Category Archives: Chinese
Other Names and Epithets: 風神, Futen, Kami-no-Kaze, Ryobu
Fujin is one of the oldest Shinto goes in Japan. He is a god of wind and is often paired with the storm god Raijin.
Fujin is often shown as a fearsome wizard-like demon with green skin and a red head wearing only a leopard skin and carrying around a large bag or bags of wind with him. He is also noted to have only four fingers or digits that represent each of the four cardinal directions.
Parentage and Family
The gods Izanami and Izanagi, the main deities in Shinto are who birthed or created Fujin and all the other gods in Japan.
In addition to Raijin and his brother Fujin, all of the Kami of Japan can be said to be Fujin’s brothers and sisters as they were all created after the creation of Nippon (Japan).
Like Raijin, Fujin was born or created by the gods Izanami and Izanagi after creating Nippon. When Fujin opened his wind bag for the first time, the winds he released cleared away the morning mists and filled the space between the earth and the heavens so the sun could shine.
In Japanese lore, both Raijin and Fujin were a pair of oni who actively opposed the other deities. Under the orders of Buddha, it took an army of thirty-three gods to subdue Raijin and Fujin and convert them to work alongside the other deities.
Kojiki – This ancient Japanese text is the primary source for everything known about Fujin.
The Silk Road – Surprisingly, the imagery for Fujin seems to have originated from the West, during the Greek’s Hellenistic era when they were once spread throughout areas of Central Asia and India. Meaning, that the wind god Boreas is whom Fujin could have originated from. As the imagery for Boreas traveled, he would become the god Wardo in Greco-Buddhist era, changing then to the wind god Fei Lian (or Feng Bo) in China before making his way to Japan as Fujin. What appears to be the connecting motif is that all these deities carry a bag of wind (or shawl in the case of Boreas) and has a disheveled, wild appearance.
Kamikaze – The Divine Wind
In 1274, the Mongols for the first time would attempt to set sail and invade Japan. However, a massive typhoon would destroy a good number of the Mongol fleet, disrupting plans for a conquest of Japanese archipelago. Going by the legend, only three men are said to have escaped. A second attempt in 1281 saw a similar typhoon blow through and wreck most of the Mongol fleet again. Both massive storms or Kamikaze as they would come to be known were attributed as being sent by Raijin and Fujin to protect Japan.
One of Fujin’s alternative names is Kami-no-Kaze, directly connecting him to these fierce, massive storms.
Kami or Oni?
Some of the descriptions of Fujin say he’s an oni and that certainly seems true given his description and when looking at more Buddhist influenced stories where the gods had to battle Raijin and Fujin to tame them and convert them to Buddhism.
Kami – When we go back to the Shinto religion that predates Buddhism in Japan, Fujin is one of many, numerous gods or kami found throughout the region. They range in power from low level spirits all the up to gods.
Shintoism holds the belief and idea that everything seen in nature has a spirit, or kami. As spirits, they just are. The greater the spirit or kami, more of a force of nature and raw power it will be. So many of these spirits would be revered and respected just to avoid needlessly getting them angry and ticked off.
Oni – By Japanese mythology, Oni are very synonymous with the Western concept of demons. Ugly, ogre-like creatures of varying descriptions. An Oni’s only purpose is to create chaos, destruction and disaster. Given depictions of Fujin, he looks very much the part of an Oni and when it comes to wind storms, a more severe storm can be very destructive.
With some of the more primal nature spirits and gods, it’s a very thin line for the concepts of good and evil if you’re trying to pin them to those categories.
When Raijin is mentioned, he is frequently paired with Fujin, another Weather God is also a sometimes rival. The two are constantly at it, fighting amongst themselves over who will rule the skies. The more intense a storm, the more intense their fighting.
Temple Guardians – Statues of Raijin and Fujin can be found at the gates to many temples and holy places in Japan where they are seen as protectors and guardians.
Also known as: 布袋, 笑佛 (Laughing Buddha), Hasne Buddha (Nepal), 胖佛 (Fat Buddha), Hotei (“cloth bag”) Japanese, Hotei-Osho (Japanese), Bo Dai or Bố Đại (Vietnamese), Hangul (Korean), Pu-Tai, Wagon Priest, Budai Luohan
Etymology: Laughing Buddha, Fat Buddha, Cloth Sack
In Chinese folklore, Budai is a Buddhist deity who has been integrated into Buddhism, Taoism and Shinto religions. The historical Budai lived during the 10th century C.E.
In art, Budai is often shown as being a very fat, bald man wearing a robe, either wearing or carrying prayer beads and has a huge belly; seen as the symbol of abundance, contentment, happiness, luck and generosity. He carries a large linen bag holding a number of precious things, even children on his back. This same bag is the source of Budai’s name. Sometimes Budai is shown sitting in a cart being pulled by boys where he is known as the Wagon Priest.
With his nickname of the Laughing Buddha, Budai is frequently shown smiling or laughing. Budai’s image is often confused with that of Gautama Buddha with Westerners, where he gets the name of the Fat Buddha. In Japan, Budai becomes known as Hotei and is one of the Seven Lucky Gods or Shichi Fukujin.
Budai Statues & Depictions
As already said, Budai is nearly always shown carrying a sack that is filled with a number of precious things such as rice plants, candy for children, food and the sadness of the world.
In Buddhist temples throughout China, statues of Budai are placed in the front part of the entrance halls. Budai is frequently shown as a stough, smiling or laughing man wearing a robe that is unable to cover his large belly. This large belly represents happiness, good luck and abundance. Some Budai statues will have small children gathered around at his feet. Another common feature of Budai statues is a begging bowl, that clearly shows him to be a Buddhist.
Because of Budai’s great association with happiness and wealth, statues of Budai can be found in many businesses and homes in China and Japan.
I Kuan Tao – Budai statues are a central part of I Kuan Tao shrines. Here, Budai is known by his Sanskrit name of Maitreya.
Budai represents the teachings of contentment, generosity, wisdom and kind-heartedness. He is also associated with luck and abundance.
Budai is the guardian and protector of children, the weak and poor. As a wandering monk, Budai is known to take sadness from people and bring them happiness.
Chinese history holds that Budai had been an eccentric Chan monk who lived during the late Liang dynasty. He had been a native of Zhejiang or Fenghua and his Buddhist name was Qieci, meaning: “Promise This.” Budai or Qieci was regarded as a man of good and loving character.
In Buddhism, the term Buddha means: “one who is awake,” as in awakened to enlightenment. There have been many figures in Buddhism who have all been revered as Buddhas. The Chan school of Buddhism teaches that all beings possess a Buddha nature within them and thus, already enlightened, they just have yet to realize it.
A few Buddhist traditions view Budai as an incarnation of Buddha or a bodhisattva.
Angida Arhat – One of the original Eighteen Arhats, meaning one who is worth or a perfected person, much like the Saints of Western Culture. In the Sakyamuni Buddhism, there is a legend wherein Angida is a talented Indian snake catcher would catch venomous snakes, thereby preventing them from biting travelers. Angida would remove the snake’s venomous fangs before releasing them. Due to these acts of kindness, Angida was able to attain bodhi or nirvana. In Chinese art, Angiha is sometimes depicted as Budhai; being rotund, mirthful and carrying a bag.
Gautama Buddha – The historical Buddha, Siddhartha Gautama lived during the 6th century B.C.E. in India, Nepal and much of southeast Asia. Here, Gautama is shown as being tall and slender in appearance. Whereas in China and other areas, Budai is consistently shown as being short and rotund. Both of these descriptions have been noted as being the idealized imagery of the different religions, cultural and folkloric traditions of the countries and regions after the two monks’ deaths. Many Westerners too, often confuse Budai with Gautama and Budai often does get equated or replace Gautama.
Maitreya – The Future Buddha
Budai is identified or seen as an incarnation of Maitreya, the future Buddha. In China, Budai’s image is often the main used to depict Maitreya. Among the Japanese, Maitreya is known as Miroku. There is a Buddhist hymn that Budai is to have spoken at his death that identifies him with Maitreya:
Maitreya, the true Maitreya
has billions of incarnations.
Often he is shown to people at the time;
Other times they do not recognize him.
Mi-Lo-Fo – As Hotei, Budai is often confused with the Buddhist deity known as Mi-lo-Fo.
Pu-Tai – A Chinese monk that Budai came to be associated with, who due to their good nature, was seen as the incarnation for the bodhisattva or future Buddha, Maitreya. Due to how Pu-Tai is also portrayed with having a large, rotund belly, its easy to see how he came to be known as the Laughing Buddha and connected to Budai.
Chan, Seon And Zen
Chan is Chinese, Seon is Korean and Zen is Japanese, all three are the same philosophy.
The following koan, or short story is often told about Budai. One day, Budai was out traveling, giving candy to poor children. He would only a penny from any monks or lay practitioners he met with. One day, a monk approaches Budai and asks: “What is the meaning of Zen?” (Or Chan or Seon). Budai responded by dropping his bag. The monk continued with his questions. “How does one realize Zen?” At that, Budai picked up his bag and continued on his way.
Budai is greatly admired for his congenial and jovial attitude, along with his generosity and philosophy of contentment.
One of the most persistent and popular beliefs is that of rubbing the statues of Budai to bring wealth, good luck and even prosperity.
Japanese Religion & Folklore
In Japan, Budai becomes known as Hotei who was a Buddhist monk that lived during the 16th century. Like Budai, Hotei is still greatly associated with laughter and being called the Laughing Buddha. Chinese legend holds that Hotei had been a real person, whose name was Kaishi. While the date of his birth is unknown, Hotei death is given as being March 916. The Japanese began to believe in Hotei during the Edo era. Hotei was once a Zen priest who appearance and actions didn’t go along with his fellow Zen priests. He always looked like he was up to mischief and never had a permanent place to sleep. Hotei had no desire to be a Zen Master or to gather a following of disciples. He was known for walking the streets with a sack full of candy, fruits and doughnuts that he would give out to children. His bag would also hold the fortunes for those who believe in him. Among the Chinese, he is nicknamed: Cho-Tei-Shi or Ho-Tei-Shi, which means “bag of old clothes.”
According to Japanese legend, before Zen Buddhism came to the islands, another Buddhist philosophy of questionable aesthetics was prevalent. This philosophy originated with the priest Miroku. Miroku was the patron of those who couldn’t be saved by the beliefs of Buddha. Later, Hotei’s arrival was seen and accepted by the Japanese as a second Miroku.
Laughter – This is Hotei’s essence and teachings, he used laughter to impart wisdom. This was not the laughter of laughing at jokes or making fun of others. Hotei would laugh at himself and laugh for the mere celebration of life and existence, for the joy of life. Hotei has no other philosophy, scriptures, dogmas, ideologies or any other precepts to teach. Hotei’s laughter is considered a form of meditation, to experience the joy of living and to just be living and being present in the moment.
People would gather around Hotei as at first, they thought he was mad with how often he laugh and his laugh was known for being infectious in that others would soon laugh along with him. Such was Hotei’s laughter that people would cease to be judgmental or ask questions about enlightened. People would wait for Hotei and his laughter as they found it to have a purifying quality to it that would impart a deep sense of well-being.
One story about Hotei has a villager finding him sitting beneath a tree with his eyes closed. When the villager asked why Hotei wasn’t smiling or laughing, Hotei answered that he was preparing, preparing himself for laughter as he needed go within, forget the world without and recharge himself with rest. Once he was well rested, Hotei would be ready to laugh again.
Thailand Religion & Folklore
Phra Sangkajai – Also spelled Phra Sangkachai. Budai is sometimes equated with the monk Phra Sangkajai. Both Budai and Phra Sangkajai can be found Thai and Chinese temples. Though Phra Sangkajai can be found more often in Thai temples and Budai in Chinese temples. While very similar in appearance, Phra Sangkajai is distinguished from Budai in that he has a thin trace of hair while Budai is bald. Their styles of dress are also different, Phra Sangkajai is dressed in robes folded across one shoulder, with the other bare. Budai’s robes are clearly a Chinese style that covers both of his arms and front part of his upper body uncovered.
