Category Archives: Anger/Temper

Inti

Etymology: Sun

Alternative Names: Apu Punchaur, Apu-punchau, Giver of Life, Inti-Wawqi (Brother of the Sun)

In the Quechua and primarily Incan cultures of what is now modern-day Peru, Inti is a god of the sun and war. Inti was second in importance only to Viracocha, the creator god. Inti is generally perceived as a benevolent deity much of the time, bringing the heat of the sun for crops to grow. In the same vein, Inti could show displeasure through solar eclipses in which sacrifices would need to be made to soothe his anger. Rulers of the Inca saw themselves as descendants of Inti, the patron of their empire and military might.

The Incan Empire once spanned from Chile to Colombia and had covered most of Peru and Ecuador in its heyday. The Incan people were an advanced culture with sophisticated records, astronomy, art, and wealth. The Inca originated from the Lake Titicaca region in the Andes. Like any empire, the Incas expanded, conquering other tribes and cultures. That is, until the arrival of the Spaniards who came looking for gold and their own conquests in 1533. Smallpox devastated many of the local populations, making it easy for the Spanish and other Europeans to come in and with it, the fall of the Incan empire.

Attributes

Animals: Cougars, Snakes

Direction: South

Element: Fire

Metal: Gold

Month: June

Patron of: Creation

Planet: Sun

Sphere of Influence: Crops, Fertility

What’s In A Name?

Surprisingly, the word inti isn’t a Quechuan word but is instead a loanword from the Puquina language. Looking at the language groups of Aymara, Mapuche, and Quechua in the region shows why all these languages have a similar word for the sun. The Mapuche people have a similar sun deity known as Antu, the names for their spouses, and the Moon goddess are different from Quilla and Cuven.

Incan Depictions

In art, Inti would be represented as a golden disc with a human face. In the minds of the Incan people, Inti has a human form.

Gold – This metal was particularly associated with Inti as it was thought to be the sweat of the sun. There is a record of a gold statue to represent Inti. Within Inti’s temple in Cuzco, the interiors were lined with 700 half-meter panels of beaten gold. Outside the temple was a life-sized scene of a field of corn with llamas and shepherds all made of gold and silver. This statue represented Inti as a young boy known as Punchao or the Day and Midday Sun. From the statue’s head and shoulders, the sun’s rays shone forth. He was wearing a royal headband and had snakes and cougars coming out of his body. The stomach of the statue was hollow and would hold the ashes of the previous Incan rulers’ vital organs. This statue would be brought out every day into the open air and returned to the temple at night. When the Spanish arrived, the statue was taken to a place of safety, but eventually, it was found in about 1572 C.E. and has since disappeared from history where it was likely melted down for the gold along with so many other Incan artifacts.

Inti Masks – These masks were made of thinly beaten sheets of gold to form and represent the rays of the sun coming out of Inti’s head. The rays were often cut in a zig-zag design and some were known to end with small human faces or a figure. The most well-known mask was the one on display at the Coricancha temple.

Temples & Solar Constructions

Temples were often elaborately decorated with gold and jewels with intricate designs.  This added a lot of prestige for those worshiping within, to offer something so abundant and plentiful to Inti to magnify the glory of the sun.

Coricancha Temple – (“House of the Sun”) and Sacsahuaman were sacred districts in the Incan capital of Cuzco. These are thought to have been built during Pachacuti’ reign. The High Priest of the Sun or Villac Umu presided over rites dedicated to Inti. They would be assisted by acllas or acyllyaconas (young virgin priestesses). Priests in other parts of the empire would carry out ceremonies and rites locally in those places.

Gateway of the Sun – This monolith located in Tiahuanaco by the Tiwanaku culture is thought to have a figure representing Inti while other sources will claim that it is Viracocha. The Sun Gate is also important as it shows the position of the sun on the days of the solstices and equinoxes.

Intihuatana – Or “hitching post of the sun” are solar astronomical stones (similar to a sundial but more sophisticated) that would be set at the highest point of a sacred precinct. They were used during the solstices to track the sun and connect it to the earth with a special cord or rope. Other astronomical observations for the sun and perhaps other celestial bodies would also be tracked with them. The most familiar and famous example is the one found at Machu Picchu. Other places are Pisac in north-eastern Cuzco, Ingapirca in Ecuador, and the Island of the Sun on Lake Titicaca where Incan rulers would make a pilgrimage to once a year.

Sucanga – These were a series of twelve pillars arranged around the city of Cusco used in the Incan solar calendar. Each pillar was arranged so that each month, it would indicate where the sun would set and rise. Farmers used them to rely on their planting and harvests. In the Incan Solar Calendar, the year was divided into 12 moons with 30 days. Each moon corresponded with its festivities and daily activities.

Sun Worship

This isn’t that much of a stretch, Inti is the Sun god, the sun way up in the sky is seen as him. It’s not that hard to see the sun as sacred, especially when needing crops to grow and bring light to the world.

Among the Inca, they began worshiping before the dawn. The emperor, his family, and everyone would head down to the main square of Cusco and wait silently for the rising of the sun. Once the sun rose, everyone would rejoice and kneel as the priests offered up a chicha to Inti in a silver bowl.

From there, the people would march to Coricancha to relight the sacred fire using mirrors to direct the sun’s rays.

The sun worship also included dances, sacrifices of grain, flowers, and animals that would be burned on bonfires.

Parentage and Family

Parents

FatherViracocha, the creator god

Mother – Mama Qucha

Sometimes Pachamama, the earth goddess is Inti’s mother and in yet other myths, Inti will become Pachamama’s second husband.

Consort

Mama Quilla – The goddess of the Moon.

Pachamama – An Earth goddess

Siblings – Imahmana, Mama Killa, Mama Quilla, Pachamama, Tocapo

Children

Inca Manco Capac I and Mama Oello

Through Inca Manco Capac I, Inti is essentially the progenitor of all the Incan people. Other myths will place Manco Capac as the son of Viracocha.

Ancestor & Protector Deity

Inti is noted as being an ancestor of the Incan people through his son Inca Manco Capac I. In this capacity, Inti is also the state protector of the Incan peoples. Inti taught both Manco Capac and his daughter Mama Ocllo the arts of civilization.

The ruling elite of the Inca were all seen as representatives or avatars of Inti on earth. A similar concept is found in ancient Egypt where the Pharoah was seen an avatar of Ra in the flesh. Every member of the Incan people, especially the nobles to see themselves as representing Inti when they traveled and that they needed to holy when entering certain cities within the empire.

First City

Incan myths say that Inti is the founder of their culture and empire. Inti taught his children Manco Capac and Mama Ocollo the arts of civilization before sending them to the Earth to pass these skills on to humankind. Inti ordered his children to build the capital of the Incan empire where a golden wedge hit the ground. This city is often regarded as being the city of Cusco and had been founded by the Ayar.

Worship – Inti was regarded as the head of the state cult and his worship was enforced throughout the Incan empire. The Incan leader, Pachacuti is who is often credited for the spread of the Inca Sun Cult.

The High Priest or Willaq Umu placed this position as the second most important person in the Incan culture. The Willaq Umu was directly beneath the Sapa Inca and were often brothers as both were held to be descended from Inti.

Holding Court

In Incan beliefs, Inti and his sister, Mama Quilla, the Moon goddess are regarded as being benevolent. Inti is also to have married his older sister Mama Killa who bore him two children. Within Inti’s court, he and Mama Quilla are served by the Rainbow, the Pleiades, Venus, and other celestial bodies.

Sun God

Where many will identify Inti as a sun god, he is more accurately viewed as a series of solar aspects, specifically the stages of the sun as it passes throughout the day.

Incan Astronomy – In Incan cosmology, the sun has three phases it goes through during the day. The first is known as Apu Inti, the “supreme Inti” and represents the father and is sometimes known as “The Lord Sun.” The next is Churi Init or “Son Inti” which represents the son of Inti and is known as “Daylight.” The last is Inti Wawqi, the “Sun Brother”. The name is also spelt Inti- Inti-Guauqui and Inti-Huaoqui. Inti Wawqi represents the sun god in his role as the founding father of Incan rule and ancestor of the Incan people.

The aspects of Apu Inti and Churi Inti are separated cosmically as they each represent the Summer and Winter Solstices. Inti Wawqi is not associated with any astronomical spot.

The other idea in Incan cosmology is that these different aspects of Inti involved different duties they undertook. One of the suns represented the actual sun giving heat and light to the earth. Another of the sun was in the sky during the day much like the moon is out at night. And that the last sun was responsible for the growth of plants and agriculture.

Eclipses – Like many cultures, eclipses were seen as a sign of ill omen, and with the Inca, that Inti was somehow displeased. The Inca couldn’t predict a solar eclipse, part of what led to beliefs in an angry sun deity. The priests would seek to find ways to divine and figure out what had caused Inti’s wrath and then figure out which sacrifices needed to be made. With an eclipse, this is when the Inca would resort to human sacrifice to appease Inti’s anger. In addition, the ruling Inca would withdraw to fast for several days before returning to their duties.

Creation Myth – One of the interpretations of this myth has a conflict between Viracocha and Inti over the Sun’s creation and if it meant it should be worshiped as a separate entity.

Agriculture – As a Sun god, Inti is also instrumental as an agricultural deity. Especially in the highlands of Peru where the sun’s heat was thought to be the cause of rain. The correlation makes sense when during the rainy season, the sun is hotter and during the dry season, the sun feels cooler. Without that rain, the production of crops for maize and other grains would be more difficult.

Each province of the Inca empire would dedicate a third of their land and herds to Inti. Each major province would have a Sun Temple where priests and priestesses would serve.

Inti-Raymi – Meaning “Sun Festival,” this is an annual festival held during the time for the start of a new planting season. In the Quechua language, the name Inti Raymi means “resurrection of the sun” or “the path of the sun.”

The festival began with three days of fasting, no fires lit and people abstaining from sex, the sacrificing of 100 brown llamas. Once the festival began, it would last nine days during which time people consumed a lot of food and drink. There would be ritual dances, chanting from sunrise to sunset with animal sacrifices throughout the day all dedicated to celebrating Inti. Other sacrifices to Inti included simple prayers, food, coca leaves, and woven cloth. At the conclusion of the festival, people would leave with permission.

Sacrifices – Oftentimes animals of various livestock would be given. The most common sacrifices to Inti were white llamas. Any human sacrifices were done during a special ceremonial occasion or in the event of an event such as an earthquake, solar eclipse, or a death in the royal family. Such sacrifices and ceremonies were conducted to ensure the continuation of the Incan empire for its people and harvests.

There is one particular story of an eagle being attacked by buzzards and falling from the sky during a ceremony to Inti in roughly 1526 C.E. This was seen as an omen or portent for the collapse of the Inca empire. This would also coincide with the arrival of smallpox brought by Spanish Conquistadors from Europe. The smallpox epidemic would devastate numerous populations throughout the Americas and in the case of the Inca, it weakened them to conquered by the Spanish.

After the arrival of the Spanish Conquistadors, this festival would be changed to May or June to coincide with the feast of Corpus Christi. Of course, incoming invaders and conquerors saw the festival of Inti-Raymi as being too pagan and would try to replace it with Christian observances.

The Inti-Raymi festival has seen a revival and tourists are known to come to Cusco, the capital of the Incan Empire to observe it. Inti Raymi occurs during the Southern Hemisphere’s Winter Solstice, the shortest day of the year, and June 24th by modern Calendar dates. And of course, no human sacrifices in the modern day.

Christian Influence

With the arrival of Spanish Conquistadors, came also the arrival of Catholicism and Christianity. The incoming Christian priests saw any religion other than themselves as being Pagan. The Sun Worship observed among the Incans was no exception and quickly equated with paganism and thus evil. This religious zeal, fueled by Spanish greed led to many temples being destroyed along with many religious artifacts meeting the same fate.

It is known that the Spanish Conquistadors seized a huge golden disk that represented Inti in 1571. It was sent back to Spain and given to the pope. Since then, this artifact and religious icon have been lost and there is speculation it may have been melted down to bullion.

Nowadays, in the 20th and 21st centuries, Inti is equated with the Christian god by the Quechua people.

Syno-Deities

Apollo – A Greek god of the sun also worshiped by the Romans.

Arinna – A Hittite goddess of the sun and light.

Helios – An ancient Greek sun god.

Huitzilopochtli – The Aztec god of the sun.

Kinich Ahau – The Mayan sun god.

Lugh – The Celtic sun god and fierce warrior.

Mithra – The Persian god of the sun.

Ra – A solar god worshiped among the ancient Egyptians.

Sol – The name of the Roman personification of the sun.

Sunna – Or Sol, one of the few sun goddesses and venerated by the Norse.

Surya – The Hindi god of the sun.

Tawa – The Sun Kachina in Hopi beliefs.

Hera

Pronunciation: hir’-uh

Etymology: Greek – “Lady” or from haireo – “chosen one”

Alternate Spellings & Other Names: Ἥρᾱ, Hērā; Ἥρη, Hērē in Ionic and Homeric Greek

Epithets: Ἀλέξανδρος or Alexandros (“Protector of Men”), Hera Aigophágos, Αἰγοφάγος or Akraia (“She of the Heights”), Ἀμμωνία  or Ammonia, Ἀργεία or Argéia (“She of Argos”), Argive Hera (“Hera Argeia”), Hera Antheia (“Hera of the Flowers”), Βασίλεια or Basíleia (“Queen”), βοῶπις or Boōpis (“Cow-Eyed” or “Cow-Faced), Βουναία or Bounáia (“She of the Mound” in Cornith), Hera Gamelia (“Hera of Marriage”), Hera Heniokhe (“Hera of the Chariot”), Hera Hyperkheireia (“Hera, Whose Hand is Above”), Hera Nympheuomene (“Hera the Betrothed”), Ἥρᾱ Παῖς or Hera Pais (“Child Hera” for her role as virgin), Ἥρᾱ Τελεία or Hera Teleia (“Adult Hera” as goddess of marriage), Ἥρᾱ Χήρη or Hera Chḗrē (“Widowed”), Λευκώλενος or Leukṓlenos (“White-Armed”), Παρθένος or Parthénos (“Virgin”), “Goat Eater,” “Queen of the Immortals,” “Queen of Heaven,” “Queen of the Gods,” “Queen of Olympus,” “Golden-Throned Hera,” “Bride of the Thunderer,” “The Supreme Goddess”

Not only is Hera the Queen of the Gods in Greek mythology, she is also the goddess of marriage, women, childbirth, and family. All roles that appear nigh impossible to preside over when one is married to Zeus, King of the Gods who goes about doing whatever he wants. It is easily understandable why some myths and stories will depict Hera constantly angry with Zeus, taking it out on his many “love affairs,” offspring, and even mortals who cross her path.

Attributes

Animal: Cow, Crow, Cuckoo, Lion, Panther, Peacock

Element: Air

Month: June

Patron of: Women

Planet: Venus

Plant: Lily, Lotus, Pomegranate

Sphere of Influence: Marriage, Childbirth, Family

Symbols: Peacock Feather, Diadem, Scepter, Throne, Veil

Greek Depictions

In some art, Hera is shown riding in a chariot pulled by peacocks. Hera is often shown with those animals sacred to her. As the Queen of the Gods, Hera is depicted as majestic and solemn, sitting on a throne wearing a polo (think a high cylindrical crown) or diadem with a veil hanging down behind her. Sometimes Hera is shown holding a pomegranate symbolizing marriage, fertility, and even death.

The most famous statue depicting Hera is the one carved by Polycletus. It is considered the noblest image and one that represents the ideal image of Hera as a mature woman with a beautiful forehead and large, wide-opened eyes. She is regarded as having a grave expression thought to command reverence.

In some instances, there is no imagery used for Hera to represent her, or she can be difficult to distinguish from other goddesses in Greek art. In Argos, Hera was represented as a pillar and on the island of Samos where Hera is said to have been born, she was represented by a plank of wood.

What’s In A Name

There are several possible etymological roots for Hera’s name. One given is the Greek word ὥρα or hora meaning “season,” or “year,” and likely meant to refer to being ripe for marriage. According to Plato, Hera’s name comes from ἐρατή or eratē for “beloved” as Zeus is supposed to have married her out of love. Yeah… we will get back to that myth later.

If we go by Plutarch, Hera’s name is an anagram of ἀήρ or aēr meaning “air.” That’s a little better.

Now we get into some suspect meanings that have been offered up. In Walter Burkert’s “Greek Religion,” he makes note of how scholars have argued for a meaning of Hera as the feminine of Heros meaning Master. Close on Burkett’s heels is John Chadwick who in deciphering the Linear B Greek script, says that Hera’s name may be related to the word ἥρως or hērōs and thus, the modern word of “hero.” It does get pointed out that this connection is too tenuous and obscure for any firm confirmation.

Then we have A. J. van Windekens who suggests the meaning of “young cow” or “heifer” for Hera as one of her epithets is βοῶπις or boōpis meaning “cow-eyed.”

Finally, we have R. S. P. Beekes who has put forward the idea of Hera being of Pre-Grecian origins. That her name may have meant “Lady” or “Mistress” That one makes sense too; we do have Hera’s name appearing in the Mycenaean Greek Linear B script and tablets found in Pylos and Thebes that seem to point to that meaning.

According to Herodotus, Hera is the only goddess not introduced to Greece from Egypt.

Like many deities and even words for that matter, the meanings and what they stand for change over time. On this hypothesis, however tentative, Hera goes from being an ancient earth goddess with vast power to a goddess of marriage ruling alongside Zeus with diminished influence.

We’re talking ancient ancient Mycenaean Greece of about 1500 B.C.E. to the ancient Greek and its city-states that many think of and are familiar with around 500 B.C.E. So, about a thousand years and a lot has happened. A lot has changed and even been lost.

Worship & First Temple

For all that Zeus tends to get top billing in Greek mythology and appears to be very prominent, after all, he is the King of the Gods! Archeological evidence shows that Hera may have been the first deity that the Greeks built and dedicated an enclosed, roofed temple. Said temple is found on the island of Samos and dates to around 800 B.C.E. It must be noted that this temple was later replaced by Heraion of Samos, being an even larger temple.

There is some archaeological confusion with dates as there have been many temples built on Samos. Rhoecus sculptors and architects destroyed the temple sometime between 570 to 560 B.C.E. and then replaced it with the Polycratean temple between 540 & 530 B.C.E. A lack of tiles suggests that the temple was never finished or that it was open to the sky. Other excavations at Samos have found votive offerings that date to the 7th and 8th centuries B.C.E.

There are “house sanctuaries” that date from the Mycenaean era. On mainland Greece, there is the “Argive Hera,” another sanctuary found between the Mycenaean cities of Argos and Mycenae. Festivals honoring Hera would be held there. There are two Doric temples dedicated to Hera that were constructed at Paestum around 550 B.C.E. to 450 B.C.E. One of these temples had long thought to be a Temple of Poseidon until the 1950’s when it was properly identified as belonging to Hera.

Further archaeological evidence shows that people would come from across the Mediterranean to make offerings at this site. These people likely came from Armenia, Assyria, Babylon, Egypt and Iran.

Argos – This city is held to be Hera’s favorite city. There is a sanctuary devoted to her in the Peloponnesus where she was worshipped as the city’s goddess and protector

Other Temples – Other temples dedicated to Hera are found at Mycene, Sparta, Paestum, Corinth, Tiryns, Perachora, and on the islands of Samos and Delos.

In book IV of the Iliad, Hera refers to Argos, Sparta, and Mycenae as “The three cities I love best.” Many of Hera’s temples and sanctuaries were located outside the city as she served as the city protector and for the privacy of various sacred cult observances.

The Temple of Hera – Located at Olympia, the seated figure of Hera is older than the warrior statue of Zeus that accompanies her.

Great Daedala – This sacred festival honoring Hera was celebrated every sixty years in Euboea. During this festival and ritual, wooden dolls would be dressed up as brides and then burned in a pyre. This festival reenacts a myth where Hera and Zeus had a fight before reconciling.

Heraia – This is a New Year’s Festival held every year to honor Hera. The Heraia held at Argos is known to have had a sacrificial procession where priestess of Hera rode in ox carts as young men carried the “Shield of Hera.” This culminated with a “hecatomb” where one hundred bulls were sacrificed. For this, the Argive Heraia was sometimes known as the “Hecatombaia.”

In the region of Kanathos, every spring there was a special rite where Hera would renew her virginity by bathing in the stream.  The Heraia festivals were also celebrated at the cities of Corinth, Elis and Samos. Couples would re-enact the marriage of Hera and Zeus and every four years, there would be sporting competitions for women held in Hera’s honor.

Toneia – A festival held on the island of Samos, there would be a scavenger hunt where people searched for an image of Hera. When it was finally found, the statue would be washed and dressed in new clothes.

Parentage and Family

Grandparents

Ouranos (the Sky) and Gaia (the Earth)

Parents

Depending on the source, Hera can have a few different origins.

Cronus and Rhea – The often-recognized version of Hera’s parentage, especially when referencing Hesiod’s Theogony as the source.

Father – Aether (Arcadian origin)

Father – Coelus (Arcadian origin)

Father – Saturnus (Cretan origin)

Consort

Zeus – Also her brother, who becomes King of the Gods.

Siblings

She is the third child born of Cronus and Rhea.

The birth order is Hestia, Demeter, Hera, Hades, Poseidon, and Zeus.

Chiron – a half-brother by way of Cronus and the nymph Philyra.

Sidenote – Homer’s Iliad will have Hera stating she’s the oldest daughter of Cronus.

Children

With Zeus, Hera is the mother of Angelos (Angelia) an Underworld goddess, Ares god of War, Arge a nymph, Eileithyia goddess of Childbirth, Eleutheria goddess of Liberty, Enyo goddess of War, Eris goddess of Discord, Hebe goddess of Youth, Hephaestus god of Fire and Forge

The Charites – Goddesses of beauty and grace. Usually given as being the daughters of Zeus and Eurynome, or Dionysus and Coronis. The poet Colluthus places them as the daughters of Hera though no father is mentioned.

Pasithea – One of the Graces, the Greek writer Nonnus places her as a daughter of Hera. Sometimes Dionysus is given as her parent and there is uncertainty if both Hera and Dionysus are meant to be her parents together.

Prometheus – The Hellenistic poet Euphorion lists the giant Eurymedon who raped a young Hera as being the parents of this Titan. Though other sources place Iapetus and Clymene as Prometheus’ parents.

Typhon – A serpent monster whom Hera gives birth to parthenogenically.

Olympian Goddess

Hera is counted among the twelve major deities who resided on Mount Olympus, the highest mountain peak in Greece and all of Europe. For the Greeks, this was the perfect location for where the gods would preside at while keeping watch on humankind down below them.

As there are several deities within Greek mythology, just who numbers among the Olympians vary. It’s generally agreed that the twelve major Olympians are: Zeus, Hera, Poseidon, Demeter, Athena, Apollo, Artemis, Ares, Aphrodite, Hephaestus, Hermes, and then either Hestia or Dionysus.

Peacock Chariot

During the Hellenistic era of Greek history, Hera becomes associated with peacocks and has a chariot pulled by them. Peacocks were not part of any associations, symbols, or attributes until Alexander the Great’s conquests and expanding the Greek empire. The peacock is also interpreted as a symbol of pride.

Aristotle, Alexander’s tutor calls the peacock, the “Persian bird.” It is during the Renaissance era that the peacock imagery is more heavily used by painters to fully identify Hera with her Roman counterpart, Juno.

Before this, Hera’s chariot had been pulled by horses.

Cuckoo

This bird has been associated with Hera the longest and before her associations with peacocks. It mainly comes from Zeus’ “wooing” Hera to get her to fall in love and marry him.

Yeah, I’ll cover that story more later down. So many of Zeus’ “affairs,” seducing, and “ravishing” women are too often a euphemism for rape.

Cow Goddess

One of Hera’s epitaphs is Boôpis meaning “cow-eyed.” On the island of Euboea, just off the coast of Greece, the region was known for having an abundance of cattle. Then in Cyprus, archaeologists have found several cattle skulls that have been used as masks. All of this has caused some to see a connection to the Egyptian goddess Hathor.

Queen of the Gods

Being married to Zeus does have some perks. With Zeus being the ruler of the Olympian gods, that places Hera as the Queen of the gods and keeping some of her prominence and influence. Though with much of the known Greek culture, they were a patriarchy, and unfortunately, we don’t often see the might and power of Hera in surviving myths except as being petty, cruel, and vindictive. In fairness, this aspect gets attributed to a lot of the Greek gods, so it says something for the level of cruelty and vindicativeness that Hera becomes known for.

Looking at the story of Jason & The Argonauts, we do see a time when Hera did hold a lot of influence, sending Jason on his quest and the favors she grants him there. An old Ray Harryhaussen movie for Jason and the Argonauts depicts Hera as begging Zeus to allow her to be the one to guide the heroes on their quest. After having watched the movie, I can’t help but feel that they should have stayed closer to the source material.

Ancient Earth Goddess

It is the scholar Walter Burkert who makes the claim that both Hera and Demeter have characteristics that link them to a Pre-Greek Great Goddess. Then we have the British scholar Charles Francis Keary suggest the idea of Hera as an Earth Goddess worshiped in ancient times. Keary further suggests this connection with Hera having been a Pelasgian goddess. This makes sense with Demeter given her connection to the Eleusinian mysteries and how it predates Grecian culture. Plus, it makes sense for Hera given how her temples are among some of the oldest in Greece, even dating to the Mycenaean era.

Some of the ancients viewed Hera as a personification of the atmosphere, the Queen of Heaven, the Goddess of the Stars, and as the Goddess of the Moon.

Matriarchy

With Hera clearly being the Queen of the Olympian Pantheon and the ideas put out connecting her as an ancient earth goddess, do make sense. Those cultures that are more agriculturally inclined are more often going to be matriarchal versus those cultures that are more nomadic and thus have a stronger tendency to be more patriarchal and war-like fighting over land and territory.

In the mid-nineteenth century, the anthropologist Johann Jakob Bachofen puts forward the idea that Hera was the goddess of a matriarchal culture; given her place in Greek religion and in the region before the rise of Hellenistic Greece that most think of as Ancient Greece.

It should be noted that the idea of a Great Mother Goddess among the ancient Greeks is seen as controversial even among modern scholars. But it’s worth taking note of when looking at various myths and why it is that so often, Hera comes across as jealous and petty towards Zeus and all his “affairs.”

Birth Of A Goddess

We start with Cronus and Rhea, the parents of Hera and all her siblings.

As the story goes, Cronus defeated his father, Uranus, overthrowing him to become the leader and King of the Titans. Shortly after, Cronus receives a prophesy that just as he killed his father, so too, would a child of his kill him.

This prompts Cronus to decide to devour his children whole as soon as they are born. This happens five times. Poor Rhea just gets to where she can’t take it anymore. With the birth of her sixth child, Zeus, Rhea hides him away and manages to convince Cronus that this large stone is their latest child. Bon Appetit, Cronus eats the “stone baby” none the wiser that he’s been tricked.

Rhea takes and hides Zeus, so that later when he is older, he can come to fulfill the prophecy of killing his father Cronus. During the battle, Zeus splits open Cronos’ stomach, freeing all of his brothers and sisters: Poseidon, Hades, Demeter, Hera, and Hestia.

There is a ten-year long war known as the Titanomachy, and by the end, Zeus takes his place as ruler and king of the gods on Mount Olympus. Hera takes her place as Queen of the gods and the others take up their roles as part of the newly formed Pantheon.

Raising Hera – Childhood

Going by the Homeric poems, the Titans, Ocean and Tethys raised Hera and that she never knew who her birth parents are. As such, Hera marries Zeus later without knowing of the connection between them as brother and sister.

Looking at other traditions around the Mediterranean, the Arcadians say that Hera was raised by Temenus, the son of Pelagus. The Argives say that Hera was raised by Euboea, Prosymna and Acraea, the daughters of the river Asterion,  And then, looking at Olen, he says that the Horae were Hera’s nurses.

Plus, many places in Greece such as Argos and Samos claim to be the birthplace of Hera. This makes sense as Hera was also prominently worshiped in these two cities.

