Category Archives: Aztec
Auriga
Etymology: The Wagoneer or Charioteer (Latin)
Pronunciation: ah-RY-guh
The Auriga constellation is one of the oldest constellations and dates to the ancient Babylonian empire and has long been associated with a charioteer even during Greek and up to modern times. This image often associated with Auriga is that of a female goat with her kids and holding the reins of a chariot.
Going by the ancient Greek images for Auriga, it can get rather inconsistent. In some imagery, the charioteer is shown holding a goat over his left shoulder and two kids under his left arm and holding the reins to the chariot with his right hand. Other imagery shows the charioteer holding a whip instead.
The 1488 atlas of Hyginus shows the charioteer as a four-wheeled cart being pulled by two oxen, a horse, and zebra. In a Turkish depiction of Auriga, the stars are represented as a mule called Mulus Clitallatus. The most unusual depiction of Auriga is from 17th century France where Auriga is depicted as Adam kneeling on the Milky Way with a goat over his shoulders.
The stars that make up this constellation are noted to shape a pentagon. This constellation is also found in the night sky close to Gemini and Taurus.
Astronomy & Astrology
Much of the foundations of Western knowledge regarding the fields of Astronomy and Astrology owe its roots to Ancient Mesopotamian cultures. Many ancient cultures studied the stars, seeing in them patterns that are called constellations. These ancient astronomers could make predictable, annual turnings of the heavens that they would divide and mark for the passing of the Seasons and time. For the ancients, Astrology served as a precursor to Astronomy, and they believed that by studying the heavens, they could foretell future events and even a person’s life path.
These ancient cultures would also meet and exchange ideas frequently and in this fashion, when the Greeks encountered the Persians, there was an exchange of knowledge regarding Astronomy that becomes the constellations and zodiacs so many know today. Eventually, there is no clear distinction between what ancient Mesopotamian Astronomers and Greeks Philosophers knew. Even in current, modern times, the influence of these ancients is still unknown.
Western Astronomy
The constellation known as Auriga is one of 48 constellations listed by the 2nd-century astronomer Ptolemy in his book, Almagest. Today it remains one of the 88 current or modern constellations. It is a large constellation, ranking 21st in size, and located near the first quadrant of the northern hemisphere.
Constellations bordering Auriga are Camelopardalis, Gemini, Lynx, Perseus, and Taurus. The best time to spot Auriga is from late February to early March in the Northern Hemisphere.
Arabic Astronomy
Bedouin astronomers see in Auriga a herd of goats. Many of the constellations they created were seen as groups of animals with each star representing a single animal.
Babylonian Astronomy
In Babylonian astronomy, this constellation is known as GAM and represents either a Crook or Scimitar. The main star, Alpha Aurigae or Capella is known as Gamlum or MUL.GAM. This constellation is recognized as a shepherd who is tending a goat-kid. The symbolism behind this constellation is that of Spring when many livestock are going to be giving birth to their respective calves, lambs, and kids. The shepherd symbolizes the king, who guides his people and kingdom, protecting and keeping them safe.
The Crook is the first month of the Babylonian calendar and the year when this constellation makes its appearance in the night sky when the rulership of the king is confirmed, and they rule for another year.
Chinese Astronomy
The star known as Capella and four other stars, Beta Aurigae, Beta Tauri, Theta Aurigae, and Iota Aurigae are known as Wuche and Wuju, meaning the Five Chariots, one for each of the five celestial emperors. These five stars govern and preside over the harvest of the five main cereal crops in Ancient China.
Related to this, the constellation called Sanzhu or Zhu represents the poles that the horses would be tethered to. A triplet series of stars mark each pole. These are the stars; Epsilon, Zeta, and Eta Aurigae; Nu, Tau, and Upsilon Aurigae; Chi, 26 Aurigae, and one other unknown star.
Another constellation is Xianchi, the pond where the sun sets and Tianhuang, representing a pond, bridge or pier are the other asterisms found within Auriga. Though it is unknown which stars made up this asterism.
There is Zuoqi which represents the chairs that the emperor and other officials would sit on. This is a series of nine stars from the east side of the constellation. Finally, you have Bagu a constellation comprising stars mainly found in Camelopardalis for the various types of crops. This constellation also included the stars Delta and Xi Aurigae.
Greek Astronomy
In Greek, Auriga is called Ἡνίοχος or Heniochos. There are a few different myths and stories associated with Auriga.
Amalthea – The star Capella is associated with this mythical she-goat who nursed an infant Zeus. The stars Epsilon Aurigae, Zeta Aurigae, and Eta Aurigae form an asterism known as the Haedi or the kids. Sometimes the star Capella is associated with the nymph who cared for the goat. This same goat had a hideous appearance much like a Gorgon. Zeus skinned the goat following the advice of an oracle and wore the skin as his aegis during his battle with the Titans. After the battle, Zeus covered the bones of Amalthea in a normal-looking goat skin and placed her up in the heavens to become the star Capella.
Erichthonius – A legendary King of Athens and the son of Hephaestus. When Erichthonius had been rejected by his father Hephaestus, Athena, the patron goddess of Athens raised Erichthonius and taught him how to tame horses. From this, Erichthonius becomes the first person to harness four horses to a chariot, known as a quadriga. Erichthonius would use this chariot in battle against Amphictyon and secure his claim to the throne of Athens. As this chariot had been designed in the image of Helios’ sun chariot, Zeus placed both Erichthonius and his chariot up into the heavens as a constellation to commemorate his deeds. Erichthonius also created the festival Panathenaea in Athena’s honor
Hephaestus – This story takes place right after Zeus is to have given birth to Athena without the need for sex. Except that, Zeus swallowed Metis who was pregnant with Athena who springs forth out of Zeus’ brow, all to avoid a prophecy that Gaia gave him.
In an act of parthenogenesis, Hera gives birth to Hephaestus. On seeing him, Hera was so repulsed by the sight of her infant son that she threw him from Mount Olympus where he would become crippled.
Hephaestus would survive that fall and go on to become the armorer and craftsman of the gods. Due to his being crippled, Hephaestus invented the chariot to help him get around better.
Hippolytus – The son of Theseus, Hippolytus was expelled from Athens after he refused the advances of his stepmother Phaedra. When Hippolytus refused her, Phaedra hung herself shortly after. Hippolytus is killed when his chariot drags him to his death into the sea after Poseidon sends a sea monster to spook Hippolytus’ horses at Theseus’ request as he believed Phaedra’s claims that Hippolytus had tried to force himself on her.
The healer Asclepius would bring Hippolytus back to life and Zeus, at Hades’ request for the loss of this soul, would strike Asclepius down with a thunderbolt.
Jason & The Argonauts – There is an episode in this epic where Medea kills her brother, dismembering him and flings his body parts into the sea. Each star within Auriga represents a different limb.
Myrtilus – The son of Herme’s and Oenomaus of Pisa’s charioteer. Oenomaus had a lovely daughter by the name of Hippodamia who refused the hand of any suitor. As Oenomaus’ charioteer, Myrtilus’ task was to challenge each would-be suitor to a chariot race. If Myrtilus could beat them in a race, they would face death, if the suitor won, they of course got Hippodamia’s hand in marriage.
Enter Pelops, the son of Tantalus who fell in love with Hippodamia at first sight and asked for her hand. Given that feelings were mutual, Hippodamia asked Myrtilus to let Pelops win the race.
Two problems for Myrtilus, one he’s in love with Hippodamia himself, and two, as she’s the princess, he can’t refuse her order. What’s a guy to do? Myrtilus obeyed Hippodamia’s command and set about sabotaging the wheels of the chariot.
A third problem, depending on how you look at this, is that King Oenomaus would ride in the chariot as Myrtilus drove it. So of course during the race, the wheels break and Oenomaus is thrown to his death. Pelops wins the race and Hippodamia’s hand in marriage.
Feeling that his love is betrayed or that he’s not able to get the girl, Myrtilus goes and drowns himself in the sea. Another variation to this is that Pelops throws Myrtilus into the sea to keep him silent about the betrayal and keep Hippodamia to himself. That’s when Myrtilus curses Pelops’ house. At this point, Hermes places his son up into the night sky as a constellation. In the stories associated with Auriga, Myrtilus isn’t often depicted with a chariot.
Other Variations – King Oenomaus’ horses came from his father Ares and that’s why no one could beat him in a race. There are three different Pelops in Greek mythos and some sources will conflate them together. Pelops is the son of Poseidon and when he goes to ask for Hippodamia’s hand in marriage, he receives a gift of a golden chariot and golden horses with wings from his father. Another source will place Pelops as being the son of Hermes. Myrtilus only agrees to tamper with King Oenomaus’ chariot on the condition of having the bridal night with Hippodamia and when it was time to follow through, that’s when Pelops and Hippodamia refuse with Myrtilus getting thrown into the sea.
Phaethon – The son of Helios, the Sun god, Phaethon tricked his father into letting him drive the sun chariot for a day. Unable to control the horses, Phaethon ended up crashing the chariot after burning the earth. Phaethon would be placed up into the heavens as the constellation Auriga.
With so many different myths, it is generally agreed that the ancient Greeks associate Auriga with the chariot to commemorate its importance within their culture.
Orsilochus – Or Trochilus of an Argive royal house, and from Argos is who is to have invented the chariot. He dedicated his invention to Hera and for that is placed up into the heavens as the constellation Auriga.