Phra Sangkajai is credited with composing the Madhupinadika Sutra. Buddha is said to have praised Phra Sangkajai for his excellence and understanding with explaining the more sophisticated dharma in easy and correct, understandable manners.
A folk story about Phra Sangkajai tells how he was so handsome, that a man once wanted to marry Phra Sangkajai and take him for a wife. To avoid this situation, Phra Sangkajai changed his appearance to that of a fat monk. Another story tells how Phra Sangkajai was found to be so attractive, that both men and angels would compare him to the Buddha. Phra Sangkajai considered this inappropriate, changed his body so he would be rather fat.
First off, Yiguandao is a folk religion out of China that got started around the late 19th century.
In many Yiguandao shrines, statues of Budai or Maitreya as he is known can be found. In Yiguandao, Maitreya represents a number of teachings such as: contentment, generosity, wisdom and open kind-heartedness. It is believed that Maitreya will succeed Gautama Buddha as the next Buddha and help people to realize their own spiritual essence within that connects everyone.
Shichi Fukujin – Seven Lucky Gods
In Japan, the Seven Lucky Gods or Seven Gods of Fortune, known as Shichi Fukujin are believed to granters of good luck and fortune. The Shichi Fukujin are often depicted in Japanese art and engravings known as netsuke. While many of the Shichi Fukujin are believed to be mythical in nature, one Shichi Fukujin is a known historical figure. Over the course of Japan’s history, the Shichi Fukujin became more associated with specific professions and aspects. Many of these same gods also originate from different countries and religions such as Hinduism and India to Chinese Buddhism and Taoism before coming to Japan. There are also seven Shichi Fukujin as seven in Japan is a lucky number.
While the gods had been worshipped for over a thousand years, mainly by merchants, they were first collectively called the Shichi Fukujin in 1420 C.E. It’s believed the Buddhist priest Tenkai arranged and selected these deities after talking with the shogun, Iemitsu Tokugawa. The selection was based on the following virtues of: longevity, fortune, popularity, sincerity, kindness, dignity and magnanimity.
Benzaiten – Often claimed as the only female deity among the Shichi Fukujin, Benzaiten originates in Hinduism where she had been the goddess Saraswati. Other names for Benzaiten are: Benten, Bentensama and Benzaitennyo. When she was adopted into Buddhism, Benzaiten became the associated with talent, beauty and music. Benzaiten is the patron of artists, writers, dancers and geishas. She is often seen as an intelligent, beautiful woman standing before a Torri, carrying a biwa, a traditional Japanese lute-style instrument and is accompanied by a white snake.
Bishamonten – A god originating in Hinduism where he had been the god Kubera and Vaisravana before becoming Bishamonten in Japanese culture. Bishamonten is the god of fortune in war and battles. He is also associated with authority and dignity, the protector of those who follow the rules and hold themselves accordingly. He is the protector of holy sites and other important places. Bishamonten is the patron of fighters and is often shown dressed in armor and helmet, carrying a pagoda in his left hand and a spear in his right hand to battle evil spirits. Bishamonten is also shown with a hoop of fire.
Daikokuten – The god of commerce and prosperity. He was also known as the patron of cooks, farmers, bankers and protected crops. Daikokuten was known too for hunting demons. There is a legend of how Daikokuten hung a sacred talisman from a tree branch in his garden to use as a trap for catching a demon. Daikokuten is often depicted with short legs, perpetual smile and wearing a hat on his head and often carrying a bag full of valuables.
Ebisu – The only purely Japanese god in the group, he is the god of prosperity, wealth in business, abundance in crops, cereals and food. Ebisu is the patron of fishermen and he is often dressed as a fisherman carrying a fishing rod in his right hand and the left holding a fish. Ebisu’s figure can often be found in restaurants where fish is served or in kitchens.
Fukurokuju – Originating in China, Fukurokuju is believed to have once been a hermit who lived during the Song dynasty. Fukurokuju is seen as the reincarnation of the Taoist god Hsuan-wu. As a god, Fukurokuju is the god of wisom, luck, longevity, wealth and happiness. In addition, he is thought to be one of the Chinese philosophers who could live without eating and was able to resurrect the dead. Fukurokuju is noted for having a head that is almost the same size as his body. He is often shown dressed in traditional Chinese attire, carrying a cane in one hand and a scroll containing historical writings. Fukurokuju is often shown being accompanied by a turtle, crow or deer, all animals that represent a long life. With a strong love for chess, Fukurokuju is also the patron of chess players. Fukurokuju, along with Jurojin both overlap with their origins with the Chinese Taoist god Nanjilaoren. Due to this overlapping, Fukurokuju’s position as one of the Shichi Fukujin is sometimes given to the goddess Kichijoten in the Butsuzozu compendium.
Hotei – This is the Japanese name for Budai. As Hotei, he is the god of fortune, the guardian of children, happiness, laughter, popularity and the patron of diviners and barmen. Hotei is often shown as a fat, smiling bald man with a curly mustache. Because he is so fat, Hotei is often shown as being half naked as his clothes aren’t quite big enough to cover his large belly.
Jurojin – Like Fukurokujin, he has his origins in the Chinese Taoist god Nanjilaoren. He is the god of the elderly and longevity in the Japanese Buddhist mythology. Jurojin is believed to be based on a real person, he was very tall, 1.82 meters with a very long head, much like Fukurokuju. Aside from his elongated skull, Jurojin is also shown to have a long white beard and rides a deer and is sometimes accompanied by a crane and tortoise, all animals that represent a long life. Jurojin is sometimes shown sitting under a peach tree, another symbol of long life. In one hand, he holds a cane, in the other he holds either a book or scroll containing the wisdom of the world. Jurojin is known to enjoy rice and wine and has a rather cheerful disposition. Finally, Jurojin is an incarnation of the southern polestar.
Kichijoten – Also known as Kisshoten or Kisshoutennyo. Kichijoten was adopted into Buddhism from the Hindu goddess Lakshmi. Kichijoten is shown holding a Nyoihoju gem in her hand. The Butsuzozu compendium from 1783 lists and has Kichijoten replace Fukurokuju as one of the seven Shichi Fukujin. By this accounting, Daikoku is portrayed as being feminine and all three of the Hindu Tridevi goddesses are seen represented among the Shichi Fukujin.
Alternate Spellings: Κηφεύς Kepheús (Greek)
Pronunciation: sē-ˌfyüs or sē-fē-əs
In Greek mythology, Cepheus is the name of two rulers for Aethiopia; a grandfather and grandson. Regarding the more famous story for Perseus; his freeing Andromeda and constellation, it is the grandson, King Cepheus, the son of Agenor who is the more well known.
The constellation representing Cepheus is often portrayed as a monarch sitting on his throne with his arms held up and his feet pointing towards the north pole. In the night sky, Cepheus is found to the west of the Cassiopeia constellation where it appears to be circling the pole star every night.
Story Of Perseus
In Greek story of Perseus, Cepheus was the king of Acrisios or Aethiopia, the husband of Queen Cassiopeia and the father to Andromeda. For the Greeks, Cepheus is known as the father of the Royal Family.
The story begins when Cassiopea started bragging about how Andromeda was more beautiful than the Nereids. This kind of attitude of extreme arrogance and pride, especially when a person claims being better than the gods, creates what’s known as hubris.
Offended by Cassiopeia’s remarks, the Nereids approached Poseidon and complained, asking him to punish this mortal woman. Poseidon agreed and he sent a flood as well as the sea monster Cetus (or Kraken) to destroy the coastline of Aethiopia.
After consulting with the oracle of Ammon (identified by the Greeks with Zeus,) located at an oasis near Siwa in the Libyan desert, Cepheus was told that he would be able to end the destruction of his country by giving up his daughter Andromeda in sacrifice to Cetus. At the urging of his people, Cepheus had Andromeda chained to a rock by the sea to await her fate.
Luck was with Andromeda, for the hero Perseus was flying by on the Pegasus and on seeing her, he flew down to ask her why she was bound to the rocks. Andromeda told her story to the hero Perseus.
After hearing the story, Perseus went to Cepheus, saying he could save Andromeda from the sea monster and that in return, he wanted her hand in marriage. Cepheus told Perseus that he could have what he wanted.
At that, Perseus then, depending on the accounts given, pulled his sword and found a weak spot in the scales of the sea monster Cetus or he used the severed head of Medusa to turn the monster to stone.
In either event, the monster was slain, Perseus saved Andromeda and a grateful Cepheus and Cassiopeia welcomed them to a feast where the two were married.
The story doesn’t completely end there as it seems Andromeda had also been promised to her uncle Phineus to marry. This wouldn’t have been disputed or contested if Phineus had been the one to save Andromeda and slay Cetus himself. So Phineus picked a fight with Perseus about his right to marry Andromeda at the wedding.
After slaying a Gorgon and a Sea Monster, a mere mortal man is no challenge for Perseus who once again pulls out Medusa’s head and turns Phineus to stone. Given variations of the story, sometimes this is when Cepheus and Cassiopeia are also turned to stone when they accidentally look at the gorgon’s severed head. With Phineus now dead, Andromeda accompanies Perseus back to his home Tiryns in Argos where they eventually founded the Perseid dynasty.
Some accounts give that Perseus and Andromeda had seven sons and two daughters. Others place this count a little differently saying its seven children all together, six sons and one daughter. Most accounts agree that the eldest son, Perses founds his own kingdom and becomes the ancestor to the kings of Persia. A variation to this account is that Perses was adopted by his grandfather Cepheus and named heir to the throne.
Eventually, years later, as the major figures of the storied died and passed away, the goddess Athena placed Cepheus and the others up into the heavens as constellations to immortalize and commemorate this story.
In another account, because Cepheus was descended from one of Zeus’ lovers, the nymph Io, that earned him a place in the night sky.
Further, it is the god Poseidon who places both Cepheus and Cassiopeia up into heavens to become constellation.
Hyginus’ Account – By his account, Cepheus’ brother is Agenor who confronts Perseus as he was the one to whom Andromeda had been promised in marriage. So, this is who Perseus ends up killing instead of Phineus.
Aethiopia or Ethiopia?
The accounts can vary and much of this owes to some lack of clarity among the ancient Greek Scholars and Historians. Homer is the first to have used the term Aethiopia in his Iliad and Odyssey. Greek historian Herodotus uses the name Aethiopia to describe all of the inhabited lands south of Egypt. The name also features in Greek mythology, where it is sometimes associated with a kingdom said to be seated at Joppa, (what would be modern day Tel-Aviv) or it is placed elsewhere in Asia Minor such as Lybia, Lydia, the Zagros Mountains and even India.
Modern day Ethopia is located on the horn of Africa and has some tentative ties to the legend of Andromeda. The Egyptian priest Manetho, who lived around 300 BCE called Egypt’s Kushite dynasty the “Aethiopian dynasty.” And with the translation of the Hebrew Bible or Torah into Greek around 200 BCE, the Hebrew usage of “Kush” and Kushite” became the Greek “Aethiopia” and “Aethiopians.” This again changes later to the modern English use of “Ethiopia” and “Ethiopians” with the arrival of the King James Bible.
Given the way that Countries, Empires, Kingdoms and Nations rise and fall, expand and shrink, it’s very well possible that both Aethiopia and Ethiopia are one and the same and that modern-day Tel-Aviv once known as Joppa (Jaffa) may have once been part of Ethiopia. Some sources cite Joppa as having been a city of Phoenicia. There is a lot of history that has been lost to the sands of time that can only be guessed at and speculated upon.
