Category Archives: Cosmos/Universe
Etymology: Originating in the Old Norse, Þórr or þunraz, meaning: “Thunder.”
Alternate Spelling: Þórr (Old Norse), ðunor (Old English), Thorr, Thunor, Thonar, Donar (Old High German/ Teutonic), Donner, Thur, Thunar (Old Saxon), Thuner (Old Frisian) or Thunaer
Other Names and Epithets: Thor is known by a number of names and epithets in Norse mythology, poetry and literature.
Tor, Ásabragr (Asabrag, Æsir-Lord), Ása-Þórr (Asa-Thor Æsir-Thor), Atli (The Terrible), Björn (Bjorn, Biorn Bear), Einriði (Eindriði, The One who Rides Alone, The One who Rules Alone), Ennilangr (Ennilang, The One with the Wide Forehead), Harðhugaðr (Hardhugadr, Strong Spirit, Powerful Soul, Fierce Ego, Brave Heart), Harðvéurr (Hardveur The Strong Archer), Hlóriði (Hlórriði, The Loud Rider, The Loud Weather-God), Öku-Þor (Oku-Thor, Ukko-Thor, Cart Thor, Driving Thor), Rymr (Rym, Noise), Sönnungr (Sonnung, The True One), Véþormr (Vethorm, Protector of the Shrine), Véuðr (Véuðr, Véoðr, Veud, Veod), Véurr (Veur, Guard of the Shrine, Hallower), Vingþórr (Vingthor, Battle-Thor, Hallower), The Thunderer and many others
Thor, the Germanic god of Thunder is found in many Germanic mythologies such as the Teutonic and Norse mythos! Much as I love the Marvel version, what follows will be the proper mythological versions of the legend.
Among the Norse, Thor was a very popular deity who even surpassed the worship of his father Odin. As a god of thunder, strength and war, Thor protected both gods and mortals against evil.
Animal: Beetle, Goat
Day of the Week: Thursday
Patron of: Farmers, Sailors, Common Man, Warriors
Sphere of Influence: War, Protection of Mankind, Sky, Rain, Strength, Fertility, Hallowing, Healing, Thunder, Lightning, Storms
Symbols: Hammer, Swastika
Not the Marvel comic character of Thor who is blonde and muscular.
In Norse mythology, Thor is described as a large man with red hair and beard that gives off sparks when he’s angry. Further, he is described as having a wide forehead and fierce looking eyes. Thor is also known for not being very smart and having an insatiable appetite, he however, is always dressed for battle.
Another important aspect to Thor is that he is known for being able to change his size. Due to how hot and heavy he is, Thor is unable to cross the Bifrost bridge. He has to wade through the Northern Sea and enter Asgard the long route.
While Thor is known to be overly hasty in his judgments, is a reliable friend and battle companion who will have people’s backs.
What’s In A Name? – Syno-Dieities!
For one, the Romans, as they did with many other cultures that they encountered would equate their gods with those, whom they had in many cases, just conquered. In the case of Thor, while the Norse may not have ever been fully conquered, the Romans saw their god, Jupiter, a god of lightning and thunder in Thor. If the Romans weren’t equating Thor with Jupiter, they were equating Thor with Hercules. Other Indo-European gods equated with Thor have been the Celtic god Taranis, the Baltic Perkunas, the Estonian Taara, the Finno-Ugric Tiermes and Tordöm or Torum, the Slavic Perun and even the Hindu god Indra.
There were several Germanic cultures with incredibly similar mythologies throughout Europe at the time. So many of the deities were often extremely similar in function and myths. The Anglo-Saxons knew Thor by the name of Thunor. In Old English, Thor is known as Þunor where it becomes Donar in the Old High German or Teutonic mythos. Donar is thought to originate from the Common Germanic word Þunraz, meaning “thunder.”
During the Viking Age, many personal names using some form of Thor began to appear and be recorded with increasing frequency. It’s thought that the increased usage for the name Thor was in direct response to the growing Christian religion and resistance to it.
Donar – This is the South German or Teutonic name for Thor. The first record of this name was found on a piece of jewelry dating from the 7th century C.E. during the Migration Period of the Germanic people.
Donar Oak – In the 8th century C.E., there is an account how the Christian missionary, Saint Boniface knocked down an oak tree dedicated to “Jove” in Hesse, Germany.
Indra – A Hindu god, many have pointed towards both Thor and Indra having red hair and Scholars have compared the slaying of Vrita, a demon serpent by Indra with Thor’s battle with Jörmungandr, the Midgard Serpent.
Thunor – this is the Anglo-Saxon storm god and name for Thor.
Germanic Origins & Worship
Thor finds his roots in the Proto-Indo-European religion. He is a very prominent god who is mentioned many times throughout the history of the Germanic peoples from the Bronze Age, to the times of Roman occupation, to their expansions during their Migration Period, to seeing the height of his popularity during the Viking Age and persisting even during the Christianizing of Scandinavia.
Even into modern times, Thor is still found in the rural folklore in many Germanic regions. Many Nordic personal and place names often contained Thor’s name.
A hypothesis put forward by Georges Dumézil for the old Indo-European religion says that Thor represented strength when comparing him to the Hindu god Indra. However, it’s noted that many of Indra’s functions have been taken over by Odin.
Scholars have taken note of Thor’s association with fertility, especially as seen in later folklore where Thor is referred to as Sami Hora galles, the “Good-man Thor.” The equation is made as peasants seeing the side-effects of Thor’s aerial battles in the heaven that bring rain. Which makes sense when seeing Thor as a storm god, fertility would be a side-effect. Further proof is pointed in Thor’s marriage to Sif of whom not much is known about, but may very well be a memory for the divine marriage between the primary Sky God and Earth Goddess.
I’m not sure how much I agree with, but when you’ve got people wanting to connect everything, okay….
What is more practical and pointed out is Thor’s primary and principle function as the god of the second class, common man. Archaeological evidence points towards a three-tiered social hierarchy among the Norse. The first being the nobility and rulers, second being the warriors and the third being the farmers, commoners and everyone else. Thor was primarily the god of warriors and due to his being a storm god, easily stood for the farmers and commoners. As a result, Thor became the most important of the Norse gods, especially during the Viking Age as the lines between the second and third classes began to blur as social changes among the Germanic peoples.
Odin, who was the principle god for the first class appealing to the nobles, rulers, outcasts and anyone who was considered elite. Odin was often seen at odds with Thor as seen in many of the Eddas. One episode has Odin taunting Thor how Odin’s warriors are the nobles who fall in battle and that the thralls who fall in battle belong to Thor. Another episode has Odin blessing a favored hero of his, Starkaðr. For every blessing that Odin would impart, Thor gave a matching curse for Starkaðr.
This is an example of place names containing the name for Thor, but later forgotten as Christianity replaced the older Pagan religions.
In Kentish royal legends from about the 11th century C.E., there is a story of a reeve of Ecgberht of Kent known as Thunor. He was seen as being so wicked that he was swallowed up by the earth at a place known as þunores hlæwe or “Thunor’s Mound.
Thor’s hall of Bilskirnir is found in the region of Thrudheim (or spelt Thruthheim and Þrúðheimr), meaning: “Land of Strength.” Another place known as Þrúðvangr is mentioned as one of Thor’s abodes.
One of Thor’s temples located in Gamla Uppsala, Sweden, here, there is a statue showing Thor wielding a mace with Odin and “Fricco” standing to his right. Uppsala was replaced by a Christian church in 1080 C.E. Priests were appointed to each of the gods who offered up sacrifices. Sacrifices to Thor were only made during times of famine and plague.
Parentage and Family
Odin – Not just Thor’s father, Odin is also The All Father in Norse Mythology
Jord – Mother and Earth Goddess
Sometimes, Thor is said to the son of either Fjorgynn, also an Earth Goddess or Hlodyn.
Frigg – Thor is sometimes portrayed as Frigg’s stepson.
Sif – Wife, a fertility goddess
Jarnsaxa – “Iron Cutlass,” A Jötunn and Thor’s Mistress. I guess that means Thor was in a polyamory relationship.
Thor is the oldest of several brothers.
Baldr, Höðr, Víðarr, Váli, Hermóðr, Heimdallr, Bragi, Týr
Thrud – Also spelled as Þrúðr. She is likely a Valkyrie. Thor’s daughter with Sif
Magni – Thor’s son with Járnsaxa
Modi – Thor’s son with an unknown mother.
Ullr – Thor is the stepfather to this god of hunting.
Attendants of Thor
Thialfi – Not only Thor’s servant, but the messenger for the gods.
Þjálfi and Röskva – A pair of mortals, brother and sister who accompanied Thor as they ride around in his chariot.
Aesir Versus Vanir
The Aesir gods and Vanir gods of Norse mythology were two different tribes of gods who at first fought each other then started working together.
Thor belongs to the Aesir tribe of gods.
Thursday – Eight Days A Week!
In Western culture, the fourth day of the week is called Thursday or Thor’s Day, named after and for Thor himself. In Old English, this name is Thunresdaeg or Thunor’s Day. In German, the name of this day was known as Þonares dagaz or Donnerstag, meaning: Donar’s Day. Others believe the name of Thursday derives from Jupiter Tanarus, the Thundering Jupiter. In this case it’s taking the name of a Celtic deity and attaching them to a Roman god.
Interpretatio Germanica – This was a practice used during the time of the Romans when the Germanic people adopted the Roman weekly calendar and simply replaced the names of the Roman gods with their own. It easily explains how the Roman calendar and Dies Iovis, “Day of Jupiter” becomes Thursday, “Thor’s Day.”
God Of Thunder & Lightning
Thor is best known as a god of the sky and thunder among the Norse. Since thunder & lightning often mean rain, Thor is also the god of agriculture and fertility.
The 19th century scholar Jacob Grimm wrote how a number of phrases in the Germanic languages refer to Thor. Phrases such as: Thorsvarme meaning “Thor’s Warm” in Norwegian used to describe lightning; godgubben åfar meaning “The good old fellow is taking a ride” in Sweden along with tordön, meaning: “Thor’s rumble” or “Thor’s thunder” to describe when it thunders. According to Montelius, thunderbolts were known as Thorsviggar.
In Scandinavia, there is a folk belief that lightning will frighten away trolls and jötnar. This is likely a reflection of Thor’s pen chance for fighting giants. The evidence for a lack of trolls and ettins in Scandinavia is given that it is due to Thor’s accuracy and proficiency with his lightning strikes.
Once upon a time, this symbol was a protective religious symbol. While many who are already familiar with the history of this symbol are familiar with the sun or solar wheel. The swastika was also associated with Thor as this symbol was thought to represent Mjollnir or lightning.
As a protective sigil, it had been worn by women and archaeological searches have found the swastika depicted on many women’s graves. It’s thought to have been used by warriors too as it represented Thor’s lightning and used alternatively with a hammer symbol when going into battle. The symbol has been found on many memorial stones throughout Scandinavia next to inscriptions for Thor and a sword was found with an image of the swastika on the pommel. This symbol appears in many places on many Germanic artifacts dating from the Migration Period and Viking Ages.
God Of Craftsmanship
As a god of craftsmanship, it also made him the common man’s god from farmers to sailors.
God Of Healing
A Canterbury Charm dating from the 11th century C.E. has a runic inscription calling upon Thor to heal a wound by banishing a þurs or thurs.
In the Elder Futhark, the rune ᚦ or Thurs may have likely referred to dark magic or an evil spirit often called trolls or nisse.
God Of Protection & Strength
For the Germanic peoples, Thor represented the very archetype of the loyal and honorable warrior that warriors would aspire to. He was the defender of Asgard and the Aesir gods, protecting them from the jotuns, their enemies.
