Category Archives: Consort
Etymology: “Jealously” or “Passion”
Also known as: Adaon, Aedín, Aideen, Echraidhe (“Horse Rider”), Éadaoin (modern Irish), Edain, Etaoin, Éadaoin
Epithets: Bé Find (“Fair Woman”), Shining-One
Etain is a figure from Irish mythology, her story involves a lot of unwanted transformations from a jealous Fuamnach and different suitors trying to win her. Etain is noted for her extreme beauty among the fae or sidhe. She is best known as the heroine found in the “Tochmarc Étaíne” or “The Wooing of Etain.”
Animal: Butterfly, Dragonfly, Fly, Horse, Swan, Worm
Sphere of Influence: Beauty, Healing, Irish Sovereignty, Music, Rebirth, Transformation, Transmigration of Souls
Parentage and Family
The lineage for Etain can get confusing. When seeing that Etain and the name’s many variant spellings could be the names of other characters, then it could be a matter of which Etain are we talking about?
Ailill – In the Tochmarc Étaine, Ailil, king of Ulaid is Etain’s father.
Etar – In the Togail Bruidne Dá Derga (“The Destruction of Da Derga’s Hostel), Etar is Etain’s father.
Eochaid Feidlech – In the Tochmarc Étaine, Eochaid is the High King, he is Etain’s mortal husband whom she marries after being reincarnated. In the Dindsenchas poem, Rath Eas, Eochaid’s last name is given as Airem.
Midir – In the Wooing of Etain, this is Etain’s husband when she was in Tir na Nog.
Ailill Angubae – By some accounts of Etain’s story, she was really in love with Ailill, Eochaid’s brother. Not to be confused with the Ailill, King of Ulaid, who is her father.
Dian Ceacht – Etain’s daughter when she is married to Oghma.
Étaín Óg – Etain the Younger, she is Etain’s daughter when married to Eochaid Feidlech. Etain Og will go on to marry Cormac, the King of Ulster and have a daughter by the name of Mess Buachalla. Mess Buachalla will go on to marry High King Eterscel and be the mother of Conaire Mor.
Oghma – The Irish god of Writing, in some version, he is Etain’s husband.
Tochmarc Étaíne – The Wooing Of Etain
This is one of the oldest stories found in Irish mythology. There is another story that mentions Etain, the “Togail Bruidne Dá Derga” or “The Destruction of Da Derga’s Hostel.”
For now, we’re going to cover: “The Wooing of Etain.” It begins not with Etain, but with Midir and his first wife, Fuamnach. They were happily married and raised among their own children, Oengus or Aengus Óg (a Love god, some sources try to say he’s a sun god too) as a foster son.
For a little further context and background, Oengus is the son of Dagda, Midir’s brother. So really, Midir and Fuamnach are raising their nephew.
Like all children, Oengus grew up and moved out on his own. Midir decided one day that he would go visit his nephew. While visiting, an incident happened, involving some holly and Midir was blinded in one eye.
Even though Oengus heal’s Midir’s eye, Midir still seeks compensation for the injury that occured while visiting as a guest. As Oengus is the God of Love, he gets his Uncle the most beautiful woman in all of Ireland and Fairy, Etain. On seeing her, Midir is instantly in love and he takes her home with him.
It should come as no surprise, that once the two are home, that Midir’s wife, Fuamnach is angry, jealous even. How dare her husband bring home another woman, even if said woman is either a mistress or second bride and this is allowable, it’s the jealously and anger of a far more beautiful woman getting her husband’s attention.
Rather than take out her ire on Midir for this insult, Fuamnach takes it out on Etain. Fuamnach is a powerful sorceress in her own right. An enraged, Fuamnach conspired to cast a series of dark spells on Etain. The first one turns Etain into a pool of water. Another spell turns Etain into a worm or snake. Then finally into either a butterfly or dragonfly.
Changed to this new form, Etain’s wings hold the power that water that dropped from her wings would cure disease and the humming of her wings was soothing to those who heard it. Even in this strange new form,
Depending on the story told, Midir either does or doesn’t recognizes Etain. Regardless of which way the story goes, Midir spends all of his time with his butterfly companion and eschews the company of other women.
This only further enrages Fuamnach who sees that the two lovers are still together. This time, she conjured up a great gale of wind that drove Etain out of Midir’s house and to be lost at sea.
Etain is lost for seven years being buffeted about by the sea winds before at long last finding her way back to shore where she lands on Óengus’ clothing. Óengus does recognize that the butterfly is Etain. As he and Midir are currently feuding with each other, Instead of returning Etain, Óengus makes a small portable butterfly house that he carries around with him.
Eventually Fuamnach learns that Etain is with Óengus and she sends another wind that once more blows Etain out to sea to be lost for another seven years.
That is a long time to be lost at sea, not just once, but twice. Exhausted by her ordeal, Etain finds herself coming to rest on the roof of a house where people were gathered, enjoying a feast.
Drawn by the warmth from within, Etain flew closer to the sounds of merriment. However, in her state of exhaustion, she flew into goblet of wine and was promptly drunk up by Etar, the wife of a wealthy Ulster chieftain.
This is how Etar becomes pregnant with a reborn or reincarnated Etain. The catch being, that as with all reincarnations, a person doesn’t remember who they had been in a previous life. So, a newly reborn Etain grows up as the daughter of a wealthy chieftain.
The Tochmarc Étaine notes that some one thousand and twelve years have passed since Etain’s first birth back in Tir Na Nog, Fairy Land. Just as she had been before, Etain was once again the most lovely and beautiful woman in all of Ireland. The gifts of love, generosity and kindness were all held to be hers.
One day, Etain is out with her handmaidens at a well when they spot a man on horseback coming their way. This man is Eochaid, the king of Ireland. As soon as Eochaid lays eyes on Etain, he is immediately taken with her and asks Etain to be his Queen.
Naturally Etain is flattered and this is an opportunity. Love or not. Power or not. Etain agrees to marry Eochaid and a wedding follows soon after.
Complicating matters, Eochaid’s brother, Ailill Angubae has also in love with Etain and he pins away for her. As he is dying, Ailill confesses his love to Etain. To save him, Etain agrees to sleep with Ailill.
Enter Midir back into the story, who casts a spell on Ailill so that he falls asleep and misses his tryst with Etain. When Etain does go to meet up with Ailill, she does find a man who looks like Ailill, but it’s not, it’s Midir in disguise. Thrice Etain tries to meet up with Ailill and keeps meeting up with the imposter, Midir who finally reveals himself to her on the last time.
Midir tells Etain of her previous life in Fairy as his wife, trying to get Etain to return with him. For Etain, this is a problem, she’s been reborn as a mortal and is married to Eochaid. She won’t leave her current husband unless Eochaid allows her to.
The good thing that comes out of this encounter is that Ailill is no longer pinning away and dying for lack of love over Etain.
A goal and mission in mind, Midir sets out to meet Eochaid. Coming as himself, Midir offers to play a boardgame called fidchell. As other versions of this story say that it’s chess that the two play.
For the first game, Midir makes an offer of fifty horses as the stakes. Eochaid accepts and wins with Midir graciously offered prize. Midir now challenges Eochaid to another game, with higher stakes and wins again.
At some point in the game playing, Eochaid’s foster-father warns him that Midir is a being of great power and to be careful. As Midir is letting Eochaid win, the two keep on playing and with each win, Eochaid has Midir perform another task, ranging from clearing forests, reclaiming land from bogs, building causeways over said bogs.
These series of tasks are said to fit with the idea of the Tuatha De Danann that Midir belongs to as earth deities. Eventually, Midir grows tired of letting Eochaid win and challenges him to a last game of fidchell with the stakes to be named by the winner. This time, Midir wins and he claims an embrace and kiss from Etain.
This is more than what Eochaid is willing to allow. Eochaid agrees to Midir’s claim, that in a month’s time he can come claim Etain. As these stories go, Eochaid didn’t have any intention of letting Etain return to her former husband. Etain was his. On the day that Eochaid was to honor the agreement, he had all of his warriors waiting at his castle. These warriors formed circles around the castle with the intent to keep Midir from reclaiming his wife.
As if he were air or invisible, Midir passed through all the encircling warriors without slaying a one or shedding blood. Soon, Midir comes to the room where Eochaid and Etain await within. Midir proclaims that he is there for that which is his.
Seeing that he can’t renege on the deal after all and must agree, Eochaid says that Midir may have a kiss from Etain’s lips. Eochaid reluctantly allows Etain to go to Midir and the two kiss, transforming into a pair of swans and they fly out, away from the castle and back towards their fairy home of Tir na Nog.
Not wanting to lose Etain, Eochaid and his men set off for the fairy mound of Bri Leith where Midir is said to dwell. The men begin digging and Midir appears before Eochaid, telling him that his wife will be returned to him the next day.
On the morrow, Eochaid returns and there are fifty women, all appearing as Etain. An old hag tells Eochaid to pick out his wife. Eochaid does so and Midir later reveals that Etain had been pregnant when he took her. That the woman he took was in fact their daughter. Eochaid is horrified by the fact that he’s slept with his daughter who is no pregnant. This baby, who is also a girl is laid out in the woods to be exposed. Before death can claim the infant, a herdsman finds the baby and raises her to become the mother of the High King Conaire Mor.
Variations – There are a few different versions to Etain’s story. Some that focus solely on just Etain and what happened to her exclusively. Other versions will explain the whole set up of what led up Midir marrying Etain and thus, better explain why Fuamnach is jealous and maybe not so much jealous, but angry.
Version 1 – This story focuses on Etain being the second wife to Midir with Fuamnach being jealous. Here, Fuamnach enlists the aid of her friends to turn Etain into a pool of water. This causes Midir to becomes worried and he goes searching for his missing wife. To stay one step ahead of him, Fuamnach then turns Etain into a worm and then a fly.
As a fly, Etain flies down Fuamnach’s throat, causing her to become pregnant. Etain is reborn, this time, she’s mortal and doesn’t remember her previous life. Once she grows up, Etain marries the king Eochaid. Only it’s not Eochaid that Etain loves, it’s his brother Ailill, as if that wouldn’t cause more than a few problems.
To make it more complicated, Etain eventually meets Midir again and suddenly remembers who she had been. Just like before Midir wins Etain in a game of chess with Eodaid.
I rather find this version extremely problematic as it’s suggesting Etain wouldn’t know her own father? Assuming Midir still remained married to Fuamnach. Further, if Midir and Fuamnach are fairies and Etain is reborn as their daughter, shouldn’t she be a fairy too? Not mortal? Not to mention the extreme ewww with Midir now wanting someone who’s his daughter.
Just no. No.
It’s this version of the story with Fuamnach becoming Etain’s mother and seeing that Etain’s name means jealously; it makes me think that there may be an allegory or symbolism for the stages of jealousy or passion that Fuamnach is working through with her husband Midir.
Other Versions: There’s numerous versions to Etain’s story, some have her remembering her life in fairy when she meets Midir. Others have her not remembering her life at all and agreeing to leave with Midir if her mortal husband agrees as she thinks this is something that won’t happen.
A lot of these other versions for Etain’s story often simplify their retellings in that they often leave out how Midir and Etain meet, just that they do, the who episode of Alill pinning away for Etain is left off and the final episode where Eochaid tries to get Etain back and unknowingly, is given his daughter.
A couple episodes from the Tochmarc Etaine are repeated in this poem. Eochaid Airenn’s winning Etain back from Midir is in the Rath Esa poem. Midir’s abduction of Etain is referenced in the Rath Cruachan.
Togail Bruidne Dá Derga – The Destruction of Da Derga’s Hostel
In the main story for the Wooing of Etain, the Tochmarc Etaine, she is described as being very beautiful. However, no description is given anywhere of her. That changes in the Togail Bruidne Dá Derga where Etain encounters King Echu in Bri Leith.
In this text, she is described in a lot of lengthy detail from the comb she’s using to her clothing in lot of green, silver and golds. Her hair is described as being a red gold, skin white as snow, rosy cheeks, unnaturally blue eyes and curved body like the waves of sea foam. The narrator goes to great lengths to try describing what Etain looks like as the fairest of them all, there is a final quote that goes: “Lovely anyone until Étain. Beautiful anyone until Étain.” That such beauty could only mean that Etain was clearly of the sidhe.
Grecian Comparison – Hellen of Troy
The first story of Etain, the Wooing of Etain says that she’s very beautiful, comparable even to Helen of Troy. Where whole cities of Greece go to war with each other her. Etain has a jealous first wife takes out their wrath on her, a former spouse waiting for over a thousand years to reclaim her, and when she’s reborn, her mortal husband trying to keep her from the fairy husband to take her back.
The entire story for Etain reflects an older time when these older stories were likely passed on orally before getting written. So Etain’s story has had plenty of time to be altered and change and the role of the Goddess or Queen who gets to choose is altered and she is no longer in control of her destiny and is just a prize to be won.
An important note brought up about this story, while it doesn’t feature Etain in the first part of it, is to bear in mind that this story is an allegory for Ireland’s history. Etain’s role in the narrative becomes clearer when seeing her as the Goddess of the Land who gets to choose her consort to ensure the prosperity of the land.
A similar motif for this Celtic belief that the Goddess gets to choose her consort is seen in Arthurian Legend for the story of Guinevere, Lancelot and King Arthur with the whole love triangle happening there. Granted that story is a much later addition to Arthurian Legend, it’s an inserted story to narrative to explain the Goddess or Woman’s right to choose whom she loves and marries.
All the figures featured in the story likely represent different clans and geographical localities. Seeing Etain as a Sovereign Goddess of the Land, who she chooses to couple with are whom she deemed as the best ruling clans for the welfare of Ireland.
Lack Of Agency – At a knee-jerk first glance response, I don’t like the story of the Wooing of Etain. Why is Etain punished by Fuamnach for marrying Midir? For that matter, why does Midir get to be the one rewarded for cheating on his wife and marrying a younger woman, loose her and then get her back after waiting patiently for Etain to be reborn?
That here, we have Etain a woman who is just passed around as a prize to be won with barely any say in the matter of what happens to her. If the focus is given soley to Midir as the hero, of course, the entire story makes sense for his journey of loss and recovering his love and wife. Then poor Eochaid who gets to pick his wife and loses her to Midir, who takes back the woman who is rightfully his.
Without the Historical Allegory angle, the entire story feels maddening. No wonder there are later rewritings of the story that want give an image of two lovers who loose and find each other again. To give more agency to Etain’s actions and the series of unfortunate circumstances that befall her.
Etain is forced to a series of unwanted transformations by a jealous lover, ranging from worm to butterfly, to swan and even a pool of water. Including the worm and then changing to a fly, sounds like the larval state of an insect, either as a nymph, meaning the larval form of a dragonfly or caterpillar to a butterfly.
Looking at these stories symbolically, Etain’s transformations from a worm to a fly, only to be swallowed later by a woman and reborn as a child can all be seen as the different stages of life.
Soul or Spirit – In a lot of Celtic folklore, flies or butterflies are often seen as being the souls of the deceased, even if it’s just a metaphor. It makes sense if Etain’s changing to a worm, than a fly or butterfly is merely a symbolic way of describing the spirit’s transformation and more easily explaining the transition from one life to another. Or maybe Fuamnach actually killed Etain, tossing her body into a pool of water?
Celtic Numerology – More of a minor note, the number seven is used for the number of years that Etain is lost at sea a mystical number. In this case, it is a number meaning a spiritual awakening.
That’s undeniable with all the transformations that Etain undergoes once she falls afoul of Fuamnach’s magic, going from a pool of water, to a worm, to a fly or butterfly, swallowed and reborn as a mortal woman.
What’s In A Name
Given the nature of Etain’s story and the meaning of her name: “Jealousy” or “Passion.” I think it sheds an important light to the significance of Etain’s story and the proper framework to look at it in.
Bé Find – Meaning “Fair Woman,” this is a name that Midir gives to Etain in Tochmarc Etaine. It comes from a poem found within the larger saga called: “A Bé Find In Ragha Lium” is likely from a much older, unrelated source and was just stuck in the saga at a later time.
Eadaoin – As Eadaoin, she is noted as being a sidhe and one of the Tuatha De Dannan who is associated with poetry and inspiration. With this spelling, Etain is noted as having a different husband, either Midir or Oghma depending on the source used. This could just merely mean Etain or Eadaoin was a common enough name that there is more than one person in the Irish Mythological Cycles who has this name. As they’re all sidhe, that makes it even more difficult to keep them all straight.
Echraide – Meaning “Horse Rider,” this is a name that has been attached to Etain and is meant to link her with horse deities such as the Welsh Rhiannon and the Gaulish Epona.
Shining-One – An epitaph of “Shining-One” or claiming that’s what Etain’s name means, tend to come from more modern sources that want to connect her to be a Sun Goddess or a fairy. As far as a strong, scholarly bent goes, it doesn’t really work.
Some sources, often the more modern Pagan paths will place Etain as a goddess. Depending on the lineage you follow, if Oghma for example, she is a goddess of poetry and inspiration. Yet another source will list her as a Love or War goddess?
Some of the sources that link Etain to different deific roles seem tentative.
Horse Goddess – One of Etain’s epitaphs is Echraide, meaning “Horse Rider,” which would mean she’s a Horse Goddess, much like the Welsh Rhiannon and the Gaulish Epona.
Sun Goddess – T. F. O’Rahilly is who identified Etain as a Sun Goddess. Several New Age and modern Pagan groups have adopted her as such. When Oengus is identified as a Sun God, this connection makes sense if Etain is seen as his daughter.
Goddess of the Land – This I would readily accept given the nature of Etain’s story as an allegory for Ireland’s history and a Goddess marrying whom she wants that will bring prosperity to the land.
Love Goddess – This really works best for more modern interpretations of Etain’s story; especially when keeping in mind her story as an allegory and for those seeking to reclaim her role as a deity with her own agency who chooses her lovers. Plus, the connection seems to come more strongly with Midir’s fostering of Aengus Óg who is a Love God.
Sovereign Goddess – This is an important aspect of Etain, especially if you want her story to make sense as a deity who choose her consort for the prosperity and welfare of the land.
Triple Goddess – In New Age and Wiccan practices, Etain is often seen as a Triple Goddess
Other Aspects – Furthering this, due to the forced transformations, some will claim Etain as a Goddess of Transformation and Rebirth, a Moon Goddess.
Well yes, most versions of Etain’s story acknowledge her as a fairy, specially one of the Sidhe and certainly of the Tuatha de Danann. An imagery not at all unlike the Tolkien Elves in his Middle Earth series.
The account that has some men coming across an extremely beautiful woman beside a spring see them agreeing that such beauty was only possible of the sidhe.
