Category Archives: Cat

Shango

Etymology: Strike from shan

Also Known As: Badé, Changó, Esango (Edo people), Hevioso, Jakuta, Nzazi, Sango, Ṣàngó, Siete Rayos, Xangô (Latin America), Sogbo or Ebioso (Fon people)

In Nigeria, among the Yoruban people and the Dahomey religion, Shango is a god or Orisha of fire, thunder, and lightning. Like many storm and thunder gods, Shango lives up in the sky where he hurls thunderstones down to the earth, killing those who offended him or setting houses on fire.

Attributes

Animal: Black Cat, Dog, Duck, Fresh Water Turtles, Quail, Ram, Sheep, Tortoise

Colors: Red, White

Day of the Week: Friday and Ojo Jakuta, the fifth day of the week in Yorubaland.

Elements: Fire

Feast Day: December 4th, same as Saint Barbara

Gemstones: Thunderstones; either meteorites or stone celts

Metal: Iron

Number: 3 and 6

Patron of: Resistance, Strength, Power

Sphere of Influence: Thunder, Lightning, Fertility, War, Truth, Intelligence, Courage, Power, Dominance, Resistance

Symbols: Stone Celt, Double-Headed Axe, Bangles, Brass Crown, any object struck by lightning

Taboo (Yoruba): Cowpea, don’t eat this.

Depictions

Statues, imagery, and other art featuring Shango show him with a double axe on his head that represent thunder. He will often be dressed in clothing that’s red and white. Sometimes Shango has six eyes and other times he has three heads. In some traditions, Shango wears a headdress with cowrie shells on it.

In the Candomblé traditions, Xangô as he is called wears red and has a brass crown.

Worship

There is a religious ritual of Shango designed to help devotees and followers of Shango to gain and have self-control. Shango beads tell the story of his essence with white beads representing Obatala’s logic alternating in balance with the red beads of Aganju’s fire and passion when pursuing a goal.

The initiation ceremony of Shango came about after his deification which preserves his memory and the prosperity he brings to his followers on a personal level just as he brought prosperity to the Oyo kingdom in life.

Altars to Shango will often have a carved image of a woman holding her bosom as a gift to Shango with a double-bladed axe sticking out of her head. The axe symbolizes the devotee as being possessed by Shango. The woman has an expression that is calm and collected, representing the attributes or qualities she has gained from her faith.

Ritual foods for Shango include guguru, bitter cola, àmàlà, and gbegiri soup. The Bata drum is also used during Shango’s worship and rituals.

Candomblé

In this religion, Shango or Xangô was the son of the Oyo king Oranyan. During the African diaspora, Xangô gained strong importance among the slaves in Brazil for his strength, resistance, and aggression. Xangô became a patron orixa of plantations and many Candomblé terreiros. In contrast, Oko, the orixa of agriculture didn’t receive as much favor among slaves in Brazil and given the circumstances, I don’t blame them.

A dish known as amalá (a stew of okra with shrimp and palm oil) is sacred to Xangô.

Santería

In the Santería religion, Shango, or Changó as he is known is the focal or center point of the religion and represents the Oyo people of West Africa. Changó is a representative of the ancestors and all who adhere to the Santeria faith.

In Latin America, there is a major initiation ceremony that has been held for the last few hundred years that is based on the Shango ceremony of the Ancient Oyo. It is a ceremony that has survived and is considered the most complete to have arrived on the Western shores.

Yoruba

There is an initiation ceremony that is also based on the Shango ceremony and is the basis for all the Orisha initiation ceremonies within the Americas.

Other Traditions

Other traditions that venerate Shango are Folk Catholicism, Louisiana Voodoo, Palo, the Portuguese Candomblé and Umbanda, the Trinidad Orisha, Haitian Vodou, and Vodun.

Royal Ancestor

Before becoming deified or an orisha, Shango was once a mortal king, the third king of the Oyo Kingdom. After his death, Shango became deified. I have other sources that say Shango is the fourth king.

The lineage of kings is as follows: Oduduwa, Oranyan, and Ajaka. In life, Shango was known as Jakuta and was the third king or Alafin of Oyo kingdom. Jakuta was the brother to Ajaka known to be more peaceful compared to Jakuta’s more violent rule who could wield supernatural forces to create thunder and lightning. Jakuta ruled for a period of seven years that was noted for constant war campaigns and numerous battles. Towards the end of Jakuta’s reign, it is said he caused the unintentional destruction of his palace with lightning. While alive, Jakuta was married to three women named Oshun, Oba, and Oya.

Oral traditions tell how during Shango’s mortal reign, a subordinate chief challenged Shango’s rule. Many people were impressed by the subordinate chief’s feats and demonstration of magic, such that they went to follow this new leader. Dismayed by this public defeat and humiliation, Shango left Oyo and committed suicide by hanging.

A variation to this story I came across is that Shango was so fascinated by the use of magic that while calling down the powers of thunder and lightning, Shango accidentally set fire to his palace and killed his wives and many of his children. It is in shame from that, that Shango left the kingdom of Oyo.

When enemies and detractors of Shango were contemptuous and spreading his shame, a series of storms swept over Oyo, destroying many homes. This caused people to believe that Shango’s powers had made him a god or orisha and these storms were proof of his wrath. There are suggestions that Shango’s followers set fire to these homes.

However, those loyal to Shango said that he really ascended to the heavens by climbing a chain and that he became an orisha. Shango would gain the attributes of an earlier orisha, Jakuta who represented the wrath of the supreme deity Olorun-Olodumare. Shango’s cult and worship would continue to grow and spread throughout Oyo and Yorubaland. Even neighboring people of the Edo and Fon would adopt Shango into their religions.

Orisha

Shango is a member of the Orisha, who are either a spirit or deity. In the Yoruba religion, a nature-based tradition, it is believed that the source of everything is called Olorun or Olodumare. The Orisha themselves are regarded as being different aspects of the main deity, Olorun-Olodumare. Shango is regarded as the most powerful of all the Orisha.

With the Trans-Atlantic slave trade, the worship of Shango was brought with the slaves and is now found throughout much of the southern U.S., Latin America, and South America.

Irunmole

Much like the Hindi avatars, Shango has had many Irunmole or manifestations. The names of some of them are Airá, Agodo, Afonja, Lubé, and Obomin. All of these people are believed to have been an incarnation of Shango and like many such Irunmole, had great wisdom and power while they lived.