Goddess Of Marriage

As the goddess of marriage, Hera is the protector of married women. She would preside over weddings and their arrangements and bless the unions. On the surface, that seems great until you look at the Greek myths and what life was like for Grecian women. Here it’s a bit spotty as we don’t have good records to show, but the general idea and belief are that Grecian women held fewer rights than men in regard to voting, owning land or inheritance, and were relegated to the home, raising children. Plus, this could vary by the Greek city-state in question such as Sparta, women being held in higher regard. Or we just erroneously assume that’s how it is given the nature of the myths and stories that have survived.

The biggest one is that while Hera is married and presumably faithful, Zeus however, is not and is frequently depicted having a roaming eye, chasing after every woman that catches his interest. How much of this is the result of mythological hijackings and the subsuming of many local myths to bring them all under an all-encompassing myth to try and justify or show nearly every hero, mortal or certain gods being a descendant of Zeus or not, is hard to say. Especially thousands of years later.

It is also worth noting that for all the reputations that many of the other Olympian deities have with affairs and resultant offspring, Hera is the only goddess who doesn’t cheat on her spouse, managing to keep fidelity on her part in the marriage with Zeus. Though given the reputation for being petty, vindictive and jealous, this attribute of fidelity is overlooked or dismissed.

Marriage To Zeus

As stated above, Hera is married to Zeus who is also her brother. For gods and immortals, this works out. There just weren’t very many other options. For those who are mortal and human, Ewww…. Inbreeding. Don’t do it!

Depending on the source, for Zeus, Hera is his second wife. Zeus had to trick Hera into marrying him as she had refused the first proposal. Knowing that Hera holds an affinity for animals and other beings, Zeus first created a thunderstorm and then transformed into a cuckoo. Pretending to be hurt, the cuckoo fluttered on Hera’s window where she would spot the “poor thing.” Naturally, Hera picked up the bird and held it close to her to warm it up. It is at that moment that Zeus transforms back to his godly self and rapes Hera. Shamed by what happened, Hera agreed to marry Zeus.

As a goddess connected to nature, it is said that all the earth burst to life and greenery and blossoms for their wedding and many lavish gifts were given. The Greek writer Callimachus says their wedding feast lasted for three thousand years. Gaia brought the Apples of Hesperides as a wedding gift.

Given how this marriage came by duress, I just don’t see how it will be a lasting or happy marriage.

Some myths will try to say that Zeus feared Hera’s wrath. It just comes across as a poor excuse to defend Zeus’ promiscuous nature, even if it really is just the ancient mythographers trying to connect every local god, hero, and ruler as being related to him. The same mythographers also add that Hera held great jealousy towards all of Zeus’ “lovers” and any resulting children.

With how Zeus is said to be powerless to stop Hera’s wrath, these could be holdovers remnants of ancient stories where Hera is resisting Zeus and the arrival of patriarchy. Hera is always said to be aware of Zeus’ actions, if not constantly on the look out for his antics when he descends down to the earth.

Womanhood

Close on the heels of Hera’s role as the goddess of marriage, she was also known as a matron goddess or Hera Teleia, the “adult Hera.”

That is interesting, digging further into this, aside from the fragments of a practice for a sacred marriage with Zeus, we find at Platea there is a sculpture of Hera seated in her role as a bride and another statue of a matronly standing Hera.

We find in Stymphalia, Arcadia where Hera was worshiped at a triple shrine, first as Hera the Girl (Hera Pais), the Adult Woman (Hera Teleia), and the Separated (Chḗrē, Divorced or Widowed).

Near the region Argos in Hermione, there is a temple of Hera as Hera the Virgin. Every spring in the region of Kanathos, close to the city of Nauplia, there is a rite where Hera would renew her virginity.

So, What Went Wrong?

Most people who have any understanding of the Greek myths know Hera to be a jealous woman and vengeful against Zeus for his many “affairs” where she would often punish Zeus’ “lovers” and children rather than confront her husband outright.

Like any of the Greek gods, yeah, Hera could favor or punish mortals at a whim too. However, in Hera’s case, this something really pointed out and noted between her and Zeus.

Why? The evidence is anecdotal and relies on looking at the surviving myths and connections of Hera being an Ancient Earth Goddess and worshiped first in the ancient, ancient Mycenean Greece and accepting the ideas of an early Matriarchal Greek culture.

There is a Neolithic, Cycladic culture that is best known for its female idols. Couple these archeological finds with Hera and her vehemence towards Zeus and his numerous affairs. Now it appears to be clear that the Greek myths we get of Zeus & Hera are the result of revisionist history and storytelling.

From that standpoint, then we see Hera as the goddess of marriage, being the arrival and introduction of patriarchy where Zeus becomes the leader and King of the gods, ruling over everything, and Hera is to somehow be subordinate to him.

Accepting this, we can see so much of Hera’s anger and jealousy as a holdover to a time when she and thus her cults resisted a theological takeover in Greek culture as Zeus rises to prominence, even replacing his brother Poseidon who in some early myths was once ruler.

There’s hints and evidence of all of these theological takeovers with the various myths, which Grecian scholar is writing down what and the apparent discrepancies as Greece and then Rome expanded, trying to absorb all of these local myths and to equate local deities and variations with their own myths and deities.

Homer – There is also influence from Homer’s writings where Hera is not treated as respectfully which leads to later retellings of the myths focusing more on Hera being vengeful as she is supposed to uphold the old rules of Hellenistic Greek culture.

Greek Culture – The way Hera’s stories are presented does show the misogynistic culture of the ancient Greeks and where a woman’s place is. Hera is the only properly married goddess in the Olympian Pantheon if you make an exception for Aphrodite. As such, Hera is expected and does show fidelity to Zeus even throughout all his affairs. However, much Zeus cheats on Hera, she remains faithful. Because of an oath that Hera swore to Zeus when she tried to initiate a revolt in the heavens, Hera is unable to move against Zeus. But she does frequently act against his “lovers” and children. With some futility against those such as Alcmene, Leto, Io and Herakles, it does show the limits of justice that women could expect and just whom the Greeks blamed in any of Zeus’ “affairs,” who was responsible.

Grandmother Of Monsters

Wait… isn’t that Echidna the mother of monsters? Yes, however looking at the Homeric Hymn to Pythian Apollo, Hera, in her older, more ancient form from Minoa is mother to the monstrous draconic looking Typhon, giving birth to him solely herself in an act of parthenogenesis. Not the only time for Hera. From there, Hera is to have given her monstrous child to the serpent Python to raise.

In the Iliad, Typhon is born in Cilicia and is the son of Cronus. Gaia is angry with the destruction of her children, the Giants slanders and insults Zeus in front of Hera. This results in Hera going to Cronus and he gives her two eggs fertilized with his own semen and instructs Hera to bury the eggs. Hera buries the eggs in Cilicia. By the time Typhon is born and begins his reign of terror and problems, Hera has reconciled with Zeus, and she informs him about the issue.

Heavenly Revolt

Sometime after Zeus has succeeded over coming all the previous challenges from Gaia, the various giants and titans to become ruler of the heavens, a young Zeus had gotten rather prideful, temperamental and arrogant in his rulership.

Enter Apollo, Hera, and Poseidon (and depending on the source, all the other gods except Hestia join in) decide that Zeus needs to be taught a lesson.

Hera’s part was to drug Zeus so that he fell into a deep sleep. While Zeus is sleeping, they come in to steal his thunderbolts and tie him up with some one hundred knots. Powerless, Zeus lays there until the Neriad, Thetis comes and seeing the god’s predicament, calls the Hecatoncheire, Briareus who comes and unties Zeus.

With Briareus’ support, Zeus is able to put an end to the rebellion and punish those involved. Most notable is Hera’s punishment as she led the rebellion. Zeus hung her up int the sky with golden chains. Hera’s weeping kept Zeus up all night and the next morning, he agreed to end the punishments after Hera and all the gods swear never to rise up against him again.

This is the story of why Hera is to have her “petty jealousies” against Zeus and his many affairs. If she can’t outright go up against Zeus, she takes it out on those unable to stop her.

Lover’s Quarrel

This story seems to be a remnant of when Zeus and Hera got along relatively well before later additions where Hera gets her reputation for being petty and vindictive.

After a fight with Zeus, Hera left and went to Euboea. Nothing that Zeus said would get Hera to change her mind. She had had it. A local king, named Cithaeron suggested that Zeus make a wooden statue of a woman and pretend to marry it. That gives an idea of what they were fighting about.

Following this advice, Zeus named a wooden statue Plataea, claiming that she was the daughter of Asopus. When Hera heard this news, she came tearing in, interrupting the ceremony only to discover that it was only a lifeless statue and not a rival lover.

Hera and Zeus are to have reconciled and those gathered, celebrated with the two in a festival to become known as Daedala. During this festival, there is a reenactment of the myth where a wood statue of Hera is chosen, bathed in the river Asopus and then placed in a chariot where it is led around in a procession before being ritually burned.

Echo & Hera

This version of the story originates from Roman mythology from Ovid’s Metamorphosis. As it’s Roman, the Roman names for the gods are Jupiter or Jove (Zeus in Greece) and Juno (Hera in Greece). Anyone familiar with Greco-Roman mythologies knows of Jupiter’s reputation and his numerous affairs among mortals and gods alike; much to his wife, Juno’s displeasure. For most lay people, the two pantheons are virtually one and the same.

This is the main story about Echo that most everyone knows, it explains the origin of echoes or repeating sounds in mountains and valleys or anywhere an echo can be heard.

On one occasion, as Zeus is pursuing one of his latest affairs with a nymph, Hera comes among the nymphs looking for her husband as she hoped to catch him in the act. As the case was, Echo had been tasked by Zeus himself to keep Hera distracted with a lot of idle chatter while Zeus engages in his latest tryst. Hera wasn’t happy with the overly talkative nymph and when she discovers that Echo is merely distracting her; Hera punishes Echo that she would always be able to have the last word, but she would only be able to repeat the last thing said.

Birth Of Hephaestus

The timing of this story takes place right after Zeus is to have given birth to Athena without the need for sex. Except that, Zeus swallowed Metis who was pregnant with Athena who springs forth out of Zeus’ brow, all to avoid a prophecy that Gaia gave him.

In an act of parthenogenesis, Hera gives birth to Hephaestus. On seeing him, Hera was so repulsed by the sight of her infant son that she threw him from Mount Olympus where he would become crippled.

Hephaestus’ Revenge

It’s understandable that someone would grow up bitter towards the mother that rejected and threw them off a mountainside. Hephaestus got his revenge when he created a magical golden throne for Hera.

No hard feelings, right?

Nope, when Hera sat on the throne, she was unable to get up. The other gods begged and pleaded with Hephaestus for Hera’s release. Enter Dionysus who gets Hephaestus drunk and brings them back to Olympus riding a mule. Hephaestus agrees to release Hera after he is given Aphrodite in marriage.

Birth Of Hebe

While dining with Apollo, Hera became pregnant with Hebe, the goddess of Youth while eating some lettuce. Hera may have also become pregnant when she beat her hand against the earth. An act considered solemn to the Greeks.

Birth Of Apollo & Artemis

There are a few different versions of this story.

In the version of this story from the Homeric Hymn III to Delian Apollo, Hera is described as detaining Eileithyia the goddess of childbirth, from letting Leto birth to the twins Apollo and Artemis as their father is Zeus. As the other goddesses were present there at Delos, they send Iris to go fetch Eileithyia and bring her back so Leto can give birth.

Another version has Hera commanding all the nature spirits to prevent Leto from giving birth on any mainland, island or anywhere under the sun for that matter. Enter Poseidon who takes pity on Leto and guides her to the floating island of Delos. Here, Leto is finally able to give birth to her children. Afterword, Zeus secures Delos to the bottom of the sea.

The third version holds that Hera kidnaps Eileithyia to prevent Leto from being able to go into labor. The other gods got together and bribed Hera with a lovely, yet irresistible necklace to persuade her to give up Eileighyia and let the twins be born.

Either way, of the twins, it is Artemis who is born first, the moon, and then her brother, Apollo, the sun. Some versions will have Artemis then miraculously be old enough to help her mother give birth to Apollo after a period of nine days. Or that Artemis was born one day before Apollo on the island of Ortygia and that she helps Leto get to Delos to give birth to Apollo.

Hera’s Continued Spite Towards Leto

If that isn’t enough, Hera tries to get one of Zeus’ many prodigies, a giant by the name of Tityos to rape Leto on her way to the Delphi Oracle. Luckily Apollo and Artemis are there to slay Tityos as they protect their mother.

Hesiod’s Theogony – The birth of the twins, Apollo and Artemis is contradicted in this text as they’re born before Zeus is married to Hera. So why by this continuity she would have any animosity towards Leto doesn’t make sense.

Hera & Herakles

Better known by the Roman spelling of his name, Hercules. This hero is the most well-known for showcasing the vehemence, spite, and hatred that Hera could hold towards others. Hera is the stepmother to Herakles and no matter how the hero’s name means “Glory of Hera,” it wouldn’t be enough to placate her.

Birth of a hero – For this, we have three versions of this heroic origin story.

Homer’s Iliad – Right before Herakles was to be born, Zeus announced that when his son is born, that they would become the ruler of Argos (or Tiryns in some versions). Angered, Hera requested that Zeus swear an oath to enforce that proclamation. She then went down from Olympus to Argos caused the wife of Sthenelus, the son of Perseus, to give birth seven months early. As Sthenelus’ wife went into labor, Hera went to sit in the doorway of Alcimides’ home, preventing Eileithyia from coming in. so that his half-brother, Eurystheus would be born first and thus become ruler. This resulted in Eurystheus being born first instead of Herakles all while fulfilling Zeus’ oath.

Ovid’s Metamorphoses – When Alcmene is pregnant with Herakles, Hera tries to prevent the birth by ordering Eileithyia to “Alcmene’s legs in knots.” Hera’s plans were thwarted when Galanthis, Alcmene’s servant frighted off Eileithyia. Angry, Hera turned Galanthis into a weasel.

Pausanias’ Account – In this account, Hera sends witches (according to the translation available) to prevent Alcmene from giving birth to Herakles. The witches were successful until the daughter of Tiresias, Historis came up with a trick to deceive the witches. Historis called out that Alcmene had given birth and hearing that, the witches left, allowing Alcmene to really give birth.

Snakes In A Crib

Hera wasn’t done yet. This time she sent a pair of serpents into the infant Herakles’ crib. Imagine Alcmene’s surprise as she walks in to find her infant son holding a pair of dead snakes in his chubby baby hands playing with them like they were toys.

Side Note: This story and the imagery it invokes is something that the ancient Thebans would have been familiar with. That is a hero holding a serpent in each hand much like the Minoan goddess holding snakes and other Cabeiri.

The Milky Way

If that weren’t enough, by this time, Alcmene has become terrified of Hera. Not wanting to suffer Hera’s wrath further, Alcmene takes the infant Herakles out to the wilderness and leaves him there, exposing him to the elements. The goddess Athena, known for protecting heroes, found the infant and brought them to Hera who nursed the baby out of pity.

Once Hera realized which baby she was nursing, she pulled the infant away from her. The spurt of milk from her breast smeared across the heavens, creating the Milky Way. It is from the divine milk of Hera that Herakles is said to have gained great power.

After that, Athena brought the infant Herakles back to his mother.

Side Note: The Etruscan version of Herakles is shown as being fully bearded when he’s nursing. It has been suggested that later when Hera and Herakles do finally reconcile, this symbolizes when she adopted him, and he becomes immortal.

Driving Herakles Mad

All seemed well for a while, that is until Herakles became an adult. Hera drove Herakles mad, causing him to believe that his family were his enemies so that he murdered his wife and children.

Herakles’ Twelve Labors

To atone for his acts of murder, Hera assigned Herakles to go into servitude to his half-brother, King Eurystheus. This resulted in a series of twelve tasks or labors. In each of the labors, Hera strove to make each task harder. When Herakles went up against the Lernaean Hydra, Hera sent the crab to bite his feet to distract the hero.

Later, Hera would rile up the Amazons against Herakles during one of his labors. In another labor, when Herakles is sent to get the cattle of Geryon, Hera is shot in her right breast by a large, barbed arrow that leaves her in constant pain. In retaliation, Hera sent a gadfly to irritate the cattle causing them to scatter. Then Hera caused a flood of the river making it so Herakles wouldn’t be able to carry the cattle across it. Herakles eventually dropped a bunch of large stones into the river to make the river shallower. The cattle were then taken to Eurystheus and sacrificed to Hera.

The Cretan Bull is another of Herakles’ labors and Eurystheus wanted to sacrifice it to Hera. She refused of course as it would only glorify Herakles’ deeds. So the bull was let go and it wandered over to Marathon becoming the Marathonian Bull.

Gigantomachy & Reconciliation

Despite all of the animosity, Herakles does eventually win over Hera. The opportunity came during the Gigantomachy when Gaia sent the Gigantes to attack the Olympians after the defeat of the Titans. One such Giant was Porphyrion, the King of the Gigantes who attempted to rape Hera. Herakles killed Porphyrion with an arrow. An ever-grateful Hera offers the hand of her daughter, Hebe in marriage to Herakles as a further step to heal the rift between them.

This would make Herakles “Hera’s man” and the name meaning “Glory of Hera” more fitting and understandable. That maybe there was another name Herakles was known by or that all along, the name is a foreshadowing of how the story will end between them.

It is also worth noting that after the story of Herakles, Diodorus Siculus writes that Alcmene is the last mortal woman that Zeus had an “affair.”

Zeus & Io

Ever vigilante for Zeus’ next “affair,” Hera spotted a solitary thundercloud and knew that this could only be the latest. As Hera sped down to catch Zeus in the act, she arrived to find Zeus with a small, white cow. Naturally, Hera isn’t fooled, she knows that Zeus has likely transformed his latest love interest and demands that he give her the cow as a present. Unable to refuse, Zeus relents and gives Hera the cow.

The cow, Io in her possession, Hera takes and ties her to a tree where she has her servant, Argus watch over the heifer in order to keep Zeus away. Argus was a giant with a hundred eyes over his entire body. Even when asleep, some of his eyes would always be awake and watching.

Afraid and unwilling to face Hera’s wrath, Zeus ordered Hermes to lull Argus into a deep sleep so that all of his eyes would close. If anyone could do it, it would be Hermes, he succeeded at getting all of Argus’ eyes to close in sleep and the god killed him.

Furious that Io is free, Hera sends a gadfly to harry and sting her as she wandered the land. Eventually, Io would make her way to Egypt where the Egyptians would worship this snow-white cow and call her Isis. Hera finally relented and allowed Zeus to change Io back into a human on the condition that he never seeks her out again. Human again and worshipped as a goddess-queen in Egypt, the son that Io bore thanks to Zeus would become the next king or pharaoh of Egypt.

These stories linking Grecian myths with those of Egypt are just that, a means by which the Greeks and later Romans would say that all the myths were connected, and local gods are the same deities, just under a different name.

Ovid’s Metamorphosis – In this retelling, after learning about Argus’ death, Hera places his eyes on the tail feathers of peacocks, one of her sacred animals.

Callisto & Arcas

Another of Zeus’ many love interests and affairs, Callisto was a follower of Artemis and had taken a vow of chastity. Enter Zeus who disguises himself as Apollo and then “seduces” her.

Right…

Out of revenge, Hera turns Callisto into a bear. Later on, Zeus and Callisto’s son, Arcas nearly kills Callisto while hunting. Zeus then places the two up into the heavens.

A slighter alternative to this story is that Zeus disguised himself as Artemis before “seducing” Callisto. That an enraged Artemis turns Callisto into a bear. We still have Arcas nearly killing his bear mother while hunting with either Zeus or Artemis placing them up into the heavens to become the constellations of Ursa Major and Ursa Minor.

Hera becomes angry with Callisto and Arcas’ placement up in the heavens and asks her foster mother, Tethys the Titan goddess of the oceans for help. Tethys places a curse on the constellations so that they will forever circle the heavens and never drop below the horizon. Thus explaining why the two constellations are what’s known as circumpolar.

Semele & Dionysus

In this myth, Semele, the daughter of Cadmus and Harmonia is “seduced” by Zeus. Hera learns of this and disguises herself as Semele’s nurse and tells the young woman to persuade Zeus to reveal himself to her. The mighty Zeus promised, swearing on the River Styx, the young Semele to reveal himself in all of his godly glory. However, Semele dies when Zeus reveals himself as thunder and lightning to her. Zeus takes the unborn child and completes Dionysus’ gestation by being sewn into Zeus’ thigh.

Another version of Dionysus’ birth has him as the son of Zeus and either Demeter or Persephone. An infuriated Hera sends her Titans to rip the infant apart, earning him the name Zagreus or “Torn to Pieces.” Zeus rescues the heart or part of it at least is saved by either Athena, Demeter, or Rhea. Whichever version of the story is followed, Zeus uses the heart to recreate Dionysus and places him in Semele’s womb. This also earns Dionysus the name “twice-born.” Alternatively, Zeus gives Semele the heart to eat, thereby impregnating her. The end story is still the same with Hera tricking Semele to get Zeus to reveal himself, thus killing her.

Later, Dionysus would return to the Underworld to retrieve his mother and the two would go to live on Mount Olympus.

The Judgement Of Paris

First, we have a prophecy, one that stated that the son of the sea-nymph Thetis would become greater than his father. Zeus with his reputation for an ever-roving eye fell in love while watching her in the sea just off the Grecian coast, learned of this prophecy, and decided to wed Thetis to an elderly mortal king, Peleus, the son of Aeacus. Sources vary, Thetis agrees to this arrangement either out of Zeus’ orders or because Hera had raised her, and did so to please Hera, the goddess of Marriage.

The gods were feasting at the wedding of Peleus and Thetis, who would become the parents of Achilles. All the gods were invited except Eris who hadn’t received an invite. Chiron oversaw the wedding invites and didn’t invite Eris due to her reputation for stirring up trouble. This understandably miffed Eris to no end. After all, everyone else got invited, so why not her?

Coming off as seeking to be peaceful and with no hard feelings, Eris proposed a beauty contest between the goddesses Aphrodite, Athena, and Hera. As the prize, Eris tossed a golden apple of beauty, or better known, the golden apple of discord. In some retellings, it is noted that the golden apple has engraved or written the word: “Kallisti,” meaning: “for the fairest.”

This dispute, one driven by vanity over who was the loveliest of the goddess would escalate and the gods bring the matter before Zeus to decide. Not wanting to favor one goddess over the others, Zeus has the hapless mortal Paris called in to judge. Each of the goddesses attempted to bribe Paris to choose her. Hera offered political power, Athena offered battle prowess and Aphrodite tempted Paris with the most beautiful woman in the world, Helen.

Being a young mortal man, Paris chooses Helen and rewards Aphrodite with the golden apple. Only there is one problem, Helen is the wife of Menelaus of Sparta. In claiming and taking her, Paris sparks off the Trojan War. This causes Athena and Hera to side with the Greeks in the ensuing war.

Trojan War

Divine Set-Up – If we go by the “lost” epic, The Cypria attributed to Stasinus, this whole Trojan War was planned by Zeus and Themis. There are only about 50 lines of text from the Cypria and it’s seen as a prequel to Homer’s The Iliad and explains how the events come about.

Hera has a significant part in the Trojan War, making a number of appearances throughout The Iliad. First, we know that Hera is angry towards the Trojans due to Paris’ decision to favor Aphrodite and not her. Hence why Hera favors the Greeks and convinces Athena to aid the Achaeans to help interfere against the Trojans.

Later, Hera and Athena plot against Ares who was supposed to side with them initially but was convinced by Aphrodite to help her and thus the Trojans. Diomedes was able to see Ares aiding the Trojans and called for his soldiers to fall back. Seeing this, Hera asked Zeus for permission to drive Ares off the battlefield. At Hera’s encouragement, Diomedes threw his spear at Ares and Athena made sure the spear found its mark. Howling in pain, Ares fled back to Mount Olympus, causing the Trojans to fall back.

In another book, Hera attempts to persuade Poseidon to go against Zeus’ word and aid the Achaeans. Poseidon refuses, saying that he won’t. A still determined Hera and Athena head off towards the battlefield. Seeing this, Zeus sends Iris to intercept the two, telling them they must return to Olympus or face the consequences. After more fighting happens, Hera spots Poseidon doing what he told her he wouldn’t do and that is helping the Greeks and keeping them motivated to stay fighting.

Jumping to another book, Zeus has made a decree that the gods are not to get involved in the mortals’ war. Hera conceives of a plan in which she will seduce her husband. Hera lies to Aphrodite, saying she wants the help so that she and Zeus will stop fighting and Aphrodite loans Hera her girdle. Some additional help from Hypnos, the god of sleep, Zeus fell into a deep sleep. Now Hera and the other gods could continue to interfere in the Trojan War.

Free to do as she pleases, Hera has her son Hephaestus keep a river from harming Achilles. Hephaestus also sets the battlefield on fire, this causes the local river deity to plead with Hera, saying that he won’t help the Trojans if Hephaestus would cease his attacks. Hera persuades Hephaestus to stop and Hera returns to the field of battle, fighting with and against the other gods.

Zeus does eventually wake up and sees how much of the war he’s missed and that several of the gods are involved despite his decree not to. Seeing that he missed saving Sarpedon’s life, Zeus just does a deific shrug and says yeah, the other gods can get involved now.

Despite all of the interference, the Greeks won.

Lamia

Once the Queen of Libya, Lamia was another of Zeus’ many lovers. An infuriated Hera killed Lamia’s children and then turned her a monster. Driven insane, Lamia was also cursed to be unable to close her eyes so she would be forced to forever obsess over the image of her dead children. Lamia turned to killing children and eating them as she was held to be envious of other mothers with children. Zeus taking pity, gave her the ability to prophesy as well as remove her eyes so she could sleep.

Gerana

A minor story, Gerana was a Queen of the Pygmies. In an act of hubris, Gerana boasted of being more beautiful than Hera. An angry goddess responded by turning Gerana into a crane, stating that forever after, the crane’s descendants would be at war with the Pygmy people.

Antigone

In this quick story, Antigone, the daughter of Laomedon boasted of being the most beautiful, and like Gerana, Hera turned Antigone into a stork.

Sida

Also spelled Side and meaning “pomegranate,” she was Orion’s first wife. Like Antigone and Gerana, Sida also boasted of being more beautiful than Hera. Unlike the other two, Hera sent Sida straight to the Underworld.

Cydippe

In this story, Cydippe is a priestess of Hera who was headed to a festival honoring the goddess. The ox pulling her cart were late and Cydippe’s sons, Biton and Cleobis pulled the cart the rest of the way to the festival. Cydippe was pleased with her sons’ devotion and asked Hera for a boon, the best gift a mortal could receive. Hera decreed that both brothers would die in their sleep.

Tiresias

This is an interesting myth, Tiresias was a priest of Zeus. One day, he came upon a pair of snakes who were mating. He hit them with a stick and was turned into a woman. Tiresias then became a priestess of Hera, married and bore children, one of whom she named Manto. Seven years later, Tiresias came upon another pair of mating snakes. Now, depending on who is retelling the story, Tiresias either leaves the snakes alone, remaining a woman, or, as Hyginus tells it, tramples the snakes to become a man once more.

Battle Of The Sexes – As a result of his experiences, Zeus and Hera called on Tiresias to settle the question of who had more pleasure during sex. Men or Women? Zeus claimed it was women and Hera said it was men. Tiresias sided with Zeus and an angry Hera struck them blind. Since Zeus couldn’t undo what Hera did, he gave Tiresias the gift of prophecy.

Other sources say that Tiresias sides with Zeus in saying that men have more pleasure during sex and for that, Zeus allows him to live three times longer than other mortals. Yet another source says that Tiresias, having returned to being male, is struck blind by Athena after coming across her bathing. Chariclo, Tiresias’ mother begged Athena to undo the curse and as the goddess could not, she gave Tiresias the gift of prophecy.

Chelone

In a rather minor story or substory, during the marriage of Zeus and Hera, the nymph Chelone was regarded as being disrespectful by either being late or flat out not showing up. In anger, Zeus turned the nymph into a tortoise.

Jason & The Argonauts

In this story, Hera became angry with Pelias as he had killed his step=mother, Sidero in one of the goddess’ temples. Given how power-hungry Pelias was, it was easy for Hera to plot and plan his downfall. A prophecy was given to Pelias about a one-sandaled man would kill him. Wanting to rule of all Thessaly, he seized the throne of Iolcus. Jason, the rightful heir was sent away and grew up under the tutelage of the centaur, Chiron. Many years later, Jason returned to Iolcus, and with a series of events and motions, such as his losing a sandal in the river while helping an old woman to cross, really Hera in disguise, the goddess was able to get Jason and Medea to ultimately kill Pelias after they returned from a long voyage to get The Golden Fleece.

