Category Archives: Cattle – Bull/Cow
Alternate Spellings: Shen-Nung
Also known as: 神農 (Traditional Chinese), 神农 (Simplified Chinese), Thần Nông
(Vietnamese), Hangul (신농 Korean), 神農 (Japanese), The Emperor of the Five Grains (Wǔgǔxiāndì), Shen-Nung, Sheng-Nong, Shen-Nong-Shi, Yan-Di, Yandi, Flame Emperor, Lord of the Burning Wind, Holy Plowman King
Pronunciation: shin nung
Etymology: Divine Farmer or Divine Husbandman
In Chinese mythology, Shennong is one of several important deities who introduced and brought agriculture to the Chinese people. Shennong is one of the three noble ones known as the San-huang. In art, Shennong is sometimes depicted with the head of an ox or bull.
Shennong is credited with having invented the plow and teaching people agriculture and the cultivation of forests. In addition, Shennong also introduced the use of medicines and herbs.
Shennong is the second of three legendary Emperors of China and an important cultural hero. Tradition has him being born in the 28th century B.C.E. with the head of a bull and the body of a man.
What makes Shennong such an important hero is not only his introduction and use of agriculture but his identifying the use of hundreds of medical and poisonous plants that are used in Traditional Chinese Medicine. He went about this by testing the effects of these plants on himself.
Chinese legends tell how Shennong had a transparent body that allowed him to see the effects that different plants and substances had on him. Another legend tells how during his research, Shennong poisoned himself a total of seventy-two times during the course of a single day. Fortunately, and Shennong credited his anecdotal tea preventing him from suffering any long-term complications or side-effects.
Tea, a discovery attributed to Shennong, was believed to act as an antidote to some seventy different herbs. Shennong traditionally held to have discovered tea and to have first tasted it sometime around 2437 B.C.E. when the burning leaves of a tea tree were lifted up by the hot air from a fire and fell into a cauldron of boiling water.
Another discovery attributed to Shennong is that of acupuncture. Further, stories of Shennong’s youth have him speaking after three days, walking within the week and that he could plow a field by the time he was three.
Depending on the version of the story told and the accounts given, Shennong died as a result of his testing the effects of plants on himself. One of his experiments didn’t agree with him when he ate a yellow flower from a weed that caused his intestines to rupture before Shennong had time to take his anecdotal tea.
This wouldn’t be the end for Shennong as he was given special honors and worshiped as the Medicine King and Father of Chinese Medicine.
God Of Agriculture & Medicine
When Shennong is worshipped and mentioned as a deity, he is the god of the burning wind and the patron of farmers, pharmacists, rice traders and practitioners of Traditional Chinese Medicine.
As a god of agriculture, Shennong is one of many cultural heroes and deities credited with different, various inventions such as the axe, the hoe, the plow (both leisi and the plowshare), digging wells, irrigations, the use of boiled horse urine to store seeds, weekly farmers’ markets, the Chinese calendar, acupuncture, therapeutic use of taking pulse measurements, moxibustion and instituting the harvest thanksgiving ceremony of Zhaji Sacrificial Rite, later known as the Laji Rite.
Burning Wind – This term refers to the type of agriculture that is slash and burn. The ash from the resulting fire is then used to fertilize the fields.
Worship – As Shennong is often depicted as being ox-headed, the sacrifice and offerings of cattle is never acceptable. However, the sacrifice of pigs and sheep is acceptable. In addition, the use and offerings of fireworks and incense is used at Shennong’s statues, particularly on the lunar calendar for April 26th for his birthday. There are a number of temples and places dedicated to the commemoration of Shennong.
Divine Family – This part is rather tentative and relies on accepting Shennong as a defied human. A couple sources will list Shennong as having married a Sien-Tsang, the goddess of Weaving and Crafts. They had a son, Qi-Yu (alternatively Chi-Yu) a rain god and who is half bull like his father.
San-Huang – The Three Sovereigns
Also known as the Three Emperors, they are a group of pseudo-mythological and sage-like emperors who are believed to have lived some 4,500 years ago. Shennong is counted as being part of this group and the second of their number to have once ruled over China.
The Flame Emperor
Or Yan di, the Chinese accounts can sometimes get confused as to who exactly the Yan Emperor is or was.
Some accounts of Shennong’s legend place him as a relative to the Yan Emperor. Other accounts place him as the first Yan Emperor and that Shennong appointed one of his ministers, Chi You who was also ox-headed with sharp horns, bronze forehead and iron skulled.
Another account has posited that the Flame Emperor was a title, held by the dynastic succession with Shennong holding the title of Yandi posthumously. The last Yan Emperor was defeated by Huangdi (the Yellow Emperor) about 500 years later.
The Yan di were regarded as masters of fire and thus used fire in their names. The Yan di was also known as the Emperor of the South. With the Yan di defeat by the Huangdi, the title of Yan passed out of usage. Their descendants though intermarried with the Huangdi.
Shennong, along with Fuxi and the Yellow Emperor are credited with the creation of the Gugin.
The Yellow Emperor
Huangdi – Also known as “The Yellow Emperor,” was known to be a friend and fellow scholar with Shennong despite there being some 500 years’ distance between the two. Both Huangdi and Shennong are said to have shared the alchemical secrets of medicine, immortality and making gold.
Shiji (Records of the Grand Historian) – By the 8th Century C.E. historian Sima Zhen, Shennong is a kinsman of the Yellow Emperor and the ancestor or patriarch of the Chinese. The Han Chinese regard both Shennong and the Yellow Emperor as their ancestors.
Aside from the Han, the Song Dynasty General Yue Fei also traced his lineage to Shennong.
Possible Reality Behind The Legends
Getting anything for reliable accuracy and the historical context of China before the 13th century B.C.E. is fairly difficult. There is a lot of reliance on what archaeology can provide and prove. The earliest Chinese writing and records date to the Shang dynasty around 1200 B.C.E. This system of writing is the use of bones for oracles. Even any hard evidence for the Xia dynasty, a successor to Shennong is hard to find, even with Chinese archaeologist trying to link this dynasty to the Bronze Age Erlitou sites.
Despite a lack of hard evidence, Shennong remains an important individual and even his clan share a prominent place in the history of China’s culture for mythology, popular culture and historical literature.
Shennong-shi – Shennong’s name can also refer to his people. The “shi” can mean both “clan” and “surname” as well as an honorific like “sir” or “mister.”
Sima Qian comments how the rulers directly following the Yellow Emperor were all of Shennong’s house or social group. Sima Zhen in his prologue for his Shiji says that Shennong’s surname was Jiang before going on to list all of his successors.
Herbalism and Traditional Chinese Remedies
The Chinese have a rich history and use of traditional remedies and herbs that dates back more than 5,000 years. With the use of oral history and stories by word of mouth, many of the stories attribute Shennong as the father of medicine. Like Shennong, Chinese people have tested the effects of different plants and herbs on themselves for their medicinal values over the millennia. These years of experimentation allowed for an increased understanding of pharmacology for the uses, dosages and toxicity of different herbal medicines.
Huainanzi – This is an older and more famous reference document. In it, before Shennong came along, people were constantly sick, starving, diseased and always suffering. When Shennong came along, he taught the people the art of agriculture and through his own research, the use of plants for medicine. Shennong did this feat by consuming hundreds of plants, testing them on himself. He is even said to have eaten some seventy poisons in one day.
Huang Ti Nei Ching – The Yellow Emperor’s Classic of Medicine – This book comprises of the theories of the legendary emperor Huang Ti who lived around 2600 B.C.E. This tome preserved a lot of ancient medical knowledge and is compose of two volumes. The first one is a dialogue between Huang Ti and his minister, Qibo. The second one has the descriptions of anatomy, medical physiology and acupuncture. The real author of this book is unknown.
I Ching – The Book of Changes, Shennong is mentioned in this book coming into power after the end of the house or reigning period of Paoxi (Fu Xi). He is mentioned here as having invented the bent-wood plow, a cut-wood rake and having taught these skills to other people. Shennong is also credited with establishing of noonday markets.
Lüshi Chunqiu – This document mentions the violence of the rise of Shennong’s house and its lasting for seventeen generations.
Shénnóng Běn Cǎo Jīng – Also called: “The Divine Farmer’s Herb-Root Classic” or “The Classic of Herbal Medicine” and “Shen-nung Pen-tsao Ching.” This book on agriculture and medicinal plants is the most well-known work attributed to Shennong. Research has found and suggested that this book is a compilation of oral traditions dating to between 200 and 250 C.E. during the end of the Western Han Dynasty.
Unfortunately, the original book no longer exists, but it believed it was written in three volumes with some 365 entries. The books list numerous, different herbs said to be discovered by Shennong. As the earliest pharmacopoeia reference, there are hundreds of different medicines derived from various animals, minerals and plants.
The first volume included 120 herbs and drugs deemed to be harmless to humans as they were stimulants such as reishi, ginseng, jujube, the orange, Chinese cinnamon, Eucommia bark and liquorice root. All of these herbs were regarded as “noble” or “upper herbs.”
The second volume has 120 therapeutic entries intended to treat the sick. All of them though have toxic or potentially toxic effects. Entries include cucumber, ginger and peonies. All of these entries were considered to be “human,” “commoner” or “middle herbs.”
The last volume has 125 entries for those herbs and substances that have strong or violent effects on physiological functions and seen as poisonous. Entries in this volume include rhubarb, various pitted fruits and peaches. All of these herbs are considered “low herbs.”
Wu Shi Er Bing Fang – Prescriptions for Fifty-Two Diseases, this book is ultimately the first written treatise on herbal medicine that dates to between 1065-771 B.C.E. It was discovered in 1973 during that excavation of Ma Wang Dui’s tomb in Changsha, Hunan province. It beats out the Shénnóng Běn Cǎo Jīng which is figured to have been written between 200 and 250 C.E.
Many places in China have connections to Shennong.
Shennongjia – This mountain range located in Hubei is where Shennong is to have climbed up a rattan ladder that turns into a vast forest.
Shennongding – “Shennong’s Peak” – This is the specific mountain that Shennong climbed up and down with his ladder.
Shennong Stream – Named for Shennong, this stream flows into the Yangtze River.
Shennong Temple – Located in Taiwan, Shennong is worshiped here under a number of different names such as King Yan, the God of Five Grains, Shennong the Great Emperor, the Ancestor of Farming, Great Emperor of Medicine, God of Earth, and the God of Fields.
Etymology – Sown-Ones or Sown Men. From the Greek word: σπείρω, speírō, meaning: “to sow.”
Also known as: Σπαρτοί (Spartos), Σπαρτος (Spartoi), Spartus, Spartes, Sparti, Serpent’s Race, Ophion’s Race, Gegenees (Earth-Born), Gigantes, Terrigenae (Earth-Born)
In Greek mythology, the Spartoi are the earth-born warriors of the war god, Ares. When the teeth of the slain dragon Dracon were planted in a field sacred to Ares, a warrior springs up from the ground fully grown, armed, and ready for battle from each tooth. As such, the Spartoi are seen as the sons of Ares.