Going hand in hand with his role as protector is Thor’s great strength. Without his strength, power or even courage, Thor would not have been able to do his job as a protector of the gods, Asgard and Midgard. Sure Odin and Loki have the brains, it was often Thor with his brawn leading the way to muscle past faceless hordes of jotuns, ogres and trolls to defend everyone while the brains of the operations got their plans working.
A Kvinneby amulet dating from the 11th century C.E. has a runic inscription invoking protection from both Thor and his hammer.
As a weather god, Thor would also protect sailors traveling over the seas.
I find it interesting that Thor specifically is a deity noted for hallowing, that is to make something or someplace sanctified, sacred or holy. I suppose any deity can and do so, just not so explicitly like this.
As many called on Thor for protection and defense, for comfort, it does make a certain sense that he does bless items and places. A number of runic inscriptions found at many archeological sites all testify this. Even weddings were blessed by Thor as seen in the use of a hammer placed on a bride’s lap during marriage ceremonies. Early Icelandic farmers were known to call upon Thor to bless their plot of land before they built or planted crops.
Often Thor’s hammer, Mjollnir was used for blessing and hallowing just as often as he would use it to destroy. So, if he is seen as having the power to banish or destroy, having the power for just the opposite of hallowing is a given.
Interesting, some sources cite December fifth or even December 25th as the day for Thor’s birth. Imagine that, the same day for Saint Nicholas’ Day (December fifth) and Christmas (December 25th).
Mjollnir – Thor’s Hammer
Meaning “Destroyer” or “Crusher,” Mjollnir is represented as a stylized hammer. Whenever Thor threw Mjollnir, lightning would flash. The hammer would return to Thor’s hand after being thrown, a move symbolic of lightning. The myths describing Mjollnir say it could crush mountains. Mjollnir was crafted for Thor by the dwarven brothers Sindri and Brokkr.
In addition, Mjollnir held another power, that of returning the dead to life. In connection to Thor’s association to fertility and life, there was an old Nordic tradition of placing a hammer in a bride’s lap at her wedding and that of raising a hammer over a newborn.
Mjollnir’s Origins – Loki, the Norse god of trickery was in a rather mischievous mood, deciding it would be a good idea to cut off all of Sif’s hair. With Sif being Thor’s wife, the might god of thunder was not amused one bit. He swore to break every bone in Loki’s body to defend Sif’s honor and Loki pleaded with Thor to let him go to the caves of the dwarves to see if they could help fix the problem of Sif having no hair.
Loki went to the dwarven home where he implored the dwarf, Ivaldi to fashion some new hair for Sif. Ivaldi’s sons crafted a wig composed of the finest strands of gold. In addition, the dwarves made two other gifts, a ship that could easily fold down into a person’s pocket and would always have wind to move it and a magnificent, yet deadly spear.
Seeing these, Loki made a wager with two dwarven brothers, Sindri and Brokkr, betting his own head that the brothers couldn’t craft three gifts of their own for the gods that would be greater than what Ivaldi’s sons had crafted.
As the brothers began working at their forge, Loki shape-shifted into a fly as he attempted to interrupt their work to try and win the bet. While crafting the last gift, a hammer, Loki succeeded at interrupting the brothers enough that the handle of the hammer was too short. Despite this, the hammer was still considered the best of all of the gifts created and it was presented to Thor as he was the only one capable of welding it.
Holy Symbol – This major symbol of Thor’s has appeared in a many archaeological sites in iron, silver and other metal. Hammer shaped amulets were worn as necklaces by worshipers and followers of Thor, even during the Christianizing of Scandinavia as a means of defiance to the incoming religion. Both crosses and hammer shapes have been found side by side at archeological and burial sites.
Megingjard – Belt Of Strength
Meaning “Strength Increaser,” this is another of Thor’s mystical items and regalia. This belt doubled his already considerable strength while wearing it.
Járngreipr – Iron Gloves
These gloves were given to Thor by the female Jotunn Gríðr to defend himself against the giant Geirröd. These gloves were needed when Thor wielded Mjollnir.
An unbreakable staff provided by the female Jotunn Gríðr to defend himself against the giant Geirröd.
Thor rode around the heavens in a chariot pulled by two goats. These goats’ names are: Tanngnjostr (Teeth-Grinder) & Tanngrisnir (Teeth-Barer or Gap-Tooth.) Thor would kill and eat these goats, after which, they would be resurrected by placing their bones back within their hides. The Old English expression of: þunnorad (“thunder ride”) is likely an allusion to Thor riding around in his chariot.
Thor Versus Giants
The giants or Jotun lived in Jotunheim, one of the nine worlds of Norse mythology. The Jotun of were the main enemies of Thor whom he would strike down by hitting them on the head. While many of the dealings between the gods and Jotun were often civil, the fights and battles were frequent. Thor would lead the charge against the Jotun as he rode his chariot and swinging around his mighty hammer. The lightning and thunder seen during storms were believed to be Thor fighting the Jotun on behalf of the mortal realm of Midgard.
In Norse mythology, the jotun represented the forces of chaos, destruction and entropy that would destroy all of Midgard and the Cosmos if Thor and the other gods didn’t keep them in check.
Half-Giant – Well… more like three-quarters giant really. It seems a little odd that for all that Thor is the protector of the Aesir and Asgard, that Thor is three-quarters giant himself. Odin, his father is a half-giant and his mother, Jord is a giant herself. Despite that lineage, it doesn’t stop Thor or any of the other gods from getting along and standing against the jotuns.
Thor Versus Geirrod – In this story, Loki had been flying around in the form of a falcon when got captured by the jotun, Geirrod. The jotun refused to release Loki unless he could find a way to get Thor to come to his court. Thor did agree, thinking that this would be a peaceful invitation and came without his hammer, Mjollnir.
Along the way, Thor stopped at the home of a friendly female jotun by the name of Grid. She warned Thor how Geirrod really intended to kill Thor. Grid loaned Thor her unbreakable staff, Gríðarvölr.
Finally arriving at Geirrod’s court, Thor was taken to a room where he sat in the only chair present. When Thor sat, the chair began to raise towards the ceiling. Just as Thor was about to be crushed to death, he braced Grid’s staff against the ceiling and pushed his way back to the floor. There were two loud cracks and screams that followed. When Thor looked to see the source, he saw Geirrod’s two daughter laying there in pain as Thor had broken their backs when forcing himself back to the floor as they had been lifting the chair.
Geirrod rushed into the room in a rage, throwing a molten iron rod at Thor. Undaunted, Thor caught the rod easily and Geirrod in a panic, hid behind a pillar. When Thor threw the rod at the pillar, it not only pierced the pillar, but continued through to impale Geirrod, killing him.
The Sun, The Moon & Freyja – One such story has Asgard, the home of the Norse gods getting damaged during a war between the gods. One of the Jotun offered to help rebuild the walls for Asgard, vowing to get it done in a short span of time. The gods accepted this offer, believing it would be an impossible task. The gods promised the Jotun a reward of the sun, the moon and the hand of Freyja in marriage. This Jotun nearly finished the task in the stated time period. However, to prevent having to fulfill the gods end of the bargain, Thor killed the Jotun.
Defeated By Utgard-Loki
This is a story that has two parts to it, beginning easily enough one winter when the jotun were causing huge blocks of ice to fall from the sky down into Midgard into people’s homes and causing vast amounts of snow to cover the fields to prevent planting any crops. As the defender and champion of humanity, Thor journeyed to the realm of Jotuneim with Loki and a couple of other companions.
Part One – Thor Versus Skrymir – In this first part, Thor and Loki met the Jotun known as Skrymir. This giant was so immense, that Thor and his companions mistook him for a hill. There was an oddly shaped mansion that the group found and decided to sleep in for the night. In the morning the group discovered that this mansion was actually one of Skrymir’s gloves. When the group awoke n the morning, they realized what they had taken for a hill was actually the giant, Skyrimir still asleep. Thor tried to crush in the Jotun’s skull with his hammer, Mjollnir. In response, Skrymir merely brushed the blow away as if it were nothing but a fly or leaf.
Despite the efforts of Thor to murder Skyrimir in his sleep, when the giant awoke, he offered to lead the group on their way to Utgard, a city of the jotun.
Part Two – Visiting Utgard – Skrymir led the group to the jotun city of Utgard where the group lost sight of Skrymir and was greeted by a group of jotun, including the king himself, Utgard-Loki. Given the general animosity between the gods and jotun, it’s no surprise that Thor, Loki and their other companions were not welcomed, unless of course they could complete a series of seemingly impossible challenges.
Loki was challenged and lost an eating contest when his opponent not only ate all the meat, but the bones and plate itself. Thialfi, one of the companions with the group, lost a series of three footraces.
It now fell to Thor to fulfill three challenges. As Thor boasted he could drink anyone under the table, a large drinking horn was brought to him with the challenge to finish it all in one gulp. After taking three huge swallows, Thor had only managed to drain the horn a few inches.
With the next challenge, Thor boasted his immense strength and Utgard-Loki challenged Thor to pick up a cat off the ground. After three attempts at moving the cat, Thor was only able to succeed at moving one paw.
Enraged by this, Thor accepted the last challenge of a wrestling match with anyone willing to match strength with him. The only one who would, was an old, frail looking woman. Thinking this would be easy, once again Thor was met with defeat at the hands of a feeble opponent who easily bested the mighty god, bringing him to his knees.
After this, Utgard-Loki declared the contests over and allowed the gods to stay the night and rest before returning home in the morning.
Come daylight, Utgard-Loki led the group out of Jotunheim. Once they were well past the borders, Utgard-Loki revealed himself to have been the giant, Skrymir who lead them to the city. Utgard-Loki proceeded to reveal the secrets of all of the challenges that Thor and his companions undergone.
Loki had been competing with fire, that burns and consumes everything it touches. That Thialfi’s opponent was thought, whom no one can outrun. As to Thor, the drinking horn he had drunk from was connected to the ocean and that he had succeeded in lowering the sea levels. The cat that Thor had tried lifting was none other than Jormungand, the Midgard serpent that encircles the world. As for the old woman, she was Age itself whom no one can defeat. That no matter how fiercely and bravely Thor fought her, even he would fall to her.
Angry at being tricked, Thor raised his hammer Mjollnir only to have the king of giants and his city vanish into thin air.
Thor Versus Hrungnir – One day Odin was out wandering near Jotunheim when he meets the jotun, Hrungnir. Odin challenged the jotun to a horse race back to Asgard. While Odin still won the match, he invited the jotun, Hrungnir to stay for dinner. During the dinner, Hrungnir gets drunk and boasts about how he could destroy Asgard and keep the goddesses as his concubines, including Thor’s own wife, Sif.
Needless to say, Thor didn’t take too well to this boasting and challenged Hrungnir to a fight. The jotun agreed and as Hrungnir had brought no weapons, they went back down to meet up near Jotunheim.
Before getting there, the other jotuns crafted a huge clay figure, some 30 miles high and 10 miles wide whom they brought to life. This clay figure would be Hrungnir’s right-hand man during the upcoming fight.
When Thor arrived, he was unfazed by seeing Hrungnir’s massive clay figure fighting beside him. Using his own trickery, Thor sent his own servant to keep the clay figure busy while Thor battled Hrungnir. When Hrungnir threw a giant whetstone, Thor responded with hurling his hammer, Mjollnir that broke the stone in half before continuing through to smash in Hrungnir’s head.
