Tiamat

Tiamat

Etymology: Mother of Life

Alternate Spellings & Other Names: Tiahamtu, Baau, Bis-Bis, Hubar, Mammu-Tiamat, Omorca, Omoroka, Tamtu, Tauthe, Tehom, Thalass, Thalassa, Thalatth, Thamte, Thlavatth, Tiawath, Tisalat, Ummukhubar, Θαλάττη Thaláttē (Greek)

Epithets: Mummu Hubur (Mother of Monsters) or “Ummu-Hubur, Who Formed All Things”

Tiamat is an ancient, primordial mother goddess often represented as a draconic personification of the oceans and saltwater from whom all life springs forth from.

Attributes

Animal: All aquatic animals, Dragons, Sharks

Element: Water

Sphere of Influence: Chaos, Creation

Mesopotamian Depictions

Classically, the image of Tiamat is that of a large, primordial dragon who symbolizes the saltwater ocean, the element of Chaos from which all life originates.

Surprisingly, when looking at the Enûma Elish, Tiamat is described as having a tail, thighs, a lower half of the body, belly, udder, ribs, neck, and head. It’s not a clear enough description aside from the tail is that of a dragon. The udder though, makes me think of a cow?

I came across one description, that in her role as creatrix, Tiamat is described as a glistening woman. When connected later to her chaotic element, Tiamat is then shown as a dragon.

More modern authors and sources go with describing Tiamat as a sea serpent or dragon. This connection holds up with Tiamat giving birth to dragons and serpents.

For those familiar with Dungeons & Dragons, Tiamat is a multi-headed dragon, with each head representing a different chromatic dragon race in the game.

Hellenistic Iconography – There’s a relief found in the temple of Bel in Palmyra that shows Marduk and Nabu slaying Tiamat who is represented with a woman’s body and snake legs.

Older Than Time

Not quite.

The oldest reference to Tiamat is an Akkadian incantation dating to the first millennium B.C.E. Once the Enuma Elish was composed, Tiamat begins to be found in several religious texts. However, it must be noted those works refer back to the Enuma Elish. An almost obscure historian, Berossus also writes about Tiamat in the 3rd century B.C.E.

When You Stare Into The Abyss…

This turned out to be a fascinating bit to find. Looking at the Sumerian word, “ti” means “life” and “ama” means “mother.” So Mother of Life or Mother of All could be good translations for Tiamat’s name.

Going by the Akkadian word for the sea, it is tâmtu or ti’amtum. It has also been noted that the long vowel â in tamtu is a contraction of the vowels i and a. This word is a proper form for addressing a person or deity. So… Tiamat, tâmtu is: “O’sea!”

Taking this further for how ancient languages likely influenced each other, there are some scholars who see a connection to the Hebraic word Tehom that means ‘the Deep” or “Abyss,” especially as used in the Torah or Old Testament in the book of Genesis. It makes sense, tehom is a cognate to the Akkadian tamtu and the Ugaritic t-h-m and all share similar meanings. It’s not hard to see how these words would also be found as a root word and meaning to the Babylonian Tiamat.

As a side note, the Greek Septuagint uses the word “abyssos” or Abyss when translating tehom.

Speaking of Greek, Tiamat was called Thalatte in the Hellenistic Babylonian Berossus’ first volume of Universal History. The name Thalatte is a variation to the Greek’s word for the sea of Thalassa. Later, in other translations, Tiamat’s name is altogether replaced for Thalassa as the Akkadian sources for Enuma Elish used the more common word for sea as both names of Thalassa and Tiamat had become synonymous.

Parentage and Family

Consort

Apsu – Or Abzu, Primordial God of Freshwater

Kingu – Or Qingu, her consort after Apsu’s death, also her son and general of her army.

Children

Lachmu and Lachamu – The first pair of gods born. From them, all of the other gods within the Mesopotamian pantheon come.

Monstrous Children & Demon – After the death of Apsu, Tiamat creates a host of monstrous children, among whom dragons and serpents are but a few.

Grandchildren

Anšar and Kišar – Through Lachmu and Lachamu.

Igigi – Ultimately the second and third generation of gods.

Babylonian Mythology

In this mythology, Tiamat is a primordial, monstrous sea goddess depicted as a dragon. She represents the formless chaos from which life began. It is with her consort, Apsu, the primordial god of freshwater that the first generation of gods are born.

Enuma Elish

This an ancient epic creation poem written in the 18th century B.C.E. (1700 to 2000 B.C.E. are other estimated guesses) when the city of Babylon becomes the political capital of Mesopotamia. It’s largely written to show Marduk’s birth, many of his heroic deeds and how Ea (Enki) steps down to allow Marduk, in a relatively peaceful transfer of power to become the king and head of the pantheon.

The Enuma Elish begins at the start of time, when the universe is nothing more than chaos with freshwater represented by Apsu and saltwater (or the abyss) represented by Tiamat, a dragoness. The male and female principles, not unlike the concept seen in the Japanese Yin & Yang. The joining of these two primordial deities would see the creation of all the other gods and other beings. Their most notable children are Lachmu and Lachamu along with others who become the other gods and goddesses, known as the Anunnaki. The other children of Apsu and Tiamat are giant sea serpents, dragons, snakes, storm demons, fish-men, scorpion-men

While Tiamat loved all her children, Apsu on the other hand didn’t care for them, saying they were too noisy, keeping him up all night and unable to get any work done during the day. Apsu’s response to this problem was to kill his children, specifically the younger, Igigi deities.

A horrified Tiamat told her eldest son, Enki (later version its Ea) of what Apsu has planned. Enki decided that the best plan for dealing with this was to capture and put Apsu into a deep sleep and then kill him. From Apsu’s corpse, Enki then creates his home, the earth and the marshy region of Eridu.

Kingu, one of Tiamat and Apsu’s sons, soon to be consort to Tiamat is upset and goes to report what happened. This further horrifies Tiamat who wasn’t expecting for Enki to just up and kill Apsu. As a result, she decided to wage war on her own children. The mighty Tiamat raised up an army of chaos consisting of twelve monsters: Bašmu, “Venomous Snake,” Ušumgallu, “Great Dragon,” Mušmahhu, “Exalted Serpent,” Mušhuššu, “Furious Snake,” Lahmu, the “Hairy One,” Ugallu, the “Big Weather-Beast,” Uridimmu, “Mad Lion,” Girtablullû, “Scorpion-Man,” Umu dabrutu, “Violent Storms,” Kulullû, “Fish-Man,” and Kusarikku, “Bull-Man” who are all led by Kingu (Quingu) as the general of this army.

This has Enki and the other gods worried about what to do. That is, until Marduk steps forward, saying he will lead everyone in this war. Marduk has one condition, that is that he be named as the new king of the pantheon. Enki agrees and Marduk leads the Anunnaki to battle.

Marduk prepares his weapons consisting of bow and arrows, a mace, lightning as he is a storm god, flames and a net. Gathering up the four winds, Marduk encircles and nets the mighty Tiamat to prevent her from escaping him. New winds are created by Marduk such as whirlwinds and tornadoes. As he is a storm god, Marduk brings down a fierce flood of rain. It’s a battle between a storm god and a primordial goddess of chaos and the sea, it’s epic as Marduk rides in his storm-chariot pulled by four horses who have poison in their mouths. Spellcasting and an herbal antidote as Marduk faces off against one of the mightiest dragons known in mythology.

After Marduk finally slays Tiamat with an arrow to her stomach, he then goes after Tiamat’s son, Kingu who oversaw the army and wears the Tablets of Destiny over his chest. Marduk makes short work of Kingu in single combat, claiming the tablets and establishing himself as the new head of the pantheon.

This is a lot of power that Marduk has now accumulated and he sets about to create the universe. But didn’t that already exist? He’s at least making a new one as Marduk takes the two halves of Tiamat’s corpse to create the heavens and the earth, completing the work started by Enki. From Tiamat’s eyes, the Tigris and Euphrates rivers flow.

With Kingu’s blood, Marduk mixes it with the earth to create the first humans who would be the servants of the Igigi (the younger Mesopotamian gods). The creation of humans would allow the gods the leisure time and the time to focus on higher purposes, taking care of human needs as humanity basically did the grunt work. All humans would need to do is respect and give heed to the will of the gods living in Eridu with Marduk ruling overall as a benevolent god.

That doesn’t sound like it will end well and I’m sure there’s another story concerning that.

Side Note: Early versions of this story have Anu, later replaced by Enlil and then in the last version, it is Marduk who gets the promise from the other gods about becoming head of the pantheon.

Marduk’s version dates from the first dynasty of the Babylonians, whereas the other versions are much older. Even then, depending on the version of the creation myth, it is solely Marduk involved in all of it and there’s no mention of Enki at all. Scholars who look at when the Enuma Elish was written generally believe that it represents political and religious propaganda meant justify and install Marduk as the head of the Babylonian pantheon as the city-state rose to political power in the region.

As for Apsu, the Enuma Elish is the first time he’s treated as a deity. Before, he’s just a concept, what they called the freshwater found beneath the earth in the aquifers.

Mother Of Gods & Monsters

If this were Greek mythology, I would say that sounds like Echidna who is infamous for giving birth to several monsters or Gaia with the numerous monstrous children that she gave birth to that were later imprisoned in Tartarus.

The first children that Tiamat gives birth to are those gods who will become part of the collective Mesopotamian pantheon. It is after the death of her consort Apsu, that Tiamat gives birth to a host of monstrous creatures, some of whom are dragons and serpents to go after her first group of children, the gods. Some of Tiamat’s monstrous children also become the signs of the zodiac.

As the mother of all creation, Tiamat’s mating with Apsu is seen as a Sacred Marriage. It more a poetical explaining the creation of life and in the ancient Mesopotamian mythology, where the saltwater sea met and mixed with the freshwater sea in the Persian Gulf. One notable region in the area is Bahrain, which means “two seas” in Arabic. It’s thought by some scholars that Bahrain might be the site Dilmun and corresponding with the original Sumerian creation story.

Anunnaki – These are the first generation of gods that Apsu and Tiamat gave birth to at the beginning of the creation. Now, depending on which of the Mesopotamian mythologies you follow, Akkadian, Babylonian, Sumer, their number can vary and it’s inconsistent. Lahmu and Lahamu, meaning “hairy” are the firstborn, from there, the other gods are born.

Igigi – These are the second and third generations of gods born. Who were meant to be servants to the Anunnaki. When Apsu decides to kill their children for being too noisy, some retellings will explain it to mean, it’s the Igigi he plans to kill. And it’s the Igigi for whom Tiamat gets angry and decides to retaliate against. The Igigi in their victory, will then create humans to be their servants.

Chaoskampf

The struggle against Chaos; this is a familiar motif found throughout the world in many different regions and mythologies of a culture hero or god going up against a creature of chaos. This creature is often shown as and takes the form of a great serpent or dragon. This is the familiar Knight slaying the Dragon seen in many European mythologies. Parallels to this concept are even found in other cultures.

It is no different for the myth of Tiamat with her connection as a primordial goddess of Goddess. With her death, either Anu, Enlil or Marduk establishes order and with her corpse, creates the heavens and the earth.

Tiamat’s story is very likely the origin of the hero slaying the dragon motif where she becomes a symbol of not just chaos, but evil. There’s a commentary that suggests that the female deities of Mesopotamian mythology are older than the male deities. This would then strongly suggest that the hero slaying the dragon is the establishment of monotheistic patriarchal religions over matriarchal religions.

The only other goddess who is likely older than Tiamat is the Sumerian goddess Nammu, who is also a primordial goddess of the sea.

Canaanite Mythology

Scholars tend to agree that Tiamat originates with later Babylonian mythology. Looking at Tiamat’s connection with the sea, scholars do note a similarity in Levantine mythology between the sea god Yamm and Baal.

As the story goes, from the Ras Shamra and other Ugarit texts that have been translated, Baal and Yamm weren’t the best of buddies and their conflicts are symbolic of the short Syrian winters with the conflicting weather of rain, hail and tides. Baal and Yamm were fighting over who would take over as head of the pantheon after El is stepping down. El had told Yamm he would get to take charge and Baal wasn’t happy with the news.

Yamm keeps on sending messengers to Baal about this edict and Baal is having none of it. With the aid of Kothar creating some magical clubs, Baal eventually defeats Yamm.

Baal’s conquering of Tannin and defeating Yam has been seen as being similar to the myths of Zeus defeating the Titans to become King of the Gods or when Zeus usurps Poseidon as King of the Gods from Mycenean Greece to the more well-known Ancient Greece.

Jumping back to the Judaic mythology, scholars have noted that a passage in the book of Isaiah parallels the Baal Cycle. In the Ugaritic passage for the Baal Cycle, Tannin is described as “the encircler.” The other description given is “the mighty one with seven heads.” It gets debated between the Ugaritic and Hebraic texts if this is three separate figures being described or if these are epitaphs of Lotan or Leviathan.

Me, being a lover of mythology, “the encircler” makes me think of Norse mythology and the Midgard serpent Jormungand. And the seven heads, D&D anyone and the evil dragon goddess of chaos, Tiamat?

Biblical Connections?

That seems very likely. Given the close proximity of the cultures in the Mesopotamian and Canaanite regions, it stands to reason that elements of each culture might cross over.

Some scholars take note of the similarity with the Book of Genesis chapter 1:2 “Now the earth was formless and empty, darkness was over the surface of the deep, and the Spirit of God was hovering over the waters.” And the comparison to the story of Tiamat’s and Apsu’s procreation with the mixing of saltwater and freshwater to give birth to the first gods and life in a universe where nothing else existed.

Tannin – the giant sea monster of Canaanite mythology and the Judiac Torah is sometimes through to be a connection to Tiamat. It has been noted the similarities between Tannin in the Baal Cycle with Marduk defeating Tiamat.

It’s not hard to see a similarity and a possible connection between the two. And, for the longest time, Biblical scholars did think that the Old Testament or Torah referenced the Babylonian myths. That would change with the discovery of texts found in Ras Shamra or Ugarit as it was anciently known. Once the Ugarit texts were translated, it became apparent that the Old Testament references the ancient Canaanite mythology more.

Anzu – Fire Bird?

There is another Mesopotamian monster, born from the waters of Apsu and the Earth. Think of either a Griffin or a lion-headed eagle that can breathe both fire and water. There have been similarities pointed out between the story of Tiamat being slain by Marduk the Sumerian-Akkadian myths where one text has Marduk slaying this monstrous bird and another text where the god Ninurta slays it with arrows.

Akitu Festival – Happy New Years!

This was the ancient New Year’s festival that the Sumerians and Mesopotamian cultures celebrated. This festival occurred sometime during March and April, marking the planting of barley. This festival was presided over by Nabu and Marduk to such a degree, that a text known as the Akitu Chronicle documents a time when the festival couldn’t be observed as Marduk (his physical statue, thus him) wasn’t present in the city of Babylon.

Every year at the Akitu House located outside the city, the Enuma Elish would be recited for the New Year’s festival. There was also involved a ritual slapping of the king. Gotta’ stay humble, I guess. With the Enuma Elish being recited on the fourth day, the battle between Marduk and Tiamat would be a symbolic reenactment of this mythical battle.

Otherwise, as far as any cults or worship of Tiamat go, there really isn’t any.

Tethys – Greek Titaness

In Greek myth, Tethys is a Titaness and primordial goddess of the ocean.

Tethys as Tiamat. She is the wife of Oceanus, the Titan god of the seas. There isn’t much known about their myths and some scholars go so far as to suggest that Tethys is a syno-deity or similar to Tiamat given their age and functions.

Nammu – Sumerian

A primordial goddess of the sea who is often equated with Tiamat. There is not much in the way of surviving texts that attest of her. Her myth is similar in that, with Apsu, the freshwater oceans beneath the earth, she gives birth to the first gods, An (Heaven) and Ki (Earth).

Omoroca – Stargate-SG1

This source claims to be from Chaldean mythology, which works when you remember that that’s the whole of Mesopotamian mythology between 10th to 6th-century B.C.E.

I had a hard time pinning this one down. During the Hellenistic-Greek era, there is a Babylonian scholar by the name of Berossus who wrote a history of Babylonia. He lived during the time of Alexander, the son of Philip. There’s a lot of Babylonian history that he writes, much of which, modern scholars would see as mythology. He’s not very well known beyond that, making his obscurity excellent fodder for a show to draw from.

A quick search of Omoroca brought up a lot of Stargate-SG1 references, which would imply that the writers are drawing on a historical/mythological source. At the very least, a T.V. show is linking Tiamat with Chaldean mythology to make a show’s mythos more in-depth.

With that grain of salt in mind, Omoroca’s myth starts off much like that of Tiamat’s, wherein the beginning, there is nothing, just darkness and the abyss of water wherein numerous hideous beings and creatures dwell. This is an infinite variety of different beings of every description. All of which are recorded in the temple of Belus in Babylon.

The Stargate wiki in question says that a woman by the name of Omoroca ruled over all of them. That Omoroca’s name in Greek is Thalassa, the sea or the Moon. Belus comes and kills her, creating heaven and earth much like Tiamat’s myth.

Once again, a Stargate-SG1 television source and it does work when linking Belus to Bel-Marduk and thus to Tiamat.

Sitchin Time

According to Zecharia Sitchin, the claim is made that the great battle between Tiamat and Marduk is symbolic for the creation of our solar system’s asteroid belt. Sitchin writes that this asteroid belt was once a planet that the Sumerians called Tiamat. Due to an impact, the planet was destroyed, creating the “Great Band” or asteroid belt. The planetary impact responsible is that of the planet Nibiru, associated with the god Marduk.

Babylonian Astronomy

I will call bunk on Sitchin’s ideas.

When you look at the word Nibiru in the Akkadian language, it refers to a crossing or transition point like with rivers. In Babylonian astronomy, Nibiru came to refer to the Equinox, notably, the Autumn Equinox. In their star lore, the term nibiru can refer to any crossing. Tracking the movement of the stars and planets in the heavens as they appear from Earth. The star or planet associated with Marduk is the one we know modernly as Jupiter.

For the Babylonians, the Autumn Equinox occurred in the month of Tisritum, roughly coinciding with between September and October. If we’re following the Greek Zodiac, then the constellation of Libra is prominent. A further fun fact, depending on the time of the year and the location, the planet Mercury could sometimes be called Nibiru.

Some of it is confusing. Mainly it’s understanding how to read and interpret what the Babylonians meant when tracking the night sky.

Cetus – Greek Mythology & Constellation

While many are familiar with the constellation’s connection to the Grecian story of Andromeda and Perseus in its role as the giant sea monster sent by Poseidon to destroy the coast of Aethiopia.

The constellation of Cetus has been identified with Tiamat, the dragon goddess of Chaos. Marking Tiamat’s story one of many that the Greeks likely inherited from the Mesopotamians and retold for their own legends.

Tiamat - Abyss

Sandman

Sandman

Also Known As: John, Jon Blund, Klaas Vaak, Ole Lukøje

Sweet dreams are made of these…

The Sandman is a figure mainly from Western and Northern European folklore who is responsible for sprinkling the sands of sleep so that people can dream. At its heart, it’s a very simple piece folklore that doesn’t seem to have much more than that. Rather, I should say that the Sandman is a deceptively major figure of folklore who appears to be a minor power. How much relevance he will have depends on the nature of the stories he is found in and those can vary widely.

