Also Called: An (Sumerian), Anum, Ilu
Epitaphs: “The Father,” “Father of the Gods,” “King of the Gods”
Etymology: “Heaven” Sumerian “One on High”
In Mesopotamian mythology, Anu is a god of the sky and heavens, he was lord of the constellations and the king of the gods, spirits and demons. Anu was worshiped primarily by the Sumerians, but also among the Akkadians and Babylonians. In Sumer, Anu is known as An and his worship dates back to at least 3,000 B.C.E. and is one of the oldest gods in the Mesopotamian myths.
Patron of: Kings, Aristocrats
Planet: Saturn, Uranus
Sphere of Influence: Law, Order, Justice, Weather, Rain, Sky
Symbols: Horned Cap
In art, Anu is often shown wearing a horned headdress or helmet that symbolized his strength. Anu is sometimes shown as being seated in his throne. Early art shows him as a bull and later on that a bull is his companion animal.
What’s In A Name
Being a primordial god and one of the earliest, it can be difficult to pinpoint when exactly Anu or An appears as a deity. Part of what makes it difficult is that the sign for “An” can be read in several different ways. As a title and for the sky itself. In the third millennium B.C.E., the first attestations of An as a deity appear on the Fara god-list with his name appearing more frequently later on.
In Sumerian, An’s name is never written down denote the usage of his name as a divine being or god. In Akkadian, as Anu, his name is read as dAN, leading to being read as da-nu, da-num, and an-nu.
There are a couple of temples dedicated to Anu found in Uruk and Assur. The Eanna in Uruk was dedicated to Anu and his consort Antu or Anatum. Sometimes this consort is given as Inana or Ishtar who was worshiped with Anu.
During the Achaemenid and Seleucid eras, Anu was worshipped at the Res temple with Antu.
Both the Mesopotamian cities of Der and Uruk held the title as “the City of Anu.” In the city of Lagas, there was a temple dedicated to Anu or An by Gudea. Later, Ur-Namma would build a garde and shrine for Anu in Ur. That was also a “seat” for Anu in the main temple in Babylon, Esagil. Offerings to Anu were given in Nippur, Sippar and Kish. In Assur, there was a doubled temple dedicated for both Anu and Adad.
This is the abode and the level of heaven that Anu resides in as mentioned in the Akkadian-Babylonian epic called the Atrahasis that recounts the Great Flood myth.
This third heaven is also the highest of the three heavens and is made of a reddish luludānitu stone. Other scholars have put forward that the floor or ground of this heaven is made of that color stone.
The Third Heaven that Anu resides in is thought to be located towards the northern pole found within the Draco constellation.
The earliest of the Mesopotamian texts make no mention of Anu’s origins. He just is and it isn’t until the third millennium B.C.E. that we find Sumerian texts that there is mention of Anu or An and his consort Uraš who give birth to the other gods.
Over the next few millennia of Mesopotamian culture, different cultures and eras would assign a different consort to Anu along with his stepping back to allow another deity to take over rulership of the gods.
In later texts such as the Enuma Elis, Anu is given as the son of Anšar, the Sky and Kišar, the Earth. If we go by the lineage with Tiamat, Anu would properly be one of the Igigi, the third and fourth generation of gods.
Parentage & Family
Apsu – Primordial god of Fresh Water
Tiamat – Primordial Goddess of the Oceans and Abyssal Deeps
Alalu – Anu’s father in Hurrian and Hittite religion and mythology.
In Sumerian religion, the sea goddess Nammu is given as Anu’s mother.
Anšar (the Sky) and Kišar (the Earth) in East Semitic religions and mythos.
Aside note has that though there are different goddesses mentioned as Anu’s wife, the name she goes by varies from one Mesopotamian culture to another and which era of history the story was written down.
Antu – An East Semitic goddess, she is also called Antum, Anatum, Uras (early Sumerian), she is a creation goddess and wife of Anu. In Akkadian, the name Antu is merely the feminine form of Anu.
Ishtar – Also called Innina, later myths would place Ishtar as being Anu’s wife.
Ki – Earth goddess, sister and consort to An in later Sumerian myths.
Nammu – A water goddess and consort to Anu in Neo-Sumerian myths. In Sumerian religion, Nammu is instead Anu’s mother.
As an all-father figure, Anu is the father of many gods, spirits, and demons. Depending on the text, depends on which gods are stated to be Anu’ children directly.
With Ki, the goddess of the earth, they give birth to the Anunnaki (“the offspring of Anu”), a group of 50 gods who are the most powerful pantheon of gods in Mesopotamian myths.
With Nammu, Anu is the father of Enki/Ea and Ningikuga.
With Uras, Anu is the father of Ninsuna, the mother of the legendary Gilgamesh.
Inscriptions found at Lagas give Baba, Gatumdug and Ningirsu as Anu’s children.
Adad, Enlil, Girra, Nanna/Sin, Nergal and Šara are some who are listed as sons.
Inana/Ištar, Nanaya, Nidaba, Ninisinna, Ninkarrak, Ninmug, Ninnibru, Ninsumun, Nungal and Nusku are some who are listed as daughters.
Anammelech – Going by the Hebrew Bible, she is a lunar goddess worshiped in Assyria and Mesopotamian religion. Her name means “Daughter of Anu” and is thought to be his daughter.
Kumarbi – Anu’s son in Hurrian and Hittite mythology and religion.
Asag – A demon so monstrous, his presence would cause fish to boil in the rivers.
Lamashtu – A Demoness who preyed on infants
Utukki – Seven evil demons
Enki – Is one of Anu’s notable children, a god of wisdom, intelligence, magic, trickery, fertility and creation to name a few of Enki’s attributes.
Sebitti – In Akkadian and Babylonian traditions, the Sebitti are a group of seven minor war gods who follow Erra into battle. Depending on which tradition and myth is being retold, is if the Sebitti are seen as good or evil. I would say evil, given that in one version of the myths, Erra is a plague god, while in others texts he is a war god. The Sebitti are given various powers and fates that allow them to help Erra in killing over populous people and animals.
Attendants Of Ani
Ilabrat – He is an attendant and minister of state to Anu.
The Bull Of Heaven
As An, he dates back to 3,000 B.C.E. in Sumerian history. During this time, An was depicted as a great bull. Later, An would become separated into two distinct beings, the god An and the Bull of Heaven. The sound of thunder was thought to be caused by An in his bull form as he moved across the heavens or sky.
An’s holy city was Uruk or Erech along the southern region of Mesopotamia known for herding and grazing lands. There are several bovine images found in the area that appear to suggest An being part of a pastoral pantheon.
Dingir – In Sumerian, this cuneiform represented by an eight-pointed star meant “god” or “goddess” when used in punctuation. By itself, it is the Sumerian word for “sky.”
As a god of the sky, the Sumerians saw rain that fell as being Anu’s seed coming down to impregnate his consort Uraš or Ki, the Earth, depending on which era of text we are referring to and who’s given as his current wife. The Akkadians have Antu, a feminine form of Anu as his consort. They believed that the clouds were Antu’s breasts and that rain felling was her milk.
King Of The Gods!
Seen as the King of the Gods, King of the Igigi, Anu ruled over the other gods.
This status also associated Anu as the god of Kings whom he favored and not the common people. So, unless you were legit royalty, don’t expect any divine favors.
At the same time, Anu is considered to be very benevolent and his compassion for all creation caused him to retreat further and higher up into the heavens where he was distant from all creation, humankind and the other gods. Over time, Anu would be worshiped less and less with his name becoming synonymous with the sky.
Only Anu’s son, Enlil could gain access to him, relaying messages. Eventually he would be prayed to less and less, Anu was still seen as the power behind the throne so to speak. Even as Enlil in turn became ruler of the gods, he too would take on more and more of Anu’s qualities of compassion and benevolence. The same with Marduk, when he takes over the role of King of the Gods and assuming Anu’s position and thus power, gains these qualities over time.
With the passage of time, Anu would fade further to the background, retreating to the Heavens and leaving the matters of governing and ruling to Marduk and the younger generations of gods, the Igigi.
Clearly one of the few times where power isn’t going to corrupt.
Tablet of Destinies
This clay tablet is a legal document written in cuniform with cylinder seals that Anu carried with him as a sign of his divine authority. This tablet would be passed on in turn to Enlil and Marduk in turn as they each assumed rulership.
Tiamat is to have bestowed this tablet on Kingu when she made him the head of her army. A couple of other Mesopotamian poems have where the tablet is stolen by Anzu, but the tablet is always returned to Enlil.
Truth, Justice And The Sumerian Way!
One of Anu’s roles as head of the pantheon is that of Judge. Anu would judge those who had committed various crimes.
Anu’s word was law. In terms of a comic book, he would be considered a Reality Warper, that whatever he spoke or decreed, to become real. He delegated the functions, roles and status of the other gods.
Anûtu – The elevating of status among the gods to leadership was even called anûtu or the “Anu Power” or “Heavenly Power.” An example of this is seen in the Enuma Elis when Marduk becomes the ruler of the gods after Enlil by their saying “Your word is Anu!”
A Partial List Of Anu’s Decrees
As King of the Gods, Anu hits a point where he often has a cameo role in a greater myth where he dispenses with divine wisdom, judgement and punishments.
- The divine Bull of Heaven is sent on Ishtar’s behalf to go after Gilgamesh.
- Anu decrees that either Gilgamesh or Enkidu are to die for killing Humbaba and the Bull of Heaven.
- Kakka is sent to Kurnugi to inform Ereshkigal to send a messenger to return with a gift.
- It is Anu who creates a whirlwind and flood to rile up Tiamat.
- When the griffin-like monster Anzu steals the Tablet of Destinies from Enlil to hide on a mountaintop, it is Anu who orders the other gods to bring back the tablet.
Lord Of The Constellations
Ruling the heavens has its perks, one of which is there being an army of stars that Anu could command to destroy his foes and evil doers.
Calendar – Closely related, Anu is also the lord of the Calendar. A fact that makes sense when many early cultures and civilizations used the movement of the heavens to track the seasons.
Draco – Anu has been identified with the Draco constellation. I’d think with the Bull of Heaven epitaph, he would be identified with Taurus.
Kishru – These shooting stars are reputed to have great strength.
In Sumerian beliefs, Anu formed a triad or holy trinity with Enlil (God of the Air and the Earth) and Enki (God of Water). This division of power could easily reflect the importance each of these deities held in their patron city and showing the pantheons of different city states merging into a more unified whole. Anu represented the “transcendental” and obscure, Enlil represented the “transcendent” and Enkil represented the “immanent” aspects of this divine triad.
Mesopotamian theology also divided the sky into three regions that the sun passed through. A northern, middle and southern region. In Babylonian cosmology, the Way of Anu covered the equator and much of the classical zodiacs. The Way of Enlil covered the northern sky and the Way of Ea covered the southern sky. In Akkadian cosmology, Anu, Enlil and Ea (Enki) are credited with creating the universe.
This an ancient epic creation poem written in the 18th century B.C.E. when the city of Babylon becomes the political capital of Mesopotamia. It’s largely written to show Marduk’s birth, many of his heroic deeds and how Anu stepped down from being King of the Gods to Ea (Enki) who in turn steps down to allow Marduk, in a relatively peaceful succession for the transfer of power to become the king and head of the pantheon.
The Enuma Elish begins at the start of time, when the universe is nothing more than chaos with fresh water represented by Apsu and saltwater (or the abyss) represented by Tiamat, a dragoness. The male and female principles, not unlike the concept seen in the Japanese Yin & Yang. The joining of these two primordial deities would see the creation of all the other gods and other beings. Their most notable children are Lachmu and Lachamu, protective deities and Anshar and Kishar who go on to sire the other gods and goddesses, known as the Anunnaki. The other children of Apsu and Tiamat are giant sea serpents, dragons, snakes, storm demons, fish-men, scorpion-men
While Tiamat loved all her children, Apsu on the other hand, didn’t care for them, saying they were too noisy, keeping him up all night and unable to get any work done during the day. Apsu’s response to this problem was to kill his children, specifically the younger, Igigi deities.
A horrified Tiamat told her eldest son, Enki (later version its Ea) of what Apsu has planned. Enki decided that the best plan for dealing with this was to capture and put Apsu into a deep sleep and then kill him. From Apsu’s corpse, Enki then creates his home, the earth and the marshy region of Eridu.
Kingu, one of Tiamat and Apsu’s sons, soon to be consort to Tiamat is upset and goes to report what happened. This further horrifies Tiamat who wasn’t expecting for Enki to just up and kill Apsu. As a result, she decided to wage war on her own children. The mighty Tiamat raises up an army of chaos consisting of twelve monsters: Bašmu, “Venomous Snake,” Ušumgallu, “Great Dragon,” Mušmahhu, “Exalted Serpent,” Mušhuššu, “Furious Snake,” Lahmu, the “Hairy One,” Ugallu, the “Big Weather-Beast,” Uridimmu, “Mad Lion,” Girtablullû, “Scorpion-Man,” Umu dabrutu, “Violent Storms,” Kulullû, “Fish-Man,” and Kusarikku, “Bull-Man” who are all led by Kingu (Quingu) as the general of this army.
This has Enki and the other gods worried about what to do. At first, Anu says he will try to speak with Tiamat to resolve the problem. When Anu fails diplomatically to resolve the problem, that is when Marduk steps forward, saying he will lead everyone in this war. Marduk has one condition, that is that he be named as the new king of the pantheon. Enki agrees and Marduk leads the Anunnaki to battle.
Marduk prepares his weapons consisting of bow and arrows, a mace, lightning as he is a storm god, flames and a net. Gathering up the four winds, Marduk encircles and nets the mighty Tiamat to prevent her from escaping him. New winds are created by Marduk such as whirlwinds and tornadoes. As he is a storm god, Marduk brings down a fierce flood of rain. It’s a battle between a storm god and a primordial goddess of chaos and the sea, it’s epic as Marduk rides in his storm-chariot pulled by four horse who have poison in their mouths. Spell casting and an herbal antidote as Marduk faces off against one of the mightiest dragons known in mythology.
After Marduk finally slays Tiamat with an arrow to her stomach, he then goes after Tiamat’s son, Kingu who oversaw the army and wears the Tablet of Destiny over his chest. Marduk makes short work of Kingu in single combat, claiming the tablets and establishing himself as the new head of the pantheon.
This is a lot of power that Marduk has now accumulated, and he sets about to create the universe. But didn’t that already exist? He’s at least making a new one as Marduk takes the two halves of Tiamat’s corpse to create the heavens and the earth, completing the work started by Enki. From Tiamat’s eyes, the Tigris and Euphrates rivers flow. With the creation of the heavens, Anu, Enlil and Ea each take their roles and stations.
With Kingu’s blood, Marduk mixes it with the earth to create the first humans who would be the servants of the Igigi (the younger Mesopotamian gods). The creation of humans would allow the gods the leisure time and the time to focus on higher purposes, taking care of human needs as humanity basically did the grunt work. All humans would need to do is respect and give heed to the will of the gods living in Eridu with Marduk ruling over all as a benevolent god.
That doesn’t sound like it will end well and I’m sure there’s another story concerning that.
Side Note: Early versions of this story have Anu, later replaced by Enlil and then in the last version, it is Marduk who gets the promise from the other gods about becoming head of the pantheon.
Marduk’s version dates from the first dynasty of the Babylonians, whereas the other versions are much older. Even then, depending on the version of the creation myth, it is solely Marduk involved in all of it and there’s no mention of Enki at all. Scholars who look at when the Enuma Elish was written generally believe that it represents political and religious propaganda meant justify and install Marduk as the head of the Babylonian pantheon as the city-state rose to political power in the region.
As for Apsu, the Enuma Elish is the first time he’s treated as a deity. Before, he’s just a concept, what they called the fresh water found beneath the earth in the aquifers.
Adapa And The Food Of Life
This story dates from the Kassite Period between 1595 to 1155 B.C.E., after the fall of Babylon.
In this myth, Enki (Ea) creates the first man Adapa, endowing him with great wisdom and intelligence but not immortality. Adapa is aware of his own pending mortality yet resolves to serve his king in Eridu.
One day, Adapa heads out to sea in his boat for some fishing only to have the South Wind blow him back ashore. An enraged Adapa breaks the wings of the South Wind and returns home. After some seven days have passed, Anu begins to wonder why the South Wind isn’t blowing and asks his right hand man, Ilabrat what the cause is. Ilabrat replies that it is because Adapa, the priest of Enki (Ea) has broken the South Wind’s wings.
Anu demands that Adapa be summoned before him to explain himself. Enki, fearing Anu’s wrath on his son, instructs Adapa on how to behave when he arrives in the heavens. How he should greet the gatekeepers Tammuz and Gishida. That when he arrives, Adapa should refuse to eat or drink anything, warning his son how Anu is angry and that anything offered likely to be the food of death or poisoned.
The time comes and Adapa arrives at the gates of heaven and is received in by Anu. Following the advice of his father, Adapa does as instructed and when Anu listens to Adapa’s story of what happened, he has the Food and Water of Life brought in, expecting he will be able to give Adapa the gift of immortality when Enki has refused to do so.
When Adapa refuses the gift of immortality, Anu becomes confused and inquires of Adapa why he is refusing this gift.
Unfortunately, the second and third tablets that this story are written on have been broken and we don’t have the full account.
What we can surmise of what we do have, is that Adapa does tell Anu of the advice that Enki gave him. For this, Anu becomes angry and seeks to punish Enki.
It is clear that knew Enki knew Adapa was going to be offered immortality and had purposefully prevented this from happening. That this gift was something that could only be offered once, because when Adapa refuses, there is no second chance given.
Scholars have noted similarities between the story of Adapa and the Food of Life and that of the Fall of Man in Genesis. Notably between Enki’s reasoning and that of God or Yahweh that Adam and Eve would be cast out from the Garden of Eden for eating of the Tree of the Knowledge of Good and Evil before they can eat of the Tree of Life.
It appears clear that Enki didn’t want humans to become like the gods as that would upset the natural order and that he would need to keep Adapa mortal in order to keep him in his place.
The Akkadian epic does seem to fill in the gap here. It tells how humans were created with mortality by the will of the gods. Enki sees Anu as upsetting what’s supposed to be the natural order. But Anu makes the offer to Adapa out of compassion, feeling that it was wrong for Enki to have created Adapa wise and intelligent enough to be aware of his own mortality while unable to do anything about it to escape death.
These aspects of Anu trying to bring compassion and understanding were to also be seen in the Enuma Elish in the versions where Anu is trying diplomacy to end the war with Tiamat.
Erra And Išum
An eighth century B.C.E. Akkadian epic poem; Anu gives the Sebettu to the plague god Erra to help him massacre the humans when they become too numerous and noisy.
Epic Of Gilgamesh
This is a Sumerian myth and the second oldest known religious text. There are numerous Akkadian copies of this epic from the late 2,000 B.C.E. that have been found. The prologue of this epic is the source of what’s known about the Sumerian creation story. How in the beginning, there was only Nammu, a primeval sea goddess. Nammu gives birth to An, the sky and Ki, the earth. An and Ki give birth to the god Enlil. It is Enlil who separate the heaven from the earth, An and Ki. Enlil goes on to rule over the earth as his domain with An ruling over the sky.
It is in the Epic of Gilgamesh that Anu and the Bull of Heaven are seen as separate beings when Ishtar petitions him to release the Bull to punish Gilgamesh for refusing to marry her. Of course when the Bull is sent after Gilgamesh and his friend Enkidu, the Bull is slain.
Inanna And Ebih
This is a 184-line poem written by the Akkadian poetess Enheduanna.
The poem tells of Inanna, An’s granddaughter who petitions An to allow her to destroy Mount Ebih. An tries to warn Inanna not to attack the mountain, but she does so and destroys it in the process.
Inanna Takes Command Of Heaven
This is another poem that only survives in fragments. What has been translated tells of Inanna’s conquering the Eanna temple in Uruk. Inanna is lamenting to her brother Utu how the Eanna temple isn’t under their influence and that she wants to claim it. Fragments of the poem detail Inanna’s difficulties with traveling through a marshland and some fishermen telling her the best route to take. Eventually Inanna reaches the temple where An is surprised by her arrogance. An however does concede control of the temple to Inanna saying she has won it.
The poem ends extoling on Inanna’s greatness. It is thought the poem represents a transfer of power between the priests of An to those of Inanna.
In the story, “The Kingship of Heaven,” begins with how Alalu, the King of Heaven ruled for seven years and then is overthrown by Anu, who in turn rules for seven years before being overthrown by Kumarbi. This time, Kumarbi when he attacks his father Anu, he bites off his genitals and when he spits it out, there were three new gods. Kumarbi is deposed of by his own son Teshub in time.
When Anu is overthrown, Kumarbi banishes Anu to the underworld, along with his allies, the old gods. The Hittites would equate these gods with the Anunnaki.
Grecian scholars have noted a similarity of this story of Kumarbi overthrowing Anu with Cronus overthrowing Uranous and eventually their own sons Teshub and Zeus overthrowing them.
Amurru – Amorite God
Depending on your source, Amurru is a patron god of the Mesopotamian city Ninab. He was a god of the steppes, the mountain and a storm god. Some sources will equate Amurru with Anu while other sources will place him as Anu’s son.
Caelus – Roman God
A primordial Roman god of the sky who has been equated with Anu.
El – Canaanite God
The supreme god in Canaanite beliefs who symbol is also a bull. The ancient Canaanites clearly equated El with Anu as the two share many of the same attributes such as being a ruler of the gods and the ability to make decrees that only he could make.
Jupiter – Roman God
The ruler of the Roman pantheon, he too has been equated with Anu.
Shamem – Canaanite God
Like Anu, Shamem is the personification of the sky. Shamem however does not appear in any Canaanite myths.
Uranus – Greek God
Anu is equated with Uranus, a primordial Greek God of the Heavens who with Gaia would father and originate all creation. Also known as Ouranos.
Zeus – Greek God
Similarities between Anu and Zeus have been noted in some of their myths. Namely where in the Epic of Gilgamesh, where Ishtar goes before Anu after being rejected by Gilgamesh and complains to her mother Antu. The scene seems to echo what’s found in the Iliad where Aphrodite flees to Mount Olympus after being wounded by Diomedes while trying to save her son Aeneas. Here, Aphrodite cries to her mother Dione, is mocked by Athena and is rebuked by Zeus for her actions, how she is the goddess of love, not war. The chapter in the Iliad that Dione appears in is the only time, the rest of the time, Zeus’ consort is named as Hera. Where Antu is a feminine form of Anu, Dione is the feminine of Zeus.
