake and branches tremble as Baba Yaga flew back to hut.

On entering her hut, Baba Yaga looked around, sniffing the air. Baba Yaga then asked the girl if she had done all that was asked of her or was Baba Yaga going to get to eat her? Vasilissa replied for her to look.

Baba Yaga looked around the hut and yard. Try as she might, Baba Yaga was unable to find anything amiss which angered the old witch. Still, the tasks were done, and Baba Yaga clapped her hands together, calling for her faithful servants to take her wheat. Instantly, three pairs of hands appeared and hauled away the measure of wheat.

Then Baba Yaga sat down at the table as Vasilissa placed before her all the food that she had cooked along with kvass, honey and red wine. Baba Yaga ate with much gusto, enough for four men. Finished, Baba Yaga stretched out her bony legs on the stove and told Vasilissa that tomorrow, she was to the same as she had done today and in addition, that she was to take a half-measure of poppy seeds from the storehouse and clean them, one by one. It seems that someone mixed earth with the seeds to cause old Baba Yaga some mischief. With that, Baba Yaga turned over towards the wall and began to snore.

Just as she had the night before, Vasilissa crept to a corner to pull out her little doll. She once more placed a small bit of food before the doll to ask its advice. Like always, the doll’s eyes glowed as it came to life and ate. Finished, the doll replied for Vasilissa not to worry, to say her prayers as she had before and to sleep. Vasilissa did as she was bid and went to sleep.

The next morning, Vasilissa awoke to the sound of Baba Yaga’s whistling. Vasilissa got up and ran to the window, just in time to see the old witch take off in her giant mortar and pestle. Just as she had seen the day before, the man in red appeared on his horse, riding away to signal the dawn. Like the previous morning too, as Vasilissa looked around, she saw that all of the tasks had been accomplished by her doll and all that remained was to cook the supper.

Vasilissa had everything for dinner prepared and ready on the table when the man in black on his horse return to signal nighttime and Baba Yaga’s arrival. Baba Yaga came into her hut, peering around, seeing for herself that all the tasks and supper were accomplished. Angry, Baba Yaga clapped her hands, calling for her servants to come take the poppy seeds. Again, three pairs of hands appeared to take the measure of poppy seeds away.

Baba Yaga sat down at the table devouring the meal with the zeal and gusto of five men. Vasilissa stood nearby, quietly waiting as the old witch ate. The quietness annoyed Baba Yaga who snapped at the girl, asking why she stood there as if she were dumb.

Vasilissa replied that she didn’t dare speak, but if she was allowed, could she ask grandmother some questions.

Baba Yaga allowed it, cautioning Vasilissa to remember that not every question had good answers and that knowing too much could lead a person to prematurely growing old.

Vasilissa then inquired, asking about the white rider. Baba Yaga said that was her servant, Bright Day. Then Vasilissa asked about the red rider to which Baba Yaga responded that was her servant, the Red Sun. Lastly, Vasilissa asked about the black rider and Baba Yaga replied that was her servant, the Dark Night. That none of her servants couldn’t harm Vasilissa.

Going silent, Vasilissa sat there and Baba Yaga wanted the girl to ask more questions. Why not ask more? What about the three pairs of hands? Vasilissa answered that three questions were enough and that she did not want to grow old too soon if she knew too much.

Old Baba Yaga laughed and said that well for her if she had asked about the hands, they would have appeared and seized Vasilissa to carry away to become Baba Yaga’s next meal. Now that Vasilissa had asked her questions, Baba Yaga wanted to ask questions of her own.

Namely, how was it that Vasilissa had been able to accomplish all the tasks in the short time allotted. Frightened, Vasilissa nearly brought out her doll, but thought better of it in time, replying instead that she had the blessing of her dead mother helped her.

Enraged, Baba Yaga told Vasilissa to get out of her house, she would have no one in her house who bore a blessing to cross her threshold. As Vasilissa got up to leave, running from the house, Baba Yaga grabbed a skull from a post on her wall and threw it at the girl. Saying that she was to take the skull, that’s what the stepmother’s daughters had sent her for.

Grabbing up the skull, Vasilissa placed it on the end of a stick and carried it with her out of the forest, running as fast as she could. She ran until morning when the glow of the skull dimmed just as Vasilissa exited the edge of the forest before her stepmother’s house.

Surely, by now, Vasilissa thought, the sisters would have found another light. Vasilissa thought to throw the skull into the hedge, but it spoke saying not to throw it away, to take it to her stepmother. Vasilissa picked up the skull again and carried it with her to the house.

In all the time that Vasilissa had been gone, the stepmother and daughters had had no fire or light for all of the house. Whenever they would strike flint and steel, the tinder wouldn’t catch and any fire brought in from a neighbor’s would immediately out as soon as it crossed the threshold of the house. Such was the state of three to have no light or warmth for themselves or to cook food. This made it the first time that the presence of Vasilissa was ever welcomed for when she carried the skull across the threshold, it’s light did not go out.

The stepmother insisted on placing the skull in the best room on a candlestick. As the stepmother and her daughters admired it, the eyes of the skull began to glow red like coals. Whenever the three would look or go, the eyes of the skull would follow, growing larger and brighter until the eyes burned bright as a furnace, growing hotter and hotter so that the stepmother and her daughters burned to ashes. Only Vasilissa was spared this fate.

What every poor abused stepchild wants, freedom from the wicked stepparent and siblings.

The next morning, Vasilissa dug a hole and buried the skull and locked the door to the house. She then set out of the village where she went to live with an old woman who was childless. There, Vasilissa lived, waiting for her father’s return from his journey.

After a few days of nothing to do, Vasilissa asked the old woman for some flax to spin, that she could at least do. The old woman went out and got Vasilissa some flax of the best kind and Vasilissa sat down to spin. So fine was the thread, even and fine as hair, eventually there was enough to work with to weave. However, so fine was the thread that there was frame that could weave the thread.

As she had done before when needing help, Vasilissa took out her little doll and giving it food and drink, told it of her need for a frame to weave her thread on. As always, the little doll came to life, eating and drink and when it had finished, it instructed Vasilissa to bring it an old frame, an old basket and some hairs from a horse’s mane and that it would make the frame needed. Vasilissa did as she was instructed, getting all the items and bringing them back.

The next morning, Vasilissa found a frame suited for the needs of weaving her thread on. It would take Vasilissa several months work weaving, throughout the winter, until she had at last a piece of linen as fine that it could be passed like the thread it was made of through the eye of a needle. Spring came and Vasilissa bleached the linen, making it as white as snow. Vasilissa then bid the old woman take the linen to market and sell it for the money made would pay for her food and lodging. The old woman returned from the market, saying that no one would buy the linen and that no one would wear it except for the Tsar himself. That tomorrow, she would carry it to the Palace.

The next day came and the old woman carried it to the Palace, and she spent her time walking up and down the walkways of the Palace. Servants would come up and ask her what brought her to the Palace and the old woman would say nothing. Presently enough, the Tsar opened his window and called down to the old woman what she wanted.

The old woman replied that she had a marvelous piece of linen and that she would show it to no one but him. The Tsar bid the servants bring the old woman in who showed off the linen to him. The Tsar was so taken with the finery and beauty of the cloth that he asked the old woman what she wanted for it. The old woman replied that there was no price for it, it had been brought as a gift. So pleased was the Tsar that he couldn’t thank her enough and sent the old woman away with many gifts.

Numerous seamstresses were brought in to make shirts for the Tsar out of the marvelous cloth, but they found that when it was cut up, that none of them had skill to sew it. The Tsar found himself calling the old woman back, saying that if she knew how to spin such linen, surely, she would know how to sew shirts from it.

At this, the old woman confessed that it wasn’t her who wove the cloth, but her adopted daughter who had done so. The Tsar bid the old woman to bring the cloth back to her daughter to sew into shirts. Bringing the cloth home, Vasilissa replied that it was just as well that she be the one to sew the shirts as she made the cloth.

Vasilissa took the cloth and went to her room where she returned later with a dozen shirts for the Tsar. The old woman brought all of these back to the Tsar who was so delighted with the craftsmanship that he sent a servant to fetch Vasilissa and bring her back to the Palace.

For the Tsar, it was love at first sight when he saw Vasilissa enter his Palace. So beautiful was Vasilissa that the Tsar asked her to marry him. The two wed and shortly after, Vasilissa’s father returned from his journey and he and the old woman went to live with Vasilissa in the Palace. As for the little doll, Vasilissa kept it with her always in her pocket all her life.

Christianized Version –

There is a Christianized version of this story where, when Vasilissa is sent off to Baba Yaga and ends up being captured by the old witch, it is Baba Yaga’s servants, a cat, a dog, a gate and a tree that all help Vasilissa escape her fate as she had shown them each kindness. At the end of this story, Baba Yaga turns into a crow.

Baba Yaga And The Peasant Children

This is a story I came across that is very similar to the Christianized version of Vasilissa’s story above. It also, after I finished reading it, that it sounds a lot like the Brothers Grimm story of Hansel and Gretel. You go over to Poland and these Gingerbread dwelling witches are all over the place.

The story starts off with two children who have a cruel stepmother. One day, the stepmother decides she no longer wants the children and contrives a way to send them off into the forest to get lost and eaten by the infamous Baba Yaga.

The children do find their way into Baba Yaga’s clutches and while there, they are able to escape her cannibalistic nature first from a black cat who helps them as they had fed it when Baba Yaga wouldn’t. Secondly, the children are aided by the gate slamming shut on Baba to slow her down because the children had mended the gate when Baba Yaga had neglected it. Finally, the very trees of the forest aid the children in evading Baba Yaga due to how she had mistreated them. The children are able to get home safely where their father kicks out the stepmother and welcomes his children home.

Prince Danila-Govorila

This is another story involving Baba Yaga that I came across and it reads in many ways, like a modern horror story. In it, there is an old woman who’s a princess and she had two children, a son and daughter. Entering the story is an old witch, Baba Yaga who doesn’t want the woman or her children to be happy. She turns into a fox and appears before the woman, presenting her with a ring and tells her that the ring is for her son, that he will be rich and generous, and he can only marry the woman whose finger will also fit the ring.