This story is told more in full in the Argo Navis – Carina, Puppis, and Vela posts.

Ovid’s The Metamorphoses

Given that Ovid is Roman, this story fits more for Hera’s Roman counterpart Juno.

The rulers of Thrace, King Haemus and Queen Rhodope were turned into mountains, the Balkan and Rhodope respectively after the two dared compare themselves to Juno & Jupiter, thus incurring their wrath.

Ixion

The first human guilty of murder, after he refused to pay a bride price. Ixion searched everywhere for anyone who could purify him of this crime. No one would or could until Zeus took pity on him and invited Ixion up to Olympus to live.

While there, Ixion tried putting some moves on Hera who complained to her husband, Zeus. In response, Zeus created a cloud named Nephele in Hera’s likeness. When Zeus caught Ixion trying to put some unwanted moves on Nephele, Zeus sentenced Ixion down to Tartarus to spin forever on a flaming wheel crying out how you should always show gratitude to your benefactor.

Shadow Goddess – Jealousy & Envy

With all the numerous stories of Hera’s jealousy towards Zeus, his various love affairs and children, Hera is seen as a goddess who represents jealousy, the need for revenge as she has never forgotten a slight or injury. All of this gives Hera a particularly vindictive nature, seemingly more so and notable compared to the other Olympian gods.

Like Zeus, how much a victim of the passage of time and the tellings and retellings of her myths over the millennia is hard to say. Most people aren’t aware of how the story between Hera and Herakles ends with them finally having reconciliation. I’ve had people mock the name of Herakles and the meaning of the name, for “Glory of Hera” and don’t seem to be aware of the part of the stories where Hebe is given to Herakles in marriage after he saves Hera from the giant Porphyrion trying to rape her.

“Hercules the Legendary Journeys” is a bit infuriating there with the ending where the reconciliation between Zeus, Hera, and Hercules all comes about with her getting amnesia. They could have built up a more meaningful ending that more closely matched the myths the writers were pulling from. That they didn’t just shows to me lazy writing on the part of the screenwriters. Many other shows and movies tend to gloss over the moral and marital problems as that usually is not the focus of the story at hand that writers want to tackle and tell.

Yet the reconciliation is there. It is in Herakles’ name as a foreshadowing of how the story ends and possible, potential hints of when Greek culture went from being matriarchal to patriarchal and stories getting rewritten.

Triple Goddess?

We see an aspect that modern Wicca, Witchcraft, and Paganism would recognize as the Triple Goddess with Hebe, the Virgin of Spring, Hera, the Mother of Summer, and Hecate, the Crone of Autumn. Bear in mind, that this aspect comes from Robert Graves in his “The Greek Myths.”

Gaia – Greek Goddess

I’m my own Grandma!

Not really, leave it to the Greeks to continue with blending all their deities as being one and the same, to blur or ignore their own genealogies for their Pantheon. Gaia is the primordial goddess of the Earth and from whom all life sprang forth. Again, it works if you’re just seeing all of these deities as just different aspects of the divine.

In the case of Hera; older, more archaic versions place her as an ancient Earth Goddess. The Homeric Hymn to Pythian Apollo places Hera as the mother to Typhon, while most myths place Gaia as being his mother.

Hathor – Egyptian

In her role as a cow goddess or goddess of cattle, Hera has been identified with Hathor. Other than that, the similarities end there.

Juno – Roman

Where Hera is the Queen of the Gods in the Greek Pantheon, her Roman counterpart is Juno who is depicted as more warlike wearing a goatskin cloak as seen on those worn by Roman soldiers. The month of June gains its name from this goddess. There was a festival known as Matronalia, celebrated on March 1st honoring Juno as Juno Lucina, the goddess of childbirth. Juno Pronuba presided over marriage much like her Greek counterpart and Juno Regina was a special counselor and protector of the Roman state.

Thanks greatly to the influence of the Romans, many people will identify and equate Hera with Juno. The Romans were famous for subsuming many deities in their conquest across Europe, particularly the Mediterranean area, and identifying their gods with those of a conquered culture. The most famous being the Greeks, where many deities were renamed to those of Roman gods. Prominent examples like Zeus and Jupiter, Hera and Juno, Ares and Mars, and so on down the line.

With the Hellenization of Latin literature, many Greek writers and even Roman writers rewrote and intertwined the myths of these two deities so that they would virtually become one and the same. And this has become the tradition passed down through the centuries that many people know and accept. Just that there are still some differences that separate the two.

Uni – Etruscan

A cognate for Hera in the little-known Etruscan beliefs and mythology.

Aphrodite

Pronunciation: af-ruh-dahy-tee

Etymology: “Rising from the Sea,” Aphros “Sea Foam”

Other Names and Epithets: Αφροδιτη, Acraea, Amathusia, Ambologera (”She who Postpones Old Age”), Anadyomene, Antheia, Aphrodite Areia (“War-Like”), Aphrodite en kopois (“Aphrodite of the Gardens”), Chryse (mythology), Cytherea, Lady of Cythera, Despoina, Aphrodite Pandemos, Aphrodite Ourania or Urania (Heavenly Aphrodite), Aphrodite Benetrix (Married Love), Aphrodite Porne (Erotic Love), Pandemos, Urania, Lady of Cyprus, Philommeidḗs (“Smile-Loving” or “Laughter-Loving”), Eleemon (“The Merciful”), Genetyllis (“Mother”), Potnia (“Mistress”), Enoplios (“Armed”), Morpho (“Shapely”), Melainis (“Black One”), Skotia (“Dark One”), Androphonos (“Killer of Men”), Anosia (“Unholy”), Tymborychos (“Gravedigger”), Aphrodite Pontia (“Of the Deep Sea”), and Aphrodite Euploia (“Of the Fair Voyage”)

Aphrodite is the Greek goddess of love, specifically sexual love, beauty, desire and fertility. With an irresistible charm and beauty, Aphrodite is used to getting her way as many a mortal and god sought her favor. For those who spurned her, Aphrodite could be vindictive like many a Greek deity’s reputation for pettiness. Aphrodite is without a doubt, one of the best-known Olympian goddesses. In more modern times, Aphrodite is still seen one of many feminine icons from mythology who continues to feature in Western literature and arts.

Aphrodite’s Roman counterpart is Venus and their myths become very intertwined over the millennia to the point that their names are often interchangeable in Aphrodite’s myths.

Attributes

Animal: Dolphin, Dove, Ducks, Geese, Heron, Ram, Sparrow, Swan, Tortoise

Colors: Blue, Green, Scarlet, White, Gold

Day of the Week: Friday

Element: Water

Gemstones: Lapis Lazuli, Pearl

Metal: Copper

Month: April, February, July

Patron of: Love, Lovers, Prostitutes

Plant: Apple, Lime Tree, Mandrake, Myrtle, Myrrh, Palm, Pomegranate, Poppy, Rose

Planet: Venus

Sphere of Influence: Love in all of its forms, physical, sensual, passion, relationships

Symbols: Girdle, Golden Apples, Scallop Shells, Mirror, the Ocean, Chocolate

Aphrodite Areia – Helmet, Lance, Shield, Sword, Victory

Aphrodite Pandemos – Ram

Aphrodite Urania – Tortoise for Domestic Modesty and Chastity

Greek Depictions

In Classic Greek art, Aphrodite is often depicted as a blue-eyed, golden-haired woman with pale skin. For the Greeks, she was the very ideal of beauty. Statues of Aphrodite depict her as the height of Grecian physical beauty. At first, there was nothing to distinguish Aphrodite from other statues of goddesses, not until around the 5th century B.C.E. Statues of Aphrodite from Cyrene and Esquiline in the 1st century B.C.E. were called Aphrodite Kallipygos or “Aphrodite with a Beautiful Derriere.”

Classical art and sculpture from the 5th century B.C.E. will show Aphrodite as fully clothed, once the 1st century B.C.E. comes, do nude statues of Aphrodite appear. The most famous of the Aphrodite sculptures was carved by Praxieteles. It is during the Hellenistic era of Greece that the first nude statue of Aphrodite, the Venus de Milo appears in the 2nd century B.C.E.

Aphrodite is often shown accompanied with her son Eros, also a god of love.

What’s In A Name

We know the first part of Aphrodite’s name, aphros means sea foam or foam and alludes to her birth from the ocean when Uranus’ gentiles were thrown in the sea by his son Cronus. There were early attempts by scholars to link Aphrodite’s name to a Greek or Indo-European origin. Given the strong connections of Aphrodite to the Middle East and likely of Semitic origin.

Nineteenth and early twentieth scholars who accepted the etymology of “sea form” for the first part of Aphrodite’s name have tried to connect the second part of the name “-odite” to mean either “wanderer” or “brite.” As there’s disagreements, some scholars have even gone so far as to link Aphrodite’s name to the Assyrian barīrītu, the name of a female demon found in Babylonian texts. Others have tried for the Etruscan word of “eproni” for “lord” making the last part of Aphrodite’s name an honorific. The name continues to be debated as to what the correct translation and etymology for Aphrodite’s name is.

The epithets of Urania for Heavenly Dweller and Pandemos for “Of all the people” likely try to connect her as a goddess of universal love and everyone. In his Symposium, Plato argues that the epitaphs of Aphrodite Ourania and Aphrodite Pandemos are two separate deities.

Mesopotamian Connection

There is a lot of evidence and discussions that Aphrodite very strongly began as the Mesopotamian goddess Ishtar or the Phoenician Astarte and the Syro-Palestinian goddess Ashtart.

Pausanias records that the first people to worship Aphrodite were the Assyrians and then the people of Cyprus, followed by the Phoenicians at Ascalon. From there, Aphrodite’s cult and worship spread throughout most of Greece.

Looking at the epitaph of Aphrodite Ourania shows a connection to Inanna as the Queen of Heaven. Early art and literature that describes Aphrodite is very similar to Inanna. Like Inanna, Aprodite was worshiped as a war goddess, at least in the second century B.C.E. Pausanias makes mention where in Sparta, she is worshipped as Aphrodite Areia, meaning “warlike.” Pausanias also records that early statues in Sparta and Cythera show Aprodite bearing arms. Modern scholars use this connection of Aphrodite with her Middle Eastern origins. It makes sense when ancient Grecian culture once stretched as far as where modern Turkey and Syria are today.

Doves – One of Aphrodite’s symbols, the dove is also connected to Ishtar as one of her symbols. Scholars have noted that the Greek word for dove is “peristera” is likely comes from the Semitic phrase of “perah Istar” meaning “bird of Ishtar.” How interesting. Doves appear in a lot of ancient Greek art for pottery, reliefs, and sculptures depicting Aphrodite.

Dawn Goddess?

At one point, early comparative scholars have tried to link Aprodite with Eos, the Greek goddess of the Dawn. It works and relies on linking to the Proto-Indo European Dawn goddess of Haéusōs who is then linked to the Greek Eos, the Latin Aurora and the Sanskrit Ushas.

Both Aphrodite and Eos are known for their erotic beauty and sexuality. They have both had relationships with mortal lovers (as have a good number of Greek deities). Add in, that both goddesses are associated with the colors of red, white, and gold. The myth of Aphrodite rising from the sea has a similarity to the Rigvedic myth of Indra defeating Vrtra and freeing Ushas. Which then brings the last comparison of Aphrodite and the Indo-European goddess Haéusōs both having a parentage that links them to of a sky deity.

Maybe, but it is the alternative mythological and etymological link when the Middle Eastern connection isn’t accepted. Plus, the whole Proto-Indo-European language is largely theoretical with many modern scholars leaning towards the Mesopotamian connections.

Worship

As a goddess of love, beauty and sexual desires, Aphrodite was and still is worshiped by a wide variety of people from nearly every walk of life. For ancient Greece, this is the everyday people up to the higher, ruling class

As a very sensual goddess of love, particularly sexual love and beauty, Aphrodite’s priestesses were known to engage in sexual activities themselves as part of worshiping her. It should be noted that this didn’t make them prostitutes, it was part of the job description for priestess of Aphrodite. If you’re seeing every woman as a goddess to held sacred, cherished, respected and worshiped, you’re not far from worshiping Aphrodite or any goddess or god of love. It is going to get carnal.

As such, Aphrodite had several shrines and temples dedicated to her. Her main temples and cults were to be found in Cythera and Cyprus.

Gynaikonomoi – If it hasn’t been noticed before, women in many Greek and even Roman myths aren’t treated well, whether goddess or mortal. The Gynaikonomoi or Magistrates in Charge of Women are mentioned in the 1st century C.E. Sparta.

Marriage – Pausanias records the practice of the mothers of brides sacrificing to a wooden image known as Aphrodite Hera, an epitaph of either goddess connecting the ideals of love and marriage. Pausanias goes on to mention a seated statue of Aphrodite Morpho or the “The Fair Shaped Aphrodite” that had a veil on her head and chains on her feet. Lovely. This statuary clearly meant to connect the role of brides and a woman’s place in a marriage with her duties with wives being faithful to husbands.

Prostitutes – Yes, Aphrodite is the patron goddess of prostitutes. The city of Corinth was known for the high number of prostitutes and courtesans. With Corinth also being one of Aphrodite’s main cult centers with a major temple, it led to early scholars believing in the concept of “sacred prostitution” in Greco-Roman cultures with nearby islands of Cyprus and Cythera and even Sicily being associated with prostitution. There are records of many dedications to Aphrodite found in poetry and pottery by courtesans that have been found. Plus, you add in that Aphrodite’s Mesopotamian counterpart Inanna is also associated with prostitution. While the idea of “sacred prostitution” persists in some schools of thought, the idea is getting discarded more and more.

Amathus – This is one of Aphrodite’s centers of worship on the island of Cyprus.

Corinth – On mainland Greece, this city was one of Aphrodite’ centers of worship.

Cyprus – Aphrodite’s center of worship was clearly on this island as evidenced by the numerous sanctuaries dedicated to this goddess. Aphrodite would be called Cyprian for her connection to this island as her birthplace.

Cythera – Another island where Aphrodite’s worship was prominent. It had been a Minoan colony at one point. Some myths will place Aphrodite’s birth as being here, giving her the epitaph of Cytherea. The island was certainly a stopping point for the trade route between Crete and Peloponesus which in turn could mean that the myths might have evidence of how Aphrodite’s cult came from the Middle East to Greece.

Pandemos – This the oldest of Aphrodite’s cult-sites that dates back to 230 B.C.E. Here, Aphrodite was known as Aphrodite Pandemos or “Aphrodite who is Common to all the People.” This Aphrodite was associated with the hero Theseus and worshipers of Aphrodite Pandemos sought out her blessings for uniting the people of Athens. Not just for personal relationships, but political connections too. The cult of Aphrodite Pandemos is very likely led to the formation of democracy.

Paphos

This city located on Cyprus is the location for one of Aphrodite’s most well-known temples, especially in the ancient world. It is thought that the rites dedicated to Aphrodite were a blend of oriental and Aegean influences that could ultimately trace their origins to the Mesopotamian Ishtar and Phoenician Astarte. Archeological studies have shown that the cult of Aphrodite dates back to the Late Bronze Age, roughly 1200 B.C.E. and continue uninterrupted up to the Late Roman Era towards the 4th century C.E. There are suggestions that Aphrodite’s worship could possibly go back to the Chalcolithic Era. Female figurines and charms have been found dating to the third millennium and religious sanctuaries called temenos were well established before the construction of any Late Bronze Age structures.

Prior to this, Pausanias thought Aphrodite’s cult was introduced from Syria and of Phoenician origin. Prior to more modern Archeology, people that that Aphrodite’s worship and cult dated back before Homer’s time of around 700 B.C.E. with mention of Aphrodite’s altar in the Odyssey.

Paphos is also the location that the Greeks say where Aphrodite landed when she arrived at Cyprus when she rose out of the sea. An oracle was also to found here in Paphos. The Sanctuary of Aphrodite Paphia was a pilgrimage destination for her followers. The city gains its name from Paphos, the son of Pygmalion and Galatea.

Hellenistic Greece

During this era of classical Greek history that many are familiar with, the Greeks began to identify Aphrodite with the Egyptian goddesses of Hathor and Isis. Aphrodite would become the patron goddess of the Lagid queens. As was Egyptian custom, Queen Arsinoe II was claimed to be the mortal incarnation of Aphrodite.

Aphrodite’s worship spread to the city of Alexandria with many temples dedicated to her that could be found around the city. The cult of Adonis was introduced to the city by Queen Arisone II. The Tessarakonteres galley had a temple dedicated to Aphrodite with a marble statue. Another temple dedicated to Aphrodite Hathor would be established in the second century B.C.E. at Philae. Statuettes of Aphrodite would become very common for people to do personal devotions during the Ptolemaic era in Egypt and last through when it came under Roman rule.

Roman Influence

The Romans readily adopted and identified Aphrodite with their own goddess Venus who was originally a goddess of agriculture, fertility, vegetation, and Spring. This would become official in the third century B.C.E. when the cult of Venus Erycina is introduced to Rome by way of the Grecian sanctuary for Aphrodite on Mount Eryx in Sicily. From here, the iconography and imagery of Aphrodite along with her myths would be attached to Venus.

Further cementing this adaptation is that Aphrodite was revered as the mother of the Trojan hero Aeneas in Greek myths and the Romans hailed him as the ancestor to Romulus and Remus, the legendary founders of Rome. With this connection, Venus as Venus Genetrix, the mother of the Roman nation became prominent. The Greek worship of Aphrodite began to emphasis more and more her connection to the city of Troy and Aeneas. More and more Roman influences and elements began to connect Aphrodite as more maternal and militaristic and more connected to the bureaucracy that Aphrodite became a divine guardian of numerous magistrates.

Parentage and Family

Parents

According to Hesiod’s Theogony, Aphrodite was born from the dismembered genitals of Uranus after Cronus cut them off. She rose up from the sea where they landed after being thrown.

Sometimes the primordial sea goddess Thalassa is given as Aphrodite’s mother in the myth with Uranus.

According to Homer’s Iliad, Zeus and Dione are her parents.

Siblings

As a result of mixed parentage, depending on if you go by Hesiod’s Theogony or Homer’s Iliad, Aphrodite is going have several siblings.

Aeacus, Angelos, Apollo, Ares, Artemis, Athena, Dionysus, Eileithyia, Enyo, Eris, Ersa, Hebe, Helen of Troy, Hephaestus, Heracles, Hermes, Minos, Pandia, Persephone, Perseus, Rhadamanthus, the Charities, the Horae, the Litae, the Muses, the Moirai, or the Titans, the Cyclopes, the Meliae, the Erinyes (Furies), the Giants, the Hekatonkheires

Consort

Hephaestus – Husband and god of Smithing and Volcanoes.

Children

With Adonis, Aphrodite is the mother of Beroe and Golgos.

With the god Ares, Aphrodite is the mother of: the Erotes: Anteros, Eros, Himeros and Pothos (though sometimes Pothos is listed as Eros’ son). Other children of theirs are: Phobos, Deimos, Phlegyas, Harmonia and Adrestia.

In early myth, Anteros was originally born from the sea alongside Aphrodite, later on, he comes her son by Ares.

With Butes, Aphrodite is the mother of Eryx, Meligounis, and a number of unnamed daughters.

With Dionysus, Aphrodite is the mother of  Hymenaios, Iacchus, and the Charities (Aglaea, Euphrosyne, and Thalia)

With the god Hermes, Aphrodite is the mother of the androgynous deity Hermaphroditus.

With Phaethon, Aphrodite is the mother of Astynous.

With the god Poseidon, Aphrodite is the mother of Eryx, Rhodus and Herophilus.

With the mortal Prince Anchises, Aphrodite is the mother of Aeneas

Peitho has no father is given for him.

Priapus – either the gods Adonis, Ares or Dionysus is their father.

Olympian Goddess

Aphrodite is counted among the twelve major deities who resided on Mount Olympus, the highest mountain peak in Greece and all of Europe. For the Greeks, this was the perfect location for where the gods would preside at while keeping watch on humankind down below them.

As there are several deities within Greek mythology, just who numbers among the Olympians varies. It’s generally agreed that the twelve major Olympians are: Zeus, Hera, Poseidon, Demeter, Athena, Apollo, Artemis, Ares, Aphrodite, Hephaestus, Hermes, and then either Hestia or Dionysus.

Aphrodisiac Festival

Also called Aphrodisia, as the name implies, this was a festival held in Aphrodite’s honor and was celebrated in many places around Greece during midsummer. It was a festival involved substances believed or known to cause sexual arousal and desire. This festival was most notably in Athens and Cornith.

In Athens, Aphrodisia would be celebrated in the month of Hekatombaion to celebrate Aphrodite’s rule in the unification of Attica. In the old Grecian calendar, the month of Hekatombaion corresponded with the month of July and was the first month of the year.

The priests of Aphrodite would purify the Temple of Aphrodite Pandemos with the blood of a dove that had been sacrificed. The altars would than be anointed and the statues of Aphrodite Pandemos and Aphrodite Peitho would be carried down to be ritually bathed.

Arrhephoria

This is another festival that honored Aphrodite in Athens. Not much is known about this festival.

Monthly Observances

The fourth day of every month was also held sacred to Aphrodite.

Attendants Of Aphrodite

Charities – The Graces in Roman mythology, this group of goddesses were known to accompany Aphrodite. They were Aglaea (“Splendor”), Euphrosyne (“Good Cheer”), and Thalia (“Abundance.”) They were worshiped as goddesses in Greek long before the arrival of Aphrodite.

Erotes – Aphrodite’s many sons who all presided over a different aspect of love.

Eros – Is the primary son who most people think of as accompanying Aphrodite. Most people are familiar with his Roman name of Cupid. By either name, Eros is the god of lust and sexual desire. Eros is described as one of four original primeval forces born at the beginning of time in Hesiod’s Theogony. After the birth of Aphrodite, Eros joins Himeros to become one of her companions.

Harmonia – A minor goddess of harmony. She is Aphrodite’s daughter with Ares, she is sometimes seen accompanying her.

Hebe – The goddess of youth, she is the daughter of Zeus and Hera. Hebe sometimes accompanied Aphrodite.

Horae – The Hours, they are the daughters of Zeus and Themis. Their names are Eunomia (“Good Order”), Dike (“Justice”), and Eirene (“Peace”).

Sparrow Chariot

In Sappho’s “Ode to Aphrodite,” the goddess is described as riding in a chariot that is pulled by sparrows.

Fertility Goddess?

Aphrodite isn’t just a Love Goddess, the sexual acts associated with her, Aphrodite’s attributes extend to the fertility of animals and vegetation, not just humans. In the story of Aphrodite’s affair with Ares, the version of the story found in the Iliad has Aphrodite returning to Cyprus so she can renew her virginity in Spring. Something she apparently does after each liaison. Some even suggest so far as to identify Aphrodite as a Mother Goddess as she gives birth to the crops each year. However, I think that domain is well and thoroughly covered with Demeter and Persephone. Though given the story of Aphrodite and Adonis, Mother Goddess and fertility still easily fits.

Pomegranates are thought to be associated with Aphrodite as the red seeds symbolized sexuality. An interesting side note, Greek women sometimes used pomegranates as a form of birth control.

Venus – When equating Aphrodite with the Roman goddess Venus, the poet Lucretius calls Aphrodite as a Genetrix for her creation and creative role in the world.

Plus, the aspects of Aphrodite as a fertility goddess really fit when under Roman influence and they have identified many of Aphrodite’s myths to their goddess and are busy tacking on Venus’ aspects to her Grecian counterpart.

Love Goddess

This is the domain that Aphrodite is really known for, Love, all kinds of love. The many epitaphs that Aphrodite has denote which form of love she presides over.

Aphrodite Benetrix – Married Love

Aphrodite Porne – Erotic Love

Aphrodite Urania – Heavenly Aphrodite, Spiritual Love, the kind that is unconditional and all of creation.

That’s just a few of the names that cover the many types of love that Aphrodite presided over. In addition, Aphrodite had numerous sons, most notably Eros who would accompany her and who represented the different types of love.

Birth Of A Goddess

There are a couple different origin stories for Aphrodite.

According to Hesiod’s Theogony, Aphrodite was born when Uranus was castrated by his son Cronus and the severed member was thrown into the ocean. As the ocean began to churn and foam, Aphrodite rose up out of the waves. With Zephyr’s help, this Wind God blew the young goddess towards the island of Cyprus where flowers sprang up from her footsteps as she stepped on land. There, Aphrodite was welcomed by the Charities. From there, Aphrodite was dressed and taken to Mount Olympus to be presented to the other gods.

Other variations have Aphrodite arriving at Cythera. Seafood is known as aphrodisiacs as they are seen related to Aphrodite’s birth from the sea.

It is for the places of Cyprus and Cythera, that Aphrodite is also known by the names of Kypris and Cytherea.

It has been pointed out that Hesiod’s Theogony is likely pulled from the Hittite epic “The Song of Kumarbi” where Kumarbi overthrows his father, Anu the sky god by biting off his genitals and thus becoming pregnant to give birth to Ishtar and Teshub.

Homer, in his Iliad, however, says that Aphrodite is the daughter of Zeus and Dione. A note here is that Dione’s name is possibly a feminine form to Dios and Dion, both alternative names for Zeus and that both Zeus and Dione had a cult center in Dodona. Hesiod names Dione an Oceanid in his Theogony.

Marriage To Hephaestus

Following the genealogy with Zeus, he feared that the other gods would fight each other over who would get to marry Aphrodite.

Figuring himself wise and clever, Zeus married Aphrodite off to Hephaestus, the Smithing god. Imagine Hephaestus’ surprise, him the least comely of the gods and disabled. Elated, Hephaestus put all his efforts and skills in smithing to create the most exquisite jewels that he could for his bride. He even made a girdle of finely wrought gold with magic woven into it for Aphrodite.

While Hephaestus was happy with his marriage, Aphrodite wasn’t too pleased with the arrangement. She would have greatly preferred someone far more attractive and like many of the gods, she does have her affairs and dalliances.

Strophion – This is what Hephaestus will have crafted for Aphrodite, translations into English will call it a girdle. As lovely as this magic girdle is, whenever Aphrodite wore it, no one was able to resist her charms and was already irresistible to many. It’s been commented that Hera sometimes borrowed Aphrodite’s magic strophion from time to time.

The other name I have come across for this girdle or belt is cestus, which in Rome, a cestus is a set of armored leather gloves worn by boxers. That could be a translation error though as Aphrodite’s strophion was called “keston himanta” or (kestos himas) and that might be the source of confusion.

A final bit to note, is that this style of strophia were also used in depictions for the Middle Eastern goddesses Astarte and Ishtar.

Notes:

Folklore – Instead of Zeus handing Aphrodite off in marriage, it is Hera who does so. In this one, Hephaestus made a golden throne for his mother Hera. When Hera sat down on the throne, it trapped her, and Hephaestus refused to release her until Hera agreed to give Aphrodite to him in marriage. Pleased that his mother agreed to the marriage, Hephaestus then gods to make his bride-to-be some jewelry, including the strophion that is often translated to mean girdle.

There are a few versions of Aphrodite’s marriage and who Hephaestus is actually married to.

Iliad – Aphrodite is the unmarried consort to Ares. Hephaestus’ wife is Charis, one of the Charities.

Odyssey – Book Eight is where the blind singer Demodocus describes Aphrodite as the wife to Hephaestus when the story of Aphrodite and Ares’ Affair is related.

Theogony – Aphrodite is unmarried, Hephaestus’ wife is Aglaea, the youngest of the Charities.

Aphrodite & Pandora

From Hesiod’s Works and Days, Zeus tasks Aphrodite to create Pandora, as the first woman to punish mankind after Prometheus’ stealing fire and gifting it to humans. Aphrodite makes Pandora to be both physically beautiful and sexually attractive so men will fall for her and lead to opening the box by which to release evils upon the world. Aphrodite’s attendants of Peitho, the Charities and the Horae contribute by gifting Pandora with gold and jewelry to be even more attractive.

Love Affair With Adonis

This is perhaps the most famous of Aphrodite’s affairs with a mortal by the name of Adonis.