It’s an interesting connection and observation.
Also known as: Ala, Ala, Ale, Ale or Ana (Feminine)
In the lesser well-known Etruscan mythology, Ani is the god of the sky who lives in the heavens. A few scant sources link Ani as a god of the crossroads. Like his later, Roman counterpart, Janus, Ani is shown having two faces.
Day of the Week: The first day of every month
Patron of: Transitions, Travelers
Planet: Sun, Moon
Sphere of Influence: Crossroads, Past, Future
Symbols: Keys, Staff, Two-Faces, Doors, Archways, Gateways, Portals
While there isn’t a whole lot known about the ancient Etruscans, the few imagery and statues of Ani that have been identified show him having two faces much like Janus.
Ani’s name is mentioned on the periphery of the Piacenza Liver. In Martianus Capella’s Tempum I, dedicated to Janus, the name Ani appears inscribed here.
There is a very similar, female deity to Ani, distinguished by the change of vowels to Ana.
Ani is listed as an Egyptian god of the Underworld, Tuat. There are tentative connections to Ani being the Lord of Festivals and the New Moon within the Egyptian beliefs. Lastly, Ani is mentioned in a hymn dedicated to Amen-Ra.
Aditi – Hindu Goddess
The Vedic goddess of Infinity, Aditi is depicted as having two faces. She is seen as the feminine form of Brahma. Like Janus, Aditi is invoked at the beginning of ceremonies and she concludes them as well.
Anu – Sumerian God
Among the ancient Akkadians, Anu is the god of the sky that Ani has been compared to.
Belinus – Chaldean God
Also called Baal-Ianus, a William Betham has made arguments that Janus’ cult would originate from the Middle East with the Chaldean culture.
Brahma – Hindu God
The imagery of double or four-faced deities in Hinduism is common. Brahma is the god who created the universe.
Culśanś – Etruscan God
In the little-known Etruscan mythology, Culśanś has been identified as being the counterpart to the Roman Janus. This connection seems more likely given Culśanś’ role as a god and protector of doorways and his depiction of having two faces.
Heimdallr – Nordic God
As guardian of the Bifrost bridge, the functions that Heimdallr has withstanding in a place between time and space have noted to be similar to Janus.
Isimud – Sumerian God
Also known as Usimu in Babylonian. A deity featuring two faces appears several times in Babylonian art. Isimud is the messenger of Enki.
Greek Connection – Which brings us to another point. However much the ancient Greeks and Romans tried to claim that Janus had no Middle Eastern connection, and that Janus is solely a Roman deity, there are some much later writers who would equate Hermes with Janus, especially during the Hellenistic era of Greek culture.
Janus – Roman God
The Roman god of Beginnings, Gates, Transitions, Time, Duality, Doorways, Frames, Portals, Passages and Endings. He is seen as a primordial deity to the ancient Romans who was there at the beginning of time and anything getting started to or created. Janus is very much so the Roman equivalent to Ani.
Svetovid – Slavic God
Depicted as having four heads or faces, Svetovid is the Slavic god of war, fertility, and abundance.
Etymology – Unknown
Also Known As: The Queen
Alternate Spellings: Κασσιόπεια, Κασσιέπεια, Κασσιόπη, Casseipeia, Kassiope, Kassiopeia, Kassiepeia.
In Greek mythology, Cassiopeia is the name of a few different women, all of whom were Queens for their respective country and area. For the constellation, Cassiopeia refers to Queen of Andromeda and Perseus fame.
As punishment from Poseidon for her vanity and haughtiness, Cassiopeia is described as being a chained woman in a throne or a Queen in her throne holding a mirror to represent her vanity.
In more modern times, the Cassiopeia constellation is known as the Celestial “W” and Celestial “M” all depending on which way you’re looking at the W Asterism that characterizes this constellation.
The image represented in this constellation, shows Cassiopeia tied or chained to a chair as she circles the Pole Star where she can sometimes appear to be going headfirst into the water as part of her punishment and hubris with the god Poseidon. Other depictions of Cassiopeia will show her holding a mirror to symbolize her vanity and in other depictions she is holding a palm leaf whose symbolism has been lost.
Father – Coronus, a mortal, since there is more than one Coronus, it’s not clear which one is to be her father.
Mother – Zeuxo, an Oceanid.
In his Dionysiaca, Nonnus refers to Cassiopeia as a nymph, which given her parentage could accurate or it just refers to Cassiopeia’s beauty.
Story Of Perseus
In Greek story of Perseus, Cassiopea was the Queen of Acrisios or Aethiopia, the wife of King Cepheus and the mother to Andromeda.
The story begins when Cassiopea starts bragging about how Andromeda is more beautiful than the Nereids. This kind of attitude of extreme arrogance and pride, especially when a person claims being better than the gods, creates what’s known as hubris.
Offended by Cassiopeia’s remarks, the Nereids approached Poseidon and complained, asking him to punish this mortal woman. Poseidon agreed and he sent a flood as well as the sea monster Cetus (or Kraken) to destroy the coastline of Aethiopia.
After consulting with the oracle of Ammon (identified by the Greeks with Zeus,) located at an oasis near Siwa in the Libyan desert, Cepheus is told that he would be able to end the destruction of his country by giving up his daughter Andromeda in sacrifice to Cetus. At the urging of his people, Cepheus had Andromeda chained to a rock by the sea to await her fate.
Luck was with Andromeda, for the hero Perseus is flying by on the Pegasus and on seeing her, he flew down to ask her why she was bound to the rocks. Andromeda told her story to the hero Perseus.
After hearing the story, Perseus went to Cepheus, saying he could save Andromeda from the sea monster and that in return, he wanted her hand in marriage. Cepheus tells Perseus that he could have what he wanted.
At that, Perseus then, depending on the accounts given, pulled his sword and found a weak spot in the scales of the sea monster Cetus or he used the severed head of Medusa to turn the monster to stone.
The story doesn’t completely end there as it seems Andromeda had also been promised to her uncle Phineus to marry. This wouldn’t have been disputed or contested if Phineus had been the one to save Andromeda and slay Cetus himself. So Phineus picks a fight with Perseus about his right to marry Andromeda at the wedding.
After slaying a Gorgon and a Sea Monster, a mere mortal man is no challenge for Perseus who once again pulls out Medusa’s head and turns Phineus to stone. Given variations of the story, sometimes this is when Cepheus and Cassiopeia are also turned to stone when they accidentally look at the gorgon’s severed head. Another variation to the story, is that Cassiopeia is turned to stone when she objects to Perseus and Andromeda’s marriage. With Phineus now dead, Andromeda accompanies Perseus back to his home Tiryns in Argos where they eventually founded the Perseid dynasty.
Some accounts give that Perseus and Andromeda had seven sons and two daughters. Others place this count a little differently saying its seven children all together, six sons and one daughter. Most accounts agree that the eldest son, Perses founds his own kingdom and becomes the ancestor to the kings of Persia. A variation to this account is that Perses was adopted by his grandfather Cepheus and named heir to the throne.
Eventually, years later, as the major figures of the story died and passed away, the goddess Athena placed Cepheus and the others up into the heavens as constellations to immortalize and commemorate this story.
Further, it is the god Poseidon who places both Cepheus and Cassiopeia up into heavens to become constellations, explicitly as punishment.
The price for hubris, still another version for the ending of the story still has Cassiopeia punished for her bragging by being chained to her throne to forever circle the North Star. This is why she can sometimes be seen upside down in the heavens as a warning to others.
Hyginus’ Account – By his account, Cepheus’ brother is Agenor who confronts Perseus as he was the one to whom Andromeda had been promised in marriage. So, this is who Perseus ends up killing instead of Phineus.
Clash Of The Titans – In the original 1981 movie, the actress Siân Phillips plays Cassiopeia. This version of Cassiopeia is never punished by Poseidon and it is the goddess Thetis who states that Andromeda will be given to the Kraken. The 2010 remake sees Polly Walker play Cassiopeia and this character is aged rapidly to death by the god Hades.
Aethiopia or Ethiopia?
The accounts can vary and much of this owes to some lack of clarity among the ancient Greek Scholars and Historians. Homer is the first to have used the term Aethiopia in his Iliad and Odyssey. Greek historian Herodotus uses the name Aethiopia to describe all of the inhabited lands south of Egypt. The name also features in Greek mythology, where it is sometimes associated with a kingdom said to be seated at Joppa, (what would-be modern-day Tel-Aviv) or it is placed elsewhere in Asia Minor such as Lybia, Lydia, the Zagros Mountains and even India.
Modern day Ethopia is located on the horn of Africa and has some tentative ties to the legend of Andromeda. The Egyptian priest Manetho, who lived around 300 BCE called Egypt’s Kushite dynasty the “Aethiopian dynasty.” And with the translation of the Hebrew Bible or Torah into Greek around 200 BCE, the Hebrew usage of “Kush” and Kushite” became the Greek “Aethiopia” and “Aethiopians.” This again changes later to the modern English use of “Ethiopia” and “Ethiopians” with the arrival of the King James Bible.
Given the way that Countries, Empires, Kingdoms and Nations rise and fall, expand and shrink, it’s very well possible that both Aethiopia and Ethiopia are one and the same and that modern-day Tel-Aviv once known as Joppa (Jaffa) may have once been part of Ethiopia. Some sources cite Joppa as having been a city of Phoenicia. There is a lot of history that has been lost to the sands of time that can only be guessed at and speculated upon.
The constellation known as Cassiopeia is one of 48 constellations listed by the 2nd century astronomer Ptolemy in his book, Almagest. Today it remains as one of the 88 current or modern constellations. Cassiopeia is the 25th largest constellation in the night sky. Bordering constellations to Cassiopeia are Andromeda, Camelopardalis, Cepheus, Lacerta, and Perseus.
Cassiopeia has the nickname of the W constellation as this is asterism comprised of the five brightest stars is easily recognizable. In English, Cassiopeia is known as the “The Queen.”
The Cassiopeia constellation is found year-round on the northern hemisphere near the pole star. The best time to see this constellation is in November. This constellation is able to be seen by those countries north of the Tropic of Capricorn come late spring.
French Depiction – Cassiopeia is shown sitting on a marble throne holding a palm leaf in her left hand while holding her robe with her right hand. This image is found in Augustin Royer’s 1679 Atlas.
This constellation was known as the Lady in the Chair. In some Arabic Atlases, the stars of Cassiopeia are associated with a figure known as the “Tinted Hand” that represented a woman’s hand that’s been dyed red with henna. Later, in Islamic religion, this red hand is the bloody hand of Muhammad’s daughter Fatima.
Another Arabic constellation found within Cassiopeia is a Camel. The head is comprised of the stars Lambda, Kappa, Iota and Phi Andromedae with the hump being formed by Beta Cassiopeia and the rest of the Cassiopeia constellation forming the body and the legs extending into stars within Perseus and Andromeda constellations.
In Chinese Astronomy, the Cassiopeia constellation is located in the areas of the night sky known as Zi Wei Yuan (the Purple Forbidden Enclosure), Bei Fang Xuan Wu (the Black Tortoise of the North), and Xi Fang Bai Hu Zu (the White Tiger of the West).
Wangliang – In Chinese star lore, the W-shape of Cassiopeia; three stars of this asterism are associated with a group known as Wangliang that commemorate a legendary Chinese charioteer of the same name. Old Chinese star charts show this asterism as a fan-shape comprising of four stars, Gamma, Eta, Alpha and Zeta Cassiopeiae that represent a team of horses. A fifth star, Beta Cassiopeiae represents Wangliang himself. The star Kappa Cassiopeiae or Ce, is Wangliang’s whip.
Wangliang features in a Chinese moral story where he was asked to drive a carriage for a hunter named Hsi. On the first day, they failed to catch any birds. When Hsi returned from his hunt, he complained how Wangliang was the worst charioteer. Hurt by these comments, Wangliang convinced Hsi to let him drive again. Hsi agreed and the next day they went out, they were able to snare ten birds in the morning. This impressed Hsi so much so that he asked Wangliang to stay on as his full-time charioteer. Wangliang turned down the offer, stating that the first time, he had driven the carriage by the rules and that the second time he drove, Wangliang had cheated by driving into the birds in order to make it easier for Hsi to bring down the birds. Wangliang finished his statement by saying that he couldn’t drive for a hunter who wasn’t honorable. The moral being that: “A man cannot straighten others by bending himself.”
Gedao – The stars Delta, Epsilon, Iota, Theta, Nu and Omicron Cassiopeiae form a chain of six stars that represent a pathway to the Central Palace. The Central Palace is located within the Ursa Minor constellation. This asterism, Gedao is sometimes depicted as the flag or banner for Wangliang. Next to this, the star Zeta Cassiopeiae or Fulu represents a side road.
Chuanshe – This is a chain of nine stars that passes over from Cepheus to northern Cassiopeia and into the Camelopardalis constellation. This chain of stars represents guest rooms just outside the wall of the Central Palace. It isn’t clear which stars actually represent this asterism.
Huagai & Gang – Located further north to the entrance of the Central Palace, these two groups of stars represent the Emperor’s gilded canopy used in processions. The asterism Huagai has seven stars and Gang has nine stars.
Eastern Boundary Wall – Comprised of the stars Cassiopeiae 21 & 23, these two stars mark the boundary wall for the Central Palace. Some Chinese astronomical texts will place this boundary wall within the Cepheus constellation.
Sometime in the 1600’s, a few Biblical characters began to be associated with the Cassiopeia constellation. Some of these figures are: Bathsheba, the mother of Solomon, Deborah, an Old Testament Judge and prophetess and Mary Magdalene, one of Jesus’ followers.
The Chukchi people of Siberia saw five reindeer in the five brightest or main stars of Cassiopeia.
In the Marshall Islands, the constellations of Andromeda, Cassiopeia, Triangulum, and Aries are all part of a same greater constellation representing a porpoise. Andromeda’s bright stars form the body of the porpoise; Cassiopeia represents its tail and Aries its head.
In Persia, Cassiopeia is depicted as a queen holding a staff with a crescent moon with her right hand and wearing a crown. A two-humped camel will also be drawn with her.
In Hawaii, the stars Alpha, Beta, and Gamma Cassiopeiae all have individual names. Alpha Cassiopeiae is called Poloahilani, Beta Cassiopeiae is called Polula, and Gamma Cassiopeiae is called Mulehu.
The people of Pukapuka call this constellation by the name Na Taki-Tolu-A-Mataliki.
While the Romans adapted many of the Greek beliefs and myths for their own, for them, this constellation is known as the Woman of the Chair.
The Sami see elk antlers in the W Asterism in Cassiopeia.
In Welsh Mythology, the Cassiopeia constellation is known as Llys Don or “The Court of Don.” The goddess Don is the Mother of the Gods. In addition, the Milky Way is known as Caer Gwydion or “The Fortress of Gwydion” and the Corona Borealis constellation is known as Caer Arianrhod or “The Fortress of Arianrhod.”
All of these constellations have some connection to the overall legend and myth of the Grecian hero Perseus.
Stars Of Cassiopeia
Alpha Cassiopeiae – Also called Schedar or Schedir, from the Arabic word sadr meaning: “breast.” The name is in reference to the star’s location for Cassiopeia’s heart. This is the brightest star in the constellation.
Beta Cassiopeiae – Also called Caph, from the Arabic word kaf meaning: “palm. This star’s other names are al-Sanam, al-Nakah, al-Kaff, and al-Khadib. It is a subgiant or giant star, it is the 12th brightest star in the night sky. Caph, along with the stars Alpheratz in Andromeda and Algenib in Pegasus is known as one of the Three Guides. These three bright stars mark an imaginary line from Caph to Alpheratz for the celestial equator where the Sun crosses during the Spring and Autumn Equinoxes.
Gamma Cassiopeiae – Also called Tsih in Chinese, meaning “The Whip. This star is called Navi, a name given to it by American astronaut Virgil Ivan Grissom. Navi happens to be Ivan’s name spelled backwards. This central star in a W shape that characterizes and is the brightest star within this constellation. This star has been used as a navigational reference by astronauts.
Delta Cassiopeiae – Also known as Ruchbah, from the Arabic word rukbah meaning “the knee.” This star is known by the name Ksora. It is the fourth brightest star in the constellation.
Epsilon Cassiopeiae – Also known as Segin.
Eta Cassiopeiae – Also known as Achird. It is the closest star in Cassiopeia to the Milky Way Galaxy. It is a yellow-white G-class dwarf star that is slightly cooler than the Sun. There is also a companion orange K-class dwarf star.
Zeta Cassiopeiae – This star is a blue-white subgiant star located some 600 light years away.
Rho Cassiopeiae – Is a rare yellow hypergiant star, of which only seven have been identified within the Milky Way Galaxy. It is thought that this star may have already gone supernova, we just have yet to the light from it.
This asterism is the most distinct and recognizable feature of the Cassiopeia constellation. It is comprised of the five brightest stars of Epsilon, Delta, Gamma, Alpha, and Beta Cassiopeiae. Some scholars like Aratus have described this asterism being like a key or folding door.
In November of 1572, Danish astronomer Tycho Brahe spotted and recorded a new star appearing within the Cassiopeia constellation. Naturally, this would be called Tycho’s Star and he wrote a treatise about this new star the next year. It’s known now that this star was really a Supernova and it was visible to the naked eye for over a year. In his 1603 Uranometria atlas, Johan Bayer included this star as a starburst beside Cassiopeia’s throne. Then in 1690, on the Hevelius atlas, this star appears on Cepheus’ left hand.
Also known as NGC 457, this is an open star cluster that resembles an owl. It is also known as the E.T. Cluster and Caldwell 13. This cluster was discovered in 1787 by William Herschel and is located some 10,000 light years away from Earth.
The Pacman Nebula
Also known as NGC 281, a large gas cloud where a star formation took place. There are several young, blue stars within. The name Pacman comes from the character of the same name in a videogame. The nebula is about 9,500 light years away from Earth and was first discovered in 1883 by the American astronomer E.E. Barnard.
The White Rose Cluster
Also known as NGC 7789 or Caroline’s Rose, it is an open star cluster roughly 7,600 light years away from the earth. This star cluster gets its name of The White Rose due to the loops of stars within this cluster resembling a pattern similar to a rose’s petals. It was discovered in 1783 by British astronomer Caroline Herschel.
A meteor shower known as the Phi Cassiopeiids occurs in early December.
This meteor shower though named for the hero Perseus is associated with the Cassiopeia constellation and passes through in August.
Others Named Cassiopeia
There are a couple of others named Cassiopeia in Greek mythology.
- The wife to the demigod Epaphus, a King of Egypt. Epaphus was also a rival to Phaethon who had a disastrous journey with his father Helios’ chariot of the Sun. Another name for this Cassiopeia is Memphis, also the name of an Egyptian city that Epaphus is to have founded.
- Also spelled as Cassiepeia. According to Hesiod, she is the daughter of Arabus and the wife of King Phoenix. This Cassiopeia would become the mother of the hero Atymnius by either Phoenix or Zeus. Some accounts will have her be the mother of Phoenix and Carme. Though Carme is reputed more often to be the daughter of Eubuleus.
I must confess, I came across the figure of Marmoo after a friend posted a link to a series of pictures for a number of different mythological deities grouped by pantheon. Yes, said link and pictures were for the Marvel Comics versions. Not planning to turn it down, I kept a copy of the pictures to use for later inspirations of “what to do next” for Brickthology.
Australian Creation Story
In the beginning, when the world was new and nothing yet growing on it, Baiame, the Creator Spirit came down to the earth. Looking around and seeing nothing existed yet, Baiame set about creating the landscape of mountains, rivers, forests, deserts, and ocean.
Next Baiame set to the creation of various vegetation from trees to plants that would survive in the different landscapes that he had created. Next was water and the air, with the creation of animals and humans last.
In all of this, the being known as Marmoo was secretly watching and becoming increasingly jealous of everything that Baiame created.
In his jealousy, Marmoo created all manner of insects and vermin to plague the earth with. From ants, to beetles, to snails, spiders and anything that crawled, burrowed or flew. These Marmoo would send out in swarms, to blacken the sky and devour the green plants Baiame had created.
Horrified by what he was seeing, Baiame called upon the Mother Spirit to help him halt Marmoo’s swath of destruction. In response, Nungeena and her attending spirit aids, created the birds that ate Marmoo’s insect hordes.
To no avail, Marmoo tried to convince the birds to sing all day instead of eating his insect creations. He had hoped that singing all day would cause the birds to have no time for building nests or laying eggs and soon, no more birds.
The only birds that did listen were the cuckoos and Marmoo convinced them when it was time for nesting was to kick out an egg from an existing nest and lay one of theirs in its place.
Making only one appearance within the pages of Marvel comics, specifically the Official Handbook of the Marvel Universe 2006 #3, Marmoo is presented as an Australian god of Evil.
Kulipari: An Army of Frogs & The Dreamwalker
A Lord Marmoo, an evil scorpion tyrant appears as a main antagonist in this animated series found on Netflix where he intends to destroy the Amphiblands.
Etymology: “Rising from the Sea,” Aphros “Sea Foam”
Other Names and Epithets: Αφροδιτη, Acraea, Amathusia, Ambologera (”She who Postpones Old Age”), Anadyomene, Antheia, Aphrodite Areia (“War-Like”), Aphrodite en kopois (“Aphrodite of the Gardens”), Chryse (mythology), Cytherea, Lady of Cythera, Despoina, Aphrodite Pandemos, Aphrodite Ourania or Urania (Heavenly Aphrodite), Aphrodite Benetrix (Married Love), Aphrodite Porne (Erotic Love), Pandemos, Urania, Lady of Cyprus, Philommeidḗs (“Smile-Loving” or “Laughter-Loving”), Eleemon (“The Merciful”), Genetyllis (“Mother”), Potnia (“Mistress”), Enoplios (“Armed”), Morpho (“Shapely”), Melainis (“Black One”), Skotia (“Dark One”), Androphonos (“Killer of Men”), Anosia (“Unholy”), Tymborychos (“Gravedigger”), Aphrodite Pontia (“Of the Deep Sea”), and Aphrodite Euploia (“Of the Fair Voyage”)
Aphrodite is the Greek goddess of love, specifically sexual love, beauty, desire and fertility. With an irresistible charm and beauty, Aphrodite is used to getting her way as many a mortal and god sought her favor. For those who spurned her, Aphrodite could be vindictive like many a Greek deity’s reputation for pettiness. Aphrodite is without a doubt, one of the best-known Olympian goddesses. In more modern times, Aphrodite is still seen one of many feminine icons from mythology who continues to feature in Western literature and arts.