The Poetic Edda & Other Sagas
Much of what we know about Thor and the other Norse deities comes from the surviving Poetic Edda that was compiled in the 13th century C.E. It is a collection of various poems as follows: Völuspá, Grímnismál, Skírnismál, Hárbarðsljóð, Hymiskviða, Lokasenna, Þrymskviða, Alvíssmál, and Hyndluljóð.
Alvíssmál – In this poem, Thor manages to trick the dwarf, Alviss. When the story starts, Thor meets the dwarf, Alviss who is talking about marriage. Finding the dwarf to be ugly and repulsive, Thor comes to realize that it is own daughter, Thrud who is to be married. Further angered, Thor learns that this marriage was arranged by the other gods while he was away. Alviss however, must still seek Thor’s consent.
In order to get Thor’s permission, Alviss must tell Thor all about the worlds that he has visited. It becomes a rather long question and answer session as Alviss goes into detail about the terrains, different languages of various races and a goodly amount of cosmology.
This long question and answer session is nothing more than a delay tactic by Thor. While Thor comments that he has never met anyone with more wisdom, he has succeeded in delaying Alviss long enough that when the Sun rises, it turns him to stone. Now Thor’s daughter won’t be marrying someone he doesn’t approve. Of course, Thor could have made it easier by simply denying Alviss’ request, but it might have been more problems.
Grímnismál – In this poem, Odin is disguised as Grimnir wherein he is tortured, starved and thirsty. In this state, Grimnir tells a young Agnar about the cosmology of Norse believes, that Thor lives in Þrúðheimr and every day, Thor wades through the rivers Körmt and Örmt and the two Kerlaugar. At the base of the world tree, Yggdrasil, Thor sits as a judge.
Hárbarðsljóð – In this poem, Thor is the central figure. After having traveled “from the east,” Thor comes to an inlet where he tries to get a ride from a ferryman by the name of Hárbarðr (Odin in disguise). The ferryman shouts at Thor from the inlet, being rude and obnoxious. Thor takes this all-in stride at first, keeping his cool. As Hárbarðr becomes more and more aggressive, the two eventually fall into a flyting match.
Flyting? Epic Rap Battles way back in the day. As the match continues, it is revealed that Thor has killed several jötnar (giants) in the east and berserk women in Hlesy (the Danish island of Læsø). Thor loses the match to Hárbarðr and finds himself forced to walk.
It should be noted that the name of Hárbarðr or Harbard means Greybeard.
Hymiskviða – In this poem, Thor is the central character. After the gods have been out hunting and finished eating their prey, they begin to drink. As they drink, the gods decide to “shake the twigs” and interpret what is said. The gods then decide that they will find some cauldron’s at Ægir’s home. Thor gets to Ægir’s home and tells the other god how he needs to prepare a feast for the gods. Annoyed by this, Ægir informs Thor that he and the other gods will need to bring him a suitable cauldron in which to brew some ale in. Searching to no avail, Thor and the other gods are unable to locate such a cauldron. Tyr tells Thor that there may be a proper cauldron to use at Hymir’s place over east in Élivágar.
Stabling his goats, Thor and Tyr head to Hymir’s hall for a large enough cauldron to meet Ægir’s demands. When they arrive, Tyr see his nine-hundred-headed grandmother and his gold-clad mother who welcomes the two with a drinking horn. Hymir comes in and he’s not happy to see Thor. Tyr’s mother helps with finding a large enough cauldron for Ægir’s need for brewing. Thor in the meantime, eats a huge meal consisting of two oxen (while the others only have one) and then falls asleep.
In the morning, Thor awakens and tells Hymir that he wants to go fishing, intending to catch a lot of fish, but he will need bait. Hymir has Thor get bait from his pasture. Thor does so, going out and rips the head off of Hymir’s best ox. I can see why Hymir isn’t happy with seeing Thor.
There’s a break in the poem and it picks up with Thor and Hymir out at sea in a boat, fishing. Hymir manages to catch a few whales. Thor goes and baits his line with the head of the ox and when he throws it out, it is Jörmungandr, the monstrous sea serpent that takes the bait. Undaunted, Thor pulls the serpent up and slams Jörmungandr’s head with his hammer. Jörmungandr lets out a mighty shriek.
There is another break in the poem. However, other sources have commented that what is likely to have happened, is that Hymir cut the line holding Jörmungandr and he slipped back down into the ocean. This incident is also probably the source of the enmity between Thor and Jörmungandr at Ragnarok when the two kill each other.
The poem picks back up with Hymir completely unhappy and quiet as the two row back to shore. Back at shore, Hymir tells Thor to help him carry one of the whales back to his farm. Thor’s response is to pick up the boat, whales and all to carry them back to the farm.
Back at the farm, Thor smashes a crystal goblet that he throws at Hymir’s head at the suggestion of Tyr’s mother. Thor and Tyr are given the cauldron that they came looking for and while Tyr is unable to lift it, Thor is able to at least roll it along.
After leaving Hymir’s place and getting some distance from the farm, Thor and Tyr are attacked by an army of multi-headed creatures all led by Hymir. Thor kills all of the attacking creatures and presumably Hymir. One of Thor’s goats ends up lame, however Thor and Tyr are successful at bringing back a large enough cauldron for Ægir who is able to brew enough ale for everyone. Clearly the feast is enough of a success that the gods return every winter to Ægir’s place for more ale.
Hyndluljóð – In this poem, Freyja offers the jötunn woman, Hyndla a blót or sacrifice to Thor so that she can be protected. The comment is made that Thor doesn’t care much for jötunn women. Which begs the question of why make the offer? Unless because it was Freyja making the offering, knowing that Thor would honor it?
Lokasenna – In this poem, Loki enters a flyting match the gods in Ægir’s hall. Thor isn’t present for this incident. Towards the end of the poem, as things get more heated, the attention is turned towards Sif, Thor’s wife and Loki makes a bold claim to have slept with her. Beyla, a servant of Freyr’s, interrupt and announces that since the mountains are shaking, it must mean that Thor is on his way home. Beyla continues with how Thor will bring an end to the argument. Loki responds with more insults.
Thor does arrive and tell Loki to keep quiet or else he’ll rip off Loki’s head using his hammer. Loki taunts Thor, asking why he is so angry, he won’t be in any mood to fight the wolf, Fenrir after it eats Odin. All this is about the events of Ragnarok that have been foretold. Thor again tells Loki to keep quiet with a threat to throw the trickster god so far into the sky he would never come back down.
Not daunted in the least, Loki tells Thor how he shouldn’t be bragging about his time in the east as the mighty Thor had once cowered in fear inside the thumb of a glove. Once more Thor tells Loki to keep silent with threats to break every bone in his body. Loki continues the taunts, saying he still intends to live, throwing in references to when Thor had met Útgarða-Loki.
Thor gives a fourth and final demand to Loki for silence or else he would send Loki to Hel. At this, Loki ceases his taunts saying that he will leave the hall, knowing that Thor does indeed strike. The segment of the poem containing Thor ends here, but continues on.
Skírnismál – In this poem, Freyr’s messenger, Skirnir threatens the lovely Gerðr with whom Freyr is in love with. Skirnir’s many threats and curses include those of having Thor, Freyr and Odin himself be angry with her if she doesn’t return Freyr’s advances. I would hope that Gerðr held her ground and said no.
Þrymskviða – Also known as the Lay of Trym, this comedic poem features Thor as a central figure. Thor awakens one morning to discover that his hammer, Mjöllnir is missing. Thor confides in Loki about the missing hammer and that no one knows it’s missing. The two then head to Freyja’s hall to find the missing Mjöllnir. Thor asks Freyja if he can borrow her feathered cloak to which she agrees. At this, Loki takes off with the feathered cloak.
Loki heads to Jötunheimr where the jotunn, Þrymr is making collars for his dogs and trimming the manes of his horses. When Þrymr sees Loki, he asks what is happening among the Æsir and elves and why it is that Loki is alone in Jötunheimr. Loki replies by telling Þrymr how Thor’s hammer, Mjöllnir is missing. Þrymr admits to having taken Mjöllnir and hiding it some eight leagues beneath the earth where Thor will never get it back unless the goddess Freyja is brought to him to be his wife. Loki takes off again, flying back to the Æsir court with Freyja’s cloak.
Thor enquires with Loki if he was successful. Loki tells of what he has found out, that Þrymr took Thor’s hammer and will only give it back if Freyja is brought to Þrymr to be his wife. At this news, Thor and Loki return to Freyja to tell her of the news that she is to be a bride to Þrymr. Angry, Freyja flat out refuses, causing the halls of the Æsir to shake and for her famous necklace, Brísingamen to fall off.
The gods and goddess hold a meeting to debate the matter of Þrymr’s demands. The god Heimdallr puts forth the suggestion that instead of Freyja, that Thor should dress as the bride as a way to get Thor’s hammer back. Thor balks at the idea and Loki seconds Heimdallr’s idea, saying it will be the only that Thor can get his hammer back. For without Mjöllnir, the jötnar will be able to invade Asgard. Relenting, Thor agrees to dress as a bride, taking Freyja’s place. Dressing as a maid to the disguised Thor, Loki goes with Thor down to Jötunheimr.
After arriving in Jötunheimr, Þrymr commands the jötnar of his hall to make the place presentable for Freyja has arrived to be his bride. Þrymr then tells how of all of his treasured animals and objects, that Freyja was the one missing piece to all of his wealth.
Disguised, Loki and Thor meet with Þrymr and all of his jötnar. At the feast, Thor consumes a large amount of food and mead, something that is at odds with Þrymr’s impressions of Freyja. Loki, feigning the part of a shrewd maid, tells Þrymr how that is because Freyja had not eaten anything for eight days in her eagerness to arrive. Þrymr decides that he wants to kiss his bride and when he lifts “Freyja’s” veil, fierce looking eyes stare back at him. Again, Loki says that this is because Freyja hasn’t slept either during the past eight nights.
A poor sister of the jötnar arrives, calling for the bridal gift from Freyja if she cares anything at all for the jötnar. The jötnar then bring out Thor’s hammer, Mjöllnir in order to sanctify the bride as they lay it on “Freyja’s” lap. Þrymr and Freyja will be handfasted by the goddess Var. When Thor sees his hammer, he grabs hold of Mjöllnir and proceeds to beat all of the jötnar with it. Thor even kills the poor sister of the jötnar. Thus, Thor gets his hammer back.
Völuspá – In this poem, a dead völva tells the history of the universe and the future Odin in disguise about the death of Thor. The völva foretells how Thor will battle with the Midgard serpent during the great mythical battle known as Ragnarok. How after slaying the serpent, Thor will only be able to take nine steps before dying from the serpent’s venom.
After the battle, the sky turns black before fire envelops the world, the stars vanishing, flames dancing across the sky, steam rising and the world becoming covered in water before it raises again, once more green and fertile.
The Prose Edda & Other Sagas
Not to be confused with the Poetic Edda, the Prose Edda consists of four books: Prologue, Gylfaginning, Skáldskaparmál, and Háttatal written by Snorri Sturluson.
In the Prose Edda, Thor is a prince of Troy, the son of King Memnon by Troana, the daughter of Priam. In this account, Thor is also known as Tror who is to have married the prophetess Sibyl, identified with Sif. It continues that Thor was raised in Thrace by the chieftain Lorikus whom Thor later kills and takes on the title: King of Thrace. Like later Marvel versions of Thor, this version of Thor also has blonde hair.
Snorri Sturluson explains how the name of the Aesir gods means: “men from Asia” and that Asgard was an “Asian City” that is, Troy. Given that Troy is located anciently in Tyrkland (Turkey) and is part of Asia Minor, that explanation works. So Asialand or Scythia is where Thor is to have founded a new city by the name of Asgard. Odin in this version is a descendant of Thor by twelve generations, who leads an expedition across Germany, Denmark, Sweden and Norway.