Spartoi Of Thebes
The famous hero Cadmus is perhaps the most well-known for having planted and created such an army in his founding of Thebes.
As the story goes, Cadmus was the son of King Agenor and Queen Telephassa in Tyre. After his sister Europa had been kidnapped by the god Zeus, Agenor sent Cadmus and his other brothers to search for her. Eventually, all the brothers gave up their search and began to find other places to settle since they couldn’t return home to Tyre.
Cadmus had been told by an oracle at Delphi, to found a city where ever a cow would stop and lay down. After a good long while, the cow finally lay down and Cadmus sent his men off to the nearby spring of Ismene to fetch water as part of sacrificing the cow to Athena. As it would be, this particular spring was guarded by a dragon or serpent, Drakon that killed many of Cadmus’ men before he finally slew it with his sword.
Now a couple of different things happened. First, Athena appeared to Cadmus and gave him half of the dragon’s teeth, instructing him to plant them. As Cadmus did so on the Aonian plain, from each tooth sprang up a fully armed warrior. Fearing for his life, Cadmus threw a stone in amongst the warriors and they began to fight each other. Each thinking the stone had been thrown by another warrior. These warriors fought until there were only five of them left standing. Sometimes, depending on who’s telling the story, Athena instructed Cadmus to leave only five living Spartoi. These five remaining warriors’ names were: Chthonius, Echion, Hyperenor, Pelorus, and Udeus. At Cadmus’ instructions, they helped him to found and build the city of Thebes.
Secondly, with the dragon being sacred to Ares, Cadmus was forced to be a servant to the god for an “everlasting year,” such a time period was the equivalent of eight years as repayment for killing it. At the end of that time, Cadmus was married to Harmonia, the daughter of Aphrodite and Ares. Cadmus and Harmonia had four daughters, Agave, Autonoe, Ino and Semele.
In his writings, when Cadmus planted the dragon’s teeth, only five warriors sprang up from the ground. There was no fighting it out among them. In addition, Hellanicus has Zeus step in to save Cadmus from the Ares’ wrath as the war god wanted to kill the mortal. And the Spartoi, Echion marries Cadmus’ daughter Agave and their son, Pentheus succeeds Cadmus to become king.
Royal Family Of Thebes
The five surviving Spartoi from the dragon’s teeth that Cadmus sowed, go on to become the ancestors and founding families of Thebes. Additionally, whenever the Theban seer summons the ghosts of heroes past, it is the Spartoi who appear.
The descendants of the Spartoi all bear distinctive birth marks that identified them as such. Some thought is that these birth marks looked like serpents or dragons. Another source sites that this birth mark appeared as a spear.
Khthonios – (Χθονιος, Chthonius) “Of the Earth.” He has two known sons, Nykteus and Lykos. His granddaughter Nykteis marries Polydorus from Ekhiôn’s line and uniting these two families to the royal ruling line of Cadmus for Thebes.
Ekhiôn – (Εχιων, Echion – Latin) “Of the Viper,” He marries Agave, Cadmus’ daughter and their son Pentheus goes on to become king after Cadmus. He also believed to have dedicated a temple to Cybele in Boeotia.
Further descendants of Ekhiôn after Pentheus’ reign are: Polydorus who married Nykteis, a daughter of Nykteus, the son of Khthonios. They in turn had Labdakos who died soon after Pentheus’ death but not before leaving behind a year-old son Laios. At this time, Thebes was ruled by a regent, Lykos until Laios came of age.
Hyperênôr – (Ὑπερηνωρ, Hyperenor) “Overbearing”
Pelôros – (Πελωρος, Pelorus, Pelor) “Huge” or “Gigantic”
Oudaios – (Ουδαιος, Udaeus – Latin) “Of the Earth.” From his linage, there is a soothsayer, Teiresias, son of Everes and the nymph Khariklo.
Seven Against Thebes
In Aeschylus’ tragedy from 5th century B.C.E., the whole dilemma comes about because Oedipus marries his mother Jocasta without knowing it. Oedipus and Jocasta had four children of which, the incest and inbreeding caused huge problems for the people of Thebes as they saw their crops begin to fail. In response, Oedipus blinded himself out of shame and cursed his two sons: Eteocles and Polynices to figure out who would succeed as ruler of Thebes through war.
All started out well as at first, Eteocles and Polynices decided they would avoid any bloodshed over their kingdom by alternating who ruled each year. Eventually, Eteocles refused to step down as king and his brother Polynices raised an army to confront his brother, leading to the story of the Seven Against Thebes.
Much of Aeschylus’ tragedy is mainly dialogue that delves into depth many of the characters of his story until it resolves at the end with a messenger coming and saying that the army has left and both Eteocles and Polynices are now dead.
There are a number of scenes in which descendants of the Spartoi are made mention of. One scene has a Tydeus, son of Astakos and ultimately descended from the Spartoi is set to guard a gate. Another scene has a Megareus, also descended from the Spartoi sent out to confront Eteoklos after he taunts Ares, the god of War as being unable to throw him from the battlements.
When the Thebans consulted their prophets, Teiresias told them that they would win the battle if Kreon’s son, Menoikeus and the father of Jocasta, a descendant of the Spartoi, offered up his life to Ares at the spring of Dirke or the Dragon’s hole. Menoikeus did so, pulling out a sword that was already stabbed into him and killing himself. Another variation to this story has Menoikeus throwing himself from a wall to ensure the Thebans victory after hearing Teiresias’ prophesy how if any of the descendants of the Spartoi should die, Thebes would be saved.
The Haunted Fields Of Thebes
Continuing Teiresias’ part in the story of the Seven Against Thebes, the Roman tragedy of Oedipus has the seer performing Necromancy and summoning the ghosts of the Spartoi, the Theban ancestors aid their living kinsmen against their attackers.
In Statius’ poem Thebaid the summoned ghosts of Spartoi are a bit vampiric as they are made mention of draining the blood of the living. That could just be the poetic phrasing on his account for the nature of war. Statius also continues to mention in his poem how the fields surrounding Thebes, particularly the plain sacred to Ares were haunted and the ghosts of Spartoi would appear to frighten off Farmers from tilling the land.
Other Descendants Of The Spartoi
There is a grave marker for the historical Theban Epaminondas with a shield of a dragon or serpent on it. The relief symbol indicates that Epaminondas was descended from the Spartoi.
The Roman mythographer, Pseudo-Hyginus in his Fabulae, when writing about Antigona (Antigone) and her son Haemon. When Haemon came of age, he went to Thebes for their annual Games and Kreon, his grandfather recognized him due to his birthmark that all those of Spartoi linage have.
In Plato’s Sophist, he comments that the Spartoi were so earthy and unable to grasp any philosophical concepts. Saying that anything they couldn’t hold in their hands, had no existence.
Spartoi Of Colchis
As to the other half of the dragon’s teeth that Athena hung onto, she gave those to King Aeetes of Colchis near the Black Sea. When Jason and his Argonauts came to Colchis seeking out the Golden Fleece, King Aeetes set Jason what he thought would be an impossible task in order to earn it. He was to sow the dragon’s teeth and slay all the arising Spartoi from them before the end of the day.
Jason was instructed by King Aeetes to sow the teeth of a Drakon in a field sacred to the god Ares. In this case, the task wasn’t as simple as that of plowing the field, Jason was to use a pair of metallic bulls who breathed fire constructed by the god Hephaestus to plow and sow the dragon’s teeth. Making the task more daunting is that the bulls had never been tamed or yoked for doing farm labor before. So much of Jason’s time, with the aid of his fellow Argonauts, was spent in taming these fearsome, wild bulls.
As the field was plowed, Jason sowed the dragon’s teeth and as it happened before with Cadmus, an army of Spartoi rose up from the earth, fully armed and ready for battle. Just as Cadmus had done before with his task, Jason also threw a stone into the middle of the newly sprung up Spartoi. As with the previous group of Spartoi, this new group also fought each other over who threw the stone. In some instances of this story’s retelling, Jason has the help of a witch, Medeia, who uses salves, herbs and charms to protect him from the spears and weapons of the Spartoi. As this new sprung group of Spartoi rose up and fought each other, the hero Jason slew and attacked many of them in order to fulfill his task from King Aeetes and win from him the Golden Fleece.
To Sow Dragon’s Teeth
This phrase has come to be a poetic way saying that someone is fomenting chaos, contention and stirring up strife or war. More specifically, the phrase refers to a fight or problem that is to have already been taken care of and laid to rest yet pops back up anew. The original example being Cadmus’ slaying the dragon and then sowing its teeth to create an army ready to fight. In other words, the problems of the past keep getting brought up and no one is willing to move on.
Poetically, the term Dragon’s Teeth refers to subjects or people of civil strife, for whatever cause and reason cause people to have to rise up and take arms.
Other phrases or words from the story of the Theban Spartoi is the word Cadmeian (or Kadmeian). It is used to mean any victory in war often has more losses instead of gains.
Marvel Comics And Guardians Of The Galaxy
For those who’ve enjoyed the movie and read the comics, the Spartoi are an alien and cousin race to the Shi’ar with whom they have had unsteady alliances with in the past. The Spartoi come from a planet known as Spartax and have built an empire that spans hundreds of worlds. Compared to humans, the Spartoi are very long lived. J’son or Jason of Sparta and a prince is the father of Peter Quill or Star Lord in the comics. The basic concept of the Spartoi in Marvel Comics was very closely tied to Greek mythology.
Pleiades Star Lore Around The World
For many tribes in the African continent, the Pleiades mark the beginning of the agricultural season.
East Africa – In the Swahili language, the Pleiades are called: “kilimia” which means to “dig” or “cultivate.” The Pleiades appearance in the heavens is seen as being time to start digging or the arrival of rain.
North Africa – The Tuareg Berbers call the Pleiades by the name of: Cat ihed, pronounced as: shatt ihedd or Cat ahăḍ, pronounced as: shat ahadd. The name means “daughters of the night” in the Berber language. Other Berber tribes have called the Pleiades star cluster by other names such as: Amanar “the guide” and Tagemmunt “the group.”
The Tuareg Berber have a proverb that translates into English as:
“When the Pleiades fall, I wake up looking for my goatskin bag to drink. When the Pleiades rise, I wake up looking for a cloth to wear.”
It is a proverb that takes note of the changing of the seasons to prepare for the heat of summer and the colder weather that the rainy season brings.
South Africa – The Basotho call the Pleiades “Seleme se setshehadi” meaning the “female planter.” When the Pleiades leave the night sky around April, the Basotho’s tenth month, along with the appearance of the star Achernar marks the beginning of their cold season. Like many South African cultures, the Pleiades are associated with agriculture and plenty. The Khoikhoi tribe call the Pleiades by the name of Khuseti, the stars of rain or rain bearers.
