Category Archives: Christian
Etymology – Greek – ophis (serpent), ekhein or okhos (holder), “Serpent-Bearer”
Also known as: Ὀφιοῦχος (Greek), Anguitenens, Serpentarius, Hebitsukai-Za (Japanese, “Serpent Bearer”, the Serpent-holder, the Serpent Bearer, the Serpent Wrestler, or the Snake Charmer
The constellation of Ophiuchus is represented as a man holding a snake, seen in the constellation of Serpens. The body of Ophiuchus divides the Serpens constellation in half to Serpens Caput and Serpens Cauda.
The ancient Greeks saw the god Apollo in the constellation of Ophiuchus, contending with a large snake that guarded the Delphi Oracle. Many others have seen various legendary healers from Joseph and Aaron from the Bible, Imhotep and Asclepius in this constellation.
Astronomy & Astrology
Much of the foundations of Western knowledge regarding the fields of Astronomy and Astrology owe its roots to Ancient Mesopotamian cultures. Many ancient cultures studied the stars, seeing in them patterns that are called constellations. These ancient astronomers could make predictable, annual turnings of the heavens that they could divide and mark for the passing of the Seasons and time. For the ancients, Astrology served as a precursor to Astronomy and they believed that by studying the heavens, they could foretell future events and even a person’s life path.
These ancient cultures would also meet and exchange ideas frequently and in this fashion, when the Greeks encountered the Persians, there was an exchange of knowledge regarding Astronomy that becomes the constellations and zodiacs so many know today. Eventually, there is no clear distinction between what ancient Mesopotamian Astronomers and Greeks Philosophers knew. Even in current, modern times, the influence of these ancients is still known.
The constellation known as Ophiuchus is one of 48 constellations listed by the 2nd century astronomer Ptolemy in his book, Almagest. Today it remains as one of the 88 current or modern constellations. It is a large constellation, ranking 11th in size and located near the celestial equator. Ophiuchus was previously known as Anguitenens and Serpentarius; which in Latin has the same meaning as the modern name.
Constellations bordering with Ophiuchus are: Aquila, Libra, Scorpius, Serpens and Hercules. If you know where in the night sky that Orion is, Ophiuchus on the opposite. The best time to spot Ophiuchus is during the month of July in the Northern Hemisphere.
The ancient Babylonians have a constellation known as the “Sitting Gods” that might have been in the same location of the night sky that Ophiuchus is found.
The Sumerian god, Enki has also been suggested as who the constellation is based on.
In his book, Babylonian Star-lore, Gavin White suggests that Ophiuchus has a connection to the ancient snake god, Nirah, who is sometimes depicted having the upper body of a man and snakes for legs. This idea seems a bit farfetched as there aren’t too many other scholarly works to validate or refute it.
Ophiuchus, combined with Serpens was known as Nu-tsir-da.
Arabic & Islamic Astronomy
According to 10th century C.E., Azophi’s Uranometry, the constellation of Ophiuchus is known by the name of Al-Hawwa’, the Snake-Charmer.
An Arabic title for Ophiuchus is Suille. Herodotus mentions a tribe of snake-charmers known as Psylli in North Africa. This part offered up some confusion keeping this straight. Again, as there’s some conflicting information and research. I found a “le Psylle” that refers to an insect. This may be to a lot of confusion with languages and translations.
To the ancient Chinese astronomers, Alpha Ophiuchi is known as Hou, a senior assistant to the Emperor. The Emperor’s thrown, Dizuo is located directly north in the Hercules constellation where it corresponds with the star Alpha Herculis. What exactly Hou’s role is, is rather unclear. Some have referred to him as an overseer, an usher bringing in guests and possibly an astrologer.
The stars Iota and Kappa Ophiuchi formed Hu, a measuring cup for liquids, this constellation is found further in the Hercules constellation.
For the ancient Chinese, the southern part of Hercules, most of Serpens and Ophiuchus were viewed as a celestial market place, Tianshi. To the left of Tianshi, there is an eastern wall that starts in the constellation of Hercules and heads south through Serpens Cauda and ending in Ophiuchus at Eta Ophiuchi. To the right of Tianshi, a western wall runs southward from Hercules, through Serpens Caput and ends in Ophiuchus with stars Delta, Epsilon and Zeta Ophiuchi. The stars 20 Ophiuchi and Chesi are seen as market stalls along the right wall. The stars Lambda Ophiuchi and Sigma Serpentis made up Liesi, an arcade where jewelers shops could be found.
Comprised of stars Mu, 47, 30 and a much fainter star formed a six-star loop that represents a hall or a tower housing the trading standards office. Finishing out this shape are the stars Omicron and Nu in Serpens Cauda.
Zongzheng, Zongren, and Zong
These three constellations are found to the south of Hou. Zongzheng is noted by the stars Beta and Gamma Ophiuchi and Zongren is noted by the stars 66, 67, 68 and 70 Ophiuchi. These two constellations are seen to represent a governor and his aides who are supervising the younger members of the royal family. Zong is noted by the stars 71 and 72 Ophiuchi and is seen to represent a revered ancestor to the royal family.
The stars Phi, Chi, Psi, and Omega Ophiuchi formed Dongxian found outside the market walls. Dongxian is the western door to the steward’s room, used for investigating on any trade infractions. The eastern door, Xixian is found in Scorpius and Libra.
Marked by Theta Ophiuchi and three other stars, this constellation is a celestial river, located in the Milky Way and thought to control the waterways.
Lying next to Tianjiang, this constellation is composed of eight faint stars found in Ophiuchus and Sagittarius. It is thought that Tianyue lays directly on the ecliptic and represents a keyhole or lock that the Sun must thread itself through every year. It lays directly across the heavens from Tiangun, a gate found on the ecliptic within the Taurus constellation.
In later symbolic literature for Christianity, the imagery of Ophiuchus and the serpent is used in the story of the Garden of Eden. In his Paradise Lost, John Milton uses Ophiuchus as a major simile where he compares Satan to a comet that burns through the length of the constellation.
Again, with the strong imagery of the figure holding a serpent, some astrologists have connected the story of Joseph from the Biblical Book of Genesis and his interpreting dreams for the Pharaoh. Another story connecting Ophiuchus to the bible is that of Aaron and his casting down his rod to become a snake.
Due to the rise of interest in Ophiuchus as a 13th Astrological sign, many have been quick to identify the Greek physician Asclepius in this constellation. In turn, discussion extends to an earlier Egyptian healer, Imhotep that Asclepius is based on.
The 4th century B.C.E. Greek poet, Aratus has the earliest mention of Ophiuchus in his Phaenomena, which in turn is based on earlier works by Eudoxus of Cnidus. While Aratus didn’t know much about astronomy by Greek standards of the day, he was very well known for his poetry and descriptive imagery for the constellations.
The ancient Greeks saw the god Apollo in the constellation of Ophiuchus, contending with a large snake that guarded the Delphi Oracle.
The son of the god Apollo, Asclepius is the figure most often seen and identified in the constellation of Ophiuchus. Elevated to the status of a demi or lesser god, Asclepius was greatly renowned for his healing skills to the degree that he could even bring people back from the dead.
This knowledge of healing came about after Glaucus, the son of King Minos of Crete had fallen into a jar of honey and drowned. Asclepius had been called into the scene and while there, saw a snake slithering towards Glaucus’ body. Asclepius killed the snake and then saw another snake come in and place an herb on the body of the first snake, bringing it back to life. After witnessing this, Asclepius proceeded to take the same herb and place it on Glaucus’ body and bring him back to life.
Another story of Asclepius bringing people back to life is the resurrection of Thesues’ son, Hippolytus after the king’s son had been thrown from his chariot.
Asclepius had been raised by Chiron, the immortal centaur and god in his own right. From Chiron, Asclepius learned the art of healing and in one story, Asclepius received the blood of the slain gorgon Medusa from the goddess Athena. The gorgon’s blood reportedly held some mystical qualities. The blood taken from the left side of Medusa’s body was a poison while the blood taken from the right side would be able to resurrect people, bringing them back from the dead.
This caused enough of a complaint from Hades to Zeus that humans would become immortal and that there wouldn’t be any one entering the Underworld. To prevent people from becoming immortal, Zeus agreed to kill Asclepius, doing so with a lightning bolt. Later, Zeus placed Asclepius’ image up into the heavens to become the constellation of Ophiuchus in honor and memory.
Ophiuchus is part of the Hercules Family of constellations. The myth I found making this connection, has the famous hero Hercules kill Kaikias, the Blinding One. Kaikias or Caecius is the god of the North East Wind who is shown carrying a large shield that scatters hailstones upon the earth.
Other Greek myths see the figure of Laocoön, a Trojan priest of Poseidon. Laocoön had tried to warn the other Trojans about the Trojan Horse and the fact that the Greeks were hiding within it. He would later be killed by a pair of sea serpents sent by the gods to punish Laocoön.
Another Greek myth links Phorbos with the constellation of Ophiuchus. The son of Triopas and Hiscilla, Phorbas became the hero of the island of Rhodes when he saved the people from a plague of serpents. Sometimes this is interpreted to have been dragons, but snakes is often referred to or meant in the story. An oracle had told the people to call on Phorbas who came and rid the island of snakes.
Renaissance And Early Modern Depictions
Inspired by Aratus’ description of Ophiuchus stepping on the constellation of Scorpio with his feet, others such as Renaissance artist such as Albrecht Dürer and astronomer Johannes Kepler continued this idea.
For the Romans, the legendary healer, Asclepius is Romanized to the Latin spelling of Aesculapius. The Ophiuchus constellation is known by the Latin name of Serpentarius.
The constellation of Ophiuchus, along with 18 other constellations of: Cygnus, Hercules, Sagitta, Aquila, Lyra, Vulpecula, Hydra, Sextans, Crater, Corvus, Serpens, Scutum, Centaurus, Lupus, Corona Australis, Ara, Triangulum Australe, and Crux.
These constellations have some connection to the overall legend and myth of the Grecian hero Hercules. They are the largest grouping of constellations found in the Western Hemisphere.
The connection extends from Donald H. Menzel, the director of the Harvard Observatory, who in his A Field Guide to the Stars and Planets, takes groups of constellations based on where in the night sky they are located and grouping them by the very same location.
Stars Of Ophiuchus
Alpha Ophiuchi – Also known as Rasalhagues or Ras Alhague, meaning “Head of the Snake Charmer” or “Snake Collector” in Arabic, is the brightest star in the Ophiuchus constellation. It marks the head of Ophiuchus.
Beta Ophiuchi – Also known as Celbalrai. Cheleb and Kelb Alrai, it comes from the Arabic word kalb al-rā‘ī, meaning “the shepherd dog.” Ptolemy in his Almagest, placed the right shoulder of the Serpent Holder with this star along with Gamma Ophiuchi.
The Arabs saw a Shepherd in the star Alpha Ophiuchi with his dog, the star Beta Ophiuchi guarding sheep in the area.
Delta Ophiuchi – Also known as Yed Prior, the word “yed” comes from the Arabic language meaning “the hand.” Along with the star Epsilon Ophiuchi, these two stars mark the left hand of the Serpent Bearer, holding the head of the snake.
Epsilon Ophiuchi – Also known as Yed Posterior, this star along with Delta Ophiuchi mark the left hand of the Serpent Bearer.
Eta Ophiuchi – Also known as Sabik is the second brightest star in Ophiuchus.
Gamma Ophiuchi – Ptolemy in his Almagest, placed the right shoulder of the Serpent Holder with this star along with Beta Ophiuchi.
Iota Ophiuchi – Ptolemy in his Almagest, placed the left shoulder of the Serpent Holder with this star along with Kappa Ophiuchi.
Kappa Ophiuchi – Ptolemy in his Almagest, placed the left shoulder of the Serpent Holder with this star along with Iota Ophiuchi.
Barnard’s Star – This is the second or third closest star to our own sun about 6 light-years away. The only other stars that are closer are those found in the Alpha Centauri binary star system and Proxima Centauri. Banard’s Star is located just north of a V-shaped group of stars that form a now obsolete constellation known as Taurus Poniatovii or Poniatowski’s Bull, specifically 66 Ophiuchi.
Taurus Poniatovii – Obsolete Constellation
According to Ptolemy’s The Almagest, the stars 66, 67, 68, 70, and 72 Ophiuchi made a short-lived constellation that formed a bull. The constellation has since then been combined wiwth Ophiuchus to form the right shoulder and tail of the serpent.
First off, what is a Superbubble? It’s an astronomical event that happens when area of space, often hundreds of light years in distance has been created by several stars going supernovae and stellar winds blowing in interstellar gas. It’s basically what’s left over after the star or stars have finished going nova.
2005 saw a group of astronomers using information from the Green Bank Telescope to discover and identify one such Superbubble or Supershell. This particular superbubble is so large it reaches out beyond the furthest edges of the galaxy.
Also, known as Keplar’s Star. On October 9th, 1604, Johannes Kepler observed a supernova near the star Ophiuchi. Johannes would study this nova so extensively that it would eventually be named after him. The book, De stella nova in pede Serpentarii (On the New Star in Ophiuchus’ Foot) contains all of Johannes’ studies and finding on this nova.
Galileo used this nova’s brief appearance when countering Aristotelian dogma and beliefs that the heavens were unchangeable.
Little Ghost Nebula
This is a planetary nebula found in Ophiuchus by William Herschel. It is about 2,000 light years away from the Earth.
Dark Horse Nebula
Also, known as the Great Dark Horse is a nebula found in Ophiuchus. This nebular is so named as its shape looks like the profile of a horse. It lays near the border with the constellations of Sagittarius and Scorpius. The Dark Horse Nebula is one of the largest and with the right conditions, it can be seen without the aid of binoculars.
This nebula is part of the larger Dark Horse Nebula and is considered to form the hind legs or quarters of the Dark Horse. Like the Dark Horse, the Pipe can be seen without any aid from telescopes or binoculars, but its still helpful to use them.
Yet another nebula found in Ophiuchus. Like the Pipe Nebula, the Snake Nebula is also part of the much larger Dark Horse Nebula. It is about 650 light years from the Earth. While small, the snake is easily found for its distinctive s-shape near the bowl part of the Pipe Nebula.
Twin Jet Nebula
Also, known as Minkowski’s Butterfly or the Butterfly Nebula, it was first discovered by German-American astronomer Rudolph Minkowski in 1947. The nebula is so named as it appears like either a butterfly or a pair of exhaust pipes on a jet.
There are four meteor shows associated with the constellation of Ophiuchus. They are the Ophiuchids, the Northern May Ophiuchids, Southern May Ophiuchids and Theta Ophiuchids.
Ophiuchus In Astrology?
The 13th Sign of the Zodiac!
Not so fast there! It may sound great and exciting, but such is not the case.
The idea of a 13th Sign for the Zodiac quickly caught fire in the imaginations of many aspiring astrologers, New Agers and assorted others.
Even from the expert astrologers, it must be remembered that Ophiuchus is a constellation, not a new Zodiac Sign. You don’t have to worry about going to bed, believing you were a Scorpio or Sagittarius and suddenly, everything has changed and you’re now an Ophiuchus. Nothing of the sort.
Yes, Ophiuchus is one of thirteen constellations that crosses the ecliptic as the earth makes it monthly journey around the sun and appears to move from one Zodiac Sign to the next. There is a huge difference though between a constellation and a Sign within the Zodiac. Traditionally the classical Greek Zodiac is set up into twelve Signs that stretch along the earth’s ecliptic path with each sign having roughly a month’s time. Especially in the Western traditions. The set up for the for the Signs also follow the changes of the seasons so that the March equinox will fall on the day when the celestial boundary is between Aries and Pisces.
Constellations on the other hand, vary in size and are based on the positions of the stars. Due to the precession of the equinoxes over the millennia, a Sign and constellation no longer directly line up and correlate to which Zodiac is in the heavens.
A History Lesson
Ptolemy, in his book Tetrabiblos, 170 C.E., mentions only 12 Signs. Yes Ophiuchus and some of the fixed stars got used by some of the ancient astrologers for the more significant celestial events. The 1st C.E. poet Manilius for example, in his Astronomica, describes Ohiuchus in an astrological poem. Later, Manilus goes on to discuss the astrological influence of Ophiuchus, commenting that when this constellation is rising, a person will have an affinity for snakes and be protected from their poison. Of course, a later 4th century astrologer known as Anonymous of 379 will make the association of Ras Alhague, the brightest star in Ophiuchus, as the star of doctors, healers and physicians.
Alright, so I can see where some people will jump up and down getting excited for: “See! It is the 13th Sign!”
