Etymology: “mother,” “woman,” “daring one”
Nanna Nepsdóttir is a Norse Goddess best known as the wife of Balder. There is also a Mesopotamian God of the Moon known by the same name, however the two are different deities.
What’s In A Name?
There’s a few different scholarly ideas and debates on what Nanna’s name may actually mean. The idea by some is that Nanna comes from a word that means “mother.” The scholar, Jan de Vries makes the connection of Nanna to the root word nanb- meaning: “the daring one.” Another scholar, John Lindow puts forward the theory that Nanna may come from a common word for “woman.” Then there is John McKinnell who notes that “mother” and variations of nanb- that are not always clear what’s meant. He does suggest that it might have meant: “she who empowers.”
Parentage and Family
Odin – If we follow Nep being a son of Odin.
Frigg – This goddess is mentioned as a mother-in-law to Nanna in the Prose Edda, Skáldskaparmál.
Nep – He is listed as Nanna’s father, as deduced by the surname of Nepsdóttir.
Balder – The Prose and Poetic Eddas both list him as Nanna’s husband.
Hodr – According to the Gesta Danorum, he is Nanna’s husband.
Foresti – The god of Justice, he is Nanna’s son with Balder.
This is Balder’s Mansion or abode in Asgard. Naturally being his wife, Nanna’s lives here with him. Considered the most beautiful of all the halls in Asgard, only the purest could enter it.
This is a comb dating from the either the 6th or 7th century. The comb has runic inscriptions on it that are thought to reference Nanna.
Poetic Edda & Other Sagas
Much of what we know about Nanna and the other Norse deities comes from the surviving Poetic Edda that was compiled in the 13th century C.E. It is a collection of various poems as follows: Völuspá, Grímnismál, Skírnismál, Hárbarðsljóð, Hymiskviða, Lokasenna, Þrymskviða, Alvíssmál, and Hyndluljóð.
Hyndluljóð – In this poem, Nanna is mentioned as the daughter of Nökkvi and a relative of Ottar. This may or may not be the same Nanna who’s Balder’s wife.
The Prose Edda & Other Sagas
Not to be confused with the Poetic Edda, the Prose Edda consists of four books: Prologue, Gylfaginning, Skáldskaparmál, and Háttatal written by Snorri Sturluson.
Gylfaginning – In chapter 38, Nanna Nepsdóttir and Balder are mentioned having a son, the god Foresti. Later, when Balder dies at the hands of Höðr, the blind god, Balder’s body is taken down to the seaside and placed into his ship, Hringhorni. Nanna collapses and dies from grief, her body is also placed within Badler’s ship and the ship light on fire with Thor using his hammer, Mjölnir to hallow the funeral pyre.
A grieving Freya sends the god Hermóðr down to Hel, the Underworld to try and resurrect Balder. Hermóðr arrives in Hel to find both Balder and Nanna sitting in a hall in places of honor. Hermóðr then begins bargaining with Hel to resurrect Balder. After a length of time, the two come to an agreement and Hermóðr leaves Hel’s hall with both Balder and Nanna. Balder presents the ring Draupnir to Hermóðr to be returned to Odin. Nanna presents Hermóðr with a few different gifts: a linen robe for Frigg, a gold ring for Fulla and a numer of other unnamed items. Laden up, Hermóðr makes the return journey to Asgard.
Much as Freya wanted, it would only be after the events of Ragnarök that Balder and Nanna are resurrected and return to the land of the living.
Skáldskaparmál – In the first chapter of this book, Nanna is listed among eight goddesses who are attending a feast for Aegir. Chapter five of this book, Balder is referenced as the “husband of Nanna.” Chapter nineteen continues with another reference of Frigg as the “mother-in-law of Nanna.” Chapter seventy-five has Nanna included in a general list of goddesses. Lastly, chapter eighteen references the skald, Eilífr Goðrúnarson’s Þórsdrápa where a kenning references Nanna as “wake-hilt-Nanna” another name for “troll-wife.”
Written by Saxo Grammati in the 12th century, the third book of this series portrays Nanna a mortal and daughter of King Gevar. Nanna becomes the object of affection by the demigod Balder and the mortal Hodr.
As it goes, Nanna has feelings for her foster-brother, Hodr Hothbrodd. Things won’t go the way the two lovers plan though. Balder, a demigod son of Odin is out and about one day when he espies Nanna bathing. Infatuated with her, Balder learns that another already has Nanna’s heart and he conspires to kill the competition.
The next time Hodr is out hunting, he finds himself wandering through a patch a mist and forest maidens calling out to him by name. They explain that they are able to manipulate fate and appear out on battlefields (that sounds like Valkyries to me). The Valkyries tell Hodr that Balder is interested in Nanna and being a demigod, Hodr won’t stand a chance against him. The Valkyries depart, leaving Hodr standing in an open field.