The Pleiades star cluster is known by several names among many tribes.
Karatgurk – In the stories told by the Wurundjeri of Victoria, Australia, the Pleiades represent a group of seven sisters known as the Karatgurk. They were the first to hold the secrets of fire and each of the sisters carried live coals on the end of their digging stick. The sisters refused to share the coals with anyone and eventually were tricked into giving up the secret of fire to Crow who in turn brought the gift of fire to the rest of humanity. As to the sisters, they were taken up into the night sky where their glowing fire sticks became the stars of the Pleiades cluster.
Kidili – A moon god of the Mandjindja from Western Australia, he had tried to rape some of the first women on Earth. In retaliation, the lizard men, Wati-kutjara attacked and castrated him using a boomerang before leaving him to die in a watering hole. As for the women, they became the Pleiades star cluster.
Kungkarungkara – They are the ancestral women in the lore of the Pitjantjatjara tribe.
Makara – According to the Adnyamathanha tribe, the Makara (The Pleiades) are the wives of stars within the Orion constellation.
Napaltjarri – From Central Australia, they were seven sisters being chased by Jilbi Tjakamarra. He had attempted to use love magic on one of the sisters. She refused Jilbi’s advances and she and her sisters fled from him. They fled all the way to Uluru where they searched for honey ants. While there, the sisters again saw Jilbi and they went to Kurlunyalimpa and the other spirits of Uluru who transformed the sisters into stars. In response, Jilbi transformed himself into the Morning Star seen in Orion’s Belt where he continues to chase after the seven sisters.
The Seven Sisters And The Faithful Lovers – In this story of the Koori’s Dreamtime, the Pleiades or the Seven Sisters were a group of seven beautiful ice maidens. Their parents were huge mountain whose peaks were hidden by the clouds and an ice-cold stream who flowed from some snow covered hills. The Seven Sisters would wander the land, their long hair flowing out behind them like storm clouds. Their beauty was so great, that many men loved them, but the sisters were always cold in returning any affections.
One day, a man by the name of Wurrunnah, caught two of the sisters and forced them to live with him while the others continued on their journey home to the sky. Wurrunnah soon found that the sisters he caught were ice-maidens and took them to his camp fire in order to try and melt the ice off of them. This only served to put out his fire and dimming the brightness of the two sisters.
The two sisters were very lonely and sad by their captivity and every night, they would look up to the night sky where they could see their sisters calling for them. One day, Wurrunnah told the two sisters to go out and gather some pine bark. After a short trip, the two came to a big pine tree where they began with stripping the bark off of it.
As they stripped bark off the pine, whose totem was the same totem as the sisters, it began to extend upward towards the sky. The two sisters saw their opportunity and climbed up the tree to their home in the sky with their sisters. The two sisters never did regain their full brightness in the heavens and is why two of the Pleiades are dimmer than the others. The journey of the seven sisters is remembered every time it snows.
The Berai Berai Brothers And The Seven Sisters – Another story told of the Seven Sisters is that when they were on earth, of all the men in love with their beauty, the Berai Berai or two brothers were the most devoted. They always brought all the choicest catches from their hunts to the Sisters as an offering and token of their love. This love was not returned and when the Sisters wandered away, up to the mountains, the Berai Berai followed after them.
After the Sisters left for their journey to the sky, the Berai Berai mourned. A grave depression fell upon them that they eventually died. The spirits of the Dreamtime took pity on the brothers and placed them up in the sky, up where they could hear the Sisters sing. On clear nights, the Berai Berai can be seen, represented by the stars that form Orion’s Sword and Belt.
The name for this constellation in Lithuanian is Sietynas and Sietiņš in Latvian. Both of which have a root word: sietas meaning “a sieve.” In both Latvian and Lithuanian folk talks, the Pleiades constellation is shown as an inanimate object, a sieve that is stolen by the devil from the god of thunder or it is used to bring light rain by the thunder god’s wife and children. In some Lithuanian folk songs, Sietynas is depicted as a benevolent brother who helps orphaned girls to marry or he helps walk soldiers across fields.
Ben Raji Mythology
Living in western Nepal and northern India, the semi-nomadic Ban Raji refer to the Pleiades as the “Seven Sisters-In-Law and One Brother-In-Law” or “Hatai halyou daa salla.” For the Ban Raji, when the Pleiades rise up over the mountains at night, they see their ancient kinfolk. The timing for the appearance of the Pleiades over the Nepali mountains along the Kali River, marks when it is 8 p.m. local time.
Bronze Age And Celtic Mythology
In Bronze Age Europe, the Celts and possibly others may have associated the Pleiades with grief, mourning and funerals. At this period of time and history, the time of the Autumn Equinox and Solstice would have occurred around the time that the Pleiades star cluster rose in the eastern skyline as the sun set. The precession of the constellations over the centuries and millennia would have since changed for the timing of the Equinox and Solstice celebrations. This Solstice celebration is possibly a predecessor to the modern Halloween, Samhain and All Souls Day celebrations. While a good many Pagan and Wiccan sites are quick to point out such a connection, more secular sites don’t necessarily see a connection. What seems more plausible is that it does have connections as a Harvest Festival and the end of the harvest season before winter comes.
An artifact discovered in 1999 called the Nebra Sky Disc, due to where it was found in Nebra, Saxony-Anhalt in Germany, shows the Pleiades star cluster on it along with the Sun and Moon. Two golden arcs on the disk mark the solstices. It has been dated to somewhere around 1600 B.C.E. and part of the Bronze Age Unetice culture. Unlike the megaliths of much of Europe, the Nebra Sky Disc is a portable astronomical instrument.
Aztecs – The Aztecs based the beginning of year on the appearance of the Pleiades asterism when it rises in the east before the sun’s morning light became too bright. They called this star cluster by the name of Tianquiztli, meaning “marketplace.”
The Aztecs were very good astronomers and kept careful track of the heavens. Their calendar was based on a 52-year cycle. The Pleiades were carefully watched to make sure the world wouldn’t end. At the end of each 52-year cycle, the Aztecs held a religious ceremony to ensure the rebirth of the sun and continued movement of the heavens. The Aztecs strongly believed their ceremony would prevent demons of darkness from coming to the Earth and devouring mankind. For this, they offered up to the gods human sacrifices.
Mayan – During colonial times, the Pleiades were used to track the time by diving up the night.
An epic legend tells the story of the Pleiades star cluster. There had been a long standing feud between the heavenly twins Hun-Apu and Xbalanque and a giant named Zipacna. With the help of several other youth, the twins pretended that they were building a house. They started with digging a large hole in the ground. As they were digging, Zipacna came along and asked what they were doing.
The twins told Zipacna they were building a house but were having trouble with digging a hole for the foundation deep enough. Zipacna was persuaded to help and he went down into the hole. Once he was at the bottom of the hole, the twins and their helpers began to throw stones, dirt and tree trunks down on him. When the hole was completely filled in and everyone was certain that Zipacna must be dead, they continued to build a house over the spot marking his grave.
Unknown to the twins, Zipacna was still alive. Yes he had been knocked out by the weight of everything piled and thrown on him. Once he had regained consciousness, he lay there and waited, pretending to be dead until the house was completed.
With the house completed and everyone inside celebrating, Zipacna made his move. Throwing up his shoulders, Zipacna’s great strength allowed him fling the house up into the sky towards the heavens. There, the twins and everyone with them became the Pleiades, unable to get back down to the earth.
Monte Alto Culture – This also includes other cultures such as Takalik Abaj and Ujuxte who are known to have made early observatories. They used the Pleiades stars and Eta Draconis as references in the night sky. The Pleiades are called “The Seven Sisters” and thought to be where they originated from.
To the Chinese, the Pleiades are known as Mao, the Hairy Head of the White Tiger of the West. The Pleiades seem to be the first stars mentioned in astronomical literature, appearing in the Annals of 2357 B.C.E. Aside from the name Mao, the Pleiades are also known as The Blossom Stars and Flower Stars.
The ancient Egyptians recorded seven stars within Pleiades. Some scholars believe that the seven chambers of the Great Pyramid represent the seven stars of Pleiades.
The goddess Hathor has an interesting take in her role and aspect as a Mother goddess for it was believed by the ancient Egyptians that “Seven Hathors” would appear at the birth of a new baby, foretelling his fate. The reason they’re mentioned is that during the Ptolemaic Period, when Egypt was under Greek rule, the Seven Hathors became identified with the Pleiades star cluster.
Aside from Hathor, the Pleiades also represented the goddess Net or Neith, the “Divine Mother and Lady of Heaven.”
French History And Literature
La Pléiade is a post-Renaissance literary movement that references the Pleiades constellation and seven poets from the Alexandrian period during the reign of Ptolemy II. The La Pléiade title has been used by two groups of poets from Toulouse during the beginning of the 14th century and another group founded by Pierre de Ronsard in 1553. Their goal was to promote the classical literature of Greek and Rome with translations rather a perceived, outdated use of Latin. While the group were not known for being innovators, they did provide the foundations of French Classicism.
The Pleiades were considered by some ancient Greek astronomers, such as Eudoxus of Cnidos to be a distinct constellation separate from Taurus. This asterism is mentioned of by Hesiod and Homer in the Iliad and Odyssey. The ancient Greek text Geoponica mentions the rising of the Pleiades cluster. The Greek temples of Hecatompedon, built in 550 B.C.E. and Parthenon, built in 438 B.C.E. are oriented to the rising of the Pleiades.
For the Greeks, the setting of the Pleiades around October and November was a time to bring their ships in to port and to plow and sow their lands. Hesiod makes mention of the Pleiades numerous times in his “Works and Days,” alluding to their importance as a time of stormy weather and planting. Greek sailors were known to consult the heavens for the appearance of the Pleiades before setting sail.
Orion And The Pleiades
The Greek story is perhaps the most well known to many Westerners about the Pleiades star cluster.
The Pleiades is a group of seven sisters whose father is the titan Atlas. As their story goes, the Pleiades were traveling with their mother Pleïone, through Boeotia when they encountered the Greek hero Orion. He expressed such a deep infatuation and interest in them that he relentlessly pursued the sisters and even their mother. And with their father Atlas now holding the earth up on his shoulders, this very likely encouraged Orion in his antics as he thought no one could stop him.
After running from Orion for seven years, the sisters became tired of such extreme harassment and pursuit. In their desperation, they appealed to Zeus who in response, placed them up in the heavens, specifically in the Taurus constellation where they would be protected by the mighty bull from Orion’s unwanted advances. In the accounts that include Pleïone being chased by Orion, she too is placed up in the heavens, this a further punishment for the titan Atlas to be separated from not only his wife, but daughters.