Description: It seems as if a lot of popular media and books will have a description of the sandman as a human-looking male wearing a Victorian-style sleeping gown and nightcap with tassel. He might have a bag of sand or just magically produce it from pockets or thin air.

Then you have other sources of media and books that really play with his description and the Sandman will look like however they want him to look. Since the Sandman’s realm is the Land of Nod or Realm of Dreams, he could probably look however he wanted and suited the needs of the story being told.

The Land of Nod

Not the biblical Land of Nod where Cain was exiled to, but as in the Land of Sleep and Dreams.

First, we can thank Dean Jonathon Swift for this delightful play and pun on words with his 1738 book “A Complete Collection of Genteel and Ingenious Conversation.”

At any rate, the realm of Dreams, Dream Realm or Land of Nod is sometimes shown as being the Sandman’s domain where he reigns all-powerful and supreme, so long as people remain asleep or he doesn’t leave it.

Since it’s dreams, the place can look like anything and anywhere and the Sandman can look however he wants and suit the needs of who’s writing the stories.

Here’s Sand In Your Eyes!

The easiest explanation for a Sandman is the morning crust or rheum that people wake up with around their eyes. It’s common, it happens to everyone and way back when it was easy to believe and explain to young children where this discharge came from by saying that the Sandman brought it as the dust he sprinkles in people’s eyes so they can dream.

Quite frankly, calling it Sleep or Sand is a lot more poetical then calling it rheum, dried discharge or mucus.

Getting A Good Night’s Rest

In many places, the Sandman is known by different names and has slightly different appearances.

Canada – Nilus the Sandman was a television series that aired in the 1990’s.

Denmark – The famous author, Hans Christian Andersen’s 1841 story called Ole Lukøje about the Sandman who sprinkles sand in children’s eyes to sleep. The name Ole Lukøje means “Close Eye” in Danish. Ole Lukøje carries two umbrellas, one of which has pictures underneath, that when he opens it over good children, they have good dreams. The other umbrella is blank, this one Ole Lukøje’s hold over naughty children so they will have a heavy, dreamless sleep. Instead of using sand, Ole Lukøje squirts milk into children’s eyes… a little strange. At the end of the story, it is revealed that Ole Lukøje has a brother, who only visits once, bringing Death. The brother’s name is also Ole Lukøie.

Dutch – In the Netherlands and places like South Africa, the Sandman is known as Klaas Vaak.

Germany – Unser Sandmännchen (Our Little Sandman) is very similar to Anderson’s Ole Lukøje and is part of a television series that been broadcasted since 1959. The show has also been adapted into comic book form.

Scandinavia – The Sandman is the traditional folk character who sprinkles sand or dust into people’s eyes, so they sleep and dream. He’s a feature of many children’s stories.

Sweden – In English translations, the Sandman is known as John or Jon Blund.

The Stuff Of Nightmares

Every now and then, someone likes to write a story featuring the Sandman in a more sinister light. Okay… that makes sense when the story of the Sandman likely comes from exasperated parents trying to get their children to go to sleep, that some variations could hold similarities to stories of the Bogeyman.

Bonhome Sept-Heur – Meaning the Seven O’Clock Guy, this is a French-Canadian figure who will throw sand in children’s eyes who refuse to go to sleep so he can blind them before carrying them away in his bag.

Der Sandmann – Written by E.T.A. Hoffman in 1816 is just one such book wherein the Sandman throws sand in the eyes of children who refuse to go to sleep, causing their eyes to fall out. These would then be collected up and fed to the Sandman’s children on the Moon. Lovely…

In case you’re curious, in 1993, Paul Berry would adapt this story into a stop-motion short that won Craft Prize for “Best Animation” and got an Oscar nomination for “Best Animated Short Film.”

Mos Ene – Meaning Ene the Elder is a Romanian folklore figure very similar to the character described in Der Sandmann.

What Dreams May Come…

DC Comics – there have been a few characters who have carried the name of Sandman, at least one appears to be the actual folkloric figure where the other used hypnotic sand to control people. The later appears in an episode from the 1960’s Batman series.

Marvel Comics – The Sandman appears as a villain to the hero Spider-man. It must be stressed and noted that this version of Sandman has nothing to do with dreams, just sand, turning into, manipulating and controlling it.

Marvel has another villain from it’s Journey Into Mystery comics in 1961. This Sandman was an alien who crash-landed on earth.

The Sandman – This is a 75-part comic book series written by Neil Gaiman that many people are probably familiar with. The title character rules over a dream world and appears to various characters in the series in different guises and names.

There are several other comics that feature a Sandman character.

Miles To Go Before I Sleep…

There are several different songs and poems that all reference the Sandman to one degree or another. The most famous of these is the 1954 song “Mister Sandman” by The Chordettes. Other songs and poems will have the Sandman as a focus or just briefly mentioned as allusions to sleep and dreams. Of course, there is Metallica’s “Enter Sandman” that isn’t very pleasant as it sings of dreams turning into nightmares.

There are also a few movies that the Sandman has appeared, Disney’s The Santa Clause series where he is a member of the Legendary Council and Dreamwork’s Rise of the Guardians where the Sandman is one such member and Guardian of Dreams.

Der Sandmann Kommt

Many of our stories for the Sandman begin to appear in the 18th century. Though the stories are likely older as a means of trying to explain the sleep or rheum, crust on one’s eyelids in the morning. Stories of the Sandman could have circulated as cautionary tales to try and get children to behave, especially if Hoffman’s Der Sandmann is used as a source.

In Germany, the idioms for “der Sandmann kommt,” meaning “the Sandman comes” have been found in German to French dictionaries dated to 1771. It’s used to describe a person who’s about to fall asleep. A later 1798 German grammar book posits the idiom as a phrase used by adults in a humorous manner towards children who are tired. That’s just German culture and the understanding is that such an idiom is likely to have been around a while in usage before making its way into dictionaries and grammar books.

Greek Origins?

Maybe? That seems to stretch it a bit. Though it brings us back to Hans Christian Anderson’s Ole Lukøje and his brother of the same name. Where one brings sleep and the other brings death.

In Greek mythology, Nyx, the goddess of Night and Erebus, the god of Darkness have two children by the name of Hypnos, the god of Sleep and Thanatos, the god of Death. These two brothers live near each other in the Underworld. Which suddenly makes Anderson’s tale have a lot more sense.

Taking Hypnos’ Roman name or equivalent deity, Somnus, three of his children are Morpheus, the God of Dreams, Phobetor or Frightener who takes various animal forms and Phantasos who is Fantasy or Imagination. It needs to be noted that these three of Morpheus, Phobetor, and Phantasos make their first appearances in Ovid’s Metamorphosis and are likely literary concepts used to try and break down, better explain dreams.

It makes it easy to see the Sandman in European folklore as an amalgam of all these deities or he’s just Hypnos/Somnus in modern-day.

Marduk

Marduk

Etymology: “Bull Calf of the Sun,” “Calf of the Sun” or “Solar Calf”

Also known as: Bel (“Lord,” Akkadian), Bel-Marduk, Murdoch

Other Spellings: 𒀭𒀫𒌓 (Cuniform), dAMAR.UTU, Amar utu k (Sumerian), Μαρδοχαῖος, Mardochaios (Greek), מְרֹדַךְ, Mərōdaḵ (Masoretic Hebrew), Merōḏaḵ (Tiberian), Marōdak (Septuagint), Merodach (Biblical Hebrew), Martuk

Pronunciation: mah’-duk

In Mesopotamian mythology, Marduk is a fertility and storm deity of Babylon. He is known for defeating the dragon goddess Tiamat and becoming the Leader of the Babylonian pantheon.

Marduk came to prominence as the patron deity of the city of Babylon during the rule of Hammruabi, the sixth king of the First Babylonian dynasty of the Amorites in the 18th century B.C.E. when Babylon became the political center of the Euphrates valley. Marduk’s full acceptance as the head of the Babylonian pantheon would be completed by the last half of the second millennium B.C.E.

Attributes

Animal: Dogs, Horse, Mušḫuššu (Snake-Dragon)

Element: Air, Water

Planet: Jupiter

Sphere of Influence: Fertility, Judgement, Storms, Vegetation

Symbols: Hoe, Spade

Weapon: Imhullu

Mesopotamian Depictions

In what surviving art and texts we have, Marduk is shown as being human dressed in royal robes decorated with stars. Marduk is often accompanied by his snake-dragon that he got from the god Tishpak.

When shown riding in his war chariot, Marduk carries his other emblems of a scepter, arrows, bow, spear, net and lightning bolt.

What’s In A Name?

To start, there is some controversy over the translation of Marduk’s name. There is the Sumerian dAMAR.UD that translates as: “calf of the sun/sun-god.” Then comes the suggestion that this spelling should call for the translation of: “calf of the storm,” “the son of the storm, and “maker of storms.” The latter translation is often rejected due to a lack of evidence with Marduk’s role as a storm god. Accepting this interpretation of the name nixes any connection to Marduk as a solar deity.

The Akkadian spelling for Marduk’s name is AMAR.UTU that translates to mean MERI.DUG. The name is translated to mean “Solar Calf.” In the Hebrew Torah, his name is spelled as Merodach and the Greek spelling of his name is given as Mardochaios.

Marduk’s name is thought to derive from the phrase: amar-Utu meaning: “Bull Calf of the Sun God Utu.” This naming convention could easily be an indicator of early genealogy. Or, it’s an indicator of cultural ties to the city of Sippar, whose main deity was Utu, a Sun God. The city of Sippar dates to the third millennium B.C.E.

The Encyclopedia of Religion comments that the name Marduk was likely pronounced as Marutuk.

Temple Sites

Esagila – “Temple whose top is raised” or “Proud/Honored Temple.” While Marduk would come to claim prominence throughout most of Mesopotamia, his primary temple is Esagila, located in Babylon. This is the famous ziggurat that’s described by Herodotus.

Etemenanki – “Temple that is the foundation of Heavens and Earth” A ziggurat with Marduk’s shrine located at the top. This may be the temple that inspired the “Tower of Babel.”

Cult of Marduk – As the patron god of Babylon, this city was the main location for Marduk’s worship. The rise and popularity of this religion venerating Marduk is tied closely with the rise of Babylon as a strong political power and capital of the Mesopotamian empire. To the degree that many other deities were subsumed and seen as aspects and epitaphs of Marduk. Outside of Babylon, Marduk was worshipped in Borsippa, Nippur, and Sippar.

In the Assyrian period of Babylonian history, Aššur becomes the head of the pantheon and Marduk takes on a symbolic role of Babylon’s resistance to Assyrian rule. The cult of Aššur would compete with the cult of Marduk. In the Assyrian version of the Enūma Eliš, it is Aššur who becomes the head of the pantheon, not Marduk.

The Marduk Prophecy also shows the conflicts of this change of power as Marduk’s statue is continually “taken captive” until finally the resulting destruction of Babylon and Esagila with the different shifts of power in the region.

Marduk Statue

This is a very important aspect of the ancient world beliefs and Mesopotamia is no different. Within the temple of Esagila there was a golden statue of Marduk. This statue wasn’t just dedicated to Marduk, the ancient Mesopotamians believed that statue to actually be the god himself. Seen in the Marduk Prophecy, if the statue of the god wasn’t present, then he wasn’t in his temple or there to protect his city-state and all sorts of calamities and problems would happen.

Originating during the rule of the Kassites, a new king wishing to see his rule as legitimate, needed to “take the hands of Marduk,” symbolizing the king’s submission and accepting the will and guidance of the god.

In 485 B.C.E., the Persian king Xerxes attacked the city of Babylon and there is no mention of Marduk’s statue. The same goes when Alexander the Great conquers Babylon in 331 B.C.E., there’s no mention of the statue. This lack of evidence and records leads many scholars to believe and agree that Marduk’s statue disappearance from history means that it has, in all likelihood been destroyed.

Without a statue, the Babylonian religion and worship of Marduk declined.

Akitu Festival

This was the ancient New Year’s festival that the Sumerians and Mesopotamian cultures celebrated. This festival occurred sometime during March and April, marking the planting of barley. This festival was presided over by Nabu and Marduk to such a degree, that a text known as the Akitu Chronicle documents a time when the festival couldn’t be observed as Marduk (his physical statue, thus him) wasn’t present in the city of Babylon. Without the statue to carry through the city out to a small house outside the city walls, the people thought that disaster would soon befall them if the patron god wasn’t there to stop the forces of chaos.

Every year at the Akitu House located outside the city, the Enuma Elish would be recited for the New Year’s festival. There was also involved a ritual slapping of the king. Gotta’ stay humble, I guess.

Parentage and Family

Anu – Grandfather and the original head of the Mesopotamian pantheon before other deities arrive on the scene.

Parents

Ea – The previous head and leader of the gods before stepping down. Known as Enki in Sumerian. Ea was the creator god, associated with the fresh, life-giving waters.

Damkina – A Fertility and Mother goddess originally known as Ninhursag.

Consort

Sarpanitu – Also spelled Zarpanitu. She is a Mother and Fertility Goddess

Nanaya – She is sometimes given as Marduk’s wife in the myths.

Children

Nabu – Son and god of literature, scribes and wisdom. Nabu was originally Marduk’s first minister before being identified as his son.

Birth Of A Legend

For as old and ancient as the Mesopotamian mythologies are, it makes sense that we might not know that much about them. To a point.

Marduk goes from obscurity with almost nobody knowing anything about him in the third millennium B.C.E. to the head of the Mesopotamian pantheon in Babylon in the first millennium B.C.E.

By the time the Enuma Elish is written, Marduk’s original nature has already been altered and obscured. As now, he’s a deity linked to the attributes of judgment, magic, vegetation, and water. He is now identified as the son of Ea and Damkina.

As the politics of Babylon and the whole of the Euphrates Valley ramped up, Marduk’s attributes and aspects begin to alter as he would be placed as the head of the Mesopotamian pantheon, especially for his patron city-state of Babylon.

Once Babylon becomes the capital of Mesopotamia, Marduk who was currently just a patron deity of the city now ascends to become the head of the Mesopotamian pantheon and a supreme deity, ruling or presiding over everything else. Explaining this power shift of head honcho, head god and the transfer of power from Ea to Marduk, the Enûma Elish gets written, showing a peaceful abdication of power as Ea steps down and concedes rulership to his son.

There are a couple little snags later on, such as the revival of the god Enlil’s worship to Marduk, reflecting a real-world, historical rise of the cult of Enlil during Kassite control in Babylon between 1570 B.C.E. to 1157 B.C.E. The worship of Marduk and thus, his triumph over Enlil returns at the end of this era of Kassite control.

The other snag to Marduk’s popularity and his being the supreme deity comes during 1000 B.C.E. when the deity Aššur up north in Assyria gains popularity and worship. Down in the southern parts of the region, Marduk is still the head deity. The history of these events is reflected in the Marduk Prophecy.

Enuma Elish

This ancient epic creation poem was written in the 18th century B.C.E. when the city of Babylon becomes the political capital of Mesopotamia. It’s largely written to show Marduk’s birth, many of his heroic deeds and how Ea (Enki) steps down to allow Marduk, in a relatively peaceful transfer of power to become the king and head of the pantheon.

The Enuma Elish begins at the start of time when the universe is nothing more than chaos with freshwater represented by Apsu and saltwater represented by Tiamat, a dragoness. The male and female principles, not unlike the concept seen in the Japanese Yin & Yang. The joining of these two primordial deities would see the creation of all the other gods, known as the Anunnaki.

While Tiamat loved all her children, Apsu, on the other hand, didn’t care for them, saying they were too noisy, keeping him up all night and unable to get any work done during the day. Apsu’s response to this problem was to kill his children.

A horrified Tiamat told her eldest son, Enki of what Apsu planned. Enki decided that the best plan for dealing with this was to put Apsu into a deep sleep and then kill him. From Apsu’s corpse, Enki then creates his home, the earth and the marshy region of Eridu.

This further horrifies Tiamat who wasn’t expecting for Enki to just up and kill Apsu. As a result, she decided to wage war on her own children. The mighty Tiamat raises up an army of chaos and sets Kingu (Quingu) as the general of this army and her new consort.

This has Enki and the other gods worried about what to do. That is, until Marduk steps forward, saying he will lead everyone in this war. Marduk has one condition, that is that he be named as the new king of the pantheon. Enki agrees and Marduk leads the Anunnaki to battle.

Marduk prepares his weapons consisting of bow and arrows, a mace, lightning as he is a storm god, flames and a net. Gathering up the four winds, Marduk encircles and nets the mighty Tiamat to prevent her from escaping him. New winds are created by Marduk such as whirlwinds and tornadoes. As he is a storm god, Marduk brings down a fierce flood of rain. It’s a battle between a storm god and a primordial goddess of chaos and the sea, it’s epic as Marduk rides in his storm-chariot pulled by four horses who have poison in their mouths. Spellcasting and an herbal antidote as Marduk faces off against one of the mightiest dragons known in mythology.

After Marduk finally slays Tiamat with an arrow to her stomach, he then goes after Tiamat’s son, Kingu who oversaw the army and wears the Tablets of Destiny over his chest. Marduk makes short work of Kingu in single combat, claiming the tablets and establishing himself as the new head of the pantheon.

This is a lot of power that Marduk has now accumulated and he sets about to create the universe. But didn’t that already exist? He’s at least making a new one as Marduk takes the two halves of Tiamat’s corpse to create the heavens and the earth, completing the work started by Enki. From Tiamat’s eyes, the Tigris and Euphrates rivers flow.

With Kingu’s blood, Marduk mixes it with the earth to create the first humans. The creation of humans would allow the gods the leisure time and the time to focus on higher purposes, taking care of human needs as humanity basically did the grunt work. All humans would need to do is respect and give heed to the will of the gods living in Eridu with Marduk ruling overall as a benevolent god.

That doesn’t sound like it will end well and I’m sure there’s another story concerning that.

Side Note: Depending on the version of the creation myth, it is solely Marduk involved in all of it and there’s no mention of Enki.

Further, knowing that this is a revision of the original myths, I’m curious about what the originals may have been.

Eridu – The First City

Yes, there really is a historical site for an ancient city of this name. Eridu is the oldest city built by the Mesopotamians around 5400 B.C.E. Depending on who you ask, it may be the oldest city in the world. In the Babylonian texts, namely Enuma Elish, it is a holy city where all the other gods lived a life of leisure.

This city was originally the city-state for the god Enki who is later known as Ea by the Akkadians. For modern times, it was first excavated by John George Taylor in 1855. Later, archeological discoveries found that the city was ultimately abandoned around 600 B.C.E. due to a change in climate as the water became more salinized from all the constant irrigation.

As seen later, in the Marduk Prophecy, with the Enuma Elish, the story here likely reflects on the transition from Eridu to Babylon as it became the political and religious center of the Euphrates valley and a cultural shift as the newer city becomes more prominent over the older city of Eridu.

Revisionist History – Scholars have noted that the city of Eridu is founded in the 5th millennium B.C.E. and that Marduk ascends to head of the Mesopotamian pantheon in the 2nd millennium B.C.E. That is a lot of time to have passed. It clearly marks that someone decided to rewrite the myths to favor Marduk when his popularity and the importance of Babylon as a political center become prominent.