In more modern 20th and 21st century, the IAU (International Astronomy Union) in 1930 came up with the idea of 13 astrological Signs due to “the Sun is in the sign of Ophiuchus” between November 29th and December 17th with where the constellation boundaries lay. This continues with Stephen Schmidt in 1970, when he suggested a 14-Sign Zodiac, which includes Cetus as a Sign. Later, in 1995, the 13-Sign Zodiac is put forward by Walter Berg in his “The 13 Signs of the Zodiac” and Mark Yazaki in Japan. There, the concept of Ophiuchus took off in Japanese pop culture appearing in a number of video games, notably Final Fantasy and the anime and manga series known as Fairy Tail.
People’s imaginations got fired up for a 13th Sign when an astronomy professor Parke Kunkle from the Minneapolis Community and Technical College explained to his local paper, the Minneapolis Star-Tribune about the precession of stars over time and that eventually, old markers for time with the changes of the season altered.
The specific quote is this – “Two thousand years ago the Sun was ‘in’ whatever it was in. Now it’s about a whole constellation off from that.” It’s a quote that went viral and got picked up by various media news sites. And for the lay person who first gets into Astrology or doesn’t know anything at all, there’s the assumption that it’s all based on the constellations and not the Signs.
But It Must Be A Sign!
If you’re insisting it must be a new Zodiac Sign, here we go –
The time for Ophiuchus is from November 29th to December 17th. This takes up a good chunk of the time that’s for Sagittarius that typically runs from November 23rd to December 21st. Perhaps you can see why this is problematic.
As a 13th Sign, Ophiuchus doesn’t have an opposite Sign like all the others do. Adding Ophiuchus makes the use of the Zodiacs more Constellation based or sidereal. The use of sidereal astrology is more typical of the Vedic Astrology. Walter Berg states that the Sun is the Planet associated for this Sign. Many also place a strong emphasis on Ophiuchus’ role and affinity with healing through the use of imagery with Asclepius, Imhotep and to a lesser degree others like Joseph of Biblical fame for his interpretation of dreams and the Babylonian god Enki.
Ophiuchans are described as: seekers of wisdom and knowledge, they’re known for having a flamboyant or brightly colored wardrobe, they get along will with authority and supervisors, a seeker of peace and harmony, dream interpretation, premonitions, medical affinity, likely to have a large family though possibly have left their own home at an early age and have an eye for design and construction. The number 12 is considered an Ophiuchan’s lucky number and people may or may not be a bit envious for their progress and advances in life.
Attis & Cybele
This story is one of the major myths involving Cybele and they often include her relationship with Attis, a youthful consort to the goddess. Attis is noted too as being the name of a Phrygian deity. Further, Attis doesn’t become a part of the myth with Cybele until the Roman poet Catullus references him with Cybele as Magna Mater and as the name of the head priest for the Galli. Additionally, pine cones are used as symbols of Attis’ death and rebirth.
Attis – As a Phrygian deity, Attis is the god of vegetation, his death and resurrection is symbolic of the death and rebirth of vegetation and the harvest with each winter and spring. The name Attis in Phyrgia was a common name and one used for priests. In the myths linking Attis with Cybele as her consort; wherever Cybele’s worship spread, Attis’ worship went as well.
Imagery portraying Attis has been found at a number of Greek sites. Whenever Attis is shown with Cybele, he is shown as a younger, lesser deity to her. He is possibly even one of her priestly attendants. During the mid-2nd century B.C.E., various letters from the king of Pergamum to Cybele’s shrine in Pessinos all address the chief priest as “Attis.” So deity or priest tends to be a matter of personal interpretation with the myths of Attis.
Attis was Cybele’s young lover who had devoted himself to the goddess. He had a made a promise that he would always be faithful. As fate would have it, Attis in time fell in love with a nymph by the name of Sagaritis (or Sagaris) and they decided to marry. When Cybele learned of this marriage, she burst in on the marriage ceremony, inflicting Attis with madness and sending the other guests into a panic.
In his maddened state, Attis fled for the mountains. There, he stopped under a pine tree and proceeded to mutilate himself to the point of castrating himself and bleeding to death there beneath the pine tree.
When Cybele found her lover, the young Attis dead, she mourned her actions and deeply regretted them. She pleaded with the god Jupiter to restore Attis to life. Jupiter vowed that that pine tree would remain sacred and like the tree, Attis would live again. The blood that Attis shed is said to have become the first violets.
In the versions of the myths where Maeon is Cybele’s father – Maeon kills Attis, the baby whom he sires after committing incest with his daughter. Cybele manages, in this myth to restore Attis back to life.
Pausanias’ Version – Another story of Attis, this time with Agdistis as another name for Cybele follows much of the same story as previously mentioned. Only now, when the baby, Attis is born, he is left exposed and a ram comes, standing guard over the child. As the baby grew, his beauty became ever more apparent as more than human. Agdistis saw Attis and fell in love with him.
When Attis finally came of age, he was sent to Pessinos, a city in Phrygia to wed the King’s daughter. After the marriage ceremony was completed, Agdistis appeared, causing Attis, driving him mad in her jealously to the point of cutting off his own genitals. The madness was such, it effected other nearby, that even the king cut off his own genitals.
Shocked, Agdistis sought amends for what she had done and begged Zeus to restore Attis to life so that he would be reborn.
Ovid’s Version – In this one, Attis had fallen in love with Cybele who wanted to keep the boy at her shrine as a guardian. She commanded Attis to always be a boy. Attis declared in kind that if he lied, let the lover he cheated be his last.
As happens with these kinds of stories, Attis does cheat with the Nymph Sagaritis (or Sagaris). Her tree is cut down by Cybele, killing her the Nymph. Attis in response goes mad and hallucinates that the roof to his bedroom is collapsing on him. Attis runs towards Mount Dindymus where he calls out for Cybele to save him.
Hacking away at his own body with a sharp stone, Attis continues to cry out to Cybele that she take his blood as punishment and cuts off his genitals as that is what has caused him to cheat on Cybele.
Ultimately, this story of Attis’ self-mutilation and castration is the basis for the Galli, Cybele’s priest to castrate themselves as a show of devotion to the goddess.
Cybele & Dionysus
Similar to the story of Attis & Cybele, is the story of Dionysus & Cybele. The earliest reference to this myth in Greek mythos is around the 1st century B.C.E. in Apollodorus’ Bibliotheca.
Like Attis, Cybele also cures Dionysus of his madness. Considering she’s the one who caused Attis’ madness, I would hope she would cure it too.
Both Dionysus’ and Cybele’s cult shared many similarities. As foreign deities worshiped among the Greeks, both gods would arrive in chariots drawn by large exotic cats. Dionysus would come in his chariot pulled by tigers whereas Cybele’s chariot was drawn by lions. Both deities would be accompanied to the fanfare of wild, raucous music and a parade of exotic foreigners and lower class citizens of Greek society.
For the Hellenic Greeks, these two gods held wild temperaments that didn’t sit well with many affluent Greeks and were thus, warily worshiped.
Due to the similarities of both Dionysus’ and Cybele’s cults, in Athens, by the end of the 1st century B.C.E., the two cults were often combined.
Cybele & Sabazios
Sabazios is the Phrygian version to the Greek Dionysus. Under Greek influence, the name Sabazios is often used as an epithet for Dionysus and the two’s myths have become very intertwined.
Further Greek influences have Cybele equated with Rhea. By Phrygian traditions, Cybele is the mother of Sabazios. When Cybele is equated with Rhea, she is the nurse-maid and tutor to a young Dionysus after his mother Hera rejects him.
Orgia – It is thought that the Orgia, the Orgiastic cult of Dionysos-Sabazios may have originated with Cybele. When Sabazios had been wandering in his madness, he made his way to Cybele in Phrygia where she purified him and taught him the initiation rite for the Orgia. Sabazios is to have received his thyrsus and panther-drawn chariot while he went throughout all of Thrace to spread the Orgia. The Orgia certainly seems to have become associated with the celebrations of Cybele as the Great Mother or Mountain Mother in the writings of Strabo or as Euripides makes mention of in his play Bacchae.
As Nurse-Maid – In a story very similar to Dionysus’ being rejected by his mother Hera, it is Cybele, identified as Rhea and Grandmother to Dionysus who takes up the infant to care for him much like she did her own son Zeus. The god Hermes, tells Cybele how Dionysus will become a god later when he’s grown to manhood. Cybele’s priests the Korybantes use their loud drumming and chanting to drown out the cries of the infant in order to prevent Hera’s wrath from finding him to finish what she had started with trying to kill Dionysus when she cast him out. The story of Dionysus’ youth with Cybele continues with him grabbing lions for the Mother Goddess to hitch up to her chariots and later acquiring a lion-drawn chariot of his own.
Atalanta & Hippomenes
These two were turned into lions in myth by either Cybele or Zeus as punishment for having sex with one of their temples. The Greeks believed that lions were not able to mate with other lions. Another version of the story will have Aphrodite turn them into lions when they forgot to give her proper tribute or offerings.
Cybele was also especially noted for being a bee goddess.
Mother Of The Mountain – Goddess Of Mountains And Fortresses
As a goddess of mountains, cities and forts, Cybele’s crown was seen to take the form of a city wall, showing her role as a guardian and protector of Anatolian cities.
There is an inscription of “Matar Kubileya” found at a Phrygian rock shrine dating from the 6th century B.C.E. It is often translated to: “Mother of the Mountain.” It is a name that is consistent with Cybele and a number of other tutelary goddess who are all seen as “mother” and connected to a specific Anatolian mountain or other locations. In this sense, Cybele is seen as a goddess born from stone.
Cybele’s connection and association with hawks, lions and the mountainous regions of Anatolia show her role as a mother of the land in its wild, uninhabited state. She holds the power to rule, moderate or soften the unbridled power and ferocity of nature and to reign it in for the use of civilization.
Idaea – Mountain Goddess & Nymph
Cybele is often connected with Mount Ida in Anatolia where there is an ancient site of worship. Idaea is the name of the local mountain goddess or nymph who resided here. Where many goddess get absorbed into each, the name of one deity, Idaea in this case will become an epithet to the more well-known deity.
Goddess Of Nature And Fertility
As an ancient fertility goddess, Cybele’s worship is believed to have covered from Anatolia to Greece during the Archaic period, roughly 800 to 500 B.C.E and then into the Hellenistic era of 300 to 50 B.C.E.
Lions and sometimes leopards were shown to either side of Cybele to depict her strength.
Cybele is typically seen as a guardian and protector over all of a nature and a goddess of unbridled sex.
Along with Artemis, Cybele is seen as the “Great Huntress” and patron goddess and protector of the Amazons.
Magna Mātēr – The Great Mother
The Romans revered and knew Cyble as Magna Mātēr or the Great Mother, Rome’s protector. They also knew her as Magna Mātēr deorum Idaea, the great Idaean mother of the gods. It is a similar title to the Greek title for Cybele of Mētēr Theon Idaia, Mother of the Gods from Mount Ida. In the early 5th century B.C.E., she was known as Kubelē. In Pindar, she was known as “Mistress Cybele the Mother.” Cybele’s worship among the Greeks saw her easily identified and equated with the Minoan-Greek Goddess Rhea and the grain-goddess Demeter.
As Magna Mātēr, Cybele was symbolized by a throne and lions. She held a frame drum. A bowl used for scrying. A burning torch was also used to symbolize her bull-god husband Attis in his resurrection. For some like Lucretius, Magna Mater represented the world order. Her imagery hold overhead represented the Earth, thought to “hang in the air.” As the mother of all, the lions pulling her chariot represent the offspring’s duty of parental obedience. Magna Mater is seen as un-created and separate from and independent of all of her creations.
Under Imperial Rome, Magna Mater represented Imperial order and Rome’s religious authority throughout its empire. Emperor Augustus, like many of Rome’s leading families, claimed Trojan ancestry and a connection to Magna Mater. His spouse, empress Livia was seen as the earthly equivalent and representation of Magna Mater. Statuary of Magna Mater has Livia’s likeness.
While there are not a lot of documents or myths that survive regarding Cybele, it has been suggested that her Phrygian name of Mātēr indicated a role as a mediator between the boundaries of the known and the unknown, the civilized world and the untamed wilds, the living and the dead. The Imperial Magna Mater protected Rome’s cities and its agriculture. Ovid mentions how barren the earth was before Magna Mater’s arrival. The stories and legend of Magna Mater’s arrival to Rome are used to promote and exemplify its principles and Trojan ancestry.
Megalesia – Festival To Magna Mātēr
Also known as the Megalensia or Megalenses Ludi; under the Roman calendar, Cybele’s Spring festival of Megalesia was celebrated from April 4th to April 10th, a period of six days. This festival celebrated Cybele’s arrival in Rome along with the death and resurrection of her consort, Attis. This festival and the whole month of April were celebrated with an air of rejoicing and lavish feasts.
Exactly how the festival was celebrated is uncertain. What is known is that there were many religiously themed plays, games and activities. There are descriptions of mummery, war dancers wielding shields and knives and a lot of drumming and flute playing. As to the games, slaves were not allowed to participate. On the first day of Megalesia, there would be a feast held. These feasts were known for being very lavish and the Roman Senate passed a law limiting the amount that could be spent on these feasts. On April 10th, Cybele’s image would be publicly paraded to the Circus Maximus, chariot races would be held in her honor. A statue dedicated to Magna Mater with her seat on a lion’s back stood at the side of the race track barrier line.
Hilaria – Holy Week
In addition to the Megalesia festival, there is also a week-long festival known as Holy Week that starts from March 15th, also known as the Ides of March. That really gives a new meaning to Shakespeare’s Julius Caesar when he’s told to beware the Ides of March. The entire festival is meant to have an air of celebration for the arrival of Spring and the Vernal Equinox.
The festival itself seems to have been established by Claudius as a means of claiming and honoring Trojan ancestry. As a result, the festival very likely grew and expanded over time as a celebration for the death and resurrection of Attis.
The Reed Entered – Also known as Canna Intrat, from the 15th to the end of the month, there is festival for Cybele and Attis that starts on the 15th or Ides, with Attis’ birth and his being left along the reed bank of the Sangarius river in Phrygia before either shepherds or Cybele find him. People known as Cannophores will carry away the reeds. During this time, there is a nine-day period of abstinence from eating bread, fish, pomegranates, pork, quinces and likely wine. Only milk was allowed to be drunk during this period.
The Tree Enters – Also known as Arbor Intrat, March 22nd marks the date of Attis’ death under a pine tree. It is observed. People known as Dendrophores or “Tree Bearers,” after sacrificing a ram, will cut down a tree and carry it to Magna Mater’s temple for a mourning period of three days.
Tubilustrium – March 23rd, this is an old, archaic holiday for the Roman god Mars. The tree has now been laid to rest in Magna Mater’s temple. Mars’ priest, the Salii will do a traditional beating of their shields accompanied by trumpets and other loud music from the Corybantes. Overall, this is a day of mourning.
The Day of Blood – Also known as Sanguis, Sanguem or Dies Sanguinis March 24th. The rites can only be described as frenzied as mourners and devotees whip or scourge themselves in order to sprinkle the alters and Attis’ effigy with their blood. Some of the rites involve castration and the tree is buried, symbolizing Attis’ placing within his tomb. This day was also to honor Bellona, a war goddess. Her priests were known as the Bellonarii and practiced mutilation along with using hallucinogenic plants.
The Day of Joy – Also known as Hilaria, on the Roman Calendar this marks the Vernal Equinox. It takes place on March 25th and celebrates Attis’ resurrection. It must be noted that is a day of celebration and not the previous mournful tones and rites. I’m also not the only one to have noted a similarity to the Christian association of Jesus’ resurrection.
Day of Rest – Also known as Requietio, March 26th. What can we say? Partying is hard work.
The Washing – Also known as Lavatio, March 27th. This is when Cybele’s sacred stone, the Pessinos’ black meteor is taken from the Palatine temple to the Porta Capena along a stream called Almo. This stream is a tributary to the Tiber river. Here, the stone would be bathed by a priest. The return trip back to the temple would be conducted by torchlight. It’s noted by Ovid as being an innovation by Augustus.
Initium Caiani – March 28th. This particular part of the festival is found on the Calendar of Philocalus. It is likely an initiation ceremony that was held at the Vatican sanctuary for the mysteries of Magna Mater and Attis.
Pine cones are symbols of Cybele and the related myth of Attis. They are believed to have been worn by Cybele’s priests and followers as one of her symbols. As a protective symbol, a pine cone would be affixed to the top of a pole and placed out in vineyards to protect the crops. Pine cones would also be placed at the entrances to homes, gates and other entrances.