Parentage and Family

Father

Oranyan – The mortal king of Oyo before Shango become deified.

Mother

Yemaja – Orisha mother goddess and protector of birth.

Consort

In some traditions, Shango’s wives are said to be the rivers.

Oba – She tried to win Shango’s love by offering her ear to him to eat. In anger, Shango sent her away and she became a river goddess.

Oshun – A river goddess and Shango’s favorite as he loves her cooking.

Oya – A Storm and Mother goddess, she is also the Niger river. It is said she stole the secrets of Shango’s magic.

Siblings

Oya – Depending on the stories or tradition, Oya and Shango are brother and sister, not husband and wife.

Shango’s Wives

As noted, the main wives of Shango are venerated as Orisha. All three are associated with rivers in Nigeria. The first is Oya, connected to the Oya River. Oya would become the orisha of battle, storms, and hurricanes. Oya had once been married to Ogun but would fall in love with Shango. Together, Oya and Shango partner up when going out to battle.

Then there is Oshun who is connected to the Osun River. Oshun is the orisha associated with love, sensuality, and femininity.

Lastly, we have Oba who was forever hopelessly in love with Shango. Oba would find herself rejected by Shango after another of his wives tricked Oba into cutting off her ear to feed to him. Oba went into exile in a cemetery and become the orisha of violent storms and death. She would also become the Oba River, specifically where it meets with the Osun River.

Orisha Of Thunder & Lighting

Shango is known as an orisha of thunder and lightning.

Fire – It should come as no surprise that one of Shango’s domains is that of fire as well. After all, lighting strikes are known to cause a fire.

Oṣè – This is the name that the double axe in Yorubaland that Shango has is called. The double axe symbolizes and represents lightning.

Resistance – During the African diaspora and slavery, Shango became a very important symbol of resistance.

Thunderbolts – Stone Celt

A celt in this case is a primitive stone tool like an adze, hoe or axe. Farmers would sometimes find these primitive, prehistoric tools while out-tilling their fields. Believing these stone celts were Shango’s thunderbolts, the farmers would take them to Shango’s priests who kept these in Shango’s shrine in an inverted mortar.

Shango was renowned and feared for his powers and whenever he spoke, fire came out of his mouth.

Jakuta – When not identified as an ancestor, it is believed that Shango likely usurped the duties and aspects of an older deity by the name of Jakuta. This older deity, Jakuta was known to hurl fire stones as punishment towards people if they acted against the wishes of Olodumre, the Supreme God, or Orisha. The name Jakuta means “Hurler of stones” or “Fighter with stones.” The prefix Ja means to hurl from aloft and the suffix okuta means stone. That’s interesting to note in connection to the stone celts that farmers would find out in fields and believed to be thunderbolts. Jakuta is also associated with a fellowship of meteorites.

Possession – Those who worship Shango and become possessed by him can eat fire, using oil-soaked cloth known as itufu to do so. Some may carry pots of live coal on their head or shove their hands into coals without any harm.

Fertility Orisha

As a fertility deity, particularly masculine fertility, Shango grants wealth and prosperity to his followers just as he did for the kingdom of Oyo during his mortal life and reign.

Dance – Shango’s power, seen in his ritual dances represents the dangerous side of sexual relationships. Another interpretation is a warning of the arrogancy in using military force for political gains and leadership. The bata drums are beaten to represent the sound of thunder.

War Orisha

As seen in the dances that Shango does, he is also he orisha of war as in life, he held many continuous campaigns and battles to expand his influence.

Oṣè – The double axe that represents lightning is also a symbol of military prowess and the use of violence.

Justice – There is also a close association of the use of force or might to make right and enforce justice. Shango was known for being rather harsh and strict with his subjects.

Catholic Saints

There are a few different Saints that Shango has been equated to and it varies by the religion revering him.

Saint Barbara – The Saint whom Shango is equated to in the Candomble tradition. She is the patron saint of armorers, artillerymen, military engineers, miners, and others who work with explosives. She has an old legend that connects her to lightning and mathematicians.

Saint Jerome – They are the patron saint of translators, librarians, and encyclopedists. In some traditions, he is regarded as the husband to Saint Barbara and for that reason, Saint Jerome gets syncretized or equated with Shango.

Syno-Deities

Jupiter – The Roman god of the heavens, his attributes are the lightning bolt.

Marduk – The Mesopotamian god of fertility and storms can be comparable to Shango.

Raijin – The Japanese god of thunder.

Teshub – The Hurrian god of the sky and thunder.

Thor – The mighty thunderer of Norse mythology, he is the god of thunder and war.

Zeus – The Greek god of the heavens, his attributes are the lightning bolt.

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Raiju

Raiju

Etymology: Rai (“Thunder”) and Ju (“Animal” or “Beast”)

Pronunciation: Rye-Gin

Other Names and Epithets: 雷獣, らいじゅ, Raijuu

Raiju is a curious mythical creature from Japanese mythology sometimes viewed as a type of demon or yokai. It’s best known for being a companion animal to Raijin, the god of storms and lightning.

Description

The descriptions of Raiju vary greatly in description as it is sometimes described as having a body made of electricity and resembles either a badger, cat, monkey, tanuki, weasel or even a wolf. Sometimes Raiju flies about as a ball of lightning. The cries of a Raiju are said to sound like thunder.

Thunderstorms

Normally peaceful, Raiju becomes agitated and active during thunderstorms, leaping from one tree to another. After a storm is over, any lightning marks on the tree were believed to have been caused by Raiju ripping it open.

Raiju! I Choose You!

That sounds like the name of a pokemon. There are a couple, Raichu and Raikou, a legendary pokemon who is based on Raiju and other thunder gods.

In Japanese mythology, raiju is the name of Raijin’s animal companion that is described as a blue and white wolf or a wolf wrapped in lightning.

It doesn’t stop there as Raiju is referenced in a number of different Japanese animes, manga and video games.

More Than One?

That might seem to be the case with some of the articles that I looked up and likely an evolution to the mythology of Raiju. Instead of one animal companion, that there are multiple of this creature. It could serve too to explain why the descriptions of Raiju and what animal it really looks like varies so much.