Fertility God

Marduk is a god of fertility and vegetation and thus, agriculture. The triangular spade or hoe that Marduk is shown with in some art represents his role and power over fertility and vegetation.

The roles and aspects of Marduk being a Spring, Storm and Solar god also blend in with this function. However, making these connections relies on accepting certain etymological interpretations for Marduk’s name.

Patron God

As a patron god, Marduk, not just King of the gods, also presided over the city of Babylon. The importance of a patron deity is shown in the Marduk Prophecy where Babylon has fallen to chaos and disarray when Marduk’s statue and thus the god himself leaves and order is later restored when King Nebuchadnezzar returns Marduk’s statue to the city.

Not the Original Patron – This was a fun little fact to come across. Before Marduk became the patron god of Babylon, that honor belonged to Inanna, goddess of sexuality and warfare. She would still be a prominent and important goddess throughout the Mesopotamian culture.

Protector

Marduk’s role as Patron, also places him prominently as a protector deity. Aside from the Akitu Chronicles and the Marduk Prophecy, there are two other texts: “The Ludlul-Bel-Nimeqi” and “The Wrath of Erra” that highlight just how vital having one’s patron deity present was, not just for the city, but for the individual as well.

The Ludlul-Bel-Nimeqi – Also called the “Let me praise the Lord of Wisdom” or “The Poem of the Righteous Sufferer,” it is often classified as “Wisdom Literature.” This text is a long treatise some four tablets long with 120 lines each. that details the amount of suffering that Tabu-utu-bel, a city official of Nippur goes through because Marduk isn’t close enough to help as he is too far away for any meaningful help. Biblical scholars have compared this text with the Book of Job for the themes of suffering when one’s God seems absent.

The Wrath of Erra – This is another text, in which the war god, Erra (Irra or Nergal) grows bored and decides the only way to cure his boredom is to attack Babylon. The other gods try to persuade Erra that this is a bad idea and don’t do it. Undaunted, Erra heads off to Babylon anyways. Once there, Erra convinces Marduk that his clothes are shabby and perhaps he should go about getting some new threads. Marduk says he’s much too busy to take of this matter and Erra convinces Marduk that he’ll watch over the city. Off Marduk goes and Erra takes advantage of the opportunity to proceed with destroying the city and killing civilians. Depending on the source translated from, either the other gods stop Erra’s path of destruction or he’s halted when Marduk finally returns with his fancy new duds. Regardless, the story ends with giving praise to Erra, the god of war for sparing a part of the city so people could rebuild.

Yay?

The idea of having a protector and patron god of one’s city was very strong among the Babylonians. This was their whole city and personal identity that in 485 B.C.E. the Persian king Xerxes had Marduk’s statue destroyed when he sacked the city. Eventually, with the sands of time, Babylon is deserted and left to ruin and people have forgotten about worshiping Marduk.

King Of The Gods

As head of the Mesopotamian pantheon, Marduk takes on a lot of aspects. In some cases, this is taking over the role of other gods who had previously been the head of the pantheon. Such aspects that Marduk comes to preside over are justice, compassion, mercy, healing, regeneration, magic.

Mušḫuššu

A “snake-dragon, mušḫuššu is Marduk’s sacred animal that he got from the god Tishpak. The mušḫuššu is depicted on the city walls of Babylon.

50 Titles

If you ask me this is a lot of titles and epitaphs to be known by. We get this list from two different sources, “The Seven Tablets of Creation” that Leonard W. King studied in 1902 to reconstruct from fragments a list of names. Then there is the “King’s List” that Franz Bohl studied in 1936. Finally, we get to 1958, when Richard Litke compared and noticed similarities with Marduk’s name between the two lists of An (Anum, a deity list) and Enuma Elish.

These names demonstrate the level of prominence that Marduk held within the Babylonian pantheon. These fifty names of Marduk are found and documented in the Enûma Elish and the Anum.

Why 50? – The number 50 was originally associated with the god Enlil, the former head of the pantheon. So this is just part of showing the transfer of power from Enlil to Marduk.

Asalluhi – As Marduk came to prominence, he took over the role and identity of Asalluhi, the son of Ea and god of incantations and magic. With both Asalluhi and Marduk becoming equated as the same entity, Asalluhi’s name survives as one of Marduk’s many names and epitaphs. Some commentary has noted that equating or syncretizing Marduk and Asalluhi together is a means to create a stronger tie to the god Ea and the city of Eridu as Ea was not part of the original pantheon.

Bel – Meaning “Lord,” this is the name that Marduk would eventually be known by, making him a god of order and destiny.

He is normally referred to as Bel “Lord”, also bel rabim “great lord”, bêl bêlim “lord of lords”, ab-kal ilâni bêl terêti “leader of the gods”, aklu bêl terieti “the wise, lord of oracles”, muballit mîte “reviver of the dead”, etc.

The Marduk Prophecy

This is an interesting text, not so much as it’s telling prophecies, but more about being a history around the movement of Marduk’s cult as they follow Marduk’s statue from Babylon. This text was found at the House of the Exorcist in Assur and dates from 713 to 612 B.C.E. It appears to be similar to another set of texts, the Shulgi prophecy.

It begins with Marduk’s statue getting stolen by Mursilis I of Hatti in 1531 B.C.E. The god Marduk is described as visiting the land of Assyria. Then, when a Tukulti-Ninurta I overthrows Kashtiliash IV in 1225 B.C.E., Marduk’s statue is taken Assur and then Elam as Kudur-nahhunte sacks the city in 1160 B.C.E.

Each time, Marduk is described as willingly heading off to visit these places. Which makes sense when you remember that this far back, a statue of a deity… hence an idol was the actual deity in question, not just a representation.

The way Marduk’s travels are told, they are allegories of the history involved. The first couple of journeys that Marduk takes are fairly favorable. When it comes to the city-state of Elam, that’s a whole other matter as the other gods following after Marduk, likely shows the changing climate of the region as they abandon Babylon due to famine and pestilence.

There’s also a familiar theme as Marduk prophecies that he will return again to Babylon with a new king will rise to power bringing about redemption and salvation to the city, taking it back from the Elamites and restoring the Ekursagila temple. Where the Marduk Prophecy is concerned, King Nabu-kudurri-uṣur (Nebuchadnezzar), who reigned from 1125 to 1103 B.C.E. is accepted as being the king who returns Marduk’s statue to Babylon and is victorious over the Elamites.

The main importance of the Marduk Prophecy text is to highlight the necessity of the patron deity staying in Babylon. Each time that the Marduk statue (Marduk himself) is abducted, chaos falls on the city of Babylon while the places where the statue resides, prosper.

Like some epic game of football where the opposing team comes and steals the home team’s mascot to weaken their morale.

Propaganda?

No! Say it isn’t so!

Remember the previously mentioned King Nebuchadnezzar? It’s been noted that the dates of when the Marduk Prophecy (1 millennium B.C.E.) and even the Enuma Elish both date to around the time of Nebuchadnezzar’s rule and reign between 1125-1103 B.C.E. It makes him look good for restoring order (his defeat of the Elamites and bringing Marduk’s statue back) that he’s the prophesied king come to do Marduk’s will.

Jupiter – Roman

With Marduk’s position and role as the head of the Mesopotamian pantheon, the Romans equated him with Jupiter, the head of their pantheon.

Zeus – Greek

With Marduk’s position and role as the head of the Mesopotamian pantheon, the Greeks equated him with Zeus, the head of their pantheon.

Bel – Babylonian

Yes, Bel is previously mentioned earlier as one of Marduk’s fifty names.

He is mentioned as being a separate deity here as in the 1 millennium B.C.E., by the time we get to this era of history, as a title, Bel is the name that other deities Enlil and Dumuzid, not just Marduk have been known by.

Taken separately, Bel holds all the titles and aspects that Enlil did. To the point that Bel eventually becomes a god of order and destiny. Even Greek historians mentioned Bel in their writings. As a separate deity, Bel was the god of order and destiny. Both Marduk and Bel’s cults were similar, so it’s not hard to see how Bel becomes absorbed and an epitaph for Marduk.

Bel and the Dragon – This is a Jewish story and apocryphal addition to the Book of Daniel in which the Babylonians offer a substantial amount of food and wine every day to an idol of Bel. This vast quantity of food seemingly, miraculously disappears each night. This is enough to convince the Persian king Cyrus the Great that the idol is alive, and he tells Daniel this.

Daniel being a wise man and rather smart knows this isn’t the case. Afterall Daniel says it’s clay on the inside and bronze outside. It likely has never eaten anything. To prove this, Daniel discreetly covers the floor of the temple with ash.

Both Daniel and Cyrus leave for the night. When they return in the morning, Daniel is able to point out the footprints left behind, thus proving that it is the seventy priests of Bel who are eating the food, not the idol.

Biblical Connections

Some scholars point out that the name Bel is derived from the Semitic word “Baal” that has the same meaning of “Lord.” There are several places within the Bible where Bel is mentioned, this more than likely referencing Marduk. The Hebrew version of Marduk’s name, Merodach is found in many places in the Bible as a surname for non-Israeli kings.

Continuing this trend for Biblical Connections, Marduk and a couple other Mesopotamian and Canaanite deities are made mention of in the Torah or Old Testament.

Thanks to Cyrus the Great of Persia, when he captured Babylon, he reversed the policies of the previous ruler by calling for the rebuilding of temples and reinstating religions that had been destroyed or banned before.

Where the Bible (Torah) is concerned, Cyrus allowed the Jews to return to Jerusalem and rebuild their temple to Yahweh. Cyrus records inspiration for this as coming from Marduk. The bible will say that it is Yahweh who inspired Cyrus.

The “Cyrus Cylinder” found in 1879 at Babylon records the following: “Marduk, the great Lord, established as his fate for me a magnanimous heart of one who loves Babylon, and I daily attended to his worship… I returned the images of the gods, who had resided there [in Babylon], to their places; and I let them dwell in eternal abodes. I gathered all their inhabitants and returned to them their dwellings… at the command of Marduk.”

In the Book of Ezra 5:13 this event is recorded: “In the first year of Cyrus king of Babylon, King Cyrus issued a decree to rebuild this house of God.”

The Book of Isaiah is where Yahweh is given credit for inspiring Cyrus.

“I will raise up Cyrus in my righteousness:

I will make all his ways straight.

He will rebuild my city

and set my exiles free” (Isaiah 45:13)

The connections don’t end there, Biblical scholars see a similar theme with Marduk’s slaying Tiamat with the Canaanite story of Baal slaying Tannin and notably Yahweh’s defeating the giant sea monster Leviathan in Psalm 74: 13-14 or a future time in Isaiah 27:1.

The previously mentioned Etemenanki temple is thought to be the inspiration for the Tower of Babel. Babylon’s destruction is prophesied in the book of Jeremiah (50:2).

Who do you accept? It’s a matter of two different religions, cultures and perspectives. Of course, it’s easy, after the fact, to say there was divine intervention and that it is all prophesied.

Sitchin Time

According to Zecharia Sitchin, the claim is made that the great battle between Tiamat and Marduk is symbolic for the creation of our solar system’s asteroid belt. Sitchin writes that this asteroid belt was once a planet that the Sumerians called Tiamat. Due to an impact, the planet was destroyed, creating the “Great Band” or asteroid belt. The planetary impact responsible is that of the planet Nibiru, associated with the god Marduk.

Babylonian Astronomy, Astrology & Zodiac

I will call bunk on Sitchin’s ideas.

When you look at the word Nibiru in the Akkadian language, it refers to a crossing or transition points like with rivers. In Babylonian astronomy, Nibiru came to refer to the Equinox, notably, the Autumn Equinox. In their star lore, the term nibiru can refer to any crossing. Tracking the movement of the stars and planets in the heavens as they appear from Earth. The star or planet associated with Marduk is the one we know modernly as Jupiter.

For the Babylonians, the Autumn Equinox occurred in the month of Tisritum, roughly coinciding with between September and October. If we’re following the Greek Zodiac, then the constellation of Libra is prominent. A further fun fact, depending on the time of the year and the location of the planet Mercury, it could sometimes be called Nibiru.

Some of it is confusing. Mainly it’s understanding how to read and interpret what the Babylonians meant when tracking the night sky.

It should come as no surprise, that as old as the Mesopotamian cultures and religions are, that they would have mapped out the night sky to mark the turning of the seasons, creating a calendar. Many of these early constellations and zodiacs were adopted by the later Greeks who incorporated the constellations into their own mythology.

In Babylonian beliefs, it is Marduk who creates the astrological calendar and mapped out the different signs of the Zodiac. Marduk would be identified with the planet Jupiter, who of course is later equated with the Greek Zeus and renamed for the Roman deity Jupiter as all three are heads of their respective pantheons.

Cetus – Greek Mythology & Constellation

While many are familiar with the constellation’s connection to the Grecian story of Andromeda and Perseus in its role as the giant sea monster sent by Poseidon to destroy the coast of Aethiopia.

The constellation of Cetus has been identified with Tiamat, the dragon goddess of Chaos. Marking Tiamat’s story one of many that the Greeks likely inherited from the Mesopotamians and retold for their legends.

Tannin

Tannin

Etymology – Crocodile (Modern Hebrew), Serpent or Snake, Dragon

There may be a root word that means “howling” or it is in reference to the way smoke spirals or coils upwards. The first part of the word, “tan” likely means or refers to snakes and lizards that are seen as foul or hidden. In Modern Hebrew, tannin can refer to either alligators or crocodiles.

Alternate Spellings: tannina (tannine for plural), Tanin, Tinnin (Arabic), Tunannu (Ugaritic), Ophioneus (Phoenician)

Pronunciation: tan-neen

For those who are Bible Scholars and know their Torah or the Old Testament, they will likely already be familiar with Tannin (or Tanninim for plural) of who and what it is.

Depending on the interpretations and the context that Tannin appears, it will be either a dragon, a serpent or a large sea monster.

Chaoskampf

The struggle against Chaos; this is a familiar motif found throughout the world in many different regions and mythologies of a culture hero or god going up against a creature of chaos. This creature is often shown as and takes the form of a great serpent or dragon. This is the familiar Knight slaying the Dragon seen in many European mythologies. Parallels to this concept are even found in other cultures.

Tannin is no different as it is used as a symbol of chaos and evil in the ancient Canaanite, Mesopotamian and Phoenician mythologies and beliefs that are much older and more ancient than medieval stories of slaying dragons. Much like how Tiamat is equated as a symbol of chaos in Mesopotamian mythology. It is this part of being a sea monster or dragon and symbolic of chaos that has modern scholars identifying Tiamat with Tannin.

Judaic Mythology

Tanninim appears in the Hebraic Books of Genesis, Exodus, Deuteronomy, Psalms, Job, Ezekiel, Isaiah and Jeremiah. Tanninim are among the many creatures created by God or Yahweh on the fifth day during the creation story in Genesis. The description of these creatures varies widely depending on the context of the scripture they’re referenced in.

The translation into the King James Bible will translate most of these instances to mean a whale. Back to the Genesis creation story, tanninim are translated as whales.

Why mention one particular creature, Tannin in all of these other passages and books and then call it a dag gadol in one Jonah? It’s assumed that whales are what’s being mentioned. Yet when we get into Isaiah, tannin is again mentioned as a sea monster that will be slain by God or Yahweh. When we go back into the King James Bible, that translation of tannin becomes dragon.

So, if dag gadol is a whale or rather, a great fish; then what’s tannin? Sticking to just Jewish mythology, tannin is often linked to the sea monsters Leviathan, Lotan and Rehab. In modern Hebrew, tannin means crocodile or alligator.

Alongside the name Rahab, Tannin is the name used to reference ancient Egypt after the exodus to Canaan.

It’s really interesting and fascinating the number of times that the word tannin is used, such as Aaron’s staff turning into a tannin in the Hebrew version of Exodus and the King James translation uses snake. Or wherein other instances, the translation is dragon.

Jackals – Since we’re already about translations. When translating the word Tannin into English, a bit of care needs to be taken.

Tannin is singular and Tanninim is plural for serpents or dragons. If the word is misspelled, then you get Tannim, the plural for Tan or Jackal. Something that can cause confusion among Bible scholars when translating texts and given the confusion with Tannin alone, this just adds fuel to the fire for which context and what creature is being referred to.

Whales – Since Tannin could exist on land and sea, given the variety of translations, such as in the Greek bible, Septuagint a whale is sometimes mentioned as being what’s referred to, notably in the Genesis creation story and the story of Jonah and the Whale.

Kabbalah – A blind, cosmic dragon called Tanin’iver is Lilith’s steed.

It’s not just in the Kabbalah, the name Tannin can also be the name for a demon as they can take the shape of dragons.

Canaanite Mythology

Tannin appears specifically in the Baal Cycle. It is a story similar to the Mesopotamian myth of Marduk (or Enlil) slaying Tiamat and the Grecian Perseus slaying Cetus or Zeus slaying Typhon.

Tannin is a monstrous servant of the sea god Yam who is defeated by Baal or it is bound by his sister Anat. In the myth, Tannin is described as serpentine in appearance and likely has a double tail.

As the story goes, from the Ugarit texts found at Ras Shamra and other places that have been translated, Baal and Yamm weren’t the best of buddies and their conflicts are symbolic of the short Syrian winters with the conflicting weather of rain, hail, and tides. Baal and Yamm were fighting over who would take over as head of the pantheon after El is stepping down. El had told Yamm he would get to take charge and Baal wasn’t happy with the news.

Yamm keeps on sending messengers to Baal about this edict and Baal is having none of it. With the aid of Kothar to create some magical clubs, Baal eventually defeats Yamm.

Baal’s conquering of Tannin and defeating Yam has been seen as being similar to the myths of Zeus defeating the Titans to become King of the Gods or when Zeus usurps Poseidon as King of the Gods from Mycenean Greece to the more well-known Ancient Greece.

Jumping back to the Judaic mythology, scholars have noted that a passage in the book of Isaiah parallels the Baal Cycle. In the Ugaritic passage for the Baal Cycle, Tannin is described as “the encircler.” The other description given is “the mighty one with seven heads.” It gets debated between the Ugaritic and Hebraic texts if this is three separate figures being described or if these are epitaphs of Lotan or Leviathan.

Me, being a lover of mythology, “the encircler” makes me think of Norse mythology and the Midgard serpent Jormungand. And the seven heads, D&D anyone and the evil dragon goddess of chaos, Tiamat?

Mesopotamian Mythology

The Enuma Elish from Babylonian myth is a creation myth showcasing Marduk and his rise to becoming the head god of the Babylonian pantheon of gods. Tiamat is the primordial goddess of chaos often depicted as a dragon. After she declares war on the gods, Ea tasks his son Marduk to go slay Tiamat. The result of which is her death and the creation of heaven and earth from the two halves of her body.

Tiamat – It has been noted the similarities between Tannin in the Baal Cycle with Marduk defeating Tiamat.

It’s not hard to see a similarity and a possible connection between the two. And, for the longest time, Biblical scholars did think that the Old Testament or Torah referenced the Babylonian myths. That would change in 1924 with the discovery of texts found in Ras Shamra or Ugarit as it was anciently known. Once the Ugarit texts were translated, it became apparent that the Old Testament references the ancient Canaanite mythology more.