A type of hand drum or tambourine, the tympanon was used by the Greeks to denote worship in a foreign cult or religion. Of the foreign deities the Greek adopted, only Cybele is ever shown holding the tympanon. On the cuirass of Ceasar Augustus’ Prima Porta statue, Cybele’s tympanon is shown lying at the goddess Tellus’ feet.
The Trojan War
Among the Romans, Cybele was rewritten to be a Trojan goddess and thus making her an ancestral goddess through the Trojan prince Aeneas.
The Trojan War was a major and significant war among the Greeks. Many deities got themselves involved. Cybele was one of many such gods to do so. When Prince Aeneas was attacked by Turnus, leading the Rutulians, Cybele prevented Turnus from setting fire to the Trojan fleet by turning all of the ships into nymphs.
Virgil’s Aeneid – As Berecyntian Cybele, she is the mother of Jupiter and the protector of prince Aeneas. Cybele gave the Trojans her sacred tree to use for building their ships. Cybele then pleaded with Jupiter to make the resulting ships indestructible. Aeneas and his men are able to flee Troy, heading for Italy, where Rome would be founded. Once the they arrived in Italy, the ships all turned into sea nymphs or Oceanids.
Yes, you read that correctly. During the early Roman Imperial era, the poet Manilius introduces Cybele into classic Greco-Roman zodiac. It upsets the balance as there’s already twelve zodiac houses represented by a corresponding constellation. Each of which is ruled by a different deity, the Twelve Olympians in Greek and the Di Consentes in Rome. Manilius places Cybele as a co-ruler with Jupiter over Leo the Lion, which is noted for being in direct opposition to Juno who rules Aquarius.
Some modern scholars have taken note of how, as Leo rises over the horizon, that Taurus the Bull sets. Symbolically, this is seen as the lion dominating or defeating the bull. The idea then gets put forth that the celebrations of Megalensia includes this symbolism with lions attacking bulls. As a Spring festival, the date for the celebration of Megalensia is around April 12th when farmers would dig in their vineyards to break up the soil and sow their crops. This would also be when farmers would castrate their cattle and other livestock.
It has been suggested by some scholars that Cybele’s name can be traced to that of Kubaba, a deified queen who ruled during the Kish Dynasty of Sumer. Kubaba was worshipped at Carchemish and would later be Hellenized to the name of Kybebe. Kubaba was also known to the Hittites and Hurrians in the region. There isn’t enough etymological evidence to support this. However the names Kubaba and Matar do seem to have become closely associated. Such as the genital mutilations that are found both within Cybele’s and Kybebe’s cults. Much like many other localized mountain goddesses in Anatolia, who are called “mother” and among many who would become identified with Cybele.
Christianity And The Book Of Revelation
Of interest, is that the author of the Book of Revelations, identified by modern scholars as John of Patmos is likely to have been referring to Cybele when he mentions “the mother of harlots who rides the Beast.”
Christianity – Kept to a nutshell, the early Christians, once Christianity became the state religion of Rome, began to view and regard Cybele’s cult as evil, even demonic. Under Emperor Valentinian II in the 4th century C.E., he officially banned the worship of Cybele and the goddess followers and devotees fell under a lot of hate and persecution. Under the rule of Justinian, objects of worship for Cybele and her temples were destroyed and eventually by the 6th century C.E., Cybele’s cult seems to have vanished.
It has been noted by others how the Basilica of the Vatican is apparently the same exact spot for where Cybele’s Temple once stood and that Christians celebrate the death and resurrection of Jesus Christ in the same place where Attis was once worshiped. Some will even go so far as to suggest that revering the Virgin Mary is merely another aspect of worshiping Cybele and many other ancient Mother Goddesses.
Montanism – Christianity – Also known as New Prophecy – Now I do find it fascinating that around 100 C.E. a former Galli priest of Cybele by the name of Montanus formed a Christian sect that worked to oppose Pauline Christianity.
In Pauline Christianity, those who followed the teachings of the Apostle Paul, it held a major influence into the formation of Christianity in terms of scriptural interpretations, cannon and dogma.
Montanus’ sect was considered very heretical to the Catholic Church and would eventually see all of its followers excommunicated.
In brief, Montanus believed himself to be a prophet of god and that women could also be bishops and presbyters. Where much of early Christian theology diminished the power and presence of women within religion, Montanus’ sought to keep it.
It’s also interesting to note a rather prominent example of a Pagan religion that Christianity and former followers of other religions attempting to adopt and add in their beliefs. Like Montanus equating Jesus with Attis and the celebrating of Easter with the resurrection of Jesus during Holy Week, the days between Good Friday and Easter is also the same period that Hilaria, observing and celebrating Attis’ resurrection was held.
Rhea – Greek Goddess
Just as Cybele is the Great Mother of the Roman Pantheon, Rhea, her Grecian counterpart is the Great Mother of the Greek Pantheon of Gods. Thanks greatly to the influence of the Romans, many people will identify and equate Cybele with Rhea.
The Romans were famous for subsuming many deities in their conquest across Europe, particularly the Mediterranean area, and identifying their gods with those of a conquered culture. The most famous being the Greeks, where many deities were renamed to those of Roman gods. Prominent examples like Zeus and Jupiter, Hera and Juno, Ares and Mars and so on down the line.
With the Hellenization of Latin literature, many Greek writers and even Roman writers rewrote and intertwined the myths of these two deities so that would virtually become one and the same. As the centuries have passed, the tradition of accepting both of these goddesses as one and the same has become generally accepted. Just that there are still some differences that separate the two.
Rhea’s best known story is with the birth of the Olympian gods. Cronus fearing that a son of his would kill him and take over, devoured all of his children as they were born. Rhea managed to rescue her youngest son, Zeus by tricking Cronus into swallowing a rock. She hid Zeus in the Dictean Cave in Crete. Zeus, after growing up, succeeded at overthrowing Cronus and rescuing his siblings.
Like Cybele, Rhea can help in easing the pain of childbirth and soothe the pain and difficulties that come with menstruation.
Alternate Spelling: Kybele
Other names: Agdistis Cybele Magna Mater, Berecyntia, Brimo, Dindymene, Magna Mater, Mother of the Gods, Kubaba, Matar Kubelē, Kubileya or Kubeleya “Kubeleyan Mother” (Phrygian, translation: “Mountain Mother”), Lydian Kuvava (Turkish Kibele), Κυβέλη, Kybêlê, Kybele, Κυβήβη Kybebe, Κύβελις Kybelis (Greek), Meter Theon, Great Mother
Other Names and Epithets: Mātēr, Mētēr, Mistress Cybele the Mother, Mistress of Animals, Idaea, Isis, Rhea, Demeter, Ops, Potnia Theron (Mistress of the Animals), Mater Deum Magna Idaea, Meter Theon Idaia (“Mother of the Gods, from Mount Ida”), Meter Oreie (Mountain Mother), “The Mother of the Gods, the Savior who Hears our Prayers”, “The Mother of the Gods, the Accessible One.” Megalenses ludi
Etymology: ” Mother of the Mountain,” “Cavern-Dweller”
An inscription found on one of Cybele’s Phrygian rock monuments has been translated as mater kubileya, “Mother of the Mountain.” The inscription for matar or “Mother” is found at many other Phrygian sites.
Animal: Bee, Hawks, Lions, essentially all wildlife.
Colors: Brown, Green, Blue
Day of the Week: Saturday
Patron of: Nature, Natural places, Mountains, Caverns, Walls, Fortresses
Plant: Almond, Pine
Sphere of Influence: Fertility, Menstruation, Nature, Sex, War, Mother of Life
Symbols: lions, naiskos, tympanon (hand-drum or tambourine), pine cones
Early Greek depictions of Cybele are small votive representations of her rock-cut statues and images found in Phrygia. Cybele is shown standing alone inside a naiskos, which is basically a rock-hewn relief with walls and roof overhead to represent a temple or doorway. She is crowned with a type of tall cylindrical hat called a polos, a long flowing chiton that covers her shoulders and back. Cybele is sometimes shown with lion attendants to either side of her.
Approximately 5th century B.C.E., the Greek sculptor Agoracritos made the official Hellenized version of Cybele in the Athenian agora. This statue shows Cybele sitting on a throne with a lion at her side and holding a tympanon, a type of hand drum that the Greeks used in her cults and worship. In Greece, Cybele would be very closely identified with the Greek’s mother goddess figure of Rhea.
Anatolian & Phrygian Origins
While Cybele is known as the Great Mother in the Roman pantheon, she was originally a mother goddess from Anatolia. She is likely the precursor of a Neolithic goddess in Çatalhöyük (Konya), where a statue of a pregnant goddess that appears to be giving birth is seated on a lion throne was found within a granary.
For the Phrygians, Cybele is the only known goddess and is also likely the state deity. In addition, Cybele was a goddess of caverns, goddess of the Earth in its primitive form and was worshiped on mountain tops. Cybele’s domain was over all the wild creatures of the earth. Phrygian art dating to the 8th century B.C.E. shows Cybele attended by lions, a bird of prey and a small vase for libations or other offerings.
Greek colonists would later adopt Cybele in Asia Minor before bringing her back to the mainland where her worship would spread during the 6th century B.C.E.
In Çatal Hüyük, Turkey, there is a figurine that was found dating back to 8,000 B.C.E. that depicts a Mother Goddess squatting in the process of giving birth and is flanked to either side by two leopards. This figurine is thought to be Cybele in a very early form.
Cumae – The Sybils of this temple were Cybele’s priestess and oracles.
Ionia – In places such as Magnesia and Maeander, where Cybele is worshiped as Dindymene, she held temples.
Pessinus – Located near Mount Dindymus in Phrygia, a temple was built here dedicated to Cybele Dindymene. Legend holds that the Argonauts built this temple. Here, Cybele was represented by a black meteoric iron stone. This same meteorite may have also associated with another mountain deity of Pessinus as Agdistis.
Rome – A temple for Cybele as Magna Mater stood on the slopes of Palatine Hill it overlooked the Circus Maximus and facing another of Cybele’s temples on Aventine. The first temple here was destroyed by fire in 111 B.C.E. and later rebuilt. In Imperial Rome, the temple burned down again and was rebuilt by Augustus, only to get burned again.
During the ground breaking and preparation for Saint Peter’s Basilica on Vatican Hill, a shrine known as the Phrgianum and dedicated to Magna Mater was found. A motif of Saint Peter is found standing at the site of Cybele’s temple in Rome.
The Roman port of Ostia also boosted a sanctuary to Magna Mater and Attis, commemorating their arrival to Rome. The worship of Cybele brought on the anger of many Christians within the Roman Empire. Especially when Saint Theodre of Amasea, in recanting his beliefs, did so by burning down a temple of Cybele.
Mount Sipylus – A stone carving found here is believed to be the oldest image of Cybele. The carving itself is attributed to the legendary Greek hunter Broteas as having created it. The 2nd century C.E. geographer Rausanias mentions a Magnesian cult to “The Mother of the Gods” having been present.
Cults Of Cybele
The rites for Cybele were secretive and mysterious like many Earth Mother Goddesses such as Demeter and Isis. Cybele’ cult was directed by eunuch priests known as Corybantes or Galli. They were very faithful in conducting their orgiastic rites that were often wild and emotional with lots of ecstatic cries and frenzied, passionate music of flutes, drums and cymbals. In addition, sacrifices were made to Cybele, symbolizing the death and rebirth of her son and consort Attis. Self-castration is said to have taken place in Cybele’s rites. Other later rites were the taurobolium in which a bull was sacrificed and a priest bathing in its blood.
As a mystery cult, not much is known about Cybele’s initiates and worshipers. Stone reliefs show Cybele alongside both young male and female attendants carrying torches and vessels used for purification. Surviving literature describes a joyous sound of abandonment with loud percussions of tympanons, castanets, cymbals and flutes and a lot of frenzied dancing. It has been suggested that the dancing is likely to have been circle-dancing by women.
Worship Among The Greeks
Cybele’s cult was introduced to Greece by returning soldiers from the Trojan War and is noted for having caused a lot of conflicts. It would later be adopted by the Romans who held festivals in Cybele’s honor. The worship of Cybele among the Greeks held various mixed views. Here, her various different aspects were mixed with other goddesses. Notably the goddesses of Gaia, an Earth-goddess, Rhea, a Minoan goddess and the Harvest-Mother goddess of Demeter. The city-state of Athens invoked Cybele as a protector.
In 6th century B.C.E., Herodotus mentions that when Anacharsis returned to Scythia, that his brother the Scythian king had Anacharsis put to death for joining Cybele’s cult.
Athenian tradition holds that sometime around 500 B.C.E, a city metroon was created in order to placate Cybele after she visited a plague upon the city after one of her priests was killed for trying to introduce her cult. It’s thought that this story would explain why a public building would be dedicated to an imported goddess. The earliest source to this story is referenced in the “Hymn To The Mother Of The Gods,” circa 362 C.E. by the Roman emperor Julian. Given Cybele’s wild and forceful nature, her cults were often privately funded rather than publicly funded among the Greeks.
In Greek rites, Cybele was often seen as a foreign and exotic mystery-goddess who rode in a lion-drawn chariot accompanied with wild music, wine and a rather disorderly following; not unlike Dionysus or Bacchus’ Bacchanalias. As a foreign goddess, Cybele was seen as the great goddess of the Eastern World.
The transgender or eunuch priesthood was uniquely Greek. Many of Cybele’s Greek cults held a rite to a divine Phrygian Shepard-consort of Attis. This joint cult of Cybele and Attis was found throughout Magna Graecia, with evidence of this cult in Gaul, modern day Marseilles and Lokroi in southern Italy during the 6th and 7th centuries B.C.E. Following Alexander the Great’s conquests of the known world, wandering devotees to Cybele became common place in Greek literature and social life.
The Greeks associating Cybele with the Minoan goddess, Rhea has led to a number of different male demigods becoming tied into Cybele’s mythology as attendants or guardians for her infant son Zeus, in the cave of his birth.
Within the Grecian cults, these different male demigods acted as the intermediaries, go-between, even messengers for the goddess and her mortal followers through the use of dreams, trances and ecstatic dances and song.
Some of these demigod messengers are:
Korybantes – Or Kouretes, a group of nine armed dancers who are the offspring of the Muse Thalia and the god Apollo. They used drumming and dancing to drown out the cries of an infant Zeus to prevent him from being discovered.
Corybantes – Simply the same group, only this is the Phrygian name for this group of dancers.
Dactyls – A group of magician-smiths who are sometimes the offspring of Rhea or they worked for the god Hephaestus. They were ancient smiths and healers who sprang into being as Rhea went into labor with her son Zeus.
Telchines – An ancient primordial race with dog heads and flippers for hands. They were best known for their metal working. A group of nine Telchines were employed by Rhea to raise her infant son Zeus.
Worship Among The Romans
To the Romans, Cybele was known as Magna Mātēr or “Great Mother.” In the Roman State, Cybele’s cult and worship was adopted after the Sibylline oracle said it would be an important religious factor during Rome’s Second Punic War with Carthage.
The Romans had some dire omens in the way of a meteor shower, failed crops and an impending famine. It should be noted that a second consultation with the Greek oracle at Delphi confirmed to the Romans that adopting Cybele’s cult and worship would be the right way to go in assuring victory.
Cybele’s arrival into Rome is marked by the arrival of the Pessinos’ black meteor stone from the neighboring Roman ally and Kingdom of Pergamum. Further, Roman legend connects the voyage of the meteor stone with a Claudia Quinta who was accused of being unchaste. When the ship carrying Cybele’s sacred stone became stuck on a sand bar in the Tiber River, Claudia prayed to the goddess for help. Proving her innocence, Claudia was able to single-handedly pull and tow the ship free of the sandbar. Shortly after, Rome’s fortunes changed with a successful harvest and their being able to defeat Hannibal, the then leader of Carthage.
Among the Romans, Cybele was rewritten to be a Trojan goddess and thus making her an ancestral goddess through the Trojan prince Aeneas. Many of Rome’s leading families claimed Trojan ancestry and this made for Cybele’s integration into the Roman culture and pantheon a sort of reunion with a Mother Goddess’ exiled people. Further Romanization of Cybele sees her identified with the goddess Ops, wife of Saturn and the parents of Jupiter.
Rome’s dominance over the Mediterranean and Europe, saw many of Cybele’s cults get Romanized and spread throughout the Empire. Just what the exact nature of Cybele’s cults and worship among the Romans has meant were greatly discussed and disputed in both Greek and Roman literature and even among modern scholars.
It is generally agreed that the addition of Cybele’s consort Attis and her eunuch priests known as Galli or Gallai and all the wild, ecstatic features of her worship from her Greek and Phrygian cults have been largely Romanized. Something the Romans were very good at when adopting the gods of other cultures into their own. Under the rule of Caesar Augustus, he built a large temple to Cybele on the Palatine Hill. The statue of Cybele found within this temple has the likeness of Augustus’ wife, Livia.