The old woman or princess believes the fox has given her a blessed gift and bestows it on her son. Time goes by and the son grows up and he beings to look for the woman whose finger will fit the ring. He finds many women whom he likes and fancies, but none of them are able to wear the ring. At long last, the son, Danila laments to his sister Katerina how he is unable to find a wife as no one is able to wear the ring.

Katerina asks to see the ring and Danila pulls it out. As it’s a ring, Katerina does the most natural thing and tries it on. To both siblings’ astonishment, the ring fits and Danila declares that Katerina is meant to be his wife. This can’t be so Katerina cries out, that’s incest and against God’s will. But Danila is so elated he runs off dancing and singing.

Katerina goes outside to cry her misfortune and as she does so, some elderly woman pass by and ask her what the matter is. They listen to her story and tell Katerina not to worry. Make four dolls and places them in the corners of her room. When Danila calls her to marriage, she should go and when it’s time to go to the bedroom, take her time. That Katerina should put her faith and trust in God to work things out.

Katerina does as she’s advised with making the dolls and placing them. Soon after, she and her brother are married. That night, when Danila called her to bed, Katerina took her time with getting ready and heading to bed.

This is where it gets to sounding like a horror story, as Danila is calling for Katerina, the dolls come to life, calling out how Prince Danila is marrying his sister and taking her to bed, for the earth to open up and Katerina to fall inside.

The more Danila calls, the more the dolls cry out, the more the earth opens up beneath Katrina and she sinks down within it. Eventually Danila can’t hear Katerina responding and he rushes into the room where she was supposed to be getting ready for bed. Only he finds the dolls calling out for the earth to open up and sister fall inside and there’s no sign of his sister. Danila flies into a rage and chops off the heads of all the dolls.

Meanwhile, Katerina finds herself beneath the earth and eventually she comes across a small hut that stands on chicken legs. A voice calls out from within for the hut to: “stand as before, rear to the forest and face before me.” The chicken hut turns, and Katerina is greeted to the sight of a beautiful maiden sitting alone inside.

The maiden invites Katerina inside to visit for a while. The maiden warns Katerina that her mother is a witch and when she shows up, she needs to hide. However much this frightened Katerina and with nowhere else to go, she went inside to visit and talk with the maiden as she knitted and made a wedding towel.

I can see where this is going…

The maiden knows when her mother will return, and she turns Katerina into a needle that she hides in her broom. No sooner done, then in comes the old witch who declares that it smells of a Russian having been in the hut.

The maiden says that some passersby had come through, looking for water. When the old witch asks why the maiden didn’t hold them, the maiden says that they were too old and tough for the old witch’s teeth.

The old witch instructs the maiden to call people into the yard and to keep them there next time. Now she was going to head off and get some booty. The old witch leaves and the two girls resume their talking and laughing.

The old witch returns again, Katerina is turned into a needle once more before she enters the house and the maiden tells a story to her mother how she couldn’t detain and keep the people there.

Third times the charm and the old witch isn’t fooled, she takes off again, but doesn’t go far for just when the girls are back to their antics of laughing and talking, where Katerina will hide this time and what story to use, the old witch enters the hut, revealing herself to be Baba Yaga to the frightened Katerina.

Delighted that her daughter has finally caught dinner, Baba Yaga tries unsuccessfully to get Katerina to sit on a paddle to be placed in the oven. Katerina makes it difficult as she keeps moving her legs to keep from getting pushed in. Baba Yaga is angered and when she tries to push Katerina in, the maiden takes her opportunity and instead, shoves her mother into the oven.

As the two girls ran, Baba Yaga got free of the oven and chased after them. First, the maiden threw down her brush that turned into a marsh that Baba Yaga had difficulty crawling through. On the girls ran with Baba Yaga still giving chase. Now the maiden tossed down her comb and a dark, thick forest sprang up that slowed down the old witch, causing Baba Yaga to lose sight of the two for a time.

Eventually, she was nearly caught up with the girls and the maiden now threw down her towel which turned into a vast fiery lake. Baba Yaga tried to fly up over this fiery lake, no matter how high Baba Yaga flew, the heat of the lake got to her and she plunged to a fiery death.

The two girls made it back to the world above but didn’t have any idea of where they were at. As they sat to rest, catching their breath, a man came up to the two. Both Katerina and the maiden were very alike in appearance and the man knew that they both matched the description of the missing Prince’s sister and wife, Katerina.

Finding themselves getting brought before Prince Danila so he could figure out which was his sister, Katerina refused to speak a word. As they couldn’t get either girl to speak, the man who was a servant of Danila’s came up with a plan to have the Prince hide a bladder full of blood under an arm, he, the servant would come up and stab him and that would get the sister to speak and thus reveal herself.

The plan is put into motion, the Prince with blood bladder under his clothing comes back out. The servant goes to stab the Prince. The Prince falls down as if dead, Katerina cries out in fright and goes up to hold the body of her brother, only to find, surprise! He’s not dead. Danila hugs his sister and marries her off to a good man and he decides to marry the maiden as the ring he has fits her finger too.

And I find that ending very wow? All that work and Katerina and the maiden are both married off like property, the Prince is reward for…pretending to die and takes the friend who shows up seemingly out of nowhere.

However that’s not the scope of retelling these stories, just that they’re ones that feature Baba Yaga that I came across and showcase her as a very scary, unpredictable being, whom with a bit of luck, cunning, one’s own magic or minding manners when dealing with someone very old, they can survive an encounter with Baba Yaga.

More Stories

I could go on for quite a while trying to give quick run-through of all the different folktales involving Baba Yaga, there are just that many. It would be my luck to still miss one or two. She even continues into the present day with continued use in literature and media.

At the very least, I can try to mention some of these other stories. There is: “The Feather of Finist the Falcon,” this is one story where the hero meets up with three Baba Yagas. There is also “Teryoshechka”, “The Enchanted Princess,” “The Silver Saucer and the Red Apple,” “The Maiden Tsar,” “The Tale of the Three Royal Divas”, “Ivashka, The Priest’s Son,” “Baba Yaga and Zamoryshek,” “By Command of the Prince Daniel,” “Marya Moryevna,” “Realms of Copper, Silver and Gold,” “The Sea Tsar and Vasilisa the Wise,” and “Legless Knight and Blind Knight.”

Reality Behind The Myth

The description of Baba Yaga’s hut that stands on chicken legs, with no windows or doors, likely has a place in the local cultures of the Siberian region. Similarly built cabins and huts have been observed with the early hunter-nomadic peoples of Siberia (namely the Finno-Ugric) and Tungusic families. To keep wild animals from getting into food supplies while they have gone, they built cabins with no doors or windows up on supports from trees. From a distance, these supports with the tree roots still attached would look like chicken legs. The only access to these huts would be by way of a trap door.

Siberian Paganism

Smaller, similar constructs were used in the old Siberian pagan religion to hold figurines of their deities. The idea has put forth of a late matriarchy where a bone-carved doll dressed in rags is placed in a small cabin that the doll can barely fit in.

The last idea is a funeral tradition used for cremating the dead in huts built on poles. Russian archaeologists, Yefimenko and Tretyakov found small huts containing the cremated remains of corpses and circular fences places around them in 1948.

Kappa

Kappa Mikey

Also Called: Gataro (“River Boy”), Kawako (“River Child”), Kawataro (“River Boy” or “River Tiger”), Komahiki (“Horse Puller”), Suiko (“Water Tiger”)

There are some eighty names for kappa depending on the region they’re found in. Next to the oni and tengu, kappa are some of the best known yokai found in Japan.

Some of these other names are: Dangame (“Soft-Shelled Turtle”), Enko (“monkey”), Gawappa, Kawappa, Kawaso (“otter”), Kogo, Mizuchi, Mizushi, and Suitengu.

 Etymology – “River-Child” from the words kawa for “river” and wappo, an inflection of waraba meaning “child.”

In the Shinto Religion of Japan, Kappa are mischievous water spirits or yokai who will pull young children and the unwary into the river and ponds where they live and drown them. Kappa are also known for attacking travelers and animals. Even today, many towns and villages keep signs out warning of the dangers of kappa near a river.

Some of the less deadly pranks that kappa will pull are passing gas loudly and looking up women’s kimonos. They will also steal crops, flat out kidnap children and rape women.

The kappa are curious about human culture, they are not mindlessly aggressive and many can be appealed or reasoned with as they do speak Japanese. Wisemen were known to befriend kappa and learn the art of setting bones from them. It’s thought that somehow, kappa were once wise monkeys.

Kappa will also sometimes challenge people to different tests of skill such as shogi or sumo wrestling. People have been known to befriend kappa by giving gifts and offerings, often of food and especially cucumbers.

The kappa are a major folkloric figure that people have reported seeing for centuries. They have remained a staple of literature and even the tourist industry in some towns will tell visitors to be wary of kappa and to be careful.

Suijin

In Shinto, the Kappa are viewed as one of many types of Suijin or water people or even water deities. Many of these water deities or spirits are often depicted as snakes, dragons, eels, fish, turtles and kappa. It is believed that belief in kappa can be traced back to China, though much of the kappa lore is native to Japan.

With the arrival of Chinese and Koreans during the 2nd century C.E. along with the arrival of Buddhism in Japan, the imagery of kappa would be begin to take on these attributes.

While the name for the most powerful Suijin in Japan is Mizu no Kamisama or Goddess or God of Water, the kappa are more accurately referred to as Kawa no Kami or River Deity reflecting a less powerful status.

The offering of cucumbers to kappa may have come from a tradition of giving the year’s first crop of cucumbers and eggplants to the local river to either appease local water deities or hungry ghosts.

Festivals – There are still some festivals held in places, twice a year during the equinoxes to placate the kappa and ensure a good harvest. These festivals also mark the time of the year when the kappa travel down from the mountains to the rivers and back up.