Dragons & Dinosaurs

Dinosaurs in the Bible! The usage of the word Tannin and how it gets translated to mean dragon, based on the context to which it’s translated into the King James and other versions of the Bible, likely and strongly contributes to this idea.

After all, there are those who, on taking a cursory look at paleontology and history know that anciently, people who came across the fossilized remains of giant creatures from millions of years ago believed that it was possible that these creatures and monsters were still around. There wasn’t the understanding of fossils, how they form and just how ancient these remains are.

The word and term dinosaur are relatively new as it originates in 1841 with British scientist Sir Richard Owen. Before this, the term dragon was applied, especially to the more reptilian looking fossils. The descriptions between both dinosaur and dragon could lead many, who want a literal translation and understanding of the Bible to mean dinosaur.

However, seeing that Tannin has the meaning of crocodile in Hebraic. We’re still describing a real creature. This just may be a more plausible explanation. Especially with any of the prehistoric crocodiles. Even today, the alligators in Florida, U.S.A. can get fairly huge.

Those who aim for a more scholarly approach to the Bible, know that mention of dragons tended to be poetical or symbolic and likely remnants of mythology within this text, the triumph of order over chaos.

There certainly is a level of confusion and some suppositions put forward say it could be Hippopotamuses that are being referenced. Some might try and apply the newer understandings from paleontology and the classification of animals that Tannin is just a generalized use word for any large, unknown animal that could be dangerous and thus scary.

Sea Serpents By Any Other Name….

Cetus – The Grecian sea monster that depending on the translation given, is either a sea monster or a monstrous whale.

Illuyanka – The name of a giant serpent killed by Tarḫunz in Hittite mythology.

Jormungand – This is the infamous sea serpent from Norse mythology that encircles the earth.

Leviathan – The name of a giant, monstrous sea serpent mentioned in the Books of Job, Isaiah, Amos, and Psalms.

Lotan – Originating more in Canaanite mythology, this is a sea creature much older than Leviathan and was just one of Yam’s many sea servants he could call on. Additionally, Lotan is also known by the name Tannanu that is similar to the name Tannin.

Rahab – A sea serpent associated with the Red Sea, Rahab is often equated with Tannin. It also the more poetic name for Egypt in medieval Jewish folklore.

Snegurochka

Snegurochka

Pronounciation: sne-gur-osh-ka

Other names: Snegurka, Snow Maiden, Snowflake, Snow Princess, Niègette, Miss Snow

Etymology: Sneg (Russian) Snow; Snow Maiden, Snowy, Snow Girl, Snowflake, Snow Princess, Niègette, Miss Snow

The character of Snegurochka is a figure found in Russian fairy tales. She is prominently known as being Ded Moroz’s granddaughter and accompanies him at New Year’s to deliver gifts.

Parentage

Father – Ded Moroz (Father Frost), later he becomes her grandfather.

Mother – Mother Spring or Spring of Beauty. Sometimes, in later stories, the Snow Queen is Snegurochka’s mother.

Soviet Era & New Year’s

Christmas Traditions? – Before the Soviet prohibition on celebrating Christmas, figurines depicting Snegurochka would be used to decorate the Christmas tree. Russian nesting dolls would also feature Snegurochka and her appearance can appear on various items as decoration.

In 1935, when the Soviet government decided to introduce Ded Moroz as the wintertime gift giver for New Year’s, Snegurochka also found herself reintroduced at this time as his granddaughter and accompanies him to deliver gifts.

As Ded Moroz’s granddaughter, Snegurochka dresses in a long silver-blue gown with a furry cap to keep warm. Alternately, she may be seen wearing a snow-flake crown. In this respect, Snegurochka is uniquely Russian as not very many other winter celebratory characters will have a female companion.

Once Upon A Time….

Snegurochka is relatively new to the scene as far as any myths are concerned. She makes her first appearance in Russian folklore and fairytales during the 19th century.

A few people will claim that Snegurochka’s roots and origins lay within Slavic pagan beliefs and mythology.

Despite being relatively new, there are several fairytales, stories and even plays showcasing Snegurochka’s origins.

Spring Ritual – There is mention that in some areas of Russia, there is a spring-time ritual that involves drowning a straw figure in a river or to burn it in a fire to symbolize the turning of the seasons from Winter to Spring.

Snegurka

This folktale was collected and published by Alexander Afanayev in his second volume of “The Poetic Outlook on Nature by the Slavs.” In this tome, Afanayev makes mention of a similar German figure by the name of Schneekind, “The Snow Child.” Andrew Lang called this story “Snowflake” and included it in his “The Pink Fairy Book,” published in 1897.

In the story of Snegurka, there is are childless Russian peasants who make a snow doll that comes to life. The magical child grows quickly and one day, some girls invite her to go for a walk with them into the woods. This particular day is St. John’s Day and as per tradition, the girls make a small fire that they take turns jumping over. When Snegurka’s turn comes, she evaporates into a cloud of mist when she gets halfway over the flames.

The Snow Maiden (Spring Fairytale)

This is another version of story, in this one, Snegurochka is the daughter of Ded Moroz and Spring the Beauty. This version was made into a play by Aleksandr Ostrovsky and music by Tchaikovsky in 1973.

In this story, Snegurochka longs for the companionship of humans. There is a shepherd boy by the name of Lel whom she is fond of. Due to her frozen heart, Snegurochka is unable to truly love him. Eventually, Mother Spring took pity on Snegurochka and softened her heart by giving her a spring wreath or garland to wear that she would be able to love. Once Snegurochka really fell in love with Lel, she melted.

Other Variations

I’ve come across a couple of variations that seek to combine the two above stories into one, longer version. One change is that Father Frost is secretly watching the couple as they create their snow daughter and brings her to life to their delight. Later, when the Spring celebrations are coming, Snegurka wants to go and she is warned by Father Frost to be careful of the warm sunlight and fires. In the village at the celebrations, she meets a young man whom she falls in love with and when she runs out to greet him, she melts on stepping into a bright, sunny patch.

Morozko (Grandfather Frost)

Also known as Old Man Winter, this story tells of a young girl who is sent out into the cold one night by her stepmother. Instead of freezing to death, the young girl is given gifts and warm furs and clothing by Morozko after she is courteous and shows him respect.

The young girl in this story isn’t Snegurochka, but worth noting due to similarities and any slim chance of inspiration for other stories involving her.

Other Retellings, Ballets and Movies

There is a story “The Little People of the Snow” written by the American poet William Cullen Bryant in 1864. In this story, the Snow-Maiden befriends a mortal girl by the name of Eva. When Eva comes to Snow-Maiden’s homeland, she is horrified when Eva freezes to death in her sleep.

“The Snow-Maiden: A Legend of the Alps,” was written in 1876 by an unknown author. In this story, a man traveling through the mountains falls in love with the Snow Maiden named Niègette. When he brings her down to the valley, intending to marry her, she melts reaching the warmer areas.

The composer Ludwig Minkus and Balletmaster Marius Petipa created a ballet of Snegurochka titled: “The Daughter of the Snows” for an Imperial Ballet in 1878. Nikolai Rimsky-Korsakov adapted the story of Snegurochka into the opera “The Snow Maiden: A Spring Fairy Tale” in 1880 thereabouts.

In 1886, Emilia, Lady Dilke wrote the story “The Secret” wherein Snow Maiden kills her lover by freezing him with her gaze. Other plays have included “The Christmas Chain” by Lilian Pearson in 1921 and “Queen Christmas: A Pageant Play” by Carolyn Wells in 1922.

An animated movie of Snegurochka was made in 1952 and a later live-action movie in 1969. The author, Ruth Sanderson has a retelling called “The Snow Princess” where instead of dying, she becomes mortal to marry Lel. Even as late as 2012, a ballad fairy tale called “Snegurocka” was written by Svetlana Makarovic.

Hometown Heroine

Kostroma – In the fairytale that first mentions Snegurochka, this is where she originated. It helps that this is the hometown to Alexander Ostrovsky. As a child, his nanny inspired him with various stories and fairy tales. Ostrovsky’s former home has since become a museum. Further, the love that Kostroma has for Snegurochka is seen every year at New Year’s when the whole city decorates and again in March for a two-day celebration attributed to Snegurochka’s birthday.

Veliky Ustug – Later, when she becomes associated with Ded Moroz, Snegurochka moved here as part of the winter, New Year’s traditions. Veliky Ustyug has become a popular tourist destination for many Russians to travel to Veliky and visit. Ded Moroz’s lives in a log cabin out in the taiga forest near where three rivers meet. Snegurochka can also be found helping out her Grandfather and engaging with visitors.

Other Similar Winter Entities

Schneekind

The Snow Child, mentioned briefly earlier, this is a Germanic story about a boy made of snow who eventually melts. There are a number of various versions to this story, one where an unfaithful wife tells her returning husband that the child she has is the result of having swallowed a snowflake. The husband is angry and when the boy is old enough, he takes the boy with him and sells him into slavery. When the husband returns home, he tells the wife that the child melted in the heat. Other variations of this story will have the children be magical in nature to their snowy origins.

The Snow Queen

Written by Hans Christian Anderson, this story has some similarities to Snegurochka and became very popular with Soviet animators in the 1950’s. In Russian, the Snow Queen is called Snezhnaya Koroleva.

Yuki Onna

This is this Japanese snow maiden who, much like Morozko, can be very deadly to anyone unfortunate to be caught out in a blizzard. She appears as a calm, pale woman who will sing to people lost in the cold, lulling to them to sleep before she takes their life with her cold, deadly breath. That sounds a lot like hypothermia. At least with being asleep, their death is painless?

Ded Moroz

Ded Moroz

Pronunciation: Djet m-aw rohz

Other names: Dzyed Maróz (Ukrainian), Did Moróz (Russian), Dédushka Moróz (Serbian), Deda Mraz (Bulgarian), Dyado Mraz (Slovenian), Dedek Mraz (Russian), Morozko (Russian), Grandfather Frost, King Frost, Father Frost, Ice King

Etymology: Grandfather Frost

Ah Santa Claus, Sinterklaas and Father Christmas…. That magical time of the year with Christmas and Yuletide celebrations. When we jump over to the Russian and Slavic celebrations for Winter, there is Ded Moroz or Grandfather Frost who will be bringing gifts.

Just who is Ded Moroz? Let’s see…

To start, Ded Moroz is described as an elderly looking man with a long, flowing white beard who wears a long red, blue or white fur coat and round fur hat and boots. He carries with him a long magical staff and rides along with an evergreen tree in a sled or troika pulled by three white horses.

Much like his American and other European counterparts, Ded Moroz is known for bringing presents to good children. Unlike Santa Claus who brings his gifts on December 25th or Sinterklaas who arrives on December 6th, Ded Moroz brings his gifts on New Year’s Eve.

Other little factoids about Ded Moroz include that his birthday is on November 18th, this coincides with when the first frost arrives on the ground in Veliky Ustyug, Russia. Many sources will also place Ded Moroz’s age at around 2,000 years old.

Slavic Paganism

Ded Moroz appears to have a strong connection to Eastern Slavic Paganism before spreading out into Russian beliefs and culture. Here, Ded Moroz is the Wizard of Winter and a snow demon who personifies Russian winters.

In folklore, Ded Moroz is originally Morozko, a powerful blacksmith and hero known for freezing water to become frost. As a force of nature, Morozko isn’t necessarily evil, he is known to help those who show him proper respect and giving gifts, plus he can be devastating to those who are rude, disrespectful and otherwise mean-spirited.

Slightly different origins place Morozko as a god of frost and ice who’s married to the harsh, unforgiving Winter. As a deity, he could freeze people and the countryside in a moment’s notice. With the Russian Orthodox Church, there was an attempt to label Morozko as a demon. Later fairy tales would soften Morozko’s image to be an elderly old man who could be more benevolent and not quite as harsh.

You Called Him A Demon!

Before we freak out, the Slavic use of referring to entities as demons is very similar to the Greeks usage of the term daimon when referring to a spirit or a minor local deity, or force of nature. As more of the Slavic countries and Russia became Christianized, the term demon would take on more negative associations.

I should throw in at this point, a note that scholars and historians do have some disputes about the exact origins of Ded Moroz. He does appear to be derived from a Slavic deity of Winter and to be the personification of cold and frost.

I’ll touch on it more, further down; there was a period of religious prohibition during the Soviet era and the Russian Orthodox Church doesn’t seem to be settled on the nature and role that Ded Moroz has. He goes from scary demon to a figure that can now allow for some of the religious traditions to come back, even if they’re claimed to be pagan in origin.

However, myths and legends do evolve, grow and change. The very image of Ded Moroz that many people have, especially in Russia does come out of the Soviet era. Why ruin a good thing that people love?

Morozko (Grandfather Frost)

Or Old Man Winter

This is the main story and source for Ded Moroz and is also the origin for his granddaughter, Snegurochka (Snow Maiden). It is a Russian fairy tale first collected by Alexander Afanasyey for his Russian Fairy Tales collection and then is included in “The Yellow Fairy Book” compiled by Andrew Lang in 1894 as “The Story of King Frost.”

The story begins with a stepmother who dislikes her good-natured stepdaughter who is always good and kind and always having to hear about it. Of course, the stepmother loves her own daughter and dotes on her whim and desires.

As is the nature of these type of stories, the stepmother tells the father to send the stepdaughter away, so she didn’t have to see or hear her again. The man begs his wife to reconsider and she is unrelenting about getting rid of the stepdaughter. So, the man, the father takes his daughter out on their sled, out to the woods before giving the girl a kiss and abandoning her there.

Realizing her lot and fate, the sobbing girl sits down next to a tree. She isn’t sitting there long before she hears a crackling noise and looks up to see that King Frost is standing there.

In a stern voice, King Frost snaps out doesn’t the girl know who he is? He is King Frost, king of the red-noses.

The girl says “All hail” to King Frost and then she asks if he is here to take her.

King Frost asks if she is warm enough. The girl answers, saying she is warm enough despite the fact that she is shivering fiercely.

The King repeated his question, stepping closer and the girl insisted that she was still warm.

At this, King Frost takes pity on the poor girl and wraps her in furs to keep warm. He goes further with covering her in blankets and giving her gifts of gems and lastly, a sleigh pulled by six white horses.

In the morning, the stepmother tells the man that he should go out and retrieve his daughter’s body for burial. To the stepmother’s surprise and shock, the man returns with a chest filled with gems and his still-living daughter, more beautiful than before with the splendid furs and her silver and gold dress.

Wanting the same for her own daughter, the stepmother tells the man to take her daughter out to the same spot where the stepdaughter had been left. The man did as he was bid, taking the stepmother’s daughter out and leaving her there.

As soon as the man left, the daughter sulked as she sat down by a tree. Just as before, it wasn’t long until King Frost appeared.

Just as before, King Frost asked the daughter if she was warm. Unlike the stepdaughter who had been respectful with her words, the daughter was rude, calling him a blind fool, of course she was cold, her hands and feet are nearly frozen.

Angered by this girl’s words, King Frost snapped his fingers and froze the girl to death.

Of course, the stepmother expected her own daughter to return just as the stepdaughter had, loaded with wealth and finery. That clearly wasn’t what happened when the man went out to retrieve her and brought back only the daughter’s cold, lifeless body.

It just shows, it pays to always be polite and respectful as you never know who you’re talking to or dealing with.

Moroz – Red Nose

This is a poem connected to Ded Moroz written by Nikolai Nekrasov. The story found within this poem highlights a dark aspect to Ded Moroz’s character as it depicts him killing a peasant woman and orphaning her children.

Other darker aspects to Ded Moroz as a wizard of winter would have him kidnap children and he would only be willing to return them when parents offered him up gifts.

Orthodox Influence

Within the Christian Orthodox Church, the character of Ded Moroz has changed over the years. Most notably during the 19th century with different plays featuring him. The two most notable plays are Aleksandr Ostrovsky’s Snegurochka and a similarly named play by Rimsky-Korsakov.

The Russian Revolution

1917 saw the Bolshevik Revolution. More forward a few years into the 1920’s with the formation of the Soviet Union and Government, we see that many Christmas traditions were discouraged as they were considered to be too religious in nature and materialistic. Especially Saint Nicholas, who had been Russia’s patron saint, his feast day of December 6th were done away with.

It doesn’t help that Ded Moroz was declared to be “an ally of the priest and kulak” as Russia tried to remove many religious elements. Other sources give the history that Ded Moroz was seen as too childish and not acceptable.

This isn’t just Christmas that got banned by the Soviet Government, this is a prohibition on any religious holidays, observances and celebrations.

Soviet Santa – An Alternative

Luckily a complete banning of the holiday spirits wouldn’t last long. I’m sure there are many children psychologists and just even psychologists in general who can extrapolate much better than I can about the importance of play, the use of imagination and human spirit. If you crush it completely, we’re going to have problems.

Seeing a need and importance for some type of holiday seasonal celebration, Ded Moroz would take on his more familiar image thanks in part to a letter written by Pavel Postyshey on December 28th of 1935. Pavel stated that the origins for the Christmas traditions pre-dated actual Christianity and that it would be beneficial to bring back these traditions for the sake of the children.

Now, instead of arriving on Christmas Day, Ded Moroz and Snegurochka would arrive on New Year’s or Novy God, bringing presents to leave under an evergreen tree. This change provided an alternative to the American Santa Claus and one seen as a secular celebration by the Soviet Union.

Letters To Ded Moroz

Much like how Santa Claus will receive letters from children, Ded Moroz will receive his share of letters from numerous children requesting gifts. Millions of letters over the years from all across Russia and around the world have been addressed to Ded Moroz.

Veliky Ustyug

Where Santa makes his home in the North Pole, Ded Moroz does hang his hat and call home?

To answer that, in 1998, it was declared that the town of Veliky Ustyug, in Vologda Oblast is Ded Moroz’s home. Since then, Veliky Ustyug has become a popular tourist destination for many Russians who travel to Veliky and visit. Ded Moroz’s lives in a log cabin out in the taiga forest near where three rivers meet.

Ded Moroz spends his summers reading letters from children all over the country in preparation for the New Year’s Tree on January 1st.

Ded Moroz’s Granddaughter

Snihurónka or the Snow Maiden is Ded Moroz’s granddaughter who often accompanies him. She is shown wearing a long silver-blue dress or robes and a fur-lined cap to keep warm.

Ded Moroz is often shown being accompanied by his granddaughter, Snihurónka. She’s noteworthy as numerous other, familiar Winter figures don’t have a female companion.

Holiday Twins & Counterparts

So, what are the difference between Santa Claus and Ded Moroz?

We know there are differences, after all, Santa Claus arrives Christmas Eve and Ded Moroz arrives on New Year’s; both bringing presents. Santa Claus classically dresses all in red, especially in America and Ded Moroz is known for dressing in not just red, he will also dress in blue or even white, much like how a Russian noble would be expected to dress. They certainly look like cultural syno-entities and cultural twins (given the history, that’s how Ded Moroz got his start.) Santa Claus is known for being short and rotund and Ded Moroz is tall and thin. Russian children will affectionately call Ded Moroz, “Ded Moroz the Red Nose.”