So, if Snorri can play around with Thor’s mythology, so can Marvel comics.
This is another of Snorri Sturluson’s books, written in the 13th century C.E. Statues attributed to Thor are found mentioned in a number of different sagas. Namely the Ynglinga saga, Hákonar saga góða, Ólafs saga Tryggvasonar, and Óláfs saga Helga sagas. In the Ynglinga saga, Thor is described as having been a pagan priest who was given by Odin, another powerful, magic using chieftain to the East, a place in the mythical place of Þrúðvangr, that is now Sweden. A number of popular names for Thor likely originate from the Ynglinga.
Ragnarok – Twilight of the Gods
The final end game of the Norse Gods, this not exactly a happy time as a good many of the gods end up dying.
Jormungand – On the day of Ragnarok, Thor would kill the Midgard Serpent known as Jormungand and then die in turn from the serpent’s poison. Thor’s sons, Magni and Modi would inherit the hammer. Though just how they would split it between them is unknown.
Norse Versus Christianity
Dating from the 800’s C.E., there’s a story how a bunch of priests of Thor had shown up at a Christian monastery of monks. Apparently, word had gotten around and the priests of Thor weren’t happy with how the monks their God were transgressing on Thor’s territory.
The priests of Thor were considering wiping out all of the monks, but knew if they did that, more monks and followers of Christianity would soon arrive.
Thor’s priests then decided on a pretty clever plan, let the gods fight it out for who would be the supreme deity. Thor’s priests were very confident that Thor would show up, leaving the Christian monks to have their God show up. The monks declined the challenge.
It’s an interesting story of people so certain in the reality of their faith and deities.
Old Saxon Baptismal Vow
This codex dating from the 9th century C.E. has the names of three Old Saxon gods, UUôden (Old Saxon “Wodan”), Saxnôte, and Thunaer, listed as demons to be renounced by the Germanic pagans converting to Christianity.
This is a specific breed of fox found in Iceland. The name translates to “Thor of the Holt” and receives the name due to their red coats.
Thorwiggar – Thor’s Wedges
In Swedish folklore, these are smooth, wedge-shaped stones that were thrown by Thor at a troll.
In a similar vein, meteorites are considered memorials to Thor due to how heavy they are.
On the Swedish island of Gotland, this is the name of a beetle named after the god Thor. It is believed that when this beetle is found upside down, that a person can gain Thor’s favor by flipping the beetle back over.
Unfortunately, in other parts of Sweden, this beetle has become demonized with the Christinization of Europe as seen in the name of Thordedjefvul and Thordyfvel, both of which mean “Thor-Devil.”
Alternate Spellings: 黄帝, Huang Di, Huangdi
Also known as: Gongsun, Kung-sun, Xuanyuan, Xuan Yuan, Hsuan-yuan, Huang Ti, Hwang Ti, Yellow Emperor, Yellow Thearch, the Yellow God, the Yellow Lord
Etymology: the Yellow Emperor, The character 黄 Huang, means “yellow” and is a homophony for the character, 皇 Huang, meaning, “august”, “creator” and “radiant”, Di “emperor”
Huang-Di, the Yellow Emperor ruled during a golden age of Chinese history and mythology. He is the first of five legendary Chinese emperors. Tradition has Huang-Di beginning his rule during 2697 B.C.E. and ending 2597. An alternate date is 2698-2598 B.C.E. These dates were first calculated by Jesuit missionaries studying the Chinese chronicles. They have been accepted by later scholars looking to try and establish a universal calendar.
There are a number of different legends surrounding Huang-Di that tell of his greatness as a benevolent ruler and establishing Chinese civilization. Huang-Di is to have ruled in a Golden Era of history before written Chinese history was established so many of his stories were passed down orally first. Just as Britain has its King Arthur, China has Huang-Di, the greatest ruler of all time that everyone looks up to and reveres.
What’s In A Name?
This gets a little tricky. Depending on the Chinese character used and its pronunciation; depends on what the word is translated to mean.
The character for Di, is used to refer to the highest deity from the Shang dynasty. During the Warring States period, the term Di came to be associated with the gods of the five sacred mountains and colors. After this era, about 221 B.C.E. the term Di came to refer to earthly emperors.
The character for Huang can be translated a couple different ways. Either Yellow or August. Scholars and historians seeking to emphasize the more religious meaning to the name Huaung-Di will translate the name to mean “Yellow Thearch” or “August Thearch.”
Some scholars such as Sima Qian in his “Records of the Grand Historian” compiled in 1st century B.C.E. have given Huang-Di’s name as Xuanyuan. The 3rd century scholar Huangfu Mi have said that this is to be the very same hill that Huang-Di lived and takes his name from. Liang Yusheng, from the Qing dynasty has argued that the hill is named after the Huang-Di. In Chinese astronomy, Xuanyan is the name for the star Alpha Leonis or Regulus.
The name Xuanyuan is also references Huang-Di’s birthplace. Huang-Di’s surname was Gongsun or Ji.
The name Youxiong is thought to be either a place name or clan name. Several Western scholars and translators have given their ideas on what Youxiong translate to. The British sinologist, Herbert Allen Giles says the name is from Huang-Di’s principal heritage. William Nienhauser, in translating the “Records of the Grand Historian” has put forth that Huang-Di is the head of the Youxiong clan who lived near Xinzheng in Henan. The French historian, Rémi Mathieu translates the name Youxiong to mean “possessor of bears” and linking Huang-Di in mythology to bears. Rémi isn’t the only one to make a connection to bears. Ye Shuxian also makes a connection with Huang-Di to the bear legends found throughout northeast Asia and the Dangun legend.
As a culture hero, Huang-Di is seen as a wise and benevolent ruler who introduced government and laws. He is also seen as having taught people several different skills and to have invented several things such as clothing, building permanent structures such as palaces and houses, music, the wheel, armor & weapons, carts, ships, writing, digging wells, agriculture, taming and domesticating animals, astronomy, calendars, mathematics, cuju (a sport similar to football), the compass and currency.
At some time during Huang-Di’s rule, he reputed to have visited the Eastern sea where he met Bai Ze, a supernatural talking beast that taught him the knowledge of all supernatural creatures. Bai Ze explained to Huang-Di there were 11,522 (or 1,522) different types of supernatural beings.
San-Huang – The Three Sovereigns
Also, known as the Three Emperors, they are a group of god-kings and demigod emperors who are believed to have lived some 4,500 years ago. Huang-Di is counted as being part of this group and the leader of their number to have once ruled over China. Other’s counted among this number are Fu Xi, Nuwa and Shennong.
This is another mythological and historical group of rulers important to Chinese culture. These five emperors were virtuous rulers of outstanding moral character. Taihao, the Yan Emperor, the Yellow Emperor (Huang-Di), Shaohao and Zhuanxu are considered among the Five Emperors in this group.
But that makes four with the Three Sovereigns! The math is off! There are a number of variations as to who is counted among these numbers and it all depends on which text and source is used. It will even flip-flop too as to where Huang-Di is placed as either one of the Three Sovereigns or Five Emperors.
Parentage and Family
Huang-Di’ parents are given as Shaodian as his father and Fu Pao as his mother.
According to the “Discourses of the States”, Shaodian is sometimes mentioned as being Huang-Di’s step-father.
Huang-Di seems to have had several different wives:
Leizu – Of Xiling, she is the first wife, she is the most notable with any information as she is the first person to have domesticated silk worms for their silk. With Leizu, Huang-Di had two sons.
Fenglei – Second wife
Tongyu – Third wife
Momu – Fourth wife
Huang-Di is reputed to have had 25 sons. 14 of these sons all started clans of their own with their own surnames.
Shaohao – Also known as Xuanxiao, he would become the Emperor after Huang-Di’s death.
Changyi, who in turn is the father of Zhuanxu who would succeed his uncle, Shaohao as the next Emperor.
Ancestor Of The Chinese
A lot of emphasis and importance has been placed on Huang-Di as many Chinese dynasty rulers would trace the rights of their sovereignty to him. The Chinese Han claim being descendants of both Yandi (The Flame Emperor) and Huang-Di. Eventually, Huang-Di would be seen as the ancestor to all Chinese. A many Dynasty Emperors would all lay claim to Huang-Di’s legacy to prove their rightful claim to the throne.
It should be noted that the earlier mentions of Huang-Di, the Yellow Emperor is on a fourth century bronze inscription for the royal house of the Qi. This inscription claims Huang-Di as an ancestor to the Qi. The scholar, Lothar von Falkenhausen has suggested that Huang-Di is likely created as an ancestral figure in order to claim that all the ruling clans from the Zhou share a common ancestor.
Birth Of A Legend
Per myth and legend, Huang-Di is the result of a virgin birth. His mother, Fubao become pregnant with him while walking out in the countryside and was struck by lightning from the Big Dipper constellation. Fubao would give birth to her son after a period of twenty-four months on either Mount Shou or Mount Xuanyuan. It is for mount Xuanyan that Huang-Di would be named.
In Huangfu Mi’s account, Huang-Di is born at Shou Qiu or Longevity Hill near the outskirts of Qufu in Shandong by modern times. Huang-Di lived with his tribe near the Ji River, a mythological river and later migrated with his tribe to Zhuolu near modern Hebei. As a cultural hero, Huang-Di tames six different animals, the bear, the brown bear, the pi and xiu. The pi and xiu get combined to become a mythological animal known as the Pixiu. He also tames the chu and tiger. I’m not sure which creatures all of these are or the difference between a bear and brown bear is, but there we have it.
Other legends surrounding Huang-Di hold that he could speak shortly after his birth. That when he was fifteen years old, there was nothing that he didn’t know. Huang-Di would eventually hold the Xiong throne.
Trouble In Paradise
Huang-Di’s rule wasn’t completely problem free. One god decided to challenge Huang-Di’s sovereignty. This god was helped by the emperor’s son, Fei Lian, the Lord of the Wind. Fei Lian sent fog and heavy rain to try and drown the Imperial Armies. The emperor’s daughter, Ba (meaning drought) put an end to the rain and helped to defeat Fei Lian and his forces.
The Yellow Emperor And The Yan Emperor
Despite there being some 500 years between Huang-Di and Shennong rules, both of these emperors’ rules near the Yellow River. Shennong hailed from another are up around the Jiang River. Shennong having trouble with keeping order within his borders, begged the Yellow Emperor, Huang-Di for help against the “Nine Li” lead by Chi You and his some 81 brothers who all have horns and four eyes.
Battle of Zhuolu – Shennong was forced to flee Zhuolu before begging for help. Huang-Di used his tame animals against Chi You who darkened the sky by breathing out a thick fog. Huang-Di then invented the south-point chariot to lead his army out of the miasma of fog.
In order to defeat Chi You, Huang-Di calls on a drought demon, Nüba to get rid of Chi You’s storm.
This story sounds a lot like a variation of the previous story where Huang-Di calls for his daughter Ba to defeat Fe Lian.
Battle of Banquan – It is at this battle, that both Huang-Di and Shennong finally defeat Chi You and his forces and replace him as ruler.
Death & Immortality
Huang-Di ruled for many years and is thought to have died in 2598 B.C.E. Legend holds Huang-Di lived over a hundred years, by some accounts this was 110 years. Before he died, Huang-Di met a phoenix and qilin before he rose to the heavens to become an immortal or Xian. He is considered the very archetype of a human who merges their self with the self of the Universal God; how a person reaches enlightenment and immortality.