Kappa Odori Dance – This is a sacred Shinto dance used to pray for abundant crops. Young boys dress up as kappa and jump and bounce around in time to the humorous music as it’s played.

Jozankei Hot Springs – A local spa near the Toyohiragawa River to the southwest of Sapporo. Named after the monk who found the place, the kappa are local guardian spirits. Some 23 kappa statues stand around the area. The Kappa Pool becomes very lively in early August during the Kappa Festival. A local legend holds that the story of the Kappa Buchi occurred here.

Ancient Origins?

Ainu Folklore – The Ainu are Japan’s earliest inhabitants who live mostly on the northern island of Hokkaido. The connection here is very tentative as some believe that the kappa come from Ainu folklore. There’s just not enough known of their mythology to really make a concrete connection. What does get cited is that near the main city Sapporo on Hokkaido is an area known as Jozankei where the legends for the “Great Kappa King” and the “Kappa Buchi Legend” can be found, though these stories are not likely to be of Ainu origin and mythology.

Nihon Shoki – Chronicles of Japan – One of Japan’s earliest and official records, it was compiled sometime around 720 C.E. It is the first text to refer to kappa where it is called Kawa no Kami or River Deity in this text.

Wakan Sansaizue – Kappa don’t really take on popularity until around Japan’s medieval era, during the Edo period. The Wakan Sansaizue is a 105-volume encyclopedia dating to about 1713 C.E. and is the first to depict a kappa.

Gazu Hyakkiyagyō – Or the “Night Procession of One Hundred Demons” is a four volume text that next shows and depicts kappa within it.

From here, the popularity of kappa in continues in the Edo Period, appearing in a serial called Kasshiyawa where the kappa called Kawataro. Another document is the Mimibukuro, a 10-volume text written by Negishi Yasumori.

Portuguese Monks – When Portuguese monks arrived in Japan during the 16th century, their appearance of cloaks that hung down in back like a kappa’s shell and their shaven heads resulting in a bald head crowned with hair known as a Capa for the Portuguese word for this hair style would easily become absorbed into Japan’s Kappa lore…. After all a homophone of words Kappa and Capa sound very alike.

Drowned Monkeys – Some legends will hold that the first kappa come from monkeys. Yanagida Kunio records a story where he notes that some regions of Japan referred to kappa as enko or monkeys.

There is a famous Buddhist story from China in which a group of monkeys tried to capture the moon’s reflection. For their trouble and efforts, the monkeys were drowned.

The Monkey King Versus The Water Demon – There are a number of tales for the Indian collection of Buddha stories called Jataka. Dating from the 3rd century B.C.E. India and Sri Lanka, the story in question features the monkey kingdom under attack from a monkey-eating water demon. The wise monkey king outwitted the demon with bamboo.

So, what’s the connection? In Sanskrit, the word Kapi translates to monkey. It’s possible that Kappa is a distorted form of Kapi. It would explain some of the descriptions of kappa being monkey-like is a carry over of this distortion. Further, there is a kapi jembawan, a monkey sage in Indonesian folklore based on the Dwarka kingdom where Lord Krishna ruled. The famous Hindi poet, Tulsidas who wrote the Ramayana some 500 years ago, uses the word kapi in place of the Vanara or monkey folk in the South who help Rama defeat Ravana.

If we’re looking at linguist connections, that could all hold up.

Description

Kappa look like child-sized humanoid turtles or more often monkeys with scaly limbs and thick tortoise shells. Some kappa are depicted with ape-like faces while others are more beaked. Skin coloration ranges from green to yellow and even blue.

The most distinguishing feature of kappa are the bowl or saucer-shaped depressions on the top of their heads called a sara (meaning “dish,” “bowl,” or “plate.”) When leaving the water, kappa makes sure that the sara is kept filled with water. The sara is surrounded with scraggly hair in a bobbed hair style known as okappa-atama. Should the kappa loose this water, it loses its strength and powers, possibly even dying in this weakened state if water isn’t refilled. Some kappa are reputed to have taken to wearing a metal plate or cap to cover their sara so the water doesn’t pour or dry out, thus weakening them.

Depending on the story, the arms of a kappa are said to be connected to each such, that the kappa can slide their arm from one side to the other. I can see that trick, the kappa is wearing a shell, pull one arm in and stuff it out the other arm hole, much like a person does when wearing a t-shirt. I’m sure it’s a simple enough illusion and magic trick to pull off.

Aquatic creatures who live in ponds and rivers, Kappa also possess webbed hands and feet. People have commented that Kappa smell like fish. Some of the legends involving kappa have them spending spring and summer down in the water during autumn and winter, heading up to the Yama-no-Kami (“Mountain Deities”) mountains. While kappa can be found throughout much of Japan, they’re often found in the Saga Prefecture.

Hyosube – This is the name for the kappa’s hairy cousin. The two are identical otherwise in terms of physical attributes and what they do. The biggest distinction of the two aside from hair, is that kappa are more prone to staying outside. The Hyosube are more likely to sneak into people’s homes to cause mischief, namely to take a bath. Being so hairsute, the hyosube are known to shed hair which is deadly to those who encounter it in Japanese folklore.

Shibaten – Also called Shibatengu, is a more turtle-like kappa where the kappa can be more ape or monkey like in appearance.

Diet

The kappa feed on a diet of blood and cucumbers.

Blood – Young children are told to be wary when playing near the water’s edge of ponds and rivers. Children are a kappa’s favored meal though they’re not above eating an adult.

Eww… so what makes humans so appealing to a kappa is a shirikodama that they will suck out of a person’s anus. Alrighty then.

And the shirikodama? Depending on the source and legend, that’s a mystical ball containing a person’s life force or soul that’s found near the anus, entrails, in the blood or liver.

Cucumbers – The only thing that kappa love more than small children. Its customary for some Japanese parents to write the names of their children or themselves on a cucumber and toss it into a pond or river where the kappa are believed to dwell.

Other Food Offerings – Cucumbers aren’t the only food item a kappa will accept. Offerings of eggplant, soba noodles, natto (fermented soybeans) and kabocha (winter squash) are accepted by kappa.

Powers

Being an aquatic yokai, it goes without saying that kappa are master swimmers with a vast knowledge of water and it’s importance.

Strength – Much of a kappa’s strength is tied to the waters of the pond or river it calls home. The water that a kappa keeps in the depression on its head is a source of its strength and even life.

Flatulence – I’m not sure that I would call this a power. Suffice to say that a kappa can use a particularly noxious gas attack in self-defense much like skunks do. A kappa is known to release this gas not just as a prank but to get someone like fishermen to let it go.

Flight – So those cucumbers offered to the kappa, not only do they eat the cucumbers, the kappa uses them to fly around on like dragonflies. Okay….

Weaknesses

So how does one manage to thwart and defeat a Kappa you might ask?

Arms – If we go off the idea that the arms of a kappa are connected to each other, they can be easily pulled off. If a person manages to get a kappa’s arm, they will perform a task in order to get it back. Assuming the arm can be reattached.

Challenges – Kappa aren’t mindlessly aggressive, and a person can reason with them. If they don’t have an offering of cucumbers to give, a person can try challenging the kappa. Most challenges usually take the form of feats of strength with wrestling matches.

One challenge found in a folktale sees a Farmer’s daughter get promised to a kappa in marriage in exchange for the yokai to irrigate his land. The daughter challenged the kappa to submerge several gourds in water. When the kappa failed at this task, the daughter was freed from the marital arrangement.

Fire – Being water creatures, it stands to reason that Kappa are held to be afraid of fire and loud noises. Some villages in Japan will have fireworks festivals each year to try and scare away spirits.

Land – Kappa can’t survive for long on the land and must always keep their heads wet, especially the sara filled with water.

Etiquette – That in mind, the kappa are overly found of etiquette, so if you bow deeply to them in greeting, they will bow as well, spilling the water from their sara. With this water spilled, the kappa loses its strength and any powers, becoming weakened and possibly die if this water isn’t refilled. It must be water from their home river or pond that is poured back in. If a human is the one who refills this water, it is believed that the kappa would the human in question for the rest of eternity.

Cucumbers – Offering the Kappa a nice tasty cucumber is sure to do the trick and placate them instead of trying to haul you into the river to drown.

Instead of offering the cucumber, a person would the vegetable themselves as a means of protection before swimming. Though some will say this is sure to guarantee an attack.

Miscellaneous – There’s a variety of other items that supposedly drive away kappa. These items include ginger, iron and sesame.

A Friend For Life

Those who have successfully befriended a kappa find that they truly have a friend for life. Kappa are known to help farmers in any number of ways such as irrigating fields. The kappa are very knowledgeable in the way of medicine and have been known to teach the art of bone setting to humans.

There are shrines to kappa that have been established, especially of a particularly helpful kappa. You could trick a kappa into service via the bowing and refilling the bowl on their head with water. He’s not likely to be so nice about the help he gives then.

The kappa, like the European Fae won’t break an oath as their sense of etiquette and decorum is such, they just won’t. So yeah, a human can trick a kappa into service and get one to swear an oath to them, the kappa’s sense of honor says they will follow it through to the end.

Japanese Expressions

There are a few expressions associated with kappa.

Kappa Maki – A cucumber sushi roll named for kappa.

“Kappa-no-kawa-nagare” – This phrase translates to “A kappa drowning in a river” is used to mean that even an expert can make mistakes.

“Kappa no He” – Much ado about nothing, the literal translation is water-imp fart. This is my new favorite.

Okappa – the bobbed hairstyles that look like those kappa sport.

Koppojutsu

This is a martial arts style invented by Kappa who will sometimes teach it to humans. The name of koppojutsu translates as “attacks against bones.” It is a hard-martial art compared to another, koshijutsu that is a soft-martial art that targets an opponent’s muscles.

Kappa-Buchi

The Kappa Pool is a legend found in the Jozankei region of Japan.