Hindu Astronomy
The star Capella has a strong religious connection as it is thought to represent the heart of Brahma.
Micronesian Mythology
Caroline Islands – The star Capella is called Jefegen uun with a few different variations such as: efang alul, evang-el-ul, and iefangel uul that all mean “north of Aldebaran.”
Marshall Islands – The constellation Auriga figures in the myth of Dümur. This myth tells the story of the creation of the sky. The star Antares in Scorpius represents Dümur, the oldest son of stars’ mother and the Pleiades represent her youngest son.
The mother of these stars is Ligedaner who is represented by the star Capella. Ligedaner lived on the island of Alinablab, she told her sons that the first one to reach the eastern island would become the King of the Stars. Ligedaner asked her son Dümur to let her come along in his canoe. Dümur refused the request as did each of her sons in turn. The exception is the Pleiades who ended up winning the race with the help of their mother and became the King of the Stars.
Pukapuka – Auriga is known by the name Te Wale-o-Tutakaiolo meaning: “The house of Tutakaiolo.”
Society Islands – The constellation is called Faa-nui meaning: “Great Valley.” The star Capella is called Tahi-anii, the “Unique Sovereign.” Capella is also known as Hoku-lei (“Star-Wreath”) but that may have been the name for the entire constellation or it could have been the name of Tahi-anii’s wives in the Pleides which is called Makalii.
North American Astronomy
The native people of California and Nevada saw a pattern within Auriga in its curve that represented their crescent-shaped petroglyphs.
The Pawnee recognized a constellation formed from the major stars Alpha, Beta, Gamma (Beta Tauri), Theta, and Iota Aurigae.
Inuit – Here, Auriga is known as Quturjuuk meaning “collar-bones.” This constellation includes the stars: Capella (Alpha Aurigae), Beta Aurigae, Beta Geminorum, and Alpha Geminorum. The rising of this constellation marked that another constellation Aagjuuk; comprising the stars Alpha Aquilae, Gamma Aquilae, and Beta Aquilae would appear soon. The constellation Aagjuuk represents the dawn after the Winter Solstice. The Inuit use Quturjuuk for navigation and tracking the length of the nights.
Roman Astronomy
Bellerophon – the constellation is shown as the mortal, Bellerophon riding Pegasus up to Mount Olympus. In this version of the story, Jupiter takes pity on Bellerophon and places him up in the heavens to form the constellation Auriga.
South American Astronomy
The ancient Peruvians identified the star Capella by the name of Colca which represented shepherds.
The Bororo people from Brazil saw in the stars of Auriga a constellation representing a caiman (think alligator or crocodile). The southern stars of Auriga and the eastern portion of Taurus represented the tail. The constellation Orion is the main body and Lepus represented the head. Knowing how prominent the presence of caimans is in Amazonian life makes sense.
The Aztecs at the Late Classic site Monte Albán have an astronomical marker for the star Capella.
Perseus family
The constellation of Auriga, along with eight other constellations of Andromeda, Cassiopeia, Cepheus, Cetus, Lacerta, Pegasus, Perseus, and Triangulum.
All of these constellations have some connection to the overall legend and myth of the Grecian hero Perseus. With Auriga, the only thing that makes sense is the Romans and the pegasus.
Stars of Auriga
Alpha Aurigae – Better known as Capella (Latin) and Aix (Greek) both names that mean the Goat Star. In Arabic, this star is called al-‘Ayyuq, also meaning “the goat.” And in ancient Sumeria, this star was called mul.ÁŠ.KAR, another name meaning “the goat star.” In Ontong Java, Capella is called ngahalapolu. Capella is the 6th brightest star in the night sky and the brightest star in the constellation and is actually a group of four stars located about 43 light years away. Where Capella is seen as a she-goat, a triangle of stars near it are considered her kids. Almaaz and the Haedi.
Beta Aurigae – Also known as Menkalinan and Menkarlina. These names come from the Arabic phrase mankib dhu al-‘inan, meaning “shoulder of the charioteer.”
Delta Aurigae – Also called Prijipati, in Indian astronomy, the name means “the Lord of Creation” in Sanskrit.
Epsilon Aurigae – Also known as Al Maz or Almaaz, this is a supergiant star. Due to its brightness, it is an honorary “kid” to the star Capella. This star also has a cloud of galactic dust that revolves around it over the course of twenty-seven years. The next eclipse of this galactic dust will occur in 2036 when the star appears to dim. The name Almaaz means “goat” in Arabic.
Gamma Aurigae – Also known as Alnath or El Nath, it is the second brightest. This star is sometimes called Beta Tauri as it is often associated with the constellation Taurus, forming the tip of one of the Bull’s horns. This star is thought to mark the heel of the Charioteer. It is within the last century that the International Astronomical Union decided that this star would be fully designated to Taurus.
Iota Aurigae – Also known as Hasseleh and Kabdhilinan. The name Kabdhilinan is sometimes shortened to “Alkab” and comes from the Arabic phrase al-kab dh’il inan, meaning “shoulder of the rein holder.”
Theta Aurigae – Also known as Bogardus and Mahasim, this name comes from the Arabic word for “wrist.”
She-Goat & Kids Asterism
The stars Capella and Epsilon Aurigae, Zeta Aurigae, and Eta Aurigae once formed their own constellation until Ptolemy merged them with the Charioteer in his 2nd century Almagest. Pliny the Elder and Manilius called the star Capella by the names Capra, Caper, or Hircus all referring to it as the “goat star.”
Haedi – The stars Zeta Aurigae and Eta Aurigae were first referred to as the Kids by the ancient Greek astronomer Cleostratus. These form a smaller asterism within Auriga. In Greek, this asterism is called Ἔριφοι or Eriphoi.
Winter Hexagon Asterism
Also known as the Winter Circle or Oval, this asterism is comprised of the star Capella and five other stars, Aldebaran (Taurus), Rigel (Orion), Sirius (Canis Major), Procyon (Canis Minor), and Pollux (Gemini) from their respective constellations. In the Northern Hemisphere, the best time to see this Asterism fully is from December to March.
Obsolete Constellations
Agitator – There is an Oxford study and research that says the stars of Auriga were known as the Agitator during the 15th century. The latest source is from 1623 with Gerard de Malynes’ work referencing this constellation as such.
Telescopium Herschelii – Some of the stars from Auriga were incorporated into this now-defunct constellation that had been created by Maximilian Hell to honor William Herschel’s discovery of the planet Uranus. This constellation had initially included the constellations Tubus Hershelii Major and Tubus Hershelii Minor with both representing Herschel’s telescopes. In 1801, Johann Bode combined these two constellations into Telescopium Herschelii which is found mainly within Auriga.
Flaming Star Nebula
Also known as AE Aurigae, it is a potential “runaway star” from a young star cluster in the Orion Nebula. It gains its name from the appearance of long-exposure astrophotographs that make it look like it’s on fire in photos.
Tadpole Nebula
Also called IC 410, this nebula is noted for resembling the Rosette Nebula found within the Monoceros constellation. The name comes from a pair of interstellar clouds that look like tadpoles.
T Aurigae
Or Nova Aurigae 1891 was discovered by Thomas David Anderson pm January 23, 1892. This nova was visible to the naked eye by December 10, 1891. Since 1903, the brightness of this nova has been decreasing.
Galactic Anti-Center!
Where the galactic center of the Milky Way Galaxy is noted to be centered in Sagittarius and is considered the densest there with all the star clusters and nebulae. That then puts Auriga as being the galactic anti-center where it has the fewest star clusters and nebulae and just happens to be opposite to the center.
Aurigids
This is the name for the meteor showers that originate from this constellation. There is the Alpha Aurigids and the smaller Delta, Iota, and Zeta Aurigids. The aurigids are associated with the comet Kiess which was first discovered by Carl Clarence Kiess in 1911.
Cuetlaxochitl
Pronunciation: ket-la-sho-she
Etymology: “Brilliant Flower” (Nahuatl)
Also Known As: Poinsettia, k’alul wits (“Ember Flower,” Mayan), Flor de Noche Buena, Christmas Eve Flower, Christmas Flower, Flores de Noche Buena, Flowers of the Holy Night, Mexican Flame Flower, Mexican Flame Leaf, Mexican Flame Tree, Painted Leaf, Euphoribia, Spurge Root, Snake Root, Asthma Plant, Flor de Pascua (Spain), Pascua (Spain), Easter flower, Lobster flower, Crown of the Andes (Chile & Peru), Stella di Natale (Italian), and Weihnachtsstern (German)
For those of Western, European descent and from a country like the United States, this familiar red and green Christmas Flower is going to be more recognized by the name of Poinsettia. While there are over 150 varieties of cuetlaxochitl or poinsettia, the red poinsettia is the most popular Christmas plant right next to the Christmas Tree. During the months of November and December, the sales of these plants are huge with some 70 million being sold during a six-week period and making over $250 million within the U.S. economy. People are likely to hear misleading warnings not to let their pets eat the plant as the milky white sap is toxic to them. Then when the leaves turn yellow, the plant dies and almost everyone who’s bought one tosses them out to the landfills. Causing some to decry this horrific waste.
So how did we get this lovely holiday flower?
A Xochime Native To Mexico!
