Category Archives: Beauty
Pleiades Star Lore Around The World Continued
In Babylonian mythology and astronomy, the Pleiades are called MUL.MUL or “star of stars” in their star catalogues. The Pleiades are at the top of a list of stars along the ecliptic and close to the time of the Vernal Equinox around the time of the 23rd century B.C.E. A group of deities known as Zappu also represent the Pleiades star cluster.
Middle Eastern Mythology
Arabic – The Pleiades are known as al-Thurayya, they are mentioned in Islamic literature. The star, Aldebaran, meaning “the Follower” which is part of the Taurus constellation is seen as forever chasing al-Thurayya across the night sky.
Iran – In the Persian language, the Pleiades are known as Parvin. The name Parvin is also a very popular given name in Iran and neighboring countries.
Islam – Some Islamic scholars have thought that al-Thurayya might be the star mentioned in the sura Najm in the Quran. Muhammad is said to have counted 12 stars within the star cluster as found in Ibn Ishaq. This was in a time before telescopes and most people could only see six stars. The name al-Thurayya has been used as a female given name in Persian and Turkish culture. As seen in names such as Princess Soraya or in Iran and Thoraya as Obaid.
Judeo-Christian – In the Bible, the Pleiades are identified as being Kimah, meaning “cluster,” which is mentioned three times in relation to the constellation of Orion. Specifically in Amos 5:8; Job 9:9; and Job 38:31. In the New Testament, there is an indirect reference to this asterism found in Revelations 1:16.
The Talmud says that the Pleiades has about 100 stars. This is with the understanding that the word כימה as כמא (Kimah and pronounced as: ke’ me-ah) means just that, “about one hundred” in the Hebrew language.
The Talmud Rosh Hashanah tells that when God became with mankind’s wickedness, he went and remade Kimah, removing two of its stars and caused that this star cluster would rise with the dawn and out of season. This event is what precipitated and causes the Biblical Flood of Noah.
Pakistan – Much like Iran, the name Parvin is also a popular given name, especially for women. In recent decades the name hasn’t had as much use. In the Urdu language, the name Parvin and the stars it represents is a symbol of beauty.
Persian – The Pleiades are known as Nahid. Another name for the Pleiades that is shared by the Persiand and Urdu languages is Parvin, Parveen or Parween. It is a genderless or unisex given or family name used not just the Middle East, but Central Asia, South Asia and Azerbaijan. The name Parvin means star and is the name for the Pleiades asterism.
Native American Mythology
Several tribes have stories regarding the Pleiades star cluster.
Blackfoot – The Lost Boys – This is a story in which the Pleiades are a group of orphaned boys not taken care of by anyone, so they ended up becoming stars. Sun Man was angered by the boys’ neglect, so he punished the people with a drought, causing the buffalo to leave. The wolves, the only friends the boys had ever had, intervened for the people to have the buffalo return. Sadden by their lives on earth, the boys asked the Sun Man to allow them to play up in the heavens where they became the Pleiades. In addition, to remind the tribe of their neglect of the children, they hear the howling of the wolves calling for the friends up in the heavens.
The story represents more the time of the year and season in which the Blackfoot gather to hunt the buffalo. The buffalo herds don’t appear while the Lost Boys or Pleiades asterism is in the sky and this marks when the hunters would set out to their hunting grounds.
Another name for the Pleiades star cluster in Blackfoot legends is the Bunched stars. Instead of being orphans, the boys’ family were so poor that they couldn’t afford buffalo robes worn by other boys in the tribe. Out of grief and shame, the six boys went up into the sky to become stars.
Cheyenne – A Cheyenne legend, “The Girl Who Married a Dog,” tells how the Pleiades stars represent puppies that a Cheyenne chief’s daughter gave birth to after being visited by a dog in human form. The daughter had fallen in love with the dog-being and vowed that: “Where you go, I go.”
Cherokee – Both the Cherokee and Onondaga tribes tell a similar story about a group of seven boys who refused to any of their sacred responsibilities and only wanted to play. They ran around and ‘round the village’s ceremonial circle until all seven of the boys rose up into the sky. Only six of the boys reached the heavens where they became the Pleiades star cluster. The seventh boy was caught by his mother and pulled back to the earth so hard that he sunk into the ground, becoming a pine tree.
Crow – The Crow military societies have many songs that use a play on words referencing the Pleiades constellation. Many of the words are often difficult to translate and the stories range from stories of bravery and high ideals to many amusing or comical stories.
Hopi – The Hopi built many underground places called kivas that would get used for a variety of purposes. The most important of these kivas that was used for ceremonial meetings could only be accessed through a ladder in a small hole at the roof. During some ceremonies, the appearance of the Pleiades or Tsöösöqam, over the opening hole marked when to begin the ceremony. The Pleiades have been found shown on one wall in a kiva.
Inuit – Nanook, the Inuit Bear God was identified with the Pleiades. In the early days, a great bear threatened all of the people. This bear was chased up into the heavens by a pack of dogs where they continue to chase after the bear in the form of the Pleiades.
Kiowa – There is a legend told about how seven maidens were being chased by giant bears. The Great Spirit created Mateo Tepe, the Devil’s Tower and placed the maidens up on it. Still the bears pursued the maidens, clawing at the sides of the sheer cliffs. Such claw marks are said to be the vertical striations of the rock formation. Seeing that the bears were relentless in pursuit of the maidens, the Great Spirit placed the seven maidens up into the sky to become the Pleiades.
Lakota – There is a legend that links the origin of the Pleiades with Devils Tower. This constellation is known as Cmaamc, an archaic plural form of the noun cmaam, meaning “woman.” The stars are seven women who are giving birth.
Additionally, the Lakota hold a similar legend to the Kiowa about Mato Tipila, “Bear Tower” or Devil’s Tower to European settlers. A tribe was camped beside a river and seven of their young girls were playing nearby. The area at this time had a number of bears living there and a bear began chasing the girls. The girls started running back to the village. Just as the bear was about to catch them, the girl leaped up onto a rock. They cried out: “Rock, take pity on us; Rock, save us.” The rock heard their cries and began to rise up high out of the bear’s reach. The bear clawed at the sides of the rock, its claws breaking off. The bear kept jumping at the rock until it rose higher and higher to the point that the girls reached the sky where they became the Pleiades. The claw marks of the bear can still be seen on Mato Tipila or Devil’s Tower.
Mono – The Monache tell a story how the Pleiades are six women who loved onions more than their husbands. They were thrown out of their homes by their angry husbands and found their way up to the heavens. When the husband grew lonely and tried to find their wives, it was too late.
Navajo – The Navjo story of The Flint Boys, after the Earth had been separated from the Sky by the Black Sky God, he had a cluster of stars on his ankle. These stars were the Flint Boys. During the Black God’s first dance, with each stamp of his foot, the Flint Boys would jump up further on his body. First to the knee, then the hip, to his shoulder and finally up to his forehead. There they remained as a sign that the Black God was Lord of the Sky. The seven stars of the Pleiades or Flint Boys are shown on ceremonial masks for the Black God, sand paintings and ceremonial gourd rattles.
Nez Perce – They have a myth about Pleiades that parallels the ancient Greek myth and the Lost Pleiades. In this myth, the Pleiades are a group of sisters and one of the sisters falls in love with a man. When he died, she was so grief stricken, that she finally told her sisters about him. The other sisters mocked her, telling her how foolish she is to mourn the death of a human. This sister continued to grow in her sorrow, to the point she became ashamed of her own feelings that she pulled a veil over herself, blocking herself from view in the night sky. The Nez Perce use this myth to explain why only six of the seven stars is visible to the naked eye.
Onondaga – Their version of the story surrounding Pleiades has it the stars represented lazy children who wanted to dance instead of doing their chores. All the while as they ignored the warnings of the Bright Shining Old Man. Eventually, light headed and dizzy from hunger, the children rose up into the heavens to become the Pleiades.
Pawnee – Among the Skidi Pawnee, the Pleiades are seen as seven brothers. They observed this star cluster along with the Corona Borealis, the Chiefs through a smoke hole in Pawnee lodges in order to keep track of the time of night.
Shasta – In their stories, the Pleiades are the children of Raccoon who are killed by Coyote while avenging their father’s death. After death, they rose up to become the Pleiades star cluster. The smallest star in the asterism is seen as Coyote’s youngest child who helped Raccoon’s children.
