Category Archives: Creator/Creation
Etymology: Kore – “The Maiden” or “The Girl”, Persephone – pherein phonon, “to bring (or cause) death”, Destroy-Slay
Alternate Spellings & Other Names: Περσεφόνη, Kore, Core, Cora, Nestis, Persephonê, Persephneia (Homeric), Persephoneiê, Periphona, Persephassa, Persephatta, Phersephassa, Pherepaha, Phersephatta, Pherrephatta, Juno Inferna, Auerna, and Stygia
Epithets: Goddess of the Underworld, Queen of the Underworld
Persephone has a number of epithets that show her dual role as a chthonic and vegetation goddess. In other words, a life and death goddess. The poetic names for Persephone display her role as a Queen of the Underworld with the power to bring forth life and to take it away back to the earth. Persephone’s name of Kore, shows her role as a vegetation goddess in Arcadia where she was worshiped as Despoinia, an ancient chthonic goddess.
As an Underworld goddess, Persephone is given euphemistic, friendly names as some people were afraid to draw her attention to them. It’s possible that names are also the names of an original, local goddess. Some of these names are: Despoina (Dems-potnia), “the Mistress” in Arcadia. This name means: “Mistress of the House.”
Other names are: Aristi Cthnia, “the Best Chthonic,” Hagne, “Pure,” this is the original name of a goddess of springs in Messenia. Melinda or Melinoia (from meli “Honey”) in her role as the wife of Hades in Hermione, the names: Melivial and Melitodes. “the Pure One”, “the Maiden,” and “the Venerable One” to give a few others.
The Orphic Hymn to Persephone identifies her as Praxidike, the Subterranean Queen, the Eumenides’ source or mother, fair-haired, whose frame proceeds from Zeus’ ineffable and secret seeds.”
In her role as a vegetation goddess, she was called: Kore, “the Maiden,” Kore Soteira, “the Savior Maiden” in Megalopolis, Neotera, “the Younger” in Eleusis, Kore of Demeter Hagne in Homeric Hymns and Kore Memagmeni, “the Mixed Daughter” or bread.
With her mother Demeter, they were called: The Goddesses, often as “the older” and “the younger” in Eleusis. Demeters in Rhodes and Sparta, The Thesmophoroi or “the legislators” in Thesmophoria, The Great Goddesses, The two Demeters, The two Goddesses and The Mistresses in Arcadia and Karpophoroi or “the bringers of fruit” in Tegea, Arcadia.
Persephone is known as the Queen of the Underworld and wife to Hades. She is best known for the story of her abduction by Hades from her mother Demeter and being brought down to the Underworld to marry him for the Greek explanation and story for the origin of the seasons.
Month: January, May
Patron of: the Underworld, Spring, Flowers, Vegetation
Plant: Flowers, Pomegranate, Seeds of Grain
Sphere of Influence: Fertility, New Growth
Symbols: Cornucopia, Torch
Early Greek Depictions
The earliest depictions of a goddess that can be identified with Persephone show her growing up out of the ground. This image is found on a plate from the Old-Palace period in Phaistos. This goddess is plant-like in appearance and she is surrounded by dancing girls and blossoming flowers. In Minoan ring of Isopata, there is a similar image of this plant-like goddess.
In Classical Greek art, Persephone is typically shown wearing a robe and carrying a sheaf of grain. Sometimes she is shown carrying a scepter and a small box. More often though, Persephone is shown being carried off to the Underworld by Hades. When Persephone is shown with her mother, it is Demeter who often carries the scepter and sheaf of grain. Persephone is then shown holding a four-tipped torch, the kind often used for the Eleusinian Mysteries.
Sometimes, Persephone is shown holding a pomegranate or even just a pomegranate seed, thus linking her to her marriage with Hades and the Underworld. Another symbol that Persephone could be shown with is a cornucopia or horn of plenty to represent her role as a fertility deity.
Grecian poet Homer describes Persephone as being a formidable, venerable and majestic princess of the underworld. Persephone would put into effect the curses of men onto the souls of the dead.
What’s In A Name
There are serveral different names that have been given for Persephone. In a Mycenean Greek or Linear B inscription tablet dating from 1400 to 1200 B.C.E., the name Preswa has been identified a Persa, the daughter of Oceanus with speculation that this could be Persephone.
In the Ionic (think Epic) Greek literature, Persephone is the name used to identify her. The Homeric poems uses the spelling of Persephneia. In Plato’s Cratylus, she is known as Pherepaha as “she is wise and touches that which is in motion.” With other Grecian dialects, the names of Periphona, Persephassa, Persephatta, Phersephassa and Kore have been used. All of these variations to spelling and even pronunciation, have suggested the idea that Persephone may originated before Greek culture did.
The name Persephatta has been thoughted to translate to: “female thresher of grain.” With “perso-“ being connected to the Sanskrit word “parsa” meaning: “sheaf of grain.” The second part of the name comes from a Proto-Indo European word meaning: “to strike.”
Nestis – There is a Classical period text attributed to Empedocles, who lived from 490 to 430 B.C.E. In this text, Empedocles is describing the correspondence between four gods and the classical elements of earth, wind, fire and water. The name Nestis, for water, is used as a euphemism as Persephone’s name is taboo.
She who must not be named. That makes sense as Persephone is a Queen of the Dead and you didn’t want to unnecessarily attract her attention. Given the taboo to Persephone’s name, she would also be called Kore or “the maiden.”
Though, given the text: “Now hear the fourfold roots of everything: enlivening Hera, Hades, shining Zeus. And Nestis, moistening mortal springs with tears.” I see that Hades gets mentioned by name. Given Persephone’s much older lineage, she must not have been a goddess whose name was taken lightly.
The Eleusinian mysteries were an annual religious celebration that predates the Olympian pantheon. It is an important life and death ritual with Persephone in her role as a vegetation goddess and Demeter having important roles where they are worshiped together.
Originally, the festival was celebrated in the autumn during the seasonal sowing in the city of Eleusis. The myth was told in three phases of a decent, the search and the ascent, describing Demeter’s sorrow and her joy as she became reunited with Persephone. This celebration also involved dancing in the Rharian field where the first grains were grown. There are inscriptions of “the Goddesses” being accompanied by Triptolemos, an agricultural god and another of the God and Goddess that refer to Persephone and Plouton.
Ancient Sumerian Origin – The idea has been put forward by the renowned scholar, Samuel Noah Kramer that the story of Persephone’s abduction to the Underworld likely sees its origins in the ancient Sumerian story of Ereshkigal, the goddess of the Underworld who was abducted by the dragon Kur and forced to become the ruler of the Underworld against her will.
Agrarian Cults – The cults of Demeter and Persephone of the Eleusinian Mysteries and Thesmophoria are based on some very old agrarian cults. These cults were led by priest as evidenced from an image on a Minoan vase dating to the end of the New Palace Period. This ancient cult held a connection to seasonal practices and tasks.
Daemons & Animal Nature – In Arcadia, the worship of Persephone and Demeter were the first daemons local deities who governed the powers of nature. Such ancient beliefs show a connection to animal nature that saw a belief in nature personified with nymphs and deities with human forms but also possessing animal heads and tails or other features.
Celebrate Good Times, Come On!
The seasonal disappearance and the later return of Persephone were times of festivals during the time of ancient Greece. The Eleusinian Mysteries are the most well-known and even then, the secrets for this festival were closely guarded, that not much is known about them.
Secret Rites & Immortality – Life after death seems to be a very common motif in many religions and beliefs around the world, even anciently. That somehow, life, some sort of existence continues even after death. It was no different for initiates into the Eleusinian Mysteries who closely guarded their initiation rites. After all, the Eleusinian Mysteries wouldn’t be a mystery if everyone knew about them. For the Eleusinian Mystery initiates, these secrets were that of resurrection and there would be some place better than that of dismal depths of Tartarus.
They wouldn’t be the first to have the idea of life after death. It is thought by the experts, that the rites and mysteries held during the Eleusinian mysteries, along with other traditions such as the Orphic tradition and Mithraism all contributed towards the formation of Christianity and its ideas of resurrection, everlasting life and even immortality.
In the Eleusinian Mysteries, Kore’s return from the Underworld conveyed the idea of immortality and a resurrection from death.
Orphic Tradition – This is where the myth of Persephone is identified with other deities such as Isis, Rhea, Ge, Hestia, Pandora, Artemis, and Hecate. It is within this tradition that Persephone, with Zeus becomes the mother of Dionysus Iacchus, Zagreus or Sabazius.
Local Cults & Worship
Each local cult held their own traditions and ideas for where Persephone had been abducted from. In the Homeric Hymn to Demeter, it is the “plain of Nysa” where Persephone’s is kidnapped. The Corinthian and Megarian colonists, and Sicilians believed her abduction to happen in the fields of Enna. The Cretes believed that Persephone’s abduction occurred on their island. Other versions will place the abduction in places like Attica, near Athens, or even near Eleusis.