Big Three – Cybele’s worship in Rome became so popular that it would become one of the three, major and important cults within Rome. The other cults are the Cult of Isis and Serapis (Osirus) and Mithraism. All three of these cults would persist and last until Rome’s conversion to Christianity as a state religion. Under Emperor Constantine in the 4th Century C.E., he outlawed all other cults and the church of Magna Mater, Cybele ceased to be and saw heavy persecution and the destruction of her temples.
Castissima Femina – “Purest or Most Virtuous Woman” Claudia Quinta’s connection and involvement with bringing the worship of Cybele to Rome would become more glorified and embellished over the centuries. To the point of forming a small cult. Claudia Quinta would be shown in the dress of a Vestal Virgin in art. Imperial Augustan ideology viewed Claudia as the very ideal of virtuous Roman womanhood.
Criobolium And Taurobolium – While the Greeks may have had no problems with castration for initiation into Cybele’s Cults, the Romans did hold prohibitions to this practice that greatly limited who could be initiated into the cult. Around 160 C.E., it is known that Roman citizen who sought initiation could offer up two forms of animal sacrifice as an alternative to self-castration.
The first, Taurobolium, sacrificed a bull, considered to a potent and expensive offering. The high cost for this sacrifice ensured that only Rome’s highest social class could be initiated. The second, Cribolium, sacrificed a ram, seen as a more inexpensive and thus less potent offering. This sacrifice is more typical of Rome’s poorer social classes.
The Christian apologist, Prudentius gives a description of these sacrifices where a priest stands in a pit under a slatted wooden floor. When the acolytes killed the bull with a sacred spear. The priest will come out from the pit, covered in the bull’s blood, much to the applause of spectators. This is atypical of Roman sacrifices as what is more likely to have happened with a sacrifice is that the blood is carefully collected and offered up to the deity along with the animal’s reproductive organs.
Both the Criobolium and Taurobolium are not linked to any specific religious celebration with Magna Mater, though they clearly have the same symbolism seen with the observance of Hilaria, March’s “Holy Week” that celebrates and honors the death and rebirth of Attis. Later, during Rome’s Imperial era, many of Attis’ initiates come from the deeply religious and wealthy citizens and not necessarily for the worship of Cybele.
Galli – This is the name for Cybele’s priesthood during Imperial Rome. They were eunuch priests who practiced castration as a sign of their devotion to the goddess Cybele. The Galli castrated themselves in service to Cybele as they thought that doing so would give them the powers of prophecy. After castration, they would dress as women, keeping their hair long and adopting female mannerisms and appearances. The Galli also wore a tall cylindrical hat called a polos. It is known the Galli held orgiastic rituals accompanied by loud cries and the loud noise of flutes, drums and cymbals. While there are certainly the male priests who wore women’s clothing, in some regions there were also known to be female priestesses devoted to Cybele.
In Servius’ account, Attis is the founder of this priesthood with the highest ranking Gallus taking the name of Attis. The more junior Galli was known as Battakes. The Galli located at Pessinus were very politically influential among the Roman Senate.
In Rome, the Galli were forbidden citizenship and the rights of inheritance, as they were eunuchs and unable to have children. This was a very stark contrast to many other priests of other Roman gods who did have families and raise children, particularly of the more senior priests.
The Galli are thought to have castrated themselves in keeping with the myth of Attis where he castrates a king for their unwanted sexual advances and gets castrated in turn by the dying king. Cybele’s priest would have found Attis at the base of a pine tree where he dies and they proceed to bury him. In memory of Atti’s passing, the priests are believed to have emasculated themselves and added him to the celebrations and rites for the goddess Cybele. In Hellenistic Greek, a poet refers to Cybele’s priests as Gallai, a feminine form of the name. The Roman poet Catullus refers to Attis in the masculine form of his name until he is castrated. Catullus then refers to Attis in the feminine form of his name thereafter. Different Roman sources refer to the Galli by a third gender of medium genus or tertium sexus when mentioning them.
During the Megalesia festival, the Galli were allowed to leave their temple under Cybele’s law and go out into the streets begging for money. The standard of dress that the Galli wore, marked them as outsiders to the Roman people. Despite their effeminate dress and mannerisms, the Galli were considered sacred and inviolate as they were part of a state Cult. The Roman prohibitions of castration made the Galli a clear image of curiosity and scorn. The Galli were a constant presence within Roman cities even into Rome’s Christian era.
Parentage and Family
Dindymene – In Phrygian mythology, she with King Maeon, is the mother of Cybele. Otherwise, the name of Dindymene is sometimes seen as just an alternative name for Cybele.
Maeon – (Also spelt Meion). A King of Phrygia and Lydia, with his wife Dindymene, fathered Cybele.
In this version of the myths, Cybele was left out, exposed on Mount Cybelus to die. However, leopards came and suckled Cybele, allowing her to survive.
Zeus & Gaia – Pausanias identifies Cybele’s parents as being the Phrygian Sky-Gods and Earth-Goddess whom he names as having been Zeus and Gaia.
Attis – A vegetation bull-god. In the very conflicting and varying stories, Attis is both Cybele’s son and consort.
Midas – As in King Midas of the golden touch. He is sometimes shown to be a consort of Cybele. Though he is definitely regarded as a leader to Cybele’s cult.
Cybele is ultimately the mother and grandmother to a good many deities of the Roman Pantheon.
Cronos – When Cybele is identified with Rhea, she is the mother of Alce, Midas and Nicaea.
Gordius – With him, Cybele is the mother of Midas, when he’s not shown as her consort.
Iasion – With him, Cybele is the mother of Corybas (also spelt Korybas). Iasion is the Samothrakian for Cybele’s consort Attis. Corybas is the first of the Korybantes who will later stand guard over the infant Zeus.
Olympos – With him, Cybele is the mother of Alke-Kybele
Sabazios-Dionysos – Some versions of his birth place him as Cybele’s son instead of Hera/Juno’s child.
A Crisis Of Identity
While Cybele has her origins in Anatolian and Phrygian culture and mythology; her being imported and adopted by other cultures in the Mediterranean has led to a good many other goddess being identified with Cybele or seen as alternative names and epithet.
The most notable is that of the Greek Goddess Rhea, who is also a Mother Goddess. Many of her myths have become intertwined with those of Cybele’s over the years.
Other goddess who have been equated and identified with Cybele are the Roman Goddess Ops, the wife of Saturn, the Egyptian goddess Isis, a minor local goddess or nymph Idaea and the Greek goddess Demeter.
Cybele And The Sibyls
Due to the similarity in the how the names sound, there tends to be a lot of associating the Sibyls as potential female priests and oracles for Cybele. While female oracles, the Sibyls could claim patronage to any deity and not necessarily Cybele. Most seem to follow the Greek god Apollo as he is a god of Prophecy.
Many Sibyles would prophesy at holy sites and they were originally at Delphi and Pessinos, following chthonic deities. And yes, Pessinos is where Cybele originated from when the Romans brought her black stone and statue back home. So there just might be a real connection.
Agdistis – Hermaphrodite – The Birth Of Cybele
Anatolian Goddess – Before the drastic changes to her myth, Agdistis had been a benevolent goddess of healing. Accepted for as they are until later changes are made and forced to this goddess as she and many others are absorbed into the larger myth of Cybele and adopted by other cultures, namely Greece and Rome.
When taken as a separate deity from Cybele, Agdistis is of mixed Anatolian, Greek and Roman mythology. They are a hermaphrodite or androgynous being; having both the male and female sexual organs. This dual nature of Agdistis made them symbolic of the wild and uncontrollable nature. This is an aspect that was seen as so threatening to the other gods that they sought to destroy Agdistis. The one explanation found or given is that Agdistis, being a hermaphrodite, held a huge sexual appetite and the gods were unable to handle it. They felt that this being could and should only be one gender or the other and for the gods, it was easier to remove the male sexual organs.
There a lot of ancient inscriptions that plainly and clearly show Agdistis as being separate from Cybele. However, later, Agdistis’ name would become one of Cybele’s many epithets. A common occurrence for many localized gods and goddess of Phrygia as the gods were imported into Greece and then Rome and many deities of a foreign place were often seen as being the same god, just known by another name.
There are multiple versions of the story for how Agdistis is attacked by the other gods and is castrated, how Attis is born and that Agdistis, now Cybele falls in love with the youth, promising to make him immortal.
How in some versions, Attis is punished for falling in love with is mother, how instead of keeping his vow to Cybele to only follow her, that he falls in love with another and that a jealous, angry Cybele drives Attis and the other guests at a wedding mad. How after, regretting her actions that she pleads to Jupiter/Zeus to restore Attis. One version of the story has both Agdistis and Cybele as separate beings who both fall in love with Attis.
The Greek Version – In this version of the myths, Cybele was raped by Zeus and gave birth to Agdistis. It should be noted, that Attis is very strongly and likely an invention and addition to Cybele’s myth.
As a deity separate from Cybele, Agdistis was a mountain deity found on Mount Dindymus near the city of Pessinus.
The Roman Version – In one version of the myths, Cybele, known as Agdistis is thought to have been a hermaphrodite, having been born of the earth where Jupiter’s sperm fell. The gods castrated Agdistis who then becomes the goddess Cybele. Where the severed pieces of Agdistis’ manhood fell, an almond tree grew. The fruit of this tree impregnated the nymph Nana when she placed an almond on her womb. Or more likely, that she ate an almond. Nana later gave birth to the god Attis. The baby Attis was abandoned by Nana as she was afraid of her father. The baby was discovered and saved by shepherds. Attis would grow up to become Cybele’s lover.
Pausanias’ Version – Pausanias identifies the Phrygian Sky-God and Earth-Goddess as being Zeus and Gaia.
In Pausanias’ version of the story, while sleeping, Zeus had some of his sperm fall on the ground. This of course created a Daimon that was hermaphroditic having the sexual organs for both male and female. This Daimon would be called Agdistis, another name for Cybele. The other gods feared Agdistis and cut off the male organs. This proceeded to create an almond tree. The daughter of the river Saggarios then took the almond fruit and held it to her bosom where it vanished. The daughter would find later that she was pregnant and give birth to Attis.
A slight variation to this story is that while Gaia, as the Great Mother slept on a rock called “Agdo,” the god Zeus raped Gaia and brought about Agdistis birth.
Other variations yet have either Dionysus or Liber who make a potion to put Agdistis to sleep so they can castrate them by tying his genitals to his foot so they’re ripped off when Agdistis stands.
Depending on the version of the story read, there are different accounts to the sequences of events and who is involved, a river nymph or king’s daughter that Attis marries.
It certainly reads as a very conflicting story that will vary by which author relates it. There’s been a good many changes to the story, especially considering how much Attis is a later addition that is largely added-on by the Romans.
Other names: zmaj (Serbian) змај, (Croatian and Bosnian), zmaj (Slovene), zmey, змей (Bulgarian, Russian), zmiy (Old Church Slavonic), змеj (Macedonian), żmij (Polish), змій (Ukrainian)
It should be noted that most of these words are the masculine forms for the Slavic word “snake.” In Russian, the feminine is zmeya. Other names include zmajček or zmajić that is used as a diminutive form of endearment.
Etymology – Dragon, Snake or Serpent
In the Slavic language, a dragon is called a Zmej. It appears as multi-headed dragon with three, seven or nine heads that are capable of breathing fire. The Eastern Slavic dragons are believed to be able to regrow their heads like a hydra if one head is chopped off. In all cases, their large size makes them fearsome foes.
The Zmej is primarily associated with fire, like a good many other dragons of European folklore. It either breathes fire or it can throw fiery arrows or lightning bolts. It is exceedingly strong and the Zmej’s strength can be taken by a person who eats the dragon’s heart. That puts a whole new light on the movie Dragon Heart. The precise abilities of the Slavic dragons vary by locality and country.
The male Zmej were often portrayed in a positive light, acting as protectors of their family and tribe. He was seen as a good demonic force, using the power of weather in the way of hail, storms and strong winds to protect crops and harvests from getting ruined. Among the Southern Slavs, it’s very common to see the imagery of a dragon representing a good demonic force.
While I note the use of the word and spelling demonic to describe the Zmej; given the context and influence of Christianity upon an older Pagan religion, beliefs and traditions; it is very likely that the Greek term and usage of daimon is more appropriate.
You Called Him A Daimon!
Yes, as in the Greek term and meaning for the word spirit. It is Christianity that takes and twists the word and meaning to Demon, for an evil spirit or being.
Among the ancient Greeks, the word daimon means spirit or “replete with knowledge.” They recognized both good (eudemons) and bad (cacodemons). The word or term daimon also means “divine power,” “fate,” or “god.” And in Greek mythology, daimons could also include deified heroes.
Daimons functioned as messengers or intermediary spirits between men and gods. The good daimons were viewed as guardian spirits who gave guidance and protection to those they watched over. The bad daimons, naturally, weren’t so nice and could mislead people, getting them into trouble.
Sometimes the Zmej also appears as an anthropomorphic dragon man, much like the Romanian Zmeu, seen as very intelligent, wise and knowledgeable with great magical proficiency, breath fire and superhuman strength. Like the Romanian Zmeu, the Slavic Zmej was also known for being very wealthy with castles and realms in otherworlds. They too lusted after women with home they could bear children. Respect was always given to these Zmej as one never knew what to expect in terms of behavior.
National And Folk Heroes
A good many heroes were considered dragons or the son of a Zmej. A number of these heroes include:
Husein-Kapetan Gradaščević – A successful Bosniak general who fought for the independence of the Ottoman Empire from Bosnia. He is known as “Zmaj od Bosnia,” or “The Dragon of Bosnia.”
Vlad III Dracula – A Romanian Hero and more infamously known as Count Dracula in Bram Stoker’s book Dracula and depicted as a Vampire. Among the Romanians of Wallachia, Vlad is a hero, having been inducted into the Order of the Dragon by the Holy Roman Emperor Sigismund to defend a Christian Europe against the Ottoman Empire.
Vuk Grgurević – A Serbian Despot known as “Zmaj-Ognjeni Vuk” or “Vuk the Fiery-Dragon” due to the vicioness of his rule and his many battles against the Turks.
In the folk songs of Bulgaria, the Zmej appears as a popular motif as a Draconic Lover. Most of these songs featuring a Dragon Love, have a male Zmej. More heroic songs involving a Zmej will be female.
It’s interesting to note a very stark contrast and distinction male and female dragons in Bulgarian folklore. For one, the male and female dragons were seen as brother and sister. Yet for all this, they were very staunchly opposed to each other. The female dragons were known for representing the destructive weather that would destroy crops and agriculture. Whereas, the male dragons protected the fields and crops for harvest. Such that the two often fought each other, representing the dueling, opposing forces of female/water with male/fire symbolism.
Macedonia, Croatia, Bulgaria, Bosnia, Herzegovina, Serbia, Slovenia and Montenegro Folklore
In these Eastern Slavic countries and areas, a dragon is known by the name of zmaj, zmej and lamja. Similar to the Russian dragons, it has three, seven or even nine heads, all of which breathe fire. Additionally, in Serbia the dragon is called aždaja or hala and in Bosnia is called aždaha.
Polish And Belarussian Folklore
In both of these cultures, aside from Zmej, they also have the word smok, coming from the Indo-Iranian word for swallow. Other spellings for smok are: смок and цмок.
As previously mentioned, there is a very similar dragon-like creature in Romania with an equally similar name called the Zmeu. It is distinguished from many of the Slavic Zmej as it is anthropomorphic in nature and always a destructive force.
Russian And Ukrainian Folklore
Representing the Eastern Slavic people, there are a few different dragons found in their folklore. A number of prehistoric sites such as the Serpent’s Wall near Kiev have associations with dragons and act as symbols for foreign people. The Russian dragons are known to have heads that come in multiples of three and will grow back if every single head isn’t chopped off or promptly covered in ash or burnt.
Zmey Gorynych – This green colored dragon has three heads and walks on two back paws with two smaller front paws. Like many dragons, it breathes fire. The hero Dobrynya Nikitich is who killed this dragon.
Tugarin Zmeyevich – This dragon very strongly represented the Mongols and other Steppe peoples who often threatened the borders of Russia. Tugarin’s name is Turkic in origin. He was defeated by the hero Alyosha Popovich.
Saint George And The Dragon – It is without question that the hero Saint George symbolizes Christianity and that his killing of the Dragon symbolizes the Devil or Satan. It is a motif often portrayed on the coat of arms for Moscow.