That seems to be the sentiment of some authors, scholars and modern Pagans.
Wiccan, New Age & Modern Paganism
I think it’s important to note, that myths and stories do change with time. Much of the story that so many know with Etain has been colored through the lens of Christianity and with some regards, a patriarchy, resulting in a story about a woman who appears to have little agency and control over her own fate and destiny.
In the pursuit of adjusting Etain back to her perceived mythological roots and giving her significance and relevance, to better be the actor in her own story, some modern Pagan traditions will claim that Etain’s name means “Shining One” and place her as a Triple Goddess who represents the Sun, Water and Horses.
Understanding Etain’s story will certainly make it easier to interpret her as needed. I think sticking to what’s known and concrete from her legends is the most useful.
Other names: Amphictyonis, Sito (“She of the Grain,”) Thesmophoros (“Law Bringer”)
Other Names and Epithets: Achaea, Achaiva (“Sorrowing,”) Aganippe (“the Mare who Destroys Mercifully”, “Night-Mare,”) Anesidora (“Sender of Gifts,”) Antaea, Chloe (“the Green Shoot,” Chthonia (“In the Ground,”) “Corn-Mother,” Daduchos (“Torch Bearer,”) Demeter Lousia, “the Bathed Demeter”, Demeter Erinys, Demeter Melaine “Black Demeter,” Despoina (“Mistress of the House,”) Epipole, Erinys (“Implacable,”) Europa (“Broad Face or Eyes,”) Kidaria, Lusia (“Bathing,”) Malophoros (“Apple-Bearer” or “Sheep-Bearer,”) “Mistress of the Labyrinth,” “Mother-Earth,” Potnia “Mistress,” Thermasia (“Warmth,”) “Green,” “The Giver of Gifts,” “The Bearer of Food,” and “Great Mother.”
When paired with Persephone, she and Demeter are called: “the Older” and “the Younger” in Eleusis, Demeters in Rhodes and Sparta, the Thesmophoroi or “the Legislators” in Thesmophoria, The Great Goddesses and The Mistresses in Arcadia. “The Queens” in Mycenaean Pylos.
Antaea – This name and epitaph is one that is applied equally to Cybele, Demeter and Rhea by the Greeks. The meaning of the name is unclear, though it does denote a name for a goddess whom people could approach in prayer.
Etymology: Earth Mother
It’s generally agreed that the second part to Demeter’s name, “meter” comes from a Proto-Indo-European word meaning mother.
Now, the first part to Demeter’s name, De originates as Da, becoming Ge in Attic and then De in Doric. Making it that Demeter means “Mother Earth.” The root word of De has also been linked to the name Deo, from the Cretan word for emmer, spelt, rye and other grains. In this respect, Demeter is the giver of food. Another alternative from Proto-Indo-European etymology is that De is derived from Despoina and Potnia where Des- means house or dome, making in this case, Demeter mean “mother of the house.”
In Greek mythology, Demeter is the Olympian goddess of agriculture and the harvest. She specializes in the cultivation of grains and is a fertility goddess. In addition, Demeter ruled over the cycles of life and death as well. Demeter is an ancient goddess whose worship predates the Greeks. Both Demeter and her daughter Persephone were the central figures in the Eleusinian Mysteries.
Animal: Horse, Pig, Snake
Colors: Black, Green
Patron of: Agriculture, Harvest
Plant: Grains, Wheat, Barley, Poppy
Sphere of Influence: Growth, Seasonal Cycles, Harvest, Sacred Law
Symbols: Cornucopia, Scepter, Wheat, Torch, Bread
Early Greek Depictions
Found in Pylos, there is a set of Linear B Mycenean Greek tablets that dates from between 1400 to 1200 C.E. that depicts “two mistresses and the king” that are thought to possibly be Demeter, Persephone and Poseidon.
In Homer’s Odyssey, Demeter is described as a blond-haired goddess who separates the chaff from the grain.
Demeter doesn’t often appear in art before the 6th century B.C.E. Demeter is often associated with imagery of the harvest, flowers, fruit, grain and sometimes seen in the company of her daughter Persephone where they are both wearing crowns and hold a torch and scepter or stalks of grain. Another scene that Demeter is shown in is that of Athena’ birth. Sometimes Demeter is shown sitting alone wearing a wreath of braided ears of grain.
The Eleusinian mysteries were an annual religious celebration that predates the Olympian pantheon. It is an important life and death ritual with Persephone in her role as a vegetation goddess and Demeter having important roles where they are worshiped together. During the reign of King Erechtheus of Athens is when Demeter’s worship came to Eleusis.
Originally, the festival was celebrated in the autumn during the seasonal sowing in the city of Eleusis. The myth was told in three phases of a decent, the search and the ascent, describing Demeter’s sorrow and her joy as she became reunited with Persephone. This celebration also involved dancing in the Rharian field where the first grains were grown. There are inscriptions of “the Goddesses” being accompanied by Triptolemos, an agricultural god and another of the God and Goddess that refer to Persephone and Plouton.
There were two sets of observances or celebrations for the Eleusinian Mysteries that would be held every five years.
The Lesser Mysteries would be held the 20th Anthesterion (roughly coinciding with February 28th) and take place over a span of week
The Greater or Eleusinian Mysteries would occur during the 15th-21st of Boedromion (September 28th to October 4th).
Ancient Sumerian Origin – The idea has been put forward by the renowned scholar, Samuel Noah Kramer that the story of Persephone’s abduction to the Underworld likely sees its origins in the ancient Sumerian story of Ereshkigal, the goddess of the Underworld who was abducted by the dragon Kur and forced to become the ruler of the Underworld against her will.
Agrarian Cults – The cults of Demeter and Persephone of the Eleusinian Mysteries and Thesmophoria are based on some very old agrarian cults. These cults were led by priest as evidenced from an image on a Minoan vase dating to the end of the New Palace Period. This ancient cult held a connection to seasonal practices and tasks.
Daemons & Animal Nature – In Arcadia, the worship of Persephone and Demeter were the first daemons local deities who governed the powers of nature. Such ancient beliefs show a connection to animal nature that saw a belief in nature personified with nymphs and deities with human forms but also possessing animal heads and tails or other features.
Celebrate Good Times, Come On!
The seasonal disappearance and the later return of Persephone were times of festivals during the time of ancient Greece. The Eleusinian Mysteries are the most well-known and even then, the secrets for this festival were closely guarded, that not much is known about them.
Secret Rites & Immortality – Life after death seems to be a very common motif in many religions and beliefs around the world, even anciently. That somehow, life, some sort of existence continues even after death. It was no different for initiates into the Eleusinian Mysteries who closely guarded their initiation rites. After all, the Eleusinian Mysteries wouldn’t be a mystery if everyone knew about them. For the Eleusinian Mystery initiates, these secrets were that of resurrection and there would be some place better than that of dismal depths of Tartarus.
They wouldn’t be the first to have the idea of life after death. It is thought by the experts, that the rites and mysteries held during the Eleusinian mysteries, along with other traditions such as the Orphic tradition and Mithraism all contributed towards the formation of Christianity and its ideas of resurrection, everlasting life and even immortality.
In the Eleusinian Mysteries, Kore’s return from the Underworld conveyed the idea of immortality and a resurrection from death.
Orphic Tradition – This is where the myth of Persephone is identified with other deities such as Isis, Rhea, Ge, Hestia, Pandora, Artemis, and Hecate. It is within this tradition that Persephone, with Zeus becomes the mother of Dionysus Iacchus, Zagreus or Sabazius.
Local Cults & Worship
Each local cult held their own traditions and ideas for where Persephone had been abducted from. In the Homeric Hymn to Demeter, it is the “plain of Nysa” where Persephone’s is kidnapped. The Corinthian and Megarian colonists, and Sicilians believed her abduction to happen in the fields of Enna. The Cretes believed that Persephone’s abduction occurred on their island. Other versions will place the abduction in places like Attica, near Athens, or even near Eleusis.
Distant localities that lay in the mythical played a part in creating a sense of some mystically, distant chthonic world that normally couldn’t be visited and created more of an air of mystery and prestige to the Eleusinian Mysteries. In the month known as Anthesterion, Persephone was the only one to whom the mysteries were dedicated to in Athens.
Temples dedicated to the Eleusinian Mysteries and the worship of Demeter and Persephone were found throughout all ancient Greece, Asia Minor, Sicily, Magna Graecia and Libya. Not much is known about the specifics of local rites and worship.
Amphictyony – An ancient ruin site, this is likely the oldest cult center for Demeter in Anthele along the coast of Malis, Thessaly. For those interest in history, this is near Thermopylae where the famous 300 Spartans fought the invading Persians. After the “First Sacred War,” this Amphictyony became known as the Delphic Amphictyony. Basically a meeting place for many local Greek tribes and cities to come gather to maintain temples to the gods, festivals and work out any disputes and problems.
Megara – Temples to Demeter were called Megara and would be built in groves with neighboring towns nearby.
Mysia – The goddess Demeter worshiped here had a seven-day festival held at Pellene, Arcadia.
Sacrifices To Demeter – These would consist of pigs, bulls, cows, honey cakes, and fruit.
New Year’s Celebration & Divine Child
A near eastern culture with strong ties and connection to the ancient Greeks. The Minoans of Crete held a belief in a fertility goddess whom every year, would give birth to the God of the New Year. That sounds familiar. The New Year’s baby to symbolize the New Year.
This god of the New Year would become the fertility goddess’ lover and of course, the cycle would repeat with the god’s death and his rebirth at the New Year. Similar beliefs and cults are found with those of Adonis, Attis and Osiris.
In Minoan Crete, this fertility goddess is Ariadne and the “divine child” who died every year were part of an aniconic religion whose main deities were female. Every year, an ecstatic sacral dance that involved tree-shaking and the worshiping of stone or stone idols were conducted. The idea and suggestion have been put forward that the worshiping of Persephone may likely be a continuation of the worshiping of a Minoan Great Goddess.
Eileithyia – She is a local Minoan goddess found in Amnisos, Crete where she is a goddess of childbirth who gives birth to a divine child. Her consort is given as Enesidaon, the “earth-shaker” an epitaph of Poseidon. Eileithyia’s myth and cult would come to be absorbed into the Eleusinian Mysteries.
Divine Child – This boy consort to the Great Goddess symbolized the annual dying and renewal of vegetation every year.
Mycenean Greece – Arcadia
While we know the mystery cults existed, not much is known about other than a few inscriptions. In Mycenae, Persephone is thought to have been identified with a local goddess by the name of Despoina, “the Mistress” and chthonic goddess of West-Arcadia. Despoina’s worship is just an example of another deity who would be absorbed into the worship of Greek deities. To the uninitiated of the Arcadian mysteries, the name Despoina was not allowed to be revealed.
The local temples throughout Arcadia were often built near springs and there is evidence of continual fires being kept at some of these. The worship of Demeter and Kore were closely linked to springs and animals.
Another mystery cult similar to the Eleusinian Mysteries. Many of the secret rites and traditions are very similar to each other, including an early concept idea of immortality. Thesemophoria were held and celebrated in the city of Athen before coming more wide spread throughout Greece. It was a women-only festival that held strong association to marriage customs. It would be held on the third day of the year in the month of Pyanepsion, marking when Kore was abducted, and Demeter neglected her duties as a harvest goddess. The date can vary, if the festival were held in Athens, it would during the 11th-13 Pyanepsion, roughly coinciding with October 23rd-25th.
One ceremony involved burying sacrifices of pigs into the earth and then unearthing the decayed remains of pigs buried from the previous year. The remains would be placed on an alter and mixed with seeds before being planted.
Thesmophoria would be celebrated over the course of three days. On the first day is the “way up” to the sacred space. The second day is a day of feasting where pomegranate seeds are eaten. The third and final day, is a meat feast that honors Kalligeneia, goddess of beautiful birth. Hades, under the euphemistic name of Zeus-Eubuleus would attend the feast.
Thesmophoros – “Giver of Customs” or “Legislator” is a name and epitaph that links Demeter to the goddess Themis, which derives from the word thesmos, the unwritten law.
Parentage and Family
Cronus and Rhea
Zeus, Oceanus, Karmanor, and Triptolemus
Iasion – Demeter manages to lure Iasion away during the wedding of Cadmus and Harmonia.
Poseidon – The Arcadian cult and myths link Demeter and Poseidon together. In this respect, Demeter is then equated with the Minoan Great Goddess, Cybele.
She is the second child born of Cronus and Rhea.
The birth order is Hestia, Demeter, Hera, Hades, Poseidon, and Zeus.
Chiron – a half-brother by way of Cronus and the nymph Philyra.
Amphitheus I – Her son by Triptolemus.
Arion – A magical speaking horse, her son by Poseidon.
Chrysothemis & Eubuleus – Her children by Karmanor.
Despoina – Her daughter by Poseidon.
Dmia – Her daughter by Oceanus.
Iacchus – Her son by Zeus. Due to the similarity of his name with Bacchus, he is sometimes identified as being Dionysus.
Persephone – Goddess of Fertility and Queen of the Underworld, her daughter by Zeus.
Philomelus – her son by Iasion.
Ploutos – Also spelled Plutus, her son by Iasion.
While Demeter may just very well indeed predate Grecian culture, she is counted among the twelve major deities who resided on Mount Olympus, the highest mountain peak in Greece and all of Europe. For the Greeks, this was the perfect location for where the gods would preside at while keeping watch on humankind down below them.
As there are several deities within Greek mythology, just who numbers among the Olympians vary. It’s generally agreed that the twelve major Olympians are: Zeus, Hera, Poseidon, Demeter, Athena, Apollo, Artemis, Ares, Aphrodite, Hephaestus, Hermes, and then either Hestia or Dionysus.
Birth Of A Goddess
We start with Cronus and Rhea, the parents of Demeter and all her siblings.
As the story goes, Cronus defeated his father, Uranus, overthrowing him to become the leader and King of the Titans. Shortly after, Cronus receives a prophecy that just as he killed his father, so too, would a child of his kill him.
This prompts Cronus to decide to devour his children whole as soon as they are born. This happens five times. Poor Rhea just gets to where she can’t take it anymore. With the birth of her sixth child, Zeus, Rhea hides him away and manages to convince Cronous that this large stone is their latest child. Bon Appetit, Cronous eats the “stone baby” none the wiser that he’s been tricked.
Rhea takes and hides Zeus, that later, when he is older, he can come fulfill the prophecy killing his father Cronus. During the battle, Zeus splits open Cronus’ stomach, freeing all of his brothers and sisters: Poseidon, Hades, Demeter, Hera, and Hestia.
There is a ten-year-long war known as the Titanomachy, that by the end, Zeus takes his place as ruler and king of the gods on Mount Olympus. Demeter and the other gods take up their roles as part of the newly formed Pantheon.
Demeter & Zeus
Zeus as we know, King of the Gods, fathered many children with many goddesses and mortal woman alike and usually by rape.
In the Homeric Hymn to Demeter, Zeus rapes his sister Demeter, resulting in Kore, Persephone.
By one account, Demeter becomes a fourth wife to Zeus and in their union, they have a daughter by the name of Kore (Persephone).
With the information from the Homeric Hymn and Zeus’ reputation, that would be an awful lot of wives if he married everyone he’s to have raped.
The Rape Of Persephone
You read that right. Yes, I could have titled this one differently. However, this is the title of the story for Persephone’s abduction by Hades to the Underworld that many are familiar with and the most well-known story regarding Persephone. Plus, this is also a story involving her mother Demeter and her role in it and the primary story told in the Eleusinian Mysteries.
When Persephone is first known as Kore, the Maiden, she lived with her mother Demeter, a harvest Goddess. Kore herself is a fertility goddess who makes or causes everything to grow. Kore’s father is the mighty Zeus himself.
Kore grew up and spent her time playing in the fields with the nymphs, gathering flowers, playing and with her mother. As she grew older, Kore came to attract the attention of the other male Olympian gods. Hephaestus, Ares, Apollo and Hermes all sought her hand in marriage. The young Kore rejected them all for she was still interested in playing with her nymph friends and collecting flowers. Demeter made sure that her daughter’s desires are known.
This doesn’t stop Hades, the god and ruler of the Underworld. For Hades, this is love at first sight. As was customary, Hades went to his brother, Zeus (Kore’s father), to petition for Kore’s hand in marriage, getting permission.
Zeus took the proposal to Demeter who refused. Kore isn’t going to leave her or go anywhere, least of all the Underworld with Hades. Not going to happen!
At first, this sounds as if Demeter is simply being unreasonable. The type of response of a mother fearing the empty nest or mother smothering and won’t let her child go. What we would call now days, Helicopter Parenting.
Zeus likely thinks he’s being reasonable, mentioning that every child grows up and leaves their parents eventually and that Kore is certainly old enough to marry. But Zeus isn’t listening, he thinks he knows better. That Demeter is just making an idle threat that if he marries off Kore to Hades and takes her down to the Underworld, nothing will grow!
Since they can’t get Demeter’s approval for the match, Zeus and Hades take a step back, allowing Demeter to think she’s won this round. Hades comes up with a plan to outright kidnap/abduct Kore while she is out gathering flowers. Zeus is in on this too and plants a narcissus flower to attract Kore’s attention.
While Kore is distracted by this new, unusual flower, behind her, a chasm opens up in the earth and out comes Hades, riding in his chariot to snatch up Kore to carry away with him back to the Underworld.
Of all of Kore’s Nymph friends, only the Naiad, Cyane tried to rescue and stop her abduction. Overpowered by Hades, Cyane in a fit of grief cried herself into a puddle of tears, forming the river Cyane.
Demeter, hearing the nymph’s cry out that something was amiss, came running, only to find that her daughter is missing and none of the nymphs in their crying could tell her what happened. Angry, Demeter cursed the nymphs that they turned into Sirens. Only the river Cyane offered any help with washing ashore, Kore’s belt.
In vain, Demeter wandered the earth, searching for her daughter. During her search, Demeter found herself in the palace of Celeus, King of Eleusis in Attica. Demeter took the guise of an old woman, calling herself Doso and asked the King for shelter. Celeus took the old woman in and had her nurse Demophon and Triptolemus, his sons.
Now, from a goddess’ perspective, she planned to reward Celeus’ kindness by gifting his son Demophon immortality. To grant the gift of immortality, Demeter anointed the child with ambrosia and laid him down in the hearth fire with the intention to burn away his mortality. Mom, Queen Metanira walks in and see her baby laying in the fire and understandably freaks out, screaming. Demeter decided against this idea and instead taught the older boy, Triptolemus the knowledge of agriculture. From this, this is how humankind learned how to plant, grow and harvest grain.