Distant localities that lay in the mythical played a part in creating a sense of some mystically, distant chthonic world that normally couldn’t be visited and created more of an air of mystery and prestige to the Eleusinian Mysteries. In the month known as Anthesterion, Persephone was the only one to whom the mysteries were dedicated to in Athens.
Temples dedicated to the Eleusinian Mysteries and the worship of Demeter and Persephone were found throughout all of ancient Greece, Asia Minor, Sicily, Magna Graecia and Libya. Not much is known about the specifics of local rites and worship.
According to Homer, Groves sacred to Persephone were found on the far western edges of the earth, leading to the lower or Underworld. These Groves were known as the House of Persephone.
New Year’s Celebration & Divine Child
A near eastern culture with strong ties and connection to the ancient Greeks. The Minoans of Crete held a belief in a fertility goddess whom every year, would give birth to the God of the New Year. That sounds familiar. The New Year’s baby to symbolize the New Year.
This god of the New Year would become the fertility goddess’ lover and of course, the cycle would repeat with the god’s death and his rebirth at the New Year. Similar beliefs and cults are found with those of Adonis, Attis and Osiris.
In Minoan Crete, this fertility goddess is Ariadne and the “divine child” who died every year were part of an aniconic religion whose main deities were female. Every year, an ecstatic sacral dance that involved tree-shaking and the worshiping of stone or stone idols were conducted. The idea and suggestion have been put forward that the worshiping of Persephone may likely be a continuation of the worshiping of a Minoan Great Goddess.
Divine Child – This boy consort to the Great Goddess symbolized the annual dying and renewal of vegetation every year.
Mycenean Greece – Arcadia
While we know the mystery cults existed, not much is known about other than a few inscriptions. In Mycenae, Persephone is thought to have been identified with a local goddess by the name of Despoina, “the Mistress” and chthonic goddess of West-Arcadia. Despoina’s worship is just an example of another deity who would be absorbed into the worship of Greek deities. To the uninitiated of the Arcadian mysteries, the name Despoina was not allowed to be revealed.
The local temples throughout Arcadia were often built near springs and there is evidence of continual fires being kept at some of these. The worship of Demeter and Kore were closely linked to springs and animals.
Another mystery cult similar to the Elesusinian Mysteries. Many of the secret rites and traditions are very similar to each other, including an early concept idea of immortality. Thesemophoria were held and celebrated in the city of Athen before coming more wide spread throughout Greece. It was a women-only festival that held strong association to marriage customs. It would be held on the third day of the year in the month of Pyanepsion, marking when Kore was abducted and Dememter neglected her duties as a harvest goddess.
One ceremony involved burying sacrifices of pigs into the earth and then unearthing the decayed remains of pigs buried from the previous year. The remains would be placed on an alter and mixed with seeds before being planted.
Thesmophoria would be celebrated over the course of three days. On the first day is the “way up” to the sacred space. The second day is a day of feasting where pomegranate seeds are eaten. The third and final day, is a meat feast that honors Kalligeneia, goddess of beautiful birth. Hades, under the euphemistic name of Zeus-Eubuleus would attend the feast.
Parentage and Family
It is generally given and accepted that the parents of Persephone are Zeus and Demeter.
Zeus and Styx – Apollodorus is who lists these two deities as being Persephone’s parents. In the rest of Apollodorus’ accounts, he gives story of Demeter being Persephone’s mother.
In the Arcadian mysteries and worship, Persephone-Kore, known there as Despoina, is the daughter of Poseidon Hippios and Demeter. She is then believed to have been raised by the Titan Anytus.
I would also note that at this time, despite her parentage, Persephone is not considered one of the twelve Olympian gods.
Hades, god of the Underworld, also her Uncle.
Zeus, In the Orphic tradition, there is a story of Zeus seducing his daughter.
The direct siblings of Persephone are: Aeacus, Amphitheus I, Angelos, Aphrodite, Apollo, Ares, Arion, Artemis, Athena, Chrysothemis, Despoina, Dionysus, Eileithyia, Enyo, Eris, Ersa, Eubuleus, Hebe, Helen of Troy, Hephaestus, Heracles, Hermes, Minos, Pandia, Philomelus, Plutus, Perseus, Rhadamanthus, the Graces, the Horae, the Litae, the Muses and the Moirai
In the Orphic tradition, Persephone with Zeus is the mother of Dionysus, Iacchus, Melinoe and Zagreus.
By Hades, Persephone is also the mother of the Furies or Erinyes.
The Rape Of Persephone
You read that right. Yes, I could have titled this one differently. However, this is the title of the story for Persephone’s abduction by Hades to the Underworld that many are familiar with and the most well-known story regarding Persephone.
It seems prudent that this story gets mentioned first. When Persephone is first known as Kore, the Maiden. As Kore, she lived with her mother Demeter, a harvest Goddess. Kore herself is a fertility goddess who makes or causes everything to grow. Kore’s father is the mighty Zeus himself.
Kore grew up and spent her time playing in the fields with the nymphs, gathering flowers, playing and with her mother. As she grew older, Kore came to attract the attention of the other male Olympian gods. Hephaestus, Ares, Apollo and Hermes all sought her hand in marriage. The young Kore rejected them all for she was still interested in playing with her nymph friends and collecting flowers. Demeter made sure that her daughter’s desires were known.
This didn’t stop Hades, the god and ruler of the Underworld. For Hades, this was love at first sight. As was customary, Hades went to his brother, Zeus (also Kore’s father), to petition for Kore’s hand in marriage, getting permission.
Zeus took the proposal to Demeter who refused. Kore isn’t going to leave her or go anywhere, least of all the Underworld with Hades. Not going to happen!
At first, this sounds as if Demeter is simply being unreasonable. The type of response of a mother fearing the empty nest or mother smothering and won’t let her child go. What we would call now days, Helicopter Parenting.
Zeus likely thinks he’s being reasonable, mentioning that every child grows up and leaves their parents eventually and that Kore is certainly old enough to marry. But Zeus isn’t listening, he thinks he knows better. That Demeter is just making an idle threat that if he marries off Kore to Hades and takes her down to the Underworld, nothing will grow!
Since they can’t get Demeter’s approval for the match, Zeus and Hades take a step back, allowing Demeter to think she’s won this round. Hades comes up with a plan to outright kidnap/abduct Kore while she is out gathering flowers. Zeus is in on this too and plants a narcissus flower to attract Kore’s attention.
While Kore is distracted by this new, unusual flower, behind her, a chasm opens up in the earth and out comes Hades, riding in his chariot to snatch up Kore to carry away with him back to the Underworld.
Of all of Kore’s Nymph friends, only the Naiad, Cyane tried to rescue and stop her abduction. Overpowered by Hades, Cyane in a fit of grief cried herself into a puddle of tears, forming the river Cyane.
Demeter, hearing the nymph’s cry out that something was amiss, came running, only to find that her daughter is missing and none of the nymphs in their crying could tell her what happened. Angry, Demeter cursed the nymphs that they turned into Sirens. Only the river Cyane offered any help with washing ashore, Kore’s belt.
In vain, Demeter wandered the earth, searching for her daughter. Unable to find her, Demeter went and hid herself in sorrow at the loss of her daughter. Once plant life begins to die, the other gods go in search of her. Especially once all their followers begin to cry out there’s no food, help them.
Pan is the one who eventually finds her in a cave. Demeter in her despair, reiterates that without Kore, nothing will grow.
The way this gets told in most retellings, Demeter is threatening to refuse any new life or plant growth. To appease her and prevent people from starving, the gods agree to find Kore so that life can return. It seems that way if you don’t know or forget Kore’s already existing role as a fertility goddess.
Hecate realizes and knows there’s a problem. Hence, she intervenes. All isn’t lost if Kore hasn’t eaten the food of the Underworld, the dead, she can return to the world above.
Down in the Underworld, a frightened and despairing Kore is refusing the advances of Hades and refusing to eat any food. Kore knows that if she eats the food, she won’t be able to return to the living world.
Now at some point, Hecate comes and talks with Kore. At some point, Kore falls in love with Hades or she sees the state of what the Underworld is like. A plot twist comes and Kore does, either willingly or tricked into it, eats some pomegranate seeds. The number of which varies from one to four, Persephone is bound to the Underworld and must spend part of the year there. The rest, she can spend above in the mortal world with her mother Demeter.
This way, Hades doesn’t lose his wife and queen and Persephone can fulfill her role as a fertility goddess, bringing life to the land.
As a note, I came across commentary that says there are some 22 variations in Antiquity about the story of Persephone’s abduction. I doubt I could find all of them. The Homeric Hymn to Demeter written between 650-550 B.C.E. is thought to be the oldest story.
Overly Simplified – One version of the above story is drastically simplified and glosses over a lot of details to the story of Persephone and Hades. In it, Hades just happens to be out and about in the mortal realm when he spots Persephone. It’s easy enough to say Hades has love and first sight and he simply grabs Persephone and carries her off with him down to the Underworld. Persephone is unhappy at first with her lot, but eventually she grows to love Hades and comes to accept her fate as his wife.