The Serbian folklore for dragons is very similar to that of Bulgarian folklore. Essentially the differences come down to the different countries and regions’ name for them. Here, the Zmaj or Zmey is seen as very intelligent with superhuman strength and well versed in the use of magic. Like many European dragons, they breath fire and lust over young women. An image that sounds very much so like the Romanian Zmeu. The big difference here is that the Zmaj or Zmey are defenders of the crops and fight against a demon known as Ala that they attack using lightning.
The Slovene word of zmaj is of an uncertain, archaic origin. Another word used for dragons is pozoj. Like many European dragons, the zmaj are often seen in a negative light and associated with Saint George in his slaying the dragon.
There are other Pre-Christian Folk Tales involving dragons.
Ljubljana Dragon – This dragon features on the city of Ljubljana’s coat of arms that it guarded over and protected.
Wawel Dragon – This Polish dragon is often defeated by tricking it into eating a lime. It should be noted that this dragon isn’t always harmful towards people.
Also known as aždaha, ala or hala in Persian mythology. Some Southern Slavic countries will mention Aždaja as a type of dragon. Its true nature is considered to be drastically different than that of a real dragon and considered separate. While the Zmej is often seen as a positive force, the Aždaja is seen as a negative force and woefully evil. Ultimately the nature of the Aždaja seems contradictory and should be a type of dragon as it shares all of the hall marks of the European dragons that are often sinister in nature. After all, the Aždaja is draconic in appearance, they live in dark places such as caves. Like many other Slavic dragons, the Aždaja is frequently multi-headed with three, seven or nine heads and breathes fire. In some of the Christian mythologies of Saint George, he is shown slaying the Aždaja and not Zmej.
While the Zmej is male, the Southern Slavic folklore makes mention of a female version known as Lamya. This name derives from the name Lamia, a Queen and former lover of the god Zeus who turns into a daemon that devours children and in some versions of her story, Lamia becomes more serpentine. Later stories will equate Lamia to vampires and succubae.
In Bulgaria and Macedonia, there is a Bulgarian legend about the hero Mavrud who succeeds in cutting off all of the heads of Lamya; who appears in this story as a hydra-like dragon. It has been commented that this story seems to symbolize the pruning of grape vines. Further, there is a variety of Bulgarian grapes known as Mavrud.
Also called: Black Pete, Black Peter, Père Fouettard, Schwaarze Péiter
Etymology: Black Peter
December has come and with it many familiar Winter Celebrations and Holidays.
The Dutch character of Zwarte Piet is one mired in controversy and folklore. In the folklore of the Low Countries of Europe, Zwarte Piet is a companion to Saint Nicholas or Sinterklaas if you please in Dutch. Saint Nicholas is also synonymous with Santa Claus for those living in the US. Unfortunately for the character of Zwarte Piet, he has come under a lot of controversy and allegations of racism in recent years, especially among the Netherland’s migrant community.
Zwarte Piet is traditionally depicted as being black as he’s said to either be a Moor from Spain or to have gotten black from going down chimneys delivering presents. Many people who dress up as Zwarte Piet, dress in colorful Renaissance Page outfits, blackface makeup, curly wigs, red lipstick and earrings. The character of Zwarte Piet that most people in the Netherlands have become familiar with first appeared in a book written by Jan Schenkman in 1850.
The Feast Of Saint Nicholas – December 5-6th
Where many American children get excited for Santa Claus on December 25th, in Europe, children get excited for Saint Nicholas’ arrival on December 5th (Aruba, Curacao and the Netherlands) or 6th (Belgium and Luxembourg). His arrival is accompanied by Zwarte Piet (Zwarte Pieten for plural) who hands out sweets and presents to many children. Zwarte Pieten will begin to make their appearances in the weeks before Saint Nicholas’ Feast. Their first appearance is when Saint Nicholas arrives and is greeted with a parade. In some parts of the Netherlands, Saint Nicholas will arrive by boat, having come all the way from Madrid, Spain. The Zwarte Pieten’s job then is to entertain the children, handing out sweets known as pepernoten, kruidnoten and strooigoed as Saint Nicholas makes his rounds.
Zwarte Piet’s Origins – Clash Of Cultures, Religion & Traditions
For anyone who even does just a cursory study of the Winter Celebrations of Christmas and the numerous related holidays for this time of year, can see that there has been a constant, evolving and changing view of how the Winter Holidays and Traditions have changed or adapted over the centuries and even millennia.
Many people can easily find and take note of Pagan elements for the holidays and why they were celebrated. The arrival of a new religion, Christianity as it spread and took over, clearly supplanted many of these older holidays and often the older Pagan traditions were adapted to the Christian celebrations of Christmas with new Christian imagery and symbolisms.
Sometimes the origin and introduction of one tradition are clear cut and easy to point out and other times the passage of time has made it murky and there tends to be a lot of guess work and overlay that makes it harder to separate all of the different elements. Ultimately it is a mixture and grab bag of different religions and traditions that have mixed together and changed over the years.
The Wild Hunt – Odin
I’ll include this connection as it is one that is often passed around and it does appear to bear merit.
The Wild Hunt is a phenomenon found in many different European countries and cultures of a nightmarish, supernatural force led by some dark spectral hunter on horseback and accompanied by a host of other riders and hounds as they chase down unlucky mortals, either until they drop dead of exhaustion, are caught and forced to join the Wild Hunt or they can evade the Hunt until dawn.
Just exactly who it is that leads the Hunt does vary country by country in Europe. One connection made is that of Woden or Odin in Germanic folklore. On New Year’s Eve, Woden would ride out during the night on his white, eight-legged steed Sleipnir. Woden or Odin is always accompanied by his two black ravens, Huginn and Muninn. These two ravens would sit at the edge of a chimney, listening to those within and then tell Woden of any good or bad behavior of those living in the dwelling. This report would determine if Woden left any gifts or chased down and abducted the unruly mortal with his Wild Hunt.
Middle Eastern Connections?
I came across this when doing research for the figure of Hajji Firuz.
Just as Zwarte Piet is paired up with Sinterklaas, so too is Hajji Firuz paired up with Amu Nowruz.
Where Sinterklaas is known to give gifts out to children, so too does Amu Nowruz give out gifts to children on Nowruz, the Persian New Year. Amu Nowruz’s name means “Uncle Nowruz.” The Russians hold a similar tradition of the “Grandfathers” for both Winter and Spring who die and are replaced by the other or reborn. The tradition of gift giving doesn’t become associated with some of the European deities until the arrival of Christianity.
The character of Hajji Firuz has also been under similar attacks by people who see a negative racist implication in some countries such as Iran. Despite this, many people still love Hajji Firuz and the air of festivities he brings. His darkened skin is often seen as only face paint representing soot from a fire.
Exactly how good of a connection there is between Sinterklaas and Zwarte Piet with Amu Nowruz and Hajji Firuz? It’s hard to say, though the similarities between the two are interesting to note.
Sinterklaas, You’re The Devil
To better understand Zwarte Piet, one needs to understand who Sinterklaas is. Unlike the American Santa Claus who is seen as fat and jolly, Sinterklaas is a thin and stern man who is a combined figure of both Saint Nicholas from Turkey and the Germanic god Woden.
Saint Nicholas – From Myra, Turkey, Saint Nicholas is a Catholic Bishop who rides on his white horse, Amerigo as he travels. He is the patron saint of children, sailors and the city of Amsterdam. There are stories of Saint Nicholas leaving gifts in choir boys’ shoes and throwing money down chimneys to pay for a girl’s dowry that have contributed to the modern celebrations of Saint Nicholas’ Day and Christmas.
Woden – It has been pointed out that Woden is a god of poetry and wisdom. He is also the god who brought and introduced runes, the writing system. This is seen in the Dutch traditions of singing songs, writing poems and the passing out of pepernoten which are chocolate letters, what used to be runes that Woden would pass out to men. Even Sinterklaas’ hat and staff are a reflection of Woden and not just that of Saint Nicholas, a stern catholic bishop riding on his white horse. Though the horse too is a reflection of Woden’s eight-legged horse Sleipnir that he rides. Woden’s helpers are the ravens, Huginn and Muninn who report back to him of all of men’s deeds.
The connections of Sinterklaas traditions to Pagan Europe before its Christianization is fairly well known. And since then, there has been a further, continued mixing of Christian elements to a Pagan figure. Some of which haven’t always been completely smooth or “nice and tidy” changes. Nor has the image of Sinterklaas always been so benign.
Before the appearance of any companions for Sinterklaas, he would be the one to deliver gifts to good children or coal and switches to naughty children. At this point, he pretty much worked alone.
Sinterklaas wasn’t a very nice figure and one whom could also provide a lot of nightmares. With the influence of Christianity and wanting everything in absolutes of black and white, the imagery of Sinterklaas chaining the devil became prominent as the triumph of light over darkness. This is a theme very central to the Yule-tide celebrations for the turning of the year as the nights now begin to grow shorter and the days longer.
Medieval Times – Enslaving The Devil
During the Medieval Times of Europe, Saint Nicholas is sometimes shown as having tamed or chained the devil. This figure may or may not necessarily be black. For the Netherlands, there is no mention of any devil, servant or any sort of companion for Saint Nicholas between the 16th and up to the last half of the 19th centuries.
A long-standing theory then has suggested that Zwarte Piet and many of the similar characters found in Germanic Europe such as Krampus in Austria, Ruprecht in Germany, Père Fouettard and Housécker (Mr. Bogeyman has been offered translation of this name) in France and Luxembourg, and Schmutzli in Switzerland to name a few.
While all the others dark helpers of Sinterklaas are outright devils or dark, soot covered men, the image of Zwarte Piet is the only one who seems to have changed to become an outright black person. That when we get to the 19th and 20th century Netherlands, Piet has become a Moor and servant to Saint Nicholas who helps the old man out on his nightly rounds.
Zwarte Piet’s Arrival To Dutch Traditions
By the time Zwarte Piet is introduced to the mythos of Christmas as a companion of Sinterklass, there has been a change in the overall attitude of Sinterklaas’ nature and character. Before Zwarte Piet, Sinterklaas was seen as something of a bogeyman. Was he bringing presents, coal, a beating with a switch or worse yet, carrying you away in his bag never to be seen again?
With the introduction of Zwarte Piet, some of the darker, more terrifying attributes of Sinterklaas were now part of Zwarte Piet’s character. This change owes a lot to the Christian dichotomy of Good and Evil with no in-betweens. While Zwarte Piet is introduced as Sinterklaas’ servant, it is still very much connected to the previously mentioned concept of chaining and enslaving the devil.
Unfortunately, with Zwarte Piet now getting all of these negative characteristics, many children became afraid of Zwarte Piet as he’s the one who now punishes and a bogeyman to be avoided. This again was changed around the 1950’s and 1960’s with Sinterklaas again becoming the sterner and dour of the two while Zwarte Piet becomes more of a benign figure passing out gifts and treats along with behaving in a clownish manner that children love.
Codifying A Legend
The earliest mention of Sinterklaas having a companion or servant is in 1850 when a school teacher, Jan Schenkman published the book: “Sint Nikolaas en zijn Knecht” (“Saint Nicholas and his Servant”). At first, this early servant is a page boy, a dark-skinned person wearing the clothing of the Moors. This book introduced the tradition of Sinterklaas arriving by steamboat from Spain. This version of Saint Nicholas has no mention to his Turkish connection in Myra.
In the first edition of Schenkman’s book, the servant is shown dressed in simple white clothing with red piping. Beginning with the second edition of the book in 1858, the servant’s page outfit becomes more colorful that is more typical of early Spanish fashions. Schenkman’s book stayed in print until 1950 and has shaped much of the Netherland traditions and celebrations of Saint Nicholas’ Day.
What’s In A Name?
The one thing to note is that in Schenkman’s book, Sinterklaas’ servant isn’t named. However, Joseph Albert Alberdingk Thijm had made reference to Sinterklaas’ companion being named Pieter-me-knecht in a note written to E.J. Potgieter in 1850. Alberdingk Thijm later wrote in 1884 remembering how as a child in 1828, he had gone to a Saint Nicholas celebration at the home of Dominico Arata, an Italian merchant living in Amsterdam. He recalled that during this time, Saint Nicholas had been accompanied by “Pieter me Knecht …, a frizzy haired Negro”, who, instead of a switch to punish children with, carried a large basket filled with presents.
The Dutch newspaper, De Tijd in 1859 took note of how Saint Nicholas was often seen in the company of “a Negro, who, under the name of Pieter, mijn knecht, is no less popular than the Holy Bishop himself.”
By 1891, the book Het Feest van Sinterklaas names Sinterklaas’ servant Pieter. Up until around 1920, there had been a number of books giving this servant varying names and even appearances.
By 1920, as the Dutch celebrations of Sinterklaas became more standardized, the name of this servant became Zwarte Piet. At first, he was portrayed as being dull-witted, clumsy and speaking broken-Dutch.
By 1968, another change came and instead of one Piet, there were numerous Pieten who all have different tasks and roles in helping Sinterklaas. Some of these other Pieten are: Hoofdpiet, Navigation Piet, Present-Wrapping Piet, Pepernoten Piet and so on. The antics of Piet have also taken on being more silly and clownish to entertain children.
This change with more than one Piet comes after World War II with the liberation of the Netherlands. Canadian soldiers helping to organize the Saint Nicholas celebration and distribute out presents, dressed up Zwarte Piet. As the numerous Zwarte Pieten moved through Amsterdam passing out their gifts, the idea of more than one Piet stuck and has continued.
A Saint’s Miracle and Dutch Slavery
Unfortunately, this is a fact of history and since the codification of Zwarte Piet to be seen as black and a servant of Saint Nicholas, somewhere along the lines it has clearly become confused. The Christian belief of Saint Nicholas chaining the devil has likely, subconsciously gotten confused with the actual slavery. In the 15th century, the name of Black Peter was an alternative name for the devil.
Contributing to this legend is a story from the Legenda Aurea as retold by Eelco Verwijs in 1863, one of the miraculous deeds performed by the Saint after his death is that of freeing a slave boy in the “Emperor of Babylon’s” court and returning him to his parents. In this story, there is no mention at all of the child’s skin color.
Another thing to be noted about the date of 1863, is that this is when the Dutch abolished slavery, though it would still take a little bit of time for the last slave to fully be free.
Later books found in the 20th century of both fiction and non-fiction began to appear wherein Zwarte Piet is mentioned as a former slave that had been freed by Saint Nicholas and then stays on to become a friend and companion, helping him out in the Saint’s annual visits to the children.
During the 1500’s to 1850 roughly, the Dutch did engage in slavery that helped to build up their empire over three continents and places like Suriname and Indonesia. It’s surprising to see that for a nation that had such a deep investment with slavery, that it is largely still glossed over in the classrooms for history. While the Dutch did not keep many slaves, the West India Trade Company did transport thousands of slaves to other parts of the world.
Other Takes On Zwarte Piet
High Barbary – Piracy – One take on explaining Zwarte Piet as black is that he’s a Moor from Spain. A few stories of Zwarte Piet’s origins connect him with piracy and the raids that the Moors would conduct along the coasts of Europe. So if Piet isn’t wearing a page’s outfit, he’s dressed as either a Moor or in a pirate’s garb. Hence the gold earrings that Piet used to wear.
Chimney Sweep – In the 1950’s, another explanation often given to try and soften the image of Zwarte Piet and resolve the issue of slavery is that Zwarte Piet is a chimney sweep. So Piet’s skin is black from going down the chimneys delivering gifts to children. In places like Belgium, Zwarte Piet will leave the gifts in children’s shoes much like La Befana leaves gifts in the shoes of Italian children.
This explanation of soot often isn’t accepted as people will point out that Piet still has curly or frizzy black hair, red lips and more importantly, that his clothes are still immaculately clean.
Crime & Punishment
Before being a gift giver of Sinterklass, Zwarte Piet would be the one to punish naughty children. Some of the punishments he would dole out are:
*The least of a child’s worries is receiving a lump of coal as a reminder to be good.
*Some bad children will get a “roe” – which is a bundle of twigs or switches.
*If a child was really naughty, he or she might be hit with that roe or switch.
*Particularly bad children get carried away back to Spain where Sinterklaas lives. This part of the legend and punishment is a reference to the times when the Moors raided along the European coasts and would abduct people into slavery.
Also, depending on the version of this part of the myth being told, the bad children carried away in the sack either become Pieten themselves or get eaten.
Signs & Changes Of The Times
Of course, once the image of Zwarte Piet became standardized, it took off in the Netherlands in the early 20th century and instead of doling out punishments, Zwarte Piet hands out treats from his bag and continues his role as Sinterklaas’ helper.