Another account of Huang-Di’s death is that a yellow dragon from Heaven flew down to take up Huang-Di up. Huang-Di knew that he could not deny destiny and went with the dragon. On their way to fly back to Heaven, they flew over Mount Qiao where Huang-Di asked to be able to say goodbye to his people. The people cried out, not wanting Huang-Di to leave them and they pulled on his clothing to try and keep. Surprisingly, Huang-Di slipped free of his clothing and got back on the dragon to fly up to the heavens. As to his clothing, they were buried in a mausoleum built at Mount Qiao.
Two tombs commemorating Huang-Di were built in Shaanxi within the Mausoleum of the Yellow Emperor. Other tombs were built in Henan, Hebei and Gansu.
Huang-Di is the founder of Taoism, one of the main philosophies and religions found in China.
As Huang-Di began to age, he began to allow his court officials to handle matters and make decisions. Huang-Di moved out into a simple hut in his courtyard. There, as he fasted, prayed and meditated, Huang-Di discovered Tao, or the way, a philosophy that would lead to the ideal state of being.
In some of the older accounts with Huang-Di, he is identified as a god of light and thunder. The name Huang and Guang, meaning “light,” making him a Thunder God. However, Lei Gong or Leishen is the name of another deity and he is seen as Huang-Di’s student.
The legend and origins for Haung-Di have been cast into doubt by many. The scholar Yang Kuan, a member of the Doubting Antiquity School has argued that Huang-Di is derived from the god, Shang-Di from the Shang dynasty. Yang says that the etymology of Shang-Di, Huang Shang-Di and Huang-Di all have a connection to the Chinese character of 黄 Huang, which means “yellow” and its homophony of, 皇 Huang, which means “august,” that to use the character for 皇 Huang, was considered taboo.
Other historians have disputed this claim like Mark Edward Lewis and Michael Puett. While Mark Edward Lewis agrees that the two characters are interchangeable, he has suggested that the character 黄 Huang is closer to the character wang phonetically. Lewis puts forth the idea that Huang might have referred to a “rainmaking shaman” and “rainmaking rituals.” He uses the Warring States and Han era myths for Huang-Di, in that these were ancient rainmaking rituals, as Huang-Di held power over the clouds and rains. Huang-Di’s rival, Chiyou or Yandi held power over fires and drought.
Lord Of The Underworld Or The Yellow Springs
Further disagreements with Yang Kuan’s idea of equating Haung-Di with Shang-Di is the Western scholar, Sarah Allen who has stated that the pre-Shang myths and history can be seen as changes to Shang’s mythology.
By this argument, Huang-Di was originally an unnamed Lord of the Underworld or Yellow Springs, the counterpart to Shang-Di in his role as the supreme deity of the sky. Continuing this theme, the Shang rulers claimed their ancestor as the “the ten suns, birds, east, life and the Lord on High. Shang-Di had defeated an earlier group of people who were associated with the Underworld, Dragons and the West.
After the Zhou dynasty overthrew the Shang dynasty in the eleventh century B.C.E., the Zhou rulers began to change out the myth, changing the Shang to the Xia dynasty. By the time of the Han, according to Sima Qian’s Shiji, Huang-Di as Lord of the Underworld had now become a historical ruler.
During the Warring States era of texts, the figure of Huan-Di appears intermittently. Sima Qian’s text, Shiji (Records of the Grand Historian) is the first work to gather all of the fragments and myths surrounding Huan-Di into a coherent form and narrative. The Shiji would become a very important and influential text for the Chinese and the start of their history.
In the Shiji, Sima Qian he says that the state of Qin began worshiping Huang-Di during the fifth century B.C.E. along with Yandi, the Flame Emperor. Alters had been established in Yong, the capital of Qin. By the time of King Zheng in 247 B.C.E., Huang-Di had become the most important of the four “thearchs” worshiped in Yong.
During the late Warring States and early Han eras, Huang-Di’s cult became very prominent as he is regarded as the founder of the arts, civilization, governing and a supreme god. There have been a number of texts such as the Huangdi Neijing, a classic medical text, and the Huangdi Sijing, a group of political treatises that Huang-Di is credited with having written.
While his influence has waned for a period, the early twentieth century saw Huang-Di become an important figure for the Han Chinese when trying to overthrow the Qing dynasty. For some, Huang-Di is still an important, nationalist symbol.
Huángdì Sìmiàn – Yellow Emperor with Four Faces
In the Shizi, Huang-Di is known as the Yellow Emperor with Four Faces. Other names that Huang-Di is known by are: Sìmiànshén, Four-Faced God or the Ubiquitous God. The name Sìmiànshén is also the name for Brahma in Chinese.
As Huángdì Sìmiàn, Huang-Di represented the center of the universe and his four faces allowed him to see in everything that happened around him and in the world. In this aspect, he communicated directly with the gods for prayer and sacrifice. When traveling, Huang-Di rode in an ivory chariot pulled by dragons and an elephant. He would be accompanied by a troop of tigers, wolves, snakes and flocks of phoenix.
Wufang Shangdi – Five Forms of the Highest Deity
In Chinese texts and common beliefs, the Wudi (“Five Deities”) or Wushen (“Five Gods”) are five main deities who are personifications or extensions of a main deity.
Zhōngyuèdàdì – Huang-Di, when he becomes an Immortal or Xian and deified, is one of the Wudi. As Zhōngyuèdàdì, the “Great Deity of the Central Peak”, he is the most important of the Wudi, representing the element of earth, the color yellow and the Yellow Dragon. He is the hub and center of all creation upon which the divine order found within physical reality makes way for possible immorality. Huang-Di is the god of the governing the material world, the creator of the Huaxia (Chinese) civilization, marriage, morality, language, lineage and the primal ancestor to all Chinese people. In addition, he is a Sun God and associated astrally with the planet Saturn, the star Regulus and the constellations Leo and Lynx. The constellation Lynx in Chinese star lore, represents the body of the Yellow Dragon.
Huángshén Běidǒu – the “Yellow God of the Northern Dipper”, connected to this constellation, Huang-Di becomes identified as Shangdi or Tiandi, the supreme God or “Highest Deity.”
Further, Huang-Di is the representation for the hub of creation, the divine center and the axis mundi for the divine order in physical reality which opens the way to immortality. He is the god who is the center of the cosmos that connects the San-Huang and the Wudi.
Huángdì Nèijing – The Yellow Emperor’s Inner Canon
Also, spelled as Huang Ti Nei Ching (The Yellow Emperor’s Classic of Medicine).
This medical text forms the foundation for traditional Chinese Medicine. it comprises of the theories of the legendary emperor Huang Di who lived around 2600 B.C.E. This tome preserved a lot of ancient medical knowledge and is compose of two volumes. The first one is a dialogue between Huang Di and his minister, Qibo. The second one has the descriptions of anatomy, medical physiology and acupuncture. The real author of this book is unknown.
Huangdi Sijing – Four Scriptures of the Yellow Emperor
In this text, it is explained how regulating the heart and one’s emotions, they will never allow oneself to get overly emotional and carried away. Huang-Di had accomplished doing this during his three years at the refuge at Mount Bowang in order to find himself. Doing this, creates an internal void where all the forces of creation gather, where the indeterminate they stay, the more powerful these forces of creation will be. In more simpler terms, this is self-mastery and self-control.
Other Books –
Other books attributed to Huang Di are: Huángdì Yinfújing (Yellow Emperor’s Book of the Hidden Symbol) and the Yellow Emperor’s Four Seasons Poem that is found contained in the Tung Shing fortune-telling almanac.
As a Sun God, Huang-Di as Zhōngyuèdàdì is associated astrally with the planet Saturn, the star Regulus and the constellations Leo and Lynx. The constellation Lynx in Chinese star lore, represents the body of the Yellow Dragon.
Going Back To Where It All Began!
As previously mentioned earlier, tradition has Huang-Di begin his rule during 2697 B.C.E. and ending in 2597. An alternate date is 2698-2598 B.C.E. These dates were first calculated by Jesuit missionaries studying the Chinese chronicles. They have been accepted by later scholars looking to try and establish a universal calendar.
It should be noted that the traditional Chinese calendar didn’t mark years consecutively. Some Han-dynasty astronomers have tried to determine when Huang-Di ruled. Under the reign of Emperor Zhao in 78 B.C.E. a court official, Zhang Shouwang calculated that some 6,000 years had passed since the time of Huang-Di rule. The court however rejected this claim and said that only 3,629 years had passed. Comparisons with the Western, Julian calendar place the court’s calculations to the late 38th century B.C.E. for Huang-Di. Nowadays, the 27th century B.C.E. is accepted by many.
Possible Reality Behind The Legends
Getting anything for reliable accuracy and the historical context of China before the 13th century B.C.E. is difficult. There is a lot of reliance on what archaeology can provide and prove. The earliest Chinese writing and records date to the Shang dynasty around 1200 B.C.E. This system of writing is the use of bones for oracles. Even any hard evidence for the Xia dynasty is hard to find, even with Chinese archaeologists trying to link this dynasty to the Bronze Age Erlitou sites.
Many Chinese historians view Huang-Di to have a stronger historical basis than other legendary figures like Fu Xi, Nuwa and the Yan Emperor. While many legendary figures and ancient sages have all been considered to be historical figures, it is not until the 1920’s that members of the Doubting Antiquity School in China began to question the accuracy of these legends and claims.
Warring States Era
These early figures of Chinese history, as Gu Jiegang from the Doubting Antiquity School, as stated are mythological in origin. They started off as gods and then became depicted as mortal during the Warring States era by intellectuals.
Yang Kuan, another member of the Doubting Antiquity School, has commented that it is only during the Warring States era that Huang-Di is mentioned as the first ruler of China. Yang goes on to argue that Huang-Di is really the supreme god, Shang-Di, the god of the Shang pantheon.
Even the French scholars Henri Maspero and Marcel Granet, in their “Danses et légendes de la Chine ancienne” (“Dances and legends of ancient China”) have commented that early Chinese legends have more to do with the period to when they were written than to when they are supposed to have happened.
From God To Man
Huang Di’s status as a god faded during the 2nd century C.E. with the rise and reverence of Laozi. Huang Di will still be regarded as an immortal and the master of the longevity techniques and a deity who would reveal new teachings in the form of books like the Huang Di Yinfujing in the 6th century C.E.
Nowadays, many scholars accept the view that Huang-Di and other figures like him started off as a god of religious importance and then become humanized, mortal during the Warring States and Han periods. Even though Huang Di’s status as a god faded during the
Chang Tsung-tung, a Taiwanese scholar has argued, that based on a vocabulary comparison between Bernhard Karlgren’s Grammata Serica and Julius Pokorny’s Indogermanisches etymologisches Wörterbuch, there is a connection with the Old Chinese and the Proto-Indo-European etymologies. That there is a strong influence of Indo-European languages on the Old Chinese language around 2400 B.C.E. Chang goes on to say that the Shang dynasty was founded by Indo-European conquerors and identifies Huang-Di as an Indo-European god. Chang says that the “yellow” in Huang-Di’s name should be interpreted as referring to blond hair. That as a nomad of the steppes, Huang-Di encouraged road construction and horse-drawn carriages to establish a central state.
This idea, to me, seems farfetched. Since it is one of the ideas I came across, I’ll include it here.
Thanks to the French scholar, Albert Terrien de Lacouperie, many Chinese historians got hooked on the idea Chinese civilization getting its start in 2300 B.C.E. by Babylonian immigrants and that Huang Di would have been a Mesopotamian tribal leader. This idea has been rejected by European sinologists, however the idea was advocated for again by two Japanese scholars Shirakawa Jiro and Kokubu Tanenori in 1900.