This beautiful red and green xochime or flower comes to us from Mexico, specifically southwestern Mexico and Guatemala where it grows in rocky areas like canyons. The Aztec King Montezuma would have cuetlaxochitl brought to what is now Mexico City in caravans as this flower couldn’t be grown in high altitudes. To the ancient Aztecs, this is a sacred flower connected to their celebrations of the Winter Solstice. Spanish chroniclers wrote of the hundreds of men who would carry cuetlaxochitl up to the temples in Tenochtitlán, the Aztec imperial capital. Likewise, the Mayans were also known to make medicinal use of this plant.
What’s In A Name?
While I noted an etymology for “Brilliant Flower,” a more proper translation of the name cuetlaxochitl is “the Flower that withers, mortal flower that dies like all that is pure.” For the Aztecs, this flower was a gift from nature that one should admire, but never touch. The bright red leaves were seen as a symbolic reminder of the sacrificial offerings needed during the creation of the Fifth Sun. Said red color alluding to blood as what the Aztec gods required for their sacrifices.
There is debate as to what the word cuetlaxóchitl means. It has been noted that the translation of this name from Nahuatl means “leather flower” and references the red leaves used in dyes for animal skins and hides. Plus, the red leaves are as resistant as leather. There are several words in Nahuatl that all refer to leather in some way. Cuetlaxhuahuanqui for a tanner, cuetlaxtli for hide, cuetlaxtic for leathery, and cuetlaxmecatl for a leather strap to name a few. Another translation given is “cuitlatl” meaning residue or soil and “Xochitl” meaning flower so the whole word translates to “flower that grows in residue or soil.”
Aztec Winter Solstice – Rebirth of the Sun!
For the Aztecs, the cuetlaxochitl was used in ceremonies to celebrate the birth of their war god, Huitzilopochtli, the Left-Handed Hummingbird at the Winter Solstice. Wild cuetlaxochitl in Central America come to full bloom close to the time of the Winter Solstice as the nights get longer, allowing them to bloom. Temples would be decorated with these flowers as their blooming coincided with Huitzilopochtli’s birth. The red of these flowers symbolize the sacred life energy of blood. The same red color also symbolized the blood of warriors who died in battle and their return to the world as hummingbirds or huitzilin to release the honey and nectar from the cuetlaxochitl flowers to bring back the light of the sun and restore the mother earth from the winter months. The star pattern of the red leaves symbolizes the sun’s rays.
Purity – Cuetlaxochitl symbolized purity and was very sacred, especially the red bracts or leaves.
Western History
For a good number of Westerners, we tend only to hear of this lovely xochime being “discovered” by Joel Roberts Poinsett in the 1800s. That was fine at first, when we didn’t know. There’s more history though!
Franciscan priests first used the cuetlaxochitl plants as the red and green colors are easily the same colors used in Christmas celebrations. During the 17th century, the Franciscan priests used the plants when decorating their nativity scenes while in the New World of Central and South America. Seeing when the plant blooms, it wouldn’t take much for the Franciscan friars and Catholic Church to use it to convert the local people to Christianity. The botanist Juan Balme made note of cuetlaxochitl in his writings.
Later, on Christmas Eve 1826, a man by the name of Joel Roberts Poinsett and first US Minister to Mexico would introduce (there are some who will say he stole) the cuetlaxochitl to the U.S. while in the city of Taxco during Christmas. He came upon this intriguing flower at the Nativity scene in the local church. Poinsett asked the Franciscan monks about this bright flame-colored plant, and they gave him the name of “Flor de Nochebuena” or the Christmas Eve flower. It should be noted that Poinsett was a slave owner in his South Carolina home state and responsible for the displacement of numerous Native Americans from their lands. He held a lot of anti-Black, anti-Native American views that by today’s standards would see him booted from an office position sooner than later. Poinsett is the one responsible for instigating the Chilean civil war in 1814 that the British quashed. Poinsett held a lot of racist views and a belief that a country like Mexico could only govern itself if whites were in charge.
By the time Poinsett learned of the plant, Europe had already learned of the flower too, and described it. Cuttings of the plant had been brought back to Europe during Alexander von Humboldt’s 1804 expedition. German botanist Wilenow gave cuetlaxochitl its botanical name of Euphorbia pulcherrima meaning “very beautiful.”
In 1825, Poinsett received an ambassadorship from then President Adams to Mexico in 1825. Because of what Poinsett’s mission and objectives were for: to acquire the territory of Texas from Mexico, keep Mexico from taking Cuba from Spain and reduce Britain’s influence in Mexico; those all worked to make Poinsett rather unpopular. Under President Jackson’s presidency, Poinsett was recalled back to the U.S. on December 25th, 1830. Poinsett would also later be a co-founder of the Smithsonian Institution.
Poinsett’s interests in botany paved the way for his “discovery” of the cuetlaxochitl that he referred to as the “Mexican Flame Plant” and bring it back to the states where he would grow the plants and give them to friends in Greenville, South Carolina. It wouldn’t take much from there with the cuetlaxochitl blooming in December for people to quickly associate the green and reds with Christmas time. A florist, Robert Buist in Pennsylvania is the first to have sold cuetlaxochitl by its botanical name of Euphorbia pulcherrima and in the ten years since the plant quickly became associated with American Christmas celebrations. The historian and horticulturist William Prescott who had just recently published the book “Conquest of Mexico,” came up with the name poinsettia as it became more popular during this time to honor Joel Poinsett’s “discovery” of the plant.
Poinsettismo – The meddling with Mexico’s policies, country, and relationships with another country (Britain for example, the first European country to recognize them) was so bad that Mexico and other Latin American countries came up with the term Poinsettismo to describe someone overly domineering, officious and intrusive in their behavior.
Poinsettia Marketing
Moving forward to the early 1900’s, the Ecke family in southern California found a way to graft poinsettias so they would look bushier. They started with growing the plants outside for landscaping and as cut flowers. Paul Ecke Sr. began sending thousands of poinsettias out as gifts and donations to T.V. studios, including shows such as “The Tonight Show” and the Bob Hope Holiday Specials to promote the sale of poinsettia plants. Today, the Ecke family grows some 70% of poinsettias sold during the holiday season of Christmas which brings in some $250 million in sales.
Holiday Appropriation Or Appreciation?
Not all of history is going to be fun and enjoyable. If all we ever hear about are the good, comfortable, rosy parts to keep it all warm and fuzzy while sweeping the ugly bits under the rug; we’ve done ourselves a great disservice in the long run. Because of Poinsett’s history as a slave owner and his part in politics to destabilize a region over global, geopolitics that affected so many; we do have people, especially Hispanics, Native Americans, and other indigenous people who would like to reclaim the name Cuetlaxochitl instead of Poinsettia for this beautiful plant.
Knowing the full, if not more of the history of this flower does help to further enrich our understanding and how this flower connects to the Winter Solstice celebrations, not just Christmas. There are people who will go on about all the pagan traditions from Europe that have been rolled into Christmas. And yeah, we’re going to have those who will push to use the name Cuetlaxochitl and those who use the name Poinsettia either out of continued ignorance or it’s just easier to remember and default to.
Christian Symbolism
In Mexico, with Franciscan monks seeking to convert the local peoples to the incoming religion of Christianity, the following legends and stories began to circulate as the cuetlaxochitl was adapted and given Christian symbolisms.
The star shape of the flowers are seen as similar to the star that led the wise men to Bethlehem when seeking the infant Jesus. The green leaves represent the promise of life even in the dead of winter or the eternal life of Jesus with red representing the blood that he shed. Two colors that are also seen with Holly, an evergreen plant with red berries that ripen during winter.
For the Franciscans, they decorated their Nativity for Christmas. When the night for the observations came with priests and churchgoers present, much to their delight, the leaves of the cuetlaxochitl turned red overnight that the Franciscans called it a miracle.
Christmas Flower – Mexican Legend
A young girl by the name of Pepita was on her way to church for the Christmas Eve observances. Being poor, Pepita realized she had forgotten to get a gift for the newborn Christ child, Jesus. Some versions insert that either her brother or a cousin comment that a humble gift will still work. Seeing some roadside weeds, Pepita gathered them up into a bouquet and brought them with her. When she arrived at the church, Pepita placed her bouquet at the base of the altar where the weeds transformed into the colorful blooms of the cuetlaxochitl. From that day forward, the cuetlaxochitl would become known as the la flor de Nochebuena or Christmas Flower.
Forbidden Love – Tlaxcala Legend
The Tlaxacalans are a people in central Mexico who were never conquered by the Aztecs.
Once, there was a beautiful princess who fell in love with a common man who treated her well and loved her as much as she loved him. However, the princess’ parents forbade her from seeing this common man. The princess’ heart ached such that from her longing, a beautiful red flower sprung forth from her chest as a reminder of forbidden love.
White Cuetlaxochitl – Aztec Legend
The Aztecs are known to have expanded their empire and territories, much like other cultures throughout history. One region is that of Taxco who also grew and cultivated cuetlaxochitl and that these flowers were white. When the Aztecs came through with their armies and annihilated the people around Taxco, leaving few survivors. When the following October came, the Aztecs were surprised to see the cuetlaxochitl turn red instead of white. For the locals, this was the gods of Taxco ensuring their people were remembered and that the conquering Aztecs would never forget.