Descendant Of Poseidon
Sometimes the genealogies of Greek characters can get a bit confusing depending on when and who is giving the story.
Regarding the King Cepheus from the story of Perseus and Andromeda, he is sometimes said to be the son of Belus, a king of Egypt and son of the god Poseidon. Or, Cepheus would be listed as the son of Phoenix.
Where Belus’ is given as the father, Cepheus then had Anchinoe as his mother and that Danaus, Aegyptus and Phineus are his brothers.
Iasid Cepheus – This is another name Cepheus is known as, referencing his Argive ancestry and connection to King Iasus of Argus, the father of Io.
The constellation known as Cepheus is one of 48 constellations listed by the 2nd century astronomer Ptolemy in his book, Almagest. Today it remains as one of the 88 current or modern constellations. The constellation of Cepheus is one of the oldest ones identified by the ancient Greeks in the night sky. Also of note is that the stars that comprise the Cepheus constellation aren’t very bright.
The Cepheus constellation is found on the northern hemisphere where it can most likely be seen during autumn evenings, along with several other constellations named after characters in the myth of Perseus. Because of its northern location, Cepheus is only visible north of the 40° south latitude line and for observers farther south it lies below the horizon. It is 27th largest constellation found in the night sky. Bordering constellations to Cepheus are: Cygnus, Lacerta, Cassiopeia, Camelopardalis, Draco and Ursa Minor.
In Arab astronomy, the image of a shepherd with his dog and sheep are seen in this constellation.
In modern Chinese, the constellation is known as Xiān Wáng Zuò, “The Immortal King.”
The stars of Cepheus are found in two areas of the night sky, the Purple Forbidden Enclosure (Zǐ Wēi Yuán, also called the Central Palace) and the Black Tortoise of the North (Běi Fāng Xuán Wǔ). Part of the eastern wall forming the Purple Palace Enclosure passed through Cepheus coming from the Draco constellation to Cassiopeia. Which stars made up this wall is uncertain though.
Tiangou – Also known as Gouxing, the “Hook Star.” The stars Alpha, Eta, Theta, Xi, Iota, and Omicron Cephei form this asterism. This asterism was associated with omens portending earthquakes.
Wudineizuo – This was a group of five stars in the northern part of the Cepheus constellation that bordered with Cassiopeia and Camelopardalis. These five stars represented the seats of the five celestial emperors. These emperors are the deified rulers for the five directions of North, South, East, West and the Center. It’s unknown which of these five stars represented this asterism.
Zaofu – Also spelt as Zhaofu or Tsao Fu. The stars Delta, Epsilon, Zeta, Mu, and Nu Cephei formed this constellation. It is named for a famous charioteer of emperor Mu Wang who lived approximately 950 B.C.E.
The constellation of Cepheus, along with eight other constellations of: Andromeda, Auriga, Cassiopeia, Cetus, Lacerta, Pegasus, Perseus and Triangulum.
All of these constellations have some connection to the overall legend and myth of the Grecian hero Perseus.
Stars of Cepheus
Alpha Cephei – Also known as Alderamin from the Arabic phrase “að-ðirā‘ al-yamīn,” meaning: “the right arm.” This is the brightest star within the Cepheus constellation that is some 49 light years away from the earth. This star still will become the pole star in another 5,500 years. The last time that Alpha Cephei had been the pole star was about 18,000 B.C.E.
Beta Cephei – Also known as Alfirk from the Arabic word “al-firqah,” meaning: “the flock.” It is the second brightest star within the Cepheus constellation. It is a triple star that is a class of stars known as Beta Cephei variable stars and is located some 690 light years away from the earth.
Delta Cephei – Also known as Alrediph or Al Radif meaning “the follower.” It is a double star of a yellow and blue star, this star is a prototype star of a class of stars known as Cepheid variable stars or Cepheids. These are pulsating variable stars that can vary in size over a period of hours, days and years. The constellation of Cepheus has many such stars like this. Delta Cephei is some 891 light years away from the earth.
Gamma Cephei – Also known as Alrai, Er Rai and Errai from the Arabic word “ar-rā‘ī” meaning: “the shepherd.” The star Beta Ophiuchi found within the Ophiuchus constellation is sometimes called Alrai, but is more often called “Cebalrai,” the shepherd’s dog. The first confirmed exo-planet was found near Gamma Cephei in 1989 that then got retracted and later reconfirmed in 2002 after more evidence and studies were done. This is a double star like Delta Cephei and is located some 45 light years from the earth. Due to the precession of equinoxes, Gamma Cephei will replace the star Polaris, Alpha Canis Minoris as the north pole star around 3,000 C.E.
Eta Cephei – Also known as Al Kidr, this star is an orange giant that is located some 45 light years away from the earth.
Mu Cephei – Also known as the Garnet Star or Herschel’s Garnet Star, it is a red supergiant that is estimated to be about 2,400 light years away from the earth. This star was discovered by William Herschell in 1781 who described it as being: “a very fine deep garnet colour, such as the periodical star ο Ceti.” It is to date, the largest known star within the Milky Way galaxy.
Xi Cephei – Also known as Kurhah, Alkirdah, Alkurhah or Al Kirduh, it is a triple star of which all three are dwarf stars.
The Cepheus constellation is the location of the quasar 6C B0014+8120 and has an ultra-massive black hole that is reported to be some 40 billion solar masses. This is about 10,000 times more massive than the central black hole found in the Milky Way, making it the most massive black hole known.
Also known as S 155, this nebula is dim and diffuse bright nebula within a larger nebula.
The Fireworks Galaxy
Also known as NGC 6946, this is a spiral galaxy that has had ten supernovae observed within it so far. This galaxy was first discovered by William Herschel in September 1798. It is some 22 million light years away from the earth and lays along the border between Cepheus and Cygnus.
Also known as NGC 738, this is an open star cluster that was discovered by Caroline Herschel in 1787. This cluster is about 7,000 light years away and the stars found within are less than five million years old, making the Wizard Nebula a young open cluster.
Others Named Cepheus
There are a couple of others named Cepheus in Greek mythology.
- There is a King Cepheus of Tegea. He was the son of Aleus from Arcadia and either Neaera or Cleobule. He had four brothers: Amphidamas, Lycurgus of Arcadia, Auge and Alcidice. This Cepheus would go on to sire twenty sons (at least one named Aeropus) and at least three daughters (Aerope, Antinoe and Sterope). He noted too as the founder of Caphyae. Cepheus and his brother, Amphidamas would later sail with Jason as an Argonaut. During Heracles’ campaign against Hippocoon, Cepheus and his sons allied with the Heracles. Depending on the version of this story told, Cepheus either lost all of his sons or seventeen of his sons and was himself killed during the campaign.
- Cepheus is also the name of one of the people involved in the Calydonian Hunt.
Etymology – The Altar (Latin), Incense Burner or Censer (Greek – Thymiaterion)
Also known as: θυτήριον, θυμιατήριον, Thymiaterion (Greek), Ara Centauri (Roman), Focus, Lar, and Ignitabulum, Thuribulum (Latin),
Ara is the name of a constellation in both Greek and Roman mythology that represents the altar that sacrifices to the gods were made on. The Milky Way galaxy was said to represent smoke rising up from the offerings on the altar. It is a southern constellation that lays between the Scorpius and Triangulum Australe constellations along the southern horizon on the Northern Hemisphere.
The constellation known as Ara is one of 48 constellations listed by the 2nd century astronomer Ptolemy in his book, Almagest. Ara was noted as being close to the horizon by Aratus in 270 B.C.E. Bradley Schaefer, a professor of astronomy, has commented that the ancient star gazers must have been able to see as far south on the southern hemisphere for where Zeta Arae lays, in order to pick out an alter constellation. The stars comprising of Ara used to be part of the Centaurus and Lupus constellations until the astronomer, Nicolas Louis de Lacaille created the Ara constellation during the mid-eighteenth century. Today it remains as one of the 88 current or modern constellations. It is one of the smaller constellations, ranking 63rd in size.
Constellations bordering with Ara are: Apus, Corona Australis, Norma, Pavo, Scorpius, Telescopium, and Triangulum Australe. The best time to spot Ara is during July in the Northern Hemisphere.
The stars for Ara are found in Dōng Fāng Qīng Lóng or the Azure Dragon of the East. In modern Chinese, Ara is known as Tiān Tán Zuò (天壇座), meaning: “the heaven altar constellation.”
Guī – Five of the stars (most likely Epsilon, Gamma, Delta, Eta, and Zeta Arae) in Ara form a tortoise that lived in the river formed by the Milky Way. Since tortoises are land animals, this likely a turtle as they were a prized delicacy. Another turtle found in Chinese astronomy is Bie who is located on the banks of the Milky Way in the Corona Australis.
Chǔ – Three stars (most likely Sigma, Alpha, and Beta Arae) in Ara form a pestle that is seen as pounding rice and separating the husks into a basket, Ji that is found in Sagittarius. Sometimes Chǔ is placed within the constellation Telescopium and depicted by the stars Alpha and Zeta Telescopii.
In Christian astronomy, Ara represents the altar that Noah built to make sacrifices to God on after the great flood.
In Greek myth, Ara represents the altar that Zeus and the other Greek gods swore their oaths of allegiance on before they went to war against the Titans to overthrow Cronus. This particular altar that the gods swore on is held to have been built by the Cyclopes.
It should be noted that Cronus was one of twelve Titans who had also usurped his own father, Uranus, the previous ruler.
What comes around, goes around. A prophecy was given that Cronus would suffer the same fate of being displaced by one of his own children. To prevent this from happening, Cronus swallowed all of his children whole as they were born. These children being: Hestia, Demeter, Hera, Hades, and Poseidon who would all go on to be the Olympic gods.
When Rhea, Cronus’ wife gave birth to her youngest son, Zeus, she hid him in a cave on Crete and gave Cronus a stone, telling him that this was Zeus. Duped, Cronus swallowed the stone. Later, when Zeus had grown up, he managed to get Cronus to vomit up his siblings. Cronus’ children swore vengeance and to help Zeus overthrow Cronus and the other Titans.
The war lasted many years and had come to a standstill at one point and Gaia, goddess of the Earth and spouse to Uranus instructed Zeus to free the ugly, deformed kin of the Titans. These kin were the Hecatoncheires (hundred-handed giants) and the one-eyed Cyclopes who sorely wanted revenge against Cronus for having been imprisoned down in Tartarus.
Making his way down to the depths of the underworld of Tartarus, Zeus freed the Hecatoncheires and Cyclopes, asking them to join his side against Cronus and the other Titans. In gratitude for their freedom, the Cyclopes created a helmet of darkness for Hades, Poseidon’s trident and thunderbolts for Zeus.
Victory didn’t take long after, bringing a ten-year war to an end. Zeus would become the god of the sky, ruling over the other gods from Mount Olympus, Poseidon would become the gods of the sea and Hades would become the god of the underworld.
To commemorate their victory over the Titans, Zeus placed the alter up into the heavens to become the constellation Ara.
Alternatively, Ara has been seen to represent the altar of King Lycaon of Arcadia. Yes, that Lycaon, who held a feast for the gods and dished up one of his sons, Nyctimus as the main course.
Why? Because Lycaon wanted to test Zeus to see if he was omnipotent. Okay dude, not a good idea, this sort of thing with testing and challenging the gods is called Hubris. It is never a good idea to anger the gods.
Needless to say, Zeus was not amused by this affront and turns Lycaon into a wolf (represented by the constellation of Lupus) before killing Lycaon’s other sons with lightning. As for Nyctimus, Zeus restored the child back to life.
Another version of this story given by an Eratosthenes, holds that Lycaon had served up his grandson Arcas at this feast. This would really anger Zeus as Arcas is his son by way of an affair with Callisto, who happens to be Lycaon’s only daughter.