Aphrodite’s Roman counterpart is Venus and their myths become very intertwined over the millennia to the point that their names are often interchangeable in Aphrodite’s myths.
Animal: Dolphin, Dove, Ducks, Geese, Heron, Ram, Sparrow, Swan, Tortoise
Colors: Blue, Green, Scarlet, White, Gold
Day of the Week: Friday
Gemstones: Lapis Lazuli, Pearl
Month: April, February, July
Patron of: Love, Lovers, Prostitutes
Plant: Apple, Lime Tree, Mandrake, Myrtle, Myrrh, Palm, Pomegranate, Poppy, Rose
Sphere of Influence: Love in all of its forms, physical, sensual, passion, relationships
Symbols: Girdle, Golden Apples, Scallop Shells, Mirror, the Ocean, Chocolate
Aphrodite Areia – Helmet, Lance, Shield, Sword, Victory
Aphrodite Pandemos – Ram
Aphrodite Urania – Tortoise for Domestic Modesty and Chastity
In Classic Greek art, Aphrodite is often depicted as a blue-eyed, golden-haired woman with pale skin. For the Greeks, she was the very ideal of beauty. Statues of Aphrodite depict her as the height of Grecian physical beauty. At first, there was nothing to distinguish Aphrodite from other statues of goddesses, not until around the 5th century B.C.E. Statues of Aphrodite from Cyrene and Esquiline in the 1st century B.C.E. were called Aphrodite Kallipygos or “Aphrodite with a Beautiful Derriere.”
Classical art and sculpture from the 5th century B.C.E. will show Aphrodite as fully clothed, once the 1st century B.C.E. comes, do nude statues of Aphrodite appear. The most famous of the Aphrodite sculptures was carved by Praxieteles. It is during the Hellenistic era of Greece that the first nude statue of Aphrodite, the Venus de Milo appears in the 2nd century B.C.E.
Aphrodite is often shown accompanied with her son Eros, also a god of love.
What’s In A Name
We know the first part of Aphrodite’s name, aphros means sea foam or foam and alludes to her birth from the ocean when Uranus’ gentiles were thrown in the sea by his son Cronus. There were early attempts by scholars to link Aphrodite’s name to a Greek or Indo-European origin. Given the strong connections of Aphrodite to the Middle East and likely of Semitic origin.
Nineteenth and early twentieth scholars who accepted the etymology of “sea form” for the first part of Aphrodite’s name have tried to connect the second part of the name “-odite” to mean either “wanderer” or “brite.” As there’s disagreements, some scholars have even gone so far as to link Aphrodite’s name to the Assyrian barīrītu, the name of a female demon found in Babylonian texts. Others have tried for the Etruscan word of “eproni” for “lord” making the last part of Aphrodite’s name an honorific. The name continues to be debated as to what the correct translation and etymology for Aphrodite’s name is.
The epithets of Urania for Heavenly Dweller and Pandemos for “Of all the people” likely try to connect her as a goddess of universal love and everyone. In his Symposium, Plato argues that the epitaphs of Aphrodite Ourania and Aphrodite Pandemos are two separate deities.
There is a lot of evidence and discussions that Aphrodite very strongly began as the Mesopotamian goddess Ishtar or the Phoenician Astarte and the Syro-Palestinian goddess Ashtart.
Pausanias records that the first people to worship Aphrodite were the Assyrians and then the people of Cyprus, followed by the Phoenicians at Ascalon. From there, Aphrodite’s cult and worship spread throughout most of Greece.
Looking at the epitaph of Aphrodite Ourania shows a connection to Inanna as the Queen of Heaven. Early art and literature that describes Aphrodite is very similar to Inanna. Like Inanna, Aprodite was worshiped as a war goddess, at least in the second century B.C.E. Pausanias makes mention where in Sparta, she is worshipped as Aphrodite Areia, meaning “warlike.” Pausanias also records that early statues in Sparta and Cythera show Aprodite bearing arms. Modern scholars use this connection of Aphrodite with her Middle Eastern origins. It makes sense when ancient Grecian culture once stretched as far as where modern Turkey and Syria are today.
Doves – One of Aphrodite’s symbols, the dove is also connected to Ishtar as one of her symbols. Scholars have noted that the Greek word for dove is “peristera” is likely comes from the Semitic phrase of “perah Istar” meaning “bird of Ishtar.” How interesting. Doves appear in a lot of ancient Greek art for pottery, reliefs, and sculptures depicting Aphrodite.
At one point, early comparative scholars have tried to link Aprodite with Eos, the Greek goddess of the Dawn. It works and relies on linking to the Proto-Indo European Dawn goddess of Haéusōs who is then linked to the Greek Eos, the Latin Aurora and the Sanskrit Ushas.
Both Aphrodite and Eos are known for their erotic beauty and sexuality. They have both had relationships with mortal lovers (as have a good number of Greek deities). Add in, that both goddesses are associated with the colors of red, white, and gold. The myth of Aphrodite rising from the sea has a similarity to the Rigvedic myth of Indra defeating Vrtra and freeing Ushas. Which then brings the last comparison of Aphrodite and the Indo-European goddess Haéusōs both having a parentage that links them to of a sky deity.
Maybe, but it is the alternative mythological and etymological link when the Middle Eastern connection isn’t accepted. Plus, the whole Proto-Indo-European language is largely theoretical with many modern scholars leaning towards the Mesopotamian connections.
As a goddess of love, beauty and sexual desires, Aphrodite was and still is worshiped by a wide variety of people from nearly every walk of life. For ancient Greece, this is the everyday people up to the higher, ruling class
As a very sensual goddess of love, particularly sexual love and beauty, Aphrodite’s priestesses were known to engage in sexual activities themselves as part of worshiping her. It should be noted that this didn’t make them prostitutes, it was part of the job description for priestess of Aphrodite. If you’re seeing every woman as a goddess to held sacred, cherished, respected and worshiped, you’re not far from worshiping Aphrodite or any goddess or god of love. It is going to get carnal.
As such, Aphrodite had several shrines and temples dedicated to her. Her main temples and cults were to be found in Cythera and Cyprus.
Gynaikonomoi – If it hasn’t been noticed before, women in many Greek and even Roman myths aren’t treated well, whether goddess or mortal. The Gynaikonomoi or Magistrates in Charge of Women are mentioned in the 1st century C.E. Sparta.
Marriage – Pausanias records the practice of the mothers of brides sacrificing to a wooden image known as Aphrodite Hera, an epitaph of either goddess connecting the ideals of love and marriage. Pausanias goes on to mention a seated statue of Aphrodite Morpho or the “The Fair Shaped Aphrodite” that had a veil on her head and chains on her feet. Lovely. This statuary clearly meant to connect the role of brides and a woman’s place in a marriage with her duties with wives being faithful to husbands.
Prostitutes – Yes, Aphrodite is the patron goddess of prostitutes. The city of Corinth was known for the high number of prostitutes and courtesans. With Corinth also being one of Aphrodite’s main cult centers with a major temple, it led to early scholars believing in the concept of “sacred prostitution” in Greco-Roman cultures with nearby islands of Cyprus and Cythera and even Sicily being associated with prostitution. There are records of many dedications to Aphrodite found in poetry and pottery by courtesans that have been found. Plus, you add in that Aphrodite’s Mesopotamian counterpart Inanna is also associated with prostitution. While the idea of “sacred prostitution” persists in some schools of thought, the idea is getting discarded more and more.
Amathus – This is one of Aphrodite’s centers of worship on the island of Cyprus.
Corinth – On mainland Greece, this city was one of Aphrodite’ centers of worship.
Cyprus – Aphrodite’s center of worship was clearly on this island as evidenced by the numerous sanctuaries dedicated to this goddess. Aphrodite would be called Cyprian for her connection to this island as her birthplace.
Cythera – Another island where Aphrodite’s worship was prominent. It had been a Minoan colony at one point. Some myths will place Aphrodite’s birth as being here, giving her the epitaph of Cytherea. The island was certainly a stopping point for the trade route between Crete and Peloponesus which in turn could mean that the myths might have evidence of how Aphrodite’s cult came from the Middle East to Greece.
Pandemos – This the oldest of Aphrodite’s cult-sites that dates back to 230 B.C.E. Here, Aphrodite was known as Aphrodite Pandemos or “Aphrodite who is Common to all the People.” This Aphrodite was associated with the hero Theseus and worshipers of Aphrodite Pandemos sought out her blessings for uniting the people of Athens. Not just for personal relationships, but political connections too. The cult of Aphrodite Pandemos is very likely led to the formation of democracy.
This city located on Cyprus is the location for one of Aphrodite’s most well-known temples, especially in the ancient world. It is thought that the rites dedicated to Aphrodite were a blend of oriental and Aegean influences that could ultimately trace their origins to the Mesopotamian Ishtar and Phoenician Astarte. Archeological studies have shown that the cult of Aphrodite dates back to the Late Bronze Age, roughly 1200 B.C.E. and continue uninterrupted up to the Late Roman Era towards the 4th century C.E. There are suggestions that Aphrodite’s worship could possibly go back to the Chalcolithic Era. Female figurines and charms have been found dating to the third millennium and religious sanctuaries called temenos were well established before the construction of any Late Bronze Age structures.
Prior to this, Pausanias thought Aphrodite’s cult was introduced from Syria and of Phoenician origin. Prior to more modern Archeology, people that that Aphrodite’s worship and cult dated back before Homer’s time of around 700 B.C.E. with mention of Aphrodite’s altar in the Odyssey.
Paphos is also the location that the Greeks say where Aphrodite landed when she arrived at Cyprus when she rose out of the sea. An oracle was also to found here in Paphos. The Sanctuary of Aphrodite Paphia was a pilgrimage destination for her followers. The city gains its name from Paphos, the son of Pygmalion and Galatea.
During this era of classical Greek history that many are familiar with, the Greeks began to identify Aphrodite with the Egyptian goddesses of Hathor and Isis. Aphrodite would become the patron goddess of the Lagid queens. As was Egyptian custom, Queen Arsinoe II was claimed to be the mortal incarnation of Aphrodite.
Aphrodite’s worship spread to the city of Alexandria with many temples dedicated to her that could be found around the city. The cult of Adonis was introduced to the city by Queen Arisone II. The Tessarakonteres galley had a temple dedicated to Aphrodite with a marble statue. Another temple dedicated to Aphrodite Hathor would be established in the second century B.C.E. at Philae. Statuettes of Aphrodite would become very common for people to do personal devotions during the Ptolemaic era in Egypt and last through when it came under Roman rule.
The Romans readily adopted and identified Aphrodite with their own goddess Venus who was originally a goddess of agriculture, fertility, vegetation, and Spring. This would become official in the third century B.C.E. when the cult of Venus Erycina is introduced to Rome by way of the Grecian sanctuary for Aphrodite on Mount Eryx in Sicily. From here, the iconography and imagery of Aphrodite along with her myths would be attached to Venus.
Further cementing this adaptation is that Aphrodite was revered as the mother of the Trojan hero Aeneas in Greek myths and the Romans hailed him as the ancestor to Romulus and Remus, the legendary founders of Rome. With this connection, Venus as Venus Genetrix, the mother of the Roman nation became prominent. The Greek worship of Aphrodite began to emphasis more and more her connection to the city of Troy and Aeneas. More and more Roman influences and elements began to connect Aphrodite as more maternal and militaristic and more connected to the bureaucracy that Aphrodite became a divine guardian of numerous magistrates.
Parentage and Family
According to Hesiod’s Theogony, Aphrodite was born from the dismembered genitals of Uranus after Cronus cut them off. She rose up from the sea where they landed after being thrown.
Sometimes the primordial sea goddess Thalassa is given as Aphrodite’s mother in the myth with Uranus.
According to Homer’s Iliad, Zeus and Dione are her parents.
As a result of mixed parentage, depending on if you go by Hesiod’s Theogony or Homer’s Iliad, Aphrodite is going have several siblings.
Aeacus, Angelos, Apollo, Ares, Artemis, Athena, Dionysus, Eileithyia, Enyo, Eris, Ersa, Hebe, Helen of Troy, Hephaestus, Heracles, Hermes, Minos, Pandia, Persephone, Perseus, Rhadamanthus, the Charities, the Horae, the Litae, the Muses, the Moirai, or the Titans, the Cyclopes, the Meliae, the Erinyes (Furies), the Giants, the Hekatonkheires
Hephaestus – Husband and god of Smithing and Volcanoes.
With Adonis, Aphrodite is the mother of Beroe and Golgos.
With the god Ares, Aphrodite is the mother of: the Erotes: Anteros, Eros, Himeros and Pothos (though sometimes Pothos is listed as Eros’ son). Other children of theirs are: Phobos, Deimos, Phlegyas, Harmonia and Adrestia.
In early myth, Anteros was originally born from the sea alongside Aphrodite, later on, he comes her son by Ares.
With Butes, Aphrodite is the mother of Eryx, Meligounis, and a number of unnamed daughters.
With Dionysus, Aphrodite is the mother of Hymenaios, Iacchus, and the Charities (Aglaea, Euphrosyne, and Thalia)
With the god Hermes, Aphrodite is the mother of the androgynous deity Hermaphroditus.
With Phaethon, Aphrodite is the mother of Astynous.
With the god Poseidon, Aphrodite is the mother of Eryx, Rhodus and Herophilus.
With the mortal Prince Anchises, Aphrodite is the mother of Aeneas
Peitho has no father is given for him.
Priapus – either the gods Adonis, Ares or Dionysus is their father.
Aphrodite is counted among the twelve major deities who resided on Mount Olympus, the highest mountain peak in Greece and all of Europe. For the Greeks, this was the perfect location for where the gods would preside at while keeping watch on humankind down below them.
As there are several deities within Greek mythology, just who numbers among the Olympians varies. It’s generally agreed that the twelve major Olympians are: Zeus, Hera, Poseidon, Demeter, Athena, Apollo, Artemis, Ares, Aphrodite, Hephaestus, Hermes, and then either Hestia or Dionysus.
Also called Aphrodisia, as the name implies, this was a festival held in Aphrodite’s honor and was celebrated in many places around Greece during midsummer. It was a festival involved substances believed or known to cause sexual arousal and desire. This festival was most notably in Athens and Cornith.
In Athens, Aphrodisia would be celebrated in the month of Hekatombaion to celebrate Aphrodite’s rule in the unification of Attica. In the old Grecian calendar, the month of Hekatombaion corresponded with the month of July and was the first month of the year.
The priests of Aphrodite would purify the Temple of Aphrodite Pandemos with the blood of a dove that had been sacrificed. The altars would than be anointed and the statues of Aphrodite Pandemos and Aphrodite Peitho would be carried down to be ritually bathed.
This is another festival that honored Aphrodite in Athens. Not much is known about this festival.
The fourth day of every month was also held sacred to Aphrodite.
Attendants Of Aphrodite
Charities – The Graces in Roman mythology, this group of goddesses were known to accompany Aphrodite. They were Aglaea (“Splendor”), Euphrosyne (“Good Cheer”), and Thalia (“Abundance.”) They were worshiped as goddesses in Greek long before the arrival of Aphrodite.
Erotes – Aphrodite’s many sons who all presided over a different aspect of love.
Eros – Is the primary son who most people think of as accompanying Aphrodite. Most people are familiar with his Roman name of Cupid. By either name, Eros is the god of lust and sexual desire. Eros is described as one of four original primeval forces born at the beginning of time in Hesiod’s Theogony. After the birth of Aphrodite, Eros joins Himeros to become one of her companions.
Harmonia – A minor goddess of harmony. She is Aphrodite’s daughter with Ares, she is sometimes seen accompanying her.
Hebe – The goddess of youth, she is the daughter of Zeus and Hera. Hebe sometimes accompanied Aphrodite.
Horae – The Hours, they are the daughters of Zeus and Themis. Their names are Eunomia (“Good Order”), Dike (“Justice”), and Eirene (“Peace”).
In Sappho’s “Ode to Aphrodite,” the goddess is described as riding in a chariot that is pulled by sparrows.
Aphrodite isn’t just a Love Goddess, the sexual acts associated with her, Aphrodite’s attributes extend to the fertility of animals and vegetation, not just humans. In the story of Aphrodite’s affair with Ares, the version of the story found in the Iliad has Aphrodite returning to Cyprus so she can renew her virginity in Spring. Something she apparently does after each liaison. Some even suggest so far as to identify Aphrodite as a Mother Goddess as she gives birth to the crops each year. However, I think that domain is well and thoroughly covered with Demeter and Persephone. Though given the story of Aphrodite and Adonis, Mother Goddess and fertility still easily fits.
Pomegranates are thought to be associated with Aphrodite as the red seeds symbolized sexuality. An interesting side note, Greek women sometimes used pomegranates as a form of birth control.
Venus – When equating Aphrodite with the Roman goddess Venus, the poet Lucretius calls Aphrodite as a Genetrix for her creation and creative role in the world.
Plus, the aspects of Aphrodite as a fertility goddess really fit when under Roman influence and they have identified many of Aphrodite’s myths to their goddess and are busy tacking on Venus’ aspects to her Grecian counterpart.
This is the domain that Aphrodite is really known for, Love, all kinds of love. The many epitaphs that Aphrodite has denote which form of love she presides over.
Aphrodite Benetrix – Married Love
Aphrodite Porne – Erotic Love
Aphrodite Urania – Heavenly Aphrodite, Spiritual Love, the kind that is unconditional and all of creation.
That’s just a few of the names that cover the many types of love that Aphrodite presided over. In addition, Aphrodite had numerous sons, most notably Eros who would accompany her and who represented the different types of love.
Birth Of A Goddess
There are a couple different origin stories for Aphrodite.
According to Hesiod’s Theogony, Aphrodite was born when Uranus was castrated by his son Cronus and the severed member was thrown into the ocean. As the ocean began to churn and foam, Aphrodite rose up out of the waves. With Zephyr’s help, this Wind God blew the young goddess towards the island of Cyprus where flowers sprang up from her footsteps as she stepped on land. There, Aphrodite was welcomed by the Charities. From there, Aphrodite was dressed and taken to Mount Olympus to be presented to the other gods.
Other variations have Aphrodite arriving at Cythera. Seafood is known as aphrodisiacs as they are seen related to Aphrodite’s birth from the sea.
It is for the places of Cyprus and Cythera, that Aphrodite is also known by the names of Kypris and Cytherea.
It has been pointed out that Hesiod’s Theogony is likely pulled from the Hittite epic “The Song of Kumarbi” where Kumarbi overthrows his father, Anu the sky god by biting off his genitals and thus becoming pregnant to give birth to Ishtar and Teshub.
Homer, in his Iliad, however, says that Aphrodite is the daughter of Zeus and Dione. A note here is that Dione’s name is possibly a feminine form to Dios and Dion, both alternative names for Zeus and that both Zeus and Dione had a cult center in Dodona. Hesiod names Dione an Oceanid in his Theogony.
Marriage To Hephaestus
Following the genealogy with Zeus, he feared that the other gods would fight each other over who would get to marry Aphrodite.
Figuring himself wise and clever, Zeus married Aphrodite off to Hephaestus, the Smithing god. Imagine Hephaestus’ surprise, him the least comely of the gods and disabled. Elated, Hephaestus put all his efforts and skills in smithing to create the most exquisite jewels that he could for his bride. He even made a girdle of finely wrought gold with magic woven into it for Aphrodite.
While Hephaestus was happy with his marriage, Aphrodite wasn’t too pleased with the arrangement. She would have greatly preferred someone far more attractive and like many of the gods, she does have her affairs and dalliances.
Strophion – This is what Hephaestus will have crafted for Aphrodite, translations into English will call it a girdle. As lovely as this magic girdle is, whenever Aphrodite wore it, no one was able to resist her charms and was already irresistible to many. It’s been commented that Hera sometimes borrowed Aphrodite’s magic strophion from time to time.
The other name I have come across for this girdle or belt is cestus, which in Rome, a cestus is a set of armored leather gloves worn by boxers. That could be a translation error though as Aphrodite’s strophion was called “keston himanta” or (kestos himas) and that might be the source of confusion.
A final bit to note, is that this style of strophia were also used in depictions for the Middle Eastern goddesses Astarte and Ishtar.
Folklore – Instead of Zeus handing Aphrodite off in marriage, it is Hera who does so. In this one, Hephaestus made a golden throne for his mother Hera. When Hera sat down on the throne, it trapped her, and Hephaestus refused to release her until Hera agreed to give Aphrodite to him in marriage. Pleased that his mother agreed to the marriage, Hephaestus then gods to make his bride to be some jewelry, including the strophion that is often translated to mean girdle.
There are a few versions of Aphrodite’s marriage and who Hephaestus is actually married to.
Iliad – Aphrodite is the unmarried consort to Ares. Hephaestus’ wife is Charis, one of the Charities.
Odyssey – Book Eight is where the blind singer Demodocus describes Aphrodite as the wife to Hephaestus when the story of Aphrodite and Ares’ Affair is related.
Theogony – Aphrodite is unmarried, Hephaestus’ wife is Aglaea, the youngest of the Charities.
Aphrodite & Pandora
From Hesiod’s Works and Days, Zeus tasks Aphrodite to create Pandora, as the first woman to punish mankind after Prometheus’ stealing fire and gifting it to humans. Aphrodite makes Pandora to be both physically beautiful and sexually attractive so men will fall for her and lead to opening the box by which to release evils upon the world. Aphrodite’s attendants of Peitho, the Charities and the Horae contribute by gifting Pandora with gold and jewelry to be even more attractive.
Love Affair With Adonis
This is perhaps the most famous of Aphrodite’s affairs with a mortal by the name of Adonis.
Accordiing to Ovid’s Metamorphosis, Adonis is the son of Myrrha who was cursed by Aphrodite and turned into a Myrrh tree. Depending on the version of the story, either Myrrh’s father takes an axe to split open the tree or nine months later the tree burst, splitting open with Adonis being born.
Aphrodite found the infant and takes him down to the Underworld hidden in a chest to be entrusted into Persephone’s keeping. When Persephone discover a baby in the chest, she falls in love with the infant and takes care of him.