Poinsettia Day
This day falls on December 12th and is comparatively new. It’s a national day in the U.S. with the bill being signed in 2002 by the U.S. Congress. This particular date was chosen as it’s the anniversary of Poinsett’s death in 1851. The day is also to honor the Californian farmer, Paul Eckes who made a profitable market selling Poinsettias during Christmas time.
Most of the sites that I found discussing this day focus on a very American-centric history with Joel Poinsett’s “discovery,” how he found the plant at a nativity scene and sent cuttings home where eventually the plant finds its way as a seasonal, holiday flower.
December 12th is also the same day that Mexico celebrates the Virgin of Guadalupe, their title for the Virgin Mary and mother of Jesus.
Cuetlaxochitl Day
Now, we go to Taxco, Guerrero, Mexico, the day to honor the cuetlaxochitl flower falls on December 7th.
Everyday Uses
Dying – The red leaves or bracts and bark would be used as a reddish-purple dye for fabrics.
Facial Cream – The white sap was used as a depilatory or hair removal.
Gardening – The Mayans and even among the Teenek people living in southeastern Mexico grow and decorate with their gardens with k’alul wits not just for aesthetics but for medical uses as well.
Horticulture!
The holidays are over, time to toss out the poinsettia!
Wait, you don’t have to, you can actually keep your poinsettia longer and with the right care, get it to bloom for you next year!
It’s not known exactly how cuetlaxochitl or poinsettia are pollinated. The plant has been able to successfully grow in the wilds in several countries outside of Central America where seeds have been blown by the wind. It is thought that hummingbirds are a key pollinator for cuetlaxochitl in its native ranges where they can grow up to 15 feet, a little over 4.5 meters in height.
For the record, the flowers of a cuetlaxochitl are small and yellow while it’s the bracts that are red.
Ideally you will want somewhere warm for your cuetlaxochitl to grow with temperatures between 60 – 70 degrees Fahrenheit much like the tropical regions it hails from. You will also want to keep your cuetlaxochitl out of direct light, placing it near a window for about six hours of sunlight. Too much direct sun can cause the leaves to fade.
During the lengthening nights of winter is when the plant will begin to bloom, and the familiar red leaves and yellow flowers appear. Starting in late September, the cuetlaxochitl will need 14-16 hours of darkness and reaches full bloom by December. You can help your indoor cuetlaxochitl by placing it in a box and covering it with a cloth to simulate this dark period if you have it indoors.
When it comes to watering your cuetlaxochitl, only do it when the soil is dry, and don’t let your plant sit in that water as that will cause root rot. There is also no need for any fertilizer when the plant is blooming.
Medicinal Uses
Warning – Do seek out an accredited source or learn from a traditional teacher who has extensive knowledge about any medical uses for cuetlaxochitl as the online sources are very limited.
The information presented here is a rough overview of how and what medical uses the plant was used for and there’s a solid lack of proper preparations listed here. Most of the sources were hesitant to mention doses or say not at all without seeking out that accredited source.
Toxicity! – Too often it gets passed around the toxicity of this plant to pets and not to let your cat, dog or even children chew on or eat the leaves.
Cuetlaxochitl aren’t that type of poisonous, as members of the Euphorbiaceae or Spurge family of plants, they do have a milky white sap that can be a source of skin irritation if you’re allergic to latex as this is the substance latex is made of.
As to the leaves, those aren’t very appetizing, they can cause upset stomachs and vomiting if you eat the leaves. However, you’d have to eat more than a pound of leaves to have any adverse effects.
On the safe side, DON’T EAT THE LEAVES!
Conjunctivitis – The flowers apparently could be crushed into a paste to use for treating this ailment. Another source says an infusion of the flowers to make a wash and then applied as a poultice.
Fever – The Aztecs used the white sap to treat fevers by dabbing it on. This helped with respiratory diseases, mumps, and heart conditions. Poultices or teas? I don’t know.
Hemorrhaging – The Mayans and the Teenek people have a remedy of boiling the yellow inflorescence and red bracts for treating either a woman’s hemorrhaging or bleeding.
Lactation – The Aztecs used the white, milky sap by rubbing it on women’s breasts to promote their milk flow. There was also rubbing it on the woman’s back. Another medicinal use was making a tea of the leaves for a woman to drink.
Skin Infections & Irritations – A poultice from the leaves would be made using the milky sap for treating various skin diseases.
Snake Bites – Boiling and drinking the root can reduce the effects of a snake bite.
Stomach Aches – Crushed roots in a paste helped with these ailments. Not too large a dose or vomiting could happen.
Warts – The latex that can be created from the sap can be used to get rid of warts. Much like a folk remedy with Dandelions and using its milky white sap to get rid of warts…
Still, without any accredited sources, I wouldn’t use or I’d be very hesitant to use any of these remedies. But they are interesting to note.
Mictecacihuatl
Pronunciation: Mikt-eyk-as-see-wahl or Misk-tesk-ei-siev-alth
Alternate Spelling: Mictlantecihuatl
Also Known As: Lady of the Dead, Queen of Mictlan
Etymology: Lady of the Dead (Nahuatl)
Mictecacihuatl is the Aztec goddess of the dead and Mictlantecuhtli‘s wife. Together the two rule over the nine layers of the Aztec Underworld and it’s nine rivers. Compared to her husband, Mictecacihuatl doesn’t have much for stories and myths surrounding her. But that could be if we’re just seeing male and female half of the same divine concept with similar, overlapping functions and roles.
Attributes
Animal: Bat, Dog, Owl, Spider
Direction: North
Element: Earth
Month: Tititl (Aztec), November
Patron of: Death, the Dead
Plant: Cempasúchil (Marigold)
Planet: Pluto
Sphere of Influence: Death, Resurrection
Symbols: Bones, Skeletons
Aztec Depictions
Mictecacihuatl is described as wearing a skirt made of snakes, sagging breasts, skull face and clawed feet for digging her way through the earth. She is also shown as being flayed, having no flesh on her body and her mouth open to swallow the stars during the day so that they become invisible. Mictecacihuatl can also be shown as a beautiful woman wearing traditional Aztec clothing and the skull face being more ritualistically painted on.
What’s In A Name
As previously mentioned, Mictecacihuatl’s name translates to “Lady of the Dead” in the Nahuatl language.
Family
Parents – Unknown, it is believed that when Mictlantecuhtli was born, that her parents sacrificed the infant.
Spouse – Mictlantecuhtli, the Lord of Mictlan.
Aztec Cosmology
Suns – This is a big one in Aztec Cosmology, the Aztecs believed in a cycle of suns or periods of creation. The fourth sun ended with a great deluge or flood that drowned everyone and that the current age is the fifth sun.
There were a number of different paradises or afterlives in Aztec belief. The manner of a person’s death would determine which of these paradises they got to enter. Any person who failed to get into these paradises would find themselves destined for Mictlan.
Fairly common in many world beliefs, the Aztecs divided the cosmos into three parts. The Heavens or Ilhuicac at the top with the Earth or Tlalticpac, being the land of the living found in the middle. Mictlan, the Underworld would be found below.
Depending on the manner of one’s death, would depend on which after life a person to. Mictlan was pretty much seen as the place for all souls who couldn’t get into one of the paradises.
Cosmic Origins
In the Aztec Creation story, there were Ometecuhtli and his wife Omecihuatl who bore four children Xipe Totec, Tezcatlipoca, Quetzalcoatl, and Huitzilopochtli.
And…. Nothing really happens for about 600 years, so the four children decide that they will set about creating the universe. That of course includes creating the Sun, the first man and woman, maize, and calendar. Mictlantecuhtli and Mictecacihuatl, the Lord and Lady of Death would be created last.
Deific Origins
Mictecacihuatl’s origins are a bit gruesome. When Mictecacihuat was a baby, she was sacrificed and it is there in the Underworld of Mictlan, that she quickly grew to adulthood and married Mictlantecuhtli and from there, would rule over the Underworld with him.
Keeper Of Bones – Resurrection
One of Mictecacihuatl’s functions within Aztec religion is that she kept watch over the bones of the dead. For the Aztecs, skeletons and bones were symbols of abundance, fertility, and health. You couldn’t have one without the other.
Both Mictecacihuatl and Mictlantecuhtli collect bones so that the other Aztec gods might bring them back to life. The mixing up of all of these various bones is also what allows for the creation of new races.
Lord Of The Underworld – Mictlan
With the Christian mindset, the Underworld, any Underworld does not sound like a happy fun place to be or go.
Not quite in Aztec beliefs, most everyone who died went to Mictlan. When a person died, they would be buried with grave goods that they would carry with them on their travels to Mictlan. These goods would be offered up to Mictlantecutli and Mictecacihuatl.
As the newly dead started their journey to Mictlan, they would be accompanied by a small dog who guided them. Mictlan was known to be located somewhere far to the North. Much like in other world myths and beliefs, the Realm of the Dead is pretty much just neutral, not necessarily evil. Mictlan is divided into nine different levels or layers that the dead must travel through and a series of tests they must do on a four-year journey down to Mictlan. We are talking having to run from various monsters, icy blasts known as the “winds of obsidian,” traverse a mountain range where the mountains crash into each other, and to cross the nine rivers of blood guarded by jaguars. Once the soul arrived, they would dissolve, vanishing forever.
Home Sweet Home – While Mictlan is divided into nine different levels, Mictlantecutli and Mictecacihuatl live in the last few levels. One legend holds that there is a place of white flowers that was forever dark and served as home to the gods of death.