In the end, being placed up in the heavens doesn’t seem to have helped them much, for when Orion died, he too was immortalized up in the heavens as a constellation. He can be seen up there still chasing after the Pleiades.
Variations to this story say the Pleiades committed suicide after the death of their brother Hyas. Other versions say that when the sisters pleaded to the gods for mercy from Orion, they were changed first into doves and then later into stars.
If the Pleiades weren’t getting chased by Orion, then they became stars after committing suicide over the fate of their father Atlas. Or the loss of their siblings the Hyades and Hyas. After their death, the god Zeus placed the sisters up into the heavens to become the famous star cluster.
Companions Of Artemis
This version of the myth follows closely the more well-known story of the Pleiades being chased by Orion. The Pleiades were the companions of the virgin goddess Artemis. She wasn’t too happy with Orion when he came upon the Pleiades while playing. In his lust and infatuation, he chased the Pleiades. On their behalf, Artemis pleaded with Zeus to intervene and he did so by transforming the sisters into doves and then into stars, becoming out of reach of both Artemis and Orion. Zeus, not to be completely without compassion for his daughter, the path of the Moon passes between the Pleiades and Orion so that she has a chance to be reunited with her friends on a regular basis.
Contrarianism – Daughters Of An Amazon Queen
While many variations of the Greek myths regarding the Pleiades are similar, especially in regards to names and parentage; Theocritus’ Idylls, using references from Callimachus differs greatly from the more familiar myths. In the Idylls, the Pleiades are the daughters of an Amazon queen. Their names are: Coccymo, Glaucia, Lampado, Maia, Parthenia, Protis and Stonychia. The sisters are supposed to have created ritual dances and nighttime festivals.
Ancestors Of Dionysus
In Nonnus’ Dionysiaca, the Pleiades appeared as an omen of victory for Dionysus’ war against India. There is further mention that the pleiad Electra was the foster-mother of Harmonia, the grandmother of the Greek god Dionysus. And thus in a way, Electra can be seen as Dionysus’ ancestor.
Indian Astronomy And Mythology
The Pleiades are known by a number of different names such Karttikeya, Kṛttikā, Kārtikā, Kumara or Subrahmanya. In both Indian astronomy and Hindu astrology, the names Krttika and Kartika translate into English as: “the cutters.” Like the ancient Greeks, India has a number of different, varying and often conflicting stories of Kṛttikā.
Hindu Mythology – A story associated with this star cluster tells how the war-god Skanda was raised by six sisters known as Kṛttikā, making it so that one of his names he is known as is Kartikeya or “Son of the Kṛttikā.” Skanda or Kartikeya was born to Agni and Svāhā after the Kṛttikā had impersonated themselves as six of the seven wives of the Saptarshi in order to make love with Agni. When the Saptarshi learned of this incident, they began to doubt their wives’ chastity and divorced them. Since then, the wives were known as the Kṛttikā.
As the six Kṛttikā, they are seen as the mothers of Skanda, his six faces represent them. Slight variations to this say that Skanda developed his six faces in order to drink the milk from his six mothers.
Hindu Astrology – Kṛttikā is the third nakṣatras or lunar mansion out of twenty seven other naksatras. The Pleiades are known as the Star of Fire and one of the most prominent of nakshatras associated with anger and stubbornness. They are ruled by the Hindu god of war, Kartikeya. Another deity associated with Kṛttikā is Agni, a god of sacred fire. Additionally, it is ruled by the sun or Surya and has the symbols of a knife or spear. There is a Hindu tradition of naming children according to the naksatra they’re born under. Each naksatra will have four syllables associated with it that is used for that start of a child’s name.
Kumarasambhava – “The Birth of the War God”
In an epic poem written by Kalidasa from the 4th and 5th centuries C.E., the gods had wished for a god to born in order take on and kill the demon Taraka who had a geas or boon that he could only be killed by a son of Shiva.
The problem, is that Shiva was deep in his meditations and not at all interested to his wife Parvati. That is, at least not until Kama, the god of love struck Shiva with an arrow. Now, after having practice abstinence for so long, Shiva’s virility was incredibly potent and the other gods fear what would happen. So they took Shiva’s seed and dropped it into a fire. It is from this, that the god Skanda, whose name means: “Spurt of Semen.”
Tamil Mythology – The Pleiades are known as Karthigai, they were the six wives of six Rishis, represented by the stars of Ursa Major. The seventh was known as Arunthadhi, associated with the star Alcor. She is the wife of Vasistha, the seventh Rishi or Sage. He is associated with the star Alcyone. Another name of the Karthigai is Saptha Kanni, meaning the “Seven Virgins.”
A variation to this story is that the Krttika had all lived together up in the heavens. One day, Agni, the god of fire fell in love with the seven Karthigai or Krttika. In trying to forget his love for them, Agni wandered the forest until he met Svaha, the star Zeta Tauri.
Svaha was immediately infatuated with Agni and disguised herself as one of the Krttika in order to seduce him. Agni truly believed he had made love with one of the Krttika. Svaha became pregnant and gave birth to Skanda.
As soon as Skanda was born, rumors began to circulate that one of the wives of the Rishis was his mother. This caused the Rishis to divorce their wives. Of them all, only Arundhati remained married. The other Krttika went on to become the Pleiades.
The Pleiades are known as Lintang Kartika in Javanese, it is a name that is from the Sanskrit word Kṛttikā, one of the nakṣatras in Hindu astrology.
In Japan, the Pleiades star cluster is known as Subaru, meaning “coming together,” “cluster” or “united.” The name and image are also the same name for a car manufacturer, Subaru.
Another name for the Pleiades is Mutsuraboshi, meaning “six stars.” This name dates from the 8th century Kojiki and Manyosyu documents. The Pleiades have also been called the Hoki Boshi, meaning “dab of paint on the sky” or “brush stars.”
A story found among the Marshall Islands in the Pacific Ocean, tells the story of Dümur, the eldest son of Ligedaner who is the mother of all the stars. Ligedaner is identified as being the star Capella in the Auriga constellation, Dümur is identified as the star Antares and the youngest son is identified as Pleiades.
Ligedaner’s sons came down from the vault of Heaven to visit with her where she lived on the atoll Alinablab. While there, a contest was proposed that who ever was the first to reach a certain island somewhere out in the East would be named the King of Stars.
The contest was agreed to and the sons prepared themselves to take off to claim the title of King. Ligedaner asked Dümur to take her with him in his canoe. Dümur refused as he saw that his mother wanted to take as many things with her as she could and thereby slow down the canoe with its weight.
Ligedaner asked each of her sons in turn to take her with them in their canoes and each in turned refused. Until she got to her youngest son, Pleiades who finally accepted her request to go with him. Ligedaner had seven objects she was taking with her and as she got into the canoe, she instructed Pleiades where to load and place each object.
When they were finally loaded up, Pleiades took his place to start rowing. He was surprised to find that instead of being weighed and slowed down by all the objects, that his canoe shot out into the water with great ease nor did he have to use his oars. The seven objects it turned out, had been previously unknown sail rigging and with his canoe driven by the wind, it took no time at all to catch up with his brothers.
As Pleiades’ canoe caught up with Dümur’s canoe, Dümur demanded, on his rights as the first-born son that his youngest brother hand over his canoe to him. Dismayed, Pleiades complied with the demands. Ligedaner proceeded to play a rather mean trick on Dümur by turning the canoe around and then when she jumped with Pleiades into the sea, she took with her the yardarm. Together, Ligedaner and Pleiades swam on towards the island to the East.
Dümur found that in order to sail Pleiades’ canoe, he had to fasten the sail to his shoulders, causing him to become bent over. By the time Dümur reached the island, he found that his youngest brother Pleiades and Ligedaner had beaten him there already and that Pleiades now claimed the title of King of the Stars. Angry, Dümur desired to never see his brother Pleiades again. This separation fo Dümur and Pleiades can be seen in the night sky of the Southern Hemisphere as when Pleiades rises in the East, Dümur (as the star Antares) sets in the West. The bent back of Dümur is also seen represented by the curved line formed by the stars outlining the bent body of Scorpius.
Other names: “Lord of the Black Magic,” “God of the Danger that Lurks in the Gloom”
Etymology – “of the night” or “He of the night”
There’s a lot of ancient Basque mythology that didn’t survive the arrival of Christianity between the 4th and 12th centuries C.E. Most of what is known and has survived is from the study of place names and the scant historical references of pagan rituals practiced by the Basques.
In Basque mythology, Gaueko is often depicted as a great black wolfhound who sometimes walks upright like a human. He is also known to appear as a bull, monster or a gust of wind. Gaueko is also known for eating shepherds and their flocks. Gaueko’s howls can often be heard on cold winter nights.
Gaueko is the male personification of the Night and all of its dangers. In Basque cosmology, the day is for humans and the living and that the night is for the spirits of the dead. As a spirit of the night, Gaueko would appear to people at night, uttering the words: “Gaua Gauekoarentzat, eguna egunezkoarentzat” or “The night for Gaueko, the one of the night, the day for the one of the day.” The idea being that he would urge a person to return home until morning came.
A slight variation to this sentence goes: “The day for the people of the day and the night for the night creatures.”
Now this is where it gets murky; later Christian influences tend to demonize Gaueko as a demon who is quick to punish those who don’t heed his warning to return home at night and stay there.
In trying to place Gaueko in a more positive light, he can be seen as more of a guardian or protector. He warns people to go home so that any wandering spirits of the dead won’t take out revenge or anger upon the living. Now, if the person goes home and stays where they’re safe, then it seems that Gaueko can protect them from the wrath of the spirits of the dead. And if a person chooses not to remain home where they’re safe, likely any “punishment” is the result of running afoul of vengeful, wandering spirits.
Etymology: “House of Horus (the Elder)”
Hathor is a Pre-Dynastic goddess who was very well known and like many of the Egyptian deities, she is still known by many in modern times. Hathor’s name may be a reference to her domain as a sky goddess and being the Celestial Cow and where too, the god Horus held his domain as well. Where Horus represented the living king, Hathor represented the living queen.