A young man was out fishing in a deep pool and he ended up falling in. He never surfaced. Some months later, as his father slept, the son came to him in a dream and told his father that he was living happily with the Kappa, that he even had a kappa wife and child. Shortly after, the pool came to be known as the Kappa Buchi.

Kappa Bashi

The Kappa bridge found in Tokyo used to be farmland that was surrounded by canals prone to flooding. During the late Edo period, a raincoat dealer, Kappaya Kihachi spent his entire fortune on building a better drainage system. The work proved more difficult than expect and taking longer to complete.

Falling into despair and about to give up, the man was visited by a kappa whose life he had saved many years before. The kappa had arrived to help and in no time at all, the new drainage system was completed. Further, the story goes that those who saw the kappa were blessed with good fortune. Shortly after, the Kappa Temple was built to honor and enshrine the kappa as a local deity.

Saiyuki – Journey West

When the Chinese epic of Journey to the West arrived in Japan, the character of Sha Wujing’s name is changed to Sangojo or Sagojo. Where Sha Wujing or Sandy is often depicted as a Water Buffalo or some kind of water demon, in Japan, he is frequently identified as a kappa.

Horses & Livestock & Monkeys!

Continuing a connection of Kappa to the Journey West story, in which kappa come from drown monkeys. In Chinese lore, monkeys are shown riding horses and in Journey West, the Jade Emperor appoints Monkey or Son Goku to a position of a Stable Hand or Protector of Horses.

This connection could explain a few different folktales and stories of kappa harassing people’s horse and cattle. There is a story recorded by Lafcadio Hearn in Kawachimura where a horse-stealing kappa was captured and forced to sign an agreement never to harm any people or steal from them again. The kappa even went so far as to swear he would get his fellow kappa to swear to the oath of leaving humans alone.

Of course, it could be too much of a stretch and horses were just one of many animals and objects that kappa would try to steal from humans.

Possible Reality Behind The Myths

Drowning – It’s likely stories of kappa developed as a means to scare and warn children from wandering too close to the water’s edge at any pond or river.

Kappa are even blamed for drowning deaths and signs are still posted near bodies of water that warn of kappa dangers.

Giant Salamanders – It makes sense, that inspiration for the kappa could come from the Japanese giant salamander or hanzaki. It is a large, aggressive salamander that grow up to five feet in length that will grab its prey with powerful jaws.

Miscarriages & Leech Babies – Touching back on that idea of kappa rapping women. There is an 18th century Ukiyo-e picture by Utamaro showing a kappa rapping an ama diver while underwater. That’s a bit unpleasant. More relevant might be a belief found in Kunio Yanagita’s Tono Monogatari, in which women who were raped by kappa and became pregnant often had repulsive babies born. These babies, called Leech Babies, would be buried shortly after.

Sometimes these stillborn babies would be tossed into a river and children would be warned to stay away from the water’s edge to avoid seeing these dead babies. Sadly, sometimes a poor family might have tossed an unwanted baby into the river if they couldn’t afford to care for it.

It’s possible a woman might say she had been raped by a kappa in order to try and explain why a baby was born deformed and likely stillborn. It would provide a way of saving face to explain a stillborn and deformities. That’s my take after reading in Celtic folklore and comparing it the myths regarding Changelings and parents who have a child that dies of SIDs, you just say the fairies came and took your baby and that the one isn’t real. Because somewhere, your real baby is still alive.

Similar Folkloric Figures

There are a few other, similar figures found in other cultures from around the world that have been used to scare young children from straying too close to the water’s edge.

Kelpie – A fearsome water horse in Scottish folklore known to drown those who try to ride it.

Näkki – A water monster from Finnish folklore.

Neck – Also called Nix or Nixie, a similar shapeshifting creature to the Näkki, only from Germanic and Scandinavian folklore.

Shui Gui – Water Ghost or Water Monkey is a similar creature found in Chinese folklore.

Siyokoy – Found in the Philippin islands and known for kidnapping children. Their description is very similar to those of kappa.

Vodyanoy – A frog-like water spirit found in Slavic folklore.

Vodnik – A green humanoid spirit or creature found in western Slavic folklore, particularly in the Czech Republic and Slovakia.

 

Loki

Loki

Etymology: Old Norse logi “flame”, possibly “tangler” Possibly the Old Norse word luka meaning “close,” Indo-European -leug meaning “to break”, Indo-European -luk meaning: “to close,” “lock,” “lid,” “end,” to light,” and “lightning.”

Pronunciation: loh’-kee

 Alternate Spellings: Loge, Lokki (Faroese), Lokkemand (Danish), Loke, Lokke (Norwegian), Luki, Luku (Swedish), Lukki (Finnish), Loder, Lokkju, Lopti, Loki-Laufeyjarson

 Other Names and Epithets: Hveðrungr “Roarer” (Old Norse), Loptr (Air), Loftur, “Father of Lies,” “the Sly God,” “the Sly One,” “Sky-Traveler”

Loki is best known in Norse mythology as a trickster deity. Like any trickster figure, Loki often questions and more accurately, challenges the status quo among the gods with the trouble and chaos he often causes. At the same time, for all the trouble and mischief that Loki creates, he will also help the other gods with fixing the mess. Just even studying and looking up the mythology for Loki has been fairly difficult to pin down this figure and try to say just who he is has been somewhat difficult. I could lay it down to Loki’s trickster nature and the fluid mythological change of the times as scholars try to figure out scraps of ancient sagas and runes.

Attributes

Animal: Spider, Salmon, Mare, Seal, Flies

Day of the Week: Saturday

Element: Air, Fire

Planet: Saturn

Plant: Birch

Sphere of Influence: Magic, Mischief, Lies, Deceit, Chaos, Thievery

Symbols: knots, loops, fishing nets

 Norse Descriptions

Some sagas describe Loki as being male with a slim build with red hair. He has a curly mustache and possibly a pointed beard. Other descriptions of Loki will mention that he has a twisted smile, owing to his misadventure and encounter with some dwarves who sowed his mouth shut and tied him to a tree.

In his Gylfaginning, Snorri Sturlson describes Loki as being “beautiful and comely to look upon, evil in spirit, very fickle in habit.” Well if that’s not an apt descriptor of Tom Hiddleston’s portrayl of Loki in the Marvel Cinema Movies.

Regional Variant?

When looking at the main sources of Norse Mythology that mention Loki, the main source is the Icelandic Scholar and Historian Snorri Sturluson’s Prose Edda from the 13th century. Loki shows up in some earlier Viking Sagas from the 9th to 11th century. However, tracking back to the earlier Nordic Sagas of Vafþrúðnismál and Grímnismál, Loki is absent from these tales.

A contemporary of Snorri Sturlson is Saxo Grammaticus, who in his Gesta Danorum (“Deeds of the Danes,”) largely leaves out mention of Loki. This absence has been noted by scholars to point out that Loki may have only been a regional deity known among the most northern Germanic lands. Many of the other Norse deities like Odin and Thor can be found to have regional variant names and very similar corresponding myths.

What’s In A Name? Lock & Key

Just what Loki’s name means and which etymology to use for it has been debated for quite a while by various scholars.

Often it is suggested that the Old Norse word: logi, meaning “flame” is the source for Loki’s name. The Icelandic use of Loki’s name has it meaning: “knot” or “tangle.”

Other Scandinavian names have put forth ranging from the Faroese Lokki, the Danish Lokkemand, the Norwegian Loke and Lokke, the Swedish Luki and Luku to the Finnish Lukki. All of these names have a commonality in the Germanic root word of luk- which corresponds with loops, especially for knots, hooks, closed-off rooms and even locks. Further etymological evidence is pointed out in the Swedish word: “lokkanät” and the Faroese word: “Lokkanet” that translate to mean “cobweb” or “Lokke’s web.” Even the Faroese word for Daddy-Long Leg spiders is: “lokki~grindalokki~grindalokkur.” That could make sense and certainly adds a new understanding to just what Loki’s name might really mean.

Another take is some of the Scandinavian dialects where the root word luk- corresponds to words like nokke and nøkkel that mean “key.” Some of the Western Scandinavian words that translate to key are: loki~lokke and lykil.

What a tangled web we weave….

These etymological connections in mind, has led some to conclude that this is how Loki fits into the narrative for the events of Ragnarök. After-all, Loki creates all these problems and entanglements. So much so, that people believed Loki to cause knots, tangles and looks to occur or to be one, at least symbolically.

Germanic Origins & Worship

Loki is not a deity who was exactly worshiped among the ancient Germanic, Norse, Scandinavian tribes or others.

There is a lot of debate on just how to interpret Loki’s place in Norse Mythology. Jacob Grimm introduced the idea of Loki as a god of fire in 1835. Next, Sophus Bugge in 1889 put forward the idea of Loki being a variation of Lucifer in Christianity. That aspect makes sense if you’re trying to equate every trickster figure and outright evil figure in the black & white box of Christian theology.

Shortly after World War II there are four theories regarding Loki that have prevailed. The first of these is in 1956, Folke Ström who suggests that Loki is as an aspect of Odin, much like the godhead in Christianity. The second, in 1959 is from Jan de Vries that says Loki represents a trickster figure. At current, I think everyone who knows about Norse mythology pretty much agrees with that idea. Third, in 1961, Anna Birgitta Rooth made a conclusion of Loki being a spider, which seeing the etymology of the name, makes sense too. Than, in 1962, an Anne Holtsmark said that no conclusions about Loki can be made. Maybe so, if we’re agreeing to the idea of a trickster figure, they can be pretty hard to pin down.

Christianity & Norse Religion

When Christianity was being introduced to Europe, many of the Nordic or Scandinavian countries, including Denmark and Sweden continued to practice their Heathenism or Paganism up until the 13th century when there was a mass forced conversion as the then King decided to convert. The process began about 900 C.E. as the Vikings began interacting with Christians and of course, while all similar, different regions and countries would have different oral or written traditions for the Norse gods.