The actual house or dwelling place that Mictlantecutli and Mictecacihuatl live at in the Mictlan is reputed to have no windows.
Vaticanus Codex – In this Colonial codex, Mictlantecutli is identified and labelled by the Spanish as “the Lord of the Underworld, Tzitzimitl” and equated with the Christian Lucifer.
Mictlampa
This is the name the Aztecs used for the northern direction associated with Mictlanteculhtli. The northern direction is where the Aztecs believed the land of the dead to be. This would be a region of the earth that was a dark, barren and cold place that was eternally still and quiet. Which makes sense for the Artic. Sometimes, Mictlanteculhtli could be associated with the south, just as equally likely if one were to make it to Antarctica, that’s pretty cold and lifeless the further inland you get.
Souls Of The Dead
The Aztecs recognized three types of souls and Mictlantecutli governed over all of them.
- People who died of normal deaths as in old age and disease
- People who died heroic deaths such as in battle, sacrifices and childbirth
- People who died non-heroic deaths, accidents and suicides
While this sounds like every soul ends up in Mictlan, a soul could end up in another place. For example, if someone died violently drowning or lighting, they would end up in Tlalocan (a realm in the Heavens), for the Tlaloc, the water god.
Deific Offerings
Like many cultures, the Aztecs buried their dead with offerings for the afterlife, namely for Mictlantecuhtl and Mictlantecutli. These items would be offerings of food and various ceremonial or precious items.
Cempasúchil – Also called Flor de Muertos and Marigold, specifically Mexican Marigold in English, these flowers are held sacred to Mictlantecuhtl. These orange & yellow blossom’s scent is thought to be able to wake the souls of the dead and bring them back for a Dia De los Muertos in autumn. Many altars, graveyards, and decorations would be festooned with these flowers. The Mexican Marigold is a familiar wildflower that grows in many places of central Mexico.
Aztec Calendar
In the Aztec Calendar, Mictecacihuatl was honored and celebrated throughout the ninth month, a 20-day period that roughly corresponds to the Gregorian calendar of late July and early August. When Spanish Conquistadors arrived in 1519, Mictecacihuatl’s corresponding holiday of Hueymiccaylhuitl was moved forward to October 31st to November 2nd to correspond with the Catholic observance of All Saint’s Day.
Hueymiccaylhuitl
An Aztec holiday, the “Great Feast of the Dead” was celebrated for the recently deceased and to help them on their journey to Mictlan. Hueymiccaylhuitl would be celebrated in the Aztec month of Tititl where an impersonator or stand-in for the god Mictlantecuhtli would be sacrificed.
When someone died, the Aztecs would cremate the remains. It was believed that the soul would than undertake a four-year journey to Mictlan through the various levels of the Underworld and needing to pass a series of trials. Those who succeeded would make it to the lowest levels of Mictlan.
Hueymiccaylhuitl was also celebrated as an annual celebration as it was believed the dead could return to the lands of the living and visit. Plus, it was a way for the living to help those on their journey as the living could communicate with the deceased souls.
When the Spanish Conquistadors arrived, bringing Catholicism with them, the traditions of Hueymiccaylhuitl transformed, becoming known as Día de los Muertos, the Day of the Dead. Families still leave offerings of food and goods for the dead to take with them on their journey.
Under more modern and current celebrations and influence from the Catholic church, Día de los Muertos coincides with All Saints’ Day or Feast of All Saints on November 1st. It is a celebration that combines imagery from Aztec beliefs with an air of carnival and festivities with families gathering at cemeteries to share a picnic meal with deceased loved ones and sugar skulls in the image of Mictlantecuhtli.
Month-Long Celebration
Mictecacihuatl had a month-long celebration for her. However, not much is known about it and all Archaeologists and historians know for certain is that there was song and dancing, incense burnt and very likely blood sacrifices.
Dia de Los Muertes
Mictecacihuatl not only has presided over the older Aztec celebrations for the dead but continues to watch over the contemporary festivals of Día de Los Muertos or the Day of the Dead. Celebrations and observances for this holiday start on the evening of October 31st, coinciding with the holidays of Halloween and Samhain. In Mexican tradition, families will hold graveside vigils with deceased loved ones. Then on November 1st and 2nd, the dead are said to awaken and celebrate with their living family and friends.
Santa Muerte – Mexico
A female deity, early images of her started off as male. Santa Muerte is a folk saint whose worship and popularity have been increasing since the start of the 21st century in Mexico and has been spreading. Devotees of Santa Muerte may or may not be disenfranchised with the Catholic Religion and many turn to her for healing, protection, and a safe passage to the afterlife.
Mictlantecutli
Pronunciation: Mict-lan-te-cuht-li
Alternate Spelling: Mictlantecihuatl
Other names: Chicunauhmictlan (“King of Mictlan”)
Etymology: “Lord of Mictlan”
Mictlantecutli is the Aztec deity who is the Lord of the Dead and ruler of the Aztec Underworld known as Mictlan. Which is exactly what Mictlantecutli’s name translates to, “Lord of Mictlan.”
Just to get it out of the way, Mictlantecuhtli’s wife is Mictecacihuatl, who is also the ruler of the dead.
Attributes
Animal: Bat, Dog, Owl, Spider
Direction: North
Element: Earth
Month: Tititl (Aztec)
Patron of: Death, the Dead
Planet: Pluto
Sphere of Influence: Death
Symbols: Bones, Skeletons, Paper
Time: 11th Hour
Aztec Depictions
Mictlantecutli is often represented as either a skeleton or a human figure wearing a skull. His headdress will often have owl feathers on it. When shown as a skeleton, Michlantechutli’s headdress will have knives in it to represent the wind of knives that the souls of the dead must pass through on their way to Mictlan. Michlantechutli when shown as a skeleton may be shown covered or splattered in blood and wearing a necklace of eyeballs or wearing paper clothing. Paper being a common offering for the dead. As human, Michlantechutli would have human bones serving as ear plugs that he wears.
Additional depictions of Michlantechutli show him wearing sandals to symbolize his high rank as the Lord of Mictlan. Michlantechutli could also be shown with his arm held out in an aggressive pose, showing he was ready to tear apart the dead as they came into his presence and realm. There is also an Aztec Codice that shows Michlantechutli as having his skeletal jaw wide open to take in the stars into him during the day.
What’s In A Name
Mictlantecutli’s name translates to “Lord of Mictlan” in the Nahuatl language.
Family
Parents – Not really, Mictlantecuhtli was created by Xipe Totec, Tezcatlipoca, Quetzalcoatl, and Huitzilopochtli when they were busy creating the universe and world.
Spouse – Mictecacihuatl, the Queen and Ruler of the Dead. Another spelling I have for her is Mictlantecihuatl.
Aztec Cosmology
Suns – This is a big one in Aztec Cosmology, the Aztecs believed in a cycle of suns or periods of creation. The fourth sun ended with a great deluge or flood that drowned everyone and that the current age is the fifth sun.
There were a number of different paradises or afterlives in Aztec belief. The manner of a person’s death would determine which of these paradises they got to enter. Any person who failed to get into these paradises would find themselves destined for Mictlan.
Fairly common in many world beliefs, the Aztecs divided the cosmos into three parts. The Heavens or Ilhuicac at the top with the Earth or Tlalticpac, being the land of the living found in the middle. Mictlan, the Underworld would be found below.
Depending on the manner of one’s death, would depend on which after life a person to. Mictlan was pretty much seen as the place for all souls who couldn’t get into one of the paradises.
Cosmic Origins
In the Aztec Creation story, there were Ometecuhtli and his wife Omecihuatl who bore four children Xipe Totec, Tezcatlipoca, Quetzalcoatl, and Huitzilopochtli.
And…. Nothing really happens for about 600 years, so the four children decide that they will set about creating the universe. That of course includes creating the Sun, the first man and woman, maize, and calendar. Mictlantecuhtli and Mictecacihuatl, the Lord and Lady of Death would be created last.
Lord Of The Underworld – Mictlan
With the Christian mindset, the Underworld, any Underworld does not sound like a happy fun place to be or go.
Not quite in Aztec beliefs, most everyone who died, went to Mictlan. When a person died, they would be buried with grave goods that they would carry with them on their travels to Mictlan. These goods would be offered up to Mictlantecutli and Mictecacihuatl.
As the newly dead started their journey to Mictlan, they would be accompanied by a small dog who guided them. Mictlan was known to be located somewhere far to the North. Much like in other world myths and beliefs, the Realm of the Dead is pretty much just neutral, not necessarily evil. Mictlan is divided into nine different levels or layers that the dead must travel through and a series of tests they must do on a four-year journey down to Mictlan. We are talking having to run from various monsters, icy blasts known as the “winds of obsidian,” traverse a mountain range where the mountains crash into each other, and to cross the nine rivers of blood guarded by jaguars. Once the soul arrived, they would dissolve, vanishing forever.
Home Sweet Home – While Mictlan is divided into nine different levels, Mictlantecutli and Mictecacihuatl live in the last few levels. One legend holds that there is a place of white flowers that was forever dark and served as home to the gods of death.
The actual house or dwelling place that Mictlantecutli and Mictecacihuatl live at in the Mictlan is reputed to have no windows.
Vaticanus Codex – In this Colonial codex, Mictlantecutli is identified and labelled by the Spanish as “the Lord of the Underworld, Tzitzimitl” and equated with the Christian Lucifer.