Accordiing to Ovid’s Metamorphosis, Adonis is the son of Myrrha who was cursed by Aphrodite and turned into a Myrrh tree. Depending on the version of the story, either Myrrh’s father takes an axe to split open the tree or nine months later the tree burst, splitting open with Adonis being born.

Aphrodite found the infant and takes him down to the Underworld hidden in a chest to be entrusted into Persephone’s keeping. When Persephone discover a baby in the chest, she falls in love with the infant and takes care of him.

Later, Aphrodite returns to check in and discovers that Adonis has grown up to become remarkably handsome. By this time, Persephone is also rather attached to Adonis as well and what ensues is a custody battle of who gets Adonis.

Zeus took the matter into his own hands, in which he put the muse Calliope to arbitrate. She divided the year into three parts, saying that Adonis would spend one third with Aphrodite, another third with Persephone and the third part of the year as time to himself.

Having his own agency, Adonis comes to love Aphrodite more. It doesn’t help that Aphrodite cheated by wearing her magic girdle to cause Adonis to spend more time with her.

When it was time for him to go to the Underworld, Adonis refused. This angered Persephone so that she sent a wild boar to kill Adonis. This wild boar is actually Ares in a jealous rage. As Adonis died in Aphrodite’s arms, he was either transformed into the anemone flower or wherever Adonis’ blood fell, a red anemone flower sprung up.

Another account says that in her search for Adonis, that Aphrodite’s feet became cut and pierced by thorns and that the blood from her feet is what turned into the Anemone flowers.

A slight variation holds that Aphrodite acted as a surrogate mother to Adonis.

Sometimes the boar is sent by Artemis in retaliation for Aphrodite killing Hippolytus. Other times, it’s Apollo who is the boar that kills Adonis. Or that Dionysus carried Adonis away.

Phoenician Connection – It has been commented that the story of Persephone and Adonis is nothing more than the Greeks adopting the Phoenician story of Ashtarte and Adon. In the Canaanite language, Adon means lord and the names of Adonis and Adon appear to have a very solid linguistic connection.

Sumerian Connection – Another connection is that of the story of Inanna and Dumuzid.

Vegetation God – Some accounts will say that Adonis wasn’t mortal, that he was a deity in his own right and that this myth explains his death and rebirth each year for Summer and Winter as Zeus stepped in at this point saying that Adonis must spend the summers with Aphrodite and the winters with Persephone in the Underworld.

With this connection in mind, it’s been noted that Adonis’ cult had underworld tones of life and rebirth. From this, Aphrodite became connected with the dead in Delphi.

Aphrodite & Dionysus

Aphrodite is known to have numerous affairs. Depending on the account read, depends on if, with this story if it is either Dionysus, Hermes, Adonis or even Zeus himself who Aphrodite comes to bear the son Priapus with.

Generally, Dionysus is given as the father of Priapus with Aphrodite. As the story goes, following the events of the Trojan War, Hera was angry with Aphrodite’s interference when all the other gods were forbidden to be there by Zeus.

While pregnant with Priapus, Hera applied a potion to Aphrodite’s stomach as the goddess was sleeping. This was to ensure the child would be born deformed and monstrous-looking. When Aphrodite gave birth to Priapus, she was horrified by the sight of an infant with a large, permanently erect genital, potbelly, and large tongue. Aphrodite left the infant out on a hillside to die of exposure. However, a huntsman found the infant and raised them.

Later, Priapus would discover his powers as a deity and the ability to cause vegetation to grow.

Aphrodite & Hermes

Aproditus

First, a little bit of history. There was at one point, a male version of Aphrodite known as Aproditus. This is a male version of Aphrodite who was worshiped within the city of Amathus on the island of Cyprus. Aphroditus would be shown in art as having the dress and body of a woman while sporting a beard. He would be shown lifting up his dress to show his genitals, thought to be an apotropaic symbol or warding off evil. Eventually, Aphroditus’ popularity would fade away and the feminine form of Aphrodite would prevail.

Hermaphroditus – Also called Hermaphroditos. With so many gods having affairs with the fair and lovely Aphrodite, it isn’t too much of a surprise that she would also haven one with Hermes. The child that they had was a very handsome and beautiful boy of the name Hermaphroditus. A naiad by the name of Salmacis fell in love with Hermaphoditus and in a rare twist, she tried to rape him. When Hermaphroditus tries to fight off Salmacis, the naiad prays to the gods that they should become one. The gods answer, it’s not clear which one or ones answer and Salmacis and Hermaphroditus fuse into one intersex being. Horrified by what happened to him, Hermaphroditus called on his parents, Hermes and Aphrodite to curse the fountain so that others who entered it’s waters would have the same thing happen to them.

Traces of Aphroditus’ cult are found within Hermaphroditus’ story.

Love Affair With Ares

This story is told in the Odyssey, Book Eight by the blind singer Demodocus. This is also a story that probably began as a folk tale among the Greeks.

The Sun-god Helios had spotted the two gods, Ares and Aphrodite in a tryst in the halls of Hephaestus. Helios went to inform Hephaestus of his wife’s affair who then decided to try and catch the two in the act. Being the master smith and craftsman of the gods, Hephaestus created a finely woven and nearly invisible net to ensnare the two in. Waiting for the right moment, he succeeded in trapping both Ares and Aphrodite within the net.

Wanting to make sure the two were properly shamed and punished, Hephaestus called the other Olympian gods to come. All the goddesses declined to come, not wanting to be scandalized while all the gods did come and gawked. Some commenting to the beauty of Aphrodite and other stating they’d gladly trade places with Ares. In versions of the story, the gods agreed on Hephaestus’ right to be angry and in others, they didn’t care. In the end, when released, an embarrassed Ares returned to his home in Thrace and Aphrodite went to the city of Paphos on Cyprus where she would bathe in the sea to renew her virginity with the help of the Charities. It wouldn’t take Hephaestus long to forgive Aphrodite her affair as he missed her.

Elaborating on this story, a later addition, Ares had the youth Alectryon guarding the door to warn when Helios came by as he would no doubt inform Hephaestus of the affair. However, Alectryon fell asleep and Helios discovered the two’s affair. Ares, embarrassed and infuriated at being caught, turned Alectryon into a rooster and it’s that add-on to the story of Ares and Aphrodite’s affair that roosters always crow, announcing the rising of the sun in the morning.

Variation – A version of the story found in Homer’s Odyssey has Hephaestus refusing to release the lovers unless Zeus returned the bridal gifts. Zeus staunchly refused as he felt that Hephaestus shouldn’t have made the affair so public. Though in the Odyssey, Poseidon does agree to play Hephaestus’ price to release both Ares and Aphrodite.

From their affair, Ares and Aphrodite became the parents of several minor deities: Eros, Arethousa, Harmonia, Phobos, Deimos and Adrestia. Both Eros and Arethousa’s tended to have attributes more in align with Aphrodite. Adrestia tended to be more like her father Ares.

Aphrodite & Poseidon

It makes sense, that this story takes place right after Aphrodite’s affair with Ares. Poseidon fell in love with Aphrodite and there must have been a fling for there is one daughter, Rhode and a son, Herophilus who is attributed to Poseidon as being the father.

Aphrodite & Pygmalion

The myth of Pygmalion has its first mention in the third century B.C.E. by the Greek writer Philostephanus of Cyrene. The myth has a full accounting later in Ovid’s Metamorphoses.

Pygmalion was a sculptor from the island of Cyprus who refused to marry any woman as he found them to all be immoral. Very well, Pygmalion sets about carving an ivory statue of Aphrodite that was so life-like that he fell in love with it.

So, in love with the statue, Pygmalion prayed to Aphrodite to bring the statue to live so he could marry it. Aphrodite heard the sculptor’s prayers and brought the statue to life, naming her Galatea. From their union, Galatea and Pygmalion had two children, Paphos, a son and from whom the capital of Cyprus would be named for, and a daughter Metharme as mentioned by Pseudo-Apollodorus.

Atalanta & Hippomenes

In this story, Aphrodite helped Hippomenes, a youth who desired to marry the maiden Atalanta. The catch was, Atalanta refused to marry any man unless they could beat her in a footrace, and she had the habit of beheading those who lost.

In comes Aphrodite give Hippomenes three golden apples from the Garden of the Hesperides with the instructions to toss them before Atalanta as they raced. Doing as instructed, Hippomenes tossed the apples down in Atalanta’s path. Each time Atalanta bent down to pick up another golden apple, it would give Hippomenes more of a lead, allowing him to win the race and thus marry Atalanta.

In Ovid’s Metamorphoses, the story continues. Because Hippomenes forgot to give thanks to Aphrodite after words, she causes the two to become so infatuated with each other while in the Temple of Cybele. The two desecrated Cybele’s temple by having sex in it and an angry Cybele turned Hippomenes and Atalanta into lions.

Sometimes it is Zeus who punishes the two mortals. The Greeks believed that lions were not able to mate with other lions. Another version of the story will have Aphrodite turn them into lions when they forgot to give her proper tribute or offerings.

As it is Ovid’s Metamorphosis and the mention of Cybele, there’s a clear Roman influence on the second part of the story.

Aphrodite & Typhon – Pisces

Typhon, a monstrous god, attacked the Gods when they were down by the Nile River. In some retellings of the story, the Gods where there in exile or that just happens to be where they were at for one of their many battles with Typhon. In either eventuality, Aphrodite and her son Eros were among the gods along the Nile River’s banks when Typhon appeared to do battle. While Zeus and a couple of other gods fought it out with Typhon, Aphrodite and Eros had leapt into the river, changing into a pair of fish so they could make their escape. In other accounts of the story, Aphrodite and Eros tied themselves together with a rope so they wouldn’t get separated.

Another account of this story places the riverbank that the gods were walking along as being the Euphrates River and not the Nile River. There is also a very similar story found in a Manilius’ five-volume poetic work Astronomica in which the fish that become the constellation of Pisces carried Aphrodite and Eros away to safety.

Keeping with the Euphrates River connection, when an egg fell into this river, a pair of fish pushed it to the shore where doves then sat on the egg to hatch it. When it hatched, Aphrodite came out of the egg. In a show of gratitude, the goddess placed the fish up into the sky to become the constellation Pisces. Through these connections of the myth, Pisces is also known as “Venus et Cupido,” “Venus Syria cum Cupidine,” Venus cum Adone,” “Dione,” and “Veneris Mater.”

Eros & Psyche

Psyche happened to be an extraordinarily beautiful princess. This brought about the anger and jealousy of Aphrodite when people turned their attention to Psyche and worshiped her. Aphrodite enlisted the aid of her son Eros to help punish Psyche.

The idea is that Eros would cause Psyche to fall in love with the worst and vilest creature on the earth possible. Instead of doing as his mother bid, Eros fell in love with Psyche and took her home. He instructed Psyche that she was to never look upon his face.

All is well for a while until Psyche goes home to visit family and her sisters convince her to break Eros’ command and look upon his face. Psyche does this and hurt, angry, Eros flies away leaving poor Psyche behind.

Psyche beseeches Aphrodite for help with finding her lost love. Knowing who it is that Psyche is looking for, Aphrodite sets out a series of nearly impossible tasks for Psyche to do. Eventually Eros discovers what’s happening and as he can’t bear to see Psyche’s suffering, returns. The two are married with all the gods attending.

This story is an early model for the fairytale of Beauty and the Beast.

A Goddess Scorned

Many of the Greek gods have a reputation for being very fickle. Just as often as they favor mortals, they can also punish them too.

By the stories, Aphrodite is no different and she could be very gracious with those mortals whom she favored. For those mortals who didn’t fawn upon Aphrodite the attention and worship she felt she was owed, Aphrodite could be very vindictive.

Aegialeia – The wife of Diomedes, she was cursed by Aphrodite after Diomedes had wounded the goddess during the Trojan War. Aegialia was cursed with promiscuity and she had several lovers, among them Hippolytus. Now it could be, that Aegialeia was angry with Diomedes as she heard rumors, he was returning home with a Trojan woman and this was to get back at an unfaithful husband. When Aegialeia threatened Diomedes’ life, he took off for Italy.

Clio – When the Muse derided Aphrodite’s love for Adonis, Aphrodite caused Clio to fall in love with Pierus of Magnesia and they had a son, Hyacinth.

Eos – Aphrodite cursed Eos, the goddess of the Dawn to be forever, perpetually in love with an insatiable sexual desire after Eos had slept with Ares, god of war. Guess no one else was allowed to have Aphrodite’s sweetheart.

Glaucus of Corinth – He angered Aphrodite when he refused to let his chariot horses mate, as to do so would slow their speed down. Aphrodite bided her time and when the Funeral Games for King Pelias happened, the goddess caused Glaucus’ horses to go mad and tear him apart during the chariot race.

Halia – She is a sea nymph who bore six sons with Poseidon. When Halia’s sons refused to let Aphrodite land on their shore, Aphrodite drove them all insane, causing them to rape their mother, Halia. Poseidon buried his six sons within the island’s sea caves.

Hippolytus – The son of Theseus, he worshipped only Artemis, the goddess of virginity and hunting. Because Hippolytus refused any sexual intercourse, this upset Aphrodite who saw him as being very prideful. As a result, Aphrodite caused Phaedra, Hippolytus’ stepmother to fall in love with him. Understandably so, Hippolytus refuses Phaedra’s advances. Phaedra however, is so distraught that she kills herself but not before leaving a note for Theseus, telling him that she committed suicide because Hippolytus tried to rape her.

This upsets Theseus who prays to Poseidon to kill Hippolytus for his actions. Poseidon answers by sending a wild bull to scare Hippolytus’ horses and smash the chariot so that he falls to his death along a seaside cliff. In the end, Artemis finally gets wind of what happened and goes to seek her own revenge against Aphrodite, which in some stories, is sending a wild boar to kill Adonis.

Leucippus – The grandson of Bellerophon, it is never clear what caused Aphrodit’e anger in this story. Only that the goddess caused Leucippus to fall in love with his sister. The sister was already betrothed to another and the betrothed found out about the incestuous relationship that Leucippus and his sister were having, went to inform their father Xanthius. Father Xanthius shows up at his daughter’s bed chamber and discovers his son, Leucippus there. As it’s dark, a fight ensues where the daughter is killed trying to escape and Leucippus kills his father as he doesn’t recognize who it is at first. Once he realizes what happened, Leucippus leaves to go be part of the colonizing of Crete and Asia Minor.

Myrrha – I covered this myth earlier in the story of Adonis. Myrrha’s mother, Queen Cenchreis of Cyprus had bragged that her daughter was more beautiful than Aphrodite. In response, Aphrodite cursed Myrrha to fall in love with her father, King Cinyras who slept with her unknowingly. Eventually Myrrha turned into the myrrh tree and gave birth to Adonis.

It doesn’t end there, Aphrodite continued her wrath against Queen Cenchreis and King Cinyras’ other three daughters, Braesia, Laogora, Orsedice to sleep with some foreigners and they ended up dying in Egypt.

Narcissus – One account has Aphrodite cursing Narcissus to fall in love with his own reflection after he refused to worship her.

Pasiphae – In one version, for the birth of the birth of the minotaur, Pasiphae had failed to make the appropriate offerings to Venus (Aphrodite), as a result, the goddess caused her to fall in love with the white bull meant as an offering to Zeus.

Alternatively, the curse comes because Pasiphae is the daughter of Helio and this is Aphrodite getting back at him for exposing her affair with Ares.

Polyphonte – Was a young woman and another devote to Artemis who chose a life of virginity instead of marriage and children. Aphrodite cursed Polyphonte to fall in love with a bear. Her resulting monstrous humanoid bear children, Agrius and Oreius who were cannibals. Zeus got involved this time and turned Polyphonte and her children into birds of ill omen; owls and a vulture.

Propoetides – He and his daughters were from the city of Amathus on the island of Cyprus. They had failed to worship Aphrodite appropriately and she caused them to become the first prostitutes. It should be noted that this is a story found in Ovid’ Metamorphoses.

Tanais – The son of Lysippe and Berossos, he was a devote to Ares, fully committed to war. This upset Aphrodite as Tanais neglected love and marriage. The goddess cursed Tanais to fall in love with his mother Lysippe. As he refused to give up his chastity, Tanais threw himself into the Amazonius river, which after words was renamed to the Tanais river.

The Women of Lemnos – Because these ladies refused to offer sacrifices to Aphrodite, she cursed all of them to have a horrible stench. We’re talking bad, to the point that their husbands refused to have sex with them. The husbands went and had sex with their Thracian slave-girls instead. This angered the Lemnos Women, and they murdered all the men and their slaves on their island. Later, when Jason and the Argonauts show up, these women are just starved for a man’s affections, that with Aphrodite’s approval, she allows for the Lemnos Women to have sex with Jason and his crew whereby they can repopulate the island. From there on out, the Lemnos Women never failed to appease Aphrodite.

The Judgement Of Paris

The gods were feasting at the wedding of Peleus and Thetis, who would become the parents of Achilles. All the gods were invited accept Eris who hadn’t received an invite. Chiron was in charge of the wedding invites and didn’t invite Eris due to her reputation for stirring up trouble. This understandably miffed Eris to no end. After all, everyone else got invited, why not her?

Coming off as seeking to be peaceful and no hard feelings, Eris proposed a beauty contest between the goddesses Aphrodite, Athena, and Hera. As the prize, Eris tossed a golden apple of beauty, or better known, the golden apple of discord. In some retellings, it is noted that the golden apple has engraved or written the word: “Kallisti,” meaning: “for the fairest.”

This dispute, one driven by vanity over who was the loveliest of the goddess would escalate and the hapless mortal Paris is called in to judge. Each of the goddesses attempted to bribe Paris to choose her. Hera offered political power, Athena offered battle prowess and Aphrodite tempted Paris with the most beautiful woman in the world, Helen.

Being a young mortal man, Paris chooses Helen and rewards Aphrodite with the golden apple. Only there is one problem, Helen is the wife of Menelaus of Sparta. In claiming and taking her, Paris sparks off the Trojan War. This causes Athena and Hera to side with the Greeks in the ensuing war.

Trojan War

Divine Set Up – If we go by the “lost” epic, The Cypria attributed to Stasinus, this whole Trojan War was planned on by Zeus and Themis. There’s only about 50 lines of text from the Cypria and its seen as a prequel to Homer’s the Iliad and explains how the events came about.

Some scholars look at Aphrodite’s connection to Mesopotamia with the War Goddess Ishtar as an explanation for the start of the Trojan War, saying that Aphrodite instigated it by manipulating Paris with a promise to marry Helen.

Aphrodite has a prominent and active role in Homer’s Iliad. In Book III, Aphrodite rescues Paris from Menelaus after a one-on-one duel to settle the matter. Aphrodite also appears to Helen in the form of an old woman, trying to persuade her to have sex with Paris. However, Helen recognizes Aphrodite by her eyes, neck, and breasts. Helen entreats with Aphrodite as an equal and the goddess rebukes Helen, threatening her. Not wanting a god’s wrath, Helen obeys Aphrodite’s command to lay with Paris.

In Book XIV of the Iliad, Aphrodite loans her kestos himas or magic girdle to Hera so she can seduce Zeus as he had forbidden the other gods to stay involved in the Trojan War at this point.  While Zeus is distracted by Hera’s advances, Poseidon is aiding the Greek forces to be able to take the beach to invade Troy. Then in Book XXI, Aphrodite returns to the war to carry Ares away off the field of battle after he’s been wounded.

Anchises – He was a shepherd prince who lived on Mount Ida, whom Aphrodite fell in love with after Zeus convinced Eros to hit her with one of his arrows. After all, with Aphrodite being the goddess of love, it’s her fault that Zeus has so many affairs and is constantly on the outs with Hera.

Aphrodite pretended to be a mortal woman in order to marry Anchises. When Anchises saw Aphrodite, he asked if she was said goddess, saying he would build her an alter if she would only bless him and his family. Aphrodite lied, saying she was a princess from Phrygia. She explains how she came to understand the Trojan language due to a Trojan nursemaid as a child. How she had been snatched away by Hermes while dancing for a celebration to honor Artemis. The disguised goddess tells Anchises to take her to his parents.

From there, the two are married or Anchises so overcome with lust, couples with the goddess-princess. After their union does Aphrodite reveal who she really is, saying she will bare Aenease a son who will become the demigod Aeneas. As Anchises didn’t keep quiet about who the mother of his son was, Zeus struck him down with a thunderbolt and either blinds or kills him outright.

There are a couple of slight versions to this story such as Aphrodite allowed for Anchises to be able to flee the city of Troy.

Aeneas – Trojan Hero and son of Aphrodite with Anchises. In book V of Homer’s Iliad, Aphrodite rescues her son from Diomedes in battle. Diomedes, recognizing Aphrodite and viewing her as a weak goddess, spears her, nicking her wrist. When Aphrodite rides back to Mount Olympus in Ares’ borrowed chariot, Zeus tells the goddess that her specialty is love, not war as he mocks her for getting hurt.

Aeneas features in Virgil’s Aeneid to be Rome’s first hero and an ancestor to Romulus and Remus.

Note: It has been commented that the scene of Aphrodite and Zeus has similarities in the Epic of Gilgamesh where Ishtar laments to her mother Antu after Gilgamesh rejects her advances and is in turn, rebuked by her father Anu.

Sea Goddess

With Aphrodite’s birth and arrival from the ocean, some people have worshiped Aphrodite as a sea goddess. Several types of waterfowl such as ducks, geese, and swans would become associated with Aphrodite. Naturally, seashells are associated with Aphrodite. Seafood is considered an aphrodisiac due to this lovely goddess’ connection to the briny deeps.

As a sea goddess, Aphrodite protects those who travel the seas. This earned her the epitaphs of Aphrodite Pontia or Aphrodite of the Deep Sea and Aphrodite Euploia or Aphrodite of the Fair Voyage. The planet Venus that Aphrodite is associated with, served as navigational aid for ancient mariners as they plied the seas.

War Goddess

With the previously mentioned Mesopotamian connection to the goddesses of Astarte and Ishtar, Aphrodite may have arrived first as a goddess of War in ancient Greece. She was honored as such in Cyprus, Laconia, Sparta, and Thebes to name a few places. In Sparta, Aphrodite was known as Aphrodite Areia (“War-Like”), showing her connection to the god Ares.

Eventually, the war aspects of Aphrodite would be dropped, and the role left to Athena and Ares.

Christian Iconography

Early Christianity readily adapted many pagan symbols and icons to their religion. With Aphrodite/Venus, her symbolisms were given to Eve, prostitutes, and some female saints such as the Virgin Mary.

The story of Aphrodite’s birth became a metaphor for baptism. There is a Coptic stele dating from the sixth century C.E. where a female orant is wearing Aphrodite’s conch shell to show she has been recently baptized. Throughout the Middle Ages, folktales regarding Aphrodite/Venus remained popular.

In the fifth century C.E. North Africa, Fulgentius of Ruspe found mosaics of Aphrodite that he proceeded to interpret as a symbol for the sin of Lust, how Aphrodite’s nudeness meant that “the sin of lust is never cloaked” and that her swimming represented how all lust suffers a “shipwreck”. Fulgentius even argued how the symbols of doves and conch shells were symbols of copulation and that the symbol of roses represented the fleetingness of lust, that it has momentary pleasures that are soon gone.

Then we have Isidore of Seville who interpreted Aphrodite as a symbol of marital procreative sex, declaring how the story of Aprodite’s birth represents that sex can only be holy with the presence of semen, blood and heat for the purposes of procreation. Isidore also held that Eros/Cupid is a demon of fornication.

Venusberg – Dating from the Late Middle Ages, the Venusberg mythology would become popular in European folklore. The “Mountain of Venus” is a subterranean realm ruled by Venus and a folktale archetype for visiting the Otherworld. The most familiar appearance of Venusberg is in the German Tannhäuser legend in the 16th century.

Variations to this myth are the mortal lover being carried away to the realm of faerie by a fairy queen. Popular legends include Thomas the Rhymer and Tam Lin.

Modern Paganism & Wicca

In modern Paganism such as the Church of Aphrodite, Hellenismos, and Wicca, either Aphrodite or her Roman counterpart, Venus are goddess often invoked for casting love spells and love rituals. Aphrodite is often used in charms for making aphrodisiacs, philters, and love potions.

Astarte – Canaanite & Phoenician Goddess

A goddess of love and war was worshiped in the Middle East during the Bronze Age to Classical Antiquity. Astarte was identified by the Hebrews as Ashtoreth.

Hathor – Egyptian Goddess

The Egyptian Cow Goddess Hathor is frequently identified with Aphrodite.

It wasn’t uncommon for the Greeks and Romans to equate many of their deities with those of other cultures. The Romans especially did it with any gods whose people they conquered. In the case of Egypt and their gods, Hathor in her role as a goddess of love and beauty is synonymous with the Greek Aphrodite and the Roman Venus.

Inanna – Mesopotamian Goddess

Also known as Ishtar, she is the goddess of love, war and sexuality. She is known as the Queen of Heaven.

Isis – Egyptian Goddess

The Egyptian goddess of the moon, healing, magic and life who protected women and children. During the Hellenistic Grecian era, she was equated with Aphrodite.

Turan – Etruscan Goddess

The Etruscan goddess of beauty, love, and fertility. She was the patron goddess of the city Velch. She has been identified with the Roman Venus and Grecian Aphrodite.

Venus – Roman Goddess

As the Greek Goddess of Love, Aphrodite is often confused with or identified with the Roman deity of Venus, also a Goddess of Love. Thanks greatly to the influence of the Romans, many people will identify and equate Venus with Aphrodite. While both deities are Goddesses of Love, there are differences in the Roman myths and the Greek myths.

The Romans were famous for subsuming many deities in their conquest across Europe, particularly the Mediterranean area, and identifying their gods with those of a conquered culture. The most famous being the Greeks, where many deities were renamed to those of Roman gods. Prominent examples like Zeus and Jupiter, Hera and Juno, Ares and Mars and so on down the line.

With the Hellenization of Latin literature, many Greek writers and even Roman writers rewrote and intertwined the myths of these two deities so that they would virtually become one and the same. And that’s the tradition passed down through the centuries and has become accepted. Just that there are still some differences that separate the two.

Just as Aphrodite is often accompanied by her son Eros, so too is Venus accompanied by her son Cupid.

Eris

Pronunciation: ee’-ris

Etymology: Strife

Other Names and Epithets: Ἔρις , “The Lady of Sorrow,” “Defender of the People”

Eris is the Greek goddess of strife and discord. She is often thought of as a younger sister to Ares and accompanies him into battle. True to the meaning of her name, Eris loves nothing more than to cause chaos and trouble, giving her a reputation for being sinister and mean-spirited.

Attributes

Animal: Hissing Snake

Patron of: Discordians or Erisians

Planet: Eris

Plant: African Blackwood

Sphere of Influence: Chaos, Conflicts, Strife, Struggles

Symbols: Golden Apple of Discord

Greek Depictions

Eris is described as being a beautiful young woman with pale skin, black wings and carrying a golden apple that she tosses into battle from Ares’ chariot that she rides in.

Parentage and Family

Parents

Three different sets of parentage are given for Eris.

Erebus – Primordial God of Darkness is given as Eris’ father in Hyginus’ works.

Nyx – Goddess of night is given as Eris’ mother. Sometimes Nyx is the only parent listed for Eris.

In the third parentage mentioned, often a later addition:

Zeus – King of the Olympian Gods is Eris’ father.

Hera – Queen of the Olympian Gods is Eris’ mother.

Siblings –

Aeacus, Angelos, Aphrodite, Apollo, Ares, Artemis, Athena, Dionysus, Eileithyia, Enyo, Ersa, Hebe, Helen of Troy, Heracles, Hermes, Minos, Pandia, Persephone, Perseus, Rhadamanthus, the Graces, the Horae, the Litae, the Muses, the Moirai, Thanatos, Hypnos, the Keres, Hemera, Aether, Moros, Apate, Furies, Oneiroi, Nemesis, Geras, Eleos, Philotes, Oizys, Momus

Consort

Ares – Given that Eris would often ride with Ares into battle on his chariot, it is sometimes assumed that they are consorts.

The truth is, they’re just really good friends and siblings who love the chaos of the battlefield.