In terms of predicting the weather forecast, it was said by the Greek poet Aratus, that if sailors saw the constellation of Ara, it meant that there would be wind blowing in from the south.
Other weather forecasting held that if the Ara constellation was the only visible constellation in a cloudy night sky, that there would be a storm coming.
The Romans called Ara by the name of Ara Centauri as it represented the altar that Centaurus used when sacrificing the wolf, Lupus.
In this version of the myth, Centaurus is shown in the night sky as carrying the wolf, Lupus to sacrifice on the altar, Ara.
Altar To The Gods, Hearths & Oaths
A more minor bit of lore, is that the Ara constellation represents the actual altar that people would burn incense on to show respect for Zeus.
Out of all the constellations for Ptolemy and other ancient Greek Astronomers to point out, why an Altar? It’s clearly important to the ancient Greeks. Many heroes in the Greek & Roman mythologies made sacrifices to different deities, so it does make sense that something so important would find a place of note in the heavens.
It is very likely that this is just a smaller constellation taken from a larger whole that tells a story narrated out in the night sky, much like the constellations for the story of Perseus and Andromeda or the three constellations that make up the Argo Navis for the story of Jason and the Argonauts.
Usually I want to roll my eyes when I come across an article while researching for a bit of mythology that gets too long winded about the etymology of a word and seems to try and make far too many linguistic connections.
This time it seems to bear some strong merit.
The interesting tidbit I came across is how the Latin word altar was adopted into the Old English word altar as a derivative from the plural noun “altaria”, meaning: “burnt offerings” and likely from the verb “adolere” meaning: “burn up.”
This word connection and etymology has been linked to Hestia, the goddess of the Hearth. The center of the home. That the description of Ara with the smoke from the Altar is that of smoke rising from the hearth of Greek and Roman homes.
More significant is that the Altar was the place where people would swear their oaths. Further etymology games and connections have brought up that the Greek word for oath is horkos and where the modern word exorcise, meaning: “’to bind by an oath” or “to drive out evil spirits” as seen in the Greek word of exorkizein (ex – out and horkos – oath). That seems to make sense in the story of the Titanomachy when Zeus swears an oath on the altar to kill his father and over throw the other Titans. Thus, making way for a new era ruled by the Olympian gods
Making a jump to Roman mythology, you have Orcus, a god of the underworld and punisher of broken oaths. There wouldn’t be this aspect to a deity unless it wasn’t considered important. Again, comes the linking of the Roman Orcus to the Greek orkos or horkos, meaning to swear and the variations of exorkezein, “to bind by an oath,” orkizein ‘to make to swear’, from the word orkos, ‘an oath.”
Continued word etymology has me looking at how the root orkos is very similar to the Greek erkhos or serkos, meaning: “an enclosure, hedge or fence” and is a cognate to the Latin “sarcire” meaning: “to patch or mend” with similar words of sark “make restitution,” sartoruis and sarcire, “to mend or repair.”
It used to be that your word was your bond and that giving one’s word or oath really meant something. Nowadays it feels like you need to have it in writing with the possibility of needing to take people to court if they don’t fulfill any contractual agreements of significant importance.
The constellation of Ara, along with 18 other constellations of: Aquila, Centaurus, Corona Australis, Corvus, Crater, Crux, Cygnus, Hercules, Hydra, Lupus, Lyra, Ophiuchus, Sagitta, Scutum, Serpens, Sextans, Triangulum Australe, and Vulpecula.
All of these constellations have some connection to the overall legend and myth of the Grecian hero Hercules. They are the largest grouping of constellations found in the Western Hemisphere.
Stars of Ara
Alpha Arae – Also known in Chinese as Tchou or Choo, meaning “pestle.” Is the second brightest in the Ara constellation.
Beta Arae – This is the brightest star in the Ara constellation.
Gamma Arae – Is a blue-hued supergiant star thought to be 12.5 to 25 times bigger than the Earth’s own Sun.
Mu Arae – Is a sun-like star that has four known exo-planets orbiting it.
Delta Arae – Also known in Chinese as Tseen Yin, meaning “the Dark Sky.”
Zeta Arae – This is the third brightest star in the Ara constellation.
Named for the distinct “stingray” shape, this Nebula is located roughly 18,000 light years away from the Earth. As of 2010, this is the youngest known planetary nebula found within Ara. While smaller than many other planetary nebulae that have been discovered so far, the Stingray Nebula is still 130 times larger than our solar system. The light for this nebula was first observed in 1987. It is a planetary nebula some 18,000 light years away from the Earth.
Water Lily Nebula
Also, catalogued as IRAS 16594-4656, this is a pre-planetary nebula found within the Ara constellation that is in the process of forming planets. It was first discovered by the Hubble Space Telescope.
Westerlund 1 (Ara Cluster)
This is a compact cluster of relatively young (a few million years old) stars located some 12,100 to 16,000 light years from Earth. Westerlund 1 is named after the Swedish astronomer, Bengt Westerlund who first discovered it in 1961.
Alternate Spellings: 黄帝, Huang Di, Huangdi
Also known as: Gongsun, Kung-sun, Xuanyuan, Xuan Yuan, Hsuan-yuan, Huang Ti, Hwang Ti, Yellow Emperor, Yellow Thearch, the Yellow God, the Yellow Lord
Etymology: the Yellow Emperor, The character 黄 Huang, means “yellow” and is a homophony for the character, 皇 Huang, meaning, “august”, “creator” and “radiant”, Di “emperor”
Huang-Di, the Yellow Emperor ruled during a golden age of Chinese history and mythology. He is the first of five legendary Chinese emperors. Tradition has Huang-Di beginning his rule during 2697 B.C.E. and ending 2597. An alternate date is 2698-2598 B.C.E. These dates were first calculated by Jesuit missionaries studying the Chinese chronicles. They have been accepted by later scholars looking to try and establish a universal calendar.
There are a number of different legends surrounding Huang-Di that tell of his greatness as a benevolent ruler and establishing Chinese civilization. Huang-Di is to have ruled in a Golden Era of history before written Chinese history was established so many of his stories were passed down orally first. Just as Britain has its King Arthur, China has Huang-Di, the greatest ruler of all time that everyone looks up to and reveres.
What’s In A Name?
This gets a little tricky. Depending on the Chinese character used and its pronunciation; depends on what the word is translated to mean.
The character for Di, is used to refer to the highest deity from the Shang dynasty. During the Warring States period, the term Di came to be associated with the gods of the five sacred mountains and colors. After this era, about 221 B.C.E. the term Di came to refer to earthly emperors.
The character for Huang can be translated a couple different ways. Either Yellow or August. Scholars and historians seeking to emphasize the more religious meaning to the name Huaung-Di will translate the name to mean “Yellow Thearch” or “August Thearch.”
Some scholars such as Sima Qian in his “Records of the Grand Historian” compiled in 1st century B.C.E. have given Huang-Di’s name as Xuanyuan. The 3rd century scholar Huangfu Mi have said that this is to be the very same hill that Huang-Di lived and takes his name from. Liang Yusheng, from the Qing dynasty has argued that the hill is named after the Huang-Di. In Chinese astronomy, Xuanyan is the name for the star Alpha Leonis or Regulus.
The name Xuanyuan is also references Huang-Di’s birthplace. Huang-Di’s surname was Gongsun or Ji.
The name Youxiong is thought to be either a place name or clan name. Several Western scholars and translators have given their ideas on what Youxiong translate to. The British sinologist, Herbert Allen Giles says the name is from Huang-Di’s principal heritage. William Nienhauser, in translating the “Records of the Grand Historian” has put forth that Huang-Di is the head of the Youxiong clan who lived near Xinzheng in Henan. The French historian, Rémi Mathieu translates the name Youxiong to mean “possessor of bears” and linking Huang-Di in mythology to bears. Rémi isn’t the only one to make a connection to bears. Ye Shuxian also makes a connection with Huang-Di to the bear legends found throughout northeast Asia and the Dangun legend.
As a culture hero, Huang-Di is seen as a wise and benevolent ruler who introduced government and laws. He is also seen as having taught people several different skills and to have invented several things such as clothing, building permanent structures such as palaces and houses, music, the wheel, armor & weapons, carts, ships, writing, digging wells, agriculture, taming and domesticating animals, astronomy, calendars, mathematics, cuju (a sport similar to football), the compass and currency.
At some time during Huang-Di’s rule, he reputed to have visited the Eastern sea where he met Bai Ze, a supernatural talking beast that taught him the knowledge of all supernatural creatures. Bai Ze explained to Huang-Di there were 11,522 (or 1,522) different types of supernatural beings.
San-Huang – The Three Sovereigns
Also, known as the Three Emperors, they are a group of god-kings and demigod emperors who are believed to have lived some 4,500 years ago. Huang-Di is counted as being part of this group and the leader of their number to have once ruled over China. Other’s counted among this number are Fu Xi, Nuwa and Shennong.
This is another mythological and historical group of rulers important to Chinese culture. These five emperors were virtuous rulers of outstanding moral character. Taihao, the Yan Emperor, the Yellow Emperor (Huang-Di), Shaohao and Zhuanxu are considered among the Five Emperors in this group.
But that makes four with the Three Sovereigns! The math is off! There are a number of variations as to who is counted among these numbers and it all depends on which text and source is used. It will even flip-flop too as to where Huang-Di is placed as either one of the Three Sovereigns or Five Emperors.
Parentage and Family
Huang-Di’ parents are given as Shaodian as his father and Fu Pao as his mother.
According to the “Discourses of the States”, Shaodian is sometimes mentioned as being Huang-Di’s step-father.
Huang-Di seems to have had several different wives:
Leizu – Of Xiling, she is the first wife, she is the most notable with any information as she is the first person to have domesticated silk worms for their silk. With Leizu, Huang-Di had two sons.
Fenglei – Second wife
Tongyu – Third wife
Momu – Fourth wife
Huang-Di is reputed to have had 25 sons. 14 of these sons all started clans of their own with their own surnames.
Shaohao – Also known as Xuanxiao, he would become the Emperor after Huang-Di’s death.
Changyi, who in turn is the father of Zhuanxu who would succeed his uncle, Shaohao as the next Emperor.
Ancestor Of The Chinese
A lot of emphasis and importance has been placed on Huang-Di as many Chinese dynasty rulers would trace the rights of their sovereignty to him. The Chinese Han claim being descendants of both Yandi (The Flame Emperor) and Huang-Di. Eventually, Huang-Di would be seen as the ancestor to all Chinese. A many Dynasty Emperors would all lay claim to Huang-Di’s legacy to prove their rightful claim to the throne.
It should be noted that the earlier mentions of Huang-Di, the Yellow Emperor is on a fourth century bronze inscription for the royal house of the Qi. This inscription claims Huang-Di as an ancestor to the Qi. The scholar, Lothar von Falkenhausen has suggested that Huang-Di is likely created as an ancestral figure in order to claim that all the ruling clans from the Zhou share a common ancestor.
Birth Of A Legend
Per myth and legend, Huang-Di is the result of a virgin birth. His mother, Fubao become pregnant with him while walking out in the countryside and was struck by lightning from the Big Dipper constellation. Fubao would give birth to her son after a period of twenty-four months on either Mount Shou or Mount Xuanyuan. It is for mount Xuanyan that Huang-Di would be named.
In Huangfu Mi’s account, Huang-Di is born at Shou Qiu or Longevity Hill near the outskirts of Qufu in Shandong by modern times. Huang-Di lived with his tribe near the Ji River, a mythological river and later migrated with his tribe to Zhuolu near modern Hebei. As a cultural hero, Huang-Di tames six different animals, the bear, the brown bear, the pi and xiu. The pi and xiu get combined to become a mythological animal known as the Pixiu. He also tames the chu and tiger. I’m not sure which creatures all of these are or the difference between a bear and brown bear is, but there we have it.