Mictlampa
This is the name the Aztecs used for the northern direction associated with Mictlanteculhtli. The northern direction is where the Aztecs believed the land of the dead to be. This would be a region of the earth that was a dark, barren and cold place that was eternally still and quiet. Which makes sense for the Artic. Sometimes, Mictlanteculhtli could be associated with the south, just as equally likely if one were to make it to Antarctica, that’s pretty cold and lifeless the further inland you get.
Souls Of The Dead
The Aztecs recognized three types of souls and Mictlantecutli governed over all of them.
- People who died of normal deaths as in old age and disease
- People who died heroic deaths such as in battle, sacrifices and childbirth
- People who died non-heroic deaths, accidents and suicides
While this sounds like every soul ends up in Mictlan, a soul could end up in another place. For example, if someone died violently drowning or lighting, they would end up in Tlalocan (a realm in the Heavens), for the Tlaloc, the water god.
Aztec Calendar
In the Aztec Calendar, Mictlanteculhtli is associated with the tenth day sign Itzcuintli, a dog. There were twenty such signs in the Aztec calendar. On the day that a particular deity is associated with, that deity was were responsible for providing the souls born on that day.
In addition, Mictlanteculhtli was the source of all souls born on the sixth day of a 13-day week. That is an exceedingly long weekend to work towards.
Mictlanteculhtli presided as the second Week Deity for the tenth week of a twenty-week calendar cycle.
Aztec Gods
Of the Aztec Gods as a whole, Mictlanteculhtli is the fifth out of nine Night Deities.
As a Night God, Mictlanteculhtli would be paired up with the Sun god Tonatiuh to symbolize the duality and dichotomy of light and darkness.
He was also the secondary Week God for the tenth week of the twenty-week cycle of the calendar, joining the sun god Tonatiuh to symbolize the dichotomy of light and darkness.
Dualities – Light & Dark
While we are on this subject, where Mictlantecutli and Mictecacihuatl represented Death; they are the complements and opposites to Ometecuhtli and Omecihuatl who represented Life.
Fertility – Life & Death
By modern, Western aesthetics, Mictlanteculhtli is not the only Aztec deity to be shown with skeletal imagery or bones. For the Aztecs, skeletons and bones were symbols of abundance, fertility, and health. You couldn’t have one without the other.
Bats
As they only come out at night and often from caves, bats have been associated with Mictlanteculhtli and the Underworld.
Dogs
Due to the tenth day sign Itzcuintli, a dog, they are also associated with Mictlanteculhtli. It also seems fairly coincidental enough too as even in Europe, dogs as in Black Dogs are often associated with death and being psychopomps to lead the souls of the dead to the afterlife.
Owls
In Aztec beliefs, the owl is associated with death and thus one of Michlantechutli’s animals. Michlantechutli is often shown wearing owl feathers on his headdress.
Spiders
Another animal associated with death and darkness; they too have been associated with Mictlanteculhtli.
Ritual Sacrifices
A good portion of the Aztec belief system involved a lot of ritual blood sacrifices. Mictlantecuhtli was no different. Sacrifices made to Mictlantecuhtli were performed at night with a person being a stand-in or avatar, a representative of the god of death. They would be sacrificed at the Tlalxicco temple, whose name means “navel of the world.”
The flayed skins of humans would be offered up to Mictlantecuhtli and it is said that ritual cannibalism was done at the temple too.
Fun Fact – When Hernan Cortes landed on the shore of Central America, the Aztec ruler Moctezuma II thought that this was the deity Quetzalcoatl who had arrived. Thinking that this was the end of the world, Moctezuma II increased the number of human sacrifices believing that this would allow him to appease Mictlantecuhtli and avoid the torments of Mictlan.
Aztec Creation Story
In Aztec myths and beliefs, the world has been created and destroyed a few times.
In this case, the gods Tezcatlipoca and Quetzalcoatl had just finished restoring the sky and earth when they decide that they need to create people to populate this new fifth world. Since Michlantechutli has all the bones, Quetzalcoatl travels to him to inquire about getting some bones. Michlantechutli agrees to the condition that Quetzalcoatl travels around the Underworld four times while sounding a conch shell horn. The catch is that Michlantechutli gives Quetzalcoatl a shell that doesn’t have any holes drilled into it.
Quetzalcoatl fixes this problem by summoning some worms who drill holes into the conch shell and then having bees fly into the shell. When Michlantechutli hears Quetzalcoatl blowing the conch horn, he is obligated to fulfill his end of the agreement. However, Michlantechutli decides to go back on his word to keep the bones. Quetzalcoatl is forced to flee, taking the bones with him and Michlantechutli sends his minions, the Micteca after the other god. The Micteca dig a deep pit and as Quetzalcoatl is running, a quail jumps out, startling Quetzalcoatl so that he falls into the pit and dies with the bones all shattering. This is why people will be of different sizes.
One retelling has the quail tormenting Quetzalcoatl before he seemingly dies and then gnaws on all the bones, making that the reason why humans will be in different sizes.
Quetzalcoatl does eventually revive, being a god, and takes the bones to the goddess Cihuacoatl who grinds up the bones and puts them into a special container. The other gods now gather around this container and cut themselves to shed blood into it. From this mixture, the humans of today came forth to populate the earth.
Variation – One version of the myths I came across is that it is both Quetzalcoatl and Xolotl who come to claim bones from Mictlantecuhtli and that these were the bones of previous deities who had lived and died.
Hueymiccaylhuitl
An Aztec holiday, the “Great Feast of the Dead” was celebrated for the recently deceased and to help them on their journey to Mictlan. Hueymiccaylhuitl would be celebrated in the Aztec month of Tititl where an impersonator or stand-in for the god Mictlantecuhtli would be sacrificed.
When someone died, the Aztecs would cremate the remains. It was believed that the soul would then undertake a four-year journey to Mictlan through the various levels of the Underworld and need to pass a series of trials. Those who succeeded would make it to the lowest levels of Mictlan.
Hueymiccaylhuitl was also celebrated as an annual celebration as it was believed the dead could return to the lands of the living and visit. Plus, it was a way for the living to help those on their journey as the living could communicate with the deceased souls.
When the Spanish Conquistadors arrived, bringing Catholicism with them, the traditions of Hueymiccaylhuitl transformed, becoming known as Día de los Muertos, the Day of the Dead. Families still leave offerings of food and goods for the dead to take with them on their journey.
Under more modern and current celebrations and influence from the Catholic church, Día de los Muertos coincides with All Saints’ Day or Feast of All Saints on November 1st. It is a celebration that combines imagery from Aztec beliefs with an air of carnival and festivities with families gathering at cemeteries to share a picnic meal with deceased loved ones and sugar skulls in the image of Mictlantecuhtli.
Syno-Deities
Santa Muerte – Mexico
A female deity, early images of her started off as male. Santa Muerte is a folk saint whose worship and popularity has been increasing since the start of the 21st century in Mexico and has been spreading. Devotees of Santa Muerte may or may not be disenfranchised with the Catholic Religion and many turn to her for healing, protection and a safe passage to the afterlife.
San La Muerte – South America
An entity very similar to Santa Muerte.
San Pascualito – South America
A similar entity to Mictlantecuhtli found in Guatemala though they are closer to Ah Puch in origin.
Ah Puch – Mayan
Also known as Yum Cimil, the Mayan god of Death, seen as similar to Mictlantecuhtli.
Coqui Bezelao – Zapotec
Another god of Death similar to Mictlantecuhtli in Central to South America.
Kedo – Zapotec
Another god of Death that Mictlantecuhtli has been equated with.
Tihuime – Tarascan
Another god of Death similar to Mictlantecuhtli in Central America.
Pleiades Part 2
Pleiades Star Lore Around The World
African Mythology
For many tribes in the African continent, the Pleiades mark the beginning of the agricultural season.
East Africa – In the Swahili language, the Pleiades are called: “kilimia” which means to “dig” or “cultivate.” The Pleiades appearance in the heavens is seen as being time to start digging or the arrival of rain.
North Africa – The Tuareg Berbers call the Pleiades by the name of: Cat ihed, pronounced as: shatt ihedd or Cat ahăḍ, pronounced as: shat ahadd. The name means “daughters of the night” in the Berber language. Other Berber tribes have called the Pleiades star cluster by other names such as: Amanar “the guide” and Tagemmunt “the group.”
The Tuareg Berber have a proverb that translates into English as:
“When the Pleiades fall, I wake up looking for my goatskin bag to drink. When the Pleiades rise, I wake up looking for a cloth to wear.”
It is a proverb that takes note of the changing of the seasons to prepare for the heat of summer and the colder weather that the rainy season brings.
South Africa – The Basotho call the Pleiades “Seleme se setshehadi” meaning the “female planter.” When the Pleiades leave the night sky around April, the Basotho’s tenth month, along with the appearance of the star Achernar marks the beginning of their cold season. Like many South African cultures, the Pleiades are associated with agriculture and plenty. The Khoikhoi tribe call the Pleiades by the name of Khuseti, the stars of rain or rain bearers.
Australian Mythology
The Pleiades star cluster is known by several names among many tribes.