 Raikiri – Lightning Cutter

As legend holds, a samurai by the name of Tachibana Dōsetsu was taking shelter beneath a tree during a storm. When lightning struck the tree, Dōsetsu drew his sword swiftly enough to block being hit by the bolt. Once the smoke cleared, Dōsetsu saw that there was a dead raiju laying on the ground. Dōsetsu named his sword Raikiri or “Lightning Cutter.”

Possible Reality Behind The Myths

That’s very typical of human nature to try and explain the universe around us and to try to make sense of events and occurrences. Especially with natural phenomenon, like lightning strikes, that they’re caused by the gods or oh, this tree looks like it has scratch marks where the lightning hit it. Must have been a beast of some sort.

Ball Lightning – A ball lightning, when they’re reported, are balls of lightning or electricity that occur during thunderstorms. Given how rare these are, the science behind what causes them and what’s being seen is and can be disputed. Some reports say the ball lighting glows like a 100-watt lightbulb with tendrils of electricity. The balls vary in color from yellow, orange, blue and red and size from a grapefruit to a beachball. Other reports say the ball lightning explodes, leaving behind a sulfurous smell.

Traveling Shows – During the Edo period of Japan, reportedly “real raiju” would be caught and put on display as sideshow attractions. Much like “real kappa” and the mummified remains of mermaids, the mummified and stuffed taxidermy of animals ranging from cats to badges, tanuki and monkeys would-be put-on display for people to view. The descriptions of caged raiju would match those of other captive animals during a thunderstorm as they get agitated and try to flee the confines of their cage.

As scientific knowledge and advances progressed in the Meiji period, as people better understood what was going on with lightning and electricity, the belief in raiju began to taper off, becoming a rather minor figure that still shows up in pop culture references.

Hide Your Navel!

It’s believed that Raijin is found of eating human navels. It was common practice for Japanese parents to tell their children to hide their belly buttons during a thunderstorm lest Raijin come eat it.

If it’s any minor consolation, according to some beliefs, it’s not really Raijin who eats children’s belly buttons, but his animal companion Raiju who actually does. Or if Raiju isn’t eating your navel, he’ll curl up inside to sleep during a thunderstorm. Of course, you only manage to get Raiju sleeping in your navel if you were sleeping outside. If you must sleep outside during a storm, try sleeping on your stomach to keep Raiju from curling up in your belly button. Raijin is said to hurl to shoot arrows at Raiju to wake up, which getting hit by arrows or lightning will hurt.

Okay then…

Jólakötturinn

Jólakötturinn

Other Names: Christmas Cat, Yule Cat

The Jólakötturinn or Yule Cat is a monstrous feline heralding from Icelandic folklore. It is a huge and fearsome cat that stalks the countryside of Iceland during the month of December. Those unfortunate enough to cross paths with the Yule Cat and who have not received a new article of clothing by Christmas Eve will find themselves eaten.

Description

The Yule Cat is a black cat who is able to grow in size in order to feed on its victims. When huge, the Yule Cat towers over the tallest homes as it prowls the Icelandic countryside during Christmas night. It will look through windows to see who has gotten new clothes or not.

The Yule Cat is infamously the ogress Grýla’s pet. Grýla herself is known for terrorizing and eating children who misbehave, especially at Christmas time. Her sons, the Yule Lads started off not being much better with their variety of mischief and pranks they cause.

Dark Ages – Autumn Wool

According to one source, a monstrous cat eating people comes from farmers using this threat to give incentive to their workers to get the autumn wool in before Christmas. Those who did so would receive new clothes, while those who didn’t would fall victim to the Yule Cat.

This belief is also likely a way to explain that those who don’t have good warm clothing to protect against the cold of Iceland’s winters weren’t likely to survive.

Jólasveinarnir

 The Yule Cat Poem was written by the poet, Jóhannes úr Kötlum in 1932, this poem describes and makes popular the Yule Cat who eats those who don’t receive new clothing before Christmas.

The following is Kötlum’s poem in English:

You all know the Yule Cat

And that Cat was huge indeed.

People didn’t know where he came from

Or where he went.

 

He opened his glaring eyes wide,

The two of them glowing bright.

It took a really brave man

To look straight into them.

 

His whiskers, sharp as bristles,

His back arched up high.

And the claws of his hairy paws

Were a terrible sight.

 

He gave a wave of his strong tail,

He jumped and he clawed and he hissed.

Sometimes up in the valley,

Sometimes down by the shore.

 

He roamed at large, hungry and evil

In the freezing Yule snow.

In every home

People shuddered at his name.

 

If one heard a pitiful “meow”

Something evil would happen soon.

Everybody knew he hunted men

But didn’t care for mice.

 

He picked on the very poor

That no new garments got

For Yule – who toiled

And lived in dire need.

 

From them he took in one fell swoop

Their whole Yule dinner

Always eating it himself

If he possibly could.

 

Hence it was that the women

At their spinning wheels sat

Spinning a colorful thread

For a frock or a little sock.

 

Because you mustn’t let the Cat

Get hold of the little children.

They had to get something new to wear

From the grownups each year.

 

And when the lights came on, on Yule Eve

And the Cat peered in,

The little children stood rosy and proud

All dressed up in their new clothes.

 

Some had gotten an apron

And some had gotten shoes

Or something that was needed

– That was all it took.

 

For all who got something new to wear

Stayed out of that pussy-cat’s grasp

He then gave an awful hiss

But went on his way.

 

Whether he still exists I do not know.

But his visit would be in vain

If next time everybody

Got something new to wear.

 

Now you might be thinking of helping

Where help is needed most.

Perhaps you’ll find some children

That have nothing at all.

 

Perhaps searching for those

That live in a lightless world

Will give you a happy day

And a Merry, Merry Yule.

Christmas Tradition

It goes without saying, that in Iceland, families will be sure to give gifts of new and warm clothing for Christmas. If not, the Yule Cat is sure to catch and eat that person.

Further, children are encouraged to finish their chores before Christmas to receive new clothing or else face the Yule Cat’s hunger if they failed to do so. Though sometimes the Yule Cat will just eat a child’s diner, so they go to bed hungry or just take their gifts.

Making sure that no one gets eaten by the Yule Cat, giving clothes to the less fortunate as a means to promote generosity is done in Iceland.

So, the next time you receive socks or a sweater for Christmas from that one relative, just remember, they love you and don’t want the Yule Cat to eat you.