Other legends surrounding Huang-Di hold that he could speak shortly after his birth. That when he was fifteen years old, there was nothing that he didn’t know. Huang-Di would eventually hold the Xiong throne.
Trouble In Paradise
Huang-Di’s rule wasn’t completely problem free. One god decided to challenge Huang-Di’s sovereignty. This god was helped by the emperor’s son, Fei Lian, the Lord of the Wind. Fei Lian sent fog and heavy rain to try and drown the Imperial Armies. The emperor’s daughter, Ba (meaning drought) put an end to the rain and helped to defeat Fei Lian and his forces.
The Yellow Emperor And The Yan Emperor
Despite there being some 500 years between Huang-Di and Shennong rules, both of these emperors’ rules near the Yellow River. Shennong hailed from another are up around the Jiang River. Shennong having trouble with keeping order within his borders, begged the Yellow Emperor, Huang-Di for help against the “Nine Li” lead by Chi You and his some 81 brothers who all have horns and four eyes.
Battle of Zhuolu – Shennong was forced to flee Zhuolu before begging for help. Huang-Di used his tame animals against Chi You who darkened the sky by breathing out a thick fog. Huang-Di then invented the south-point chariot to lead his army out of the miasma of fog.
In order to defeat Chi You, Huang-Di calls on a drought demon, Nüba to get rid of Chi You’s storm.
This story sounds a lot like a variation of the previous story where Huang-Di calls for his daughter Ba to defeat Fe Lian.
Battle of Banquan – It is at this battle, that both Huang-Di and Shennong finally defeat Chi You and his forces and replace him as ruler.
Death & Immortality
Huang-Di ruled for many years and is thought to have died in 2598 B.C.E. Legend holds Huang-Di lived over a hundred years, by some accounts this was 110 years. Before he died, Huang-Di met a phoenix and qilin before he rose to the heavens to become an immortal or Xian. He is considered the very archetype of a human who merges their self with the self of the Universal God; how a person reaches enlightenment and immortality.
Another account of Huang-Di’s death is that a yellow dragon from Heaven flew down to take up Huang-Di up. Huang-Di knew that he could not deny destiny and went with the dragon. On their way to fly back to Heaven, they flew over Mount Qiao where Huang-Di asked to be able to say goodbye to his people. The people cried out, not wanting Huang-Di to leave them and they pulled on his clothing to try and keep. Surprisingly, Huang-Di slipped free of his clothing and got back on the dragon to fly up to the heavens. As to his clothing, they were buried in a mausoleum built at Mount Qiao.
Two tombs commemorating Huang-Di were built in Shaanxi within the Mausoleum of the Yellow Emperor. Other tombs were built in Henan, Hebei and Gansu.
Huang-Di is the founder of Taoism, one of the main philosophies and religions found in China.
As Huang-Di began to age, he began to allow his court officials to handle matters and make decisions. Huang-Di moved out into a simple hut in his courtyard. There, as he fasted, prayed and meditated, Huang-Di discovered Tao, or the way, a philosophy that would lead to the ideal state of being.
In some of the older accounts with Huang-Di, he is identified as a god of light and thunder. The name Huang and Guang, meaning “light,” making him a Thunder God. However, Lei Gong or Leishen is the name of another deity and he is seen as Huang-Di’s student.
The legend and origins for Haung-Di have been cast into doubt by many. The scholar Yang Kuan, a member of the Doubting Antiquity School has argued that Huang-Di is derived from the god, Shang-Di from the Shang dynasty. Yang says that the etymology of Shang-Di, Huang Shang-Di and Huang-Di all have a connection to the Chinese character of 黄 Huang, which means “yellow” and its homophony of, 皇 Huang, which means “august,” that to use the character for 皇 Huang, was considered taboo.
Other historians have disputed this claim like Mark Edward Lewis and Michael Puett. While Mark Edward Lewis agrees that the two characters are interchangeable, he has suggested that the character 黄 Huang is closer to the character wang phonetically. Lewis puts forth the idea that Huang might have referred to a “rainmaking shaman” and “rainmaking rituals.” He uses the Warring States and Han era myths for Huang-Di, in that these were ancient rainmaking rituals, as Huang-Di held power over the clouds and rains. Huang-Di’s rival, Chiyou or Yandi held power over fires and drought.
Lord Of The Underworld Or The Yellow Springs
Further disagreements with Yang Kuan’s idea of equating Haung-Di with Shang-Di is the Western scholar, Sarah Allen who has stated that the pre-Shang myths and history can be seen as changes to Shang’s mythology.
By this argument, Huang-Di was originally an unnamed Lord of the Underworld or Yellow Springs, the counterpart to Shang-Di in his role as the supreme deity of the sky. Continuing this theme, the Shang rulers claimed their ancestor as the “the ten suns, birds, east, life and the Lord on High. Shang-Di had defeated an earlier group of people who were associated with the Underworld, Dragons and the West.
After the Zhou dynasty overthrew the Shang dynasty in the eleventh century B.C.E., the Zhou rulers began to change out the myth, changing the Shang to the Xia dynasty. By the time of the Han, according to Sima Qian’s Shiji, Huang-Di as Lord of the Underworld had now become a historical ruler.
During the Warring States era of texts, the figure of Huan-Di appears intermittently. Sima Qian’s text, Shiji (Records of the Grand Historian) is the first work to gather all of the fragments and myths surrounding Huan-Di into a coherent form and narrative. The Shiji would become a very important and influential text for the Chinese and the start of their history.
In the Shiji, Sima Qian he says that the state of Qin began worshiping Huang-Di during the fifth century B.C.E. along with Yandi, the Flame Emperor. Alters had been established in Yong, the capital of Qin. By the time of King Zheng in 247 B.C.E., Huang-Di had become the most important of the four “thearchs” worshiped in Yong.
During the late Warring States and early Han eras, Huang-Di’s cult became very prominent as he is regarded as the founder of the arts, civilization, governing and a supreme god. There have been a number of texts such as the Huangdi Neijing, a classic medical text, and the Huangdi Sijing, a group of political treatises that Huang-Di is credited with having written.
While his influence has waned for a period, the early twentieth century saw Huang-Di become an important figure for the Han Chinese when trying to overthrow the Qing dynasty. For some, Huang-Di is still an important, nationalist symbol.
Huángdì Sìmiàn – Yellow Emperor with Four Faces
In the Shizi, Huang-Di is known as the Yellow Emperor with Four Faces. Other names that Huang-Di is known by are: Sìmiànshén, Four-Faced God or the Ubiquitous God. The name Sìmiànshén is also the name for Brahma in Chinese.
As Huángdì Sìmiàn, Huang-Di represented the center of the universe and his four faces allowed him to see in everything that happened around him and in the world. In this aspect, he communicated directly with the gods for prayer and sacrifice. When traveling, Huang-Di rode in an ivory chariot pulled by dragons and an elephant. He would be accompanied by a troop of tigers, wolves, snakes and flocks of phoenix.
Wufang Shangdi – Five Forms of the Highest Deity
In Chinese texts and common beliefs, the Wudi (“Five Deities”) or Wushen (“Five Gods”) are five main deities who are personifications or extensions of a main deity.
Zhōngyuèdàdì – Huang-Di, when he becomes an Immortal or Xian and deified, is one of the Wudi. As Zhōngyuèdàdì, the “Great Deity of the Central Peak”, he is the most important of the Wudi, representing the element of earth, the color yellow and the Yellow Dragon. He is the hub and center of all creation upon which the divine order found within physical reality makes way for possible immorality. Huang-Di is the god of the governing the material world, the creator of the Huaxia (Chinese) civilization, marriage, morality, language, lineage and the primal ancestor to all Chinese people. In addition, he is a Sun God and associated astrally with the planet Saturn, the star Regulus and the constellations Leo and Lynx. The constellation Lynx in Chinese star lore, represents the body of the Yellow Dragon.
Huángshén Běidǒu – the “Yellow God of the Northern Dipper”, connected to this constellation, Huang-Di becomes identified as Shangdi or Tiandi, the supreme God or “Highest Deity.”
Further, Huang-Di is the representation for the hub of creation, the divine center and the axis mundi for the divine order in physical reality which opens the way to immortality. He is the god who is the center of the cosmos that connects the San-Huang and the Wudi.
Huángdì Nèijing – The Yellow Emperor’s Inner Canon
Also, spelled as Huang Ti Nei Ching (The Yellow Emperor’s Classic of Medicine).
This medical text forms the foundation for traditional Chinese Medicine. it comprises of the theories of the legendary emperor Huang Di who lived around 2600 B.C.E. This tome preserved a lot of ancient medical knowledge and is compose of two volumes. The first one is a dialogue between Huang Di and his minister, Qibo. The second one has the descriptions of anatomy, medical physiology and acupuncture. The real author of this book is unknown.
Huangdi Sijing – Four Scriptures of the Yellow Emperor
In this text, it is explained how regulating the heart and one’s emotions, they will never allow oneself to get overly emotional and carried away. Huang-Di had accomplished doing this during his three years at the refuge at Mount Bowang in order to find himself. Doing this, creates an internal void where all the forces of creation gather, where the indeterminate they stay, the more powerful these forces of creation will be. In more simpler terms, this is self-mastery and self-control.
Other Books –
Other books attributed to Huang Di are: Huángdì Yinfújing (Yellow Emperor’s Book of the Hidden Symbol) and the Yellow Emperor’s Four Seasons Poem that is found contained in the Tung Shing fortune-telling almanac.
As a Sun God, Huang-Di as Zhōngyuèdàdì is associated astrally with the planet Saturn, the star Regulus and the constellations Leo and Lynx. The constellation Lynx in Chinese star lore, represents the body of the Yellow Dragon.
Going Back To Where It All Began!
As previously mentioned earlier, tradition has Huang-Di begin his rule during 2697 B.C.E. and ending in 2597. An alternate date is 2698-2598 B.C.E. These dates were first calculated by Jesuit missionaries studying the Chinese chronicles. They have been accepted by later scholars looking to try and establish a universal calendar.
It should be noted that the traditional Chinese calendar didn’t mark years consecutively. Some Han-dynasty astronomers have tried to determine when Huang-Di ruled. Under the reign of Emperor Zhao in 78 B.C.E. a court official, Zhang Shouwang calculated that some 6,000 years had passed since the time of Huang-Di rule. The court however rejected this claim and said that only 3,629 years had passed. Comparisons with the Western, Julian calendar place the court’s calculations to the late 38th century B.C.E. for Huang-Di. Nowadays, the 27th century B.C.E. is accepted by many.
Possible Reality Behind The Legends
Getting anything for reliable accuracy and the historical context of China before the 13th century B.C.E. is difficult. There is a lot of reliance on what archaeology can provide and prove. The earliest Chinese writing and records date to the Shang dynasty around 1200 B.C.E. This system of writing is the use of bones for oracles. Even any hard evidence for the Xia dynasty is hard to find, even with Chinese archaeologists trying to link this dynasty to the Bronze Age Erlitou sites.
Many Chinese historians view Huang-Di to have a stronger historical basis than other legendary figures like Fu Xi, Nuwa and the Yan Emperor. While many legendary figures and ancient sages have all been considered to be historical figures, it is not until the 1920’s that members of the Doubting Antiquity School in China began to question the accuracy of these legends and claims.
Warring States Era
These early figures of Chinese history, as Gu Jiegang from the Doubting Antiquity School, as stated are mythological in origin. They started off as gods and then became depicted as mortal during the Warring States era by intellectuals.
Yang Kuan, another member of the Doubting Antiquity School, has commented that it is only during the Warring States era that Huang-Di is mentioned as the first ruler of China. Yang goes on to argue that Huang-Di is really the supreme god, Shang-Di, the god of the Shang pantheon.