As to Demeter, she is so overcome with grief at the loss of her daughter that she neglects her duties with creating plant growth. It is Zeus who makes a decree that Persephone may be reunited with her mother, but only for part of the year. Zeus sends the god Hermes down to the Underworld to retrieve and bring Persephone back.
Hades held no desire to give up the goddess whom he intended to marry. Coming up with a plan, Hades tricked Persephone into eating some pomegranate seeds. Now because she had eaten the food of the Underworld, Persephone was bound to stay.
Persephone needed to only stay part of the year and the rest, she could be with Demeter. This way too, Hades didn’t lose his bride for she would have to return to him.
Not the best version of the story to give as it removes many details and robs Persephone of any agency or choice in the matter. Stockholm Syndrome at its finest.
Version 2 – Regarding the Narcissus flower, Zeus commands Gaia to create it to distract Persephone when she is out picking flowers. As it is far from any lakes or rivers where her Naiad friends can follow, Persephone is all alone for when Hades comes. Sure enough, when Persephone picks this strange new flower, a chasm opens underneath her, and she falls down into the waiting arms of Hades and the Underworld.
Version 3 – When Demeter becomes distraught over the loss of Persephone, she goes mad and wanders the land disguised as an old woman carrying a pair of torches in her hands. She searches for some nine days and nights.
Eventually Demeter meets Hecate on the tenth day who takes pity on Demeter’s miserable appearance. Hecate tells Demeter to seek out Helios, the sun god who can tell her of what happened. Demeter finds Helios who informs her about Hades abducting Persephone.
Demeter begs Hades to release Persephone and allow her to come back to the living world. Hades consults with Zeus about the matter. Hecate returns and lets Demeter know that Persephone hasn’t eaten four pomegranate seeds and because of that, Persephone will still be able to return to the living world. There is a catch and that is, because Persephone has eaten some of the pomegranate, she will have to return to the Underworld for part of the year.
Both version 2 and 3 retellings go for making it look as if Demeter is responsible for refusing to allow anything to grow and does so out of anger or spite. Or that in her grief, Demeter simply neglects her duties for making things grow. This idea originates in Homer’s “Hymn to Demeter,” that gives the idea that Demeter is in charge of fertility.
Those versions work if you want to ignore that Kore/Persephone is a Fertility goddess, she’s the one who is responsible for new plant growth.
Hades’ Role In The Myth
In the story for the Rape of Persephone, Hades fits into the story as he is an Underworld deity himself. Among the Greeks, it was believed that Hades rode around in his chariot catching the souls of the dead to carry back down to the Underworld.
With Persephone being a chthonic goddess, the Greeks likely came up with the story to better fit the goddess to her role as a Queen of the World. It unfortunately greatly diminishes her role and what her functions were from a much earlier era.
In the myths where Hades is called Pluto or Ploutos, he is not only a god of the Underworld, but wealth where the riches of the earth can be found. Partnering him up with Persephone is meant only to add to his power and domain for now it is the riches of the earth in terms of fertility.
Homeric Hymn – More like a side note, this hymn tells how the shepherd Eumolpus and the swineherd Eubuleus see a girl being carried away to the Underworld in Hades’ chariot. Eubuleus looses his pigs to the Underworld as they fall into the chasm that opens up for Hades on his descent below.
Ascalaphus – In what seems to be padding the story, Ascalaphus, the keeper of Hades’ Orchard is who tells the other gods that Persephone has eaten the pomegranate seeds. Demeter becomes so enraged with this news that she buries him beneath a huge rock in the Underworld.
Altered States of Mind – Most people think of rape as having to be a something violent for it to be valid? I’m sure the in the original Greek tellings of the story, it’s obvious what Hades’ intent is. Never mind later retellings that seem to gloss over and not really make it clear as they want to give you a happy fuzzy feeling that Persephone just accepted her fate and this is how we got the four seasons of the year.
Looking at the older, archaic definition, this is the forcible carrying away of a woman to have sexual intercourse with her. So looking at how the story of Persephone’s Abduction is originally titled and knowing older definitions of a word, I’d say it’s pretty clear.
Stockholm Syndrome – This is when a prisoner or someone being abused comes to identify with their captor, to the point of identifying with them and possibly helping them.
After my research into Persephone, the views of Persephone coming to just accept her fate or where Hades tricks her into eating a pomegranate seed, so she’s forced to come down to the Underworld part of the year don’t sit well with me.
It’s abusive and greatly diminishes Persephone’s agency to have versions of the stories where Zeus and Hades (or just Hades) conspire to have her abducted. That’s forced marriage, no one likes it. Plus, when you compare Persephone’s story to Hebe’s story with coming of age and marrying, they’re inconsistent.
Once Kore has married Hades, she changes her name to Persephone. This is used to signify Kore transitioning to being an adult. If this happened with other gods and goddesses, I’d say this is cultural. Just Kore to Persephone, no one else that I have researched so far in Greek Mythology.
The only other example I have is that of Hebe when she marries Hercules once she’s considered old enough. Unlike Kore/Persephone, Hebe never changes her name. The Eleusinian Mysteries do predate Grecian Culture. So maybe the name change is a remnant of that. Or trying to combine different local deities under one name.
The change of names definitely notes a change to Kore’s function with the Greek interpretation of the myths. She is no longer strictly a fertility goddess, she is now also Queen of the Underworld, ruling alongside Hades. That Kore/Persephone returns part of the year, makes her a goddess of life and death, resurrection deity like other deities such as Attis, Jesus, Osiris, Minoan Crete among others.
Knowing now that Persephone is an ancient chthonic goddess whose worship predates the Greeks, it shows strongly the influence of the Greeks and a more patriarchal religion imposing their views and versions on these stories.
After all, we have how many male dominated stories among the Grecian stories? How many people perceive the Greek pantheon being male dominated? No wonder Demeter is angry and no wonder we have so many stories where Hera takes out her frustrations on Zeus’ children.
You said earlier that Persephone is a chthonic goddess? Yes, I did, I was getting a bit ahead of myself there.
Now that we got the main story for Persephone out of the way, it’s easier to get into the rest of Persephone’s aspects as an ancient goddess who predates the Greeks and not just merely the daughter of Demeter, who gets married off to Hades against her will.
As said, an ancient chthonic deity worshiped by many agriculture cultures in ancient Greece. In this role, Persephone would receive the souls of the dead down into the earth. In return, Persephone would cause the fertility of the earth for there to be new growth.
Queen Of The Underworld – She Who Must Not Be Named
There is a tradition in Greek beliefs not to speak Persephone’s name. This dates to the Arcadian beliefs where Persephone is equated with another deity, Despoina who’s name could not be spoken except to those who had been initiated. As a goddess of death, Persephone is said to be the daughter of Zeus and Styx. Homer gave description of Persephone as capable of carrying out the curses of men upon the souls of the dead. In the Orphic traditions, Dionysus and Melinoe are said to be the children of Zeus and Persephone.
Goddess Of Fertility & Springtime
One of Persephone’s important roles is that of a fertility goddess. The very myth and story of Persephone’s abduction is the basis for the explanation of the annual growth of vegetation in spring and its subsequent dying in the fall. Her myth is comparable to other, often male gods of life and rebirth myths such as Attis, Adonis and Osiris.
Agriculture is an important aspect of life, for without a bountiful harvest, it can spell disaster come winter time. The Eleusinian mysteries emphasized this importance with Persephone’s return every year, that there would be the promise of new life and growth. A sort of immortality.
It’s unfortunate that this important aspect of Persephone seems to have been forgotten and overlooked, oftentimes simply relegating her to the of Hade’s wife and Queen of the Underworld.
Though perhaps it makes sense that in her dual role of Fertility goddess and Queen of the Underworld, where she is responsible for putting forth new life and growth everything spring and then come fall, it is destroyed with her departure back to the Underworld.
Grain – This crop was of great importance to the ancient Greeks as it was rare and hard to come by in the Grecian country sides. Persephone’s close association with this crop held the promise of renewal, regeneration and possibly immortality, knowing that she would return every spring.
Seasonal Cycles & Changes
The more simplified Greek influences on Persephone’s story greatly diminish her role, reducing her to an almost non-person status who gets no say in what happens to her. She just goes with the flow, unable to change her fate. Ultimately, what we get, a watered-down version that is used by the Greeks to explain the changes of the seasons from Spring to Winter and back.
When you understand Persephone’s role as a fertility goddess, this isn’t Demeter in a mood, sad or angry that her daughter isn’t there and refuses to allow anything to grow. Doing it out of spite because her daughter married Hades and she’s mad with Zeus. As a fertility goddess, nothing can grow on the earth if Persephone isn’t there. Demeter knew this, the other gods, especially Zeus and Hades didn’t listen.
By assigning Persephone’s role as a fertility goddess to her mother Demeter, the story that is then told and passed on, makes it seem as if Demeter is the one acting out of spite and grief towards Zeus to neglect her duties or outright as a means of blackmail, to allow anything to grow on the earth until she gets her way. That is, the return of her daughter Persephone.