Other Names and Epithets: Athor, Athyr, Hat-Her, Hethert, Het-Hert (House or Womb Above), Het-Heru, Hwt-Hert, Hethara, Hetheru
Hathor is a goddess who is known by many titles. The first of her titles is: “the Great One of Many Names”
An example of a good many of her names and more properly, titles are:
“Lady to the Limit”, “Lady of Heaven”, “The One Who Shines as Gold”, “The Gold that is Hathor”, “Lady of the West”, “Divine (or Celestial) Cow”, “Mistress of Heaven”, “Lady of Gold”, “Lady of Greenstone and Malachite”, “Lady of Lapis-Lazuli”, “Mistress of Life”, “the Great Wild Cow”, “the Golden One”, “the Mistress of Turquoise”, “Lady of Iunet” (Dendera), “Lady Of Denderah”, “Mistress of Qis”, “Lady of Punt”, “the Powerful One”, “Lady of the Southern Sycamore”, “Lady of the Turquoise”, “the Mistress of Turquoise”, “Mother of Mothers”, “The Celestial Nurse”, “Lady of Drunkenness”, “the Eye of Ra”, “Lady of Amenity”, “the Dweller in the Great Land”, “Lady of Ta-Tchesert”, “the Dweller in his breast”, “Lady of the Vulva”, “the Beautiful Face in the Boat of Millions of Years”, “the Seat of Peace of the doer of truth”, “Dweller in the Boat of the favored ones”, “Lady of Stars”, “Sovereign of Stars”, “Hand of God”, “Great Menat”, “Mistress of the Desert”, “Sovereign of Imaau”, “Queen of Heaven”, “Mistress of Heaven”, “the Gentle Cow of Heaven”, “Lady of the House of Jubilation”, “The One Who Fills the Sanctuary with Joy”
Hathor’s roles have been many for the many millennia that she has been known and worshipped. Beyond being one of two of Egypt’s Cow Goddesses, Hathor has been known as a Sky Goddess, a Sun Goddess, a Moon Goddess, the Goddess of the East, and the Goddess of the West, Goddess of Moisture and Fertility, Agriculture, Motherhood, Goddess of the Cycle, Goddess of the Underworld, Mistress of the Necropolis, Goddess of the Dead, Goddess of Love and Beauty, Goddess of Music, Song, Dance, Drinking and Joy. She has been known as the patron Goddess of Women and Marriage.
Animal: Cow, Cobra, Falcon, Hippopotamus, Lioness, Snake
Colors: Red, Turquoise
Festivals: Aug 7th (New Years), Sept 17th, Festival of Het Heret – November 2nd
Gemstones: Emerald, Malachite, Lapis-Lazuli, Turquoise
Month: Third Month by the Egyptian Calendar, Hethara (as the Greeks called it) or Athyr. From September 17th to October 16th. This was the month of Inundation when the Nile River would flood.
Patron of: Sun, Universe, Children, Mothers, Miners, Musicians, Pharaohs
Planet: Sun and Moon
Plant: Myrtle, Rose, Sycamore
Sphere of Influence: Arts, Astrology, Beauty; Children, Childbirth, Dance, Family, Femininity, Fertility, Flowers, Foreign Lands, Joy, Love, Mining, Moisture, Moon, Motherhood, Music, Prosperity, Pregnancy, Sexuality, Sky, Song
Symbols: Cow, Cosmetics, Horns-and-Sundisk Headdress, Menat (a type of ritual necklace possibly used for percussive music), Mirrors; Sandalwood and Rose Incense; Sistrum (a type of rattle), Papyrus Reed
Early depictions of this goddess show her as being a cow with a sun disk between her horns or as a woman wearing the horns-and-sun disk headdress that may or may not have a symbol known as the uraeus on it. Sometimes when Hathor is shown as a cow, she is covered in stars. When depicting Hathor’s role as a fertility goddess and her powers of procreation, she is shown suckling a child.
An early depiction of Hathor and identifying her as a cow is likely from what is known as the Narmer Palette. And it seems Hathor absorbed and took over many of the roles as a fertility goddess from another cow goddess, Bat.
Sometimes Hathor would be shown as a hippopotamus, a falcon, cobra, goose, cat, malachite, sycamore fig or even as a lioness. These forms aren’t as common to Hathor as her more familiar shape of a woman or a cow.
When Hathor is shown as a cow, she is seen having beautifully painted eyes and is frequently a red color, the color of passion. Hathor, along with the dwarf god Bes are the only known Egyptian gods shown in portrait rather than in profile.
The depictions showing Hathor as a woman with a cow’s head are more common of later periods. Also more common to later periods is Hathor being shown with a twin set of feathers and a menat necklace. A number of ancient mirrors and sistras have been found showing a smiling, nude Hathor on them over the years. Hathor’s image of a woman with cow ears is often found on the top of stone columns in Egyptian temples.
An ancient Goddess and one of the main gods of Egypt, Hathor was worshipped for well over 3,000 years and during that time, she has taken on many personas and aspects. She is the Celestial Cow, the protector of women, the Queen of Egypt, a Goddess of Love, Children, Pregnancy, Dancing, Singing and Poetry.
The Egyptians were very fluid in their theology and how the gods were depicted. Different deities were known to merge for a specific reason or to emerge and split away, becoming their own entity. Given the thousands of years the Egyptian Dynasties lasted, its not surprising in many ways for the myths to be fluid and change with the times. It was no problem for the Egyptians who saw such myths as complimentary and not contradictory.
At different points in the continuing development of Egyptian mythology, Hathor has been equated and associated with a good many other Goddesses who are sometimes, if not often seen as just being different aspects of the same Goddess. Hathor has also been shown to be the mother, daughter and wife of Ra and to have later seen many of her roles taken over by Isis who becomes the mother of Horus.
Some of the Goddesses are: Sekhmet, Bastet, Beb and Isis.
Bastet – As the goddess Bastet, Hathor is seen to be more gentle and loving. Particularly when compared to the more harsher image of Sekhmet. Where Bast represented Lower Egypt, Hathor represented Upper Egypt.
Bat – Another primordial, pre-Dynastic cow goddess of fertility. Hathor seems to have absorbed the aspects and roles that this Goddess once held. Bat has also been linked to the Ba, an aspect of the soul and Hathor seems to have gained her associations as a Death Goddess from this connection. The sistrum, a rattle that was once a symbol of Bat also became one of Hathor’s symbols.
Hesat – She was seen as a manifestation of Hathor in earthly form. Like Hathor, Hesat is also regarded as the wife of Ra. As an earthly cow-goddess, milk was said to be the beer of Hesat and part of her link to Hathor. Hesat was also known as the wet-nurse to the gods.
Isis – In the later periods of Egyptian religion, most of Hathor’s roles and aspect have been picked up and taken over by the goddess Isis. As Isis, some two thousand years after Hathor’s first appearances, now has Hathor’s headdress and sistrum symbol. There can often be confusion as to which goddess is meant to be shown. The difference though is that when Isis is shown with horns, she is also wearing the vulture headdress that is typical of another goddess Mut or she is wearing a multi-colored feathered dress.
Mehet-Weret – Her name means “Great Flood.” She seems to be another primordial cow goddess like Hathor and Bat. Hathor absorbed many of her myths, particularly from the creation story of being the mother of Ra, carrying him between her horns.
Nebethetepet – Her name means “Mistress of the Offering.” She was a manifestation of Hathor at Heliopolis where she was associated with the Sun-God Atum.
Saosis – A goddess who is often identified with Hathor. Her symbol was the acacia tree in which death and life were enclosed.
Sekhmet – A rather dark and fierce goddess of justice. This is a harsher side of Hathor that is usually tempered by the gentler image of Bastet.
Tefnut – A primal lioness goddess, she and Hathor share a similar story where they become estranged from Ra and wander off towards Nubia.
As previously mentioned with the goddess Isis, some two thousand years after Hathor’s first appearances, the goddess Isis began to appear and to assume many of the roles and functions that Hathor once held. Where Hathor was once considered the mother of Horus, Isis took over this role along with being the mother of the Pharaohs.
Greek & Roman Connection!
It wasn’t uncommon for the Greeks and Romans to equate many of their deities with those of other cultures. The Romans especially did it to any that they conquered. In the case of Egypt and their gods, Hathor in her role as a goddess of love is synonymous with the Greek Aphrodite, the Roman Venus.
Cults Of Hathor
Being an ancient, primordial deity, Hathor was worshipped in a good many Egyptian cities. Hathor was a patron of the cities of Iunet and Itjtawy. Temples could be found for her every where. The earliest temples and images for Hathor have been found drawn on rocks near Naqada and the Girez settlement. Both of these sites are located in the southern part of Upper Egypt and date back to the Predynastic era of about 4,000 B.C.E. Give or take a few years, this places Hathor around 6,000 years old.
Hathor’s cult thrived in Ta-Netjer (“Land of God”), modern day Dendera in Upper Egypt. Here she was worshipped as “Mistress of Dendra.” Dendra was also Hathor’s main temple, also known as the “Place of Intoxication.” So popular was Hathor’s worship that at one point her Dendera temple had as many as sixty-one priestesses. Hathor’s priests were both men and women, many of whom were capable dancers, musicians and singers. Priests of Hathor were also known for being oracles and midwives. It wasn’t unusual for people to go to her temples to have their dreams interpreted. The temple at Dendera along with the Temple of Deir el-Bahri clearly shows an indication of Hathor as a Sun Goddess. The temple of Dendera was also where Hathor’s cult was primarily found.
In the temple of Nefertari, found in Abu Simbel, Queen Nefertari is frequently shown as the goddess Hathor in many places. And Ramses II is shown in one sanctuary receiving milk from Hathor in her cow form. Not surprising as many of the Pharaohs of Ancient Egypt saw themselves as living gods.
Other temple sites dedicated to Hathor have been found in Deir el-Medina, West Bank, Luxor, another at Philae Island, Aswan, Timna valley, Israel, Inerty (Gebelein), Iunet (Dendera), Qis (Qusiya), Tpyhwt (Atfih), Mennefer (Hikuptah, Memphis) and Iunu (On/Heliopolis). As Hathor-Sekhmet, she was the main goddess of Yamu (Kom el-Hisn).
Hathor had been worshipped in this land during the eleventh century B.C.E. as at this time, it was under Egyptian rule. Her holy city of Hazor or Tel Hazor was destroyed by Joshua as mentioned in the Jewish Torah or Christian’s Old Testament in Joshua 11:13, 21.
There were a good many places where Hathor was worshiped, not just Egypt and Nubia. Her worshippers could be found throughout all of Semitic West Asia, Ethiopia, Somalia and Libya, especially in the city of Byblos.
One thought for why Hathor’s worship is so widespread, even during the Predynastic Era is that she appears on the Narmer palette. Many scholars have put forward that idea that the goddess depicted isn’t Hathor, but another cow goddess named Bat or even possibly Narmer themselves.
The Five Gifts of Hathor – Initiation Into Hathor’s Cult
For those wishing entrance into Hathor’s cult, they would under go a ritual of initiation. This initiation ritual was known as “The Five Gifts of Hathor.” An initiate would be asked to name off the five things they were grateful for while looking at the digits of their left hand.
The idea is that the poor of Egypt who didn’t own their own lands, but would work for others in their fields would always be able to see their left hand while working. It was always visible to them as they reached out for the strands of grain to harvest and then cut the sheaths with the blade being held in their right hand.
With the naming of the five things a person was grateful for and identifying them with the fingers of their left hand, a person was always reminded of the good things in life and kept them the sins of ingratitude. Ingratitude was a sin that Egypts viewed as leading towards many others.