Even the French scholars Henri Maspero and Marcel Granet, in their “Danses et légendes de la Chine ancienne” (“Dances and legends of ancient China”) have commented that early Chinese legends have more to do with the period to when they were written than to when they are supposed to have happened.
From God To Man
Huang Di’s status as a god faded during the 2nd century C.E. with the rise and reverence of Laozi. Huang Di will still be regarded as an immortal and the master of the longevity techniques and a deity who would reveal new teachings in the form of books like the Huang Di Yinfujing in the 6th century C.E.
Nowadays, many scholars accept the view that Huang-Di and other figures like him started off as a god of religious importance and then become humanized, mortal during the Warring States and Han periods. Even though Huang Di’s status as a god faded during the
Chang Tsung-tung, a Taiwanese scholar has argued, that based on a vocabulary comparison between Bernhard Karlgren’s Grammata Serica and Julius Pokorny’s Indogermanisches etymologisches Wörterbuch, there is a connection with the Old Chinese and the Proto-Indo-European etymologies. That there is a strong influence of Indo-European languages on the Old Chinese language around 2400 B.C.E. Chang goes on to say that the Shang dynasty was founded by Indo-European conquerors and identifies Huang-Di as an Indo-European god. Chang says that the “yellow” in Huang-Di’s name should be interpreted as referring to blond hair. That as a nomad of the steppes, Huang-Di encouraged road construction and horse-drawn carriages to establish a central state.
This idea, to me, seems farfetched. Since it is one of the ideas I came across, I’ll include it here.
Thanks to the French scholar, Albert Terrien de Lacouperie, many Chinese historians got hooked on the idea Chinese civilization getting its start in 2300 B.C.E. by Babylonian immigrants and that Huang Di would have been a Mesopotamian tribal leader. This idea has been rejected by European sinologists, however the idea was advocated for again by two Japanese scholars Shirakawa Jiro and Kokubu Tanenori in 1900.
The ideas certainly seem to held on to by anti-Manchu intellectuals who are looking for the truth of China’s history and wanting to prove the superiority of the Han over the Manchu and the importance of Huang Di as the ancestor of all Chinese.
The Mausoleum Of The Yellow Emperor
Also called Xuanyuan Temple, this mausoleum is the most important of ancient mausoleums in China and praised as “the First Mausoleum in China.” The mausoleum is located at Mount Qiao, north of the Huangling County of Yan’an some 200 kilometers north of Xi’an, the capital of Shaanxi Province. According to historians, the mausoleum was first built on the western side of Qiao during the Han Dynasty (206 B.C.E. – 220 C.E.) It was later restored during the Tang Dynasty (618 – 907 C.E.) It had been damaged by floods and moved to Qiao’s eastern side by the Emperor Song Taizu of the Song Dynasty (960 – 1234 C.E.)
During the Qingming Festival that is held on April 5th, Chinese people from all over gather to hold a memorial ceremony to commemorate the Yellow Emperor, Huang-Di. Yan’an also earns the distinction of being considered the birthplace of Chinese civilization.
Etymology: Yang – “goat,” “sheep,” “sun” or “Aspen”, Jing – “essence” or “clean”
Here’s another entity that caught my interest. Once I sat down to try and find more on them, I found the information to be rather sparse.
Per the few sources I can find, Yang Jing is a Chinese Goat God who is often described as wearing a goatskin and a goat’s head like a hood. He may have been viewed as a fertility god possessing a great sexual potency.
The local villagers in the mountainous areas would offer up sacrifices to Yang Jing to gain his protection of themselves, their harvest and livestock from wild animals.
That would have been it, except I found a couple other tidbits of interest in connection to the name Yang Jing that very likely cast some doubt to the authenticity of a Chinese Goat God.
Horny Goat Weed
Also, known as Epimedium, I found the name Yang Jing in connection to this herb for an herbal tonic used for restoring a person’s overall energy and for men. An alternative to using Viagra!
Any herb used for restoring male sexual energy is referred to as a Yang Jing herb.
The name Yang is the sixth most popular surname found in Mainland China. There’s a number origins for the Yang clan in China. The first family this name are the descendants of Huang Di during the Xia Dynasty. More families and Emperors from the Zhou, Song, Sui, Ji and Tang dynasties have all claimed or changed names to the Yang surname. Often this seems an effort to lay claim to the dynasty aristocracies.
Etymology – Greek – ophis (serpent), ekhein or okhos (holder), “Serpent-Bearer”
Also known as: Ὀφιοῦχος (Greek), Anguitenens, Serpentarius, Hebitsukai-Za (Japanese, “Serpent Bearer”, the Serpent-holder, the Serpent Bearer, the Serpent Wrestler, or the Snake Charmer
The constellation of Ophiuchus is represented as a man holding a snake, seen in the constellation of Serpens. The body of Ophiuchus divides the Serpens constellation in half to Serpens Caput and Serpens Cauda.
The ancient Greeks saw the god Apollo in the constellation of Ophiuchus, contending with a large snake that guarded the Delphi Oracle. Many others have seen various legendary healers from Joseph and Aaron from the Bible, Imhotep and Asclepius in this constellation.
Astronomy & Astrology
Much of the foundations of Western knowledge regarding the fields of Astronomy and Astrology owe its roots to Ancient Mesopotamian cultures. Many ancient cultures studied the stars, seeing in them patterns that are called constellations. These ancient astronomers could make predictable, annual turnings of the heavens that they could divide and mark for the passing of the Seasons and time. For the ancients, Astrology served as a precursor to Astronomy and they believed that by studying the heavens, they could foretell future events and even a person’s life path.
These ancient cultures would also meet and exchange ideas frequently and in this fashion, when the Greeks encountered the Persians, there was an exchange of knowledge regarding Astronomy that becomes the constellations and zodiacs so many know today. Eventually, there is no clear distinction between what ancient Mesopotamian Astronomers and Greeks Philosophers knew. Even in current, modern times, the influence of these ancients is still known.
The constellation known as Ophiuchus is one of 48 constellations listed by the 2nd century astronomer Ptolemy in his book, Almagest. Today it remains as one of the 88 current or modern constellations. It is a large constellation, ranking 11th in size and located near the celestial equator. Ophiuchus was previously known as Anguitenens and Serpentarius; which in Latin has the same meaning as the modern name.
Constellations bordering with Ophiuchus are: Aquila, Libra, Scorpius, Serpens and Hercules. If you know where in the night sky that Orion is, Ophiuchus on the opposite. The best time to spot Ophiuchus is during the month of July in the Northern Hemisphere.
The ancient Babylonians have a constellation known as the “Sitting Gods” that might have been in the same location of the night sky that Ophiuchus is found.
The Sumerian god, Enki has also been suggested as who the constellation is based on.
In his book, Babylonian Star-lore, Gavin White suggests that Ophiuchus has a connection to the ancient snake god, Nirah, who is sometimes depicted having the upper body of a man and snakes for legs. This idea seems a bit farfetched as there aren’t too many other scholarly works to validate or refute it.
Ophiuchus, combined with Serpens was known as Nu-tsir-da.
Arabic & Islamic Astronomy
According to 10th century C.E., Azophi’s Uranometry, the constellation of Ophiuchus is known by the name of Al-Hawwa’, the Snake-Charmer.
An Arabic title for Ophiuchus is Suille. Herodotus mentions a tribe of snake-charmers known as Psylli in North Africa. This part offered up some confusion keeping this straight. Again, as there’s some conflicting information and research. I found a “le Psylle” that refers to an insect. This may be to a lot of confusion with languages and translations.
To the ancient Chinese astronomers, Alpha Ophiuchi is known as Hou, a senior assistant to the Emperor. The Emperor’s thrown, Dizuo is located directly north in the Hercules constellation where it corresponds with the star Alpha Herculis. What exactly Hou’s role is, is rather unclear. Some have referred to him as an overseer, an usher bringing in guests and possibly an astrologer.
The stars Iota and Kappa Ophiuchi formed Hu, a measuring cup for liquids, this constellation is found further in the Hercules constellation.
For the ancient Chinese, the southern part of Hercules, most of Serpens and Ophiuchus were viewed as a celestial market place, Tianshi. To the left of Tianshi, there is an eastern wall that starts in the constellation of Hercules and heads south through Serpens Cauda and ending in Ophiuchus at Eta Ophiuchi. To the right of Tianshi, a western wall runs southward from Hercules, through Serpens Caput and ends in Ophiuchus with stars Delta, Epsilon and Zeta Ophiuchi. The stars 20 Ophiuchi and Chesi are seen as market stalls along the right wall. The stars Lambda Ophiuchi and Sigma Serpentis made up Liesi, an arcade where jewelers shops could be found.
Comprised of stars Mu, 47, 30 and a much fainter star formed a six-star loop that represents a hall or a tower housing the trading standards office. Finishing out this shape are the stars Omicron and Nu in Serpens Cauda.
Zongzheng, Zongren, and Zong
These three constellations are found to the south of Hou. Zongzheng is noted by the stars Beta and Gamma Ophiuchi and Zongren is noted by the stars 66, 67, 68 and 70 Ophiuchi. These two constellations are seen to represent a governor and his aides who are supervising the younger members of the royal family. Zong is noted by the stars 71 and 72 Ophiuchi and is seen to represent a revered ancestor to the royal family.
The stars Phi, Chi, Psi, and Omega Ophiuchi formed Dongxian found outside the market walls. Dongxian is the western door to the steward’s room, used for investigating on any trade infractions. The eastern door, Xixian is found in Scorpius and Libra.
Marked by Theta Ophiuchi and three other stars, this constellation is a celestial river, located in the Milky Way and thought to control the waterways.
Lying next to Tianjiang, this constellation is composed of eight faint stars found in Ophiuchus and Sagittarius. It is thought that Tianyue lays directly on the ecliptic and represents a keyhole or lock that the Sun must thread itself through every year. It lays directly across the heavens from Tiangun, a gate found on the ecliptic within the Taurus constellation.
In later symbolic literature for Christianity, the imagery of Ophiuchus and the serpent is used in the story of the Garden of Eden. In his Paradise Lost, John Milton uses Ophiuchus as a major simile where he compares Satan to a comet that burns through the length of the constellation.
Again, with the strong imagery of the figure holding a serpent, some astrologists have connected the story of Joseph from the Biblical Book of Genesis and his interpreting dreams for the Pharaoh. Another story connecting Ophiuchus to the bible is that of Aaron and his casting down his rod to become a snake.
Due to the rise of interest in Ophiuchus as a 13th Astrological sign, many have been quick to identify the Greek physician Asclepius in this constellation. In turn, discussion extends to an earlier Egyptian healer, Imhotep that Asclepius is based on.
The 4th century B.C.E. Greek poet, Aratus has the earliest mention of Ophiuchus in his Phaenomena, which in turn is based on earlier works by Eudoxus of Cnidus. While Aratus didn’t know much about astronomy by Greek standards of the day, he was very well known for his poetry and descriptive imagery for the constellations.
The ancient Greeks saw the god Apollo in the constellation of Ophiuchus, contending with a large snake that guarded the Delphi Oracle.
The son of the god Apollo, Asclepius is the figure most often seen and identified in the constellation of Ophiuchus. Elevated to the status of a demi or lesser god, Asclepius was greatly renowned for his healing skills to the degree that he could even bring people back from the dead.
This knowledge of healing came about after Glaucus, the son of King Minos of Crete had fallen into a jar of honey and drowned. Asclepius had been called into the scene and while there, saw a snake slithering towards Glaucus’ body. Asclepius killed the snake and then saw another snake come in and place an herb on the body of the first snake, bringing it back to life. After witnessing this, Asclepius proceeded to take the same herb and place it on Glaucus’ body and bring him back to life.
Another story of Asclepius bringing people back to life is the resurrection of Thesues’ son, Hippolytus after the king’s son had been thrown from his chariot.