Towards the end of the 20th century and the start of the 21st century, the character of Zwarte Piet has come under attack as many people see the character to be very racist in some very negative portrayals of stereotypes. At current there has been discussions on how to update the image of Piet to try and remove the racist elements to others out right calling for Piet’s being banned from the Saint Nicholas celebrations.
There have been efforts to try and ease this problem, some like the NPS replacing the black Pieten with a rainbow of Pieten. Others have called for alterations to characteristics of Zwarte Piet to be changed such as the frizzy hair, red lips and no earrings. Other proposed changes put forth by the Centre for Equal Opportunities and Opposition to Racism have been to stop the portrayals of Zwarte Piet as being “stupid, inferior or a dangerous black man.” Even the use of blackface makeup with Zwarte Piet has caused a lot of debate. If Piet is supposed to be black from the soot while going down chimneys, he should only look smudged, not totally black. And certainly other countries such as the US and the UK when first encountering Zwarte Piet see a very strong negative connotation with the use of blackface when portraying a black person.
There are many Dutch and those who celebrate Saint Nicholas Day in places such as Aruba, Curaçao, Indonesia, Sint Maarten, and Suriname who do not see a problem with Zwarte Piet and accept an evolution of a character to become a friend of children and a positive representation of color in the Christmas/Winter traditions. To them, he’s just black, but not necessarily of African descent and is more of a fairy tale type figure who delivers gifts and has become removed from the enslaved devil he once was.
The argument then is trying to get an awareness that how Zwarte Piet has been depicted is a caricature and very much so negative stereotypes of black people. Namely with the afro hair, thick red lips and being shown as too buffoonish.
While there are efforts to try and make changes to how Zwarte Piet is depicted, there are still protests and demonstrations against Zwarte Piet. The protesters cite the racism in Zwarte Piet’s depictions as being a very lazy, clownish black stereotype that in other settings and countries, would be very offensive. Articles have recounted examples of children from African decent being bullied. Adults and children alike of African descent who get called Zwarte Piet and any possible unspoken and underlying implications of what’s being referred to with the comment of slaves, someone who is foolish, stupid, lazy or dangerous, who’s only purpose is to be there for someone else’s entertainment.
And as has been noted in comments and articles while reading up on Zwarte Piet, it hasn’t been until the last couple of generations that there as more and more immigrants and people of other ethnic groups moving to the Netherlands that, the Dutch mindset of what is appropriate and what’s seen as racist is currently being challenged by outsiders.
Cultural & Historical Disconnect
It has been commented on by one journalist, Dimitri Tokmetzis, “”I don’t think the Dutch want to offend black people with Zwarte Piet. We don’t have a history with blackface, on the other hand, there are clearly some racist undertones that many people won’t recognize. Zwarte Piet is always depicted as stupid and one song even states that although Zwarte Piet is black, you can basically trust him because he means well. So there is this disconnect between the intentions of most people and how it comes across to those who are more sensitive to racial issues.”
Which would be the heart of it, a disconnect and denial by some who don’t see or fail to see the racist implications in the figure of Zwarte Piet as he is currently represented. Other commentary has pointed out a lack of the Netherlands own sensitivity to their colonial history and the impact it has had. Not surprising when others have pointed that in history books in school, the subject barely gets covered or glossed over.
The flip side to why many Dutch may have a hard time accepting the racist elements is that Zwarte Piet is so closely tied to a children’s celebration and it feels so much like an attack on childhood memories and nostalgia. It can be very difficult to have an ugly truth of what was once thought socially acceptable be pointed out as no it’s not.
Movie Time! – Santa & Pete
I was delighted one year when visiting an Aunt of mine during the holidays, that when searching for a Christmas movie to watch, we came across the movie of Santa & Pete with James Earl Jones staring as the Grandfather and narrator of the story as he tells his grandson of their family history.
I had already come across the figure of Zwarte Piet when reading the book of “When Santa was a Shaman.” I had been worried this would show some of the more negative associations and connotations with Piet. To my relief, the movie shows a very positive portrayal of the character and showing both Santa and Pete as friends and equals in their work to visit the children at Christmas and passing out gifts.
Which is what I see, if the more positive aspects of Zwarte Piet can get focused on, as a friend to children and gift giver, we have a positive representation of someone of color within the overall Christmas mythos and celebrations.
As it stands, when reading the various articles and controversies regarding Zwarte Piet, there are still a lot of the more negative associations attached to him and no one is quite sure how to make the appropriate changes to the character in order to keep him while others are calling for his complete banning and removal from Dutch traditions.
Pleiades Star Lore Around The World Continued
In Babylonian mythology and astronomy, the Pleiades are called MUL.MUL or “star of stars” in their star catalogues. The Pleiades are at the top of a list of stars along the ecliptic and close to the time of the Vernal Equinox around the time of the 23rd century B.C.E. A group of deities known as Zappu also represent the Pleiades star cluster.
Middle Eastern Mythology
Arabic – The Pleiades are known as al-Thurayya, they are mentioned in Islamic literature. The star, Aldebaran, meaning “the Follower” which is part of the Taurus constellation is seen as forever chasing al-Thurayya across the night sky.
Iran – In the Persian language, the Pleiades are known as Parvin. The name Parvin is also a very popular given name in Iran and neighboring countries.
Islam – Some Islamic scholars have thought that al-Thurayya might be the star mentioned in the sura Najm in the Quran. Muhammad is said to have counted 12 stars within the star cluster as found in Ibn Ishaq. This was in a time before telescopes and most people could only see six stars. The name al-Thurayya has been used as a female given name in Persian and Turkish culture. As seen in names such as Princess Soraya or in Iran and Thoraya as Obaid.
Judeo-Christian – In the Bible, the Pleiades are identified as being Kimah, meaning “cluster,” which is mentioned three times in relation to the constellation of Orion. Specifically in Amos 5:8; Job 9:9; and Job 38:31. In the New Testament, there is an indirect reference to this asterism found in Revelations 1:16.
The Talmud says that the Pleiades has about 100 stars. This is with the understanding that the word כימה as כמא (Kimah and pronounced as: ke’ me-ah) means just that, “about one hundred” in the Hebrew language.
The Talmud Rosh Hashanah tells that when God became with mankind’s wickedness, he went and remade Kimah, removing two of its stars and caused that this star cluster would rise with the dawn and out of season. This event is what precipitated and causes the Biblical Flood of Noah.
Pakistan – Much like Iran, the name Parvin is also a popular given name, especially for women. In recent decades the name hasn’t had as much use. In the Urdu language, the name Parvin and the stars it represents is a symbol of beauty.
Persian – The Pleiades are known as Nahid. Another name for the Pleiades that is shared by the Persiand and Urdu languages is Parvin, Parveen or Parween. It is a genderless or unisex given or family name used not just the Middle East, but Central Asia, South Asia and Azerbaijan. The name Parvin means star and is the name for the Pleiades asterism.
Native American Mythology
Several tribes have stories regarding the Pleiades star cluster.
Blackfoot – The Lost Boys – This is a story in which the Pleiades are a group of orphaned boys not taken care of by anyone, so they ended up becoming stars. Sun Man was angered by the boys’ neglect, so he punished the people with a drought, causing the buffalo to leave. The wolves, the only friends the boys had ever had, intervened for the people to have the buffalo return. Sadden by their lives on earth, the boys asked the Sun Man to allow them to play up in the heavens where they became the Pleiades. In addition, to remind the tribe of their neglect of the children, they hear the howling of the wolves calling for the friends up in the heavens.
The story represents more the time of the year and season in which the Blackfoot gather to hunt the buffalo. The buffalo herds don’t appear while the Lost Boys or Pleiades asterism is in the sky and this marks when the hunters would set out to their hunting grounds.
Another name for the Pleiades star cluster in Blackfoot legends is the Bunched stars. Instead of being orphans, the boys’ family were so poor that they couldn’t afford buffalo robes worn by other boys in the tribe. Out of grief and shame, the six boys went up into the sky to become stars.
Cheyenne – A Cheyenne legend, “The Girl Who Married a Dog,” tells how the Pleiades stars represent puppies that a Cheyenne chief’s daughter gave birth to after being visited by a dog in human form. The daughter had fallen in love with the dog-being and vowed that: “Where you go, I go.”
Cherokee – Both the Cherokee and Onondaga tribes tell a similar story about a group of seven boys who refused to any of their sacred responsibilities and only wanted to play. They ran around and ‘round the village’s ceremonial circle until all seven of the boys rose up into the sky. Only six of the boys reached the heavens where they became the Pleiades star cluster. The seventh boy was caught by his mother and pulled back to the earth so hard that he sunk into the ground, becoming a pine tree.
Crow – The Crow military societies have many songs that use a play on words referencing the Pleiades constellation. Many of the words are often difficult to translate and the stories range from stories of bravery and high ideals to many amusing or comical stories.
Hopi – The Hopi built many underground places called kivas that would get used for a variety of purposes. The most important of these kivas that was used for ceremonial meetings could only be accessed through a ladder in a small hole at the roof. During some ceremonies, the appearance of the Pleiades or Tsöösöqam, over the opening hole marked when to begin the ceremony. The Pleiades have been found shown on one wall in a kiva.
Inuit – Nanook, the Inuit Bear God was identified with the Pleiades. In the early days, a great bear threatened all of the people. This bear was chased up into the heavens by a pack of dogs where they continue to chase after the bear in the form of the Pleiades.
Kiowa – There is a legend told about how seven maidens were being chased by giant bears. The Great Spirit created Mateo Tepe, the Devil’s Tower and placed the maidens up on it. Still the bears pursued the maidens, clawing at the sides of the sheer cliffs. Such claw marks are said to be the vertical striations of the rock formation. Seeing that the bears were relentless in pursuit of the maidens, the Great Spirit placed the seven maidens up into the sky to become the Pleiades.
Lakota – There is a legend that links the origin of the Pleiades with Devils Tower. This constellation is known as Cmaamc, an archaic plural form of the noun cmaam, meaning “woman.” The stars are seven women who are giving birth.
Additionally, the Lakota hold a similar legend to the Kiowa about Mato Tipila, “Bear Tower” or Devil’s Tower to European settlers. A tribe was camped beside a river and seven of their young girls were playing nearby. The area at this time had a number of bears living there and a bear began chasing the girls. The girls started running back to the village. Just as the bear was about to catch them, the girl leaped up onto a rock. They cried out: “Rock, take pity on us; Rock, save us.” The rock heard their cries and began to rise up high out of the bear’s reach. The bear clawed at the sides of the rock, its claws breaking off. The bear kept jumping at the rock until it rose higher and higher to the point that the girls reached the sky where they became the Pleiades. The claw marks of the bear can still be seen on Mato Tipila or Devil’s Tower.
Mono – The Monache tell a story how the Pleiades are six women who loved onions more than their husbands. They were thrown out of their homes by their angry husbands and found their way up to the heavens. When the husband grew lonely and tried to find their wives, it was too late.
Navajo – The Navjo story of The Flint Boys, after the Earth had been separated from the Sky by the Black Sky God, he had a cluster of stars on his ankle. These stars were the Flint Boys. During the Black God’s first dance, with each stamp of his foot, the Flint Boys would jump up further on his body. First to the knee, then the hip, to his shoulder and finally up to his forehead. There they remained as a sign that the Black God was Lord of the Sky. The seven stars of the Pleiades or Flint Boys are shown on ceremonial masks for the Black God, sand paintings and ceremonial gourd rattles.
Nez Perce – They have a myth about Pleiades that parallels the ancient Greek myth and the Lost Pleiades. In this myth, the Pleiades are a group of sisters and one of the sisters falls in love with a man. When he died, she was so grief stricken, that she finally told her sisters about him. The other sisters mocked her, telling her how foolish she is to mourn the death of a human. This sister continued to grow in her sorrow, to the point she became ashamed of her own feelings that she pulled a veil over herself, blocking herself from view in the night sky. The Nez Perce use this myth to explain why only six of the seven stars is visible to the naked eye.
Onondaga – Their version of the story surrounding Pleiades has it the stars represented lazy children who wanted to dance instead of doing their chores. All the while as they ignored the warnings of the Bright Shining Old Man. Eventually, light headed and dizzy from hunger, the children rose up into the heavens to become the Pleiades.
Pawnee – Among the Skidi Pawnee, the Pleiades are seen as seven brothers. They observed this star cluster along with the Corona Borealis, the Chiefs through a smoke hole in Pawnee lodges in order to keep track of the time of night.
Shasta – In their stories, the Pleiades are the children of Raccoon who are killed by Coyote while avenging their father’s death. After death, they rose up to become the Pleiades star cluster. The smallest star in the asterism is seen as Coyote’s youngest child who helped Raccoon’s children.
Zuni – They used the Pleiades as an agricultural calendar. Among the Zuni, the Pleiades were known as the “Seed Stars.” When the Pleiades disappeared on the western horizon during spring, it was time for planting seeds as the danger of frost had pass. The Zuni also knew to finish all of their planting and harvesting before the Pleiades returned on the eastern horizon with the return of colder autumn weather and frost.
New Age, Western Astrology & Occult Connections
Astrology – In Western astrology, the Pleiades have come to represent coping with sorrow. In Medieval times, they were viewed as a single set of fixed stars and associated with fennel and quartz. In esoteric astrology, there are seven solar systems that revolve around Pleiades.
New Age – There’s a belief that the Sun and the Earth will pass through a Photon belft from the Pleiades star cluster. This will cause a cataclysm or a time of spiritual transition that is referred to as a “shift in consciousness,” the “Great Shift” and “Shift of the Ages.”
Occult – The Pleiades are mentioned as an astrological sign in “Three Books of Occult Philosophy” by Heinrich Cornelius Agrippa. It has a publication date of 1533, but may have appeared earlier in 1510.
Theosophy – It is believed that the seven stars of the Pleiades act as a focus for the spiritual energy of the Seven Rays from the Galactic Logos to the seven stars of the Great Bear, from there the star Sirius, on to the Sun and then to the god of the Earth, Sanat Kumara and finally that energy goes through the seven Masters of the Seven Rays to everyone else.
Ufology – Some people have described a race of Nordic aliens known as Pleiadeans who come from the Pleiades star cluster. A man by the name of Billy Meier claims to have had contact with and met these aliens.
The Pleiades were seen as the goddess Freyja’s hens. Their name in many older European languages refer to this star cluster as a hen with chicks.
The name of Hen and Chicks for Pleiades is found in Old English, Old German, Czech, Hungarian and Russian.
The Pleiades are known by various names such as Moropóro, Molopólo or Mapúlon. Christian Filipinos know this star cluster as Supot ni Hudas (Judas’ pouch) or Rosaryo (Rosary).
Hawaiian – The Pleiades are known as Makali’i. It’s rise shortly after sunset marks the beginning of the Hawaiian New Year known as Makahiki. This is four month period of peace honoring the god Lono. The Hawaiian New Year’s celebration is similar to the Maori New Year’s observances.
Maori – Among the Maori of New Zealand, the Pleiades are known as Mata ariki, “eyes of god” or Mata rikie, “Little Eyes”, she is a goddess who is accompanied by her six daughters: Tupu-a-Nuku, Tupu-a-Rangi, Wai-Tii, Wai-Ta, Wai-puna-Rangi, and Uru-Rangi.
From June 20 to June 22, known as Maruaroa o Takurua, marks the middle of winter. This time period comes right after the rise of the Pleiades or Matariki and is the beginning of the New Year. Tradition holds that the Sun starts his northward journey with his winter-bride Takurua, represented by the star Sirius and will make his southward journey later with his summer-bride, Hineraumati.
Another story involving Matariki, tells that one day Ranginui, the sky father and Papatūānuku, the earth mother were separated by their children. The wind god Tāwhirimātea ripped out his eyes in rage and flung them up into the heavens where they became a star cluster.
Polynesian – According to Polynesian legends, the Pleiades were once one star and had been the brightest in the night sky. The god Tane hated this star so much as it had boasted of its own beauty. The legend goes on to say that Tane proceeded to smash this star into pieces, creating the Pleiades star cluster.
The Pleiades in Rome are called The Bunch of Grapes and The Spring Virgins. Another name for these stars is Vergiliae as this asterism begins to rise after Spring and considered a sign of Summer before setting later in the Winter months. In modern day Italy, the Pleiades began rising around the beginning of May and would set around the beginning of November.
South American Mythology
Andes – Among the people of the Andes Mountains, the Pleiades were associated with abundance as this star cluster was seen as returning every year during the harvest season. Among the Quechua, the Pleiades are known as collca’ meaning storehouse.