Other notable differences between the two is that Santa Claus will enter a home coming down the chimney and leaving his gifts in a stocking. Whereas, Ded Moroz will enter in through the front door and leave his gifts under the New Year’s Tree.

Cultural Bridges

During the 1990’s, the character of Santa Claus began to make his way into the Russian Federation as more and more influences of Western culture made their way through the previous Soviet Union.

There have been efforts to show cultural goodwill by having Santa Claus (or his various counterparts) and Ded Moroz (sometimes his Belarus counterpart Dzied Maroz) has one-on-one meetings or friendly competitions.

December of 1997 saw the creation of ‘Christmas Without Borders” where Ded Moroz and Santa Claus met a bridge crossing the Narva River between Estonia and Russia. The whole point was to spread goodwill and increase cooperation between the two countries and neighboring border towns. I wasn’t able to determine if this started a new tradition and continued or if it just petered off after a few years.

The early 21st century saw a resurgence for the character of Ded Moroz and his granddaughter, Snegurochka where they arrive on New Year’s bringing gifts, often showing up at children’s parties. Much like Saint Nicholas who battles Krampus in some of the Germanic countries, Ded Moroz and Snegurochka will face off with Baba Yaga who wants to steal the presents.

Of course, there are a few will say that Ded Moroz is really Santa Claus’ grandfather. That works too given how long the two have been around and who’s mythologies are older.

Tracking Ded Moroz On His Nightly Runs

Where Santa has NORAD tracking his nightly flight, Ded Moroz has GLONASS tracking his run on New Year’s. This began in November of 2009 when the Russian Federation offered to compete with NORAD.

Alright! May the best Present-Giver win!

What’s In A Name – Regional Variations

With the dissolution of the Soviet Union, many of the countries that formed after sought to move away a Soviet heritage by reclaiming their own regional heritages and roots. This means that Ded Moroz and Snegurochka will frequently have a different, variant name or change altogether as each country seeks their ancient traditions or move forward to something different.

Armenia – Dzmer Pap, meaning “Grandfather Winter,” his granddaughter is known as Dzyunanushik, meaning “Snow Sweetie” or Snow Anush. They have been part of Armenia traditions for some 160 years since the Russo-Persian War. Both wear red, blue or white winter coats. They make an appearance for both Christmas and New Year’s with bringing gifts. Children are expected to sing songs or recite poems before getting their gifts.

Azerbaijan – Saxta Baba, meaning “Grandfather Frost,” his granddaughter is known as Qar Qizi meaning “Snow Girl.” Saxta Baba brings gifts during New Year’s. Qar Qizi isn’t usually seen.

Bashkir and Tatar – Qis Babay, which means “Winter Old Man.”

Belarus – Dzied Maroz, he replaced Sviatv Mikalai who was more local, but had been disapproved of due to being Christian. Dzied Maroz’ makes his home in the Bialowieza Forest.

Bulgaria – Dyado Koleda or Grandfather Koleda is often equated with Santa Claus and appears alongside Dyado Mraz or Grandfather Frost. Dyado Mraz was popular during the Communist rule but has since fallen by the wayside since 1989 as Dyado Koleda began to gain more popularity.

Kazakhstan and Kyrgyzstan – Ayaz Ata is the name for Ded Moroz.

Nenets – Yamal Iri, which means “Grandfather of Yamal.”

Poland – Poland didn’t have a version of Ded Moroz and during the communist era, there were efforts to try and introduce Dziadek Mróz as historically speaking, Communists didn’t want religion and view Saint Nicholas as being too religious in nature. It’s fairly obviously that Dziadek Mróz was meant to create a culture link and tie to Russia.

Romania – In 1948, a Communist party gained power and Christmas celebrations were done away with. Mos Cracium (Father Christmas) was replaced with Mos Gerila (Old Man Frosty), the Romanian name for Ded Moroz who would now bring gifts on December 31st for the New Years. Anyone paying attention, knows that New Year’s celebrations begin on December 30th, the Day of the Republic, when King Mihai I abdicated the throne in 1947.

Sakha Republic – Chys Khan, meaning “Master of Cold” and Khaarchana (Snow Maiden).

Slovenia – In this country, Ded Moroz’s name translates to Dedek Mraz. He is a slender man who wears a grey leather coat trimmed with fur inside and out and who wears round dormouse fur cap. This image of Dedek Mraz is based on pictures by Maksim Gaspari in 1952. Dedek Mraz’s home is located on Mount Triglay, the highest peak in both Slovenia and Yugoslavia. In the 1990’s when Communism ended, Miklavž (Saint Nicholas) who arrives on December 6th and Božicek (Christmas Man) who arrives on December 24th, Christmas Eve began making an appearance in Slovenia. Some Slovenian families in the 1940’s would have the Christkind (Jezušcek or “Little Jesus”) who brought gifts on Christmas Eve. It varies by family in regard to their political and religious views, current culture will show all three of Grandfather Frost, Saint Nicholas and Santa Claus as friends. The attributes of each will also get mixed with the others.

Tajikistan – Boboi Barfi, meaning “Grandfather Snow” and Snegurochka is known as Barfak, meaning “Snowball.” There was an effort briefly on December 11th of 2013 to do away with the state televised celebrations of Boboi Barfi, Barfak and the New Year’s. That lasted all of about a day and the next day, the televised broadcasting plans were back on.

Ukraine – With the current conflicts with Russia, as early as 2014, there have been efforts to replace Ded Moroz with Sviatyi Mykolai (Saint Nicholas) and well, Sviatyi Mykolai is more popular in Western Ukraine.

Yakut – Chys Khaan, meaning “Master of Cold.”

Yugoslavia – The socialist Yugoslavia that comprises Bosnia and Herzegovina, Croatia, Montenegro, North Macedonia, Serbia, and Slovenia, has a character by the name of Grandfather Frost. In Bosnian, this name is Djed Mraz or Djeda Mraz, in Croatian, this name is Djed Mraz, in Macedonian, the name is Dedo Mraz, the Serbian name is Deda Mraz and the Slovenian name is Dedek Mraz.

For a bit of a history lesson here, in Croatia, Djed Mraz was viewed as a communist figure and the character of Djed Božicnjak or Grandfather Christmas is introduced. It’s taken a while for Djed Božicnjak to replace Djed Mraz and then, not completely. After 1999, both Djed Mraz and Djed Božicnjak have become synonymous. Some families still have Djed Mraz arrive on New Year’s bringing gifts. Thanks to some historical Austrian influence in parts of Croatia, children will get gifts on December 6th brought by Sveti Nikola (Saint Nicholas) who is accompanied by Krampus. More religious families will have the baby Jesus (Isusek, Mali Isus or Kriskindl) who brings gifts on Christmas. Getting into some areas of Dalmatia, it is Sveta Lucija (Saint Lucy) who brings gifts.

Cetus

Cetus Constellation

Etymology – “Big Fish” or Whale

Alternate Spellings: Κηφεύς Kepheús (Greek), Ketos, Cetea (plural)

Pronunciation: SEE-tus

Cetus is the name of the monstrous sea creature whom King Cepheus was to sacrifice his daughter Andromeda. The giant monster has a bit part in the overall story of Perseus and Andromeda, though it is enough to earn it a place up in the heavens to be immortalized as a constellation.

Description

The name cetus can mean any large fish, especially a shark, whale or a sea monster. In Greek art, as well as seen in the Hercules The Legendary Journeys series, the cetea were shown as large sea serpents. And yes, both Hercules and Perseus slay giant sea monsters in their adventures.

Visualizing Cetus as a huge, monstrous sea serpent makes it easier to see how it could destroy the coast of Aethieopia or rise up out of the sea to try and devour Andromeda.

Side Note – The art historian John Boardman has the idea that the images of the cetus along the silk road influenced the image of the Chinese dragons and the Indian makara.

Story Of Perseus

In the Greek story of Perseus, Cepheus was the king of Acrisios or Aethiopia, the husband of Queen Cassiopeia and the father to Andromeda. For the Greeks, Cepheus is known as the father of the Royal Family.

The story begins when Cassiopea started bragging about how Andromeda was more beautiful than the Nereids. This kind of attitude of extreme arrogance and pride, especially when a person claims to be better than the gods, creates what’s known as hubris.

Offended by Cassiopeia’s remarks, the Nereids approached Poseidon and complained, asking him to punish this mortal woman. Poseidon agreed and he sent a flood as well as the sea monster Cetus (or Kraken) to destroy the coastline of Aethiopia.

After consulting with the oracle of Ammon (identified by the Greeks with Zeus,) located at an oasis near Siwa in the Libyan desert, Cepheus was told that he would be able to end the destruction of his country by giving up his daughter Andromeda in sacrifice to Cetus. At the urging of his people, Cepheus had Andromeda chained to a rock by the sea to await her fate.

Luck was with Andromeda, for the hero Perseus was flying by on the Pegasus and on seeing her, he flew down to ask her why she was bound to the rocks. Andromeda told her story to the hero Perseus.

After hearing the story, Perseus went to Cepheus, saying he could save Andromeda from the sea monster and that in return, he wanted her hand in marriage. Cepheus told Perseus that he could have what he wanted.

At that, Perseus then, depending on the accounts given, pulled his sword and found a weak spot in the scales of the sea monster Cetus or he used the severed head of Medusa to turn the monster to stone.

In either event, the monster is slain, Perseus saved Andromeda and a grateful Cepheus and Cassiopeia welcomed them to a feast where the two were married.

The story doesn’t completely end there as it seems Andromeda had also been promised to her uncle Phineus to marry. This wouldn’t have been disputed or contested if Phineus had been the one to save Andromeda and slay Cetus himself. So Phineus picked a fight with Perseus about his right to marry Andromeda at the wedding.

After slaying a Gorgon and a Sea Monster, a mere mortal man is no challenge for Perseus who once again pulls out Medusa’s head and turns Phineus to stone. Given variations of the story, sometimes this is when Cepheus and Cassiopeia are also turned to stone when they accidentally look at the gorgon’s severed head. With Phineus now dead, Andromeda accompanies Perseus back to his home Tiryns in Argos where they eventually founded the Perseid dynasty.

Some accounts give that Perseus and Andromeda had seven sons and two daughters. Others place this count a little differently saying its seven children all together, six sons and one daughter. Most accounts agree that the eldest son, Perses founds his own kingdom and becomes the ancestor to the kings of Persia. A variation to this account is that Perses was adopted by his grandfather Cepheus and named an heir to the throne.

Eventually, years later, as the major figures of the storied died and passed away, the goddess Athena placed Cepheus and the others up into the heavens as constellations to immortalize and commemorate this story.

In another account, because Cepheus was descended from one of Zeus’ lovers, the nymph Io, that earned him a place in the night sky.

Further, it is the god Poseidon who places both Cepheus and Cassiopeia up into heavens to become a constellation.

Hyginus’ Account – By his account, Cepheus’ brother is Agenor who confronts Perseus as he was the one to whom Andromeda had been promised in marriage. This is who Perseus ends up killing instead of Phineus.

Aethiopia or Ethiopia?

The accounts can vary and much of this owes to some lack of clarity among the ancient Greek Scholars and Historians. Homer is the first to have used the term Aethiopia in his Iliad and Odyssey. The Greek historian Herodotus uses the name Aethiopia to describe all of the inhabited lands south of Egypt. The name also features in Greek mythology, where it is sometimes associated with a kingdom said to be seated at Joppa, (what would be modern-day Tel-Aviv) or it is placed elsewhere in Asia Minor such as Lybia, Lydia, the Zagros Mountains, and even India.

Modern-day Ethiopia is located on the horn of Africa and has some tentative ties to the legend of Andromeda. The Egyptian priest Manetho, who lived around 300 BCE called Egypt’s Kushite dynasty the “Aethiopian dynasty.” And with the translation of the Hebrew Bible or Torah into Greek around 200 BCE, the Hebrew usage of “Kush” and Kushite” became the Greek “Aethiopia” and “Aethiopians.” This again changes later to the modern English use of “Ethiopia” and “Ethiopians” with the arrival of the King James Bible.

Given the way that Countries, Empires, Kingdoms, and Nations rise and fall, expand and shrink, it’s very well possible that both Aethiopia and Ethiopia are one and the same and that modern-day Tel-Aviv once known as Joppa (Jaffa) may have once been part of Ethiopia. Some sources cite Joppa as having been a city of Phoenicia. There is a lot of history that has been lost to the sands of time that can only be guessed at and speculated upon.

Hercules Vs Cetus

This is a very similar story that follows much the same theme that the story of Perseus and Andromeda follows.

Now, Hesione is a Trojan princess and the daughter of King Laomedon. Being Trojan, Hesione in some versions and not Helena gets the blame as the trigger for the famous Trojan War.

Enough of that, the gods Apollo and Poseidon became angry with King Laomedon when he refused to pay his tribute to the gods for the construction of Troy’s walls. Fair enough, if you don’t pay, we’ll send a plague and a giant sea monster after you to collect.

After consulting the Oracles for what he could do to set things right, Laomedon was told he would need to sacrifice his daughter Hesione to the monster Cetus. Some versions say a series of pulling lots saw Hesione get this fate. Like Andromeda, Hesione too is chained to the rocks near the ocean for Cetus to come and get.

The hero Hercules along with Oicles and Telamon were returning from their campaign against the Amazons when they come across Hesione chained up and exposed. Hercules finds out what’s going on and goes to her father, Laomedon saying that he can save her for a price.

What price? The horses Laomedon received from Zeus as compensation when Ganymede was abducted. Though it’s Tros who is often given as the father of Ganymede and Laomedon is a nephew of said Ganymede. This story follows the lineage with Laomedon as Ganymede’s father rather than a nephew.

Back on track, Laomede agrees to Hercules’ price of giving the horse and the hero sets off to kill the sea monster Cetus.

When it came time for Hercules to collect his reward, Laomedon refused to pay. Why am I not surprised by that? Some people just don’t learn.

Hercules and his companions are angry enough that they come back to attack Troy, killing Laomedon and all his sons except for Podarces. Telamon takes Hesione for his wife and Podarces, becoming king of Troy, changes his name to Priam.

The whole famous Trojan War fits in as Priam wanted Hesione returned to Troy. When Antenor and Anchises, both sent by Priam, couldn’t get Hesione, they return. Paris is then sent to Greece to bring Hesione back and while on the way, brings back Helen, Queen of Sparta and wife to Menelaus.

Other Grecian Legends

Gates of the Underworld – With Cetus’ location under the ecliptic, it’s stars, along with those of Pisces are connected to the capture of Cerberus in The Twelve Labors of Hercules. Having written a post for Pisces, this is the first I’ve come across this story being connected to either constellation. It seems to me, part of a series of connection several constellations to the story of Hercules and his labors.

Western Astronomy

The constellation known as Cetus is one of 48 constellations listed by the 2nd-century astronomer Ptolemy in his book, Almagest. Today it remains as one of the 88 current or modern constellations. The Cetus constellation is found in region of the sky called “The Sea” with other water-based constellations of: Aquarius, Capricornus, Eridanus, Piscis Austrinus, and Pisces.

17th-century astronomer, Johannes Bayers thought Cetus resembled a dragonfish. In his star map or Uranographia, Johann Elert Bode gives an alternative name of Monstrum Marinum for Cetus. Other astronomers, Willem Jansson Blaeu and Cellarius saw a Whale in the Cetus constellation. It’s not unusual either for Cetus to be shown as a giant, monstrous fish with varying animal heads on it.

The Cetus constellation is found in the southern hemisphere where it can most likely be seen during autumn evenings, especially in November, along with several other constellations named after characters in the myth of Perseus. Because of its southern location, Cetus is visible between the 70° and -90° latitude lines and for observers farther south it lies below the horizon. It is 4th largest constellation found in the night sky. Bordering constellations to Cetus are: Aquarius, Aries, Eridanus, Fornax, Pisces, Sculptor and Taurus.

Arabic Astronomy

Arab astronomers were aware of Ptolemy’s constellations, in their star lore, one of the hands from the Pleiades (Al-Thurayya) is said to extend into part of the Cetus constellation. Additionally, two pearl necklaces were seen as making up the stars of Cetus. One necklace is intact and whole while the other is depicted as broken and the pearls scattered.

Brazilian Astronomy

The Tukano and Kobeua people see a jaguar in the Cetus constellation. This jaguar is the god of hurricanes and violent storms. The stars Lambda, Mu, Xi, Nu, Gamma and Alpha Ceti make up the head. The stars Omicron, Zeta and Chi Ceti make up the body with the stars Eta Eri, Tau Ceti and Upsilon Ceti making up the legs and feet. Lastly, the stars Theta, Eta, and Beta Ceti mark the tail of the jaguar.

Chinese Astronomy

The stars of Cetus are located in two areas of the Chinses Night Sky, the Black Tortoise of the North or Bei Fang Xuán Wu and the White Tiger of the West or Xi Fang Bái Hu.

The area of the night sky that Cetus occupies is associated with Autumn, agriculture and the harvest season, especially with the need for storing grains and cereals.

Bakui – This is an old asterism comprised of the stars 2, 6 and 7 Ceti that represents a bird catching net. In older maps, this asterism will be placed further south in the constellations of Sculptor and Phoenix. It’s thought that perhaps Chinese astronomers have moved this asterism further north with the slow precession of stars in the night sky.

Chuhao – Or called Chugao, it is located south of Tianjun. This asterism is made up of six stars, two of which are Epsilon and Rho Ceti that border with Eridanus. This asterism represents either a measure of animal feed or medicinal herbs.

Tiancang – Is a square granary, made up of six stars from main body of Cetus, including Iota, Eta, Theta, Zeta, Tau and Upsilon Ceti form this asterism.

Tianhun – This asterism is a loop of seven stars near Eta Ceti and represents either a manure pit or pig sty.

Tianjun – Is a circular granary, made up of thirteen stars from the head and neck of Cetus, including Alpha, Gamma, Delta and Xi Ceti form this asterism.

Tianlin – Is a third granary that borders between the Cetus and Taurus constellations. It is comprised of four stars Omicron, Xi, 4 and 5 Tauri. This storehouse or granary is used to store millet or rice.

Tusikong – One star, Beta Ceti marks this asterism that represents the Minister of Works and Land Usage Overseer.

Hawaiian Astronomy

It’s thought that this constellation was called Na Kuhi and the star, Omicron Ceti might have been called Kane.

Mesopotamian Astronomy

As I study the old Grecian myths and the history behind them, the stronger a connection and correlation between the Greek and Mesopotamian myths appears. The story of Andromeda and Perseus is just one set of myths the Greeks inherited from the Mesopotamian cultures.

The constellation of Cetus has been identified with Tiamat, the dragon goddess of Chaos. She bore many demons for her husband, Apsu, but eventually she decided to destroy them in a war that ended when Marduk killed her. He used her body to create the constellations as markers of time for humans.

Biblical Connection – Lost In Translation!

The Greeks weren’t the only ancient people that the Mesopotamians influenced. We see another interesting connection come in the Torah or Hebrew Bible and with the Canaanites.

Jonah and the Whale – This is the story that many people are most likely familiar with for any connection of Cetus with the Bible. If you don’t really dig any further, that can be good enough for people when linking this constellation to the Bible.