Undaunted, Hodr returns home where he recounts his story to King Gevar about getting lost in the forest and the Valkyries appearing before him. Not wanting to delay any longer, Hodr then asks King Gevar for Nanna’s hand in marriage.
Much as King Gevar would like too, Balder has already beaten Hodr to it and asked for Nanna’s hand in marriage first. Plus, King Gevar feared Balder’s wrath if he refused, given the demigod nature of Balder. Not all is lost, for Gevar knows of a magical sword that hurt someone like Balder and tells him where and how to get the sword.
While Hodr is off getting an enchanted blade, Balder returns to Gevar’s kingdom, ready to claim Nanna for his wife. Stalling for time for Hodr, King Gevar tells Balder to go easy with Nanna and try reasoning with her. Nanna is having none of Balder’s advances. One of her arguments is to say that a mortal woman and a demigod couldn’t possibly marry her as they’re too different.
Hodr, now accompanied by Helgi return to do battle with Balder and various other gods. We know for sure that two of their number are Thor and Odin. Despite the overwhelming odds, Hodr is victorious.
Once again, Hodr asks King Gevar for Nanna’s hand in marriage. This time, Hodr’s request is granted and both Hodr and Nanna ride off into the sunset for Sweden where Hodr becomes king!
Not quite, Balder returns and attacks Hodr, forcing Hodr and Nanna to retreat to Denmark. Alas poor Balder is plagued with visions of Nanna in his sleep, so much so, that Balder took to riding in a chariot as he couldn’t walk on his own and finally, he just wastes away.
We’ll assume at this point that Hodr and Nanna finally do get their happily ever after.
The term Pangenic or Pangenesis comes from Charles Darwin’s Theory of Evolution with trying to explain the origins of life and species.
As it relates to the study of folklore and mythology, the term and idea of Pangenic or Pangenesis connections is problematic and still very pervasive as a lot of scholars and literature try to make connections with various stories and deities; often as there are very similar motifs, concepts and ideas that are very universal.
The Romans of course, are famously known for equating many of their gods with the gods of other cultures, especially those they conquered. Nearly everyone knows of the Greek-Roman counterparts and connections such as Zeus and Jupiter or Ares and Mars. To a lesser known extant, the Romans connected their deities with those of the Egyptian, Norse and even Celtic deities.
The idea of Pangenic deities and myths still continue even today and is something of a disservice and in terms of mythology. When one ethnic group or religion moves into another area, the exiting myths will get overlapped and mixed together. Sometimes it’s easy to see where and when this blending of ideas occurs. Other times, the differences should be acknowledged without trying to force a connection.
Some scholars have taken one look at Nanna in Norse mythology and then see a similar sounding and spelling in Mesopotamian mythology and want to start connecting dots. There is the Sumerian goddess Inanna, the Babylonian Ishtar and then the Phrygian goddess Nana, the mother of the god Attis. Then you add in the Mesopotamian moon god Nanna and people really go all out trying to make connections.
Just accept that there’s a lot of coincidental spellings and pronunciations.
Unfortunately, it’s not clear what Nanna is a goddess of, only that she’s Balder’s wife. As has been observed by other scholars, a lot of the old Norse stories have been lost, especially considering a newer, Christian religion moving into the regions and displacing the older local, pagan worship. Nanna is just one of the many goddesses whose story has been lost to the sands of time and we just don’t know.
Modern Paganism & Wicca
This is where modern paganism trying to reconstruct an older religion will try to extrapolate on the meaning found in Nanna’s name of “woman” or “mother” and “daring one” what she might have been a goddess of. They also look at the scant evident found in the surviving myths.
Being married to Balder, it would be easy to assume that the two held similar and likely complimentary roles.
Love – Given the scant evidence, where Nanna dies of grief for the loss of Balder, she will be identified as a goddess of Devotion and Undying Love, even beyond the grave or in the darkest depths of depression, pain and sorrow.
Mother Goddess – This seems a likely role if we go from the meaning of Nanna as “mother” and that when she dies, both her and Balder will be resurrected after the events of Ragnarök to restart the cosmos all over.
Syno-Deity – Some pagans will adopt Balder’s symbols for Nanna. As Balder is a god of the seasons Spring and Summer along with flowers, so is Nanna.
Posted on May 31, 2019, in Aesir, Asgard, Christian, Death, Deity, Denmark, Depression, Devotion, Eddas, European, First Man/Woman, Flower, Grief, Joy, Love, Mother/Motherhood, Nightmare, Norse, Norway, Pagan, Peace, Presents/Gifts, Princess, Purification, Ragnarok, Resurrection, Season, Spring, Summer, Sweden, Sword, Uncategorized, Underworld, Women. Bookmark the permalink. Leave a comment.