Unable to find her, Demeter went and hid herself in sorrow at the loss of her daughter. Once plant life begins to die, the other gods go in search of her. Especially once all their followers begin to cry out there’s no food, help them.
Pan is the one who eventually finds her in a cave. Demeter in her despair, reiterates that without Kore, nothing will grow.
The way this gets told in most retellings, Demeter is threatening to refuse any new life or plant growth. To appease her and prevent people from starving, the gods agree to find Kore so that life can return. It seems that way if you don’t know or forget Kore’s already existing role as a fertility goddess.
Hecate realizes and knows there’s a problem. Hence, she intervenes. All isn’t lost if Kore hasn’t eaten the food of the Underworld, the dead, she can return to the world above.
Down in the Underworld, a frightened and despairing Kore is refusing the advances of Hades and refusing to eat any food. Kore knows that if she eats the food, she won’t be able to return to the living world.
Now at some point, Hecate comes and talks with Kore. At some point, Kore falls in love with Hades or she sees the state of what the Underworld is like. A plot twist comes and Kore does, either willingly or tricked into it, eats some pomegranate seeds. The number of which varies from one to four, Persephone is bound to the Underworld and must spend part of the year there. The rest, she can spend above in the mortal world with her mother Demeter.
This way, Hades doesn’t lose his wife and queen and Persephone can fulfill her role as a fertility goddess, bringing life to the land.
As a note, I came across commentary that says there are some 22 variations in Antiquity about the story of Persephone’s abduction. I doubt I could find all of them. The Homeric Hymn to Demeter written between 650-550 B.C.E. is thought to be the oldest story.
Overly Simplified – One version of the above story is drastically simplified and glosses over a lot of details to the story of Persephone and Hades. In it, Hades just happens to be out and about in the mortal realm when he spots Persephone. It’s easy enough to say Hades has love and first sight and he simply grabs Persephone and carries her off with him down to the Underworld. Persephone is unhappy at first with her lot, but eventually she grows to love Hades and comes to accept her fate as his wife.
As to Demeter, she is so overcome with grief at the loss of her daughter that she neglects her duties with creating plant growth. It is Zeus who makes a decree that Persephone may be reunited with her mother, but only for part of the year. Zeus sends the god Hermes down to the Underworld to retrieve and bring Persephone back.
Hades held no desire to give up the goddess whom he intended to marry. Coming up with a plan, Hades tricked Persephone into eating some pomegranate seeds. Now because she had eaten the food of the Underworld, Persephone was bound to stay.
Persephone needed to only stay part of the year and the rest, she could be with Demeter. This way too, Hades didn’t lose his bride for she would have to return to him.
Not the best version of the story to give as it removes many details and robs Persephone of any agency or choice in the matter. Stockholm Syndrome at its finest.
Version 2 – When Demeter becomes distraught over the loss of Persephone, she goes mad and wanders the land disguised as an old woman carrying a pair of torches in her hands. She searches for some nine days and nights.
Eventually, Demeter meets Hecate on the tenth day who takes pity on Demeter’s miserable appearance. Hecate tells Demeter to seek out Helios, the sun god who can tell her of what happened. Demeter finds Helios who informs her about Hades abducting Persephone.
Demeter begs Hades to release Persephone and allow her to come back to the living world. Hades consults with Zeus about the matter. Hecate returns and lets Demeter know that Persephone hasn’t eaten four pomegranate seeds and because of that, Persephone will still be able to return to the living world. There is a catch and that is, because Persephone has eaten some of the pomegranates, she will have to return to the Underworld for part of the year.
Both version 2 and 3 retellings go for making it look as if Demeter is responsible for refusing to allow anything to grow and does so out of anger or spite. Or that in her grief, Demeter simply neglects her duties for making things grow. This idea originates in Homer’s “Hymn to Demeter,” that gives the idea that Demeter is in charge of fertility.
Those versions work if you want to ignore that Kore/Persephone is a Fertility goddess, she’s the one who is responsible for new plant growth.
Version 3 – Some versions of the story place the episode where Demeter goes to Celeus’ kingdom to hide in sorrow after she learns just who abducted Persephone. Regardless of if its Helios or Hecate who tells her the news.
This placement in the narrative often fits when the impression of Demeter as a Fertility goddess is wanted to be given and that in her despair or out of spite, sets the world on a path to barrenness and winter.
Side Note – Sometimes the characters of Demephon and Triptolemus are seen as being the same person, especially Triptolemus.
Ascalaphus – In what seems to be padding the story, Ascalaphus, the keeper of Hades’ Orchard is who tells the other gods that Persephone has eaten the pomegranate seeds. Demeter becomes so enraged with this news that she buries him beneath a huge rock in the Underworld. Later, when Ascalaphus is released, Demter turns him into an owl.
Hades’ Role In The Myth
In the story for the Rape of Persephone, Hades fits into the story as he is an Underworld deity himself. Among the Greeks, it was believed that Hades rode around in his chariot catching the souls of the dead to carry back down to the Underworld.
With Persephone being a chthonic goddess, the Greeks likely came up with the story to better fit the goddess to her role as a Queen of the World. It unfortunately greatly diminishes her role and what her functions were from a much earlier era.
In the myths where Hades is called Pluto or Ploutos, he is not only a god of the Underworld, but wealth where the riches of the earth can be found. Partnering him up with Persephone is meant only to add to his power and domain for now it is the riches of the earth in terms of fertility. In this case, the wealth of corn or grain springing forth from the ground every year and the promise of renewal it brings with it.
This is perhaps the biggest aspect about Demeter. As an Earth Goddess and Goddess of the Harvest, this is Demeter’s biggest role in her gifting mankind with the knowledge of agriculture, especially for grains and cereals. Without the advent of agriculture, humans would still largely be hunter-gatherers moving about and never having settled in any place to build cities and all the rest that follows.
Grain – This crop was of great importance to the ancient Greeks as it was rare and hard to come by in the Grecian country sides. Persephone’s close association with this crop held the promise of renewal, regeneration and possibly immortality, knowing that she would return every spring.
This strong connection of grain and rebirth or renewal is what ties Demeter so closely to the Eleusinian Mysteries. In Hesiod, there are prayers to Zeus-Chthonios and Demeter to help ensure that the crops will be full and strong.
Secrets Of Agriculture – In the larger story of “The Rape of Persephone,” there is a shorter episode that occurs. During Demeter’s search for her missing daughter, the goddesses’ wanderings took her to the kingdom of Eleusis in Attica where King Celeus ruled. While there, seeking shelter in the guise of an old woman, Demeter, after deciding to not gift immortality to the young son, Demophan, the goddess instead taught the knowledge of agriculture to the older son, Triptolemus. In this way, this is how humankind learned the knowledge of how to plant, grow and harvest grain.
Now, there a few different versions to this myth and other figures such as Eleusis, Rarus and Trochilus will be who learned the secrets of agriculture. Fair enough.
Without the knowledge of agriculture, humankind would have continued to be nomadic, hunter-gathers. With Demeter’s influence, humankind is able to settle and stay in one place to begin building up their cities and civilizations. This fits with one of Demeter’s names: Thesmophoros as “Law Bringer” and laying out the planning and laws of society.
Seasonal Cycles & Changes
Like her daughter, Demeter is also closely connected to the Ancient Greeks beliefs about the changing of the seasons, especially as seen in the story: “The Rape of Persephone.” That Spring and Summer are when Persephone has returned to the Living World to be with her mother Demeter and that Fall and Winter come when Persephone descends back down to the Underworld to be with her husband Hades for the rest of the year.
Sure okay, makes sense I guess.
The more simplified Greek versions would have it that Demeter is responsible for the fertility of the earth and that she causes it to be winter out of grief and spite because her daughter Persephone isn’t with her. Add to that so many people wanting to give stories about how fickle and petty the Greek Gods could be, this just seems to fit the Pantheon’s MO, nobody is questioning the story?
Yay! I love mankind so much! I’m going to teach them agriculture and how to harvest! Boo! Hiss! You took my daughter! I’m going to punish the very mortals I claim to love so much by making the earth barren and winter!
That really doesn’t make sense!
Fertility Goddess – That’s because you have to remember that Persephone is a chthonic fertility goddess. The earth can grow again, and Spring comes when Persephone has ascended to the Living World.
The fertility function is something that the Greeks really seem to have forgotten and which role and function they attached to Demeter. That way, a version of the story where Demeter is the fertility goddess, it’s out of spite and grief that Demeter causes winter and refuses to allow anything to grow.
Harvest Goddess – Yeah! Everyone remembers this aspect about Demeter. Afterall, she taught mankind the secrets of agriculture! This is Demeter’s domain and better fits the dual roles that she and Persephone share.
Alright kiddos, Persephone’s going back to the Underworld to be with Hades again, better bring in those crops and harvest like I told you! It’s gonna’ be awhile and we don’t need any empty bellies or people dying while we wait for Persephone to come back.
Fall comes, and this is where Demeter’s role comes in. As plants become dormant or die, now is the time for harvesting, to make sure there enough food has been stored and gathered for the long winter months until Persephone and Spring returns. The first loaf of bread is thought to have been sacrificed to Demeter.
As a goddess of the Harvest, this domain ties closely to Demeter’s role as a goddess of Agriculture, having taught humankind it’s knowledge so they can grow enough food.
To keep with the version of the story where Demeter makes it Winter out of spite or grief because her daughter has been abducted seems contradictory. Especially if Demeter is one of the few Greek Gods who is considered closest to humankind and understands the most about grief and loss.
Just by the very meaning of Demeter’s name, “Earth Mother,” we know she is a mother goddess. Not necessarily a “Great Mother Goddess” as the Romans would identify Cybele and Rhea with.
As a mother goddess, Demeter is seen as the most compassionate and closest to humankind of all of the Greek Gods for she is the one who understands the most about grief and loss. It’s her gifts of abundance and the harvest yields that nurture and sustain humans through the long winter months.
This is another plant besides grains that is strongly associated with Demeter. Her emblem is that of a bright red poppy flower growing among the barley. Theocritus wrote of Demeter being a poppy goddess, that she held poppies and sheaves of grain in both of her hands. In Gazi, Minoa, there is a clay statuette that was found of a goddess wearing seed capsules on her diadem. The idea has put forward that a Great Mother Goddess, under the names of Rhea and Demeter introduced the poppy with her cult in Cretan.
Healing A Poor Man’s Son – An episode often set during Demeter’s search for her daughter, the goddess comes across a poor, old man who is out gathering firewood. He invites the goddess to his home, likely not knowing who she is, and offers to share a meal with her. This would be the law of hospitality among the Greeks known as Xenia.
When Demeter told the old man about her search for her missing daughter, he wished Demeter success and said that he understood her grief and suffering for his own son lay dying. Taking compassion, Demeter decided to go with the old man to his home. She stopped once to gather some poppies and when they arrived, Demeter went straight to the boy’s bedside, kissing him on the cheek. At once, the boy’s sickly pallor left him, and he was restored to health.
As to the poppies, I assume the story intended some healing use and connection. Poppies are a source of opium from which morphine is derived. There is a history of poppies being used medicinally, mainly for diarrhea and pain, chest colds, coughs and pneumonia. So, a Greek audience likely knew very well what Demeter intended to use the poppies for.
Poppy seeds are also used in preparations for bread and confections. Not likely an immediate use of drug abuse.
Goddess Of Marriage
As a goddess of marriage, Demeter is venerated at the celebration of Thesmophoria. It’s an interesting connection and one that makes sense if one remembers that it wasn’t unusual for mothers to be kept out of the loop as to whom their daughter would marry when the father is making the arrangements.
Of course, this future husband was likely someone easily two if not three times the girl’s age and she would find herself torn from her birth home and leaving to live with her husband, most likely in another town and province.
Demeter’s grief over the loss of her daughter would resonate with many women in ancient Greece. Taking from the stance of Demeter as responsible for fertility, she, unlike many women was able to do something that others couldn’t. That was to defy Zeus’ will by holding the world hostage until he agrees to release Persephone back to Demeter, even if only for part of the year.
It may have been a partial victory, but a victory all the same for Demeter. Many mothers probably hoped to be able to do something similar. Or say, a daughter could return to visit her maternal family, things would never return to the way they were before. But just for a little while, they could.
Demeter & Iasion
Iasion is noteworthy as he is considered the only consort Demeter took by choice rather getting raped or forced by another person. Iasion is the son of Zeus and the mortal woman, Elektra.
During the marriage of Cadmus and Harmonia, Demeter spotted Iasion and fell in love. She managed to lure Iasion away from all the other partygoers. The two would head out to a field near Crete where they would have a tryst. Demeter would later give birth to twins: Ploutos (or Plutus) who is known for bestowing wealth and plenty on people and Philomelos who would become the patron of plowing.
Zeus would become jealous of Iasion and kill him with a thunderbolt. By one account, Zeus didn’t think it appropriate that a Goddess would consort with a mortal. But it’s okay if he does it? Got it.
Ploutos & Philomelos
In a case of sibling rivalry, Philomelos was envious of Ploutos great wealth. Rather than re-enact a biblical scene worthy of Cain and Abel, Philomelos bought a pair of oxen and invented the plow so he could earn a living tilling the earth. This so impressed Demeter, that she placed Philomelos up into the heavens to become the constellation Bootes.
Demeter & Poseidon
Well sure and why not? Demeter is the Goddess of the Earth and Poseidon is the God of Water. That’s a good match and they’re consenting adults and gods.
Mycenaen Greek – This is Bronze Age Greece, there is a script known as Linear B found in Mycenae and Mycenaean Pylos where both Demeter and Poseidon’s names appear. Poseidon is given the epitaph of E-ne-si-da-o-ne “earth-shaker” and Demeter’s name is given si-to-po-ti-ni-ja. In these inscriptions, Poseidon’s title and epitaph E-ne-si-da-o-ne (Enesidaon) links him as a King of the Underworld and gives him a chthonic nature.
Touching back to the Eleusinian Mysteries, there are tablets found in Pylos that mention sacrificial goods for “the Two Queens and Poseidon” or “to the Two Queens and King.” It’s agreed that the Two Queens very likely refer to Demeter and Persephone or its later precursor goddesses who are not associated with Poseidon later.
Eileithyia – She is a local Minoan goddess found in Amnisos, Crete where she is a goddess of childbirth who gives birth to a divine child. Her consort is given as Enesidaon, the “earth-shaker” whom we just mentioned is Poseidon. Her cult and worship would survive within the Eleusinian Mysteries. Plus, we see where local deities’ worship get absorbed and conflated with a more popular, well-known deity.
Arcadia – We’re still in Bronze Age Greece! Here, Demeter and Poseidon Hippios or Horse Poseidon give birth to a daughter, Despoina, who is a goddess in her own right before some of the myths confuse her with Persephone or make her an epitaph of Demeter.
In this myth, Poseidon is a river spirit of the Underworld, appearing as a horse. In this form, Poseidon pursues Demeter, who is also in horse form. Demeter hid among the horses of King Onkios. Due to her divinity, Demeter couldn’t remain hidden for long and Poseidon caught up with her and forced himself on her. When the two gods copulate, Demeter gives birth to a goddess who is also in horse or mare form. This is a myth that sounds very similar to another one between Poseidon and Athena and more accurately, Philyra and Cronos when Chiron is born. The horse motif is very common in norther-European myths and folklore.
As a mare-goddess, Demeter is known first as Demeter Erinys due to her fury with Poseidon for forcing himself on her. She becomes Demeter Lousia, “the bathed Demeter” after washing away her anger in the River Ladon. There’s something to be said for this as you can’t hold onto your anger forever, you must let it go or otherwise it consumes you.
The whole myth of pairing up Demeter and Poseidon is to connect Demeter as a Goddess of the Earth and Poseidon as a God of Water with their connection over nature. Despoina is the daughter who results from their union and whose name could not be spoken outside of the Arcadian Mysteries. Demeter and Poseidon also have another child, a horse by the name of Arion who is noted being able to speak, being immortal, really swift and for having a black mane and tail.
The effigy or imagery of Demeter worshiped in Arcadia depicts her as a gorgon or medusa-like with a horse’s head and snake hair while holding a dove and dolphin that likely represented her power over air and water. Close to the Arcadian city of Phigaleia, there is Mt. Elaios where a cave held sacred to Demeter is found. Here, an image of Demeter Melaine is seated showing the goddess dressed in black with a horse’s head and snake hair. According to Pausanias’ Description of Greece, when the statue caught fire and was destroyed, the Phigalians failed to make a new statue for Demeter, eventually leading to neglecting her sacrifices and festivals, the land became barren.
Demeter & Ascaelabus
I assume this is an episode set during when Demeter is searching for her daughter. When Demeter stopped at one point to kneel by a spring to quench her thirst, a man by the name of Ascaelabus began laughing when he heard the sound of Demeter’s gulping. Angry and embarrassed, Demeter turned the man into a lizard for his rudeness.
Demeter & Triopas
Considered the father of the Thessalians, Triopas was cursed by Demeter after he destroyed one of her temples. In retaliation, Demeter sent a huge serpent to kill Triopas. Even in death, Demeter wasn’t finished and she set Triopas up among the heavens as a constellation where the serpent could forever torment him.
Demeter & Erysichthon
Erysichthon was a Thessalian hero who decided to build himself a palace. Unfortunately for Erysichthon, the grove of trees he chose were sacred to Demeter. As Erysichthon set about to cut down the trees, Demeter came in disguise as a priestess by the name of Nikippe to try and warn Erysichthon not to cut the trees.
Nikippe is also the name of a nymph who lived in the grove. So when Erysichthon ignores the warning and chops down the tree, killing Nikippe, Demeter became very wroth and cursed Erysichthon with an insatiable hunger.
The more that Erysichthon ate, the thinner he became. In addition, when he had spent all of his money to try and sate his insatiable hunger, Erysichthon turned to selling his daughter Mestra into slavery.
Luckily for Mestra, she was a mistress of Poseidon and he granted the powers of shape-shifting into animals. Using this ability, Mestra would be able to escape slavery every time her father sold her.
In New Age, Pagan and Wiccan practices, Demeter is often seen as the Mother aspect of the “Triple Goddess” with Persephone representing the Maiden and Hecate the Crone.
Virgo Zodiac Constellation
The constellation of Virgo is the sixth sign of twelve that form the classical Greek Zodiac. For those who study and are into the classical Greek Zodiacs, this time is typically said to be from August 23 to September 22. Virgo is often depicted as a Winged Maiden holding a stalk or sheaf of wheat or some other grain in her hand. This figure is sometimes identified with that of Demeter, most notably by Marcus Manilus in his Astronomicon in 1st century Rome.