For the rich and more prosperous of Egypt, the Five Gifts were a way to keep them from envying others and what they had so that they could stay humble before the gods.
Parentage and Family
Hathor is said to be the daughter of the goddess Nut and the god Ra (or Re).
Given how fluid Egyptian mythology can be and the varying, ever changing roles that the gods played over the millennia and as one dynasty gave way to another, there are some accounts where Hathor is the Mother of Ra. Another account will place her as the Daughter of Ra.
This seems better understood when taking note of another primordial cow goddess, Mht wr who was the mother of Ra. Hathor took over her role and place in the creation story. Another explanation has been given that when Hathor is seen as the Daughter of Ra, it is when she is seen as part of the greater whole of the stars of heaven. The stars were known as the “Children of Ra.”
It’s thought that in Pre-Dynastic times and certainly Early Dynastic Egypt, Hathor was the consort to the “Bull of Amenti,” who had originally been the deity of the Necropolis.
In Hermopolis, Thoth is considered the husband of Hathor, with him; she is the mother to Ra-Horakhty, one of many composite deities in Egypti. This could be due to Hathor at one point absorbing the role and aspects of Seshat, the goddess of Reading, Writing, Arithmetic and Architecture who is also Thoth’s wife.
When the gods Ra and Amun merged in Egyptian mythology, Hathor becomes seen as the wife of the god Sobek, an aspect of Amen-Ra.
Hathor is more famously known to be the wife of Horus the Elder.
The siblings of Hathor are considered to be: Sekhmet, Bast, Ptah, Shu, Tefnut, Thoth and Serqet
With Horus (the Elder), Hathor is the mother of Ihy (or Ahy), a falcon-headed god who like his mother, becomes a god of music and dancing. He is also shown as carrying a sistrum as well.
Some slight confusion is another child of Hathor and Horus (the Elder) in his aspect as Horus- Behdety is Harsomptus or Hor-sema-tawy (Horus Uniter of the Two Lands).
Sometimes, Ihy is listed as being one and the same as Hor-sema-tawy.
Other children of Hathor are: Imsety, Hapi, Duamutef and Qebehsenuef.
And with Hathor’s divine role as Mother of the Gods, she can claim all of the Egyptian gods as her children, including Ra who is both her father and son.
The Mother Of The Egyptian Pharaoh And Horus
The name Horus is a bit tricky as there is more than one god named Horus. This makes better sense when it is understood and known that Hathor was often considered the mother of the Egyptian pharaoh, who would stylize themselves as the “son of Hathor.”
Many of the Pharaohs would take on the name of Horus as an honorific at death. Plus the Egyptian Pharaohs also saw themselves as living gods who would become deified on death, reborn again when the next Pharaoh took the throne.
And what about the goddess Isis being the mother of Horus? It should be noted that yes, but this is Horus the Younger, a different Horus. There were a lot of deities named Horus, nearly as many as there were Pharaohs. Given that the Pharoahs of Egypt believed themselves to be a living god, that’s not surprising.
Mother Of Mothers And The Celestial Nurse
Hathor’s protection was invoked over children and pregnant women.
In addition to the above information about Hathor’s role as a midwife and protector of children, anytime a child was born in Egypt, it was believed that seven Hathors would appear as seven young women wearing cow horns and playing tambourines. They spoke with one voice, determining a child’s fate in life even to the hour of his or her death, much like the European Fairy Godmother and the three Fates found in Greek, Roman and even Norse mythology.
The Seven Hathors held an extremely great power of being able to alter destinies. They could replace a prince should he have been born with bad fortune with a child who was born with good fortune. The Seven Hathors’ responsibility was to protect the Dynasty and Nation of Egypt. For it was believed among the Egyptians that a person’s destiny and fortune would follow them throughout their life with not ability to change it.
The Seven Hathors seem to be connected to divination and to be the questioners to those souls headed to the after life in the Land of the West.
As goddesses in their own right, the Hathors were worshipped in seven cities. These are: Waset (Thebes), Iunu (On, Heliopolis), Aphroditopolis, Sinai, Momemphis, Herakleopolis, and Keset.
Additionally, found both within the tomb of Nefertari and in the Book of the Dead, these seven Hathors had their own names as follows:
• Lady of the Universe
• You from the Land of Silence
• You from Khemmis
• Bright Red
• Your name flourishes through Skill
Other alternatives names for the Seven Hathors have also been found on papyri. Some of these are:
• Lady of the House of Jubilation
• Mistress of the West
• Mistress of the East
• Ladies of the Sacred Land
During the Ptolemaic Period, when Egypt fell under Greek rule, the Seven Hathors became identified with the Pleiades star cluster.
Hand Of God – The Sistrum
Music was very important in the worship of Hathor who is sometimes shown carrying a sistrum, a type of rattle. This was an ancient musical instrument played by her priests and priestesses. The sistrum often had the face of Hathor on the handle at the joining part. There is thought to be sexual overtones connected with this instrument, particularly for fertility. Hathor’s titles of “Hand of God” and “Lady of the Vulva” seem to be connections to the design of the sistrum and her role in fertility.
The menat is another musical instrument sacred to Hathor. At first glance it looks like a necklace with a special counterweight. This counterweight piece is thought to be similar to fertility dolls found in ancient tombs which in this respect, represented wombs. The menat as an instrument would be held in the hands and rattled to make noise.
Both the Menat and Sistrum connect Hathor as a Goddess of Song and Dance. The ancient Egyptians believed that it is Hathor who first taught mankind how to sing and dance using her sacred instruments. The menat is also important as a symbol of rebirth.
There is a hymn to Hathor that goes:
“Thou art the Mistress of Jubilation, the Queen of the Dance, the Mistress of Music, the Queen of the Harp Playing, the Lady of the Choral Dance, the Queen of Wreath Weaving, the Mistress of Inebriety Without End.”
The Goddess Of Joy
Hathor was very popular among the ancient Egyptians. She was greatly revered by women in her role as wife, mother and lover. This led to a couple of Hathor’s titles as “Lady of the House of Jubilation” and “The One Who Fills the Sanctuary with Joy.”
Such was Hathor’s popularity that there were a lot more festivals dedicated in her honor than any other Egyptian god. Plus a good many children were named after Hathor than any other god. As previously mentioned, both women and men could be priestess of Hathor and not one gender or the other.
The Goddess Of Beauty
In addition to being a goddess of Love and Joy, Hathor was also the goddess of beauty and a patron of the cosmetic arts. As has been previously mentioned, many ancient mirrors showing a smiling, nude Hathor have been found over the years. In addition to Hathor’s image on mirrors, her likeness has been found too on cosmetic palettes. A traditional votive offering was two mirrors.
It must be remembered and noted that this did not mean or make Hathor vain and shallow. This beauty was a mark of Hathor’s own confidence.
Hathor was also closely connected to the fragrance of myrrh incense, which has a long history of being very precious and in ancient Egypt, it embodied all of the finer qualities of a woman. The Egyptians also used ground malachite in their eye makeup which they believed to have a protective property against eye infections.
It must be noted that ancient Egyptian mirrors were made of flat oval copper or bronze that has been polished with a wooden or possibly bone handle. This handle was often enough shaped into the form of the goddess Hathor. It is thought the shape of the mirror represents the Sun Disc symbol of Hathor’s.
Goddess of Moisture And Fertility
Aside from Motherhood and Children, Hathor also ensured the fertility of the land and enough water or moisture from the annual flooding of the Nile for Farmers to grow their crops. In addition to this, Hathor represented the erotic aspects of femininity and procreation. As a fertility goddess, Hathor represents the creative abilities found in all of nature.
As a Vegetation or Fertility Goddess, Hathor was seen as both a giver and taker of life. When spring arrived, the land became fertile, only be destroyed later by the harsh summer sun as the seasons changed.
Hathor’s connection to the annual flooding of the Nile River was also connected to women’s pregnancies with the breaking of the amniotic sac and that she would be about ready to go into labor soon.
Lady Of Greenstone And Malachite – Goddess of Mines
Along with the titles “Lady of Lapis-Lazuli” and “the Mistress of Turquoise”, Hathor represented the very edges of the desert where mines for these gemstones were found at.
There is a major temple site found in Edomite Seir, Timna for Hathor where copper was mined. This temple was constructed by Seti II. Other mining places are Serabit el-Khadim found on the south-west Sinai Peninsula where a lot of turquoise was mined. Archaeologists have uncovered the remains of mining camps and a Temple of Hathor in this place.
Lady Of The West
In Thebes, Hathor was seen as the Goddess of the Dead with her title of “Lady of the West.” This title is associated with the sun god Ra and his descent into the Underworld when the sun sets on the western horizon.
Hathor’s image is sometimes found on funerary scenes where she is shown standing behind Osiris, welcoming the dead to their new home. Hathor’s image has also been depicted as a cow suckling the souls of the dead. It is thought that Hathor did this so souls could survive while their bodies were being mummified and make their journey to the Judgment Hall where their hearts would be weighed. Hathor could also be depicted in her cow form surround by tall papyrus reeds. In these images, she would be shown wearing a menat necklace, symbolizing rebirth.
Hathor’s image often appears on sarcophagi with Nut. Hathor appears on the tops of lids and Nut will be found under a lid.
In the cult of Osiris, the morally worthy were promised eternal life. At first, both men and women would become Osiris. By the time of the early Romans, women were identified with Hathor and men with Osiris.
Lady Of The Southern Sycamore
Continuing Hathor’s connection as a Goddess of the Dead, the sycamore tree was sacred to Hathor as she would give water to the dead from the branches of this tree and offer them food. The Sycamore was important as trees were not a common site in ancient Egypt and the shade provided by trees offered much needed protection and relief from the heat of the sun.
Other myths have Amentet, a daughter of Hathor as being the one who handed out water to the dead under a Sycamore tree.
One myth has Hathor using milk from a Sycamore tree to restore Horus’ eyesight as he had been blinded by Set.
Lady Of Stars And Sovereign Of Stars
A celestial goddess, Hathor symbolizes not just the Sun, but the Moon and stars, the entirety of the heavens and creation.
As the divine, celestial cow, Hathor along with another goddess Nut, represented the Milky Way during the third millennium B.C.E. when the both the Autumn and Spring equinoxes appeared to occur at the same spot on the Earth as the sun rose or set. The four legs of Hathor represented the pillars holding up the heavens over the earth.
It must be noted, that the ancient Egyptians viewed the Milky Way as a waterway across the heavens that the sun and moon gods sailed upon each day. They called it The Nile in the Sky. As a result of this and the name mehturt, Hathor was seen as responsible for the annual flooding of the Nile. Other interpretations or later myths will place Wadjet, a snake god as presenting the Milky Way and The Nile in the Sky.