Zuni – They used the Pleiades as an agricultural calendar. Among the Zuni, the Pleiades were known as the “Seed Stars.” When the Pleiades disappeared on the western horizon during spring, it was time for planting seeds as the danger of frost had pass. The Zuni also knew to finish all of their planting and harvesting before the Pleiades returned on the eastern horizon with the return of colder autumn weather and frost.
New Age, Western Astrology & Occult Connections
Astrology – In Western astrology, the Pleiades have come to represent coping with sorrow. In Medieval times, they were viewed as a single set of fixed stars and associated with fennel and quartz. In esoteric astrology, there are seven solar systems that revolve around Pleiades.
New Age – There’s a belief that the Sun and the Earth will pass through a Photon belft from the Pleiades star cluster. This will cause a cataclysm or a time of spiritual transition that is referred to as a “shift in consciousness,” the “Great Shift” and “Shift of the Ages.”
Occult – The Pleiades are mentioned as an astrological sign in “Three Books of Occult Philosophy” by Heinrich Cornelius Agrippa. It has a publication date of 1533, but may have appeared earlier in 1510.
Theosophy – It is believed that the seven stars of the Pleiades act as a focus for the spiritual energy of the Seven Rays from the Galactic Logos to the seven stars of the Great Bear, from there the star Sirius, on to the Sun and then to the god of the Earth, Sanat Kumara and finally that energy goes through the seven Masters of the Seven Rays to everyone else.
Ufology – Some people have described a race of Nordic aliens known as Pleiadeans who come from the Pleiades star cluster. A man by the name of Billy Meier claims to have had contact with and met these aliens.
The Pleiades were seen as the goddess Freyja’s hens. Their name in many older European languages refer to this star cluster as a hen with chicks.
The name of Hen and Chicks for Pleiades is found in Old English, Old German, Czech, Hungarian and Russian.
The Pleiades are known by various names such as Moropóro, Molopólo or Mapúlon. Christian Filipinos know this star cluster as Supot ni Hudas (Judas’ pouch) or Rosaryo (Rosary).
Hawaiian – The Pleiades are known as Makali’i. It’s rise shortly after sunset marks the beginning of the Hawaiian New Year known as Makahiki. This is four month period of peace honoring the god Lono. The Hawaiian New Year’s celebration is similar to the Maori New Year’s observances.
Maori – Among the Maori of New Zealand, the Pleiades are known as Matariki, “eyes of god” or Mata rikie, “Little Eyes”, she is a goddess who is accompanied by her six daughters: Tupu-a-Nuku, Tupu-a-Rangi, Wai-Tii, Wai-Ta, Wai-puna-Rangi, and Uru-Rangi.
From June 20 to June 22, known as Maruaroa o Takurua, marks the middle of winter. This time period comes right after the rise of the Pleiades or Matariki and is the beginning of the New Year. Tradition holds that the Sun starts his northward journey with his winter-bride Takurua, represented by the star Sirius and will make his southward journey later with his summer-bride, Hineraumati.
Another story involving Matariki, tells that one day Ranginui, the sky father and Papatūānuku, the earth mother were separated by their children. The wind god Tāwhirimātea ripped out his eyes in rage and flung them up into the heavens where they became a star cluster.
Polynesian – According to Polynesian legends, the Pleiades were once one star and had been the brightest in the night sky. The god Tane hated this star so much as it had boasted of its own beauty. The legend goes on to say that Tane proceeded to smash this star into pieces, creating the Pleiades star cluster.
The Pleiades in Rome are called The Bunch of Grapes and The Spring Virgins. Another name for these stars is Vergiliae as this asterism begins to rise after Spring and considered a sign of Summer before setting later in the Winter months. In modern day Italy, the Pleiades began rising around the beginning of May and would set around the beginning of November.
South American Mythology
Andes – Among the people of the Andes Mountains, the Pleiades were associated with abundance as this star cluster was seen as returning every year during the harvest season. Among the Quechua, the Pleiades are known as collca’ meaning storehouse.
Inca – The Pleiades were called the “Seed Scatter” or “Sower.” Another name for the Pleiades are the “Little Mothers.” The Incas held festivals when this asterism appeared in the night sky.
Paraguay – The Abipones tribe worshipped the Pleiades, believing them to be their ancestors.
Peru – The season of Verano, roughly meaning summer or Dry Season. There is a ritual coinciding with the Pleiades during the Summer Solstice. A Peruvian cosmological chart from 1613 C.E. appears to show the Pleiades asterism. An Incan nobleman, Pachacuti Yamqui drew the chart in order to show objects depicted in the Cusco temple. He added Spanish and Quechua notations to his chart.
The Pleiades are known as Dao Luk Kai in Thailand. The name translates to the “Chicken Family Stars” in English, it is name that comes from Thai folklore.
An elderly couple living in a forest of Thailand were raising a family of chickens; a mother hen and her six chicks. One day, a monk arrived at the couple’s home during his Dhutanga journey. Fearful of not having anything good enough to offer for a meal, the couple considered cooking the mother hen. The mother hen overheard the couple’s conversation, hurried back to the coup to say goodbye to her chicks. The mother hen told her chicks that they would need to take care of themselves from now on. After that, the mother hen returned to the elderly couple so they could prepare their meal for the monk.
When the mother hen was killed, her chicks threw themselves into the fire to die alongside her. The god, Indra was impressed by their great love and in remembrance, raised the chickens up into the heavens as stars.
Depending on the version of the story being told, if only six chicks are mentioned, then the mother is included as being among the stars of Pleiades. Otherwise, it is usually seven chicks who make up the stars in Pleiades.
In Turkey, the Pleiades are known as Ãlker or Ülker. According to legends, mankind was suffering a lot of suffering and evil. The creator god, Tangri Ulgen met with the Sky Spirits of the West, the Ãlker. A decision was reached and they sent an eagle, the first Shaman down to the earth to ease these afflictions and problems. The nomadic tribes of Turkey see the Pleiades as a source of both solace and the area of the heavens where the gods reside.
Kaşgarlı Mahmud. An 11th century lexicographer, the term ülker çerig refers to a military ambush. Where the word cerig means: “troops in battle formation.” The term ülker çerig has been used as a simile for the Pleiades asterism.
There are a few different names that the Pleiades are known as in traditional Ukrainian folklore. Some of these names are Stozhary, which can be traced etymologically to the word stozharnya, meaning “granary,” “storehouse for hay and crops” or it can be reduced to it’s meaning of sto-zhar, meaning “hundredfold glowing.” Other names for the Pleiades are Volosozhary and Baby-Zvizdy.
With the names Volosozhary, which means “the ones whose hair is glowing” and ‘Baby-Zvizdy which means “female-stars,” the Pleiades star clusters refers to a group of female tribal deities. In Ukrainian legend, long ago, there lived seven maids who danced their traditional dances and sing songs to honor the gods. After their death, the gods turned the seven maids into water nymphs and took them up into the Heavens where they became the now familiar star cluster. The symbol of this star cluster was used as a women’s talisman.
Pleiades Star Lore Around The World
For many tribes in the African continent, the Pleiades mark the beginning of the agricultural season.
East Africa – In the Swahili language, the Pleiades are called: “kilimia” which means to “dig” or “cultivate.” The Pleiades appearance in the heavens is seen as being time to start digging or the arrival of rain.
North Africa – The Tuareg Berbers call the Pleiades by the name of: Cat ihed, pronounced as: shatt ihedd or Cat ahăḍ, pronounced as: shat ahadd. The name means “daughters of the night” in the Berber language. Other Berber tribes have called the Pleiades star cluster by other names such as: Amanar “the guide” and Tagemmunt “the group.”
The Tuareg Berber have a proverb that translates into English as:
“When the Pleiades fall, I wake up looking for my goatskin bag to drink. When the Pleiades rise, I wake up looking for a cloth to wear.”
It is a proverb that takes note of the changing of the seasons to prepare for the heat of summer and the colder weather that the rainy season brings.
South Africa – The Basotho call the Pleiades “Seleme se setshehadi” meaning the “female planter.” When the Pleiades leave the night sky around April, the Basotho’s tenth month, along with the appearance of the star Achernar marks the beginning of their cold season. Like many South African cultures, the Pleiades are associated with agriculture and plenty. The Khoikhoi tribe call the Pleiades by the name of Khuseti, the stars of rain or rain bearers.
The Pleiades star cluster is known by several names among many tribes.