Later, Aphrodite returns to check in and discovers that Adonis has grown up to become remarkably handsome. By this time, Persephone is also rather attached to Adonis as well and what ensues is a custody battle of who gets Adonis.
Zeus took the matter into his own hands, in which he put the muse Calliope to arbitrate. She divided the year into three parts, saying that Adonis would spend one third with Aphrodite, another third with Persephone and the third part of the year as time to himself.
Having his own agency, Adonis comes to love Aphrodite more. It doesn’t help that Aphrodite cheated by wearing her magic girdle to cause Adonis to spend more time with her.
When it was time for him to go to the Underworld, Adonis refused. This angered Persephone so that she sent a wild boar to kill Adonis. This wild boar is actually Ares in a jealous rage. As Adonis died in Aphrodite’s arms, he was either transformed into the anemone flower or wherever Adonis’ blood fell, a red anemone flower sprung up.
Another account says that in her search for Adonis, that Aphrodite’s feet became cut and pierced by thorns and that the blood from her feet is what turned into the Anemone flowers.
A slight variation holds that Aphrodite acted as a surrogate mother to Adonis.
Sometimes the boar is sent by Artemis in retaliation for Aphrodite killing Hippolytus. Other times, it’s Apollo who is the boar that kills Adonis. Or that Dionysus carried Adonis away.
Phoenician Connection – It has been commented that the story of Persephone and Adonis is nothing more than the Greeks adopting the Phoenician story of Ashtarte and Adon. In the Canaanite language, Adon means lord and the names of Adonis and Adon appear to have a very solid linguistic connection.
Sumerian Connection – Another connection is that of the story of Inanna and Dumuzid.
Vegetation God – Some accounts will say that Adonis wasn’t mortal, that he was a deity in his own right and that this myth explains his death and rebirth each year for Summer and Winter as Zeus stepped in at this point saying that Adonis must spend the summers with Aphrodite and the winters with Persephone in the Underworld.
With this connection in mind, it’s been noted that Adonis’ cult had underworld tones of life and rebirth. From this, Aphrodite became connected with the dead in Delphi.
Aphrodite & Dionysus
Aphrodite is known to have numerous affairs. Depending on the account read, depends on if, with this story if it is either Dionysus, Hermes, Adonis or even Zeus himself who Aphrodite comes to bear the son Priapus with.
Generally, Dionysus is given as the father of Priapus with Aphrodite. As the story goes, following the events of the Trojan War, Hera was angry with Aphrodite’s interference when all the other gods were forbidden to be there by Zeus.
While pregnant with Priapus, Hera applied a potion to Aphrodite’s stomach as the goddess was sleeping. This was to ensure the child would be born deformed and monstrous looking. When Aphrodite gave birth to Priapus, she was horrified by the sight of an infant with a large, permanently erect gentile, potbelly, and large tongue. Aphrodite left the infant out on a hillside to die of exposure. However, a huntsman found the infant and raised them.
Later, Priapus would discover his powers a deity and the ability to cause vegetation to grow.
Aphrodite & Hermes
First, a little bit of history. There was at one point, a male version of Aphrodite known as Aproditus. This is a male version of Aphrodite who was worshiped within the city of Amathus on the island of Cyprus. Aphroditus would be shown in art as having the dress and body of a woman while sporting a beard. He would be shown lifting up his dress to show his genitals, thought to be an apotropaic symbol or warding off evil. Eventually, Aphroditus’ popularity would fade away and the feminine form of Aphrodite would prevail.
Hermaphroditus – Also called Hermaphroditos. With so many gods having affairs with the fair and lovely Aphrodite, it isn’t too much of a surprise that she would also haven one with Hermes. The child that they had was a very handsome and beautiful boy of the name Hermaphroditus. A naiad by the name of Salmacis fell in love with Hermaphoditus and in a rare twist, she tried to rape him. When Hermaphroditus tries to fight off Salmacis, the naiad prays to the gods that they should become one. The gods answer, it’s not clear which one or ones answer and Salmacis and Hermaphroditus fuse into one intersex being. Horrified by what happened to him, Hermaphroditus called on his parents, Hermes and Aphrodite to curse the fountain so that others who entered it’s waters would have the same thing happen to them.
Traces of Aphroditus’ cult are found within Hermaphroditus’ story.
Love Affair With Ares
This story is told in the Odyssey, Book Eight by the blind singer Demodocus. This is also a story that probably began as a folk tale among the Greeks.
The Sun-god Helios had spotted the two gods, Ares and Aphrodite in a tryst in the halls of Hephaestus. Helios went to inform Hephaestus of his wife’s affair who then decided to try and catch the two in the act. Being the master smith and craftsman of the gods, Hephaestus created a finely woven and nearly invisible net to ensnare the two in. Waiting for the right moment, he succeeded in trapping both Ares and Aphrodite within the net.
Wanting to make sure the two were properly shamed and punished, Hephaestus called the other Olympian gods to come. All the goddesses declined to come, not wanting to be scandalized while all the gods did come and gawked. Some commenting to the beauty of Aphrodite and other stating they’d gladly trade places with Ares. In versions of the story, the gods agreed on Hephaestus’ right to be angry and in others, they didn’t care. In the end, when released, an embarrassed Ares returned to his home in Thrace and Aphrodite went to the city of Paphos on Cyprus where she would bathe in the sea to renew her virginity with the help of the Charities. It wouldn’t take Hephaestus long to forgive Aphrodite her affair as he missed her.
Elaborating on this story, a later addition, Ares had the youth Alectryon guarding the door to warn when Helios came by as he would no doubt inform Hephaestus of the affair. However, Alectryon fell asleep and Helios discovered the two’s affair. Ares, embarrassed and infuriated at being caught, turned Alectryon into a rooster and it’s that add-on to the story of Ares and Aphrodite’s affair that roosters always crow, announcing the rising of the sun in the morning.
Variation – A version of the story found in Homer’s Odyssey has Hephaestus refusing to release the lovers unless Zeus returned the bridal gifts. Zeus staunchly refused as he felt that Hephaestus shouldn’t have made the affair so public. Though in the Odyssey, Poseidon does agree to play Hephaestus’ price to release both Ares and Aphrodite.
From their affair, Ares and Aphrodite became the parents of several minor deities: Eros, Arethousa, Harmonia, Phobos, Deimos and Adrestia. Both Eros and Arethousa’s tended to have attributes more in align with Aphrodite. Adrestia tended to be more like her father Ares.
Aphrodite & Poseidon
It makes sense, that this story takes place right after Aphrodite’s affair with Ares. Poseidon fell in love with Aphrodite and there must have been a fling for there is one daughter, Rhode and a son, Herophilus who is attributed to Poseidon as being the father.
Aphrodite & Pygmalion
The myth of Pygmalion has its first mention in the third century B.C.E. by the Greek writer Philostephanus of Cyrene. The myth has a full accounting later in Ovid’s Metamorphoses.
Pygmalion was a sculptor from the island of Cyprus who refused to marry any woman as he found them to all be immoral. Very well, Pygmalion sets about carving an ivory statue of Aphrodite that was so life-like that he fell in love with it.
So, in love with the statue, Pygmalion prayed to Aphrodite to bring the statue to live so he could marry it. Aphrodite heard the sculptor’s prayers and brought the statue to life, naming her Galatea. From their union, Galatea and Pygmalion had two children, Paphos, a son and from whom the capital of Cyprus would be named for, and a daughter Metharme as mentioned by Pseudo-Apollodorus.
Atalanta & Hippomenes
In this story, Aphrodite helped Hippomenes, a youth who desired to marry the maiden Atalanta. The catch was, Atalanta refused to marry any man unless they could beat her in a footrace, and she had the habit of beheading those who lost.
In comes Aphrodite give Hippomenes three golden apples from the Garden of the Hesperides with the instructions to toss them before Atalanta as they raced. Doing as instructed, Hippomenes tossed the apples down in Atalanta’s path. Each time Atalanta bent down to pick up another golden apple, it would give Hippomenes more of a lead, allowing him to win the race and thus marry Atalanta.
In Ovid’s Metamorphoses, the story continues. Because Hippomenes forgot to give thanks to Aphrodite after words, she causes the two to become so infatuated with each other while in the Temple of Cybele. The two desecrated Cybele’s temple by having sex in it and an angry Cybele turned Hippomenes and Atalanta into lions.
Sometimes it is Zeus who punishes the two mortals. The Greeks believed that lions were not able to mate with other lions. Another version of the story will have Aphrodite turn them into lions when they forgot to give her proper tribute or offerings.
As it is Ovid’s Metamorphosis and the mention of Cybele, there’s a clear Roman influence on the second part of the story.
Aphrodite & Typhon – Pisces
Typhon, a monstrous god, attacked the Gods when they were down by the Nile River. In some retellings of the story, the Gods where there in exile or that just happens to be where they were at for one of their many battles with Typhon. In either eventuality, Aphrodite and her son Eros were among the gods along the Nile River’s banks when Typhon appeared to do battle. While Zeus and a couple of other gods fought it out with Typhon, Aphrodite and Eros had leapt into the river, changing into a pair of fish so they could make their escape. In other accounts of the story, Aphrodite and Eros tied themselves together with a rope so they wouldn’t get separated.
Another account of this story places the riverbank that the gods were walking along as being the Euphrates River and not the Nile River. There is also a very similar story found in a Manilius’ five-volume poetic work Astronomica in which the fish that become the constellation of Pisces carried Aphrodite and Eros away to safety.
Keeping with the Euphrates River connection, when an egg fell into this river, a pair of fish pushed it to the shore where doves then sat on the egg to hatch it. When it hatched, Aphrodite came out of the egg. In a show of gratitude, the goddess placed the fish up into the sky to become the constellation Pisces. Through these connections of the myth, Pisces is also known as “Venus et Cupido,” “Venus Syria cum Cupidine,” Venus cum Adone,” “Dione,” and “Veneris Mater.”
Eros & Psyche
Psyche happened to be an extraordinarily beautiful princess. This brought about the anger and jealousy of Aphrodite when people turned their attention to Psyche and worshiped her. Aphrodite enlisted the aid of her son Eros to help punish Psyche.
The idea is that Eros would cause Psyche to fall in love with the worst and most vilest creature on the earth possible. Instead of doing as his mother bid, Eros fell in love with Psyche and took her home. He instructed Psyche that she was to never look upon his face.
All is well for awhile until Psyche goes home to visit family and her sisters convince her to break Eros’ command and look upon his face. Psyche does this and hurt, angry, Eros flies away leaving poor Psyche behind.
Psyche beseeches Aphrodite for help with finding her lost love. Knowing who it is that Psyche is looking for, Aphrodite sets out a series of nearly impossible tasks for Psyche to do. Eventually Eros discovers what’s happening and as he can’t bear to see Psyche’s suffering, returns. The two are married with all the gods attending.
This story is an early model for the fairytale of Beauty and the Beast.
A Goddess Scorned
Many of the Greek gods have a reputation for being very fickle. Just as often as they favor mortals, they can also punish them too.
By the stories, Aphrodite is no different and she could be very gracious with those mortals whom she favored. For those mortals who didn’t fawn upon Aphrodite the attention and worship she felt she was owed, Aphrodite could be very vindictive.
Aegialeia – The wife of Diomedes, she was cursed by Aphrodite after Diomedes had wounded the goddess during the Trojan War. Aegialia was cursed with promiscuity and she had several lovers, among them Hippolytus. Now it could be, that Aegialeia was angry with Diomedes as she heard rumors, he was returning home with a Trojan woman and this was to get back at an unfaithful husband. When Aegialeia threatened Diomedes’ life, he took off for Italy.
Clio – When the Muse derided Aphrodite’s love for Adonis, Aphrodite caused Clio to fall in love with Pierus of Magnesia and they had a son, Hyacinth.
Eos – Aphrodite cursed Eos, the goddess of the Dawn to be forever, perpetually in love with an insatiable sexual desire after Eos had slept with Ares, god of war. Guess no one else was allowed to have Aphrodite’s sweetheart.
Glaucus of Corinth – He angered Aphrodite when he refused to let his chariot horses mate, as to do so would slow their speed down. Aphrodite bided her time and when the Funeral Games for King Pelias happened, the goddess caused Glaucus’ horses to go mad and tear him apart during the chariot race.
Halia – She is a sea nymph who bore six sons with Poseidon. When Halia’s sons refused to let Aphrodite land on their shore, Aphrodite drove them all insane, causing them to rape their mother, Halia. Poseidon buried his six sons within the island’s sea caves.
Hippolytus – The son of Theseus, he worshipped only Artemis, the goddess of virginity and hunting. Because Hippolytus refused any sexual intercourse, this upset Aphrodite who saw him as being very prideful. As a result, Aphrodite caused Phaedra, Hippolytus’ stepmother to fall in love with him. Understandably so, Hippolytus refuses Phaedra’s advances. Phaedra however, is so distraught that she kills herself but not before leaving a note for Theseus, telling him that she committed suicide because Hippolytus tried to rape her.
This upsets Theseus who prays to Poseidon to kill Hippolytus for his actions. Poseidon answers by sending a wild bull to scare Hippolytus’ horses and smash the chariot so that he falls to his death along a seaside cliff. In the end, Artemis finally gets wind of what happened and goes to seek her own revenge against Aphrodite, which in some stories, is sending a wild boar to kill Adonis.
Leucippus – The grandson of Bellerophon, it is never clear what caused Aphrodit’e anger in this story. Only that the goddess caused Leucippus to fall in love with his sister. The sister was already betrothed to another and the betrothed found out about the incestuous relationship that Leucippus and his sister were having, went to inform their father Xanthius. Father Xanthius shows up at his daughter’s bed chamber and discovers his son, Leucippus there. As it’s dark, a fight ensues where the daughter is killed trying to escape and Leucippus kills his father as he doesn’t recognize who it is at first. Once he realizes what happened, Leucippus leaves to go be part of the colonizing of Crete and Asia Minor.
Myrrha – I covered this myth earlier in the story of Adonis. Myrrha’s mother, Queen Cenchreis of Cyprus had bragged that her daughter was more beautiful than Aphrodite. In response, Aphrodite cursed Myrrha to fall in love with her father, King Cinyras who slept with her unknowingly. Eventually Myrrha turned into the myrrh tree and gave birth to Adonis.
It doesn’t end there, Aphrodite continued her wrath against Queen Cenchreis and King Cinyras’ other three daughters, Braesia, Laogora, Orsedice to sleep with some foreigners and they ended up dying in Egypt.
Narcissus – One account has Aphrodite cursing Narcissus to fall in love with his own reflection after he refused to worship her.
Pasiphae – In one version, for the birth of the birth of the minotaur, Pasiphae had failed to make the appropriate offerings to Venus (Aphrodite), as a result, the goddess caused her to fall in love with the white bull meant as an offering to Zeus.
Alternatively, the curse comes because Pasiphae is the daughter of Helio and this is Aphrodite getting back at him for exposing her affair with Ares.
Polyphonte – Was a young woman and another devote to Artemis who chose a life of virginity instead of marriage and children. Aphrodite cursed Polyphonte to fall in love with a bear. Her resulting monstrous humanoid bear children, Agrius and Oreius who were cannibals. Zeus got involved this time and turned Polyphonte and her children into birds of ill omen; owls and a vulture.
Propoetides – He and his daughters were from the city of Amathus on the island of Cyprus. They had failed to worship Aphrodite appropriately and she caused them to become the first prostitutes. It should be noted that this is a story found in Ovid’ Metamorphoses.
Tanais – The son of Lysippe and Berossos, he was a devote to Ares, fully committed to war. This upset Aphrodite as Tanais neglected love and marriage. The goddess cursed Tanais to fall in love with his mother Lysippe. As he refused to give up his chastity, Tanais threw himself into the Amazonius river, which after words was renamed to the Tanais river.
The Women of Lemnos – Because these ladies refused to offer sacrifices to Aphrodite, she cursed all of them to have a horrible stench. We’re talking bad, to the point that their husbands refused to have sex with them. The husbands went and had sex with their Thracian slave-girls instead. This angered the Lemnos Women, and they murdered all the men and their slaves on their island. Later, when Jason and the Argonauts show up, these women are just starved for a man’s affections, that with Aphrodite’s approval, she allows for the Lemnos Women to have sex with Jason and his crew whereby they can repopulate the island. From there on out, the Lemnos Women never failed to appease Aphrodite.
The Judgement Of Paris
The gods were feasting at the wedding of Peleus and Thetis, who would become the parents of Achilles. All the gods were invited accept Eris who hadn’t received an invite. Chiron was in charge of the wedding invites and didn’t invite Eris due to her reputation for stirring up trouble. This understandably miffed Eris to no end. After all, everyone else got invited, why not her?
Coming off as seeking to be peaceful and no hard feelings, Eris proposed a beauty contest between the goddesses Aphrodite, Athena and Hera. As the prize, Eris tossed a golden apple of beauty, or better known, the golden apple of discord. In some retellings, it is noted that the golden apple has engraved or written the word: “Kallisti,” meaning: “for the fairest.”
This dispute, one driven by vanity over who was the loveliest of the goddess would escalate and the hapless mortal Paris is called in to judge. Each of the goddesses attempted to bribe Paris to choose her. Hera offered political power, Athena offered battle prowess and Aphrodite tempted Paris with the most beautiful woman in the world, Helen.
Being a young mortal man, Paris chooses Helen and rewards Aphrodite with the golden apple. Only there is one problem, Helen is the wife of Menelaus of Sparta. In claiming and taking her, Paris sparks off the Trojan War. This causes Athena and Hera to side with the Greeks in the ensuing war.
Divine Set Up – If we go by the “lost” epic, The Cypria attributed to Stasinus, this whole Trojan War was planned on by Zeus and Themis. There’s only about 50 lines of text from the Cypria and its seen as a prequel to Homer’s the Iliad and explains how the events came about.
Some scholars look at Aphrodite’s connection to Mesopotamia with the War Goddess Ishtar as an explanation for the start of the Trojan War, saying that Aphrodite instigated it by manipulating Paris with a promise to marry Helen.
Aphrodite has a prominent and active role in Homer’s Iliad. In Book III, Aphrodite rescues Paris from Menelaus after a one-on-one duel to settle the matter. Aphrodite also appears to Helen in the form of an old woman, trying to persuade her to have sex with Paris. However, Helen recognizes Aphrodite by her eyes, neck, and breasts. Helen entreats with Aphrodite as an equal and the goddess rebukes Helen, threatening her. Not wanting a god’s wrath, Helen obeys Aphrodite’s command to lay with Paris.
In Book XIV of the Iliad, Aphrodite loans her kestos himas or magic girdle to Hera so she can seduce Zeus as he had forbidden the other gods to stay involved in the Trojan War at this point. While Zeus is distracted by Hera’s advances, Poseidon is aiding the Greek forces to be able to take the beach to invade Troy. Then in Book XXI, Aphrodite returns to the war to carry Ares away off the field of battle after he’s been wounded.
Anchises – He was a shepherd prince who lived on Mount Ida, whom Aphrodite fell in love with after Zeus convinced Eros to hit her with one of his arrows. After all, with Aphrodite being the goddess of love, it’s her fault that Zeus has so many affairs and is constantly on the outs with Hera.
Aphrodite pretended to be a mortal woman in order to marry Anchises. When Anchises saw Aphrodite, he asked if she was said goddess, saying he would build her an alter if she would only bless him and his family. Aphrodite lied, saying she was a princess from Phrygia. She explains how she came to understand the Trojan language due to a Trojan nursemaid as a child. How she had been snatched away by Hermes while dancing for a celebration to honor Artemis. The disguised goddess tells Anchises to take her to his parents.
From there, the two are married or Anchises so overcome with lust, couples with the goddess-princess. After their union does Aphrodite reveal who she really is, saying she will bare Aenease a son who will become the demigod Aeneas. As Anchises didn’t keep quiet about who the mother of his son was, Zeus struck him down with a thunderbolt and either blinds or kills him outright.
There are a couple of slight versions to this story such as Aphrodite allowed for Anchises to be able to flee the city of Troy.
Aeneas – Trojan Hero and son of Aphrodite with Anchises. In book V of Homer’s Iliad, Aphrodite rescues her son from Diomedes in battle. Diomedes, recognizing Aphrodite and viewing her as a weak goddess, spears her, nicking her wrist. When Aphrodite rides back to Mount Olympus in Ares’ borrowed chariot, Zeus tells the goddess that her specialty is love, not war as he mocks her for getting hurt.
Aeneas features in Virgil’s Aeneid to be Rome’s first hero and an ancestor to Romulus and Remus.
Note: It has been commented that the scene of Aphrodite and Zeus has similarities in the Epic of Gilgamesh where Ishtar laments to her mother Antu after Gilgamesh rejects her advances and is in turn, rebuked by her father Anu.
With Aphrodite’s birth and arrival from the ocean, some people have worshiped Aphrodite as a sea goddess. Several types of waterfowl such as ducks, geese and swans would become associated with Aphrodite. Naturally, seashells are associated with Aphrodite. Sea food is considered an aphrodisiac due to this lovely goddess’ connection to the briny deeps.
As a sea goddess, Aphrodite protects those who travel the seas. This earned her the epitaphs of Aphrodite Pontia or Aphrodite of the Deep Sea and Aphrodite Euploia or Aphrodite of the Fair Voyage. The planet Venus that Aphrodite is associated with, served as navigational aid for ancient mariners as they plied the seas.
With the previously mentioned Mesopotamian connection to the goddesses of Astarte and Ishtar, Aphrodite may have arrived first as a goddess of War in ancient Greece. She was honored as such in Cyprus, Laconia, Sparta, and Thebes to name a few places. In Sparta, Aphrodite was known as Aphrodite Areia (“War-Like”), showing her connection to the god Ares.
Eventually, the war aspects of Aphrodite would be dropped, and the role left to Athena and Ares.
Early Christianity readily adapted many pagan symbols and icons to their religion. With Aphrodite/Venus, her symbolisms were given to Eve, prostitutes, and some female saints such as the Virgin Mary.
The story of Aphrodite’s birth became a metaphor for baptism. There is a Coptic stele dating from the sixth century C.E. where a female orant is wearing Aphrodite’s conch shell to show she has been recently baptized. Throughout the Middle Ages, folktales regarding Aphrodite/Venus remained popular.