Fancy.jpeg

Grýla

Grýla

Etymology – “Growler,” “Threat” or “Threatening,” possibly “Bugbear”

Grýla is the name of a popular and famous Christmas Witch, Ogress or Troll found in Icelandic traditions. Stories and imagery for Grýla can also be found in the Faroe Islands. She is used by parents to scare naughty children into behaving.

The earliest translation for Grýla’s name, likely comes from the Sverris saga in the late 1100’s where the author has a section titled Grýla and goes on to explain that it means: “Bugbear.”

Dimmuborgir

This is reportedly the home of the fierce some Grýla, Leppalúði and the Yule Lads. It is a labyrinth field of lava in North Iceland.

Descriptions

This ogress lives up in the mountains of Iceland. She is said to have hooves for feet and thirteen tails. Always in a foul temper with an insatiable hunger, especially for children, Grýla will descend from her mountain in search of bad children. She will put the children into a large sack to carry back up to her mountain cave to boil alive in a stew.

The descriptions for Grýla vary widely as some accounts saying she is half troll, half animal, that she has 300 heads with three eyes on each head. Other accounts will say she has bad nails, fangs, eyes in the back of her head and horns like a goat, that her ears hang down to her shoulders and are tied to her nose. Further accounts will say her chin is bearded and that her teeth are black like charcoal.

Grýla is described as having the ability to detect naughty children all year-round. It is during Christmas time that she will come down from her mountain home to find naughty children in local towns to take back and boil alive in her cauldron. Those children who have behaved or who have repented of their misdeeds, Grýla is unable to take or must release.

Snorri Edda – Written in the 13th century by Snorri Sturluson, Grýla is among the names of female trolls listed in his saga. Grýla is a cannibalistic mountain ogre or troll. Even in this early writing, Grýla is used to scare bad children into behaving lest she come down from her mountain cave to devour them. Sturluson’s Sage, Grýla has fifteen tails and on each tail, there are a hundred ballons and each balloon holds twenty children.

Þjóðsögur Jóns Árnasonar – “The Folklore of Jón Árnason” gives a description of both Grýla and her husband, Leppalúði. Both of these fiends are cannibalistic trolls who mostly prey on children. Found within the Folklore of Jón Árnason, is a poem that mentions both Grýla  and Leppalúði having nineteen children.

Family

Spouses

Grýla has had three different husbands. Out of boredom or spite, she killed her first two husbands.

 Gustur – This is the name of Grýla’s first husband whom she killed and ate out of boredom.

 Boli – This is the name of Grýla’s second husband with whom she bore many children with. Boli is noted as having been a cannibal and died of old age. Sometimes Grýla kills and eats him too.

Leppalúði – He is Grýla’s current and third husband and the father of the Yule Lads. Leppalúði is known for being very lazy. He lives in their cave found in the Dimmuborgir lava fields. Aside from the Yule Lads, Grýla and Leppalúði also have twenty other children.

Leppalúði had an affair with a girl by the name of Lúpa while Grýla was very ill and bedridden for an entire year. The girl, Lúpa was to play nurse to Grýla while she was sick. It’s no small wonder than, that when Grýla finds out that Leppalúði and Lúpa had an affair, resulting in a son by the name of Skröggur, that the trolless would become enraged and drive the girl and her son off from the cave.

The last children Grýla had with Leppalúði, when she was 50 years old, were twins. The twins died very young and still needing a crib.

Children

Having been married a few times, Grýla has some 72 children who are responsible for a variety of mischief and trouble. All ranging from harmless pranks to outright murder.

JólasveinarnirThe Yule Lads, in the 17th century, when Grýla became associated with Christmas, she was assigned to be the mother of the Yule Lads. There are 13 Yule Lads who started off causing all sorts of mischief and trouble. Overtime and influenced by the American Santa Claus tradition, the Yule Lads became associated with gift giving and will leave either a gift of sweets ore a rotten potato in a shoe left on the window sill depending on a child’s behavior.

JólakötturinnThe Yule Cat, as if children aren’t enough, Grýla also has a monstrous giant black cat for a pet. The Yule Cat will prey upon children and adults alike who have not received the gift of a new article of clothing. The Yule Cat will swell to a monstrous size before tearing apart its victim. So make sure your Nana or favorite Aunt has sent you a new article of clothing for Christmas. Even if it’s a pink bunny outfit, it will keep the Yule Cat from eating you!

Dark Winter Spirits

This ties into why Grýla is said to have so many children. With Grýla’s pre-Christmas traditions, she and all her numerous children are the dark, dangerous and capricious spirits of Winter. This time of the year, the weather is colder, the nights longer and it’s just more treacherous to go out into the wilderness if one is not prepared or wary.

Jól – The midwinter holiday that predates the modern Christmas, marks a time of people gathering together to feast and celebrate family both living and deceased. This older holiday is generally darker as elves, trolls and other mystical creatures that inhabit the Icelandic countryside are also out and would sometimes come to visit homes and farms, often as masked figures.

The character of Grýla was certainly one of these dark, spooky spirits who would come down from the mountains as a personification of Winter and the danger that comes with it. Another point of note, given Grýla’s insatiable appetite, is that she is closely related to the fear of hunger that the long, dark winter months can bring.

Christmas Associations

Grýla became associated with the Icelandic celebrations for Christmas in the 17th century. At this time, she was given the role of being the mother of the Yule Lads who bring either a gift or a rotten potato. When children get so frightened of going out for fear of being eaten that the government has to step in and ban parents from using Grýla as a fear tactic, you know you have a really scary badass that you just don’t mess with.

It has been suggested by Terry Gunnell that the tradition of Grýla may come from that of the Julebukk or Yule Goat and that her name may mean “threat” or “threatening.”

In her role as a Christmas Ogre, Grýla still hunts out misbehaving children to kidnap and eat. Later stories will sometimes have Grýla and Leppalúði die from starvation as they’re unable to find any naughty children. Though occasionally the two aren’t averse to eating adults either.

A more modern convention of the twentieth century, Grýla’s sons, the Yule Lads image softened and became more friendlier, adopting some of the Dutch tradition of leaving a shoe out so that the Lads could leave a gift if a child was good and a rotten potato if a child was bad in the thirteen days leading up to Christmas.

The Onion

A satirical news site, The Onion blamed the 2010 eruption of the Eyjafjallajökull volcano on Grýla.