Karatgurk – In the stories told by the Wurundjeri of Victoria, Australia, the Pleiades represent a group of seven sisters known as the Karatgurk. They were the first to hold the secrets of fire and each of the sisters carried live coals on the end of their digging stick. The sisters refused to share the coals with anyone and eventually were tricked into giving up the secret of fire to Crow who in turn brought the gift of fire to the rest of humanity. As to the sisters, they were taken up into the night sky where their glowing fire sticks became the stars of the Pleiades cluster.
Kidili – A moon god of the Mandjindja from Western Australia, he had tried to rape some of the first women on Earth. In retaliation, the lizard men, Wati-kutjara attacked and castrated him using a boomerang before leaving him to die in a watering hole. As for the women, they became the Pleiades star cluster.
Kungkarungkara – They are the ancestral women in the lore of the Pitjantjatjara tribe.
Makara – According to the Adnyamathanha tribe, the Makara (The Pleiades) are the wives of stars within the Orion constellation.
Napaltjarri – From Central Australia, they were seven sisters being chased by Jilbi Tjakamarra. He had attempted to use love magic on one of the sisters. She refused Jilbi’s advances and she and her sisters fled from him. They fled all the way to Uluru where they searched for honey ants. While there, the sisters again saw Jilbi and they went to Kurlunyalimpa and the other spirits of Uluru who transformed the sisters into stars. In response, Jilbi transformed himself into the Morning Star seen in Orion’s Belt where he continues to chase after the seven sisters.
The Seven Sisters And The Faithful Lovers – In this story of the Koori’s Dreamtime, the Pleiades or the Seven Sisters were a group of seven beautiful ice maidens. Their parents were huge mountain whose peaks were hidden by the clouds and an ice-cold stream who flowed from some snow covered hills. The Seven Sisters would wander the land, their long hair flowing out behind them like storm clouds. Their beauty was so great, that many men loved them, but the sisters were always cold in returning any affections.
One day, a man by the name of Wurrunnah, caught two of the sisters and forced them to live with him while the others continued on their journey home to the sky. Wurrunnah soon found that the sisters he caught were ice-maidens and took them to his camp fire in order to try and melt the ice off of them. This only served to put out his fire and dimming the brightness of the two sisters.
The two sisters were very lonely and sad by their captivity and every night, they would look up to the night sky where they could see their sisters calling for them. One day, Wurrunnah told the two sisters to go out and gather some pine bark. After a short trip, the two came to a big pine tree where they began with stripping the bark off of it.
As they stripped bark off the pine, whose totem was the same totem as the sisters, it began to extend upward towards the sky. The two sisters saw their opportunity and climbed up the tree to their home in the sky with their sisters. The two sisters never did regain their full brightness in the heavens and is why two of the Pleiades are dimmer than the others. The journey of the seven sisters is remembered every time it snows.
The Berai Berai Brothers And The Seven Sisters – Another story told of the Seven Sisters is that when they were on earth, of all the men in love with their beauty, the Berai Berai or two brothers were the most devoted. They always brought all the choicest catches from their hunts to the Sisters as an offering and token of their love. This love was not returned and when the Sisters wandered away, up to the mountains, the Berai Berai followed after them.
After the Sisters left for their journey to the sky, the Berai Berai mourned. A grave depression fell upon them that they eventually died. The spirits of the Dreamtime took pity on the brothers and placed them up in the sky, up where they could hear the Sisters sing. On clear nights, the Berai Berai can be seen, represented by the stars that form Orion’s Sword and Belt.
The name for this constellation in Lithuanian is Sietynas and Sietiņš in Latvian. Both of which have a root word: sietas meaning “a sieve.” In both Latvian and Lithuanian folk talks, the Pleiades constellation is shown as an inanimate object, a sieve that is stolen by the devil from the god of thunder or it is used to bring light rain by the thunder god’s wife and children. In some Lithuanian folk songs, Sietynas is depicted as a benevolent brother who helps orphaned girls to marry or he helps walk soldiers across fields.
Ben Raji Mythology
Living in western Nepal and northern India, the semi-nomadic Ban Raji refer to the Pleiades as the “Seven Sisters-In-Law and One Brother-In-Law” or “Hatai halyou daa salla.” For the Ban Raji, when the Pleiades rise up over the mountains at night, they see their ancient kinfolk. The timing for the appearance of the Pleiades over the Nepali mountains along the Kali River, marks when it is 8 p.m. local time.
Bronze Age And Celtic Mythology
In Bronze Age Europe, the Celts and possibly others may have associated the Pleiades with grief, mourning and funerals. At this period of time and history, the time of the Autumn Equinox and Solstice would have occurred around the time that the Pleiades star cluster rose in the eastern skyline as the sun set. The precession of the constellations over the centuries and millennia would have since changed for the timing of the Equinox and Solstice celebrations. This Solstice celebration is possibly a predecessor to the modern Halloween, Samhain and All Souls Day celebrations. While a good many Pagan and Wiccan sites are quick to point out such a connection, more secular sites don’t necessarily see a connection. What seems more plausible is that it does have connections as a Harvest Festival and the end of the harvest season before winter comes.
An artifact discovered in 1999 called the Nebra Sky Disc, due to where it was found in Nebra, Saxony-Anhalt in Germany, shows the Pleiades star cluster on it along with the Sun and Moon. Two golden arcs on the disk mark the solstices. It has been dated to somewhere around 1600 B.C.E. and part of the Bronze Age Unetice culture. Unlike the megaliths of much of Europe, the Nebra Sky Disc is a portable astronomical instrument.
Aztecs – The Aztecs based the beginning of year on the appearance of the Pleiades asterism when it rises in the east before the sun’s morning light became too bright. They called this star cluster by the name of Tianquiztli, meaning “marketplace.”
The Aztecs were very good astronomers and kept careful track of the heavens. Their calendar was based on a 52-year cycle. The Pleiades were carefully watched to make sure the world wouldn’t end. At the end of each 52-year cycle, the Aztecs held a religious ceremony to ensure the rebirth of the sun and continued movement of the heavens. The Aztecs strongly believed their ceremony would prevent demons of darkness from coming to the Earth and devouring mankind. For this, they offered up to the gods human sacrifices.
Mayan – During colonial times, the Pleiades were used to track the time by diving up the night.
An epic legend tells the story of the Pleiades star cluster. There had been a long standing feud between the heavenly twins Hun-Apu and Xbalanque and a giant named Zipacna. With the help of several other youth, the twins pretended that they were building a house. They started with digging a large hole in the ground. As they were digging, Zipacna came along and asked what they were doing.
The twins told Zipacna they were building a house but were having trouble with digging a hole for the foundation deep enough. Zipacna was persuaded to help and he went down into the hole. Once he was at the bottom of the hole, the twins and their helpers began to throw stones, dirt and tree trunks down on him. When the hole was completely filled in and everyone was certain that Zipacna must be dead, they continued to build a house over the spot marking his grave.
Unknown to the twins, Zipacna was still alive. Yes he had been knocked out by the weight of everything piled and thrown on him. Once he had regained consciousness, he lay there and waited, pretending to be dead until the house was completed.
With the house completed and everyone inside celebrating, Zipacna made his move. Throwing up his shoulders, Zipacna’s great strength allowed him fling the house up into the sky towards the heavens. There, the twins and everyone with them became the Pleiades, unable to get back down to the earth.
Monte Alto Culture – This also includes other cultures such as Takalik Abaj and Ujuxte who are known to have made early observatories. They used the Pleiades stars and Eta Draconis as references in the night sky. The Pleiades are called “The Seven Sisters” and thought to be where they originated from.
To the Chinese, the Pleiades are known as Mao, the Hairy Head of the White Tiger of the West. The Pleiades seem to be the first stars mentioned in astronomical literature, appearing in the Annals of 2357 B.C.E. Aside from the name Mao, the Pleiades are also known as The Blossom Stars and Flower Stars.
The ancient Egyptians recorded seven stars within Pleiades. Some scholars believe that the seven chambers of the Great Pyramid represent the seven stars of Pleiades.
The goddess Hathor has an interesting take in her role and aspect as a Mother goddess for it was believed by the ancient Egyptians that “Seven Hathors” would appear at the birth of a new baby, foretelling his fate. The reason they’re mentioned is that during the Ptolemaic Period, when Egypt was under Greek rule, the Seven Hathors became identified with the Pleiades star cluster.
Aside from Hathor, the Pleiades also represented the goddess Net or Neith, the “Divine Mother and Lady of Heaven.”