With that understanding, Zeus than, by allowing Hades to marry Kore, created the problem of winter. Not because Demeter is depressed and vengeful, refusing to allow anything to grow, but because without Kore, nothing can grow. Sure, Demeter is depressed. Sure, all children grow up and leave home. It would explain Hecate getting involved. The world above needs you as much as the underworld
Remembering Persephone’s dual role as a fertility goddess and a chthonic goddess, now her descent to the underworld and the subsequent winter makes sense. Winter becomes a fallow period in which the earth is asleep and plant life is dormant. It won’t be forever, for come Spring again, when Persephone returns, a new season of growth begins again.
Nearly all versions of Kore/Persephone’s abduction to the Underworld and her return have being tricked into or choosing to some pomegranate seeds.
Sometimes the number of seeds eaten seems to matter as that represents the number of months in the year that Persephone must return and stay in the Underworld. So, mentioning three to four seeds tend to represent the winter months in which she is with Hades.
In ancient mythology, to eat the food of one’s captor meant that one would have to return to that captor or country, especially anything from the Otherworld, Faerie or the Underworld. Persephone is doomed to return to the Underworld for a part of the year. The other part, she is allowed to remain with her mother, Demeter.
Remember, the seeds themselves are merely symbolic. Persephone in her original role is a chthonic deity and would have returned to the living world and back to the Underworld as part of her seasonal traveling in her role as a fertility goddess.
As a symbol, the pomegranate seeds, under the Greek versions of the myth are looking to explain the seasonal cycle of the year and why it is that Persephone must return for a part of the year to her husband Hades.
Touching back on what I commented earlier about Altered States of Minds and Stockholm Syndrome, continuing a narrative of Persephone being tricked into or choosing to eat the seeds seems to perpetuate an abusive ideal of taking away her agency.
Either an abusive husband who forced himself on her, rape. Or an overbearing mother who doesn’t want to let her little girl go and will throw a tantrum refusing to allow anything to grow if Persephone isn’t with her. Then Persephone, even if she’s but I want to stay with Hades, mom’s willing to starve the entire world for her pettiness. This interpretation just doesn’t work for me.
I have to look at ancient chthonic goddess who’s going to travel back and forth anyways. As she’s a goddess of the Underworld and Hades is also a god of the Underworld, they are a perfect match in heaven…. Well the Underworld and the pomegranates were the food of choice to join in holy matrimony. No forced coercion.
Renewal Of The Earth & Soul – Another bit of commentary I came across is that by Persephone eating the pomegranate seeds, a flowering plant, it symbolizes that she would return in Spring just as all flowers bloom at this time. In the Eleusinian Mysteries, this speaks for the renewal of the soul.
Persephone & Minthe
For being a rather important deity, Persephone doesn’t have too many stories regarding her as she seems to be relegated to being little more than Hades wife. So where Hera often took complaint to Zeus’ many lovers and affairs, Persephone only has one such story.
That would be with the nymph, Minthe who may have been a mistress or lover of Hades before he abducted Persephone. In an act of hubris, Minthe boasts about how she is more beautiful than Persephone and that she would manage to win Hades back.
Persephone took exception to this boast and to prove her power, might and indignation, she turned the nymph into a plant of the same name.
Mmm…. Mint. Gotta love that sweet smell.
A slight variation to this story has Demeter being the one to avenge her daughter’s honor and be the one to change Minthe into the plant of the same name.
If we go by the Greek legends and stories, Persephone wasn’t always so loyal with Hades. She did take Adonis and Hermes as lovers at different points. Granted nothing came of these affairs.
Even though Persephone is married to Hades, that doesn’t stop the heroes Pirithous and Theseus from descending down to the Underworld with the aspirations of Pirithous marrying Persephone.
The two had it in their heads that they would marry daughters of Zeus. They clearly didn’t think the plan through. Of course, Theseus had the bright idea of being the one to try kidnapping Helene, Zeus wasn’t happy with that. Some accounts have the mighty Zeus sending a dream to the two with the idea of going off to have Pirithous marrying Persephone.
Hades is there to welcome the pair sure enough. Soon as they are seated, their chairs magically bind and holdfast the would-be suitors. There they would remain prisoners until the hero Hercules comes to the Underworld to free them.
Just let that be a lesson, don’t mess with another man’s wife or daughters if he thinks you’re unworthy of such a thing.
Persephone & Zeus
Sitting in a tree, K-I-S-S-I-N-G…. this is a story from the Orphic tradition. Zeus (yes, her father) comes and seduces Persephone in the guise of a serpent. From this union, she bares a son, Zagreus. Zeus put his son up on the throne of heaven only to have him attacked and torn apart by the Titans.
Zagreus’ heart is recovered, and the young god is reborn through Semele to become the god Dionysus or Sabazius. This is to be a second Dionysus and not to be confused with each other.
Another goddess, Melinoe is also reputed to have been born from the union of Persephone and Zeus.
Persephone & Adonis
In this story, both Aphrodite and Persephone fell in love with the same mortal named Adonis. Naturally he is a handsome youth and neither goddess could agree as to who deserved him more. Zeus took the matter into his own hands and divided the year into three parts, saying that Adonis would spend on third with Aphrodite, another third with Persephone and the third part of the year as time to himself.
Having his own agency, Adonis came to love Aphrodite more. When it was time for him to go to the Underworld, Adonis refused. This angered Persephone so that she sent a wild boar to kill Adonis. As Adonis died in Aphrodite’s arms, he was transformed into the anemone flower.
Phoenician Connection – It has been commented that the story of Persephone and Adonis is nothing more than the Greeks adopting the story the Phoenician story of Ashtarte and Adon.
Orpheus & Eurydice
In the story of Orpheus’ descent to the Underworld, wherein he hoped to bring back his wife, Eurydice from the dead. Persephone takes compassion on Orpheus and allows him a chance to try and bring his deceased wife back to the lands of the living.
Persephone & Sisyphus
Ah Sisyphus forced to forever roll that boulder up a hill, only to have it roll back down on him. Before dying, Sisyphus had told his wife to just throw his body to be thrown out into a public square where eventually his body made its way to the river Styx. Sisyphus then tricked Persephone into allowing him to return to the living world, so he could scold his wife for not giving him a proper burial.
Naturally, the trick worked and once Sisyphus “told off” his wife, he refused to return to the Underworld. It took the god Hermes to forcibly drag Sisyphus back to the Underworld.
Another version of the story has Sisyphus simply pleading to Persephone that he was taken to Tartarus by mistake and the Queen of the Underworld orders his return.
Some people just don’t want to face the music.
Persephone & Alcestis
Which takes us to Alcestis, married to King Admetos. He didn’t want to die either.
The Fates told Admetos that he could escape his time to die if someone else would take his place. That person ended up being Alcestis. Wise to the shenanigans, Persephone sent Alcestis back to the living world.
Another version has the mighty Hercules coming to fight Hades so Alcestis can be released back to the living world.
Look, when your time comes, it comes.
I always thought it was Prometheus who did this. There’s a rather obscure myth in which Persephone is credited with the creation of man or humankind using clay. There was then a dispute among the gods over who should get to claim humans. An agreement came with the god Cronus presiding as judge, that while living, humans would be subjects of Zeus (who initially gave the clay figures life and controls their fate) and Gaia (who provided the clay in the first place) and when they died, they would go to the Underworld to be with Persephone as she came up with the idea to begin with.
The Twelve Labors Of Hercules
In Greek mythology, the hero Hercules was tasked with a series of twelve labors by King Eurystheus that needed to be performed as penance for the killing of Hercules’ family. One of Hercules’ tasks was to descend to the Underworld to retrieve the three-headed hound Cerberus. In some accounts, it is said that Persephone, not Hades is who allowed the hero to take the hell hound. While Hercules was at it, Persephone also allowed the hero to free Theseus from his confinement.
In Pseudo-Apollodorus’ Bibliotheca, Hercules decided it was a good idea to slaughter one of Hades’ cattle in order to give the souls of the dead some fresh blood. Menoetes, Hades’ keeper of cattle challenged the titular hero to a wrestling match. It is only after Hercules breaks the ribs of Menoetes that the hero sets him down at the behest of Persephone.
In the versions told by Diodorus Siculus in his “Library of History” and Pseudo-Hyginus’ Fabulae, Hercules freed both Theseus and Pirithous.
Seven Against Thebes
During this event, Hades and Persephone ended up sending a deadly plague to the city of Thebes when King Creon refused to bury any of the dead warriors. When two maidens, the Coronides, daughters of Orion sacrificed themselves to appease Hades and Persephone, they were transformed into a pair of comets.
Well, you’re gonna get a plague and diseases if you leave a bunch of corpses out rotting in the field of battle and don’t bury or clean them up.
In New Age and Wiccan practices, Persephone is often seen as the Maiden aspect of the “Triple Goddess” with Demeter representing the Mother and Hecate the Crone.
Proserpina – Roman Goddess
Among the ancient Romans, Persephone is known as Proserpina. Her mother is said to be the goddess Ceres. The Romans first heard of Persephone from the Aeolian and Dorian cities in Magna Graecia. It’s an error on the part of the Roman’s, believing the name Proserpine to be derived from the Latin word proserpere, meaning: “to shoot or creep forth” and is a verb related to the germination of plants.
