Category Archives: Celtic
Etymology – Scottish & Irish – “a boorish old man”, Modern Scottish Gaelic – “old man”
In the Scottish Gaelic language, the word breaks down to “bod”, meaning “penis” and its suffix “’ –ach”, that translates to mean “someone who has a penis.”
Pronunciation: ˈbōdək, ˈbäd-
Historically, the word and name Bodach comes from the Scottish Gaelic term for an “old man” referring to a mature person. It had once been used as a derogatory term to refer to peasants and farmers (bothach) by the warrior class of the Scots. In more modern times, the term is used more affectionately then its former derogatory intent.
In Irish, the word bodach also means a churl or clown, referring to someone who was an old or churlish person, serf or peasant. There are some children’s stories where the word bodach is translated as curmudgeon or the name Nod is used in its place.
In time, the word bodach found its way into the English language by the British, who used the word to refer to a mythological being or spirit much like a goblin, bugbear or bogeyman. Here the bodaich is used as a cautionary story for keeping misbehaving children in line. Behave or else the bodach will come down the chimney to take you away!
There are certain regions of Wales and Scotland where the term bodach is used for a type of imp or fairy. Frequently, this is one of the more mischievous, shape-shifting types.
Omen Of Death
In Walter Scott’s Waverley (1814), a much more formidable form of the bodach as the bodach glas (the Dark Grey Man) is a harbinger of death.
While not used very often, bodaich do appear from time to time in literature. The bodach has altered a bit of its appearance into modern literature. In Dungeons &Dragons, the name has a minor spelling change to bodak and becomes an undead entity, largely black in color. The same description of black, shadowy creatures is used in Dean Koontz Odd series where they appear at different sites just before a disaster takes place. The same type of shadowy creatures appears in the movie “The Eye.” Even W. B. Yeats make mention of a bodach in his prose The Hour-Glass where a bodach appears to the character, the Fool and attempts to trick him out his money with a riddle.
Found in the folklore of the Shetland Islands of Scotland, is the wulver, which is described as being a humanoid being with a wolf’s head and covered in short brown fur all over. Wulvers were never human to begin with and are a type of spirit being or fairy.
Wulvers dig their homes in the side of a steep knowe (a knoll or hill). The most famous wulver is known for fishing out on a rock in the water known as “Wulver’s Stane.” It was not uncommon for the wulver to leave a few fish on the window sill of a poor family’s home. The last reported sighting of a wulver was in the early 20th century.
The ancient Celts believed the wulver to be evolved or descended from wolves and that the wulver represented a transitional stage between wolf and man.
A few websites catering to the lore and study of werewolves have tried to categorize wulvers as a type of lycanthrope or werewolf. The problem with this is that werewolves are shape-shifters and the wulver is most definitely not.
Thanks to folklore and the likes of Universal Studios’ The Wolfman, werewolves are known for a reputation of being mindlessly violent monsters. The wulver on the other hand is known for keeping to itself and is peaceful when left alone. Wulvers are also known for being kind-hearted and guiding lost travelers back to their villages.
Possible Reality Behind The Myth
There is a medical condition known as hypertrichosis in which there is an excessive amount of hair growing all over the body.
It’s possible that sightings of the Wulver may have been those born with this condition given the isolation of the Shetland Islands centuries ago would lead to families marrying into each other and passing on genes that cause this genetic condition.
This would likely explain too a wulver’s kind-heartedness as a person trying to reach out to those who shunned and cast them out due to their appearance through no fault of their own other then the quirk of genetics.
Also known as: The King o’ the Cats
The King of the Cats is a folk tale that comes from Britain. The earliest version of this story was found written in a letter by Thomas Lyttelton, the 2nd Baron Lyttelton. The story was first published in 1782 by Walter Scott who reported it as being a well known nursery tale from the Scottish Highlands. The story “The King of the Cats” continues to be seen and used in many places of modern references, from William Shakespeare to video games and even in comic books such as Batman where Catwoman’s brother is referred to as The King of the Cats.
The Basic Story
One winter night, a man comes bursting home through his door calling out to his wife and startling the family cat: “Who’s Tommy Tildrum!?!”
Startled, the man’s wife asks him what the matter is and who this Tommy Tildrum is.
The man proceeds to tell his wife how he was working in the cemetery digging a new grave when he had fallen asleep. He woke up hearing a cat’s meow and when he looked out over the edge of the grave hole, he saw a group of nine black cats all carrying a small coffin with a gold crown laid upon it. That at every third step the cats took, they’d all meow again in unison. Eventually the group of cats made their way towards the man. One of the cats stood before the man and said: “Tell Tom Tildrum that Tim Toldrum is dead.”
With that, the family cat burst out with: “Old Tom’s dead! Then I’m the King of the Cats!” as he rushed up the chimney, never to be seen again.
Variations of the Story
A variation of this story from Ireland has a man selling a calf at the November fair in Macroom, County Cork. After he’s sold the calf, he leaves the fair late in the evening and on his way, passes by the Inchigeelagh graveyard where a cat puts its head through the railings and tells the man: “Tell Balgeary that Balgury is dead.” The rest of the story pretty much follows its English counter-part with the family cat running out on the door once the man returns home to tell his story.
Continuing the Irish Connection
A king or lord of cats is also found in a couple of early Irish stories. In some versions of the Imtheacht na Tromdhaimhe (The Proceedings of the Great Bardic Institution) in which there is a dispute between the bard Senchán Torpéist and the king Guaire Aidne mac Colmáin of Connacht. The dispute led to Senchán cursing all mice with a dozen of them being killed in shame. This in turn led to the death of several cats that were responsible for keeping the mice population in check. In retaliation, the king of the cats, Irusan son of Arusan tracked Senchán down with the intention of killing the bard. However, Irusan was killed by Saint Kieran instead.
This story was later rewritten and published in Lady Jane Wilde’s book Ancient Legends of Ireland as “Seanchan the Bard and the King of the Cats” in 1866. Fame poet and author W.B. Yeats republished it in 1892 in his book Irish Fairy Tales. The story is also retold again as “the King of the Cats Came to King Connal’s Dominion” in Padraic Colum’s The King of Ireland’s Son published in 1916.
In the original story, the family cat Tom and the cats seen in the grave yard are described as being black cats with a spot of white. In Celtic fairy lore, the Cat Sith is a fairy creature described as being a large black cat with a spot of white on its chest.