French History And Literature
La Pléiade is a post-Renaissance literary movement that references the Pleiades constellation and seven poets from the Alexandrian period during the reign of Ptolemy II. The La Pléiade title has been used by two groups of poets from Toulouse during the beginning of the 14th century and another group founded by Pierre de Ronsard in 1553. Their goal was to promote the classical literature of Greek and Rome with translations rather a perceived, outdated use of Latin. While the group were not known for being innovators, they did provide the foundations of French Classicism.
The Pleiades were considered by some ancient Greek astronomers, such as Eudoxus of Cnidos to be a distinct constellation separate from Taurus. This asterism is mentioned of by Hesiod and Homer in the Iliad and Odyssey. The ancient Greek text Geoponica mentions the rising of the Pleiades cluster. The Greek temples of Hecatompedon, built in 550 B.C.E. and Parthenon, built in 438 B.C.E. are oriented to the rising of the Pleiades.
For the Greeks, the setting of the Pleiades around October and November was a time to bring their ships in to port and to plow and sow their lands. Hesiod makes mention of the Pleiades numerous times in his “Works and Days,” alluding to their importance as a time of stormy weather and planting. Greek sailors were known to consult the heavens for the appearance of the Pleiades before setting sail.
Orion And The Pleiades
The Greek story is perhaps the most well known to many Westerners about the Pleiades star cluster.
The Pleiades is a group of seven sisters whose father is the titan Atlas. As their story goes, the Pleiades were traveling with their mother Pleïone, through Boeotia when they encountered the Greek hero Orion. He expressed such a deep infatuation and interest in them that he relentlessly pursued the sisters and even their mother. And with their father Atlas now holding the earth up on his shoulders, this very likely encouraged Orion in his antics as he thought no one could stop him.
After running from Orion for seven years, the sisters became tired of such extreme harassment and pursuit. In their desperation, they appealed to Zeus who in response, placed them up in the heavens, specifically in the Taurus constellation where they would be protected by the mighty bull from Orion’s unwanted advances. In the accounts that include Pleïone being chased by Orion, she too is placed up in the heavens, this a further punishment for the titan Atlas to be separated from not only his wife, but daughters.
In the end, being placed up in the heavens doesn’t seem to have helped them much, for when Orion died, he too was immortalized up in the heavens as a constellation. He can be seen up there still chasing after the Pleiades.
Variations to this story say the Pleiades committed suicide after the death of their brother Hyas. Other versions say that when the sisters pleaded to the gods for mercy from Orion, they were changed first into doves and then later into stars.
If the Pleiades weren’t getting chased by Orion, then they became stars after committing suicide over the fate of their father Atlas. Or the loss of their siblings the Hyades and Hyas. After their death, the god Zeus placed the sisters up into the heavens to become the famous star cluster.
Companions Of Artemis
This version of the myth follows closely the more well-known story of the Pleiades being chased by Orion. The Pleiades were the companions of the virgin goddess Artemis. She wasn’t too happy with Orion when he came upon the Pleiades while playing. In his lust and infatuation, he chased the Pleiades. On their behalf, Artemis pleaded with Zeus to intervene and he did so by transforming the sisters into doves and then into stars, becoming out of reach of both Artemis and Orion. Zeus, not to be completely without compassion for his daughter, the path of the Moon passes between the Pleiades and Orion so that she has a chance to be reunited with her friends on a regular basis.
Contrarianism – Daughters Of An Amazon Queen
While many variations of the Greek myths regarding the Pleiades are similar, especially in regards to names and parentage; Theocritus’ Idylls, using references from Callimachus differs greatly from the more familiar myths. In the Idylls, the Pleiades are the daughters of an Amazon queen. Their names are: Coccymo, Glaucia, Lampado, Maia, Parthenia, Protis and Stonychia. The sisters are supposed to have created ritual dances and nighttime festivals.
Ancestors Of Dionysus
In Nonnus’ Dionysiaca, the Pleiades appeared as an omen of victory for Dionysus’ war against India. There is further mention that the pleiad Electra was the foster-mother of Harmonia, the grandmother of the Greek god Dionysus. And thus in a way, Electra can be seen as Dionysus’ ancestor.
Indian Astronomy And Mythology
The Pleiades are known by a number of different names such Karttikeya, Kṛttikā, Kārtikā, Kumara or Subrahmanya. In both Indian astronomy and Hindu astrology, the names Krttika and Kartika translate into English as: “the cutters.” Like the ancient Greeks, India has a number of different, varying and often conflicting stories of Kṛttikā.
Hindu Mythology – A story associated with this star cluster tells how the war-god Skanda was raised by six sisters known as Kṛttikā, making it so that one of his names he is known as is Kartikeya or “Son of the Kṛttikā.” Skanda or Kartikeya was born to Agni and Svāhā after the Kṛttikā had impersonated themselves as six of the seven wives of the Saptarshi in order to make love with Agni. When the Saptarshi learned of this incident, they began to doubt their wives’ chastity and divorced them. Since then, the wives were known as the Kṛttikā.
As the six Kṛttikā, they are seen as the mothers of Skanda, his six faces represent them. Slight variations to this say that Skanda developed his six faces in order to drink the milk from his six mothers.
Hindu Astrology – Kṛttikā is the third nakṣatras or lunar mansion out of twenty seven other naksatras. The Pleiades are known as the Star of Fire and one of the most prominent of nakshatras associated with anger and stubbornness. They are ruled by the Hindu god of war, Kartikeya. Another deity associated with Kṛttikā is Agni, a god of sacred fire. Additionally, it is ruled by the sun or Surya and has the symbols of a knife or spear. There is a Hindu tradition of naming children according to the naksatra they’re born under. Each naksatra will have four syllables associated with it that is used for that start of a child’s name.
Kumarasambhava – “The Birth of the War God”
In an epic poem written by Kalidasa from the 4th and 5th centuries C.E., the gods had wished for a god to born in order take on and kill the demon Taraka who had a geas or boon that he could only be killed by a son of Shiva.
The problem, is that Shiva was deep in his meditations and not at all interested to his wife Parvati. That is, at least not until Kama, the god of love struck Shiva with an arrow. Now, after having practice abstinence for so long, Shiva’s virility was incredibly potent and the other gods fear what would happen. So they took Shiva’s seed and dropped it into a fire. It is from this, that the god Skanda, whose name means: “Spurt of Semen.”
Tamil Mythology – The Pleiades are known as Karthigai, they were the six wives of six Rishis, represented by the stars of Ursa Major. The seventh was known as Arunthadhi, associated with the star Alcor. She is the wife of Vasistha, the seventh Rishi or Sage. He is associated with the star Alcyone. Another name of the Karthigai is Saptha Kanni, meaning the “Seven Virgins.”
A variation to this story is that the Krttika had all lived together up in the heavens. One day, Agni, the god of fire fell in love with the seven Karthigai or Krttika. In trying to forget his love for them, Agni wandered the forest until he met Svaha, the star Zeta Tauri.
Svaha was immediately infatuated with Agni and disguised herself as one of the Krttika in order to seduce him. Agni truly believed he had made love with one of the Krttika. Svaha became pregnant and gave birth to Skanda.
As soon as Skanda was born, rumors began to circulate that one of the wives of the Rishis was his mother. This caused the Rishis to divorce their wives. Of them all, only Arundhati remained married. The other Krttika went on to become the Pleiades.
The Pleiades are known as Lintang Kartika in Javanese, it is a name that is from the Sanskrit word Kṛttikā, one of the nakṣatras in Hindu astrology.
In Japan, the Pleiades star cluster is known as Subaru, meaning “coming together,” “cluster” or “united.” The name and image are also the same name for a car manufacturer, Subaru.
Another name for the Pleiades is Mutsuraboshi, meaning “six stars.” This name dates from the 8th century Kojiki and Manyosyu documents. The Pleiades have also been called the Hoki Boshi, meaning “dab of paint on the sky” or “brush stars.”
A story found among the Marshall Islands in the Pacific Ocean, tells the story of Dümur, the eldest son of Ligedaner who is the mother of all the stars. Ligedaner is identified as being the star Capella in the Auriga constellation, Dümur is identified as the star Antares and the youngest son is identified as Pleiades.
Ligedaner’s sons came down from the vault of Heaven to visit with her where she lived on the atoll Alinablab. While there, a contest was proposed that who ever was the first to reach a certain island somewhere out in the East would be named the King of Stars.
The contest was agreed to and the sons prepared themselves to take off to claim the title of King. Ligedaner asked Dümur to take her with him in his canoe. Dümur refused as he saw that his mother wanted to take as many things with her as she could and thereby slow down the canoe with its weight.