Ceres – Roman Goddess
Ceres is the Roman goddess of agriculture, grain crops, fertility, and motherhood and equated with Demeter. Similarly, Ceres has a daughter by the name of Proserpina is also abducted by Pluto down to the Underworld to become Queen of the Dead. The biggest difference in the myth is that Pluto is struck by an arrow from Cupid after his mother Venus told him to do. This is what causes the God of the Dead to fall madly in love with Proserpina. The other difference is that Cere’s celebrations and festivals come during the Spring while Demeter is venerated in Fall with the Harvest.
Cybele – Phrygian & Roman Goddess
The Greeks are who make the connection and equate Cybele with Demeter and Rhea, seeing in her a Mother Goddess. While Cybele does have her origins in Phrygian worship, when the Greeks encountered her, they just saw another deity like their own, just under a different name. Yes, all three are a Mother Goddess and Goddess of the Earth, you can see why the Greeks would equate all three together.
The Romans are clearer in acknowledging more clearly the genealogy of the Greek pantheon and equating Cybele whom they readily adopted as their own with Rhea and then equating Demeter with Ceres, a Roman Harvest goddess.
Antaea – This name and epitaph is one that is applied equally to Cybele, Demeter and Rhea by the Greeks. The meaning of the name is unclear, though it does denote a name for a goddess whom people could approach in prayer.
Rhea – Greek Goddess
The Greeks are who equate Demeter with her mother, Rhea, a Titaness, mother of the gods who is also a goddess of the earth and fertility. As I previously mentioned with the name of Antaea, that epitaph could be applied to Demeter, Cybele and Rhea equally. It works if you’re just seeing all the gods as different aspects of the divine and not making any distinction. It’s possible that’s just remnants of an older belief and religion that the Greeks replaced with their own.
Gaia – Greek Goddess
I’m my own Grandma!
Not really, leave it to the Greeks to continue with blending all their deities as being one and the same, to blur or ignore their own genealogies for their Pantheon. Gaia is the primordial goddess of the Earth and from whom all life sprang forth. Again, it works if you’re just seeing all of these deities as just different aspects of the divine.
Etymology: From the Greek word “pantes” meaning: All, everything, rustic
Other Spellings: Πάν
Other Names and Epithets: Aegocerus (“Goat-Horned”), Agreus (the Hunter), Faunus, Haliplanktos (Sea-Roaming), Innus, Kronios, Nomios (the Shepherd), Sinoeis
Pan is a familiar, half-goat, half-man or satyr deity in Greek mythology. As a god of forests and wilderness, he’s known too for inhabiting grottoes too. In his ancient Arcadian home, Pan is said to have wandered the mountain sides playing his reed pipes, aiding or hindering hunters, guarding shepherds and their flocks and his never-ending pursuit and dancing with nymphs.
Animal: Goat, Tortoise
Patron of: Shepherds
Plant: Pine, Mountain Beech, Water-Reed
Sphere of Influence: Fertility, Flocks, Rustic Music, Wilderness
Symbols: Reed Pipe, Phallus, Lagobolon (Hare Trap)
Pan is the Greek half-man, half-goat god of shepherds and flocks. A god of fertility and the wilds.
What’s In A Name?
The Latin words of the verb paô and pasco connect Pan’s name to mean “all” or the universe. The Arcadians used the word pan meaning rustic, for anything out in the country, wild and untamed.
The idea of the Greek word pan for “all” comes from Homeric Hymn where Pan is described as delighting all the gods. This word ends up being used in word play in Plato’s Cratylus where he describes Pan as a dual-natured god, a personification of the cosmos.
The Greek word: “pa” is a more likely source for Pan’s name as it translates into “Guardian of the flocks,” certainly one of the things he is known for. Interestingly “pa-on” meaning: “herdsman” is a closely related word and where the Latin pastor and the modern English word “pasture” come from.
Another source says that Pan’s name comes from the Greek word: “paein” meaning “to pasture.” Furthering the ideas, Edwin L. Brown puts forward the idea that Pan is likely a cognate to the Greek word: ὀπάων, meaning “companion.”
Early Greek Depictions
It is around 500 B.C.E. that Pan appears in Greek art. These early depictions of Pan show him as a black goat standing upright on hind legs.
Later red-figure pottery shows Pan’s image change to that of a satyr. Some might even say the father of all satyrs. He is often shown having a wrinkled face with a prominent, bearded chin, snub nose, pointed ears, goat-like horns with hairy legs and cloven hooves like a goat. playing a reed pipe. Sometimes he is shown with a shepherd’s crook and a pine branch or a crown made of pine. Often times he’s in the company of fellow satyrs and Maenads.
Coinage – In 4th century B.C.E., Pan’s image is found on coinage in Pantikapaion, for the Arcadian League.
Dual Nature – Plato’s Cratylus
This one’s interesting. Socrates discusses how Pan is a duel-nature son of Hermes. That makes sense as Pan is half man, half goat after all. Socrates goes on to explain how Hermes’ name comes from the word for “speech.” That Pan, the all things known, both true and false. The true part of Pan is the part that is smooth and divine and that he lives with the gods. The false part is the lower part that is goat, representing the baser, common man who are rough and like the tragic goat. I presume this comes from the origin for the word tragedy or tragikos, goat-song and is in reference to early, primitive performances where people wore goat-skins. A roundabout way of saying that life is nasty, short and brutish. It is among mankind that tales and falsehoods can be found.
While we’re at it, Pan was also the god of theatrical criticism.
Considered a pastoral paradise in Ancient Greece, the land “that existed before the moon,” this is the place where Pan is said to have been born, specifically on Mount Lycaeum.
Arcadia is mountainous and fertile area located in central Peloponnessus. This place is found to the south of modern-day Greece. This is the location where the seat of the ancient Greek empire once lay.
For the ancient Greeks of their day, they viewed Arcadia and those who lived there as being backwards and primitive. They weren’t held in the same light as more civilized Greeks. Outside of Greece, Pan’s worship spread as far as Egypt and other local, neighboring countries.
Athens – Around the fifth century B.C.E., after the Battle of Marathon, Pan’s worshipped arrived in this City-State.
The story goes that Pheidippides, an Athenian was to Sparta to enlist their aid against the Persians, Pan appeared before him and promised that he would terrify or panic the invaders. In return, the Athenians would begin honoring and worshipping Pan.
Shrines & Temples
Even after the Greeks began worshiping other gods and adding them to their pantheon, Pan still had shrines built, honoring and venerating him. Many of these shrines and sacred places to Pan were often in caves and grottos. There were many sanctuaries and temples dedicated to Pan throughout Arcadia, including some in places like Athens, Heraea, Homala in Turkey, Megalopolis, Mount Parthenius, Oropus, the island of Psyttaleia, and Troezene to name a few. The Korkykeion cave found on Mount Parnassos and the Vari cave in Attica are a couple of the places dedicated to Pan.
According to the ancient Greek historian, Diodorus Siculus, the Egyptians had a good number of statues of Pan in many of their temples. In Thebes, the city of Chemmis was also known as the city of Pan or Panopolis.
Caves & Grottos
Many of Pan’s sacred places were found in caves and grottos. Pan’s sacred shrines and grottos weren’t solely dedicated to him, sometimes he shared it with a local deity or nymph in the region. Sacrifices offered up to Pan included cows, rams, lambs, milk and lamb. These sacrifices would also be offered up to Pan in conjunction with Dionysus and the nymphs. Other sacrifices to Pan included statues of herdsmen, vases, lamps and gold grasshoppers. Goat sacrifices and torch races were also part of Pan’s worship at Delphi and Athens.
A few other locations for Pan’s shrines or temples are:
Acacesium – A perpetual fire was kept burning here in this time. Also at this time, there was an oracle where the nymph Erato was Pan’s priestess.
Acropolis – This shrine to Pan is hidden away in a shallow cave beneath the Acropolis in a place still wild and untamed.
Apollonopolis Magna, Egypt – A Temple of Pan is found here.
Corycian Grotto – Located near Mount Parnassus.
Nomian Hill – A shrine was located here near Lycosura.
Peloponnese – A Temple of Pan was located here on the Neda River gorge.
Well of Eresinus – Located between Argos and Tegea
Mystery Cults – During the Hellenistic era, Pan becomes a cognate to the Phanes/Protogonos, Eros, Dionysus and Zeus.
Youngest To Oldest
In the Greek pantheon, Pan is considered the youngest of the gods. That makes sense if Hermes is Pan’s father. Making Zeus his great grandfather and Apollo his grandfather. At the same time, Pan is also considered the oldest god as records of his worship date to the 6th century B.C.E. in Arcadia. Mythical evidence seems to back this with Pan being the one who gives Artemis her hunting dogs and teaches Apollo the secrets to prophecy.
This likely makes sense too that for all that Pan being a rustic, rural god, was seen by the Greeks as representing the connection between the wildernesses and civilization. In Arcadia he would enjoy being a major god, but else where he was reduced to a minor god and not counted among the twelve major Olympian gods. So how ever minor his role seemed to have taken on, his influence and importance were not denied or forgotten.
Parentage and Family
Grandfather or Great Grandfather
As the grandson or great grandson of Cronos, Pan is known as Kronios.
The parentage for Pan is greatly varied and murky. Depending on the source that one uses, a different set of parents will be mentioned. That kind of makes sense when seeing Pan as a nature god, that he could be older than the other Olympian deities. Depending on which one you read, will be which one you decide to go with.
Father – Hermes, nearly every myth concerning Pan’s birth agrees on this. Sometimes another deity, Aegipan is given as Pan’s father. Even the gods Apollo, Cronus, Dionysus, Uranus, or Zeus could be mentioned as Pan’s father. Others like Amphinomos, Antinoos and Odysseseus are mentioned as Pan’s father.
According to Euhemerus, a 4th century B.C.E. mythographer, Aegipan (or Pan) was married to Aex and when she had an affair with Zeus, she bore the god Pan to him. In this instance, Pan was called Aegipan.
Mother – There are many different myths regarding who Pan’s mother is.
In no particular order, they are: Dryope the daughter of Dryopos, Thymbris, Penelope (There are two Penelopes of note here. The first one, Hermes visited in the form of a ram. The second Penelope is of Odysseus fame as she proved to be unfaithful while she waited for Odysseus to return home). Nonnus’ Dionysiacs is where Penelope of Mantineia in Arcadia, a nymph. This Penelope is later confused or combined with the Penelope, the wife of Odysseus. Oeneios, some random Nereid, Sose, and Callisto. Even the goddesses Aprodite and Hecate are sometimes mentioned as being Pan’s mother.
Sometimes Pan’s parentage is given as being Uranus and Ge or that of Aether and Oeneios.
That seems a little odd to think of Pan as having any spouse. Given Pan’s later reputation for chasing around after all the Nymphs and seducing anyone who’s female…. There’s actually a few that Pan actually truly loved.
Aix – Also spelled Aex, she is a goat or a nymph who took the shape of a goat. Her connection to Pan seems more sure if you count Aegipan and Pan as being one and the same person.
Echo – This one is rather tragic, the story is given in full later.
Pitys – A nymph who turned herself into a pine in order to elude Pan’s advances.
Syrinx – A more well known Syrinx who changed herself into a bed of reeds to escape from Pan’s unwanted advances.
The satyrs in general were all considered kin to Pan, if not his sons, Laertes, Circe and the Maenads.
Agreus – A half-brother by way of Hermes, part of a “Pan Triad.”
Arcas – the twin brother to Pan, when Zeus is seen as the father. That is, if you accept the source of Kerenyi’s work of Aeschylus in Rheus noting there being two Pans.
Daphnis – A half-brother by way of Hermes.
Nomios – A half-brother by way of Hermes, part of a “Pan Triad.”
Akis – Also spelled Acis, he is the son of Pan (or rather Faunus) and the nymph Symaethis.
Eurymedon – Of the Seven Against Thebes fame, he said to be the son of Pan given how he fought fiercely in battle, causing others to panic.
Iambe – With Echo, Pan is the father of Iambe, a minor goddess of verse.
Iynx – With Echo, Pan is the father of Iynx, a girl who took the form of a bird.
Krenaios – Also spelled Crenaeus, he is the son of Pan (or rather Faunus) and the nymph (more accurately a Nereid) Ismenis. Crenaeus fought fiercely in the Seven Against Thebes, even more so in the river Ismenis of his mother’s name sake.
Krotos – With Eupheme, Pan fathered Krotos, a minor god who invented the hunting bow and rhythmic beats or clapping in music.
Silenus – This one is a bit dubious, as he is sometimes considered older than all of the satyrs and sometimes his parentage is given as being the son of Hermes and Gaia.
The Panes – All the satyr and local woodland deities including the fauns. According to Nonnus’ Dionysiaca, there are twelve Panes who lived in caves and claimed Pan as their father. They are known for having accompanied Dionysus in his War with India. These Panes were:
Aigikoros, Argennon, Argos, Daphoineus, Eugeneios, Glaukos, Kelaineus, Omester, Philamnos, Phobos, Phorbas, and Xanthos
What A Pane
Nearly every region of Ancient Greece had a regional woodland deity, many of them local satyr deities that all came to be identified as just different aspects of Pan. These multiple Pans or Panes were also known as Paniskoi or “little Pans.”
Satyrs weren’t necessarily gods in themselves, but nature spirits known for all sorts of carousing and chasing after nymphs, eating and drinking. The Romans would know these nature spirits by the name of fauns or incubi, the Celts believed in Dusios or dusii for plural. Much like the plural of Pan being Panes, the plural of satyr is Satyri.
This association with these local deities, gave rise to Pan being known by many names and seen as a universal god. Some of these local deities are as follows:
Aegipan – A goat-fish god connected to the constellation Capricorn.
Aristaeus – God of flocks, agriculture, bee-keeping, viticulture in Northern Greece. Like Pan, Aristaeus also held the title of Agreus (the Hunter) and Nomios (the Shepherd).
Marsyas – A Phrygian satyr also known for playing the pan pipes.
Priapus – A local god whose images have been found at Pompeii
Silenus – Knowledge and viticulture
Sybarios – An Italian version of Pan who was worshiped in the Greek colony found at Sybaris, Italy. This Sybarite Pan is the son of a Krathis, a sheperd and a she-goat.
As a triad, Pan was known as Agreus, Nomios, and Phorbas. Each seen as a separate entity and not just as a title of Pan’s.
In Nonnus’ Dionysiaca, two of the Panes, Agreus (Hunter) and Nomios (Shepherd) are merely different aspects of Pan. By the same account, they are the sons of Hermes with two Nymphs. The first is Sose, a prophetess who bore Agreus who inherited Sose’s gift for prophecy and would become a god of the hunt. The second is a nymph by the name of Penelope (not to be confused with the one of Odysseus fame) who bore Nomios known for playing the reed shepherd’s pipes or syrinx, shepherd, and seducing Nymphs. It has been said that many of the stories about Pan are actually about Nomios.
Agreus and Nomios are often taken to be two different aspects of Pan, indicating a dual nature to the half-goat god as both wise prophet and a lusty, amorous beast.
Phorbas would later join these two. Phorbas’ name means “giver of grazing” and has been noted as a play on the word phobos for “fear.”
The Birth Of Pan
Regardless of who is considered Pan’s mother, it’s generally agreed that she ran away at the sight of this already fully developed infant sporting horns, covered in hair, complete with beard, goat tail and legs with cloven hooves. Hermes however, took his son up to Olympus where the other gods were immediately delighted with him, especially Dionysus. The nymphs would raise Pan.
One of the nymphs to raise the infant Pan was Sinoe. From her, Pan received the epitaph of Sinoeis.
As a side note, the Homeric Hymn has the nurse being the one frightened by the sight of Pan and running away.
Where Penelope, the wife of Odysseus is listed as Pan’s mother, she was seduced by Antinous. When Odysseus returned Penelope to her father Ikarios, she gave birth to Pan when she arrived at Mantineia in Arcadia. With Penelope as Pan’s mother, he is clearly a demigod who became fully immortal.
A fertility deity, Pan is known for being very lusty as a symbol of male sexuality and carnal desire. Spring is the time for fertility, so it makes sense that Pan what he’s known for doing best, sex. There’s just no way around it.
Pan is very famous for his stories of endlessly chasing after nymphs who, to elude the lusty, rutting god, would turn into trees and rocks. These same stories were also used by the ancient Greeks to explain the many varieties of plants and natural features with how they came to be.
Nudity was a common thing among the Greeks, seen as being very natural and not holding any of the stigmas against it that are found with later cultural, especially religious taboos. It just is, nothing sexual about it.
Pan on the other hand… Part and parcel to Pan’s sexual prowess, one of his symbols is a phallus. Meant in joking tones, Diogenes of Sinope tells how Pan learned masturbation form his father, Hermes and then went on to teach it to shepherds. As such, it’s not uncommon to find ancient Greek art depicting Pan having an erection, he was just that sexually active.
Sex for the sake of it. That is part of who Pan is, bringing out the wild, untamed natural man to give into primal desires to satisfy momentary, carnal lust. If you want a love god for someone to fall in love with for a life partner, Pan is not your deity. Try Aphrodite or Eros for better results. For the ancient Greeks and Pan especially, he held many sexual partners and would move from one to the next with ease.
Rest assured, the ancient Greeks did see a need for having a main partner and a need to have someone you were with to create a better sense of family and unity. But engaging with a new partner from time to time could lead to something new and a change of pace.
When in Rome, only this was Greece.
Pan & The Nymphs
Pan is often mentioned as a companion to the nymphs of the woods, mountains and rivers. As a god of fertility, Pan also has a reputation that may or may not be deserved as being very lusty and constantly chasing after the nymphs as they flee from his unwanted advances. It all starts off well and good, he would join their dances and play his reed pipes, then soon enough comes the rutting and the chasing after. The nymphs would very likely be the original #MeToo crowd. They do manage to get their revenge on him at one point where they set upon Pan while he’s asleep to tie him up and shaved off his beard.
This part comes from Philostratus the Elder in his Imagines 2 where he describes a painting of the Bucolic Nymphs having tied up Pan and shaved off his beard as they say they will persuade Echo to no longer respond to him.
Even Artemis, the goddess of the Hunt and Moon got fed up with Pan’s behavior as her retinue of virgin followers and nymphs would grow smaller every time Pan or any of the satyrs came around.
Maenads – Aside from the Nymphs, Pan also got on well with the Maenads, the female followers of Dionysus rather well too. Now, either did this one by one or would multiply into a host of Panes to satisfy them all.
Pity – This poor nymph eluded Pan’s advances by turning into a Mountain Fir.
Pan Girls – With Pan’s rather lusty nature, Greek girls back then were known as Pan Girls when they displayed the same behavior.