Asclepius had been raised by Chiron, the immortal centaur and god in his own right. From Chiron, Asclepius learned the art of healing and in one story, Asclepius received the blood of the slain gorgon Medusa from the goddess Athena. The gorgon’s blood reportedly held some mystical qualities. The blood taken from the left side of Medusa’s body was a poison while the blood taken from the right side would be able to resurrect people, bringing them back from the dead.
This caused enough of a complaint from Hades to Zeus that humans would become immortal and that there wouldn’t be any one entering the Underworld. To prevent people from becoming immortal, Zeus agreed to kill Asclepius, doing so with a lightning bolt. Later, Zeus placed Asclepius’ image up into the heavens to become the constellation of Ophiuchus in honor and memory.
Ophiuchus is part of the Hercules Family of constellations. The myth I found making this connection, has the famous hero Hercules kill Kaikias, the Blinding One. Kaikias or Caecius is the god of the North East Wind who is shown carrying a large shield that scatters hailstones upon the earth.
Other Greek myths see the figure of Laocoön, a Trojan priest of Poseidon. Laocoön had tried to warn the other Trojans about the Trojan Horse and the fact that the Greeks were hiding within it. He would later be killed by a pair of sea serpents sent by the gods to punish Laocoön.
Another Greek myth links Phorbos with the constellation of Ophiuchus. The son of Triopas and Hiscilla, Phorbas became the hero of the island of Rhodes when he saved the people from a plague of serpents. Sometimes this is interpreted to have been dragons, but snakes is often referred to or meant in the story. An oracle had told the people to call on Phorbas who came and rid the island of snakes.
Renaissance And Early Modern Depictions
Inspired by Aratus’ description of Ophiuchus stepping on the constellation of Scorpio with his feet, others such as Renaissance artist such as Albrecht Dürer and astronomer Johannes Kepler continued this idea.
For the Romans, the legendary healer, Asclepius is Romanized to the Latin spelling of Aesculapius. The Ophiuchus constellation is known by the Latin name of Serpentarius.
The constellation of Ophiuchus, along with 18 other constellations of: Cygnus, Hercules, Sagitta, Aquila, Lyra, Vulpecula, Hydra, Sextans, Crater, Corvus, Serpens, Scutum, Centaurus, Lupus, Corona Australis, Ara, Triangulum Australe, and Crux.
These constellations have some connection to the overall legend and myth of the Grecian hero Hercules. They are the largest grouping of constellations found in the Western Hemisphere.
The connection extends from Donald H. Menzel, the director of the Harvard Observatory, who in his A Field Guide to the Stars and Planets, takes groups of constellations based on where in the night sky they are located and grouping them by the very same location.
Stars Of Ophiuchus
Alpha Ophiuchi – Also known as Rasalhagues or Ras Alhague, meaning “Head of the Snake Charmer” or “Snake Collector” in Arabic, is the brightest star in the Ophiuchus constellation. It marks the head of Ophiuchus.
Beta Ophiuchi – Also known as Celbalrai. Cheleb and Kelb Alrai, it comes from the Arabic word kalb al-rā‘ī, meaning “the shepherd dog.” Ptolemy in his Almagest, placed the right shoulder of the Serpent Holder with this star along with Gamma Ophiuchi.
The Arabs saw a Shepherd in the star Alpha Ophiuchi with his dog, the star Beta Ophiuchi guarding sheep in the area.
Delta Ophiuchi – Also known as Yed Prior, the word “yed” comes from the Arabic language meaning “the hand.” Along with the star Epsilon Ophiuchi, these two stars mark the left hand of the Serpent Bearer, holding the head of the snake.
Epsilon Ophiuchi – Also known as Yed Posterior, this star along with Delta Ophiuchi mark the left hand of the Serpent Bearer.
Eta Ophiuchi – Also known as Sabik is the second brightest star in Ophiuchus.
Gamma Ophiuchi – Ptolemy in his Almagest, placed the right shoulder of the Serpent Holder with this star along with Beta Ophiuchi.
Iota Ophiuchi – Ptolemy in his Almagest, placed the left shoulder of the Serpent Holder with this star along with Kappa Ophiuchi.
Kappa Ophiuchi – Ptolemy in his Almagest, placed the left shoulder of the Serpent Holder with this star along with Iota Ophiuchi.
Barnard’s Star – This is the second or third closest star to our own sun about 6 light-years away. The only other stars that are closer are those found in the Alpha Centauri binary star system and Proxima Centauri. Banard’s Star is located just north of a V-shaped group of stars that form a now obsolete constellation known as Taurus Poniatovii or Poniatowski’s Bull, specifically 66 Ophiuchi.
Taurus Poniatovii – Obsolete Constellation
According to Ptolemy’s The Almagest, the stars 66, 67, 68, 70, and 72 Ophiuchi made a short-lived constellation that formed a bull. The constellation has since then been combined wiwth Ophiuchus to form the right shoulder and tail of the serpent.
First off, what is a Superbubble? It’s an astronomical event that happens when area of space, often hundreds of light years in distance has been created by several stars going supernovae and stellar winds blowing in interstellar gas. It’s basically what’s left over after the star or stars have finished going nova.
2005 saw a group of astronomers using information from the Green Bank Telescope to discover and identify one such Superbubble or Supershell. This particular superbubble is so large it reaches out beyond the furthest edges of the galaxy.
Also, known as Keplar’s Star. On October 9th, 1604, Johannes Kepler observed a supernova near the star Ophiuchi. Johannes would study this nova so extensively that it would eventually be named after him. The book, De stella nova in pede Serpentarii (On the New Star in Ophiuchus’ Foot) contains all of Johannes’ studies and finding on this nova.
Galileo used this nova’s brief appearance when countering Aristotelian dogma and beliefs that the heavens were unchangeable.
Little Ghost Nebula
This is a planetary nebula found in Ophiuchus by William Herschel. It is about 2,000 light years away from the Earth.
Dark Horse Nebula
Also, known as the Great Dark Horse is a nebula found in Ophiuchus. This nebular is so named as its shape looks like the profile of a horse. It lays near the border with the constellations of Sagittarius and Scorpius. The Dark Horse Nebula is one of the largest and with the right conditions, it can be seen without the aid of binoculars.
This nebula is part of the larger Dark Horse Nebula and is considered to form the hind legs or quarters of the Dark Horse. Like the Dark Horse, the Pipe can be seen without any aid from telescopes or binoculars, but its still helpful to use them.
Yet another nebula found in Ophiuchus. Like the Pipe Nebula, the Snake Nebula is also part of the much larger Dark Horse Nebula. It is about 650 light years from the Earth. While small, the snake is easily found for its distinctive s-shape near the bowl part of the Pipe Nebula.
Twin Jet Nebula
Also, known as Minkowski’s Butterfly or the Butterfly Nebula, it was first discovered by German-American astronomer Rudolph Minkowski in 1947. The nebula is so named as it appears like either a butterfly or a pair of exhaust pipes on a jet.
There are four meteor shows associated with the constellation of Ophiuchus. They are the Ophiuchids, the Northern May Ophiuchids, Southern May Ophiuchids and Theta Ophiuchids.
Ophiuchus In Astrology?
The 13th Sign of the Zodiac!
Not so fast there! It may sound great and exciting, but such is not the case.
The idea of a 13th Sign for the Zodiac quickly caught fire in the imaginations of many aspiring astrologers, New Agers and assorted others.
Even from the expert astrologers, it must be remembered that Ophiuchus is a constellation, not a new Zodiac Sign. You don’t have to worry about going to bed, believing you were a Scorpio or Sagittarius and suddenly, everything has changed and you’re now an Ophiuchus. Nothing of the sort.
Yes, Ophiuchus is one of thirteen constellations that crosses the ecliptic as the earth makes it monthly journey around the sun and appears to move from one Zodiac Sign to the next. There is a huge difference though between a constellation and a Sign within the Zodiac. Traditionally the classical Greek Zodiac is set up into twelve Signs that stretch along the earth’s ecliptic path with each sign having roughly a month’s time. Especially in the Western traditions. The set up for the for the Signs also follow the changes of the seasons so that the March equinox will fall on the day when the celestial boundary is between Aries and Pisces.
Constellations on the other hand, vary in size and are based on the positions of the stars. Due to the precession of the equinoxes over the millennia, a Sign and constellation no longer directly line up and correlate to which Zodiac is in the heavens.
A History Lesson
Ptolemy, in his book Tetrabiblos, 170 C.E., mentions only 12 Signs. Yes Ophiuchus and some of the fixed stars got used by some of the ancient astrologers for the more significant celestial events. The 1st C.E. poet Manilius for example, in his Astronomica, describes Ohiuchus in an astrological poem. Later, Manilus goes on to discuss the astrological influence of Ophiuchus, commenting that when this constellation is rising, a person will have an affinity for snakes and be protected from their poison. Of course, a later 4th century astrologer known as Anonymous of 379 will make the association of Ras Alhague, the brightest star in Ophiuchus, as the star of doctors, healers and physicians.
Alright, so I can see where some people will jump up and down getting excited for: “See! It is the 13th Sign!”
In more modern 20th and 21st century, the IAU (International Astronomy Union) in 1930 came up with the idea of 13 astrological Signs due to “the Sun is in the sign of Ophiuchus” between November 29th and December 17th with where the constellation boundaries lay. This continues with Stephen Schmidt in 1970, when he suggested a 14-Sign Zodiac, which includes Cetus as a Sign. Later, in 1995, the 13-Sign Zodiac is put forward by Walter Berg in his “The 13 Signs of the Zodiac” and Mark Yazaki in Japan. There, the concept of Ophiuchus took off in Japanese pop culture appearing in a number of video games, notably Final Fantasy and the anime and manga series known as Fairy Tail.
People’s imaginations got fired up for a 13th Sign when an astronomy professor Parke Kunkle from the Minneapolis Community and Technical College explained to his local paper, the Minneapolis Star-Tribune about the precession of stars over time and that eventually, old markers for time with the changes of the season altered.
The specific quote is this – “Two thousand years ago the Sun was ‘in’ whatever it was in. Now it’s about a whole constellation off from that.” It’s a quote that went viral and got picked up by various media news sites. And for the lay person who first gets into Astrology or doesn’t know anything at all, there’s the assumption that it’s all based on the constellations and not the Signs.
But It Must Be A Sign!
If you’re insisting it must be a new Zodiac Sign, here we go –
The time for Ophiuchus is from November 29th to December 17th. This takes up a good chunk of the time that’s for Sagittarius that typically runs from November 23rd to December 21st. Perhaps you can see why this is problematic.
As a 13th Sign, Ophiuchus doesn’t have an opposite Sign like all the others do. Adding Ophiuchus makes the use of the Zodiacs more Constellation based or sidereal. The use of sidereal astrology is more typical of the Vedic Astrology. Walter Berg states that the Sun is the Planet associated for this Sign. Many also place a strong emphasis on Ophiuchus’ role and affinity with healing through the use of imagery with Asclepius, Imhotep and to a lesser degree others like Joseph of Biblical fame for his interpretation of dreams and the Babylonian god Enki.
Ophiuchans are described as: seekers of wisdom and knowledge, they’re known for having a flamboyant or brightly colored wardrobe, they get along will with authority and supervisors, a seeker of peace and harmony, dream interpretation, premonitions, medical affinity, likely to have a large family though possibly have left their own home at an early age and have an eye for design and construction. The number 12 is considered an Ophiuchan’s lucky number and people may or may not be a bit envious for their progress and advances in life.
Also known as: 叔均 (Chinese), Shangjun and Yijun
Shujun is one of many Agricultural deities that China has. Others include Di Jun, Houji, Shennong to name a few. Shujun specifically, is the god of farming and cultivation. He is also credited with the invention of using a draft animal such as oxen to pull a plow when tilling the fields.