The ideas certainly seem to held on to by anti-Manchu intellectuals who are looking for the truth of China’s history and wanting to prove the superiority of the Han over the Manchu and the importance of Huang Di as the ancestor of all Chinese.
The Mausoleum Of The Yellow Emperor
Also called Xuanyuan Temple, this mausoleum is the most important of ancient mausoleums in China and praised as “the First Mausoleum in China.” The mausoleum is located at Mount Qiao, north of the Huangling County of Yan’an some 200 kilometers north of Xi’an, the capital of Shaanxi Province. According to historians, the mausoleum was first built on the western side of Qiao during the Han Dynasty (206 B.C.E. – 220 C.E.) It was later restored during the Tang Dynasty (618 – 907 C.E.) It had been damaged by floods and moved to Qiao’s eastern side by the Emperor Song Taizu of the Song Dynasty (960 – 1234 C.E.)
During the Qingming Festival that is held on April 5th, Chinese people from all over gather to hold a memorial ceremony to commemorate the Yellow Emperor, Huang-Di. Yan’an also earns the distinction of being considered the birthplace of Chinese civilization.
Alternate Spelling: Uncle Nowruz
Also called: Persian – عمو نوروز
Etymology: Uncle Nowruz or Uncle New Year.
The figure of Amu Nowruz is a familiar one in Iranian and other Middle Eastern cultures for their celebrations of New Year that coincides with the official start of Spring.
In Iranian tradition, Amu Nowruz appears every year at the start of Spring along with his companion Haji Firuz. Their appearance marks the beginning of Nowruz, the New Year.
Amu Nowruz is often depicted as an elderly, silver or white-haired man wearing a felt hat, long blue clock, sash, pants, sandals, and carrying a walking stick. Amu Nowruz’s role is to pass on the story of Nowruz to the young.
Naneh Sarma And Amu Nowruz
One thing I found of interest is learning about Amu Nowruz’s wife, Naneh Sarma. There’s a love story wherein they only meet each other once a year.
According to the one story found, every year, on the Spring Equinox, Mother Simorq flies down from Mount Qâf with Amu Nowruz, the Young Man Spring. Once Simorq has dropped off Amu Nowruz, he heads for a chestnut colored horse waiting for him. Amu Nowruz will then ride the horse out over the plains towards the city gates where he will meet Naneh Sarma, Grandmother Frost in her orchard just outside the city walls.
Amu Nowruz and Naneh Sarma were madly in love with each other and the first day of Spring, Naneh Sarma cleans her house and prepares for Amu Nowruz’ arrival. Naneh Sarma waits a long time for Amu Nowruz’s arrival. Long enough that she falls asleep.
By the time Amu Nowruz arrives, he finds Naneh Sarma fast asleep. Instead of waking her, Amu Nowruz leaves a flower he picked for Naneh Sarma on her lap. He then proceeds make himself a glass of tea and stoke the fire so it doesn’t die down. After all this, Amu Nowruz then heads on into the city, bringing Spring time with him.
Shortly after, Naneh Sarma wakes up and finds the flower that Amu Nowruz left and the other signs of his having been there. She weeps finding that her lover has come and gone again. Mother Simorq comes to Naneh Sarma to comfort and remind her that she will have to wait another year for Amu Nowruz’s arrival without falling asleep.
Mother Simorq then carries Naneh Sarma back up to Mount Qâf as she begins to melt. On the top of the Mountain, Mother Simorq lays Naneh Sarma down as she completely melts, knowing that if Naneh Sarma and Amu Nowruz should ever meet, the world would end.
Nowruz – The Persian New Year
Amu Nowruz’s role in the New Year’s celebration is one very similar to that of Santa Claus or Sinterklaas with the celebration of Christmas in that of one whom is bringing gifts. Depending on the country and the calendar used, Nowruz is celebrated close to the Spring or Vernal Equinox, often close to somewhere between March 19 to March 22.
Nowruz is Persian for “New Day,” marking the first day of the month Farvardin and the first day of Spring in the Iranian calendar. The celebration of Nowruz has its roots in ancient Persian traditions of Zoroastrian religion. Some scholars suggest that the celebration may even be older and have roots in Mithraism. It has survived some 3,000 years and varies a bit in celebration from one country to another, especially among the Middle Eastern cultures, mainly Iranian.
Heralding the start of Nowruz, Hajji Firuz is often seen parading through the city with a troupe of singers and dancers following him. Accompanying him is Amu Nowruz bringing and bearing gifts where Hajji Firuz is the one to demand and expect them.
With Nowruz, the New Year’s Day must start off with an atmosphere of joy and happiness so that families may continue to know joy throughout the coming year. The arrival of Hajji Firuz is important for bringing the necessary spirit of joy and happiness to accompany the New Year. This same spirit of joy and happiness is necessary too, for without it, the faravahars (similar to guardian spirits or angels) will leave the household, taking with them the family’s blessings, abundance and luck for the coming year.
Shahnameh – The Book Of Kings
The Shahnameh is an epic poem written by the Persian poet, Ferdowsi sometime between 977 and 1010 C.E.
What’s significant is that this poem dates the celebration of Nowruz to the reign of Jamshid, who in Zorastrian texts saves all of mankind from a killer winter that would have killed every living creature. This mythical Persian King likely represents or symbolizes the transition of people going from animal hunting to animal husbandry and the eventual more settled, civilized eras of human history.
Jamshid is credited with the founding of celebrating Nowruz. According to the text of the Shahnameh and Iranian mythology, Jamshid created a throne embedded with gemstones. Sitting on the throne, he had demons raise him up above the earth into the heavens where he sat like the sun, shining brightly. The creatures of the world would gather around Jamshid and scatter gems around him. This started the day known as the New Day or Nowruz and marking the first day of the month of Farvardin.
Persian scholar Abu Rayhan Biruni, about 10th century C.E. notes in his Kitab al-Tafhim li Awa’il Sina’at al-Tanjim, the Persian belief that Nowruz marks the first day that the universe begins.
UN Recognition Of Nowruz
While it goes slightly off topic of focusing on Amu Nowruz, I feel it’s important to mention that in 2010, the UN General Assembly recognized March 21st as the International Day of Nowruz. It is recognized as an ancient Persian festival for Spring that has been celebrated for over 3,000 years.
Where for Christians, the celebration of Christmas is often used to promote peace and goodwill, so too does the celebration of Nowruz during Spring. That having more of the world, the global community be better familiar with the significance of Nowruz and its meaning, it will help promote more cultural understandings, friendships, peace and hopefully long lasting respect.
Etymology: “House of Horus (the Elder)”
Hathor is a Pre-Dynastic goddess who was very well known and like many of the Egyptian deities, she is still known by many in modern times. Hathor’s name may be a reference to her domain as a sky goddess and being the Celestial Cow and where too, the god Horus held his domain as well. Where Horus represented the living king, Hathor represented the living queen.
Other Names and Epithets: Athor, Athyr, Hat-Her, Hethert, Het-Hert (House or Womb Above), Het-Heru, Hwt-Hert, Hethara, Hetheru
Hathor is a goddess who is known by many titles. The first of her titles is: “the Great One of Many Names”
An example of a good many of her names and more properly, titles are:
“Lady to the Limit”, “Lady of Heaven”, “The One Who Shines as Gold”, “The Gold that is Hathor”, “Lady of the West”, “Divine (or Celestial) Cow”, “Mistress of Heaven”, “Lady of Gold”, “Lady of Greenstone and Malachite”, “Lady of Lapis-Lazuli”, “Mistress of Life”, “the Great Wild Cow”, “the Golden One”, “the Mistress of Turquoise”, “Lady of Iunet” (Dendera), “Lady Of Denderah”, “Mistress of Qis”, “Lady of Punt”, “the Powerful One”, “Lady of the Southern Sycamore”, “Lady of the Turquoise”, “the Mistress of Turquoise”, “Mother of Mothers”, “The Celestial Nurse”, “Lady of Drunkenness”, “the Eye of Ra”, “Lady of Amenity”, “the Dweller in the Great Land”, “Lady of Ta-Tchesert”, “the Dweller in his breast”, “Lady of the Vulva”, “the Beautiful Face in the Boat of Millions of Years”, “the Seat of Peace of the doer of truth”, “Dweller in the Boat of the favored ones”, “Lady of Stars”, “Sovereign of Stars”, “Hand of God”, “Great Menat”, “Mistress of the Desert”, “Sovereign of Imaau”, “Queen of Heaven”, “Mistress of Heaven”, “the Gentle Cow of Heaven”, “Lady of the House of Jubilation”, “The One Who Fills the Sanctuary with Joy”
Hathor’s roles have been many for the many millennia that she has been known and worshipped. Beyond being one of two of Egypt’s Cow Goddesses, Hathor has been known as a Sky Goddess, a Sun Goddess, a Moon Goddess, the Goddess of the East, and the Goddess of the West, Goddess of Moisture and Fertility, Agriculture, Motherhood, Goddess of the Cycle, Goddess of the Underworld, Mistress of the Necropolis, Goddess of the Dead, Goddess of Love and Beauty, Goddess of Music, Song, Dance, Drinking and Joy. She has been known as the patron Goddess of Women and Marriage.
Animal: Cow, Cobra, Falcon, Hippopotamus, Lioness, Snake
Colors: Red, Turquoise
Festivals: Aug 7th (New Years), Sept 17th, Festival of Het Heret – November 2nd
Gemstones: Emerald, Malachite, Lapis-Lazuli, Turquoise
Month: Third Month by the Egyptian Calendar, Hethara (as the Greeks called it) or Athyr. From September 17th to October 16th. This was the month of Inundation when the Nile River would flood.
Patron of: Sun, Universe, Children, Mothers, Miners, Musicians, Pharaohs
Planet: Sun and Moon
Plant: Myrtle, Rose, Sycamore
Sphere of Influence: Arts, Astrology, Beauty; Children, Childbirth, Dance, Family, Femininity, Fertility, Flowers, Foreign Lands, Joy, Love, Mining, Moisture, Moon, Motherhood, Music, Prosperity, Pregnancy, Sexuality, Sky, Song
Symbols: Cow, Cosmetics, Horns-and-Sundisk Headdress, Menat (a type of ritual necklace possibly used for percussive music), Mirrors; Sandalwood and Rose Incense; Sistrum (a type of rattle), Papyrus Reed
Early depictions of this goddess show her as being a cow with a sun disk between her horns or as a woman wearing the horns-and-sun disk headdress that may or may not have a symbol known as the uraeus on it. Sometimes when Hathor is shown as a cow, she is covered in stars. When depicting Hathor’s role as a fertility goddess and her powers of procreation, she is shown suckling a child.
An early depiction of Hathor and identifying her as a cow is likely from what is known as the Narmer Palette. And it seems Hathor absorbed and took over many of the roles as a fertility goddess from another cow goddess, Bat.
Sometimes Hathor would be shown as a hippopotamus, a falcon, cobra, goose, cat, malachite, sycamore fig or even as a lioness. These forms aren’t as common to Hathor as her more familiar shape of a woman or a cow.
When Hathor is shown as a cow, she is seen having beautifully painted eyes and is frequently a red color, the color of passion. Hathor, along with the dwarf god Bes are the only known Egyptian gods shown in portrait rather than in profile.
The depictions showing Hathor as a woman with a cow’s head are more common of later periods. Also more common to later periods is Hathor being shown with a twin set of feathers and a menat necklace. A number of ancient mirrors and sistras have been found showing a smiling, nude Hathor on them over the years. Hathor’s image of a woman with cow ears is often found on the top of stone columns in Egyptian temples.