If we go a little further, yes, the Hebrew text in Jonah calls the whale a dag gadol, meaning “great fish.” And yes, when the Old Testament was translated to the Greek Bible or Septuagint, the translation is “mega ketos.” Then translated again, in the Latin Vulgate, it translates to Cetus and then later to “piscis grandis.”

Torah – What gets interesting, is another creature, Tanninim (or Tannin for singular) that gets mentioned in the Hebraic Books of Genesis, Exodus, Deuteronomy, Psalms, Job, Ezekiel, Isaiah, and Jeremiah. Now, the translation into the King James Bible will translate many of these instances to mean a serpent or whale.

Why mention one particular creature, Tannin in all of these other passages and books and call it a dag gadol in Jonah? It’s assumed that whales are what’s being mentioned. Yet when we get into Isaiah, tannin is again mentioned as a sea monster that will be slain by God or Yahweh. When we go into the King James Bible, that translation of tannin becomes dragon.

If dag gadol is a whale or rather, a great fish; then what’s tannin? Sticking to just Jewish mythology, tannin is often linked to the sea monsters Leviathan, Lotan and Rehab. In modern Hebrew, tannin means crocodile.

Canaanite MythologyTannin also appears in Canaanite myths, specifically the Baal Cycle. It is a story very similar to the Mesopotamian myth of Marduk (or Enlil) slaying Tiamat and the Grecian Perseus slaying Cetus.

Tannin is a monstrous servant of the sea god Yam who is defeated by Baal or is bound by his sister Anat. This serpentine sea monster is used in Canaanite, Hebrew and Phoenician mythologies as being symbolic of chaos and evil. Much like how Tiamat is equated as a symbol of chaos. It is this part of being a sea monster or dragon and chaos that has modern scholars identifying Tiamat with Tannin.

Nautical Lore & Superstitions

A ship or a ship’s maidenhead will be called Cetus to indicate a ship undaunted by the sea or a fearsome and ruthless pirate ship.

By sailors, the name Cetus is an omen and harbinger of a bad storm or misfortune. The name could also mean lost cargo, the presence of pirates or getting steered/pulled off course. The superstition was so great, that sailors would avoid mentioning the name Cetus.

Here Be Dragons! – Continuing the bit of nautical connection, some retellings of Perseus and Andromeda will refer to Cetus as being a sea serpent or outright calling it a dragon.

Release The Kraken!

Thanks to the 1981 stop-motion movie Clash of the Titans and it’s later 2010 remake, the part that Cetus played is replaced with an even scarier and more compelling monster, the now famous Kraken that rises up to destroy a coastline and kill Andromeda.

Think about it, “Release the Cetus!” just doesn’t have as dramatic of flair as “Release the Kraken!” does. Even the old stop-motion Kraken is more ominous to see on the screen then a giant whale or monstrous sea serpent rising up out of the ocean. It’s more exciting for a modern audience whether seen in theaters or on the small screen to watch.

This also simply shows how Hollywood will often change the source material for what they think is more exciting and action-oriented. Then, when enough people are familiar with this version as the story of Perseus and Andromeda, it shows how these stories and mythologies are still active and evolve with the different cultures that retell them.

It’s been pointed out that the Kraken isn’t even Greek in origin, it’s from Norse & Icelandic lore and mythologies.

Even in Renaissance paintings depicting Perseus, this is where we see the hero going from wearing Hermes’ flying sandals to riding the winged horse Pegasus.

Perseus Family

The constellation of Cetus, along with eight other constellations of: Andromeda, Auriga, Cassiopeia, Cepheus, Lacerta, Pegasus, Perseus and Triangulum.

All these constellations have some connection to the overall legend and myth of the Grecian hero Perseus.

Stars Of Cetus

Alpha Ceti – Also known as Menkar that means “nose.” It is a giant red star. It forms a double star with 93 Ceti. Alpha Ceti gets to have a bit of a claim to fame with it’s use in Science Fiction, particularly the original Star Trek series. It is Alpha Ceti V where Khan and his crew are exiled. Then in Star Trek: Enterprise, Alpha Ceti V is the planet that humans find refuge at after the Xindi destroy Earth.

Beta Ceti – Also known as Deneb Kaitos and Diphda is the brightest star found within Cetus. It is an orange star. The name Deneb Kaitos comes from the Arabic phrase Al Dhanab al Ḳaiṭos al Janūbīyy meaning: “the whale’s tail.” The name Diphda comes from the Arabic: “aḍ-ḍafdaʿ aṯ-ṯānī” meaning: “the second frog.” It should be noted that the star Fomalhaut found within Piscis Austrinus is the first frog.

Gamma Ceti – This a double star, the main star is yellow while the secondary star is blue.

Omicron Ceti – Also known as Mira, meaning “The Wonderful,” is the first variable star to have been discovered. Because this star seems to appear and disappear to the unaided eye, it was given the common name of “The Amazing One.” It was discovered by David Fabricius in 1596.

Tau Ceti – Is only notable for being a star similar to the Earth’s own sun. There aren’t any known planets for this star.

AA Ceti – Is a triple star system. The third star is only known by the shadow it casts when passing in front of the primary star.

Pac-Man Nebula

NGC 246 also known as the Cetus Ring, is a planetary nebula found within the Cetus constellation. It’s roughly 1600 light-years away from Earth. It earns the nickname of Pac-Man Nebula due to how its central stars and surrounding star field appear.

Cetids

There are a series of three meteor shows associated as originating out of Cetus, they are the October Cetids, the Eta Cetids and finally, the Omicron Cetids.

Baba Yaga

Baba Yaga

Alternate Spelling: Баба Яга (Russian)

Other names: Baba Cloanta (“Old Hag with Broken Teeth,” Romanian), Baba Jaga (Czech, Slovak, Polish), Baba Jaha, Baba-Jahinia, Baba Roga, Baba Ruta, Baba Yaha, Baba Yaga Kostianaya Noga (“bone legs”), Babcia (“grandmother” Polish), Babushka (Russian), Baka (Croatian), Boba (Lithuanian), Jezi-Baba, Yaga-Baba, Bobbe Yakhne (Yiddish), Ježibaba (Czech & Slovak), Vasorrú (“iron-nosed”)

Etymology: Baba means an elderly woman or grandmother, Yaga is uncertain, but may likely come the words: “jeza” meaning: horror, shudder or chill, “jezinka” for an evil wood nymph or dryad, “jeze” meaning: witch, “jedza” another word meaning: witch, fury or evil woman and lastly, “jeza” meaning: anger or disease and illness.

At its heart, the stories of Baba Yaga are used in Russian and Slavic folklore as a legendary bogeyman type monster to scare little children into behaving. Depending on your source, there is either just the one, terrifying Baba Yaga or there are several.

What’s In A Name?

In the Slavic languages, Baba Yaga’s name is understood to be composed of two parts. The first part of her name, Baba is generally understood to mean an elderly woman or grandmother. The second part of her name, Yaga is thought to be from a Proto-Slavic word “eg” and likely related to a Lithuanian word of “ingis” meaning: lazybones or sluggard. Other suggested words are the Old Norse word of “ekki” meaning pain and the Old English word of “inca” for doubt, scruple, grievance, and quarrel. Yaga might also derive from the feminine name of “Jadwiga.”

A Sergei V. Rjabchikov suggests that Yaga derives from the word Aga meaning: “Fiery” or “cauldron” saying that it refers to a solar deity of the Scythians and Sarmatians. Mainly as the suggestion connects Aga as a cognate to the Sanskrit word “agni” meaning: “fire” which is also the name of a fire god. Other cognate words that get linked are the Russian word “ogon” for fire and the Ossetic word “ag” for cauldron. Another scholar, Alexander Afanasyey proposes the ides of a proto-Slavic word “ož” and the Sanskrit word ahi for serpent may be a source for where the word Yaga comes from.

The earliest references to Baba Yaga, or “Yaga-Baba” is found in the “Of the Russe Common Wealth” by Giles Fletcher, the Elder. As “Yaga-Baba” she is found in the section for Permyaks, Samoyeds and Lopars where a Finno-Ugric influence is suggested.

Depending on the region and local dialect, Baba Yaga is known by slightly different names. In the Czech, Slovak and Polish regions, she’s called Baba Jaga, though Jezibaba is also used. In the Slovene language, the name is reversed to Jaga Baba. Where the term Jaga is concerned, there are numerous variations from different Slavic languages that connect it to the word jeza meaning: “horror,” “shudder,” and “chill.” There is the Slovian word jeza for “anger” and then the Old Czech word of jeze for “witch” or any legendary evil female being. The modern Czech word of jezinka refers to any evil nymph or dryad.

In Belarussia, Bulgarian, Russia and Ukraine, the names Baba Yaga and Baba Jaga are both used. Belarusia and Ukraine both have variant spellings of Baba Yaha and Baba Jaha. In the South Slavic languages of Bosnia Croatia, Macedonia and Serbia, she is known as Baba Roga. Finally, the Romanians, even though they’re not Slavic, know of her as Baba Cloanta, which roughly translates to “the Old Hag with Broken Teeth.”

Suffice to say, Baba is well known, revered, respected and feared. So much so, that some will say that Baba is the Devil’s own Grandmother. In Russian, Baba can sometimes get used as pejorative for women and men who are seen as unmanly, too timid and lack character. In the Polish language, the term Baba is also a pejorative as it can refer to a particularly nasty or ugly woman.

Description

The descriptions of Baba Yaga vary from region to region. Most are very similar in that she is a small, ugly old woman who’s very fierce or an ogress. Consistent details include mentioning her long nose and long teeth, long bony legs. Whichever details let a person know how hideous to look upon that Baba Yaga is and there’s no mistaking her for anyone else. She is a cannibalistic witch who lives in a hut in the forest. Where most witches of folklore are said to ride brooms, Baba Yaga is known for flying around in a mortar & pestle, using a broom made of silver birch to sweep away any traces of her passage. Much like the Wild Hunt, a host of spirits followed after Baba, these are most likely the spirits of her victims.

Aging: Baba Yaga is said to age one year for every question that she is asked, which, given that, could explain why she is often reluctant to help any who cross paths with her. With a tea made from a special blend of blue roses, Baba Yaga is able to undo the effects of this aging.

Chicken Hut: Baba’s Chicken Hut is notable as it walks and moves around chicken legs. The hut will move when Baba recites a specific rhyme. The keyhole to the door is a mouth full of sharp teeth. Sometimes this door will open with the following phrase: “Turn your back to the forest, your front to me.” When the house has roosted for the day, a fence with the skulls of Baba’s victims surrounds the hut.

Mortar & Pestle: Where most witches use a broom to fly around on, Baba rides around in a giant mortar & pestle, the same mortar & pestle that she can use to grind the bones of her victims then and there.

Servants: Baba will often be served by invisible servants inside her hut. If any ask about the servants, Baba is known to kill them.

Three Riders: Usually found in the Russian folklore, Baba can be associated with three riders, each of whom rides a different colored horse. White is the Day; Red is the Sun and Black is the Night. If any ask about who the riders are, Baba will explain who they are.

Hungarian Folklore

In the folklore and tales from Hungary, Baba Yaga began as a fairy, a good fairy. With the procession of time, she becomes a witch, one who drives a hard bargain and threatens to eat those who fail to uphold their ends of agreements.

Polish Folklore

Many Polish stories featuring witches often name them Baba Jaga. Much like the Brothers Grimm story of Hansel and Gretal, these Baba Jaga sometimes live in Gingerbread huts. When Baba Jaga’s hut isn’t described as being made of Gingerbread, it will be described as having only one chicken leg it moves around on.

Baba Jaga also flies around on a mop instead of a broom or in a flying mortar and pestle. She is further described wearing a black and red striped cloth that hails from Swietokrzyskie Mountains. For those wanting a bit of further trivia, this cloth is a symbol of the Kielce region and has a connection with a legendary witches sabbath on the Lysa Gora mountain.

Russian Folklore

This is the folklore that I at least was familiar with and knew Baba Yaga to hail from. It is these tales that the fearsome Baba Yaga flies through the air in flying mortar and pestle. The stories where the protagonists will discover Baba’s House that walks or dances on giant chicken legs. A house surrounded by a fence made of human bones with skulls on the posts. The keyhole of the front door is a mouth full of teeth.

Slavic Folklore

In Slavic folklore, Baba Yaga is often the antagonist of many tales. Often, she is sought by other characters who come seeking her for wisdom. Rarer is when Baba will offer guidance to wayward travelers and souls.

Dark Nature Spirit

There have been numerous, various folklore and tales about Baba Yaga over the years. Her tales often show her as a dangerous antagonist while other times she is just a tad more benevolent where she will help out others on their quests while devouring others instead. Given the location of where Baba Yaga is likely encountered most, it is out in the dark forests where she would easily represent the more wild, unknown and unpredictable force of nature.

In some stories, like Vasilissa the Beautiful, the heroine likely crosses over into the Otherworld when she is tasked by her stepsisters to go and get more light from Baba Yaga. Later traditions say that when meeting with Baba Yaga, one needs to prepare themselves spiritually and have a proper purity of spirit in order to survive an encounter with her.

Faerie – The Hungarian connection of Baba Yaga as a fairy really seems to fit given that the fae operates by rules. Baba Yaga strikes a bargain with Vasilissa the Beautiful who comes to get some fire from her in exchange for some labor. The old crone can’t hurt or eat Vasilissa so long as she full-fills her tasks and gets everything done. In the end, because Vasilissa has the aid and blessing of her mother, Baba Yaga sends the girl away. Just as many fae are known to have a trickster side to them, Baba Yaga displays hers, however dark with the skull she gives Vasilissa that burns up her stepfamily in flames. One can also argue that’s Baba Yaga acting as a bit of a dark fairy godmother to Vasilissa to aid her like that. But a bargain’s a bargain and many fairy gifts do often come with a price that’s up to the recipient to decide if that was a curse or blessing.

Good Witch Or Bad Witch? – Whether Baba Yaga will be helpful or try to eat someone really depends on the story told of her and what era of folklore for ancient or more modern. The ancient stories really home in on her dangerous nature and that she does eat people. More modern stories that feature Baba Yaga will still show her dangerous side, but as someone who’s mellowed with time, she seems to take on a more helpful nature.

More Than One? – As a supernatural being, some stories will mention a trio of sisters or witches who are all Baba Yaga, much like the idea of three fates? The good news is, that when Baba is encountered as three individuals, they’re much more likely to be benign and helpful.

Family – Some folktales will mention Baba Yaga having a daughter, sometimes she is given the name, Marinka.

Similar Folkloric Figures

There’s a number of other figures from myth and folklore of Europe that may have some cultural influence from the Eastern Slavic people’s beliefs or just the fact that similar ideas and concepts will pop up no matter what.

Baba Korizma – Serbian

Baba Pehtra – Slovenian

Baba Roga – From Croatia and Bosnia, she is used to scare children into behaving. The name Roga suggests that she has horns.

Babice – Serbian

Chlungeri – Switzerland

Gorska Maika – The Forest Mother of Bulgaria.

Gvozdenzuba – Meaning “Iron Tooth,” Serbian

Holda – Or Holle from Germany

Jezibaba –Western Slavic, she is very similar in function to Baba Yaga, though her appearance and specific stories differ from the Eastern Slavic stories.

Mama Padurii – Forest Mother, Romanian

Perchta – Alpine region

Sumska Majka – The Forest Mother, Serbian

Ancient Slavic Earth Goddess

 That’s very likely possibility given the strong connections of her as a fairy in Hungarian folklore and her connection as a dark, wild and unpredictable force of nature. She could be connected to an ancient matriarchal religion. Some sources have said that the Baba part of her name connects her as being female and that there could very well be a male counterpart to her.

There are also scholars who suggest that Baba Yaga is influenced by the Eastern Slavic people’s contact with the Finno-Ugric and Siberian people. The Finnish stories have an ogress by the name of Syöjätär who is the source of diseases and in stories, she often takes the role of a wicked mother. Contrasting with Syöjätär is Akka, a female fertility spirit or deity found in Estonian, Finnish and Sami mythology and shamanism.

The first distinct references to Baba Yaga or Iaga Baba appear in 1755 with Mikhail V. Lomonosov’s Rossiiskaia Grammatika (Russian Grammar). In this book, Baba Yaga is mentioned a couple times alongside other Slavic figures and traditions. The second mention has her in a list of Slavic deities and their assigned, roman syno-deities.

Feminist Icon

It’s no wonder, after looking into the folklore and mythology behind Baba Yaga, that in many Wiccan and Modern Pagan practices and even those who aren’t would seek to reclaim and take Baba Yaga back as a feminist icon. When incoming Christianity couldn’t tame Baba Yaga, they vilified her.

After all, centuries of persecution by Christian beliefs and she has endured in the imaginations and of those who examine her stories; see the quintessential, untamed wild old woman who does as she pleases with no one to tell her otherwise. Baba Yaga is a fierce, dark force of magic, who when approached with caution, can help or destroy.

Triple Goddess

In New Age and Wiccan practices, Baba Yaga fits very easily with the role of the Crone.

Baba Yaga In Folklore

There are a lot of stories in Slavic and Russian folklore that feature Baba Yaga, so much so, she is considered a stock character by authors of modern Russian fairy tales. There are whole articles and commentary that go into exploring Baba Yaga’s role and place in folklore as sometimes, she’s not always an antagonist or even protagonist, she’s a feature or obstacle that the heroes must overcome and get past on their journey. Is she a threat? Does she really prove helpful as a dark and dangerous fairy godmother or guide?

She does seem to come off as a trickster figure, one who can often be bested and outwitted by use of trickery and using her own sense of propriety and rules for manners and etiquette to escape her.

With her continued use in more modern, contemporary literature and media, Baba Yaga’s nature at times, depending on the needs of the narrative and author, her demeanor can soften, though she’ll remind people she can still be very dangerous.

Vasilissa The Beautiful

This is perhaps the most well-known story with Baba Yaga that was recorded by Alexander Afanasyeye in 1862. It begins as any story does, with a merchant who had married for twelve years before he and his wife were able to conceive and have a baby, a little girl whom he called Vasilissa the Beautiful.

Unfortunately, tragedy struck, and the mother became ill when Vasilissa was eight years old. Before she died, Vasilissa’s mother called her daughter to her bedside where she presented her Vasilissa with a small wooden doll. The mother explained that she was dying and that she was leaving her this little doll. She was not to show anyone this doll and to always be sure to carry it with her everywhere she went. If ever she had any sorrow or threat to her, Vasilissa was to go to a corner and take the doll from her pocket, giving it an offering of food or drink. Once it had drunk or eaten, Vasilissa would then able to tell the doll her troubles and it would aid her or give advice on what to do. With that, the mother kissed Vasilissa on the head and died soon after.

That first day, Vasilissa grieved for her mother’s loss. So much so, that when night finally came, she couldn’t sleep. As she lay there in her bed, Vasilissa remembered the tiny doll and pulled it out from her pocket. Then she found a small piece of bread and something to drink, these Vasillisa placed before the doll, saying: “There, my little doll, take it. Eat a little, and drink a little, and listen to my grief. My dear mother is dead, and I am lonely for her.”

The doll came to life, its eyes glowing as it ate a bit of bread and took a sip of drink. When the doll had finished, it told Vasilissa not to cry, that grief can be at its strongest during the night. That she should lay down and try to sleep for in the morning things would be better. Vasilissa did as the doll advised her and went to sleep and found that in the morning, her grief as not as deep and sorrowful as before.