Inca – The Pleiades were called the “Seed Scatter” or “Sower.” Another name for the Pleiades are the “Little Mothers.” The Incas held festivals when this asterism appeared in the night sky.
Paraguay – The Abipones tribe worshipped the Pleiades, believing them to be their ancestors.
Peru – The season of Verano, roughly meaning summer or Dry Season. There is a ritual coinciding with the Pleiades during the Summer Solstice. A Peruvian cosmological chart from 1613 C.E. appears to show the Pleiades asterism. An Incan nobleman, Pachacuti Yamqui drew the chart in order to show objects depicted in the Cusco temple. He added Spanish and Quechua notations to his chart.
The Pleiades are known as Dao Luk Kai in Thailand. The name translates to the “Chicken Family Stars” in English, it is name that comes from Thai folklore.
An elderly couple living in a forest of Thailand were raising a family of chickens; a mother hen and her six chicks. One day, a monk arrived at the couple’s home during his Dhutanga journey. Fearful of not having anything good enough to offer for a meal, the couple considered cooking the mother hen. The mother hen overheard the couple’s conversation, hurried back to the coup to say goodbye to her chicks. The mother hen told her chicks that they would need to take care of themselves from now on. After that, the mother hen returned to the elderly couple so they could prepare their meal for the monk.
When the mother hen was killed, her chicks threw themselves into the fire to die alongside her. The god, Indra was impressed by their great love and in remembrance, raised the chickens up into the heavens as stars.
Depending on the version of the story being told, if only six chicks are mentioned, then the mother is included as being among the stars of Pleiades. Otherwise, it is usually seven chicks who make up the stars in Pleiades.
In Turkey, the Pleiades are known as Ãlker or Ülker. According to legends, mankind was suffering a lot of suffering and evil. The creator god, Tangri Ulgen met with the Sky Spirits of the West, the Ãlker. A decision was reached and they sent an eagle, the first Shaman down to the earth to ease these afflictions and problems. The nomadic tribes of Turkey see the Pleiades as a source of both solace and the area of the heavens where the gods reside.
Kaşgarlı Mahmud. An 11th century lexicographer, the term ülker çerig refers to a military ambush. Where the word cerig means: “troops in battle formation.” The term ülker çerig has been used as a simile for the Pleiades asterism.
There are a few different names that the Pleiades are known as in traditional Ukrainian folklore. Some of these names are Stozhary, which can be traced etymologically to the word stozharnya, meaning “granary,” “storehouse for hay and crops” or it can be reduced to it’s meaning of sto-zhar, meaning “hundredfold glowing.” Other names for the Pleiades are Volosozhary and Baby-Zvizdy.
With the names Volosozhary, which means “the ones whose hair is glowing” and ‘Baby-Zvizdy which means “female-stars,” the Pleiades star clusters refers to a group of female tribal deities. In Ukrainian legend, long ago, there lived seven maids who danced their traditional dances and sing songs to honor the gods. After their death, the gods turned the seven maids into water nymphs and took them up into the Heavens where they became the now familiar star cluster. The symbol of this star cluster was used as a women’s talisman.
Other names: “Lord of the Black Magic,” “God of the Danger that Lurks in the Gloom”
Etymology – “of the night” or “He of the night”
There’s a lot of ancient Basque mythology that didn’t survive the arrival of Christianity between the 4th and 12th centuries C.E. Most of what is known and has survived is from the study of place names and the scant historical references of pagan rituals practiced by the Basques.
In Basque mythology, Gaueko is often depicted as a great black wolfhound who sometimes walks upright like a human. He is also known to appear as a bull, monster or a gust of wind. Gaueko is also known for eating shepherds and their flocks. Gaueko’s howls can often be heard on cold winter nights.
Gaueko is the male personification of the Night and all of its dangers. In Basque cosmology, the day is for humans and the living and that the night is for the spirits of the dead. As a spirit of the night, Gaueko would appear to people at night, uttering the words: “Gaua Gauekoarentzat, eguna egunezkoarentzat” or “The night for Gaueko, the one of the night, the day for the one of the day.” The idea being that he would urge a person to return home until morning came.
A slight variation to this sentence goes: “The day for the people of the day and the night for the night creatures.”
Now this is where it gets murky; later Christian influences tend to demonize Gaueko as a demon who is quick to punish those who don’t heed his warning to return home at night and stay there.
In trying to place Gaueko in a more positive light, he can be seen as more of a guardian or protector. He warns people to go home so that any wandering spirits of the dead won’t take out revenge or anger upon the living. Now, if the person goes home and stays where they’re safe, then it seems that Gaueko can protect them from the wrath of the spirits of the dead. And if a person chooses not to remain home where they’re safe, likely any “punishment” is the result of running afoul of vengeful, wandering spirits.
Also known as: Befana, Befanta
Etymology – Epifania or Epiphania – the Italian name for the religious holiday of Epiphany. It is thought by some that Befana’s name comes from the Italian mispronunciation of the Greek word “epifania” or “epiphaenia” which means “appearance” or “surface” and “manifestation.” It certainly is the source for the English word epiphany. Another line of thought is that the name Befana comes from the word Bastrina which refer to gifts given by the Sabine goddess Strina.
Perhaps I’m a bit early in posting for La Befana, the Italian Christmas Witch or Fairy. However with the holiday season, I find it easier to get her in now before January 6th arrives.
For children in Italy, Befana plays a role very similar to Santa Claus, however instead of a sleigh pulled by reindeer, she flies around on a broom, delivering her gifts of candy to good children in the first week of January. Italian children are very lucky, they not only get visited by Befana; they still get visited by Babbo Natale; both of whom bring presents and gifts.
La Befana is described as an old woman wearing a black shawl while riding a broomstick and carrying a bag of gifts. Sometimes Befana is said to ride either a goat or a donkey.
Like her counterpart of Saint Nicholas or Santa Claus, La Befana is also known for coming down the chimney to bring her gifts to children. Presents and candy for those children who have been good and coal for those who have been bad. In more modern times, the coal is actually a piece of black rock candy. Befana’s being dressed in black explains her being covered in soot from going down chimneys, which she will sweep up after she’s done with her visit and leaving gifts.
Where Santa will receive plates of cookies and a glass of milk as a treat or offering left out for him; Italian children will prepare and leave out a plate of soft ricotta cheese for La Befana as she no longer has any good teeth left. Other foods such as a glass of wine or broccoli may be left too.
Another aspect that Santa Claus and Befana share in common is that children will write letters to them, requesting a special need or want. Some cities in Italy will set up a mailbox for letters to La Befana in the same manner that Post Offices such as in the U.S. will have mailboxes set up for Santa. Some children will hide their notes or letters to Befana in their chimney for her to find.
La Befana also doesn’t like to be seen and will smack any child caught spying on her with her broomstick. Obviously this part of the story seems a way of parents keeping children in bed while gifts are left out.
The Basic Story And Legend
There are a few different versions to the legend and story behind La Befana.
On the second hill in Via della Padella, there is a village where La Befana lives. In this story, she is said to be part fairy and part witch. La Befana spends the entire year in the company of her grotesque assistants known as the Befanucci preparing coal, making candy and toys and mending old stockings which are given out during the nights of January 5th and 6th, which is said to be the longest night of the year.
The second story is a Christianized version and probably one of the more familiar ones.
When the three wise men were on their journey to visit the young Christ, they stopped at the home of an old woman with a broom who asked them where they were going. They told her that were following a star that would lead them to the newborn baby and savior Jesus.
The wise men asked the old woman if she wanted to come with them, but she replied that she was far too busy cleaning and didn’t have time to go.
Later when the old woman, La Befana had either finished her cleaning, changed her mind about going or realized that the baby whom the wise men spoke of was the prophesied redeemer, it was too late. She was too late in coming to visit the Christ child, he had already left. Other versions of this story have La Befana getting lost on the way.
Ever since then, La Befana has been searching for the baby Christ and leaving gifts in the homes where children live in hopes that one of them is the young Christ. In some retellings, Befana has come to see and realize over her many years of searching, that in a way, the Christ Child can be found in all children and this is why she will leave her gifts.
Slight variations to this story have Befana running as fast as she could to catch up with the Wise Men that she began to fly on her broom she was still holding onto.
Another variation to the flying broom is that angels appeared, coming from the bright star in the sky and enchanted Befan’s broom so she could search more easily for the Baby Jesus.
Zoroastrian Connection – With this idea mind, the Magi, Kings in their own right, were fire priests from a privileged caste in Persia. The gifts the Magi carry in the biblical story, represent thre worlds: earthly gold, celestial incense and myrrh from beyond the grave. These three elements were linked to the sacred fires of Vedica, India and Avestica, Persia. There may be a connection between them, their gifts and La Befana with them all arriving on January 6th, the Epiphany.
In a story similar to that involving the wise men, this story too has Christian connections.
With this story, La Befana was a mother who lived during the time of King Herod. When Herod made his decree that all the first born male children and male children born that year were to be killed in his efforts to try and prevent the new king, La Befana’s son was among many of those slain by Herod’s soldiers.
So traumatized by grief with the loss of her son and in deep denial to his death, La Befana became convinced that her son was merely lost. She placed all of her son’s belongings in a sack and went out searching for him, going from house to house. The stress from worry, caused La Befana to quickly age, becoming an old woman.
With what seemed liked forever for the grief stricken mother, yet only a few days, La Befana found a male baby in a manager. Certain that she had found her son, La Befana laid out all of her son’s belongings for the infant. The baby in question was Jesus Christ and he blessed the lady as “Befana,” the giver of gifts.
Every year since, on January 5th, the eve of the Epiphany, La Befana would be Mother to all of the world’s children and care for them by bringing gifts of treats, toys and clothing. While some families will leave out a plate of soft ricotta cheese for her, other families will have a plate with broccoli and spice sausage along with a small glass of wine for La Befana.
In this story, La Befana is benevolent and kindly old Witch who saw the emptiness that children suffered during the long, dark nights of winter. Because of her great love and affection for all innocents, La Befana wanted the children to know that even in the darkness of winter, that kindness and hope could still be found.
Starting with the eve of Yule, typically around December 21st, La Befana would, in secret go from door to door, leaving a basket of gifts. Inside each basket would be bread, cheese, sweets and gifts for the children. A final gift, more important and precious than the others was a colored, scented candle; a Solstice candle. Families would light this candle on the night of the Solstice, the flame of this candle both symbolized and brought the light of hope for the coming year. It is a reminder that even in the darkest cold of winter, the light and warmer days of summer would come again.
Epiphany – Little Christmas
January 6th marks the final day of the holiday season in Italy. This is the day that La Befana arrives, bringing gifts and treats for children, marking the end of the Yule Season. Epiphany or Twelfth Night is also when the 12 Wise Men are said to have finally visited the baby Jesus, bringing with them their gifts.
As Little Christmas, the Epiphany is traditionally a holiday for children in Italy. In the region of Abruzzo and other Southern areas, one festivity that children celebrate is called Pasquetta and commemorates the arrival of the Magi to Bethlehem when visiting the infant Jesus. There are parades held that feature La Befana. She is sometimes accompanied by her male companion, Befano. Children will sing songs to La Befana and leave out dolls in windows. Some families will burn the dolls as a means ending the past year and bring good luck for the coming year. Family and friends will from house to house visiting each other after opening their gifts from La Befana in the morning. Firework displays are also part of many modern Epiphany celebrations. Her arrival is also celebrated with traditional foods such as panettone, a Christmas cake.
The celebration of Befana during Epiphany is huge in Italy where she has become a national icon. In the areas of Marche, Umbria and Lazio, Befana is associated with the Papal States where Epiphany has the strongest presence. Befana’s home is thought to be Umbria.
The stories and traditions of La Befana are older than those of Babbo Natale; Santo Natale, the Italian names for Father Christmas or Santa Claus. She can be found going back centuries with some speculation that La Befana may be the goddess Hecate. Historically, La Befana first appears in writing in a poem written by Agnolo Firenzuola in 1549.
La Befana’s festival has taken over an ancient pagan feast celebrated on the Magic Night, the 6th day of the New Year. One aspect of the Epiphany celebrations as part of an ancient holiday for celebrating the New Year, is a time for purification. This is seen in Befana’s carrying a broom that she uses to sweep around the fireplaces of those whom she visits as a mean of clearing away the old, negative energies of the previous year and cleansing it for the coming New Year.
Other rites used for purification were burning effigy dolls of Befana to symbolize the death of the old year and the birth of the New Year. The end of the long winter nights and the return of the longer days of spring and summer. The coal Befana is known for leaving for naughty children has connections to sacred bonfires and is a symbol of fertility with the renewal of the earth at spring. The sacred bonfires are also seen in the ceppo or yule logs burned at this time of the year. The ashes from the burned yule log would be kept and sprinkled out in the fields for good luck and to ensure a healthy crop.
Sometimes the Ceppo is a pyramid made of wood, a tiered tree believed to have started in the Tuscan region of Italy. This tree would have three to five shelves and the frame decorated. On the bottom shelf is the family’s Nativity scene and the remaining shelves would hold greenery, fruit, nuts and present. The Nativity or Presepio represents the gift of God. The fruit and nuts represent the gifts of the Earth and the presents the gift of man. The top of the tree would have an Angel, star or a pineapple that represents hospitality. Sometimes candles are attached to the outside of each shelf, which is why the ceppo is also called the “Tree of Light.”
In Abruzzo, on the morning of Janurary 6th, sacristans would go from house to house leaving what is known as “Bboffe water.” This water was used for devotions or sprinkled around the house ward off and keep away negative energy or magic.
In the region of Romagna, the celebration of Epiphany was a time for connecting with their ancestors, which would help to ensure a successful crop and fertility for the coming year. This connection is seen in the Befanotti who represented the ancestors going from house to house singing Pasquella and in Befana coming down the chimneys to leave a gift.
The Italian anthropologists Claudia and Luigi Manciocco make a connection of Befana’s origins back to Neolithic times, beliefs and practices. They make a further connection of Befana having evolved into a Fertility and Agricultural goddess in their book “Una Casa Senza Porte” (“House without a Door”).
Ancient Sabine Goddess – Strenua
La Befana is thought to be connected to the Sabine/Roman goddess known as Strenua or Strina who was a goddess of strength and endurance. This connection has been made mention in the book “Vestiges of Ancient Manners and Customs, Discoverable in Modern Italy and Sicily” by Reverend John J. Blunt. Strenua presided over the New Year, Purifications and Well-Being. She would give gifts of figs, dates and honey. Strenua’s festivities were opposed by early Christians who viewed them as too noisy, riotous and licentious.
On January 1st, twigs were carried from Strenua’s grove, likely located in or near Via Sacra where she had a temple, in a procession to the citadel. This particular rite is first mentioned happening on New Year’s Day in 153 B.C.E. This is the year when the consuls first began assuming their office at the beginning of the year. With the switch and change over from the Julian to the Gregorian Calendars, it’s not clear if January 1st had always been the date that Strenua’s New Year celebration had been observed or if it had been held on the original New Year’s Day, a date sometimes thought in this case to have been March 1st.
The name Strenia is thought to be the origin for the word strenae, which were New-Year’s gifts that the Romans exchanged to promote good omens. Various strenae have been branches or twigs and money. Another name for these gifts is Bastrina and it is thought to have given their name to La Befana.
According to a Johannes Lydus, strenae is a Sabine word meaning “wellbeing” or “welfare”. It is unknown how accurate this may be as many words attributed to the Sabines are only singular, one word or there and no surviving scripts or inscriptions have been found. Saint Augustine says that Strenia was a goddess responsible for making a person vigorous or strong. And if you haven’t guessed it, the root for the word strenuous.
There seems to be a lot of strong agreement that Strenua rites and celebrations survive in the festivities surrounding La Befana.
Other Mythological Figures Possibly Connected To Befana
Giubiana – An old woman or crone and festival of the same name held in the Northern Italy region of Lombardy. An effigy of Giubiana and sometimes her male counterpart and spouse, Ginée who is the personification of January. An effigy of Giubiana is burned to ashes to symbolize the burning away of the old year and the end of winter.
Nicevenn – La Befana has been connected to the Scottish figure of Nicevenn as a source of inspiration for her legend and traditions. With Nicevenn or Gyre-Carling as she was also known, it was considered unlucky to leave any unfinished knitting lying around lest she steal it.
Perchta – A southern Germanic goddess from the Alpine countries. She is sometimes identified with the Germanic goddess Holda. Both goddesses are known as a “guardian of the beasts” and making an appearance during the Twelve Days of Christmas; overseeing spinning. Perchta is a goddess who went from being benevolent to more malevolent with the passage of time and rise of Christianity. At one time during the Yule Season and Epiphany, Perchta will leave a silver coin for those who have been good and she reportedly will slit open the bellies of who haven’t and stuff them with straw and pepples. Thankfully, Perchta has become more tempered again and will leave coal instead if someone’s been bad.