An ancient Goddess and one of the main gods of Egypt, Hathor was worshipped for well over 3,000 years and during that time, she has taken on many personas and aspects. She is the Celestial Cow, the protector of women, the Queen of Egypt, a Goddess of Love, Children, Pregnancy, Dancing, Singing and Poetry.
The Egyptians were very fluid in their theology and how the gods were depicted. Different deities were known to merge for a specific reason or to emerge and split away, becoming their own entity. Given the thousands of years the Egyptian Dynasties lasted, its not surprising in many ways for the myths to be fluid and change with the times. It was no problem for the Egyptians who saw such myths as complimentary and not contradictory.
At different points in the continuing development of Egyptian mythology, Hathor has been equated and associated with a good many other Goddesses who are sometimes, if not often seen as just being different aspects of the same Goddess. Hathor has also been shown to be the mother, daughter and wife of Ra and to have later seen many of her roles taken over by Isis who becomes the mother of Horus.
Some of the Goddesses are: Sekhmet, Bastet, Beb and Isis.
Bastet – As the goddess Bastet, Hathor is seen to be more gentle and loving. Particularly when compared to the more harsher image of Sekhmet. Where Bast represented Lower Egypt, Hathor represented Upper Egypt.
Bat – Another primordial, pre-Dynastic cow goddess of fertility. Hathor seems to have absorbed the aspects and roles that this Goddess once held. Bat has also been linked to the Ba, an aspect of the soul and Hathor seems to have gained her associations as a Death Goddess from this connection. The sistrum, a rattle that was once a symbol of Bat also became one of Hathor’s symbols.
Hesat – She was seen as a manifestation of Hathor in earthly form. Like Hathor, Hesat is also regarded as the wife of Ra. As an earthly cow-goddess, milk was said to be the beer of Hesat and part of her link to Hathor. Hesat was also known as the wet-nurse to the gods.
Isis – In the later periods of Egyptian religion, most of Hathor’s roles and aspect have been picked up and taken over by the goddess Isis. As Isis, some two thousand years after Hathor’s first appearances, now has Hathor’s headdress and sistrum symbol. There can often be confusion as to which goddess is meant to be shown. The difference though is that when Isis is shown with horns, she is also wearing the vulture headdress that is typical of another goddess Mut or she is wearing a multi-colored feathered dress.
Mehet-Weret – Her name means “Great Flood.” She seems to be another primordial cow goddess like Hathor and Bat. Hathor absorbed many of her myths, particularly from the creation story of being the mother of Ra, carrying him between her horns.
Nebethetepet – Her name means “Mistress of the Offering.” She was a manifestation of Hathor at Heliopolis where she was associated with the Sun-God Atum.
Saosis – A goddess who is often identified with Hathor. Her symbol was the acacia tree in which death and life were enclosed.
Sekhmet – A rather dark and fierce goddess of justice. This is a harsher side of Hathor that is usually tempered by the gentler image of Bastet.
Tefnut – A primal lioness goddess, she and Hathor share a similar story where they become estranged from Ra and wander off towards Nubia.
As previously mentioned with the goddess Isis, some two thousand years after Hathor’s first appearances, the goddess Isis began to appear and to assume many of the roles and functions that Hathor once held. Where Hathor was once considered the mother of Horus, Isis took over this role along with being the mother of the Pharaohs.
Greek & Roman Connection!
It wasn’t uncommon for the Greeks and Romans to equate many of their deities with those of other cultures. The Romans especially did it to any that they conquered. In the case of Egypt and their gods, Hathor in her role as a goddess of love is synonymous with the Greek Aphrodite, the Roman Venus.
Cults Of Hathor
Being an ancient, primordial deity, Hathor was worshipped in a good many Egyptian cities. Hathor was a patron of the cities of Iunet and Itjtawy. Temples could be found for her every where. The earliest temples and images for Hathor have been found drawn on rocks near Naqada and the Girez settlement. Both of these sites are located in the southern part of Upper Egypt and date back to the Predynastic era of about 4,000 B.C.E. Give or take a few years, this places Hathor around 6,000 years old.
Hathor’s cult thrived in Ta-Netjer (“Land of God”), modern day Dendera in Upper Egypt. Here she was worshipped as “Mistress of Dendra.” Dendra was also Hathor’s main temple, also known as the “Place of Intoxication.” So popular was Hathor’s worship that at one point her Dendera temple had as many as sixty-one priestesses. Hathor’s priests were both men and women, many of whom were capable dancers, musicians and singers. Priests of Hathor were also known for being oracles and midwives. It wasn’t unusual for people to go to her temples to have their dreams interpreted. The temple at Dendera along with the Temple of Deir el-Bahri clearly shows an indication of Hathor as a Sun Goddess. The temple of Dendera was also where Hathor’s cult was primarily found.
In the temple of Nefertari, found in Abu Simbel, Queen Nefertari is frequently shown as the goddess Hathor in many places. And Ramses II is shown in one sanctuary receiving milk from Hathor in her cow form. Not surprising as many of the Pharaohs of Ancient Egypt saw themselves as living gods.
Other temple sites dedicated to Hathor have been found in Deir el-Medina, West Bank, Luxor, another at Philae Island, Aswan, Timna valley, Israel, Inerty (Gebelein), Iunet (Dendera), Qis (Qusiya), Tpyhwt (Atfih), Mennefer (Hikuptah, Memphis) and Iunu (On/Heliopolis). As Hathor-Sekhmet, she was the main goddess of Yamu (Kom el-Hisn).
Hathor had been worshipped in this land during the eleventh century B.C.E. as at this time, it was under Egyptian rule. Her holy city of Hazor or Tel Hazor was destroyed by Joshua as mentioned in the Jewish Torah or Christian’s Old Testament in Joshua 11:13, 21.
There were a good many places where Hathor was worshiped, not just Egypt and Nubia. Her worshippers could be found throughout all of Semitic West Asia, Ethiopia, Somalia and Libya, especially in the city of Byblos.
One thought for why Hathor’s worship is so widespread, even during the Predynastic Era is that she appears on the Narmer palette. Many scholars have put forward that idea that the goddess depicted isn’t Hathor, but another cow goddess named Bat or even possibly Narmer themselves.
The Five Gifts of Hathor – Initiation Into Hathor’s Cult
For those wishing entrance into Hathor’s cult, they would under go a ritual of initiation. This initiation ritual was known as “The Five Gifts of Hathor.” An initiate would be asked to name off the five things they were grateful for while looking at the digits of their left hand.
The idea is that the poor of Egypt who didn’t own their own lands, but would work for others in their fields would always be able to see their left hand while working. It was always visible to them as they reached out for the strands of grain to harvest and then cut the sheaths with the blade being held in their right hand.
With the naming of the five things a person was grateful for and identifying them with the fingers of their left hand, a person was always reminded of the good things in life and kept them the sins of ingratitude. Ingratitude was a sin that Egypts viewed as leading towards many others.
For the rich and more prosperous of Egypt, the Five Gifts were a way to keep them from envying others and what they had so that they could stay humble before the gods.
Parentage and Family
Hathor is said to be the daughter of the goddess Nut and the god Ra (or Re).
Given how fluid Egyptian mythology can be and the varying, ever changing roles that the gods played over the millennia and as one dynasty gave way to another, there are some accounts where Hathor is the Mother of Ra. Another account will place her as the Daughter of Ra.
This seems better understood when taking note of another primordial cow goddess, Mht wr who was the mother of Ra. Hathor took over her role and place in the creation story. Another explanation has been given that when Hathor is seen as the Daughter of Ra, it is when she is seen as part of the greater whole of the stars of heaven. The stars were known as the “Children of Ra.”
It’s thought that in Pre-Dynastic times and certainly Early Dynastic Egypt, Hathor was the consort to the “Bull of Amenti,” who had originally been the deity of the Necropolis.
In Hermopolis, Thoth is considered the husband of Hathor, with him; she is the mother to Ra-Horakhty, one of many composite deities in Egypti. This could be due to Hathor at one point absorbing the role and aspects of Seshat, the goddess of Reading, Writing, Arithmetic and Architecture who is also Thoth’s wife.
When the gods Ra and Amun merged in Egyptian mythology, Hathor becomes seen as the wife of the god Sobek, an aspect of Amen-Ra.
Hathor is more famously known to be the wife of Horus the Elder.
The siblings of Hathor are considered to be: Sekhmet, Bast, Ptah, Shu, Tefnut, Thoth and Serqet
With Horus (the Elder), Hathor is the mother of Ihy (or Ahy), a falcon-headed god who like his mother, becomes a god of music and dancing. He is also shown as carrying a sistrum as well.
Some slight confusion is another child of Hathor and Horus (the Elder) in his aspect as Horus- Behdety is Harsomptus or Hor-sema-tawy (Horus Uniter of the Two Lands).
Sometimes, Ihy is listed as being one and the same as Hor-sema-tawy.
Other children of Hathor are: Imsety, Hapi, Duamutef and Qebehsenuef.
And with Hathor’s divine role as Mother of the Gods, she can claim all of the Egyptian gods as her children, including Ra who is both her father and son.
The Mother Of The Egyptian Pharaoh And Horus
The name Horus is a bit tricky as there is more than one god named Horus. This makes better sense when it is understood and known that Hathor was often considered the mother of the Egyptian pharaoh, who would stylize themselves as the “son of Hathor.”
Many of the Pharaohs would take on the name of Horus as an honorific at death. Plus the Egyptian Pharaohs also saw themselves as living gods who would become deified on death, reborn again when the next Pharaoh took the throne.
And what about the goddess Isis being the mother of Horus? It should be noted that yes, but this is Horus the Younger, a different Horus. There were a lot of deities named Horus, nearly as many as there were Pharaohs. Given that the Pharoahs of Egypt believed themselves to be a living god, that’s not surprising.
Mother Of Mothers And The Celestial Nurse
Hathor’s protection was invoked over children and pregnant women.
In addition to the above information about Hathor’s role as a midwife and protector of children, anytime a child was born in Egypt, it was believed that seven Hathors would appear as seven young women wearing cow horns and playing tambourines. They spoke with one voice, determining a child’s fate in life even to the hour of his or her death, much like the European Fairy Godmother and the three Fates found in Greek, Roman and even Norse mythology.
The Seven Hathors held an extremely great power of being able to alter destinies. They could replace a prince should he have been born with bad fortune with a child who was born with good fortune. The Seven Hathors’ responsibility was to protect the Dynasty and Nation of Egypt. For it was believed among the Egyptians that a person’s destiny and fortune would follow them throughout their life with not ability to change it.
The Seven Hathors seem to be connected to divination and to be the questioners to those souls headed to the after life in the Land of the West.
As goddesses in their own right, the Hathors were worshipped in seven cities. These are: Waset (Thebes), Iunu (On, Heliopolis), Aphroditopolis, Sinai, Momemphis, Herakleopolis, and Keset.
Additionally, found both within the tomb of Nefertari and in the Book of the Dead, these seven Hathors had their own names as follows:
• Lady of the Universe
• You from the Land of Silence
• You from Khemmis
• Bright Red
• Your name flourishes through Skill
Other alternatives names for the Seven Hathors have also been found on papyri. Some of these are:
• Lady of the House of Jubilation
• Mistress of the West
• Mistress of the East
• Ladies of the Sacred Land
During the Ptolemaic Period, when Egypt fell under Greek rule, the Seven Hathors became identified with the Pleiades star cluster.