Children

Where Eris is the daughter of Hera and Zeus, the sister to Ares, she has the following children:

Strife – A son. This has to be a translation into English from Greek. Like maybe there’s a masculine pronunciation to Eris. This is the name found in Homer’s Iliad.

Where Eris is the daughter of Nyx, she has the following children:

Algea (“Sorrow”), Amphillogiai (“Disputes”), Androctasiai (“Manslaughter”), Ate (“Ruin”), Dysnomia (“Lawlessness”), Horkos (“Oath”), Hysminai (“Fighting”), Lethe (“Forgetfulness”), Limos (“Famine”), Makhai (“Battle”), Neikea (“Quarreling”), Phonoi (“Murder”), Ponos (“Labor”), and Pseudologoi (“Lies”)

Goddess Of Strife

Eris is known for accompanying her brother Ares into battle and tossing her golden apple of discord to incite chaos on the field of battle. Eris’ son, Strife is also known to come along for the ride as well.

Representing the way conflicts and arguments grow, Eris starts off being small but will grow as time passes until her head reaches the heavens and she hurls out the bitterness of resentments, conflicts, and strife upon people.

You Called Her A Daimon!

Yes, as in the Greek term and meaning for the word spirit. It is Christianity that takes and twists the word and meaning to Demon, for an evil spirit or being. In Eris’ case, it would be easy to see why they make that connection.

Among the ancient Greeks, the word daimon means spirit or “replete with knowledge.” They recognized both good (eudemons) and bad (cacodemons). The word or term daimon also means “divine power,” “fate,” or “god.” And in Greek mythology, daimons could also include deified heroes.

Daimons functioned as messengers or intermediary spirits between men and gods. The good daimons were viewed as guardian spirits who gave guidance and protection to those they watched over. The bad daimons, naturally, weren’t so nice and could mislead people, getting them into trouble.

Mother Of Cacodaemons

Where Nyx is listed as her mother, Eris is the mother of numerous Cacodaemons, who are personifications of all the ills and evils that plague mankind.

In Hesiod’s Works and Days, it is mentioned that the fifth day of the month is a day to be careful, for that is when the Cacodaemons are out and about, angry. It is on the fifth day that the Erinyes assist Horkos on plaguing those who bare false oaths.

Pandora’s Jar – Yes, a jar, not a box. We can thank Erasmus of Rotterdam for that mistranslation with the Latin.

When Prometheus gave humans fire, Zeus decided an equally fitting gift of a jar holding all the evils and ills of the world was good. It’s suggested and hinted that these ills and evils were Eris’ offspring awaiting within to be released when Pandora opened the jar to go out and plague mankind. Only Elpis or Hope remained in the jar at Zeus’ bidding.

Two Eris’

Works & Days – By Hesiod, in this book we learn that there are two different goddesses by the name Eris in Greek mythology. The first Eris tends to foment the evils of war and battle, she is thought of as cruel. She really revels in the chaos of war.

The second Eris is the oldest daughter of Nyx. This Eris is far kinder and tends to be associated more with strife in terms of struggling to toil, make ends meet, planting and the day to day struggles of daily living. I’m reminded of a Buddhist saying that there is suffering in life when looking at this second Eris.

Theogony – In this book of Hesiod’s, Eris, the daughter of Nyx is not thought of so kindly as she had been in Works & Days when her children and what they are personifications of are mentioned.

Mistaken Identify – Homer’s Iliad makes mention of Eris, as the sister of Ares. She is one of the few deities who wasn’t invited to the big wedding of Cadmus to Harmonia in Boeotia. Homer is also the source for referring to Eris as the “Defender of the People.” Well that’s a little odd and it likely has to do with Homer confusing Eris with Enyo, a battle goddess.

Golden Apple

Eris is known for tossing her golden apple of discord among a group of people to incite chaos. If the apple is thrown among friends, their friendships end; among enemies, war breaks out.

The best known story is during the wedding of Peleus and Thetis, after Eris wasn’t invited, she tossed her golden apple among the gods as the main prize for who was the most beautiful, thus setting off the events for the Trojan War.

In literature, the golden apple or apple of discord is that core or crux of an argument, that while it starts off small, can leads to larger problems or disputes.

Aesop Fable 534

In this fable, Hercules is heading on his merry way when he spots something laying on the ground. A closer examination shows that it appears to be an apple. Herakles takes his club and decides to smash the apple.

As soon as Herakles strikes it, the apple swells to twice its size. He strikes it again and the apple grows again, so that it is blocking the way.

Dumbfounded, Herakles stands there, dropping his club. Athena happens along and tells Herakles not to be so surprised. This apple was only put there to confuse him by Aporia (Contentiousness) and Eris. If he were to leave the apple alone, it would remain small. But if he insists on fighting it, then the apple will swell in size.

Polytechnos & Aedon

In this story, the couple Polytechnos and Aedon declared that they loved each other more than Hera and Zeus. This declaration attracted the attention of Hera who became angry and sent Eris to stir up trouble between them.

Polytechnos was finishing off a chariot board and Aedon was working on some embroidery. Eris shows up and tells them that “Whosoever finishes their task last will have to present the other with a female servant.

Aedon, with Hera’s help, finishes first. Polytechnos is not happy with losing and goes to Aedon’s sister, Chelidonis with the pretense that Aedon wants to see her. On the way back home, Polytechnos rapes Chelidonis and then dresses her up as a slave with the command to be silent. He then presents Chelidonis to Aedon.

At some point, Chelidonis speaks up, lamenting her fate, and is overheard by Aedon who realizes this is her sister. Why exactly she didn’t realize this sooner, I don’t know.

The two conspire together and Polytechnos’ son, Itys is murdered, chopped up, and served as dinner to his father.

Aedon and Chelidonis then flee back to their father. Polytechnos shows up soon after, angry. With things getting quickly out of hand, Zeus steps in, changing everyone into birds to end the matter.

It’s a story noted to be similar to that of Philomela and Procne found in Ovid’s Metamorphosis. Both stories are a study in word play, explaining how different animals came to be.

Typhon & Zeus

In this story, Zeus finds himself having to battle the monstrous giant Typhon, husband to Echidna, the mother of monsters.

Typhon or Typhoeus is described as a serpentine monster that breathes fire. Zeus fought him using his thunder bolts and aegis.

Eventually Zeus would defeat Typhon and trap him under Mount Etna. Echidna would be allowed to live along with her monstrous children. In Grecian myths, this is how Mount Etna became a volcano. In other versions of the myth, the gods Hermes and Pan would come to Zeus’ aid.

In Nonnus’ Dionysiaca, Eris is described as accompanying Typhon into battle whereas Nike, the minor goddess of Victory, accompanies Zeus into battle.

The Judgement Of Paris

This is perhaps the best-known source for Eris’ myth and story. The gods were feasting at the wedding of Peleus and Thetis, who will become the parents of Achilles. All the gods were invited accept Eris who hadn’t received an invite. Chiron was in charge of the wedding invites and didn’t invite Eris due to her reputation for stirring up trouble. This understandably miffed her to no end. After all, everyone else got invited, why not her?

Coming off as seeking to be peaceful and no hard feelings, a beauty contest was proposed between the goddesses Aphrodite, Athena, and Hera. As the prize, Eris tossed a golden apple of beauty, or better known, the golden apple of discord. In some retellings, it is noted that the golden apple has engraved or written the word: “Kallisti,” meaning: “for the fairest.”

This dispute, one driven by vanity over who was the loveliest of the goddess would escalate and the hapless mortal Paris is called in to judge. Each of the goddesses attempted to bribe Paris to choose her. Hera offered political power, Athena offered battle prowess and Aphrodite tempted Paris with the most beautiful woman in the world, Helen.

Being a young mortal man, Paris chooses Helen and rewards Aphrodite with the golden apple. Only there is one problem, Helen is the wife of Menelaus of Sparta. In claiming and taking her, Paris sparks off the Trojan War.

Divine Set Up – If we go by the “lost” epic, The Cypria attributed to Stasinus, this whole Trojan War was planned on by Zeus and Themis. There’s only about 50 lines of text from the Cypria and it’s seen as a prequel to Homer’s The Iliad and explains how the events came about.

Trojan War

Eris gets the blame for starting the Trojan War even though Zeus and Themis had planned on it from the beginning. They just weren’t going to get their hands dirty.

In battle, Eris rode alongside Ares and Enyo on the side of the Trojans. It is in this famous, epic ten-year war that Eris becomes known as the “Lady of Sorrow.”

During one battle, Eris fought on the side of Aeneas, Aphrodite’s son, defending him. The rest of the time, Eris wandered the battlefield, reveling in the chaos of it all, spreading bloodshed wherever she went.

Sleeping Beauty

It has been noted that this classic fairy tale draws inspiration from the story of The Judgement of Paris. Just like Eris, the wicked fairy of Sleeping Beauty takes grievances with not being invited to the princess’s christening and places a curse upon the infant.

Discordian Religion

In the late 1950’s, Greg Hill and Kerry Thornley, under the pen names of “Malaclypse the Younger” and “Omar Khayyam Ravenhurst,” wrote the Principia Discordia. The concept of Eris established in the Principia Discordia gets used and expanded upon further in the science fiction The Illuminatus! Trilogy by Robert Shea and Robert Anton Wilson. The ideas in this book series have caused many people to call themselves Discordians or Erisians. In turn, this led to the Discordian Religion.

In Discordian teachings, Eris is the main goddess and she has a much softer outlook on the world than her darker Grecian origins. In the Principia Discordia, Eris’ parents are either what’s given in Greek legend or she’s the daughter of the Void. For me, I have to say this is likely the Eris who is the daughter of Nyx showing up here.

Eris is the Goddess of Disorder and Being, her sister Aneris is the goddess of Order and Non-Being. Their brother is Spirituality.

Among Discordians, Eris not being invited to the marriage of Peleus and Thetis is known as the Original Snub.

Essentially, Discordian religion and philosophy teaches that the only truth is chaos. That order and disorder are at best, temporary states. No matter how much people may try to order the world around them, it is still all chaotic.

It puts me to mind Chaos Theory, that what seems random at first, will eventually show having a pattern and the Mendelbrot set being an equation that determines how to figure out that pattern.

As Morticia Addams in the movie said, “Normal is an illusion. What is normal for the spider is chaos for the fly.”

Spiders, Why’d There Have To Be Spiders?

It’s either that or someone screaming incoherently before torching down their entire house just to kill it.

Fun and amusing, given how many people are arachnophobic, there is a genus of spiders named after Eris.

Dwarf Planet

Eris is the second largest Dwarf Planet in the Solar System out in the Kuiper Belt. It was discovered in January 2005 by Mike Brown at the Palomar Observatory. It initially received the designations of 2003 UB313, 136199 Eris and the name Xena, after the popular TV series: “Xena: Warrior Princess.” In 2006, it was officially named Eris and has a moon called Dysnomia, after one of Eris’ daughters. Given the actress who played Xena and what Dysnomia means for Lawless, it still works out.

Eris’ discovery, true to her namesake, disrupted and challenged the way in which Planets are classified. It was thought at first it would be the tenth planet in the Solar System. After a series of measurements and calculations, Eris would be classified as a Dwarf Planet alongside Pluto, Ceres, Haumea and Makemake.

So, what makes a Planet versus a Dwarf Planet? In short, a Planet in the classical sense is that it’s relatively round, and able to make a clear orbit around the Sun without another celestial body in its orbit that competes. Whereas a Dwarf Planet doesn’t have a clear orbit and has other celestial objects in its same orbit.

Apep – Egyptian God

An ancient Egyptian god of chaos represented as a giant serpent. He constantly fought against his counterpart, Ma’at, the goddess of light, truth and order.

Discordia – Roman Goddess

She is very simply the Roman version of Eris.

Kali – Hindi Demon

There are two Kali. The first is the goddess who destroys evil to protect the innocent. The second is the Kali demon who is male and the source of all evil.

Lucifer – Christianity

In terms of fomenting trouble and conflicts, temptations, and other problems, some have been daring enough to equate the Christian devil or Lucifer with Eris, particularly the darker aspect of her.

The Morrigan – Celtic Goddess

Eris has been equated with this Celtic goddess when it comes to chaos and conflicts on the field of battle.

Loki – Norse God

If we’re talking tricksters that lean into the darker aspect, causing disruptions wherever they go, then Eris has been equated with this deity.

Set – Egyptian God

Another Egyptian deity associated with deserts, disorder, foreigners, storms, and violence. Unlike Apep, Set is seen more benignly as he is the reconciled fighter where he sails with Ra on his solar boat to fight off Apep, the chaos serpent.

Polar Twins

If Eris is the goddess of chaos and strife, then there must be a polar opposite. This honor falls to Harmonia, the goddess of peace, with her Roman counterpart being Concordia.

If Harmonia is the goddess of peace, then there must be a polar opposite. This honor falls to Eris, often cited as the goddess of chaos with her Roman counterpart being Discordia.

Zeus Part 2

Birth Of A God

We start with Cronus and Rhea, the parents of Zeus and all his siblings.

As the story goes, Cronus defeated his father, Uranus, overthrowing him to become the leader and King of the Titans. Shortly after, Cronus receives a prophesy that just as he killed his father, so too, would a child of his kill him.

This prompts Cronus to decide to devour his children whole as soon as they are born. This happens five times. Poor Rhea just gets to where she can’t take it anymore. With the birth of her sixth child, Zeus, Rhea, with the help of Gaia hides him away and manages to convince Cronus that this large stone is their latest child. Bon Appetite, Cronus eats the “stone baby” none the wiser that he’s been tricked.

Zeus’ Infancy

Here, it gets a little muddled as to what exactly happens next for Zeus’ infancy and being raised in secret before returning to reclaim his birthright.

It largely depends on which accounts of the story you read.

At Rhea’s behest, Gaia takes the infant Zeus to Crete where she hides in a cave located on Mount Dicte or Mount Ida.

There, Gaia raised the child with the divine goat, Amalthea providing milk for the infant Zeus. The Kouretes, soldiers or minor gods would dance, shout and clash their spears to hide the sounds of the baby’s cries from Cronus.

Nanny Nymphs

If Amalthea is instead a nymph, she raises a young Zeus in a cave called Dictaeon Andron on the Lasithi plateau.

Sounding a little more messed up, in Hyginus’ Fabulae, another nymph Adamanthea is who takes and raises Zeus. She dangled the infant on a rope between the heavens and sea as Cronus ruled over the earth, thus preventing him from discovering his son. Yay?

Cynosura is sometimes said to have raised Zeus and in thanks, he placed her up in the heavens to become a constellation.

Then there’s Melissa who nursed the infant on goat milk and honey.

The Promise They Were Sheeped

And while they’re not nymphs, a family of shepherds raises the baby with the promise that their flock of sheep would be protected from wolves.

Claiming His Birthright

An older Zeus returns to fulfill the prophecy killing his father Cronus. With either Gaia or Metis’ help, Zeus is able to administer a potion that causes Cronus to regurgitate all of his siblings along with the stone that was swallowed.

An alternate scenario has Zeus splitting open Cronus’ stomach, freeing all of his brothers and sisters: Poseidon, Hades, Demeter, Hera, and Hestia. Incidentally, Hades is the last of Cronus’ children that is either regurgitated or comes out after Zeus splits their father open.

Titanomachy

There is a ten-year-long divine war known as the Titanomachy, and by the end, Zeus takes his place as ruler and king of the gods on Mount Olympus. Hades and the other gods take up their roles as part of the newly formed Pantheon.

During the war, Gaia gave a prophesy to Zeus that he would have victory over the Titans by freeing the Cyclops who were then prisoners in Tartaros. Zeus slew Campe, the jail-keeper of the Cyclops. As a reward and thanks for releasing them, the Cyclcops forged weapons for the three brothers. Thunderbolts for Zeus, a Trident for Poseidon and a Bident for Hades along with a magical helmet of invisibility.

During this war, Hades used his helmet of invisibility to sneak into the Titans’ camp and destroy their weapons. After the war, the Titans were imprisoned within Tartoros and the Hecatoncheires were placed in charge of guarding the new prisoners. One titan, Atlas would be punished by forever having to hold the earth up.

Dividing the Spoils of War – After defeating Cronus and all of his father’s followers, the three brothers, Hades, Poseidon, and Zeus divided up rulership of the cosmos between them. Hades would become ruler of the Underworld; Poseidon would become ruler of the seas and Zeus would become ruler of the air. The earth, the domain of Gaia, would be available to all three gods.

Iliad – The Iliad describes the three brothers as pulling lots to determine who would rule which realm.

Hades & Typhon – While not exactly a flattering story of Hades; the story is that of Zeus battling the giant monstrous serpent Typhon during or after the Titanomachy. Hesiod’s Theogony describes Hades as cowering down below in the Underworld while Zeus is busy hurling thunderbolts and battling Typhon to take his place as king of the Olympian gods.

Gigantomachy – Battle For The Heavens!

While the Titans would be defeated, Zeus would still have to contend with other beings to secure his throne. Namely, because Gaia wasn’t happy with how her children, the Titans were treated and imprisoned in Tartarus. There would come a series of three additional attacks.

If that doesn’t have parallels with the story of Marduk and Tiamat.

The Gigantes

The first were the Gigantes, another of Gaia’s children who would be defeated and sent to Tartarus.

Typhon & Echidna

Second would come the mighty Typhon, husband to Echidna and Father of All Monsters. Typhon or Typhoeus is described as a serpentine monster that breathes fire. Zeus fought him using his thunderbolts and aegis.

Eventually, Zeus would defeat Typhon and trap him under Mount Etna. Echidna would be allowed to live along with her monstrous children. In Grecian myths, this is how Mount Etna became a volcano. In other versions of the myth, the gods Hermes and Pan would come to Zeus’ aid.

Aloadae

The third would be the twin brothers. These two would attempt to gain entrance to the heavens by stacking Mount Ossa on top of Mount Olympus. Then by stacking Mount Pelion on top of Mount Ossa.

That doesn’t seem like it would work. Zeus manages to defeat the Aloadae and just as he had with the Titans, he banished them too down to Tartarus.

One Last Final Challenge

It is curious that only when I went researching Zeus that I came across this story for the first time.

Sometime after Zeus has succeeded in overcoming all the previous challenges from Gaia, the various giants, and titans to become ruler of the heavens, a young Zeus had gotten rather prideful, temperamental, and arrogant in his rulership.

Enter Apollo, Hera, and Poseidon (and depending on the source, all the other gods except Hestia join in) deciding that Zeus needs to be taught a lesson.

While Zeus is sleeping, they come in to steal his thunderbolts and tie him up with some one hundred knots. Powerless, Zeus lays there until the Nereid, Thetis comes and seeing the god’s predicament, call the Hecatoncheire, Briareus who comes and unties Zeus.

With Briareus’ support, Zeus is able to put an end to the rebellion and punish those involved. Most notable is Hera who is punished as she led the rebellion. Zeus only relents and ends the punishments after Hera and all the gods swear never to rise up against him again.

Metis – First Marriage (Birth Of Athena)

Most mythological accounts jump straight to Zeus being married to Hera. Before that, there was Metis, the daughter of the Ocean and goddess of Wisdom, Prudence, and Cunning.

Metis resisted Zeus’ advances at first but eventually, she gives in to him and from their union would eventually come Athena. Just not a normal birth would follow for Athena.

Sins Of The Father – Now, just as Cronus did to his father Uranis and Zeus did to Cronus in time… Gaia informed Zeus that Metis would bear a daughter and from her, there would be a son who would overthrow him.

Thinking he’s clever and going to break the cycle of constant fratricide, Zeus goes and swallows Metis whole on the belief that this would prevent the unwanted birth or because he gives birth to a child, it will prevent the prophecy.

Okay….

Birth Of Athena – By swallowing Metis, Zeus will either give birth to Athena, causing a lot of anger and outrage from Hera as this is Zeus circumventing the entire birthing process.

Hera is so angry with Zeus over this, that she gives birth to Hephaestus by immaculate conception or parthenogenetically, take your pick. Either way, Hera gives birth without the need for sex.

Sometime later, Zeus is experiencing a skull splitting headache. When he goes to seek relief and splits open his head with Hephaestus’ help, out pops Athena fully clothed, armed and already an adult.

Good thing Hera gave birth to Hephaestus. Who knows what Zeus would have done to alleviate his splitting headache?

The other version that I’m familiar with, Metis is swallowed with Zeus never knowing that she was ever pregnant to begin with.

I Have A Gut Feeling – I’ve found this story a bit curious in swallowing Metis. The ancient Greeks believed that the stomach rather than the brain were the source of intellect and emotions. With this belief, mindset in mind, it makes sense why Zeus would swallow Metis, that way, her powers of wisdom existed in some form inside him.

It gives a new meaning to the phrase: “thinking with one’s stomach” or “listening to one’s gut” would come from.

Hera – Second Marriage

Going back to the normal course of events with Greek myths, Zeus is married to his sister Hera. For gods and immortals, this works out. There just weren’t very many other options. For those who are mortal and human, ewww…. Inbreeding. Don’t do it!

Naturally, being his wife, goddess of marriage, birth, women, and fidelity, I do not blame Hera for getting angry with Zeus. The myths will say she was jealous and vengeful towards Zeus’ lovers and numerous children. Hera’s myths likely reflect what life was like for woman of the day. If she couldn’t punish her husband outright, she took her anger out on his lovers and any resulting children.

Zeus had to trick Hera into marrying him too. Knowing that Hera holds an affinity for animals, the god came to her in the form of a cuckoo. When Hera picked up the bird to hold close to her, Zeus transformed back his godly form and shamed her into having to marry him.

I really just don’t see how that will be a lasting or happy marriage.

Hera & Echo – This is one of the more famous stories depicting Hera’s anger and jealously. The nymph Echo was instructed by Zeus to distract Hera while he was out having his many “affairs.” Since Hera couldn’t punish Zeus, she would punish others. In Echo’s case, she was cursed to forever repeat what was said to her.

There are plenty of studies to show and suggest that the Greeks were originally a matriarchal people. As patriarchy took over and the myths are rewritten, the resistance of the older religion and people twisted these myths and stories around to make Hera look jealous and petty as so many of the Greek gods appear to be when their myths, especially original ones get co-opted and rewritten.

Battle Of The Sexes – If you don’t already have an idea of Zeus’ amorous reputation in mythology, keep reading, you will…

Hera would be rather upset and angry with her husband from his numerous affairs. I can only imagine, that as the goddess of marriage, Hera would try to have it out with Zeus over having sex and who got the most pleasure out of it.

The mortal Tiresias was given the job of acting as a judge for this contest. When he ruled in favor of Zeus that men have more pleasure in having sex, Tiresias was rewarded with getting to live three times longer than other mortals.

Your Reputation Precedes You Sir!

Politely put, Zeus has quite a reputation with all of the “love interests” and “affairs” and the vast number of children he is to have fathered over the millennia. Zeus is rather busy for a married man, I mean god.

There are numerous stories of Zeus’ many love affairs, romances and some of which that are just outright rape stories no matter how euphemistically later rewrites try to retell them.

There’s a certain prestige, especially seen in the ancient Egyptian culture where all the Pharaohs are earthly incarnations of Ra. This divine birthright is what justifies them to be the rulers over the common, ordinary people.

I can imagine a similar thing happening among the Greeks where they want to claim a divine heritage to justify their rule over various cities states. Stories that often just served to explain how a thing came to be, why something is and to explain divine right of rulership.

We also know there’s two major areas of Greek history, the Mycenean Greek era and the those whom we think of as the Ancient or Classical Greeks with a dark age period in between. If you look at the myths carefully from these periods, Poseidon had been the ruler of the Olympian gods during the Mycenean era of Greek history. This later changes to Zeus being the head of the pantheon.

There is also a Neolithic, Cycladic culture that is best known for its female idols. Couple this with Hera and her vehemence towards Zeus and his numerous affairs. Now it appears to be clear that the Greek myths we get of Zeus are the result of revisionist history and storytelling.

As there’s a theological takeover of replacing Poseidon with Zeus as the head of the pantheon and a patriarchal takeover of the regions that reduce goddesses like Hera’s importance. Just taking a close look at some of these myths, you can see the hints of it and some of the discrepancies that come up as Greece and then Rome expanded, trying to absorb all of these locals myths and to equate local deities and variations with their own.

The most obvious being the Titanomachy story where Zeus and his siblings all displace the older pantheon and the survivors get absorbed into the new divine order.

Zeus Part 1

Zeus Part 3

Zeus Part 4

Baba Yaga

Baba Yaga

Alternate Spelling: Баба Яга (Russian)

Other names: Baba Cloanta (“Old Hag with Broken Teeth,” Romanian), Baba Jaga (Czech, Slovak, Polish), Baba Jaha, Baba-Jahinia, Baba Roga, Baba Ruta, Baba Yaha, Baba Yaga Kostianaya Noga (“bone legs”), Babcia (“grandmother” Polish), Babushka (Russian), Baka (Croatian), Boba (Lithuanian), Jezi-Baba, Yaga-Baba, Bobbe Yakhne (Yiddish), Ježibaba (Czech & Slovak), Vasorrú (“iron-nosed”)

Etymology: Baba means an elderly woman or grandmother, Yaga is uncertain, but may likely come the words: “jeza” meaning: horror, shudder or chill, “jezinka” for an evil wood nymph or dryad, “jeze” meaning: witch, “jedza” another word meaning: witch, fury or evil woman and lastly, “jeza” meaning: anger or disease and illness.

At its heart, the stories of Baba Yaga are used in Russian and Slavic folklore as a legendary bogeyman type monster to scare little children into behaving. Depending on your source, there is either just the one, terrifying Baba Yaga or there are several.

What’s In A Name?

In the Slavic languages, Baba Yaga’s name is understood to be composed of two parts. The first part of her name, Baba is generally understood to mean an elderly woman or grandmother. The second part of her name, Yaga is thought to be from a Proto-Slavic word “eg” and likely related to a Lithuanian word of “ingis” meaning: lazybones or sluggard. Other suggested words are the Old Norse word of “ekki” meaning pain and the Old English word of “inca” for doubt, scruple, grievance, and quarrel. Yaga might also derive from the feminine name of “Jadwiga.”

A Sergei V. Rjabchikov suggests that Yaga derives from the word Aga meaning: “Fiery” or “cauldron” saying that it refers to a solar deity of the Scythians and Sarmatians. Mainly as the suggestion connects Aga as a cognate to the Sanskrit word “agni” meaning: “fire” which is also the name of a fire god. Other cognate words that get linked are the Russian word “ogon” for fire and the Ossetic word “ag” for cauldron. Another scholar, Alexander Afanasyey proposes the ides of a proto-Slavic word “ož” and the Sanskrit word ahi for serpent may be a source for where the word Yaga comes from.

The earliest references to Baba Yaga, or “Yaga-Baba” is found in the “Of the Russe Common Wealth” by Giles Fletcher, the Elder. As “Yaga-Baba” she is found in the section for Permyaks, Samoyeds and Lopars where a Finno-Ugric influence is suggested.

Depending on the region and local dialect, Baba Yaga is known by slightly different names. In the Czech, Slovak and Polish regions, she’s called Baba Jaga, though Jezibaba is also used. In the Slovene language, the name is reversed to Jaga Baba. Where the term Jaga is concerned, there are numerous variations from different Slavic languages that connect it to the word jeza meaning: “horror,” “shudder,” and “chill.” There is the Slovian word jeza for “anger” and then the Old Czech word of jeze for “witch” or any legendary evil female being. The modern Czech word of jezinka refers to any evil nymph or dryad.

In Belarussia, Bulgarian, Russia and Ukraine, the names Baba Yaga and Baba Jaga are both used. Belarusia and Ukraine both have variant spellings of Baba Yaha and Baba Jaha. In the South Slavic languages of Bosnia Croatia, Macedonia and Serbia, she is known as Baba Roga. Finally, the Romanians, even though they’re not Slavic, know of her as Baba Cloanta, which roughly translates to “the Old Hag with Broken Teeth.”

Suffice to say, Baba is well known, revered, respected and feared. So much so, that some will say that Baba is the Devil’s own Grandmother. In Russian, Baba can sometimes get used as pejorative for women and men who are seen as unmanly, too timid and lack character. In the Polish language, the term Baba is also a pejorative as it can refer to a particularly nasty or ugly woman.