Ligedaner asked each of her sons in turn to take her with them in their canoes and each in turned refused. Until she got to her youngest son, Pleiades who finally accepted her request to go with him. Ligedaner had seven objects she was taking with her and as she got into the canoe, she instructed Pleiades where to load and place each object.
When they were finally loaded up, Pleiades took his place to start rowing. He was surprised to find that instead of being weighed and slowed down by all the objects, that his canoe shot out into the water with great ease nor did he have to use his oars. The seven objects it turned out, had been previously unknown sail rigging and with his canoe driven by the wind, it took no time at all to catch up with his brothers.
As Pleiades’ canoe caught up with Dümur’s canoe, Dümur demanded, on his rights as the first-born son that his youngest brother hand over his canoe to him. Dismayed, Pleiades complied with the demands. Ligedaner proceeded to play a rather mean trick on Dümur by turning the canoe around and then when she jumped with Pleiades into the sea, she took with her the yardarm. Together, Ligedaner and Pleiades swam on towards the island to the East.
Dümur found that in order to sail Pleiades’ canoe, he had to fasten the sail to his shoulders, causing him to become bent over. By the time Dümur reached the island, he found that his youngest brother Pleiades and Ligedaner had beaten him there already and that Pleiades now claimed the title of King of the Stars. Angry, Dümur desired to never see his brother Pleiades again. This separation fo Dümur and Pleiades can be seen in the night sky of the Southern Hemisphere as when Pleiades rises in the East, Dümur (as the star Antares) sets in the West. The bent back of Dümur is also seen represented by the curved line formed by the stars outlining the bent body of Scorpius.
Also Known As: Deer Lady, Deer-Woman, Deerwoman
The Deer Woman is a familiar figure in many Native American legends and mythology of Oklahoma, Western United States and Pacific Northwest. Notable tribes are the Creek, Lakota, Omaha, Ponca and Potawatomi.
Deer Woman is a shape-shifting spirit who often takes the form of a young woman except that her feet are hooved like those of a deer and her brown deer eyes. Sometimes, Deer Woman is described as having the upper half of a human women and the lower half of a deer. As a shape-shifter, Deer Woman can also appear as an old woman or a deer.
In the legends surrounding Deer Woman, she is often just off the trail or behind a bush, calling men over to her, particularly unfaithful or promiscuous men. It is frequently too late, when men are enchanted and drawn to her, that they notice she isn’t all that she seems and find themselves trampled to death beneath her hooves. A more “luckier” man might find himself pining away, longing for a “lost love.” In the more malign interpretations of Deer Woman, she is often presented as a bogeyman, seducing men before she kills them.
More violent versions of Deer Woman’s story say she was a human woman transformed into a deer after being raped or she was brought back to life by the original Deer Woman spirit after being murdered. Further stories say it is the still the original Deer Woman, she has just changed her cause and is even more vengeful.
She is sometimes seen as a form of succubus or vampire, draining her victims of their life force. The Deer Woman legends certainly do seem to hold a certain familiarity to the Irish stories of the Fae, who have sex with a mortal man and who is then never satisfied with a human lover.
In the Lakota versions of Deer Woman, she doesn’t kill men, instead she takes their soul so that he will be lost for the rest of his life. As to the women, Deer Woman spirits them away so that they are never seen again. In these, stories, Deer Woman is described as a black-tailed deer.
Other stories surrounding Deer Woman, describe seeing her as sign of warning or a time of personal transformation. She is very fond of dancing and has been known to join in on communal dances; leaving when the drumming stops. More benign interpretations of Deer Woman’s myth connect her to fertility and love who help women during childbirth.
In this t.v. series featuring life on the Reservation for several young Native Americans, Deer Woman is mentioned in passing by Officer Big. The fifth episode features Deer Woman as Officer Big tells his origin and back story of why he choose to become an officer.
Banishing Deer Woman
According to Ojibwe traditions, Deer Woman can be banished by the use of tobacco smoke, prayers and chanting.
Deer Woman’s spell or enchantment can also be broken by looking at her feet. Once Deer Woman realizes she has been found out, she runs away.
Similar Folkloric Figures
There are a few other, similar figures found in other cultures from around the world.
Baobhan Sith – Scotland, a female vampire said to have goat legs. She seduces travelers and drinks their blood.
Fiura – Chile, a goblin seductress who drives her victims insane.
Iara – Brazil, a siren-like entity who leads men to their death. Descriptions place her as being a fish woman with a blow hole in her neck.
La Llorna – Hailing from Mexico and the Southwestern United States. Descriptions often cite her as having no feet.
La Patasola – Colombia, a siren-like entity, leading men to their death. Descriptions often cite her as having deformed feet.
Naag Kanyas – India, serpent women. In some areas of Northern India, there are stories of people who are surprised to discover that a woman traveling with them, has cow hooves instead of human feet. A slight version to this is the woman’s feet being on backwards. These were clearly signs that the woman traveling with them isn’t human.
Sirens – Greek & Rome, Aquatic females, infamous for luring men to leap from their ships to a watery death by their hypnotic songs.
Tunda – Colombia, a siren-like entity, leading men to their death. Descriptions often cite her as having deformed feet.
Xana – From Asutrias, Spain, a siren-like entity who leads men to their death.
Etymology: “House of Horus (the Elder)”
Hathor is a Pre-Dynastic goddess who was very well known and like many of the Egyptian deities, she is still known by many in modern times. Hathor’s name may be a reference to her domain as a sky goddess and being the Celestial Cow and where too, the god Horus held his domain as well. Where Horus represented the living king, Hathor represented the living queen.
Other Names and Epithets: Athor, Athyr, Hat-Her, Hethert, Het-Hert (House or Womb Above), Het-Heru, Hwt-Hert, Hethara, Hetheru
Hathor is a goddess who is known by many titles. The first of her titles is: “the Great One of Many Names”
An example of a good many of her names and more properly, titles are:
“Lady to the Limit”, “Lady of Heaven”, “The One Who Shines as Gold”, “The Gold that is Hathor”, “Lady of the West”, “Divine (or Celestial) Cow”, “Mistress of Heaven”, “Lady of Gold”, “Lady of Greenstone and Malachite”, “Lady of Lapis-Lazuli”, “Mistress of Life”, “the Great Wild Cow”, “the Golden One”, “the Mistress of Turquoise”, “Lady of Iunet” (Dendera), “Lady Of Denderah”, “Mistress of Qis”, “Lady of Punt”, “the Powerful One”, “Lady of the Southern Sycamore”, “Lady of the Turquoise”, “the Mistress of Turquoise”, “Mother of Mothers”, “The Celestial Nurse”, “Lady of Drunkenness”, “the Eye of Ra”, “Lady of Amenity”, “the Dweller in the Great Land”, “Lady of Ta-Tchesert”, “the Dweller in his breast”, “Lady of the Vulva”, “the Beautiful Face in the Boat of Millions of Years”, “the Seat of Peace of the doer of truth”, “Dweller in the Boat of the favored ones”, “Lady of Stars”, “Sovereign of Stars”, “Hand of God”, “Great Menat”, “Mistress of the Desert”, “Sovereign of Imaau”, “Queen of Heaven”, “Mistress of Heaven”, “the Gentle Cow of Heaven”, “Lady of the House of Jubilation”, “The One Who Fills the Sanctuary with Joy”
Hathor’s roles have been many for the many millennia that she has been known and worshipped. Beyond being one of two of Egypt’s Cow Goddesses, Hathor has been known as a Sky Goddess, a Sun Goddess, a Moon Goddess, the Goddess of the East, and the Goddess of the West, Goddess of Moisture and Fertility, Agriculture, Motherhood, Goddess of the Cycle, Goddess of the Underworld, Mistress of the Necropolis, Goddess of the Dead, Goddess of Love and Beauty, Goddess of Music, Song, Dance, Drinking and Joy. She has been known as the patron Goddess of Women and Marriage.
Animal: Cow, Cobra, Falcon, Hippopotamus, Lioness, Snake
Colors: Red, Turquoise
Festivals: Aug 7th (New Years), Sept 17th, Festival of Het Heret – November 2nd
Gemstones: Emerald, Malachite, Lapis-Lazuli, Turquoise
Month: Third Month by the Egyptian Calendar, Hethara (as the Greeks called it) or Athyr. From September 17th to October 16th. This was the month of Inundation when the Nile River would flood.