After a period of mourning, Vasilissa’s father decided that it was right to marry again. Being a merchant, it wasn’t difficult for him to find and attract a suitable wife given his status with having a fine house, horses and his charity for giving to the poor. The merchant found a widow close to his own age with two daughters and thought that she would make for a good foster mother to his own little Vasilissa.

Such was not the case, as many of these stories show, the widow was a cruel and cold-hearted woman who only wanted the merchant’s wealth. Nor, did the widow harbor any love for Vasilissa.

Take a page right out of Cinderella, the widow and her two daughters envied and hated Vasilissa for her good looks and gave her all manner of tasks and errands to run in an effort to try and were Vasilissa out. Despite this, Vasilissa persisted, never complaining of what happened to her.

The key to Vasilissa’s success and enduring where others might have failed, is that she still had the little doll. Every night, while everyone else slept, Vasilissa would bring out the doll, while locking her door, she would feed the little doll. After the doll had eaten and drunk a little, Vasilissa would tell the doll of her troubles and the work her stepmother would task her to do.

After the doll came to life and listened to the girl’s plea, it would comfort Vasilissa and send her off to sleep. While she slept, the doll would perform all of the tasks set before Vasilissa and get all of her work and chores are done for the next day. This wouldn’t leave much left come the next morning for Vasilissa to do besides rest and play.

Time passed and Vasilissa grew up, becoming a beautiful young woman of marrying age. All the young, would-be suitors in the village came knocking, seeking out Vasilissa’s hand in marriage. None of the young men ever had an eye for the stepmother’s two daughters. This angered the stepmother to the point of being enraged. The stepmother would tell every young man who arrived at their door that the youngest would never be wed before the older ones. When the young man left, the stepmother would then beat and berate Vasilissa.

More time passed and Vasilissa’s father, the merchant left for a business trip. Barely was the father gone when no sooner did the stepmother have the house sold and packed everything up so they could move to the far side of the village near the dark forest. While the stepsisters worked indoors, the stepmother would task Vasilissa with more errands that would take her out into the dark woods.

The plot thickens!

The stepmother it seems was well aware that out in this dark forest, in a small clearing, Baba Yaga’s hut could be found. The stepmother had high hopes that Vasilissa would encounter the old witch that was known to eat people. She hoped that with each errand, it would be Vasilissa’s last as she would get eaten. Such was not to be, for the little doll of Vasilissa’s would guide her to where the berries and flowers grew and kept her well away from Baba Yaga’s hut.

One night, the stepmother brought all three girls together and tasked each of them with a job. To one of her daughters, they were to knit a piece of lace. The second daughter was to knit a pair of hose. As for Vasilissa, she was to spin a basket of flax. The tasks given out; the stepmother proceeded to put out all of the fires except for one candle before then heading off to sleep.

The girls worked for hours. The older of the girls eventually got up and went to straighten the wick on the lone candle. Instead of straightening the wick, the girl “accidentally” put the candle out. Now the girls panicked, for what would they do without any light to work by? The only house close enough to get a light from was that of Baba Yaga’s. The two daughters of the stepmother bade that Vasilissa be the one to go out and get the much-needed fire as she knew the nearby forest better. Nor, would the girls allow Vasilissa to return to the house without any light or flame.

Out a distraught Vasilissa went and sat on the front steps of the house. She pulled the small doll from her pocket and some food from the other. As she gave the food to the doll, saying: “There, my little doll, take it. Eat a little and listen to my sorrow. I must go out to the hut of Baba Yaga in the dark forest to get some fire and I fear that she will eat. Tell me! What shall I do?”

The doll came to life, eyes glowing as it ate. When it had finished, the doll replied that Vasilissa should not fear, to go to where she had been sent and that while he was with her, no harm would come to her from the witch. Hearing those words, Vasilissa placed the doll back in her pocket and headed out into the forest.

After a time, walking through the dark forest, Vasilissa soon heard the sound of horse hooves pounding the ground and shortly after, a white horse and rider dressed all in white passed by her. Soon as rider and horse were gone, it became twilight.

Vasilissa continued further on and again, she heard the sound of horse hooves pounding the ground as presently, another horse and rider passed by her. This horse and rider were blood-red and once they had gone, the sun arose.

On, Vasilissa continued her journey within the Dark Forest and it became very clear that she was now lost and there was no longer a path to follow. Nor, was there any food for Vasilissa to take out and bring the little doll to life to ask for help or advice.

Finally, as the evening came, Vasilissa found herself standing before a green lawn where a peculiar hut stood on chicken legs. Around the hut, a wall made of human bones with skull atop each post. It was a very unsettling sight for Vasilissa to take in.

While standing there, Vasilissa once more heard the sound of horse hooves and sure enough, a third horse and rider thundered into view. This time horse and rider were all in black. As horse and rider pounded the ground up to the gate to the hut, they disappeared, and night fell upon the forest as everything became dark.

The only place not dark within the forest was the lawn as all the eyes of the skulls on the wall lit up, illuminating the place. Vasilissa didn’t have long to stare for a loud noise boomed from the forest as trees groaned and shift. The source of the noise was Baba Yaga flying in riding in a large mortar with a pestle steering it. As Baba Yaga moved through the forest, behind her, she swept her trail clear with a broom.

Up to the gate, Baba Yaga flew and stopped, reciting the following: “Turn your back to the forest, your front to me.”

With those words, the hut turned on its chicken legs, facing towards Baba Yaga and stood waiting. Before going in, Baba Yaga sniffed the air and cried out that she smelled someone present and asked he was there.

In fear, Vasilissa stepped out, bowing low before Baba Yaga. “It is only me, Vasilissa, grandmother.” And explained how the daughters of her stepmother bid her come to borrow some fire as it had gone out at home.

Baba Yaga knew of whom Vasilissa spoke off and bargained that if she gave her some fire, that she was to stay a while and work for it. If Vasilissa didn’t, then Baba Yaga would eat her. The bargain struck, Baba Yaga with Vasilissa following behind, entered the hut.

Once they were inside, Baba Yaga sat down on her stove and stretched out her skinny, bony legs as she spoke: “Go and fetch the table and place everything in the oven on it. I’m hungry!”

Hearing this, Vasilissa hurried and pulled out from the oven, enough cooked meat for three big men. Then Vasilissa brought out from the cellar, honey and red wine. All of this Baba Yaga ate and drank with gusto, leaving only a small bit of cabbage soup, a crust of bread and a bit of pork for Vasilissa to eat.

Her hunger satiated, Baba Yaga grew tired and went to lay down on the stove. Before falling asleep, she instructed Vasilissa that on the morrow, when she left, that Vasilissa was to clean the yard, sweep the floors and cook her supper. Vasilissa was then to take a quarter measure of wheat from Baba’s storehouse and pick out all of the black grains and wild peas. Failure to accomplish all of this would see Vasilissa eaten by Baba.

Now Baba Yaga turned over, facing towards the wall and promptly fell asleep as evidenced by the snores. Scared, Vasilissa went to a corner and took out her tiny doll from her pocket. She fed it a bit of bread and a little bit of cabbage soup that she had saved. Then, bursting into tears, Vasilissa told the doll to eat a little and drink a little and then told it how she was in the house of Baba Yaga, that the old witch had given her a difficult task and if she did not complete it all, that Baba Yaga would eat her. What was she to do?

The little doll’s eyes glowed as it came to life and ate the bread and drank the soup before it responded, telling Vasilissa not to be afraid. To say her prayers and go to sleep, that things would look clearer in the morning. Trusting her little doll, Vasilissa did as she was told and went to sleep.

The next morning, Vasilissa awoke early while it was yet dark. Peering out the window, she the skulls on the wall glowing still. As she continued to watch, Vasilissa saw a man dressed all in white ride away on a white horse ran past and as they pounded by, it became light. The glowing eyes of the skulls went out with the light. Baba Yaga went out to the yard and whistled for her giant iron mortar and pestle that came. Climbing in, Baba Yaga flew away. Shortly after she left, a man dressed all in red riding an equally red horse appeared, signaling fully the arrival of dawn.

Alone now, Vasilissa looked about the hut as she took in everything that had to be cleaned and all that she was tasked to do. As she turned attention back to the yard, Vasilissa was astonished to find the yard already clean along with the floors of the house when she looked back inside. Looking around, Vasilissa spotted her little doll sitting in the storehouse as it picked the last of the black grains and wild peas out from a quarter measure of wheat.

Vasilissa took up the little doll in arms to thank it. That now all she had to do was cook Baba Yaga’s supper. The little doll bid her to that task which Vasilissa did after the doll went back to her pocket. Laying out the table for supper and getting the meal ready, Vasilissa needed only to rest and wait the rest of the day.

As she waited, Vasilissa heard the sound of horse’s hooves and soon saw a rider all in black on a black horse ride up the gate and disappear. Once the black rider vanished, it became night and the eyes of the skulls began to glow. Not long after that, the forest began to shake and branches tremble as Baba Yaga flew back to hut.

On entering her hut, Baba Yaga looked around, sniffing the air. Baba Yaga then asked the girl if she had done all that was asked of her or was Baba Yaga going to get to eat her? Vasilissa replied for her to look.

Baba Yaga looked around the hut and yard. Try as she might, Baba Yaga was unable to find anything amiss which angered the old witch. Still, the tasks were done, and Baba Yaga clapped her hands together, calling for her faithful servants to take her wheat. Instantly, three pairs of hands appeared and hauled away the measure of wheat.

Then Baba Yaga sat down at the table as Vasilissa placed before her all the food that she had cooked along with kvass, honey and red wine. Baba Yaga ate with much gusto, enough for four men. Finished, Baba Yaga stretched out her bony legs on the stove and told Vasilissa that tomorrow, she was to the same as she had done today and in addition, that she was to take a half-measure of poppy seeds from the storehouse and clean them, one by one. It seems that someone mixed earth with the seeds to cause old Baba Yaga some mischief. With that, Baba Yaga turned over towards the wall and began to snore.

Just as she had the night before, Vasilissa crept to a corner to pull out her little doll. She once more placed a small bit of food before the doll to ask its advice. Like always, the doll’s eyes glowed as it came to life and ate. Finished, the doll replied for Vasilissa not to worry, to say her prayers as she had before and to sleep. Vasilissa did as she was bid and went to sleep.

The next morning, Vasilissa awoke to the sound of Baba Yaga’s whistling. Vasilissa got up and ran to the window, just in time to see the old witch take off in her giant mortar and pestle. Just as she had seen the day before, the man in red appeared on his horse, riding away to signal the dawn. Like the previous morning too, as Vasilissa looked around, she saw that all of the tasks had been accomplished by her doll and all that remained was to cook the supper.

Vasilissa had everything for dinner prepared and ready on the table when the man in black on his horse return to signal nighttime and Baba Yaga’s arrival. Baba Yaga came into her hut, peering around, seeing for herself that all the tasks and supper were accomplished. Angry, Baba Yaga clapped her hands, calling for her servants to come take the poppy seeds. Again, three pairs of hands appeared to take the measure of poppy seeds away.

Baba Yaga sat down at the table devouring the meal with the zeal and gusto of five men. Vasilissa stood nearby, quietly waiting as the old witch ate. The quietness annoyed Baba Yaga who snapped at the girl, asking why she stood there as if she were dumb.

Vasilissa replied that she didn’t dare speak, but if she was allowed, could she ask grandmother some questions.

Baba Yaga allowed it, cautioning Vasilissa to remember that not every question had good answers and that knowing too much could lead a person to prematurely growing old.

Vasilissa then inquired, asking about the white rider. Baba Yaga said that was her servant, Bright Day. Then Vasilissa asked about the red rider to which Baba Yaga responded that was her servant, the Red Sun. Lastly, Vasilissa asked about the black rider and Baba Yaga replied that was her servant, the Dark Night. That none of her servants couldn’t harm Vasilissa.

Going silent, Vasilissa sat there and Baba Yaga wanted the girl to ask more questions. Why not ask more? What about the three pairs of hands? Vasilissa answered that three questions were enough and that she did not want to grow old too soon if she knew too much.

Old Baba Yaga laughed and said that well for her if she had asked about the hands, they would have appeared and seized Vasilissa to carry away to become Baba Yaga’s next meal. Now that Vasilissa had asked her questions, Baba Yaga wanted to ask questions of her own.

Namely, how was it that Vasilissa had been able to accomplish all the tasks in the short time allotted. Frightened, Vasilissa nearly brought out her doll, but thought better of it in time, replying instead that she had the blessing of her dead mother helped her.

Enraged, Baba Yaga told Vasilissa to get out of her house, she would have no one in her house who bore a blessing to cross her threshold. As Vasilissa got up to leave, running from the house, Baba Yaga grabbed a skull from a post on her wall and threw it at the girl. Saying that she was to take the skull, that’s what the stepmother’s daughters had sent her for.

Grabbing up the skull, Vasilissa placed it on the end of a stick and carried it with her out of the forest, running as fast as she could. She ran until morning when the glow of the skull dimmed just as Vasilissa exited the edge of the forest before her stepmother’s house.

Surely, by now, Vasilissa thought, the sisters would have found another light. Vasilissa thought to throw the skull into the hedge, but it spoke saying not to throw it away, to take it to her stepmother. Vasilissa picked up the skull again and carried it with her to the house.

In all the time that Vasilissa had been gone, the stepmother and daughters had had no fire or light for all of the house. Whenever they would strike flint and steel, the tinder wouldn’t catch and any fire brought in from a neighbor’s would immediately out as soon as it crossed the threshold of the house. Such was the state of three to have no light or warmth for themselves or to cook food. This made it the first time that the presence of Vasilissa was ever welcomed for when she carried the skull across the threshold, it’s light did not go out.

The stepmother insisted on placing the skull in the best room on a candlestick. As the stepmother and her daughters admired it, the eyes of the skull began to glow red like coals. Whenever the three would look or go, the eyes of the skull would follow, growing larger and brighter until the eyes burned bright as a furnace, growing hotter and hotter so that the stepmother and her daughters burned to ashes. Only Vasilissa was spared this fate.

What every poor abused stepchild wants, freedom from the wicked stepparent and siblings.

The next morning, Vasilissa dug a hole and buried the skull and locked the door to the house. She then set out of the village where she went to live with an old woman who was childless. There, Vasilissa lived, waiting for her father’s return from his journey.

After a few days of nothing to do, Vasilissa asked the old woman for some flax to spin, that she could at least do. The old woman went out and got Vasilissa some flax of the best kind and Vasilissa sat down to spin. So fine was the thread, even and fine as hair, eventually there was enough to work with to weave. However, so fine was the thread that there was frame that could weave the thread.

As she had done before when needing help, Vasilissa took out her little doll and giving it food and drink, told it of her need for a frame to weave her thread on. As always, the little doll came to life, eating and drink and when it had finished, it instructed Vasilissa to bring it an old frame, an old basket and some hairs from a horse’s mane and that it would make the frame needed. Vasilissa did as she was instructed, getting all the items and bringing them back.

The next morning, Vasilissa found a frame suited for the needs of weaving her thread on. It would take Vasilissa several months work weaving, throughout the winter, until she had at last a piece of linen as fine that it could be passed like the thread it was made of through the eye of a needle. Spring came and Vasilissa bleached the linen, making it as white as snow. Vasilissa then bid the old woman take the linen to market and sell it for the money made would pay for her food and lodging. The old woman returned from the market, saying that no one would buy the linen and that no one would wear it except for the Tsar himself. That tomorrow, she would carry it to the Palace.

The next day came and the old woman carried it to the Palace, and she spent her time walking up and down the walkways of the Palace. Servants would come up and ask her what brought her to the Palace and the old woman would say nothing. Presently enough, the Tsar opened his window and called down to the old woman what she wanted.

The old woman replied that she had a marvelous piece of linen and that she would show it to no one but him. The Tsar bid the servants bring the old woman in who showed off the linen to him. The Tsar was so taken with the finery and beauty of the cloth that he asked the old woman what she wanted for it. The old woman replied that there was no price for it, it had been brought as a gift. So pleased was the Tsar that he couldn’t thank her enough and sent the old woman away with many gifts.

Numerous seamstresses were brought in to make shirts for the Tsar out of the marvelous cloth, but they found that when it was cut up, that none of them had skill to sew it. The Tsar found himself calling the old woman back, saying that if she knew how to spin such linen, surely, she would know how to sew shirts from it.

At this, the old woman confessed that it wasn’t her who wove the cloth, but her adopted daughter who had done so. The Tsar bid the old woman to bring the cloth back to her daughter to sew into shirts. Bringing the cloth home, Vasilissa replied that it was just as well that she be the one to sew the shirts as she made the cloth.

Vasilissa took the cloth and went to her room where she returned later with a dozen shirts for the Tsar. The old woman brought all of these back to the Tsar who was so delighted with the craftsmanship that he sent a servant to fetch Vasilissa and bring her back to the Palace.

For the Tsar, it was love at first sight when he saw Vasilissa enter his Palace. So beautiful was Vasilissa that the Tsar asked her to marry him. The two wed and shortly after, Vasilissa’s father returned from his journey and he and the old woman went to live with Vasilissa in the Palace. As for the little doll, Vasilissa kept it with her always in her pocket all her life.

Christianized Version –

There is a Christianized version of this story where, when Vasilissa is sent off to Baba Yaga and ends up being captured by the old witch, it is Baba Yaga’s servants, a cat, a dog, a gate and a tree that all help Vasilissa escape her fate as she had shown them each kindness. At the end of this story, Baba Yaga turns into a crow.

Baba Yaga And The Peasant Children

This is a story I came across that is very similar to the Christianized version of Vasilissa’s story above. It also, after I finished reading it, that it sounds a lot like the Brothers Grimm story of Hansel and Gretel. You go over to Poland and these Gingerbread dwelling witches are all over the place.

The story starts off with two children who have a cruel stepmother. One day, the stepmother decides she no longer wants the children and contrives a way to send them off into the forest to get lost and eaten by the infamous Baba Yaga.

The children do find their way into Baba Yaga’s clutches and while there, they are able to escape her cannibalistic nature first from a black cat who helps them as they had fed it when Baba Yaga wouldn’t. Secondly, the children are aided by the gate slamming shut on Baba to slow her down because the children had mended the gate when Baba Yaga had neglected it. Finally, the very trees of the forest aid the children in evading Baba Yaga due to how she had mistreated them. The children are able to get home safely where their father kicks out the stepmother and welcomes his children home.

Prince Danila-Govorila

This is another story involving Baba Yaga that I came across and it reads in many ways, like a modern horror story. In it, there is an old woman who’s a princess and she had two children, a son and daughter. Entering the story is an old witch, Baba Yaga who doesn’t want the woman or her children to be happy. She turns into a fox and appears before the woman, presenting her with a ring and tells her that the ring is for her son, that he will be rich and generous, and he can only marry the woman whose finger will also fit the ring.

The old woman or princess believes the fox has given her a blessed gift and bestows it on her son. Time goes by and the son grows up and he beings to look for the woman whose finger will fit the ring. He finds many women whom he likes and fancies, but none of them are able to wear the ring. At long last, the son, Danila laments to his sister Katerina how he is unable to find a wife as no one is able to wear the ring.