Karatgurk – In the stories told by the Wurundjeri of Victoria, Australia, the Pleiades represent a group of seven sisters known as the Karatgurk. They were the first to hold the secrets of fire and each of the sisters carried live coals on the end of their digging stick. The sisters refused to share the coals with anyone and eventually were tricked into giving up the secret of fire to Crow who in turn brought the gift of fire to the rest of humanity. As to the sisters, they were taken up into the night sky where their glowing fire sticks became the stars of the Pleiades cluster.
Kidili – A moon god of the Mandjindja from Western Australia, he had tried to rape some of the first women on Earth. In retaliation, the lizard men, Wati-kutjara attacked and castrated him using a boomerang before leaving him to die in a watering hole. As for the women, they became the Pleiades star cluster.
Kungkarungkara – They are the ancestral women in the lore of the Pitjantjatjara tribe.
Makara – According to the Adnyamathanha tribe, the Makara (The Pleiades) are the wives of stars within the Orion constellation.
Napaltjarri – From Central Australia, they were seven sisters being chased by Jilbi Tjakamarra. He had attempted to use love magic on one of the sisters. She refused Jilbi’s advances and she and her sisters fled from him. They fled all the way to Uluru where they searched for honey ants. While there, the sisters again saw Jilbi and they went to Kurlunyalimpa and the other spirits of Uluru who transformed the sisters into stars. In response, Jilbi transformed himself into the Morning Star seen in Orion’s Belt where he continues to chase after the seven sisters.
The Seven Sisters And The Faithful Lovers – In this story of the Koori’s Dreamtime, the Pleiades or the Seven Sisters were a group of seven beautiful ice maidens. Their parents were huge mountain whose peaks were hidden by the clouds and an ice-cold stream who flowed from some snow covered hills. The Seven Sisters would wander the land, their long hair flowing out behind them like storm clouds. Their beauty was so great, that many men loved them, but the sisters were always cold in returning any affections.
One day, a man by the name of Wurrunnah, caught two of the sisters and forced them to live with him while the others continued on their journey home to the sky. Wurrunnah soon found that the sisters he caught were ice-maidens and took them to his camp fire in order to try and melt the ice off of them. This only served to put out his fire and dimming the brightness of the two sisters.
The two sisters were very lonely and sad by their captivity and every night, they would look up to the night sky where they could see their sisters calling for them. One day, Wurrunnah told the two sisters to go out and gather some pine bark. After a short trip, the two came to a big pine tree where they began with stripping the bark off of it.
As they stripped bark off the pine, whose totem was the same totem as the sisters, it began to extend upward towards the sky. The two sisters saw their opportunity and climbed up the tree to their home in the sky with their sisters. The two sisters never did regain their full brightness in the heavens and is why two of the Pleiades are dimmer than the others. The journey of the seven sisters is remembered every time it snows.
The Berai Berai Brothers And The Seven Sisters – Another story told of the Seven Sisters is that when they were on earth, of all the men in love with their beauty, the Berai Berai or two brothers were the most devoted. They always brought all the choicest catches from their hunts to the Sisters as an offering and token of their love. This love was not returned and when the Sisters wandered away, up to the mountains, the Berai Berai followed after them.
After the Sisters left for their journey to the sky, the Berai Berai mourned. A grave depression fell upon them that they eventually died. The spirits of the Dreamtime took pity on the brothers and placed them up in the sky, up where they could hear the Sisters sing. On clear nights, the Berai Berai can be seen, represented by the stars that form Orion’s Sword and Belt.
Baltic Mythology
The name for this constellation in Lithuanian is Sietynas and Sietiņš in Latvian. Both of which have a root word: sietas meaning “a sieve.” In both Latvian and Lithuanian folk talks, the Pleiades constellation is shown as an inanimate object, a sieve that is stolen by the devil from the god of thunder or it is used to bring light rain by the thunder god’s wife and children. In some Lithuanian folk songs, Sietynas is depicted as a benevolent brother who helps orphaned girls to marry or he helps walk soldiers across fields.
Ben Raji Mythology
Living in western Nepal and northern India, the semi-nomadic Ban Raji refer to the Pleiades as the “Seven Sisters-In-Law and One Brother-In-Law” or “Hatai halyou daa salla.” For the Ban Raji, when the Pleiades rise up over the mountains at night, they see their ancient kinfolk. The timing for the appearance of the Pleiades over the Nepali mountains along the Kali River, marks when it is 8 p.m. local time.
Bronze Age And Celtic Mythology
In Bronze Age Europe, the Celts and possibly others may have associated the Pleiades with grief, mourning and funerals. At this period of time and history, the time of the Autumn Equinox and Solstice would have occurred around the time that the Pleiades star cluster rose in the eastern skyline as the sun set. The precession of the constellations over the centuries and millennia would have since changed for the timing of the Equinox and Solstice celebrations. This Solstice celebration is possibly a predecessor to the modern Halloween, Samhain and All Souls Day celebrations. While a good many Pagan and Wiccan sites are quick to point out such a connection, more secular sites don’t necessarily see a connection. What seems more plausible is that it does have connections as a Harvest Festival and the end of the harvest season before winter comes.
An artifact discovered in 1999 called the Nebra Sky Disc, due to where it was found in Nebra, Saxony-Anhalt in Germany, shows the Pleiades star cluster on it along with the Sun and Moon. Two golden arcs on the disk mark the solstices. It has been dated to somewhere around 1600 B.C.E. and part of the Bronze Age Unetice culture. Unlike the megaliths of much of Europe, the Nebra Sky Disc is a portable astronomical instrument.
Central America
Aztecs – The Aztecs based the beginning of year on the appearance of the Pleiades asterism when it rises in the east before the sun’s morning light became too bright. They called this star cluster by the name of Tianquiztli, meaning “marketplace.”
The Aztecs were very good astronomers and kept careful track of the heavens. Their calendar was based on a 52-year cycle. The Pleiades were carefully watched to make sure the world wouldn’t end. At the end of each 52-year cycle, the Aztecs held a religious ceremony to ensure the rebirth of the sun and continued movement of the heavens. The Aztecs strongly believed their ceremony would prevent demons of darkness from coming to the Earth and devouring mankind. For this, they offered up to the gods human sacrifices.
Mayan – During colonial times, the Pleiades were used to track the time by diving up the night.
An epic legend tells the story of the Pleiades star cluster. There had been a long standing feud between the heavenly twins Hun-Apu and Xbalanque and a giant named Zipacna. With the help of several other youth, the twins pretended that they were building a house. They started with digging a large hole in the ground. As they were digging, Zipacna came along and asked what they were doing.
The twins told Zipacna they were building a house but were having trouble with digging a hole for the foundation deep enough. Zipacna was persuaded to help and he went down into the hole. Once he was at the bottom of the hole, the twins and their helpers began to throw stones, dirt and tree trunks down on him. When the hole was completely filled in and everyone was certain that Zipacna must be dead, they continued to build a house over the spot marking his grave.
Unknown to the twins, Zipacna was still alive. Yes he had been knocked out by the weight of everything piled and thrown on him. Once he had regained consciousness, he lay there and waited, pretending to be dead until the house was completed.
With the house completed and everyone inside celebrating, Zipacna made his move. Throwing up his shoulders, Zipacna’s great strength allowed him fling the house up into the sky towards the heavens. There, the twins and everyone with them became the Pleiades, unable to get back down to the earth.
Monte Alto Culture – This also includes other cultures such as Takalik Abaj and Ujuxte who are known to have made early observatories. They used the Pleiades stars and Eta Draconis as references in the night sky. The Pleiades are called “The Seven Sisters” and thought to be where they originated from.
Chinese Astronomy
To the Chinese, the Pleiades are known as Mao, the Hairy Head of the White Tiger of the West. The Pleiades seem to be the first stars mentioned in astronomical literature, appearing in the Annals of 2357 B.C.E. Aside from the name Mao, the Pleiades are also known as The Blossom Stars and Flower Stars.
Egyptian Mythology
The ancient Egyptians recorded seven stars within Pleiades. Some scholars believe that the seven chambers of the Great Pyramid represent the seven stars of Pleiades.
The goddess Hathor has an interesting take in her role and aspect as a Mother goddess for it was believed by the ancient Egyptians that “Seven Hathors” would appear at the birth of a new baby, foretelling his fate. The reason they’re mentioned is that during the Ptolemaic Period, when Egypt was under Greek rule, the Seven Hathors became identified with the Pleiades star cluster.
Aside from Hathor, the Pleiades also represented the goddess Net or Neith, the “Divine Mother and Lady of Heaven.”
French History And Literature
La Pléiade is a post-Renaissance literary movement that references the Pleiades constellation and seven poets from the Alexandrian period during the reign of Ptolemy II. The La Pléiade title has been used by two groups of poets from Toulouse during the beginning of the 14th century and another group founded by Pierre de Ronsard in 1553. Their goal was to promote the classical literature of Greek and Rome with translations rather a perceived, outdated use of Latin. While the group were not known for being innovators, they did provide the foundations of French Classicism.
Greek Mythology
The Pleiades were considered by some ancient Greek astronomers, such as Eudoxus of Cnidos to be a distinct constellation separate from Taurus. This asterism is mentioned of by Hesiod and Homer in the Iliad and Odyssey. The ancient Greek text Geoponica mentions the rising of the Pleiades cluster. The Greek temples of Hecatompedon, built in 550 B.C.E. and Parthenon, built in 438 B.C.E. are oriented to the rising of the Pleiades.