In the Roman retellings of the story, Pluto (Hades) is out riding in the mortal realms, inspecting the land to make sure that after the fall of the titans, the borders to his realm in Tartarus are still secure. When Venus and her son Cupid see the lord of the Underworld out riding, the opportunity is too much for them and Venus instructs her son to hit Pluto with an arrow so that when he sees Proserpine, he is stricken with such love and lust that he carries her off to his shadowy realm of Tartarus. The rest of the story is much like the Greek versions where Ceres sets off in search of her missing daughter.
Protector Of Marriage
In Locri, Proserpina is the protector of marriage. This role is usually Hera’s domain. There are votive plaques in Locri that show Persephone’s abduction and her marriage to Hades, serving as a symbol of the marital state. The children of Locri were dedicated to Proserpina and maidens would bring their peplos to be blessed before getting married.
Proserpina And Psyche
This story is from Apuleius’ The Golden Ass, a second century Roman novel. In it, Venus (Aphrodite) forces Psyche to perform a task for her. Psyche is instructed to deliver a box from Venus down to the Underworld, to Proserpina. It seems simple enough that Venus wants some beauty cream from Proserpina, enough for one day so she can dress up for the Deities’ Theatre later that evening. Except this task is just one of many harsh tasks that Venus has Psyche perform.
Off to the Underworld she goes, a talking tower informs Psyche how to gain entrance. First, she has to offer a cake to Cerberus, the three-headed hound who guards the gates of the Underworld. That done, she will be welcomed readily enough by Proserpina who will invite her to sit on a soft cushion and enjoy a feast. This she, Psyche must not do, she must instead sit on the ground and ask for some course bread. If she does that, Psyche can then tell Proserpina what she is there for. Once she has what she seeks, Psyche is to come straight back, giving the last cake to Cerberus so she can leave the Underworld. The final instructions are, that Psyche is not to look within the box. She must retrace her steps back to Venus straight away.
Following the instructions, Psyche is able to get the box filled with beauty cream to bring back to Venus. The return trip back up to the Living World goes smoothly enough. Only now, past the seeming difficult parts of the journey, curiosity gets the better of Psyche and she decides to open the box, reasoning that she can take a drop for herself to look even more beautiful for her lover, Eros.
When you get instructions from the Otherworldly Guides and Deities, it’s best to heed them. As soon as Psyche opened the box, to her surprise it’s filled with the stygian sleep of Pluto. The sleep of death and it at once envelops her. Psyche’s limbs go rigid and she falls to the earth, stiff as a corpse laying there. Luckily for her, Eros finds Psyche and wipes the sleep off her and restores it to the box.
Proserpina And Euphemea
When the nymph Euphemea stopped worshiping Diana, the goddess struck the nymph full of arrows. At the very last, Proserpina snatched her up, still alive to take down to the Underworld.
I must confess, I came across the figure of Narahdarn when a friend posted a link to a series of pictures for a number of different mythological deities grouped by pantheon. Yes, said link and pictures were for the Marvel Comics versions. Not planning to turn it down, I kept a copy of the pictures to use for later inspiration of “what to do next” for Brickthology.
In Australian mythology, there is a story of Narahdarn the Bat who is associated as a symbol of Death. His other thing is honey, the guy loves it, enough to kill for it.
Narahdarn The Bat
This story was the most referenced source for Narahdarn that I could find.
As I said already, Narahdarn loves honey, so much so he was bound and determined to himself some. Unable to locate a Bee Hive, Narahdarn set out to follow a bee to its nest. While following the bee, Narahdarn’s two wives accompanied him with jars or pots to carry home honey in.
Narahdarn followed the bee to it’s nest and marked it with dagger so he could find it later and went to get his wives who had fallen behind. He hurried the two to the tree with the bee hive in it and demanded that one of the wives climb the tree to chop out some of the honey combs. The first wife who climbed up, got her arm stuck fast within the tree hollow or split.
To the first wife’s horror, Narahdarn’s answer to get her free from being stuck was to chop off her arm. Once she realized what he was doing, the first wife began to protest. Narahdarn didn’t listen and proceeded with chopping off the arm. The first wife of shock and Narahdarn brought her body down from the tree.
Laying down the first wife’s body, Narahdarn commanded his second wife to climb up the tree. Horrified the sight, the second wife protested, saying that the bees were likely to have moved the honey to a different tree.
Refusing to accept the excuses, Narahdarn brandished his knife and forced the second wife to climb up the tree. Finding the same notch in the tree that the first wife had found, made all the more obvious with the bloody limb hanging from the hole, the second wife reached her arm in for the honey within.
Like the first wife, the second wife was now stuck too. Narahdarn chopped off the second wife’s arm as well and yelled for her to come down. When the second wife didn’t answer, Narahdarn realized what he had done and became scared. He quickly climbed down the tree, laying the bodies of both wives next to each other. No longer wanting any honey, Narahdarn ran from the place, running back to the tribe.
Back at the tribe’s camp, two of the little sisters for the wives came out to greet Narahdarn. Naturally they believed the wives, their sisters would be with Narahdarn. So it’s no wonder they were surprised to see him return alone and not just that, but covered in blood. Narahdarn’s face had a harsh look to him.
Alarmed, the two young sisters ran for their mother. Upon hearing the two girls, the mother went out to confront Narahdarn, asking him where her daughters were. Narahdarn refused to answer, rebuking the mother with saying to go ask the bee, Wurranunnah.
The mother returned to her tribe, telling them of her missing daughters and how Narahdarn would tell her nothing about their disappearances. She was certain that they were truly dead given how Narahdarn’s arms had been covered in blood. The chief of the tribe listened to the Mother and her cries that came after. The chief said that the daughters would surely be avenged and that the young warriors of the tribe would retrace Narahdarn’s tracks to discover their fate. If it was found that they were dead, then Narahdarn would be punished at a corrobboree (a special ceremony).
It didn’t take long for the young warriors to track Narahdarn’s tracks or to find the bodies of the daughters. Just as quickly, the young warriors return with their news and soon enough the corrobboree was held. Narahdarn joined the men, not realizing what was in store for him. As he danced towards a particularly large fire, the Mother let out a loud shriek and when Narahdarn turned to move away from the fire, he found himself blocked in. The men seized Narahdarn and threw him into the fire where he died.
Not the most pleasant of ways to go, but consider that justice served.
The Introduction Of Death
This next story when I found and came across seems rather Biblical in nature.
By this story, the first man in Australia was named Ber-rook-boorn, created by the god Baiame. After placing Ber-rook-boorn in the area they were to live in, Baiame placed his sacred mark on a yarran tree which happened to have a bees’ nest in it.
Baiame told the first man and woman that this yarran tree was his, along with the bees in it. That Ber-rook-boorn and his wife could take food from anywhere in the land that they wanted, just not this tree or the honey produced by the bees within. Baiame warned the two that a grave evil would come upon them all people who followed after.
With that, Baiame disappeared and Ber-rook-boorn and his wife obeyed as told, for a short time at least. For one day, while the woman was out gathering firewood, she found herself near Baiame’s tree where she found many branches on the ground. Looking up, the woman realized she was beneath the sacred tree of Baiame’s. Scared, the woman still managed to gather up an armful of branches.
Soon, the woman felt a presence over her and she looked up again. This time she saw the bees buzzing around the tree’s trunk and drops of honey that glistened from within the tree. The woman stared hungrily at the honey. She had had honey before, even if only once and surely there was enough honey, a little wouldn’t hurt or be missed. Letting her branches fall, the woman climbed the tree, determined to get herself some honey.
Once she up in the tree, the woman was greeted to a flurry of leathery wings as Narahdarn the Bat swooped down at her. Baiame had placed Narahdarn there to guard his tree. Now because of her action, the woman had released Narahdarn, bringing with him and symbolizing death. This ended a Golden Age for Ber-rook-boorn and the woman. The yarran tree, it seems wept tears for the loss of man’s immortality. These tears would become a red gum that can be found on the yarran tree.
As I said, the story sounds very Biblical and similar to the story told of Adam and Eve in the garden, how they could eat of all the fruit except from one tree and when Eve did, it’s at the snake’s suggestion and with it, when she does eat the forbidden fruit, brings death to the world. I know there’s far more to the story, but that’s just in brief for right here.
Making only one appearance within the pages of Marvel comics, specifically the Official Handbook of the Marvel Universe 2006 #3, Narahdarn is presented as an Australian god of Death.
In the cartoon series of the same name, there is an episode where Hercules travels to Australia and goes up against Narahdarn as a god of Death.
Also called: Dyok, Jo-Uk, Joagh, Joghi, jok, Joogi, Jouk, Jok Odudu, Ju-Ok, Juong, Jwok or Nyikang
Etymology: Creator, Jok Odudu – “god of birth”
Juok is the main Creator God of the Shilluk, Dinka, Nuer and other tribes along the upper areas of the Nile river. It is generally believed that Juok controls the destinies of all living creatures. The legendary Shilluk king, Nyikang is often seen as being Juok’s earthly representative or avatar much like the Egyptian pharaohs were often seen as the living god Ra in earthly form.