Patron of: Sun, Universe, Children, Mothers, Miners, Musicians, Pharaohs
Planet: Sun and Moon
Plant: Myrtle, Rose, Sycamore
Sphere of Influence: Arts, Astrology, Beauty; Children, Childbirth, Dance, Family, Femininity, Fertility, Flowers, Foreign Lands, Joy, Love, Mining, Moisture, Moon, Motherhood, Music, Prosperity, Pregnancy, Sexuality, Sky, Song
Symbols: Cow, Cosmetics, Horns-and-Sundisk Headdress, Menat (a type of ritual necklace possibly used for percussive music), Mirrors; Sandalwood and Rose Incense; Sistrum (a type of rattle), Papyrus Reed
Early depictions of this goddess show her as being a cow with a sun disk between her horns or as a woman wearing the horns-and-sun disk headdress that may or may not have a symbol known as the uraeus on it. Sometimes when Hathor is shown as a cow, she is covered in stars. When depicting Hathor’s role as a fertility goddess and her powers of procreation, she is shown suckling a child.
An early depiction of Hathor and identifying her as a cow is likely from what is known as the Narmer Palette. And it seems Hathor absorbed and took over many of the roles as a fertility goddess from another cow goddess, Bat.
Sometimes Hathor would be shown as a hippopotamus, a falcon, cobra, goose, cat, malachite, sycamore fig or even as a lioness. These forms aren’t as common to Hathor as her more familiar shape of a woman or a cow.
When Hathor is shown as a cow, she is seen having beautifully painted eyes and is frequently a red color, the color of passion. Hathor, along with the dwarf god Bes are the only known Egyptian gods shown in portrait rather than in profile.
The depictions showing Hathor as a woman with a cow’s head are more common of later periods. Also more common to later periods is Hathor being shown with a twin set of feathers and a menat necklace. A number of ancient mirrors and sistras have been found showing a smiling, nude Hathor on them over the years. Hathor’s image of a woman with cow ears is often found on the top of stone columns in Egyptian temples.
An ancient Goddess and one of the main gods of Egypt, Hathor was worshipped for well over 3,000 years and during that time, she has taken on many personas and aspects. She is the Celestial Cow, the protector of women, the Queen of Egypt, a Goddess of Love, Children, Pregnancy, Dancing, Singing and Poetry.
The Egyptians were very fluid in their theology and how the gods were depicted. Different deities were known to merge for a specific reason or to emerge and split away, becoming their own entity. Given the thousands of years the Egyptian Dynasties lasted, its not surprising in many ways for the myths to be fluid and change with the times. It was no problem for the Egyptians who saw such myths as complimentary and not contradictory.
At different points in the continuing development of Egyptian mythology, Hathor has been equated and associated with a good many other Goddesses who are sometimes, if not often seen as just being different aspects of the same Goddess. Hathor has also been shown to be the mother, daughter and wife of Ra and to have later seen many of her roles taken over by Isis who becomes the mother of Horus.
Some of the Goddesses are: Sekhmet, Bastet, Beb and Isis.
Bastet – As the goddess Bastet, Hathor is seen to be more gentle and loving. Particularly when compared to the more harsher image of Sekhmet. Where Bast represented Lower Egypt, Hathor represented Upper Egypt.
Bat – Another primordial, pre-Dynastic cow goddess of fertility. Hathor seems to have absorbed the aspects and roles that this Goddess once held. Bat has also been linked to the Ba, an aspect of the soul and Hathor seems to have gained her associations as a Death Goddess from this connection. The sistrum, a rattle that was once a symbol of Bat also became one of Hathor’s symbols.
Hesat – She was seen as a manifestation of Hathor in earthly form. Like Hathor, Hesat is also regarded as the wife of Ra. As an earthly cow-goddess, milk was said to be the beer of Hesat and part of her link to Hathor. Hesat was also known as the wet-nurse to the gods.
Isis – In the later periods of Egyptian religion, most of Hathor’s roles and aspect have been picked up and taken over by the goddess Isis. As Isis, some two thousand years after Hathor’s first appearances, now has Hathor’s headdress and sistrum symbol. There can often be confusion as to which goddess is meant to be shown. The difference though is that when Isis is shown with horns, she is also wearing the vulture headdress that is typical of another goddess Mut or she is wearing a multi-colored feathered dress.
Mehet-Weret – Her name means “Great Flood.” She seems to be another primordial cow goddess like Hathor and Bat. Hathor absorbed many of her myths, particularly from the creation story of being the mother of Ra, carrying him between her horns.
Nebethetepet – Her name means “Mistress of the Offering.” She was a manifestation of Hathor at Heliopolis where she was associated with the Sun-God Atum.
Saosis – A goddess who is often identified with Hathor. Her symbol was the acacia tree in which death and life were enclosed.
Sekhmet – A rather dark and fierce goddess of justice. This is a harsher side of Hathor that is usually tempered by the gentler image of Bastet.
Tefnut – A primal lioness goddess, she and Hathor share a similar story where they become estranged from Ra and wander off towards Nubia.
As previously mentioned with the goddess Isis, some two thousand years after Hathor’s first appearances, the goddess Isis began to appear and to assume many of the roles and functions that Hathor once held. Where Hathor was once considered the mother of Horus, Isis took over this role along with being the mother of the Pharaohs.
Greek & Roman Connection!
It wasn’t uncommon for the Greeks and Romans to equate many of their deities with those of other cultures. The Romans especially did it to any that they conquered. In the case of Egypt and their gods, Hathor in her role as a goddess of love is synonymous with the Greek Aphrodite, the Roman Venus.
Cults Of Hathor
Being an ancient, primordial deity, Hathor was worshipped in a good many Egyptian cities. Hathor was a patron of the cities of Iunet and Itjtawy. Temples could be found for her every where. The earliest temples and images for Hathor have been found drawn on rocks near Naqada and the Girez settlement. Both of these sites are located in the southern part of Upper Egypt and date back to the Predynastic era of about 4,000 B.C.E. Give or take a few years, this places Hathor around 6,000 years old.
Hathor’s cult thrived in Ta-Netjer (“Land of God”), modern day Dendera in Upper Egypt. Here she was worshipped as “Mistress of Dendra.” Dendra was also Hathor’s main temple, also known as the “Place of Intoxication.” So popular was Hathor’s worship that at one point her Dendera temple had as many as sixty-one priestesses. Hathor’s priests were both men and women, many of whom were capable dancers, musicians and singers. Priests of Hathor were also known for being oracles and midwives. It wasn’t unusual for people to go to her temples to have their dreams interpreted. The temple at Dendera along with the Temple of Deir el-Bahri clearly shows an indication of Hathor as a Sun Goddess. The temple of Dendera was also where Hathor’s cult was primarily found.
In the temple of Nefertari, found in Abu Simbel, Queen Nefertari is frequently shown as the goddess Hathor in many places. And Ramses II is shown in one sanctuary receiving milk from Hathor in her cow form. Not surprising as many of the Pharaohs of Ancient Egypt saw themselves as living gods.
Other temple sites dedicated to Hathor have been found in Deir el-Medina, West Bank, Luxor, another at Philae Island, Aswan, Timna valley, Israel, Inerty (Gebelein), Iunet (Dendera), Qis (Qusiya), Tpyhwt (Atfih), Mennefer (Hikuptah, Memphis) and Iunu (On/Heliopolis). As Hathor-Sekhmet, she was the main goddess of Yamu (Kom el-Hisn).
Hathor had been worshipped in this land during the eleventh century B.C.E. as at this time, it was under Egyptian rule. Her holy city of Hazor or Tel Hazor was destroyed by Joshua as mentioned in the Jewish Torah or Christian’s Old Testament in Joshua 11:13, 21.
There were a good many places where Hathor was worshiped, not just Egypt and Nubia. Her worshippers could be found throughout all of Semitic West Asia, Ethiopia, Somalia and Libya, especially in the city of Byblos.
One thought for why Hathor’s worship is so widespread, even during the Predynastic Era is that she appears on the Narmer palette. Many scholars have put forward that idea that the goddess depicted isn’t Hathor, but another cow goddess named Bat or even possibly Narmer themselves.
The Five Gifts of Hathor – Initiation Into Hathor’s Cult
For those wishing entrance into Hathor’s cult, they would under go a ritual of initiation. This initiation ritual was known as “The Five Gifts of Hathor.” An initiate would be asked to name off the five things they were grateful for while looking at the digits of their left hand.