One star in particular, Sothis (Sirius in more modern times) is significant. Originally, the star Sirius rose on the first day of the first month, known as Thuthi and Hethera by Grecian times. This marked a day of celebration for Hathor’s birth by her followers. The Nile River flooded at this time, providing a rejuvenation and growing for Egyptian farmers. During the time of the ancient Greeks, Hathor became the goddess of Hethara, the third month of the Egyptian calendar. The star Sothis would later be associated with the goddess Sopdet.
The Eye Of Ra – The Destruction of Mankind
This story has been found engraved on one of the shrines in Tutankhamen’s tomb and in “The Book of the Heavenly Cow.”
In this story, Hathor, as the Eye of Ra, turns into Sakhmet. How this came about is that Hathor’s father Ra, having grown old, was beginning to fall out of worship. Angry about this, Ra speaks to his daughter who turns into Sakhment and goes out to punish humanity.
As Sakhmet, she was very efficient and nearly wiped out everyone. Realizing that if she continued with killing everyone, there would be none left at all to worship the gods, Ra decided that there has been enough killing and tells her to stop. Only now she can’t quit, Sekhmet’s become so full of bloodlust.
Seeking the guidance of the ever-wise Thoth, he and Ra get large vats or barrels of beer that has been dyed and colored red to look like blood. In some versions of the story, they flood the land with the blood-red beer and in others; Thoth has a hallucinogenic like poppies put into the beer.
Regardless of the final version told, Sekhmet on seeing all this beer drinks it up, getting so drunk, she forgets about her reason for coming to the earth, her great blood lust and forgets all about killing anyone. When Sekhmet returns to Ra, he embraces her and Sekhmet turns back into Hathor. This is the Hathor that everyone knows of as being sweet loving, gentle and nurturing.
Another version of the story has it that this is how Hathor turns into Bast.
As Hathor-Sekhmet, we see Hathor take on a dual role in her aspect as a Sun Goddess. When she is Hathor, she represents the gentle spring Sun. When she is Sekhmet, she becomes a lioness and represents the scorching heat of the summer Sun. It has been noted how in the Zodiac, Taurus the Bull has a fixed sign in Spring and Leo the Lion has a fixed sign in Summer.
The symbolic importance of this story is that of the changing of the seasons from Spring to Summer. As summer comes to its height, so too does the danger of wildfires destroying crops and homes. Sekhmet returns to once more being gentle Hathor with the cooler autumn weather.
The color red is often symbolic of life and rebirth. The red beer again symbolizes the rejuvenation and regeneration of the Earth after the hot Summer weather and turn towards Autumn weather.
The Feast of Hathor
To commemorate this myth, the ancient Egyptians celebrated a yearly festival that marked the beginning of Egypt’s rainy season known as the Season of Inundation (Flooding). This was a time of the year when the glaring heat of the sun was finally stopped by the much needed life-bringing rains. The Feast or Festival was known for wild partying with sistrum music, dancing, love making and lots of beer.
The partying makes sense when realizing that the rise of the star Sothis (Sirius) marked the annual flooding of the Nile River on the Egyptian calendar. This would coincide with the end of August for Western Culture.
The myth of the annual flooding of the Nile would be later associated with Osiris.
New Years Festivities
As we’re on the subject, another popular and religious festival was celebrated on August 7th, the Egyptian New Year. The New Years also marked Hathor’s birthday. Hathor’s image would be taken from the temple and brought out to the rising Sun for the day. The New Years was a day of enjoyment, song and intoxication.
The Destruction of Mankind – Historical Context
This story has a historical context for the founding of Egypt’s Middle Kingdom when the Upper Egyptian pharaoh, Mentuhotep II took control of Lower Egypt. Before this, Lower Egypt had enjoyed a period of independence. Mentuhotep II’s forced unification resulted in a fierce bloody war that lasted for some twenty eight years before ending and peace resumed, when Mentuhotep III came to power. So the story of The Destruction of Mankind does look to be an analogy to this brutal period of Egyptian history.
The Distant Goddess
In this story, Hathor became angry with her father Ra. Maybe she remembered the events in The Destruction of Mankind. Another version of this story doesn’t state why Hathor got angry, she just does and decides she might have the earth covered again in the ocean and maybe return to even older primordial form of a serpent. Anyhow, angry, Hathor took off and wandered about, away from Egypt down towards Nubia.
A great sadness fell upon the land and Ra, missing his Eye and unable to do anything without it, sets out to try and get her back. Hathor by this time has turned into a deadly wild cat, killing anyone who comes near her. A slight variation to this has it that with Hathor turned into a lion, chaos swept the land with everything drying up and that’s why everyone and thing is dying.
As no one else was willing to go near an enraged Hathor, the god Thoth agreed to give a shot. In disguise, he managed to coax an angry goddess back to Egypt through the use of stories.
Once back in Egypt, Hathor bathed in the Nile River, returning to her calmer demeanor. As a result of her bathing, the waters of the river turned red from her cooling rage. With Hathor’s bathing, the Nile river overflowed and flooded the land, giving life giving waters to a parched land so Farmers could have their growing season.
Yeah, don’t make Hathor angry, you wouldn’t like her when she’s angry.
In some versions of this story, it is the goddess Tefnut who storms off in a fit of anger leaving Egypt and it’s the god Shu, not Thoth who sets off to bring her back.
Another telling of this story is that it is both Shu and Thoth who set off after Hathor, changing into lions to try and coax their sister back.
The Contendings Of Horus And Seth
Hathor only has a small part in this story. Her father, Ra had fallen into a bout of depression and Hathor, like any child, wanting to cheer up a parent, finds a way to do so. Taking off her clothing, Hathor dances nude around Ra’s throne. She keeps at it until he finally sits up and smiles at her antics.
Etymology – In Ancient Greek: Ὑάδες “the rainy ones.” The Greek word: hyein – “to rain.” It may also come from the Greek word hys or hus for “swine.” Latin – Suculae, “Suckling-pigs” or “little pigs.”
In Greek mythology, the Hyades are the five daughters of Atlas as well as the half-sisters of the Pleiades. As minor goddesses or nymphs, they are associated with bringing rain and stormy weather.
Western Astronomy Read the rest of this entry
Etymology – “bull demon king”
The character of Niu Mo Wang is a figure who features in the story of Journey to the West, a classic Chinese novel written and published anonymously by Wu Cheng’en during the 16th century.
Niu Mo Wang is a yaoguai, similar to the Japanese Yokai and from where the term originates. In the story of Journey to the West, Niu Mo Wang is the Master of the “Mountain of Fire” (Huoyanshan) that burns constantly, causing a lot of dryness and an unbearable heat in a volcanic region that blocks the passage of Tang Sanzang and his troop.
The Monkey King, Sun Wu Kong tries to steal the magical bajiaoshan from Tiě shàn gōngzhǔ, better known in English translations as Princess Iron Fan, the wife of Niu Mo Wang. The bajiaoshan is a large palm-leaf fan capable of creating whirl-winds and would be capable of causing the volcanoes in the area to become inactive, allowing Tang Sanzang and company to pass through.
Here it gets a bit confusing, as when reading the accounts given under Niu Mo Wang, Sun Wu Kong is able to defeat the Bull King with the help of a Buddhist deity, Nezha. When looking at entries under Princess Iron Fan, Sun Wu Kong is able to trick her into giving him the fan or to outright steal it.
Sun Wu Kong is able to help Tang Sanzang and his friends get past the volcanoes of Niu Mo Wang’s territory and the fan is returned. Again, in the account under Princess Iron Fan, Niu Mo Wang tricks Sun Wu Kong into giving the fan back by being the pig Zhu Bajie.
It’s mentioned that Niu Mo Wang and Tiě shàn gōngzhǔ have a son named Hong Haier, “Red Child.”
Etymology – The Bull
Taurus is a familiar zodiac symbol to many that represent power and strength. It is considered and believed that Taurus is one of the oldest constellations known to man, dating back to the Bronze Age and depictions found on cave walls.
Astronomy & Astrology
Much of the foundations of Western knowledge regarding the fields of Astronomy and Astrology owe its roots to Ancient Mesopotamian cultures. Many ancient cultures studied the stars, seeing in them patterns that are called constellations. These ancient astronomers were able to make predictable, annual turnings of the heavens that they could divide and mark for the passing of the Seasons and time. For the ancients, Astrology served as a precursor to Astronomy and they believed that by studying the heavens, they could foretell future events and even a person’s life path.
These ancient cultures would also meet and exchange ideas frequently and in this fashion, when the Greeks encountered the Persians, there was an exchange of knowledge regarding Astronomy that becomes the constellations and zodiacs so many know today. Eventually, there is no clear distinction between what ancient Mesopotamian Astronomers and Greeks Philosophers knew. Or who influenced who regarding the stories and myths behind the constellations. Even in current, modern times, the influence of these ancients is still known.
The Taurus constellation is Latin for “Bull.” This constellation is one of 48 constellations that were identified by Ptolemy, an astronomer who lived during the second century. It is the 17th largest constellation found in the night sky of the northern hemisphere. In modern times, Taurus is one of 88 known constellations and is bordered by the constellations of Aries, Auriga, Cetus, Eridanus, Gemini, Orion, and Perseus.
The constellation of Taurus is formed from two star clusters, the Hyades and Pleiades. When looking for the Taurus constellation in the night sky, the pattern of stars depicts only the front half of a bull. The reasoning is given is that the bull’s hindquarters are underwater as this image shows the Greek story of the white bull carrying Europa to Crete.
Further, it’s only in the imagination that the front quarters of the bull can be seen. The Hyades, a V-shaped grouping of stars form the face of Taurus, which have their own mythological story.
If you can find Orion in the night sky, follow his familiar three-star belt pattern to the right. You should be able to spot Alderbaran, the Bull’s Eye and then find the rest of this constellation.
The Taurus constellation has been called Al Thaur by the Arabs, Il Toro by the Italians, Le Taureau by the French, Taura by the Persians, and Shor by the Jews all of which mean the Bull in their respective languages.
The Taurus constellation is believed to be one of the oldest constellations, known since at least the Early Bronze Age. It has been placed as dating to the Chalcolithic and possibly even the later Paleolithic eras. During this time, Taurus had marked the Spring Equinox between 4,000 B.C.E. to 1,700 B.C.E. which is also known as the Age of Taurus.
A Michael Rappenglück believes that depictions of the Taurus constellation and the Pleiades stars have been found in a cave painting at Lascaux, France. These paintings date back to 15,000 B.C.E. That both Taurus and the Pleiades are and have been known in many cultures as a bull and seven sisters gives cause for many paleontologists and astronomers to believe in a common origin and myth for their names.
In Babylonian astronomy, the Taurus constellation was listed in the MUL.APIN as GU4.AN.NA, meaning “The Heavenly Bull.” As Taurus marked the Vernal Equinox, it was the first constellation in the Babylonian zodiac and was referred to as “The Bull in Front.” The Akkadian name for Taurus was Alu.