Where The Wild Things Roam
A nature god, Pan’s domains were all of wildernesses. Grottoes, meadows, forests, beasts and even human nature itself. All of it is Pan’s domain. During the heat of the day, Pan would sleep and didn’t take kindly to anyone who disturbed him. Pan is described too as a god heard, but not seen.
Bees – As a god of nature and wild things, it stands to reason that among many of the things that Pan cared and watched over would include bees too. Like was previously stated, all of wilderness.
Fishing – Coastal areas and the success of local fishermen were also under Pan’s province.
God Of The Hunt – As a god of the wild places, Pan is also a god of the hunt, hunting dogs and he could decide a hunter’s success or not. In Arcadia, hunters would whip or scourge statues of Pan if their hunting failed.
God Of Shepherds And Flocks – In Pan’s homeland of Arcadia, there were many shepherding groups, most of whom herded goats and sheep. Pan protected the herds and flocks both wild and domestic. Pan would even help shepherds find their way back to the towns and cities. This role clearly placed Pan as the guardian of the wilds and civilization.
Panic At The Parthenon!
Pan’s name is the basis by which the word “panic” originates. It is one of the things that Pan is known for, causing a sudden or great fear in people. There are a couple myths given as an explanation for this.
Afternoon Naps – Sleep is good. The afternoons are when Pan is known to take his naps and woe to anyone who disturbed him from his sleep. But hey, who wouldn’t be cranky when woken up from their sleep. That’s right, run for the hills.
Music – Pan’s music that he played on his reed pipes could inspire panic in anyone who heard it. With it, Pan’s music could lower people’s inhibitions, an ecstasy brought on by listening to the music and dancing. A lowered inhibition that could either inspire or bring on a madness.
Panolepsia – During the Hellenistic era, Pan’s popularity increased and it is at this time he became associated with the word panic, an emotion known to overcome soldiers on the battle field. This violent emotion, known as panolepsia could overcome any individual person, inside and outside of battle.
Titanomachy – The first myth given is that Pan was present when Zeus defeated the Titans during the great Titanomachy. The claim then is that Pan’s yelling caused the Titans to flee.
Battle Of Marathon – The Athenians began worshiping Pan after he helped them out with causing panic among the invading Persians.
Nighttime Pranks – The second myth given is that Pan would make noises to scare away travelers in his protected forests.
God Of Rustic Music
When he wasn’t busy chasing nymphs, Pan could be found playing his famous reed pipes and dancing with the wood nymphs. Pan’s skill with music was such that he could cause inspiration, promiscuity or panic depending on what he wanted. The reed pipes were synonymous with rustic music as they were relatively cheap and easy to make with cutting reeds to different lengths and stopping them up with something like wax.
One of Pan’s more famous and well-known myths. Syrinx was just one of many nymphs that Pan would endlessly pursue. She was a water-nymph and the daughter of the river-god Landon. One day, as Syrinx returned from hunting, she encountered Pan who became infatuated with her. To escape his unwanted advances, Syrinx fled from Mount Lycaeum down to the Ladon river, there she pleaded with her sisters (or sometimes Zeus) to change her into a bed of water reeds. When Pan narrowly missed grabbing Syrinx, he discovered that when he blew air through the reeds, they made a noise. A forlorn Pan, mourning the loss of Syrinx, took the reeds and crafted his famous reed pipes or Syrinx from them.
Daphnis – The son of Hermes and a nymph, a shepherd, he invented pastoral poetry. He is one of many whom Pan taught how to play the pan pipes or syrinx.
Pindar – A poet said to be loved by Pan for singing and dancing to his music. Pindar built a sanctuary dedicated to Pan outside his house.
Olympus’ Got Talent!
In the original version of this story, Pan is equated with the Phrygian satyr, Marsyas. In the original telling of events, Marsyas is punished for having challenged the god Apollo.
However, other versions of this story have Pan and Apollo having a music contest with a local deity, Timolus set to be the judge. King Midas (as in the one with the golden touch) was there by happen stance as at this time, he was now a follower of Pan and followed him around.
When Apollo and Pan completed their different musical scores, Timolus was all set to call Apollo the winner. Midas spoke up and said that it should be Pan who was the winner. This angered Apollo and in retribution, he changed Midas’ ears into those of an ass.
You just can’t win.
One version of this story has it that both Apollo and Pan were tied, so they held a second round. This time around, Apollo said that they should play their instruments upside-down. Apollo was unaffected with playing upside-down, Pan however, was unable to play his reed pipes. Thus Apollo won the contest.
The Mother Goddess
In Pindar’ Pythian Ode, Pan is mentioned as a being either a follower or consort to the mother goddess. This is very likely either Cybele or Rhea whom is seen as a synonymous with Cybele.
Pindar makes mention of virgins worshiping Cybele and Pan near his home in Boetia.
Pan and Rhea alike are deities of the mountains and wild places. In a fragment of Pindar’s Maiden Songs, Pan is mentioned as the companion to Rhea and the warder or guardian of holy shrines.
There’s an episode in Valerius Flaccus’ Argonautica where Rhea becomes angry with the king of Kyzican for killing one of her sacred lions and Pan descending on the city of Kyzikos at night yelling loudly to disturb the flocks to panic and stampede and bring terror to the city in revenge at Rhea’s command.
Another source I found for this, replaced Rhea’s name with that of Cybele’s. This isn’t too surprising, when you see Rhea and Cybele as the same deity, just different names from different Greek and Roman cultures. It almost seems like a matter of preference when someone retelling the Greco-Roman stories flip-flops back and forth with the names used.
Pan is known to be part of Dionysus’ retinue accompanying many other prominent paniskoi, satyrs and rustic deities, causing a lot of rowdy behavior and riots characteristics of such bacchanalias.
Dionysus’ Indian War – When Dionysus went to war with the country of India, Pan was among the many satyroi and panes who accompanied him.
God Of Prophesy
Being the grandson to Apollo, that makes sense that Pan would have inherited some of the family tendency to foretell the future. According to some accounts, Pan is to have taught Apollo the prophetic arts. In the sanctuary of Despoine in Arcadia, the nymph Erato served as one of Pan’s prophetess’. Similarly, the Korykian cave, another Oracular site was held sacred to the nymph Korkykiai and Pan.
Pan & Typhon – Capricorn
In Greek mythology, the constellation, Capricorn is known as Pan and he is usually portrayed as the son of Hermes. He had the upper half of a man and the legs of a goat. How Pan becomes associated with the constellation of Capricorn is that one day when Pan and the other Gods were down by the Nile River, they were attacked by the monster Typhon. The Gods all changed themselves into various animals and forms in order to escape. In the confusion and panic, Pan jumped into the Nile River, intending to change into a fish, but only his lower half changed while his upper half turned into a goat. When the other Gods saw this half-goat, half-fish form of Pans, they laughed so much and decided to place an image of it up among the stars where it becomes the Capricornus or Capricorn constellation.
In a more elaborate retelling of the story of the Greek Gods versus Typhon, while the Gods did change into various animal forms, Zeus changed into the form of the ram, Aries and remained in this form for a while. Other gods like Aphrodite and Eros became a pair of fish that form the constellation of Pisces. Now Aegipan had also transformed himself into an animal to escape Typhon, but he was already halfway submerged in the Nile River when he finally decided what animal form he would be. He had decided to be a goat, but only from the waist up and a fish from the waist down. And its this result of indecision during panic and trying to escape that results in the familiar half-goat, half-fish from of Capricorn.
Zeus finally reappears back in his own form and battles against Typhon, but he was however defeated. Typhon proceeds then to cut out the tendons of Zeus’ hands and feet and therefore unable and helpless to move. Typhon hid the tendons in a cave in the land of Cilicia. The draconic being known as Delphyne, a half-serpent, half-woman creature was tasked by Typhon to guard Zeus’ tendons.
Between the gods Hermes and Aegipan, they were able to steal back Zeus’ tendons and return them, so Zeus could become whole again. With his strength restored, Zeus was now able to battle Typhon again and this time, defeated him hurling thunderbolts at him. For Aegipan’s role in this battle the Titan, Zeus set the Capricorn constellation up in the stars to honor him.
Aegipan or Pan?
Well now that all depends… some scholars will say that Aegipan is a separate deity from Pan like Nomios and Phorbas who are collectively called the Panes. Other scholars will say that the Panes are merely different aspects of the same god, in this case, Pan.
Additionally, Aegipan is sometimes said to be the father of Pan and not Hermes. It can create for a lot of confusion. Which is what Pan is good at and hence the origin of the word panic. There is also a 5th century B.C.E. Greek vase depicting both Pan and Aegipan as separate beings.
Pan And Demeter
In this story, Demeter and Poseidon are married. After a falling out with Poseidon and the abduction of her daughter Persephone by Hades, Demeter became very distraught, clothing herself in black and hiding away in a cave. Because of this, with Demeter being an agricultural and fertility goddess, nothing grew and there came a famine upon the land. None of the gods knew where Demeter had gone. Pan returned to his home of Arcadia and began wandering the country side and mountains. Eventually, Pan made his way to Mount Elaios where he found Demeter hiding in her cave. Pan reported back to Zeus that he had found Demeter and the Moirai was sent to Demeter and negotiated a peace between her and Hades that resulted in the familiar cycle of seasons.
Pan And Echo
Another nymph (a minor mountain deity) by the name of Echo. Most stories have her spurning Pan’s advances and eventually she fades away, leaving behind only her voice to answer or echo Pan’s calls to her.
Beauty Contest – This story tells how Echo, being a rather beautiful nymph and musically inclined; being able to sing and play several different instruments. Like all her nymph sisters, Echo lived deep within the forests, spurning the love of mortals and immortals alike.
Before this, there had been an Achilles, the son of Zeus and the Lamia. Now Achilles was incredibly handsome and along with several others, entered a beauty contest with Aphrodite. Acting as judge was Pan who was the most fairest of them all. Aphrodite grew angry with Pan and she cursed Pan with an unrequited love for Echo, whom he pursued relentlessly.
To try and reconcile this version of the story with the below one in Daphnis & Chloe, it makes sense that in his madness, that Pan would incite his shepherd followers to descend upon Echo to tear her apart.
That afterword, Gaia taking pity and having favored Echo, gathers up the pieces of her broken, scattered body to the earth and that all that remained was Echo’s voice. It really makes sense that in mourning, that Echo is chasing after the sound of Echo’s voice every time he hears her repetitive call. It makes sense for Pan to be mentioned as forever chasing after his student that he can never find.
Daphne & Chloe – This story has Echo getting torn to pieces by shepherds after Pan incites them to riot and Gaia then gathering up the broken pieces of Echo’s body to hide within the earth. That only thing to remain was Echo’s repeating voice.
Thebes, Egypt – Here, there was a cave that was shaped like a shepherd’s pipe and a marble statue of a satyr. Pan visited this cave and was delighted by the music of the flute, yet held firmly to Echo in fear so she wouldn’t echo a response to the marble statue.
Apuleius, The Golden Ass – A 2nd century C.E. Roman novel, the author Apuleius describes Pan as sitting by the banks of a stream with Echo in his arms as he teaches her his music and songs.
Suda – In this fragments of poetry and story, Echo is described as bearing the children Iambe and Iynx to Pan.
There must have been a real relation between Echo and Pan and not just the lusty, rutting of a goat-god. It’s unfortunate as it does seem the ire of Aphrodite cause Pan to go into madness and kill his one real love. Given the lusty reputation of Pan for chasing nymphs, Echo’s demise being caused by Aphrodite seems to have been over looked and lumped in as just another failed conquest.
In this story, Pan is in a rut, chasing after the Queen of Lydia, Omphale. On the night that Pan was to arrive, Omphale persuaded Hercules to switch clothes with her. So when an amorous Pan showed up and slipped into Omphale’s bed, he’s promptly kicked across the room by Hercules.
After that, Pan banned the wearing of any clothes at his religious rites and rumors began spreading about Hercules being a transvestite.
Pan And Selene
Selene is considered perhaps the greatest of Pan’s sexual conquests. He managed to woo and seduce the moon goddess Selene by wearing a sheep skin in order to hide his black goat features. Seeing her reflection in the white sheep skin, Selene came down from the night sky and Pan was able to woo and seduce her. By one account, this is how “The Man in the Moon” came to be.
Pan And Psyche
Thankfully, we can see that Pan isn’t all lusty goat-god out to ravage everyone he sees. After Psyche lost her lover, Eros, she went wandering in great despair. When Psyche’s wandering brought her the banks of a river, she intended to throw herself in it to drown.
Luckily for Psyche, both Pan and Echo were nearby as Pan was teaching Echo his songs. Seeing Psyche in her despair, Pan called her to him. Seeing how love-sick she was, Pan told Psyche not to kill herself but instead to make prayers and seek out the attention of Eros so she could eventually draw him back to her. After receiving the advice, Psyche went on her way.
The idea of Pan’s name becoming associated with the meaning of “all” and Pan being a god of all, a universal deity comes about during Roman times. Over a period as the meanings of a word or words change or become confused.
It makes sense, Pan being a god of the wild places and all of nature, even human nature.
Pan Is Dead!?!
In Plutarch’s “The Obsolescence of Oracle,” he mentions that Pan is the only Greek god who is dead. According to this account, during the reign of Tiberius (between 14-37 C.E.) there had come news of Pan’s death to a sailor by the name of Thamus. The ship that Thamus was one was headed for Italy and when they passed by the Echinades islands, specifically, the island of Paxi, a divine called out to Thamus asking: “Thamus, are you there? When you reach Palodes, take care to proclaim that the great god Pan is dead.” The voice is to have called out three time to Thamus and when they reached their destination, Thamus spread the word of Pan’s passing much to others dismay.
The Rumors Of Pan’s Demise….
Now, it has been put forward by others such as Robert Graves, Salomon Reinach and James S. Van Teslaar, that Thamus and those onboard the ship may have misheard what was said. That it was: “the all-great Tammuz is dead” and not “Thamus, Great Pan is dead.” As the phrase spoken, “Thamus Panmegas tethneke” that is to have been said could easily have been misunderstood by those who didn’t speak the language.
When Pausanias traveled through Greece a century later after Plutarch, he discovered that a good many of Pan’s shrines and sacred places were still very much so in use. Jump forward to the 18th century C.E. and Christians have taken Plutarch’s words for gospel truth and have repeated it for history and allegorical truths with the passing of older, ancient orders and for a new age. Poets like John Milton have used the cry of: “Great Pan is dead!” taken to using this line in their poetry.
Are Greatly Exaggerated
To complicate this, even if Pan were dead, he wouldn’t have been the first deity or immortal to die. There’s Chiron, who died of a poisoned arrow and then you have Dionysus who was killed by the Titans. You could count the gorgon Medusa among this number for Greek immortals, only the stories will say she was really just mortal as the Greeks cling to the idea that an immortal can’t really, truly die. That’s only the Greek mythology without touching any other mythologies.
Seeing as this looks like it all stems from a misunderstanding or mistranslation that once the 18th century arrived, took off in people’s imaginations. When looking among the Neopagan, New Age and Wiccan crowd, the veneration and honoring of Pan as an aspect of the Horned God is still very active.
Margaret Murray, in 1933 wrote in her book “The God of the Witches” a theory how Pan was worshiped in Europe by a witch cult. This book is what has contributed to many modern Pagan and Wiccan religions using the Horned God as a symbol of male sexuality and prowess.
The important thing to remember with the 18th century is that this when Pan also makes a come back in literature. He makes an appearance in “The Wind and the Willows.” James Barrie’s famous character of Peter Pan is in part based off of Pan. Not just the last name of Pan, but a strong connection is made in “Peter Pan in Kensington’s Garden” where a young Peter is seen riding a goat.
That’s just a few of the works of literature or poetry to be inspired by and use Pan.
The Devil You Know…
One thing that seems so obvious, when looking at most Christian versions of the devil is the similarity of imagery with Pan, the horns and the cloven hooves. Much of medieval and even post-medieval Christian imagery in literature and art depicts a dark caricature of Pan as the devil or Satan. It really seems unmistakable. Ronald Hutton has noted that this imagery tends to be more modern and is influenced by Pan’s popularity during the Victorian and Edwardian eras.
Pushan – Hindu God
A Vedic solar god and guardian of flocks and herds. This is more of a modern idea as scholars see Pushan’s name as originating from a Proto-Indo-European god: Péhusōn, an important pastoral deity. It is thought that Péhusōn shares a root word with the English word “pasture.” As a result, the idea then comes that Pushan is a cognate of Pan. The German scholar, Hermann Colitz proposed the idea in 1924 of connecting Pan with Pushan.
Faunus – Roman God
The ancient Romans identified Pan with their own woodland deity of Faunus or Inuus.
Faunus is a vegetation deity as well as a god of prophecy and shepherds, so it’s easy to see how the Romans would come to equate the two gods as being one and the same. It is noteworthy to mention that only after the Faunus’ association with Pan did his depiction in art begin to change and become more like Pan’s with the goat hooves and horns. Some Roman accounts have Faunus as the son of the god Mars (Greek Ares) instead of Mercury (Greek Hermes). Faunus is known as the father of Bona Dea or Fauna.
Inuus being a fertility god and a god of shepherds was often used more as an epitaph of Faunus rather than a separate deity.
Also known as: Maaui-Tikitiki (Maori/New Zealand)
Alternate Spellings: Māui
Epithets: Maui-Tikitiki “Maui the Top-Knot,” Maui-Tikitiki-a-Taranga “Maui the Top-Knot of Taranga,” Maui-Potiki “Maui the Last Born”
In Polynesian mythology, Maui is either a trickster demigod or god and in some stories, a mere mortal man. Most of his stories and exploits are best known from the Hawaiian and Maori legends though many other Polynesian cultures such as Mangarevan, Tahitian and Tongan have their own stories regarding this trickster hero. Among the Samoans, Maui is known as Ti’iTi’i. Many of the stories involving Maui make note of him being the youngest son, thus while small, he was extremely strong for his size.
Maui is sometimes described as being ugly, quick to respond as well as quick-witted covered in tattoos. Lucky for humans, for all that Maui is known for having some vicious practical jokes, he works to help people and not the Gods.
Parentage and Family
In the Hawaiian Kumulipo, Maui is the son of Akalana and Hina-a-ke-ahi (or just Hina, a goddess).
In another Hawaiian legend, Maui’s father is given as Ru.
In the Mangarevan myths, Maui is the son of Ataraga (Father) and Uaega (Mother).
In the Maori myths, Maui is the son of Makeatutara (Father) and Taranga (Mother).
Tangaroa – This Maori god of the sea is sometimes mentioned as being Maui’s father with his mother being a mortal woman.