Description

The descriptions of Baba Yaga vary from region to region. Most are very similar in that she is a small, ugly old woman who’s very fierce or an ogress. Consistent details include mentioning her long nose and long teeth, long bony legs. Whichever details let a person know how hideous to look upon that Baba Yaga is and there’s no mistaking her for anyone else. She is a cannibalistic witch who lives in a hut in the forest. Where most witches of folklore are said to ride brooms, Baba Yaga is known for flying around in a mortar & pestle, using a broom made of silver birch to sweep away any traces of her passage. Much like the Wild Hunt, a host of spirits followed after Baba, these are most likely the spirits of her victims.

Aging: Baba Yaga is said to age one year for every question that she is asked, which, given that, could explain why she is often reluctant to help any who cross paths with her. With a tea made from a special blend of blue roses, Baba Yaga is able to undo the effects of this aging.

Chicken Hut: Baba’s Chicken Hut is notable as it walks and moves around chicken legs. The hut will move when Baba recites a specific rhyme. The keyhole to the door is a mouth full of sharp teeth. Sometimes this door will open with the following phrase: “Turn your back to the forest, your front to me.” When the house has roosted for the day, a fence with the skulls of Baba’s victims surrounds the hut.

Mortar & Pestle: Where most witches use a broom to fly around on, Baba rides around in a giant mortar & pestle, the same mortar & pestle that she can use to grind the bones of her victims then and there.

Servants: Baba will often be served by invisible servants inside her hut. If any ask about the servants, Baba is known to kill them.

Three Riders: Usually found in the Russian folklore, Baba can be associated with three riders, each of whom rides a different colored horse. White is the Day; Red is the Sun and Black is the Night. If any ask about who the riders are, Baba will explain who they are.

Hungarian Folklore

In the folklore and tales from Hungary, Baba Yaga began as a fairy, a good fairy. With the procession of time, she becomes a witch, one who drives a hard bargain and threatens to eat those who fail to uphold their ends of agreements.

Polish Folklore

Many Polish stories featuring witches often name them Baba Jaga. Much like the Brothers Grimm story of Hansel and Gretal, these Baba Jaga sometimes live in Gingerbread huts. When Baba Jaga’s hut isn’t described as being made of Gingerbread, it will be described as having only one chicken leg it moves around on.

Baba Jaga also flies around on a mop instead of a broom or in a flying mortar and pestle. She is further described wearing a black and red striped cloth that hails from Swietokrzyskie Mountains. For those wanting a bit of further trivia, this cloth is a symbol of the Kielce region and has a connection with a legendary witches sabbath on the Lysa Gora mountain.

Russian Folklore

This is the folklore that I at least was familiar with and knew Baba Yaga to hail from. It is these tales that the fearsome Baba Yaga flies through the air in flying mortar and pestle. The stories where the protagonists will discover Baba’s House that walks or dances on giant chicken legs. A house surrounded by a fence made of human bones with skulls on the posts. The keyhole of the front door is a mouth full of teeth.

Slavic Folklore

In Slavic folklore, Baba Yaga is often the antagonist of many tales. Often, she is sought by other characters who come seeking her for wisdom. Rarer is when Baba will offer guidance to wayward travelers and souls.

Dark Nature Spirit

There have been numerous, various folklore and tales about Baba Yaga over the years. Her tales often show her as a dangerous antagonist while other times she is just a tad more benevolent where she will help out others on their quests while devouring others instead. Given the location of where Baba Yaga is likely encountered most, it is out in the dark forests where she would easily represent the more wild, unknown and unpredictable force of nature.

In some stories, like Vasilissa the Beautiful, the heroine likely crosses over into the Otherworld when she is tasked by her stepsisters to go and get more light from Baba Yaga. Later traditions say that when meeting with Baba Yaga, one needs to prepare themselves spiritually and have a proper purity of spirit in order to survive an encounter with her.

Faerie – The Hungarian connection of Baba Yaga as a fairy really seems to fit given that the fae operates by rules. Baba Yaga strikes a bargain with Vasilissa the Beautiful who comes to get some fire from her in exchange for some labor. The old crone can’t hurt or eat Vasilissa so long as she full-fills her tasks and gets everything done. In the end, because Vasilissa has the aid and blessing of her mother, Baba Yaga sends the girl away. Just as many fae are known to have a trickster side to them, Baba Yaga displays hers, however dark with the skull she gives Vasilissa that burns up her stepfamily in flames. One can also argue that’s Baba Yaga acting as a bit of a dark fairy godmother to Vasilissa to aid her like that. But a bargain’s a bargain and many fairy gifts do often come with a price that’s up to the recipient to decide if that was a curse or blessing.

Good Witch Or Bad Witch? – Whether Baba Yaga will be helpful or try to eat someone really depends on the story told of her and what era of folklore for ancient or more modern. The ancient stories really home in on her dangerous nature and that she does eat people. More modern stories that feature Baba Yaga will still show her dangerous side, but as someone who’s mellowed with time, she seems to take on a more helpful nature.

More Than One? – As a supernatural being, some stories will mention a trio of sisters or witches who are all Baba Yaga, much like the idea of three fates? The good news is, that when Baba is encountered as three individuals, they’re much more likely to be benign and helpful.

Family – Some folktales will mention Baba Yaga having a daughter, sometimes she is given the name, Marinka.

Similar Folkloric Figures

There’s a number of other figures from myth and folklore of Europe that may have some cultural influence from the Eastern Slavic people’s beliefs or just the fact that similar ideas and concepts will pop up no matter what.

Baba Korizma – Serbian

Baba Pehtra – Slovenian

Baba Roga – From Croatia and Bosnia, she is used to scare children into behaving. The name Roga suggests that she has horns.

Babice – Serbian

Chlungeri – Switzerland

Gorska Maika – The Forest Mother of Bulgaria.

Gvozdenzuba – Meaning “Iron Tooth,” Serbian

Holda – Or Holle from Germany

Jezibaba –Western Slavic, she is very similar in function to Baba Yaga, though her appearance and specific stories differ from the Eastern Slavic stories.

Mama Padurii – Forest Mother, Romanian

Perchta – Alpine region

Sumska Majka – The Forest Mother, Serbian

Ancient Slavic Earth Goddess

 That’s very likely possibility given the strong connections of her as a fairy in Hungarian folklore and her connection as a dark, wild and unpredictable force of nature. She could be connected to an ancient matriarchal religion. Some sources have said that the Baba part of her name connects her as being female and that there could very well be a male counterpart to her.

There are also scholars who suggest that Baba Yaga is influenced by the Eastern Slavic people’s contact with the Finno-Ugric and Siberian people. The Finnish stories have an ogress by the name of Syöjätär who is the source of diseases and in stories, she often takes the role of a wicked mother. Contrasting with Syöjätär is Akka, a female fertility spirit or deity found in Estonian, Finnish and Sami mythology and shamanism.

The first distinct references to Baba Yaga or Iaga Baba appear in 1755 with Mikhail V. Lomonosov’s Rossiiskaia Grammatika (Russian Grammar). In this book, Baba Yaga is mentioned a couple times alongside other Slavic figures and traditions. The second mention has her in a list of Slavic deities and their assigned, roman syno-deities.

Feminist Icon

It’s no wonder, after looking into the folklore and mythology behind Baba Yaga, that in many Wiccan and Modern Pagan practices and even those who aren’t would seek to reclaim and take Baba Yaga back as a feminist icon. When incoming Christianity couldn’t tame Baba Yaga, they vilified her.

After all, centuries of persecution by Christian beliefs and she has endured in the imaginations and of those who examine her stories; see the quintessential, untamed wild old woman who does as she pleases with no one to tell her otherwise. Baba Yaga is a fierce, dark force of magic, who when approached with caution, can help or destroy.

Triple Goddess

In New Age and Wiccan practices, Baba Yaga fits very easily with the role of the Crone.

Baba Yaga In Folklore

There are a lot of stories in Slavic and Russian folklore that feature Baba Yaga, so much so, she is considered a stock character by authors of modern Russian fairy tales. There are whole articles and commentary that go into exploring Baba Yaga’s role and place in folklore as sometimes, she’s not always an antagonist or even protagonist, she’s a feature or obstacle that the heroes must overcome and get past on their journey. Is she a threat? Does she really prove helpful as a dark and dangerous fairy godmother or guide?

She does seem to come off as a trickster figure, one who can often be bested and outwitted by use of trickery and using her own sense of propriety and rules for manners and etiquette to escape her.

With her continued use in more modern, contemporary literature and media, Baba Yaga’s nature at times, depending on the needs of the narrative and author, her demeanor can soften, though she’ll remind people she can still be very dangerous.

Vasilissa The Beautiful

This is perhaps the most well-known story with Baba Yaga that was recorded by Alexander Afanasyeye in 1862. It begins as any story does, with a merchant who had married for twelve years before he and his wife were able to conceive and have a baby, a little girl whom he called Vasilissa the Beautiful.

Unfortunately, tragedy struck, and the mother became ill when Vasilissa was eight years old. Before she died, Vasilissa’s mother called her daughter to her bedside where she presented her Vasilissa with a small wooden doll. The mother explained that she was dying and that she was leaving her this little doll. She was not to show anyone this doll and to always be sure to carry it with her everywhere she went. If ever she had any sorrow or threat to her, Vasilissa was to go to a corner and take the doll from her pocket, giving it an offering of food or drink. Once it had drunk or eaten, Vasilissa would then able to tell the doll her troubles and it would aid her or give advice on what to do. With that, the mother kissed Vasilissa on the head and died soon after.

That first day, Vasilissa grieved for her mother’s loss. So much so, that when night finally came, she couldn’t sleep. As she lay there in her bed, Vasilissa remembered the tiny doll and pulled it out from her pocket. Then she found a small piece of bread and something to drink, these Vasillisa placed before the doll, saying: “There, my little doll, take it. Eat a little, and drink a little, and listen to my grief. My dear mother is dead, and I am lonely for her.”

The doll came to life, its eyes glowing as it ate a bit of bread and took a sip of drink. When the doll had finished, it told Vasilissa not to cry, that grief can be at its strongest during the night. That she should lay down and try to sleep for in the morning things would be better. Vasilissa did as the doll advised her and went to sleep and found that in the morning, her grief as not as deep and sorrowful as before.

After a period of mourning, Vasilissa’s father decided that it was right to marry again. Being a merchant, it wasn’t difficult for him to find and attract a suitable wife given his status with having a fine house, horses and his charity for giving to the poor. The merchant found a widow close to his own age with two daughters and thought that she would make for a good foster mother to his own little Vasilissa.

Such was not the case, as many of these stories show, the widow was a cruel and cold-hearted woman who only wanted the merchant’s wealth. Nor, did the widow harbor any love for Vasilissa.

Take a page right out of Cinderella, the widow and her two daughters envied and hated Vasilissa for her good looks and gave her all manner of tasks and errands to run in an effort to try and were Vasilissa out. Despite this, Vasilissa persisted, never complaining of what happened to her.

The key to Vasilissa’s success and enduring where others might have failed, is that she still had the little doll. Every night, while everyone else slept, Vasilissa would bring out the doll, while locking her door, she would feed the little doll. After the doll had eaten and drunk a little, Vasilissa would tell the doll of her troubles and the work her stepmother would task her to do.

After the doll came to life and listened to the girl’s plea, it would comfort Vasilissa and send her off to sleep. While she slept, the doll would perform all of the tasks set before Vasilissa and get all of her work and chores are done for the next day. This wouldn’t leave much left come the next morning for Vasilissa to do besides rest and play.

Time passed and Vasilissa grew up, becoming a beautiful young woman of marrying age. All the young, would-be suitors in the village came knocking, seeking out Vasilissa’s hand in marriage. None of the young men ever had an eye for the stepmother’s two daughters. This angered the stepmother to the point of being enraged. The stepmother would tell every young man who arrived at their door that the youngest would never be wed before the older ones. When the young man left, the stepmother would then beat and berate Vasilissa.

More time passed and Vasilissa’s father, the merchant left for a business trip. Barely was the father gone when no sooner did the stepmother have the house sold and packed everything up so they could move to the far side of the village near the dark forest. While the stepsisters worked indoors, the stepmother would task Vasilissa with more errands that would take her out into the dark woods.

The plot thickens!

The stepmother it seems was well aware that out in this dark forest, in a small clearing, Baba Yaga’s hut could be found. The stepmother had high hopes that Vasilissa would encounter the old witch that was known to eat people. She hoped that with each errand, it would be Vasilissa’s last as she would get eaten. Such was not to be, for the little doll of Vasilissa’s would guide her to where the berries and flowers grew and kept her well away from Baba Yaga’s hut.

One night, the stepmother brought all three girls together and tasked each of them with a job. To one of her daughters, they were to knit a piece of lace. The second daughter was to knit a pair of hose. As for Vasilissa, she was to spin a basket of flax. The tasks given out; the stepmother proceeded to put out all of the fires except for one candle before then heading off to sleep.

The girls worked for hours. The older of the girls eventually got up and went to straighten the wick on the lone candle. Instead of straightening the wick, the girl “accidentally” put the candle out. Now the girls panicked, for what would they do without any light to work by? The only house close enough to get a light from was that of Baba Yaga’s. The two daughters of the stepmother bade that Vasilissa be the one to go out and get the much-needed fire as she knew the nearby forest better. Nor, would the girls allow Vasilissa to return to the house without any light or flame.

Out a distraught Vasilissa went and sat on the front steps of the house. She pulled the small doll from her pocket and some food from the other. As she gave the food to the doll, saying: “There, my little doll, take it. Eat a little and listen to my sorrow. I must go out to the hut of Baba Yaga in the dark forest to get some fire and I fear that she will eat. Tell me! What shall I do?”

The doll came to life, eyes glowing as it ate. When it had finished, the doll replied that Vasilissa should not fear, to go to where she had been sent and that while he was with her, no harm would come to her from the witch. Hearing those words, Vasilissa placed the doll back in her pocket and headed out into the forest.

After a time, walking through the dark forest, Vasilissa soon heard the sound of horse hooves pounding the ground and shortly after, a white horse and rider dressed all in white passed by her. Soon as rider and horse were gone, it became twilight.

Vasilissa continued further on and again, she heard the sound of horse hooves pounding the ground as presently, another horse and rider passed by her. This horse and rider were blood-red and once they had gone, the sun arose.

On, Vasilissa continued her journey within the Dark Forest and it became very clear that she was now lost and there was no longer a path to follow. Nor, was there any food for Vasilissa to take out and bring the little doll to life to ask for help or advice.

Finally, as the evening came, Vasilissa found herself standing before a green lawn where a peculiar hut stood on chicken legs. Around the hut, a wall made of human bones with skull atop each post. It was a very unsettling sight for Vasilissa to take in.

While standing there, Vasilissa once more heard the sound of horse hooves and sure enough, a third horse and rider thundered into view. This time horse and rider were all in black. As horse and rider pounded the ground up to the gate to the hut, they disappeared, and night fell upon the forest as everything became dark.

The only place not dark within the forest was the lawn as all the eyes of the skulls on the wall lit up, illuminating the place. Vasilissa didn’t have long to stare for a loud noise boomed from the forest as trees groaned and shift. The source of the noise was Baba Yaga flying in riding in a large mortar with a pestle steering it. As Baba Yaga moved through the forest, behind her, she swept her trail clear with a broom.

Up to the gate, Baba Yaga flew and stopped, reciting the following: “Turn your back to the forest, your front to me.”

With those words, the hut turned on its chicken legs, facing towards Baba Yaga and stood waiting. Before going in, Baba Yaga sniffed the air and cried out that she smelled someone present and asked he was there.

In fear, Vasilissa stepped out, bowing low before Baba Yaga. “It is only me, Vasilissa, grandmother.” And explained how the daughters of her stepmother bid her come to borrow some fire as it had gone out at home.

Baba Yaga knew of whom Vasilissa spoke off and bargained that if she gave her some fire, that she was to stay a while and work for it. If Vasilissa didn’t, then Baba Yaga would eat her. The bargain struck, Baba Yaga with Vasilissa following behind, entered the hut.

Once they were inside, Baba Yaga sat down on her stove and stretched out her skinny, bony legs as she spoke: “Go and fetch the table and place everything in the oven on it. I’m hungry!”

Hearing this, Vasilissa hurried and pulled out from the oven, enough cooked meat for three big men. Then Vasilissa brought out from the cellar, honey and red wine. All of this Baba Yaga ate and drank with gusto, leaving only a small bit of cabbage soup, a crust of bread and a bit of pork for Vasilissa to eat.

Her hunger satiated, Baba Yaga grew tired and went to lay down on the stove. Before falling asleep, she instructed Vasilissa that on the morrow, when she left, that Vasilissa was to clean the yard, sweep the floors and cook her supper. Vasilissa was then to take a quarter measure of wheat from Baba’s storehouse and pick out all of the black grains and wild peas. Failure to accomplish all of this would see Vasilissa eaten by Baba.

Now Baba Yaga turned over, facing towards the wall and promptly fell asleep as evidenced by the snores. Scared, Vasilissa went to a corner and took out her tiny doll from her pocket. She fed it a bit of bread and a little bit of cabbage soup that she had saved. Then, bursting into tears, Vasilissa told the doll to eat a little and drink a little and then told it how she was in the house of Baba Yaga, that the old witch had given her a difficult task and if she did not complete it all, that Baba Yaga would eat her. What was she to do?

The little doll’s eyes glowed as it came to life and ate the bread and drank the soup before it responded, telling Vasilissa not to be afraid. To say her prayers and go to sleep, that things would look clearer in the morning. Trusting her little doll, Vasilissa did as she was told and went to sleep.

The next morning, Vasilissa awoke early while it was yet dark. Peering out the window, she the skulls on the wall glowing still. As she continued to watch, Vasilissa saw a man dressed all in white ride away on a white horse ran past and as they pounded by, it became light. The glowing eyes of the skulls went out with the light. Baba Yaga went out to the yard and whistled for her giant iron mortar and pestle that came. Climbing in, Baba Yaga flew away. Shortly after she left, a man dressed all in red riding an equally red horse appeared, signaling fully the arrival of dawn.

Alone now, Vasilissa looked about the hut as she took in everything that had to be cleaned and all that she was tasked to do. As she turned attention back to the yard, Vasilissa was astonished to find the yard already clean along with the floors of the house when she looked back inside. Looking around, Vasilissa spotted her little doll sitting in the storehouse as it picked the last of the black grains and wild peas out from a quarter measure of wheat.

Vasilissa took up the little doll in arms to thank it. That now all she had to do was cook Baba Yaga’s supper. The little doll bid her to that task which Vasilissa did after the doll went back to her pocket. Laying out the table for supper and getting the meal ready, Vasilissa needed only to rest and wait the rest of the day.

As she waited, Vasilissa heard the sound of horse’s hooves and soon saw a rider all in black on a black horse ride up the gate and disappear. Once the black rider vanished, it became night and the eyes of the skulls began to glow. Not long after that, the forest began to shake and branches tremble as Baba Yaga flew back to hut.

On entering her hut, Baba Yaga looked around, sniffing the air. Baba Yaga then asked the girl if she had done all that was asked of her or was Baba Yaga going to get to eat her? Vasilissa replied for her to look.

Baba Yaga looked around the hut and yard. Try as she might, Baba Yaga was unable to find anything amiss which angered the old witch. Still, the tasks were done, and Baba Yaga clapped her hands together, calling for her faithful servants to take her wheat. Instantly, three pairs of hands appeared and hauled away the measure of wheat.

Then Baba Yaga sat down at the table as Vasilissa placed before her all the food that she had cooked along with kvass, honey and red wine. Baba Yaga ate with much gusto, enough for four men. Finished, Baba Yaga stretched out her bony legs on the stove and told Vasilissa that tomorrow, she was to the same as she had done today and in addition, that she was to take a half-measure of poppy seeds from the storehouse and clean them, one by one. It seems that someone mixed earth with the seeds to cause old Baba Yaga some mischief. With that, Baba Yaga turned over towards the wall and began to snore.

Just as she had the night before, Vasilissa crept to a corner to pull out her little doll. She once more placed a small bit of food before the doll to ask its advice. Like always, the doll’s eyes glowed as it came to life and ate. Finished, the doll replied for Vasilissa not to worry, to say her prayers as she had before and to sleep. Vasilissa did as she was bid and went to sleep.

The next morning, Vasilissa awoke to the sound of Baba Yaga’s whistling. Vasilissa got up and ran to the window, just in time to see the old witch take off in her giant mortar and pestle. Just as she had seen the day before, the man in red appeared on his horse, riding away to signal the dawn. Like the previous morning too, as Vasilissa looked around, she saw that all of the tasks had been accomplished by her doll and all that remained was to cook the supper.

Vasilissa had everything for dinner prepared and ready on the table when the man in black on his horse return to signal nighttime and Baba Yaga’s arrival. Baba Yaga came into her hut, peering around, seeing for herself that all the tasks and supper were accomplished. Angry, Baba Yaga clapped her hands, calling for her servants to come take the poppy seeds. Again, three pairs of hands appeared to take the measure of poppy seeds away.

Baba Yaga sat down at the table devouring the meal with the zeal and gusto of five men. Vasilissa stood nearby, quietly waiting as the old witch ate. The quietness annoyed Baba Yaga who snapped at the girl, asking why she stood there as if she were dumb.

Vasilissa replied that she didn’t dare speak, but if she was allowed, could she ask grandmother some questions.

Baba Yaga allowed it, cautioning Vasilissa to remember that not every question had good answers and that knowing too much could lead a person to prematurely growing old.

Vasilissa then inquired, asking about the white rider. Baba Yaga said that was her servant, Bright Day. Then Vasilissa asked about the red rider to which Baba Yaga responded that was her servant, the Red Sun. Lastly, Vasilissa asked about the black rider and Baba Yaga replied that was her servant, the Dark Night. That none of her servants couldn’t harm Vasilissa.

Going silent, Vasilissa sat there and Baba Yaga wanted the girl to ask more questions. Why not ask more? What about the three pairs of hands? Vasilissa answered that three questions were enough and that she did not want to grow old too soon if she knew too much.

Old Baba Yaga laughed and said that well for her if she had asked about the hands, they would have appeared and seized Vasilissa to carry away to become Baba Yaga’s next meal. Now that Vasilissa had asked her questions, Baba Yaga wanted to ask questions of her own.

Namely, how was it that Vasilissa had been able to accomplish all the tasks in the short time allotted. Frightened, Vasilissa nearly brought out her doll, but thought better of it in time, replying instead that she had the blessing of her dead mother helped her.

Enraged, Baba Yaga told Vasilissa to get out of her house, she would have no one in her house who bore a blessing to cross her threshold. As Vasilissa got up to leave, running from the house, Baba Yaga grabbed a skull from a post on her wall and threw it at the girl. Saying that she was to take the skull, that’s what the stepmother’s daughters had sent her for.

Grabbing up the skull, Vasilissa placed it on the end of a stick and carried it with her out of the forest, running as fast as she could. She ran until morning when the glow of the skull dimmed just as Vasilissa exited the edge of the forest before her stepmother’s house.

Surely, by now, Vasilissa thought, the sisters would have found another light. Vasilissa thought to throw the skull into the hedge, but it spoke saying not to throw it away, to take it to her stepmother. Vasilissa picked up the skull again and carried it with her to the house.

In all the time that Vasilissa had been gone, the stepmother and daughters had had no fire or light for all of the house. Whenever they would strike flint and steel, the tinder wouldn’t catch and any fire brought in from a neighbor’s would immediately out as soon as it crossed the threshold of the house. Such was the state of three to have no light or warmth for themselves or to cook food. This made it the first time that the presence of Vasilissa was ever welcomed for when she carried the skull across the threshold, it’s light did not go out.

The stepmother insisted on placing the skull in the best room on a candlestick. As the stepmother and her daughters admired it, the eyes of the skull began to glow red like coals. Whenever the three would look or go, the eyes of the skull would follow, growing larger and brighter until the eyes burned bright as a furnace, growing hotter and hotter so that the stepmother and her daughters burned to ashes. Only Vasilissa was spared this fate.

What every poor abused stepchild wants, freedom from the wicked stepparent and siblings.

The next morning, Vasilissa dug a hole and buried the skull and locked the door to the house. She then set out of the village where she went to live with an old woman who was childless. There, Vasilissa lived, waiting for her father’s return from his journey.

After a few days of nothing to do, Vasilissa asked the old woman for some flax to spin, that she could at least do. The old woman went out and got Vasilissa some flax of the best kind and Vasilissa sat down to spin. So fine was the thread, even and fine as hair, eventually there was enough to work with to weave. However, so fine was the thread that there was frame that could weave the thread.

As she had done before when needing help, Vasilissa took out her little doll and giving it food and drink, told it of her need for a frame to weave her thread on. As always, the little doll came to life, eating and drink and when it had finished, it instructed Vasilissa to bring it an old frame, an old basket and some hairs from a horse’s mane and that it would make the frame needed. Vasilissa did as she was instructed, getting all the items and bringing them back.

The next morning, Vasilissa found a frame suited for the needs of weaving her thread on. It would take Vasilissa several months work weaving, throughout the winter, until she had at last a piece of linen as fine that it could be passed like the thread it was made of through the eye of a needle. Spring came and Vasilissa bleached the linen, making it as white as snow. Vasilissa then bid the old woman take the linen to market and sell it for the money made would pay for her food and lodging. The old woman returned from the market, saying that no one would buy the linen and that no one would wear it except for the Tsar himself. That tomorrow, she would carry it to the Palace.

The next day came and the old woman carried it to the Palace, and she spent her time walking up and down the walkways of the Palace. Servants would come up and ask her what brought her to the Palace and the old woman would say nothing. Presently enough, the Tsar opened his window and called down to the old woman what she wanted.

The old woman replied that she had a marvelous piece of linen and that she would show it to no one but him. The Tsar bid the servants bring the old woman in who showed off the linen to him. The Tsar was so taken with the finery and beauty of the cloth that he asked the old woman what she wanted for it. The old woman replied that there was no price for it, it had been brought as a gift. So pleased was the Tsar that he couldn’t thank her enough and sent the old woman away with many gifts.

Numerous seamstresses were brought in to make shirts for the Tsar out of the marvelous cloth, but they found that when it was cut up, that none of them had skill to sew it. The Tsar found himself calling the old woman back, saying that if she knew how to spin such linen, surely, she would know how to sew shirts from it.

At this, the old woman confessed that it wasn’t her who wove the cloth, but her adopted daughter who had done so. The Tsar bid the old woman to bring the cloth back to her daughter to sew into shirts. Bringing the cloth home, Vasilissa replied that it was just as well that she be the one to sew the shirts as she made the cloth.

Vasilissa took the cloth and went to her room where she returned later with a dozen shirts for the Tsar. The old woman brought all of these back to the Tsar who was so delighted with the craftsmanship that he sent a servant to fetch Vasilissa and bring her back to the Palace.

For the Tsar, it was love at first sight when he saw Vasilissa enter his Palace. So beautiful was Vasilissa that the Tsar asked her to marry him. The two wed and shortly after, Vasilissa’s father returned from his journey and he and the old woman went to live with Vasilissa in the Palace. As for the little doll, Vasilissa kept it with her always in her pocket all her life.

Christianized Version –

There is a Christianized version of this story where, when Vasilissa is sent off to Baba Yaga and ends up being captured by the old witch, it is Baba Yaga’s servants, a cat, a dog, a gate and a tree that all help Vasilissa escape her fate as she had shown them each kindness. At the end of this story, Baba Yaga turns into a crow.

Baba Yaga And The Peasant Children

This is a story I came across that is very similar to the Christianized version of Vasilissa’s story above. It also, after I finished reading it, that it sounds a lot like the Brothers Grimm story of Hansel and Gretel. You go over to Poland and these Gingerbread dwelling witches are all over the place.

The story starts off with two children who have a cruel stepmother. One day, the stepmother decides she no longer wants the children and contrives a way to send them off into the forest to get lost and eaten by the infamous Baba Yaga.

The children do find their way into Baba Yaga’s clutches and while there, they are able to escape her cannibalistic nature first from a black cat who helps them as they had fed it when Baba Yaga wouldn’t. Secondly, the children are aided by the gate slamming shut on Baba to slow her down because the children had mended the gate when Baba Yaga had neglected it. Finally, the very trees of the forest aid the children in evading Baba Yaga due to how she had mistreated them. The children are able to get home safely where their father kicks out the stepmother and welcomes his children home.