Bubak

Bubak

Also known as: Bugbear, Bumann, Boggelmann, Boogeyman, Bogy, Golliwog, Hastrman

Also spelled: Bebok, Babok, Bobok

Etymology: Bugbear, Hastrman – “scarecrow”

This starts off seeing the image of a rather scary looking scarecrow from either Polish, Czech Republican or Slovakian folklore. The imagination is hooked.

According to what I found and much of it seems largely repeat the same information over and over, a Bubak is a scarecrow-like entity said to hide along riverbanks. It will make sounds like an infant in order to lure victims, adults and children alike to their doom. Further, the Bubak has a cart that is driven by cats. The Bubak’s clothing is made from the souls of its victims.

Poland – An alternative name is the Hastrman, meaning scarecrow. This is a man with a sack who will take any children and adults. He is known for hiding beside riverbanks and making a sound like a lost baby.

On the night of full moons, the Hastrman is known to weave and make clothing from the souls of those it has taken. Further, this creature also has a cart that is drawn by black cats.

Essentially, the bubak is another type of boogeyman.

Cybele Part 2

cybele-2Cybele Lore Continued…

Attis & Cybele

This story is one of the major myths involving Cybele and they often include her relationship with Attis, a youthful consort to the goddess. Attis is noted too as being the name of a Phrygian deity. Further, Attis doesn’t become a part of the myth with Cybele until the Roman poet Catullus references him with Cybele as Magna Mater and as the name of the head priest for the Galli. Additionally, pine cones are used as symbols of Attis’ death and rebirth.

Attis – As a Phrygian deity, Attis is the god of vegetation, his death and resurrection is symbolic of the death and rebirth of vegetation and the harvest with each winter and spring. The name Attis in Phyrgia was a common name and one used for priests. In the myths linking Attis with Cybele as her consort; wherever Cybele’s worship spread, Attis’ worship went as well.

Imagery portraying Attis has been found at a number of Greek sites. Whenever Attis is shown with Cybele, he is shown as a younger, lesser deity to her. He is possibly even one of her priestly attendants. During the mid-2nd century B.C.E., various letters from the king of Pergamum to Cybele’s shrine in Pessinos all address the chief priest as “Attis.” So deity or priest tends to be a matter of personal interpretation with the myths of Attis.

The Myth

Attis was Cybele’s young lover who had devoted himself to the goddess. He had a made a promise that he would always be faithful. As fate would have it, Attis in time fell in love with a nymph by the name of Sagaritis (or Sagaris) and they decided to marry. When Cybele learned of this marriage, she burst in on the marriage ceremony, inflicting Attis with madness and sending the other guests into a panic.

In his maddened state, Attis fled for the mountains. There, he stopped under a pine tree and proceeded to mutilate himself to the point of castrating himself and bleeding to death there beneath the pine tree.

When Cybele found her lover, the young Attis dead, she mourned her actions and deeply regretted them. She pleaded with the god Jupiter to restore Attis to life. Jupiter vowed that that pine tree would remain sacred and like the tree, Attis would live again. The blood that Attis shed is said to have become the first violets.

In the versions of the myths where Maeon is Cybele’s father – Maeon kills Attis, the baby whom he sires after committing incest with his daughter. Cybele manages, in this myth to restore Attis back to life.

Pausanias’ Version – Another story of Attis, this time with Agdistis as another name for Cybele follows much of the same story as previously mentioned. Only now, when the baby, Attis is born, he is left exposed and a ram comes, standing guard over the child. As the baby grew, his beauty became ever more apparent as more than human. Agdistis saw Attis and fell in love with him.

When Attis finally came of age, he was sent to Pessinos, a city in Phrygia to wed the King’s daughter. After the marriage ceremony was completed, Agdistis appeared, causing Attis, driving him mad in her jealously to the point of cutting off his own genitals. The madness was such, it effected other nearby, that even the king cut off his own genitals.

Shocked, Agdistis sought amends for what she had done and begged Zeus to restore Attis to life so that he would be reborn.

Ovid’s Version – In this one, Attis had fallen in love with Cybele who wanted to keep the boy at her shrine as a guardian. She commanded Attis to always be a boy. Attis declared in kind that if he lied, let the lover he cheated be his last.

As happens with these kinds of stories, Attis does cheat with the Nymph Sagaritis (or Sagaris). Her tree is cut down by Cybele, killing her the Nymph. Attis in response goes mad and hallucinates that the roof to his bedroom is collapsing on him. Attis runs towards Mount Dindymus where he calls out for Cybele to save him.

Hacking away at his own body with a sharp stone, Attis continues to cry out to Cybele that she take his blood as punishment and cuts off his genitals as that is what has caused him to cheat on Cybele.

Ultimately, this story of Attis’ self-mutilation and castration is the basis for the Galli, Cybele’s priest to castrate themselves as a show of devotion to the goddess.

Cybele & Dionysus

Similar to the story of Attis & Cybele, is the story of Dionysus & Cybele. The earliest reference to this myth in Greek mythos is around the 1st century B.C.E. in Apollodorus’ Bibliotheca.

Like Attis, Cybele also cures Dionysus of his madness. Considering she’s the one who caused Attis’ madness, I would hope she would cure it too.

Both Dionysus’ and Cybele’s cult shared many similarities. As foreign deities worshiped among the Greeks, both gods would arrive in chariots drawn by large exotic cats. Dionysus would come in his chariot pulled by tigers whereas Cybele’s chariot was drawn by lions. Both deities would be accompanied to the fanfare of wild, raucous music and a parade of exotic foreigners and lower class citizens of Greek society.

For the Hellenic Greeks, these two gods held wild temperaments that didn’t sit well with many affluent Greeks and were thus, warily worshiped.

Due to the similarities of both Dionysus’ and Cybele’s cults, in Athens, by the end of the 1st century B.C.E., the two cults were often combined.

Cybele & Sabazios

Sabazios is the Phrygian version to the Greek Dionysus. Under Greek influence, the name Sabazios is often used as an epithet for Dionysus and the two’s myths have become very intertwined.

Further Greek influences have Cybele equated with Rhea. By Phrygian traditions, Cybele is the mother of Sabazios. When Cybele is equated with Rhea, she is the nurse-maid and tutor to a young Dionysus after his mother Hera rejects him.