Divine Trinity – In Christianity, many are familiar with the Godhead of God, Jesus and the Holy Ghost. Where Norse paganism and religion is concerned, those who’ve studied the myths and then tried to equate with Christianity seem to have come up with a Triad that’s Odin, Hœnir and Loki. An idea supported in the sagas and ballads: Haustlöng, a prologue to Reginsmál and Loka Táttur. This idea works if you accept the scholar Ursula Dronke’s theory that Lóðurr, the Norse deity who created the first humans is another name for Loki and that Lóðurr is a third name for Loki along with Loptr.

You’re not alone if you reject this idea of Loki and Lóðurr being the same being. After all, Lóðurr is only really mentioned twice in the Völuspá and only in a couple other places where they describe Odin as “Lóðurr’ friend.” Still enough people have glommed on to the idea and argue that much of the Poetic Edda was forgotten around 1400 C.E. when it began to be written down and possibly poor etymology studies of trying to make similar sounding words and name mean and be the same thing.

Since a lot of the mythology has been lost, it’s likely the 14th & 15th century poets, namely Snorri and Saxo were doing the best they could to preserve an oral history. Snorri followed mostly the Icelandic traditions of myths he wrote down and Saxo followed the Danish traditions of myths. A difference seen in the Death of Baldr where Snorri includes Loki’s involvement and Saxo leave it out of the myth.

Worship?

Many scholars who have looked at Loki’s place in Norse mythology haven’t found any evidence of any cult for Loki.

Followers and Worshipers of Loki seem to be more of a modern phenomenon with modern Wicca and Pagan religions. As he is considered a Trickster deity and God of Fire, this shouldn’t be done lightly or on a lark.

Parentage and Family

Parents

Father – Fárbauti (“Crue-Striker,”) a frost giant or jotunn.

Mother – Laufey, a frost giant or jotunn.

In the Prose Edda, an alternate for Laufey’s name is Nál, meaning: “Needle.”

Consort

Angrboða – “Anguish-Boding,” a jotunn, by her, Loki is the father of Hel, Fenrir the wolf and Jormungandr, the world serpent.

Sigyn – Loki’s wife, with her, he is the father of Narfi or Nari.

Svaðilfari – Keeping things interesting for the time Loki turned into a mare, he is the mother of Odin’s eight-legged horse Slepnir.

Siblings

Býleistr (“Bee-Lightning”) and Helblindi (“All Blind” or “Hel-Blinder”) are brothers of Loki as given in the Prose Edda.

Children

Fenrir – A monstrous wolf.

Hel – The goddess of the Underworld. Given the similarity of the name Hel with the Christian name Hell for the Underworld, it has been suggested that Hel is a Christian addition to the Norse myths.

Jormungand – The great world serpent.

Nari – Also spelled Narfi, meaning “corpse.”

Slepnir – The famous eight-legged horse of Odin.

Váli – In the Prose Edda, Loki is mentioned as the father. This Edda also mentions Odin as the father, twice to Loki’s one reference.

Grandchildren

Hati and Skol – a pair of monstrous wolves who kill Odin and begin the events of Ragnarök.

Aesir God

Well, sort of… Loki, being the son of frost giants or jotunns isn’t really a member of the Aesir tribe of gods in Norse mythology.

Blood Brother – Loki does, however, gain membership with the Aesir and is counted among their number when Odin makes him a blood brother. Also, by Loki being a blood brother, it would fit some theological views where Loki is seen as Odin’s opposite or his darker half.

Outsider – Even getting accepted as an Aesir, for all the trouble and mischief that Loki causes, he is still seen as an outsider to the Norse pantheon. Mischief, problems, fights and often times he’s the one who goes right in and fixes the mess he created in the first place.

God Of Air & Fire

Being a trickster deity, many people tend towards associating Loki with the element of fire as many trickster figures often are.

In Scandinavian folklore, there are a number of phrases and folk sayings such as: “Loki is reaping his oats” or “Loki is herding his goats: that refer to during springtime, when mist is raising off the ground. The mist rising in places like Jutland create a shimmering effect, especially over flat ground. The same shimmering is observed with hot steam over a kettle or fire.

Logi The Fire Giant – Thanks to Wagner’s Opera and etymological confusion, many people will confuse Loki with the Fire Giant Logi. Which adds to further identifying Loki as a fire god.

They’re two separate beings.

Still those who equate Loki and Logi together, will then try to add Glut to the list of spouses for Loki and add on Esia & Einmyria as two additional children and daughters of Loki’s.

God Of Mischief & Trickster

Loki is most prominently known as a trickster figure in Norse mythology. Like any trickster, Loki sometimes is the cause of rather callous and malicious pranks. For as often as he causes trouble, Loki also ends up helping to resolve the messes he’s created.

Hero Or Villain – Looking at the oldest known poems and sagas to mention Loki from the 9th to 11th centuries, Loki is portrayed more as a friend to the gods and helping them out on many occasions. These notable works are the Ynglingatal, Haustlǫng, Húsdrápa and Þórsdrápa.

When we get to later sagas and Snorri’s Prose Edda, Loki has taken on a more malicious or evil bend who will have a leading role and part in Ragnarök.

Maybe his pranks were getting more and more out of hand to the point the gods weren’t taking any more or it’s a clear influence of Christianity upon the myths. Either way, Loki’s tricks and cunning do go from helpful to outright malicious and evil.

Not helping of course is when numerous articles continue to glom on to the idea that a Trickster figure must be counted as evil. Or some scholars like Georges Dumézil in their studies of folklore equate Loki with a demonic figure like Syrdon from Caucasian Legends.

Fishnets & Spider Webs

As mentioned earlier, there are etymological connections of Loki’s name to knots and loops. This connection makes sense that Loki is also credited as being the inventor of fishnets as these contain many knots and loops.

Spiders also get associated with the name loki, lokke, lokki, loke, luki as they spin and make spider or cobwebs.

Cunning – As a god of cunning, Loki’s connection to fishnets and spider webs works very well on the metaphorical and spiritual sense for the complex, intricate, even elaborate schemes that catch everyone up in his well, mischief. He’s the source in many causes of tying all the gods together and brings about their end with Ragnarok.

Shape-Shifter

This aspect seems to be a staple of many trickster figures within myth. Loki is noted for having changed into a salmon, a mare, a falcon, a fly and likely an old woman by the name of Þökk (whose name in Old Norse means: “thanks.”)

Loki’s Children

When Loki’s children with Angrboða were born, it was foretold to the Aesir how they would cause a great evil in the world. Odin decreed that Loki’s children should be retrieved from Jötunheim and brought to Asgard.

Odin threw Jormungand, the Midgard Serpent into the where it would wrap itself around the whole of the earth. Jormungand would grow so big he could bit his own tail. As to Hel, Odin sent her down to the Underworld, Niflheim. Hel would create her own realm here called Helheim. The third child, Fenrir, a monstrous wolf was kept in Asgard and chained up, bound to a rock.

The Treasures of the Gods

In yet another of Loki’s many pranks, he goes and cuts off all of Sif’s hair while she’s sleeping and leaves it in a pile on the floor. Needless to say, Sif was not amused, and neither was her husband, Thor. Promising to make up for it, Loki went to replace it with the help of the dwarves. Best not to be on Thor’s bad side.

Loki sought out the dwarves, particularly the sons of Ivaldi. After Loki persuaded the dwarves to spin gold so fine to replace Sif’s lost hair, the dwarves decided they didn’t want to waste the fire and went on to create more treasure. They crafted the ship Skidbladnir that could be dismantled and folded down to the size of a piece of cloth for Freyr. Then they went on to craft the spear Gungnir that would never miss it’s mark for Odin.

As Loki began to return towards Asgard, he decided to pay the dwarves Brokk and Eitri a visit. Loki showed off the treasures that Ivaldi and his sons had crafted and challenged the two to craft something better.

A wager this time, one that Loki staked his head on. The dwarves agreed and now the magical gold boar Gullinbursti for Freyr was created. Next came the magical gold arm ring known as Draupnir that could create 8 gold rings every ninth night. Finally, the two crafted Thor’s famous hammer, Mjolnir that couldn’t be broken and always returned when thrown.

Returning at last to Asgard, Brokk accompanied Loki to have the gifts judged by the gods. Odin, Thor and Freyr were all quick to agree to Mjolnir’s fine craftsmanship. With that pronouncement, Brokk tried to claim Loki’s head.

Not so fast Loki retorted, he had only promised his head, not any other part of his neck. Damaging his neck was not part of the deal. Fine then, Brokk responds that he can at least sew Loki’s lips shut and left him tied to a tree.

At least it shut Loki for a while, probably not long enough for other’s liking.

The Theft Of Idunn’s Apples

Due to his penchant for mischief, Loki ends up in the hands of the jotunn, Thiaz who threatens to kill the trickster unless Loki brings him the goddess Idunn and her golden apples. Very much so looking to save his own skin, Loki agrees to the deal and brings her and the apples to Thiaz.

Needless to say, this caused an uproar among the gods who are the ones now threatening to kill Loki unless he rescues and brings back Idunn. Once more, looking to preserve his own hide, Loki agrees and transforms into a falcon to carry the goddess safely back to Asgard.

Wanting back what he deems rightfully his, Thiaz changes into an eagle and pursues the pair. As Loki and Idunn are getting closer to Asgard, Thiaz in eagle form has nearly caught up with them. The gods light a fire around the perimeter to their hall and the flames catch Thiaz, burning him up.

With Idunn safely within the halls of Asgard, Loki runs back out to help the other gods with the remains of Thiaz and rectifying the very problem he created in the first place.

Loki & Skadi

Not long after Thiazi’s death, his daughter, Skadi shows up demanding restitution for her father’s slaying at the hands of the Aesir. One of Skadi’s demands is that the gods make her laugh. Loki accomplishes this by taking a rope and tying it to the beard of a goat and the other end to his own testicles. Both the goat and Loki bleat and cry out in terror and more pain as they try to pull away from each other. Eventually, Loki falls into Skadi’s lap and she busts out laughing at the absurdity of the scene.