An alternative to Shujun’s story is that he is a cultural hero who descends from a line of emperors known as the Yellow Emperor or Huangdi.
Qiaorui – He is a famous craftsman who invented a number of different crafts such as the bell, boat, and a plow-like farm tool for people. Shujun has sometimes been identified with him.
The Yellow Emperor
The Yellow Emperor is a title of the dynasty who ruled China after the first defeated the last of the Flame Emperors or Yandi.
Huangdi – Also known as “The Yellow Emperor,” was known to be a friend and fellow scholar with Shennong despite there being some 500 years’ distance between the two. Both Huangdi and Shennong are said to have shared the alchemical secrets of medicine, immortality and making gold.
Shiji (Records of the Grand Historian) – By the 8th Century C.E. historian Sima Zhen, Shennong is a kinsman of the Yellow Emperor and the ancestor or patriarch of the Chinese. The Han Chinese regard both Shennong and the Yellow Emperor as their ancestors.
Aside from the Yellow Emperor, Shujun is also said to be related to Di Jun, or the Emperor Jun and Houji, a minister of Huangdi.
Alternatively, Shujun is the son of Houji. Sometimes Shujun is even Houji’s nephew through his younger brother Taixi.
God Of Farming And Cultivation
In either event, whether as son or nephew, Shujun takes Houji and/or Taixi’s place with sowing a variety of different grains and the invention of the plowing with draft animals.
Alternate Spellings: Shen-Nung
Also known as: 神農 (Traditional Chinese), 神农 (Simplified Chinese), Thần Nông
(Vietnamese), Hangul (신농 Korean), 神農 (Japanese), The Emperor of the Five Grains (Wǔgǔxiāndì), Shen-Nung, Sheng-Nong, Shen-Nong-Shi, Yan-Di, Yandi, Flame Emperor, Lord of the Burning Wind, Holy Plowman King
Pronunciation: shin nung
Etymology: Divine Farmer or Divine Husbandman
In Chinese mythology, Shennong is one of several important deities who introduced and brought agriculture to the Chinese people. Shennong is one of the three noble ones known as the San-huang. In art, Shennong is sometimes depicted with the head of an ox or bull.
Shennong is credited with having invented the plow and teaching people agriculture and the cultivation of forests. In addition, Shennong also introduced the use of medicines and herbs.
Shennong is the second of three legendary Emperors of China and an important cultural hero. Tradition has him being born in the 28th century B.C.E. with the head of a bull and the body of a man.
What makes Shennong such an important hero is not only his introduction and use of agriculture but his identifying the use of hundreds of medical and poisonous plants that are used in Traditional Chinese Medicine. He went about this by testing the effects of these plants on himself.
Chinese legends tell how Shennong had a transparent body that allowed him to see the effects that different plants and substances had on him. Another legend tells how during his research, Shennong poisoned himself a total of seventy-two times during the course of a single day. Fortunately, and Shennong credited his anecdotal tea preventing him from suffering any long-term complications or side-effects.
Tea, a discovery attributed to Shennong, was believed to act as an antidote to some seventy different herbs. Shennong traditionally held to have discovered tea and to have first tasted it sometime around 2437 B.C.E. when the burning leaves of a tea tree were lifted up by the hot air from a fire and fell into a cauldron of boiling water.
Another discovery attributed to Shennong is that of acupuncture. Further, stories of Shennong’s youth have him speaking after three days, walking within the week and that he could plow a field by the time he was three.
Depending on the version of the story told and the accounts given, Shennong died as a result of his testing the effects of plants on himself. One of his experiments didn’t agree with him when he ate a yellow flower from a weed that caused his intestines to rupture before Shennong had time to take his anecdotal tea.
This wouldn’t be the end for Shennong as he was given special honors and worshiped as the Medicine King and Father of Chinese Medicine.
God Of Agriculture & Medicine
When Shennong is worshipped and mentioned as a deity, he is the god of the burning wind and the patron of farmers, pharmacists, rice traders and practitioners of Traditional Chinese Medicine.
As a god of agriculture, Shennong is one of many cultural heroes and deities credited with different, various inventions such as the axe, the hoe, the plow (both leisi and the plowshare), digging wells, irrigations, the use of boiled horse urine to store seeds, weekly farmers’ markets, the Chinese calendar, acupuncture, therapeutic use of taking pulse measurements, moxibustion and instituting the harvest thanksgiving ceremony of Zhaji Sacrificial Rite, later known as the Laji Rite.
Burning Wind – This term refers to the type of agriculture that is slash and burn. The ash from the resulting fire is then used to fertilize the fields.
Worship – As Shennong is often depicted as being ox-headed, the sacrifice and offerings of cattle is never acceptable. However, the sacrifice of pigs and sheep is acceptable. In addition, the use and offerings of fireworks and incense is used at Shennong’s statues, particularly on the lunar calendar for April 26th for his birthday. There are a number of temples and places dedicated to the commemoration of Shennong.
Divine Family – This part is rather tentative and relies on accepting Shennong as a defied human. A couple sources will list Shennong as having married a Sien-Tsang, the goddess of Weaving and Crafts. They had a son, Qi-Yu (alternatively Chi-Yu) a rain god and who is half bull like his father.
San-Huang – The Three Sovereigns
Also known as the Three Emperors, they are a group of pseudo-mythological and sage-like emperors who are believed to have lived some 4,500 years ago. Shennong is counted as being part of this group and the second of their number to have once ruled over China.
The Flame Emperor
Or Yan di, the Chinese accounts can sometimes get confused as to who exactly the Yan Emperor is or was.
Some accounts of Shennong’s legend place him as a relative to the Yan Emperor. Other accounts place him as the first Yan Emperor and that Shennong appointed one of his ministers, Chi You who was also ox-headed with sharp horns, bronze forehead and iron skulled.
Another account has posited that the Flame Emperor was a title, held by the dynastic succession with Shennong holding the title of Yandi posthumously. The last Yan Emperor was defeated by Huangdi (the Yellow Emperor) about 500 years later.
The Yan di were regarded as masters of fire and thus used fire in their names. The Yan di was also known as the Emperor of the South. With the Yan di defeat by the Huangdi, the title of Yan passed out of usage. Their descendants though intermarried with the Huangdi.
Shennong, along with Fuxi and the Yellow Emperor are credited with the creation of the Gugin.
The Yellow Emperor
Huangdi – Also known as “The Yellow Emperor,” was known to be a friend and fellow scholar with Shennong despite there being some 500 years’ distance between the two. Both Huangdi and Shennong are said to have shared the alchemical secrets of medicine, immortality and making gold.
Shiji (Records of the Grand Historian) – By the 8th Century C.E. historian Sima Zhen, Shennong is a kinsman of the Yellow Emperor and the ancestor or patriarch of the Chinese. The Han Chinese regard both Shennong and the Yellow Emperor as their ancestors.
Aside from the Han, the Song Dynasty General Yue Fei also traced his lineage to Shennong.
Possible Reality Behind The Legends
Getting anything for reliable accuracy and the historical context of China before the 13th century B.C.E. is fairly difficult. There is a lot of reliance on what archaeology can provide and prove. The earliest Chinese writing and records date to the Shang dynasty around 1200 B.C.E. This system of writing is the use of bones for oracles. Even any hard evidence for the Xia dynasty, a successor to Shennong is hard to find, even with Chinese archaeologist trying to link this dynasty to the Bronze Age Erlitou sites.
Despite a lack of hard evidence, Shennong remains an important individual and even his clan share a prominent place in the history of China’s culture for mythology, popular culture and historical literature.
Shennong-shi – Shennong’s name can also refer to his people. The “shi” can mean both “clan” and “surname” as well as an honorific like “sir” or “mister.”
Sima Qian comments how the rulers directly following the Yellow Emperor were all of Shennong’s house or social group. Sima Zhen in his prologue for his Shiji says that Shennong’s surname was Jiang before going on to list all of his successors.
Herbalism and Traditional Chinese Remedies
The Chinese have a rich history and use of traditional remedies and herbs that dates back more than 5,000 years. With the use of oral history and stories by word of mouth, many of the stories attribute Shennong as the father of medicine. Like Shennong, Chinese people have tested the effects of different plants and herbs on themselves for their medicinal values over the millennia. These years of experimentation allowed for an increased understanding of pharmacology for the uses, dosages and toxicity of different herbal medicines.
Huainanzi – This is an older and more famous reference document. In it, before Shennong came along, people were constantly sick, starving, diseased and always suffering. When Shennong came along, he taught the people the art of agriculture and through his own research, the use of plants for medicine. Shennong did this feat by consuming hundreds of plants, testing them on himself. He is even said to have eaten some seventy poisons in one day.
Huang Ti Nei Ching – The Yellow Emperor’s Classic of Medicine – This book comprises of the theories of the legendary emperor Huang Ti who lived around 2600 B.C.E. This tome preserved a lot of ancient medical knowledge and is compose of two volumes. The first one is a dialogue between Huang Ti and his minister, Qibo. The second one has the descriptions of anatomy, medical physiology and acupuncture. The real author of this book is unknown.
I Ching – The Book of Changes, Shennong is mentioned in this book coming into power after the end of the house or reigning period of Paoxi (Fu Xi). He is mentioned here as having invented the bent-wood plow, a cut-wood rake and having taught these skills to other people. Shennong is also credited with establishing of noonday markets.
Lüshi Chunqiu – This document mentions the violence of the rise of Shennong’s house and its lasting for seventeen generations.
Shénnóng Běn Cǎo Jīng – Also called: “The Divine Farmer’s Herb-Root Classic” or “The Classic of Herbal Medicine” and “Shen-nung Pen-tsao Ching.” This book on agriculture and medicinal plants is the most well-known work attributed to Shennong. Research has found and suggested that this book is a compilation of oral traditions dating to between 200 and 250 C.E. during the end of the Western Han Dynasty.
Unfortunately, the original book no longer exists, but it believed it was written in three volumes with some 365 entries. The books list numerous, different herbs said to be discovered by Shennong. As the earliest pharmacopoeia reference, there are hundreds of different medicines derived from various animals, minerals and plants.
The first volume included 120 herbs and drugs deemed to be harmless to humans as they were stimulants such as reishi, ginseng, jujube, the orange, Chinese cinnamon, Eucommia bark and liquorice root. All of these herbs were regarded as “noble” or “upper herbs.”
The second volume has 120 therapeutic entries intended to treat the sick. All of them though have toxic or potentially toxic effects. Entries include cucumber, ginger and peonies. All of these entries were considered to be “human,” “commoner” or “middle herbs.”
The last volume has 125 entries for those herbs and substances that have strong or violent effects on physiological functions and seen as poisonous. Entries in this volume include rhubarb, various pitted fruits and peaches. All of these herbs are considered “low herbs.”
Wu Shi Er Bing Fang – Prescriptions for Fifty-Two Diseases, this book is ultimately the first written treatise on herbal medicine that dates to between 1065-771 B.C.E. It was discovered in 1973 during that excavation of Ma Wang Dui’s tomb in Changsha, Hunan province. It beats out the Shénnóng Běn Cǎo Jīng which is figured to have been written between 200 and 250 C.E.
Many places in China have connections to Shennong.
Shennongjia – This mountain range located in Hubei is where Shennong is to have climbed up a rattan ladder that turns into a vast forest.
Shennongding – “Shennong’s Peak” – This is the specific mountain that Shennong climbed up and down with his ladder.
Shennong Stream – Named for Shennong, this stream flows into the Yangtze River.
Shennong Temple – Located in Taiwan, Shennong is worshiped here under a number of different names such as King Yan, the God of Five Grains, Shennong the Great Emperor, the Ancestor of Farming, Great Emperor of Medicine, God of Earth, and the God of Fields.