Akalana and Hina had four sons: Maui-Mua, Maui-Waena (or Maui-Hope), Maui-Ki’iki’i and Maui-a-Kalana.
In the Mangarevan myths, Ataraga has eight sons all named Maui: Maui-mua, Maui-muri, Maui-toere-mataroa, Tumei-hauhia, Maui-tikitiki-toga, Maui-matavaru, Maui-taha, Maui-roto. It is Maui matavaru or eight-eyed who is the culture hero.
In the Maori myths, Maui has four brothers: Maui-Taha, Maui-Roto, Maui-Pae and Maui-Waho.
Hinakealohaila – She is the wife to Maui-a-Kalana in Hawaiian legends.
Nanamaoa – The son of Maui-a-Kalana and Hinakealohaila in Hawaiian legends.
This is the name of Maui’s great, big fish-hook. In the Hawaiian legends, it is baited with the wing of an Alae, the sacred or pet bird of Hina. This fish-hook was created from the jawbone of an ancestor of Maui’s, usually given as being his grandmother.
Maui’s Fish-Hook can be seen in the night-sky in the same constellation recognized by Western Culture as Scorpio.
While yes, there is an island called Maui in Hawaii, it is not named for the trickster Maui. Legend holds that the island is named for the son of Hawai’iloa, a great navigator who discovered the Hawaiian Islands. Each of the islands of Kaua’i, O’ahu, and Maui are named after one of Hawai’iloa’s sons.
These were a group of heroic trickster demigods in Hawaiian legends. All kupua are shape-shifters who took the forms of either humans or various elements in nature, often an animal. Many kupua are rather malevolent and vindictive. Maui appears to be one of the more beneficial and gentler kupua in comparison.
Pulling Up The Islands
There are many variations to the story of Maui using his fish-hook to pull up all eight of the Hawaiian Islands.
Version 1 – Maui had gone out fishing one day with his brother. In typical sibling rivalry, the brother wouldn’t share any of his bait with Maui. Ever the resourceful one, Maui punched his own nose and used his own blood as bait to fish. He succeeded in bringing in hauls so large, that they would become the Hawaiian Islands. Not just Hawaii, but all the Polynesian Islands were pulled up in this way.
Version 2 – Maui had gone out fishing with his brothers. While out there, Maui caught his hook on the ocean floor. Maui then told his brothers he had caught a large fish and to start paddling as hard and as fast as they can. The brothers never noticed the island rising up behind them out of the ocean. Maui of course, proceeds to do this several more times, pulling up all the Hawaiian Islands.
Version 3 – This is perhaps the more interesting version of the stories. Maui planted his fish-hook at Hamakua with the intent to pull up Pimoe, the god of fish. Maui warned his brothers not to look back as they paddled their boats or this venture would fail. Hina, shape-shifted into a bailing-gourd and Maui, not realizing it was his mother, took hold of the gourd and put it in front of his seat. Now suddenly, there appeared before them, an extremely beautiful woman and all of Maui’s brothers looked back out of curiosity. Having looked back, Hina in her disguise disappeared and the line breaks, causing all of the islands that Maui was trying to unite into one giant island falls apart and he is unable to catch Pimoe.
The Theft Of Fire
Version 1 – In order to steal fire for the people of the islands, Maui transformed himself into the guise of a hawk so he could get closer the Earth-Mother. To this day, the hawk’s feathers are brown in memory of Maui being burned by the flames when he brought the gift of fire.
Version 2 – In this story, Maui and his brother would go out fishing every day. Every morning they would always see a bunch of Kiawe trees smoking and flames coming up out of them. Hovering above all this were some vultures, also known as mud hens or ‘alae.
Maui and his brothers constantly tried to sneak up on the vultures, thinking they were responsible for the fire. However, just before getting close enough, there would be a noise that scared them all off.
Maui came up with the idea of creating a dummy that looked like him and placed in the canoe. Now Maui had his brothers take the dummy with them as they would go one direction and Maui would come from the other as they tried to sneak up on the vultures.
Maui snuck up on the bird and grabbed it by the neck, forcing it to tell him the secrets of fire. The vulture, an ‘alae told Maui to take and rub two maia peels together. When nothing happened, Maui nearly choked the bird to death, telling it to tell the truth. Finally the bird said to rub to Ti leaf stalks together. Nothing happened this time and Maui once more choked the bird who said to rub two dry kiawe sticks together.
This time, Maui had success with creating fire. He took the flaming stick and pressed it against the ‘alae’s forehead, making their head red and bald to remind it and other ‘alae’s thereafter of their selfish act.
Slowing Down The Sun
Version 1 – In this story, Maui’s mother, Hina complained about how the sun moved too quickly through the sky, that she barely had time to get her kapa, bark cloth dry. Hina wasn’t the only one, many people hurried to get their work such as planting, cooking or making clothing done in the few hours of daylight. There just wasn’t time with how fast the Sun moved.
Deciding to help his mother and the other people, Maui hid behind a big rock at the highest peak on the island known as Haleakala, the “House Of The Sun.” When the Sun passed by overhead, Maui quickly threw a rope, made from his sister’s hair with his magic hook tied to the end and lassoed the Sun’s rays with it. Some legends have Maui using a net to trap the Sun. The Sun demanded to be let go and Maui would only do so if the Sun would promise to move slower through the day so people could get their work done. Some versions of the story have Maui beating the Sun with his jawbone until it agreed to move slower. Added to this, Maui took one look at the sky and decided it hung too low. With a shove and heave, Maui pushed the sky up higher.
Version 2 – In this telling of the story, Hina sends Maui to a big wiliwili tree where he finds his old, blind grandmother laying out bananas. Ever mischievous, Maui starts stealing bananas from his grandmother, one by one until she catches him in the act. Maui tells his Grandmother about his mother’s complaints and sending him out to the tree. After hearing the story, Grandmother decides to help him with making a rope. Maui then sits by the tree, waiting until the Sun passes by overhead and he lassos it, forcing it to agree to slow it’s progress across the sky.
Version 3 – Very similar to the story in Version 2, Maui decides to slow down the sun after a man by the name of Moemoe taunts him and says it can’t be done. Just to prove him wrong, Maui sets off to slow down the sun much like he did earlier with finding his grandmother and getting her help. After Maui slows down the sun, he chases after Moemoe and beats him soundly.
Lifting The Sky
While a similar story of Maui lifting the sky is told in his quest to slow down the sun, there is another expanded version of this story.
After a while, as Maui was looking around, he could see that the sky was far too low to the ground and that people were unable to stand up straight. Being Maui, if he didn’t like a thing, he went about changing it. As it just so happened to be, the sky was sinking or lowering and would have made living on the earth impossible for humans.
Maui proceeded to travel to the town of Lahaina, to enlist his father into helping him lift the sky. There, Maui laid himself on the ground and then bracing himself, pushed the sky upwards with all of his considerable strength.
At the signal, Maui’s father, Ru also began pushing with all his might, aiding his son in getting the sky up high enough so people could stand upright. So there you have it, another of Maui’s deeds done.
Variations – In other retellings of this story, Maui lifts up the sky when he comes across a girl complaining how the sky was too low and that she couldn’t do her chores. Like any guy seeking to impress a girl, Maui decided to push up the sky for her.
Yet another variation is that Maui was busy making an earth oven when his poker got stuck up in the sky. To get his poker unstuck and to keep it from getting stuck again, Maui simply pushed the sky up higher. Again, this was all part of impressing a girl.
Defeating The Long Eel
Still one more legend of Maui’s to cover in Hawaiian mythology!
After Maui finished pulling up all of the islands with his Fish-Hook, he decided to start exploring them to find out what all was there. Traveling to each of the islands, Maui discovered that they were all inhabitable. There were houses, but no one living in them, no one in the whole of all the islands.
Taking ideas from the layout and build of the houses, Maui returned home and built a new house for himself in the style of what he had seen on the islands. Finished, Maui then sought out Hinakealohaila (or just Hina, not to be confused with his mother) to marry.
Time passed and Hina went down to a nearby river bank to get some water. While down there, Hina ran into the Long Eel Tuna, who just so happened to decide that striking Hina and covering her in slime was somehow a good idea.
Hina ran back home, but didn’t tell Maui of what transpired. Or at least, not yet.
The next day, Hina went back down to the riverbank and the same thing happened. The Long Eel Tuna hitting and covering her with slime again. This time, when she returned home, Hina told Maui about what happened.
Angry, Maui headed down to the river. Once down there, Maui laid out a number of traps designed to lure the Long Eel Tuna out of hiding. When the Eel Tuna emerged, Mauil used his stone axe to kill them. It seems that the Long Eel Tuna had been causing many people in the village problems. Thanks now to Maui, everyone would be safe.
In this mythology cycle, the Maui known as Maui the Eight-Eyed is the hero, born from his mother’s navel and raised by his grandfather, Te Rupe. This Maui has a magic staff called Atua-Tane and a hatchet called Iraiapatapata. Like the Hawaiian and Maori legends, Maui still pulls up the islands from the sea and ties up the sun with locks of hair to slow it down or hold in place.
The legend of Maui among the Maori is a long epic.
The Birth Of Maui
Maui was born the son of Taranga and Makeatutara. Considered a miraculous birth, Makeatutara had taken her premature baby and threw it into the ocean wrapped in locks of hair from her topknot. Hence, Maui is known as Maui-Tikitiki-A-Taranga. Fortunately for the infant Maui, ocean spirits found him and wrapping him in seaweed, took him to Tama-Nui-Te-Ra (or Rangi), a divine ancestor who raised the child.
It is Maori tradition, that any baby prematurely born is buried with special incantations and ceremonies least the spirit of the unborn child become a malicious spirit as they had never known any joy or happiness in life. Given what happens later in the stories with Maui, this may be why they bury the baby with rites and ceremonies instead of tossing them into the ocean. It would certainly explain all the mean spirited tricks and deeds that Maui performs.
Reuniting With His Family
Once Maui was a child and no longer a premature infant, he left the sea, going search of his mother and family. When Maui found his mother’s house, he discovered four other older brothers: Maui-Taha, Maui-Roto, Maui-Pae and Maui-Waho.
Understandably, the brothers were all leery of this new comer. Maui won them all over by performing many tricks such as transforming into a number of different birds. The brothers were greatly impressed and accepted Maui.
As for his mother, Maui introduced himself to Taranga when everyone was gathered for some dancing and celebrating. Maui sat down behind his brothers, when Taranga called for her children, she discovered a fifth unknown child among her sons. Maui soon proved he was Taranga’s son and he was accepted into the family.
At first, some of Maui’s brothers were jealous. They were put at easy by the eldest brother telling them how they should let Maui be counted among them, that in days of peace, they should be generous to others by helping to improve the welfare of others and that in times of war, that’s only when disputes should be settled with violence. The speech worked and Maui was finally welcomed home.
Maui Finding His Father
Though Maui stayed with his mother and his brothers, each morning, his mother Taranga would disappear. None of Maui’s older brothers seemed concerned about their mother’s disappearance each morning. This bothered Maui who wondered where Taranga would go each morning before they woke.
When nightfall came again, Taranga returned to her children, they all went to sleep as before on other nights in their house. This time, Maui stayed awake so that when everyone else had fallen asleep, he stole Taranga’s clothing and hid them. Then Maui went and hid himself in the crevice of a window above the doorway so that when morning came, he could see where it was that his mother went.
After what seemed like forever, morning finally came and Taranga awoke. Upon finding she was naked, Taranga began frantically looking for her clothes, finally she gave up and began pulling off pieces of siding from the house to cover herself. Covered, she now ran outside.
Watching from his hiding spot, Maui watched as his mother reach down to some tufts of grass, revealing a hole that she disappeared into and pulling close behind her. Curious, Maui came out of his hiding spot and ran to the spot where the grass had been pulled up. Sure enough, he found the opening to a cave descending deep into the earth, to the Underworld in fact.
Covering the hole again, Maui returned to the house and woke up his brothers. He asked them about where it is that their father and mother went during the day. The older brothers answered that they didn’t know. They taunted Maui saying he shouldn’t worry or bother and that Rangi, the god of the sky was their father.
Little Maui responded how he had been brought up differently from his brothers, having been tossed to the sea. That he had never been nursed by their mother and how he longed to find where it was that she and father went to during the day.
Surprised by the response, Maui’s brothers encouraged to try and find their parents. Maui said that he would go and demonstrated to them his ability to turn into a bird. It was only with the kereru or wood pigeon shape that his brothers were impressed. The ability to shapeshift was something that only a skilled magician with a lot magic could perform and Maui delighted in his being the youngest brother, able to do something the others couldn’t.
Bidding farewell to his brothers, Maui took off in pigeon form to seek after his parents. Long Maui flew off into the forest and down to the cave his mother had disappeared into. Eventually, Maui came to a place where he saw many people gathered in a grove of trees. Among these people, Maui spotted his mother seated by whom he could only assume to be his father.
Still in bird form, Maui descended to a lower branch where he could pick off some berries growing. These berries, Maui dropped down to his father on the head with. Some of the other people at the gathering asked if the bird had dropped the berry and Maui’s father, Makeatutara insisted the berry had only fallen by chance.
Once more, Maui plucked more berries and threw them down hard at both of his parents. As Maui’s parents cried out, the other people gathered there, looked up to the tree and seeing only a pigeon sitting there cooing, began to throw stones at the bird. All the stones missed and it was when Maui’s father threw a stone at the bird that he hit the pigeon, but only because Maui allowed it.
The pigeon fell to the ground and when the others ran up to it, it turned into a man. The others were taken aback for the eyes of the young man who now stood before them were red and fierce looking. Talking amongst themselves, the others discussed if the man standing before them was a god like Rangi and Papa-Tu-A-Nuku. Finally Taranga spoke up and said the man looked like someone knew and repeated the story of Maui’s premature birth everyone to hear.
Taranga then asked the man, Maui who he was and where he came from. When she asked Maui, if he was her child Maui-Tikitiki-O-Taranga, he answered yes and Taranga welcomed him where she seemed to prophesy that he would visit his ancestor, Hine-Nui-Te-Po and conquer death.
Now a man, Maui’s father Makeatutara took him down to the river to be baptized in order to cleanse and purify his son. As luck would have it, Makeatutara made a mistake during the ceremony with incantations, having skipped over parts and forgotten them. This mistake was an ill omen that would eventually lead to the death of Maui. The gods would be sure to punish this forgetfulness with Maui’s eventual death.
In the meantime, however, Maui returned to his brothers to tell them he had found their parents and how to find them too.
Maui Getting Bloodthirsty
After returning to his brothers, Maui ended up slaying and carrying away his first victim, the daughter of Maru-Te-Whare-Aitu. Not long after, Maui proceeded to destroy the crops of Maru-Te-Whare-Aitu, causing them to all wither.
Maui Gaining His Jaw-Bone Weapon
His first war raid done, Maui once more visited his parents. While with them, he noticed how the other people would be carrying away some food as if it were being taken to someone.
When he asked for who, they informed Maui it was for an ancestress, Muri-Ranga-Whenua, an old chief. Maui responded with saying that he would take the food to her.
In typical trickster fashion, Maui didn’t take any of the food to Muri-Ranga-Whenua. Instead he set them to the side, hiding them away. Eventually Muri-Ranga-Whenua wondered why her food wasn’t coming and suspecting that something was up, she wandered down the path, sniffing.
Finally smelling something coming, Muri-Ranga-Whenua’s stomach began to enlarge as she got ready to devour Maui as soon as he came close enough. Maui went up wind of the old chief so she couldn’t find him. Turning westward, Muri-Ranga-Whenua finally smelled someone close to her, realizing it was a human.
Muri-Ranga-Whenua’s stomach shrunk back to normal size and she greeted Maui as one of her descendants. Her next question was why Maui wasn’t bring her food. Maui answered that he was seeking for Muri-Ranga-Whenua’s jaw-bone to use as a weapon. The old chief consented and gave Maui the bone.
Holding Back The Sun
Similar to the story found in the Hawaiian cycle, Maui for his next quest, takes the jaw-bone of an ancestor, Muri-Ranga-Whenua to use as a weapon. He uses this jaw-bone to ensnare the Sun so it will be forced to move slower throughout the day, thus making the days longer. With the aid of his brothers, Maui lassoes the Sun and beats them soundly until the Sun agrees to move slower.
Variation – Sometimes a net is mentioned as what Maui used to catch the Sun before Maui and his brother beat the Sun senseless with his magic jawbone to the point it could limp slowly now across the sky.
Gone Fishing – Part 1
Somewhere along the line, Maui got married and had a number of wives and children to boot. When Maui and his brothers returned from the feat of Holding back and slowing down the sun, he heard the complaints of his family and how they had no fish to eat.
Maui assured his wives and children not to fret, he would soon take care of this trivial matter and they would soon enough have food to eat. He then took his jaw-bone and fashioned it into a fish-hook.
When Maui’s brother headed out to go fishing, Maui jumped in the canoe. His brothers yelled for Maui to get out of the boat, claiming that his constant use of magic would cause problems. Eventually Maui got out of the canoe seeing as his brothers refused to take him.
Determined, Maui just waited until it was night when he went back to the beach and his brothers’ canoe. This time he hid in the bottom, under some boards. When his brothers came at dawn, they headed out to sea, none the wiser that Maui was hidden on board.
Once they were well at sea, Maui came out of his hiding spot. Seeing him, his brothers commented that they had better return to shore. Using his magic, Maui stretched out the distance from the shore to the boat that when his brothers looked for land, it was out of view.
Maui told his brothers that they should let him come with, at the very least he could be able to bail water out of the canoe for them. The brothers consented and they paddled on towards their fishing spot. Maui wasn’t content and told his brothers to paddle out further before dropping anchor, which spot would be far out of view of land.
Far out on the open ocean, the brothers now began to fish and soon, easily they had their canoe filled with fish in no time.
Pulling Up The Islands – Part 2
Continuing from Gone Fishing, this story is similar to the previously mentioned Hawaiian story of Pulling Up The Islands. Now that the brothers had filled the canoe, they wanted to return, but not Maui who now wanted a turn at fishing.
The North Island – Maui’s brothers wanted to know where he got a fishing-hook from, to which he told them never mind. When he asked to borrow of their bait, his brothers refused. With no other recourse, Maui made a fist and struck his own nose, using his own blood for bait.
With that and using incantations, Maui managed to snag the porch of a carved house on the sea bed floor and pulled up not just the house with his superhuman strength, but an entire island. Witht his much land pulled up, the canoe became grounded.
With the newly pulled up land and the haul of fish that had been caught, Maui went to go make an offering of thanks to the gods. He instructed his brothers to wait until her returned before eating or cutting up any of the fish, that everyone would get a fair share.