For the Greeks, the setting of the Pleiades around October and November was a time to bring their ships in to port and to plow and sow their lands. Hesiod makes mention of the Pleiades numerous times in his “Works and Days,” alluding to their importance as a time of stormy weather and planting. Greek sailors were known to consult the heavens for the appearance of the Pleiades before setting sail.
Orion And The Pleiades
The Greek story is perhaps the most well known to many Westerners about the Pleiades star cluster.
The Pleiades is a group of seven sisters whose father is the titan Atlas. As their story goes, the Pleiades were traveling with their mother Pleïone, through Boeotia when they encountered the Greek hero Orion. He expressed such a deep infatuation and interest in them that he relentlessly pursued the sisters and even their mother. And with their father Atlas now holding the earth up on his shoulders, this very likely encouraged Orion in his antics as he thought no one could stop him.
After running from Orion for seven years, the sisters became tired of such extreme harassment and pursuit. In their desperation, they appealed to Zeus who in response, placed them up in the heavens, specifically in the Taurus constellation where they would be protected by the mighty bull from Orion’s unwanted advances. In the accounts that include Pleïone being chased by Orion, she too is placed up in the heavens, this a further punishment for the titan Atlas to be separated from not only his wife, but daughters.
In the end, being placed up in the heavens doesn’t seem to have helped them much, for when Orion died, he too was immortalized up in the heavens as a constellation. He can be seen up there still chasing after the Pleiades.
Variations to this story say the Pleiades committed suicide after the death of their brother Hyas. Other versions say that when the sisters pleaded to the gods for mercy from Orion, they were changed first into doves and then later into stars.
Other Variations
Catasterism
If the Pleiades weren’t getting chased by Orion, then they became stars after committing suicide over the fate of their father Atlas. Or the loss of their siblings the Hyades and Hyas. After their death, the god Zeus placed the sisters up into the heavens to become the famous star cluster.
Companions Of Artemis
This version of the myth follows closely the more well-known story of the Pleiades being chased by Orion. The Pleiades were the companions of the virgin goddess Artemis. She wasn’t too happy with Orion when he came upon the Pleiades while playing. In his lust and infatuation, he chased the Pleiades. On their behalf, Artemis pleaded with Zeus to intervene and he did so by transforming the sisters into doves and then into stars, becoming out of reach of both Artemis and Orion. Zeus, not to be completely without compassion for his daughter, the path of the Moon passes between the Pleiades and Orion so that she has a chance to be reunited with her friends on a regular basis.
Contrarianism – Daughters Of An Amazon Queen
While many variations of the Greek myths regarding the Pleiades are similar, especially in regards to names and parentage; Theocritus’ Idylls, using references from Callimachus differs greatly from the more familiar myths. In the Idylls, the Pleiades are the daughters of an Amazon queen. Their names are: Coccymo, Glaucia, Lampado, Maia, Parthenia, Protis and Stonychia. The sisters are supposed to have created ritual dances and nighttime festivals.
Ancestors Of Dionysus
In Nonnus’ Dionysiaca, the Pleiades appeared as an omen of victory for Dionysus’ war against India. There is further mention that the pleiad Electra was the foster-mother of Harmonia, the grandmother of the Greek god Dionysus. And thus in a way, Electra can be seen as Dionysus’ ancestor.
Indian Astronomy And Mythology
The Pleiades are known by a number of different names such Karttikeya, Kṛttikā, Kārtikā, Kumara or Subrahmanya. In both Indian astronomy and Hindu astrology, the names Krttika and Kartika translate into English as: “the cutters.” Like the ancient Greeks, India has a number of different, varying and often conflicting stories of Kṛttikā.
Hindu Mythology – A story associated with this star cluster tells how the war-god Skanda was raised by six sisters known as Kṛttikā, making it so that one of his names he is known as is Kartikeya or “Son of the Kṛttikā.” Skanda or Kartikeya was born to Agni and Svāhā after the Kṛttikā had impersonated themselves as six of the seven wives of the Saptarshi in order to make love with Agni. When the Saptarshi learned of this incident, they began to doubt their wives’ chastity and divorced them. Since then, the wives were known as the Kṛttikā.
As the six Kṛttikā, they are seen as the mothers of Skanda, his six faces represent them. Slight variations to this say that Skanda developed his six faces in order to drink the milk from his six mothers.
Hindu Astrology – Kṛttikā is the third nakṣatras or lunar mansion out of twenty seven other naksatras. The Pleiades are known as the Star of Fire and one of the most prominent of nakshatras associated with anger and stubbornness. They are ruled by the Hindu god of war, Kartikeya. Another deity associated with Kṛttikā is Agni, a god of sacred fire. Additionally, it is ruled by the sun or Surya and has the symbols of a knife or spear. There is a Hindu tradition of naming children according to the naksatra they’re born under. Each naksatra will have four syllables associated with it that is used for that start of a child’s name.
Kumarasambhava – “The Birth of the War God”
In an epic poem written by Kalidasa from the 4th and 5th centuries C.E., the gods had wished for a god to born in order take on and kill the demon Taraka who had a geas or boon that he could only be killed by a son of Shiva.
The problem, is that Shiva was deep in his meditations and not at all interested to his wife Parvati. That is, at least not until Kama, the god of love struck Shiva with an arrow. Now, after having practice abstinence for so long, Shiva’s virility was incredibly potent and the other gods fear what would happen. So they took Shiva’s seed and dropped it into a fire. It is from this, that the god Skanda, whose name means: “Spurt of Semen.”
Tamil Mythology – The Pleiades are known as Karthigai, they were the six wives of six Rishis, represented by the stars of Ursa Major. The seventh was known as Arunthadhi, associated with the star Alcor. She is the wife of Vasistha, the seventh Rishi or Sage. He is associated with the star Alcyone. Another name of the Karthigai is Saptha Kanni, meaning the “Seven Virgins.”
A variation to this story is that the Krttika had all lived together up in the heavens. One day, Agni, the god of fire fell in love with the seven Karthigai or Krttika. In trying to forget his love for them, Agni wandered the forest until he met Svaha, the star Zeta Tauri.
Svaha was immediately infatuated with Agni and disguised herself as one of the Krttika in order to seduce him. Agni truly believed he had made love with one of the Krttika. Svaha became pregnant and gave birth to Skanda.
As soon as Skanda was born, rumors began to circulate that one of the wives of the Rishis was his mother. This caused the Rishis to divorce their wives. Of them all, only Arundhati remained married. The other Krttika went on to become the Pleiades.
Indonesian Mythology
The Pleiades are known as Lintang Kartika in Javanese, it is a name that is from the Sanskrit word Kṛttikā, one of the nakṣatras in Hindu astrology.
Japanese Mythology
In Japan, the Pleiades star cluster is known as Subaru, meaning “coming together,” “cluster” or “united.” The name and image are also the same name for a car manufacturer, Subaru.
Another name for the Pleiades is Mutsuraboshi, meaning “six stars.” This name dates from the 8th century Kojiki and Manyosyu documents. The Pleiades have also been called the Hoki Boshi, meaning “dab of paint on the sky” or “brush stars.”
Micronesian Mythology
A story found among the Marshall Islands in the Pacific Ocean, tells the story of Dümur, the eldest son of Ligedaner who is the mother of all the stars. Ligedaner is identified as being the star Capella in the Auriga constellation, Dümur is identified as the star Antares and the youngest son is identified as Pleiades.
Ligedaner’s sons came down from the vault of Heaven to visit with her where she lived on the atoll Alinablab. While there, a contest was proposed that who ever was the first to reach a certain island somewhere out in the East would be named the King of Stars.
The contest was agreed to and the sons prepared themselves to take off to claim the title of King. Ligedaner asked Dümur to take her with him in his canoe. Dümur refused as he saw that his mother wanted to take as many things with her as she could and thereby slow down the canoe with its weight.
Ligedaner asked each of her sons in turn to take her with them in their canoes and each in turned refused. Until she got to her youngest son, Pleiades who finally accepted her request to go with him. Ligedaner had seven objects she was taking with her and as she got into the canoe, she instructed Pleiades where to load and place each object.
When they were finally loaded up, Pleiades took his place to start rowing. He was surprised to find that instead of being weighed and slowed down by all the objects, that his canoe shot out into the water with great ease nor did he have to use his oars. The seven objects it turned out, had been previously unknown sail rigging and with his canoe driven by the wind, it took no time at all to catch up with his brothers.
As Pleiades’ canoe caught up with Dümur’s canoe, Dümur demanded, on his rights as the first-born son that his youngest brother hand over his canoe to him. Dismayed, Pleiades complied with the demands. Ligedaner proceeded to play a rather mean trick on Dümur by turning the canoe around and then when she jumped with Pleiades into the sea, she took with her the yardarm. Together, Ligedaner and Pleiades swam on towards the island to the East.
Dümur found that in order to sail Pleiades’ canoe, he had to fasten the sail to his shoulders, causing him to become bent over. By the time Dümur reached the island, he found that his youngest brother Pleiades and Ligedaner had beaten him there already and that Pleiades now claimed the title of King of the Stars. Angry, Dümur desired to never see his brother Pleiades again. This separation fo Dümur and Pleiades can be seen in the night sky of the Southern Hemisphere as when Pleiades rises in the East, Dümur (as the star Antares) sets in the West. The bent back of Dümur is also seen represented by the curved line formed by the stars outlining the bent body of Scorpius.