In the fifth century C.E. North Africa, Fulgentius of Ruspe found mosaics of Aphrodite that he proceeded to interpret as a symbol for the sin of Lust, how Aphrodite’s nudeness meant that “the sin of lust is never cloaked” and that her swimming represented how all lust suffers a “shipwreck”. Fulgentius even argued how the symbols of doves and conch shells were symbols of copulation and that the symbol of roses represented the fleetingness of lust, that it has momentary pleasures that are soon gone.
Then we have Isidore of Seville who interpreted Aphrodite as a symbol of marital procreative sex, declaring how the story of Aprodite’s birth represents that sex can only be holy with the presence of semen, blood and heat for the purposes of procreation. Isidore also held that Eros/Cupid is a demon of fornication.
Venusberg – Dating from the Late Middle Ages, the Venusberg mythology would become popular in European folklore. The “Mountain of Venus” is a subterranean realm ruled by Venus and a folktale archetype for visiting the Otherworld. The most familiar appearance of Venusberg is in the German Tannhäuser legend in the 16th century.
Variations to this myth are the mortal lover being carried away to the realm of faerie by a fairy queen. Popular legends include Thomas the Rhymer and Tam Lin.
Modern Paganism & Wicca
In modern Paganism such as the Church of Aphrodite, Hellenismos, and Wicca, either Aphrodite or her Roman counterpart, Venus are goddess often invoked for casting love spells and love rituals. Aphrodite is often used in charms for making aphrodisiacs, philters, and love potions.
Astarte – Canaanite & Phoenician Goddess
A goddess of love and war worshiped in the Middle East during the Bronze Age to Classical Antiquity. Astarte was identified by the Hebrews as Ashtoreth.
Hathor – Egyptian Goddess
The Egyptian Cow Goddess Hathor is frequently identified with Aphrodite.
It wasn’t uncommon for the Greeks and Romans to equate many of their deities with those of other cultures. The Romans especially did it with any gods whose people they conquered. In the case of Egypt and their gods, Hathor in her role as a goddess of love and beauty is synonymous with the Greek Aphrodite and the Roman Venus.
Inanna – Mesopotamian Goddess
Also known as Ishtar, she is the goddess of love, war and sexuality. She is known as the Queen of Heaven.
Isis – Egyptian Goddess
The Egyptian goddess of the moon, healing, magic and life who protected women and children. During the Hellenistic Grecian era, she was equated with Aphrodite.
Turan – Etruscan Goddess
The Etruscan goddess of beauty, love, and fertility. She was the patron goddess of the city Velch. She has been identified with the Roman Venus and Grecian Aphrodite.
Venus – Roman Goddess
As the Greek Goddess of Love, Aphrodite is often confused with or identified with the Roman deity of Venus, also a Goddess of Love. Thanks greatly to the influence of the Romans, many people will identify and equate Venus with Aphrodite. While both deities are Goddesses of Love, there are differences in the Roman myths and the Greek myths.
The Romans were famous for subsuming many deities in their conquest across Europe, particularly the Mediterranean area, and identifying their gods with those of a conquered culture. The most famous being the Greeks, where many deities were renamed to those of Roman gods. Prominent examples like Zeus and Jupiter, Hera and Juno, Ares and Mars and so on down the line.
With the Hellenization of Latin literature, many Greek writers and even Roman writers rewrote and intertwined the myths of these two deities so that they would virtually become one and the same. And that’s the tradition passed down through the centuries and has become accepted. Just that there are still some differences that separate the two.
Just as Aphrodite is often accompanied by her son Eros, so too is Venus accompanied by her son Cupid.
Pronunciation: ˈjaːnʊs or jayn’-uhs
Alternate Spelling: Iānus (Latin)
Other names: Bifrons,Ianuspater (“Janus Father”), Ianus Quadrifrons (“Janus Four-faced”), Ianus Bifrons (“Two-faced Janus”), Dianus, Dionus
Other Names and Epithets: Ianitos (Keeping Track of Time), Iunonius, Consuvius (‘”The Guardian of the Beginning of Human Life”), Cozeuios, Conseuius the Sower, Patultius (the Opener), Iancus or Ianeus (the Gatekeeper), Duonus Cerus (the Good Creator), Geminus (Double), Rex King, Father of the Gods (or part of the Gods), God of Gods, Pater, Patulcius, Clusivius or Clusius (Closer of Gate), Κήνουλος (Coenulus), Κιβουλλιος (Cibullius), Curiatius
Etymology: “Arched Passage, Doorway” (Latin)
Janus is quite simply, the Roman god of Beginnings, Gates, Transitions, Time, Duality, Doorways, Frames, Portals, Passages and Endings. To the ancient Romans, Janus is one of their primordial deities who was there at the beginning of time and all existence. While Janus has an important and prominent role in the Roman Pantheon, he is not the Sovereign Deity of it.
It should be noted that there is no Greek equivalent to Janus. However, I should note, that some later Greek authors would place Janus as having been a mortal from Greece. Plutarch specifically, says that Janus was from Perrhebia.
Day of the Week: The first day of every month
Number: 300 & 65
Patron of: Transitions, Travelers
Planet: Sun, Moon
Plant: White Hawthorne, Olive Tree
Sphere of Influence: Transitions, Giving form to Chaos
Symbols: Keys, Staff, Two-Faces, Doors, Archways, Gateways, Portals
Given the many aspects that Janus presided over, many of which are abstract ideas and concepts for duality, Janus is often shown as having two faces. One looking forward to the future and the other looking back towards the past. Additionally, one face is bearded while the other is not. Later, both faces would be bearded. In Janus’ right hand, he holds a key and a staff in the other.
The double-faced head is found on many early Roman coins. In the 2nd century C.E., Janus is sometimes depicted with four faces.
During the Renaissance, the two-faces of Janus not only represented the past and future, but wisdom as well.
Janus had no flamen or specialized priests dedicated to him. However, the King of the Sacred Rites, the Rex Sanctorum, would carry out Janus’ ceremonies.
There are several rites for Janus. All prayers, regardless of which deity was to be invoked, didn’t start without Janus first being mentioned, regardless of which deity was being invoked. For that matter, every day, every week, every month began with invoking and calling on Janus. Incidentally, every prayer and rite ended with invoking the goddess Vesta.
Military Season – For the Romans, the start of their military season began with March 1st with the Rite of Arma Movere and ended on October 1st with the Right of Arma Condere. The first rite is also known as the Rites of the Salii. The aspect of Janus as Janus Quirinus would be invoked on the anniversary of the dedication to Mars on June 1st that corresponds with the festival of Carna. Another festival was held on June 29th which had been the end of the month under the Julian calendar for Quirinus.
The Military Season also marks something of a seemingly paradoxical connection between Janus and the war god Mars. The peace-loving King Numa sends out the army to ensure peace while later, it’s the warmongering King Tullus in his battle with the Sabines who sees Roman Soldiers coming home to peace.
It’s a connection that makes sense that for the Romans, having been attacked once, vowed that peace would come when everyone else around them was subdued. This creates a couple other epitaphs for Janus of belliger and pacificus, depending on which role he is in. As Janus Quirinus, the deity brings the closing of the Rites of March at the end of the month and then later in October as soldiers return victorious.
Janus doesn’t seem to have many prominent temples for worship. We do see that the covered portaculis and areas over gates to a building are called iani. There is an altar, that later becomes a temple for Janus near the Porta Carmentalis that leads to where the Veii road ended.
The gates of the Argiletum were called Ianus Geminus. This gate yard was built by Numa around 260 B.C.E. after the Battle of Mylae. Other names for this passageway are Janus Bifrons, Janus Quirinus, and Porta Belli. These gates would be open during times of war and closed during peace, something that didn’t happen often with Roman history. A statue here dedicated to Janus shows him with the symbol for 300 in the right hand and on the other hand, the number 65 for the days in the solar year. There were also twelve altars, one for each month. In the Christian religion, early Christian clerics claimed that these gates were closed when Jesus was born.
There is also the Porta Ianualis that protected the city of Rome from the Sabine that were all thought to be places where Janus was present. Janus was also seen as having a presence at the Janiculum leading out of Rome towards Etruria and the Sororium Tigillum that lead to Latium.
What’s In A Name?
In Latin, Janus’ name is spelt as Ianus as their alphabet has no letter “j.”
Jansus’ name translates from Latin to English as “Arched Passage” or Doorway.” In turn, there’s a root word from Proto-Italic language of “iānu” for “door” and another from Proto-Indo-European of “iehnu” for “passage.” There is also a cognate word found in Sanskrit of “yāti” meaning “to go” or “travel.” Another cognate in Lithuanian of “jóti” meaning “to go” or “ride.” And lastly found in Serbo-Croatian is the word “jàhati” meaning “to go.”
Some modern scholars reject the Indo-European etymology though others see in the word “Iānus,” an action name that expresses movement. My favorite though is how the word “Janitor” derives from “ianua” and Janus.
Among the ancients, there are a few different interpretations that all tie into the nature of Janus as a deity. The first is Paul the Deacon’s definition that connects Ianus to chaos. As seen in the phrase: “hiantem hiare” to “be open,” indicating the transitional state of this deity.
The second definition comes from Nigidius Figulus where Ianus would be Apollo and Diana. That the “D” in Diana’s name has been added as it has a better sound. It would be related to Diana’s name to the word “Dianus” with the Indo-European root of “dia” or “dey” for day. This idea is somewhat flimsy and not usually, widely accepted as being accurate. It seems to be what happens when you’re stretching and trying to connect everything back as all originating from one deity.
The last proposed etymology comes from Cicero, Ovid and Macrobius, where they explain that the Latin form of Janus for “to go” refers to Janus as the god of beginnings and transitions. That one feels a little more on the money with how many people view and interpret Janus’ name.
Parentage and Family
As a primordial deity, Janus isn’t given any parentage. If any are mentioned, it is:
Caelus (The primal god of the Sky) & Terra (The Earth)
The gods Camese, Ops and Saturn are given as Janus’ siblings.
Camese – Depending on the version of the myth (Greek in this case,) they become Janus’ sister and wife.
Jana – A Moon Goddess
Juturna – Goddess of Wells & Springs
Venilia – Goddess of the Winds & Seas
Canens – A nymph and personification of song.
Fontus – Son of Janus and Juturna
In a Greek version of the myths, where Janus is mortal and marries his sister Camese, they have the following children: Aithex, Olistene, Tiberinus
Primordial Gate Keeper
You could say that Janus is the Ultimate Gate Keeper, even possibly the Custodian of the Universe and probably the only one we should have. This connection makes Janus a Liminal Deity, guarding boundaries and passages.
Janus guarded the gates of Heaven. Doorways, Gates, any passageways, Janus presides over these as well. As a Doorway is the literal transitioning, moving from one area to another. Nothing changed, transitioned, moves, or altered it’s/their states without Janus’ presence and influence. Even the abstract ideas of going from war to peace and back, from birth to death and rebirth, to journeys, exchanges, barbarism and civilization, the start of and any ending of conflicts, their resolutions. Janus presided over all transitions.
Key – Janus is often shown holding a key that symbolized his protection over doors, gates and thresholds of many kinds. Both physical and spatial boundaries. The key symbolized that a traveler would be able to find a safe place or harbor to trade their goods in peace.
Staff – This symbolized Janus’ guiding travelers on their paths.
Order Out Of Chaos
If, in the beginning, everything is a primordial ooze and chaos, Janus is the being who brings order from it all, as everything transitions from one state to another. Modern science will have fancy technical terms and jargon for everything and how everything forms and comes into being. For the ancient Romans, this is all explained as Janus being responsible for the formation of the elements and harmony from Chaos and getting the whole shebang going.
Janus’ functions denote that he is a liminal deity who watches the borders. As rivers are frequently natural borders and boundaries, Janus presided over these along with the bridges that cross over them. Four of Janus’ altars and temples were built along rivers.
Janus is a god of dualities, representing numerous abstract and literal concepts for beginnings and endings. The very transitioning from one state to another. Janus was present at the very beginning and start of the universe before any of the gods existed.
With Janus being depicted as having two faces. One face facing towards the future and the other towards the past, Janus is said to have held the gift of prophecy. Omens and portents were very much so the domain of Janus as he could see all.
A Solar Deity & Divine Twins?
This idea comes from Macrobius who in turns cites Nigidius Figulus and Cicero. The idea is that Janus and Jana (a variation of Diana) are a pair of deities worshiped together as Apollo & Diana; the sun and the moon.
Adding to this is one A. Audin who connects the solar motif back to the Sumerian cultures. They mention two solar pillars that are located on the eastern side of temples and denote the direction of the rising and setting sun and the solstices. These two solstices would connect to the idea of the Divine Twins often seen in mythology, particularly the myth where one twin is mortal and the other is immortal.
Morning Time – The start of the day or morning is thought to be Janus’ time, when men awoke and began their daily routines and activities. Janus is called Matutine Pater, meaning “Morning Father by Horace. It is thought this association with this time of the day is what links Janus with being a solar deity.
Winter Solstice – In keeping with the solar connection, under the Roman calendar, the Winter Solstice was held to be on December 25th, a remarkably familiar date that carries over to Christianity for when Christmas is celebrated. Where solar deities are revered, the Winter Solstice is often when these deities are said to be reborn and their power grows again.
Month – January
It is generally accepted that the month of January is named for Janus (Ianuarius) and why, with the Gregorian calendar, it is the first month and beginning of the calendar year. Under the ancient Roman calendar, their year began with March as the first month, incidentally when Rome would begin its war and campaign season.
For further, in-depth history, we can credit Numa Pompilius, the second of seven kings who ruled Rome before it became a Republic. In the 6th century B.C.E., Numa added the months of Inauarius and Februarius to ten month “Romulus” religious calendar. Under this new calendar, Inauarius would become the first month starting in 200 B.C.E. of the Roman Republican Calendar. Inauarius, pronounced as Januarius means the “Month of Janus.”
One interesting thing to note, when looking at the translations of old Roman Farmer’s Almanacs, the goddess Juno is who presided over the month of January initially, not Janus.
Since we’re on the subject of time and dates… as a god of beginnings, the very concept of time even starts with Janus. In one of the few temples dedicated to Janus there is a statue of him where the position of the hands signifies the number 355 for the number of days in a lunar year. Later, this number becomes 365 to symbolize Janus’ mastery over time.
New Year’s Day
Another calendar date that carries over from the Romans to modern day in much of Western culture, January 1st marks the start of the New Year. For the omens, the beginning of anything was an omen and would set the tone for the rest to follow. It was customary to greet people with well wishes. People would exchange gifts of dates, figs and honey. Gifts of money or coins called strenae were also exchanged.
Additionally, cakes made of spelled and salt were offered up to Janus on his altars. These offerings or libums were known as ianual. There is likely a corresponding connection to another offering of summanal on the Summer solstice for the god Summanus. However, these offerings would be made with flour, honey, and milk, making them sweeter.
This is another festival held on January 9th for Janus. A ram would be sacrificed at this time.
This is a bit of an oddball festival for me. It was held on October 1st, during the month that Rome’s War Season is ending, and soldiers are returning home.
It’s a purification rite that commemorates Marcus Horatius making atonement for the murder of his sister. The representative for Marcus has their head covered as they pass beneath an archway. The ritual seems to be used as a purification rite for soldiers returning from war to cleanse them from the taint of war as they return to civilized society.
This rite has also been connected to a pairing of Janus and Juno through the epitaphs of Janus Curiatus and Juno Sororia. Janus in his role as a god of transitions and Juno in her role as a protectress of young soldiers.
Several early Roman coins depict Janus on them. With one face being clean shaven while the other is bearded.
This connects Janus as the founder of financial commerce and trade systems as humans transitioned from an age of barbarism to civilization. Roman myth holds that Janus was the first to mint the first coins.
There is a rite or custom where a bride would oil the posts to the door of her new home with wolf fat when she arrived. While this rite does not specifically mention Janus, it is a rite of passage connected to the ianua.
King Of Latium
As old as Janus is, predating the Roman Pantheon, it is very likely that he was a real person at one time.
In a story told by Macrobius, Janus had been exiled from Thessaly and sailed to a place known as Latium with his wife Camise and their children. They settled in a place along the Tiber river that would be named after his son Tiberinus.
Where Janus and his family settled, they built a city called Janiculum. After his wife died, Janus ruled in Latium for many years. After his death, Janus became deified.
Janus’ rule in Latium is part of the Golden Age in Roman mythology that saw a lot of wealth and agriculture come to the region. This era would be what caused Janus to be associated with trade, streams, springs and a sky god.
Variations: Hyginus in his retellings, Camese is male and Janus succeeded him as ruler of the kingdom.
Greek authors place Camese as Janus’ sister and spouse and that they have a son by the name of Aithex and a daughter by the name of Olistene.
Janus & Saturn
In Ovid’s Fasti, the god Saturn welcomes Janus as a guest and eventually shares his kingdom with them in return for teaching the art of agriculture.
Another slight variation to this, is the custom of Roman to depict their gods as having been mortal and ruling the city of Latium during a Golden Age of Peace. Janus as the ruler of his own Kingdom, welcomed Saturn in after he had been expelled from the heavens by Jupiter.
Janus & Romulus
In this myth, Romulus, as in one of the legendary founders of Rome; with the help of his men, kidnapped the Sabine women. In response, the Sabine men retaliated, trying to get their daughters back. Luck was with the Sabine men as a daughter of the city guard betrayed her fellow Romans and let the Sabine men slip within the city.
When the Sabine men tried to make their way up the Capitoline Hill, Janus is credited with causing a hot spring to erupt, causing a mixture of boiling water and volcanic ash that forced the Sabine men to turn back.
It’s from this myth, that the Romans and Sabines would later form a new community and the gates being open during war and closed during peace to keep in would come from.
Janus & Canens
A story found in Ovid’s Metamorphosis; Janus is the father of Canens with the nymph Venilia. Canens was the personification of song and married to Picus. When Picus spurred the love of Circe, she turned him into a woodpecker.Canens searched for six days for her husband before throwing herself into the Tiber river where she sang one final song before dying.
Janus & Carna
Also known by the name of Crane.
Carna was a nymph of the sacred grove in Helernus. Whenever Carna found herself being pursued by the unwanted advances of a young man, she would call out to the young man only to slip away to hide in various crags and other places. Janus saw her hiding and of course, what ancient Roman wouldn’t, Janus rapes Carna.
By way of apology, Janus gives Carna a whitethorn branch so that she may guard all thresholds and doorways, making her a goddess of hinges and then becomes known by the name of Cardea. As a goddess, Cardea would be responsible for protecting and purifying thresholds and doorposts. Incidentally, she also protects newborn infants from stirges. That… is really interesting given the connection between Vampires and not being able to cross thresholds.
That, however, is a post for another day…
I think it is also possible, given how old this myth is, that Janus and Carna had consensual sex and not rape. It would explain giving the hawthorne as a gift between two lovers and Janus elevating Carna from a nymph to a goddess with close to the same powers and abilities as he does with guardianship over thresholds.
Janus & Juturna
A minor myth is that Janus and Juturna, a goddess of wells give birth to Fontus, the god of wells and springs. Comment has been made that Fontus or Fons is another name for Janus. This myth is more likely used to explain why two festivals, Juturna on January 11th and Agonium of Janus on January 9th were so close together. Plus, further explaining why there is an alter for Fontus or Fons near the Janiculum and the connection to spring and beginnings.
Janus & Vesta
Janus presides over the beginnings and guards the doors and entries. Janus would be invoked first in rites and Vesta would be invoked last. It has brought some curious observations. The presence of Vesta shows that there was importance for the hearth, its life-giving fire and thus the home. A community couldn’t survive or thrive without the safety of the household. To be able to exit the untamed and unknown wilds to the safety of the community and civilization.
As has been the case with many deities, Janus was made a martyr and then later the Saint Januarius by the Roman Catholic Church.
Janus was also made a martyr by the Roman Catholic Church and later became known Saint Januarius.
During the Medieval or Middle Ages, the Italian city of Genoa used the symbol of Janus or Ianua. Many other European communes also used the symbol of Ianua.
For those interested in tracing an Indo-European religion and pantheon of gods that links the European deities with those of Vedic origins. There’s been a lot of study into it. As a god of beginnings and transitions, a primordial deity, Janus has been connected to the Vedic Vâyu. Most notably in the works of G. Dumézil. There certainly was a cross-pollination of ideas and religion when you see how much further east Greek culture was at one point and trade routes.
Portunus – Syno-Deity
Portunus is a similar deity to Janus. The difference is that Portunus presided over harbors and gateways in regard to traveling, commerce, trade and shipping. Like Janus, the key and staff are also one of Portunus’ symbols. Portunus’s festival day was held on August 17th.
Janus the Sailor – Because of how similar Janus and Portunus are, there is a hypothesis put forward that Janus may have originated as a god of winds and sailing, brought to the communities by the Tiber river. The connection has more to do with when Saturn sailed to ancient Latium and was welcomed by Janus.
Aditi – Hindu Goddess
The Vedic goddess of Infinity, Aditi is depicted as having two faces. She is seen as the feminine form of Brahma. Like Janus, Aditi is invoked at the beginning of ceremonies and she concludes them as well.
Ani – Etruscan God
In the little-known Etruscan mythology, Ani is the god of the sky and sometimes shown as having two faces. This has led some to conclude a possible connection between Ani and Janus.
Belinus – Chaldean God
Also called Baal-Ianus, a William Betham has made arguments that Janus’ cult would originate from the Middle East with the Chaldean culture.
Brahma – Hindu God
The imagery of double or four-faced deities in Hinduism is common. Brahma is the god who created the universe.
Culśanś – Etruscan God
In the little-known Etruscan mythology, Culśanś has been identified as being the counterpart to the Roman Janus. This connection seems more likely given Culśanś’ role as a god and protector of doorways and his depiction of having two faces.
Heimdallr – Nordic God
As guardian of the Bifrost bridge, the functions that Heimdallr has for standing in a place between time and space have been noted to be similar to Janus.
Isimud – Sumerian God
Also known as Usimu in Babylonian. A deity featuring two faces appears several times in Babylonian art. Isimud is the messenger of Enki.
Greek Connection – Which brings us to another point. However much the ancient Greeks and Romans tried to claim that Janus had no Middle Eastern connection, and that Janus is solely a Roman deity, there are some much later writers who would equate Hermes with Janus, especially so during the Hellenistic era of Greek culture.
Svetovid – Slavic God
Depicted as having four heads or faces, Svetovid is the Slavic god of war, fertility, and abundance.