The Death Of Balder

This is one of the bigger, more well-known Norse stories. Balder’s mother Frigg had received a prophesy concerning Balder’s death. Wishing to try and avoid this fate, Frigg gets an oath from all living things that they won’t harm her son. In her haste to do so, Frigg overlooked the mistletoe, believing it to be too small in consequential.

Leave it to Loki to learn of this and to test the validity of the prophesy. Depending on the source, Loki either makes an arrow or a spear out of mistletoe and hands it off to the blind god Hod, instructing him to aim it at Balder. This act doesn’t seem so unusual when taken into account that many of the other gods were taking aim at Balder to test his invulnerability.

Hod then, unknowingly of Loki’s true intent, fires the mistletoe weapon at Balder and impales the god who soon dies. Frigg is grief stricken and Hermod rides off on Sleipnir down to the Underworld to plead for Balder’s release from Hel, how everyone loves him. The Underworld goddess replies that if this is so, then every being in the living world will weep for the slain god. If everyone does weep, then Hel will release her hold on Balder and allow him to return.

Hermod returns with the news and every creature on the earth cries for Balder. All, that is except for an old giantess by the name of Tokk (or Þökk, meaning “Thanks,”) she was most certainly and likely Loki in disguise.

With this failure to have everyone weep, Balder remained in Hel’s domain.

The Bjarkan Rune – Loki is mentioned in the 13th stanza of a Norwegian rune poem utilizing the Younger Futhark Bjarkan rune.

In Old Norse, the poem reads:

Bjarkan er laufgrønster líma;

Loki bar flærða tíma

In Modern English, the translation:

Birch has the greenest leaves of any shrub;

Loki was fortunate in his deceit

It has been suggested that “Loki’ deceit” refers to his part in the death of Balder.

Did Loki Get Too Out Of Hand This Time?

There is an interesting view given regarding Balder’s death. For one, we know that Saxo’s version written from the Danish myths, doesn’t include Loki’s involvement in Balder, the Sun God’s death.

The version that everyone is familiar with in Snorri’s Prose Eddas, where Loki is seen as getting progressively more and more out of hand with his trickery and becoming more and more outright evil.

What if… that weren’t the case? The gods know the prophesy of Ragnarök, the end of the Norse gods. Of course, they want to prevent and prolong the inevitable. What if, Loki’s killing Balder is for the greater good? A sacrifice? Odin knows the only way to really protect Balder is if he dies and goes to the Underworld, Niflheim. The only place that won’t be destroyed of all the nine realms. So it is at Odin’s request, that Loki sees to it that Balder is killed and to prevent his return, turns into an old woman who refuses to weep for his loss.

That way, now, when Ragnarök comes, Baldur is able to be in place to remake the world.

It’s an interesting take on this myth.

The Binding Of Loki

Eventually with all of his mischief and havoc and likely with the death of Baldur, the Aesir have finally had it with Loki and decide to bind him to a massive rock deep beneath the earth in a cave. As punishment for all these misdeeds, Loki is tied by the gods using the entrails of his son Nari after turning another son, Vali into a wolf to rip apart his brother. Both the Poetic and Prose Edda mention the goddess Skaði being the one who places a serpent above Loki while he’s bound. This serpent then drips venom down on Loki. Before it can hit him, Sigyn collects the venom in a bowl, the caveat is that whenever Sigyn has to empty the bowl, that is when the venom does hit Loki, causing him much pain. This pain causes Loki to writhe in such agony, it causes earthquakes.

Loki & Útgarðaloki – Many are familiar with Snorri Sturluson’s take on Loki & Thor’s encounter with Utgard-Loki from the Prose Edda’s Gylfaginning. The medieval Danish historian Saxo Grammaticus has a different take on the story of Utgard-Loki or Útgarðaloki.

In Saxo’s take, Thor does indeed travel to Jotunheim, the realm of the giants. There, Thor finds a jotun by the name of Útgarðaloki, meaning “Loki of the Utgard,” who is bound fast much like the other versions for the binding of Loki. Otherwise, Loki is largely absent of Saxo’s collection of Norse mythology.

It has been pointed out, that the Scandinavians may have held conflicting views on deciding if Loki were a god, a jotun or another entity altogether.

Greek Connection – Loki’s being bound to a rock has been compared to other, mythological figures in Greek, namely those of Prometheus and Tantalus.

Prose Edda

In the Prose Edda, Loki is described as a: “contriver of fraud.” Loki isn’t mentioned very often in the Eddas, he is generally mentioned as being a member of Odin’s family.

The Poetic Edda & Other Sagas

Much of what we know about Loki and the other Norse deities comes from the surviving Poetic Edda that was compiled in the 13th century C.E. It is a collection of various poems as follows: Völuspá, Grímnismál, Skírnismál, Hárbarðsljóð, Hymiskviða, Lokasenna, Þrymskviða, Alvíssmál, and Hyndluljóð. Loki only appears or is referenced in a few of these.

It should be noted that Loki, in many of these poems is often referred to as Loptr, coming from the Old Norse word lopt for “air.”

Baldrs Draumar – In this poem, Odin awakens a dead völva in Hel. He questions her about the meanings of Baldr’s dreams. It is in the final stanza of the poem, that the völva tells Odin to go home and be proud of himself, that no one else is coming until Loki escapes his bounds and brings about the onset of Ragnarök.

Fjölsvinnsmál – In this poem, Fjölsviðr is describing to the hero Svipdagr where Sinmara keeps the weapon Lævateinn. Loki as Lopt, is mentioned as using runes to lock Lægjarn’s chest nine times, holding within it the weapon Lævateinn. There are two different translations of this poem depending on how the runes are translated.

The first translation reads:

Fjolsvith spake:

“Lævatein is there, that Lopt with runes

Once made by the doors of death;

In Lægjarn’s chest by Sinmora lies it,

And nine locks fasten it firm.”

The second translation reads:

Fiolsvith.

“Hævatein the twig is named, and Lopt plucked it,

down by the gate of Death.

In an iron chest it lies with Sinmœra,

and is with nine strong locks secured.”

Hyndluljóð – Loki is referenced twice in this poem. Here, Loki is mentioned as the father of the wolf with the jötunn Angrboða, to have given birth to the horse Sleipnir by the stallion Svadilfari and to be the brother of Byleistr. The last child that Loki gives birth to is “the worst of all marvels.” This is due to his eating the heart, the “thought-stone” of a woman and having eaten it half-cooked, Loki became pregnant by this woman and it is from this union, that all ogress on earth are descended from.

Lokasenna – Loki’s Quarrel in English, in this poem, Loki enters a flyting match with the gods in Ægir’s hall. Ægir is a god of the sea and he is currently holding a feast for the other gods and elves. The other gods begin to praise Ægir’s servants: Fimafeng and Eldir. Hearing this, puts Loki into a right foul mood and he kills Fimafeng. In response, the other gods grab up their shields and weapons as they chase Loki out into the woods. With Loki gone, the gods then return to the hall to resume their feasting.

The poem begins properly when Loki returns from the woods and meets Eldir outside whom he entreats to tell him what the other gods are talking about. Eldir tells Loki how the other gods are discussing their weapons and prowess and how no one has anything good to say about Loki.

Loki says he will return to the feast, this time intending to incite the other gods to arguing and to put malice into their drinks. Eldir warns Loki that this isn’t a good idea if all he is going to do is sow anger and resentment towards him, that it won’t end well.

Undaunted, Loki heads back into the hall anyways and sure enough, all the gods fall silent on noticing the trickster enter. I can just imagine Loki smirking as he breaks the silence, saying he’s thirsty and has only come for a drink.

When no one answers him, Loki calls the gods arrogant and demands they either give a seat at the table or tell him to leave. The god, Bragi is who finally addresses Loki, saying that he will not have a seat among the gods for they know whom to invite and who not to.

Turning his attention to Odin, Loki address the god, reminding him of the time when Odin and he had mixed their blood together and that Odin said he would never drink ale unless it were brought to the two of them.

Odin than asks his son, Víðarr to sit up so that the “wolf’s father” (referring to Loki) can have a seat at the table and not speak of the gods. As Víðarr stands to pour Loki a drink. Before drinking, the trickster makes a toast to the gods with the exception of Bragi.

Bragi, trying to make amends and smooth things over, says he would give a horse, sword and ring for his own possessions so that Loki won’t speak ill. It’s really clear now that Loki is going out of his way to single out Bragi, by saying he’ll always be short these things and implies that the skald deity is a coward.

Temper beginning to flair, Bragi says that if they were outside, he would have Loki’s head for a trophy given all his lies. Loki taunts Bragi, calling him a “bench-ornament.” At this point, Iðunn interrupts, trying to calm Bragi.

All that does is get Loki to direct his ire towards Iðunn now, calling her “man-crazy” of all of the goddess’s present. Iðunn does her best not to be baited by Loki’s words. Now Gefjun speaks up, asking why the two have to fight. Doesn’t everyone know that Loki is jesting. Not quitting now, Loki comments that Gefjun is one to talk, having been seduced by a boy and proven to be an easy lay.

Essentially, it carries on for a quiet a bit with Odin, then Freya and most of the other gods refuting Loki, saying he has to be mad to get someone like Gefjun angry as Loki in turns just calls out the flaws and failings of each of the gods. He just keeps it up, getting them all angry with him one after the other.

Towards the end of the poem, as things get more heated, the attention is turned towards Sif, Thor’s wife and Loki makes a bold claim to have slept with her. Beyla, a servant of Freyr’s, interrupt and announces that since the mountains are shaking, it must mean that Thor is on his way home. Beyla continues with how Thor will bring an end to the argument. Loki responds with more insults.

Thor does arrive and tell Loki to keep quiet or else he’ll rip off Loki’s head using his hammer. Loki taunts Thor, asking why he is so angry, he won’t be in any mood to fight the wolf, Fenrir after it eats Odin. All this is about the events of Ragnarök that have been foretold. Thor again tells Loki to keep quiet with a threat to throw the trickster god so far into the sky he would never come back down.