Prince Danila-Govorila

This is another story involving Baba Yaga that I came across and it reads in many ways, like a modern horror story. In it, there is an old woman who’s a princess and she had two children, a son and daughter. Entering the story is an old witch, Baba Yaga who doesn’t want the woman or her children to be happy. She turns into a fox and appears before the woman, presenting her with a ring and tells her that the ring is for her son, that he will be rich and generous, and he can only marry the woman whose finger will also fit the ring.

The old woman or princess believes the fox has given her a blessed gift and bestows it on her son. Time goes by and the son grows up and he beings to look for the woman whose finger will fit the ring. He finds many women whom he likes and fancies, but none of them are able to wear the ring. At long last, the son, Danila laments to his sister Katerina how he is unable to find a wife as no one is able to wear the ring.

Katerina asks to see the ring and Danila pulls it out. As it’s a ring, Katerina does the most natural thing and tries it on. To both siblings’ astonishment, the ring fits and Danila declares that Katerina is meant to be his wife. This can’t be so Katerina cries out, that’s incest and against God’s will. But Danila is so elated he runs off dancing and singing.

Katerina goes outside to cry her misfortune and as she does so, some elderly woman pass by and ask her what the matter is. They listen to her story and tell Katerina not to worry. Make four dolls and places them in the corners of her room. When Danila calls her to marriage, she should go and when it’s time to go to the bedroom, take her time. That Katerina should put her faith and trust in God to work things out.

Katerina does as she’s advised with making the dolls and placing them. Soon after, she and her brother are married. That night, when Danila called her to bed, Katerina took her time with getting ready and heading to bed.

This is where it gets to sounding like a horror story, as Danila is calling for Katerina, the dolls come to life, calling out how Prince Danila is marrying his sister and taking her to bed, for the earth to open up and Katerina to fall inside.

The more Danila calls, the more the dolls cry out, the more the earth opens up beneath Katrina and she sinks down within it. Eventually Danila can’t hear Katerina responding and he rushes into the room where she was supposed to be getting ready for bed. Only he finds the dolls calling out for the earth to open up and sister fall inside and there’s no sign of his sister. Danila flies into a rage and chops off the heads of all the dolls.

Meanwhile, Katerina finds herself beneath the earth and eventually she comes across a small hut that stands on chicken legs. A voice calls out from within for the hut to: “stand as before, rear to the forest and face before me.” The chicken hut turns, and Katerina is greeted to the sight of a beautiful maiden sitting alone inside.

The maiden invites Katerina inside to visit for a while. The maiden warns Katerina that her mother is a witch and when she shows up, she needs to hide. However much this frightened Katerina and with nowhere else to go, she went inside to visit and talk with the maiden as she knitted and made a wedding towel.

I can see where this is going…

The maiden knows when her mother will return, and she turns Katerina into a needle that she hides in her broom. No sooner done, then in comes the old witch who declares that it smells of a Russian having been in the hut.

The maiden says that some passersby had come through, looking for water. When the old witch asks why the maiden didn’t hold them, the maiden says that they were too old and tough for the old witch’s teeth.

The old witch instructs the maiden to call people into the yard and to keep them there next time. Now she was going to head off and get some booty. The old witch leaves and the two girls resume their talking and laughing.

The old witch returns again, Katerina is turned into a needle once more before she enters the house and the maiden tells a story to her mother how she couldn’t detain and keep the people there.

Third times the charm and the old witch isn’t fooled, she takes off again, but doesn’t go far for just when the girls are back to their antics of laughing and talking, where Katerina will hide this time and what story to use, the old witch enters the hut, revealing herself to be Baba Yaga to the frightened Katerina.

Delighted that her daughter has finally caught dinner, Baba Yaga tries unsuccessfully to get Katerina to sit on a paddle to be placed in the oven. Katerina makes it difficult as she keeps moving her legs to keep from getting pushed in. Baba Yaga is angered and when she tries to push Katerina in, the maiden takes her opportunity and instead, shoves her mother into the oven.

As the two girls ran, Baba Yaga got free of the oven and chased after them. First, the maiden threw down her brush that turned into a marsh that Baba Yaga had difficulty crawling through. On the girls ran with Baba Yaga still giving chase. Now the maiden tossed down her comb and a dark, thick forest sprang up that slowed down the old witch, causing Baba Yaga to lose sight of the two for a time.

Eventually, she was nearly caught up with the girls and the maiden now threw down her towel which turned into a vast fiery lake. Baba Yaga tried to fly up over this fiery lake, no matter how high Baba Yaga flew, the heat of the lake got to her and she plunged to a fiery death.

The two girls made it back to the world above but didn’t have any idea of where they were at. As they sat to rest, catching their breath, a man came up to the two. Both Katerina and the maiden were very alike in appearance and the man knew that they both matched the description of the missing Prince’s sister and wife, Katerina.

Finding themselves getting brought before Prince Danila so he could figure out which was his sister, Katerina refused to speak a word. As they couldn’t get either girl to speak, the man who was a servant of Danila’s came up with a plan to have the Prince hide a bladder full of blood under an arm, he, the servant would come up and stab him and that would get the sister to speak and thus reveal herself.

The plan is put into motion, the Prince with blood bladder under his clothing comes back out. The servant goes to stab the Prince. The Prince falls down as if dead, Katerina cries out in fright and goes up to hold the body of her brother, only to find, surprise! He’s not dead. Danila hugs his sister and marries her off to a good man and he decides to marry the maiden as the ring he has fits her finger too.

And I find that ending very wow? All that work and Katerina and the maiden are both married off like property, the Prince is reward for…pretending to die and takes the friend who shows up seemingly out of nowhere.

However that’s not the scope of retelling these stories, just that they’re ones that feature Baba Yaga that I came across and showcase her as a very scary, unpredictable being, whom with a bit of luck, cunning, one’s own magic or minding manners when dealing with someone very old, they can survive an encounter with Baba Yaga.

More Stories

I could go on for quite a while trying to give quick run-through of all the different folktales involving Baba Yaga, there are just that many. It would be my luck to still miss one or two. She even continues into the present day with continued use in literature and media.

At the very least, I can try to mention some of these other stories. There is: “The Feather of Finist the Falcon,” this is one story where the hero meets up with three Baba Yagas. There is also “Teryoshechka”, “The Enchanted Princess,” “The Silver Saucer and the Red Apple,” “The Maiden Tsar,” “The Tale of the Three Royal Divas”, “Ivashka, The Priest’s Son,” “Baba Yaga and Zamoryshek,” “By Command of the Prince Daniel,” “Marya Moryevna,” “Realms of Copper, Silver and Gold,” “The Sea Tsar and Vasilisa the Wise,” and “Legless Knight and Blind Knight.”

Reality Behind The Myth

The description of Baba Yaga’s hut that stands on chicken legs, with no windows or doors, likely has a place in the local cultures of the Siberian region. Similarly built cabins and huts have been observed with the early hunter-nomadic peoples of Siberia (namely the Finno-Ugric) and Tungusic families. To keep wild animals from getting into food supplies while they have gone, they built cabins with no doors or windows up on supports from trees. From a distance, these supports with the tree roots still attached would look like chicken legs. The only access to these huts would be by way of a trap door.

Siberian Paganism

Smaller, similar constructs were used in the old Siberian pagan religion to hold figurines of their deities. The idea has put forth of a late matriarchy where a bone-carved doll dressed in rags is placed in a small cabin that the doll can barely fit in.

The last idea is a funeral tradition used for cremating the dead in huts built on poles. Russian archaeologists, Yefimenko and Tretyakov found small huts containing the cremated remains of corpses and circular fences places around them in 1948.

Grýla

Grýla

Etymology – “Growler,” “Threat” or “Threatening,” possibly “Bugbear”

Grýla is the name of a popular and famous Christmas Witch, Ogress or Troll found in Icelandic traditions. Stories and imagery for Grýla can also be found in the Faroe Islands. She is used by parents to scare naughty children into behaving.

The earliest translation for Grýla’s name, likely comes from the Sverris saga in the late 1100’s where the author has a section titled Grýla and goes on to explain that it means: “Bugbear.”

Dimmuborgir

This is reportedly the home of the fierce some Grýla, Leppalúði and the Yule Lads. It is a labyrinth field of lava in North Iceland.

Descriptions

This ogress lives up in the mountains of Iceland. She is said to have hooves for feet and thirteen tails. Always in a foul temper with an insatiable hunger, especially for children, Grýla will descend from her mountain in search of bad children. She will put the children into a large sack to carry back up to her mountain cave to boil alive in a stew.

The descriptions for Grýla vary widely as some accounts saying she is half troll, half animal, that she has 300 heads with three eyes on each head. Other accounts will say she has bad nails, fangs, eyes in the back of her head and horns like a goat, that her ears hang down to her shoulders and are tied to her nose. Further accounts will say her chin is bearded and that her teeth are black like charcoal.

Grýla is described as having the ability to detect naughty children all year-round. It is during Christmas time that she will come down from her mountain home to find naughty children in local towns to take back and boil alive in her cauldron. Those children who have behaved or who have repented of their misdeeds, Grýla is unable to take or must release.

Snorri Edda – Written in the 13th century by Snorri Sturluson, Grýla is among the names of female trolls listed in his saga. Grýla is a cannibalistic mountain ogre or troll. Even in this early writing, Grýla is used to scare bad children into behaving lest she come down from her mountain cave to devour them. Sturluson’s Sage, Grýla has fifteen tails and on each tail, there are a hundred ballons and each balloon holds twenty children.

Þjóðsögur Jóns Árnasonar – “The Folklore of Jón Árnason” gives a description of both Grýla and her husband, Leppalúði. Both of these fiends are cannibalistic trolls who mostly prey on children. Found within the Folklore of Jón Árnason, is a poem that mentions both Grýla  and Leppalúði having nineteen children.

Family

Spouses

Grýla has had three different husbands. Out of boredom or spite, she killed her first two husbands.

 Gustur – This is the name of Grýla’s first husband whom she killed and ate out of boredom.

 Boli – This is the name of Grýla’s second husband with whom she bore many children with. Boli is noted as having been a cannibal and died of old age. Sometimes Grýla kills and eats him too.

Leppalúði – He is Grýla’s current and third husband and the father of the Yule Lads. Leppalúði is known for being very lazy. He lives in their cave found in the Dimmuborgir lava fields. Aside from the Yule Lads, Grýla and Leppalúði also have twenty other children.

Leppalúði had an affair with a girl by the name of Lúpa while Grýla was very ill and bedridden for an entire year. The girl, Lúpa was to play nurse to Grýla while she was sick. It’s no small wonder than, that when Grýla finds out that Leppalúði and Lúpa had an affair, resulting in a son by the name of Skröggur, that the trolless would become enraged and drive the girl and her son off from the cave.

The last children Grýla had with Leppalúði, when she was 50 years old, were twins. The twins died very young and still needing a crib.

Children

Having been married a few times, Grýla has some 72 children who are responsible for a variety of mischief and trouble. All ranging from harmless pranks to outright murder.

JólasveinarnirThe Yule Lads, in the 17th century, when Grýla became associated with Christmas, she was assigned to be the mother of the Yule Lads. There are 13 Yule Lads who started off causing all sorts of mischief and trouble. Overtime and influenced by the American Santa Claus tradition, the Yule Lads became associated with gift giving and will leave either a gift of sweets ore a rotten potato in a shoe left on the window sill depending on a child’s behavior.

JólakötturinnThe Yule Cat, as if children aren’t enough, Grýla also has a monstrous giant black cat for a pet. The Yule Cat will prey upon children and adults alike who have not received the gift of a new article of clothing. The Yule Cat will swell to a monstrous size before tearing apart its victim. So make sure your Nana or favorite Aunt has sent you a new article of clothing for Christmas. Even if it’s a pink bunny outfit, it will keep the Yule Cat from eating you!

Dark Winter Spirits

This ties into why Grýla is said to have so many children. With Grýla’s pre-Christmas traditions, she and all her numerous children are the dark, dangerous and capricious spirits of Winter. This time of the year, the weather is colder, the nights longer and it’s just more treacherous to go out into the wilderness if one is not prepared or wary.

Jól – The midwinter holiday that predates the modern Christmas, marks a time of people gathering together to feast and celebrate family both living and deceased. This older holiday is generally darker as elves, trolls and other mystical creatures that inhabit the Icelandic countryside are also out and would sometimes come to visit homes and farms, often as masked figures.

The character of Grýla was certainly one of these dark, spooky spirits who would come down from the mountains as a personification of Winter and the danger that comes with it. Another point of note, given Grýla’s insatiable appetite, is that she is closely related to the fear of hunger that the long, dark winter months can bring.

Christmas Associations

Grýla became associated with the Icelandic celebrations for Christmas in the 17th century. At this time, she was given the role of being the mother of the Yule Lads who bring either a gift or a rotten potato. When children get so frightened of going out for fear of being eaten that the government has to step in and ban parents from using Grýla as a fear tactic, you know you have a really scary badass that you just don’t mess with.

It has been suggested by Terry Gunnell that the tradition of Grýla may come from that of the Julebukk or Yule Goat and that her name may mean “threat” or “threatening.”

In her role as a Christmas Ogre, Grýla still hunts out misbehaving children to kidnap and eat. Later stories will sometimes have Grýla and Leppalúði die from starvation as they’re unable to find any naughty children. Though occasionally the two aren’t averse to eating adults either.

A more modern convention of the twentieth century, Grýla’s sons, the Yule Lads image softened and became more friendlier, adopting some of the Dutch tradition of leaving a shoe out so that the Lads could leave a gift if a child was good and a rotten potato if a child was bad in the thirteen days leading up to Christmas.

The Onion

A satirical news site, The Onion blamed the 2010 eruption of the Eyjafjallajökull volcano on Grýla.

Brynhildr

Brynhildr

Etymology: Bright Battle

Also known as: Sigrdrífa (“driver to victory”)

Alternate Spellings: Brunhild, Brünhild, Brunhilde, Brünnhilde, Brunhilda, Brynhild, Brunhilt, Prunhilt

Brynhildr is a famous shieldmaiden and Valkyrie from Germanic and Scandinavian mythology. She is a main character in the Völsunga saga and Poetic Eddic poems. She also appears in the Nibelungenlied and in Richard Wagner’s Der Ring des Nibelungen operas.

There are a few different versions of Brynhildr’s story that can be found along with alternative spellings. It’s likely that these could be about a different Brynhildr and these different versions just reflect different regional differences based on which clan is telling the story.

Parentage and Family

Parents

Budli – Her father as made mention in the Völsunga.

Erda – Her mother in Wagner’s Der Ring des Nibelungen operas.

Wotan – Her father in Wagner’s Der Ring des Nibelungen operas.

Valkyrie – An unnamed Valkyrie is her mother in the Völsunga.

Siblings –

Alti – Her brother in the Eddic poem “Sigurðarkviða Hin Skamma.” Interestingly, Alti could be Attila the Hun.

Heimer – Her brother-inlaw in the Völsunga for the versions of the story that have her up in a tower. He’s married to her sister Bekkhild.

Sisters – According to the Eddic poem “Helreid Brynhildar” with Brynhildr being a Valkyrie, she has eight sisters.

Other siblings are Bekkhild and maybe Oddrun.

Consort

Gunnar – Whom she is tricked into marrying in one fashion or another in different versions of the story.

Children –

 Aslaug – Brynhildr’s daughter by way of Sigurðr in the Völsunga. Aslaug goes on to marry Ragnar Lodbrok.

Völsunga Saga

This is the main source for Brynhildr’s story. It is a 13th century Icelandic saga from the Völsung clan that tells the story of Sigurðr and Brynhildr and the subsequent destruction of the Burgundians.

Brynhildr is the daughter to Budli, who grows up to become a shield-maiden and Valkyrie. As a Valkyrie, she was tasked by Odin to determine the outcome of a fight between two kings, Hjalmgunnar and Agnar. Odin favored the older king Hjalmgunnar and in an act of defiance, Brynhildr throws the fight and to favor Agnar as the winner.

Angry, Odin condemns Brynhildr to live out the rest of her life as a mortal woman and has her imprisoned in a remote castle with a wall of shields on top of Mount Hindarfjall. There, Brynhildr slept within a ring of fire until a man without fear could ride through the fires to rescue and marry her.

The hero, Sigurðr Sigmundson, the heir to the clan Volsung and the slayer of the dragon Fafnir, is the one who enters the castle and awakens Brynhildr when he removes her helmet and chain mail armor.

Sigurðr still had some other tasks he needed to go perform and he promised Brynhildr that he would return. As both Brynhildr and Sigurðr have fallen in love with each other, Sigurðr proposes to her with the magic ring known as Andyaranaut. Brynhildr makes an oath that she will marry the man who rides through the flames for her. It’s also here, during their stay in the castle that Aslaug is conceived.

Unknown to Sigurðr, the ring Andyaranaut is cursed and would cause him and Brynhildr a lot of problems later. The ring was part of the cursed treasure that Sigurðr claimed after slaying Fafnir.

Meeting In Hlymdale

This seems to be a slight variation to the story where Sigurðr has taken Brynhildr with him or she was up in a tower this time.

Later, when Brynhildr and Sigurðr are at Hlymdale, the home of Heimer, Brynhildr’s brother-in-law, Sigurðr spots her up in a tower and declares his love. Sigurðr promises that he will return for Brynhildr to wed her.

Sigurðr then heads for Burgundy, to King Gjuki’s court. While Sigurðr is gone, Brynhildr receives a visit from Gudrun, Gjuki’s daughter. Gudrun has come seeking help with interpreting a dream, a dream that seems to foretell Sigurðr’s betrayal to Brynhildr when he marries Gudrun.

Meanwhile….

Over in Burgundy, Grimhild, a sorceress and wife to Gjuki conspires to have Sigurðr marry her daughter Gudrun. Grimhild creates a magic potion that she manages to get Sigurðr to drink so that he will forget all about Brynhildr.

Naturally enough, Sigurðr does marry Gudrun.

As a consolation prize for Brynhildr, if you can call it that, Grimhild, upon learning about Brynhildr being a Valkyrie, decides to have her marry her son, Gunnar.

A slight variation to this story has, that when King Gjuki dies, his son Gunnar becomes King and is a sworn oath brother to Sigurðr. Grimhild desired to see Gunnar wed, but Gunnar had told his mother that he had seen no maiden whom he would want to take as a wife.

Fair enough it seems.

News is brought to Gunnar by his sister Gudrun about a warrior maiden behind a wall of flames. Gunnar decides this maid is the perfect one for him and goes to find out if she is the one.

So off Gunnar, his brother Hogni and Sigurðr ride, towards Hindfell in search of a maid worthy to be Gunnar’s bride. The three come across the high tower with black walls with shields and encircled with flames. Thanks to the potion, Sigurðr has no memory of this place or Brynhildr within, faithfully awaiting his return.

A slight variation to this has Gunnar getting Heimir’s consent to go court Brynhildr, provided he can be the one to show no fear and ride through the flames.

Gunnar decides he’s going to ride through the flames, but his horse, Goti refuses to go near the flames. Then Gunnar gets the idea that he can ride Sigurðr’s horse, Grani through the flames. But Grani being a smart horse, knows that Gunnar is afraid of fire and refuses to ride through.

At a loss, the three sworn brothers brainstormed and considered the matter. Hogni eventually spoke up and proposed the idea that Sigurðr could use magic to shape-shift (by use of his magic helmet) and take Gunnar’s shape.

Sigurðr now disguised, rides through the flames, claiming to be Gunnar and take Brynhildr’s hand in marriage. Of course, Grani, knowing this to be his true rider, gives Sigurðr no problems with riding through the flames.

When Brynhildr saw another man besides her Sigurðr enter the flames, she despaired and demanded to know who this stranger was.

The disguised Sigurðr responded that he was Gunnar, the son of Gjuki of the Nibelungs. Angry at the response, Brynhildr, as this isn’t Sigurðr, fights him. During the fight, Sigurðr manages to pull the ring Andvaranaut off her finger, rendering the Valkyrie powerless. Sigurðr would later give the ring Andvaranaut to Gudrun.

Before leaving, both Brynhildr and Sigurðr stay in the castle for three nights. Despite this, Sigurðr in a symbolic gesture, lays his sword between them to signify that he won’t take Brynhildr’s virginity.

Maybe they meant chastity if you remember Sigurðr’s earlier visit. He may not remember, but I know I do.

Eventually, Sigurðr and Gunnar switch back places so that Gunnar can marry Brynhildr. Poor Brynhildr believes that Sigurðr has forgotten her and keeps the promise she made of marrying the man whom she believes rode through the flames for her.

We’re not to any sort of a happy ending yet. Later, Brynhildr and Gudrun are out bathing in a nearby river when they get into a heated argument over whose husband is better and braver.

Brynhildr boasts that her husband, Gunnar was brave enough to ride through flames for her. Knowing the truth, Gudrun smugly reveals that it was actually Sigurðr who rode through the ring of fire. At this revelation, Brynhildr becomes enraged, making her marriage to Gunnar a sham as she is still in love with Sigurðr.

Due to the trickery and deceits involved, Brynhildr just assumes that Sigurðr went back on his word to marry her. It is still unknown to Brynhildr that Sigurðr had been given a potion to forget all about her.

Just remember, Hel hath no fury like a woman scorned.

Mysteriously at this time (or the potion wearing off), Sigurðr starts to remember what happened. Despite his efforts, Sigurðr is unable to console an enraged Brynhildr. Instead, Brynhildr plotted revenge by persuading Gunnar to kill Sigurðr in a false claim that he had taken her virginity in Hidarfiall. Something that Sigurðr had sworn not to do when he placed his sword between the two.

This of course gets Gunnar angry and wanting to kill Sigurðr for sleeping with his wife.

It is that ring I tell you. That and Grimhild’s mettling in people’s love lives.

Gunnar and his brother, Hogni were reluctant to kill Sigurðr as they had sworn oaths of brotherhood with him. Instead, the two got their younger brother Gutthorm to kill Sigurðr after giving him a potion of enragement.

Under the influence of the potion, Gutthorm killed Sigurðr in his sleep. As his final act before dying, Sigurðr manages to pull his sword and kill Gutthorm in return.

A still enraged Brynhildr mocks Gudrun’s grief for the death of Sigurðr and confesses to Gunnar that she had lied about Sigurðr sleeping with her. She then tells Gunnar and Hogni, that her brother Atli will come avenge her death. Poor Brynhildr had always loved Sigurðr, even when he betrayed her.

As Gunnar’s wife, Brynhildr then orders that Sigurðr ‘s three-year old son, Sigmund be killed. In a final act of desperation, Brynhildr kills herself by throwing herself onto Sigurðr’s funeral pyre.

If that’s not a Shakespearean Tragedy, the two were then reunited together in Hel’s realm, the realm of the dead.

Nibelungenlied

The Nibelungenlied is a Germanic epic poem dating to the 1200’s. The events within the poem can be traced to oral traditions from the 5th and 6th century. In this poem, Brynhildr is known as Brunhild or Prunhilt. With this version of the story, she a queen or princess of Iceland. Gudrun is known as Kriemhild, Gunnar is known as Gunther and Hogni and known as Hagen.

As a queen (or princess) and a powerful woman in her own right, Brunhild declared that the man she would marry must be someone able to best her in three contests meant to show strength and courage.

Gunther wanted to marry Brunhild and with the help of his liege man, Siegfried (who has a cloak of invisibility), he is able to overpower Brunhild in her three contests. In the first game, Brunhild manages to lift and throw a spear at Gunther that three men together could barely lift. Siegfried with his cloak of invisibility on, blocks and keeps the spear from hitting Gunther. In the second game, Brunhild throws a boulder that requires the strength of twelve men to heave some twelves fathoms. In the last game, Brunhild leaps over the same boulder.

In an act of cheating and with Siegfried’s aid using the invisibility cloak, Gunther is able to defeat Brunhild and claim her for his wife.

That sounds like dirty pool to me.

Rightfully so, on their wedding night, Brunhild refuses to give up her virginity to Gunther. Instead, she ties up Gunther and leaves him dangling from the ceiling of their chamber. Coming to Gunther’s aid, Siegfried wearing his invisibility cloak, attacks Brunhild, breaking her bones and then taking both her girdle and ring.

It seems both girdle and ring are the source of Brunhild’s supernatural strength and without them, she was forced to be docile and submit to be Gunther’s wife.

At the Worms Cathedral, Brunhild and Kriemhild, Siegfried’s wife gets in a rather heated argument about their husbands. Brunhild takes the stance that Siegfried is nothing more than a lowly vassal beholden to Gunther. Kriemhild reveals the dirty pool and trickery used by Gunther and Siegfried, by showing off the girdle and ring that were stolen from Brunhild.

Unlike the Völsunga, Brunhild’s fate is never mentioned and it’s assumed she out lives Kriemhild and her brothers.

Sigrdrífumál

In this poem, Brynhildr is known as Sigrdrifa. The Sigrdrífumál does have the story of Sigurd and Brynhildr meeting. The poem is mostly about runic magic and has Brynhildr teaching Sigurd about their use.

Poetic Eddas

For the most part, the Poetic Eddas collaborate the story told in the Volsunga, though with some changes.

In some of the Eddic poems, Gutthorm kills Sigurðr in a forest in Southern Rhine while resting.

In the Edda poems from Iceland, Brunhildr or Brunhilde is a strong, capable princess who is deceived by her lover.

I feel it’s worth noting that in the Eddic poems, Brunhildr is a prominent protagonist, whereas in other sources like the Nibelungenlied, her role and importance are diminished.

Helreið Brynhildar – “Bryndhildr’s Ride To Hel,” on her way down to Hel, the underworld of the dead, Brynhildr meets a giantess who blames her for leading an immoral life. Brynhildr refuted the giantess, saying that all men and women live lives of grief and that she and Sigurðr would live together.

Sigurðarkviða Hin Skamma – In this Eddic poem, Gunnar and Sigurðr laid siege to the castle of Atli, Brynhildr’s brother. Atli had offered Brynhildr’s hand in marriage to Gunnar for a truce. The problem in this poem being, that Brynhildr had sworn she would only marry Sigurðr. She is then tricked into believing that Gunnar is Sigurðr.

Der Ring des Nibelungen

Richard Wagner’s famous four opera cycle. Wagner took of the mythology for Brynhilde or Brünnhilde’s role from the Nordic sagas rather than the Nibelungenlied. Brünnhilde only appears in the last three operas of this cycle, Die Walküre, Siegfried and Gotterdammerung where she plays a major role in the downfall of Wotan.

For those who don’t know or may have guessed already, this is the opera cycle that inspires a popular saying of “It isn’t over until fat lady sings.” Especially with Brünnhilde’s famous immolation in the finale of Gotterdammerung. Adding to this, thanks to the costume designer, the idea of Viking helmets having two horns was firmly ingrained in people’s minds after a visit to the museum for ideas and saw the ceremonial two horned helmet on display.

In this opera cycle, Brünnhilde is one of many Valkyries born from the union between Wotan and Erda, the personification of the earth. In the Die Walkurie, Wotan tasks Brünnhilde with protecting the hero Siegmund, his son by a mortal woman. When the goddess Fricka contests this, she forces Wotan to have Siegmund die for his infidelity and incest. Brünnhilde disobeys Wotan’s order and carries away Siegmund’s wife and sister Sieglinde along with the broken pieces of Siegmund’s sword Nothung.

After hiding them away, Brünnhilde then faces the wrath of her father, Wotan who makes her a mortal woman and then places her in an enchanted sleep who can be claimed by any man who comes across her. Brünnhilde argues against this punishment, saying she had obeyed Wotan’s true will and doesn’t deserve this harsh of a punishment. Wotan is persuaded to lessen the punishment to protect her enchanted sleep with a magical circle of fire and that she can only be awakened by a hero who knows no fear.

Brünnhilde doesn’t appear again in the operas until the third act of Siegfried. Here, the title character is the son of Siegmund and Sieglinde. He was born after Siegmund’s death and raised by the dwarf Mime, the brother of Alberich.

It should be noted that Alberich is the one who stole the gold and made the ring from which the entire Der Ring des Nibelungen cycle is based on. If you’re thinking “my precious” and the “one ring” as in Tolkien’s Middle Earth series, you’d be more or less correct as this is where J.R.R. Tolkien got inspired and took his ideas from with Norse mythology.