Orgia – It is thought that the Orgia, the Orgiastic cult of Dionysos-Sabazios may have originated with Cybele. When Sabazios had been wandering in his madness, he made his way to Cybele in Phrygia where she purified him and taught him the initiation rite for the Orgia. Sabazios is to have received his thyrsus and panther-drawn chariot while he went throughout all of Thrace to spread the Orgia. The Orgia certainly seems to have become associated with the celebrations of Cybele as the Great Mother or Mountain Mother in the writings of Strabo or as Euripides makes mention of in his play Bacchae.

As Nurse-Maid – In a story very similar to Dionysus’ being rejected by his mother Hera, it is Cybele, identified as Rhea and Grandmother to Dionysus who takes up the infant to care for him much like she did her own son Zeus. The god Hermes, tells Cybele how Dionysus will become a god later when he’s grown to manhood. Cybele’s priests the Korybantes use their loud drumming and chanting to drown out the cries of the infant in order to prevent Hera’s wrath from finding him to finish what she had started with trying to kill Dionysus when she cast him out. The story of Dionysus’ youth with Cybele continues with him grabbing lions for the Mother Goddess to hitch up to her chariots and later acquiring a lion-drawn chariot of his own.

Atalanta & Hippomenes

These two were turned into lions in myth by either Cybele or Zeus as punishment for having sex with one of their temples. The Greeks believed that lions were not able to mate with other lions. Another version of the story will have Aphrodite turn them into lions when they forgot to give her proper tribute or offerings.

Bee Goddess

Cybele was also especially noted for being a bee goddess.

Mother Of The Mountain – Goddess Of Mountains And Fortresses

As a goddess of mountains, cities and forts, Cybele’s crown was seen to take the form of a city wall, showing her role as a guardian and protector of Anatolian cities.

There is an inscription of “Matar Kubileya” found at a Phrygian rock shrine dating from the 6th century B.C.E. It is often translated to: “Mother of the Mountain.” It is a name that is consistent with Cybele and a number of other tutelary goddess who are all seen as “mother” and connected to a specific Anatolian mountain or other locations. In this sense, Cybele is seen as a goddess born from stone.

Cybele’s connection and association with hawks, lions and the mountainous regions of Anatolia show her role as a mother of the land in its wild, uninhabited state. She holds the power to rule, moderate or soften the unbridled power and ferocity of nature and to reign it in for the use of civilization.

Idaea – Mountain Goddess & Nymph

Cybele is often connected with Mount Ida in Anatolia where there is an ancient site of worship. Idaea is the name of the local mountain goddess or nymph who resided here. Where many goddess get absorbed into each, the name of one deity, Idaea in this case will become an epithet to the more well-known deity.

Goddess Of Nature And Fertility

As an ancient fertility goddess, Cybele’s worship is believed to have covered from Anatolia to Greece during the Archaic period, roughly 800 to 500 B.C.E and then into the Hellenistic era of 300 to 50 B.C.E.

Lions and sometimes leopards were shown to either side of Cybele to depict her strength.

Cybele is typically seen as a guardian and protector over all of a nature and a goddess of unbridled sex.

Along with Artemis, Cybele is seen as the “Great Huntress” and patron goddess and protector of the Amazons.

Magna Mātēr – The Great Mother

The Romans revered and knew Cyble as Magna Mātēr or the Great Mother, Rome’s protector. They also knew her as Magna Mātēr deorum Idaea, the great Idaean mother of the gods. It is a similar title to the Greek title for Cybele of Mētēr Theon Idaia, Mother of the Gods from Mount Ida. In the early 5th century B.C.E., she was known as Kubelē. In Pindar, she was known as “Mistress Cybele the Mother.” Cybele’s worship among the Greeks saw her easily identified and equated with the Minoan-Greek Goddess Rhea and the grain-goddess Demeter.

As Magna Mātēr, Cybele was symbolized by a throne and lions. She held a frame drum. A bowl used for scrying. A burning torch was also used to symbolize her bull-god husband Attis in his resurrection. For some like Lucretius, Magna Mater represented the world order. Her imagery hold overhead represented the Earth, thought to “hang in the air.” As the mother of all, the lions pulling her chariot represent the offspring’s duty of parental obedience. Magna Mater is seen as un-created and separate from and independent of all of her creations.

Under Imperial Rome, Magna Mater represented Imperial order and Rome’s religious authority throughout its empire. Emperor Augustus, like many of Rome’s leading families, claimed Trojan ancestry and a connection to Magna Mater. His spouse, empress Livia was seen as the earthly equivalent and representation of Magna Mater. Statuary of Magna Mater has Livia’s likeness.

While there are not a lot of documents or myths that survive regarding Cybele, it has been suggested that her Phrygian name of Mātēr indicated a role as a mediator between the boundaries of the known and the unknown, the civilized world and the untamed wilds, the living and the dead. The Imperial Magna Mater protected Rome’s cities and its agriculture. Ovid mentions how barren the earth was before Magna Mater’s arrival. The stories and legend of Magna Mater’s arrival to Rome are used to promote and exemplify its principles and Trojan ancestry.

Megalesia – Festival To Magna Mātēr

Also known as the Megalensia or Megalenses Ludi; under the Roman calendar, Cybele’s Spring festival of Megalesia was celebrated from April 4th to April 10th, a period of six days. This festival celebrated Cybele’s arrival in Rome along with the death and resurrection of her consort, Attis. This festival and the whole month of April were celebrated with an air of rejoicing and lavish feasts.

Exactly how the festival was celebrated is uncertain. What is known is that there were many religiously themed plays, games and activities. There are descriptions of mummery, war dancers wielding shields and knives and a lot of drumming and flute playing. As to the games, slaves were not allowed to participate. On the first day of Megalesia, there would be a feast held. These feasts were known for being very lavish and the Roman Senate passed a law limiting the amount that could be spent on these feasts. On April 10th, Cybele’s image would be publicly paraded to the Circus Maximus, chariot races would be held in her honor. A statue dedicated to Magna Mater with her seat on a lion’s back stood at the side of the race track barrier line.

Hilaria – Holy Week

In addition to the Megalesia festival, there is also a week-long festival known as Holy Week that starts from March 15th, also known as the Ides of March. That really gives a new meaning to Shakespeare’s Julius Caesar when he’s told to beware the Ides of March. The entire festival is meant to have an air of celebration for the arrival of Spring and the Vernal Equinox.

The festival itself seems to have been established by Claudius as a means of claiming and honoring Trojan ancestry. As a result, the festival very likely grew and expanded over time as a celebration for the death and resurrection of Attis.