Janus In Astronomy
On December 15th of 1966, the astronomer Audouin Dollfus discovered and identified, orbiting around Saturn, a moon that would later be called Janus. This moon is also known as Saturn X. It would take a little over a decade before it was recognized that Janus was one of two satellites or moons occupying close to the same orbit. The other is called Epimetheus. These names would become official in 1983. Janus also has two craters on it named for the characters of Castor and Pollux in mythology.
Other Names: All-Heal, Birdlime, Devil’s Fuge, Donnerbesen, Druid’s Herb, Golden Bough, Herbe de la Croix, Holy Wood, Lignum Sanctae Crucis, Misseltoe, Mistillteinn, Mystyldyne, Thunderbesem, Witches’ Broom, Wood of the Cross,
Deity: Apollo, Balder, Cerridwen, Freya, Frigga, Odin, Taranis, Thor, Venus
Sphere of Influence: Defense, Dreams, Exorcism, Fertility, Health, Hunting, Invisibility, Locks, Love, and Protection
Symbols: Friendship, Peace
Victorian Language of Flowers: “I surmount difficulties, I send you a thousand kisses.”
What Is It?
Mistletoe is the common name for plant that is parasitic (hemiparasite) in that it grows by attaching itself to the branches of a tree or shrub, taking water and nutrients from the host plant. The mistletoe species, Viscum album is the one referred to in folklore is that is native to Great Britain and most of Europe. It is characterized by having a smooth-edged, oval shaped evergreen leaves set in pairs along the stem and white berries that are known to be poisonous.
There are a variety of other species of mistletoe plants found in other countries of Europe such as Spain and Portugal and on other continents. American Mistletoe is also known as False Mistletoe as the homeopathic remedies and uses are different from the European Mistletoe. Over time, the term mistletoe has come to include other species of parasitic plants. Even plants get parasites…
Despite mistletoe’s parasitic nature, it does have an ecological benefit with being a keystone species in that it provides food for a variety of animals that feed on it as well as providing nesting material for various birds.
There used to be all sorts of folkloric beliefs about how mistletoe would come to grow on various shrubs and trees. By the sixteenth, botanists had it figured out that seeds were passed by the digestive tracts of birds who fed on mistletoe or by the birds rubbing their bills on trees to get rid of the sticky seeds. An early reference to this is in 1532, an Herbal book by Turner.
What’s In A Name
One etymology for mistletoe that seems fairly accurate are the Anglo-Saxon words for “mistel” meaning “dung” and “tan” meaning “twig.” Making the meaning of mistletoe as “dung-on-a-twig.” Which makes sense, people observed that mistletoe grew wherever birds roosted and thus did their business.
The Latin word “viscusas” and the Greek word “ixias” both refer to the white coloration of mistletoe berries and being thought of to resemble sperm. The same words “visand ischu” mean “strength” In the Greek and Roman mindsets, sperm was connected to strength and vitality and thus to fertility for life springing seemingly out of nowhere. Mistletoe berries harvested from Oak trees were believed to have regenerative powers.
Mistletoe is a plant strongly associated with Christmas, Yule and other Winter Celebrations where it is used in decorations for its evergreen leaves that symbolize the promised return of spring.
Hanging Mistletoe – Anyone standing beneath the mistletoe can expect to be kissed. This probably originates in Druidic beliefs where mistletoe is strongly connected with fertility as the white berries of the mistletoe resembled semen. Now, proper etiquette says that when someone is kissed beneath the mistletoe, a berry needs to be removed until all have been plucked, at which point, there are no more kisses.
One tradition holds that if any unmarried woman went unkissed after the hanging of the mistletoe, they would not be able to marry for a year.
British farmers would feed a bough of mistletoe to their livestock on January 1st, believing it would ward off any bad luck for the coming year. Alternatively, a farmer feeding mistletoe to the first cow calving in the New Year was what brought good luck.
In some regions of Britain, mistletoe would be burned on the twelfth night after Christmas to ensure any boys or girls who didn’t get kissed could still marry.
Celtic Druidic Mythology & Traditions
In the Celtic language, the name for mistletoe translates to “All-Heal” as they believed this plant to have healing powers that could cure a number of ailments and held the soul of the host tree. By Mistletoe was held the chief of the Druid’s sacred seven herbs. The other sacred plants were: vervain, henbane, primrose, pulsatilla, clover and wolf’s bane.
The tradition of kissing under the mistletoe is attributed to the Druids who held the plant as being sacred. It held a magical virtue and served as a remedy to protect against evil. Mistletoe found growing on Oaks were especially sacred. Ovid’s writings mention how Druids would dance around oak trees with mistletoe growing on them. If mistletoe were to fall to the ground without being cut, it was considered an ill omen.
In Between – Seen as a tree that was not a tree. One of the things making mistletoe sacred was its seeming ability to spring forth out of nowhere. It represented the “in between” or a gateway to other worlds and spirit.
Harvesting – Pliny the Elder in his Natural History, circa 77 C.E. notes how the Druids revered the mistletoe. Pliny goes on to explain how white-clad Druids would use a golden sickle when harvesting mistletoe; taking great care to make sure that none hit the ground, believing that the plant would lose its potency and sacred powers. The sacrifice of two white bulls would follow. Pliny’s accounts are the most well-known documentation of Druid beliefs regarding the sacredness of mistletoe. Either the Midsummer or the Winter Solstice were the times to harvest and collect mistletoe. Better when done so on the sixth day after a waning moon.
Oak King & Holly King – This is a particularly old folkloric belief. With the Oak King and Holly King being personifications for the cycle of the year. Mistletoe berries found on an Oak tree were thought to be representative of the Oak King’s semen. So when the Oak King’s power waned and gave way to the Holly King, the harvesting of mistletoe and it’s berries off of Oak trees was symbolic of emasculating the Oak King. Hence, why two bulls would be sacrificed, to compensate the Oak King.
The white berries of mistletoe would be made into fertility potions as they were thought to be regenerative as on the Winter Solstice, the Oak King would be reborn, gaining power again as the new year progressed.
Fire & Lightning – It was thought that mistletoe would grow on an Oak tree that had been struck by lightning. For this, mistletoe was believed to be able to stop fires.
French farmers would burn mistletoe in their fields in order to have a successful harvest with the coming year.
Maidens would place a sprig of mistletoe beneath their pillows so they could dream of their future husband.
Herbe de la Croix – In Brittany, there is a legend how the cross that Jesus is to have been hung on was made from the wood of mistletoe. After Christ’s death, mistletoe is said to have been cursed or degraded to become a parasitic plant. Now days, thanks to 16th century Botanists discoveries, it’s better understood how the seeds of mistletoe or spread.
Immortality – Asclepius, the son of Apollo and god of medicine was greatly renowned for his healing skills to the degree that he could even bring people back from the dead. This knowledge of healing came about after Glaucus, the son of King Minos of Crete had fallen into a jar of honey and drowned. Asclepius had been called onto the scene and while there, saw a snake slithering towards Glaucus’ body. Asclepius killed the snake and then saw another snake come in and place an herb on the body of the first snake, bringing it back to life. After witnessing this, Asclepius proceeded to take the same herb and place it on Glaucus’ body and bring him back to life.
This herb is said to have been mistletoe. Now armed with this knowledge, Asclepius brought Glaucus back to life. Later, he would bring Thesues’ son, Hippolytus after the king’s son had been thrown from his chariot.
This angered Hades enough that he complained to Zeus that humans would become immortal and that there wouldn’t be anyone entering the Underworld. To prevent people from becoming immortal, Zeus agreed to kill Asclepius, doing so with a lightning bolt. Later, Zeus placed Asclepius’ image up into the heavens to become the constellation of Ophiuchus in honor and memory.
Golden Bough or Mistletoe is the plant Aeneas uses to enter the Underworld to Hades’ realm.
Saturnalia – Many traditions regarding mistletoe and the Christmas traditions are believed to trace their origins to this ancient Roman festival once held on December 17th of the old Julian calendar.
The Death Of Balder
This is one of the bigger, more well-known Norse stories. Balder’s mother Frigg, the goddess of Love had received a prophesy concerning Balder’s death, who was the most beloved of all the gods. Wishing to try and avoid this fate, Frigg got an oath from all living things that they wouldn’t harm her son. In her haste to do so, Frigg overlooked the mistletoe, believing it to be too small and inconsequential.
Leave it to Loki to learn of this oversight and to test the validity of the prophesy. Depending on the source, Loki either makes an arrow or a spear out of mistletoe and hands it off to the blind god Hod, instructing him to aim it at Balder. This act doesn’t seem so unusual when taken into account that many of the other gods were taking aim at Balder to test his invulnerability.
Hod then, unknowingly of Loki’s true intent, fires the mistletoe weapon at Balder and impales the god who soon dies. Frigg is grief stricken and Hermod rides off on Sleipnir down to the Underworld to plead for Balder’s release from Hel, how everyone loves him. The Underworld goddess replies that if this is so, then every being in the living world will weep for the slain god. If everyone does weep, then Hel will release her hold on Balder and allow him to return.
Hermod returns with the news and every creature on the earth cries for Balder. All, that is except for an old giantess by the name of Tokk (or Þökk, meaning “Thanks,”) she was most certainly and likely Loki in disguise.
With this failure to have everyone weep, Balder remained in Hel’s domain.
Some variations to this legend have mistletoe becoming the symbol of peace and friendship to make-up for it’s part in Balder’s death.
In the version of the story with a happy ending, Balder is restored to life, and Frigga is so grateful that she reverses the reputation of the offending plant–making it a symbol of love and promising to bestow a kiss upon anyone who passes under it.
The white berries of mistletoe are to have formed from Frigg’s tears when she mourned Balder’s death. Shakespeare makes an allusion to the story of Balder’s death by referring to mistletoe as “baleful.”
Peace & Love
Due to the above story, the Norse held the belief that hanging the mistletoe would be a symbol of peace, indicating that any past hurts and anger would be forgiven. Enemies would cease fighting each other for the day.
Under the incoming Christian religion as it spread throughout Europe, the symbolism of the mistletoe would be converted to have Christian meanings as older pagan beliefs and traditions would get adapted and changed.
For example, in the Norse story with the death of Balder, mistletoe would keep its meanings as a symbol of life and fertility.
Wearing sprigs of mistletoe is believed to help conceive, attract love and for protection.
During Medieval times or Antiquity, branches of mistletoe would be hung to ward off evil spirits. Mistletoe would be hung over the house and stable doors to protect from witches and keep them from entering.
Mistletoe could also be worn in amulets, bracelets, and rings for its magical qualities of protecting from evil, witches, poisoning and even werewolves!
Yes, there are medical uses for mistletoe. However, the white berries are poisonous as they do cause epileptic type seizures and convulsions. Keep the white berries away from small children and pets who might decide to try and eat them.
Do make sure to consult an accredited medical source as some information has changed.
Homeopathic Remedies – Due to the nature of the poisonous berries, it causes many cultures such as the ancient Celts to use mistletoe berries in remedies for treating convulsions, delirium, hysteria, neuralgia and heart conditions. Some Native American tribes used a tea wash for bathing the head to treat headaches and infusions for lowering blood pressure and treating lung problems.
Warning – Do make sure to consult an accredited medical source as some medical experts disagree about the applications of homeopathic remedies and information is likely to change with better data and research.
Mistletoe is seen as an all-purpose plant and has been attributed a wide variety of magical uses and even a number of herbal and homeopathic remedies. A lot of it ending up very contradictory and suspect as to which to see as accurate. Further, you want to make sure you have the right mistletoe species.
Also called: Krampusz (Hungarian)
Etymology: Claw (Old High German, Krampen)
Also Known As: Bartl or Bartel, Klaubauf (Austria), Krampusz (Hungarian,) Niglobartl, Parkelj (Slovenian,) and Wubartl
Once more December is upon us with its many familiar Winter Celebrations and Holidays.
In the Alpine regions of Austria and Germany, and even to Bavaria, the Czech Republic, Hungary, northern Italy, Slovenia and Switzerland, there is the familiar horned and sometimes hairy figure of Krampus who arrives on Krampus Night to punish misbehaving children. Where Saint Nicholas is who gives gifts to good children. Krampus, like Zwarte Piet and other characters of Christmas are seen as the companions of Santa Claus or Sinterklaas.
Krampus is a figure who seems to originate in Germanic paganism before the arrival of Christianity in the region.
While there are a few variations to the appearance of Krampus, many descriptions do agree on this figure being very hairy with brown, black or gray fur, cloven hooves, and horns of a goat. He will have a particularly longer than usual tongue that hangs out.
Krampus will also be carrying or wearing chains that symbolize the binding of the Devil by Saint Nicholas. These chains will be shaken and sometimes have bells on them. The other items that Krampus is known to carry are ruten or bundles of birch branches that he will either hand out to naughty children or beat them with. Sometimes this branch is replaced with a whip instead. Krampus can also be seen carrying a sack or washtub on his back that he uses to carry off naughty children whom he either eats, drowns, or takes to Hell.
Crime & Punishment
On December 5th, Krampusnacht, the figure of Krampus is known for going about and punishing naughty children, similar to the role that Zwarte Piet has in the Netherlands. Unlike Zwarte Piet, Krampus never gives out treats or gifts. They are one of the original Nightmares before Christmas. Or, if we do like with the 2015 Krampus movie, Krampus is who comes when all hope dies at Christmas.
Some of the punishments that children might expect are:
- If a child is lucky, they only get handed a birch branch.
- If said child was particularly naughty, they could expect to be beaten with the birch branch.
- In the cases where children were extremely naughty, they would get carried off by Krampus in either a sack or washtub that he carries on his back. What happens now to the child varies on the legend. In some cases, Krampus might eat the child, drown them or simply carry them off to Hell. These older legends where Krampus carries off a child do make a connection to the time when Moors would raid the European coast and carry off people into slavery. A connection also seen with the previously mentioned Zwarte Piet.
The history of Krampus is a bit murky and many scholars do agree that this figure has to date before pre-Christianity. Some try to make a connection back to the Epic of Gilgamesh and Endiku, the original Wild Man. Even if that source is flimsy and suspect, the European traditions of going out in disguises and mummery have long been a part of the Winter Solstice celebrations and have survived in some form or another.
The description of Krampus shows him as being demonic with a half human, half goat appearance for the long fur, horns, and hooves. It has been theorized that Krampus may have been a fertility deity before the arrival of Christianity to the region. At this point, anything that didn’t fit under the umbrella of Christian beliefs or couldn’t be incorporated, tends to be labeled as evil and demonic.
God of the Witches – This connection seems a bit speculative. Maurice Bruce makes a connection of Krampus with the Horned God of the Witches. That the birch branches may have been part of initiation rites into a coven. That the chains that Krampus carries are part of the Christian tradition of “binding the Devil” much like Sinterklaas is to have done with Zwarte Piet with binding the devil. It’s easy to see a connection of the horns and hooves, woodland entity and connect Krampus to satyrs, fauns and possibly Pan. A horned god of the forest is a fairly common image in many of the early European religions and beliefs.
The Son Of Hel
This aspect of the myth is fairly recent and was likely introduced in Gerald Brom’s 2012 novel “Krampus: The Yule Lord.” In it, Krampus is stated to be the son of Hel, the Norse goddess of death. Even if it’s a recent addition, it does show an expanding and evolving folklore surrounding Krampus that seems to be gaining popularity.
The Wild Hunt
The Wild Hunt is a phenomenon found in many different European countries and cultures. It is a nightmarish, supernatural force led by some dark spectral hunter on horseback and accompanied by a host of other riders and hounds as they chase down unlucky mortals, either until they drop dead of exhaustion, are caught, and forced to join the Wild Hunt or if they can evade the Hunt until dawn.
Just exactly who it is that leads the Hunt does vary country by country in Europe. The Wild Hunt is known for making its ride during the Winter Solstice or New Year’s Eve. It’s possible that Krampus is a representative or aspect of the darker and harsher winter months.
It does tie in for one legend that the Krampus parades stem from an ancient rite to parade through town and run off ghosts. This seems further tied in as an explanation for the bells on the Krampus’ chains as there are traditions that the ringing of bells at the Solstice would scare off or banish evil spirits.
A Krampus By Any Other Name…
There are a few other figures in the Saint Nicholas/Winter Solstice celebrations who are similar to Krampus.
Bartel – Also called Bartl is a local name or variation for Krampus in Styria.
Belsnickel – A figure who follows Santa Claus in some regions of Europe such as Germany and Austria, he is similar to Krampus in that he will punish naughty children.
Hans Trapp – A sinister scarecrow from France that scares children around Christmas time.
La Pere Fouettard – “The Whipping Father,” Pere Fouettard accompanies the French Pere Noel on his nightly visit of December 5th where like Belsnickel, Krampus and Zwarte Piete, he will punish naughty children.
Knecht Ruprecht – Another figure from Germany who punishes children.
Percht – The percht are an offshoot of an older goddess, Perchta from the Alpine regions who guarded the beasts of the forest. The percht would be depicted as humanoid goats with elongated necks and wearing animal furs. These same percht are believed to become the basis for Krampus.
Ru Klaas – Another figure from Germany who punishes children.
Schabmänner or Rauhen – In the Austrian state Styria, these “Wild Man” figures will appear in addition to Krampus to dole out birch rods and punishments.
Zwarte Piete – A helper and companion to the Dutch Sinterklaas. Early depictions of Zwarte Piete show him as a punisher while later depictions have tried to soften the image.
Krampusnacht & The Feast Of Saint Nicholas
Where many American children get excited for Santa Claus on December 25th, in Europe, children get excited for Saint Nicholas’ arrival on December 5th (Aruba, Curacao and the Netherlands) or 6th (Belgium and Luxembourg). The celebrations of Saint Nicholas gained popularity in Germany right around the eleventh century. It is also around this time, that the patron saint of children would get paired up with a dark counterpart. With Saint Nicholas giving gifts to good children and Krampus punishing the bad children.
In Germany, things are a little different. The night before Saint Nicholas’ Day is December 5th, all well and good for the most part. However, December 5th though, is known as Krampusnacht or Krampus Night and is a night of riotous revelry and fear for Krampus is known to come, punishing naughty children, or carrying them away in a basket on his back.
The next morning on December 6th, children will look to see if their shoe or stocking has gifts and presents in it or if a rod or twigs have been left for them.
Austrian Urban Centers – In many Christmas markets, watered or toned-down images of Krampus will be sold, presenting him in a humorous light to tourists. Some people have complained that by softening the image of Krampus, he may be getting too commercialized.
Bavaria – The celebrations surrounding Krampus have seen revivals that include artistic traditions of hand-carved wooden masks.
Croatia – Here, Krampus is described as wearing a sack cloth around his wait and chains on his wrists and ankles, not just around his neck. If a child misbehaves too badly, Krampus will keep the gifts that Saint Nicholas would have given for himself and leave a silver birch branch behind.
Northern Italy – In the Udine province of Italy, there is the Cave del Predil. An annual Krampus festival is held here where the Krampus comes out just before sunset to chase children and whip them. To satiate the Krampus’ anger, children and young people would need to recite a prayer.
Slovenia – In many areas of Slovenia, Krampus is called Parkeli and is one of the companions of Miklavž, the Slovenian name for Saint Nicholas.
Styria – In this Austrian state, Krampus has a few different appearances. Here, Krampus will present a bundle of birch rods, painted gold to families so they can be hung in the house as a reminder to children to be on their best behavior. In smaller, more remote villages, other horned or antlered figures known as Schabmänner or Rauhen, “the Wild Man” will make appearances too in addition to Krampus.
United States –The figure of Krampus is catching on in many places and there are more and more movies and shows that will feature Krampus as a main antagonist, even if for one episode. Some cities will hold their own Krampus Runs and there are parties held celebrating Krampus, even if they are nothing more than an excuse to drink.
“The Great War On Christmas”
In the 12th century C.E., the Catholic Church tried to banish the Krampus celebrations due to their pagan elements and Krampus’ resemblance to the devil. This would prove difficult as people in the more rural areas would keep alive their traditions.
People wearing devil masks and acting riotously with drunken revelries and causing trouble have been recorded since the sixteenth century. It was not uncommon for animal masked devils to appear in Medieval Christian church plays. So, the appearances of Krampus masks at this time may very well have been part of these celebrations and the mummery that happens with many Winter festivals. The 17th century would see a full integration of pairing Saint Nicholas with Krampus. If they couldn’t stamp the Krampus traditions out, they would adapt him to the Christian religious observances.
When we get to the 20th century, the Austrian governments tried once more to prohibit the Krampus antics and displays. After the 1934 Austrian Civil War, the Dollfuss regime with the Fatherland’s Front and Christian Social Party tried to ban the Krampus traditions. The 1950’s saw the publication of government issued pamphlets titled: “Krampus is an Evil Man.”
But you can’t keep a good Krampus down and by the end of the 20th century, Krampus celebrations and parades came back in force. So much so, that Krampus celebrations have been spreading around the world to places like the United States as part of an “anti-Christmas celebration.” He certainly does represent a darker side to the holiday where not everything is not always so joyous. It does play to earlier celebrations of Christmas with drunk revelries and anyone wanting to push back again the heavy, over commercialization of Christmas.
Also known as Kränchen, this is a village-wide celebration held in southeast Austria. It is often held on the Saturday after Krampus Day. These festivities are typically held at local community centers, schools or any facility large enough to hold some 300+ drunk revelers. Sometimes, Kränchen will be held a week before or after Krampus Day. It’s a way that some villages will turn Krampus Day into a three weekend long celebration, particularly one for drinking and booze.
The great Krampus run is an annual parade held every year in many Alpine towns. For the first two weeks, especially on the eve of December 6th, young people will dress in Krampus costumes and parade through the town, ringing bells and scaring parade watchers. Some participants may dress up as perchten, a wild female spirit from Germanic folklore. Alcoholic beverages of Krampus schnapps and brandy are common during this celebration.
Perchten – These wild spirits are known to be active between the Winter Solstice and up to around January 6th, Epiphany if you were in Italy.
These are the holiday greeting cards that feature Krampus on them. Krampus cards have been exchanged since the 1800’s during the Holiday Season. A typical greeting card reads: “Gruß vom Krampus” or “Greetings from the Krampus” and likely accompanied with some humorous rhymes or poems within.
Older versions of Krampus cards are likely to show a more sinister and frightening Krampus while newer, modern cards might show a more toned down, cuter, or humorous looking Krampus figure.