Not daunted in the least, Loki tells Thor how he shouldn’t be bragging about his time in the east as the mighty Thor had once cowered in fear inside the thumb of a glove. Once more Thor tells Loki to keep silent with threats to break every bone in his body. Loki continues the taunts, saying he still intends to live, throwing in references to when Thor had met Útgarða-Loki.

Thor gives a fourth and final demand to Loki for silence or else he would send Loki to Hel. At this, Loki ceases his taunts saying that he will leave the hall, knowing that Thor does indeed strike.

Loki leaves at this point, going to hide behind the Franangrsfors waterfall in the form of a salmon. The gods do eventually capture Loki and bind him in his son, Nari’s entrails. His other son, Narfi turns into a wolf. Skaði places a venomous snake above Loki’s head that drips venom. Loki’s wife, Sigyn sits nearby with a bowl to catch the venom. Every time she goes to empty the vessel, Loki writhes in such agony that it causes earthquakes.

 Reginsmál – In this poem, the dwarf Regin, who is the son of the sorcerer Hreidmar and foster father to the hero Sigurd, tells of how the gods Odin, Hœnir and Loki had gone down to the Andvara-falls to fish. Now Regin had two brothers, Andvari who would swim about in the form of a pike and Otr, who would change into an otter to swim and fish.

On this particular occasion, Otr, in otter form had caught a salmon and was eating it on the river banks when the god Loki killed him with a stone, thinking it’s just a normal otter. Later that evening, the gods go to stay with Hreidmar and show off the otter pelt. There’s a catch of course, Hreidmar and Regin both recognize the pelt as being a dead Otr. Regin and Hreidmar seize hold of the gods and demand a weregeld for Otr’s death.

The gods agreed and made a sack out of Otr’s pelt that they filled with gold and covered the outside with red gold. Now just where the gods got this gold from? Loki was sent out to get and he borrowed a net from the goddess Rán. Going back to the Andvara-falls, Loki spreads out the net and captures Andvari in his pike form. Loki forces Andvari to reveal where his gold is at before releasing him.

Andvari tells Loki a little bit about himself, namely having been cursed by a “norn of misfortune” during his early days. Loki replies back, asking what does mankind get if they “wound each other with words.” Andvari’s response is that they get a terrible fate, being forced to wade in the river Vadgelmir.

Eventually, Andvari hands over his gold to Loki, including the ring, Andvarinaut. Back in his dwarf form, Andvari tells Loki that this gold will cause the death of two brother, conflict between eight princes and be of no use to anyone.

Taking the gold back, the gods fill the otter skin with it, with the ring Andvarinaut covering a whisker to Hreidmar’s satisfaction. Loki chimes in how the gold is as cursed as Andvari and that it will be the death of Hreidmar and Regin

Hreidmar doesn’t believe Loki, believing instead the curse is for those not yet born. Plus, with the gold, he’s plenty wealthy now and he tells the gods to leave.

The poem does continue, and most are familiar with how it continues and connects to Sigurd in the Völsunga saga where Regin is the foster father to Sigurd. This version of Regin’s story lists Fafnir and Otr being his brothers, not Andvari. Which makes far more sense to have the gold belonging to someone else that Loki steals the gold from. Not this Loki stealing Andvari, who in the Reginsmál is Regin’s brother. That connection makes no sense to have Loki steal Andvari’s gold and then seem to give it right back, granted to the father.

Skáldskaparmál – An episode in this saga sees Loki rather maliciously cut off all of Sif’s hair. Thor threatens to break Loki’s bones if doesn’t put this to rights. Looking to save his own skin for the problems he often creates, Loki gets the dark elves or dwarves to craft some golden hair to replace Sif’s shorn hair with.

Þrymskviða – Also known as the Lay of Trym, this comedic poem features Thor as a central figure. Thor awakens one morning to discover that his hammer, Mjöllnir is missing. Thor confides in Loki about the missing hammer and that no one knows it’s missing. The two then head to Freyja’s hall to find the missing Mjöllnir. Thor asks Freyja if he can borrow her feathered cloak to which she agrees. At this, Loki takes off with the feathered cloak.

Loki heads to Jötunheimr where the jotunn, Þrymr is making collars for his dogs and trimming the manes of his horses. When Þrymr sees Loki, he asks what is happening among the Æsir and elves and why it is that Loki is alone in Jötunheimr. Loki replies by telling Þrymr how Thor’s hammer, Mjöllnir is missing. Þrymr admits to having taken Mjöllnir and hiding it some eight leagues beneath the earth where Thor will never get it back unless the goddess Freyja is brought to him to be his wife. Loki takes off again, flying back to the Æsir court with Freyja’s cloak.

Thor enquires with Loki if he was successful. Loki tells of what he has found out, that Þrymr took Thor’s hammer and will only give it back if Freyja is brought to Þrymr to be his wife. At this news, Thor and Loki return to Freyja to tell her of the news that she is to be a bride to Þrymr. Angry, Freyja flat out refuses, causing the halls of the Æsir to shake and for her famous necklace, Brísingamen to fall off.

The gods and goddess hold a meeting to debate the matter of Þrymr’s demands. The god Heimdallr puts forth the suggestion that instead of Freyja, that Thor should dress as the bride as a way to get Thor’s hammer back. Thor balks at the idea and Loki seconds Heimdallr’s idea, saying it will be the only that Thor can get his hammer back. For without Mjöllnir, the jötnar will be able to invade Asgard. Relenting, Thor agrees to dress as a bride, taking Freyja’s place. Dressing as a maid to the disguised Thor, Loki goes with Thor down to Jötunheimr.

After arriving in Jötunheimr, Þrymr commands the jötnar of his hall to make the place presentable for Freyja has arrived to be his bride. Þrymr then tells how of all of his treasured animals and objects, that Freyja was the one missing piece to all of his wealth.

Disguised, Loki and Thor meet with Þrymr and all of his jötnar. At the feast, Thor consumes a large amount of food and mead, something that is at odds with Þrymr’s impressions of Freyja. Loki, feigning the part of a shrewd maid, tells Þrymr how that is because Freyja had not eaten anything for eight days in her eagerness to arrive. Þrymr decides that he wants to kiss his bride and when he lifts “Freyja’s” veil, fierce looking eyes stare back at him. Again, Loki says that this is because Freyja hasn’t slept either during the past eight nights.

A “wretched sister” of the jötnar arrives, calling for the bridal gift from Freyja. The jötnar bring out Thor’s hammer, Mjöllnir in order to sanctify the bride as they lay it on “Freyja’s” lap. Þrymr and Freyja will be handfasted by the goddess Var. When Thor sees his hammer, he grabs hold of Mjöllnir and proceeds to beat all of the jötnar with it. Thor even kills the “wretched, older sister” of the jötnar. Thus, Thor gets his hammer back.

Völuspá – In this poem, a dead völva tells the history of the universe and the future Odin in disguise about the events of Ragnarök. Regarding Loki, the völva speaks about how she sees Sigyn sitting unhappily near her bound husband, Loki. The location of this being in a grove of hot springs. Once Ragnarok begins, Loki, referred to as the “brother of Býleistr” is freed from his bounds.

The völva further describes how she sees Loki steering a boat, filled with Muspell’s people (these people being from the World of Fire and seen as destroyer of worlds).

The last bit in the Völuspá is the monstrous wolf Fenrir, referred to as Loki’s kinsman as he will eat Odin and then be killed by Odin’s son, Víðarr.

The Prose Edda & Other Sagas

Not to be confused with the Poetic Edda, the Prose Edda consists of four books: Prologue, Gylfaginning, Skáldskaparmál, and Háttatal written by Snorri Sturluson.

In the Prose Edda, Loki is described as a: “contriver of fraud.” Loki isn’t mentioned very often in the Eddas. He is generally mentioned as being a member of Odin’s family.

Gylfaginning

This book has various stories that feature Loki. Notably his giving birth to the eight-legged horse Sleipnir and of Loki’s contest with the personification of fire, Logi. This book gives a number of epitaphs for Loki that aren’t very flattering from “originator of deceits” to “the disgrace of all gods and men.”

The Fortification of Asgard – This seems to be a significant story within the Prose Edda, the gods are establishing Midgard and have built “Val-Hall.” An unnamed builder has offered to build a wall for the gods to keep out invaders, all he wants in exchange is the goddess Freyja, the sun and moon.

Sure, why not, the gods agree after some debate. There are some conditions to be met, such as the builder has to complete the work in three seasons without help from any man. The builder argues he needs the help of his stallion Svaðilfari and this is agreed to with, with Loki’s influence.

With the aid of his horse, the builder is able to make quick work on the wall. With the deadline of Summer just three days away, the builder is nearly complete with this task. The gods hold a meeting and decide that Loki is to blame.

But the gods wanted a wall, now they blame Loki for the builder nearly being finished. Oh that’s right, Loki spoke on the builder’s behalf to have his horse help. Right then, the gods decide, if Loki doesn’t find a way to get the builder to forfeit his payment of Freyja, the sun and moon. Loki swears that he will find a way to stop the builder.

That night, the builder and his horse, Svaðilfari head out to the forest to get more stone to finish the wall with. A mare comes running out of the forest and neighs at Svaðilfari, who realizes what kind of horse he sees and goes chasing after. The builder swears and follows after his horse. The two horses are busy all night, running around and getting it on.

The builder is of course, unable to complete the work and thus misses his deadline. Understandably, the builder flies into a rage and the gods realize that he is a hrimthurs (some type and variety of jötunn as the term can be pretty broad). The gods forget their oaths to the builder and call for Thor who comes and kills the builder, smashing his head in with his hammer.

Ya’ know, don’t make a deal or promises if you know you’re just going to renege on them later and refuse to pay up. As to Loki, with his horsing around, he gave birth to the eight-legged horse Slepnir that Odin rides.