While Maui went to get a priest to bless, consecrate and purify the land, his brothers went ahead and started to cut up the fish that were also pulled up. These fish began to writhe in agony and in their throes, the mountains, cliffs and valleys of the island were formed. It’s been said if the brothers had waited for Maui to make his offerings, the island would have all been level plains and forest, making it easy for people to traverse it. The Maori call this land Te Ika-a-Maaui, the Fish of Maui or Hahau-Whenua, it is the North Island of New Zealand.
The South Island – By Maori tradition, Maui’s canoe becomes the South Island. The Banks Peninsula is said to be where Maui place his foot to support himself as he pulled in his fish haul. The island is known as Te Waipounamu or Te Waka-A-Maui, the canoe of Maui.
The Secret Of Fire
The secret for the creation of fire had been lost and Maui decided to remedy that situation. Of course, if Maui didn’t have it in his head to pull the stunt of putting out all of the fires for the cooking houses in the village, there would still be fire. But no, Maui puts them all out and then calls out, saying he’s hungry and getting someone to come cook up some food for him and there’s no fire to be had, anywhere.
When Maui’s mother heard there was no fire, she implored the servants to seek out Mahu-Ika to see if she would send more fire. The servants refused, no matter how Maui’s mother and others insisted they go.
Finally, Maui spoke up and said that he would go and get more fire. In order to do so, he needed to know which way to go. His parents informed Maui which path he should go, that he should let Mahu-Ika know who he was and that he shouldn’t perform any of his tricks as too often, his tricks brought harm and injury to others.
Yes, they’re on to you Maui!
Of course, Maui assured his folks he was only interested in bringing fire, he wasn’t going to do anything else, he’d go and come back right away. Honest!
So off he goes, in search of Mahu-Ika, the goddess of fire and his ancestor. When Maui found Mahu-Ika, he was filled with wonder and awe, all he could do was stare before he finally spoke up asking her where the fire was, he had come to get some.
Mahu-Ika got up and asked who Maui was. At first, Maui wouldn’t tell Mahu-Ika was, making her do a quessing game of which country he was from and which direction he had come. Finally, when Mahu-Ika asked Maui if he had come on the wind, he said yes and she recognized him as one of her descendants.
Mahu-Ika proceeded to pull out a fingernail from which fire flowed out. This she gave to Maui who was amazed by the feat. Maui took the fingernail away with him and when he was out of sight, he promptly put the fire out.
Maui returned to Mahu-Ika saying that the fire she had given him had gone out and to give him another. Once more, Mahu-Ika pulled one of her fingernails out, producing fire to give to Maui once more.
Maui managed to keep this antic up of coming back to Mahu-Ika saying the fire had gone out until he had gotten her to pull out all of the nails from her hands and feet save for the nail of her big toe. Nine times and Mahu-Ika finally catches on that Maui might be playing tricks on her.
Angry, Mahu-Ika pulled the last nail out and slamming it on the ground, she told Maui that he now had all the fire as everything around them began to catch fire. Maui made a mad dash to escape with the fire quickly gaining. Maui changed himself into an eagle (or hawk) to be fast enough to escape.
Even as an eagle, his flight wasn’t enough and the fire was about to consume Maui; he called on his ancestors Tawhiri-Ma-Tea and Whatitiri-Matakatak to send rain. The ancestors answered and soon there was a heavy rain. Mahu-Ika was nearly killed in the resulting downpour before she could hide. Maui however, in his eagle form was scorched, resulting in black-tipped wings. Mahu-Ika saved some of her fire by placing it in the wood of trees.
When Maui returned from this latest stunt, his parents tried to warn him about trying to trick his ancestors and that he deserved what he got. They concluded the speech that things would end badly and likely in his death if he didn’t stop his behavior. Maui taunted his parents, saying what did he care, he planned to continue. With that, Maui went off to seek out his next round of mischief.
Variation – A little simpler, Maui gained the secrets of fire by stealing a hen from heaven as fire was believed to be guarded by a celestial chicken.
Turning Irawaru Into A Dog
Shortly after his theft of fire, Maui went out fishing with his brother in law, Irawaru who had married Maui’s younger sister Hinauri, Maui as per his luck, had only caught one fish while Irawaru was catching plenty of fish. Fuming his poor luck, Maui lost his cool when Irawaru’s line got tangled with his. The classic two fishermen tugging on their respective lines, each in the opposite direction.
The two began arguing about how it was their fish on the line and to let go. Finally Irawaru relented and let go of his line enough that Maui was able to pull up on his end. Once the line was pulled up, Maui saw that the fish caught was indeed on Irawaru’s line and that it was his line entangled with the other.
Mad, Maui said they should return to shore and the two began paddling. Once back to shore, Maui had Irawaru lift up the canoe to his back as part of pulling it in. No sooner had Irawaru gotten the canoe up onto this back than Maui jumped on it, forcing the whole weight down on his brother-in-law, nearly killing him.
Nearly dead, Maui continued to trample Irawaru’s body, twisting and forming him through the use of magic into a dog. Maui completed the job by force feeding Irawaru some dung.
That done, Maui went back to the village, acting like nothing had happened. It’s then, that Maui’s little sister Hinauri on seeing him, ran up to asked where her husband Irawaru was. Maui responded with that he had left Irawaru back with the canoe. Well how come the two of them didn’t return together? Oh, well that’s because Irawaru wanted Hinauri’s help with bringing back the fish. So you had better hurry and if you don’t see him, just call out “Mo-i, mo-i, mo-i.”
Hinauri hurried down to the beach looking for her husband. Not seeing him, she called Irawaru’s name and when there was no response, then she called as Maui had told her to with the “Mo-i, mo-i, mo-i.”
Irawaru, now in his dog form, recognized his wife and barked back. He followed her all the way back to the village wagging his tail. Seeing what had happened to her husband, Hinauri became very distraught with grief to the point that she threw herself into the sea.
As to Maui, that antic seems rather petty to have done, but no different from say the Greek gods taking it out on mortals. Maui was now at a point that he found it best to leave the village and once more return to the Underworld where his parents lived.
Variation – Sometimes the story of Maui turning Irawaru into a dog is told that they were on their way to another village not far away. As they were headed on the return trip home, Maui had asked Irawaru to carry some food for them. Irawaru said there was no need to, they had just eaten a meal and it was only a short ways home.
This angered Maui and he used his magic to make the journey home take longer than it should have. As they continued to walk on the seemingly endless road, both Maui and Irawaru grew tired and hungry.
As they sat down, Maui pulled the food he had brought for himself after all and proceeded to eat right in front of Irawaru.
If it had been me, I would have left it at that.
Not Maui, after finishing his meal and not offering anything to Irawaru, Maui asked his brother-in-law to clean and dress his hair. Irawaru supposed that was harmless enough and did the job for Maui. When he had finished, Maui offered to clean and dress Irawaru’s hair for him. Thinking nothing of it, Irawaru allowed Maui to do so. Maui put Irawaru into an enchanted sleep and with further magic, changed Irawaru into a dog.
Either way, in Maori legends, Irawaru is the progenitor of all dogs.
The Death Of Maui
Version 1 – In this version of Maui’s death, people got tired of all his antics and decided to kill him. As a result, Maui’s blood is what creates rainbows and is responsible for the color of shrimp.
But that’s not a very exiting end for a hero and trouble maker.
Version 2: The Quest for Immortality! – This one is more exciting and noteworthy.
Following the events of a botched baptismal ceremony, Maui takes it on himself to go win immortality for humankind. Maui’s father, Makeatutara tries to dissuade him of the notion, that he will fail and that someone will kill him.
Of course, since Maui’s last antics involved turning Irawaru into a dog, he’s looking to leave the village anyways. He’s certainly gotten more than enough people upset with him, Maui heads off for the Underworld where his parents are at.
After staying with his folks for some time, Maui’s father, Makeatutara makes mention of how they have heard of Maui’s deeds up in the living world, but being down here in the Underworld, he’s sure to be defeated at some point. Makeatutara is also remembering the botched baptismal ceremony, knowing that Maui will come to a bad end.
Maui scoffs at this notion of someone defeating him, who after all would do that? Makeatutara says it would be Maui’s ancestor, Hine-Nui-Te-Po, the goddess of the Night. Undaunted, Maui boasts of his many previous deeds with pulling up the islands and slowing down the sun, saying that it won’t be possible to beat him.
Makeatutara relents and tells Maui to go find his ancestress who lives far on the horizon. After asking what she looks like, Makeatutara told Maui his ancestor, Hine-Nui-Te-Po looks human but with greenstones for eyes and sea kelp hair, barracuda mouth and that the red flashing of light came from her.
Unfazed, Maui set off towards the west with companions towards the home of Hine-Nui-Te-Po. In some versions of the stories, these companions of Maui are birds such as the tomtit, robin, warbler and fantail. In other versions, these companions are Maui’s brothers.
Eventually, Maui finds Hine-Nui-Te-Po asleep with her legs spread apart. Maui and his companions were quick to note rows of sharp obsidian and greenstones between Hine’s legs.
Maui now informed the others of his master plan, telling his companions not to laugh and to save it for after. Maui planned to enter Hine-Nui-Te-Po’s vagina, in a reverse birth process and to exit out her mouth. This, according to Maui was to gain him immortality.
Maui’s companions tried to dissuade him, saying he would be killed. Maui was again undaunted, insisting if his friends did laugh, waking Hini-Nui-Te-Po, then yes, he would die, but if he successfully passed through her, he would live and that she would be the one to die.
This of course is where the companions just shut up and let Maui do his thing as he readied himself, tying a rope that held his battle club around his waist and thrusting off his clothes. Ready, Maui began to climb in, very much the image of reverse birth as his companions did their best not to laugh.
As it happens with these type of stories, the one task you’re not supposed to do, happens and one of the companions couldn’t hold it in anymore and began laughing. One version of the story says it’s the fantail who begins laughing and wakes Hine-Nui-Te-Po who opens her eyes and quickly closes her legs tight, cutting Maui in half.
Instead of immortality, Maui becomes the first person to die, bringing death to the world. Hine-Nui-Te-Po maintained her post as the Goddess of the Underworld the portal to which all humans must pass through on death.
Variation – When Maui set off to gain immortality for humankind, he did so by changing into a worm in order to enter the vagina of Hine-Nui-Te-Po and leaving through her mouth. This stunt didn’t work out so well as Hine-Nui-Te-Po crushed Maui in her sleep with the obsidian teeth in her vagina.
Maui And Rohe
We’re not quite done with Maui! In a few stories, Maui is married to the goddess Rohe whom he ends up mistreating in some rather cruel and unusual means.
What happens, is that Maui wished to trade faces with Rohe as she is very beautiful and he on the other hand is rather ugly.
Rohe refused to trade faces and when she was asleep, Maui used an incantation to make the trade and switch for faces. When Rohe woke up and realized what happened, she left the living world and departed for the Underworld, becoming the Goddess of Death.
Good one Maui.
In Samoan mythology, the character of Ti’iti’i is very similar to that of Maui. Many of the stories are similar to those of Maui from other Polynesian cultures. One striking similiarity is the story of Ti’iti’i’s theft of fire from the earthquake god, Mafui’e. In this story, Ti’iti’i breaks off one of Mafui’e’s arms, forcing them to reveal the secret of fire and how to rub sticks together for friction to create it.
For the Samoans, the loss of Mafui’e’s arm means that he is unable to create even bigger earthquakes.
Among the Tahitians, Maui was a prophet or priest who later becomes deified.
He had once been at a sacred place known as a marae busy with some task or other. When the sun began to set before he was finished, Maui grabbed hold of the sun’s rays and halted the movement of the sun so he could complete his task.
Maui became known as Ao-ao-ma-ra’i-a after he discovered fire and passed on his knowledge to others to create it by the use of friction with wood. Before this, people would eat their food raw.
As a final bit of lore, Maui is the one responsible for earthquakes.
Among the Tongans, the Maui stories tell how he pulled up the Tongan islands from the depths of the ocean, starting first with Lofanga, then the other Ha’apai islands and finishing up with Vava’u. That task finished, Maui lived on the island of Tonga. The village of Houma located on the main island of Tongatapu is noted for being the place where Maui’s fish-hook got caught.
In these stories, Maui has two sons: Maui-Atalanga, the eldest and Maui-Kisikisi, the younger. In other sources, there are listed three Maui brothers: Maui-Motu’a (old Maui), Maui-Atalanga and Maui-Kisikisi (dragonfly Maui). It is Maui-Atlanga who discovered the secret of fire and taught others how to cook with it. Maui-Motu, like Atlas from Greek mythos, holds the earth up on his shoulders. Whenever Maui-Motu starts to nod off, he causes earthquakes and people will stomp the ground in order to wake him up. The god, Hikule’o who rules the underworld of Pulotu is Maui-Motu’s youngest son.
Maui-Kisikis is known for being a trickster. He gained the name of Maui-Fusi-Fonua or Maui Land Puller after Maui-Kisikisi begged for a magic fish-hook from an old fisherman by the name of Tongafusifonua. The old man would only allow the fish-hook to be taken on the condition that Maui be able to find it in his collection of hooks. Tongafusifonua’s wife, Tavatava told Maui the secret of how to find the hook and Maui was able to succeed at picking it out from all the other hooks. With this hook, Maui-Kisikisi was able to pull up the coral islands from the bottom of the sea as these volcanic islands were believed to have fallen from the heavens.
Movie Time – Moana!
So of course, the movie came out in 2016, featuring the famous Maui of Polynesian mythology. Since I was curious, I of course wanted to know how much of the mythology and stories that the movie gets right.
It is of course, a new story and the Maui seen in the movie pulls and combines many of the aspects of him found primarily in Hawaiian and Maori legends. Much of which is confirmed during the song: “You’re Welcome” and a quick montage of all of Maui’s deeds that he’s done that have earned him a new tattoo to commemorate the event.
The character of Te Fiti in her darker aspect as Te Ka was originally referred to as Te Po, based on the Maori goddess Hine-Nui-Te-Po, the goddess of night, death and the underworld. Others have noted a strong similarity between Te Ka and the Hawaiian volcano goddess Pele.
Interestingly, while the movie was being developed and written, it incorporates the history of Polynesian people as voyagers who just abruptly ceased and then a thousand years later, start sailing again. Why? No one knows. However, the story of Moana certainly provides an interesting what if story to it.
Etymology: vertere (Latin), to change or changing
Also known as: Vortumnus, Vertimnus, Vertumne (French), Vultumna (Etruscan)
In Roman mythology, Vertumnus is a rustic woodland deity of the seasons, changes and the ripening of plants. When he marries the nymph, Pomona, Vertumnus becomes the patron of gardens and fruit trees.
Cult – Vertumnus’ cult is believed to have become active in Rome around 300 BCE. A temple dedicated to Vertumnus was established in 264 BCE on Aventine Hill. This same date has been noted by others such as Propertius, that Volsinii, the Etruscan city of Velzna was conquered by the Romans.
Festivals – Vertumnalia is shared by both Pomona and Vertumnus, is held on August 13th where offerings of fruits and flowers would be made.
Signum Vortumni – This was a bronze statue of Vertumnus created by the sculpter Mamurius Veturius. This bronze statue replaced an earlier maple statue and was reputed to have been brought to Rome during the time of Romulous. The statue stood in the Vicus Tuscus near the Forum Romanum and decorated according to the current season.
Symbol – Gardening Tools
The primary source for Vertumnus comes from Ovid’s Metamorphosis and it has been commented that the story of Vertumnus is the only original Roman story within this piece of literature.
As for the story, Pomona spurned the love and advances of various woodland gods: Picus, Priapos, Silenos and Silvanus to name a few. Busy with tending her own gardens and orchards kept locked and closed behind walls, Pomona felt she didn’t have time for anyone else.
Of all the rustic, woodland deities vying for Pomona’s attention, Vertumnus is the one who succeeded. Like the other gods, Vertumnus was rejected, though I would think coming in disguise wouldn’t help the matter. First as various field laborers and farmers, Vertumnus hoped that this would somehow attract Pomona’s attention.
Eventually Vertumnus came to the idea of disguising himself as an old woman. Disguised so, the “old woman” approached Pomona and started off with complimenting her fruits. Pomona was taken back a moment when the old woman kissed her. Seeing that Pomona was started, Vertumnus in his guise as the old woman sat back and began talking about an elm tree and a grape vine, how beautiful the two were together. How the tree was useless by itself and how the vine could only lay there on the ground unable to bear fruit. Continuing this angle of talk, the old woman compared Pomona to the vine, how it tried to stand on its own, turning away from everyone who tried to be close. At this, the old woman spoke of Vertumnus, how Pomona was his first and only love, how he too loved gardens and orchards and would gladly work side by side with her.
The old woman than shared the story of Anaxarete, who had spurned the advances of her suitor, Iphis to the point that he hung himself. In response, the goddess Venus turned Anaxarete to stone for being so heartless. Hearing this story, Pomona softened her stance and Vertumnus dropped his disguise as the old woman and the two were eventually wed.
God Of Changes
Vertumnus is heralded by many as a deity who presides over changes, as seen in the latin roots of his name: “vertere,” to change or turn. In this sense, turning has more to do with the Tiber river, whose’ course Vertumnus is said to have altered, causing pools and marshes to recede and vanish.
Vertumnus is still the god of the changing year as seasons pass from spring to summer, to autumn and winter and back towards spring. This role also allowed for Vertumnus to be a shape-changer as he would disguise himself in order to be close to Pomona in his efforts to try and woo her.
Numina – Guardian Spirit
Numina, in Roman mythology, were the guardian spirits who watched over people, places and even the home. Each numina was unique or specific to where and whom they watched over.
Vertumnus, along with his wife Pomona were seen by the Romans as guardian spirits who would watch over people in their orchards and gardens.
Voltumna – Etruscan God
Not much is known about the ancient Etruscans. It is known they lived along the northwest coast of Italy with their own culture and distinct language that is older from that of the ancient Romans. Not very many words were translated by the ancient Romans of the Etruscan language, so not is preserved or known. The Roman scholar, Varro was certain of Vertumnus’ status as a major Etruscan god.
So, it’s somewhat surprising that Voltumna would make his way into the Roman pantheon and have nothing to do with the Greek pantheon that the Romans were known for having taken whole sale and giving Roman names to Greek deities.
Alternate Spelling: Atys, Ἄττις or Ἄττης (Greek), Atus, Attus, Attês, Attis or Attin
Etymology: Handsome Boy
Attis is the Phrygian god of shepherds and vegetation. The myth for Attis’ death and resurrection is very symbolic for the death and rebirth cycle that crops and plants go through every spring and winter. Attis’ worship is generally thought to have started around 5000 B.C.E. in Phyrgia and lasted up through the Roman era around 400 C.E.