The Reed Entered – Also known as Canna Intrat, from the 15th to the end of the month, there is festival for Cybele and Attis that starts on the 15th or Ides, with Attis’ birth and his being left along the reed bank of the Sangarius river in Phrygia before either shepherds or Cybele find him. People known as Cannophores will carry away the reeds. During this time, there is a nine-day period of abstinence from eating bread, fish, pomegranates, pork, quinces and likely wine. Only milk was allowed to be drunk during this period.

The Tree Enters –  Also known as Arbor Intrat, March 22nd marks the date of Attis’ death under a pine tree. It is observed. People known as Dendrophores or “Tree Bearers,” after sacrificing a ram, will cut down a tree and carry it to Magna Mater’s temple for a mourning period of three days.

Tubilustrium – March 23rd, this is an old, archaic holiday for the Roman god Mars. The tree has now been laid to rest in Magna Mater’s temple. Mars’ priest, the Salii will do a traditional beating of their shields accompanied by trumpets and other loud music from the Corybantes. Overall, this is a day of mourning.

The Day of Blood – Also known as Sanguis, Sanguem or Dies Sanguinis March 24th. The rites can only be described as frenzied as mourners and devotees whip or scourge themselves in order to sprinkle the alters and Attis’ effigy with their blood. Some of the rites involve castration and the tree is buried, symbolizing Attis’ placing within his tomb. This day was also to honor Bellona, a war goddess. Her priests were known as the Bellonarii and practiced mutilation along with using hallucinogenic plants.

The Day of Joy – Also known as Hilaria, on the Roman Calendar this marks the Vernal Equinox. It takes place on March 25th and celebrates Attis’ resurrection. It must be noted that is a day of celebration and not the previous mournful tones and rites. I’m also not the only one to have noted a similarity to the Christian association of Jesus’ resurrection.

Day of Rest – Also known as Requietio, March 26th. What can we say? Partying is hard work.

The Washing – Also known as Lavatio, March 27th. This is when Cybele’s sacred stone, the Pessinos’ black meteor is taken from the Palatine temple to the Porta Capena along a stream called Almo. This stream is a tributary to the Tiber river. Here, the stone would be bathed by a priest. The return trip back to the temple would be conducted by torchlight. It’s noted by Ovid as being an innovation by Augustus.

Initium Caiani – March 28th. This particular part of the festival is found on the Calendar of Philocalus. It is likely an initiation ceremony that was held at the Vatican sanctuary for the mysteries of Magna Mater and Attis.

Pine Cones

Pine cones are symbols of Cybele and the related myth of Attis. They are believed to have been worn by Cybele’s priests and followers as one of her symbols. As a protective symbol, a pine cone would be affixed to the top of a pole and placed out in vineyards to protect the crops. Pine cones would also be placed at the entrances to homes, gates and other entrances.

Tympanon

A type of hand drum or tambourine, the tympanon was used by the Greeks to denote worship in a foreign cult or religion. Of the foreign deities the Greek adopted, only Cybele is ever shown holding the tympanon. On the cuirass of Ceasar Augustus’ Prima Porta statue, Cybele’s tympanon is shown lying at the goddess Tellus’ feet.

The Trojan War

Among the Romans, Cybele was rewritten to be a Trojan goddess and thus making her an ancestral goddess through the Trojan prince Aeneas.

The Trojan War was a major and significant war among the Greeks. Many deities got themselves involved. Cybele was one of many such gods to do so. When Prince Aeneas was attacked by Turnus, leading the Rutulians, Cybele prevented Turnus from setting fire to the Trojan fleet by turning all of the ships into nymphs.

Virgil’s Aeneid – As Berecyntian Cybele, she is the mother of Jupiter and the protector of prince Aeneas. Cybele gave the Trojans her sacred tree to use for building their ships. Cybele then pleaded with Jupiter to make the resulting ships indestructible. Aeneas and his men are able to flee Troy, heading for Italy, where Rome would be founded. Once the they arrived in Italy, the ships all turned into sea nymphs or Oceanids.

Zodiac

Yes, you read that correctly. During the early Roman Imperial era, the poet Manilius introduces Cybele into classic Greco-Roman zodiac. It upsets the balance as there’s already twelve zodiac houses represented by a corresponding constellation. Each of which is ruled by a different deity, the Twelve Olympians in Greek and the Di Consentes in Rome. Manilius places Cybele as a co-ruler with Jupiter over Leo the Lion, which is noted for being in direct opposition to Juno who rules Aquarius.

Some modern scholars have taken note of how, as Leo rises over the horizon, that Taurus the Bull sets. Symbolically, this is seen as the lion dominating or defeating the bull. The idea then gets put forth that the celebrations of Megalensia includes this symbolism with lions attacking bulls. As a Spring festival, the date for the celebration of Megalensia is around April 12th when farmers would dig in their vineyards to break up the soil and sow their crops. This would also be when farmers would castrate their cattle and other livestock.

Mesopotamian Connection?

It has been suggested by some scholars that Cybele’s name can be traced to that of Kubaba, a deified queen who ruled during the Kish Dynasty of Sumer. Kubaba was worshipped at Carchemish and would later be Hellenized to the name of Kybebe. Kubaba was also known to the Hittites and Hurrians in the region. There isn’t enough etymological evidence to support this. However the names Kubaba and Matar do seem to have become closely associated. Such as the genital mutilations that are found both within Cybele’s and Kybebe’s cults. Much like many other localized mountain goddesses in Anatolia, who are called “mother” and among many who would become identified with Cybele.

Christianity And The Book Of Revelation

Of interest, is that the author of the Book of Revelations, identified by modern scholars as John of Patmos is likely to have been referring to Cybele when he mentions “the mother of harlots who rides the Beast.”

Christianity – Kept to a nutshell, the early Christians, once Christianity became the state religion of Rome, began to view and regard Cybele’s cult as evil, even demonic. Under Emperor Valentinian II in the 4th century C.E., he officially banned the worship of Cybele and the goddess followers and devotees fell under a lot of hate and persecution. Under the rule of Justinian, objects of worship for Cybele and her temples were destroyed and eventually by the 6th century C.E., Cybele’s cult seems to have vanished.