The idea is that the poor of Egypt who didn’t own their own lands, but would work for others in their fields would always be able to see their left hand while working. It was always visible to them as they reached out for the strands of grain to harvest and then cut the sheaths with the blade being held in their right hand.
With the naming of the five things a person was grateful for and identifying them with the fingers of their left hand, a person was always reminded of the good things in life and kept them the sins of ingratitude. Ingratitude was a sin that Egypts viewed as leading towards many others.
For the rich and more prosperous of Egypt, the Five Gifts were a way to keep them from envying others and what they had so that they could stay humble before the gods.
Parentage and Family
Hathor is said to be the daughter of the goddess Nut and the god Ra (or Re).
Given how fluid Egyptian mythology can be and the varying, ever changing roles that the gods played over the millennia and as one dynasty gave way to another, there are some accounts where Hathor is the Mother of Ra. Another account will place her as the Daughter of Ra.
This seems better understood when taking note of another primordial cow goddess, Mht wr who was the mother of Ra. Hathor took over her role and place in the creation story. Another explanation has been given that when Hathor is seen as the Daughter of Ra, it is when she is seen as part of the greater whole of the stars of heaven. The stars were known as the “Children of Ra.”
It’s thought that in Pre-Dynastic times and certainly Early Dynastic Egypt, Hathor was the consort to the “Bull of Amenti,” who had originally been the deity of the Necropolis.
In Hermopolis, Thoth is considered the husband of Hathor, with him; she is the mother to Ra-Horakhty, one of many composite deities in Egypti. This could be due to Hathor at one point absorbing the role and aspects of Seshat, the goddess of Reading, Writing, Arithmetic and Architecture who is also Thoth’s wife.
When the gods Ra and Amun merged in Egyptian mythology, Hathor becomes seen as the wife of the god Sobek, an aspect of Amen-Ra.
Hathor is more famously known to be the wife of Horus the Elder.
The siblings of Hathor are considered to be: Sekhmet, Bast, Ptah, Shu, Tefnut, Thoth and Serqet
With Horus (the Elder), Hathor is the mother of Ihy (or Ahy), a falcon-headed god who like his mother, becomes a god of music and dancing. He is also shown as carrying a sistrum as well.
Some slight confusion is another child of Hathor and Horus (the Elder) in his aspect as Horus- Behdety is Harsomptus or Hor-sema-tawy (Horus Uniter of the Two Lands).
Sometimes, Ihy is listed as being one and the same as Hor-sema-tawy.
Other children of Hathor are: Imsety, Hapi, Duamutef and Qebehsenuef.
And with Hathor’s divine role as Mother of the Gods, she can claim all of the Egyptian gods as her children, including Ra who is both her father and son.
The Mother Of The Egyptian Pharaoh And Horus
The name Horus is a bit tricky as there is more than one god named Horus. This makes better sense when it is understood and known that Hathor was often considered the mother of the Egyptian pharaoh, who would stylize themselves as the “son of Hathor.”
Many of the Pharaohs would take on the name of Horus as an honorific at death. Plus the Egyptian Pharaohs also saw themselves as living gods who would become deified on death, reborn again when the next Pharaoh took the throne.
And what about the goddess Isis being the mother of Horus? It should be noted that yes, but this is Horus the Younger, a different Horus. There were a lot of deities named Horus, nearly as many as there were Pharaohs. Given that the Pharoahs of Egypt believed themselves to be a living god, that’s not surprising.
Mother Of Mothers And The Celestial Nurse
Hathor’s protection was invoked over children and pregnant women.
In addition to the above information about Hathor’s role as a midwife and protector of children, anytime a child was born in Egypt, it was believed that seven Hathors would appear as seven young women wearing cow horns and playing tambourines. They spoke with one voice, determining a child’s fate in life even to the hour of his or her death, much like the European Fairy Godmother and the three Fates found in Greek, Roman and even Norse mythology.
The Seven Hathors held an extremely great power of being able to alter destinies. They could replace a prince should he have been born with bad fortune with a child who was born with good fortune. The Seven Hathors’ responsibility was to protect the Dynasty and Nation of Egypt. For it was believed among the Egyptians that a person’s destiny and fortune would follow them throughout their life with not ability to change it.
The Seven Hathors seem to be connected to divination and to be the questioners to those souls headed to the after life in the Land of the West.
As goddesses in their own right, the Hathors were worshipped in seven cities. These are: Waset (Thebes), Iunu (On, Heliopolis), Aphroditopolis, Sinai, Momemphis, Herakleopolis, and Keset.
Additionally, found both within the tomb of Nefertari and in the Book of the Dead, these seven Hathors had their own names as follows:
• Lady of the Universe
• You from the Land of Silence
• You from Khemmis
• Bright Red
• Your name flourishes through Skill
Other alternatives names for the Seven Hathors have also been found on papyri. Some of these are:
• Lady of the House of Jubilation
• Mistress of the West
• Mistress of the East
• Ladies of the Sacred Land
During the Ptolemaic Period, when Egypt fell under Greek rule, the Seven Hathors became identified with the Pleiades star cluster.
Hand Of God – The Sistrum
Music was very important in the worship of Hathor who is sometimes shown carrying a sistrum, a type of rattle. This was an ancient musical instrument played by her priests and priestesses. The sistrum often had the face of Hathor on the handle at the joining part. There is thought to be sexual overtones connected with this instrument, particularly for fertility. Hathor’s titles of “Hand of God” and “Lady of the Vulva” seem to be connections to the design of the sistrum and her role in fertility.
The menat is another musical instrument sacred to Hathor. At first glance it looks like a necklace with a special counterweight. This counterweight piece is thought to be similar to fertility dolls found in ancient tombs which in this respect, represented wombs. The menat as an instrument would be held in the hands and rattled to make noise.
Both the Menat and Sistrum connect Hathor as a Goddess of Song and Dance. The ancient Egyptians believed that it is Hathor who first taught mankind how to sing and dance using her sacred instruments. The menat is also important as a symbol of rebirth.
There is a hymn to Hathor that goes:
“Thou art the Mistress of Jubilation, the Queen of the Dance, the Mistress of Music, the Queen of the Harp Playing, the Lady of the Choral Dance, the Queen of Wreath Weaving, the Mistress of Inebriety Without End.”
The Goddess Of Joy
Hathor was very popular among the ancient Egyptians. She was greatly revered by women in her role as wife, mother and lover. This led to a couple of Hathor’s titles as “Lady of the House of Jubilation” and “The One Who Fills the Sanctuary with Joy.”
Such was Hathor’s popularity that there were a lot more festivals dedicated in her honor than any other Egyptian god. Plus a good many children were named after Hathor than any other god. As previously mentioned, both women and men could be priestess of Hathor and not one gender or the other.
The Goddess Of Beauty
In addition to being a goddess of Love and Joy, Hathor was also the goddess of beauty and a patron of the cosmetic arts. As has been previously mentioned, many ancient mirrors showing a smiling, nude Hathor have been found over the years. In addition to Hathor’s image on mirrors, her likeness has been found too on cosmetic palettes. A traditional votive offering was two mirrors.
It must be remembered and noted that this did not mean or make Hathor vain and shallow. This beauty was a mark of Hathor’s own confidence.
Hathor was also closely connected to the fragrance of myrrh incense, which has a long history of being very precious and in ancient Egypt, it embodied all of the finer qualities of a woman. The Egyptians also used ground malachite in their eye makeup which they believed to have a protective property against eye infections.
It must be noted that ancient Egyptian mirrors were made of flat oval copper or bronze that has been polished with a wooden or possibly bone handle. This handle was often enough shaped into the form of the goddess Hathor. It is thought the shape of the mirror represents the Sun Disc symbol of Hathor’s.
Goddess of Moisture And Fertility
Aside from Motherhood and Children, Hathor also ensured the fertility of the land and enough water or moisture from the annual flooding of the Nile for Farmers to grow their crops. In addition to this, Hathor represented the erotic aspects of femininity and procreation. As a fertility goddess, Hathor represents the creative abilities found in all of nature.
As a Vegetation or Fertility Goddess, Hathor was seen as both a giver and taker of life. When spring arrived, the land became fertile, only be destroyed later by the harsh summer sun as the seasons changed.
Hathor’s connection to the annual flooding of the Nile River was also connected to women’s pregnancies with the breaking of the amniotic sac and that she would be about ready to go into labor soon.