Images portraying Attis has been found at several Greek sites. A wooden throne displaying a relief of Attis gathering pine cones beneath a pine tree was found in 2007 in the ruins of the Herculaneum. Attis’ likeness has been found on Roman era coins and tombstones. A silvery brass Attis kept at the Rheinisches Landesmuseum of Trier shows Attis dressed in Anatolian costume with trousers fastened together down the front of the legs and with toggles along with the Phrygian cap and a shepherd’s staff.
In myth, whenever Attis is shown with Cybele, he is shown as a younger, lesser deity to her. He is possibly even one of her priestly attendants. During the mid-2nd century B.C.E., various letters from the king of Pergamum to Cybele’s shrine in Pessinos, all address the chief priest as “Attis.” The name Attis was very common in Phyrgia and often used for priests. It is likely that portraying Attis as a deity or priest is a matter of personal interpretation in mythology. The worship of Attis and Cybele are very closely linked and wherever Cybele’s worship spread, the worship of Attis wasn’t far behind.
Planet: Jupiter or Venus
Sphere of Influence: Romantic, Nurturing
Parentage and Family
This can get rather confusing as it varies and depends on the versions of the story given. In some versions, he is the son of Agdistis or Calaus.
Other accounts will place the goddess Cybele as his mother.
And yet further accounts will place the river nymph Nana as his mother by way of her becoming impregnated by an almond seed via Agdistis’ castrated genitalia.
According to Pausanias and Hermesianax, Attis is the son of Calaus, a Phrygian King and that Attis was a eunuch since birth.
Agdistis – This one can get messed up as Agdistis is either falling in love with their own son or falling in love with their now, separated male half.
Cybele – This one also gets messed up as it involves incest.
Baby – An unknown baby, Attis fathered them with Cybele, his mother. Later both Attis and the baby would be killed by Cybele’s father.
What’s In A Name?
It should be noted that the name Attis in Phrygia was both a common name as well was a name or title for a priest. The name has been found on a lot of graffiti, dedications of personal monuments and several shrines dedicated to Cybele.
Cult Of Attis
The worship of Attis pretty much goes hand in hand with the worship of Cybele. There were however still some differences between the two no matter how similar they appeared.
As his own separate cult, Attis’ worship started around 1250 B.C.E. in Dindymon, located where modern Murat Dagi of Gediz, Kütahya is at. As a local god, Attis was associated with the Phrygian trade city of Pessinos that was near Mount Agdistis. Foreigners to the area would associate the local god and daemon, Agdistis with that of the Cybele, the Great Mother.
According to Julian the Apostate’s Oratio 5, Cybele’s cult spread from Anatolia to Greece and then to Rome during its Republican era. The cult of Attis found itself reborn as a eunuch consort that accompanied Cybele wherever she went.
Herculaneum – Excavations at the ruins of this place have yielded a wooden throne relief depicting Attis. The excavations at the Herculaneum have suggested that Attis’ cult was popular during the time of the Mount Vesuvius’ eruption in 79 C.E.
Lydian Influences – According to Pausanias’ writings and the poet Hermesianax, Attis’ father is the Phrygian known as Galaus and was born a eunuch. When he was older, Attis moved to Lydia. There, Attis joined in celebrating Cybele with the Lydians in her orgies. After gaining a lot of esteem with Cybele, Zeus grew angry and jealous. As a result, he sent a boar to wreak havoc among the Lydians’ crops. During the boar’s rampage, many Lydians, including Attis were killed. It is thought that this confirmed why the Gauls living in Pessinus at the time refused to eat pork.
Galli – This is the name for Cybele’s priesthood during Imperial Rome. They were eunuch priests who practiced castration as a sign of their devotion to the goddess Cybele. The Galli castrated themselves in service to Cybele as they thought that doing so would give them the powers of prophecy. After castration, they would dress as women, keeping their hair long and adopting female mannerisms and appearances. The Galli also wore a tall cylindrical hat called a polos. It is known the Galli held orgiastic rituals accompanied by loud cries and the loud noise of flutes, drums and cymbals. While there are certainly the male priests who wore women’s clothing, in some regions there were also known to be female priestesses devoted to Cybele.
In Servius’ account, Attis is the founder of this priesthood with the highest ranking Gallus taking the name of Attis. The more junior Galli was known as Battakes. The Galli located at Pessinus were very politically influential among the Roman Senate.
In Rome, the Galli were forbidden citizenship and the rights of inheritance, as they were eunuchs and unable to have children. This was a very stark contrast to many other priests of other Roman gods who did have families and raise children, particularly of the more senior priests.
The Galli are thought to have castrated themselves in keeping with the myth of Attis where he castrates a king for their unwanted sexual advances and gets castrated in turn by the dying king. Cybele’s priest would have found Attis at the base of a pine tree where he dies and they proceed to bury him. In memory of Atti’s passing, the priests are believed to have emasculated themselves and added him to the celebrations and rites for the goddess Cybele. In Hellenistic Greek, a poet refers to Cybele’s priests as Gallai, a feminine form of the name. The Roman poet Catullus refers to Attis in the masculine form of his name until he is castrated. Catullus then refers to Attis in the feminine form of his name thereafter. Different Roman sources refer to the Galli by a third gender of medium genus or tertium sexus when mentioning them.
During the Megalesia festival, the Galli were permitted to leave their temple under Cybele’s law and go out into the streets begging for money. The standard of dress that the Galli wore, marked them as outsiders to the Roman people. Despite their effeminate dress and mannerisms, the Galli were considered sacred and inviolate as they were part of a state Cult. The Roman prohibitions of castration made the Galli a clear image of curiosity and scorn. The Galli were a constant presence within Roman cities even into Rome’s Christian era.
Attis & Agdistis
We should start a bit from the beginning to give some background to Attis’ relationship to Agdistis.
Agdistis was a hermaphrodite, whom the other deities of Mount Olympus couldn’t handle the huge sexual appetite that a being like Agdistis supposedly has.
Their solution? Make Agdistis single gender like the other gods.
Dionysus or Liber made a potion that they mixed in with Agdistis’ drink so that they would pass out, falling asleep. Dionysus then tied Agdistis’ genitals to a tree or sometimes their own foot. This way, when Agdistis jumped up from their sleep, they rip off their own genitals.
From Agdistis’ spilled blood that hit the earth, an almond tree is to have sprung up. The nymph Nana, the daughter of the river god Sangarius is said to have picked some of the almonds and she either eats them or when laying them on her lap, becomes pregnant and gives birth to the god Attis.
The story continues, that when Attis grew up, he was considered extremely handsome and Agdistis fell in love with him. Their own child and in many ways, just creepy. Attis’ adoptive relatives had plans for the youth to marry the daughter of the King of Pessinus. Other, slight variations to this story have the King punishing Attis with marriage to his daughter for the incestuous affair with his mother.
In either event, when the two are making their marriage vows and ceremony, Agdistis appears and causes all of the wedding guests to become made. Both Attis and the King wind up castrating themselves. The Princess cuts off her own breasts. As a result of the self-inflicted wounds, Attis dies and a suddenly grieving Agdistis pleads with Zeus to restore Attis to life. Zeus intercedes with the promise that Attis won’t die and will be reborn.
Incidentally, a hill or mountain by the same name of Agdistis in Phrygia is where Attis is believed to have been buried.
Other variations to this story have both Agdistis and the goddess Cybele falling in love with Attis.
The Roman Version – In one version of the myths, Cybele, known as Agdistis is thought to have been a hermaphrodite, having been born of the earth where Jupiter’s sperm fell. The gods castrated Agdistis who then becomes the goddess Cybele. Where the severed pieces of Agdistis’ manhood fell, an almond tree grew. The fruit of this tree impregnated the nymph Nana when she placed an almond on her womb. She later gave birth to the god Attis. The baby Attis was abandoned by Nana as she was afraid of her father. The baby Attis was discovered and saved by shepherds. Attis would grow up to become Cybele’s lover.
Pausanias’ Version – Pausanias identifies the Phrygian Sky-God and Earth-Goddess as being Zeus and Gaia.
In Pausanias’ version of the story, while sleeping, Zeus had some of his sperm fall on the ground. This of course created a Daimon that was hermaphroditic having the sexual organs for both male and female. This Daimon would be called Agdistis, another name for Cybele. The other gods feared Agdistis and cut off the male organs. This proceeded to create an almond tree. The daughter of the river Saggarios then took the almond fruit and held it to her bosom where it vanished. The daughter would find later that she was pregnant and give birth to Attis.
Attis & Cybele
This story is one of the major myths involving Cybele and they often include her relationship with Attis, a youthful consort to the goddess. Further, Attis doesn’t become a part of the myth with Cybele until the Roman poet Catullus references him with Cybele as Magna Mater and as the name of the head priest for the Galli. Additionally, pinecones are used as symbols of Attis’ death and rebirth.
Attis was Cybele’s young lover who had devoted himself to the goddess. He had a made a promise that he would always be faithful. As fate would have it, Attis in time fell in love with a nymph by the name of Sagaritis (or Sagaris) and they decided to marry. When Cybele learned of this marriage, she burst in on the marriage ceremony, inflicting Attis with madness and sending the other guests into a panic.
In his maddened state, Attis fled for the mountains. There, he stopped under a pine tree and proceeded to mutilate himself to the point of castrating himself and bleeding to death there beneath the pine tree.
When Cybele found her lover, the young Attis dead, she mourned her actions and deeply regretted them. She pleaded with the god Jupiter to restore Attis to life. Jupiter vowed that that pine tree would remain sacred and like the tree, Attis would live again. The blood that Attis shed is said to have become the first violets.
In the versions of the myths where Maeon is Cybele’s father – Maeon kills Attis, the baby whom he sires after committing incest with his daughter. Cybele manages, in this myth to restore Attis back to life.
Pausanias’ Version – Another story of Attis, this time with Agdistis as another name for Cybele follows much of the same story as previously mentioned. Only now, when the baby, Attis is born, he is left exposed and a ram comes, standing guard over the child. As the baby grew, his beauty became ever more apparent as more than human. Agdistis saw Attis and fell in love with him.
When Attis finally came of age, he was sent to Pessinos, a city in Phrygia to wed the King’s daughter. After the marriage ceremony was completed, Agdistis appeared, causing Attis, driving him mad in her jealously to the point of cutting off his own genitals. The madness was such, it effected other nearby, that even the king cut off his own genitals.
Shocked, Agdistis sought amends for what she had done and begged Zeus to restore Attis to life so that he would be reborn.
Ovid’s Version – In this one, Attis had fallen in love with Cybele who wanted to keep the boy at her shrine as a guardian. She commanded Attis to always be a boy. Attis declared in kind that if he lied, let the lover he cheated be his last.
As happens with these kinds of stories, Attis does cheat with the Nymph Sagaritis (or Sagaris). Her tree is cut down by Cybele, killing her the Nymph. Attis in response goes mad and hallucinates that the roof to his bedroom is collapsing on him. Attis runs towards Mount Dindymus where he calls out for Cybele to save him.
Hacking away at his own body with a sharp stone, Attis continues to cry out to Cybele that she take his blood as punishment and cuts off his genitals as that is what has caused him to cheat on Cybele.
Ultimately, this story of Attis’ self-mutilation and castration is the basis for the Galli, Cybele’s priest to castrate themselves as a show of devotion to the goddess.
Attis & Sagaritis
Following much of the virgin birth where the nymph Nana swallows an almond seed, shortly after Attis’ birth, she abandons him and he is reared by a goat. And like the other versions, when Attis grows up, either Agdistis or Cybele fall in love with their own son and missing half. This time, being the unfaithful youth that he is, Attis falls in love with the nymph Sagritis. The goddess (either Agdistis or Cybele) drives him mad so that he castrates himself and dies. Attis is subsequently restored to life and goes back to either Agdistis or Cybele.
Sometimes this version of the story, the goddess turns Attis into a pine tree. Other versions will hold that Attis fathered a child with his own mother Cybele and that her father kills both Attis and the baby. Then Cybele will go and restore Attis to life.
Yet again, another version has Agdistis breaking in on the wedding celebrations of Attis and Sagaritis with the result that Attis castrated himself and his bride died from self-inflicted wounds. Some say that the castration was not self-inflicted but resulted from an attack by a wild boar.
Suffice to say, there a number of variatons to Attis’ story with either Agdistis and Cybele and whom he ends up cheating on them with or planning to marry instead.
Poor guy can’t get a break not wanting to have incest with his own mother and marry someone else of his own choosing.
Attis & Adonis
Because of the similarities in their myths, both are youth deities of youth and fertility who die and are reborn every year, Attis is often equated as being the same deity as Adonis.
The myths for both are slightly different, though it could explain the Lydian connection of the boar. Adonis was a favorite of both Aphrodite and Persephone. The god Zeus decreed that Adonis would spend the winter months in the underworld with Persephone and the summer months with Aphrodite. One version of Adonis’ myth has him killed by a boar after he had ventured into Artemis’ domain.
Attis & Greek Influences
Because there’s so many variations to Attis’ story, I’ll note here that for the Greeks, they identified Attis with their Iasion as a consort of the Great Mother in their Samothracian Mysteries. Too, the story of Aphrodite’s love for Ankhises on Mount Ida appears to have influenced the story of Attis’ relationship with Cybele.
Hilaria – Holy Week
In addition to the Megalesia festival, there is also a week-long festival known as Holy Week that starts from March 15th, also known as the Ides of March. That really gives a new meaning to Shakespeare’s Julius Caesar when he’s told to beware the Ides of March. The entire festival is meant to have an air of celebration for the arrival of Spring and the Vernal Equinox.
The festival itself seems to have been established by Claudius as a means of claiming and honoring Trojan ancestry. As a result, the festival very likely grew and expanded over time as a celebration for the death and resurrection of Attis.
The Reed Entered – Also known as Canna Intrat, from the 15th to the end of the month, there is festival for Cybele and Attis that starts on the 15th or Ides, with Attis’ birth and his being left along the reed bank of the Sangarius river in Phrygia before either shepherds or Cybele find him. People known as Cannophores will carry away the reeds. During this time, there is a nine-day period of abstinence from eating bread, fish, pomegranates, pork, quinces and likely wine. Only milk was allowed to be drunk during this period.
The Tree Enters – Also known as Arbor Intrat, March 22nd marks the date of Attis’ death under a pine tree. It is observed. People known as Dendrophores or “Tree Bearers,” after sacrificing a ram, will cut down a tree and carry it to Magna Mater’s temple for a mourning period of three days.
Tubilustrium – March 23rd, this is an old, archaic holiday for the Roman god Mars. The tree has now been laid to rest in Magna Mater’s temple. Mars’ priest, the Salii will do a traditional beating of their shields accompanied by trumpets and other loud music from the Corybantes. Overall, this is a day of mourning.
The Day of Blood – Also known as Sanguis, Sanguem or Dies Sanguinis March 24th. The rites can only be described as frenzied as mourners and devotees whip or scourge themselves in order to sprinkle the alters and Attis’ effigy with their blood. Some of the rites involve castration and the tree is buried, symbolizing Attis’ placing within his tomb. This day was also to honor Bellona, a war goddess. Her priests were known as the Bellonarii and practiced mutilation along with using hallucinogenic plants.
The Day of Joy – Also known as Hilaria, on the Roman Calendar this marks the Vernal Equinox. It takes place on March 25th and celebrates Attis’ resurrection. It must be noted that is a day of celebration and not the previous mournful tones and rites. I’m also not the only one to have noted a similarity to the Christian association of Jesus’ resurrection.
Day of Rest – Also known as Requietio, March 26th. What can we say? Partying is hard work.
The Washing – Also known as Lavatio, March 27th. This is when Cybele’s sacred stone, the Pessinos’ black meteor is taken from the Palatine temple to the Porta Capena along a stream called Almo. This stream is a tributary to the Tiber river. Here, the stone would be bathed by a priest. The return trip back to the temple would be conducted by torchlight. It’s noted by Ovid as being an innovation by Augustus.
Initium Caiani – March 28th. This particular part of the festival is found on the Calendar of Philocalus. It is likely an initiation ceremony that was held at the Vatican sanctuary for the mysteries of Magna Mater and Attis.
Attis & Easter
While Hilaria is week-long celebration of Spring that honors the death and resurrection of Attis, many have noted the similarities between Attis and that of Easter that celebrates the resurrection of Jesus.
While Easter now days is a movable feast or holiday that tends to occur between March 22nd and April 25th depending on when the astronomical full moon is. By itself, Easter is a celebration that borrows from the Jewish Passover. Certainly the Christian Holy Week observed the week before Easter seems to line up with that of the ancient celebration of Hilaria.
There are a number of different resurrection deities such as Osiris, Tammuz, Dionysus and Orpheus who can all claim influence on the celebration of Easter, especially with the timing of the Spring Equinox and many ancient religions influencing each other and adding on as the times change.
Miraculous Virgin Birth And Born On December 25th!
As previously mentioned before for the birth of Attis in a virgin birth to the nymph Nana or Sagaritis depending on the version of the myth being retold. Attis isn’t the first demigod or deity to born of a virgin birth.
Other gods who have also been the result of miraculous virgin births are: Horus, Osiris, and Attis (all before 1,000 B.C.E.) and Mithra, Heracles, Dionysus, Tammuz, Adonis along with a number of others (all before 200 B.C.E.)
It’s rather interesting to note the common motif this has in mythology and how eventually even in Christianity, there is the celebration of Jesus’ birth on December 25th, also born to a virgin. The dates of December 25th (the Winter Solstice, or close to it) and March 25th (the Spring Equinox, again close to it) make a lot of sense for the celebration of Life & Death, Vegetation, Sun and Resurrected Deities.
Regarding virgin births, I found an interesting article by D.M. Murdock in their “Attis: Born of a Virgin on December 25th, Crucified and Resurrected after Three Days” in which they note that the scholarly term to describe a virgin birth is the word: “parthenogenesis” and that many goddesses were referred to as “Parthenos,” the Greek word meaning “virgin.”
Quite the interesting point.
I can only point to my observations of many ancient religions that build and add upon each other as one religion becomes more prominent or one civilization and culture falls by the wayside to the sands of time and history.
Pine cones are symbols of Cybele and the related myth of Attis. They are believed to have been worn by Cybele’s priests and followers as one of her symbols. As a protective symbol, a pine cone would be affixed to the top of a pole and placed out in vineyards to protect the crop. Pine cones would also be placed at the entrances to homes, gates and other entrances.
A wooden throne was found in the Herculaneum ruins in 2007 with a relief of Attis under a pine tree as he gathers pine cones.