Katerina asks to see the ring and Danila pulls it out. As it’s a ring, Katerina does the most natural thing and tries it on. To both siblings’ astonishment, the ring fits and Danila declares that Katerina is meant to be his wife. This can’t be so Katerina cries out, that’s incest and against God’s will. But Danila is so elated he runs off dancing and singing.

Katerina goes outside to cry her misfortune and as she does so, some elderly woman pass by and ask her what the matter is. They listen to her story and tell Katerina not to worry. Make four dolls and places them in the corners of her room. When Danila calls her to marriage, she should go and when it’s time to go to the bedroom, take her time. That Katerina should put her faith and trust in God to work things out.

Katerina does as she’s advised with making the dolls and placing them. Soon after, she and her brother are married. That night, when Danila called her to bed, Katerina took her time with getting ready and heading to bed.

This is where it gets to sounding like a horror story, as Danila is calling for Katerina, the dolls come to life, calling out how Prince Danila is marrying his sister and taking her to bed, for the earth to open up and Katerina to fall inside.

The more Danila calls, the more the dolls cry out, the more the earth opens up beneath Katrina and she sinks down within it. Eventually Danila can’t hear Katerina responding and he rushes into the room where she was supposed to be getting ready for bed. Only he finds the dolls calling out for the earth to open up and sister fall inside and there’s no sign of his sister. Danila flies into a rage and chops off the heads of all the dolls.

Meanwhile, Katerina finds herself beneath the earth and eventually she comes across a small hut that stands on chicken legs. A voice calls out from within for the hut to: “stand as before, rear to the forest and face before me.” The chicken hut turns, and Katerina is greeted to the sight of a beautiful maiden sitting alone inside.

The maiden invites Katerina inside to visit for a while. The maiden warns Katerina that her mother is a witch and when she shows up, she needs to hide. However much this frightened Katerina and with nowhere else to go, she went inside to visit and talk with the maiden as she knitted and made a wedding towel.

I can see where this is going…

The maiden knows when her mother will return, and she turns Katerina into a needle that she hides in her broom. No sooner done, then in comes the old witch who declares that it smells of a Russian having been in the hut.

The maiden says that some passersby had come through, looking for water. When the old witch asks why the maiden didn’t hold them, the maiden says that they were too old and tough for the old witch’s teeth.

The old witch instructs the maiden to call people into the yard and to keep them there next time. Now she was going to head off and get some booty. The old witch leaves and the two girls resume their talking and laughing.

The old witch returns again, Katerina is turned into a needle once more before she enters the house and the maiden tells a story to her mother how she couldn’t detain and keep the people there.

Third times the charm and the old witch isn’t fooled, she takes off again, but doesn’t go far for just when the girls are back to their antics of laughing and talking, where Katerina will hide this time and what story to use, the old witch enters the hut, revealing herself to be Baba Yaga to the frightened Katerina.

Delighted that her daughter has finally caught dinner, Baba Yaga tries unsuccessfully to get Katerina to sit on a paddle to be placed in the oven. Katerina makes it difficult as she keeps moving her legs to keep from getting pushed in. Baba Yaga is angered and when she tries to push Katerina in, the maiden takes her opportunity and instead, shoves her mother into the oven.

As the two girls ran, Baba Yaga got free of the oven and chased after them. First, the maiden threw down her brush that turned into a marsh that Baba Yaga had difficulty crawling through. On the girls ran with Baba Yaga still giving chase. Now the maiden tossed down her comb and a dark, thick forest sprang up that slowed down the old witch, causing Baba Yaga to lose sight of the two for a time.

Eventually, she was nearly caught up with the girls and the maiden now threw down her towel which turned into a vast fiery lake. Baba Yaga tried to fly up over this fiery lake, no matter how high Baba Yaga flew, the heat of the lake got to her and she plunged to a fiery death.

The two girls made it back to the world above but didn’t have any idea of where they were at. As they sat to rest, catching their breath, a man came up to the two. Both Katerina and the maiden were very alike in appearance and the man knew that they both matched the description of the missing Prince’s sister and wife, Katerina.

Finding themselves getting brought before Prince Danila so he could figure out which was his sister, Katerina refused to speak a word. As they couldn’t get either girl to speak, the man who was a servant of Danila’s came up with a plan to have the Prince hide a bladder full of blood under an arm, he, the servant would come up and stab him and that would get the sister to speak and thus reveal herself.

The plan is put into motion, the Prince with blood bladder under his clothing comes back out. The servant goes to stab the Prince. The Prince falls down as if dead, Katerina cries out in fright and goes up to hold the body of her brother, only to find, surprise! He’s not dead. Danila hugs his sister and marries her off to a good man and he decides to marry the maiden as the ring he has fits her finger too.

And I find that ending very wow? All that work and Katerina and the maiden are both married off like property, the Prince is reward for…pretending to die and takes the friend who shows up seemingly out of nowhere.

However that’s not the scope of retelling these stories, just that they’re ones that feature Baba Yaga that I came across and showcase her as a very scary, unpredictable being, whom with a bit of luck, cunning, one’s own magic or minding manners when dealing with someone very old, they can survive an encounter with Baba Yaga.

More Stories

I could go on for quite a while trying to give quick run-through of all the different folktales involving Baba Yaga, there are just that many. It would be my luck to still miss one or two. She even continues into the present day with continued use in literature and media.

At the very least, I can try to mention some of these other stories. There is: “The Feather of Finist the Falcon,” this is one story where the hero meets up with three Baba Yagas. There is also “Teryoshechka”, “The Enchanted Princess,” “The Silver Saucer and the Red Apple,” “The Maiden Tsar,” “The Tale of the Three Royal Divas”, “Ivashka, The Priest’s Son,” “Baba Yaga and Zamoryshek,” “By Command of the Prince Daniel,” “Marya Moryevna,” “Realms of Copper, Silver and Gold,” “The Sea Tsar and Vasilisa the Wise,” and “Legless Knight and Blind Knight.”

Reality Behind The Myth

The description of Baba Yaga’s hut that stands on chicken legs, with no windows or doors, likely has a place in the local cultures of the Siberian region. Similarly built cabins and huts have been observed with the early hunter-nomadic peoples of Siberia (namely the Finno-Ugric) and Tungusic families. To keep wild animals from getting into food supplies while they have gone, they built cabins with no doors or windows up on supports from trees. From a distance, these supports with the tree roots still attached would look like chicken legs. The only access to these huts would be by way of a trap door.

Siberian Paganism

Smaller, similar constructs were used in the old Siberian pagan religion to hold figurines of their deities. The idea has put forth of a late matriarchy where a bone-carved doll dressed in rags is placed in a small cabin that the doll can barely fit in.

The last idea is a funeral tradition used for cremating the dead in huts built on poles. Russian archaeologists, Yefimenko and Tretyakov found small huts containing the cremated remains of corpses and circular fences places around them in 1948.

Nanaue

Nanaue

At its simplest, Nanaue is the son of the Shark King, Kamohoalii and a mortal woman, Kalei. He is something of a bogeyman in Hawaiian mythology.

Family

Father – Kamohoalii, King of the Sharks

Mother – Kalei, a mortal woman

Aunt – Pele, a volcano goddess, which makes sense as some retellings list Kamohoalii and her being siblings.

Siblings – Unauna, a brother, a mountain demigod.

The Legend

Picture if you will, many years ago, the Big Island of Hawaii. A tale old as time. It is here, our story begins in the Waipio Valley where a beautiful young maiden by the name of Kalei lived. Every night, Kalei loved to go walking along the beach, down to where the mouth of the valley would open up to the sea to collect a particular type of shellfish that she loved to eat.

Going out late and alone one night, Kalei’s beauty caught the eye of Kamohoalii, the King of the Sharks. Being a shape-shifter, Kamohoalii was able to change to a human, one whose role was chief as he came to land to seek out Kalei.

In this guise, Kamohoalii was able to move among the humans as he searched. Eventually he found Kalei whom he was able to court and marry. In time, Kalei would become pregnant.

Now, Kamohoalii was careful not to ever reveal his true identity to Kalei. However, given that he would leave in the morning and come home late in the evening, eventually Kamohoalii does reveal his true nature to Kalei.

Not keeping secrets is healthy in a relationship and that would make it easier for the fact that Kamohaolii has to return to the sea. That means Kalei is going be alone and with a half human, half shark son on the way, it will help that she knows what to do.

Kamohoalii was careful to give instructions to Kalei to give birth alone and that she always keeps an eye on their child. The final instructions were that she never allow their son to eat meat from any. Kalei vowed that she would follow Kamohoalii’s words. It is a reluctant Kamohoalii who returns to the sea, leaving his lover behind, never to see her again.

The time came, during the night that Kalei gave birth to her’s and Kamohoalii’s son. She was gladdened and then became afraid when she saw on the baby’s back a deformity like a large open hole or slit as if it were some fish mouth.

Kalei covered her son, whom she named Nanaue, with a blanket and later a shirt to hide his deformity from other people. At first, all goes well and Kalei is able to raise her son and follow Kamohoalii’s instructions.

This works until Nanaue is three or four years old and is taken to go eat in the Mua house with the other men. There, Nanaue’s grandfather fed him some meat. Instantly, the child developed an insatiable appetite for meat. The mouth on Nanaue’s back grew sharp rows of teeth.

As Nanaue’s shark nature developed, Kalei discovered that her son would turn into a young shark whenever he bathed in a stream. Kalei counciled her son to be careful not to reveal his nature to anyone else.

This worked for the most part, Nanaue busied himself working in his mother’s taro patch when he wasn’t fishing or bathing. This earned him something of a reputation as a loner and a recluse. This had more to do with that as Nanaue grew, so did his voracious appetite as a shark. People did pass by his mother’s place and they’d see Nanaue whereon he’d engage in some small talk. Mainly the question of what they were doing. If people said bathing or fishing, Nanaue would bid the people to take care.

Now, if it were just one person going off alone, this is whom Nanaue would pick to eat and soon enough, the individual would go missing. Pretty there’s a habit of missing people and what all do they have in common?

Hmmm….

The people of Waipio Valley began to get suspicious of Nanaue. Why was he the only one never harmed by this monstrous shark that would appear. There wasn’t any proof yet.

Eventually, King Umi sent out a proclamation for all the Hawaiian men of Waipio to come and put in some work on tilling his plantation. On the first day of work, Nanaue was the only man who hadn’t shown up.

Word reached King Umi about a man who hadn’t shown up for work and men were sent to bring Nanaue before the king. When questioned why he didn’t show up, Nanaue replied that he didn’t know he was to show up.

Hmmm….

Seems legit as King Umi accepts this answer and tells Nanaue to show up tomorrow. Bright and early the next day, Nanaue shows up for work with all the other men. Unlike them, Nanaue is still wearing a shirt to cover the shark mouth on his back. This puzzles the other men who wonder why Nanaue doesn’t go shirtless like they do in the heat as they all work.

After a few days of this, some of the other younger workers decided to accost Nanaue as they surrounded him and ripped his shirt off. This revealed the gruesome shark mouth on Nanaue’s back. In anger, Nanaue turned his back to bite several of the young workers.

Some of the workers ran and reported to King Umi what had happened. It didn’t take King Umi much to put two and two together as to who and what was the source of so many of his people vanishing when going swimming. King Umi ordered Nanaue’s capture and that a large fire be built in which Nanaue would be burned alive.

See what fate held in store for him, Nananue called upon his shark father, Kamohoalii to aid him. As an answer to his pleas, Nananue found himself with superhuman strength that allowed him to break the ropes holding him. Using his new immense strength, Nananue broke free of Umi’s warriors that tried to seize him. Nanaue ran with all his might to rock edge and leapt into the ocean with numerous people to witness his change into a shark.

The people were greatly upset with Nanaue’s escape, such that they wanted to kill his mother and relatives for having raised such a monster. Kalei and her brothers were caught and brought before King Umi. Not giving into the people’s immediate demands for execution, Umi questioned Kalei about her son and she confessed to everything about Kamohoalii’s courtship and the warning he had given her concerning raising their son.

Hearing Kalei’s tale, Umi wisely surmised that any actions taken against Kalei and her kin would likely arouse the Shark King’s wrath. If not that, surely the wrath of Nanaue.

Instead, Umi decreed that Kalei and her brothers be released. A request was given to the priests and shark kahunas to make offerings and invocations to Kamohoalii to ask what to do about his son Nanaue. The spirit of Kamohoalii appeared and told how it was the boy’s grandfather who had fed him meat. If it had not been for this action, he would order his son killed. As it was, Kamohoalii informed the priests and kahunas that his son was to be exiled from Hawaii and if he appeared again, his shark soldiers would kill Nananue. Before leaving, Kamohoalii obtained a promise that Kalei and her family would be held blameless for Nanaue’s actions.

As to Nanaue, he swam to the Hana side of the island of Maui. Here, resumed his human form again and married a chiefess. Nanaue tried for a while to suppress his voracious appetite for human flesh. This only worked for so long and Nanaue’s hunger grew so great and desperate that he grabbed a young girl and ran with her out to the ocean where he changed back into a shark and ate her. One or two legends state that Nanaue does have descendants of his on Maui.

The worst part to all of this, is that everyone saw it. Saw Nanaue grab the girl, take off with said girl to the ocean where he changes into a giant, monstrous shark and devours her. Enter the mob with pitchforks… well, spears and the people of Maui chase after Nanaue in their canoes, doing their best to try and kill him.

The story continues and Nanaue manages to escape, making his way towards Molokai. Once more Nanaue tried to keep his real nature a secret and resumed a normal life. However, stories of a dangerous man-shark are now making the rounds. The people of Molokai are on alert as their people are now being eaten by a monstrous shark and with a stranger in their mist, it doesn’t take long for them to suspect Nanaue. A local kahuna told people that the next time that Nanaue appeared after such an attack, to have some strong men grab hold of him to pull off his shirt to reveal the shark mouth underneath.

Given Nanaue’s voracious appetite, it’s not long before he succumbs to his carving for humans. The men are ready, and they seize hold of Nanaue after the latest monstrous shark attack. Ripping off his shirt sure enough reveals the shark mouth on his back.

Having been found out, Nanaue uses his superhuman strength to overpower the men and break free. Or so he tries. The men’s determination not allow the monster get away is what enables them to finally subdue Nanaue enough as they beat him mercilessly with clubs.

Unconscious, the men now bound and tied up Nanaue while they prepared to build a big fire. As the men gathered brush and firewood, Nananue came to. Realizing he was bound, Nanaue struggled to make his way towards the ocean. Once he touched the water, Nanaue turned back into a shark. The men had returned and seeing that Nanaue had turned into a shark threw nets over him to drag him further up on the shore, coupled with some more beatings with their clubs to knock him out again.

If Nanaue is so strong and he’s escaped before, why not now? That’s because the people of Molokai had called on upon a young demigod, Unauna to help them. Demigod versus demigod and Unauna, despite being young, had the advantage over Nanaue who’s a fish out of water.

Up the slopes of Kainalu Nanaue is hauled. It is said that the shallow ravine seen on Kainalu Hill marks the passage that Nanaue was dragged along. This place is known nowadays as Puumano or Shark Hill.

To make sure that Nanaue would finally be defeated once and for all, Unauna instructed the people to cut the shark’s body to pieces as they burned it. Bamboo from the sacred grove of Kainalu was used in the process of cutting and burning the large shark.

In a slightly strange twist, the god Mohoalii who preceded over the sacred grove of Kainalu was angry over the desecration of his grove. Interestingly, Mohoalii is another name for the shark king Kamohoalii. Further, he’s also the father of Unauna, not just Nanaue. Angry, Mohoalii caused that the bamboo of this grove would no longer be able to keep edge or stay sharp.

At any rate, Nanaue is finally dead and the people of the Hawaiian islands no longer had to fear his insatiable appetite for human flesh.

Akua

At its simplest meaning, this is the Hawaiian word, that when used as a noun, means either a god, demigod, any supernatural entity or an idol. As a verb, it describes anything supernatural or divine. It tends to be a catch all word and has a few variations for rankings.

Manohae

Meaning “ravenous shark,” this is a nickname that derives from Nanaue’s story when describing anyone who’s a glutton, especially for meat.

Tourism! Kaneana Cave

When visiting Hawaii, many of the sacred places are off limits and only native Hawaiians are allowed to visit them.

There is one exception, Kaneana Cave, here it is believed that the spirit of Nanaue is still present and will devour the unwary and unsuspecting. Even better, tourists are allowed to visit!

I can only surmise that local Hawaiians had hoped that Nanaue was still around and would take care of unwanted tourists in their loud, bright Hawaiian shirts and snapping pictures of everything.

It’s good for business! Who doesn’t love a bit of a ghost story and potential danger?

King Shark – DC Villain

As King Shark, Nanaue does appear as a villain for Superboy in 1994. In his original version, it does follow his Hawaiian origins with other characters dismissing it as just superstition and believing instead that Nanaue is just a mutation. However, further storylines in Aquaman confirm the mythical Hawaiian origin as valid and true for DC.

From there, King Shark makes other appearances in the DC Universe of comics, video games and animated movies. His most notable appearance at present is as a reoccurring villain on CW’s The Flash where they alter and mix up his origins a bit, but still largely the same character. Marine biologist turn giant, mindless monstrous Shark Guy during a particle accelerator explosion who then goes on a rampage and is extremely difficult to beat. I suppose that works.

Orbona

Orbona

Pronunciation: /orˈboː.na/

 Etymology: orbh- (Indo-European) “to change allegiance or status”, orbus meaning: “bereft” or “childless”

When in Rome, there seems to be a deity for just about everything, including orphans. Enter Orbona, the goddess of children, especially orphans. Childless parents would call upon Orbona to bless them with children.

Worship

I’m not sure you could really call it worship. There is however enough significance for Orbona that she had an alter near the Lares Temple in Via Sacra. Here, parents who had lost a child or might be about to lose one to illness would call upon and invoke Orbona.

In Roman mythology, Orbona was the goddess who granted new children to parents who had become childless. She was also the goddess of children, especially orphans.

Fertility Goddess?

Well sure, but only after parents had lost their child and hoped to ensure the survival of future children or to be granted more children.

Protector Of Children

That makes sense. That was the whole point of why parents or would-be parents would call upon Orbona, to ensure the safety of their children or potential future children. She was seen as a guardian of children, especially orphans.

What’s In A Name?

It gets a little interesting looking into the origins and root meaning of Orbona and Orphan.

Credit is given to the Indo-European root word of “orbh-“ meaning: “to change allegiance or status.”

Okay… from here the definition continued with how the Greek “orphanos” is similar to the Czech word “robota” which means compulsory labor, drudgery, servitude and slave” Even an old Old High German word of “arabeit” meaning labor is connected to “orbh-.” How exciting and lovely.

That gives a whole new light of understanding to Victorian Era Britain and orphans getting sent to the Workhouses.

Yay?

Welcome To The Dark Side

As a goddess of Orphans, Orbona is seen as having a bit of a sinister side… after all, childhood diseases that can claim and rob you of your children.

Orbona is associated with a couple of other dark goddesses, Febris and Fortuna Mala who weren’t exactly that well-received or whose attention you didn’t want to attract.

Not exactly all sunshine and roses here…