Befana Poems And Songs
There a number of different songs sung about Befana with slightly different versions found in different regions of Italy.
The following is one version:
“La Befana vien di notte
Con le scarpe tutte rotte
Col vestito alla romana
Viva, Viva La Befana!”
The English translation is as follows:
The Befana comes by night
With her shoes all tattered and torn
She comes dressed in the Roman way
Long life to the Befana!
A poem by Giovanni Pascoli:
“Viene, viene la Befana
Vien dai monti a notte fonda
Come è stanca! la circonda
Neve e gelo e tramontana!
Viene, viene la Befana”
The English translation is as follows:
“Here comes, here comes the Befana
She comes from the mountains in the deep of the night
Look how tired she is! All wrapped up
In snow and frost and the north wind!
Here comes, here comes the Befana!”
Etymology – In Ancient Greek: Ὑάδες “the rainy ones.” The Greek word: hyein – “to rain.” It may also come from the Greek word hys or hus for “swine.” Latin – Suculae, “Suckling-pigs” or “little pigs.”
In Greek mythology, the Hyades are the five daughters of Atlas as well as the half-sisters of the Pleiades. As minor goddesses or nymphs, they are associated with bringing rain and stormy weather.
Western Astronomy Read the rest of this entry
Etymology – Swan
Also known as: The Northern Cross, Ornis (Greek “bird”)
The constellation of Cygnus, the Swan is considered one of the most recognizable constellations in the night sky, particularly during the summer and autumn in the Northern Hemisphere.
To the Greeks, this constellation was known as Ornis, meaning “bird.” It was later named Cygnus by the Romans who proceeded to adapt several Greek myths to try and explain the name or connection.
While there are many people in Greek mythology who bear the name of Cycnus, the constellation of Cygnus is also associated with several stories. One of the more well known stories is that of the god Zeus and his transformation into a swan to try and seduce Leda or in some variations, Nemesis. Another well known story connected to this constellation is that of the story of Phaethon and his friend Cycnus.
The constellation known as Cygnus is one of 48 constellations listed by the 2nd century astronomer Ptolemy in his book, Almagest. Today it remains as one of the 88 current or modern constellations. It is a large constellation, ranking 16th in size. Pseudo-Eratosthenes and Hyginus’ Poetical Astronomy are the earliest sources of Greek astronomy and constellations that make the connection of the story of Zeus and Leda with his transformation into a swan.
Constellations bordering with Cycgnus are: Cepheus, Draco, Lyra, Vulpecula, Pegasus and Lacerta, The best time to spot Cygnus is during the month of September in the Northern Hemisphere.
Many of the older, traditional names for the star in Cygnus such as Albireo, Deneb, Rukh and Sadr clearly point towards a Middle Eastern connection. In Arabia, the constellation was known as: Al Ta’ir al Arduf, “the Flying Eagle.” Other names include Al Ta’ir al Arduf, Al Radif and Al Dajajah “the Hen.”
They clearly saw a bird, sometimes said to be an Eagle or Pigeon, but frequently, as the traditional names point to, a Hen.
The Arabs also have an asterism called Al Fawaris or “the Riders” that’s found within Cygnus.
Chinese Astronomy & Mythology
The constellation of Cygnus lays in the area of the night sky symbolized by The Black Tortoise of the North or Běi Fāng Xuán Wǔ. Modern Chinese has adopted the name of tiān é zuò, meaning “the swan constellation.”
The Chinese also know the constellation of Cygnus as Que Qiao, the “magpie bridge.” In the story associated with it, there was a pair of lovers, Niu Lang (a Shepherd) and Zhi Nu (a Weaver) who were separated by the Goddess of Heaven because Zhi Nu is a fairy and due to celestial decrees and mandates, wasn’t allowed to be with a mortal.
When the Goddess learned that the two were secretly married, she took Zhi Nu with her up into the heavens and created a river, represented by the Milky Way in the sky to keep the two separated.
Niu Lang was still determined and took his and Zhi Nu’s two children to Heaven so they could all be together. The Goddess however still forbade the two lovers to be together but on seeing their bitter tears, she relented and allowed that once a year, on the seventh day of the seventh lunar month the two could be reunited. So once a year, all the magpies in the world come together to form a bridge over the river and help the two lovers unite and see each other. The star Deneb in the story either marks the start of the bridge or represents a fairy who chaperones the two lovers when they meet.
The Qixi Festival, also known as the Qiqiao Festival and Double Seventh Festival and even the Magpie Festival commemorates the joyful reunion of these two lovers. It is a variable holiday held on the 7th day of the 7th lunar month in China. It is celebrated and observed in a couple other countries like Japan as Tanabata in Korea as Chilseok. It is a festival and holiday comparable to the European celebration of Valentine’s Day.
The legend of Niu Lang and Zhi Nu is one of four folk legends regarding love and romance. Young girls pray to Zhi Nu for skillful hands for sewing and young newly weds will worship this celestial couple and bid them farewell before moving on in their own marriage and happiness. Now days though, young people tend to favor the Western celebration of Valentine’s Day more then the Qixi Festival though their story is still told and passed on.
In Tonga, Cygnus is known as Tuula-lupe. The Tuamotus called it Fanui-raro or Fanui-tai. The star Deneb is also given the name of Fanui-tai. The star Gamma Cygni is called Fanui-runga. In New Zealand, it is known as Mara-tea. The star Beta Cygni was likely called Whetu-kaupo. In the Society Islands, it is known as Pirae-tea or Taurua-i-te-haapa-raa-manu.
Zeus And Leda
One of the more well known stories connected to the Cygnus constellation is the story of Zeus disguising himself as a swan in order to seduce Leda. In this guise, Zeus behaved much like a swain, which means a lover or wooer.
Leda was the wife of the Spartan King Tyndareus. She’s known for giving birth to two sets of twins; the Dioscuri (Castor and Pollux), and Helen of Troy and Clytemnestra. When Leda laid with Zeus, their union produced an egg. Later that night, when she laid with her lawful husband Tyndareus, their union resulted in another egg. The immortal twins Pollux and Helen are said to have been fathered by Zeus while the mortal twins Castor and Clytemnestra were fathered by Tyndareus.
Zeus And Nemesis
A variation to the above myth is that instead of Zeus seducing Leda, he seduces Nemesis, the goddess of divine justice and retribution. She was also the goddess of the Pelopennesian cult. Other sources are more clear that Nemesis lived in Rhamnus (located to the North-East of Athens) where this cult may have been. When Zeus went to seduce Nemesis, she changed herself into a variety of different animals before taking the form of a goose to escape him. Zeus continued to pursue Nemesis, each time taking the form of a larger, swifter animal until he turned into a swan before he was able to catch and rape her.
A variation of the story with Nemesis that’s told by Hyginus is that Zeus had turned himself into a swan and pretends to be escaping from an eagle. Nemesis protected the bird, offering sanctuary. It’s after words, when Nemesis has gone to sleep with the swan on her lap that she discovers the truth of who the bird really is.
In either version of the story told, Nemesis ends up laying an egg that she leaves in a swamp. This egg was found either by Hermes or a shepherd who brings it to Leda who keeps the egg in a chest until it hatches. It is from this egg that Helen of Troy is hatched. As a result of his success, Zeus placed an image of the swan up into the heavens.
The great musician Orpheus was said to have been turned into swan after being murdered by a group of Ciconian or Thracian Maenads. In this retelling of the story, Orpheus was placed up into the heavens as a swan next to his lyre, the constellation Lyra.
Cycnus And Phyllius
Another myth connected to this constellation is that of Cycnus and Phyllius. This Cycnus committed suicide and was turned into a swan after he was shamed and refused a tame bull that he demanded from Phyllius.
King Of Kolonai
Among many ancient Greek figures to have the name Cygnus or Cycnus, is a son of Poseidon and as well a king who fought in the Trojan war. He was killed by the hero Achilles on the first day and turned into a swan at his death by his father to save him.
The Death Of Phaethon
This story is perhaps the best known and most associated story to the Cygnus constellation.
Phaethon was the son of Clymene, whose husband was the Egyptian King Merops. Eventually, Clymene told Phaethon that Merops wasn’t his father and that it was the Sun-god Helios (or Apollo). Afterwards, Phaethon would boast and brag to his friends how his real father was a powerful god. Phaethon’s friends teased him and said he was lying. Hurt by this, Phaethon went to his mother Clymene, who then told him to go to the Sun-god and ask him yourself of the truth.
Helios was greatly pleased on seeing his son Phaethon and promised him anything that he asked for in order to prove to his friend who his father is. To Helios’ horror or dismay, Phaethon demanded to drive the Sun-chariot across the sky. Helios tried to dissuade Phaethon, telling him that driving the chariot was too dangerous for mortals, even demigods to drive. Unable to deter Phaethon, Helios relented, granting Phaethon his request.
Phaethon soon found himself loosing control of the chariot as the horses realized that someone new and inexperienced was holding the reigns. Like any such spirited animals who push to see how far they can go and do what they please, the horses took their own lead, racing across the sky towards the eastern horizon and heavens.
The horses’ uncontrolled pathway across the heavens left a scorch mark across the sky that became the Milky Way. The Earth became cold as the Sun-chariot was too high. As the horses continued their uncontrolled trek, they raced down close to the Earth, scorching the land across Africa and creating a great desert.
Making it worse, a frightened Phaethon saw the chariot racing towards a giant scorpion, the Scorpius constellation as the horses continued their uncheck race across the heavens. Pulling wildly on the reigns, Phaethon realized his folly and foolishness to not listen to his father.
To keep the Earth and Heavens from seeing more destruction from the out-of-control chariot, Zeus, the King of the Gods hurled one of his thunderbolts, striking Phaethon in the process. Phaethon’s body fell into the river Eridanus while the horses returned to their stables and back to Helios.
Phaethon’s friend or lover, Cycnus was so distraught over his death, that he went down to the river where he wept bitterly until the god Apollo took pity and turned Cycnus into a swan and eventually the gods decided to place him up into the heavens as the Cygnus constellation.
Another version to this story is that Phaethon and Cycnus were racing their respective chariots across the sky when they got too close to the Sun. Their chariots burned up and they fell to the Earth with Phaethon falling into the river Eridanus. When Cycnus came to and found where his friend was at, he dove in after to try and retrieve his friend’s body for burial and it’s from that action, that the gods or Apollo (sometimes its listed as Zeus) turn Cycnus into a swan and place him up into the heavens due to the level of grief Cycnus held and the gods sympathy and pity for him.
In other slight versions to this story, Cycnus is not only mentioned as a musician, but a King of the Ligurians. When Phaethon fell into the river Eridanus, Cycnus dove into the water, swimming back and forth searching for his friend’s body so he could bury them. Regardless of which variations of the story are retold and mentioned, Cycnus is still turned into a swan by the god Apollo and placed up into the heavens to form the Cygnus or Swan Constellation.
The Sons of Ares
There are two sons of Ares both of whom are named Cycnus. They often get confused together, though they both have in common getting killed by the hero Hercules and being turned into swans at their death.
Sacred Bird Of Apollo
While many deities have animals associated with them, Apollo is best known and associated with the swan. It was believed that large flocks of these birds could be found living on the mythical northern river of Eridanos in Hyperborea. These flocks were said to circle Apollo’s holy shrine, singing hymns. Another belief was that the people of Hyperborea, on reaching old age, that instead of dying, would turn into swans after bathing in the bitumen swamp of the river.
This phrase refers to a person’s final act or deed before death or retirement. Most often this is used for a person’s last piece of creative work, or performance, particularly in literature, music, or art.
One origin for this phrase is from the story of Cycnus, the friend or lover of Phaeton. The same Phaethon who begged his father Helios to be able to drive the sun chariot across the sky that ended in disaster and his death. While there are a few different versions of this story, it is generally agreed that Cycnus, being in such grief over the death and loss of his friend was changed into a swan by the god Apollo who took pity on him.
In addition, the Mute Swan was believed to sing a song at its death, a song considered to be the sweetest of all bird songs.
Queen Cassiopeia’s Pet
A rather minor note is that some think that Cygnus represents the swan that Queen Cassiopeia kept.
The constellation of Cygnus, along with 18 other constellations of: Hercules, Sagitta, Aquila, Lyra, Vulpecula, Hydra, Sextans, Crater, Corvus, Ophiuchus, Serpens, Scutum, Centaurus, Lupus, Corona Australis, Ara, Triangulum Australe, and Crux.
All of these constellations have some connection to the overall legend and myth of the Grecian hero Hercules. They are the largest grouping of constellations found in the Western Hemisphere.
Cygnus, along with the other avian constellations of Aquila and Vultur cadens form a part of a significant myth of the Stymphalian Birds and one of the Twelve Labors of Hercules.
The Northern Cross
Among Christians, the constellation of Cygnus is known as the Northern Cross. Many Christians have seen the Cross or Crux that Jesus hung on.
Five stars form this asterism. They are: Deneb (Alpha Cygni), Delta Cygni, Albireo (Beta Cygni), Gienah (Epsilon Cygni) and Sadr (Gamma Cygni) forming the center.
It has been noted by some archaeologists that there are megalithic sites such as those found in Ireland that appear to be aligned with the Cygnus constellation. The Avebury, Wayland Smithy long barrow and Callanish are two such places aligned with either the rising or setting stars within Cygnus.
The swan, like many other birds are seen as symbolic of carrying the souls of the deceased to the after life. Many Palaeolithic sites and cultures have used birds symbolically for death and rebirth. Even the Greeks saw birds as psychopomps or “soul-carriers” and it been a very common belief among several cultures of Europe.
With such a connection to death and rebirth and Cygnus’ shape in the heavens, it would be very easy for early Christians to adapt and adopt this belief to their faith as the Cross.
Stars Of Cygnus
The stars Delta and Epsilon Cygni are used to depicted Cgynus’ wings while the star Deneb depicts the tail and Albireo represents the tip of the swan’s beak.
Alpha Cygni – Also known as Deneb, it is one of the brightest stars seen in the night sky. It is a blue-white supergiant star and 19th in brightness. The name Deneb comes from the Arabic word dhaneb, meaning “tail.” It is from the phrase Dhanab ad-Dajajah, which means: “the tail of the hen.” Within the constellation of Cygnus, it is one corner of the Summer Triangle with the stars Altair found in the constellation Auila and Vega, found in the constellation Lyra.
Beta Cygni – Also known as Albireo, it is generally considered to be the head of the swan and sometimes called “the beak star.” The name Albireo is likely the result of a mistranslation from Arabic into Latin where ab ireo was thought to be the name of a particular herb. The original translated name in Arabic was from the Greek word for bird which is “ornis.” It is a binary star and the fifth brightest star in Cygnus. It is one of the stars that form the Northern Cross.
Gamma Cygni – Also known as Sadr which comes from the Arabic word for “the chest.” This star is also sometime known as Pectus Gallinae, which is Latin for “the hen’s chest.” It is the star found in the center of the Northern Cross asterism.
Delta Cygni – Also known as Rukh. The name Rukh is Persian in origin and is related to Urkhga in Akkadian. The star is named after the huge, mythical bird of prey known as a Roc that was capable of carrying off elephants. In the year 11,250 C.E. this star will take the position of the North Star for a period of about 400 years.
Epsilon Cygni – Also known as Gienah, this star shares the same traditional name with Gamma Corvi from the Corvus constellation. The name Gienah comes from the Arabic word janah meaning “the wing.”
Kappa Cygni – This star marks the tip of Cygnus’ left wing. Its most notable for a meteor shower, the Kappa Cygnids that take place in August.
North America Nebula
Or NGC 7000 is one of the most well-known nebulae found within the Cgynus constellation as it is visible within the night sky without the aid of any telescopes as a bright patch of the Milky Way. Due to its characteristic shape, which resembles the North American Continent, it is only visible in long-exposure photographs and for those using telescopes; it can be difficult to spot as the surface area for brightness is low. It was first discovered by William Herschel in 1786.
This is the largest star-forming region that has some of the brightest and most massive stars known such as Cygnus OB2-12 and Cygnus OB2.
Also known as NGC 6946; this galaxy is known for the number of supernovae that have been found there. It is a spiral galaxy that borders the edge of Cygnus with the constellation Cepheus. NGC 6946 was discovered on September 9, 1798 by the German-born British astronomer Sir Frederick William Herschel. So far nine supernovae have been observed within this galaxy.
There are two meteor showers associated with the constellation of Cygnus. They are the October Cygnids and the Kappa Cygnids, a minor meteor shower that occurs in August.