God Of Creation
Creating Mankind – According to stories, Juok created or molded all of the people from the earth. While busy with creation, Juok wandered the earth. In the land of the white folk, Juok found a pure white earth or sand in which to create the first whites. In the land of Egypt, Juok made the red or brown people from the mud of the Nile river. When Juok finally came to the land of the Shilluks, he found some black earth in which to create black people from. Eventually, Juok gave people sex organs so they could reproduce themselves without his help.
Creating All Things – In this story, Juok created several different creatures such as the elephant, buffalo, lion, crocodile, dog and finally the first humans, a boy and girl. Juok wasn’t too happy with the humans he had created and told the dog to get of them. Proving to be man’s best friend, the dog instead raised and took care of the children until they grew up.
When Juok had finished with all of his creations, he started to divide up the land as to where each would live and providing each with weapons to defend or attack. Juok saw that the humans were still alive and decided he would wait until the last to deal with them. This way, he hoped, there would be no more land or weapons to give out.
The dog, figuring this out, told the man to tell Juok that they were the elephant, buffalo and lion. That way, when Juok came to pass out weapons, he gave them all spears.
When the real animals showed up for their weapons, there were no spears left. Juok then gave the elephant tusks, the buffalo horns, the lion claws and the crocodile teeth. The man used the spears he was given to drive and ward off the animals and took the best land for himself.
The Origins Of Death – In the beginning, death was not a permanent thing. For when people died, they would be dead for three days before returning to life. Juok decided to make death a permanent thing by throwing a rock into a river.
The dog who had previously helped men, told the people to work together and pull the rock out of the river. The people, however ignored the dog’s advice. So the dog tried himself to remove the rock. In his efforts, he was only able to break off a large piece of the rock and brought it home. As a result, humans have much longer lives than they otherwise would have.
I would say, looking at these last two stories, Juok doesn’t seem all that nice of a deity.
As Nyikang, he was a legendary king who became deified at death. He is often invoked as an intermediary for the gods.
Tribes such as the Acholi and Lango see Jok as a local and ancestral spirit.
Other tribes like the Alur of Uganda and Zaire saw the world as being full of spirits or Jok/Djok. For them, their ancestors manifested as snakes or large rocks. Whenever there was a drought, the Alur would sacrifice a black goat to Jok in order to bring rain.
Alternate Spellings: 黄帝, Huang Di, Huangdi
Also known as: Gongsun, Kung-sun, Xuanyuan, Xuan Yuan, Hsuan-yuan, Huang Ti, Hwang Ti, Yellow Emperor, Yellow Thearch, the Yellow God, the Yellow Lord
Etymology: the Yellow Emperor, The character 黄 Huang, means “yellow” and is a homophony for the character, 皇 Huang, meaning, “august”, “creator” and “radiant”, Di “emperor”
Huang-Di, the Yellow Emperor ruled during a golden age of Chinese history and mythology. He is the first of five legendary Chinese emperors. Tradition has Huang-Di beginning his rule during 2697 B.C.E. and ending 2597. An alternate date is 2698-2598 B.C.E. These dates were first calculated by Jesuit missionaries studying the Chinese chronicles. They have been accepted by later scholars looking to try and establish a universal calendar.
There are a number of different legends surrounding Huang-Di that tell of his greatness as a benevolent ruler and establishing Chinese civilization. Huang-Di is to have ruled in a Golden Era of history before written Chinese history was established so many of his stories were passed down orally first. Just as Britain has its King Arthur, China has Huang-Di, the greatest ruler of all time that everyone looks up to and reveres.
What’s In A Name?
This gets a little tricky. Depending on the Chinese character used and its pronunciation; depends on what the word is translated to mean.
The character for Di, is used to refer to the highest deity from the Shang dynasty. During the Warring States period, the term Di came to be associated with the gods of the five sacred mountains and colors. After this era, about 221 B.C.E. the term Di came to refer to earthly emperors.
The character for Huang can be translated a couple different ways. Either Yellow or August. Scholars and historians seeking to emphasize the more religious meaning to the name Huaung-Di will translate the name to mean “Yellow Thearch” or “August Thearch.”
Some scholars such as Sima Qian in his “Records of the Grand Historian” compiled in 1st century B.C.E. have given Huang-Di’s name as Xuanyuan. The 3rd century scholar Huangfu Mi have said that this is to be the very same hill that Huang-Di lived and takes his name from. Liang Yusheng, from the Qing dynasty has argued that the hill is named after the Huang-Di. In Chinese astronomy, Xuanyan is the name for the star Alpha Leonis or Regulus.
The name Xuanyuan is also references Huang-Di’s birthplace. Huang-Di’s surname was Gongsun or Ji.
The name Youxiong is thought to be either a place name or clan name. Several Western scholars and translators have given their ideas on what Youxiong translate to. The British sinologist, Herbert Allen Giles says the name is from Huang-Di’s principal heritage. William Nienhauser, in translating the “Records of the Grand Historian” has put forth that Huang-Di is the head of the Youxiong clan who lived near Xinzheng in Henan. The French historian, Rémi Mathieu translates the name Youxiong to mean “possessor of bears” and linking Huang-Di in mythology to bears. Rémi isn’t the only one to make a connection to bears. Ye Shuxian also makes a connection with Huang-Di to the bear legends found throughout northeast Asia and the Dangun legend.
As a culture hero, Huang-Di is seen as a wise and benevolent ruler who introduced government and laws. He is also seen as having taught people several different skills and to have invented several things such as clothing, building permanent structures such as palaces and houses, music, the wheel, armor & weapons, carts, ships, writing, digging wells, agriculture, taming and domesticating animals, astronomy, calendars, mathematics, cuju (a sport similar to football), the compass and currency.
At some time during Huang-Di’s rule, he reputed to have visited the Eastern sea where he met Bai Ze, a supernatural talking beast that taught him the knowledge of all supernatural creatures. Bai Ze explained to Huang-Di there were 11,522 (or 1,522) different types of supernatural beings.
San-Huang – The Three Sovereigns
Also, known as the Three Emperors, they are a group of god-kings and demigod emperors who are believed to have lived some 4,500 years ago. Huang-Di is counted as being part of this group and the leader of their number to have once ruled over China. Other’s counted among this number are Fu Xi, Nuwa and Shennong.
This is another mythological and historical group of rulers important to Chinese culture. These five emperors were virtuous rulers of outstanding moral character. Taihao, the Yan Emperor, the Yellow Emperor (Huang-Di), Shaohao and Zhuanxu are considered among the Five Emperors in this group.
But that makes four with the Three Sovereigns! The math is off! There are a number of variations as to who is counted among these numbers and it all depends on which text and source is used. It will even flip-flop too as to where Huang-Di is placed as either one of the Three Sovereigns or Five Emperors.
Parentage and Family
Huang-Di’ parents are given as Shaodian as his father and Fu Pao as his mother.
According to the “Discourses of the States”, Shaodian is sometimes mentioned as being Huang-Di’s step-father.
Huang-Di seems to have had several different wives:
Leizu – Of Xiling, she is the first wife, she is the most notable with any information as she is the first person to have domesticated silk worms for their silk. With Leizu, Huang-Di had two sons.
Fenglei – Second wife
Tongyu – Third wife
Momu – Fourth wife
Huang-Di is reputed to have had 25 sons. 14 of these sons all started clans of their own with their own surnames.
Shaohao – Also known as Xuanxiao, he would become the Emperor after Huang-Di’s death.
Changyi, who in turn is the father of Zhuanxu who would succeed his uncle, Shaohao as the next Emperor.
Ancestor Of The Chinese
A lot of emphasis and importance has been placed on Huang-Di as many Chinese dynasty rulers would trace the rights of their sovereignty to him. The Chinese Han claim being descendants of both Yandi (The Flame Emperor) and Huang-Di. Eventually, Huang-Di would be seen as the ancestor to all Chinese. A many Dynasty Emperors would all lay claim to Huang-Di’s legacy to prove their rightful claim to the throne.
It should be noted that the earlier mentions of Huang-Di, the Yellow Emperor is on a fourth century bronze inscription for the royal house of the Qi. This inscription claims Huang-Di as an ancestor to the Qi. The scholar, Lothar von Falkenhausen has suggested that Huang-Di is likely created as an ancestral figure in order to claim that all the ruling clans from the Zhou share a common ancestor.
Birth Of A Legend
Per myth and legend, Huang-Di is the result of a virgin birth. His mother, Fubao become pregnant with him while walking out in the countryside and was struck by lightning from the Big Dipper constellation. Fubao would give birth to her son after a period of twenty-four months on either Mount Shou or Mount Xuanyuan. It is for mount Xuanyan that Huang-Di would be named.