Back to the main story, Siegfried kills the dragon Fafnir that was once a giant. Siegfried takes the ring and finds himself guided to the rock hiding Brünnhilde by a bird. It seems Fafnir’s blood allowed Siegfried to understand the language of birds. Wotan tries to stop Siegfried who instead breaks the god’s spear. Wotan defeated, Siegfried than awakens the sleeping Brünnhilde.

The two appear again in the last opera, Gotterdammerung. Siegfried gives Brünnhilde the ring, the very ring that Alberich made. The two separate and Wagner goes back to following the Norse story though with notable changes.

Siegfried does go to Gunther’s hall where he is given the magical potion that causes him to forget all about Brünnhilde. That way, Gunther can now marry her. This is all possible thanks to Hagen, Alberich’s son and Gunther’s half-brother. Hagen’s plans are successful as Siegfried leads Gunther to where Brünnhilde is at.

During that time, Brünnhilde had been visited by a sister Valkyrie, Waltraute who warns her of Wotan’s plan for self-immolation and urges her to give up the ring. Brünnhilde refuses to give up the ring.

“My precious!”

However, Brünnhilde is overpowered by Siegfried, who, disguised as Gunther using the Tarnhelm (a helm of invisibility instead of a cloak of invisibility) and takes the ring by force.

The enchanted Siegfried goes on to marry Gutrune, Gunther’s sister. When Brünnhilde sees that Siegfried has the ring taken from her, she denounces and calls him out on his treachery. Brünnhilde then joins with Gunther and Hagen in a plot to murder Siegfried. She informs Hagen that Siegfried can only be attacked from behind.

So, when Gunther and Hagen take Siegfried out on a hunting trip, Hagen takes the opportunity to go ahead and stab Siegfried in the back with his spear.

After the two brothers return, Hagen ends up killing Gunther in a fight over the ring. Brünnhilde ceases the moment to take charge and has a pyre built on which she will sacrifice herself, thereby cleansing the ring of its curse and sending it back to the Rhinemaidens.

Brünnhilde’s pyre becomes the signal by which Valhalla and all the Norse gods perish as Ragnarok is brought about with everyone dying in a fire.

Andyaranaut

This is the name of the magical ring that Brynhildr already possesses or is given to her by Siegfried. In Wagnar’s Der Ring des Nibelungen, it was forged by the dwarf Alberich and has a curse placed on it.

In the Völsunga, the ring is part of the cursed treasure that Siegfried takes after slaying the dragon Fafnir. Either way, it explains all of Brynhildr and Siegfried’s bad luck and subsequent deaths.

The ring had been cursed by its creator, Andvari when Loki tried to force him to give it up. Andvari cursed it that all his treasure and the ring would be the death of those who owns it. Aside from being cursed, Andyaranaut could also make gold.

Seeress

By the account of the Völsunga, Brynhildr was a prophetess or seeress and able to foretell the future and interpret dreams.

In the Völsunga, Brynhildr tells Gudrun that Sigurðr would love her, Brynhildr but would marry Gudrun. She also told Gudrun that Sigurðr would die at the hands of her brothers. That she would marry Atli and kill him and her children. Brynhildr is also saw someone else, Svanhild get trampled to death. At the funeral for Sigurðr, Brynhildr tells Gunnar and Hogni, that her brother Atli would kill them.

Valkyrie

The Valkyries are found in both Scandinavian and Germanic religions.

Some of the stories and sources for Brynhildr’s story have her as a Valkyrie, a chooser of the slain, the warrior maids who determined who died in battle and would to Valhalla, Odin’s abode where the fallen warriors would await Ragnarok. More properly, half the warriors go to Valhalla and the other half go hang out with Freya in her hall of Folkvangr.

Many scholars have questioned Brynhildr’s authenticity as a Valkyrie as there is a real person of the same name. In addition, the name Brynhildr or Brunhilda has been found as a place name for many places and regions throughout Belgium, France and the Rhine.

Visigothic Princess

It’s possible that Brynhildr’s story is the same inspiration for the Visigothic princess Brunhilda of Austria. She married the Merovingian king Sigebert I in 567 C.E.

This Brunhilda did have a rival with a Fredegunde who was married to King Chilperic I of Neustria. This is a feud that would last several generations resulting in a lot of deaths on both sides among husband and numerous family members.

Plus, many of the Valkyries that appear in the Poetic Edda are often mortal woman who often come of royal blood.

Viking Genealogy

Given that there are multiple sources for Brynhildr’s story along with Wagner’s opera series that combines a couple of them together. It can get a little confusing as to which clan or tribe Brynhildr would belong to.

Budling – In the Volsunga, being a daughter of Budli, would make Brynhildr a Budling.

Skioldung – In the poem fragment of Sigurd from the Poetic Edda, Brynhildr is called a “lady of the Skioldungs.” The Skioldungs were of course, the descendants of Skiod. Brynhildr’s connection to these people comes about as her father would have been one of 18 sons of Halfdan the Old, or Ali in Snorri Sturluson’s Prose Edda.

Nine of these sons would have gone on to found their own kingdoms and dynasties in the northern, Scandinavian countries. This would have made Brynhildr related to Sigurðr or Sigurd on his mother’s side as well as related to the children of Guiki. Those being Gunnar, Hogni and Gudrun.

Tolkien And The Lord of the Rings!

As I previously mentioned above, J.R.R. Tolkien took his inspiration for his Middle Earth series from Norse mythology and the inspiration for the One Ring from that of Andyaranaut.

A fun note to add is that Tolkien did not like Wagner’s take on the German myths. I can see it too, Taking and combining the Völsunga and Nibelungenlied together can make it a bit harder to figure out which myth and legend is which.

Oya

Oya

Pronunciation: Oh-Yah

Etymology: “She Tore”

Other Names and Epithets: Aido-Wedo, Ayaba Nikua (“Queen of Death”), Ayi Lo Da (“She Who Turns and Changes”), Ollá, Oya-Ajere (“Carrier of the Container of Fire”), Iya Yansan, Ọya-Iyansan (“Mother of Nine”), Oyá, Oiá, Yansá, Yansã, Yansan, lyá Mésàn, Iansá or Iansã, Lady of the Wind, Goddess of the Nine Skirts, Lady of War, Bearded Amazon, Thunder Maiden, Ayi Lo Da “She Who Turns & Changes”

Attributes

Animal: Antelope, Bats, Birds, especially Sparrows and Purple Martins, Deer, Insects, especially Dragonflies and Fireflies, Water Buffalo

Colors: Burgundy, Brown (Candomble), Orange, Pink (Candomble), Purple, Rainbow, Red (Candomble), White (Candomble), No Black

Day of the Week: Wednesday (Candomble), Friday

Elements: Air, Fire , Water

Feast Day: February 2nd and November 25th

Gemstones: Amethyst, Black opals, Bloodstone, Garnets, Labradorite, Red Stones, Tourmaline, Smokey Quartz

Herbs: Caimito, Chickweed, Comfrey, Cypress, Elecampane, Flamboyan, Grains of Paradise, Horehound, Peony, Pleurisy Roots, Royal Poinciana, Star Apple, Yucca

Incense: Geranium, Patchouli, Sandalwood

Metal: Copper

Month: February

Number: 9

Patron of: Change, Feminism

Sphere of Influence: Athletics, Businesses, Cemeteries, Change, Death, Lightning, Market Places, Rebirth, Storms, Tornadoes, Wind, Witchcraft

Symbols: axe, brightly colored cloth, balloons, broom, buffalo horns, copper, hoe, lightning, kites, graves, mattock, rake, shovel, spear, tornadoes, the sword or machete, masks, scythe, the flywhisk, weather vanes, whip, wind instruments, anything associated with the wind,

Taboo (Candomble): Palm Kernal Oil, Pork, Pumpkin, Ram, Smoke, Stingray, Mutton

Oya is a mother goddess and Orisha from Yoruban mythology found in Africa regions of Benin and Nigeria and in Latin America. In brief, she is the goddess or Orisha of many things such as: winds, lightnings, violent storms, death, cemeteries, rebirth and the market place.

Depictions Of Oya

Oya is often described as being a tall, regal and very beautiful, yet fierce warrior woman. She wears a skirt of nine different colors representing her nine children as she dances. When going into battle, Oya will wield two machetes. Sometimes Oya is shown with a dress or being bare from the waist up.

Modern Day Worship

What’s interesting, is that Oya is a goddess or Orisha whose worship is still very much so active. There are several traditions that honor, venerate and worship Oya that include: Candomble, Folk Catholicism, Haitian Vodou, Oyotunji, Santeria, Trinidad Orisha and Umbanda to name a few.

Oya’s feast day is on February 2nd and another I found listed November 25th.

Offerings To Oya

Specifically, food offerings, Oya is said to enjoy sweet and dark colored foods and anything spicy. Such foods include the following: fish, fruit, plums, eggplant, figs, kola nuts, legumes, porridge, gin, grape wine, red wine, rum, chocolate pudding, purple grapes, rice, black beans, rain water, starfruit, shea or coconut butter, yams, black she goat, black hens, pigeons, rooster and guinea hens.

Such offerings can be left at the corner of an outdoor market or at the gates to a cemetery, particularly one marked by use of divination. Yes, do place the offerings in a trashcan with a prayer to Oya in thanks. She’ll know your intentions and you’ll keep from littering.

Non-food offerings can include coins, cloth and tobacco.

Orisha

Oya is a member of the Orisha, who are either a spirit or deity. In the Yoruban religion, a nature-based tradition, it is believed that the source of everything is called Olorun or Olodumare. The Orisha themselves are regarded as being different aspects of the main deity, Olorun-Olodumare.

With the Trans-Atlantic slave trade, the worship of Oya was brought with the slaves and is now found throughout much of the southern U.S., Latin America and South America.

Parentage and Family

Father

Obatala is said to be Oya’s father.

Mother

Yemaya – The Great Sea Mother

Yemu – Or Yembo, with Obatala, she is the mother of Oya.

Consort

Shango – (Also spelled Chango), Orisha of Thunder, her second husband. Oya is sometime considered one of three of Shango’s wives along with Oshun and Oba.

Ogun – A powerful warrior and Orisha of metal working, rum and rum making. Oya was married to him first before leaving Ogun for Shango.

Siblings

Shango – Depending on the stories or tradition, Oya and Shango are brother and sister, not husband and wife.

Yemaya and Ochun are held to be Oya’s sisters.

Children

The nine tributaries of the Nile River that represent her stillborn children. These children are Egungun and four sets of twins.

The Ibeji – Twins whom Oya took in after their mother rejected them.

Ọya-Iyansan – “Mother Of Nine”

This is in reference to the Niger River known in Yoruba as Odo-Oya and its nine tributaries. Oya in her role as a Storm Goddess is seen as the queen and source of the Niger River. This connection of Oya with the Niger River comes from a story where Oya gave birth to nine stillborn children. As a result of this, Oya holds a lot of sadness from this, medical term would be Post-Partum Depression. Oya wears nine different colored scarves or skirts around her waist in honor and memory of these children.

Later, when Oshun (or Yemaya) rejects the twins, the Ibeji from her home, it is Oya who takes them in and raise the twins as her own children.

In Brazil, where Oya’s worship has traveled, she is the goddess of the Amazon River.

Storm & Wind Goddess

One of the main things that Oya is known for is that of a Storm Goddess, including winds and lightning. Oya can manifest winds from a gentle breeze up to hurricane force level winds and tornadoes.

Harmattan – This is the name of the Dry Season in the West African subcontinent that happens towards the end of November and up to the middle of March. The Harmattan is characterized by a dry and dusty northeasterly trade wind that blows in from the Sahara Desert towards the Gulf of Guinea. Depending upon where one is at, is if the Harmattan wind is cold or hot. The amount of dust that can happen can create a haze and has been known to be the cause of flight cancellations in West Africa.

Oya & Shango – It should be noted that Shango is a god of thunder and that Oya stole or learned the secret of throwing lightning from him. Additionally, Oya would use Shango’s fear of the dead to keep in his place. During thunderstorms, both Oya and Shango ride out, destroying buildings and tearing up the landscape. Often the two are described as Oya being the lightning with Shango being the thunder that follows soon after.

Goddess Of Change & Fire

Closely related to her aspect as a Storm goddess, Oya is also the goddess of change as seen in both nature and life; which may or may not always be comfortable or pleasant to go through. Such changes that Oya is known to bring are not slow and gradual, they are fierce, quick and often seemingly destructive. This change and the ensuing chaos as seen in the tornadoes associated with Oya are needed for new growth and preventing stagnation.

Fire comes into play as it is often a trans-formative force of change and can be a result of lightning strikes.

As a goddess of change, Oya is not seen as being held by tradition, conventions or boundaries. As a boundary breaker, Oya is known for going hunting, something that had been forbidden to women in West Africa where she was first worshiped.

Goddess Of Cemeteries

As previously mentioned, Oya guarded the gates to cemeteries, most notably, she protected those graves marked with a cross.

Iku – Oya, along with Orunmila, are the only two Orisha who have defeated Iku, the force of death.

Psychopomp – Oya will escort the spirits of the dead to the cemetery’s threshold, though she does not reside within them herself. Other Orishas, Obba and Yewá are the ones who reside within a cemetery or graveyard’s boundaries.

Oya is regarded as holding the secrets and mysteries of death and rebirth, helping the newly deceased with their transitions from the living world to the world of the spirit. In worship, Oya represents the first and last breaths of life taken.

Ancestors – as a goddess of cemeteries, Oya also holds a connection with the ancestors.

Ira – The underworld, Oya entered into the lower realm of Ira in search of her husband Shango when she heard he had died.

Guardian of Stillborn/Unborn Children – As a mother who was unable to keep her own children as they were stillborn, Oya guards and protects the spirit of the unborn or stillborn children, taking them to herself as she guides them to the afterlife.

Illnesses – Oya is called up and invoked during times of a serious illness. Curiously, one source mentioned that Oya protects the lungs and nasal passages. Which makes sense as she is representative of the first and last breath that a person takes.

Goddess Of Markets

This is where Oya can be found, in the market places where businesses are conducted. Whether that place is in a Boardroom Meeting or on the street level, open market, Oya deals in the changing flow of fortunes made and lost. She is noted for being a very shrewd business woman who is also good with horses.

Warrior Queen

Oya did live many centuries ago where she was a princess of the Oyo clan and consort to Shango, the then ruling king. She was known then as an unbeatable warrior whose skills were unequaled. After her death, she became deified as an Orisha.

Oya’s favored weapons are a pair of machetes forged by her first husband, Ogun.

After becoming deified, Oya employs the wind, storms and tornadoes as her weapons along with raising the egun or spirits of the dead to fight as soldiers.

Feminism – As a goddess of female empowerment and a champion of women, Oya will mete justice on their behalf

Women often ask Oya to give them the ability to choose their words so that they may speak persuasively and powerfully.

Huntress – Hunters and Chiefs will seek out Oya’s blessing when hunting or when selecting new, strong leaders.

Justice – Oya’s machetes represent the sword of truth, cutting quickly to the truth of the matter and dealing out matters of equality and custom. As an agent of change, Oya will cut through all injustices, deceits and dishonesty that’s in her path. She will speak only truths, even when they are hard to hear.

Protector Of Women – In her role as a warrior, Oya is known to be a strong and fierce protector of women. Oya also protects children and spouses. The newly deceased are often said to be her children whom she cares for as her own were stillborn.

Water Buffalo

The main animal that I found mentioned repeated as being sacred to Oya is the Water Buffalo. Such an animal is often her avatar or representative or it is Oya herself, having transformed or shape-shifted into this form.

Buffalo Horns – A set of buffalo horns rubbed with cam wood to make them red are placed on alters and shrines dedicated to Oya.

Antelope

Antelope Skin – This story reads a lot like the Celtic or Irish stories of selkies and seal maidens.

One story about Oya mentions that she had originally been an antelope who could take off her skin to transform into a beautiful woman. She would do this every five days when she came to the market in town; hiding her skin in the forest or under some bushes.

One day, Shango meets Oya in the market place and is immediately taken in by her beauty. So enamored of her was he, that Shango followed back to the forest where he saw Oya take her skin and transform back into an antelope.

The next time that Oya returned to market, Shango was hiding, watching for her to change into a woman and hide her skin. As soon as Oya went into the market, Shango came out of hiding to take the skin home where he hid it up in the roof rafters.

With out her skin, Oya became Shango’s wive and went home with him. It should be noted, that Shango has two other wives who became jealous of Oya and the attentions that Shango gave her. She had become his favorite after all.

When Oya bore twins, the other wives, Oshun and Oba told Oya where to find her antelope skin up in the rafters.

Just like the Irish stories, as soon as Oya regained her skin and donned it, turning into an antelope, she took off for the forest.

Spousal Conflict – Not every couple are always going to get along, so its not surprising to find a story of Oya and Shango getting into it and having a fight. Oya changed into an antelope and charged at Shango with her horns. Thinking quickly, Shango made a peace offering of Oya’s favorite food of akara, bean cakes, placing those before her. Pleased with the offering, Oya accepted Shango’s apology and peace offering by giving him her two horns. From then on, whenever he needed her help, Shango needed only to beat the two horns together and Oya would come.

A Stormy Affair – Oya, Shango & Ogun

Oya was first married to Ogun, an Orisha of War and Smithing. The two lived out in the forests together. Ogun was often away working in his smithy or at war, frequently leaving Oya alone.

This provided an opportunity for Shango who wanted to avenge his adopted father Obatala. It seems that Ogun had created some offense towards Obatala and was thus banished to the forest. The banishment wasn’t enough for Shango and he decided to go seduce Oya.

If you want to keep a fight going, this is one way to do it. With the affair and Oya leaving Ogun for Shango, a war broke out between the two.

These wars and fights are often seen in the thunderstorms and the two Orishas, Shango and Ogun continue to be at odds with each other. Obatala often has to come play moderator and impose a peace on them, that is, until the next storm breaks out.

To The Rescue – Saving Shango

Shango got himself into a lot of trouble and made more than a few enemies with his numerous affairs and seducing the wives of the other Orisha.

One night, when Shango was out dancing at a party, some Shango’s enemies managed to capture him and toss him into a jail. Going so far as to throw away the key too.

Later, when Oya is wondering why Shango didn’t return home, she had a vision in which she saw that Shango was being held captive. Oya called down a fierce storm and summoned a bolt of lightning to break the bars of the jail cell holding Shango.

Since then, Shango has always respected Oya’s abilities and skill as a warrior. However, it still doesn’t stop him always remaining faithful as a husband. He is however, careful not to ever make Oya mad.

Betrayal By A Ram

The story goes that Oya and the ram were once best friends. When the ram found out that there was a bounty on Oya’s head, it betrayed her.

When Olofi discovered this, he demanded that the ram be sacrificed. Hurt by her friend’s betrayal, Oya has since been unable to bear the sight of the ram. At the same time, Oya is unable to be in the same room with him being sacrificed as she still cares for him.

In ceremonies, when Oya is being consecrated, the ritual items for Shango, Inle and Yemaya are removed from the room. Likewise, when Shango, Inle or Yemaya are being consecrated, Oya’ ritual items are removed from the room. All of this is to pay respect to the fact that Shango, Inle and Yemaya’s favorite food is ram and they thus bear his scent on them. So the four not ever being in the same room during consecrations is out of respect and remembrance of the ram’s betrayal to Oya.

Oshun’s Fading

There is a story told, how Oshun’s essence or life was fading as people were beginning to concern themselves with other things instead of worshiping her.

As it was, Oya insisted to her husband Shango, to consult with the diloggun (a form of divination) for the first time in order to mark an ebo or sacrifice to Oshun, thereby, saving her. This sacrifice bonded the two in friendship.

Maman Brigitte – Haitian Goddess

Oya has been connected to Maman Brigitte as a syno-deity. Maman Brigitte is a Voodoo goddess or Loa who protects those graves within a cemetery marked with a cross. She is the wife to Ghede or Baron Samedi. Like Oya, she has been connected to the Catholic Saint Brigit.

Catholic Saints

There are a few different Saints that Oya has been equated to and it varies by the religion revering Oya.

Saint Barbara – The Saint whom Oya is equated to in the Candomble tradition. She is the patron saint of armourers, artillerymen, military engineers, miners and others who work with explosives. She has an old legend that connects her to lightning and mathematicians.

Saint Brigit – Not just the saint, the Celtic goddess Bridget of the same name. She is the patron saint of Ireland and babies, blacksmiths, boatmen, brewers, cattle, chicken farmers, children whose parents are not married, children with abusive fathers, children born into abusive unions, Clan Douglas, dairy workers, Florida, fugitives, Leinster, mariners, midwives, milk maids, nuns, poets, poor, poultry farmers, poultry raisers, printing presses, sailors, scholars, travelers, and  watermen. That is quiet a lot if you ask me.

Saint Teresa – There’s like five or six different Saint Teresas, so I’m not sure which was meant with mentioning her. With the mention of a feast day of October 15th, Saint Teresa of Avila seems to have been who they were mentioning. She is the patron saint of Bodily illnesses, headaches, chess, lacemakers, laceworkers, loss of parents, people in need of grace, people in religious orders, people ridiculed for their piety, Požega, Croatia, sick people, sickness, Spain, and Talisay City, Cebu.

Virgin Mary – “Our Lady of La Candelaria” and “Virgin of Candelaria” as in the Virgin Mary of the Canary Islands, Spain and sometime connected with the Black Madonna.

Narcissus

 

NarcissusPronunciation: nahr-sis’-uhs

Etymology: Uncertain, the name Narcissus has come to be associated with a species of daffodil. Pliny the Elder wrote that the flower is named for its fragrance. There’s a connection to “narko” meaning “I grow numb” and not for mythological figure.

Alternate Spellings: Nárkissos

Narcissus hailed from Thespiae in Boeotia and was very well known for his beauty. He was so proud of his beauty that he held disdain and scorn for those who professed their love for him. This of course, attracted the attention of Nemesis, the goddess of retribution who sought to punish Narcissus for his arrogance.

Parentage

Father – Cephissus, a river god or Endymion by Nonnus in his Dionysiaca

Mother – Liriope, a nymph or Selene by by Nonnus in his Dionysiaca

There are several variations to the story of Narcissus.

For one, with Narcissus’ parentage of a minor river god and nymph, Narcissus himself is a minor god. This makes it a little more likely for why other gods, albeit minor take an interest in him.

Conon’s Narrations

Conon was a contemporary of Ovid. Unlike Ovid’s telling of the story, in this one, there is a young man by the name of Ameinias who falls in love with Narcissus. Now, Narcissus had already spurned the love and advances of several other male suitors already. So Ameinias is just merely the latest of who’s been turned down.

What makes Ameinias different from the others is that Narcissus gives him a sword. Ameinias prays to the gods, specifically Nemesis, that Narcissus would get his comeuppance and feel all the pain that he has caused others. The prayer said, Ameinias takes his own life on the steps to Narcissus’ home with the sword given to him.

In answer, when Narcissus walks by a pool of water, he sees his own reflection after stopping to get a drink. Falling in love with his own reflection, Narcissus kills himself as he’s unable to have what he wants, his reflection.

Or, when Narcissus realizes that he is cursed for the humiliation he inflicted on Ameinias, he kills himself. From Narcissus’ blood, a flower springs up, bearing his name.

Sometimes it is the goddess Artemis who answers Ameinias’ call for vengeance.

By Conon’s account, Narcissus is still in the Underworld, gazing at his reflection in the waters of the Styx river.

Edith Hamilton’s Mythology

One story mentioned in this volume is that Zeus had created the narcissus flower in order to help Hades with kidnapping Kore (Persephone), the daughter of Demeter down to the Underworld while she was out with friends gathering flowers and playing. When Kore went to pick the strange, new flower, that is when a chasm leading to the Underworld opened up and Hades carried her away to become his wife.

Ovid’s Metamorphoses

Ovid’s Metamorphoses has the version of Narcissus’ story that most people are familiar with.

The son of Cephissus, the river god of the Boeotian river and the nymph Liriope, Narcissus was born in Thespiae, Boetia. Liriope was worried about the fate of her baby boy and took him to a blind seer by the name of Tiresias. The seer told Narcissus’ mother that the baby would enjoy a long life so long as: “he didn’t get to know himself.” In some accounts, in response to this prophecy, Liriope removed all mirrors to try and prevent Narcissus from ever catching sight of his reflection.

When Narcissus reached sixteen years of age, he spurned the love and advances of all those, men and women alike, who showed any interest in him. Yes, the ancient Grecian heart-throb leaving a trail of broken hearts behind him without any second thoughts.

Narcissus is out wandering the forests one day with some friends hunting deer when Echo, a mountain nymph or Oread sees and instantly falls in love with him.

What’s not told when starting off with just Narcissus’ side of the story is that Echo had been cursed by Juno, Jupiter’s wife after finding out that Echo was only running distraction to keep her from finding out about her husband’s affairs. Angry, Juno curses Echo that she can only repeat what someone else has said.

With that context in mind, when Narcissus gets separated from his friends and calls out: “Is anyone there?” That Echo can only repeat back what he says with: “Is anyone there?”

This startled Narcissus who then asked: “Come here.”

Because of the curse, Echo could only respond with the same “come here” reply.

When no one came out into the glade he was standing in, Narcissus figured that the other person must be moving away from him. So, he called out again: “This way, we must come together.”

Echo, taking this to heart as confirmation for her love, called back: “We must come together!” As she came running out, ready to throw her arms around Narcissus.

On seeing the nymph running towards him, Narcissus became affronted and pushed Echo away exclaiming: “Hands off! May I die before you enjoy my body!”

Hurt, all Echo could respond with was: “Enjoy my body.” Before she turned to flee back into the woods, rejected and humiliated by Narcissus. By this account, Echo wasted away, her body becoming stone until only her voice remained.

Narcissus would have his own comeuppance coming, for he continued to spurn the advances and loves of others. Including the previously mentioned Ameinias, who in his love-sickness, called out: “O may he love himself alone and fail un that great love.”

Nemesis, the goddess of revenge heard Ameinias’ cure and decided to respond. She cursed Narcissus, attracted him to a pool where he fell in love with his own reflection. Not realizing it was merely an image and unable to leave the beauty of his reflection, Narcissus lost his will to live. He stared at his reflection until he died.

Echo, her own love unrequited and unable to do anything, watched on as Narcissus pined away for his reflection.

It is said, that just before he died, Narcissus told his reflection: “Oh darling boy, I loved you in vain, good-bye.”

Echo repeated the words: “Good-bye.” As she was now completely stone and unable to do anything else.

When the nymphs came to gather up Narcissus’ body for funeral, it was gone and in its place was a flower.

Nemesis – It should be noted that she is sometimes seen as an aspect of Aphrodite and not a separate entity.

Another note, Ovid connecting Echo to Narcissus’ myth seems to have been his own invention. However, its now the official one.

Pausanias’s Guide To Greece

In a Greek travelogue, Pausanias retells Narcissus’ story in which he ends up falling in love with a twin sister, not his own reflection. When his sister died, Narcissus would go to a spring and look at his reflection, imagining that it was his own sister that he saw. Narcissus eventually dies, pinning away for the loss of his sister.

Pausanias doesn’t think the story of Narcissus falling in love with is reflection and not being able to recognize it as such is unlikely.

Mirror, Mirror On The Wall….

One idea I came across says that Narcissus’ story may originate in an ancient Greek superstition that it is unlucky, possibly even fatal, to see one’s reflection.

Drowning

Other sources to Narcissus’ story have him drowning in the pool as he tries reaching for his reflection.

Suicide

That’s a bit heavy and deep to take. Ovid, Parthenius of Nicaea and Conon all have versions of Narcissus’ story where he commits suicide as he’s unable to what he desires, that being his reflection give love back.

Narcissus Flower

After Narcissus’ death, a flower sprang up in the very place that he died. This flower of course bears Narcissus’ name and is a genus of daffodil.

Narcissistic Personality Disorder

Or Narcissism. Obviously, Narcissus’ story is the basis for a personality disorder in which a person is very self-absorbed, vain and everything is always about them whether that is their own physical appearance or public perception. Psychologist have studied this disorder for years.

A little bit of self-care and self-love is good. We should care about ourselves and want to do good as well as look good. When taken to the extremes and a narcissus is that self-absorbed with themselves that they don’t care about others or make everything about them, then you get a problem.