This is a seasonal play that is found throughout the Alpine regions. It was known as Nikolausspiel or “Nicholas’ Play” at one time. These plays stem from the Medieval Morality Plays from Antiquity. The Nicholas plays feature Saint Nicholas reward children for their scholarly efforts instead of good behavior.
As I mentioned above, the percht are an offshoot of an older goddess, Perchta from the Alpine regions who guarded the beasts of the forest. The percht would be depicted as humanoid goats with elongated necks and wearing animal furs. These same percht are believed to become the basis for Krampus. Villagers living in the more remote regions of the Alpines would parade around in percht guises.
Also called: Ananse (Trinidad and Tobago), Annancy or Anancy (Jamaica, Grenada, Costa Rica, Colombia, Nicaragua), Anansi Drew (The Bahamas), Anansi Kokroko (Wise Spider), Anancyi, Ananansa, Annecy (West Indian), Ayiyi, Kacou Ananzè, Ba Anansi (Suriname), Ba Yentay (South Carolina), Bra Anansi, Hapanzi, Nansi or bra spaida (Jamaica, Sierra Leone), Kompa Nanzi (Curaçao, Bonaire), Bru Nansi (Virgin Islands), Kwaku Anansi (Akan-Ashante), Nanzi, Nancy, Aunt Nancy (Gullah; South Carolina), Miss Nancy, Sis’ Nancy, Kuenta di Nanzi, Spider (Temne), Cha Nanzi (Aruba), Hanansi, Pablo Barnansi (S. Quanderer), Compé Anansi, Kompa Nanzi (Curaçao, Bonaire), Gede Zariyen, Zarenyen, or Ti Malice (Haiti)
Etymology: Spider (Akan)
Anansi is the spider trickster god of the Akan, Ashanti people in Ghana and several West African folklore and folktales. As a trickster, he is able to shape-shift into a human form. His presence as an important cultural figure has made his way into Caribbean mythology, spreading to Aruba, Bonaire, Curacao, over to the Netherlands Antilles, the West Indies, Suriname, Sierra Leone and likely several other places. Like a good many trickster figures, Anansi is known for causing and getting into mischief or trouble before using his wits, cunning and guile to wheedle his way out of the troubles and problems. His stories and exploits are numerous, with many regional variations to his tales. As a trickster, Anansi is just as likely to help as to hinder someone.
As with all good stories, Anansi tales began with being told in oral traditions, survived, thrived, and made their way across the Atlantic Ocean to North America during the Trans-Atlantic slave trade era. These stories would play an important part to maintaining cultural identities for many enslaved West Africans. Many of these Anansi stories would be stories and lessons of how to rise up and outsmart those who would harm and oppress the less powerful.
Animal: Fox, Rabbit, Spider
Mineral: Spider Silk
Patron of: Storytellers,
Sphere of Influence: Cunning, Freedom, Messages, Morals, Proverbs, Stories, Trickery, Wisdom, Wits
A trickster, Anansi is often shown in many different forms and representations depending on the artistic source. In many stories, Anansi is a spider while in other stories, he is more anthropomorphized as either a spider with a human face or a human with spider-like features. The original spider-man.
In the Southern United States, when the Anansi came and his named changed to Nancy and Aunt Nancy with anglicized spellings, he became a spider woman and female figure.
One story has Nyame becoming so angry with Anansi’ tricks and antics that he turns Anansi into his spider form.
What’s In A Name?
Letters, letters are in a name…
The name Anansi is the Akan word for spider. Where he is called Kwaku or Kweku Anansi, the word Kweku means Wednesday as that is the day that Anansi’s soul first appeared. Given that Wednesday is named for Woden or Odin, the Norse god of Wisdom, there’s a very good coincidence here for names and meanings.
Parentage and Family
Nyame – Father & Sky-God; some regional variations place Anansi as his son, others don’t.
Ya Nsia – Mother. Asaase Yaa, the Earth Mother is also given as Anansi’s mother.
Where Nyame is given as Anansi’s father. There’s one story where Esum the Night, Osrane the Moon, and Owia the Sun are given as Nyame’s son.
It makes sense to me that these three should be counted as Anansi’s brothers.
Okonore Yaa – Wife, she is also known by the names of Aso, Crooky, Konori or Konoro, and Shi Maria.
The name Konori likely comes from the Hausa word koki for a “female spider.”
Afudohwedohwe – Pot-bellied son.
Anansewa – Anansi’s beautiful daughter, introduced in Efua Sutherland’s stories where Anansi sets out to find his daughter a proper suitor.
Nankonhwea – Son with a spindly neck and legs.
Ntikuma – Firstborn son.
Tikelenkelen – Big-Headed son.
Singular – Obosom
In Akan Spirituality, Anansi is considered an Obosom, a minor deity and spirit. The Abosom are all considered to be children and messengers of the great creator god Nyame. They could be male, female or a mixture of both.
The term Abosom reminds me of the Greek term Daimon (not Demon!) when referring to smaller, lesser & localized gods or spirits. Especially they were likely to be tied to one place such as a river, tree, or mountain.
Abosom is also the Ashanti term for pantheon, so all the gods. Or every divine being who isn’t the great creator Nyame.
With Anansi, he isn’t necessarily revered the same way as the other Abosom in Akan Spirituality or if he’s even seen in the same light. That too can vary and can be up for debate. Which is also understandable, Anansi is a trickster figure. With many trickster figures, you are playing with fire and in Anansi’s case, that’s water that could potentially drown you if you’re not careful. When Anansi does get acknowledged, he is an Obosom of Wisdom.
Just how much of a divine being Anansi will be, varies by region and which stories about him are being told. In some, he’s a human named Spider that has done a few favors for Nyame and is granted extra powers, namely one of t hem being an extended life. He’s a son of Nyame or just one of many beings with some measure of power to separate them from being fully human. Or Anansi is the straight up animal trickster as seen in Native American lore with beings like Coyote and Raven and their stories.
In many of the Anansi stories, the spider is often Nyame’s messenger, acting as his go-between. For many of the Abosom, this is often a role they play for either Nyame, the Sky God or Asaase Yaa, the Earth.
There is a story where Anansi’ antics grew too much for Nyame and he replaced Anansi with Chameleon to be the Sky-God’s new messenger.
Maybe, most of the stories of Anansi aren’t so much as him creating the Universe, but often setting the precedence for why things happen the way they do. Anansi is credited with having created the first man and then Nyame breathing life into them. Or Anansi is convincing Nyame that people need the rain to stop a destructive fire, setting order to the course of the day, ect. Even death if Anansi hadn’t stolen from them.
Like many tricksters, Anansi also has stories revolving around him having brought agriculture, hunting and writing to the Earth for people to use. In the story where Anansi tried to hoard all the world’s wisdom and knowledge, he found it much easier to share and disperse this knowledge for everyone’s use.
As a trickster, Anansi doesn’t just rely on his wits and cunnings to get through scrapes. One of his many tricks is the ability to shape-shift. Not just physically from spider to man but the ability to take seeming weaknesses and turn them into virtues and strengths.
Weakness To Strength
That’s a vital and important lesson to learn. In many stories, Anansi is able to overcome an opponent or situation, not just by his wits but using a seeming weakness to a strength. Similarly, he will exploit an opponent’s weakness against them.
Insatiable Greed – Finding The Angles
That seems to be a reoccurring theme with several Anansi stories, where what he has, isn’t enough and he has to find some way to get more. Oftentimes, that more is food. Anansi is often looking for the angles and finding ways to get others to bring him food or he kills the other animals for food if he’s not outright stealing it.
Sometimes, in the course of Anansi’s covetous and insatiable greed, another character is able trick Anansi instead, outwitting him. That is a classic of trickster tales, where the trickster gets outwitted instead of outwitting everyone else.
Of course, it could be I’m misremembering and thinking far too much of a particular Gargoyles episode “Mark of the Panther” in season 2.
God Of Storytelling & Knowledge
Not only is Anansi the god of storytelling, but he is also the god of knowledge. This makes a lot of sense with how early in human history, much of the history involved, lessons, wisdom and knowledge imparted is through the use of stories.
Meaning Spider Stories in the Ashanti language. The Anansesem stories, like many stories began as an oral tradition. Such is the prominence of the spider stories, that the term Anansesem came to include all the different fables and stories. The Jamaican version of the Anansi stories are the most preserved of the spider stories and have close ties to their Ashanti origins. Especially with how the Anansi stories end with a proverb or moral given at the end.
Anthropologists have studied and found that humans are hard-wired for stories. Stories are important, they are an integral part and parcel of the human experience. They convey who we are as a people, where we came from, morals, lessons and how things came to be.
It seems very poignant, that stories seem very central to the Anansi tales, especially for a keeping one’s cultural identity. Especially in the face of so much adversity and the dark side of history with the Trans-Atlantic Slave Trade. The most well known of the Anansi stories are those from Jamaica.
Like all trickster tales, the Anansesem not only entertain, they are also moral stories that often highlight his greed and other flaws along with his wit. The Anansesem stories cover a wide range of stories from the mundane and the subversive. Anansi as a folk hero is both an ideal as well as a cautionary figure of downfalls to be avoided.
It seems very poignant, that one of the roles that Tricksters carry is that of Culture-Bringer. That the very first story of Anansi, or at least the one to place as chronologically first is how Anansi comes to acquire all the stories. Frequently Trickster stories tell the importance of things, how they came to be, conflicts, shenanigans and more. Without stories to tell us who we are as a people, a great many aspects of history and culture are lost. With Anansesem, all stories, regardless of genre are considered spider stories.
Anansi-Tori – This is the name for the Spider stories among the Surinam people. In the capital city of Paramaribo, the Anansi-tori are a prominent part of the death rites. It’s important that these stories are only told during the night and never during the day, lest the dead come to listen, thereby causing the death of the storyteller or their parents. The Saramaca Bush people have a tradition that during the seven days that a body lays in the village death house, they tell the Anansi-Tori to the dead as entertainment. The Anansi-tori have also come to include the dances and songs sung during these rites.
The Spider stories are called Nansi in Guyana and Kuent’i Nanzi in Curacao.
Vive La Résistance! – The importance of the Anansesem stories is seen as a symbol of resiliency with slave resistance and survival. As a trickster, Anansi is frequently able to get the better of more powerful opponents using his trickery and cunning. As such, slaves used the stories of Anansi as inspiration for finding ways to resist and gain the upper hand on plantations, to give a sense of community, connection to their past in Africa and a way to maintain their cultural identity.
As the King of Stories, Anansi is not only the patron of storytellers, but those who live by their wits. Like many Caribbean deities, Anansi can be summoned with offerings of treats, smokes, and liquor.
Just be aware, if Anansi is bored by the story, he may not hang around for long.
A traditional opening for an Anansi story goes:
“This is my story which I have related. If it be sweet, or if it be not sweet, take some elsewhere, and let some come back to me.”
Another way to traditionally start a story is:
“We do not really mean; we do not really mean that what we are about to say is true. A story, a story; let it come, let it go.”
All The Stories!
Also known as “How the Sky God’s stories became Anansi’s stories.” It is the most retold story of all the Anansi tales.
For you see, once upon a time, there were no stories. None. There were stories, but they were all kept by Nyame, the Sky God who had them all hidden away. Some versions of the story note about here how Anansi is Nyame’s son.
For Anansi, it doesn’t sit well with him that his father should be hoarding all the stories and as the world is a boring place, Anansi decides to find a way to get stories of his own. Using his silk webbing, Anansi climbs up to the heavens where his father is at and tries to buy the stories from Nyame, but Nyame refuses, he didn’t want to share the stories with anyone. Anansi kept insisting he can afford the price for Nyame’s stories. Nyame refutes Anansi still, saying that even the great kingdoms of Kokofu, Bekwai and Asumengya couldn’t afford his stories.
A sudden thought comes to Nyame and he asks Anansi, how he, someone so small and insignificant is going to be able to afford the price where others have failed. Undaunted, Anansi persists, saying he can afford the stories, just name the price.
Amused, Nyame relents and sets as high a price as he can, hoping that these impossible tasks would finally deter the spider. As to what these tasks were to be?
Anansi was to capture four of the most dangerous creatures known in the world. Onini the Python, the Mmoboro Hornets, Osebo the Leopard and lastly, the Fairy Mmoatia.
Smiling, Anansi promises Nyame that he will bring these four back and just for good measure, he will even throw in his own mother, Ya Nsia. Nyame accepted the offer, thinking that would be the end of it and told Anansi to start his quest.
Quest in hand, Anansi returns home to his family so he can consult them about his plan. Anansi talks with his mother, Ya Nsia about his plan to capture Onini the Python first. His wife, Okonore Yaa tells Anansi that he should cut a long branch from a tree and get some vines.
Anansi returns with the branch and vines and Okonore Yaa tells him to head down to the river where Onini lives. As the two pretend to argue, Onini overhears them and comes over, listening over whether Onini’s body was longer than the branch of a tree.
Onini, on hearing what Anansi and Okonore Yaa are arguing about, he quickly agrees to stretch out next to the branch to his full length to prove that he’s longer than the branch. No sooner has Onini stretched out than Anansi takes the vines to tie the python up.
As Anansi carries Onini back to Nyame, the spider cheerfully tells Onini about the bargain that he has made. Nyame nods acknowledgement to Anansi for one task accomplished and reminds the spider that there are still three other tasks to fulfill.
Anansi returns to consult with his family for the next task, which would be capturing the Mmoboro Hornets. Okonore Yaa comes up with an idea for Anansi to get a gourd and fill it with water. Carrying that gourd with him, Anansi went off to pay a visit to the Hornets. Once he arrived, Anansi looked around the bushes where the Hornets. Soon as Anansi spotted them, he carefully sprinkled water on the Hornets and then on himself. Grabbing a palm leaf from a nearby tree, Anansi covered his head just time as the swarm of angry Hornets came his direction. Holding out the wet palm leaf, Anansi explained that it had been raining and that he too was wet.
Anansi explained that this rain would be dangerous and that the Hornets might want to hide inside the gourd he brought. The Hornets agreed and soon had all flown inside to take shelter.
Once all the Hornets were in, Anansi stopped up the mouth of the gourd and proceeded to gloat for falling for his trick. Anansi continued with telling the Hornets about his bargain with Nyame as he carried the gourd with him.
Seeing that another task was completed, Nyame accepted the Hornets. He reminded Anansi that there were still two more tasks to go. Surely one of those tasks would prove to be too much for the Spider, Nyame thought.
Once more Anansi returned home triumphant. Now the task was for Osebo the Leopard. Once more Anansi and Okonore Yaa schemed together on a plan. What’s now considered the oldest trick in the book, Okonore Yaa told Anansi to dig a deep hole in the ground and cover it. Anansi caught on quickly to Okonore Yaa’s plan and told her he could take it from there.
Anansi headed off for the parts of the jungle where he knew Osebo hung around at. There, he proceeded to dig the hole and cover with brushwood as planned. Done, Anansi headed home, knowing that eventually Osebo would wander along and be likely to fall in.
Sure enough, the next morning, when Anansi returned, he found Osebo trapped down in the hole. Feigning sympathy, Anansi asked Osebo why he was trapped down there. Was it because Osebo had been drinking again? It seems this has been a problem of Osebo’s for a while. Continuing his act, Anansi asked Osebo if he wanted help. Despite Anansi’s suspicions, Osebo assured the spider that he wouldn’t eat them.
With Osebo knocked out, Anansi made a ladder and climbed down to tie up the leopard and cart him off to Nyame. All the while, Anansi gloated to Osebo when he woke about his bargain with the Sky God. Just like before, Nyame accepted Osebo from the spider and reminded Anansi that there were still more tasks to do.
Eventually Anansi agreed to “help” Osebo and got two long sticks that he cut with a knife. Anansi told Osebo to stretch out his arms, wide. This would leave Osebo vulnerable, who was unaware of Anansi’ plan. The wily spider threw his knife at Osebo when he attempted to climb out, the hilt of the knife hitting the leopard square on the head, hard enough to knock him out.
Once more Nyame accepted the latest of Anansi’s accomplishments. Just like before, Nyame reminded the spider that there were still a couple more tasks to complete. Anansi had not forgotten the deal and set off again back home.
The penultimate task, capturing the Mmoatia, the Fairy. This one won’t be so easy and Anansi sits down to think a while on the matter. After a time, Anansi goes and carves an Akua doll and then cover it the sap of a gum tree. That done, Anansi took some yams and mashed them up to place in the doll’s hand while the rest went into a bowl. Finally, Anansi took some string to tie around the doll’s waist so he could manipulate it.
Ready, Anansi took the doll down to the Odum tree where fairies were known to gather. The wily spider set up the doll and the bowl of mashed yams and then went to hide out of sight. Soon, Mmoatia appeared, lured away from her sisters by the smell of the yams.
Believing the doll to be a real person, Mmoatia asked if she could have some of the yams. Hidden, Anansi pulled on the string, making the doll nod it’s head. Delighted, Mmoatia went back to her sisters, asking if she’d be allowed to have some of the yams.
The sisters said yes and Mmoatia soon returned to the Akua doll and began to eat all the mashed yams. When she had finished, Mmoatia thanked the doll, however this time, Anansi didn’t pull on the string, so the doll didn’t respond. Infuriated at the doll’s lack of response, Mmoatia went to her sisters to complain about the lack of response.
Mmoatia’s sisters tell her to go back and slap the person for their insolence. Back she goes and on promptly slapping the doll, Mmoatia’s hand gets stuck from the sticky sap covering the doll. Stuck, Mmoatia complains again to her sisters, with one of her sisters commenting to slap the doll with her other hand. Mmoatia does so and that hand too, becomes stuck.
There is something remarkably hysterical about this, I can see the sisters realizing what’s going on, maybe they don’t like Mmoatia for some reason and she’s too insolent and arrogant to really understand that she’s getting tricked and that at this point, the sisters are getting in on it too.
I can just see where Mmoatia complains yet again that both hands are now stuck and the sisters, incredulous to the fact that she’s listened to them and gotten stuck, tell her to hit the doll again with her whole body. This has got to be a scene of where the sisters are looking to see if Mmoatia is really going to be that arrogant, insolent, even dumb enough to listen and they want to see if she’ll do it.
And yes, Mmoatia hits the Akua doll with her whole body, getting well and thoroughly stuck. Hilarity ensues, I can see all of Mmoatia’s sisters flying off in fits of laughter as Anansi emerges from where he’s been hiding to gloat over his success.
Just like the others, Anansi tied up Mmoatia and carried her off back to Nyame. Anansi also stopped on the way home to tell his mother Ya Nsia about the last task he had told the Sky-God he would do and that was to bring his own mother. I can see Mom rolling her eyes and “Yes child, of course child” as she accompanies Anansi back to Nyame.
Impressed by Anansi’ persistence, Nyame upheld his end of the bargain, bringing all the elders, the Kontire and Akwam chiefs, the Adontem, general of his army, the Gyase, the Oyoko, Ankobea and Kyidom. Nyame told all those present of Anansi’s deeds that no one else in the kingdom had been able to do. Nyame showed off each of the four, along with Anansi’ own mother. Everyone cheered as Nyame gifts all his stories, to now be known as Spider Stories to Anansi, naming him the Keeper of Stories and God of Storytelling
Variants – There are numerous variations to this story. Some retellings will omit involving Anansi’s wife and mother in the story. In some of the Caribbean stories, it is a Tiger from whom the stories originate. Other stories, the fairy Mmoatia will be solitary or a dwarf who can turn invisible. Sometimes the task of capturing the Python isn’t mentioned. In yet other stories, Osebo, the Panther is caught, getting tangled up in Anansi’ webs when trying to climb out of the pit. Or, Anansi captures Osebo when he offers to help the panther when he lowers a long branch down and tells Osebo to tie his tail to the branch. In this one, Osebo is killed and skinned by Anansi.
Anansi And The Dispersal Of Wisdom
Now that Anansi has all the stories, you’d think he’d go spread them around to tell and pass on the wisdom that they hold. Well no…
It seems Anansi was trying to hoard all that wisdom in a pot. The knowledge he has isn’t enough and he wants even more of it, just collecting it all. After a time, Anansi decides the pot isn’t safe enough to store all this wisdom and knowledge in and takes it to hide in a tall, thorny tree in the forest. Some accounts say this tree is a Silk Cotton Tree.
Anansi’s son, Ntikuma saw his father up to something and decided to follow at a distance to find out what was up. Staying hidden, Ntikuma saw that this pot was the largest one he had ever seen. As he watched, Ntikuma watched as his father struggled with carrying the pot up. Anansi tried tying the pot in front of him to no avail.
As Anansi grew ever more frustrated by his inability to carry the pot up, Ntikuma couldn’t help himself but laugh!
“Try tying the pot behind you and then climb!” Ntikuma called out.
So frustrated with his failed attempts to climb the tree, it perturbed Anansi more to realize that his own son was right behind him. In his frustration, the pot slipped from Anansi’s grip and fell, hitting the ground with all the wisdom spilling out of it.
Making matters worse, a storm was arriving, and the rain washed all the wisdom down to a nearby river stream. From there, the currents carried the wisdom out to the sea and spreading throughout the world.
Seeing what happened, an angry Anansi chased his son, Ntikuma all the way home through the downpour of rain. When Anansi caught up with his son, the spider realized what was the use of all that wisdom if all it takes is a child to put you in your place?
As for the wisdom, because it mixed with the water, that’s why everyone has a little bit within them, but not all of it.
Variation – A minor variation is that instead of getting angry with his son, Anansi listens, carrying the pot up the tree by the means suggested. While he is sitting there, Anansi comes to the realization that try as he might to know everything, there were still things that others could teach or tell him and the wily spider comes to an epiphany to dump the pot out for everyone who has need, to be able to have access to it when the wisdom mixed with the wind and water.
How Anansi Comes To Have A Long Hind End & How His Head Became Small
In this story, a famine comes to the land and Anansi tells his family that he’s going in search of food for them. On his way, Anansi comes to a stream where there are some people who end up being spirits. It seems these spirits were draining the water in hopes of being able to catch some fish. Intrigued, Anansi asks if he could join the spirits.
The spirits invited Anansi to join them and he soon saw that they were using their skulls to drain the river. That’s interesting. The spirits asked Anansi if they could remove his own skull so that he could help drain the river.