Hand Of God – The Sistrum
Music was very important in the worship of Hathor who is sometimes shown carrying a sistrum, a type of rattle. This was an ancient musical instrument played by her priests and priestesses. The sistrum often had the face of Hathor on the handle at the joining part. There is thought to be sexual overtones connected with this instrument, particularly for fertility. Hathor’s titles of “Hand of God” and “Lady of the Vulva” seem to be connections to the design of the sistrum and her role in fertility.
The menat is another musical instrument sacred to Hathor. At first glance it looks like a necklace with a special counterweight. This counterweight piece is thought to be similar to fertility dolls found in ancient tombs which in this respect, represented wombs. The menat as an instrument would be held in the hands and rattled to make noise.
Both the Menat and Sistrum connect Hathor as a Goddess of Song and Dance. The ancient Egyptians believed that it is Hathor who first taught mankind how to sing and dance using her sacred instruments. The menat is also important as a symbol of rebirth.
There is a hymn to Hathor that goes:
“Thou art the Mistress of Jubilation, the Queen of the Dance, the Mistress of Music, the Queen of the Harp Playing, the Lady of the Choral Dance, the Queen of Wreath Weaving, the Mistress of Inebriety Without End.”
The Goddess Of Joy
Hathor was very popular among the ancient Egyptians. She was greatly revered by women in her role as wife, mother and lover. This led to a couple of Hathor’s titles as “Lady of the House of Jubilation” and “The One Who Fills the Sanctuary with Joy.”
Such was Hathor’s popularity that there were a lot more festivals dedicated in her honor than any other Egyptian god. Plus a good many children were named after Hathor than any other god. As previously mentioned, both women and men could be priestess of Hathor and not one gender or the other.
The Goddess Of Beauty
In addition to being a goddess of Love and Joy, Hathor was also the goddess of beauty and a patron of the cosmetic arts. As has been previously mentioned, many ancient mirrors showing a smiling, nude Hathor have been found over the years. In addition to Hathor’s image on mirrors, her likeness has been found too on cosmetic palettes. A traditional votive offering was two mirrors.
It must be remembered and noted that this did not mean or make Hathor vain and shallow. This beauty was a mark of Hathor’s own confidence.
Hathor was also closely connected to the fragrance of myrrh incense, which has a long history of being very precious and in ancient Egypt, it embodied all of the finer qualities of a woman. The Egyptians also used ground malachite in their eye makeup which they believed to have a protective property against eye infections.
It must be noted that ancient Egyptian mirrors were made of flat oval copper or bronze that has been polished with a wooden or possibly bone handle. This handle was often enough shaped into the form of the goddess Hathor. It is thought the shape of the mirror represents the Sun Disc symbol of Hathor’s.
Goddess of Moisture And Fertility
Aside from Motherhood and Children, Hathor also ensured the fertility of the land and enough water or moisture from the annual flooding of the Nile for Farmers to grow their crops. In addition to this, Hathor represented the erotic aspects of femininity and procreation. As a fertility goddess, Hathor represents the creative abilities found in all of nature.
As a Vegetation or Fertility Goddess, Hathor was seen as both a giver and taker of life. When spring arrived, the land became fertile, only be destroyed later by the harsh summer sun as the seasons changed.
Hathor’s connection to the annual flooding of the Nile River was also connected to women’s pregnancies with the breaking of the amniotic sac and that she would be about ready to go into labor soon.
Lady Of Greenstone And Malachite – Goddess of Mines
Along with the titles “Lady of Lapis-Lazuli” and “the Mistress of Turquoise”, Hathor represented the very edges of the desert where mines for these gemstones were found at.
There is a major temple site found in Edomite Seir, Timna for Hathor where copper was mined. This temple was constructed by Seti II. Other mining places are Serabit el-Khadim found on the south-west Sinai Peninsula where a lot of turquoise was mined. Archaeologists have uncovered the remains of mining camps and a Temple of Hathor in this place.
Lady Of The West
In Thebes, Hathor was seen as the Goddess of the Dead with her title of “Lady of the West.” This title is associated with the sun god Ra and his descent into the Underworld when the sun sets on the western horizon.
Hathor’s image is sometimes found on funerary scenes where she is shown standing behind Osiris, welcoming the dead to their new home. Hathor’s image has also been depicted as a cow suckling the souls of the dead. It is thought that Hathor did this so souls could survive while their bodies were being mummified and make their journey to the Judgment Hall where their hearts would be weighed. Hathor could also be depicted in her cow form surround by tall papyrus reeds. In these images, she would be shown wearing a menat necklace, symbolizing rebirth.
Hathor’s image often appears on sarcophagi with Nut. Hathor appears on the tops of lids and Nut will be found under a lid.
In the cult of Osiris, the morally worthy were promised eternal life. At first, both men and women would become Osiris. By the time of the early Romans, women were identified with Hathor and men with Osiris.
Lady Of The Southern Sycamore
Continuing Hathor’s connection as a Goddess of the Dead, the sycamore tree was sacred to Hathor as she would give water to the dead from the branches of this tree and offer them food. The Sycamore was important as trees were not a common site in ancient Egypt and the shade provided by trees offered much needed protection and relief from the heat of the sun.
Other myths have Amentet, a daughter of Hathor as being the one who handed out water to the dead under a Sycamore tree.
One myth has Hathor using milk from a Sycamore tree to restore Horus’ eyesight as he had been blinded by Set.
Lady Of Stars And Sovereign Of Stars
A celestial goddess, Hathor symbolizes not just the Sun, but the Moon and stars, the entirety of the heavens and creation.
As the divine, celestial cow, Hathor along with another goddess Nut, represented the Milky Way during the third millennium B.C.E. when the both the Autumn and Spring equinoxes appeared to occur at the same spot on the Earth as the sun rose or set. The four legs of Hathor represented the pillars holding up the heavens over the earth.
It must be noted, that the ancient Egyptians viewed the Milky Way as a waterway across the heavens that the sun and moon gods sailed upon each day. They called it The Nile in the Sky. As a result of this and the name mehturt, Hathor was seen as responsible for the annual flooding of the Nile. Other interpretations or later myths will place Wadjet, a snake god as presenting the Milky Way and The Nile in the Sky.
One star in particular, Sothis (Sirius in more modern times) is significant. Originally, the star Sirius rose on the first day of the first month, known as Thuthi and Hethera by Grecian times. This marked a day of celebration for Hathor’s birth by her followers. The Nile River flooded at this time, providing a rejuvenation and growing for Egyptian farmers. During the time of the ancient Greeks, Hathor became the goddess of Hethara, the third month of the Egyptian calendar. The star Sothis would later be associated with the goddess Sopdet.
The Eye Of Ra – The Destruction of Mankind
This story has been found engraved on one of the shrines in Tutankhamen’s tomb and in “The Book of the Heavenly Cow.”
In this story, Hathor, as the Eye of Ra, turns into Sakhmet. How this came about is that Hathor’s father Ra, having grown old, was beginning to fall out of worship. Angry about this, Ra speaks to his daughter who turns into Sakhment and goes out to punish humanity.
As Sakhmet, she was very efficient and nearly wiped out everyone. Realizing that if she continued with killing everyone, there would be none left at all to worship the gods, Ra decided that there has been enough killing and tells her to stop. Only now she can’t quit, Sekhmet’s become so full of bloodlust.
Seeking the guidance of the ever-wise Thoth, he and Ra get large vats or barrels of beer that has been dyed and colored red to look like blood. In some versions of the story, they flood the land with the blood-red beer and in others; Thoth has a hallucinogenic like poppies put into the beer.
Regardless of the final version told, Sekhmet on seeing all this beer drinks it up, getting so drunk, she forgets about her reason for coming to the earth, her great blood lust and forgets all about killing anyone. When Sekhmet returns to Ra, he embraces her and Sekhmet turns back into Hathor. This is the Hathor that everyone knows of as being sweet loving, gentle and nurturing.
Another version of the story has it that this is how Hathor turns into Bast.
As Hathor-Sekhmet, we see Hathor take on a dual role in her aspect as a Sun Goddess. When she is Hathor, she represents the gentle spring Sun. When she is Sekhmet, she becomes a lioness and represents the scorching heat of the summer Sun. It has been noted how in the Zodiac, Taurus the Bull has a fixed sign in Spring and Leo the Lion has a fixed sign in Summer.
The symbolic importance of this story is that of the changing of the seasons from Spring to Summer. As summer comes to its height, so too does the danger of wildfires destroying crops and homes. Sekhmet returns to once more being gentle Hathor with the cooler autumn weather.
The color red is often symbolic of life and rebirth. The red beer again symbolizes the rejuvenation and regeneration of the Earth after the hot Summer weather and turn towards Autumn weather.
The Feast of Hathor
To commemorate this myth, the ancient Egyptians celebrated a yearly festival that marked the beginning of Egypt’s rainy season known as the Season of Inundation (Flooding). This was a time of the year when the glaring heat of the sun was finally stopped by the much needed life-bringing rains. The Feast or Festival was known for wild partying with sistrum music, dancing, love making and lots of beer.
The partying makes sense when realizing that the rise of the star Sothis (Sirius) marked the annual flooding of the Nile River on the Egyptian calendar. This would coincide with the end of August for Western Culture.
The myth of the annual flooding of the Nile would be later associated with Osiris.
New Years Festivities
As we’re on the subject, another popular and religious festival was celebrated on August 7th, the Egyptian New Year. The New Years also marked Hathor’s birthday. Hathor’s image would be taken from the temple and brought out to the rising Sun for the day. The New Years was a day of enjoyment, song and intoxication.
The Destruction of Mankind – Historical Context
This story has a historical context for the founding of Egypt’s Middle Kingdom when the Upper Egyptian pharaoh, Mentuhotep II took control of Lower Egypt. Before this, Lower Egypt had enjoyed a period of independence. Mentuhotep II’s forced unification resulted in a fierce bloody war that lasted for some twenty eight years before ending and peace resumed, when Mentuhotep III came to power. So the story of The Destruction of Mankind does look to be an analogy to this brutal period of Egyptian history.
The Distant Goddess
In this story, Hathor became angry with her father Ra. Maybe she remembered the events in The Destruction of Mankind. Another version of this story doesn’t state why Hathor got angry, she just does and decides she might have the earth covered again in the ocean and maybe return to even older primordial form of a serpent. Anyhow, angry, Hathor took off and wandered about, away from Egypt down towards Nubia.
A great sadness fell upon the land and Ra, missing his Eye and unable to do anything without it, sets out to try and get her back. Hathor by this time has turned into a deadly wild cat, killing anyone who comes near her. A slight variation to this has it that with Hathor turned into a lion, chaos swept the land with everything drying up and that’s why everyone and thing is dying.
As no one else was willing to go near an enraged Hathor, the god Thoth agreed to give a shot. In disguise, he managed to coax an angry goddess back to Egypt through the use of stories.
Once back in Egypt, Hathor bathed in the Nile River, returning to her calmer demeanor. As a result of her bathing, the waters of the river turned red from her cooling rage. With Hathor’s bathing, the Nile river overflowed and flooded the land, giving life giving waters to a parched land so Farmers could have their growing season.
Yeah, don’t make Hathor angry, you wouldn’t like her when she’s angry.
In some versions of this story, it is the goddess Tefnut who storms off in a fit of anger leaving Egypt and it’s the god Shu, not Thoth who sets off to bring her back.
Another telling of this story is that it is both Shu and Thoth who set off after Hathor, changing into lions to try and coax their sister back.
The Contendings Of Horus And Seth
Hathor only has a small part in this story. Her father, Ra had fallen into a bout of depression and Hathor, like any child, wanting to cheer up a parent, finds a way to do so. Taking off her clothing, Hathor dances nude around Ra’s throne. She keeps at it until he finally sits up and smiles at her antics.