Loki & Thor Versus Skrymir – This section of Gylfaginning see a reluctant Third telling the story of how Thor and Loki were out riding in Thor’s chariot. The two came upon the home of a peasant and stopped there for the night. Now, Thor’s chariot is pulled by a pair of goats, whom Thor killed to eat, knowing that they will be resurrected the following day. All good, no big deal for Thor.

Thor invites the peasant’s family to feast on the goats with him that night. He warns the family though not to crack the bones. Loki, plotting what he thinks is harmless mischief, gets the peasant’s son, Þjálfi to crack one of the bones and suck the marrow from it.

Now, when Thor goes to resurrect his goats, he finds that one of his goats has become lame. Afraid of the god’s wrath, the peasant gives Thor his son Þjálfi and his daughter Röskva to be his traveling companions.

Without his goats, the small group of four continues heading east until they arrive at the forested edge of Jötunheimr. The group continued on into the forest until it becomes night. They come upon a large building and take shelter in it. During the night, there are earthquakes that awaken the group who, with the exception of Thor or afraid to fall back asleep. The building turns out to be the giant Skrymir’s glove, who had been sleeping during the night and the source of the earthquakes.

The group moves out from the shelter and sleep beneath an oak tree. During the middle of the night, Thor awakens and attempts to slay Skrymir. Twice, Thor attempts to slay the giant, only to have Skrymir awaken and believe acorns have fallen on him. It is on the second attempt, that Skrymir fully awakens and advices the group not to be so cocky when they arrive at Útgarðr, to turn around and go back.

Skrymir led the group to the jotun city of Utgard where the group lost sight of Skrymir and was greeted by a group of jotun, including the king himself, Utgard-Loki, whom it turns out was Skrymir all along.

Given the general animosity between the gods and jotun, it’s no surprise that Thor, Loki and their other companions were not welcomed, unless of course they could complete a series of seemingly impossible challenges.

Loki was challenged and lost an eating contest when his opponent not only ate all the meat, but the bones and plate itself. Þjálf races against Hugi, losing to him in a series of three footraces.

It now fell to Thor to fulfill three challenges. As Thor boasted he could drink anyone under the table, a large drinking horn was brought to him with the challenge to finish it all in one gulp. After taking three huge swallows, Thor had only managed to drain the horn a few inches.

With the next challenge, Thor boasted his immense strength and Utgard-Loki challenged Thor to pick up a cat off the ground. After three attempts at moving the cat, Thor was only able to succeed at moving one paw.

Enraged by this, Thor accepted the last challenge of a wrestling match with anyone willing to match strength with him. The only one who would, was an old, frail looking woman. Thinking this would be easy, once again Thor was met with defeat at the hands of a feeble opponent who easily bested the mighty god, bringing him to his knees.

After this, Utgard-Loki declared the contests over and allowed the gods to stay the night and rest before returning home in the morning.

Come daylight, Utgard-Loki led the group out of Jotunheim. Once they were well past the borders, Utgard-Loki revealed himself to have been the giant, Skrymir who lead them to the city. Utgard-Loki proceeded to reveal the secrets of all of the challenges that Thor and his companions undergone.

Loki had been competing with fire, that burns and consumes everything it touches. That Thialfi’s opponent was thought, whom no one can outrun. As to Thor, the drinking horn he had drunk from was connected to the ocean and that he had succeeded in lowering the sea levels. The cat that Thor had tried lifting was none other than Jormungand, the Midgard serpent that encircles the world. As for the old woman, she was Age itself whom no one can defeat. That no matter how fiercely and bravely Thor fought her, even he would fall to her.

Before the group leaves, Utgard-Loki says that group should never return and if he knew who he had been dealing with, they would never have been allowed in. Angry at being tricked, Thor raised his hammer Mjollnir only to have the king of giants and his city vanish into thin air.

Heimskringla

This is another of Snorri Sturluson’s books, written in the 13th century C.E. Loki is made mention in this text. On the Snaptun Stone, the Kirkby Stephen Stone and the Gosforth Cross, it has been suggested that Loki is the figure seen on these stone artifacts.

Loka Táttur

Also spelled Lokka Táttur, this is a Faroese tale or ballad from the late Middle Ages and more 18th century. It features Hœnir, Loki and Odin all helping a farmer and boy escape the wrath of a jötunn after he loses a bet. The ballad is notable in that it presents Loki as a benevolent god rather than the usual “evil” deity he’s often seen as due to all of mischief and cunning.

A jotunn comes and snatches up a farmer’s son. The farmer and his wife pray to Odin that their child may be protected. Odin comes and hides the boy in a field of wheat. The jotunn still manages to find the boy. Odin rescues the son and brings him back to his parents, saying he’s done hiding the boy. Now the couple pray to Hœnir who hids their son in the neck-feathers of a swan. Again, the jotunn finds the boy. Now the couple prays to Loki who hides the child in the middle of a flounder’s eggs. Once more, the jotunn finds the child and Loki tells the boy to run towards a boathouse. As the boy runs, Loki turns and faces off against the jotunn who’s gotten his head stuck in the boathouse while trying to snatch the boy. Loki chops off the jotunn’s leg and shoves a stick and stone into the leg stump, preventing the jotunn from regenerating. Loki takes the child home and both the farmer and his wife embrace the two.

Ragnarok – Twilight of the Gods

The final endgame of the Norse Gods, this is not exactly a happy time as a good many of the gods end up dying. Baldur’s death is clearly a catalyst for setting these events in motion. Loki still bound, becomes an enemy of the Norse Gods.

When this event begins, Loki is able to break free of his bonds to fight against the Norse gods on the side of the Jotnar. He sails on a ship made of nails called Naglfar. During this battel, Loki will face off against Heimdallr and the two end up killing each other.

Christian Connection – Given that one man and woman are who survive the events of Ragnarök. The story is then seen not so much as the end of the world yet to come, but an event that has already happened. As Christianity continued to move through Europe, Ragnarök can be interpreted as the end of the Norse Gods and their worship as Christianity becomes the dominant religion.

Der Ring des Nibelungen

Richard Wagner’s famous four opera cycle. Loki does make an appearance in this famous opera series. In Wagner’s version, Loki is called Loge, a play on the Old Norse word of loge for fire. As Loge, he is an ally of the gods, especially Wotan. Loge views all the Norse gods as being greedy as they refuse to return the Rhine Gold back to it rightful owners. At the end of the first opera, Das Rheingold, Loge reveals a secret desire that he turns into fire and destroys Valhalla. In the last opera, Götterdämmerung, Valhalla is indeed destroyed by fire and all the gods with it.

Gosforth Cross

A stone cross dating from the mid-11th century C.E., this artifact features various figures believed to be from Norse mythology. The lower part of the western side of the cross depicted a long-haired female figure who is kneeling, holding an object above another bound and prone figure. Above and to the left of this imagery is a knotted serpent. The female figure has been interpreted by some to be Sigyn holding the bowl above the bound Loki as the serpent drips venom down onto him. The cross is located in Cumbria England.

Kirkby Stephen Stone

This artifact is part of a cross dating from the 10th century C.E. found in Stephen’s Church of Kirkby Stephen, Cumbria England. It features a bound figure with horns and a beard, this image has sometimes been thought to be Loki. The stone cross was found in 1870 and is composed of a yellowish-white sandstone. A similar horned figure was found in Gainford, County Durham and rests in the Durham Cathedral Library.

Nordendorf Fibula

This is a gilded silver brooch discovered in 7th century Nordendorf, Germany. There are two lines of inscriptions on the brooch. The first line reads: “awaleubwini.” This has been interpreted as “Awa” a woman’s name and likely shortened of Awila. “Leubwini” has been interpreted as meaning “beloved” or “dear friend” and could mean it’s from a friend of the same name.

The second line of the inscription reads: logaþore wodan wigiþonar. The last two names of Wodan and Wigiþonar are easily read as alternate names for Odin and Battle Thor as either “Holy Thunder” or “Fight Lightning.” Personally, I’d go with “Holy Thunder.” The first name is a little more problematic with the name Logabore. It would seem this is the name of a third deity, making for a Divine Trinity. Both deities, Lóðurr and Loki have been suggested. However, where Germanic paganism and beliefs are concerned, there’s just not enough evidence and what there is, is tenuous.

One scholar, K. Düwel put forward that Logabore means: “magician” or “sorcerer” and would point to Odin and Thor as two magician deities. So we get, where this is an example of Pagan Germany slowly becoming more Christianized as the brooch is either a protective amulet against the old gods or it’s meant to be more beneficial as a healing charm. It all lays in how the interpretation of “wigi” for Thor is taken.

Snaptun Stone

This is a semi-circular flat stone found on a beach near Snaptun, Denmark in 1950. The stone is composed of soapstone that originally came from either Norway or Sweden and features a carving dating back to 1000 C.E. The image shown in the carving is a face with scarred lips, which is identified with that of Loki. The scarred lips are thought to be in reference to a story found in the Skáldskaparmál where the sons of Ivaldi stitched Loki’s lips closed.

A hearth stone, the Snaptun stone would have had the nozzle of a bellows placed into a hold at the front of the stone and air pushed through to feed a fire while the bellows were protected from catching fire. It’s thought this stone might point out a connection between Loki, smithing and flames.

Lokabrenna

Lokabrenna or “Loki’s Torch is the name of the “Dog Star,” Sirius in pagan Scandinavia. The location of Útgarða-Loki’s worship in Denmark, there is also mention of the Danes potentially worshipping or revering this star according to Saxo.

Place Names & Surnames

As Loki gets more associated and reviled as a villain, there aren’t very many locales or surnames being named after the devious Trickster god.

The surnames in question are close enough in spelling, they may or may not be variations to Loki’s name, they include: Locchi (from 12th century Northumberland, England), Locke and Luki (Sweden).

Jacob Grimm mentions a place in Vestergötland, Sweden reputed to be a giant’s grave called Lokehall. Other place names are: Lockbol, Luckabol, Lockesta, and Locastum. One of the Faroe Islands is called Lokkafelli or Loki’s Fell. It should be of note that the Faroe Islands are where the 18th century saga of Lokka Táttur originates.