Lady Of Greenstone And Malachite – Goddess of Mines
Along with the titles “Lady of Lapis-Lazuli” and “the Mistress of Turquoise”, Hathor represented the very edges of the desert where mines for these gemstones were found at.
There is a major temple site found in Edomite Seir, Timna for Hathor where copper was mined. This temple was constructed by Seti II. Other mining places are Serabit el-Khadim found on the south-west Sinai Peninsula where a lot of turquoise was mined. Archaeologists have uncovered the remains of mining camps and a Temple of Hathor in this place.
Lady Of The West
In Thebes, Hathor was seen as the Goddess of the Dead with her title of “Lady of the West.” This title is associated with the sun god Ra and his descent into the Underworld when the sun sets on the western horizon.
Hathor’s image is sometimes found on funerary scenes where she is shown standing behind Osiris, welcoming the dead to their new home. Hathor’s image has also been depicted as a cow suckling the souls of the dead. It is thought that Hathor did this so souls could survive while their bodies were being mummified and make their journey to the Judgment Hall where their hearts would be weighed. Hathor could also be depicted in her cow form surround by tall papyrus reeds. In these images, she would be shown wearing a menat necklace, symbolizing rebirth.
Hathor’s image often appears on sarcophagi with Nut. Hathor appears on the tops of lids and Nut will be found under a lid.
In the cult of Osiris, the morally worthy were promised eternal life. At first, both men and women would become Osiris. By the time of the early Romans, women were identified with Hathor and men with Osiris.
Lady Of The Southern Sycamore
Continuing Hathor’s connection as a Goddess of the Dead, the sycamore tree was sacred to Hathor as she would give water to the dead from the branches of this tree and offer them food. The Sycamore was important as trees were not a common site in ancient Egypt and the shade provided by trees offered much needed protection and relief from the heat of the sun.
Other myths have Amentet, a daughter of Hathor as being the one who handed out water to the dead under a Sycamore tree.
One myth has Hathor using milk from a Sycamore tree to restore Horus’ eyesight as he had been blinded by Set.
Lady Of Stars And Sovereign Of Stars
A celestial goddess, Hathor symbolizes not just the Sun, but the Moon and stars, the entirety of the heavens and creation.
As the divine, celestial cow, Hathor along with another goddess Nut, represented the Milky Way during the third millennium B.C.E. when the both the Autumn and Spring equinoxes appeared to occur at the same spot on the Earth as the sun rose or set. The four legs of Hathor represented the pillars holding up the heavens over the earth.
It must be noted, that the ancient Egyptians viewed the Milky Way as a waterway across the heavens that the sun and moon gods sailed upon each day. They called it The Nile in the Sky. As a result of this and the name mehturt, Hathor was seen as responsible for the annual flooding of the Nile. Other interpretations or later myths will place Wadjet, a snake god as presenting the Milky Way and The Nile in the Sky.
One star in particular, Sothis (Sirius in more modern times) is significant. Originally, the star Sirius rose on the first day of the first month, known as Thuthi and Hethera by Grecian times. This marked a day of celebration for Hathor’s birth by her followers. The Nile River flooded at this time, providing a rejuvenation and growing for Egyptian farmers. During the time of the ancient Greeks, Hathor became the goddess of Hethara, the third month of the Egyptian calendar. The star Sothis would later be associated with the goddess Sopdet.
The Eye Of Ra – The Destruction of Mankind
This story has been found engraved on one of the shrines in Tutankhamen’s tomb and in “The Book of the Heavenly Cow.”
In this story, Hathor, as the Eye of Ra, turns into Sakhmet. How this came about is that Hathor’s father Ra, having grown old, was beginning to fall out of worship. Angry about this, Ra speaks to his daughter who turns into Sakhment and goes out to punish humanity.
As Sakhmet, she was very efficient and nearly wiped out everyone. Realizing that if she continued with killing everyone, there would be none left at all to worship the gods, Ra decided that there has been enough killing and tells her to stop. Only now she can’t quit, Sekhmet’s become so full of bloodlust.
Seeking the guidance of the ever-wise Thoth, he and Ra get large vats or barrels of beer that has been dyed and colored red to look like blood. In some versions of the story, they flood the land with the blood-red beer and in others; Thoth has a hallucinogenic like poppies put into the beer.
Regardless of the final version told, Sekhmet on seeing all this beer drinks it up, getting so drunk, she forgets about her reason for coming to the earth, her great blood lust and forgets all about killing anyone. When Sekhmet returns to Ra, he embraces her and Sekhmet turns back into Hathor. This is the Hathor that everyone knows of as being sweet loving, gentle and nurturing.
Another version of the story has it that this is how Hathor turns into Bast.
As Hathor-Sekhmet, we see Hathor take on a dual role in her aspect as a Sun Goddess. When she is Hathor, she represents the gentle spring Sun. When she is Sekhmet, she becomes a lioness and represents the scorching heat of the summer Sun. It has been noted how in the Zodiac, Taurus the Bull has a fixed sign in Spring and Leo the Lion has a fixed sign in Summer.
The symbolic importance of this story is that of the changing of the seasons from Spring to Summer. As summer comes to its height, so too does the danger of wildfires destroying crops and homes. Sekhmet returns to once more being gentle Hathor with the cooler autumn weather.
The color red is often symbolic of life and rebirth. The red beer again symbolizes the rejuvenation and regeneration of the Earth after the hot Summer weather and turn towards Autumn weather.
The Feast of Hathor
To commemorate this myth, the ancient Egyptians celebrated a yearly festival that marked the beginning of Egypt’s rainy season known as the Season of Inundation (Flooding). This was a time of the year when the glaring heat of the sun was finally stopped by the much needed life-bringing rains. The Feast or Festival was known for wild partying with sistrum music, dancing, love making and lots of beer.
The partying makes sense when realizing that the rise of the star Sothis (Sirius) marked the annual flooding of the Nile River on the Egyptian calendar. This would coincide with the end of August for Western Culture.
The myth of the annual flooding of the Nile would be later associated with Osiris.
New Years Festivities
As we’re on the subject, another popular and religious festival was celebrated on August 7th, the Egyptian New Year. The New Years also marked Hathor’s birthday. Hathor’s image would be taken from the temple and brought out to the rising Sun for the day. The New Years was a day of enjoyment, song and intoxication.
The Destruction of Mankind – Historical Context
This story has a historical context for the founding of Egypt’s Middle Kingdom when the Upper Egyptian pharaoh, Mentuhotep II took control of Lower Egypt. Before this, Lower Egypt had enjoyed a period of independence. Mentuhotep II’s forced unification resulted in a fierce bloody war that lasted for some twenty eight years before ending and peace resumed, when Mentuhotep III came to power. So the story of The Destruction of Mankind does look to be an analogy to this brutal period of Egyptian history.
The Distant Goddess
In this story, Hathor became angry with her father Ra. Maybe she remembered the events in The Destruction of Mankind. Another version of this story doesn’t state why Hathor got angry, she just does and decides she might have the earth covered again in the ocean and maybe return to even older primordial form of a serpent. Anyhow, angry, Hathor took off and wandered about, away from Egypt down towards Nubia.
A great sadness fell upon the land and Ra, missing his Eye and unable to do anything without it, sets out to try and get her back. Hathor by this time has turned into a deadly wild cat, killing anyone who comes near her. A slight variation to this has it that with Hathor turned into a lion, chaos swept the land with everything drying up and that’s why everyone and thing is dying.
As no one else was willing to go near an enraged Hathor, the god Thoth agreed to give a shot. In disguise, he managed to coax an angry goddess back to Egypt through the use of stories.
Once back in Egypt, Hathor bathed in the Nile River, returning to her calmer demeanor. As a result of her bathing, the waters of the river turned red from her cooling rage. With Hathor’s bathing, the Nile river overflowed and flooded the land, giving life giving waters to a parched land so Farmers could have their growing season.
Yeah, don’t make Hathor angry, you wouldn’t like her when she’s angry.
In some versions of this story, it is the goddess Tefnut who storms off in a fit of anger leaving Egypt and it’s the god Shu, not Thoth who sets off to bring her back.
Another telling of this story is that it is both Shu and Thoth who set off after Hathor, changing into lions to try and coax their sister back.
The Contendings Of Horus And Seth
Hathor only has a small part in this story. Her father, Ra had fallen into a bout of depression and Hathor, like any child, wanting to cheer up a parent, finds a way to do so. Taking off her clothing, Hathor dances nude around Ra’s throne. She keeps at it until he finally sits up and smiles at her antics.