In Huangfu Mi’s account, Huang-Di is born at Shou Qiu or Longevity Hill near the outskirts of Qufu in Shandong by modern times. Huang-Di lived with his tribe near the Ji River, a mythological river and later migrated with his tribe to Zhuolu near modern Hebei. As a cultural hero, Huang-Di tames six different animals, the bear, the brown bear, the pi and xiu. The pi and xiu get combined to become a mythological animal known as the Pixiu. He also tames the chu and tiger. I’m not sure which creatures all of these are or the difference between a bear and brown bear is, but there we have it.
Other legends surrounding Huang-Di hold that he could speak shortly after his birth. That when he was fifteen years old, there was nothing that he didn’t know. Huang-Di would eventually hold the Xiong throne.
Trouble In Paradise
Huang-Di’s rule wasn’t completely problem free. One god decided to challenge Huang-Di’s sovereignty. This god was helped by the emperor’s son, Fei Lian, the Lord of the Wind. Fei Lian sent fog and heavy rain to try and drown the Imperial Armies. The emperor’s daughter, Ba (meaning drought) put an end to the rain and helped to defeat Fei Lian and his forces.
The Yellow Emperor And The Yan Emperor
Despite there being some 500 years between Huang-Di and Shennong rules, both of these emperors’ rules near the Yellow River. Shennong hailed from another are up around the Jiang River. Shennong having trouble with keeping order within his borders, begged the Yellow Emperor, Huang-Di for help against the “Nine Li” lead by Chi You and his some 81 brothers who all have horns and four eyes.
Battle of Zhuolu – Shennong was forced to flee Zhuolu before begging for help. Huang-Di used his tame animals against Chi You who darkened the sky by breathing out a thick fog. Huang-Di then invented the south-point chariot to lead his army out of the miasma of fog.
In order to defeat Chi You, Huang-Di calls on a drought demon, Nüba to get rid of Chi You’s storm.
This story sounds a lot like a variation of the previous story where Huang-Di calls for his daughter Ba to defeat Fe Lian.
Battle of Banquan – It is at this battle, that both Huang-Di and Shennong finally defeat Chi You and his forces and replace him as ruler.
Death & Immortality
Huang-Di ruled for many years and is thought to have died in 2598 B.C.E. Legend holds Huang-Di lived over a hundred years, by some accounts this was 110 years. Before he died, Huang-Di met a phoenix and qilin before he rose to the heavens to become an immortal or Xian. He is considered the very archetype of a human who merges their self with the self of the Universal God; how a person reaches enlightenment and immortality.
Another account of Huang-Di’s death is that a yellow dragon from Heaven flew down to take up Huang-Di up. Huang-Di knew that he could not deny destiny and went with the dragon. On their way to fly back to Heaven, they flew over Mount Qiao where Huang-Di asked to be able to say goodbye to his people. The people cried out, not wanting Huang-Di to leave them and they pulled on his clothing to try and keep. Surprisingly, Huang-Di slipped free of his clothing and got back on the dragon to fly up to the heavens. As to his clothing, they were buried in a mausoleum built at Mount Qiao.
Two tombs commemorating Huang-Di were built in Shaanxi within the Mausoleum of the Yellow Emperor. Other tombs were built in Henan, Hebei and Gansu.
Huang-Di is the founder of Taoism, one of the main philosophies and religions found in China.
As Huang-Di began to age, he began to allow his court officials to handle matters and make decisions. Huang-Di moved out into a simple hut in his courtyard. There, as he fasted, prayed and meditated, Huang-Di discovered Tao, or the way, a philosophy that would lead to the ideal state of being.
In some of the older accounts with Huang-Di, he is identified as a god of light and thunder. The name Huang and Guang, meaning “light,” making him a Thunder God. However, Lei Gong or Leishen is the name of another deity and he is seen as Huang-Di’s student.
The legend and origins for Haung-Di have been cast into doubt by many. The scholar Yang Kuan, a member of the Doubting Antiquity School has argued that Huang-Di is derived from the god, Shang-Di from the Shang dynasty. Yang says that the etymology of Shang-Di, Huang Shang-Di and Huang-Di all have a connection to the Chinese character of 黄 Huang, which means “yellow” and its homophony of, 皇 Huang, which means “august,” that to use the character for 皇 Huang, was considered taboo.
Other historians have disputed this claim like Mark Edward Lewis and Michael Puett. While Mark Edward Lewis agrees that the two characters are interchangeable, he has suggested that the character 黄 Huang is closer to the character wang phonetically. Lewis puts forth the idea that Huang might have referred to a “rainmaking shaman” and “rainmaking rituals.” He uses the Warring States and Han era myths for Huang-Di, in that these were ancient rainmaking rituals, as Huang-Di held power over the clouds and rains. Huang-Di’s rival, Chiyou or Yandi held power over fires and drought.
Lord Of The Underworld Or The Yellow Springs
Further disagreements with Yang Kuan’s idea of equating Haung-Di with Shang-Di is the Western scholar, Sarah Allen who has stated that the pre-Shang myths and history can be seen as changes to Shang’s mythology.
By this argument, Huang-Di was originally an unnamed Lord of the Underworld or Yellow Springs, the counterpart to Shang-Di in his role as the supreme deity of the sky. Continuing this theme, the Shang rulers claimed their ancestor as the “the ten suns, birds, east, life and the Lord on High. Shang-Di had defeated an earlier group of people who were associated with the Underworld, Dragons and the West.
After the Zhou dynasty overthrew the Shang dynasty in the eleventh century B.C.E., the Zhou rulers began to change out the myth, changing the Shang to the Xia dynasty. By the time of the Han, according to Sima Qian’s Shiji, Huang-Di as Lord of the Underworld had now become a historical ruler.
During the Warring States era of texts, the figure of Huan-Di appears intermittently. Sima Qian’s text, Shiji (Records of the Grand Historian) is the first work to gather all of the fragments and myths surrounding Huan-Di into a coherent form and narrative. The Shiji would become a very important and influential text for the Chinese and the start of their history.
In the Shiji, Sima Qian he says that the state of Qin began worshiping Huang-Di during the fifth century B.C.E. along with Yandi, the Flame Emperor. Alters had been established in Yong, the capital of Qin. By the time of King Zheng in 247 B.C.E., Huang-Di had become the most important of the four “thearchs” worshiped in Yong.
During the late Warring States and early Han eras, Huang-Di’s cult became very prominent as he is regarded as the founder of the arts, civilization, governing and a supreme god. There have been a number of texts such as the Huangdi Neijing, a classic medical text, and the Huangdi Sijing, a group of political treatises that Huang-Di is credited with having written.
While his influence has waned for a period, the early twentieth century saw Huang-Di become an important figure for the Han Chinese when trying to overthrow the Qing dynasty. For some, Huang-Di is still an important, nationalist symbol.
Huángdì Sìmiàn – Yellow Emperor with Four Faces
In the Shizi, Huang-Di is known as the Yellow Emperor with Four Faces. Other names that Huang-Di is known by are: Sìmiànshén, Four-Faced God or the Ubiquitous God. The name Sìmiànshén is also the name for Brahma in Chinese.
As Huángdì Sìmiàn, Huang-Di represented the center of the universe and his four faces allowed him to see in everything that happened around him and in the world. In this aspect, he communicated directly with the gods for prayer and sacrifice. When traveling, Huang-Di rode in an ivory chariot pulled by dragons and an elephant. He would be accompanied by a troop of tigers, wolves, snakes and flocks of phoenix.
Wufang Shangdi – Five Forms of the Highest Deity
In Chinese texts and common beliefs, the Wudi (“Five Deities”) or Wushen (“Five Gods”) are five main deities who are personifications or extensions of a main deity.
Zhōngyuèdàdì – Huang-Di, when he becomes an Immortal or Xian and deified, is one of the Wudi. As Zhōngyuèdàdì, the “Great Deity of the Central Peak”, he is the most important of the Wudi, representing the element of earth, the color yellow and the Yellow Dragon. He is the hub and center of all creation upon which the divine order found within physical reality makes way for possible immorality. Huang-Di is the god of the governing the material world, the creator of the Huaxia (Chinese) civilization, marriage, morality, language, lineage and the primal ancestor to all Chinese people. In addition, he is a Sun God and associated astrally with the planet Saturn, the star Regulus and the constellations Leo and Lynx. The constellation Lynx in Chinese star lore, represents the body of the Yellow Dragon.
Huángshén Běidǒu – the “Yellow God of the Northern Dipper”, connected to this constellation, Huang-Di becomes identified as Shangdi or Tiandi, the supreme God or “Highest Deity.”
Further, Huang-Di is the representation for the hub of creation, the divine center and the axis mundi for the divine order in physical reality which opens the way to immortality. He is the god who is the center of the cosmos that connects the San-Huang and the Wudi.
Huángdì Nèijing – The Yellow Emperor’s Inner Canon
Also, spelled as Huang Ti Nei Ching (The Yellow Emperor’s Classic of Medicine).
This medical text forms the foundation for traditional Chinese Medicine. it comprises of the theories of the legendary emperor Huang Di who lived around 2600 B.C.E. This tome preserved a lot of ancient medical knowledge and is compose of two volumes. The first one is a dialogue between Huang Di and his minister, Qibo. The second one has the descriptions of anatomy, medical physiology and acupuncture. The real author of this book is unknown.