As they drained the water, the spirits sang a song: “We, the Spirits, when we splash the river-bed dry to catch fish, we use our heads to splash the water. Oh, the Spirits, we are splashing the water.”
Anansi liked the song and asked if he could sing it with them and the spirits agreed.
And so, Anansi and the spirits sang as they drained the stream enough that they could catch some fish. The spirits gave Anansi his share of the fish in a basket to take home. As they restored Anansi’s skull, the spirits warned him not to sing the song again that day or his skull would open and fall off.
Anansi assured the spirits that he wouldn’t sing that song again as he had more than enough fish. Soon, Anansi and the spirits parted ways.
The spirits began to sing their song again. Overhearing the song, Anansi began to sing along as well and presently, his skull fell off. Just as he had been warned. Anansi picked up his skull and cried out in embarrassment to the spirits that his head had fallen off!
The spirits heard him and came back. As they listened to Anansi apologize and beg for help, the spirits agreed to help him. As they restored Anansi’s skull, they warned him not to sing the song again as they would not return to help him.
No sooner had they parted ways, than the spirits began singing and Anansi over hearing them, just couldn’t help himself and started singing along. It must have had a catchy tune.
This time, as Anansi’s skull fell, he caught it with his rear end and ran from the stream. And that, is how Anansi comes to have such a small head and huge behind, due to his hard-headedness.
Nyame’s Messenger, Anansi; Why Men Commit Evil At Night, Children Play In Moonlight, And Why Disputes Are Settled During The Day
That, is a lengthy title for a story…
The Sky-God Nyame sired three children one day; Esum the Night, Osrane the Moon, and Owia the Sun. When each of the children came of age, Nyame sent them out on their own where they founded their own village. Of these children, Owia was Nyame’s favorite and decided that they should become chief.
Nyame devised a plan, wherein he secretly harvested a yam or “Kintinkyi.” The task was, that the son who could guess what Nyame had harvested, would become the next chief. In addition, the winner would receive Nyame’s royal stool.
As Nyame set about blackening his stool, his subjects were nearby and Nyame asked if any of them could guess his thoughts. Anansi happened to be there and said that he knew. Nyame then sent Anansi to go gather his sons from their villages. The plot twist here, is that Anansi didn’t really know what Nyame’s thoughts were and decided he would try to find out.
Anansi then took feathers from every known bird and covered himself with them. Then he flew high above Nyame’s village, startling the villagers. This brought Nyame out, who didn’t recognize Anansi’s disguise.
But, Nyame thought to himself, if Anansi were present, he’d know the name of this bird as the crafty spider had known that Nyame wanted his son Owia to win his royal stool. That all they had to do was guess the name of the yam. As Nyame pondered and mused to himself, it allowed for Anansi to overhear the Sky-God’s plan.
Away Anansi flew until he was far enough away to ditch his disguise. From there, Anansi went to Esum’s village and told them that their father wished to see them. Anansi made no mention of Nyami’s plans. Esum gave Anansi roasted corn by way of thanks. Soon after, Anansi made his way to Osrane’s village, delivering the same news he had told Esum. Osrane gave Anansi yam in thanks and again, shortly after, Anansi headed for Owia’s village.
Things were different at Owia’s village when Anansi arrived, bringing the news of Nyame’s desire to see his sons. Owia mentioned to Anansi that he wished his father would know of Owia’s accomplishments. Owia decided to treat Anansi as if he were his own father come and prepared the best feast that he could with sheep. With that treatment, Anansi decided to fill Owia in on what he hadn’t told the other brothers. That being the name of Nyame’s yam that he had harvested.
Anansi then fashioned a pair of drums that would beat out the yam’s name, Kintinkyi to help Owia remember. Anansi with Owia in tow, then went to collect up the other brothers as they returned to bring them to Nyame.
Nyame called an assembly as Anansi presented his three sons before everyone. The contest of guessing the yam’s name was then revealed to each of the sons. The eldest, Esum was allowed to guess first and he said “Pona.” Osrane, the second eldest then took his turn to guess and gave the name of “Asante.” Finally, it was Owia’s turn and remembering what Anansi had told him, said the name “Kintinkyi.” Everyone present cheered Owia’s success.
Nyame then took his eldest son, Esum and told him that as he had not paid attention when growing up, that Nighttime would be when evil deeds would be done. To Osrane, Nyame said that as he had not listened when growing up, only children would play during his time. To his youngest son, Owia, Nyame praised him and made him the chief, decreeing that any issue that needed to be settled, would be done so during the day. To protect himself from his brothers, Nyame gave Owia the rainbow.
Lastly, to Anansi, Nyame blessed the spider for knowing his inner-most thoughts and said that from then on, that Anansi would be Nyame’s messenger.
The Arrival Of Disease
Oh yes, Anansi appeared before Nyame one day asking if he could one of Nyame’s sheep, Kra Kwame and eat it. Anansi said that he would bring a maiden from one of the villages as a gift in exchange for the sheep. This seemed reasonable enough and Nyame agreed to the exchange, giving Anansi the sheep while he waited for the maiden’s arrival.
As it were, Anansi took the sheep home and prepared it for eating. Once he was done, Anansi then went in search of a maiden. In his search, Anansi found a village where only women lived. Seeing an opportunity, Anansi moved there and offered each woman some of the sheep and marrying everyone.
It’s not hard to see that Anansi broke his word with Nyame. It wasn’t long after, that a hunter stopped in the village and saw what happened. The hunter back to Nyame and reported what he had seen in the village. Nyame became furious on learning what Anansi had done and sent his messengers to the village to take every woman living there.
Off the messengers went, seizing every woman in the village except for one who was ill at the time to bring back to Nyame. Anansi pondered what to do, as his remaining wife was very ill. The wife told Anansi to bathe her and then fill a gourd with water from the bathwater. This water would hold all the diseases that afflicted the wife.
See his wife after she was bathed, Anansi saw how beautiful she was, more so than all the other wives in the village. Anansi remarried her right there on the spot. It wouldn’t take long for another hunter to pass by the village and to see Anansi and his wife together.
This hunter returned to Nyame, giving the Sky-God a report of this extremely beautiful woman. Obviously Anansi had tricked Nyame as this woman was more beautiful than all the other women that were taken.
Angry again, Nyame ordered his messengers to go take Anansi’s wife. When the messengers got there, Anansi confronted them and they told Anansi of what Nyame’s desires were. Anansi nodded and complied with the messengers, taking them to where his wife was at.
Anansi had his own plans once the messengers left. He found the gourd holding the diseased water and took a skin by which to fashion a drum. Anansi then set about to make a second drum. Done, Anansi called for his son, Ntikuma and together they began to beat the drums and dance around while singing vulgarities.
Another messenger of Nyame’s, Anene the crow saw what Anansi was doing and went back to report about what he saw. Intrigued, Nyame sent more messengers to ask Anansi to come and perform his songs for him.
Ah, Anansi said, he could only perform his song and dance if all of his wives were present. Anansi promised to perform for Nyame if he could have his wives and his drum. The messengers relayed Anansi’s message back to Nyame and he agreed.
Anansi was brough to the harem where all of his wives were being kept and he began to sing and beat his drum. Nyame soon joined in the merriment with Anansi while the wives joined in too.
However, Anansi’ last wife recognized the gourd that Anansi’s drum was made from. She suspected what mischief Anansi had planned and decided not to join in dancing. Nyame tried to coax the last wife into dancing, but before she could, Anansi cut open his drum and tossed all the water out. All the diseases that had once been washed away now returned and a sickness fell upon the tribe.
So out of revenge, Anansi brought illness and disease to the world. Though to be fair, if Anansi had kept his word with Nyame from the start and brought him a maiden as promised, none of this would have happened.
Kwaku Anansi Takes Aso To Wife & How Jealousy Arrives In The Tribe
In this story, Anansi isn’t yet married to Aso as she is married to another man, known as Akwasi-The-Jealous-One.
True to his name, Akwasi was very possessive of Aso and forbad anyone from seeing or talking to her. Such, that Akwasi built a small village where only the two of them lived. The reason for Akwasi’s jealousy is that he is sterile and worried that Aso would be taken from him if they lived among other people.
Well hey, somebody knew or was paying attention. Nyame got tired of Akwasi’s lack of or failure to father any children with Aso. And if Akwasi isn’t siring any children, than Aso is fair game and Nyame tells the other young men in the village about Akwasi’ marriage to Aso and tells them, that the first man to successfully take Aso away and get her with child, can marry and take her to wife.
That is very much so a cultural thing. Doesn’t Aso get a say in who she’s married to and want to be with?
The challenge proves to be more difficult than expected and all the young men who’ve tried to seize Aso, all fail. Anansi was watching all this and after the latest failure from a young man, Anansi went before Nyame. The crafty spider tells Nyame that he’ll be able to accomplish this task to capture Aso.
Just give Anansi the items he requests to help him. Specifically, medicine, rifles and and bullets.
Off Anansi goes, passing through several villages, passing out the black powder, bullets and guns, telling people how Nyame has sent those to go hunting on the god’s behalf. Sweet! Anansi says he’ll come back later to collect up the meat for Nyame.
While everyone’s off hunting, Anansi makes a basket to hold all the meat in when he returns. It’s either a basket of holding, a very large basket or there’s several small baskets to hold meat in. Either way, Anansi collects up the meat and heads off for Akwasi-The-Jealous-One’s village.
Anansi reaches the river where Akwasi and Aso get their water and he takes out some of the meat, placing it in the water. He then continues up to where Akwasi lives, carrying the basket still. Aso spots Anansi’s arrival and calls out to her husband, who is surprised that they have a visitor. Akwasi comes out to find out who this person is.
Anansi tells Akwasi that he’s been sent by Nyame to this place to rest during his journey. This pleases Akwasi as he welcomes the spider into his village. While this is happening, Aso notices the meat that Anansi left in the river and says something. Anansi tells Aso she’s welcome to it as he doesn’t need it. That she can feed it to any pets they have.
Aso comes back with the meat and shows it to Akwasi. Anansi asks Aso if she would cook some food for him and she sets about preparing a dish known as Fufu. As she is preparing the meal, Anansi tells Aso that it won’t be enough and tells her to use a bigger pot as he offers up more of the meat. The catch is, she is to cook only the thighs, of which there are 40.
With the meal prepared, everyone sits down to eat. As they’re eating, Anansi complains, saying that the fufu Aso made lacks salt. At this, Akwasi commands Aso to bring some salt. Anansi spoke up, saying that wasn’t proper, Aso is eating and that Akwasi should be the one who goes and gets the salt. When Akwasi leaves, Anansi pulls some medicine out of his pouch and puts it in Akwasi’s fufu.
Akwasi returns with the salt and Anansi announces that he’s now full and doesn’t need the salt anymore. I’m sure Akwasi may have grumbled at this, but he set down again and finished his fufu, unaware of what Anansi has done.
As he’s eating, it occurs to Akwasi that he hasn’t asked for Anansi’s name yet. Anansi responds by saying that his name is “Rise-up-and-make-love-to-Aso.” This confuses Akwasi who asks Aso if she had heard the name too. Aso assures her husband that she did and Akwasi gets up to go prepare a room for Anansi. The spider says he can’t sleep in the room, he as to sleep in a room with an open veranda as he is Nyame’s Soul-Washer. Apparently, Anansi’s parents are to have conceived him in an open room, so he can’t sleep in a closed room.
Right, so where does Anansi want to sleep then? It must be an open room in a house that belongs to Nyame and asks for a sleeping mat so he can sleep in front of their room. When Anansi was certain that the two were asleep, he pulled out his sepirewa out to play, singing: “Akuamoa Ananse, today we shall achieve something today. Ananse, the child of Nsia, the mother of Nyame, the Sky-god; today, we shall achieve something, to-day. Ananse, the Soul-washer to the Nyame, the Sky-god, today, I shall see something.” Once the song finished, Anansi went to sleep.
Anansi was awoken by Akwasi calling out for him. But as he didn’t like the name that Anansi had told him, the spider remained silent. The medicine that Anansi had put into Akwasi’s food was working. After a few more attempts to rouse a sleeping Anansi, Akwasi finally used the name “Rise-up-and-make-love-to-Aso.”
Now Anansi responded to Akwasi’s calls, asking what troubled him. Akwasi said he needed. Akwasi replied that he needed to leave for a moment and left.
Entering the room, Anansi saw that Aso was awake and he asked if she had heard what Akwasi said. Aso asked in turn of Anansi what Akwasi had said. So Anansi obliged with the name he’d given, implying that it was a command, not his name. Wink, wink.
The two then made passionate love with each other before going back to sleep and before Akwasi returned. The medicine or poison that Anansi used was rather potent and Akwasi would be getting up eight more times, where once again, Anansi and Aso would make love before he returned. Come the morning, Anansi was on his way.
Two moon later, Aso begins to start showing that she’s pregnant. This gets Akwasi suspicious of how his wife got pregnant given that he’s sterile and can’t father any children. Aso takes the opportunity to tell Akwasi that it was by his own commands that she had made love to Anansi and that the child is his.
Angry, Akwasi takes Aso with him to go to Nyame’s village to complain. On the way, Aso gave birth and the two took the baby with them. On hearing the story, Nyame didn’t believe the two, saying no one had left his village and asked them to point out the person to him.
Aso did so, looking around the village until she spotted Anansi sitting on a ridgepole. She told Nyame that’s the one who impregnated her. Anansi slid down the ridgepole, attempting to hide, but Aso found him again, causing Anansi to fall over and dirty himself.
Now Anansi complained, how Aso and Akwasi’s actions defiled him. That he was Nyame’s Soul-Washer and that his desires had been ignored. Hearing this, Akwasi was seized by Nyame’s other subjects for disobeying a god’s commands. That as punishment, Akwasi was to sacrifice a sheep as penance. Embarrased, Akwasi performed the sacrifice and then told Nyame that Anansi could take Aso as his wife.
Sadly, the baby that Anansi fathered with Aso was taken and killed, their remains scattered about Nyame’s village as a reminder. And that, is how Aso becomes Anansi’s wife and how jealousy entered the tribe.
Anansi’s Bald Head
Sometime after Anansi and Aso were married, when they returned from visiting a plantation outside of the village, a messenger arrived. Anansi greeted the messenger and asked why they had come. The messenger replied that Anansi’ mother-in-law had died the previous day. Anansi informed his Aso of what happened, and plans were made to go to the village to mourn.
The next morning, Anansi went down to the village, looking for some favors. He soon found: Odwan the Sheep, Okra the Cat, Okraman the Dog, Akoko the Fowl, and Aberekyie the Goat. Anansi told all of them how his mother-in-law had died and asked if they would accompany him to her funeral. They all agreed, and Anansi returned home to prepare for the journey.
Anansi prepared funeral clothing, consisting of a leopard skin hat and russet colored clothing. The day of the mother-in-law’s funeral came, and Anansi called upon those he’d asked to come. They brought several supplies with them as well, consisting of guns, drums, palm-wine, and other things that they would share with those attending as they celebrated his mother-in-law’s memory.
Soon they arrived at the village and they fired off their guns to signal that they had arrived. Then Anansi and his company went to the home of his mother-in-law for her wake. Anansi shared out everything that he had brought. Anansi also then presented his offerings to help pay for the funeral.
The next morning, as everyone ate, they invited Anansi to join them. Anansi declined, saying he was forbidden from doing so as it is his mother-in-law’s funeral, that he would not eat until the eighth day. Food was then gathered for his companions who accompanied him for the funeral before they departed back for their own village.
Days passed as Anansi fasted, finally on the fourth day he was too hungry, and he went into the house where he was staying to find food. In the kitchen, he found a fire going with beans in a pot boiling. Anansi ate those, scooping some into his leopard hat after making sure no one was watching. No sooner had Anansi placed his hat back on his head to hide the beans, then Aso entered. Thinking fast, Anansi told Aso that there was a Hat-Shaking Festival taking place at his father’s village and that he was going to go.
Now Aso was suspicious. Who wouldn’t be? Especially when married to a trickster. She asked Anansi why he hadn’t told before of this festival. She also reminded Anansi that he hadn’t eatten anything yet and that he really should wait for the next day. Anansi refused to wait and headed off.
Aso went and gathered up everyone in the village, telling them that Anansi was up to something and that they had to keep him from leaving. As Aso went back after her husband, Anansi grabbed his hat and sang: “Just now at my father’s village they are shaking hats! Saworowa, they are shaking hats! E, they are shaking hats, o, they are shaking hats! Saworowa!”
Anansi began to panic too, for the beans were hot and burning his scalp. He bid his wife and everyone goodbye, that he was leaving. However, everyone began to follow after him, knowing what Aso had told them. Paniced, Anansi told everyone to leave and he sang more: “Turn back, because: Just now at my father’s village they are shaking hats! Saworowa, they are shaking hats! E, they are shaking hats, o, they are shaking hats! Saworowa!”
Eventually, Anansi couldn’t stand the heat from the beans and he pulled them off his head with the hat. Now that everyone could see what Anansi had done, Aso and the villagers began to boo him, such that he took off running.
Anansi promised the road he would thank it if it helped him flee. The road agreed and Anansi mad his way back home and access to some sorely needed medicine for his head. Alas, Anansi’ hair never did grow back.
Why Anansi Runs When He’s On The Water’s Surface
With this story, Anansi goes to Okraman, the Dog and tells him how he plans to build a new village. That sounds sensible and Okraman agreed. Okraman would gather some rope-creepr vines and Anansi would also do the same and they would meet up again on the following Monday. They would also bring a gourd filled with water in case where they met up didn’t have any. As an added measure, Anansi put some honey into his gouard.
Anansi and Okraman met each other at the half-way point to their destination. As they continued to travel, they became tired and Okraman said they should rest a bit and drink some of the water they brought with them.
Now it gets a little weird. As the two rested, Anansi said they should play a game to pass the time while they rested. Well type of game Okraman wanted to know. A binding game, where they would take turns tie each other up. The one tied, would then have to escape. After a bit of disagreement on who would get tied up first, Anansi said he would go first.
Once Okraman had Anansi bound, he decided he was so hungry that he didn’t really want to play anymore. Instead, he picked up the trussed-up Spider and carried him away to go sell for food. When Anansi realized what was happening, he began to complain, making a ruckus until they reached a stream.
Odenkyem the Crocodile heard them and asked Okraman what was going on. Okraman was too frightened to answer and dropped the bound Anansi while he fled. Laughing, Odenkyem freed Anansi from his bounds while Anansi thanked him, asking if there were any way to repay the crocodile. Odenkyem declined, saying he didn’t want anything in return. Anansi insisted, saying if Odenkyem had any children, they come, and he would dress and style their hair. Odenkyem accepted this offer, not suspecting that Anansi would be up to any deception.
Anansi returns home, telling Aso that he needs palm-nuts and onions for a stew and that he’s going to bring back crocodile to provide the meat.
That does not sound like a way to repay someone for rescuing you.
Aso gathers up the ingredients asked for as Anansi sharpens a knife. He mashes up some eto and carries it down to the stream where Odenkyem lives. Anansi calls out for the crocodile, saying he’s got a reward for them and sets the eto in the water. Odenkyem comes, having heard Anansi and just as he’s about to take the gift; Anansi flings his knife at the crocodile.
Thinking he’s dealt Odenkyem a lethal blow, Anansi heads home. Aso notices this and asks where’s the crocodile meat? You didn’t get it? Anansi brushes her off, yelling at her and gives her the silent treatment the rest of the night.
The next morning, Aso went down to the river. There, she spoted the crocodile laying still with flies buzzing around him. Seeing this, Aso returned home to tell Anansi what she saw. Anansi explains that he used a special medicine to kill Odenkyem and it will take another day for the full effect and before he can collect up the meat. Anansi thanked Aso for confirming the kill.
Anansi headed down to the river, taking with him a long stick. Seeing the crocodile laying there still in the riverbank, Anansi carefully walked over and poked Odenkyem. As Anansi continued to poke the big crocodile with his stick and roll the body over, the Spider decided to edge closer. When Anansi got close enough and reached out to touch Odenkyem’s body with his hand, that’s when the big crocodile his own trap and snapped his jaws on Anansi’s arm.
That two wrestled for a while and eventually Anansi squirmed free of Odenkyem’s grasp and fled. Now, everytime Anansi crosses a river, he runs for it, never letting Odenkyem get a second chance.
That wouldn’t be the lesson I’d take from here though.
Note: My intention was to include all the Anansi stories that I could find. However, there are just so many variations and stories from Ghana to the Caribbean and even to North America. I could spend whole volumes and books on his stories and likely still not have found them all as he is still very much so active. So I find myself having to make a cutoff point of what do I include? Obviously, if you like Anansi want to read more of his stories or find a storyteller to tell his stories, you will do so.
And of course, the traditional ending to an Anansi story:
“This is my story which I have related. If it be sweet, or if it be not sweet, take some elsewhere, and let some come back to me.”
Just a few little odds & ends that I couldn’t figure out where to fit them in at.
“No one goes to the house of the spider Ananse to teach him wisdom.”
“No one tells stories to Ntikuma” refers to someone who has heard it all.
Other West African tricksters that share many similar stories to Anansi are Br’er Rabbit and Leuk Rabbit.
Br’er Rabbit – The similarities between Anansi and Br’er Rabbit, the trickster figure who originates among the Bantu speaking people of South and Central Africa. Just like Anansi, Br’er Rabbit was brought to the Americas with the slave trade where his stories thrived and became a means by which he uses his wits and cunning to outsmart larger creatures. Stories of Br’er Rabbit are found in the French-speaking islands of the Caribbean where he is known as “Compare Lapin.” The most obvious story to compare Anansi and Br’er Rabbit with is that story of Anansi and his capturing the Mmoatia fairy with the Akua doll and the story of Br’er Rabbit and the Tar Baby. The Br-er Rabbit stories were collected up into the Uncle Remus stories by the American Journalist Joel Chandler Harris between 1870 to 1906.
Gede Lwa – In Haitian Voudo, Anansi is worshipped as a loa of this name and he is the intermediary between ancestors and the living. We also see in Haitian folklore, the figures of Ti Bouki, Ti Malice or Uncle Mischief who are other variations of Anansi.
Gizo – A spider trickster-hero of the Housa. His wife is Koki. He’s been equated with Anansi stories and sometimes called the Yoruba Anansi.
Iktomi – A Native American Spider figure whom many have noted similarities with Anansi.
Nambo-Nansi – A Haitian Loa, based on the figure of Anansi.