It has been noted by others how the Basilica of the Vatican is apparently the same exact spot for where Cybele’s Temple once stood and that Christians celebrate the death and resurrection of Jesus Christ in the same place where Attis was once worshiped. Some will even go so far as to suggest that revering the Virgin Mary is merely another aspect of worshiping Cybele and many other ancient Mother Goddesses.

Montanism Christianity – Also known as New ProphecyNow I do find it fascinating that around 100 C.E. a former Galli priest of Cybele by the name of Montanus formed a Christian sect that worked to oppose Pauline Christianity.

In Pauline Christianity, those who followed the teachings of the Apostle Paul, it held a major influence into the formation of Christianity in terms of scriptural interpretations, cannon and dogma.

Montanus’ sect was considered very heretical to the Catholic Church and would eventually see all of its followers excommunicated.

In brief, Montanus believed himself to be a prophet of god and that women could also be bishops and presbyters. Where much of early Christian theology diminished the power and presence of women within religion, Montanus’ sought to keep it.

It’s also interesting to note a rather prominent example of a Pagan religion that Christianity and former followers of other religions attempting to adopt and add in their beliefs. Like Montanus equating Jesus with Attis and the celebrating of Easter with the resurrection of Jesus during Holy Week, the days between Good Friday and Easter is also the same period that Hilaria, observing and celebrating Attis’ resurrection was held.

Very interesting…

Rhea – Greek Goddess

Just as Cybele is the Great Mother of the Roman Pantheon, Rhea, her Grecian counterpart is the Great Mother of the Greek Pantheon of Gods. Thanks greatly to the influence of the Romans, many people will identify and equate Cybele with Rhea.

The Romans were famous for subsuming many deities in their conquest across Europe, particularly the Mediterranean area, and identifying their gods with those of a conquered culture. The most famous being the Greeks, where many deities were renamed to those of Roman gods. Prominent examples like Zeus and Jupiter, Hera and Juno, Ares and Mars and so on down the line.

With the Hellenization of Latin literature, many Greek writers and even Roman writers rewrote and intertwined the myths of these two deities so that would virtually become one and the same. As the centuries have passed, the tradition of accepting both of these goddesses as one and the same has become generally accepted. Just that there are still some differences that separate the two.

Rhea’s best known story is with the birth of the Olympian gods. Cronus fearing that a son of his would kill him and take over, devoured all of his children as they were born. Rhea managed to rescue her youngest son, Zeus by tricking Cronus into swallowing a rock. She hid Zeus in the Dictean Cave in Crete. Zeus, after growing up, succeeded at overthrowing Cronus and rescuing his siblings.

Like Cybele, Rhea can help in easing the pain of childbirth and soothe the pain and difficulties that come with menstruation.

Demeter – Greek Goddess

The Greeks are who make the connection and equate Cybele with Demeter and Rhea, seeing in her a Mother Goddess. While Cybele does have her origins in Phrygian worship, when the Greeks encountered her, they just saw another deity like their own, just under a different name. Yes, all three are a Mother Goddess and Goddess of the Earth, you can see why the Greeks would equate all three together.

The Romans are clearer in acknowledging more clearly the genealogy of the Greek pantheon and equating Cybele whom they readily adopted as their own with Rhea and then equating Demeter with Ceres, a Roman Harvest goddess.

Antaea – This name and epitaph is one that is applied equally to Cybele, Demeter and Rhea by the Greeks. The meaning of the name is unclear, though it does denote a name for a goddess whom people could approach in prayer.

Cybele Part 1

The King Of The Cats

King Of The Cats
Also known as: The King o’ the Cats

The King of the Cats is a folk tale that comes from Britain. The earliest version of this story was found written in a letter by Thomas Lyttelton, the 2nd Baron Lyttelton. The story was first published in 1782 by Walter Scott who reported it as being a well known nursery tale from the Scottish Highlands. The story “The King of the Cats” continues to be seen and used in many places of modern references, from William Shakespeare to video games and even in comic books such as Batman where Catwoman’s brother is referred to as The King of the Cats.

The Basic Story

One winter night, a man comes bursting home through his door calling out to his wife and startling the family cat: “Who’s Tommy Tildrum!?!”

Startled, the man’s wife asks him what the matter is and who this Tommy Tildrum is.

The man proceeds to tell his wife how he was working in the cemetery digging a new grave when he had fallen asleep. He woke up hearing a cat’s meow and when he looked out over the edge of the grave hole, he saw a group of nine black cats all carrying a small coffin with a gold crown laid upon it. That at every third step the cats took, they’d all meow again in unison. Eventually the group of cats made their way towards the man. One of the cats stood before the man and said: “Tell Tom Tildrum that Tim Toldrum is dead.”

With that, the family cat burst out with: “Old Tom’s dead! Then I’m the King of the Cats!” as he rushed up the chimney, never to be seen again.

Variations of the Story

A variation of this story from Ireland has a man selling a calf at the November fair in Macroom, County Cork. After he’s sold the calf, he leaves the fair late in the evening and on his way, passes by the Inchigeelagh graveyard where a cat puts its head through the railings and tells the man: “Tell Balgeary that Balgury is dead.” The rest of the story pretty much follows its English counter-part with the family cat running out on the door once the man returns home to tell his story.

Continuing the Irish Connection

A king or lord of cats is also found in a couple of early Irish stories. In some versions of the Imtheacht na Tromdhaimhe (The Proceedings of the Great Bardic Institution) in which there is a dispute between the bard Senchán Torpéist and the king Guaire Aidne mac Colmáin of Connacht. The dispute led to Senchán cursing all mice with a dozen of them being killed in shame. This in turn led to the death of several cats that were responsible for keeping the mice population in check. In retaliation, the king of the cats, Irusan son of Arusan tracked Senchán down with the intention of killing the bard. However, Irusan was killed by Saint Kieran instead.

This story was later rewritten and published in Lady Jane Wilde’s book Ancient Legends of Ireland as “Seanchan the Bard and the King of the Cats” in 1866. Fame poet and author W.B. Yeats republished it in 1892 in his book Irish Fairy Tales. The story is also retold again as “the King of the Cats Came to King Connal’s Dominion” in Padraic Colum’s The King of Ireland’s Son published in 1916.

Fairy Connection

In the original story, the family cat Tom and the cats seen in the grave yard are described as being black cats with a spot of white. In Celtic fairy lore, the Cat Sith is a fairy creature described as being a large black cat with a spot of white on its chest.