Huangdi Sijing – Four Scriptures of the Yellow Emperor
In this text, it is explained how regulating the heart and one’s emotions, they will never allow oneself to get overly emotional and carried away. Huang-Di had accomplished doing this during his three years at the refuge at Mount Bowang in order to find himself. Doing this, creates an internal void where all the forces of creation gather, where the indeterminate they stay, the more powerful these forces of creation will be. In more simpler terms, this is self-mastery and self-control.
Other Books –
Other books attributed to Huang Di are: Huángdì Yinfújing (Yellow Emperor’s Book of the Hidden Symbol) and the Yellow Emperor’s Four Seasons Poem that is found contained in the Tung Shing fortune-telling almanac.
As a Sun God, Huang-Di as Zhōngyuèdàdì is associated astrally with the planet Saturn, the star Regulus and the constellations Leo and Lynx. The constellation Lynx in Chinese star lore, represents the body of the Yellow Dragon.
Going Back To Where It All Began!
As previously mentioned earlier, tradition has Huang-Di begin his rule during 2697 B.C.E. and ending in 2597. An alternate date is 2698-2598 B.C.E. These dates were first calculated by Jesuit missionaries studying the Chinese chronicles. They have been accepted by later scholars looking to try and establish a universal calendar.
It should be noted that the traditional Chinese calendar didn’t mark years consecutively. Some Han-dynasty astronomers have tried to determine when Huang-Di ruled. Under the reign of Emperor Zhao in 78 B.C.E. a court official, Zhang Shouwang calculated that some 6,000 years had passed since the time of Huang-Di rule. The court however rejected this claim and said that only 3,629 years had passed. Comparisons with the Western, Julian calendar place the court’s calculations to the late 38th century B.C.E. for Huang-Di. Nowadays, the 27th century B.C.E. is accepted by many.
Possible Reality Behind The Legends
Getting anything for reliable accuracy and the historical context of China before the 13th century B.C.E. is difficult. There is a lot of reliance on what archaeology can provide and prove. The earliest Chinese writing and records date to the Shang dynasty around 1200 B.C.E. This system of writing is the use of bones for oracles. Even any hard evidence for the Xia dynasty is hard to find, even with Chinese archaeologists trying to link this dynasty to the Bronze Age Erlitou sites.
Many Chinese historians view Huang-Di to have a stronger historical basis than other legendary figures like Fu Xi, Nuwa and the Yan Emperor. While many legendary figures and ancient sages have all been considered to be historical figures, it is not until the 1920’s that members of the Doubting Antiquity School in China began to question the accuracy of these legends and claims.
Warring States Era
These early figures of Chinese history, as Gu Jiegang from the Doubting Antiquity School, as stated are mythological in origin. They started off as gods and then became depicted as mortal during the Warring States era by intellectuals.
Yang Kuan, another member of the Doubting Antiquity School, has commented that it is only during the Warring States era that Huang-Di is mentioned as the first ruler of China. Yang goes on to argue that Huang-Di is really the supreme god, Shang-Di, the god of the Shang pantheon.
Even the French scholars Henri Maspero and Marcel Granet, in their “Danses et légendes de la Chine ancienne” (“Dances and legends of ancient China”) have commented that early Chinese legends have more to do with the period to when they were written than to when they are supposed to have happened.
From God To Man
Huang Di’s status as a god faded during the 2nd century C.E. with the rise and reverence of Laozi. Huang Di will still be regarded as an immortal and the master of the longevity techniques and a deity who would reveal new teachings in the form of books like the Huang Di Yinfujing in the 6th century C.E.
Nowadays, many scholars accept the view that Huang-Di and other figures like him started off as a god of religious importance and then become humanized, mortal during the Warring States and Han periods. Even though Huang Di’s status as a god faded during the
Chang Tsung-tung, a Taiwanese scholar has argued, that based on a vocabulary comparison between Bernhard Karlgren’s Grammata Serica and Julius Pokorny’s Indogermanisches etymologisches Wörterbuch, there is a connection with the Old Chinese and the Proto-Indo-European etymologies. That there is a strong influence of Indo-European languages on the Old Chinese language around 2400 B.C.E. Chang goes on to say that the Shang dynasty was founded by Indo-European conquerors and identifies Huang-Di as an Indo-European god. Chang says that the “yellow” in Huang-Di’s name should be interpreted as referring to blond hair. That as a nomad of the steppes, Huang-Di encouraged road construction and horse-drawn carriages to establish a central state.
This idea, to me, seems farfetched. Since it is one of the ideas I came across, I’ll include it here.
Thanks to the French scholar, Albert Terrien de Lacouperie, many Chinese historians got hooked on the idea Chinese civilization getting its start in 2300 B.C.E. by Babylonian immigrants and that Huang Di would have been a Mesopotamian tribal leader. This idea has been rejected by European sinologists, however the idea was advocated for again by two Japanese scholars Shirakawa Jiro and Kokubu Tanenori in 1900.
The ideas certainly seem to held on to by anti-Manchu intellectuals who are looking for the truth of China’s history and wanting to prove the superiority of the Han over the Manchu and the importance of Huang Di as the ancestor of all Chinese.
The Mausoleum Of The Yellow Emperor
Also called Xuanyuan Temple, this mausoleum is the most important of ancient mausoleums in China and praised as “the First Mausoleum in China.” The mausoleum is located at Mount Qiao, north of the Huangling County of Yan’an some 200 kilometers north of Xi’an, the capital of Shaanxi Province. According to historians, the mausoleum was first built on the western side of Qiao during the Han Dynasty (206 B.C.E. – 220 C.E.) It was later restored during the Tang Dynasty (618 – 907 C.E.) It had been damaged by floods and moved to Qiao’s eastern side by the Emperor Song Taizu of the Song Dynasty (960 – 1234 C.E.)
During the Qingming Festival that is held on April 5th, Chinese people from all over gather to hold a memorial ceremony to commemorate the Yellow Emperor, Huang-Di. Yan’an also earns the distinction of being considered the birthplace of Chinese civilization.
I came across a few of the gods or ancestral deities for the Shilluk people. However, the information is sparse enough, I decided to combine all the deities into one article in order to expand this post. Plus, it feels more worthwhile writing it up.
First up is that Shilluk is a corruption of the word Chollo, so a lot of my research did center around looking up Shilluk and not just Chollo.
The Shilluk or Chollo people are a large, native or Luo Nilotic people living along the Nile River of modern, Southern Sudan.
Legend and traditions hold that sometime during the 15th century C.E., Nyikango, the mythical ancestor and founder of the Shilluk or Chollo nation had an argument with Dimo and other Luo groups in a place known as Bahr el Ghazel.
Taking a group of his closest family and friends, Nykango led them northwards up along the Nile in rafts and canoes until they found the place of Otango Dirum to settle. Through the use of war and diplomacy, Nykango managed to conquer over time the entire area of Otango Dirum. For each of the tribes, Nykango granted a name and ritual they were to perform. Legends and tradition hold that Nykango’s son, Dak was the most influential in establishing the Shilluk Kingdom.
Today though, the Shilluk as a nation is recognized by the Sudanese state as only part of native administrations. Since 1837, the Shilluk have never truly free except for a brief period from 1881 and 1898 during the Mahdiya. The Shilluk still have a common territory, language, tribal authority they listen to and their customs and traditions they hold to.
Diang is a cow goddess, she lived along the west bank of the Nile river. She is seen as the wife of the first human Omara that had been sent by the Creator God, Juok.
Diang and Omara have a son, Okwa who grows up and marries the crocodile goddess Nyakaya.
In Shilluk religion and beliefs, this shows a connection of the three major elements of life. Men or humans for the sky, cattle for the earth and crocodiles for water.
Juok is known by a number of other names: Jo-Uk, Joagh, Joghi, jok, Joogi, Jouk, Jok Odudu, Ju-Ok, or Jwok
He is the main Creator God of the Shilluk and other tribes along the upper areas of the Nile river. It is generally believed that Juok controls the destinies of all living creatures. The legendary Shilluk king, Nyikang is often seen as being Juok’s earthly representative or avatar much like the Egyptian pharaohs were often seen as the living god Ra in earthly form. Other tribes such as the Acholi and Lango use the name Jok to refer to local or ancestor spirits.
A crocodile goddess, she is the wife of Okwa and the mother of Nyikang.
Also known as Nyakango.
He is a fertility god and the mythical ancestor from whom all the kings of the Shilluk are descended from. Being an immortal and the avatar of Juok, Nyikang is believed not to have died, but instead, to have vanished in a whirlwind. The later kings of the Shilluk are seen as the reincarnations of Nyikang. The vitality and well-being of the tribe is closely connected to the health of Nyikang.
The son of Omara and Diang, he is the husband of Nyakaya and the father of Nyikang.
The husband of Diang, he is the first man in the mythology of the Shilluk. Omara and Diang fathered Okwa who would eventually found the lineage of Nyikang.