In the Epic of Gilgamesh, an early literary work from Mesopotamia, Gilgamesh faces off against the Bull of Heaven after it was sent by the goddess Ishtar to kill him for spurning her advances. Gilgamesh is associated with the constellation of Orion. The two constellations of Orion and Taurus are often shown as being Gilgamesh and the Heavenly Bull in combat.
In early Mesopotamian art, the Bull of Heaven is connected in myths to Inanna, the Sumerian goddess of sexual love, fertility and warfare. One of the oldest depictions of the Heavenly Bull shows it standing in front of Inanna’s standard. It had three stars on its back; the cuneiform symbol for the “star-constellation” and archaeologists use this as good evidence that Taurus constellation is connected to Babylonian myths.
In Buddhist legends, Gautama Buddha had been born during a Full Moon in the month of Vaisakha, which coincides with the time of Taurus. The Buddha’s birthday is held and celebrated with the Wesak Festival or Vesākha. This happens during the first or second Full Moon while the Sun is in Taurus.
The druids held an important religious festival involving bulls when the Sun passed through the Taurus constellation.
The Heavenly Bull of Babylonian myth is also found on the Dendera zodiac, an Egyptian bas-relief carved into the ceiling of a temple. In these early depictions, the bull’s horns are shown facing upward or backward. Later Greek depictions of Taurus show it pointed forwards.
For the Egyptians, the constellation of Taurus represented Osiris, a Sun god and in some accounts, his sister Isis. Both were represented by a bull and cow. As a bull, Osiris became known as the Bull-God Apis; seen as an aspect of the Sun god. Though worship of the Bull-God, Apis was worshiped in ancient Egypt at a much earlier time than Osiris. The priests of Apis would find a bull bearing the marks that would prove it embodied the soul of the deity. This bull was worshiped and cared for by the priests until it died and another bull was found bearing the marks of Apis.
Archaeologists in Memphis, Egypt found the ancient tomb of the Apis-bull. Inside the tomb is a broad paved avenue lined on either side by stone carved lions. On entering the tomb, a person passed through a long, high arched corridor with recesses carved into the rock wall on either side. Within the recesses were the entombed remains of the Apis-bulls.
Springtime is when the festivals honoring the Apis-bulls would occur. This was also the time of year when the Nile River has overflowed its banks, leaving the life-giving waters and silts behind for farmers to till and plant. The constellation of Taurus as a sacred bull was associated strongly with the renewal of life during Spring.
During this point and time of history, around 4,000 B.C.E., the Sun’s position in the heavens along the Zodiac rested on the first day of Spring, in the constellation we recognize now days as Taurus, the Bull. For many centuries, Taurus was the first constellation in the Zodiac and some scholars suggest that Taurus may have been the first Zodiac constellation invented.
Zeus and Europa
In Greek mythology, Zeus in many of his various affairs; had fallen love with Europa, the daughter of Agenor, a King of Tyre in ancient Phoenicia. The problem with Zeus getting close to show his affection is that Europa was always guarded by her father’s servants. Being a god and a shape-shifter, Zeus changed himself into the form of a handsome white bull with golden horns.
That accomplished, Zeus in his white bull form then mingles with the King’s royal herds grazing in a large field near the sea. While a walk along the beach, Europe noticed the handsome white bull and couldn’t resist going up to feed it. The bull was so very friendly and gentle, that Europe climbed up on its back when it lay down; taking hold of the golden horns.
Once she was on the bull’s back, it stood up and the white bull wandered closer and closer to the sea and then when they approached the beach, took off running for the water. Once in the sea, the bull starts swimming towards the island of Crete. And for Europa, it was too late to get off now.
When they arrived in Crete, Zeus changed back into his own form, revealing himself to Europa. As he’s already married to Hera, Zeus gives Europa instead in marriage to Asterius, the King of Crete.
In slightly different versions of this story, Zeus and Europa have three children together. One of whom is Minos who grows up and goes on to be a famous king of Crete. He had the palace in Knossos built where bull games were held and is more infamous for the sacrifice of fourteen youths (seven boys and seven girls) to his Minotaur in a labyrinth every year. In either event, Zeus is said to have commemorated the white bull he turned into by placing it up among the heavens as a constellation.
An alternate story of the myth of Taurus holds that it the nymph Io, whom Europa is descended from. In this story, Io was changed into a cow in order to hide her from Hera during an affair with Zeus.
The Greek mythographer Acusilaus identified the constellation of Taurus as being the Cretan Bull, which was one of the Twelve Labors of Heracles.
For the Hebrews, Taurus was also the first constellation in their zodiac. It was represented by the first letter of the Hebrew alphabet as Aleph.
The Bull’s Eye and other Stars in Taurus
The brightest star found in the Taurus constellation is Alpha Tauri or Aldebaran, from the Arabic language meaning: “The follower” (of the Pleiades). It is part of the group of stars known as the Hyades that form the Bull’s face. Aldebaranm being a giant red star, is seen as being the Bull’s bloodshot eye. This eye is often said to be glaring at the constellation of Orion the Hunter. Incidentally, Alderbaran is the 13th brightest star in the night sky.
The Chinese refer to Alderbaran as the Fifth Star of the Net. The Inuit call it the Spirit of the Polar Bear. The Seris of Mexico believe that Alderbaran provides light for seven women giving birth (the Pleiades). The Dakotas of North America saw Alderbaran as a hero chasing a white buffalo, again the Pleiades.
The second brightest star in Taurus is Beta Tauri or El Nath, from the Arabic language meaning “the butting,” in reference to a bull butting someone with their horns.
A rather familiar nebula known as M1 (NGC 1952) or more popularly the Crab Nebula is found within the constellation of Taurus. The Crab Nebula is roughly 5,000 light years away from Earth. Astronomers say it is the remnant of a supernova that happened on July 4, 1054. This supernova was so bright it could be seen during the daytime and even has mention in Chinese historical records. The people of North America also saw this event and there is a painting of it on a canyon wall in New Mexico along with various pieces of pottery showing this event. Those archaeological finds weren’t discovered until 1731 by John Bevis.
The name of this nebula comes from its resemblance to a crab. The Crab Nebula is one of the most studied and well known Nebulas in the night sky. In 1968, a pulsar that emits radio waves at regular intervals was discovered. It’s figured the that this radio energy is the result of a dense neutron star.
Other famous nebulas found in Taurus include: Hind’s Variable Nebula (NGC 1555), the colliding galaxies NGC 1410 and NGC 1409, the Crystal Ball Nebula (NGC 1514), and the Merope Nebula (NGC 1435).
Crystal Ball Nebula
The Crystal Ball Nebula is found in the northern part of Taurus and to the northwest of the Pleiades. It gains significance as it was discovered by the German-born English astronomer William Herschel in 1790. Before this time, astronomers believed that nebulae were merely unresolved groups of stars. With Herschel’s discovery, he found that there are stars in a nebula’s center and that it is surrounded by a cloud of some sort. In 1864, the astronomer William Huggins figured out that this nebula is a luminous gas, not stars as previously supposed.
The Hyades is a V-shaped group of stars that form the face of the Taurus constellation. The Arabs called to this group of stars the “Little she-camels.” In Greek mythology, the Hyades were five sisters of Atlas and thus, half-sisters to the Pleiades. The Hyades also had a brother, Hyas who was a great hunter. When he was killed by a wild boar, the sisters grieved. The sisters were later chosen by Zeus to care for his son, Dionysus, the god of Wine when his mother died. In a mixture of gratitude and pity, Zeus placed the sisters up into the night sky and despite their reward, the sisters still mourn for their dead brother.
The stars known as the Pleiades are another group of famous stars found in or associated with the Taurus constellation. They are known as the “Seven Sisters,” the daughters of Atlas and Pleione. In one myth, they were the companions of Artemis and when their father Atlas was given the task of holding the world on his shoulder, they became so grief-stricken that Zeus placed them up in the stars. A closely related myth to this, the hunter Orion fell in love with the seven sisters and pursued them endlessly. In order to save them, Zeus placed the sisters up in the Taurus constellation.
Astronomers have shown there to be many more stars then the initial seven. The star known as Aldebaran is considered the lead star of this group or cluster. It is estimated by astronomers that there may be 500-1000 stars in the Pleiades cluster, all of which are roughly 100 million years old. The stars though vary by size and only the largest stars in the Pleiades typically represent it.
There are a couple of meteor showers that radiate from the Taurus constellation. They are the Taurids that occur in November and the Beta Taurids that occur in June to July during the day.
The constellation of Taurus is the third sign of twelve signs that form the Greek Zodiac. In more current and modern zodiacs, Taurus is the second sign of the zodiac. For those who study and are into the classical Greek Zodiacs, this time is typically said to be sometime from April 21 to May 20. The best time of year to see this constellation in the northern hemisphere is during the month of January at about 9 p.m. The planet Venus rules Taurus and the element of Earth is associated with this zodiac.
Taurus people, those born during the time of Taurus, are said to be both practical and stubborn. A Taurus tends to plod along at a steady pace when getting their goals and agendas done. So stubbornness can mean a great determination to get a job done right or a failure to see things any other way and seeing only one way to get their objectives done. When it comes to games, Taurus people love the rewards a game offers, they are also viewed as interested only in physical pleasure and material possessions. In that sense, Taurus people do enjoy a lot of physical contact and love creature comforts. With a Taurus’ love for the material, they can also be very sentimental in why they keep some items or the amount of affection they show on their loved one.
Other names: Aatxegorri (young red bull), Beigorri, Txaalgorri, Zezengorri
Etymology – “Young Bull”. Aatxe is also referred to as Aatxegorri which means “Young Red Bull”.
There’s a lot of ancient Basque mythology that didn’t survive the arrival of Christianity between the 4th and 12th centuries C.E. Most of what is known and has survived is from the study of place names and the scant historical references of pagan rituals practiced by the Basques.
In Basque mythology, Aatxe is a shape-changing spirit who sometimes takes the form of a fiery red bull or a young man. Aatxe is sometimes identified with another Basque figure known as Etsai. He is also identified with the goddess Mari and may possibly be a manifestation of her will. Though he is more likely just an enforcer and separate. Mari is said to be quick to punish those who lie or cheat and the Aatxe is sent out against those people who have lied, cheated, stolen and have other wise been disrespectful.
There is an old Basque witches song that has the line of: “Yaun Gorril, Yaun Gorril,” which translates into English as “Lord Red, Lord Red.” It’s thought that this line most likely refers to Aatxegorri, showing that he is an important figure in the Basque mythologies and pantheon.
Aatxe comes from the underground world of Euskal Herria. He haunts the caves and gorges of the Pyrenees Mountains, coming out at night, especially during stormy weather, to attack and punish criminals; he also protects people by making them stay home when there’s danger.